A Review of Prerna Bakshi’s Burnt Rotis, With Love Sean Lynch
At Whirlwind we like to support our contributors even after publication. We’re honored to be a part of an international community of diverse writers and artists focused on social justice and human progress. That being said, we’re happy to announce that the talented sociolinguist Prerna Bakshi, a poet of Indian origin currently based in Macao, is publishing a collection of poems called Burnt Rotis, With Love that will be available in December through Les Éditions du Zaporogue. Prerna Bakshi graced page nineteen of Whirlwind Magazine Issue #5 with her moving poem “Let it Rain!” The title of this piece serves as a refrain at the end of each stanza, culminating in an effective repetition of the phrase. Bakshi laments at the state of her poverty stricken home-country, as well as her new adopted home in China. Through the eyes of this poet it’s apparent that the world is on the brink of environmental catastrophe. In “Let it Rain!” Bakshi beckons the sky to open up for “...the drought stricken land...” as she bears witness to the struggles of people with disabilities, children, and factory workers, as she listens to “...a farmer’s outcry…” and also the “distant scream” of indigenous people fighting “...against the state’s repressive forces.” Along with the aforementioned poem, there are over a hundred pages worth of urgent and meaningful poetry in Burnt Rotis, With Love. For the book’s themes Prerna Bakshi says that she “...will explore and interrogate the narratives of Partition of India/ Punjab post British colonialism, women’s identity, gender and class struggle. The poems in this collection will cover themes of violence, oppression, exploitation, abuse, struggle, survival and resistance.” The advance reader’s copy certainly attests to this, and it makes for a powerful read. Other highlights in the book include the dramatic “Guns and Graves,” where Bakshi writes an elegy for the many innocents killed by the Indian state in its dispute with China over a relatively unheard of area called Arunachal Pradesh. It’s poems like these that stand out to the reader, especially because they shed light on topics and events that too often remain shrouded. The further one gets into Burnt Rotis, With Love the more one begins to fall in love with not only the poems in the collection, but also the invaluable footnotes that accompany some of them. After “When the Poor Woman ‘Leans In’...” Bakshi writes that the “poem is written from a critical, Global South Marxist feminist perspective, in response to Sheryl Sandberg’s corporate feminism of ‘Lean In’ and its approach to feminism and work.” One critique of Bakshi’s work could be that she’s often very forward and unequivocal in the points of views that she displays. However, that more often than not makes her writing accessible and heightens the clarity of her poems. What’s important about Prerna Bakshi’s poetry is that it can be easily read by anyone. The messages that she delivers are vital stories about oppressed people around the world that Westerners should especially be made aware of, and it’s clear that Prerna Bakshi deserves critical praise and recognition for her brave and touching new work, Burnt Rotis, With Love.