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ZVONIMIR NAGY

VOX REGINÆ ORGANALIS PIPE ORGAN


Zvonimir Nagy

VOX REGINÆ ORGANALIS Pipe Organ & Music Box


Š 2011 by Zvonimir Nagy. All Rights Reserved Composed for the 2011 Iron Composer Competition Duration: 5 minutes


vox reginæ organalis pipe organ and music box

Zvonimir Nagy Fast, but free and extemporaneous q = ca. 120 Music Box

Organ

Pedals

{

/ 44

∑

46

∑

rall.

∑

Great/Choir/Swell/Solo: Tutti, Sw-Ch-Solo/Gt Ped: Tutti, manuals coupled

Fast, but free and extemporaneous q = ca. 120

Ÿ ~~~~~~~~~~ œœœ w Db œ 4 &4 GREAT

& 44 ?4 4

{ mf

(Boxes closed)

∑

rall.

œœ œœ bœbœbœ

œ œ œ œ œ œ œ œ

46

b œ b œ b œ œ œ œ œœ œœ œœ œœ 46 b œœœ bœbœ mf

fff

∑

œœ resonantœ œ ‰ #œ ‰

∑

(Boxes open)

fff

œfij 46 b œœ

fff

Copyright © 20011 by Zvonimir Nagy. Composed for the 2011 Iron Composer Competition

œœœ

n œœœ

Œ

Œ

SW.

‰ p

##œœœ ≈ ‰ b b œœ ≈ ‰ n œ ‰ J R R

(Boxes closed)

Ó™

?


2 4

Mus. Box

Org.

Ped.

{

Org.

{

Ped.

A tempo

58

∑

98

∑

Slow ca. q = 60

48

∑

∑

∑

Swell: Gedeckt 16', Geigen 4',Vox humaine 8', Nazard 2 2/3', Tremolo Choir: Nazard, 2 2/3' Tierce 1 3/5, Flute 2', Tremolo

Great: Claribel Flute 8, Cymbale III

A tempo

& 42 b œ. œ. œ. b œ. œœœ œ

Π58

#œ œ œ œ # œ œ # œœ # œœœ œœœ U Ó

98

∑

Ped: Diapason 16' only

Slow ca. q = 60

48

∑

Œ

? 42 ff

œ. œ b œ. œœ. œ.

ppp

? 42

CHOIR j 58 Œ j j ‰ ‰ & 98 œ n œœ n œœœ n œœœœ œœœœ b œfi b œ b œ. œ fff > pp

58

∑

98 Œ

∑

œœœœ UÓ

?

U nœ œ Ó #œ

48

GREAT

pp

W WW W

www

SWELL

48

Œ b˙ ™ b˙ ™ ˙ ™ ˙ ™

glittering, airy

GREAT

CH.

ppp legatissimo misterioso

∑

mp

pp

˙˙ ™™

œ

b WW ppp

fff

Start "Abide with me"

9

Mus. Box

2 / 4

/

& Œ b˙ ™ b˙ ™ pp

? ww w ?

b WW

∑

˙™

˙™

Œ

mp

pp

˙ ™™ ˙

œ

Œ

n˙ ™

pp

# # # www <n>WW

n˙ ™

∑

˙™

˙™

Œ

mp

pp

˙˙ ™™

œ

∑

∑

Ä ∑

Œ

n˙ ™

pp

#W bb W WW

sempre ppp

∑

# # www <n>WW

n˙ ™

∑

˙™

˙™

Œ

mp

pp

˙˙ ™™

œ


Mus. Box

Org.

Ped.

/

∑

Œ & Œ b˙ ™ ˙ ™ b˙™ ˙™ pp

mp

˙˙ ™™

? www ?

Org.

Ped.

{

œ

www

∑

& ∑

∑

? w w

˙ ™™ ˙

w™

3

œ

˙˙ ™™

œ

˙˙ ™™

www

Senza misura

œœ œœ œœ ™™ ‰ Choir: + Clarinet 8'

Ó

3

œ

Senza misura

˙˙ ™™

www

œ

WW ∑

44

∑

44

‰ œj b œj œ b œ j n œ œ œ ™ b˙ p rubato espress.

Ped: + Sw/Ped

W

Ó

WW

∑

œ œ œ œ œ œ œœ œœ œœ # # œœ œœ ™™ ‰ J

p dolce espress. sempre legatissimo, quasi un corno da lontano

∑

œœ œ œ œ œ ™ œ œ œ œ™ ‰ J

∑

3

b WW

/

?

∑ CHOIR œ œ œ œ ™ œœ œœ œœ œœ œœ œ œ ™™ œ œ ‰ œ œ œ œ™ J

∑

pp

b WW

17

Mus. Box

∑

∑

∑

U∑

4

∑

Swell-Great-Choir: Foundations 16, 8, Mixtures Pedal: Foundations 16, 8, 4, Reed 16

24 Ä ∑

U w

84 U w ∑

42

? 8 b b ww w

SWELL

j 4 œ 4w

44

48

∑

84 U w pp

& s.

13

∑

&

glis

{

3

42 Œ

œ

ppp

∑

42

∑


{

4

23

Org.

Ped.

{

& 44 GT

b # b œœœœ

Fast, ca. q = 120

{

f

Ped.

œœ

b œ n œ œ œ œ œ œ œ œ œ œ œ œ 46 ˙

b b œœ <n>œ <n>œ œ œ œ œ œ œ œ œ œ œ œ œ 46

& 44 b b œœœ ?4 4

∑

27

Org.

œœœ

6 & 4 b˙

˙

44 <n>˙

Ó

bw

bw

gliss. <n> œ 64 œ

w

44

ff legato cantabile

˙

˙

44 ˙

˙

Ó

œ œœœ œœ œ œ œ 44 œ œ # œ œœœœ œ # œ œ œ œ œ œœ œœ œ œœœ œ œ œœ œ œ œ # œ sempre legato œ œ

[diatonic]

∑

˙

˙

˙

∑

w

∑

6 4 & 4#œ œ œ œ œ œ œ œ œ œ œ œ œ œ 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ?6 4

œ

˙ 3

Ϫ

œ 5

œ

Œ

™ 44 œ

œ ˙ J

bw

˙

Ó


5

{

Swell: Flute 8. Gamba 8', Voix Celeste' Great: Cymable III only Ped. Diapason 16 only

rall.

31

Org.

Ped.

{

Ped.

∑

& œœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœ ?

35

Org.

∑

&

GREAT

&

∑

∑

. b œ. n œ. . . b œ. n œ. . . b œ. n œ. b œ. œ. b œ. œ. b œ œ. b œ. œ. œ œ. œ. œ. n œ. œ œ. b œ. œ. œ b œ. œ. b œ. n œ. b œ œ. b œ. œ. Slower, enchanted q = ca. 63

mf with charm

?

ww w

pp

œ

p

Πmelodic melismas following the general contour; pitches ad libitum

œ. b œ. . b œ. . b œ. . b œ. . n œ. . œ. œ. . œ. . b œ. . b œ. . n œ. . œ. b œ. . b œ. . œ. . b œ. . n œ. œ œ œ bœ œ œ nœ œ bœ œ œ nœ œ b œ

w ? ww ? Ó

ww w

ww w

SWELL

. b œ. n œ. œ. . . œ. œ. b œ. œ. b œ œ. b œ œ. b œ. œ. œ. œ. œ ww w


{

6

. . . .œ b œ. œ. b œ b œ. n œ œ. œ n œ n œ b œ œ œ œ b œ œ &

38

Org.

Ped.

˙ ? ˙˙ ? j

ppp

œœ œ ‰

Org.

Ped.

{

∑

Œ

œ <n>œ <n>œ

œ bœ

∑

senza rall.

œ

œ

?

∑

Start "Near my God to Thee"

4 / 4

41

Mus. Box

Ó

œœ œ J

œ b œ b œ b œ n œ œ œ œ œ ™ gliss. U‰ ? œ <n>œ [short!]

∑ ™ œ b œœ ™

? 44 <n>œ CH

? 44 ? 44

42

}

œ bœ

Ä

Slow ca. q = 60

U∑

48

∑

∑

∑

∑

Swell: Plein-Jeu IV only, tremolo (box closed) Choir: Dolciana 8, Unda Maris 8', Soft Flute 4, Ch/Ch 4' Pedal: Quintadena 4' only

œœ œœœ

œ œ œœ ˙˙ bœ œ œ ˙˙

42

U ∑

2 &4

U ∑

48

∑

42

U ∑

48

∑

Slow ca. q = 60

&

48

∑

∑

CHOIR

bW

w

w w

ppp

∑

translucent, ethereal, from afar

∑

∑

∑

∑

∑

SWELL


7 47

Mus. Box

Org.

Ped.

{

{

/

∑

˙ & n ˙˙ &

Ϫ Ϫ

Org.

?

Ped.

WW W WW W

œ œ™ œ œ™ J

˙ ˙

Ϫ Ϫ

∑ WW W WW W

œ œ œ œ Œ

˙ ˙

Ó

≈ Œ ∑

Ó

‰ Œ

poco rall.

W W W Ϫ Ϫ

p

pp incisive

∑

œ œ œ ˙ œ œ œ ˙ J Œ

Ϫ Ϫ

∑

∑

∑

WW W W & WW

?

œ™ ‰ œ™

˙˙˙ ˙˙˙

∑

/

&

œ œ™ œ œ™ J

œ b œœ œœœœ œœœœ

p cantabile, in rilievo

50

Mus. Box

˙˙ ˙˙

∑

∑

∑

W W

≈ Œ ∑

Ó

œ ™™ œ

W œ #œ œ œ J

œ ˙ Œ œ ˙ ≈ Œ ∑

∑

poco rall.

œ œ œ ˙ œ œ œ ˙ J Œ

œ œ™ œ œ™ J

Œ

,

‹ &

∑ ∑

?


8

/ 44

Very fast, luminous q = ca. 144

54

Mus. Box

Org.

Ped.

{

∑

∑

Great-Choir-Swell-Solo: Tutti, Sw-Ch-Solo/Gt Pedal: Tutti, manuals coupled

∑

í ™ Very fast, luminous q = ca. 144 ‹ ™ œ œ œ œ œ œ œœ œœ œ œ œœœœœœ œœ & 44 GREAT fff with all force and intensity

? 44

∑

?4 4

í ™™ œ œ œ œ œœœœ

œ œ œœ œœ œœ

&

∑

∑

˙

∑

œ

Œ

œ™ ˙

œ

fff legato

Œ

œj ˙ œ

œ

IMPROVISATION SECTIONS Manuals: The organist improvises from the given inventory of the above patterns in sequence. All countour patterns are based on the hymn tunes, Nearer my God to Thee and Abide with me. Patterns are to be played consecutively using perfect 5ths – no less than 4 and more than 8 times each before moving on to the next, and in any pitch combination as desired. The hands should not sound syncronised, but out of phase with each other, and each hand in turn may drop out for a few seconds. The duration of this section should be approximately 1 minute. The musical goal of this section is to gradually build an vibrant and luminous sound, reflecting the interplay of not only the given patterns, but also dynamics, density, register, texture, and timbre, moving from diatonic pitch collections to more chromatic ones. Pedal: Relize the given two-part tunes following the dashed barlines as metric point of reference; allow the passage to grow in energy and intensity.

{

‹ &

58

Org.

Ped.

&

? ˙ ˙

™™î

™™î

œ ˙

œ

w œ

œ

œ

œ

˙

w

œ

œ

œ™ ˙

œj ˙ œ

œ

œ̇

œ œ ˙

œ

w œ

œ œ #œ


9

{

‹ &

64

Org.

Ped.

{

with great strength and intensity until the end

& ?

œ

œ™ ˙

œ

j œ ˙ œ

œ

œ ˙

˙ ˙

œ™ œ

œ

œ

j œ

œ̇

œ

‹ &

Ped.

œ

¿ ¿¿ ¿ ¿ ¿¿

& ? œ œ

w

œ

œ™ ˙

œj ˙ œ

œ

Conclude with a sustained chord of any pitch collection (e.g. cluster that you might arrive at at by the conclusion of hymn tunes in Pedal.

70

Org.

˙

œ œ

œ œ

œ œ

w ˙

˙

w w

w w

œ œ

Œ

Ó

Œ

Ó

Œ

Ó

Nagy - VOX REGINAE ORGANALIS (2011)  

Organ and music box

Nagy - VOX REGINAE ORGANALIS (2011)  

Organ and music box

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