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BIENNALE INTERNAZIONALE DELL’ANTIQUARIATO DI FIRENZE


Guido Marussig (Trieste 1885 - Gorizia 1972) The Sowing Oil on canvas, 260 x 300 cm 1920’s Signed bottom right: ‘Guido / Marussig’ Provenance Lecco, Private Collection

800/900 ARTSTUDIO Via Roma 63-67 57126 Livorno Tel. +39 0586 815 200 Via del Battistero 22/24 55100 Lucca post@800artstudio.com www.800artstudio.com

800 900 ART STUDIO


Oscar Ghiglia

(Livorno 1876 - Florence 1945)

Self-portrait

Oil on cardboard, 19 x 15 cm 1900-1902 On the reverse, a stamp from La Stanzina gallery of the F.lli Tassi Provenance Florence, Galleria La Stanzina Novara, Private Collection

800/900 ARTSTUDIO Via Roma 63-67 57126 Livorno Tel. +39 0586 815 200 Via del Battistero 22/24 55100 Lucca post@800artstudio.com www.800artstudio.com

800 900 ART STUDIO


Giovanni Boldini

(Ferrara 1842 - Paris 1931)

Woman with a Hat Verso: Nude Woman Seated

Watercolour on Paper, 49 x 35.5 cm circa 1905 Signed lower left: “Boldini”

Verso

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Alessandro Magnasco (Genoa 1667 – 1749)

Calefactorium (Friars Warming Themselves)

Oil on canvas. 93 × 72 cm circa 1725 Provenance Milan, Cavenaghi Collection Venice, Italico Brass Collection (1870-1943) Florence, Private Collection Bibliography Geiger 1949, p. 146; Morassi in Genoa 1949, p. 37, n. 45, fig. 50; Nicco Fasola 1950, p. 233; Roli 1964, pl. X; Franchini Guelfi 1977, p. 193, pls. XXI-XXIII; Muti-De Sarno Prignano 1994, p. 261, n. 356, fig. 350 (with preceding bibliography) Proni 2014, p. 103, n. 8. Exhibitions Mostra della pittura italiana del Sei e Settecento, Florence, Palazzo Pitti, 1922, Rome-Milan-Florence 1922. Il Settecento italiano Venice, Palazzo delle Biennali ai Giardini Pubblici, 18 July - 10 October 1929, Venice 1929. L’Art italien, Paris, Petit Palais, 1935. Da Caravaggio a Tiepolo: pittura italiana del XVII e XVIII secolo, São Paolo, Brazil, September-October 1954 / Rome 1954.

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Benedetto da Rovezzano

(Canapale 1474 - Vallombrosa 1554)

Saint John the Baptist

Terracotta with the original wooden base, 74 x 44 x 31 cm Provenance Collection of Cardinal Giulio Rospigliosi (Pope Clemente IX, 1667-1669), 1899 Florence, Stefano Bardini Collection, 1900-02 Bibliography W. Bode, Ein Florentiner Thonbildner vom Anfang der Hochrenaissance, in “Zeitschrift fűr bildende Kunst”, pp.1-4; 1902. W. Bode, Florentiner Bildhauer der Renaissance, pp.312-316 fig. 139. Christie’s, Sale of the Bardini Collection, London 27 May 1902, lot 55 p. 91. Christie’s Catalogue, London 27 May 1902, lot 554 p. 88. L. Planiscig, Toscnische Plastiken des Quattrocento in “Jahrbuch der Kunsthistorischen Sammlungen in Wien” p. 83 fig. 85. F. Schottműller, Die Bildwerke in Stein, Holz, Ton und Wachs. Zweite Auflage, vol. I. p.146 H. R. Weihrauch, Studien zum bildnerischen Werke des Jacopo Sansovino, p. 20. ALTOMANI & SONS Via Borgospesso 12/14 20121 Milano Tel. +39 02 201033 Via Baviera 18/20 61100 Pesaro mail@altomani.com www.altomani.com

ALTOMANI & SONS


Berto di Giovanni (Perugia, 1497 - 1525)

Madonna and Child, Saints Francis and Clare

Tempera on panel, 44 x 37 cm Bibliography Todini, La Pittura Umbra, Longanesi 1989, Second Volume, p. 583, pl. 1350.

ALTOMANI & SONS Via Borgospesso 12/14 20121 Milano Tel. +39 02 201033 Via Baviera 18/20 61100 Pesaro mail@altomani.com www.altomani.com

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Plinio Nomellini

(Livorno, 1866 - Florence, 1943)

Lost in Meditation

Oil and pastel on canvas, 69.5 x 151.5 cm Signed bottom right: Nomellini Bibliography Gli arredi Spicciani. Tradizione lucchese e istanze internazionali nella produzione del mobile artistico toscano tra Ottocento e Novecento, A. Belluomini, G. Borella, Florence 2006, p. 118-119 Exhibition Esposizione Internazionale dell’Industria e del Lavoro, Turin 1911.

PAOLO ANTONACCI Via Alibert 16a 00187 Roma Tel. +39 06 326 516 79 info@paoloantonacci.com www.paoloantonacci.com

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Italian School, Roman

(Second quarter of the XIX century)

Crater vase with double loops ending in volutes

Carrara white marble, 85 x 63 cm As a prototype for its general lines, our crater uses a piece from the Imperial Era, now preserved in the atrium of the Baths of Diocletian, in the Roman Museo Nazionale. Another prototype approached by the crater are the vases preserved in the courtyard and staircase of Palazzo Mattei. Provenance Rome, Noble Palace

PAOLO ANTONACCI Via Alibert 16a 00187 Roma Tel. +39 06 326 516 79 info@paoloantonacci.com www.paoloantonacci.com

PAOLO ANTONACCI


Luigi Sabatelli

(Florence 1772 – Milan 1850)

Portrait of a Lady

Blood and pencil on paper, 310 x 240 mm 1806 Signed bottom right: “Luigi Sabatelli fece 1806”

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Luigi Sabatelli

(Florence 1772 – Milan 1850)

Fight between Horses and Riders, ?

Indian ink on paper, 320 x 225 mm Signed bottom left on the passepartout: “Luigi Sabatelli”

W. APOLLONI S.r.l. Via Margutta 53B 00187 Roma Tel. +39 06 3600 2216 marcofabioapolloni@gmail.com wapolloni@tiscali.it

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Giovanni Della Robbia (Florence 1469 – 1529)

Peace, Pietà

Glazed Terracotta, circa 6.5x 11.5 x1.8 cm circa 1520 A nineteenth century inscription on the reverse referencing Luca Della Robbia. The small plaque represents “an altarpiece of smaller dimensions” Provenance Private Collection Bibliography G. Gentilini, Study by A.Bellandi in I Della Robbia-Il dialogo tra le arti nel Rinascimento, 2009, p. 258 and 353.

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M.NICOLA.LUXUTUSU (alias Nicola Lo Sciuto) (Sciacca active from 1471)

Albarello

Maiolica, circa 29.8 cm between 1471 and 1500 Signed M(aestro).NICOLA.LUXUTUSU between two crosses. Decorated with “Gothic leaves”. Provenance Art Market Bibliography A. Ragona,1998, pp.40-43 A. Governale, 1999, pp. 139-140 G. Larinà, 2001, pp.114-115

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Siena

Reliquary of Saint George (?)

Painted and gilded wood, 54 x 31.5 x 18.5 cm 1420/1440

BACARELLI ANTICHITÀ Via dei Fossi 45r 50123 Firenze Tel. +39 055 215 457 bacarelli@bacarelli.com www.bacarelli.com

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Andrea Fantoni

(Rovetta 1653 – 1734)

Flight into Egypt

Terracotta, 60 x 9 x 98 cm 1690/1700

BACARELLI ANTICHITÀ Via dei Fossi 45r 50123 Firenze Tel. +39 055 215 457 bacarelli@bacarelli.com www.bacarelli.com

BACARELLI ANTICHITÀ


Tuscan, based on a design by G.B. Foggini (Florence 1652 – 1725)

Console

Gilded and Finely Sculpted, 99 x 124 x 60 cm Period of Louis XIV Bibliography I mobili di Palazzo Pitti, il periodo dei Medici ed. E. Colle, Allemandi Editore, p. 28

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Leonardo del Tasso (Florence 1465 – 1500)

Bust of the Redeemer

Painted Terracotta, 53 x 54 x 31 cm Bibliography Expertise written by Prof. Giancarlo Gentilini published in Leonardo del Tasso, scultore fiorentino del Rinascimento, A. Bellandi ed. Mizen Fine Art Edizioni, Paris 2016, pp. 142, 143, 250.

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Charles Henri Joseph Cordier

(Cambrai 1827 - Algeri 1905) Pair of Gilded Bronze Candelabras with porcelain flowers supported by two African figures with bases in green porphyry and gilded bronze 33 x 18 cm, height: 70 cm, 70 XIX century Signed under the garment of one of the two figures

GUIDO BARTOLOZZI ANTICHITÀ Via Maggio 11 50125 Firenze Tel. +39 055 215 602 info@guidobartolozzi.com www.guidobartolozzi.com

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France XIX century

Pair of gilded bronze rhinoceros with red porphyry obelisks on the back. Bases in green porphyry and gilded bronze 33 x 18 cm, height: 70 cm, 70 XIX century Signed on the stomach

GUIDO BARTOLOZZI ANTICHITÀ Via Maggio 11 50125 Firenze Tel. +39 055 215 602 info@guidobartolozzi.com www.guidobartolozzi.com

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Antonio Mancini (Rome 1852 – 1930)

Portrait of a Child>>

Oil on canvas, 57 x 41.5 cm circa 1875 Signed lower left: ‘Antonio Mancini’ On reverse, above, on the frame, the writing “Mancini / acheté à Rome / en 1887 / vente de la C.tesse Mirafiori amie de / Victor / Emmanuel / II”; Label from Galleria d’Arte Edmondo Sacerdoti Milan. Provenance Rome, Rosa Vercellana, Countess of Mirafiori (until 1887) Milan, Remo Malinverni Lugo di Vicenza, Malinverni Heirs Varese, Longoni Collection Lecco, Private Collection BOTTEGANTICA Via Manzoni 45 20121 Milano Tel. +39 02 626 954 89 Via D’Azeglio 96/a 40123 Bologna Tel. +39 051 331 338 info@bottegantica.com www.bottegantica.com

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Felice Casorati

(Novara 1883 - Turin 1963)

Portrait of his sister, Elvira

Oil on panel, 90 x 60 cm 1934 Signed bottom right: ‘F. Casorati’

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BOTTEGANTICA


Giovanni Barbagelata

(documented in Liguria from 1484 to 1508)

Madonna and Child with a Nun

Tempera on panel, 130 x 63 cm Provenance Lazzaroni Collection as by Piero Della Francesca 8 photographs on the Zeri Foundation website

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Attributed to Ercole Ferrata (Pelsotto, Como 1610 - Rome 1686)

Saint Carlo Borromeo

Carrara Marble, 62 cm excluding the pedestal / 84 cm with the pedestal This bust is directly related to a small bust in terracotta found on the fireplace in the house of the restorer-sculptor, Antonio Fontana (Rome 1641-1700) and attributed to Ferrata by Bianca Di Gioia. A small silver model of the Saint Carlo bust attributed to Algardi, now in the Daniels Collection in New York, is also attributed to Ferrata by Di Gioia.

BOTTICELLI ANTICHITĂ€ Via Maggio 29 50125 Firenze Tel. +39 055 230 20 95 bruno@botticelliantichita.com; eleonora@botticelliantichita.com www.botticelliantichita.com

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Naples Console

First half of XVIII century Drawer and desk in Walnut and Rosewoods, coeval marble lastronated in Spanish Broactelle, 105 x 53 x 89 cm

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Giovanni Battista Langetti (Genoa 1635 - Venice 1670)

Archimedes

Oil on canvas, 92.5 x 72.5 cm

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Ulisse Cantaglli

(Florence 1839 – 1901)

Plate

Polichrome maiolica, diameter: 28.5 cm circa 1880

CALLISTO FINE ARTS 17 Georgian House, 10 Bury Street SW1Y 6AA London Tel. +44 207 839 7037 info@callistoart.com www.callistoart.com

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Carlo Marcellini

(Florence 1643 – 1713)

Triumph of Bacchus and Ariadne

Painted gesso, 81 x 106 cm XVIII century An important rediscovery of a work by a protagonist of Florentine figurative sculpture of the eighteenth century, creator of the Nymphaeum in Palazzo Corsini. Bibliography S. Bellesi, “Una nuova proposta attributiva per una terracotta conservata nelle raccolte della Manifattura delle Porcellane di Doccia”, in Bollettino degli Amici di Doccia, n. 11, 2018, pp. 24-31

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Filippo Tagliolini

(Fogliano di Cascia 1745 - Naples 1809)

The Chariot of the Sun

Biscuit Ware from the Real Fabbrica of Naples, base 40 x 50 x 60 cm before 1790 Provenance Private Collection Bibliography Essay by Prof.Alvar Gonzàlez-Palacios entitled “Un capolavoro di Filippo Tagliolini” Minieri Riccio, p.54 A. Carola Perrotti,”La Porcellana della Real Fabbrica Ferdinanda” 1978 A. Carola Perrotti,”Le Porcellane dei Borbone a Napoli” 1986 A. Gonzàlez-Palacios,”Lo Scultore Filippo Tagliolini e le Pocellane a Napoli” 1998

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Pierre Jacques Volaire, il Cavalier (Toulon 1729 - Naples 1799)

Eruption of Vesuvius in 1771

Oil on canvas, 101.5 x 153 cm After 1771 Signed: ‘Le Chever. Volaire f.’ Provenance Rome, Private Collection Bibliography A. Gonzàlez-Palacios, Notarelle su Volaire 2001 E. Beck Saiello, Le Chevalier Volaire,un peintre français à Naples au XVIIIe siècle Paris 2001 Alla scoperta del Vesuvio catalogo mostra, Napoli e Ercolano 2006, p.142 E. Beck Saiello, Pierre.Jacques Volaire 1729-1799,dit Le Chevalier Volaire, Parigi 2010, p.112 Esposizione Alla Scoperta del Vesuvio Museo Diego Aragona Pignatelli Cortes, Napoli 2006 ROBERTO CAMPOBASSO Via Carlo Poerio 17 80121 Napoli Tel. +39 081 764 0770 roberto.campobasso@alice.it www.robertocampobasso.com

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Bartolomeo Passerotti (Bologna 1528 – 1592)

Portrait of a Man with a Sword

Oil on canvas, 104 x 90.5 cm XVI century Signed “Ritratto di Passarotti Bolognese da lui stesso” on the reverse Bibliography A. Ghirardi (ed.), Bartolomeo Passerotti pittore, Rimini, 1990, pp. 23, 255 – 257, pl. XXIII, fig. 81 F. Caroli (ed.), L’anima e il volto. Ritratto e fisiognomica da Leonardo a Bacon, Milan, Electa, 1998, exhibition catalogue, Palazzo Reale, Milano, 30 October 1998 – 14 March 1999, p. 134 Tiziano e il ritratto di corte da Raffaello ai Carracci, Naples, Electa, 2006, exhibition catalogue, Museo Capodimonte, Naples, 25 March – 4 June 2006, pp. 296 – 297 D. Benati (ed.), L’anima della Pittura. Dipinti Emiliani dal XVI al XIX secolo, Bologna, 2010, pp. 34 – 36 Exhibitions Palazzo Reale, Milan, 1998 - 1999 Museo Capodimonte, Naples, 2006 CANTORE GALLERIA ANTIQUARIA

Via Farini 14 41121 Modena Tel. +39 059 225 400 info@galleriacantore.it www.galleriacantore.it

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Carlo Portelli

(Loro Ciuffenna, Arezzo,1539 - Florence 1574)

Nativity

Oil on panel, 60 x 38 cm XVI century

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Jan van Kessel the Elder (Antwerp 1626 – 1679)

Study of Insects and Borage Flowers

Oil on copper, 10.4 x 16.2 cm circa 1660 Provenance Private Collection Bibliography Expertise K. Ertz. Published: Brueghel. Capolavori dell’Arte Fiamminga nr. VI. 13. Exhibition “Brueghel. Capolavori dell’Arte Fiamminga”, Reggia di Venaria, 21/02/2016-19/01/2017

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Adriaen van Ostade (Haarlem 1610 – 1684)

The Village School

Oil on panel, 40.7 x 52 cm XVII century Signed and dated 1636. The picture was a part of the famous Goudtsikker Collection. Furthermore, all of the collections are documented from 1914 Provenance Private Collection, from 1997 until today. Bibliography W. Bernt, Die Niederlandische Maler des 17 Jahrhunderts, 1979

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Star Kazak Caucasus

Star Kazak

Wool, 220x170 cm First half XIX century Provenance Turin, Private Collection Bibliography John Eskenazi, Il Tappeto Orientale, Torino 1987, pag 179 E. Heinrich Kirchheim, Orient Star A Carpet Collection, pp. 35-37 ITINERARI3, Il mondo dei kayak, mohtashem tappeti antichi rari pregiati, milano 2004 , pubblicato a pag 10 tav.II

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Oushak with Medallion Oushak Tintoretto

Wool, 176 x 110 cm XVI century Provenance Genoa, Barbieri Collection Bibliography Viale Ferrero, M., Arazzi and Tappeti Antichi, Turin 1952, no. 50, pp.238-9, fig 164b Alberto Boralevi, L’Ushak Castellani Stroganoff. Firenze 1987, pl. 9, pp 30-31 - As with many classical rugs, dating is underpinned by their representation in European paintings: the earliest depiction of the small-medallion type is in ‘The Calling of St. Matthew’ dated 1519, by Girolama da SantacroceBassano.

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Gian Giacomo e Guglielmo della Porta (Porlezza, circa 1515 – Rome 1577)

Pair of Angel Candlesticks Marble, 35.5 x 20 x 46 cm circa 1532 - 1537

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Fiandre – Tournai

The Birth of the Prince of Peace

Wool and silk, 3.22 x 2.38 m First quarter of the XVI century A very similar tapestry apparently from a parallel series is today conserved in the Denver Art Museum. For similar examples see: H. Goebel, Wandteppiche, vol i, part ii, Leipzig 1923, Von Klinkhardt & Biermann editori

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Western Anatolia

Ushak of the Type called Lotto

Wool order Z2S ivory, weave red wool 2 lines for each row of knots, wool fleece, 1.53 x 1.05 m First half of XVII century Universally called ‘Lotto’, this type of rug takes its name from Lorenzo Lotto (1480 -1556) who made them at least twice: in the “alms of Saint Anthony” dated 1542, now in the Church of Saints John and Paul in Venice, and in the “family group” dated 1547, now in the National Gallery, London. Provenance Rome, Private Collection For similar rugs, see: Stefano Ionescu, Antichi Tappeti Ottomani in Transilvania, Rome 2005 Diamand & Mailey, Oriental Rugs in the Metropolitan Museum, New York 1973 Gyula Vegh & Karol Layer, Turkish Rugs in Transylvania, new edition edited by Marino and Clara Dall’Oglio, The Crosby Press, 1977 LUCIANO COEN ARAZZI E TAPPETI ANTICHI Via Margutta 63 e 65 00187 Roma Tel. +39 06 320 7604 lcoen@tin.it www.lucianocoen.com

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Mirko Basaldella

(Udine 1910 – Cambridge, Massachusetts 1969)

Bozzetto per uno dei cancelli delle Fosse Ardeatine

Pencil and charcoal on paper on canvas, 181 x 291 cm 1949 Provenance Raphael Zariski inheritance (n. DB044) Bibliography C. Maltese, Mirko. Cancelli delle Fosse Ardeatine, 1968 Exhibitions P.A. Marini, Un ponte sull’infinito, Pontedera 1997 G. Appella, F. D’Amico, M. Goldin, I Basaldella Dino Mirko Afro, Villa Manin 2010

COPETTI ANTIQUARI Via P. Sarpi 25 33100 Udine Tel. +39 0432 502 784 info@copettiantiquari.com www.copettiantiquari.com

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Mirko Basaldella

(Udine 1910 – Cambridge, Massachusetts 1969)

Stele Seconda

Bronze, height: 252 cm 1957 Bibliography E. Crispolti, La scultura di Mirko, Bora editore, Bologna 1974 G. Carandente, Sculture nella città: Spoleto 1962, Spoleto 2007 Exhibitions XXX Biennale internazionale d’arte a Venezia V festival dei due mondi, 1962 Solo exhibition at Bund Art Gallery, 1964 Solo Exhibition at the Cordova Museum, 1967 Quattro rassegne sull’opera di Mirko, 1974 La scultura di Mirko in rapporto all’architettura, 1975 120 giorni di scultura a Trieste, 1976 Solo Exhibition at the Galleria Civica d’Arte Moderna Arte in Italia dal 1960 al 1977, Turin 1977 La Fondazione Mirko per Firenze, 1979 COPETTI ANTIQUARI Dino, Mirko, Afro Basaldella, Udine 1987 Via P. Sarpi 25

33100 Udine Tel. +39 0432 502 784 info@copettiantiquari.com www.copettiantiquari.com

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Roman School

Bust of a Female Saint

Fresco, 22 x 33 cm First half of the VIII century A very rare staccato fresco portraying the bust of a saint surrounded by a clypeus with an ochre and black background. She is wearing a rich golden Dalmatian embellished with maniakion. The representation corresponds to the typical female aristocratic physiognomy deriving from the prototypes of Byzantine ancestry of the seventh century. It comes from a pictorial workshop cycle around Rome in the early Middle Ages. Provenance Rome, private collection Note: work declared to be of cultural interest pursuant to Art. 10 of Legislative Decree 42/2004.

ALBERTO DI CASTRO Piazza di Spagna 5 00187 Roma Tel. +39 06 679 2269 info@dicastro.com www.dicastro.com

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Created in Prague River Landscape

Pietre dure, 25.5 x 36.5 cm; with a marble cornice, 36.5 x 47.5 cm circa 1600

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Antonio Porcelli

(Ascoli Piceno, Marche; active in Rome during the second half of the XVII century)

Owl, red woodpecker, blue tit and nightingale on plum branches

Tempera on octangonal parchment, 300 x 400 mm 1657 Signed bottom left: “Antonius Porcellius Asculanus faciebat 1657”

Mouse, Lizard, and birds on strawberry tree branches

Tempera on octangonal parchment 300 x 400 mm 1657 Signed in the bottom left corner: “Antonius / Porcellius / Asculanus / f. 1657” Provenance: Rome, private collection

ALESSANDRA DI CASTRO

ALESSANDRA DI CASTRO Piazza di Spagna 3-4 00187 Roma Tel. +39 06 699 231 27 info@alessandradicastro.com www.alessandradicastro.com


Pair of Nightstands by Andrea Mimmi

(active in Rome in the second half of the XVIII century) With gilded bronze finishes by Luigi Valadier (Rome 1726 – 1785) Various woods, height: 122 cm, (with riser) x 72 x 41 cm circa 1765-1770

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Giovanni Antonio Canal, Il Canaletto (Venice 1697 – 1768)

The Redentore, Venice

Oil on canvas, unlined, 47.4 x 77.3 cm circa 1746 Provenance (Probably) acquired in London in 1850 or 1852 from an agent acting on behalf of Henri d’Orléans, Duc d’Aumale (1822 – 1897) and by descent until (probably) the mid-20th century London, Anonymous sale; Christie’s, London, 13 December 1996, lot 81 London, Simon C. Dickinson, Ltd., London United Kingdom, Private Collection, acquired from the above in September 1997 Bibliography J.G. Links, A Supplement to W.G. Constable’s Canaletto: Giovanni Antonio Canal 1697 – 1768, London, 1998, p. 32, no. 318*** (illus. pl. 269, fig. 318***). C. Beddington (ed.), Canaletto in England: A Venetian Artist Abroad, 1746 – 1755, exh. cat., New Haven and London, 2006, pp. 167-69, no. 57 (illus. p. 167). Exhibitions New Haven, Yale Center for British Art, Canaletto in England: A Venetian Artist Abroad, 1746 – 1755, 19 Oct. – 31 Dec. 2006, no. 57; this exhibition then travelled to London, Dulwich Picture Gallery, 24 Jan. – 15 April 2007. DICKINSON 58 Jermyn Street SW1Y 6LX Londra Tel. +44 207 493 0340 london@simondickinson.com; john.swarbrooke@simondickinson. com; emma@simondickinson.com www.simondickinson.com

DICKINSON


Kees Van Dongen

(Rotterdam 1877 – Monte Carlo 1968)

Plumes blanches

Oil on canvas, 100 x 80 cm 1911 Signed lower left Van Dongen; inscribed on recto Plumes blanches No 2 A Provenance Paris, Private Collection, after 1911 And by descent to the present owner Paris, Private Collection, after 2001 Bibliography N.H. Wolf, ‘Sint-Lucas Tentoonstelling 1911. Stedelijk Museum Amsterdam’, in De Kunst, no. 171, 6 May 1911, p. 5. Exhibition Amsterdam, Stedelijk Museum, Jaarlijksche tentoonstelling van kunstwerken der Vereeniging St. Lucas, 30 April – 11 June 1911, no. 123. DICKINSON 58 Jermyn Street SW1Y 6LX Londra Tel. +44 207 493 0340 london@simondickinson.com; john.swarbrooke@simondickinson. com; emma@simondickinson.com www.simondickinson.com

DICKINSON


Andrea Commodi (Florence 1560 – 1638)

Portrait of a Woman

Oil on canvas. Contemporary cassette Tuscan frame in black and gold (end of XVI century), 65.6 x 51.5 cm circa 1600-1607

MIRIAM DI PENTA FINE ARTS Via di Monserrato 34 00186 Roma Tel. +39 388 849 6554 info@mdpfinearts.com; miriam@mdpfinearts.com www.mdpfinearts.com

MIRIAM DI PENTA FINE ARTS


Paolo Guidotti, the Cavalier Borghese (Lucca circa 1569 (?) – Rome 1629)

Self Portrait

Oil on canvas, contemporary frame, carved, walnut and gold, 58 x 47 cm Provenance L’Aquila, Marchese Persichetti Ugolini Milan, Private Collection Bibliography L. Grassi, Bernini Pittore, Rome 1945, pp. 28-29, fig. 36 (as Bernini) V. Martinelli, “Le Pitture del Bernini in Commentari”, in Commentari, I, 1950, p. 104 (under “attribuzioni errate a Bernini”, as “Baglione?”) L. Grassi, “Di un ritratto inedito e ancora del Bernini Pittore”, in Bollettino di storia dell’arte, Salerno 1951, pp. 102 and 106 (as Bernini) R. Salvini, Lineamenti di Storia dell’Arte, Florence 1954, vol. III, p. 283, fig. 316 (as Bernini) V. Martinelli, “L’Amor divino’ tutto ignudo ‘di Giovanni Baglione e la cronologia dell’intermezzo caravaggesco,” in Arte antica e moderna, n. 5, 1959, p. 93 (as last self-portrait of Baglione)

MIRIAM DI PENTA FINE ARTS Via di Monserrato 34 00186 Roma Tel. +39 388 849 6554 info@mdpfinearts.com; miriam@mdpfinearts.com www.mdpfinearts.com

MIRIAM DI PENTA FINE ARTS


I. Faldi, “Il Cavalier Bernini, il Cavalier Baglione e il Cavalier Guidotti Borghese”, in Arte antica e moderna, n. 14, 1961, pp. 297-99 (as Paolo Guidotti) L. Grassi et al., Gian Lorenzo Bernini, Rome 1962, pp. 181-82 (as Guidotti) L. Salerno, “Bernini Pittore”, in Kindlers Malerei Lexikon, vol. I (AC), Zurich 1964, p. 331 (as Bernini) F. Petrucci, “L’opera pittorica di Gian Lorenzo Bernini”, in Bernini a Montecitorio, Rome 2001, p. 90 (as not by Bernini, but Guidotti) F. Petrucci, Bernini Pittore: dal disegno al maraviglioso composto, Rome 2006, p. 404, cat. no. 16, reproduced (as Guidotti) M. Nicolaci, “Aggiornamenti e nuove proposte per Paolo Borghese Guidotti tra Roma e Lucca”, in Artisti e committenti lucchesi del seicento a Roma, Milan 2018, pp. 32-47, particularly p. 38. Reference bibliography: M. Nicolaci, “La Gerusalemme distrutta di Paolo Guidotti Borghese pittore e poeta lucchese”, Rome 2017, pp. 181-193 MIRIAM DI PENTA FINE ARTS Via di Monserrato 34 00186 Roma Tel. +39 388 849 6554 info@mdpfinearts.com; miriam@mdpfinearts.com www.mdpfinearts.com

MIRIAM DI PENTA FINE ARTS


Spain

Reliquary Cross

Gold, enamel, rock crystal, 10 x 7.5 cm, 85.01 g circa 1620

DEBORAH ELVIRA Plaza de la Iglesia 2 12594 Oropesa del Mar (Castellon) Tel. +34 96 4313 450 Cel. +34 629 647 279 info@deborahelvira.com www.deborahelvira.com

DEBORAH ELVIRA


Anonymous

Spain

Alamaro (chest jewelery) Gold, enamel, emeralds (one added) pearl, 7.5 x 8.5 cm; 36.96 g XVII century Provenance The Netherlands, Private Collection Exhibition Must-sees - Jewellery in the Arts/Must haves, Schmuckmuseum Pforzheim, 21 May – 10 September 2017

DEBORAH ELVIRA Plaza de la Iglesia 2 12594 Oropesa del Mar (Castellon) Tel. +34 96 4313 450 Cel. +34 629 647 279 info@deborahelvira.com www.deborahelvira.com

DEBORAH ELVIRA


Giovanni Boldini

(Ferrara 1842 – Paris 1931)

A Young Woman Playing the Guitar

Oil on panel, 12.6 x 11.7 cm XIX century Signed lower left Bibliography E. Camesasca, L’opera completa di Boldini, Milan, 1970,n.19f, p.91 B. Doria, Giovanni Boldini. Catalogo generale dagli archivi Boldini, Milan, 2000, n.55 P. Dini, F. Dini, Giovanni Boldini. Catalogo Ragionato, Vol. III, Turin, 2002, pp.114-115, n.190.

ENRICO GALLERIE D’ARTE Via Senato 45 20121 Milano Tel. +39 02 8723 5752 Via Garibaldi 11 16124 Genova Tel. +39 010 247 0150 enricogallerie@iol.it; angelo@enricogallerie.com www.enricogallerie.com

ENRICO GALLERIE D’ARTE


Giovanni Boldini

(Ferrara, 1842 – Paris, 1931)

Spring (In the Countryside)

Oil on panel, 67 x 54.4 cm 1872 Signed and dated on lower right Bibliography C.L. Ragghianti, E. Camesasca 1970 n. 22B p. 92; E. Piceni, Boldini 1981 pl. 10; A.-P. Quinsac 1983 pp. 125-126 pl. 49; P. Dini 1984 p. 66 ill p 108; P. Dini 1986 p. 64; F. Dini 1986 p 181; G. Marcenaro 1987 p. 54 ill; V P. Dini 1989 n. 66 p. 157; T. Panconi 1998 n. 18/B-4, p. 109; P. Dini, F. Dini 2002 p. 160, tav. XXI ; n. 137 p. 87; R. Campana 2005 pp. 132- 133; R. Campana 2006 pp. 90-91; T. Panconi 2008 p. 56; R. Campana 2009 pp. 104; P. Serafini 2013 p. 44 p. 109 p. 218; S. Bosi 2015 pp. 26 27; F.Dini F.Mazzocca 2015 p.210-211; R.Campana 2015 p.338 Exhibitions 1983, Kobe I.-Saitama-Hiroshima-Kitakyushu - 1984, Pistoia 1986, Montecatini T.-Turin - 1987, Genoa - 2005, Padua, Palazzo Zabarella - 2006, Castiglioncello - 2009-2010, Roma, Chiostro del Bramante - 2013-2014, Rovigo - Bordeaux - 2015, Forlì ENRICO GALLERIE D’ARTE Via Senato 45 20121 Milano Tel. +39 02 8723 5752 Via Garibaldi 11 16124 Genova Tel. +39 010 247 0150 enricogallerie@iol.it; angelo@enricogallerie.com www.enricogallerie.com

ENRICO GALLERIE D’ARTE


Milanese

An Italian Renaissance Hand and a Half Sword

Overall length 114.3 cm / Blade length 89.5 cm circa 1490-1500 Surviving early Renaissance swords of a quality comparable to ours are few in number and invariably associated with persons of great wealth and rank. Among the most celebrated of them is a splendid sword in the Rüstkammer, Staatliche Kunstsammlung Dresden (no. hm.a36), identified in early inventories of the Saxon Electoral Armoury as that of Graf Leonhard von Görz (1440–1500). Dr John Hayward, in his assessment of our sword, observed that although having affinities with that of Leonhard von Görz at Dresden, it excels it in richness and is the equal of the wedding sword of the future Holy Roman Emperor Maximilian I. It is tantalising, given its opulence, to speculate upon the identity of its original and obviously wealthy owner.

PETER FINER 38-39 Duke Street – St. James’s SW1Y 6DF Londra Tel. +44 207 839 5666 gallery@peterfiner.com; red@peterfiner.com www.peterfiner.com

PETER FINER


Michele Lorenzoni (Florence, 1684 – 1737)

An Italian Breech-Loading Repeating Flintlock Gun

Overall length: 150.5 cm / Barrel length: 83 cm circa 1700 Marked with the ownership monograms of Ferdinando III de’Medici, Grand Prince of Tuscany (1663–1713) Little is known of the life of Michele Lorenzoni, which is strange in the face of his significant accomplishments in the development of repeating firearms, the extraordinarily high standard to which they were finished and the distinction of his court patronage. He worked in Florence from the early 1680s until late in the 1730s and counted the Princes Medici, among others, as his patrons. Provenance France, Château de Gourdon

PETER FINER 38-39 Duke Street – St. James’s SW1Y 6DF Londra Tel. +44 207 839 5666 gallery@peterfiner.com; red@peterfiner.com www.peterfiner.com

PETER FINER


Francesco Albani

(Bologna 1578 – 1660)

Madonna and Child

Oil on canvas, 116 x 90 cm circa 1610 Inscription: “Hannibal Caracci”, in ancient handwriting on the back of the canvas Provenance France, Private Collection Exhibition Maastricht, The European Fine Art Fair, 2019

FONDANTICO di Tiziana Sassoli Via de’ Pepoli 6/e 40125 Bologna Tel. +39 051 265 980 info@fondantico.it www.fondantico.it

FONDANTICO di Tiziana Sassoli


Gaetano Gandolfi

(San Matteo della Decima, Bologna 1734 - Bologna 1802)

Venus Binds Love

Oil on canvas, 34.5 x 44.5 cm 1770-1772 Preparatory sketch for the ceiling fresco of Casa Gini in Bologna Exhibition Maastricht, The European Fine Art Fair, 2019

FONDANTICO di Tiziana Sassoli Via de’ Pepoli 6/e 40125 Bologna Tel. +39 051 265 980 info@fondantico.it www.fondantico.it

FONDANTICO di Tiziana Sassoli


Agnolo di Donnino del Mazziere (Florence 1466 - 1513)

Allegory of Peace

Panel, 82 x 168.5 cm. circa 1490 Exhibition Virtù d’Amore. Pittura nuziale del quattrocento fiorentino, Galleria dell’Accademia e Museo Horne, 8 June – 1 November 2010 Notificata work by the Soprintendenza per i Beni Artistici e Storici of Florence

ENRICO FRASCIONE Via dei Fossi 61/r 50123 Firenze Tel. +39 055 294 087 enricofrascioneantiquario@gmail.com

ENRICO FRASCIONE


Giovan Pietro da Cemmo

(documented in Lombardy from 1474 to 1507)

Martyrdom of Saint Bartholomew Parchment, 18 x 19 cm

ENRICO FRASCIONE Via dei Fossi 61/r 50123 Firenze Tel. +39 055 294 087 enricofrascioneantiquario@gmail.com

ENRICO FRASCIONE


Urbano da Cortona

(Cortona circa 1425 – Siena 1504)

Coat of Arms of Pio II Piccolomini Marble, 49.5 x 32.5 x 6 cm 1458-1464 Provenance Italy, Private Collection

FRASCIONE ARTE Via Maggio 5/7 50125 Firenze Tel. +39 055 239 9205 info@frascionearte.com www.frascionearte.com

FRASCIONE ARTE


Piero di Cosimo

(Florence 1462 – 1522)

Madonna and Child with Young Saint John the Baptist

Oil on panel, 62 x 47 cm circa 1505 Provenance Italy, Private Collection Bibliography A. Forlani Tempesti - E. Capretti, “Piero di Cosimo: un’opera ritrovata. I: Il disegno sotto la pittura e gli altri disegni di Piero, II: Il dipinto” in Arte Cristiana, XC, 808, 2002, pp. 17-29. D. Geronimus, Piero di Cosimo. Visions Beautiful and Strange, Yale University Press 2006, p. 285 n. 5. D. Geronimus, essay 43 exhibition catalogue, Piero di Cosimo 1462-1522. Pittore eccentrico fra Rinascimento e Maniera, Florence, 2015 pp. 298-299, A. Delpriori, essay 6 exhibition catalgoue Mestres do Rinascimiento. Obras-Primas, |CITTÀ, ANNO, pp. 52-53. Exhibitions Mestres do Rinascimiento. Obras-Primas Italianas, São Paulo, Centro Cultural Banco September 2013), Brasilia, Centro Cultural Banco do Brasil (12 October 2013-5 January 2014). Piero di Cosimo 1462-1522. Pittore eccentrico fra Rinascimento e Maniera, Florence, Galleria degli Uffizi, 23 June-27 December 2015. Notificata according to D. Lgs. 42/2004 with the D.D.R. dated 25/07/2012 FRASCIONE ARTE

Via Maggio 5/7 50125 Firenze Tel. +39 055 239 9205 info@frascionearte.com www.frascionearte.com

FRASCIONE ARTE


Gian Francesco Bembo

(Cremona, circa 1480 – after 1543)

Portrait of a Lady with a Dog

Oil on wood panel, 48.6 × 35.5 cm Provenance In 1669 the painting entered the collection of the Earl of Pembroke and Montgomery, at Wilton House, Salisbury (according to the 1731 catalogue of the collection, it was a gift, with seven other pictures, from Cosimo III de’ Medici, Grand Duke of Florence [1642-1723] when he stayed at Wilton House in 1669); their family sale [The Earl of Pembroke and Montgomery and the Lord Herbert], Christie’s, London, 22 June 1951, lot 16 (as “Correggio”); private collection; in 1955 the painting was exhibited in the Paul Larsen Gallery, London (see Apollo, June 1955); private collection; Bonhams sale, London, 5 July 2017, lot 17 (p. 22, as “Brescian school, 16th Century”). Bibliography Carlo Gambarini, A Description of the Earl of Pembroke’s Pictures, Westminster, 1731, p. 91 Nevile R. Wilkinson, Wilton House Pictures […], 2 vols., London, 1907, I, p. 9, no. 32 Mina Gregori, “Altobello e G. Francesco Bembo”, Paragone, 93, September 1957, p. 34, fig. 24 Marco Tanzi, “Il crepuscolo degli eccentrici a Cremona”, Prospettiva, 134-135, 2009, pp. 25, 48, note 5

GALERIE CANESSO 26 rue Laffitte 75009 Paris Tel. + 33 1 4022 6171 contact@canesso.com www.canesso.art

GALERIE CANESSO

Galleria Canesso Lugano Piazza Riforma 2 6900 Lugano Tel. +41 091 682 8980 info@galleriacanesso.ch www.galleriacanesso.ch


Guido Reni

(Calvenzano 1575 – Bologna 1642)

Saint Jerome

Oil on canvas, 65.1 x 50 cm Provenance London, Christie’s sale, 8 December 2005, lot 45 (as Guido Reni); private collection. Bibliography Véronique Damian, Reni, Vermiglio et Cairo, trois figures caravagesques. Tableaux italiens du xvie au xviiie siècle, Paris, Galerie Canesso, 2012, pp. 18-23 Francesca Candi, D’après le guide. Incisioni seicentesche da Guido Reni, Bologna, 2016, p. 252 Elisabeth Cropper – Lorenzo Pericolo (eds), Malvasia’s Felsina pittrice, vol. IX: Life of Guido Reni, London Engraving By Jean Couvay (Arles, 1622 – Paris, c. 1675 or 1680), published by François Langlois, called Ciartres (1589-1647) as Guido Reni (see Cesare Malvasia, Felsina pittrice. Vite de’ pittori bolognesi, Bologna, 1678, 2nd ed., 1841, I, p. 97, “stampe di Guido Reni”: “La testa del S. Girolamo, che col sasso nella sinistra si percuote il petto, sotto: S. HIEROMMUS”).

GALERIE CANESSO 26 rue Laffitte 75009 Paris Tel. + 33 1 4022 6171 contact@canesso.com www.canesso.art

GALERIE CANESSO

Galleria Canesso Lugano Piazza Riforma 2 6900 Lugano Tel. +41 091 682 8980 info@galleriacanesso.ch www.galleriacanesso.ch


Francesco Bertos (Venice 1678 – 1741)

Allegory of a River

Marble, 32.5 x 58 x 24 cm circa 1700

GALERIE SISMANN OLD MASTER SCULPTURE 33 Quai Voltaire 75007 Parigi Tel. +33 614 751 869 gabysismann@aol.com; mathieusismann@aol.com www.galerie-sismann.com

GALERIE SISMANN OLD MASTER SCULPTURE


Attributed to Antonello Gagini (Palermo 1478 – 1536)

Virgin and Child

Marble with traces of polychromy and gilt, 77 cm circa 1500

GALERIE SISMANN OLD MASTER SCULPTURE 33 Quai Voltaire 75007 Parigi Tel. +33 614 751 869 gabysismann@aol.com; mathieusismann@aol.com www.galerie-sismann.com

GALERIE SISMANN OLD MASTER SCULPTURE


Giulio Aristide Sartorio (Rome 1860 – 1932)

Morning at the Seaside

Oil on canvas, 91 x 202 cm 1929 Signed and dated bottom left ‘G. A. Sartorio Fregene MCMXXIX’ Provenance New York, Private Collection Bibliography La Galleria Pesaro – Personal exhibition of the painter Giulio Aristide SARTORIO, Milan 1929, n. 60 G. A. Sartorio. Exhibition of oone hundred paintings, watercolours, drawings, Milan 1969, n.5. Exhibition Galleria Pesaro, 1929

GALLERIA BERARDI Corso Rinascimento 9 00186 Roma Tel. +39 06 976 061 27 galleria.berardi@gmail.com www.maestrionline.it

GALLERIA BERARDI


Francesco Paolo Michetti

(Tocco di Casauria 1851 - Francavilla al Mare 1929)

Aligi

Pastel on paper, 70 x 50 cm 1893 Provenance De Feo Collection Bibliography Ojetti 1910; Sillani 1914; Marangoni 1922; Sillani 1932; Sillani 1934; Lanceri 1938; Rosina 1955; Mammucari 1989; Di Tizio 2007; General Catalogue 2018.

GALLERIA BERARDI Corso Rinascimento 9 00186 Roma Tel. +39 06 976 061 27 galleria.berardi@gmail.com www.maestrionline.it

GALLERIA BERARDI


Daniel Buren

(b. Boulogne-Billancourt 1938)

Peinture et collage sur papier

Situated work; acrylic, graphite, burlap and red paper stuck on cardboard, 64.6 x 50 cm April 1964

GALLERIA CONTINUA Via del Castello 11 53037 San Gimignano Tel. +39 0577 943 134 valentinas@galleriacontinua.com; sangimignano@galleriacontinua.com

Dashanzi Art District 798#8503, 2 Jiuxianqiao Road, Chaoyang Dst. 100015 Beijing Tel. +86 105 978 9505 beijing@galleriacontinua.com 46 Rue de la FertĂŠ Gaucher 77169 Boissy-le-Chatel

GALLERIA CONTINUA

Tel. +33 164 203 950 lemoulin@galleriacontinua.com Rayo 108 entre la Zanja y Dragones Barrio Chino, Centro Habana Tel. +53 586 92 922; +53 555 165 07 habana@galleriacontinua.com www.galleriacontinua.com


Michelangelo Pistoletto (b. Biella 1933) L’alto in basso, il basso in alto Chair, wood, mirror, iron wire, height: circa 350 cm 1977

GALLERIA CONTINUA Via del Castello 11 53037 San Gimignano Tel. +39 0577 943 134 valentinas@galleriacontinua.com; sangimignano@galleriacontinua.com

Dashanzi Art District 798#8503, 2 Jiuxianqiao Road, Chaoyang Dst. 100015 Beijing Tel. +86 105 978 9505 beijing@galleriacontinua.com 46 Rue de la FertĂŠ Gaucher 77169 Boissy-le-Chatel

GALLERIA CONTINUA

Tel. +33 164 203 950 lemoulin@galleriacontinua.com Rayo 108 entre la Zanja y Dragones Barrio Chino, Centro Habana Tel. +53 586 92 922; +53 555 165 07 habana@galleriacontinua.com www.galleriacontinua.com


Pietro Baratta (Massa 1668 - Carrara 1729) Holy Family Terracotta, 51.5 x 26 cm

GALLERIA GOMIERO Via R. Pilo 11 20129 Milano Tel. +39 02 205 202 50 info@galleriagomiero.com; diegogomiero@alice.it

GALLERIA GOMIERO


Attilio Selva (Trieste 1888 – Rome 1970) Signora Carena Bronze and cipollino marble, 45 x 34 x 52 cm 1920

GALLERIA GOMIERO Via R. Pilo 11 20129 Milano Tel. +39 02 205 202 50 info@galleriagomiero.com; diegogomiero@alice.it

GALLERIA GOMIERO


Pelagio Palagi

(Bologna 1775 - Turin 1860)

Venus, Teacher of Love

Oil on canvas, Tondo diameter 70 cm, with a gilded and carved frame 98 x 98 cm First half of the XIX century Signed on the strip of the quiver

GALLERIA MARLETTA Piazza S. Felice, 10r 50125 Firenze Tel. +39 055 294 592 info@alessandromarletta.com; am@alessandromarletta.com www.alessandromarletta.com

GALLERIA MARLETTA


Giorgio Kienerk

(Florence 1869 – Fauglia 1948)

Vanity

Bronze, height: 78.5 cm Signed, dated, and titled on base

GALLERIA MARLETTA Piazza S. Felice, 10r 50125 Firenze Tel. +39 055 294 592 info@alessandromarletta.com; am@alessandromarletta.com www.alessandromarletta.com

GALLERIA MARLETTA


Gilberto Zorio

(b. Andomo Micca, 1944)

Africa Star

Terracotta on leather, 160 x 296 cm 1983 Provenance Florence, Galleria Poggiali

GALLERIA POGGIALI Via della Scala 35a Via Benedetta 3r 50123 Firenze Tel. +39 055 287 748 Foro Buonaparte 52 20121 Milano

GALLERIA POGGIALI

Tel. 39 02 7209 5815 Via Garibaldi 8 Via Marconi 50 55045 Pietrasanta Tel. +39 334 923 6625 info@galleriapoggiali.com wwwgalleriapoggiali.com


Gilberto Zorio

(b. Andomo Micca, 1944)

Volcano to Purify Words

Leather, terracotta, javelin, wax, steel, and alcohol, 180 x 383 x 55 cm 1983

GALLERIA POGGIALI Via della Scala 35a Via Benedetta 3r 50123 Firenze Tel. +39 055 287 748 Foro Buonaparte 52 20121 Milano

GALLERIA POGGIALI

Tel. 39 02 7209 5815 Via Garibaldi 8 Via Marconi 50 55045 Pietrasanta Tel. +39 334 923 6625 info@galleriapoggiali.com wwwgalleriapoggiali.com


Adolfo Wildt

(Milan 1868 – 1931)

Mater purissima

High relief in white marble (wooden base), 30 x 33 cm 1918 Signed on the side A. Wildt Bibliography Adolfo Wildt. Ein Italienischer Bildhauer des Symbolismus, 25 March-17 June 1990, Darmstadt, Mathildenhöhe, exhibition catalogue, ed. P. Mola, Darmstadt 1990, pp. 74-75, ripr. Exhibition Adolfo Wildt. Ein Italienischer Bildhauer des Symbolismus, Darmstadt, Mathildenhöhe, 25 March-17 June 1990

GALLERIA RUSSO Via Alibert 20 00187 Roma Tel. +39 06 678 9949 fabrizio.russo@galleriarusso.com; cecilia.vilches@galleriacanesso.it www.galleriarusso.it

GALLERIA RUSSO


Gino Severini

(Cortona 1883 – Paris 1966)

Self-Portrait

350 x 300 cm 1905 Signed and dated lower left: Severini MCMV Bibliography “Avanti della Domenica”, n. 12, 24-05-1906 G. Severini, Tutta la vita di un pittore. I. Roma-Parigi, Milano 1946. Aspetti dell’arte a Roma, dal 1870 al 1914, exhibition catalogue, ed. A.M. Damigella et alii, Rome, Palazzo Barberini, De Luca Editore, Rome 1972, pp. XLIII-LXIII M. Fagiolo dell’Arco, “Guida all’opera di Gino Severini”, in Catalogo d’Arte Moderna Italiana Bolaffi, n. 17, Giorgio Mondadori e Associati, Turin 1981, pp. 449-464, p. 450. F. Meloni, Gino Severini, tutta l’opera grafica, Libreria Prandi, Reggio Emilia, 1982, p. 148. Gino Severini, prima e dopo l’opera. Documenti, opere e immagini, exhibition catalogue, ed. M. Fagiolo dell’Arco, Cortona, Palazzo Casali, 12 November 1983 - 22 January 1984, Electa Editrice, Milan 1983, pp. 15, 142. D. Fonti, Gino Severini. Catalogo ragionato, Arnoldo Mondadori Editore, Milan 1988, p. 80, n. 29

GALLERIA RUSSO Via Alibert 20 00187 Roma Tel. +39 06 678 9949 fabrizio.russo@galleriarusso.com; cecilia.vilches@galleriacanesso.it www.galleriarusso.it

GALLERIA RUSSO


Divisionismo Romano, exhibition catalogue, ed. L. Stefanelli Torossi, Rome, Galleria Arco Farnese, 20 January-31 March 1989, De luca Edizioni d’Arte, Rome 1989 Gino Severini 1883-1966, exhibition catalogue ed. G. Belli, D. Fonti, Parigi, Musée de l’Orangerie, 27 April-25 July 2011 and Rovereto, 17 September 2011-8 January 2012, Silvana Editoriale, Milan 2011, p. 104. P. Bolpagni, L’arte nell’”Avanti della Domenica” 1903-1907, Edizioni Gabriele Mazzotta, Milan 2008, pp. 176, 21 Exhibitions Gino Severini, prima e dopo l’opera. Documenti, opere e immagini, Cortona, Palazzo Casali, 12 November 1983 - 22 January 1984 Mostra dei Rifiutati, Ridotto del Teatro Costanzi, Rome, 1905 Divisionismo Romano, Rome, Galleria Arco Farnese, 20 January-31 March 1989 Il volto e l’anima, Rome, Galleria Arco Farnese, 22 May-30 June 1996 Gino Severini 1883-1966, Paris, Musée de l’Orangerie, 27 April-25 July 2011 and Rovereto, 17 September 2011-8 January 2012

GALLERIA RUSSO Via Alibert 20 00187 Roma Tel. +39 06 678 9949 fabrizio.russo@galleriarusso.com; cecilia.vilches@galleriacanesso.it www.galleriarusso.it

GALLERIA RUSSO


Giuseppe Bernardino Bison

(Palmanova del Friuli 1762 – Milan 1844)

River Landscape with a Knight, Ruins and Architecture Tempera on paper, 43 x 58 cm

GALLERIA SILVA Via Borgospesso 12 20121 Milano Tel. +39 02 784 060 galleriasilva@tiscali.it www.galleriasilva.com

GALLERIA SILVA


Giuseppe Bernardino Bison

(Palmanova del Friuli 1762 – Milan 1844)

Landscape with Ruins, Architecture, and Wayfarers Tempera on paper, 43 x 58 cm

GALLERIA SILVA Via Borgospesso 12 20121 Milano Tel. +39 02 784 060 galleriasilva@tiscali.it www.galleriasilva.com

GALLERIA SILVA


Carlo Albacini

(Fabriano 1734 (?) – Rome 1813)

Bust of Virgil

Marble, height: 50 cm circa 1790 Inscribed on the front of the base: “VIRGILIUS” Provenance Italy, Private Collection Bibliography Valeria Rotili, “Carlo Albacini (Fabriano 1734(?)-Rome 1813), Bust of Virgil”, in Selected Works from 18th to 20th Century, Rome, Galleria Carlo Virgilio & Co., 2019, pp. 30-35

GALLERIA CARLO VIRGILIO & C. Via della Lupa 10 00186 Roma Tel. +39 06 687 1093 info@carlovirgilio.it www.carlovirgilio.it

GALLERIA CARLO VIRGILIO & C.


Master of the San Fernando Academy (Active in Rome from 1610-20)

Appearance of the Baby Jesus Saint Anthony of Padua

Oil on canvas, 184 x 147 cm circa 1615-20 Provenance Italy, Private Collection Bibliography Giuseppe Porzio, “Master of the Academia de San Fernando (active in Rome between 1610s and 1620s), Apparition of Jesus Child to St Anthony of Padua”, in Selected Works from 17th to 20th Century, Rome, Galleria Carlo Virgilio & Co., 2018, pp. 6-23

GALLERIA CARLO VIRGILIO & C. Via della Lupa 10 00186 Roma Tel. +39 06 687 1093 info@carlovirgilio.it www.carlovirgilio.it

GALLERIA CARLO VIRGILIO & C.


Giuseppe Maria Crespi (Bologna 1665-1747)

Spinet Player with Admirers Oil on canvas, 59 x 47.5 cm

GALLO FINE ART Via Bigli 21 20121 Milano Tel. +39 02 359 463 70 info@gallofineart.com; info@gallofineart.it galloarte@gmail.com; grazgallo@gmail.com www.galloarte.com; www.gallofineart.it

GALLO FINE ART


Bernardino Campi

(Cremona 1522 – Reggio Emilia 1591)

Portrait of Ippolita Gonzaga Oil on canvas, 115.6 x 90.2 cm 1553/4

GALLO FINE ART Via Bigli 21 20121 Milano Tel. +39 02 359 463 70 info@gallofineart.com; info@gallofineart.it galloarte@gmail.com; grazgallo@gmail.com www.galloarte.com; www.gallofineart.it

GALLO FINE ART


Giacinto Gigante (Naples 1806 – 1876)

“Querce a Sorrento (Casarlano)”

Oil on paper laid on canvas, 38 x 53.7 cm Provenance Gigante Heirs Bibliography Luisa Martorelli “Ottocento da Canova al quarto Stato” M.V. Marini Clarelli, C. Sisi and F. Mazzocca eds., Roma Scuderia del Quirinale 2008, pp. 148 and 149.

MICHELE GARGIULO “ANTIQUARIO” Via C. Poerio 32 80121 Napoli Tel. +39 081 764 3854 michelegargiulo5@gmail.com graziagalanterie@alice.it

MICHELE GARGIULO “ANTIQUARIO”


Teodoro Duclere

(Napoli 1812 – Napoli 1869) Coppia raffigurante “La chiesa di San Erasmo a Pucara / Maiori” e l’altro raffigura “L’abitato di Vecite” Olio su carta intelata Entrambi cm. 42 x cm. 57

MICHELE GARGIULO “ANTIQUARIO” Via C. Poerio 32 80121 Napoli Tel. +39 081 764 3854 michelegargiulo5@gmail.com graziagalanterie@alice.it

MICHELE GARGIULO “ANTIQUARIO”


Trapani

Pair of Capoletti Gilded copper, coral, and enamel, 20 x 14 cm XVII century

DARIO GHIO 25 Boulevard Princesse Charlotte 98000 Monte Carlo Tel. +377 977 040 18 info@darioghio.com www.darioghio.com

DARIO GHIO


Workshop of the Tipa Brothers

(Trapani end of XVII century, beginning of XVIII century) Cleopatra and Didone Ivory, Sicilian diaspore, and coral, height: 31 cm Beginning XVIII century

DARIO GHIO 25 Boulevard Princesse Charlotte 98000 Monte Carlo Tel. +377 977 040 18 info@darioghio.com www.darioghio.com

DARIO GHIO


François-Xavier Fabre (Montpellier 1766 – 1837)

Portrait of Louise of Stolberg-Gedern, Countess of Albany Oil on canvas, 32.5 x 26 cm 1800 Provenance London, Private Collection

GIACOMETTI OLD MASTER PAINTINGS Vico Santa Teresella degli Spagnoli 27 80132 Napoli Tel. +39 320 372 0492 info@giacomettiomp.com; umbertogiacometti@gmail.com www.giacomettiomp.com

GIACOMETTI OLD MASTER PAINTINGS


François-Xavier Fabre

(Montpellier 1766 – 1837)

Portrait of Vittorio Alfieri

Oil on canvas, 32.5 x 26 cm 1800 Initials and dated bottom left: “F.X.F. / 1800.” Provenance London, Private Collection

GIACOMETTI OLD MASTER PAINTINGS Vico Santa Teresella degli Spagnoli 27 80132 Napoli Tel. +39 320 372 0492 info@giacomettiomp.com; umbertogiacometti@gmail.com www.giacomettiomp.com

GIACOMETTI OLD MASTER PAINTINGS


Monogrammist I.S. (Active 1632 – 1658)

Portrait of a Woman

Oil on canvas laid on panel, 34 x 27 cm Provenance Madrid, Private Collection London, Sotheby’s, 8 December 2010, Old Master & British Paintings. Evening Sale, lot 5 London, Private Collection Bibliography Arthur Wheelock, “Making Faces: The Development of the Tronie in Seventeenth-Century Leiden” in Anonymous Portraits: Dutch Seventeenth-Century Tronies, New York, 2019, fig. 25. Reference Bibliography: Theodor Von Frimmel, “Von Monogrammisten IS” in Blatten für Gemäldekunde, 1904, pp. 132-133. Werner Sumowski, Gemälde der Rembrandt-Schüler, vol. IV, Landau-Pfalz, 1983, p. 2548 ff. Exhibition On loan to the National Gallery, London, 2011-2018.

NICHOLAS HALL 17 East 76th Street NY 10021 New York Tel. +1 212 772 9100 info@nicholashjhall.com; yuan@nichoalshjhall.com; nicholas@ nicholashjhall.com www.nicholashjhall.com

NICHOLAS HALL


Dirck van Baburen

(Utrecht 1592/93 – 1624)

The Philosopher

Oil on canvas, 95.5 x 105 cm circa 1618 – 1619 Provenance Rome, Possibly Pietro Cussida Collection Rome, Possibly by inheritance to Gianfrancesco Cussida, 1622. Possibly to Laura Cussida, Rome, described in 1624, in a list of paintings she was to inherit from her deceased father, Gianfrancesco Cussida, as‘un quadro con ritratto di un filosofo con cornice indorata’. Upon Laura Cussida’s marriage, in 1641, to Mario Massimo, the picture possibly passed to her guardian, Nicolò Gavotti, Rome, until his death in 1674. Possibly by inheritance to Carlo Gavotti Collection, Rome, 16741702. Possibly passed down to the heirs of Carlo Gavotti thereafter, said to have descended from a noble Tuscan family, at least from the early nineteenth century. Pandolfini Florence, 15 October 2013, lot 48, as by a seventeenthcentury Dutch follower of Caravaggio. Bibligraphy Gert Jan van der Sman, Caravaggio and the Painters of the North, Madrid, Museo Thyssen-Bornemisza, 2016, exh. cat., reproduced pp. 36-37, fig.17. Wayne Franits,“A New Painting by Dirck van Baburen,”in The Primacy of the Image in Northern European Art 1400-1700: Essays in Honor of Larry Silver, 2017, pp. 436-473, reproduced, fig. 34.1. NICHOLAS HALL 17 East 76th Street NY 10021 New York Tel. +1 212 772 9100 info@nicholashjhall.com; yuan@nichoalshjhall.com; nicholas@ nicholashjhall.com www.nicholashjhall.com

NICHOLAS HALL


Venetian School

Pair of Sculptures depicting Moors Holding Cornucopia resting on bases in the shape of a natural rock Carved wood, gilded and decorated in polychromy, height: 170 cm Middle of XVIII century Bibliography For similar examples, see C.Santini “Le Lacche dei Veneziani” Modena 1993 pp. 238-239

IOTTI ANTICHITÀ Via Amendola 55/a 42100 Reggio Emilia Tel. +39 0522 552 838 siottiantichita@libero.it

IOTTI ANTICHITÀ


Genoese School attributed to the Carver, Bartolomeo Steccone Pair of Wall Tables with Flowery Alabaster Tops

Carved and gilded wood. Bands adorned with floral festoons, double volute legs adorned with grotesque macaroni leaning against a curl, 115 x 55 x 94 cm XVIII century Provenance Castello di Arenzano GE, Duraźzo Pallavicini Collection Bibliography For similar examples: see A.Gonzales -Palacios Il mobile in Liguria. Genoa 1996 pp.115-117, pp. 152-153. E.Colle, Il mobile barocco in Italia, Milan 2000.p. 209 and following.

IOTTI ANTICHITÀ Via Amendola 55/a 42100 Reggio Emilia Tel. +39 0522 552 838 siottiantichita@libero.it

IOTTI ANTICHITÀ


Francesco Cairo (Milan 1607 – 1665)

Portrait of a Scholar

Oil on canvas, 67 x 51 cm circa 1640 Bibliography F. Frangi, Francesco Cairo, Turin 1998, cat. n. 47, p. 253, fig. 52.

MATTEO LAMPERTICO Arte Antica e Moderna Via Montebello 30 20121 Milano Tel. +39 02 365 865 47 info@matteolampertico.it www.matteolampertico.it

MATTEO LAMPERTICO Arte Antica e Moderna


Giuseppe Capogrossi (Roma 1900-1972)

Superficie 423

Olio su tela, cm 100 x 85 1961 Provenienza Milano, Galleria del Naviglio Bibliografia G. Ballo, La linea dell’arte italiana: dal simbolismo alle opere moltiplicate, Roma 1964, vol. II, n. 343, p. 231 G.C. Argan, Capogrossi, Roma 1967, n. 450, p. 189 L.M. Barbero (a cura di), Capogrossi. Una retrospettiva, catalogo della mostra, Venezia, Collezione Peggy Guggenheim, 29 settembre 2012 - 10 febbraio 2013, Venezia 2012, illustrato p. 162. Esposizioni Venezia, XXXI Biennale Internazionale d’Arte, 1962, n. 15, p. 35; Baden-Baden, Staatliche Kunsthalle, Capogrossi, 1967, n. 33 Ginevra, Galerie George Moos, Capogrossi, 1970.

MATTEO LAMPERTICO Arte Antica e Moderna Via Montebello 30 20121 Milano Tel. +39 02 365 865 47 info@matteolampertico.it www.matteolampertico.it

MATTEO LAMPERTICO Arte Antica e Moderna


Giovanni Paolo Panini

(Piacenza 1691 – Rome 1765)

Capriccio with the Sermon of Saint Peter

Oil on canvas, 98 x 135 cm Signed bottom left ‘J. P. Panini’ Bibliography F. Arisi, Gian Paolo Panini e i fasti della Roma del 700, Rome 1986, 184-185.

CESARE LAMPRONTI OLD MASTERS PAINTINGS 44 Duke Street, St. James’s SW1Y 6DD London Tel. +44 207 839 2977 info@cesarelampronti.co.uk www.cesarelampronti.com

Via San Giacomo 22 00187 Roma Tel. +39 06 322 7194 info@cesarelampronti.it www.cesarelampronti.it

CESARE LAMPRONTI OLD MASTERS PAINTINGS


Bernardo Bellotto

(Venice 1722 – Warsaw 1780)

Capriccio with a bridge along a river, a tower, and a villa

Oil on canvas, 50.2 x 72 cm circa 1750 Published by Luigi Salerno as a signed worked by Bernardo Bellotto, this painting is inspired by the version in the Thyssen Museum in Madrid. Provenance London, Chaucer Fine Art Bibliography L. Salerno, I pittori di vedute in Italia (1580-1830), Rome, 1991, p. 214, pl. 62.6

CESARE LAMPRONTI OLD MASTERS PAINTINGS 44 Duke Street, St. James’s SW1Y 6DD London Tel. +44 207 839 2977 info@cesarelampronti.co.uk www.cesarelampronti.com

Via San Giacomo 22 00187 Roma Tel. +39 06 322 7194 info@cesarelampronti.it www.cesarelampronti.it

CESARE LAMPRONTI OLD MASTERS PAINTINGS


Tipa Brothers

(Trapani XVIII secolo)

Nativity Scene

Amber, mother of pearl, diaspore, alabaster, 39 x 60 x 40 cm Provenance Milan, Private Collection

LEONE Via S. M. a Cappella Vecchia 49 80121 Napoli Via D. Morelli 13 80121 Napoli Tel. e Fax +39 081 764 4244 Cell. +39 336 846 580, +39 339 6457 827, +39 335 621 4533 info@leoneantiquariato.com; leoneantiquariato@libero.it www.leoneantiquariato.com

LEONE


Florentine Production of Pietre Dure (XVI / XVII Century)

Jewelry Box

Ebony, gilded bronze, and pietre dure, 24 x 36 x 21 cm Beginning of XVII century Provenance Naples, Cellammare Palace

LEONE Via S. M. a Cappella Vecchia 49 80121 Napoli Via D. Morelli 13 80121 Napoli Tel. e Fax +39 081 764 4244 Cell. +39 336 846 580, +39 339 6457 827, +39 335 621 4533 info@leoneantiquariato.com; leoneantiquariato@libero.it www.leoneantiquariato.com

LEONE


Southern Germany Madonna and Child

Painted cherry wood with traces of gilding, 49 x 15 x 26 cm circa 1340 – 1350 Provenance Italy, Private Collection

LONGARI ARTE MILANO Corso Monforte 23 20122 Milano Tel. +39 02 896 978 48 Cell. +39 335 5929 301 info@longariartemilano.com www.longariartemilano.com

LONGARI ARTE MILANO


Burgundy or Southern Germany Blessing Christ

Ivory, 11.8 x 6.5 x 4.7 cm Second half of XV century Under the sculpture, between its feet, there is a series of numbers, possible referring to old inventory numbers. Provenance Italy, Private Collection Bibliography Comparison Bibliography: Sculptures Souabes 2015 Sculptures Souabes de la fin du Moyen Âge, exhibition catalogue edited by D. Berné (Paris, Musée de Cluny, 1 April-27 July 2015), RMN, Paris 2015.

LONGARI ARTE MILANO Corso Monforte 23 20122 Milano Tel. +39 02 896 978 48 Cell. +39 335 5929 301 info@longariartemilano.com www.longariartemilano.com

LONGARI ARTE MILANO


Umberto Brunelleschi

(Montemurlo 1879 – Paris 1949)

Self-portrait holding a Mask

Oil on canvas, 60 x 49 cm 1920 Signed lower right ‘Brunelleschi 1920’ Provenance Florence, Ugo Ojetti Collection Florence, Private Collection Bibliography Maurizio Fagiolo dell’Arco, Les Italiens de Paris: De Chirico e gli altri a Parigi nel 1930 Palazzo Martinengo, Brescia, 1998, Skira Editore, p. 162, photo 28.

LULLO • PAMPOULIDES 33 Cork Street, Mayfair W1S 3NQ London Tel. +44 207 494 2551 info@lullopampoulides.com; cs@lullopampoulides.com; mz@ lullopampoulides.com www.lullopampoulides.com

LULLO • PAMPOULIDES


Giovanni Battista Langetti (Genoa 1635 – Venice 1676)

Diogenes

Oil on canvas, 102 x 123 cm

LULLO • PAMPOULIDES 33 Cork Street, Mayfair W1S 3NQ London Tel. +44 207 494 2551 info@lullopampoulides.com; cs@lullopampoulides.com; mz@ lullopampoulides.com www.lullopampoulides.com

LULLO • PAMPOULIDES


Flaminio Torre

(Bologna 1620 – Modena 1661)

Nativity

Oil on canvas, diameter: 114 cm The attribution was confirmed by Prof. Daniele Benati who considers the work to be a masterpiece of the artist.

ENRICO LUMINA Via San Tomaso 76-78 24121 Bergamo Tel.+39 035 230 156 info@enricolumina.com www.enricolumina.com

ENRICO LUMINA


Lavinia Fontana

(Bologna 1552 – Roma 1614)

Portrait of Gerardo Giavarini

Oil on canvas, 130 x 103 cm 1598 The attribution was confirmed by Dott.essa Maria Teresa Cantaro and by Dott. Angelo Mazza.

ENRICO LUMINA Via San Tomaso 76-78 24121 Bergamo Tel.+39 035 230 156 info@enricolumina.com www.enricolumina.com

ENRICO LUMINA


Ludovico Gimignani

(Rome 1643 – Zagarolo 1697)

Rinaldo Abandons Armida Oil on canvas, 70 x 50 cm Provenance Germany, Art Market

FABIO MASSIMO MEGNA Via del Babuino 148/a 00187 Roma Tel. +39 06 361 3775 contact@galleriamegna.it; tommaso@galleriamegna.it www.galleriemegna.it

FABIO MASSIMO MEGNA


Giovanni Lanfranco

(Parma 1582 – Rome 1647)

Madonna and Child with Two Angels Oil on copper, 21 x 16 cm circa 1617 Provenance France, Art Market

FABIO MASSIMO MEGNA Via del Babuino 148/a 00187 Roma Tel. +39 06 361 3775 contact@galleriamegna.it; tommaso@galleriamegna.it www.galleriemegna.it

FABIO MASSIMO MEGNA


Liberale da Verona

(Verona, circa 1445 - 1527/1529)

Predella with a Baby and Flowers Oil on panel, 17 x 35.5 cm circa 1470 Provenance Germany, Private Collection

MEHRINGER - BENAPPI Georgenstrasse 24 80799 Monaco Tel. +49 89 987 431 Cell. +49 171 492 4263 mail@sashamehringer.com www.sashamehringer.com

MEHRINGER - BENAPPI

27 Dover Street W1S 4LS Londra Tel. +44 203 865 2953 Via A. Doria 10 10123 Torino Tel. +39 011 883 262 london@benappi.com; info@benappi. com www.benappi.com


Lorenzo Bartolini

(Savignano di Prato 1777 – Florence 1850) Idealised Head of Beatrice (Portrait of Juliette Récamier as Beatrice) Marble, 47 cm Signed along the edge on the right side: “L. BARTOLINI” Provenance Private Collection

MEHRINGER - BENAPPI Georgenstrasse 24 80799 Monaco Tel. +49 89 987 431 Cell. +49 171 492 4263 mail@sashamehringer.com www.sashamehringer.com

MEHRINGER - BENAPPI

27 Dover Street W1S 4LS Londra Tel. +44 203 865 2953 Via A. Doria 10 10123 Torino Tel. +39 011 883 262 london@benappi.com; info@benappi. com www.benappi.com


Gregorio di Lorenzo

(Florence circa 1436 – Forlì circa 1504)

Blessing Christ

Low-relief medallion in pietra serena, diameter 75 cm 1475 Provenance Florence, Oratory of the Compagnia di Gesù Pellegrino at the Church of Santa Maria Novella Florence, Carlo De Carlo Collection Rome, Giorgio Corsi Collection Bibliography U. Middeldorf, “Gesù Pellegrino. A Quattrocento Sculpture Rediscovered”, in Apollo CVIII, 1978, pp. 382-383 G. Gentilini, I Della Robbia. La scultura invetriata nel Rinascimento, Firenze 1992, p. 175 L. Pisani, “Per il Maestro delle Madonne di Marmo”, In Prospettiva, 106-107, 82002), pp. 144-165 A. Bellandi, Gregorio di Lorenzo. Il Maestro delle Madonne di marmo, Selective Art Ed. 2010, p.407.

SANDRO MORELLI Via Maggio 59r 50125 Firenze Tel. +39 055 282 789 sanmorelli@gmail.com

SANDRO MORELLI


Pietro Befulco (attributed to)

(Naples documented from 1471 to 1503)

Saint John the Baptist in Adoration

Tempera on panel, 113 x 77 cm XV century Provenance Private Collection Bibliography D. Catalano, M. Ceriana, P. Leone De Castris, M. Ragozzino (eds.), Rinascimento visto da Sud. Matera, l’Italia meridionale e il Mediterraneo tra ‘400 e ‘500 exhibition catalogue, Ed. Arte’m, Napoli, 2019 Exhibition Rinascimento visto da Sud. Matera, l’Italia meridionale e il Mediterraneo tra ‘400 e ‘500 - Matera, Palazzo Lanfranchi aprile/ settembre 2019

SANDRO MORELLI Via Maggio 59r 50125 Firenze Tel. +39 055 282 789 sanmorelli@gmail.com

SANDRO MORELLI


Pietro da Cortona

(Cortona 1596 - Rome 1669)

Portrait of Cardinal Mazzarino Oil on canvas, 126 x 102 cm Provenance Turin, Lazzaroni Collection This work is Notificata.

MORETTI Flat 14, 2-10 Ryder Street, St. James’s SW1Y 6QB London Tel. +44 207 491 0533

MORETTI

Park Palace – 27 Avenue de la Costa 98000 Monte Carlo Tel. +377 999 909 70

Piazza Ottaviani 17r 50123 Firenze Tel. +39 055 265 4277 enquiries@morettigallery.com www.morettigallery.com


Gian Domenico Cerrini (Perugia 1609 - Rome 1681)

Penitent Saint Jerome

Oil on canvas, 97 x 83 cm 1661 The octagonal format reveals a provenance from a Florentine base of collecting. Cerrini came to Florence after being called by the Medici for whom he produced many works. The theme of Saint Jerome was dear to the painter and two painting with this subject were in the Medici collections. The dating of 1661 corresponds to the painter’s second sojourn in Florence. Provenance Florence, Private Collection

MAURIZIO NOBILE Via Santo Stefano 19/a 40125 Bologna Tel. +39 051 238 363 bologna@maurizionobile.com www.maurizionobile.com

MAURIZIO NOBILE

34 rue de Penthièvre 75008 Paris Tel. +33 01 4563 0775 paris@maurizionobile.com


Giovan Battista Foggini (Florence 1652 – 1725)

Lot, the angels, and his daughters fleeing Sodoma

Terracotta, 40 x 93.5 cm 1680-1690 Perhaps these terracotta were originally above the doors of a chapel. A pendant representing The Sacrifice of Noah is kept at the Royal Ontario Museum in Toronto, and another terracotta depicting The Drunkeness of Noah was sold decades ago in New York. The style shows influences of the artist’s Roman apprenticeship with Ciro Ferri and Ercole Ferrata. Provenance San Gimignano, Massimo Vezzosi Massimo Foggini (artist’s descendent) Paris, Christie’s, 16 June 2015, lot 114 Exhibitions Arte Antica, Arte Antica ‘93 Biennale di Antiquariato, 27 February- 7 March 1993, p. 113

MAURIZIO NOBILE Via Santo Stefano 19/a 40125 Bologna Tel. +39 051 238 363 bologna@maurizionobile.com www.maurizionobile.com

MAURIZIO NOBILE

34 rue de Penthièvre 75008 Paris Tel. +33 01 4563 0775 paris@maurizionobile.com


Massimiliano Soldani Benzi

(Montevarchi 1656 – 1740) Bacchus (from the sculpture by Jacopo Sansovino in the Bargello Bronze, height 33.4 cm Provenance

Massimiliano Soldani for the Salviati Dukes From the Salviati Dukes by inheritance to the Colonna

CARLO ORSI Via Bagutta 14 20121 Milano Tel. +39 02 760 022 14 info@galleriaorsi.com www.galleriaorsi.com

CARLO ORSI


Domenico Beccafumi

(Siena 1486 – 1551) Holy Family with Young Saint John the Baptist Oil on panel, 86.2 x 75 cm Provenance

Siena, Girolamo Bargagli Siena, Private Collection Exhibition

Siena, 1904

CARLO ORSI Via Bagutta 14 20121 Milano Tel. +39 02 760 022 14 info@galleriaorsi.com www.galleriaorsi.com

CARLO ORSI


Lorenzo Pasinelli

(Bologna 1629 – 1700)

The Nobility

Oil on canvas, 74 x 62 cm The very rare subject is described by Cesare Ripa in his Iconologia under the heading of Nobility: “Women … dressed honestly in black, will carry two crowns in her hand, one of gold, the other of silver. For the two crowns, we see the goods of the coul, and those of the body, with together make it nobility.” Provenance Bologna, Casa Salina

ORSINI arte e libri Via Cappuccio 18 20123 Milano Tel. +39 02 897 773 54 info@orsiniartelibri.it www.orsiniartelibri.it

ORSINI arte e libri


Giuseppe Bezzuoli (Florence 1784 – 1855)

Self-Portrait with Fur

Oil on canvas, 59 x 49.5 cm This painting, which belonged to the painter’s heirs, was exhibited in the famous collection of self-portraits of the Vasari Corridor of the Uffizi from 1827 – 1839 when Bezzuoli decided to replace it with the one currently exhibited “closer to his mature effigy than a famous man”. Provenance Parri-Macciò-Bezzuoli Family Bibliography M. Missirini, Quadro delle Arti Toscane dalla loro restaurazione fino ai tempi nostri, Forlì 1837 U. Ojetti, in “Dedalo”, I, vol. 1, 1920, p. 274 Gli Uffizi. Catalogo generale, I, Florence 1979, p. 809, A-101 Labyrinthos, 10, 1986, p. 95 (fig.) G.L. Mellini, Notti romane, Florence 1992, pp. 283 (fig.), 365. Exhibition Romantici e Macchiaioli. Giuseppe Mazzini e la grande pittura europea. Genova, Palazzo Ducale, 21 ottobre 2005 - 12 febbraio 2006. ORSINI arte e libri Via Cappuccio 18 20123 Milano Tel. +39 02 897 773 54 info@orsiniartelibri.it www.orsiniartelibri.it

ORSINI arte e libri


Felice Giani

(San Sebastiano Curone 1758 – Rome 1823)

Saint Florian, accompanied by Saint Petronius, intercedes with the Virgin for the cessation of the plague in the city of Bologna Oil on canvas, 36 x 30.5 cm circa 1790

WALTER PADOVANI Via Santo Spirito 26/a 20121 Milano Tel. +39 02 763 189 07 galleria@walterpadovani.it www.walterpadovani.it

WALTER PADOVANI


Giovanni Bonazza

(Venice 1654 – Padua 1736)

A Reclining Female Figure or Venus

Marble, base in base in “Bleu Turquin” marble and gilded bronze, 47 x 20 x 23.5 cm France, beginning of XIX century

WALTER PADOVANI Via Santo Spirito 26/a 20121 Milano Tel. +39 02 763 189 07 galleria@walterpadovani.it www.walterpadovani.it

WALTER PADOVANI


Gaspard Dughet (Rome 1615 – 1675)

Landscape with Saint John the Baptist

Oil on canvas, 160 x 233 cm XVII century Inscribed lower left with 191, corresponding with the 1701 inventory. This painting was part of a group of 24 large canvases commissioned by the Marquis of Castel Rodrigo, Spanish Ambassador to Rome from 1632 to 1641 during the reign of Philip IV of Spain, to decorate the Buen Retiro Palace. The ambassador commissioned the most famous landscape painters working in Rome during the period, firstly Poussin and Lorrain, as well as Lemaire, Swanevelt Jan Both and Dughet, Poussin’s brother in law, who executed two paintings: ‘Landscape with Saint John the Baptist’ and a ‘Landscape with a hermit’, now in the Prado. Nine of the twenty-four paintings are in the same museum. Between 1639 and 1641, the Marquis of Castel Rodrigo spent 5900 ducats, as reported by il Baldinucci. The painter of the figures within Dughet’s two landscapes is yet to be identified. Provenance Madrid, King Philip IV, Buen Retiro Palace Bibliography F. Baldinucci, Notizie de ‘ Professori del disegno…, Florence 1974, p. 302, VII; p. 126 A.E. Perez Sanchez, Pittura italiana del siglo XVII en Espana, Madrid 1965, p. 276 A. PALLESI ART GALLERY Le Park Palace – 6 Impasse de la Fontaine 98000 Monte Carlo Tel. +377 977 715 77 info@galleria-pallesi.com www.galleria-pallesi.com

A. PALLESI ART GALLERY


Carlo Socrate

(Mezzana Bigli 1889 – Rome 1967)

A Small Concert

Oil on canvas, 114 x 137 cm 1920’s Signed Bottom Right ‘C. Socrate’ Provenance Private Collection

A. PALLESI ART GALLERY Le Park Palace – 6 Impasse de la Fontaine 98000 Monte Carlo Tel. +377 977 715 77 info@galleria-pallesi.com www.galleria-pallesi.com

A. PALLESI ART GALLERY


Antonio Mancini (Rome 1852-1930)

Chimney Sweep

Oil on canvas, 63 x 50 cm Signed right centre: A. Mancini Bibliography Galleria D’Arte Fogliato catalogue, Turin 1958, pl. XXXIV, listed at number 67 with the title “Testa di Fanciullo” Mario Borgiotti and Paul Nicholls, La Donna e i Bimbi nell’Arte del nostro ottocento pittorico, Milan 1969, pl. 184 Exhibition Pittori dell’800 at Galleria d’Arte Fogliato, Turin January 1958

PARRONCHI DIPINTI ‘800-‘900 S.r.l. Via dei Fossi 18r 50123 Firenze Tel. +39 055 215 109 turatiarte@tin.it www.galleriaparronchi.it

PARRONCHI DIPINTI ‘800-‘900 S.r.l.


Armando Spadini (Florence 1883- 1925)

Florentine Self Portrait

Oil on canvas, 102 x 75 cm circa 1901-1902 Initialed A.S. Provenance Rome, Fiano Collection Bibliography La raccolta Fiano, Enrico Somaré, Galleria Pesaro, Milan, 1933 Pl. 65 Magazine “L’Arte” founder A. Venturi, January-August 1956 Pitture e sculture dell’800 Editrice Saletta D’Arte Gonnelli, Florence, 1958 Leonardo Borghese -Orio Vergani, Spadini nella vita e nelle opere, Milan, 1946, pl. II Exhibition Celebrative Exhibition Armando Spadini, Milan 1945 PARRONCHI DIPINTI ‘800-‘900 S.r.l. Via dei Fossi 18r 50123 Firenze Tel. +39 055 215 109 turatiarte@tin.it www.galleriaparronchi.it

PARRONCHI DIPINTI ‘800-‘900 S.r.l.


Luca Giordano

(Naples 1634 – 1705)

Philosopher

Oil on canvas, 101 x 79.5 cm

PIVA & C. Via Bigli 7 20121 Milano Tel. +39 02 760 006 78 Via Meravigli, ingresso da Via San Giovanni sul Muro 20121 Milano Tel. +39 02 366 326 93 info@pivaec.it www.pivaec.it

PIVA & C.


Giuseppe Maggiolini

(Parabiago, Milan 1738 – 1814)

Pair of inlaid Cabinets with Marble Tops

Legs in walnut inlaid with bois de rose, rosewood, maple, maple dyed green, boxwood and other essenses, 83.4 x 60.5 x 33 cm 1787

PIVA & C. Via Bigli 7 20121 Milano Tel. +39 02 760 006 78 Via Meravigli, ingresso da Via San Giovanni sul Muro 20121 Milano Tel. +39 02 366 326 93 info@pivaec.it www.pivaec.it

PIVA & C.


PORCINI Piazza Vittoria 6 80121 Napoli Tel. +39 081 764 3550 info@porcinigallery.com www.porcinigallery.com

PORCINI


Francesco De Mura (Naples 1696 – 1782)

Portrait of Raimondo di Sangro Prince of Sansevero Oil on canvas, 92 x 73 cm

PORCINI Piazza Vittoria 6 80121 Napoli Tel. +39 081 764 3550 info@porcinigallery.com www.porcinigallery.com

PORCINI


Andrea di Michelangelo Ferrucci (Fiesole 1559 – Florence 1626)

Ring with faces and vegetables inserts White marble, height: circa 43 cm Post-1590

GIOVANNI PRATESI ANTIQUARIO Via Maggio 13 50125 Firenze Tel. +39 055 239 6568 giovannipratesi@inwind.it

GIOVANNI PRATESI ANTIQUARIO


IL QUADRIFOGLIO Via C. Pisacane 40 20129 Milano Tel. +39 02 295 180 31 info@gqfineart.com www.galleriailquadrifoglio.com

IL QUADRIFOGLIO


Pietro Baratta (Massa 1668 – Carrara 1729)

Saint Catherine of Alexandria and Saint

Terracotta, heights: 35 cm and 37 cm Bibliography A. Bacchi, ‘Pietro Baratta, Santa Caterina d’Alessandria - Figura di Santa’, in A. Bacchi, ed., A Taste For Sculpture V, London 2018, pp. 72-83 , n. 11-12.

IL QUADRIFOGLIO Via C. Pisacane 40 20129 Milano Tel. +39 02 295 180 31 info@gqfineart.com www.galleriailquadrifoglio.com

IL QUADRIFOGLIO


Rembrandt Bugatti (Milan 1884 – Paris 1916)

Vache Meuglant

Lost wax bronze without a foundry stamp, patina in shades of brown, 35 x 17 x 22 cm 1901 Bronze edition Galleria Grubicy ( 1889-1922). Bellowing cow (similar to that place at the head of a group of four cows in the “Return from the Pasture”). Signed on the base BRembrandt and dated 1901. Number 4. .Weight: 7.6 kg Provenance Milan, Private Collection Bibliography Jacques-Chalom Des Cordes e Véronique Fromager Des Cordes, Rembrandt Bugatti, Les Editions de l’Amateur, p 21

ROBERTAEBASTA Via Fiori Chiari 2 20121 Milano Tel. +39 02 861 593 info@robertaebasta.com 85 Pimlico Road SW1W 8PH London london@robertaebasta.com www.robertaebasta.com

ROBERTAEBASTA


Raymond Delamarre (Paris 1890 - 1986)

Les Connaissances Humaines

Gold patinated plaster, 70 x 38 x 125 cm; 61 x 31 x 124 cm; 67 x 36 x 126 cm France, 1937 Three extraordinary and important sculptures from the artist’s studio-workshop. Unique pieces preparatory, finished, dated and signed for the making of the Chaillot large sculptures.Â

ROBERTAEBASTA Via Fiori Chiari 2 20121 Milano Tel. +39 02 861 593 info@robertaebasta.com 85 Pimlico Road SW1W 8PH London london@robertaebasta.com www.robertaebasta.com

ROBERTAEBASTA


Orazio Gentileschi

(Pisa 1563 – London 1639)

Saint Jerome

Oil on canvas, 126.5 x 111.5 cm

ROBILANT+VOENA 38 Dover Street W1S 4NL London Tel. +44 207 409 1540 art@robilantvoena.com Via Fontana 16 20122 Milano

ROBILANT+VOENA

Tel. +39 02 805 6179 Via Serlas 35 7500 St. Moritz Tel. +41 81 833 3436 info@robilantvoena.com www.robilantvoena.com


Spinello Aretino (Arezzo 1350 - 1410)

Saint John

Tempera on panel, 115 x 32 cm

ROBILANT+VOENA 38 Dover Street W1S 4NL London Tel. +44 207 409 1540 art@robilantvoena.com Via Fontana 16 20122 Milano

ROBILANT+VOENA

Tel. +39 02 805 6179 Via Serlas 35 7500 St. Moritz Tel. +41 81 833 3436 info@robilantvoena.com www.robilantvoena.com


Giulio Benso

(Pieve di Teco 1592 – 1668)

Stoning of Saint Stephen

Black pencil, pen, brown ink, brush and watercolour ink, white paper, 210 x 192 mm On the reverse in back at the bottom: “N 65 Gio. Batta Paggi” “Collezione Santo Varni”, Provenance Genoa, Santo Varni Collectioin Bologna, Franchi Collection Bibliography M. Newcome – S. Bareggi, Artisti a Genova. Disegni dal XVI al XVIII secolo, exhibition catalogue, Milan 1985, pp. 22-23 P. Boccardo in ... di Bella mano. Disegni antichi dalla collezione Franchi, exhibition catalogue, Bologna 1997, pp. 76-77, essay 34 V. Frascarolo, Genova Disegnatrice. Considerazioni sugli allievi di Giovanni Battista e l’Accademia di Giovan Carlo Doria, in Disegno genovese. Dal Bergamasco all’Accademia di Paggi, ed. D. Sanguineti, Genoa 2018, pp. 28-30.

ROMANO FINE ART Borgo Ognissanti 36 50123 Firenze Tel. +39 055 239 6006 info@romanofineart.com www.romanofineart.com

ROMANO FINE ART


Taddeo Zuccari

(Sant’Angelo in Vado 1529 – Rome 1566)

Study of a seated nude on an architectoral base, to be use for a prophet or an evangelist Blood on ivory wire rod paper, 396 x 265 mm 1553 – 1556 Provenance England, Private Collection

ROMANO FINE ART Borgo Ognissanti 36 50123 Firenze Tel. +39 055 239 6006 info@romanofineart.com www.romanofineart.com

ROMANO FINE ART


Workshop of Sandro Botticelli (Florence, 1470 – 1480)

Madonna and Child

Tempera on panel, 60 x 32.8 cm Provenance Berlin, Benedict & Co Collection, 1928 Florence, Luigi Grassi Gallery, 1928 – 1937 New York, Sotheby’s 1982 Montefalco, Perugia, Cardone Collection, 1987 (not 1997 as erroneously written by Zeri) Lombardy, Private Collection Bibliography Fototeca Zeri, sheet number 14503 as School of Botticelli Written opinion by Mina Gregori, 1985

ROMIGIOLI ANTICHITÀ Viale Toselli 68 20025 Legnano (Milano) Cel. +39 348 412 8148 romigioli@romigioli.it www.romigioli.it

ROMIGIOLI ANTICHITÀ


Ventura di Moro

(Florence 1399 – 1486)

Enthroned Madonna with Six Saints

Tempera on panel, gold ground, 87.7 x 54.4 cm circa 1430 Provenance Zurich, Private Collection

SALAMON & C. Palazzo Cicogna Via San Damiano 2, primo piano 20122 Milano Tel. +39 02 760 246 38 info@salamon.it; matteo@salamon.it www.salamon.it

SALAMON & C.


Cecco Bravo

(Florence 1601 – Innsbruck 1661)

Arianna Abandoned by Teseo Oil on canvas, 40 x 60 cm circa 1640 Provenance Milan, Private Collection

SALAMON & C. Palazzo Cicogna Via San Damiano 2, primo piano 20122 Milano Tel. +39 02 760 246 38 info@salamon.it; matteo@salamon.it www.salamon.it

SALAMON & C.


Anton Maria Vassallo

(Genoa 1617/8 – Milan 1660) Pan and Syrinx Oil on copper, diameter 25 cm Second half of the XVII century Provenance Collection of Cattaneo Adorno Giustiniani

SANTA TECLA Via dei Savonarola 66 35137 Padova Tel. +39 049 856 1460 santateclaltd@gmail.com

SANTA TECLA


Workshop of Antonio Canova (Possagno 1757 – Venice 1822)

Bust of Paris

Marble, 70 cm Provenance England, Noble Collection

SANTA TECLA Via dei Savonarola 66 35137 Padova Tel. +39 049 856 1460 santateclaltd@gmail.com

SANTA TECLA


Gerolamo Cenatempo (? – Naples 1744)

Delilah with the Conquered Samson

Oil on canvas, 151.5 x 258.5 cm 1713 Signed and Dated: “Hieronimus Cenatempo f. 1713”. Follower of Luca Giordano, he was born between 1680 and 1690, and is documented from the first time in 1705 when he signed up to the Confraternity of Saints Anne and Luke of Naples. He is last documented in 1742. Recent studies show the presence of these canvases with the Damiani family in the first half of the XVIII centry in Via Grande, Livorno. Provenance Turin, Private Collection Bibliography “Arte Cristiana”, n.788, LXXXVI, 1997, pp. 380-382. Memorie della Accademia Lunigianese di Scienze Giovanni Capellini, vol. LXXXVI (2016), pp. 77-106, La Spezia 2018.

SECOL-ART ANTICHITÀ di Masoero Davide & C. Via Maria Vittoria 27/a 10123 Torino Tel. + 39 335 805 0537 secolartmasoero@gmail.com www.secolart.com

SECOL-ART ANTICHITÀ


Gerolamo Cenatempo (? – Naples 1744)

Judith with the Head of Holofernes

Oil on canvas, 151.5 x 258.5 cm 1713 See the note and image of “Delilah with the Conquered Samson” Provenance Turin, Private Collection Bibliography See the note and image of “Delilah with the Conquered Samson”

SECOL-ART ANTICHITÀ di Masoero Davide & C. Via Maria Vittoria 27/a 10123 Torino Tel. + 39 335 805 0537 secolartmasoero@gmail.com www.secolart.com

SECOL-ART ANTICHITÀ


Oscar Ghiglia

(Livorno 1876 - Florence 1945)

Still Life with a Red Ball of Wool

Oil on canvas, 47.6 x 50 cm 1909 Signed upper left: “Oscar Ghiglia 909” Provenance Florence, Julius Oppenheimer London, Oppenheimer Heirs

SOCIETÀ DI BELLE ARTI Viale Buonarroti 9 55049 Viareggio (Lucca) Tel. +39 0584 520 30 Via del Politecnico 9 20121 Milano Tel. +39 02 760 227 13 info@sba.it www.sba.it

SOCIETÀ DI BELLE ARTI


Federico Zandomeneghi (Venice 1841 - Paris 1917)

The Red Room

Oil on canvas, 46 x 38 cm circa 1899 Signed lower right: “F. Zandomeneghi” Provenance Paris, Durand-Ruel (photo number 5843) Paris, Angelo Sommaruga Milan, Maria Caputo Sommaruga Milan, Serena Piceni Bibliography Piceni, 1952, n. 93 Cinotti, 1960, pl. 46 Piceni, 1967, n. 391 Piceni, 1991, n. 391, pl.LXI Testi-Piceni-Piceni, 2006, n. 458, pl. LXVII. Exhibitions Rome, 1946, n. 135 Venice-Milan, 1988, n. 13 (suppl.) Barletta, 2007, n. 55 Viareggio- Turin, 2016-2017, n. 36. SOCIETÀ DI BELLE ARTI Viale Buonarroti 9 55049 Viareggio (Lucca) Tel. +39 0584 520 30 Via del Politecnico 9 20121 Milano Tel. +39 02 760 227 13 info@sba.it www.sba.it

SOCIETÀ DI BELLE ARTI


August Macke

(Meschede 1887 – Champagne 1914)

Bacchus

Oil on paper, 39 x 50.5 cm 1913

SPERONE WESTWATER 257 Bowery 10002 New York, N.Y. Tel. +1 212 999 7337 info@speronewestwater.com www.speronewestwater.com

SPERONE WESTWATER


Giovanni Carnovali

(Montegrino Valtravaglia 1804 – Cremona 1874)

Self Portrait

Oil on canvas, 49 x 39 cm 1846/47 Provenance Bergamo, Conte Cesare Camozzi Collection Bergamo, Gambirasi Collection Bibliography L. Angelini, La Mostra retrospettiva del Piccio alla Permanente di Belle Arti di Milano, 1909, n.52 C. Caversazzi, Giovanni Carnovali, Il Piccio, III ed., Bergamo, 1946, p.148, fig.48 N. Zucchelli, Il Piccio, Bergamo, n.15, 1952 M. Valsecchi, Giovanni Carnovali il Piccio, Varese, Bergamo, n.8, 1952 M. Valsecchi – F. Rossi, Il Piccio, e artisti bergamaschi del suo tempo,

SPERONE WESTWATER 257 Bowery 10002 New York, N.Y. Tel. +1 212 999 7337 info@speronewestwater.com www.speronewestwater.com

SPERONE WESTWATER


Milan, p.54, 1974 Pittura lombarda del secondo Ottocento, Lo sguardo sulla realtà, pp.49, 208, n.33 Milan, 1994 P. De Vecchi, Giovanni Carnovali called Il Piccio, Catalogue raisonné, Federico Motta Editore, 1998, pl. 97, pag. 159 Exhibitions La Mostra retrospettiva del Piccio alla Permanente di Belle Arti di Milano, Milan 1909 Giovanni Carnovali il Piccio, Villa Mirabello, Varese, 1952 Giovanni Carnovali il Piccio, Palazzo del Comune Vecchio, Bergamo, 1952 Pittura lombarda del secondo Ottocento, Lo sguardo sulla realtà, Milan 1994Z

SPERONE WESTWATER 257 Bowery 10002 New York, N.Y. Tel. +1 212 999 7337 info@speronewestwater.com www.speronewestwater.com

SPERONE WESTWATER


Pieter van Hanselaere (Ghent 1786 – 1862)

Young Lady with a Straw Hat

Oil on canvas???, 98 x 72 cm 1818 Signed and dated “P.V. Hanselaere F. A Rome 1818” Inscribed on the back: “Per il Marchese Rinuccini/lo Francesco Pozzi/ho ricevuto in Roma l’anno 1820 ai 10 febb.io” Provenance Florence, Marchese Rinuccini

TETTAMANTI ANTICHITÀ Via Maggio 22r 50125 Firenze Tel. +39 055 218 044 tettamantiantichita@virgilio.it

TETTAMANTI ANTICHITÀ


Imperial Gobelins Manufactory Paris

Bust-length Portrait of Napoleon in Ceremonial Robes Tapestry in wool and silk, 82 x 66 cm 1808-1814

TETTAMANTI ANTICHITÀ Via Maggio 22r 50125 Firenze Tel. +39 055 218 044 tettamantiantichita@virgilio.it

TETTAMANTI ANTICHITÀ


Lucio Fontana

(Rosario 1899 – Varese 1968)

Concetto spaziale (Forma)

Aniline on canvas, 80 x 100 cm 1959

TORNABUONI ARTE Lungarno B. Cellini 3 50125 Firenze Tel. +39 055 681 2697 info@tornabuoniarte.it

TETTAMANTI ANTICHITĂ€

Via Fatebenefratelli 34/36 20121 Milano Tel. +39 02 655 4841 milano@tornabuoniarte.it Piazza Marconi 2

55042 Forte dei Marmi Tel. +39 0584 787030 fortedeimarmi@ tornabuoniarte.it www.tornabuoniarte.it


Giorgio De Chirico

(Volos 1888 – Rome 1978)

Self Portrait of the Clouds Oil on canvas, 50 x 40 cm 1948


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