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nspired by the classic Quentin Tarantino movie Pulp Fiction, Tran’s interest in films began in high school. It was not always easy following his passion for filmmaking rather than the stability of his father’s footsteps of being a computer engineer. However, with each step into the cinematography scene, he learned a little bit more about the world around him, his identity, and his purpose.
led Tran to realize the importance of highlighting difficult and meaningful social and identity issues. Tran’s advocacy for more diversity in the film industry can be seen in a short film called Vast Minority, in which a young Asian boy wants to become successful in Hollywood, only to realize the racial barriers within the industry. Tran is very passionate about Asian representation within the stories, behind and in front of the camera.
“I thought filmmaking was something only for the rich and fortunate and that only a select few from Hollywood get to participate,” Tran says. “There are highs where it is nothing but stars and rainbows, but some days it can be a battle with yourself and wondering if it is all really worth it.” But no matter the weather, Tran has chosen to stay true to his passion and continues to persevere.
In Trapped, a character named Brooklyn had such an impact on viewers that it
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