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Decorative Arts and International Art Auction Tuesday 16 June 2015 at 7:00 pm

On View Saturday 13 June 2015 from 11:00 am to 5:00 pm Sunday 14 June 2015 from 11:00 am to 5:00 pm Monday 15 June 2015 from 10:00 am to 12 Noon Preview and Auction to be held at Waddington’s 275 King Street East, 2nd Floor Toronto Ontario Canada M5A 1K2 This auction is subject to the Conditions of Sale printed in the back of this catalogue. All lots in the auction may be viewed online at


All lots in the auction may be viewed

online at This catalogue and its contents © 2015 Waddington McLean & Company Ltd. All rights reserved. Photography by Waddington’s

Specialist Susan Robertson 416 847 6179 Corporate Receptionist Kate Godin 416 504 9100 Accounts Manager Karen Sander 416 847 6173 Absentee and Phone Bidding 416 504 0033 (Fax) Online Bidding Communications Tess McLean 416 504 9100

In the spirit of Daniel O’Neill’s Old Time Dance gracing the cover of our Spring 2015 International Art catalogue, we invite you to share a dance with us after a long cold winter and bring to the podium this carefully chosen grouping of paintings, drawings and sculptures. It is with great pleasure that we announce the whereabouts of a portrait by Pre-Raphaelite master Sir Lawrence Alma-Tadema, having been previously recorded as “present location unknown.” Ernest Gambart, a preeminent member of London society and great patron of Alma-Tadema, commissioned the work in 1870. It is speculated that the sitter is Gambart’s illegitimate child. The portrait travelled from London, England to Montreal sometime after 1913. Following its arrival in Canada, the Watson Galleries sold it to a private collector. A more detailed account of the provenance for this rediscovered work can be found in the following pages. Waddington’s is also pleased to feature an impressive landscape painting by famed Russian/American artist Abraham Manievich. This work was acquired directly from the artist as a result of a friendship forged between the artist and the collector. On his visits to Canada, Manievich regularly took up residence and painted at the collector’s Montreal home. Only selected and privileged friends and family invited to the collector’s home were able to view the landscape following its 1937 execution. This Manievich oil on canvas comes to the market having passed by descent to the collector’s grandson. The above works are offered alongside Berthe Morisot’s drawing Portrait of Alice Gamby, a watercolour by Andre Derain, two bronzes by Sir Jacob Epstein, and an Old Master work from the School of Canaletto. Our Spring 2015 catalogue brings to the fore some of the most significant international art works gleaned largely from private collections. These works have been a delight to research and continue to surprise me. This journey is the ingredient that has captivated my interest for some thirty-odd years. — Susan Robertson Specialist, International Art


Leadership Team

Waddington’s is Canada’s most diverse and significant provider of fine art auction and appraisal services. Based on a rich legacy in the industry, Waddington’s actively seeks to redefine our business to ensure we remain fresh and reactive to what our clients are seeking. Through our appraisal, auction, private sale and downsizing expertise, we are pleased to provide a complete range of services.

Waddington’s leadership team brings together three of the industry’s best. The combination of their experience, knowledge of market trends and client networks builds on Waddington’s 160 year legacy of growth and dominance.

Waddington’s is Canada’s original auction house, with a history of conducting auctions since 1850. We are also an international auction house, providing access to world markets. Waddington’s is an innovative leader. We enjoy pushing the limits, exploring new territory and creating new partnerships. From the marathon auction of Maple Leaf Gardens, our partnership with the LCBO to auction fine wine, to the launch of Concrete Contemporary and our new Pop-Up Gallery series, we are driven to find what’s new, what’s exciting, and what you want to buy or sell.

Waddington’s by Department Asian Art Canadian Fine Art Contemporary Art Auctions and Projects Decorative Arts International Art Inuit Art Jewellery, Watches & Numismatics “Off the Wall” Art Philanthropy and Community

Duncan McLean, President, is Waddington’s corporate leader, responsible for strategic development and innovation realization. Under his direction Waddington’s strives to not only continuously evolve to meet the needs of our clients and address the demands of the market, but to push the boundaries, with integrity, creativity and passion. Mr. McLean has been involved in the auction industry for over 35 years, as art specialist, appraiser, auctioneer and corporate leader. His knowledge base spans the diversity of Waddington’s offerings, with internationally-recognized expertise in Inuit Art. As Vice President Business Development, Stephen Ranger is focused on identifying new markets, new clients and new ways to do business. For example, Mr. Ranger launched Waddington’s Contemporary Art venture, Concrete Contemporary, to reach an exciting new sector of art enthusiasts and artists. Under Mr. Ranger’s guidance, new partnerships are also being created resulting in edgy new offerings like our Pop-Up Gallery series debuting in 2013. Mr. Ranger brings over 25 years of diverse experience as an auctioneer, appraiser and consultant in the art and fine wine auction industry with specific expertise in Canadian Fine Art. Linda Rodeck, Vice President Fine Art, is one of Canada’s most trusted and respected Canadian Art specialists. Her impressive career of 25+ years includes leadership roles in the country’s most distinguished auction houses. Ms. Rodeck’s keen understanding of the market and her extensive network are invaluable in her role of sourcing the best works and providing the best service to our clients. As Vice President of Waddington’s Fine Art, Ms. Rodeck plays a critical role in developing new business leveraging her success in the Canadian art market.

International Art

Canadian Fine Art

Waddington’s International Art department presents auctions of fine art from around the world, offering original works from art centres across North America and Europe while continuing to expand our scope to bring our collectors works from Asia, South Asia, Russia and South America. A major element of Waddington’s legacy, our International art auctions draw on Canada’s cultural diversity. The combination of our expertise and our expansive global network ensures the highest standards of authentication and research.

Waddington’s has been a major force in the Canadian art sector for over five decades, beginning with our first auction of Canadian Fine Art held at the Queen Elizabeth Building at the CNE in 1967. Since that historic event, Waddington’s has offered some of the most important Canadian works, set record prices, and has been an integral part of driving the Canadian art market.

Rare and important paintings, sculptures, prints and photographs are offered in our live and online auctions, attracting buyers worldwide.

Susan Robertson Senior Specialist, International Art

Linda Rodeck Senior Specialist, Canadian Art Vice President, Fine Art

Concrete Contemporary Auctions and Projects

Asian Art

Waddington’s launched its newest division, Concrete Contemporary Auctions and Projects in March 2012 with a vision and mandate to create a secondary market for contemporary Canadian art.

Waddington’s Asian Art department is Canada’s leader in serving the demands of the rapidly growing Asian market supported by our recognized and credible expertise. Our ability to achieve exceptional prices for works is based on our international reputation and network with the community.

Concrete Contemporary Auctions merges the worlds of traditional auction and the retail gallery, where our relationships with artists, art dealers, curators and collectors result in exciting new sources of contemporary works. The auctions are tightly focused on Canadian contemporary art since 1980 with an emphasis on midand late-career artists with exhibition history in the private and public sphere. An exciting initiative is the introduction of our Pop-Up Gallery series. These shortduration single artist exhibitions offer works by some of Canada’s most accomplished and influential working artists. As well, the groundbreaking Concrete Contemporary Acquisition Fund assists museums and public galleries in the acquisition of works by artists included in the auction. Led by one of Canada’s most plugged-in arts experts, Stephen Ranger, we are committed to exploring new ways to connect, expand and support the contemporary art community.

Stephen Ranger Senior Specialist, Contemporary Art

Specializing in jade, paintings, porcelain, religious works of art, textiles, woodblock and export wares, we present works from China, Japan, Korea, South East Asia, South Asia, Himalaya and others.

Anthony Wu Specialist, Asian Art

Decorative Arts

Jewellery, Watches and Numismatics

Decorative Arts at Waddington’s encompasses a broad and diverse variety of objects and the department's client database is one of our largest. From ancient to modern, delicate to deadly, Waddington’s Decorative Arts department redefines the term, bringing much more than traditional silverware and porcelain figurines to market, and with remarkable success.

Waddington's has conducted auctions of Fine Jewellery and Numismatics for close to three decades. Highly respected expertise and in-depth knowledge of both domestic and international markets are the anchors of the ongoing success and popularity of our auctions.

Waddington’s reputation for developing new markets is well represented by our Decorative Arts department, as is our ability to present large collections – notable recent sales have included Contemporary Studio Glass, Scientific Instruments and Militaria. The department regularly offers auctions which include bronzes, items of Canadian historical interest, ceramics, devotional works of art, glass, lighting, militaria, mirrors, objets de vertu, porcelain, silver, scientific instruments, travel and exploration maps.

Sean Quinn Specialist, Decorative Arts

Bill Kime Senior Specialist, Decorative Arts

Our auctions are composed of a wide spectrum of contemporary and period jewellery featuring examples by some of the most desired names in jewellery including Tiffany, Cartier, Fabergé, Jensen, Yurman and Van Cleef & Arpels. Also featured in our auctions are fine wrist and pocket watches, designer fashion jewellery and all forms of numismatics including coins, tokens, banknotes and ancients.

Donald McLean Senior Specialist, Jewellery, Watches and Numismatics

Inuit Art

“Off the Wall” Art

Waddington’s is internationally recognized as one of the leading authorities in marketing Inuit Art. No other auction house has been as intrinsically linked to the development of a market for this art form. Inuit Art is a proud part of our DNA. From our first landmark auction in 1978 of the William Eccles Collection, Waddington’s has offered thousands of works, set record prices, and expanded the market well beyond Canada’s borders.

Our “Off The Wall” Art online auctions are a unique opportunity to showcase accessible art. Drawing from our International Art, Canadian Art and Inuit Art divisions, “Off The Wall” Art auctions feature paintings, prints and sculpture.

Our legacy of successful Inuit Art auctions, our ability to achieve continually increasing values and our creation of an international market have been key factors in validating Inuit art as a whole and establishing it as an integral part of the Canadian Art scene.

These monthly, online auctions are always an eclectic selection of affordable works – a great way to learn, enjoy art and start building a collection. Working closely with our other divisions, this auction has developed its own diverse and extensive network of clients.

Doug Payne Specialist, Fine Art

Duncan McLean Senior Specialist, Inuit Art

Christa Ouimet Specialist, Inuit Art

Philanthropy and Community

Waddington's is committed to working within the community by contributing our time and expertise to charity fundraising events and appraisal clinics. We are honoured to work with countless museums, galleries, art organizations and fund raising events and contribute our time to over 20 events each year raising over $2,000,000 annually for the community. In addition, the Concrete Contemporary Acquisition Fund each year funds 50% of the purchase price for a work of contemporary Canadian art for a public institution. Organizations we support include: Aids Committee of Toronto, SNAP Best Buddies Birdlife International Canadian Opera Company Canadian Film Centre Calgary Contemporary Casey House, Art with Heart Casey House, Snowball CAMH Unmasked Covenant House Design Hope The Furniture Bank Integra Foundation Lake Ontario Waterkeepers OCAD University Metro Toronto Zoo

Montreal Children’s Hospital Music and Beyond, Ottawa Nyota School, Kenya Princess Margaret Hospital Robert McLaughlin Gallery Second Harvest, Toronto Taste Serve Canada St. Mary’s General Hospital, Kitchener St. Michael’s Hospital, ARTGEMS The STOP Foodbank Toronto Symphony Orchestra The Varley Gallery Windsor Art Gallery Warchild Canada York University Fisher Fund

Decorative Arts and International Art Auction Lots 201–396

Decorative Arts Lots 201 - 320 View the lots online at: 350 ALBERT ERNEST “BEAN” BACKUS (1906-1991), AMERICAN WINDBLOWN PALM TREE Oil on canvas; signed lower right 30” x 36” — 76.2 x 91.4 cm. $8,000—12,000

351 HENRIETTA SHORE (1880-1963), CANADIAN/AMERICAN FISH BOWL Oil on canvas; signed lower left, titled to labels verso 36” x 34.5” — 91.4 x 87.6 cm. Provenance: Acquired by the present Private Collection, Toronto from the Estate of Anthony Hollinrake, Toronto in 1994 $10,000—15,000


Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

352 THOMAS BIGELOW CRAIG (18491924), AMERICAN IN THE POOL. AUTUMN AFTERNOON Oil on canvas; signed lower left, signed and titled verso 30” x 25.5” — 76.2 x 64.8 cm. $3,000—5,000

353 ROBERT ELMER LOUGHEED (1910-1982), CANADIAN/AMERICAN FARM SCENE NEAR VALLEYFIELD, QUE. Oil on canvasboard; signed lower right, titled verso 17.1” x 23.8” — 43.5 x 60.5 cm. Provenance: Continental Galleries of Fine Art, Montreal; Private Collection, Ontario; By descent $10,000—15,000


354 ABRAHAM MANIEVICH (18831942), RUSSIAN/AMERICAN LANDSCAPE Oil on canvas; signed and dated 1937 lower right 24” x 26” — 61 x 66 cm. $15,000—25,000


Provenance: Private Collection, Montreal acquired directly from the artist, a friend of the family Note: In the 1930’s, Manievich visited and painted regularly at the Montreal home of the grandfather of the present Private Collection. The family indicates, “...meals were very lively, with Manievich frequently creating amusing objects with pieces of bread to everyone’s delight.” In addition to his friendship with Manievich, the collector maintained an association with Dr. Joseph Stern.

Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

355 JACK LORIMER GRAY (1927-1981), CANADIAN/AMERICAN SHIPPING IN NEW YORK HARBOUR Oil on panel; signed lower right 11.75” x 13.25” — 29.8 x 33.7 cm. Provenance: Acquired in Brooklyn, New York; Private Collection, Canada $7,000—10,000

356 GEORGE SHERIDAN KNOWLES (1863-1931), BRITISH FEEDING THE DOVES Oil on canvas; signed and dated 1903 lower left 30” x 20” — 76.2 x 50.8 cm. Provenance: Private Collection, Massachusetts, USA $10,000—15,000


357 JOSEPH FARQUHARSON (18461935), SCOTTISH THE CHARMED SUNSET LINGERING LONG Oil on canvas; signed lower left, signed and titled to an unidentified label “no. 6419” verso 40” x 60” — 101.6 x 152.4 cm. $20,000—30,000


Exhibited: An unidentified label with title and number 6419 to the stretcher Literature: Remains of an undated newspaper clipping to the stretcher headed “Wills and Bequests/ Gifts to Charity” may relate to this painting in its entirety. The article cites: “Mr. Joseph Farquharson of Aberdeen, formerly of Porchester Gardens ...scape painter, left personal property” on his death on April 15, 1935 to Great Britain totaling 129,931 Pounds Sterling. “He left: to Aberdeen Art Gallery... a portrait (text torn away and disjointed)...” Note: Born in Edinburgh, Farquharson studied at the Royal Scottish Academy followed by a period in Paris in 1880 under Carolus-Duran (also represented in this sale, Lot 371). The fluid painterliness and natural effects of Farquharson’s landscape paintings, which often feature shepherds and sheep set against an evening sky, were developed and matured during the four winters (1880-1884) he spent studying in Carolus-Duran’s studio in Paris. Here, he was a contemporary of John Singer Sargent, who in turn became a firm friend and admirer of the Scottish artist.

Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

358 ALFRED FONTVILLE DE BREANSKI JR. (1877-1955), BRITISH KINLOCH RANNOCH, N.B. Oil on canvas; signed lower right, signed and titled verso 24” x 35.5” — 61 x 90.2 cm. $6,000—8,000


359 HENRY MOORE (1831-1895), BRITISH FISHING BOAT AT HOME HARBOUR Oil on canvas; signed and dated 1881 lower left, signed at Collingham Maresfield Gardens/ Fitzjohn’s Avenue - N.W. to artist’s label verso, partially titled “Home for a re...” and numbered No. 2 to another artist’s label to the stretcher 21.5” x 30” — 54.6 x 76.2 cm. Provenance: Private Collection, Toronto; By descent $6,000—9,000


Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

360 EDWARD SEAGO (1910-1974), BRITISH TUGS ON THE GOLDEN HORN - ISTANBUL Oil on masonite board; signed lower left, titled verso 14.2” x 19.9” — 36 x 50.5 cm. Provenance: Private Collection, Toronto; By descent to the present Private Collection, Toronto $15,000—25,000


361 DANIEL O’NEILL (1920-1974), IRISH OLD TIME DANCE Oil on masonite board; signed lower left, titled verso 24” x 16” — 61 x 40.6 cm. Provenance: The Waddington Galleries, Inc., Montreal; Acquired from the above circa 1960; By descent to the present Private Collection $10,000—15,000


Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

362 DANIEL O’NEILL (1920-1974), IRISH CONVAD Oil on masonite board; signed upper right, titled to gallery label verso 20” x 24” — 50.8 x 61 cm. Provenance: The Waddington Galleries Inc., Montreal; Acquired from the above circa 1960; By descent to the present Private Collection $10,000—15,000


363 SIR JACOB EPSTEIN (1880-1959), BRITISH JOAN GREENWOOD, CHILD Bronze with green patination; circa 1930/1, raised on stone base Bronze 13.9” x 10.25” x 10.25” — 35.3 x 26 x 26 cm. Literature: Evelyn Silber, The Sculpture of Epstein with a Complete Catalogue, Lewisburg, Pennsylvania: Bucknell University Press, 1987, Cat. No. 203, p. 168 Note: Joan Greenwood, the actress, was the childhood friend of the artist’s daughter Peggy Jean. The date of execution for this work by Epstein scholars varies slightly; Haskell dates the bronze at 1931, whereas Powell and Buckle assert 1930. $5,000—7,000

364 SIR JACOB EPSTEIN (1880-1959), BRITISH “SUNITA FRAGMENT” Bronze with green and brown patination; titled “Sunita Fragment” and certified by Lady Epstein on the accompanying copy of the original receipt Approximately 12.5” x 13.5” x 9” — 31.8 x 34.3 x 22.9 cm. Provenance: Private Collection, Toronto purchased directly from Lady (Kathleen) Epstein as “Sunita Fragment”, Chelsea, S.W.3 accompanied by a copy of the original handwritten receipt and certification dated June 26th, 1966 Literature: Evelyn Silber, The Sculpture of Epstein with a Complete Catalogue, Lewisburg, Pennsylvania, 1987, Cat. No. 206, p. 169, for the full length version of “Sunita Reclining” (Reclining Goddess), 1931 $5,000—7,000


Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

365 SIR LAWRENCE ALMA-TADEMA (1836-1912), BRITISH PORTRAIT OF MASTER ERNEST ANGELEY (ANGELÉE) (PREVIOUSLY CALLED “HEAD OF A BOY”) Oil on panel, feigned oval; signed, with Opus number “LXXVI” and dated 70 lower left 15.25” x 11.75” — 38.7 x 29.8 cm. Provenance: Commissioned by Messrs Ernest Gambart, London, 1870; Sold Estate sale at Christie’s, May 4th, 1903, lot 289; Bt. Messrs Thomas McLean, London; A.B. Yuille, sold Christie’s, Feb. 6th, 1909; Messrs P.D. Colnaghi & Obach, London, sold Christie’s, Mar. 16th, 1913, Lot 124; Bt. Messrs W.W. Sampson, London; The Watson Galleries, Montreal; Estate Collection, Canada Literature: Vern G. Swanson, The Biography and Catalogue Raisonne of the Paintings of Sir Lawrence Alma-Tadema, London, 1990, Cat. No. 118, p. 155 cites the following literature references: Vosmaer, c. 1885 (93); Christie’s, 1903 (ac); Dircks 1910. p. 27; Christie’s, 1913 (ac); Maas letter to Swanson Sept. 25th, 1985 in author’s possession $7,000—9,000

Note: This work previously cited by Vern Swanson as “present location unknown” with an “unknown” exhibition history has resurfaced in a Canadian collection. The portrait was commissioned by Ernest Gambart, the powerful London-based Belgian art dealer. Gambart was a very important patron of Alma-Tadema and together they agreed to a commission of over 70 paintings.

‘This son’s Christian name of Ernest does tend to suggest that he was Gambart’s... All in all, I think that the chances that this was Gambart’s boy are very strong indeed, What a marvellous discovery!’ [Maas, Sep 25th, 1985]

The portrait was still in Gambart’s possession at his death in 1902. Maas does not remember any mention of Ernest Angelée Dr. Swanson relates the circumstances surrounding the execution in Gambart’s will, which suggests that the son predeceased him. of the present portrait as follows: ‘Or, just as likely, Gambart who, as you will have gathered, was incredibly devious, could have made provision for him in some “Alma-Tadema was still in England when he completed this small other way in the event of his death,’ (ibid). The painting’s correct portrait of Gambart’s four-year-old ward. When Gounod and title was suppressed in the Christie’s auction catalogue for the Georgina Weldon stayed with Gambart in Spa in 1872, Georgina Gambart estate sale of May 4th, 1903, which listed it as Head of referred to Mme Angelée several times in her diary (unpublished). a boy, and the painting only brought five guineas. If he was The latter was obviously very ill at the time, and because of her illegitimate, none of the surviving members of the Gambart poor health, Gambart took special care of her until she died in family would have bought it, hence the unusually low price in sale January 1873. He then put her young son, Ernest, in the care of which raised record Alma-Tadema prices, for it must have been a a clergyman as part of ‘my office as tutor’ to her boy. It seems good picture, otherwise it would not have been bought by probable that he was in fact Gambart’s illegitimate son. Thomas McLean and again by Colnaghi in 1913.“


366 ALPHONSE MUCHA (1860-1939), CZECH YOUNG GIRL WITH BOW TIED HAIR Colour pastel and charcoal on paperboard, sculpted tondo; signed lower right Diameter 20.5” — 52.1 cm. $5,000—7,000


Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

367 LUMA VON FLESCHBRUNNINGEN (1856 - 1934), AUSTRIAN/CZECH DIE REUE (REPENTENCE) Oil on canvas; signed lower left 51.5” x 62” — 130.8 x 157.5 cm. $10,000—15,000

Provenance: By repute: Royal Collection of Franz Josef I, Emperor of Austria and King of Hungary where it hung in the Royal Palace in Budapest until it was donated with several other works of art to the Red Cross to be auctioned at the beginning of WWI; Sold to Hungarian Industrialist Kalman Virag; By descent in the Virag family; Brought to Canada in 1959 by the grandson of Kalman Virag; Purchased from the above by the current Private Collection, Ontario. Exhibited: Berline Kunst Austellung 1898, No. 17 label to the stretcher inscribed in pencil “Flesch-Brunningen” Note: This work won medals in Munich in 1896 and in Paris in 1899.


368 BERNARDUS JOHANNES BLOMMERS (1845-1914), DUTCH SCHELPEN VISSEN (SHELL FISHERS) Watercolour on paper; signed lower left, titled verso Sheet 14.8” x 21.75” — 37.5 x 55.2 cm. Provenance: Ex. Coll. Mr. Henry Lyman (1813-1897) Montreal; By descent to his son, Walter Ernest Lyman (1861-1950), Montreal; To his son, Walter Francis Scrimger Lyman, Montreal; By decent to his grandson, the present Private Collection, Toronto $5,000—7,000 *Additional information available on our website

369 ATTRIBUTED TO GEORGE HENDRIK BREITNER (1857-1953), DUTCH ON THE SCHELDT Oil on canvas; signed “Geo H. Breitner” and dated indistinctly 1887 lower right, titled to the nameplate 22.5” x 37” — 57.2 x 94 cm. $10,000—15,000


Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.


Provenance: Charles E. Slatkin Galleries, New York, Plate 7, receipt 4322; Four Arts Society, Palm Beach, Florida, Loan No. 65.10726; Private Collection, Canada

Sanguine crayon on thin paper laid down to a support; atelier stamp lower left.

Exhibited: Galerie Durand-Ruel, “Berthe Morisot”, 1896, No. 256 inscribed to Slatkin Galleries label verso; Baltimore Museum of Fine Arts, Baltimore, Maryland in “Four Paris Painters” inscribed to typed label verso

Sheet 22” x 16.25” — 55.9 x 41.3 cm. $25,000—35,000

Note: This drawing of Alice Gamby precurses Morisot’s oil on canvas Bust of Alice Gamby, 1890. Alice Gamby is the step-daughter of Berthe’s estranged brother, Tiburce Morisot. In the spring of 1890, Gamby visted with Berthe at her home.


371 CHARLES EMILE AUGUSTE CAROLUS-DURAN (1837-1917), FRENCH YOUNG WOMAN IN GREEN PATTERNED ROBES Oil on panel; signed and dated “Fevrier 1908” upper left 25.2” x 20.9” — 64 x 53 cm. Provenance: Purchased by the present Private Collection, Canada in Ireland in 2004 $10,000—15,000

372 ALPHONSE ETIENNE DINET (1861-1929), FRENCH YOUNG GIRLS SKIPPING ROPE Oil on canvas; signed lower right 28” x 36” — 71.1 x 91.4 cm. $10,000—15,000


Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

373 LEON AUGUSTIN L’HERMITTE (1844-1925), FRENCH WASHERWOMAN IN A SUNLIT YARD Colour pastel on paper on canvas; signed lower right 11.75” x 13.5” — 29.8 x 34.3 cm. Provenance: W. Scott & Sons, Montreal $8,000—12,000

374 LEOPOLD FRANZ (FRANCOIS) KOWALSKY (KOWALSKI) (18561931), FRENCH MAIDEN AND FAUNS IN A SUNLIT GLADE Oil on canvas; signed lower right 24.25” x 18” — 61.6 x 45.7 cm. $8,000—12,000


375 PAUL TAVERNIER (1852-1943), FRENCH HORS-CONCOURS (HOUNDS LEASHED FOR THE HUNT) Oil on panel; signed lower right, titled to the nameplate 14.8” x 21.7” — 37.5 x 55 cm. $5,000—7,000

376 ADRIEN DAUZATS (1804-1868), FRENCH EGLISE DE BELEM, PORTUGAL Oil on canvas; signed lower left, titled to the George Viau collector’s label to the stretcher 24” x 19.5” — 61 x 49.5 cm. Provenance: Ex. Coll. of Dr. George Viau; Private Collection, Ontario $4,000—6,000 *Additional information available on our website


Provenance: With Roberts Art Gallery, Toronto, Private Collection, Ontario; By descent

Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

377 ANDRE DERAIN (1880-1954), FRENCH TETE ANTIQUE Watercolour on paper; “Atelier Andre Derain” estate stamp lower right, titled to gallery label verso Image 11” x 8.5” — 27.9 x 21.6 cm. Provenance: Waddington Galleries, Inc., Montreal, stock No. 6185E; Private Collection, Canada $6,000—8,000

378 MICHEL CIRY (1919- ), FRENCH A L’ECOUTE DE DIEU (HOMMAGE A BERNANOS) Oil on canvas; signed upper right, signed and titled verso 45” x 35” — 114.3 x 88.9 cm. Provenance: Galerie Dresdnere, Toronto; Private Collection, Toronto $4,000—6,000


379 ANDRE LHOTE (1885-1962), FRENCH SOIR SUR LE PORT, 1947 Oil on panel; signed lower right, titled, dated “en 14 R le 8 aout 47” and inscribed “pinxit” in black ink verso 18” x 24” — 45.7 x 61 cm. $20,000—30,000


Note: The present work illustrates the hard edge geometric qualities of his Cubist counterparts but this image is far more representational. Two on-lookers at left gaze out toward a myriad of boats that are made up of deeply saturated colours and flat curvilinear forms. Brilliant whites evoke the glare of sunlight. There is a great energy and sense of activity in the work. The entire scene is dramatically truncated to suggest that the bustle of this harbor continues much further than the confines of the canvas.

Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

380 JEAN JULES LOUIS CAVAILLES (1901-1977), FRENCH LE FAUTEUIL: CANNES Oil on canvas; signed lower right, signed and titled at Cannes verso 28.75” x 18” — 73 x 45.7 cm. Provenance: Laing Galleries, Toronto, accompanied by a copy of the original receipt dated October 26, 1959 from whom purchased by a Private Collection, Toronto: By descent to the present Private Collection, Canada Note: This work is registered with the Jules Cavailles Research Center, archive No. W_15_005 $8,000—12,000

381 THEO TOBIASSE (1927-2012), FRENCH UN CHANT DE VIOLON QUI NOUS SORT DE MITZRAIM Gouache and mixed media on heavy paper; signed upper right, titled lower right and dated ‘70 mid left Sheet 20.25” x 27” — 51.4 x 68.6 cm. $6,000—9,000


382 ANTOINE BLANCHARD (19101988), FRENCH QUAIS DE LOUVRE Oil on canvas; signed lower left, signed at Paris verso 20” x 24” — 50.8 x 61 cm. $8,000—12,000


Provenance: Ex. Coll. Greenwich, Connecticut, USA; Private Collection, Massachusetts, USA Note: The present work is currently listed on Rehs Galleries, Inc., “Antoine Blanchard Virtual Checklist, Catalogue of Works”, No. LVQLW2024.0000

Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

383 MANISHA JHA (1978-), INDIA “CIRCLE OF LIFE” - UNIVERSE Acrylic on canvas; signed and dated ‘10 lower right, signed and titled at Mount Kailash, New Delhi verso 40” x 59” — 101.6 x 149.9 cm. Provenance: Gallery Art & Soul, Mumbai, India $2,500—3,500

384 SWAPAN KUMAR PALLEY (1953-), INDIAN UNTITLED Acrylic on canvas; signed lower right, signed verso 30” x 30” — 76.2 x 76.2 cm. Note: Swapan Palley studied at the Indian School of Arts and Draughtsmanship in Calcutta, continuing his studies under the tutelage of eminent artist, Prokash Karmakar. Palley has been keenly influenced in his career by the cave paintings of Ajanta, constructed in the second century BCE, which are considered masterpieces of Buddhist religious art. His palette takes its cue from the quality of light displayed in the Ajanta works which creates an often dreamlike effect on the paintings, yet his stated intent is to show the range of women’s emotions and experiences. Mythological depictions of women are a consistent theme in Palley’s practice. Of his own works of this subject, the artist has stated, “Women with their simple, soft and graceful characteristics inspire me specially. I cannot resist the temptation of portraying these women’s joy, and sufferings for unfulfilled wishes, love and mystery.” $1,200—1,800

385 VINITA KARIM (1962-), BURMESE COLLECTIVE CHAOS Oil on canvas; signed and dated 2007 lower left, signed, titled and dated 2007 verso 34” x 70” — 86.4 x 177.8 cm. Provenance: Gallery Art & Soul, Mumbai, India Note: Karim uses various materials incorporating oil, acrylic paint, gold leaf, and print patterns from kalamkari wooden blocks. She creates compositions that interconnect her Indian heritage, her Swedish nationality, and her life experiences in various cities around the world: Stockholm, Berne, Nuremberg, Khartoum, Kuwait, New Delhi, Islamabad, Dhaka, Cairo and now Manila. $3,000—3,500


386 NICOLAE GRIGORESCU (18381907), ROMANIAN FARMER AND CART IN A SHADED VILLAGE LANE Oil on canvas; signed lower left 8.75” x 13.75” — 22.2 x 34.9 cm.

Provenance: Gilbert Charrot, Strasbourg, France; Private Collection, Toronto Note: Grigorescu is one of the founders of modern Romanian painting. In the Autumn of 1861, Grigorescu left for Paris to study at the Ecole des BeauxArts. He was soon attracted by the artistic concepts of the Barbizon School and he became an associate of noted artists such as Jean-Baptiste Corot, Gustave Corbet and Theodore Rousseau.




Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

387 SERGEY YURIEVICH SUDEIKIN (SOUDEIKINE) (1883- 1946), RUSSIAN/AMERICAN HEAD OF BLACK MODEL, #64 Oil on canvas; signed lower right, titled and numbered #64 in pencil to the stretcher 14” x 12” — 35.6 x 30.5 cm. $10,000—15,000

388 EMMANUEL MANE-KATZ (1894-1962), UKRAINIAN/FRENCH THE YOUNG RABBI, 1955 Oil on canvas; signed and dated 55 upper right, inscribed in Hebrew “Shlomo Mikolinsky (Mikulinsky), Tel Aviv” verso. Accompanied by the original receipt dated and a Certificate of Authenticity from Galerie Juarez dated April 15, 1967 19” x 14.25” — 48.3 x 36.2 cm. Provenance: Gifted from the artist to Shlomo Mikolinsky, Tel Aviv; Galerie Juarez Inc., Palm Beach, Florida, USA, From whom purchased by the grandparents of the present Private Collection, Montreal Exhibited: This work was exhibited at Galerie Juarez Inc., a one man show of Mane-Katz’s works entitled “HAIFA” in March 1967 Literature: “Mane-Katz One-Man Showing Open At Juarez ‘Midtown,’” Palm Beach Daily News, 17 March 1967, p. 5, illustrated $10,000—15,000 Note: Shlomo Mikolinsky (Mikulinsky) was the owner of a very famous and elegant footwear establishment in Tel Aviv. “In his YOUNG RABBI he portrays on canvas a red-headed Jewish rabbi filled with wonder and inner contentment of his religion. His paintings of rabbis have become very successful and are the most in demand.” Mane-Katz became a French citizen in 1928 and is considered one of the leaders of the Jewish School of Paris. This work is a

superb illustration of Mane-Katz’s mature style, characterized by a bright and primary coloured palette with an emphasis on Hassidic themes and characters. Here, a contemplative young rabbi sits with his face partly cast in a soft shadow. His steady gaze from deep sockets looks toward an unknown light source at left that sets aglow his skin and blazing red hair. All around him are sweeping brushstrokes that compose his garments and background. This whirl of paint serves to contrast and thus reinforce the sitter’s gentle and contemplative demeanor.


389 ALEXIS GRITCHENKO (ALEXEI VASILYEVICH GRISHCHENKO) (1883-1977), UKRAINIAN MAN SEATED BY THE SEA Oil on panel; signed lower right 15.75” x 20” — 40 x 50.8 cm. $8,000—12,000

Provenance: Private Collection of Gloria Kupchenko Frolick and Stanley Frolick; By descent to their daughter; By descent to her son, Private Collection, Toronto Note: Alexis Gritchenko was a Ukrainian born painter, graphic artist and art historian who travelled extensively throughout Europe, Asia and the United States. He participated in exhibitions from 1909. Gritchenko’s work can be found in various museums and private collections, more than three hundred of them in the United States and Canada. The Alexis Gritchenko Foundation was formed in New York in 1958 to preserve Gritchenko’s artistic legacy. A clashing of figuration and abstraction, this painting depicts the real world but the viewer is ever conscious of the paint and lines applied to the flat surface. Gritchenko has locked his image into a frenzied throng of shape and colour that paradoxically seems to heave and swell before becoming immutable. The curves and bends of the land in the foreground are echoed in the radiant sea. Scores of vertically stressed brushstrokes play off the clear horizontals of the thirdly divided image. In this energetic painting, readability evaporates in favour of an eruption of colour. One can sense the laborious effort the artist underwent to broker a resolution between the two-dimensional and tangible world.


Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

390 CONSTANTIN TERECHKOVITCH (1902-1978), RUSSIAN LADY IN A HAT Oil on canvas; signed and dated 53 upper left, signed by the artist in ink on a label to the stretcher 25.75” x 20” — 65.4 x 50.8 cm. Note: This work is at once a testament to Terechkovitch’s artistic bravura: a beautiful and serene portrait of a woman that seems to palpitate with liveliness. The subject for this work evokes a sense of traditionalism, skillful portraiture that holds its roots in traditional Western art, but Terechkovitch’s use of colour presents something entirely novel. The sitter is composed with broad strokes of bold colours that appear to almost have been squeezed directly from the tube. Despite the spontaneity implied by the audacity of his paint handling, Terechkovitch has skillfully crafted the image.

391 ERNST NEIZVESTNY (1926- ), RUSSIAN HANDS HOLDING MASK Bronze with red/brown and green/black patination; signed “E. Neiz“ and numbered 1/9, titled to the original receipt accompanying the lot. Raised on a black laminated stand. Height of bronze 18” — 45.7 cm. Provenance: Eduard Nakhamkin Fine Arts, New York accompanied by the original receipt dated Sep. 8/88; Private Collection, Toronto $10,000—15,000





Oil on panel; signed with initials lower left

Oil on panel; signed with initials lower left

5.75” x 10” — 14.6 x 25.4 cm.

5.9” x 10” — 15 x 25.4 cm.



394 ANTONIO MARIA REYNA MANESCAU (1859-1937), SPANISH VENETIAN BACK WATER Oil on canvas; signed at “Venecia” lower right 13.7” x 29.25” — 34.7 x 74.3 cm. $7,000—9,000


Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

395 SCHOOL OF GIOVANNI ANTONIO CANAL CALLED CANALETTO (1697-1768), ITALIAN VIEW OF DOGE’S PALACE Oil on canvas 26.5” x 36” — 67.3 x 91.4 cm. Provenance: Ex. Coll. of Canadian artist John Hammond (1843-1939); By descent in the family $10,000—15,000 *Additional information available on our website

396 ATTRIBUTED TO SEBASTIANO DEL PIOMBO (1485-1547), ITALIAN STUDY OF TWO FIGURES (STUDY FOR A LAMENTATION OF CHRIST?) Red chalk on laid paper laid down twice with partially visible six-point star and crown watermark to the original sheet or the first laid down sheet; bears signature and inscribed: “fec. Sebastiano del Piombo” in pencil lower left Sheet 14.75” x 9.75” — 37.5 x 24.8 cm. Provenance: “Spillane” inscribed verso Note: The lines of this master draughtsman illustrate an obvious command of the red chalk medium. Composed of crosshatches and thick and thin lines, the sanguine strokes are carefully descriptive marks rendered with thought. Confident lines are smudged to soften contours and create shadow. Though the actualized painting for this study is hitherto unknown, it is clear that the artist is attempting to analyze the poses of his figures so that they may be composed with the utmost realism. $5,000—7,000






















O’NEILL, DANIEL...361, 362















EPSTEIN, JACOB...363, 364







International Art Auction - Tuesday 16 June 2015 at 7 p.m.


These terms are used in this catalogue for your guidance, with the meanings ascribed to them below. While the use of these terms is based upon careful study they are not warranties; the auctioneer and the seller assume no risk, liability or responsibility for the authenticity of authorship of any lot in this catalogue described by these terms. In this regard, you are requested to read condition 1 of the Conditions of Sale.

Artist’s name or recognized designation: In our qualified opinion, a genuine work executed by the artist.

Certificates/Literature: Any reference to certificates or literature represent the opinion of the authority or author(s) shown.

Attributed to: In our opinion, probably a work by the artist but less certainty as to the authorship is expressed than in the preceding category.

Provenance: It is intended to indicate previous collections or owners, other than the present.

Circle of: In our opinion, a work of the period of the artist and closely related to his style.

Measurements: Height precedes width in all measurements. Measurements shown are in inches and centimeters.

Follower of: In our opinion, a work executed in the artist’s style but not necessarily by a pupil. Studio of/Workshop of: In our qualified opinion a work, by an unknown hand, possibly executed under the supervision of the artist School of: In our opinion, a work executed in the artist’s style and possibly by a pupil or follower of the artist. Manner of: In our opinion, a work executed in the artist’s style and probably of a later period. After: In our opinion, a copy of a work of the artist. ***: Is in the place of an unknown name. Signed/Dated/Inscribed: In our opinion, the work has been signed/dated/inscribed by the artist. The inclusion of a question mark indicates some doubt. Bears signature/Bears date: In our opinion, the signature/date may be by a hand other than that of the artist.


Buying at Waddington’s

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Condition of Lots All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to

Invaluable Live! clients will be charged a buyer's premium of 23% of the successful bid price of each lot up to and including $50,000 and 18% on any amount in excess of $50,000 as part of the total purchase price.


Frames on artwork are not included as part of purchase or condition. Buyers Premium A premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 is paid by the buyer as part of the total purchase price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer's premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

Bidding To bid in person at the auction, you must register for a bidding number by showing identification acceptable to the Auctioneer upon entering the salesroom. Your number will identify you if you are the successful bidder. You will be responsible for all lots purchased on your bidding number. Banking information may be requested by Waddington’s™. You may submit an Absentee Bid Form if you are unable to attend the sale. Bidding by telephone, in limited circumstances, can be arranged prior to the sale. While we are pleased to offer absentee and telephone bidding as a service to our clients, and take great care in their commission, the Auctioneer will not be responsible for technical difficulties, errors or failure to execute bids. The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

Payment Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). As Waddington's requires written authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone. However, fax authorization arrangements can be made. ALL PRICES IN CANADIAN FUNDS

Decorative Arts & International Art Auction - Tuesday 16 June 2015 at 7 p.m.

Selling at Waddington’s

Shipping: The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: Pak Mail 905.470.6874 905.470.6875 416.293.8225 Envoy 416.299.3367 416.299.9750 Removal of Purchases Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item. Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office.

Notice for our International Clients

Commission Rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item Insurance A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

Restrictions exist regarding the export of species protected under CITES (Convention on International Trade in Endangered Species). The export and importation of items made of or containing whalebone, ivory, tortoise shell, seal skin, rhinoceros horn and other animal parts is strictly controlled or forbidden by most countries. Please review your country’s laws before shipping or purchasing pieces made of or containing these restricted items. Obtaining the appropriate permits is the responsibility of the client. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington's. For more information please visit:

Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.


Conditions Of Sale

1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of


that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to

payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone. However, fax authorization arrangements can be made.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale , after which storage charges may be incurred.

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). As Waddington's requires written

(a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Operational Sta

Specialist Departments

Asian Art Anthony Wu 416 847 6185 Yvonne Li 416 847 6195 Chih-En Chen

Jewellery, Watches & Numismatics Don P. McLean 416 847 6170 Lynda Macpherson Jewellery Administrator 416 847 6190 Monthly Fine Art

Canadian Fine Art Linda Rodeck 416 847 6176 Erin Rutherford Fine Art Administrator 416 504 5100

Doug Payne 416 847 6180

Kristin Vance Fine Art Administrator 416 504 9100 ext 6178 International Art

Building Manager Steve Sheppard 416 847 6186

Vice President Business Development Stephen Ranger 416 847 6194

Client Services Andrew Brandt 416 504 9100 ext 6200

Vice President Fine Art Linda Rodeck 416 847 6176

Decorative Arts

General Manager Duane Smith 416 847 6172

Bill Kime Silver, Glass & Ceramics 416 847 6189

Creative & Technical Manager Jamie Long 416 847 6188

Sean Quinn Sculpture, Decorations, Clocks & Lighting 416 847 6187

Queeny Xu Assistant

Contemporary Art Stephen Ranger 416 847 6194

President Duncan McLean 416 847 6183

Ellie Muir Decorative Arts Assistant 416 847 6196

Accounts Manager Karen Sander 416 847 6173 Elda Pappada 416 504 9100 x6213

Susan Robertson 416 847 6179

Corporate Receptionist Kate Godin 416 504 9100

Nadine Di Monte Assistant 416 847 6182

Ali Nasir 416 847 6181

Inuit Art

Appraisal Co-ordinator Ellie Muir 416 847 6196

Christa Ouimet 416 847 6184 Nadine Di Monte Assistant 416 847 6182


Communications Tess McLean 416 504 9100 P. O. Box 554, Collingwood ON L9Y 4B2 Valerie Brown 705 445 8811

Decorative Arts and International Art Auction

275 King Street East, Second Floor Toronto Ontario Canada M5A 1K2

Telephone: 416.504.9100 Fax: 416.504.0033 Toll Free: 1.877.504.5700