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YU-TING CHAO ARCHITECTURE PORTFOLIO Sep’13 - Jan’17


YU-TING CHAO Education

Software

Experience

Pratt Institute | School of Architecture | NY, USA Wuhan University | School of Urban Design | China Rhinoceros, Autodesk Revit, Autodesk AutoCAD, SketchUp, Adobe Photoshop, InDesign, Illustrator, Lightroom, Maya, Microsoft Word, PowerPoint, Mac OX Pages, Keynotes Architecture Research Assistant | Pratt Institute HR Office Assistant | Pratt Institute Tutor | School of Architecture, Pratt Institute Architecture Intern | CTJ Architect & Associates Accountancy Intern | Master Machinery co.,Ltd

Honors

Design Work Included in Pratt SOA NAAB Exhibition C & M Schade Endowed Scholarship | Pratt Institute Design Work Archived by SOA Pratt | Pratt Institute Dean’s List | Pratt Institute President’s List | Pratt Institute graciaschao@gmail.com

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STRUCTURE

Zinc Coated Copper Panels

HIGHLIGHTS OF WORKS

Columns

Foundation Columns

Transfer Beams

Footings

Corrugated Metal Stack + Concrete

CIRCULATION

Section, P.23 Roof Slab Supporting Grid

Steel I Beam Grid + Vertical Supporting Components

Render, P.65

Fire Stairs

Car Path

Elevators/ Open stairs

Public Circulation

Resodents’ Circulation

Trusses

ORGANIZATION

Circulation and “In-Between” Spaces

#4: Connect people back with the outside With rowing tank at the ground level, visitors can see the tank room at the end of circulation path on the upper level.

#3: Exterior “In-Between” Space Open from the ground level outdoor green space, with bridges on the upper level, allowing the public circulation path through and leading varsity members to their locker rooms.

Model, P.38

Section, P.51

Private

Semi Public

Semi Private

Public

#2: Divide and Connect two Boat Storages Makes Boat Storage Space flexible and make it possible for each team to use other teams’ boat when necessary.

#1: Bringing people into the building

OUTDOOR SPACE

Rear Yard for Student

Sculpture Garden

Entrance stairway leads people from the public park/ carway into the building level, and acts as an outdorr theatre during weekends.

Elevations

P.8-9 Analytical Diagram

Massing of programmes

My

rtle

Ave .

nd

Gra

. Ave

Sections

P.50 Analytical Diagram Plans

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School Works

Professional Works

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Columbia Boathouse

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FLORA and FAUNA : Istanbul

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The Green Intersection

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Fun Palace: Coney Island

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NYC Cuisine Art Archive

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Wave Hill Academy

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Pratt Graduate Dormitory

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Design I

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Design II

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*archived

*archived *NAAB Exhibition

*archived

*archived


School Design Works

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The Tentacles : Columbia Boathouse

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The Columbia boathouse, located in Inwood, Manhattan, was first built in 1929, and was re-constructed in 2001 by Columbia University. Facing Spuyten Duyvil Creek and south end of Marble Hill, the site has an incredibly beautiful view of water, train track, a bridge, and hills. The mission of our re-design of the boathouse is to open up the once very exclusive varsity boathouse, to the locals of Inwood, and even the visitors from around the places visiting Inwood, and at the same time mantain the fundamental function of a boathouse -- to provide a training space for rowers and a storage space for the boats.

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Scale: [ 1’ = 1/16� ]

Ann Chai

Site Plan Yuting Chao

C OLUMBIA B OAT H OUSE


Trusses

Circulation and “In-Between” Spaces

#4: Connect people back with the outside With rowing tank at the ground level, visitors can see the tank room at the end of circulation path on the upper level.

#3: Exterior “In-Between” Space Open from the ground level outdoor green space, with bridges on the upper level, allowing the public circulation path through and leading varsity members to their locker rooms.

#2: Divide and Connect two Boat Storages Makes Boat Storage Space flexible and make it possible for each team to use other teams’ boat when necessary.

#1: Bringing people into the building Entrance stairway leads people from the public park/ carway into the building level, and acts as an outdorr theatre during weekends.

There are four major “in-between” spaces, each defined by its function as following: the entrance, the lounge, the exterior garden, and the rowing tank room. These four spaces are the only ones that touch the ground in this project, surrunded by structural components, so that a great portion of ground floor space could be open to the public and given new programs by the public.

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Massing of programmes


Ground Level Plan Upper Level Plan

Zinc Coated Copper Panels

Corrugated Metal Stack + Concrete

1

2

3 A 4

5 6 B 7

Offices

Coach’s Lockers

Roof Slab Supporting Grid

A Gallery

C

Locker Room

Multi Purpose Room Locker Room

B

D E

F

C G

Steel I Beam Grid + Vertical Supporting Components

Mechanical Room A

H

Cafe

D

Varsity Training Room

I

E

J K

F

Mechanical Room B

Electrical Room

L

G

Janitor’s Closet Membership Office Community Video Room

Kitchenette

H

I Community Classroom

1

J K 2

Trusses

L 3 M 4

N

5

N

Scale: [ 1’ = 1/8” ]

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Upper Level Plan Ann Chai Yuting Chao

C OLUMBIA B OAT H OUSE

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FLORA and FAUNA : Istanbul This diagram serves the project “Greening Istanbul� as a reference for selection of vegetations (trees/ bushes/ flowers/ ivies). Data are carefully collected upon researchs and gathered to be presented as an informative diagram by team members.

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Each dashed line represents the time span of existence of certain vegetations, insects, or birds. Thus the denser the lines, the more diversed the eco situationof that time frame.

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Greening Istanbul: The Green Intersection Worldwide cities are expanding; people are attracted to aspects of urban life that promise connectivity, (upward) mobility, diversity and efficiency as well as productivity. According to research guided by interdisciplinary teams 53 % of the world’s population lives in the cities... by 2050 it is expected that the share of urban dwellers will reach 70%. Analysis of mega, endless, cities reveal that they all have different opportunities and challenges; for example, a city with a compact footprint is likely to achieve greater efficiency than other with a more linear development. Istanbul’s trajectory has been nothing but unusual: The physiognomy of Istanbul is linear; it is spread on both sides of the Bosporus and keeps on growing/expanding... In fact the City and State boundaries have merged. Status Qua in Istanbul is that the share of green space and parks are only 1.5% of the city’s footprint (Another statistic showed this number as 2.2%), while the numbers are 14% in New York City and even 41% in Hongkong. So, how can we stop/slow down the change, the ambient temperature rise, lessen the impact of extreme weather patterns and contribute toward a healthy urban environment? How can the heat island effect be reduced and a city that has succumbed to extensive urban development with merely a green surface area be cooled off? Perhaps now, innovative strategies can re-establish lost equilibrium between natural and built environments.

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Unaccessible Green Spaces Public Parks Metro Stations Colleges/ Universities Hospitals Busy Main Streets

18Map of Istanbul: General Info | Greening Istanbul

Yu-ting Chao | SU 16 Design 400 | Prof. Zehra Kuz


According to a research done by MIT and ICLEI, on the issue of cities seeking to reduce the emissions throughout sectors, “cities generally focous first on buildings (89%), public fleet of motor vehicles (72%), and waste reduction (55%). Next, the focous falls to residential energy (48%), policies and programs for sustainable residential buildings (36%) and increased use of public transport (36%). Reducing the use of private motor vehicles -- a goal for 22% of cities, and creating local services and businesses -- a goal for only 18% of cities, were low on the list, identifying an area of key action as city leaders look to put their cities on the path to sustainable growth.” The chart below shows where cities have made measurable emissions reduction (global results). The map on the left shows the major public buildings and average

So, what if the use of private motor vehicles could be

traffic conditions in Istanbul (focused in Şişli, Beşiktaş, Üsküdar, and

reduced, through a solution which could make it easier for

Kadıköy).

the local to get access to public transportation, and at the same time makes it more inviting of an idea of commuting?

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With the emphasis on raising the usage of public transportation, a neighborhood is looked into because of its potential to have forced conviction take place, and a heavy-loaded traffic intersection. Meanwhile, green space, public accessible or not, has been looked into so that on the map the easiness of pollination could be shown through offset green hatches. In order to make a connection between those green spaces, to “Green Istanbul�, one intersection is chosen, because of the multiple bus stations and metro stations around.

Public-Accessible Parks Inaccessible Green Area (e.g. Cemetrey) Network of Potential Pollination Potential Forced Eviction Area Planned/ Completed Forced Eviction Area

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Map of Istanbul: Pollination + Potential Eviction | Greening Istanbul

Map of Istanbul | Greening Istanbul

Yu-ting Chao | SU 16 Design 400 | Prof. Zehra Kuz

Yu-ting Chao | SU 16 Design 400 | Prof. Zehra Kuz


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Pollination Network

Pollination Network

Unaccessible Green Spaces

Unaccessible Green Spaces

Public Parks

Public Parks

Empty Lots

Empty Lots

Large-scale Constructions

Large-scale Constructions

Potential Forced Eviction Neighborhoods

Potential Forced Eviction Neighborhoods

Sapce needed to make “Connection“

Sapce needed to make “Connection“

500M

1 KM

Metro Station Entrance Bus Stops Schools

Maps of Southern Sisli | Greening Istanbul

Yu-ting Chao | SU 16 Design 400 | Prof. Zehra Kuz

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The intersection is chosen as a potential spot where increased usage of public transportaion can take place and more “green� can be placed. By connecting the bus stops and metro station entrances, some possible shortcuts for pedestrians and commuters are drawn. Lifted up, these shortcut lines weave together and form a surface above the busy intersection that could be dangerous for pedestrians.

LEGEND Subway Station Entrance Bus Stop School Hospital Istanbul Bilgi University Large-scale Construction Pollination Range Non-public Green Area Potential Forced Eviction Area

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This elevated garden acts not only as an urban green space, but also as a safer and more inviting way to get from one side of roads to another. Shortcut lines frame lots of green lands and those above the traffic islands are designed to bear deeper soil layers providing bases for large trees because they are free of the truck clearance (14’).

Those thicker soil layers enable the existance of “forests” in this elevated park. In section, these taller trees surround lawns and people on them, giving a feeling of being next to forests instead of a highway that is lack of green.

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BEFORE

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AFTER

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Interruption without Break Fun Palace: Coney Island

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What do we talk about when we talk about “fun”? In 1950s Cedric Price created the “Fun Palace” to break the boundary between social classes. Nowadays, in a modern society where most people have far more social freedom and less flexibility of schedule, than at the time of Price, “fun” turns out to be a concept that includes unusual events that do not often happen in people’s day-to-day life. The reason why Price’s “Fun Palace” is seen as a ground-breaking design proposal at his time, is that it appeared as an “interruption” (a “pagan”) in the 1950s society. With that being said, what is the “unusual” for Coney Island nowadays? What leads to “fun” through interrupting the existent? The existing fabric of the site is a gradient composed of both urban and natural conditions. The layering of the urban (the city) -- boardwalk (a walkway between the two) -- the nature (beach), is the signature of Coney Island, rarely accepting any forms of interruption. The receptor of “fun” here, is the people who visit the site. Therefore, to create “fun”, is to produce the “interruption” in people’s perspective. In my proposal, with educational and leisure programs alongside, a new way to travel from the urban context to the nature is created underneath the boardwalk without ruining the historical layering of fabric. Above stand two theaters, whose program is related to the existent activities of Coney Island (performances), and whose form (building) “interrupts” the long, linear boardwalk view, by breaking it through creating a contrast of light and shadow. This complex “interrupts” the usual perspective of boardwalk, provides new perspectives between human and nature, and last but not least, creates the communication of “viewing” and “being viewed” between people located in different spaces.

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Semi-Public Space Performance Space Library

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Sections: Through Library/ Through Underpass Digital Files

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Library

Top View Physical Model Garden

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Plans: Lower/ Boardwalk/ Upper Level Digital Files


Theatre 1

Theatre 2

Activity Space

Lobby

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Ways of going through the building Physical Model

.. ..

.. .. Library unveiled Physical Model

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01 of 6

Poster for the project Digital File

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NYC Cuisine Art Archive *selected for Pratt SOA NAAB Exhibition

Intermediate Design I

FOR THE PRO Full-storage of NYC Cuisine History; Latest News on NYC food; Restaurant Management Courses; Accredited Cooking Courses. FOR THE PUBLIC Free information of NYC Cuisine History; Latest NYC food trend; Daily Family Kitchen (cooking classes); Weekly Food Event; Monthly Cuisine Topic

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Exterior Render View Digital File


Conversation with the Archive

Circulation & Archive

Circulation

Main Circulation

e th to ck n ba rigi O

Exhibition & Archive

Exhibition

t en es Pr

al ion ess h rof arc re P Rese u t Fu

st Pa

e rag

Sto

The Exhibition Journey

Pro

Storage

Study/ Research & Archive

Study/ Research

Division of Study/ Research Space

Pro

Storage

All Accesses of the Archive

Archive

Archive Space as Database

Internal Conversations Conversation between People

External Conversations The Combination

Auditorium

Exploded Axonometric Drawing “Conversation between Spaces� Digital File

The Conversations

Service

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Circulation Circulation System System

Merging Merging of Programmes of Programmes duringduring Circulation Circulation

ElevatorsElevators Fire Stairs Fire Stairs Main Stairs Main Stairs Exhibition Exhibition Routine Routine Top Terrace Top Terrace

Exhibition Exhibition - Future - Future Study Center Study(Pro) Center (Pro)

Partition Partition and Skin and Skin

Interior Walls Interior Walls

Exterior Exterior Skin Skin

Exhibition Exhibition - Present- Present

Exhibition Exhibition - Past - Past

Study Center Study Center

Structural Structural System System

Archive Archive

Load-bearing Load-bearing Walls Walls

The Restaurant The Restaurant

Lobby Lobby

Beams fixed Beams in walls fixed in walls

The CafeThe Cafe

Spans Spans Cantilevers Cantilevers Auditorium Auditorium

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up

down

Auditorium down down to MTA up

Lobby

up down

1

Main Entrance 1

Plan 1

Ground Floor Plan Digital File

Archive

up

Archive - Pro

down

Grand St.

Chrystie St.

South Elevation Digital File

down

Study / Research Space

up

Exhibition - Past

up

2

84 ft.

1 up

75 ft.

1

Rooftop 2

Plan 2

60 ft.

48 ft. Study Center

Plans - #1 #2 Conversation between Spaces

42 ft.

Terrace #1

Yu-ting Chao // Intermediate Design I // Fall 14 // Christian Lynch

24 ft. Exhibition: Past

12 ft.

Grand St.

Chrystie St.

Grand St. +- 0 ft.

Sections Digital File

-15 ft.

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2

Sections - 1-1 & 2-2

84 ft.

Conversation between Spaces

Yu-ting Chao // Intermediate Design I // Fall 14 // Christian Lynch


Perspective View Physical Model

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Building w/o Skin Physical Model


Street Corner View Physical Model

Interior Render View Digital File

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Wave Hill Academy

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Spaces work as filters to protect people from surroundings due to different functions, while they also work as mediums through which people experience both nature and the sequence of spaces.

Bird’s Eye View Physical Model

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Plan - Upper Level 01

02 Offices

Entry

Gallery Lecture Space

Courtyard

Studios

Classrooms

01 02

1/16 “ - 1’0”

Plan - Upper Level Digital File This botanic academy is an education center attached to Wave Hill public garden, aiming at bringing people to nature while they go through the building. Visitors get to experience nature by going through walls and walls, which are defined as “Filtering Mediums”. At the same time, visitors themselves are being filtered by these

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thick walls due to privacy level of spaces.


Axonometric Diagrams 01

Fields of Interaction

02 Offices Retaining walls as “Filtering Medium”

Entry

Gallery Public

Lecture Space

Semi-Public Private

Courtyard

Studios

Classrooms

01 02

1/16 “ - 1’0”

Visitor Circulation

Yu-ting Chao// Intermediate Design II// Spring 15// Frederic Levrat

Private

Plan - Lower Level Digital File

2nd Layer - Shells 1st Layer - Retaining Walls / Vertical Elements Horizontal Elements Beams

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Long Section Digital File

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Short Section Digital File

Render Views Digital File

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301 Comprehensive Deisgn I Pratt Graduate Dormitory team project

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Serfaces exposed to N/W lighting or no lighting

Basic Sunpath

Fold to expose rooms to E/S lighting

Located at the corner of Myrtle Avenue and Grand Avenue in Brooklyn, two blocks away from Pratt Institute main campus, this graduate dormitory

Living Space

Serfaces exposed to E/S lighting

Circulation/ Others

Serfaces exposed to N/W lighting or no lighting

contains 120 single bedrooms within 54 apartment

Smooth the form Centralize the community

units, 3 student lounges, 1 public gellary, 1 centered public courtyard, 1 rear yard, 1 underground garage, and 2 small outdoor gardens. The goal is to design a building for maximizing nat-

Adjust the form to accomodate rooms

ural lighting in all of the bedrooms, and guaranteeing privacy within each unit for every student.

Serfaces exposed to N/W lighting or no lighting

The louver system (facade) traces the path of direct sunlight which would be harsh during summer, so that this system to some extent prevents glares and heat gain.

Open up courtyard to natural light

The overall design is to inspire the students and act as an architectural sculpture which relates back to the centered public sculpture garden. The sculpture

Rear Yard

Fold to expose rooms to E/S lighting

>15’ 80’ 12’ 60’

garden is an idea derived from Pratt main campus, bringing a sense of community for Pratt students and the locals living around Pratt as well.

Comform to code

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 

Site Plan 

Rear Yard

Public Gallery

Sculpture Garden

Lobby

Student Lounge #1

Public Gallery -Special Exhibition

Security Booth

Mailboxes

Ground FloorFloor Plan Ground Digital File

e

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2nd Floor 2ndPlan Floor Digital File


or

LARGE WINDOW & BALCONY SPACE IN UNIT

SUN ROOM AREA WITH LOOK OUT TO REAR GARDEN

REF.

SHADING SYSTEM ALTERNATES PER ROOM LOCATION

Student Lounge #2

HOT AI

GEOEXCHANGE PATH HEATING & COOLING SYSTEM

Typical Floor 3rdPlan Floor Digital File

PANEL ASSEMBLY

Typical Double Height Unit Digital File

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Fire Stairs

Car Path

Elevators/ Open stairs

Public Circulation

Transfer Beams

Footings

Resodents’ Circulation

CIRCULATION

ORGANIZATION

STRUCTURE

Columns

Foundation Columns

Transfer Beams

Footings

CIRCULATION

Located at the corner of Myrtle Avenue and Grand Avenue in Brooklyn, two blocks away from Pratt Institute main campus, this graduate dormitory contains 120 single bedrooms within 54 apart-

Fire Stairs

Car Path

ment units, 3 student lounges, one public gellary,

Elevators/ Open stairs

Public Circulation

one center courtyard, one rear yard, one underPrivate

Semi Public

Semi Private

Public

Resodents’ Circulation

ground garage, and two small gardens.

ORGANIZATION

The goal is to design a building for maximizing natural lighting in all of the bedrooms, andOUTDOOR guaran-SPACE teeing privacy within each unit for every student. The louver system traces the path of direct sunlight which would be harsh during summer, so that the system prevents glares and heat gain. The overall Rear Yard

Sculpture Garden

for Student design is to inspire the students and acts as an ar-

chitectural sculpture which relates back to the public sculpture garden. The sculpture garden is an idea

Fire Stairs

Car Path

derived from Pratt main campus, bringing a sense

Elevators/ Open stairs

Public Circulation

Resodents’ Circulation

of community for Pratt students and the locals.

ORGANIZATION

My

50

. Ave

Graduate Dormitory rtle

Ave .

nd

Gra

Private

Semi Public

Semi Private

Public

East Elevation Digital File


South Elevation Digital File

Short Section Digital File

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COLD AIR GEOEXCHANGE PATH HEATING & COOLING SYSTEM

SCA

DETAILED WALL

PANEL ASSEMBLY

3 1/4”

10’-1 1/2”

12’-0” METAL SQUARE TUBE 2” X 4” I-BEAM BOLTED TO FLOOR PLATE I-BEAM TO CONNECT PANELS WHITE POWDER COATED CAPPED PIPE

SCALE 1/2” = 1’ TYPICAL UNIT FACADE ELEVATION SECTION THROUGH FRONT FACADE

Render View Digital File Approach of Facede Wood Model

SCALE 1/2” = 1’ TYPICAL SHADING SYSTEM ELEVATION

Approach of Facede 3D Printed Model

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Photos Physical Model

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Design I Interact + Dance = INTERDANCE

Units dance together, touching and intersecting according to a density rule whereby gravitational attraction is more intense towards the centre and less intense at the periphery, in a self-bounding universe.

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Universe Density Axonometric Drawing Ink Pen on Mylar


Dancing Rhythm Synthetic Drawing Lead on Vellum Thicker basswood sticks are placed in and near the gravitational center, to show the density difference.

Gravity System Physical Model Basswood

Interdance Synthetic Drawing Lead on Vellum White bristol parts are taking the place of dancing blocks. Squares in bristols are representing the negative space which is not occupied. “Negative� Interdance Physical Model Bristol

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30°

6''

4''

3''

2'' 1''

YU-TING, CHAO

SCALE Not To Scale

SEQUENTIA

Both additive and subtractive models are interpreting the idea of the neologism “Interdance” based on the previous drawings from excercises. In the center of this universe, cubes carve into each other more due to the “gravitational” rule. The original component is taken from the negative space of the additive model. Each arm’s angle varies in the components. Sequence Grid Photography (Additive Model)

The way components are composed together is a spiral arrangement, and each component carves part of another, idicating the concept of “INTERDANCE”.

30°

6''

56

4''

3''

YU-TING, CHAO

15° 30°

15°

30° 30°

45° 45°

2'' 1''

SCALE Not To Scale

SEQUENTIAL DIAGRAMS

ABIGAIL COOVER HUME


Sequence Grid Photography (“Folly” Pavilion)

Sequence Diagram Composition of “Folly” Pavilion Rhino Drawing

Hybrid Components Model + Subtractive Model Components carved out from the “Subtractive Model” and the “Components Model” compose the “Folly” Pavilion. “Arms” from components model turn out to be the “bridges” in the folly pavilion, forming a route for circulation.

YU-TING, CHAO

SCALE Not to Scale

FINAL REVIEW / FALL 2013

ABIGAIL COOVER HUME

“Slices” cut out from subtractive model are the solid floors or walls in the folly pavilion, creating shelter and platform for the visiters. Sequence Diagram shows the rhythm of connecting all the components and how they “dance” together. Sequence Grid is the process of visitors’ vision from “being blocked” to “being free” when they folloe the routine indicated by “bridges”.

YU-TING, CHAO

SCALE 3/4" = 1"

Section Rhino Drawing

FINAL REVIEW / FALL 2013

ABIGAIL COOVER HUME

“Folly” Pavilion Physical Model Museum Board, Basswood

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102 Design II Studio of Fusion

This studio is designed for two occupants: the father and the daughter. The father, Matthew, is a photographer who needs a professional darkroom and loves taking photos of his daughter. The daughter, Cara, wants to be an athletes to attend Olympic Games, who has a spatious gym for exercising.

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Long Section Digital File

P2

P2

PI

PI

0

1

2

4

8 ft

Section II - Spaces for One or Two The Studio of Fusion

Yu-ting Chao / Design II / Sp14 / Robert Brackett III

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3 pm

5 pm

1 pm

The Gym (Exercising)

10 am

3 pm

Light Temperature Moderate-Lighted Moderate (Medium Part) (Medium Part)

8 am

1 pm

10 am 1 pm

The Reading Room pm & Read) (To3Relax Light Full-Lighted (Brightest Part)

The Darkroom (Film developing & Storage)

Temperature Warm (Highest Part)

Light Not Lighted (Darkest Part) Temperature Cool (Lowest Part) Analysis - Daily Lighting The Studio of Fusion

5 pm

Yu-ting Chao / Design II / Sp14 / Robert Brackett III The Gym (Exercising) 5 pm The Gym

Light Temperature Moderate-Lighted Moderate (Medium Part) (Medium Part)

The Darkroom (Film developing & Storage) Light Not Lighted (Darkest Part) Temperature Cool (Lowest Part) Analysis - Daily Lighting The Studio of Fusion

Analysis - Daily Lighting The Studio of Fusion

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(Exercising) Light Moderate-Lighted (Medium Part)

The Darkroom (Film developing & S Light Not Lighted (Darkest Part) Temperature Cool (Lowest Part)


m

m

1 pm

The Gym (Exercising) Light Temperature Moderate-Lighted Moderate (Medium Part) (Medium Part)

The Darkroom (Film developing & Storage) Light Not Lighted (Darkest Part)

10 am

8 am

The Reading Room (To Relax & Read) Light Full-Lighted (Brightest Part) Temperature Warm (Highest Part)

Temperature Cool (Lowest Part)

ng Yu-ting Chao / Design II / Sp14 / Robert Brackett III

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Professional Practice Works

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Examples of Render Works 2017

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Jinshan Apartment Under Construction loc: New Taipei City, Taiwan C.T.J. Architect & Associates.

Render View by Yuting Chao

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Typical Floor Plans drawn by Yuting Chao

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Other Examples of Works Proposal for NTUST Dormitory in Hsin-Chu Campus Competition loc: Hsin-Chu City, Taiwan C.T.J. Architect & Associates.

Render View by Yuting Chao

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Site Plan /Diagram /Render by Yuting Chao

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Other Examples of Works Proposal for Dong-men Market Building Competition loc: New Taipei City, Taiwan C.T.J. Architect & Associates.

Main Sections drawn by Yuting Chao

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Architecture Portfolio// Yu-ting Chao// 2017  

Architecture Portfolio Sep'13 to Jan'17 Yu-ting Chao Pratt Institute B.Arch

Architecture Portfolio// Yu-ting Chao// 2017  

Architecture Portfolio Sep'13 to Jan'17 Yu-ting Chao Pratt Institute B.Arch

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