2019–20 SEASON

photograph by David Ottenstein

printing and mailing 475 heffernan drive, west haven, connecticut 06516 t 203 479 7500 f 203 479 7575 www.ghpmedia.com

FEBRUARY 1–7, 2020 YALE SCHOOL OF DRAMA James Bundy, Dean Victoria Nolan, Deputy Dean Chantal Rodriguez, Associate Dean Kelvin Dinkins, Jr., Assistant Dean PRESENTS

ROBERT WILSON

TOM WAITS

KATHLEEN BRENNAN

PAUL SCHMIDT

CONCEPT BY ROBERT WILSON MUSIC AND LYRICS BY TOM WAITS AND KATHLEEN BRENNAN LIBRETTO BY PAUL SCHMIDT DIRECTED BY LOGAN ELLIS

Music Direction, Arrangements, and Orchestrations

Scenic Designer

Costume Designer

Meg Powers

Lighting Designer

Riva Fairhall

Sound Designer

Projection Designer

Production Dramaturg

Technical Director

Stage Manager

Dan Pardo Anna Grigo

Dakota Stipp Brittany Bland Evan Hill HaoEn Hu Bekah Brown

SUPPORTED BY THE BENJAMIN MORDECAI III PRODUCTION FUND.

SEASON SPONSOR: HOUSE OF NAAN

Yale University acknowledges that indigenous peoples and nations, including Mohegan, Mashantucket Pequot, Eastern Pequot, Schaghticoke, Golden Hill Paugussett, Niantic, and the Quinnipiac and other Algonquian speaking peoples, have stewarded through generations the lands and waterways of what is now the state of Connecticut. We honor and respect the enduring and continuing relationship that exists between these peoples and nations and this land.

Cast

in alphabetical order Charles Dodgson/White Rabbit/ White Knight/Lewis Carroll

Sola Fadiran

Lily/Cheshire Cat/Executioner/ Black Knight

Robert Lee Hart Duchess/Sheep

Daniel Liu Alice

Ilia Isorelýs Paulino Daisy #1/Fish/March Hare/Son/ Tweedledum/Chess Piece

John Evans Reese

Caterpillar/Mad Hatter

Julian Sanchez

Daisy #2/Frog/Dormouse/Father/ Tweedledee/Chess Piece

Jackeline Torres CortĂŠs Rose/Fawn/Queen

Adrienne Wells

Cook/King/Humpty Dumpty

Jessy Yates

Yale School of Drama is proud to join the celebration of the 50th anniversary of women in Yale College and the 150th anniversary of the first women students atYale University.

Setting

Dreamland.

There will be one ten-minute intermission. The taking of photographs or the use of recording devices of any kind in the theater without the written permission of the management is prohibited.

Musical Numbers Act One “Alice”.......................................................................................... Charles Dodgson “No One Knows I’m Gone”...........................................................................Alice “Flower’s Grave”....................................................Rose, Lily, Daisies, and Alice “Table Top Joe”.......................................................................................Caterpillar “Watch Her Disappear”......................................... Charles Dodgson and Alice “We’re All Mad Here”................... Mad Hatter, March Hare, and Dormouse “Fawn”............................................................................................. Fawn and Alice “Kommienezuspadt”........................................................................ Cheshire Cat “Reeperbahn”.........................................................................King and Ensemble “Murder the Time”.............................................................................Executioner “Fish and Bird”............................................................... White Knight and Alice

Act Two “Fish and Bird” (reprise)............................................... White Knight and Alice “Jabberwocky”........................................................................................ Ensemble “Everything You Can Think”.......................................................... White Knight “Barcarolle”...................................................................................Sheep and Alice “Lost in the Harbour”...............................................................Humpty Dumpty “Altar Boy”...................................................................Mad Hatter and Duchess “Poor Edward”.................................................................................. White Knight “Murder the Time” (reprise)................................................................. Ensemble “I’m Still Here”..................................................................................................Alice

Musicians Cello................................................................................................ Jillian Emerson Guitar....................................................................................................Nate Huvard Piano.......................................................................................................... Dan Pardo Violin................................................................................................. Epongue Ekille Bass...................................................................................................... Calvin Kaleel Saxophone................................................................................................... Jose Key Trombone............................................. Leonardo Marques Starck von Mutius

Arithmetic, Arithmetoc:

Alice Liddell in the After-Time The idyll of childhood passes. Young girls grow up. Love is lost. Time cannot be halted. Lewis Carroll’s genius was his ability to use nonsense to reconstruct that very peculiar experience in childhood when the common sense categories of the adult world don’t make much sense at all. They, instead, appear porous, or capricious, or reversible. Carroll was himself a kind of perpetual child at heart, and like the Mad Hatter, constantly found himself quarreling with Time. Biographers have long debated whether Lewis Carroll wrote his Alice books as a Victorian ode to childhood innocence or as an expression of a repressed pedophile’s adoration. Carroll lamented in letters that “there are few things in the world so evanescent as a child’s love.” He also idealized the bodies of prepubescent girls as an aesthetic form, using photography as a way of arresting their youth. This is the same man—known to his familiars as mathematician Charles Dodgson—who imagined Alice grown-up “in the after-time,” telling other children about Wonderland in an attempt, “to keep, through all her riper years, the simple and loving heart of her childhood.” From this perspective, the madcap fantasia of Wonderland appears less a whimsical, literary invention than an extension of Carroll’s own tormented desires for ten-year-old Alice Liddell. It no longer signifies a dreamscape of infinite possibilities but an insidious labyrinth outside of time and society, designed to seal little girls in their infancy. Now we follow Alice once again underground, but this time she leads us down the rabbit hole of the unconscious. She navigates a schizo-world of dangerous proximities: affection and hostility, playful games and violent lessons, logics and erotics, tenderness and perversity, a young girl in the lap of a grown man. Determined to free herself from Dodgson’s broken clocks, Alice plumbs the depths of the changing self—no matter how very far down it goes, no matter how many wayward paths are travelled to get there. Her quizzical refrain has changed from “Who in the world am I?” to “Who am I without him, without his books, without this other imaginary Alice he created for me?” She must answer the frightful Jabberwocky.

—EVAN HILL, PRODUCTION DRAMATURG

OPPOSITE: ALICE, ILLUSTRATION BY LEWIS CARROLL, FROM ALICE’S ADVENTURES UNDERGROUND, 1864. GIVEN TO ALICE LIDDELL, AGE 12, AS A PERSONAL CHRISTMAS GIFT FROM CARROLL.

Cast Sola Fadiran (Charles Dodgson/

White Rabbit/White Knight/Lewis Carroll) is a second-year M.F.A. candidate at Yale School of Drama, where he has been seen in Reykjavík, YELL: a “documentary” of my time here, and Luna Gale. His other credits include La Bohème, Song from the Uproar (Cincinnati Opera); Porgy and Bess, Ragtime, Peter Pan (Utah Festival Opera and Musical Theatre), and In the Land of Uz (American premiere, Yale Institute of Sacred Music). He has performed as a concert soloist with Teatro Isauro Martínez, Kentucky Symphony Orchestra, and Baltimore Symphony Orchestra, among others.

Robert Lee Hart (Lily/Cheshire Cat/Executioner/Black Knight) is a third-year M.F.A. candidate at Yale School of Drama, where his credits include LOCUSTS, Othello, Seven Spots on the Sun, The Seagull, Marty and the Hands That Could, and How Black Girls Get Over Fuckbois, Vol. 1. Other credits include Latinos Who Look Like Ricky Martin (Yale Summer Cabaret); dot the jay (2019 Satellite Festival); The Rules (Yale Cabaret); The Duchess of Malfi, Macbeth (California State University, Long Beach); The Laramie Project, Flowers for Algernon, and Electric Roses (El Camino College). Daniel Liu (Duchess/Sheep) is a second-year M.F.A. candidate at Yale School of Drama, where he has been seen in LOCUSTS and The Tempest. His credits include Girls (Yale Repertory Theatre); Burn Book, Lenny’s Fast Food Kids Gang (Yale Cabaret); Auntie Vanya (Ars Nova); Love’s Labour’s Lost, Twelfth

Night, and The Book of Will (Hudson Valley Shakespeare Festival). He does stand-up comedy, is a member of Story Pirates, and has studied with Upright Citizens Brigade and ImprovOlympic. Daniel holds a B.A. in film and economics from Northwestern University. @danieldayliuis

Ilia Isorelýs Paulino (Alice) is a third-year M.F.A. candidate at Yale School of Drama, where her credits include Seven Spots on the Sun, The Seagull, The Girl Is Chained, The Last Days of Judas Iscariot, and Mr. Burns, a post-electric play. Other credits include Twelfth Night (Yale Repertory Theatre); Agreste (Drylands) (Yale Cabaret); As You Like It, Evita, The Taming of the Shrew, Julius Caesar, The Little Mermaid, Rapunzel, Pericles, Les Misérables, Twelfth Night, Much Ado About Nothing (Pennsylvania Shakespeare Festival); and Thrive (Page 73). She attended DeSales University, where she earned a B.A. in musical theater. @iliaisorelyspaulino John Evans Reese (Daisy #1/ Fish/March Hare/Son/Tweedledum/ Chess Piece) is a third-year actor at Yale School of Drama, where he has been seen in In His Hands, or the gay Christian play; Pivot; Trouble in Mind; shakespeare’s as u like it; The Last Days of Judas Iscariot; Mr. Burns, a postelectric play; and Shoot Her, Shooter. Other credits include The Conduct of Life (Yale Summer Cabaret); NOVIOS: part one, Non-Player Character (Yale Cabaret); A Taste of Honey (Pearl Theatre Company, directed by Austin Pendleton); Way to Heaven

(Repertorio Español); Lord of the Flies (Barrington Stage); An Inspector Calls (Pioneer Theatre Company); This Is Our Youth (Wellfleet Harbor Actors Theater); The History Boys (Palm Beach Dramaworks); and Shakespeare’s R&J (Cygnet Theatre). @johnevansreese

Julian Sanchez (Caterpillar/Mad Hatter) is a second-year M.F.A. candidate at Yale School of Drama, where he was seen in YELL: a “documentary” of my time here. Other credits include Girls (Yale Repertory Theatre); Burn Book, Lenny’s Fast Food Kids Gang (Yale Cabaret); The Swallow and the Tomcat (Yale Summer Cabaret); Hand to God (Live Arts); A Chorus Line, Middletown, Violet, Spamalot (Heritage Theatre Festival); Julius Caesar and Titus Andronicus (Royal Academy of Dramatic Art). He holds a B.A. in English literature from University of Virginia, where he was seen in The Comedy of Errors, The Sweetest Swing in Baseball, and Richard II, among others. Jackeline Torres Cortés (Daisy #2/

Frog/Dormouse/Father/Tweedledee/ Chess Piece) is a second-year M.F.A. candidate at Yale School of Drama, where her credits include YELL: a “documentary” of my time here and Luna Gale. She was also seen in Girls at Yale Repertory Theatre and Latinos Who Look Like Ricky Martin at Yale Summer Cabaret. She holds a B.F.A. in acting from University of Puerto Rico, Río Piedras, where she performed in Yerma, The Oresteia, Waiting for Godot, and Ofel. @jackemates

Adrienne Wells (Rose/Fawn/Queen)

is a third-year M.F.A. candidate at Yale School of Drama, where she has been seen in YELL: a “documentary” of my time here, The Tempest, Seven Spots on the Sun, and Marty and the Hands That Could. Other credits include Girls (Yale Repertory Theatre); The Swallow and the Tomcat (Yale Summer Cabaret); The Purple Flower, The Light Fantastic, The Rules, School Girls; Or, the African Mean Girls Play (Yale Cabaret); The Other Place, Jerry’s Girls, A Christmas Story, High Society, Memphis (Walnut Street Theatre); Macbeth, Oklahoma!, and Spring Awakening (Tomlinson Theater). Adrienne received a B.A. in theater from Temple University.

Jessy Yates (Cook/King/Humpty

Dumpty) is a second-year actor whose credits include Mr. Burns, a postelectric play; YELL: a “documentary” of my time here; and Luna Gale. Other credits include On Every Link a Heart Does Dangle (Kennedy Center); I Was Unbecoming Then (Ars Nova ANT Fest); You’re Going to Hell If You Laugh (2017 Prelude Festival); Once Upon a Time in the Berkshires, The Amish Project (Williamstown Theatre Festival); The Penalty (The Public Theater); and Teenage Dick (Florida Studio Theatre). Jessy was in Speechless on ABC. As performance artist Cerebral Pussy, she’s performed at BAM, Dixon Place Mainstage, and Nationwide Children’s Hospital Orthopedic Conference.

Creative Team Brittany Bland (Projection Designer)

is a 2019 graduate of Yale School of Drama, where credits include shakespeare’s as u like it, Marty and the Hands That Could, The Girl Is Chained, Tent Revival, and The Three Sisters. Previously, Brittany was the assistant to the projection supervisor, where she helped design and execute projection designs for Yale Repertory Theatre and Yale School of Drama productions. Brittany’s previous designs include Twelfth Night (Yale Repertory Theatre); How We Died of Disease-Related Illness and Slouch (Yale Cabaret). Brittany holds a B.A. in technical theater and production from Catawba College, North Carolina.

Bekah Brown (Stage Manager) is

a first-year M.F.A. candidate at Yale School of Drama, where she was the rehearsal stage manager for Shoot Her, Shooter. Her other credits include How To Relearn Yourself (Yale Cabaret); Fool for Love, Dirty Rotten Scoundrels, Drinking Habits (The Cumberland Theatre); and A Midsummer Night’s Dream (Front and Center Stage Productions). Bekah holds a B.S. in theatrical studies from Frostburg State University, where her credits include James and the Giant Peach, Jr., World War II Radio Christmas, and Father Comes Home From the Wars, Parts 1, 2 & 3, among others.

Kathleen Brennan (Music and Lyrics) was a story analyst and scriptwriter when she met Tom Waits in Los Angeles in the late 1970s. Since then, she has been his partner and most frequent collaborator, influencing his experimental album

Swordfishtrombone and co-writing music and lyrics for more than forty years. They were honored with a PEN Lyric Award in 2016 for their extensive work. Waits has said of his wife, “She has a remarkable imagination. She’s bold, inventive and fearless. She doesn’t like the limelight, but she’s an incandescent presence on all songs we work on together.”

Logan Ellis (Director) is a thirdyear M.F.A. candidate at Yale School of Drama, where he has directed Henry VI, Part 3 and blues for miss lucille. Other credits include NonPlayer Character (Yale Cabaret); The Jungle Book, The Little Mermaid (Marin Theatre Company); The Firefly Project, IVANKA (Magic Theatre); Water by the Spoonful (Dirty Hands Ensemble); Year of the Rooster (Impact Theatre); Nanay’s Lullaby (Bindlestiff Studio); and Homeless in the Afterlife (University of San Francisco). He is the Producing Artistic Director and Co-Founder of Theatre Battery in his hometown of Kent, Washington, where he directed We Are Pussy Riot, or Everything Is P.R.; Hooded or Being Black for Dummies; A Maze; and Milk Like Sugar. Logan received a B.A. in drama from Ithaca College, where he directed Fat Pig and Far Away. Riva Fairhall (Lighting Designer)

is a second-year M.F.A. candidate at Yale School of Drama, where she designed Mr. Burns, a post-electric play and The Tempest and assisted on the 2019 Carlotta Festival of New Plays. Her other credits include Bakkhai (Yale Summer Cabaret); Fireflies and School Girls; Or, the

African Mean Girls Play (Yale Cabaret); and assistant lighting design for El Huracán (Yale Repertory Theatre). She holds a B.A. in theater studies from Guilford College. rivafairhall.com

Anna Grigo (Scenic Designer) is a second-year M.F.A. candidate at Yale School of Drama, where she designed sets and projections for Reykjavík. Other credits include Lenny’s Fast Food Kids Gang, Fireflies (Yale Cabaret). Selected professional credits include Women In Jeopardy! (Cortland Repertory Theatre); Matt & Ben (Kitchen Theatre Company); Shining City (Hudson Stage Company); Red, Peter and the Starcatcher (Cider Mill Playhouse); and the independent film, Anna and Alan. As a costume designer, Anna’s credits include Baskerville: A Sherlock Holmes Mystery (Sierra Repertory Theatre), Fernando (Ice Factory Festival NYC), Thumbprint (Opera Ithaca), and Urinetown (Cider Mill Playhouse). annagrigo.com Evan Hill (Production Dramaturg) is

a third-year M.F.A. candidate at Yale School of Drama, where his credits include The Last Days of Judas Iscariot and Seven Spots on the Sun. His other credits include The Rules and For Your Eyes Only (Yale Cabaret); Gentle (TUTA Theater); The Beautiful Days of Aranjuez, The Ghoul Exhibition, and The Camino Project (Theatre Y). The Camino Project—a six-hour, five-mile walking performance which he conceived and wrote—will tour in Europe this summer through a MacArthur International Connections Grant. For his academic writing, he was awarded the John W. Gassner prize by Theater magazine.

HaoEn Hu (Technical Director) is a third-year M.F.A. candidate at Yale School of Drama, where his credits include Reykjavík (associate production manager), shakespeare’s as u like it (assistant technical director), Trouble in Mind (properties master), and the 2019 Carlotta Festival of New Plays (projection engineer). At Yale Repertory Theatre, his credits include Girls (associate production manager), Field Guide (assistant technical director), and Kiss (master electrician). Prior to Yale, HaoEn worked as a technical director and designer, leading international tours with several theater and dance companies including Meimage Dance, People Theatre, and Dark Eyes Performance Lab. HaoEn holds a B.F.A. in technical design from Taipei National University of the Arts, and won first prize in Technical Innovation at the 2011 Prague Quadrennial. Dan Pardo (Music Direction,

Arrangements, and Orchestration) is a New York-based pianist, music director, and arranger. Broadway: Amazing Grace (Nederlander Theatre, assistant conductor and keyboardist). Off-Broadway: I Spy a Spy (St. Clements); The Office! A Musical Parody (Jerry Orbach Theater); Rothschild and Sons (The York); Soot and Spit (New Ohio); and Skippyjon Jones: Snow What!? (Lucille Lortel). Dan served as music director for early workshops of Come from Away, Mythic, Stepchild, On Rosen Street, and Marco Polo, among others. Selected regional credits: Company (Barrington Stage); Fun Home (Weston Playhouse); How to Succeed in Business Without Really

Creative Team Trying (5th Avenue Theatre); Found (Philadelphia Theatre Company); and A Connecticut Christmas Carol (Goodspeed Musicals). With composer Eli Bolin, he recently began arranging and conducting for film and television, including the Emmynominated “Original Cast Recording: Co-Op” (Documentary Now! on IFC) and John Mulaney and the Sack Lunch Bunch (Netflix). Dan produces the web series and podcast Pardo’s Turn.

Meg Powers (Costume Designer)

is a second-year M.F.A. candidate at Yale School of Drama, where credits include millinery for Mr. Burns, a post-electric play and Trouble in Mind (assistant costume designer). Recent credits include assistant costume design for El Huracán (Yale Repertory Theatre); Big Fish (Theatre Raleigh); The Velveteen Rabbit (Florida Studio Theatre); and the short film, The Diabolical Doctor Vysarious. Meg holds a B.F.A. in theater design and technology from Purchase College, where design credits include Blood Wedding, Anon(Ymous), and A Devil Inside. Meg is the co-founder of the theater, film, and visual arts collective The Spectral Citadel, and received the Jay and Rhonda Keene Scholarship in Costume Design.

Paul Schmidt (Libretto) was a librettist, translator, poet, teacher and actor known best for translating the complete works of Rimbaud and the plays of Chekhov as well as works by Gogol, Brecht, and de Marivaux. His most notable theatrical collaborations include Zangezi, translated from the original by Velimir Khlebnikov and directed by Peter

Sellars; Alice with Robert Wilson, Tom Waits, and Kathleen Brennan; The Screens with JoAnne Akalaitis from original texts by Jean Genet; and his own Black Sea Follies. Mr. Schmidt also translated and appeared in three plays at Yale Repertory Theatre: St. Joan of the Stockyards in 1993, The School for Wives in 1994, and Uncle Vanya in 1995.

Dakota Stipp (Sound Designer) is a

third-year student at Yale School of Drama, where selected credits include Othello and The Seagull. He co-created I=N=T=E=R=F=A=C=E and For Your Eyes Only and co-adapted Charles Mee’s The Rules (Yale Cabaret); and was the associate sound designer for Girls at Yale Repertory Theatre. Dakota is a multidisciplinary designer, software developer, and composer with a B.A. in computer science.

Tom Waits (Music and Lyrics) According to the esteemed American critic Robert Hilburn, Waits is “clearly one of the most important figures of the modern pop era.” Since recording his first album, Closing Time, in 1973, his music has taken adventurous turns. His songs tend to explore the dark, underbelly of society as he gives his uniquely human voice to adventurers both romantic and mercenary, drifters, con artists and those forgotten characters on the fringe and in the fray. His stage collaborations include Frank’s Wild Years, The Black Rider: The Casting of the Magic Bullets, and Woyzeck. His album, Alice, featuring songs written for the play, was released to critical success in 2002. TomWaits.com

Robert Wilson (Concept) has

continuously articulated the force and originality of his vision through his signature use of light, his investigations into the structure of simple movement, and the classical rigor of his scenic and furniture design. His iconic work includes Death, Destruction, and Detroit; Einstein on the Beach, a collaboration with Philip Glass; and The Black Rider: The Casting of the Magic Bullets, an operatic collaboration with Tom Waits and William S. Burroughs. Wilson’s collaborations with artists, writers, and musicians continue to fascinate audiences worldwide. RobertWilson.com

The Benjamin Mordecai III Production Fund, established by

a graduate of the School, honors the memory of the Tony Award-winning

producer who served as Associate Dean and Chair of the Theater Management Department at Yale School of Drama from 1993 until his death in 2005. During his tenure as Yale Rep’s Managing Director alongside Dean/Artistic Director Lloyd Richards, 1982–1993, he developed a model of professional producing that changed the course of new play development in the American theatre. His 25 Broadway credits included Tony Kushner’s Angels in America, as well as work by Anna Deavere Smith, Athol Fugard, David Henry Hwang, Terrence McNally, Robert Schenkkan, and perhaps most significantly August Wilson, with whom he collaborated on each of the ten plays in the epic 20th Century Cycle.

Alice Staff Artistic Assistant Director

Assistant Stage Manager

Joanie Polk

Xi Luo

Production

Assistant Scenic Designer

Production Manager

Miguel Urbino

Assistant Costume Designer

Kitty Cassetti Assistant Lighting Designer

Tully Goldrick Assistant Projection Designer

Camilla Tassi

Assistant Sound Designer and Engineer

Bryn Scharenberg Additional Choreography for “Jabberwocky”

Danilo Gambini

Additional Choreography for “Altar Boy”

Jessy Yates

Additional Music Coordination

James Brandfonbrener

Mike VanAartsen

Associate Safety Advisor

Cam Camden

Associate Production Manager

Mia Sara Haiman

Assistant Technical Directors

Run Crew

Travis Chinick Aisling Galvin Nicole E. Lang Gloria Majule Nicholas Orvis Erin Sims Jimmy Stubbs Cameron Waitkun Emily Duncan Wilson

Administration

Shaoqian Lu Alexandra McNamara

House Manager

Properties Master

Special Thanks

David Phelps

Master Electrician

Jon West

Assistant Master Electrician

Cameron Waitkun Projection Engineer

Matthias Neckermann Stage Carpenter

Dominick Pinto

Estefani Castro

BenJones, Melina CohenBramwell, Ivy, Frank, Steven Glavey and the Spectral Citadel crew, Dawn Harms, Tatsuya “Tito” Ito, Mark Jackson, Stephen Marks, Ozzie, Melissa and Stuart Powers, Rui, Natalie Veno

Yale School of Drama Staff Dean

James Bundy Deputy Dean

Production Manager for Studio Projects and Special Events/Student Labor Supervisor

Victoria Nolan

C. Nikki Mills

Associate Dean

Senior Administrative Assistant to the Technical Design & Production and Theater Safety & Occupational Health Departments

Chantal Rodriguez

Assistant Dean

Kelvin Dinkins, Jr.

Artistic Artistic Management

Associate Artistic Director and Director of New Play Programs

Grace O’Brien

Scenery

Technical Directors

Jennifer Kiger

Neil Mulligan Matt Welander

Production Stage Manager

Electro Mechanical Laboratory Supervisor

James Mountcastle

Alan Hendrickson

Literary Manager

Shop Foreman

Amy Boratko

Eric Sparks

Artistic Associate

Master Shop Carpenters

Kay Perdue Meadows

Artistic Fellow

Charles O’Malley

Senior Administrative Assistant to the Dean

Josie Brown

Senior Administrative Assistant for the Directing, Dramaturgy and Dramatic Criticism, Playwriting, and Stage Management Departments

Laurie Coppola

Matt Gaffney Ryan Gardner (on leave) Kat McCarthey Sharon Reinhart Libby Stone Interim Shop Carpenter

Doug Kester

Scenery Intern

Jenna Carroll

Painting

Scenic Charge

Ru-Jun Wang (on leave)

Interim Scenic Charge

Senior Administrative Assistant for the Design and Sound Design Departments

Arthur Vitello III

Senior Administrative Assistant for the Acting Department

Interim Scenic Artists

Kate Begley Baker

Scenic Artists

Lia Akkerhuis Nathan Jasunas

Ellen Lange

Tamar Klausner Klein Amelia Pizzoferrato Kacey Skurja

Library Services

Properties

Lindsay King

Production Production Management

Director of Production

Shaminda Amarakoon Production Manager

Jonathan Reed

Properties Master

Jennifer McClure Properties Craftsperson

David P. Schrader

Master Properties Assistant

Zach Faber

Properties Stock Manager

Mark Dionne

Properties Interns

Katie Pulling Tiago Rodrigues

Costumes

Costume Shop Manager

Light Board Programmer

David Willmore

FOH Mix Engineer

Eric Norris

Christine Szczepanski

Administration

Senior Drapers

General Management

Clarissa Wylie Youngberg Associate Managing Directors Mary Zihal Lucia Bacqué Senior First Hands Gwyneth Muller Deborah Bloch Caitlin Volz Patricia Van Horn Costume Project Coordinator

Linda Kelley-Dodd

Interim Draper

Stephanie Taff Costume Stock Manager

Elizabeth Beale

Assistant Managing Director

Madeline Carey

Senior Administrative Assistant to the Deputy Dean and Assistant Dean

Emalie Mayo

Management Assistants

Lighting Supervisor

Jason Gray Sarah Scafidi Matthew Sonnenfeld

Senior Head Electricians

Oakton Reynolds

Electrics

Donald W. Titus

Jennifer Carlson Linda-Cristal Young Electrics Interns

Perry Keller Adago Cameron Waitkun

Sound

Sound Supervisor

Mike Backhaus

Staff Sound Engineer

Stephanie Smith

Sound Interns

Joe Krempetz James T. McLoughlin

Projections

Projection Supervisor

Eric Lin

Head Projection Technician

Mike Paddock

Projection Intern

Erin Sims

Stage Operations

Stage Carpenter

Janet Cunningham Wardrobe Supervisor

Elizabeth Bolster

Head Properties Runner

Billy Ordynowicz

Company Manager

Assistant Company Managers

Sarah Cain Jason Gray

Development & Alumni Affairs

Director of Development and Alumni Affairs

Deborah S. Berman 


Senior Associate Director of Institutional Giving

Janice Muirhead

Senior Associate Director of Operations for Development and Alumni Affairs


Susan C. Clark

Associate Director of Development and Alumni Affairs


Dani Barlow

Associate Director of Development Communications and Alumni Affairs


Casey Grambo

Senior Administrative Assistant to Development and Marketing & Communications


Jennifer E. Alzona

Development Assistants

Wendy Davies Regina Gordon-Laing

Finance, Human Resources, and Digital Technology

Director of Finance and Human Resources, and Interim Director of Digital Technology

Katherine D. BurgueĂąo

Director, Yale Tessitura Consortium and Interim Director of Web Technology

Janna J. Ellis

Business Manager

Martha Boateng

Business Office Analyst

Stacie Wcislo

Digital Communications Associate

George Tinari

Business Office Specialist

Preston Mock

Digital Technology Associate

Andre Griffith

Senior Administrative Assistant to Business Office, Digital Technology, Operations, and Tessitura

Shainn Reaves

Interim Business Office Specialist

Sharon S. Brown

IT Support Specialists

Associate Director of Marketing and Communications

Markie Gray

Chris Atchley Eli Ostroff

Publications Manager

Business Office Assistant

Marketing & Communications Assistant

Ashlie Russell

Finance Office Assistant

Asberry Thomas

Database Application Consultants

Bo Du Ben Silvert

Financial Aid and Registrar

Financial Aid Officer

Marguerite Elliott

Cameron Frostbaum

Customer Service and Safety Officers

Kevin Delaney Ed Jooss John Marquez

Assistant Director of Audience Services

Jennifer Gonsalves

Laura Kirk

Shane Quinn

Subscriptions Coordinator

Registrar/Admissions Administrator

Audience Services Assistant

Ariel Yan

Molly Leona

Senior Administrative Assistant to the Financial Aid Officer and Registrar/ Admissions Administrator

Box Office Assistants

Daniel Cress

Mikaela Boone Morgan Cronin Samantha Else Mona Gandhi Jordan Graf Paige Hann Kenneth Murray a.k. payne Amir Rezvani Irene Vazquez

Director of Communications

T. Charles Erickson

Director of Marketing

Anna Glover

Operations

Tracy Baldini

Marketing & Communications and Audience Services

Director of Theater Safety and Occupational Health

Director of Audience Services

Andre Massiah

Laura Torino

Theater Safety & Occupational Health

Production Photographer

Steven Padla

Senior Associate Director of Marketing & Communications

Caitlin Griffin

SAVE THE DATES!

Three new plays by graduating Yale School of Drama playwrights:

Noah Diaz | Margaret E. Douglas | Audley Puglisi

drama.yale.edu/carlotta

Director of Facility Operations

Operations Associate

Nadir Balan

Operations Assistant

Devin Matlock

Arts & Graduate Studies Superintendents

Jennifer Draughn Michael Halpern Team Leaders

Andrew Mastriano Sherry Stanley Facility Stewards

Michael Humbert Marcia Riley

Custodians

Sybil Bell Christina Davis Tylon Frost Cassandra Hobby Kathy Langston Mark Roy Jerome Sonia