Medium n°3, Adam Kleinman to Thomas Jefferson, In Gringo, Vienna, 2007. PP. 59-61 Etienne Chambaud, Letter of invitation to contribute to Medium, 2007. P. 64 Notes for Publish And Be Damned, Four Corner Books, London, 2008. PP. 64-71 In Benoît Maire, The Square in a Forest, Westphalie, Vienna, 2008.
PP. 87-88 In Johannes Porsch, a like A, Westphalie, Vienna, 2010. Sekundäre Bearbeitung of Johannes Porsch’s 2008 book, “Suche Bauplatz für Moschee”. P. 89 David Jourdan, Fry my hide (That’s the first time I ever heard the expression), 2005-2007 Offset poster P. 90 Travis Lehtonen reads “Th’ Life an’ Opinions of Tristram Shan’y, Juntleman, as enny fool kin plainly see. Voloom I - Chapper XII”. In Shandyismus, Authorshaft als genre, Secession, Vienna, 2007. Sean de Lear reads “Th’ Life an’ Opinions of Tristram Shan’y, Juntleman, as enny fool kin plainly see. Voloom I - Chapper I-XI”. Recorded at the Gelitin Institute, Vienna, 1. May 2006. P. 91 Lisa Holzer , Die Hose paßt wirklich ausgezeichnet , book launch at Contemporary Bar, Vienna, Nov. 2007. German, paperback, 56 p., 155x218 mm., 6 colour and 6 BW illustrations. 150 ex. ISBN 978-3-9502302-3-9 P. 92 Westphalie, Bread-and-Butter, Ditsies and DumbDumbs, 2008. P. 93 Lisa Holzer, painted rolls, after Lobbing Rolls at a Holzer, live (after Rodney Graham), notes for Dirt of new works on old ones I (Visits), 2009.
PP. 72-78 Martin Ebner, from: Ciao (ca. 2001). PP. 79-80 In Nik Thönen, Lorenzo le kou Meyr, Das Beiwerk, Westphalie, Vienna, 2010. PP. 81-82 Robert Smithson, A Heap of Language, 1966, into B-sprache. PP. 84-86 In Tanja Widmann, To Make Oneself Similar in this Sense, Westphalie, Vienna, 2010.
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P. 94 Westphalie, We Best Phaba Libie, 2009. Paper Bar, Künstlerhaus Passagegalerie, Vienna, 2009. PP. 95-96 Westphalie, ECONOMY OF PLENTY or THE SHORT LIFE AND HAPPY TIMES. Paper Bar, Künstlerhaus Passagegalerie, Vienna, 2009. Thanks to B, a heap of Books, Brezels and a B-tongue reading.Baker: Pierre Emmanuel Finzi P. 97 David Jourdan. Untitled (The Yellow Kid), 2009. Enacted by Christoph Harringer. Performance views in Sex, Sex, Sex. Nein, Nein, Nein. Der so und sovielte Salon des Arts, Vienna, 2009 and Economy of Plenty, Künstlerhaus