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1 NEOPOLITAN SCHOOL (19TH CENTURY), ITALIAN MOUNT VESUVIUS ERUPTING; SHIPPING AT MOONLIGHT, BAY OF NAPLES Pair of watercolours and bodycolours on lightweight cards 17.0 ins x 25.0 ins; 43.2 cms x 63.5 cms Note: Additional image available on our website. $3,000 — 5,000

2 NEOPOLITAN SCHOOL (19TH CENTURY), ITALIAN NAPOLI DAL CARMINE Watercolour and bodycolour on paper with hand-ruled black ink border; titled with black ink letters to the border bottom centre, dated circa 1830 to gallery label accompanying the lot

3 CIRCLE OF FRANCESCO GUARDI (1712-1793), ITALIAN VENICE, A CAPRICCIO VIEW WITH SHIPPING

4 FRANCESCO MAGGIOTTO (1750-1805), ITALIAN JOANNES GRADONICUS, DUX VENETORUM, 1355

Oil on canvas

Oil on copper sculpted oval; titled with letters in the border of the oval cartouche: “Joannes Gradonico Dux Venetiarum Electus Anno MCCCLV”, signed and titled verso

11.5 ins x 16.5 ins; 29.2 cms x 41.9 cms $4,000 — 6,000

8.7 ins x 11.5 ins; 22.2 cms x 29.2 cms

5.7 ins x 4.8 ins; 14.6 cms x 12.1 cms Note: Additional information available on our website.

Note: Additional information available on our website.

$800 — 1,000 $700 — 1,000

5 MISS L. MAES (ACTIVE CIRCA MID 18TH CENTURY), DUTCH STUDY OF FINCHES AND AN INDONESIAN LONG-TAILED BIRD ON A BRANCH

6 AFTER LEONARDO DA VINCI (1452-1519), ITALIAN, POSSIBLY GERMAN NAZARENE SCHOOL (19TH CENTURY) HEAD OF CHRIST

Watercolour and gum arabic with pen and ink on paper laid down to a support; signed “L. Maes” and dated “12 December...” at “Schoonoord” lower left, inscribed indistinctly in pen and ink in Dutch to an old label verso headed “Annie”

Chalk heightened with white on thin paper, laid down to a later paper support; bears signature “Leonardo da Vinci” in sepia ink lower left. Matted and unframed.

14.3 ins x 9.8 ins; 36.3 cms x 24.9 cms

Note: Additional information available on our website.

Note: Additional information available on our website. $5,000 — 7,000

7.1 ins x 7.5 ins; 18.1 cms x 19.1 cms

$1,500 — 2,000

7 ATTRIBUTED TO JOSEPH HEINTZ THE ELDER (1564-1609), GERMAN/SWISS AFTER CORREGGIO (BORN CIRCA 1489-1534), ITALIAN WOMAN WITH SLEEPING CHILD

8 UNKNOWN (CIRCA 17TH CENTURY), ITALIAN JUPITER WITH THE EAGLE

Graphite heightened with sepia chalk and black chalk on paper, laid down to a hand-ruled mount. Matted and unframed.

Together with: AFTER THEODOOR VAN THULDEN (1606-1669), DUTCH ULYSSES [TAVERNIER, 15] (AFTER FRANCESCO PRIMATICCIO (1504-1570), ITALIAN

18.7 ins x 14.7 ins; 47.6 cms x 37.4 cms Note: Additional information available on our website. $3,000 — 5,000

Black chalk heightened with grey wash on laid paper; inscribed “Luca Giordano” in graphite verso. Unframed.

5.8 ins x 7.9 ins; 14.8 cms x 20.0 cms Note: Additional information available on our website. $1,000 — 5,000


9 CIRCLE OF CHARLES-JOSEPH NATOIRE (1700-1777), FRENCH HEAD OF A YOUNG MAN Charcoal and red chalk drawing on blue laid paper, laid down to a later paper support with hand-ruled and gilt border; with an initial “R” in black ink bottom centre, with an unidentified impressed “G” initial blindstamp to the margin of the mount lower right, formerly given to and inscribed “Reni” and “Guido Reni/ 1575 1642” in pencil verso. Matted and unframed. 10.2 ins x 8.3 ins; 26.0 cms x 21.2 cms Note: Additional information available on our website.

10 ITALIAN SCHOOL (17TH CENTURY), ITALIAN YOUTH POURING WINE FROM A SKIN Red chalk on buff laid paper, laid down to a later wove paper support; inscribed “Poussin” in pencil verso. Matted and unframed. 8.8 ins x 5.8 ins; 22.3 cms x 14.7 cms Note: Additional information available on our website. $500 — 700

$800 — 1,200

11 ANTONIO FILOCAMO (16991743), ITALIAN MUSE WITH ARMS UPHELD (SKETCH OF A WOMAN’S HEAD AND SHOULDERS, AND ARMS VERSO) Sepia chalk drawing on laid paper, the recto signed and dated “11 / 697” in pencil, the verso with sepia chalk sketch (aligned the opposite direction); signed with partial signature verso 8.8 ins x 5.0 ins; 22.3 cms x 12.7 cms Note: Additional information and images available on our website.

12 SCHOOL OF DIEGO RODRIGUEZ DE SILVA Y VELASQUEZ (1599-1660), SPANISH FULL LENGTH PORTRAIT OF A KNIGHT, WITH THE RED CROSS OF THE ORDER OF CALATRAVA (SPANISH MILITARY) Oil on canvas. Contained in a painted faux tortoise-shell decorated frame. 82.0 ins x 43.0 ins; 208.3 cms x 109.2 cms Provenance Acquired at an Estate sale of a Countess, Niagara-on-the-Lake, Ontario circa 1979-1980; Private Collection, Ontario

$700 — 900 $5,000 — 8,000

13 CIRCLE OF NICOLAS DE LARGILLIERE (1656-1746), FRENCH A LADY OF QUALITY Oil on canvas; given to “Nicholas de Largilliere” to the nameplate frame recto 42.0 ins x 31.3 ins; 106.7 cms x 79.4 cms $8,000 — 10,000

14 CIRCLE OF SIR ANTHONY VAN DYCK (1599-1641), FLEMISH THE THREE ELDEST CHILDREN OF KING CHARLES I: CHARLES (PRINCE OF WALES), MARY (PRINCESS ROYAL) AND JAMES (DUKE OF YORK)

15 S. COSTANTINI (19TH CENTURY) AFTER GUIDO RENI (1575-1642), ITALIAN BEATRICE CENCI IN PRAYER IN PRISON BEING SKETCHED BY GUIDO RENI (CIRCA 1662)

Oil on canvas

39.0 ins x 53.0 ins; 99.1 cms x 134.6 cms

52.8 ins x 60.2 ins; 134.0 cms x 153.0 cms Note: Additional information available on our website. $10,000 — 15,000

Oil on canvas; signed “S. Costantini” lower left

Note: Additional information available on our website. $1,000 — 1,500

16 S. COSTANTINI (19TH CENTURY) AFTER RAPHAEL (RAFFAELLO SANTI) (14831520), ITALIAN TRANSFIGURATION (1520) Oil on canvas; signed “S. Costantini” lower right 53.0 ins x 39.0 ins; 134.6 cms x 99.1 cms Provenance Estate Collection, Toronto $1,000 — 1,500


17 S. COSTANTINI (19TH CENTURY) AFTER DOMENICO ZAMPIERI (IL DOMENICHINO) (1581-1641), ITALIAN LAST COMMUNION OF ST. JEROME (1614)

18 DENIS LOUIS BIHAN (FL. 1852), BRITISH NIAGARA FALLS, CITY OF BUFFALO IN THE DISTANCE

Oil on canvas; signed “S. Costantini” lower right

30.0 ins x 50.0 ins; 76.2 cms x 127.0 cms

59.0 ins x 39.0 ins; 149.9 cms x 99.1 cms

Note: Additional information available on our website.

Provenance Framed by J. Frank Raw, 67 Adelaide Street East, Toronto, early 20th Century, his woodcut framer’s label verso; Estate Collection, Toronto

19 CHARLES EDWARD DIXON (1872-1934), BRITISH THE FIRST CANADIAN CONTINGENT ESCORTED BY PRINCESS ROYAL, 1915

Oil on canvas; signed lower left

$6,000 — 8,000

Watercolour and gouache on paper; signed and dated 1915 lower left, titled in the bottom margin, inscribed “Canada” in blue ink verso 23.5 ins x 44.0 ins; 59.7 cms x 111.8 cms Note: Additional information available on our website.

20 CHARLES EDWARD DIXON (1872-1934), BRITISH THE POOL, 1911 Watercolour; signed, titled and dated 1911 lower left 10.5 ins x 30.0 ins; 26.7 cms x 76.2 cms Note: Additional information available on our website.

$9,000 — 12,000

$8,000 — 12,000

$1,000 — 1,500

21 CHARLES EDWARD DIXON (1872-1934), BRITISH OFF BILLINGSGATE Oil on panel; signed lower right, partial label verso with the artist’s address at “25 Maiden Lane Strand. WC 2“ in ink verso 9.8 ins x 13.7 ins; 24.8 cms x 34.9 cms Note: Additional information available on our website. $1,000 — 1,500

22 EDWARD SEAGO (1910-1974), BRITISH CANAL SCENE, LEIDEN, HOLLAND Watercolour on paper laid down to the matboard support; signed lower left, titled in pencil to a label affixed to the verso 10.5 ins x 15.0 ins; 26.7 cms x 38.1 cms $3,000 — 4,000

23 CIRCLE OF JOSEPH MALLARD WILLIAM TURNER (1775-1851), BRITISH LONDON FROM GREENWICH, 1833-35 Graphite, watercolour and gouache on blue paper. Matted and unframed.

24 JOHN FREDERICK HERRING SNR. (1795-1865), BRITISH THE PRINCESS (WINNER OF THE OAKS, 1844) Oil on panel; signed lower right, titled to the wainscoting mid-right

4.1 ins x 6.7 ins; 10.5 cms x 17.1 cms

9.8 ins x 12.0 ins; 24.8 cms x 30.5 cms

Note: Additional information available on our website.

Note: Additional information available on our website.

$1,200 — 1,800

$5,000 — 7,000


25 JOHN CALLCOTT HORSLEY (1817-1903), BRITISH AT THE WINDOW (THE TERRIER ANXIOUS TO JOIN THE HUNT IN THE DISTANCE), 1877

26 JOHN W. MORRIS (1865-1924), BRITISH RETRIEVERS GUARDING THE CATCH

Oil on canvas; signed and dated -77 lower left, titled to the nameplate

28.3 ins x 36.0 ins; 71.8 cms x 91.4 cms

24.3 ins x 21.0 ins; 61.6 cms x 53.3 cms

$7,000 — 10,000

Oil on canvas; signed lower left

27 THOMAS SIDNEY COOPER (1803-1902), BRITISH SHEEP RESTING ON A HILL

28 WILLIAM SHAYER THE ELDER (1787-1879), BRITISH GIPSEYS ENCAMPING, 1851

Oil on canvas; signed with initials “T.S.C.” and indistinctly dated lower right, titled to gallery labels verso

Oil on canvas; signed and dated 1851 lower left, signed, titled, dated 1851 and numbered No. 7 to artist’s label to the stretcher

18.0 ins x 32.0 ins; 45.7 cms x 81.3 cms Provenance W. Scott & Sons, Montreal, with them in 1919; Private Collection, Canada

Note: Additional information available on our website.

37.2 ins x 30.0 ins; 94.6 cms x 76.2 cms $6,000 — 9,000

$5,000 — 7,000 $5,000 — 7,000

29 ALFRED AUGUSTUS GLENDENING SNR. (1840-1910), BRITISH THE TROSSACHS GLEN, 1908 Oil on canvas; signed and dated 08 lower left 24.0 ins x 41.3 ins; 61.0 cms x 104.8 cms Provenance With Haynes Gallery, Toronto in the early 20th Century; Private Collection $7,000 — 10,000

30 ALFRED AUGUSTUS GLENDENING SNR. (1840-1910), BRITISH WILMINGTON COMMON, KENT, 1897 Oil on canvas; signed and dated 97 lower left, faintly titled to the stretcher in pencil 11.9 ins x 20.1 ins; 30.3 cms x 51.0 cms Provenance The Cooling Galleries Limited, London; Private Collection, Picton, Ontario; By descent $3,000 — 4,000

31 ALFRED DE BREANSKI SNR. (1852-1928), BRITISH COWS WATERING IN THE HIGHLANDS

32 ALFRED FONTVILLE DE BREANSKI (1877-1955), BRITISH BLEA TARN, N.B.

Oil on canvas; signed lower left

Oil on canvas; signed lower left, signed and titled verso

20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms Provenance Frederick Thom Gallery, Toronto; Private Collection, Canada $4,000 — 6,000

36.0 ins x 26.3 ins; 91.4 cms x 66.7 cms

$3,000 — 4,000


33 ALFRED FONTVILLE DE BREANSKI (1877-1955), BRITISH THE SLOPES OF BEN VENNE N.B.

34 MONTAGUE DAWSON (18901973), BRITISH CLIPPER SHIP ‘THERMOPYLAE’ BUILT IN 1868 & 948 TONS”

Oil on canvas; signed lower left, title inscribed to the stretcher

Oil on canvas; signed lower left, titled “Clipper Ship ‘Thermopylae’ Built in 1868 & 948 Tons” in pencil to the top stretcher, also titled: “Dawn and a West Wind” to the Watson Art Galleries label verso.

20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms

35 MONTAGUE DAWSON (18901973), BRITISH CLOSE HAULED Watercolour on Whatman paperboard; signed lower left, titled verso and to the gallery label verso

20.7 ins x 25.0 ins; 52.7 cms x 63.5 cms $5,000 — 7,000

20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms

$3,000 — 5,000

Note: Additional information available on our website.

Provenance Frost & Reed, London, Registered No. D14094; Frederick Thom Gallery Ltd., Toronto; Acquired from the above by the present Private Collection, Ontario in 1970

$30,000 — 50,000

$8,000 — 12,000

37 PHILIPE PAVY (1860-), FRENCH UN MARCHAND JUIF AU CAIRO (A JEWISH MERCHANT AT CAIRO), 1880

38 NARCISSE VIRGILE DIAZ DE LA PEÑA (1808-1876), FRENCH FIGURES IN A FOREST

39 NARCISSE BERCHERE (18191891), FRENCH A MID-DAY HALT, 1868 (PROBABLY CALLED “REPOS DE MIDI” IN PROST)

Oil on board; signed and dated 1880 lower left, signed and titled in French verso

12.0 ins x 7.8 ins; 30.5 cms x 19.7 cms

18.0 ins x 11.5 ins; 45.7 cms x 29.2 cms Provenance Private Estate Collection, Montreal

Provenance Ex. Coll. Marcel Tabouret; Private Collection, Toronto $3,000 — 5,000

Oil on canvas; signed lower left

17.1 ins x 26.9 ins; 43.5 cms x 68.3 cms

Provenance Purchased in Montreal, circa 1950; Gifted to present Private Collection, Florida, USA

Oil on canvas; signed lower left

36 GUSTAVE DOYEN (1837- ), FRENCH TAMBOURINE DANCER AND MINSTRELS ON A NEOCLASSICAL TERRACE

Oil on panel; signed and dated 1868 lower right, titled to an inscribed label verso 10.0 ins x 12.5 ins; 25.4 cms x 31.8 cms Note: Additional information available on our website.

40 NARCISSE BERCHERE (18191891), FRENCH BORDS DU NIL Oil on canvas; signed lower right, titled, “Bords du Nil” inscribed “Berchere” and numbered “No. 642” in pen and ink to an unidentified partial label to the stretcher, the stretcher inscribed: “D.R.N.Y. 642” with the remains of another gallery label with typeset letters “New-York” verso 16.0 ins x 26.0 ins; 40.6 cms x 66.0 cms

$5,000 — 7,000 $2,000 — 3,000

Note: Additional information available on our website. $6,000 — 9,000


41 ADOLF SCHREYER (1828-1899), GERMAN BEDOUINS ON HORSEBACK

42 FRANCESCO COLEMAN (18511918), ITALIAN BEDOUIN CAVALRY

43 ADOLF SCHREYER (1828-1899), GERMAN RUSSIS DE COURIER

Oil on cradled panel; signed “Ad. Schreyer” lower left

Oil on canvas; signed “F. Coleman” at “Roma” lower right, inscribed “1873” to a small label verso

Watercolour and charcoal on paper; signed lower right, titled and stamped: “INV. 1912 Nr. 298” to gallery label verso

12.8 ins x 16.5 ins; 32.4 cms x 41.9 cms Provenance Private Collection, Toronto; By descent, Toronto $10,000 — 15,000

26.0 ins x 37.0 ins; 66.0 cms x 94.0 cms Provenance With Clausen Art Rooms Pictures and Frames, New York label to the frame verso; John Britnell Art Galleries Limited, Toronto; Private Collection, Canada; By descent

25.5 ins x 21.5 ins; 64.8 cms x 54.6 cms Provenance R. Wagner Kunst-handlung, Munich, No. 17261; Private Collection, Canada $10,000 — 15,000

$10,000 — 15,000

45 GIUSEPPE SIGNORINI (1857-1932), ITALIAN CARDINAL IN A CHAPEL, 1929 Watercolour and gouache heightened with gum arabic on paper laid down to a wood panel with the edges wrapped around to the verso; signed at “Roma” lower right, inscribed: “painted in Rome Italy/ October 1929 for S.R. MacKellar” in pencil to the backing verso. 28.5 ins x 41.7 ins; 72.4 cms x 106.0 cms Note: Additional information available on our website. $10,000 — 15,000

47 FERDINAND BRUTT (18491936), GERMAN CARDINAL DESCENDING STAIRS, 1879

Oil on panel; signed lower right

Oil on canvas; signed and dated 79 lower left, titled to gallery label verso

Provenance The Cooling Galleries Ltd., London; Private Collection, Canada $3,000 — 5,000

Oil on canvas; signed with indistinct initials “A.K.”/ (”R.K.”)? and dated 1849 lower right 14.5 ins x 19.5 ins; 36.8 cms x 49.5 cms Provenance Private Collection, Canada purchased from a Russian collector as “Retreat from Moscow” $4,000 — 6,000

46 VICTOR MARAIS-MILTON (1872-1948), FRENCH CARDINAL AS ART CONNOISSEUR

14.0 ins x 10.5 ins; 35.6 cms x 26.7 cms

44 MANNER OF ALFRED VON WIERUSZ-KOWALSKI (ALSO KNOWN AS JAN KONARSKI) (1849-1915), POLISH FALLEN COSSAK IN SNOW AFTER THE BATTLE (RETREAT FROM MOSCOW?)

22.0 ins x 16.0 ins; 55.9 cms x 40.6 cms Provenance Frost & Reed, London; The Fine Art Galleries, The T. Eaton Co. Ltd., Canada; Private Collection, Canada $7,000 — 9,000

48 GUSTAV MAJER (1847-1900), AUSTRIAN NOTARY AT WORK, 1879 Oil on canvas; signed and dated 1879 at “Munchen” upper left 14.0 ins x 20.7 ins; 35.6 cms x 52.7 cms Provenance The Cooling Galleries, London and Toronto; Private Collection, Toronto $6,000 — 9,000


49 EDMUND MAHLKNECHT (1820-1903), AUSTRIAN TWO HORSES AND A GOAT WITH HERDER FISHING NEARBY

50 PETRUS RENIER HUBERTUS KNARREN (1826-1869), BELGIAN LITTLE SHEPHERDESS

51 JAN WILLEM VAN BORSELAN (1825-1892), DUTCH SUMMER DAY NR. DELFT, HOLLAND

Oil on panel; signed lower left

Oil on canvas; indistinctly signed lower right, given to Knarren and titled to the old namplate

Oil on canvas; signed ‘JW. van Borselan. F.” lower right, titled to gallery label verso

21.7 ins x 17.8 ins; 55.2 cms x 45.1 cms

17.8 ins x 27.0 ins; 45.1 cms x 68.6 cms

10.0 ins x 16.5 ins; 25.4 cms x 41.9 cms $3,000 — 5,000

$6,000 — 9,000

52 HENRI JOSEPH HARPIGNIES (1819-1916), FRENCH TWILIGHT, 1896 Oil on cradled panel; signed and dated .96 lower left 15.5 ins x 13.5 ins; 39.4 cms x 34.3 cms $4,000 — 6,000

Provenance Johnson Art Galleries Limited, Montreal; Jacoby’s House of Antiques Co., Limited, Montreal; From whom purchased by the present Private Collection, Canada $7,000 — 9,000

53 ERNEST CHATEIGNON (BORN CIRCA 1865-), FRENCH THE HARVEST

54 PAUL DESIRE TROUILLEBERT (1829-1900), FRENCH PAYSAGE DE RIVE ET BOURG

Oil on canvas; signed lower right

Oil on canvas; signed lower left, partial title “Vue a M...” and numbered No. “30” to a partial old printed label to the stretcher

15.0 ins x 21.7 ins; 38.1 cms x 55.2 cms $4,000 — 6,000

14.0 ins x 17.8 ins; 35.6 cms x 45.1 cms $5,000 — 7,000

55 EDMOND MARIE PETITJEAN (1844-1925), FRENCH A VILLAGE PASTURE WITH COWS

56 JULES ACHILLE NOEL (1815-1881), FRENCH FISHING BOATS AT BRETAGNE

Oil on canvas; signed lower left

Oil on canvas; signed and dated 1879 at Bretagne lower right

25.5 ins x 32.0 ins; 64.8 cms x 81.3 cms Provenance Antoine’s Art Gallery, Montreal; Private Estate Collection, Montreal $3,000 — 5,000

15.2 ins x 21.3 ins; 38.7 cms x 54.0 cms $6,000 — 8,000


57 ACHILLE-EMILE OTHON FRIESZ (1879-1949), FRENCH SOUS BOIS, HONFLEUR (WOODS NEAR HONFLEUR), 1937 Oil on canvas; signed and dated 37 lower left, signed with initials, titled “Sous Bois Honfleur” and dated 1937 verso

58 LEON AUGUSTIN L’HERMITTE (1844-1925), FRENCH PEASANT FAMILY ON A RIVER BANK

59 MARCEL DYF (1899-1985), FRENCH BLONDE GIRL IN HER BOUDOIR

Colour pastel on paper on canvas; signed lower right

Oil on canvas; signed lower right

17.8 ins x 12.5 ins; 45.1 cms x 31.8 cms

21.5 ins x 18.0 ins; 54.6 cms x 45.7 cms

$8,000 — 10,000

$5,000 — 7,000

60 MARCEL DYF (1899-1985), FRENCH YOUNG GIRL WITH LAUREL WREATH STRUMMING A MANDOLIN Oil on canvas; signed lower right 21.5 ins x 18.0 ins; 54.6 cms x 45.7 cms $5,000 — 7,000

25.5 ins x 21.5 ins; 64.8 cms x 54.6 cms Provenance With L. Helvig Emballeur, Paris, their label inscribed “Amiens 37 / Friesz” in pencil; J.M. Tyrrell, Paradise, California inscribed to backboard; Private Estate Collection, Western Canada $10,000 — 15,000

61 HENRI CLAUDE PISSARRO (1935-), FRENCH MADAME NADEAU A LA ROSERAIE D’ATHIS SOUS LA NEIGE Oil on canvas; signed lower left, signed “H. Claude Pissarro ‘le Petit Fils’” and titled verso 21.5 ins x 25.7 ins; 54.6 cms x 65.3 cms

62 MARIO TOZZI (1895-1979), ITALIAN RECLING NUDE

63 GEN PAUL (1895-1975), FRENCH LE CAVALIER

64 JEAN JANSEM (1920-2013), FRENCH NATURE MORTE (STILL LIFE)

Oil on canvas; signed upper left. Unframed.

Oil on panel laid on masonite board; signed lower left

Oil on canvas; signed lower left, titled to the stretcher and to the gallery label verso

16.5 ins x 24.0 ins; 41.9 cms x 61.0 cms

16.0 ins x 10.5 ins; 40.6 cms x 26.7 cms

$15,000 — 25,000

$8,000 — 10,000

13.0 ins x 16.0 ins; 33.0 cms x 40.6 cms

Provenance Private Collection, Windsor, Ontario

Provenance The Marble Arch Gallery, New York, Inventory #10070; Private Collection, Canada

$7,000 — 10,000

$4,000 — 6,000


65 FRANCOIS GALL (1912-1987), FRENCH THE RED DRESS Oil on canvas; signed lower left, signed verso 8.7 ins x 10.5 ins; 22.2 cms x 26.7 cms $2,500 — 4,000

66 JULES RENE HERVE (18871981), FRENCH LES JARDINS DE LUXEMBOURG

67 JULES RENE HERVE (18871981), FRENCH PARIS. PLACE DE LA CONCORDE

Oil on canvas; signed lower right, signed verso, titled to gallery label verso

Oil on canvas; signed lower right, signed and titled verso

18.0 ins x 21.5 ins; 45.7 cms x 54.6 cms

9.0 ins x 11.0 ins; 22.9 cms x 27.9 cms

Provenance Galerie de Bellefeuille, Westmount; Private Estate Collection, Montreal

Provenance Dominion Gallery, Montreal, inventory No. D5070; Collection, Canada

$3,000 — 4,000

$1,500 — 2,000

68 DIETZ EDZARD (1893-1963), GERMAN STILL LIFE WITH FLUTE Oil on canvas; signed lower left, titled to gallery label verso 25.2 ins x 17.0 ins; 64.1 cms x 43.2 cms Provenance With stamp The Paris American Art Co., Paris to the stretcher; Ex. Coll. Dr. and Mrs. Max Stern, Dominion Gallery, Montreal, Inventory no. EDZ1i / E2428; Private Collection, Canada $5,000 — 7,000

69 MANUEL MUNOZ Y OTERO (1850-1900), SPANISH VENEZIA, VISTA DAL LIDO Oil on canvas; signed lower right, signed and titled to the stretcher 10.0 ins x 19.5 ins; 25.4 cms x 49.5 cms Provenance Cecil Peckover, Toronto acquired in Europe during travels circa 1910; By descent $5,000 — 7,000

70 ANTONIO MARIA DE REYNA MANESCAU (1859-1937), SPANISH VENETIAN BACK WATER

71 ADOLPHE BACHMAN (1880-1956), SWISS A VIEW OF THE GRAND CANAL WITH THE DOGES PALACE IN THE DISTANCE

Oil on canvas; signed at “Venecia” lower right

Oil on canvas; signed lower right

13.7 ins x 29.3 ins; 34.7 cms x 74.3 cms

15.2 ins x 24.0 ins; 38.7 cms x 61.0 cms

$3,000 — 5,000

$3,000 — 5,000

72 AKINOLA LASEKAN (1916-1972), AFRICAN HAUSA TRADERS (AT LAGOS MARKET) 1944 Watercolour on paper; signed, titled and dated 1944 at Lagus lower right, titled “Hausa Traders” in ink in the bottom centre margin below the subject watercolour 16.3 ins x 22.0 ins; 41.3 cms x 55.9 cms Note: Additional information available on our website. $5,000 — 10,000


73 MUHAMMED ABDUR RAHMAN CHUGHTAI (1894-1975), PAKISTANI A FLOWER FOR PRINCE. AT HIS FEET (MUGHAL PRINCE AND HIS COURTESAN) Watercolour on heavy paper; signed and dated 1938 lower left, titled, annotated and certified by the artist’s son, Arif Rahman Chughtai at Lahore in 2015 and stamped by the Chughtai Museum Trust, Lahore, Pakistan, verso. Unframed. 22.0 ins x 18.5 ins; 55.9 cms x 47.0 cms

74 JORGOS BUSIANIS (GEORGE BOUZIANIS) (1885-1959), GREEK PORTRAIT OF A WOMAN WEARING A SCARF (THE ARTIST’S WIFE, MS. MARIA IMHOLZ) Watercolour and pencil on paper; signed in pencil mid-left, inscribed verso 13.3 ins x 12.5 ins; 33.7 cms x 31.8 cms $6,000 — 8,000

Note: Additional information available on our website.

75 GEORGE GROSZ (1893-1959), GERMAN NUDE, 1915

76 MAKOTO MASUDA (BORN CIRCA 1905-1989), JAPANESE HONFLEUR

Ink drawing on brown paper; signed in pencil lower right, stamped with artist's estate stamp “George Gross Nachlass” numbered 2/36/4 in ink, inscribed ”L3 Nr. 512” and dated 1915 in pencil verso

Oil on canvas; signed lower left, inscribed “No. 5 Londres” in black marker and numbered “T265” in black ink to the top stretcher, titled to gallery label verso

16.0 ins x 12.8 ins; 40.6 cms x 32.4 cms Provenance The Pollock Gallery Limited, Toronto; Private Collection; By descent

21.3 ins x 25.5 ins; 54.0 cms x 64.8 cms Provenance Frost & Reed, London, Registration No. 38102 Frederick Thom Gallery, Toronto $3,000 — 5,000

$2,000 — 3,000

$15,000 — 25,000

77 ANDRE LHOTE (1885-1962), FRENCH SOIR SUR LE PORT, 1947

78 ABRAHAM MANIEVICH (18831942), RUSSIAN/AMERICAN STREET SCENE, SUMMER

79 JOHN HOUSTON (1930-2008), SCOTTISH BIRDS IN A GARDEN

80 SIR JACOB EPSTEIN (18801959), BRITISH JOAN GREENWOOD, CHILD

Oil on panel; signed lower right, titled, dated “en 14 R le 8 aout 47” and inscribed “pinxit” in black ink verso

Oil on board; signed lower left, inscribed verso lower left. Circa 1939.

Oil on canvas; signed lower right, titled to gallery label verso

Bronze with green patination; circa 1930/1, raised on stone base

34.0 ins x 51.0 ins; 86.4 cms x 129.5 cms

13.9 ins x 10.2 ins; 35.3 cms x 26.0 cms

Provenance Aiken Dott & Son, Edinburgh, Scotland; Gifted to the present Private Collection, Toronto in 1975

Note: Additional information available on our website.

18.0 ins x 24.0 ins; 45.7 cms x 61.0 cms $10,000 — 15,000

17.0 ins x 9.0 ins; 43.2 cms x 22.9 cms Provenance Private Collection, Dublin, Ireland Note: This work may possibly depict a scene at Bridgeport, Connecticut, circa 1939. $6,000 — 9,000

$6,000 — 9,000

$5,000 — 7,000


81 SIR JACOB EPSTEIN (18801959), BRITISH “SUNITA FRAGMENT” Bronze with green and brown patination; titled “Sunita Fragment” and certified by Lady Epstein on the accompanying copy of the original receipt 12.5 ins x 13.5 ins; 31.8 cms x 34.3 cms Provenance Private Collection, Toronto purchased directly from Lady (Kathleen) Epstein as “Sunita Fragment”, Chelsea, S.W.3 accompanied by a copy of the original handwritten receipt and certification dated June 26th, 1966 $5,000 — 7,000


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Decorative Arts and International Art Auction | Dec. 7, 2015  

Decorative Arts and International Art Auction | Dec. 7, 2015