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起床 Get Up 為敲擊樂,鬧鍾和可擠壓玩具鴨而寫的四重奏 Quartet for percussion, alarm clocks and squeezable toy ducks

黃榮生 Wong Wing-Sang

The Hong Kong Academy for Performing Arts


起床 Get Up 起床是我們日常的一部分,每個人都對這件事情都有不同的演繹。有人認為這是一個漫長而反 覆的過程,但也有人認為它短暫而簡單。有人每天憂憂愁愁地面對它,但也有人每天滿心歡喜 地迎接它。有人起床後依然疲倦不堪,但有人卻充滿活力。 對我個人而言,起床可能就是在睡夢中被鬧鍾喚醒,然後把鬧鍾按停,再次進入夢郷。不久, 又被鬧鍾喚醒,然後或許會把鬧鍾再次按停,再自欺欺人地多睡一會,然後不斷反覆地被喚醒 然後入睡。這首作品正正就是被這個不斷重覆的過程所啟發而寫的。樂曲以板鼓,花盆鼓及鬧 鍾作引子,然後以玩具鴨的聱音製造出一個懶洋洋的氣氛。這兩種素材互相交替,互相交織, 就好像不斷地被鬧鍾喚醒然後再次睡着一般。 創作的靈感往往來自對日常生活的觀察,這首作品的誕生也不外如是。不過我相信每一個人都 過着一個擁有自己獨特風格的生活,每個人都有着不同的演繹。對你個人而言, 《起床》又是一 回怎様的事呢?

Get up is a part of the day-to-day routine. Everyone have different interpretations on it. Some people think that this is a long and iterative process, but some people think that it is short and simple. Some people face it sorrowfully, but some people face it happily. Some people still feel exhaust when they get up, but some people feel refreshed. Personally, I think get up could be wakened up by the alarm clock and then I turn off the alarm and sleep again. After a while, I was wakened up by the alarm clock again and turn off the alarm immediately. Then I sleep again just like a self-deception. This iterative routine inspired me to compose this piece. The music starts with an introduction played by bangu, huapengu and alarm clocks. Then the squeaky sound produced by the toy ducks creates a lazy atmosphere. These two elements intertwine and alternate with each other, just like it is constantly wakened by the alarm clocks and sleep again. Inspiration often comes from the observation of everyday lives and the inspiration of this piece also follows the same rule. However, I believed that everyone lived in their own style and having their own interpretation on their lives. For you personally, what do you think about “Get Up”?


Instruction 1. 樂器 Instruments

1) 板鼓 Bangu 板鼓是一個單面鼓。鼓身用木料製作,由五塊較厚木板拼合而成,用牛皮做的鼓皮張緊於整 個板面。鼓面直徑 25cm,鼓身高 9cm。板面絕大部分是木質,中間振動發音的鼓面僅有 5 ~10cm。演奏時以兩根藤或竹製鼓箭敲擊。 Bangu is a membranophone instruments. The body of Bangu is made of five pieces of plank. Its diameter is about 25cm and the height is about 9cm. The top surface of Bangu is mainly hard wooden area. The vibrating area is only about 5 to 10cm in the center. Bangu is played with a pair of ratten or bamboo stick.

2) 京鈸 Jingbo 京鈸是京劇的打擊樂器,其直徑應約 15cm。共振較多的京鈸會較合式。如果找不到合式的 京鈸可以同樣大小的鈸取而代之。 Jingbo is one kind of Chinese cymbals from Beijing Opera. Its diameter should be about 15cm. Jingbo with more resonances is preferable. If a pair Jingbo is not available, replace them with a pair of cymbals that have similar size.

3) 花盆鼓 Huapengu 外形上寬下窄像花盆一般,鼓身由木製成,兩面蒙皮,懸於鼓架。表面直徑 58cm,底面直 徑 33cm 米,高 63cm。演奏時以木棰敲掣鼓面。 Huapengu means “Flowerpot drum” because of its flowerpot like looking. Its body is made of wood. The membranes on the top and the bottom are made of leather. The top surface has a diameter of 58cm and the bottom surface has a diameter of 33cm. Its height is about 63cm. It is suspended on a frame and played with two wooden beaters.


4) 四/八隻可擠壓玩具鴨 Four or Eight Squeezable toy ducks 被選用的玩具鴨被擠壓和釋放時均能產生一個吱吱作響的聲音,其音高應相對地較高。這是 必要的找到兩種不同音高的玩具鴨,因為最少樂曲需要兩個不同音高的玩具鴨聲。如果找到 的玩具外型不是鴨子也是可接受的。 有些玩具鴨能同時產生兩個不同的音高,若使用這種玩具鴨,則使用四隻玩具鴨。每個表演 者會在同一隻玩具鴨上奏出兩個不同音高的玩具鴨聲。 The squeezable toy duck should be able to produce a squeaky sound when it is squeezed and released. The squeaky sound should be relatively high-pitched. It is necessary to find two different kinds of toy ducks, so that at least two different pitches could be produced. If a duck shaped toy is not available, toy with any other shape is also acceptable. Some toy ducks are able to produce two different pitches at the same time. If this kind of toy ducks are used, use for toy ducks instead of eight toy ducks. Each performer will play two different pitches on the same toy duck instead of using two different toy ducks. 5) 五個鬧鍾 Five alarm clocks 五個鬧鐘應該有五種不同的音高,用馬達驅動的鬧鐘會較合適。每個鬧鍾應該被連接到外部 按鈕及另外再加上一個電位器來控制五個鬧鍾的音量。 The five alarm clocks should have five different pitches. Motor driven alarm clocks are preferable. Each alarm clock should be connected to a button externally and there should be a potentiometer to control the overall volume of the five alarm clocks.

Example circuit


2. 演奏符號 Symbols

京鈸 Jingbo 1)

正常演奏。在休止符的地方立刻按住鈸邊。 Play normally. Damp the sound immediately when rest is indicated.

2)

悶擊。 Damp the sound immediately after playing.

3)

相擊後,提着一片鈸挨向另一片鈸,發出震音的效果。 Using one of the cymbals to touch another cymbal immediately after playing, in order to make a “tremolo” effect. 兩片鈸合攏,轉動着摩擦發聲。

4)

Close the cymbals and rub them circularly.

花盆鼓 Huapengu

1)

敲擊花盆鼓的鼓面。 Hit the membrane of Huapengu.

2)

敲擊花盆鼓的邊緣。 Hit the rim of Huapengu.

3)

用木棰摩擦花盆鼓的邊緣。 Use wooden beaters to rub the rim of Huapengu.


可擠壓玩具鴨 Squeezable toy duck 1)

擠壓較低音之玩具鴨。/令玩具鴨發出較低音的聲音。 Squeeze toy duck with lower pitch. /Make the toy duck to produce the lower pitch.

2)

擠壓較高音之玩具鴨。/令玩具鴨發出較高音的聲音。 Squeeze toy duck with upper pitch. /Make the toy duck to produce the higher pitch.

3)

同時擠壓兩隻玩具鴨。/令玩具鴨同時發出兩個聲音。 Squeeze both toy ducks. /Make the toy duck to produce the both pitches.

4)

慢慢擠壓然後慢慢釋放。 Squeeze slowly and release slowly.

5)

快速擠壓然後立即釋放。 Squeeze quickly and release immediately.

6)

慢慢擠壓然後立即釋放。 Squeeze slowly and release immediately.

7)

不停擠壓及釋放。 Squeeze and release continuously.

五個鬧鍾 Five alarm clocks 1)

按住鬧鐘以制約其聲。 Dampen the alarm clock.


起床 Get Up (2012) 黃榮生 Wong Wing-Sang



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Percussion 2



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 五個鬧鍾 Five alarm clocks



254















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Get Up