T EL EV ISION
C2 Monday, December 27, 2010 • THE BULLETIN
Outspoken brother’s weight remarks weigh heavily on his sisters Dear Abby: After having been out of the U.S. for many years, I noticed upon returning that people here seem to be much fatter. I went to a family gathering, and virtually every formerly slim member of my family had also gotten bigger. I quietly mentioned it to one of my sisters, and word got around that I had “no manners.” My other sister, “Niki,” who has a degree in psychology, told me in no uncertain terms that people never talk about such things with each other. I explained to her that mentioning it once, or discussing the ballooning of America, can be appropriate. I believe our country has fattened up because of a lazy attitude toward exercise and calories. Niki vehemently opposes my discussing it. I learned later that she neglected to invite me to her son’s wedding for fear I would say something about you-know-what to her in-laws. I admit, I don’t have a silver tongue — but I’m disappointed my favorite psychologist has blackballed me and cut off communication. It’s sad to lose a sister this way. Please advise, Abby. — Brother Black Sheep Dear Brother Black Sheep: Why do I think there’s more to this story than you have written? Obesity has become an epidemic in this country, and the reasons for it are more complicated than a lazy attitude. You don’t need a “silver tongue” to apologize to your sisters for having offended them. Perhaps your “favorite psychologist” would have invited you to her son’s wedding if you had been willing to apologize. People who have weight issues know they are fat. They don’t need to debate it. And they don’t need you to remind them or imply they are lazy.
DEAR ABBY Dear Abby: I’m a 45-year-old male reader. I have been friends with “Oscar” for 20 years. He asked me to be the godparent of his new baby girl. As you can imagine, I was overwhelmed when he asked. I have never been a godparent. We discussed it at length, and I told him I needed to think it over to be sure of my decision. After a few days, I was still indecisive. Part of me wanted to do it, and part of me didn’t. I told Oscar it was an honor, but that I felt unsure and not fully committed. I knew if I were to accept and then reconsider, it wouldn’t be cool. So I bowed out to give him time to find someone else. Oscar’s reaction told me he was deeply angry and hurt. That night I hardly slept. I kept thinking how much I had disappointed my friend, his wife and their entire family. I feel terribly guilty. It’s clear that Oscar was expecting me to say yes. Is it wrong to say no when someone asks you to be a godparent? — True Friend in Wisconsin Dear True Friend: No, it’s not wrong if the person who is asked does not feel able to fulfill the obligations that go with that honor. Your friend may feel less hurt if you explain to him your reasons for not accepting and the fact that you wouldn’t want to agree if you couldn’t do everything that would be expected of you. Saying no sometimes requires tact, but I’ll give you credit for being honest about your feelings. Dear Abby is written by Abigail Van Buren, also known as Jeanne Phillips, and was founded by her mother, Pauline Phillips. Write Dear Abby at www.DearAbby .com or P.O. Box 69440, Los Angeles, CA 90069.
TV awards and the people problem By Mary McNamara
Actress Katie Holmes, left, announces nominations for the 68th Annual Golden Globe Awards as fellow presenters Blair Underwood, second from right, and Josh Duhamel look on Dec. 14 in Beverly Hills, Calif. The Golden Globe Awards will be held Jan. 16.
Los Angeles Times
LOS ANGELES — The always irreverent and not at all bitter Peter Tolan recently categorized the Golden Globes as an award show run by a bunch of “whores,” called the Emmys voting process deeply flawed and suggested that television critics be the only ones allowed to give out awards because they actually watch television. Having just seen the devastatingly predictable list of Golden Globes nominations — oh look, “The Big C” and “Boardwalk Empire,” which honestly thrilled no one — I say “amen, brother.” Kurt Sutter, who was on the same incendiary Hollywood Radio and Television Society panel as Tolan, seconded his colleague’s sentiments, adding that his show, “Sons of Anarchy,” got a nomination from the Television Critics Association, which meant more to him than any Emmy or Golden Globe recognition. Sweet of him to say, but utterly ridiculous, and possibly Sutter has changed his tune in the light of “Sons of Anarchy” star Katey Sagal’s recent Golden Globe nomination. One hopes not. But it is shocking, and indefensible, that a groundbreaking, well-performed show such as “Rescue Me” should go without while other much less remarkable shows rack up the noms and the gold. “Rescue Me” is not alone in this distinction of course — both “The Wire” and “The Shield,” two of the best shows of their time, were rarely, if ever honored. Even certain shows that have attained the Holy Grail combo — critical acclaim and big audience numbers — often don’t seem to have the appropriate hardware; if the television
Chris Pizzello The Associated Press
academy is really never going to give Hugh Laurie an Emmy for “House,” it should just stop nominating him. There is something to be said for Tolan’s argument that the members of the television academy are inevitably passing judgment on shows with which they are not familiar. The screening process — in which members watch a bunch of stuff in a small amount of time — is even more unfair to television than to film, not only because there is just so much more TV. Judging a show based on one or even a few episodes seems antithetical to the art form itself. The wonder and beauty of television is that, unlike any other form of entertainment, it is sustained, which is why TV critics often write again and again about various shows they have already reviewed. A good television show is an ever-
shifting biosphere. But during the awards process, television is judged less like television and more like film. It has to be — no one, not even a television critic, could possibly watch entire seasons of every single show. So is a show that has one or two stellar episodes among consistent mediocrity more awardworthy than a show that is less flashy but more solid in its excellence? Should the fact that network dramas air twice as many episodes as most cable shows be taken into account? Or is excellence excellence no matter what the package, and how on Earth is that judged anyway? Certainly critics have an advantage over the members of the various academies and even the foreign press association. We do watch a lot more television than the ordinary human and spend, or at least our editors hope, even
more time thinking about it — what the emergence of certain themes and genres means; if and how, the popularity of certain shows reflects viewers moods and concerns; why some shows founder while others soar; which shows are courageous and which simply smug, and on and on until a person (or at least a person’s spouse) could scream out loud and hightail it to Amish country. But the problem with awards of any kind is that they are voted upon by people — and people, as Jerry Seinfeld, channeling Larry David, once said, are the worst. The problem with awards is not that they are often imperfect to the point of ridicule. The problem is that we know this, and we make them seem so important anyway. Which they aren’t. Except, of course, if I’m handing them out.
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Å America’s Funniest Home Videos The 700 Club ‘PG’ Å 67 29 19 41 Gilmore Girls Die, Jerk ‘PG’ Å Hannity (N) On the Record, Greta Van Susteren The O’Reilly Factor Hannity On the Record, Greta Van Susteren Glenn Beck 54 61 36 50 The O’Reilly Factor (N) Å Down Home Paula’s Best 30-Minute Meals Good Eats Sushi. Unwrapped Unwrapped Unwrapped Best Thing Ate Best Thing Ate Diners, Drive Diners, Drive Good Eats: Down & Out in Paradise 177 62 98 44 B’foot Contessa Holiday Bowl Head to Head Warren Miller Holiday Bowl Tennis Outback Champions Series - Cayman Final Score Seahawks Holiday Bowl Profiles The Final Score 20 45 28* 26 World Poker Tour: Season 8 (4:30) ›› “Pineapple Express” (2008) Seth Rogen, James Franco. 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