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Women Cinemakers

This is an interesting call that aks to “resume” in 5 min a long movie you like. There I worked on amazing images of the experimental 1929 Soviet silent documentary film, directed by Dziga Vertov and edited by his wife Elizaveta Svilova. Was selected as Creative Edit Award WINNER 2016 ( For myself was a tribute to the original creators pioneers of experimental cinema. Important is always the edit on the movie, I think there you decide totally the movie meaning; And was a woman, Elizaveta Svilova, who made the original cut of Dziga Vertov’s movie. Obviously director name is always more known, but for me is important too to remind her work and empower female artwork, because she worked most part of time beside Vertov and following her husband's death, Svilova left the industry. Reading about this female filmmaker, she won and in 1946 her film “Fascist Atrocities” was used as evidence in the Nuremberg Trials. Another interesting work that we would like to introduce to our readers is entitled : it is a complex work and we would give it an in depht look. Highlighting the fact that the online technosphere allows us to establish mutual connections as it never happened before, the results of your artistic research seems to point out the interstitial area where reality and virtuality coexists, in order to create a new kind of aesthetics. Would you tell us what does fascinate you of Adaptive resonance theory and what did address you to use its ideas to deveop this gorgeous work of art? “Resonance Theory (ART) and Intrusion Detection System (IDS)” ( is a movie done for SLARTIST@UWA Machinima Challenge. The University of Western Australia (UWA) in Second Life had an important role promoting Virtual Arts and digital filmmaking since 2009 till this last call. Slartists its an online platform where machinima filmed in Second Life and others worlds are reunited. ( Machinima ( is often

Profile for WomenCinemakers

WomenCinemakers, Special Edition  

WomenCinemakers, Special Edition