Careers in Film/Television

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Camera Operator Pay:Programme Variable Working hours: 12-14 Daily A television camera operator works with digital, electronic and film cameras in multi and singlecamera operational conditions, producing pictures for directors by combining the use of complex technology with creative visual skills. The work is based in three settings:

•in a studio, where the camera operator usually follows a camera script, which gives the order of shots. This is practised at rehearsal and is cued by the director during recording. The skill lies in interpreting what the director wants and acting quickly and effectively to

achieve it; •outside broadcasts, working as part of a team of camera operators filming live events, such as sporting and ceremonial occasions and music performances; A camera operator might specialise in any or all of these disciplines.

Qualifications

No specific qualifications are required to work in this role, although film schools and training courses offer a good basic grounding in the skills and knowledge required and in practice many Camera Operators have studied for higher level qualifications. The most useful courses offer practical experience and may also include work experience placements. Relevant courses include City & Guilds courses, BTEC HNC/HNDs, Foundation degrees, first degrees and postgraduate qualifications in media, film and TV production or cinematography. Basic stills photography, which develops visual and composition skills, also provides a useful starting point in training for this role.

What Jobs do they do? •assembling, preparing and setting up equipment prior to filming, which may

include tripods, monitors, lighting, cables and leads, and headphones; •offering advice on how best to shoot a scene, explaining the visual impact created by particular shots; •planning shots - when filming an expensive drama scene, such as an explosion, there may be only one chance to get things right so shots need to be meticulously planned beforehand; •practising the camera moves required for pre-arranged shots; •studying scripts; •finding solutions to technical or other practical problems (for an outside broadcast, for example, the natural light conditions need to be taken into account when setting up shots);


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