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Fine Prints and Photography Auction Tuesday 10 March 2015 at 7:00 pm

On View Saturday 7 March 2015 from 11:00 am to 5:00 pm Sunday 8 March 2015 from 11:00 am to 5:00 pm Monday 9 March 2015 from 10:00 am to 12 Noon Preview and Auction to be held at Waddington’s 275 King Street East, 2nd Floor Toronto Ontario Canada M5A 1K2 This auction is subject to the Conditions of Sale printed in the back of this catalogue. All lots in the auction may be viewed online at InternationalArt.Waddingtons.ca

Waddingtons.ca


Front Cover Lot 121 STANLEY WILLIAM HAYTER (1901-1988), BRITISH COMBAT, 1953 [BLACK/MOOREHEAD, 210] Back Cover Lot 86 ROBERT MAPPLETHORPE (1946-1989), AMERICAN KEN MOODY (WITH ORCHID), 1984 [MAP, 1484] Title Page Lot 51 JIM DINE (1935- ), AMERICAN LANDSCAPE SCREEN (5 PARTS), 1969 [BONIN-CULLEN, 65] Inside Front Cover Lot 155 WALTER JOSEPH PHILLIPS (1884-1963), CANADIAN MAMALILICOOLA, BRITISH COLUMBIA, 1928 [MBL112] Inside Back Cover Lot 91 ANDY WARHOL (1928-1987), AMERICAN LADIES AND GENTLEMEN (NERA), 1975 [FELDMAN & SCHELLMANN, II.135]

All lots in the auction may be viewed

online at InternationalArt.Waddingtons.ca This catalogue and its contents © 2015 Waddington McLean & Company Ltd. All rights reserved. Photography by Waddington’s

Specialist Susan Robertson 416 847 6179 sr@waddingtons.ca Corporate Receptionist Kate Godin 416 504 9100 kg@waddingtons.ca Accounts Manager Karen Sander 416 847 6173 ks@waddingtons.ca Absentee and Phone Bidding 416 504 0033 (Fax) bids@waddingtons.ca Online Bidding www.invaluable.com Communications Tess McLean 416 504 9100 tm@waddingtons.ca


It is with great pleasure we present Waddington’s Spring 2015 Fine Prints and Photography Auction. Using outstanding quality and rarity as our guiding principles, we have assembled this sale of fine prints, multiples and photographs tailored to the tastes of both our emerging and experienced collectors. The result is over 300 lots of the most renowned Canadian and international artists that illustrate the multitude of artistic movements found over the course of 500 years of printmaking. Highlights of this auction include many fine graphics by Canadian printmakers, represented by a roster of major works from coast to coast: from Western Canada, the important colour woodcut by Walter J. Phillips, Mamalilicoola, British Columbia, 1928; from Eastern Canada, two silkscreen prints by Alexander Colville, his Raven, 1990 and Cat on the Fence, 1959. In addition, we are extremely privileged to offer a rare series of five states of House at Path End, 1977 by Christopher Pratt; from Ontario, two early monoprints by Harold Town and The Skates, 1972 by Ken Danby; from Quebec, Claude Tousignant’s Sans Titre (Series of Six Abstracts), 1975. Works by American Pop artist Andy Warhol are also included. Graphics from his most famous series, Campbell's Soup Cans; Liz, 1965; and three unsigned acrylic panels attributed to The Factory. These are testaments to his preoccupation with mass production, consumerism and the pleasure of repetition. Prints and complete folios by the most significant international masters such as Rembrandt van Rijn, Henry Moore, Pablo Picasso and Alberto Giacometti present a most powerful offering. Works by contemporary photographers Robert Mapplethorpe, Saul Leiter and Richard Harrington are featured alongside classic black and white prints by influential artists of the past such as William Notman’s photographs of 19th century Canada. Please note that works from the Scotiabank CONTACT Photography Festival and Charles Bronfman’s Claridge Collection are offered in this sale; proceeds will benefit the Scotiabank CONTACT Photography Festival & Historica Canada, respectively. — Susan Robertson Senior Specialist, International Art


Waddington’s

Leadership Team

Waddington’s is Canada’s most diverse and significant provider of fine art auction and appraisal services. Based on a rich legacy in the industry, Waddington’s actively seeks to redefine our business to ensure we remain fresh and reactive to what our clients are seeking. Through our appraisal, auction, private sale and downsizing expertise, we are pleased to provide a complete range of services.

Waddington’s leadership team brings together three of the industry’s best. The combination of their experience, knowledge of market trends and client networks builds on Waddington’s 160 year legacy of growth and dominance.

Waddington’s is Canada’s original auction house, with a history of conducting auctions since 1850. We are also an international auction house, providing access to world markets. Waddington’s is an innovative leader. We enjoy pushing the limits, exploring new territory and creating new partnerships. From the marathon auction of Maple Leaf Gardens, our partnership with the LCBO to auction fine wine, to the launch of Concrete Contemporary and our new Pop-Up Gallery series, we are driven to find what’s new, what’s exciting, and what you want to buy or sell.

Waddington’s by Department Asian Art Canadian Fine Art Contemporary Art Auctions and Projects Decorative Arts International Art Inuit Art Jewellery, Watches & Numismatics “Off the Wall” Art Philanthropy and Community

Duncan McLean, President, is Waddington’s corporate leader, responsible for strategic development and innovation realization. Under his direction Waddington’s strives to not only continuously evolve to meet the needs of our clients and address the demands of the market, but to push the boundaries, with integrity, creativity and passion. Mr. McLean has been involved in the auction industry for over 35 years, as art specialist, appraiser, auctioneer and corporate leader. His knowledge base spans the diversity of Waddington’s offerings, with internationally-recognized expertise in Inuit Art. As Vice President Business Development, Stephen Ranger is focused on identifying new markets, new clients and new ways to do business. For example, Mr. Ranger launched Waddington’s Contemporary Art venture, Concrete Contemporary, to reach an exciting new sector of art enthusiasts and artists. Under Mr. Ranger’s guidance, new partnerships are also being created resulting in edgy new offerings like our Pop-Up Gallery series debuting in 2013. Mr. Ranger brings over 25 years of diverse experience as an auctioneer, appraiser and consultant in the art and fine wine auction industry with specific expertise in Canadian Fine Art. Linda Rodeck, Vice President Fine Art, is one of Canada’s most trusted and respected Canadian Art specialists. Her impressive career of 25+ years includes leadership roles in the country’s most distinguished auction houses. Ms. Rodeck’s keen understanding of the market and her extensive network are invaluable in her role of sourcing the best works and providing the best service to our clients. As Vice President of Waddington’s Fine Art, Ms. Rodeck plays a critical role in developing new business leveraging her success in the Canadian art market.


International Art

Decorative Arts

Waddington’s International Art department presents auctions of fine art from around the world, offering original works from art centres across North America and Europe while continuing to expand our scope to bring our collectors works from Asia, South Asia, Russia and South America. A major element of Waddington’s legacy, our International art auctions draw on Canada’s cultural diversity. The combination of our expertise and our expansive global network ensures the highest standards of authentication and research.

Decorative Arts at Waddington’s encompasses a broad and diverse variety of objects and the department's client database is one of our largest.  From ancient to modern, delicate to deadly, Waddington’s Decorative Arts department redefines the term, bringing much more than traditional silverware and porcelain figurines to market, and with remarkable success.

Rare and important paintings, sculptures, prints and photographs are offered in our live and online auctions, attracting buyers worldwide.

Waddington’s reputation for developing new markets is well represented by our Decorative Arts department, as is our ability to present large collections – notable recent sales have included Contemporary Studio Glass, Scientific Instruments and Militaria. The department regularly offers auctions which include bronzes, items of Canadian historical interest, ceramics, devotional works of art, glass, lighting, militaria, mirrors, objets de vertu, porcelain, silver, scientific instruments, travel and exploration maps.

Susan Robertson Senior Specialist, International Art

Bill Kime Senior Specialist, Decorative Arts

Sean Quinn Specialist, Decorative Arts


Canadian Fine Art

Asian Art

Waddington’s has been a major force in the Canadian art sector for over five decades, beginning with our first auction of Canadian Fine Art held at the Queen Elizabeth Building at the CNE in 1967. Since that historic event, Waddington’s has offered some of the most important Canadian works, set record prices, and has been an integral part of driving the Canadian art market.

Waddington’s Asian Art department is Canada’s leader in serving the demands of the rapidly growing Asian market supported by our recognized and credible expertise. Our ability to achieve exceptional prices for works is based on our international reputation and network with the community. Specializing in jade, paintings, porcelain, religious works of art, textiles, woodblock and export wares, we present works from China, Japan, Korea, South East Asia, South Asia, Himalaya and others.

Linda Rodeck Senior Specialist, Canadian Art Vice President, Fine Art Anthony Wu Specialist, Asian Art


Jewellery, Watches and Numismatics

Concrete Contemporary Auctions and Projects

Waddington's has conducted auctions of Fine Jewellery and Numismatics for close to three decades. Highly respected expertise and in-depth knowledge of both domestic and international markets are the anchors of the ongoing success and popularity of our auctions.

Waddington’s launched its newest division, Concrete Contemporary Auctions and Projects in March 2012 with a vision and mandate to create a secondary market for contemporary Canadian art.

Our auctions are composed of a wide spectrum of contemporary and period jewellery featuring examples by some of the most desired names in jewellery including Tiffany, Cartier, Fabergé, Jensen, Yurman and Van Cleef & Arpels. Also featured in our auctions are fine wrist and pocket watches, designer fashion jewellery and all forms of numismatics including coins, tokens, banknotes and ancients.

Donald McLean Senior Specialist, Jewellery, Watches and Numismatics

Concrete Contemporary Auctions merges the worlds of traditional auction and the retail gallery, where our relationships with artists, art dealers, curators and collectors result in exciting new sources of contemporary works. The auctions are tightly focused on Canadian contemporary art since 1980 with an emphasis on mid- and latecareer artists with exhibition history in the private and public sphere. An exciting initiative is the introduction of our Pop-Up Gallery series. These short-duration single artist exhibitions offer works by some of Canada’s most accomplished and influential working artists. As well, the groundbreaking Concrete Contemporary Acquisition Fund assists museums and public galleries in the acquisition of works by artists included in the auction. Led by one of Canada’s most plugged-in arts experts, Stephen Ranger, we are committed to exploring new ways to connect, expand and support the contemporary art community.

Stephen Ranger Senior Specialist, Contemporary Art


Inuit Art

“Off the Wall” Art

Waddington’s is internationally recognized as one of the leading authorities in marketing Inuit Art. No other auction house has been as intrinsically linked to the development of a market for this art form. Inuit Art is a proud part of our DNA. From our first landmark auction in 1978 of the William Eccles Collection, Waddington’s has offered thousands of works, set record prices, and expanded the market well beyond Canada’s borders.

Our “Off The Wall” Art online auctions are a unique opportunity to showcase accessible art. Drawing from our International Art, Canadian Art and Inuit Art divisions, “Off The Wall” Art auctions feature paintings, prints and sculpture.

Our legacy of successful Inuit Art auctions, our ability to achieve continually increasing values and our creation of an international market have been key factors in validating Inuit art as a whole and establishing it as an integral part of the Canadian Art scene.

These monthly, online auctions are always an eclectic selection of affordable works – a great way to learn, enjoy art and start building a collection. Working closely with our other divisions, this auction has developed its own diverse and extensive network of clients.

Doug Payne Specialist, Fine Art

Duncan McLean Senior Specialist, Inuit Art

Christa Ouimet Specialist, Inuit Art


Philanthropy and Community

Waddington's is committed to working within the community by contributing our time to charity fundraising events and appraisal clinics. We are honoured to work with countless museums, galleries, art organizations and fund raising events and contribute our time to over 20 events each year raising over $2,000,000 annually for the community. In addition, the Concrete Contemporary Acquisition Fund each year funds 50% of the purchase price for a work of contemporary Canadian art for a public institution. Organizations we support include: Aids Committee of Toronto, SNAP Best Buddies Birdlife International Canadian Opera Company Casey House, Art with Heart Casey House, Snowball CAMH Unmasked Covenant House Design Hope The Furniture Bank Integra Foundation Lake Ontario Waterkeepers OCAD University Metro Toronto Zoo Montreal Children’s Hospital Nyota School, Kenya Princess Margaret Hospital Robert McLaughlin Gallery Second Harvest, Toronto Taste Serve Canada St. Mary’s General Hospital, Kitchener St. Michaels Hospital, ARTGEMS The STOP Foodbank Toronto Symphony Orchestra The Varley Gallery Windsor Art Gallery Warchild Canada York University Fisher Fund


Fine Prints and Photography Auction Lots 1–311


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1 JOHN RUSSELL HARPER (1914-1983), CANADIAN THE WEST COAST SPEAKS, A PICTURE BOOK INSPIRED BY INDIAN ART OF THE PACIFIC COAST, TORONTO, 1952 Twenty colour linocuts on japon paper and other coloured paper tipped to the leaves of the book; signed and numbered First Edition, numbered “2” of One Hundred copies” and signed in black pen and ink by J. Russell Harper on the verso of the title page. Published by J. Russell Harper, Toronto, 1952 11.5” x 8.75” — 29.2 x 22.2 cm. Note: John Russell Harper was an eminent Canadian art historian and curator of Canadian art at the National Gallery of Canada from 1965-1968. In the introduction of this book he writes, “This collection of lino-cuts is inspired by native objects in the collections of the Royal Ontario Museum of Archaeology. They are works of several tribes: the Tlingit, Kwakiutl, Haida, Bella Coola, Tsimshian and Salish.” $1,000—1,500 *Additional images available on our website.

2 CASE AND DRAPER STUDIO (1898–1907), AMERICAN COW-DIK-NEY A CHIMSYAN NATIVE IN FULL POTLACH-DANCING COSTOME (SIC), 1906 Gelatin silver print; signed, titled and dated in the negative “Copyright 1906 by Case and Draper, Skagway, Alaska.” Unframed. Overall 9.5” x 7.5” — 24.1 x 19.1 cm. $800—1,200

3 EDWARD SHERIFF CURTIS (18681952), AMERICAN HARPOONING; A HOUSE-FRONTAWAITLALA (FROM THE AMERICAN INDIAN, VOLS. XI; AND X RESPECTIVELY), 1907-1930 Two sepia photogravures with letters; each titled in the plate lower left margins, the first dated 1915, the latter dated 1911 in the plate Each 7.4” x 5.3” — 18.8 x 13.5 cm.; 5.7” x 7.4” — 14.5 x 18.8 cm. $500—700

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

4 ROBERT JOSEPH FLAHERTY (1884-1951), CANADIAN ALLEGOO (SHINING WATER), BAFFIN ISLANDS, 1913-1914 (FROM NANOOK OF THE NORTH, FOLIO OF 6); NANOOK OF THE NORTH TEACHES HIS YOUNG SON HOW TO USE A BOW AND ARROW Two copperplate engravings; each signed in pencil to margin, each with Publisher’s copyright credit, “Revillon Freres, N.Y.” in the plate lower left. The first, printed by the American Gravure Co., published in an edition of approximately 200. Plate 10.25” x 7.25” — 26 x 18.4 cm.; 8.5” x 10” — 21.6 x 25.4 cm. Note: These works were printed from the negatives captured by Flaherty while he was in Inukjuak, Quebec filming his landmark and controversial documentary Nanook of the North. $400—600

5 THE NATIONAL FILM BOARD OF CANADA, CANADIAN THREE SCENES OF INUIT LIFE Three gelatin silver prints; each stamped with The National Film Board credit verso. Each with affixed text description. Each unframed. Each 7.25” x 9” — 18.4 x 22.9 cm.; 8.75” x 7” — 22.2 x 17.8 cm. $200—300 *Additional images available on our website.

6 JOHN RAFFLES COX (1887-1977), BRITISH ARCTIC VIEWS OF AN EXPLORER, C. 1913 - C. 1920 INCLUDING: YOUSUF KARSH (1908-2002), Canadian, PORTRAIT OF JOHN RAFFLES COX, Gelatin silver print; signed in ink, in original Karsh folding matboard; Vintage photograph; signed and titled “LOADING UP THE CAN. ARCT. EXPED. SCHOONER ‘ALASKA AT NOME’ JULY 1913 AND CHIPMAN ON THE DECK (ENLARGEMENT OF VEST POCKET KODAK NEGATIVE) J.R. COX” verso; Five small black and white photographs and two postcards depicting scenes from Inuit life; Three large black and white photographs: portraits of standing Inuit; Cox’s folding map with handwritten title: “Coronation Gulf and Arctic Archipelago” on label from seller Sifton, Praed & Co., Ltd., The Map House, London; Framed photograph of Cox and Crew, each sitter identified verso; Framed black and white photograph; titled and dated: “The ‘North Star’ at Coronation Gulf N.W.T. (Bernard Harbour), 1915” verso; and Four additional photographs of Cox exploring India, circa 1920’s. Two framed. Various unframed and framed sizes 3.25” x 4.75” — 8.3 x 12.1 cm.; 13.5” x 16.5” — 34.3 x 41.9 cm. Note: Includes the artist biography and professional record. $700—1,000 *Additional images available on our website.

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7 RICHARD HARRINGTON (1911–2005), CANADIAN IGLOO AT NIGHT, CANADIAN ARCTIC 1949 Gelatin silver print; signed, titled, dated 1949, and annotated “Toronto, Ont 1980” in pencil, with photographer’s credit stamp verso. Matted and unframed. 11” x 14” — 27.9 x 35.6 cm. Provenance: Collection of the Late Mr. Gerald B. White $800—1,200

8 RICHARD HARRINGTON (1911– 2005), CANADIAN DUCK LAKE, MANITOBA, 1947 Selenium-toned print; signed, titled and dated 1947 in pen and ink to margin, signed in pencil, stamped with photographer’s credit and with stamped date “May 21 1987” verso. Matted and unframed. 12” x 18” — 30.5 x 45.7 cm. Provenance: Collection of the late Mr. Gerald B. White $1,000—1,500

9 RICHARD HARRINGTON (1911–2005), CANADIAN DOG TEAM TRAVEL DURING ARCTIC WINTER SOUTHEAST OF COPPERMINE, 1949 Gelatin silver print; signed, titled, dated 1949, numbered 2/40, and annotated “Toronto, Ont 1980” in pencil, with photographer’s credit stamp verso. Matted and unframed. Together with: CANADIAN MUSEUM OF PHOTOGRAPHY, 1987 Poster: RICHARD HARRINGTON, THE INCREDIBLE JOURNEYS PHOTOGRAPHS FROM THE CANADIAN FAR NORTH: 1947 - 1952, The Gallery College Park, May 20 - June 13, 1987 Lithographic exhibition poster; signed by the photographer in ink lower right. Unframed. Image 10.25” x 13.75” — 26 x 34.9 cm.; 35” x 24.5” — 88.9 x 62.2 cm. Provenance: Collection of the Late Mr. Gerald B. White $800—1,200 *Additional images available on our website.

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

10 JOHN REEVES (1938- ), CANADIAN REPULSE BAY (YOUNG GIRL WITH SUNGLASSES), 1968; ARTIST AT CAPE DORSET (ANIRNIK OSHUITOQ AND HER PRINT), 1971 (TWO WORKS) Two selenium toned prints; the first title: with “John Reeves” blind stamp lower right margin; signed, titled and dated 1968 at “Repulse Bay” in pencil verso. The latter, signed, titled and dated 1971 in pencil verso. Image size respectively 8.75” x 11.5” — 22.2 x 29.2 cm.; 9.25” x 12.25” — 23.5 x 31.1 cm. $200—400

11 JOHN REEVES (1938-), CANADIAN TWO PORTRAITS OF PITSEOLAK ASHOONA Two selenium toned prints; each with stamped date “June 21 1982” and annotated and dated in pencil “80-19/’82” and “8028/82”respectively, verso. Each matted and unframed. Image each 17.75” x 13.75” — 45.1 x 34.9 cm. $200—400

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12 JOYCE WIELAND (1931-1998), CANADIAN SOROSEELUTU, ARTIST OF CAPE DORSET, 1979 Colour lithograph; signed, titled, dated 1979 and numbered 50/50 in pencil Image 11” x 11.5” — 27.9 x 29.2 cm. Provenance: The Isaacs Gallery, Toronto $400—600

13 LLOYD VALENTINE WINTER (1866-1945) & EDWIN PERCY POND (1872-1943), AMERICAN TYPES OF ALASKA NATIVES, 1905 Illustrated with 13 portraits of Alaskan Natives; twelve photo plates laid down on orange/tan coloured leaves with one portrait “Eskimo Girl” on the cover, each plate signed and titled in the negative, “Published and copyrighted by Winter & Pond”. Bound with string in pale greenish-blue wrappers. With original mailing envelope. Printed by The Albertype Co., Brooklyn, NY. Containing: “Old Tlingit Woman.”;Native Basket Weavers; “Old Tlingit Indian.”; “Takon Indian Doctor”; “Old Tlingit Women.”; “Schwatka, A Yukon Guide.”, “Chilkat Chiefs in Dancing Costume.”; “Old Auk Indian.”; “Potlatch Dancers”; “Auk Indian Doctor.”; “Native Curio Sellers”; “Old Eskimo Woman.” Overall 9.5” x 7.5” — 24.1 x 19.1 cm. Note: Lloyd Valentine Winter & Edwin Percy Pond began their Alaskan-based photography careers in 1894. The pair operated a curio shop and photography studio in Juneau, Alaska until Pond’s death in 1943. $200—300 *Additional images available on our website.

14 FRANK HAMILTON NOWELL (1864-1950), AMERICAN SIBERIAN ESKIMO AND MAZINKA HOUSE, WHALEN, SIBERIA (NOME, ALASKA) Collodion print mounted on card; signed “Nowell Photo. Nome, Alaska.” and titled along the bottom in the negative. Matted and unframed. Sheet 7.75” x 9.8” — 19.7 x 25 cm. Note: Nowell spent a portion of his career in Nome, Alaska documenting the events after the gold rush of 1900. He also chronicled the local native populations with special focus on native life and customs as he did in this photograph of eight Siberian women and children beside a large skin house. This photograph was also published as a postcard by the Portland Post Card Company. $300—500

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

15 WILLIAM NOTMAN (1826-1981), CANADIAN SNOWSHOER TYING SHOES, MONTREAL, QC, CIRCA 1875; TWO MEN TOBOGGANING (TWO STEREOGRAPHIC PHOTOGRAPHS OF CANADA’S WINTER) Two silver salts in film mounted on paper (albumen process); each with a variant of the Notman Company Graphic and address verso. Each unframed. Each overall 4.25” x 7” — 10.8 x 17.8 cm. $300—500

16 WILLIAM NOTMAN (1826-1891), CANADIAN TOBOGANNING ON MOUNT ROYAL PARK SLIDE, MONTREAL, QC, 1885 [VIEW 1582] Albumen print; signed “Wm. Notman & Son” in the negative lower left, signed “Eug. Johnson” in the negative lower right, inscribed number “1582” in pencil verso. Matted and unframed. Sheet 6.9” x 9.1” — 17.5 x 23.2 cm. $1,000—1,500 *Additional information available on our website.

17 WILLIAM NOTMAN (1826- 1891) AND HENRY SANDHAM (1842-1912), CANADIAN LACHINE ROWING CLUB, 1873 (COMPOSITE PHOTOGRAPH WITH HENRY SANDHAM) Silver salts print; signed “W. Notman Photo / Hy Sandham” and dated 73 in the negative lower left. 9.5” x 15.25” — 24.1 x 38.7 cm. $400—600 *Additional information available on our website.

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18 WILLIAM NOTMAN (1826-1891), CANADIAN CASTLE CRAIG, LEFROY, HAZEL PEAK AND LAKE AGNES, (BANFF, AB), NO. 3098, CIRCA 1898 Silver salts on film; signed in the negative, “Notman/ Montreal” lower right, titled and numbered 3098 in the negative lower left. Printed before 1935. Matted and unframed. Sheet 7.25” x 9.25” — 18.4 x 23.5 cm. $300—500

19 WILLIAM NOTMAN (1826-1891), CANADIAN THE GREAT GLACIER ON THE CANADIAN PACIFIC RAILWAY, NO. 1709 Albumen print; signed “William Notman & Son, Montreal,” titled and numbered 1709 in the negative Sight 7” x 8.5” — 17.8 x 21.6 cm. $100—200

20 WILLIAM NOTMAN (1826-1891), CANADIAN BOOK: PHOTOGRAPHIC SELECTIONS BY WILLIAM NOTMAN WITH DESCRIPTIVE LETTER PRESS BY THOMAS D. KING VOL. 1, MONTREAL: WILLIAM NOTMAN, [C.1863] With 46 (only) albumen prints of paintings, most by old masters, and two views from nature mounted to the sheets of the hard cover book. Published by William Notman, Bleury Street, Montreal. Printed by John Lovell c. 1863 Book overall 18” x 13” — 45.7 x 33 cm. Provenance: Jane Corkin Gallery, Toronto Note: His personal and professional interest in art led Notman to establish relationships with Montreal’s most prominent painters. Several of them, J. Fraser, Charles Jones Way and Robert Stuart Duncanson are represented in this Notman’s first book. Published in 1863 “to foster the increasingly growing taste for works of art in Canada,” it was composed of 47 photographic plates of paintings, most by old masters, and two views from nature. It was the first art history book printed in Canada. $300—500 *Additional images available on our website.

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

21 CIRCLE OF WILLIAM NOTMAN (1826-1891), CANADIAN TWO EARLY PORTRAITS: GENTLEMAN; LADY IN TARTAN (FROM NEAR KINGSTON, ONTARIO) Two tintypes Each 7” x 5” — 17.8 x 12.7 cm. Provenance: One with Gartland’s Art and Gift Shop, Kingston, ON label verso; Jane Corkin Gallery, Toronto $100—200

22 ATTRIBUTED TO THE DETROIT PUBLISHING COMPANY (1895-), AMERICAN DUFFERIN TERRACE AND CHATEAU FRONTENAC, QUEBEC, 1890-1906; NIAGARA FALLS The first title: a platinum print; mounted to a support sheet with a steel engraving “Chateau Frontenac, Quebec” and inscribed in pen and ink, matted on the verso with an anonymous sepia toned vintage photograph of Niagara Falls mounted with handwritten text below. Matted and unframed. 4.6” x 6.5” — 11.7 x 16.5 cm.; 7.4” x 9.3” — 18.8 x 23.5 cm. Note: The view of Montreal, Quebec dates from circa 1891 as the inscription indicates the population at this time was 63,000. $300—500 *Additional images available on our website.

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23 ATTRIBUTED TO S.H. PARSONS AND SONS (1844-1908), CANADIAN ST. JOHN’S NEWFOUNDLAND (MAN SEATED AT THE FOOT OF A FALLS); (MAN SEATED ON A SHORELINE) (2 VIEWS) Two albumen prints each dry mounted to hand-ruled support cards; each titled in pencil to the mounts, each with British photographs mounted to the verso (one titled in pencil “The Avenue Southhampton”); the other mounted with two albumen prints at Ipswich; each titled in pencil “Ancient House Ipswich” and “St. Margaret’s Church, Ipswich” verso. Matted and unframed. 5.5” x 7.5” — 14 x 19.1 cm.; 5.5” x 8” — 14 x 20.3 cm. Note: Simeon H. Parsons to whom these photographs are attributed, is one of Newfoundland’s earliest professional self-taught and award-winning photographers. He was born in Harbour Grace, Newfoundland and in 1872 he moved to St. John’s and entered a partnership with Sherburn T. McKenney. $400—800

24 BUREAU PROVINCIAL DU TOURISME, MINISTERE DE LA VOIRIE, QUEBEC, CANADIAN TWO EARLY QUEBEC VIEWS: LA ROUTE DEBOUCHANT SUR LA BAIE DU HA! HA! DANS LA REGION DU SAGUENAY; LOGGING ON THE LIEVRE (FLOTTAGE DU BOIS SUR LA RIVIERE DU LIEVRE, DANS LA REGION DES LAURENTIDES) Two silver prints; each with the Bureau Provincial Du Tourisme stamp and titled in pen and ink verso; the latter, titled along the bottom in the negative and with further title in pen and ink verso. Each matted and unframed. Sheet each 8” x 10” — 20.3 x 25.4 cm. $100—200

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

25 YOUSUF KARSH (1908-2002), ARMENIAN/CANADIAN LOUIS STEPHEN ST. LAURENT, PRIME MINISTER OF CANADA Silver print; signed in pencil lower left margin, signed by the sitter and dated “February. 1949.” with presentation: “To Mr. W.C. Woods with cordial greetings” in pen and ink bottom margin. Together with: CHRIS LUND (1923-1983), CANADIAN PORTRAIT OF JOHN G. DIEFENBAKER, 1950’s Silver gelatin print; autographed by Diefenbaker in blue pen and ink, stamped with photographer’s credit: “National Film Board/ photo by Chris Lund”, stamp numbered “85792” verso. Together with: UNIDENTIFIED, CIRCA 1945; SIR WINSTON CHURCHILL (AT THE YALTA CONFERENCE, FEBRUARY, 1945?) Silver print

Sheet 10” x 7.75” — 25.4 x 19.7 cm.; 10” x 8” — 25.4 x 20.3 cm.; 9.5” x 12.5” — 24.1 x 31.8 cm. $300—500 *Additional images available on our website.

26 NATIONAL FILM BOARD OF CANADA, CANADIAN EIGHT VIEWS OF TORONTO, CIRCA 1940 INCLUDING: THE CITY FROM CENTRE ISLAND; YONGE & RICHMOND STREETS AT RUSH HOUR; THE DOWNTOWN RAILS OF UNION STATION; QUEEN’S PARK; LIEUT-COL. JOHN GRAVES SIMCOE MONUMENT; UNIVERSITY OF TORONTO, HART HOUSE; THE CAMPUS UNIVERSITY OF TORONTO; AND BUSY DOWNTOWN Eight silver prints, circa 1940; each with National Film Board credit stamp on verso. Variously with handwritten or affixed typed descriptions. Unframed. Each 7.25” x 9.25” — 18.4 x 23.5 cm. $300—400 *Additional images available on our website.

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27 GRANT WOOD (1891-1942), AMERICAN APPROACHING STORM, 1940 [COLE, 19] Lithograph; signed in pencil to margin. Published by Associated American Artists, New York in an edition of 250. Image 11.9” x 8.9” — 30.2 x 22.6 cm. Provenance: Private Collection, Toronto $3,000—5,000

28 THOMAS HART BENTON (18891975), AMERICAN THE WOODPILE, 1939 [FATH, 31] Lithograph on Rives paper; signed in the plate lower left, signed in pencil to margin, titled to the Associated American Artists, New York publisher’s sheet verso this being un-numbered from the published edition of 250. Image 8.9” x 10.9” — 22.6 x 27.7 cm. $1,000—1,500

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

29 ROBLEY L. JOHNSON STUDIO (FL. 1940’S), AMERICAN SAND SAGE & SKY, (HANFORD, 1944) Silver print, dry mounted to hand-ruled support; signed and titled in black pen and ink to the mount, photographer’s credit stamp “Robley L. Johnson Studio, Richland, Washington” mount verso. Unframed. Image 8.5” x 13” — 21.6 x 33 cm.; 15.75” x 20” — 40 x 50.8 cm. $100—150

30 AFTER JOHN MARIN (1870-1953), AMERICAN MANHATTAN SKYLINE, CIRCA 1949 Colour screen print; signed and dated 21 in the plate lower right. Published by Living Artist’s Group, circa 1949. 22” x 26.4” — 55.9 x 67.1 cm. Provenance: Estate of Fred Weinberg (1925-1999), artist residing in Ottawa from the 1950’s to 1967 $500—700

31 JAMES ABBOTT MCNEILL WHISTLER (1834-1903), AMERICAN LA VIEILLE AUX LOQUES (FROM TWELVE ETCHINGS FROM NATURE), 1858, [KENNEDY, 21] Etching and drypoint on laid paper; signed in the plate lower right. Third state. Plate 8.2” x 5.8” — 20.8 x 14.7 cm.; 10.25” x 8” — 26 x 20.3 cm. Provenance: Vincent Price Collection, Sears, Roebuck and Co., no. GE 12255 $400—600

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32 MARY CASSATT (1844-1926), AMERICAN DENISE HOLDING HER CHILD, CIRCA 1905 [BRESKIN, 204 I/II] Etching with dry point on thin cream laid Vanderley watermarked paper; signed in pencil to margin Plate 7.25” x 4.8” — 18.4 x 12.3 cm.; 13.5” x 8.25” — 34.3 x 21 cm. $800—1,200

33 ALFRED CHENEY JOHNSTON (1885-1971), AMERICAN ZIEGFELD ACTRESS WITH ARTIST’S PALETTE. C.1925 Gelatin silver print; stamped “Photograph by Alfred Cheney Johnston” verso. Unframed. Image 12.8” x 9.8” — 32.5 x 24.9 cm. $800—1,200

34 AFTER GILBERT STUART (1755-1828), AMERICAN GEO. WASHINGTON ESQ.R., LATE PRESIDENT OF THE UNITED STATES OF AMERICA Stipple engraving by William Nutter (1754-1802). Published by R. Cribb Holburn, London on January 15, 1798. Image 8.9” x 7.5” — 22.5 x 19 cm. Note: This memorial edition print was issued in England on the occasion of Washington’s death on Dec. 14, 1799. The same image was used earlier for an earlier portrait edition prior to the President’s demise. The engraving was done from a Gilbert Stuart portrait of Washington done from life and is considered one of the better “second generation” renderings of the President. $300—500

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

35 TED ALLAN (1910-1933), AMERICAN JEAN HARLOW; ARTIST IN HIS STUDIO WITH PHOTOGRAPH COLLECTION; CONTACT SHEET OF ACTORS; “PORTRAITS OF THE THIRTIES” (POSTER DESIGN FOR THE EXHIBIT HELD AT THE MUSEUM OF MODERN ART, NEW YORK, AFTER DEC. 5TH. ’80”, TWO COPIES, (ONE WITHOUT LETTERING.) Five gelatin silver prints; the first title; signed in pen and ink lower right, one with credit line verso. Each unframed. Various sizes and smaller 13.75” x 10.75” — 34.9 x 27.3 cm. Provenance: Collection of the Late Georges Loranger, Toronto; By descent to his niece, Toronto $300—500 *Additional images available on our website.

36 LASZLO WILLINGER (1909- ), AMERICAN CLARK GABLE, 1939 Gelatin silver print; signed and numbered indistinctly 4/20 in pen and ink to margin 16.25” x 15.1” — 41.3 x 38.4 cm. Provenance: Collection of the Late Georges Loranger, Toronto; By descent to his niece, Toronto $300—500

37 SCOTTY WELBOURNE (19071979), AMERICAN MARLENE DEITRICH (FROM “HERZEN IN FLAMMEN”), 1941 Gelatin silver print; stamped copyright verso “Photograph by Welbourne, Warner Bros”, inscribed to the mount. Matted and unframed. 13.4” x 10.4” — 34 x 26.5 cm. Provenance: G. Ray Hawkins Gallery, LA; Collection, Canada $300—400

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38 GEORGE HURRELL (1904-1992), AMERICAN BETTE DAVIS; GILBERT ROLAND Two gelatin silver prints; each signed and numbered 106/190 and 49/110 respectively in black ink to margin, each titled and numbered GH0281 and GH181 respectively in pencil verso. Each unframed. Sheet each 14” x 11” — 35.6 x 27.9 cm. $600—800

39 HERBERT MITCHELL (18981980), AMERICAN HELEN KANE; IRENE RICH; GILDA GRAY; MARY BRIAN Four vintage prints with tone on textured paper; two signed at “N.Y.” and inscribed “Opal z” in pencil verso, each titled in pencil verso. Each unframed. Sheets 17” x 13” — 43.2 x 33 cm. $300—500 *Additional images available on our website.

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

40 CLARENCE SINCLAIR BULL (1895-1979), AMERICAN MARION DAVIES Gelatin silver print; stamped signature lower right, Metro-Goldwyn-Mayer No. 134037. Unframed. 13.4” x 10.2” — 34 x 26 cm. Provenance: Collection of the Late Georges Loranger, Toronto; By descent to his niece, Toronto $200—300

41 RICHARD HAAS (1936-), AMERICAN HOMAGE TO THE CHICAGO SCHOOL 1211 NORTH LASALLE STREET, 1983 Colour lithograph, titled in the plate bottom center; signed and numbered PP 9/15 in pencil to margin Sheet 29.5” x 41” — 74.9 x 104.1 cm. Provenance: Condisco Inc., label verso $700—1,000

42 ANDRE KERTESZ (1894-1985), HUNGARIAN/AMERICAN STUDIO STILL LIFE, 1926 Gelatin silver print; signed and dated 1926 in pencil verso. Printed in the 1960’s. Unframed. 9.5” x 7.4” — 24.1 x 18.8 cm. $3,000—4,000

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43 ANDRE KERTESZ (1894-1985), HUNGARIAN/AMERICAN CHRISTINE (AT AN EXHIBITION) Gelatin silver print; signed, dated and numbered “Feb 5-81 - No. 23” in pencil verso. Matted and unframed. Image 9.5” x 7” — 24.1 x 17.8 cm. Provenance: Jane Corkin Gallery, Toronto $600—900

44 PAUL CADMUS (1904-1999) , AMERICAN MOTHER AND CHILD, 1934 [DAVENPORT, 37] Etching; signed in pencil to margin. Plate 4.25” x 3.25” — 10.8 x 8.3 cm. $700—900

45 MARION POST WOLCOTT (19101990), AMERICAN WINTER TOURISTS RELAXING ON BEACH NEAR TRAILER PARK, SARASOTA, FL., 1939 Selenium-toned gelatin silver print; signed in pencil to margin, signed, titled, numbered “3049314” and variously inscribed in pencil verso. Printed in 1977. Unframed. Image 7” x 9.25” — 17.8 x 23.5 cm. $700—900

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

46 RICHARD AVEDON (1923-2004), AMERICAN THE BEATLES (SET OF FOUR PSYCHEDELIC POSTERS), 1968 Four photographic posters; from a limited edition produced for VARAGIDS (Netherlands), published by Cowles Education Corporation in co-operation with Richard Avedon Posters, Inc., Printed by Waterlow & Sons Ltd., England. Limited first edition and copyright by NEMS Enterprises Ltd. Unframed. Sheets 26.75” x 18.5” — 67.9 x 47 cm. Note: Photographed by American fashion and portrait photographer Richard Avedon in 1967 at the height of the Beatles’ fame, these psychedelic portraits were first published in the American magazine “Look” in January 1968 and in the UK’s “Daily Express” in February 1968. $1,000—1,500 *Additional images available on our website.

47 ALEXANDER CALDER (18981976), AMERICAN UNTITLED Colour lithograph; signed and numbered 31/75 in pencil Sheet sight 16” x 20.5” — 40.6 x 52.1 cm. Provenance: Gallery Hawaii, Hawaii $800—1,200

47A ALEXANDER CALDER (18981976), AMERICAN CALDER AT 75 - WORKS IN PROGRESS, 1973 (POSTER) Colour lithographic poster; signed with initials and dated ‘73 in pencil lower right. Sheet 27.75” x 42.5” — 70.5 x 108 cm. $300—500

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48 MAN RAY (1890-1976), AMERICAN UNE CATHEDRALE, 1968 (FROM ELECTRO-MAGIE) [ANSELMINO, 40] Colour etching and aquatint; signed and numbered 123/150 in pencil to margin, dated 1968 to gallery label verso. Published by G. Visat. Plate 7” x 5” — 17.8 x 12.7 cm. Provenance: Walter Engel Gallery, Toronto $300—600

49 MAN RAY (1890-1976), AMERICAN IN CIMA AL MONDO (CONQUER THE WORLD), 1972 [ANSELMINO, 35] Colour lithograph on Arches paper; signed with initial monogram and numbered 34/110 in pencil to margin. Image 19” x 16” — 48.3 x 40.6 cm. Provenance: Walter Engel Gallery, Toronto $300—600

50 JIM DINE (1935 - ), AMERICAN THEY CAME FROM OUTER SPACE THEN WENT BACK + FORWARD (FROM OO LA LA IN COLLABORATION WITH ROGER PADGETT), 1970 [WC, 28] Colour lithograph; signed and numbered 45/75 in pencil and inscribed to margin. Unframed. Sheet 17.5” x 27.5” — 44.5 x 69.9 cm. $400—600

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

51 JIM DINE (1935- ), AMERICAN LANDSCAPE SCREEN (5 PARTS), 1969 [BONIN-CULLEN, 65] Colour silkscreen on linen canvas, stretched on front and back over five wood panels to form a folding screen, hinged together; signed, dated 1969 and numbered 26/30 in pencil along the top edge of the yellow panel. Published by Petersburg Press, London. 72” x 90.6” — 183 x 230 cm. Literature: Galerie Mikro, Berlin; Bonin and Cullen, “Jim Dine Complete Graphics,” Berlin, 1970, Cat. No. 65, illustrated in colour $8,000—12,000 *Additional images available on our website.

Alternate view

52 JEAN-MICHEL BASQUIAT (1960-1988), AMERICAN BEAT BOP. TEST PRESSING, VERSION ONE, VOLUME ONE, 1983 Vinyl record with screenprint on the doublesided record jacket and label. Tartown Record Co., 1983, New York, NY. Overall 12.4” x 12.4” — 31.5 x 31.5 cm. $300—500 *Additional images available on our website.

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53 GYORGY KEPES (1906-2001), HUNGARIAN/AMERICAN UNTITLED (CONES), 1939 Gelatin silver print; signed and dated 1939 in pencil verso. Printed 1970s. Matted and unframed. Image 7.75” x 5.75” — 19.7 x 14.6 cm. $600—800

54 MIRIAM SCHAPIRO (1923-), AMERICAN SAMPLER, 1974 Colour silkscreen; signed, titled, dated ‘74 and numbered 26/250 in pencil to margin. Image 23.5” x 18” — 59.7 x 45.7 cm.; 27.5” x 21.5” — 69.9 x 54.6 cm. Provenance: Andre Emmerich Gallery, New York; Collection, Montreal $700—900

55 PAT STEIR (1938- ), AMERICAN AS MATISSE WITH MANY EYES, 1986 Colour monoprint with aquatint on Rives watermarked paper with Crown Point Press blind stamp; signed, titled indistinctly and dated ‘86 in pencil to margin. Plate 11” x 11” — 27.9 x 27.9 cm.; 26” x 19.75” — 66 x 50.2 cm. $500—700

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

56 PETER MAX (1937-), GERMAN/AMERICAN MICKEY MOUSE; MINNIE MOUSE (SUITE OF TWO FROM DISNEY) Suite of two colour silkscreens; each signed and numbered 160/500 in white pencil. Each sheet 40” x 30” — 101.6 x 76.2 cm. $4,000—6,000 *Additional images available on our website.

57 PETER MAX (1937-), GERMAN/AMERICAN DISNEY SUITE: MICKEY MOUSE (4 VIEWS), 1995 Four colour silkscreens; each signed and numbered 391/500 in black ink, blindstamped “Peter Max 1995.” Framed together in one black lacquered frame with matching handpainted liners surrounding each float mounted print. Each sheet 16” x 14” — 40.6 x 35.6 cm.; 30.5” x 83.5” — 77.5 x 212.1 cm. $1,500—2,500

58 PETER MAX (1937-), GERMAN/AMERICAN DISNEY SUITE: SNOW WHITE (4 VIEWS), 1994 Four colour silkscreens; each signed and numbered 134/500 in white pencil, blindstamped “Peter Max 1994.” Framed together in one black lacquered frame with matching handpainted liners surrounding each float mounted print. Each sheet 16” x 14” — 40.6 x 35.6 cm.; 29.5” x 85” — 74.9 x 215.9 cm. $1,500—2,500

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59 PETER MAX (1937- ), GERMAN/AMERICAN LADY ON COUCH I, 1973 Colour lithograph; signed and numbered 268/300 in pencil to margin. Sheet 24” x 30” — 61 x 76.2 cm. Provenance: Middle Earth Studio, London, Ontario $600—800

60 WOLF KAHN (1927-), GERMAN/AMERICAN DARK PINES, 2001 Colour lithograph; signed and numbered 29/108 in pencil to margin. Unframed. Image 22” x 34” — 55.9 x 86.4 cm.; 28” x 39.5” — 71.1 x 100.3 cm. $800—1,200

61 KIM ABELES (1952-), AMERICAN SMOG MAP, 2008 Mixed-media stencil on acetate overlay stitched at the top to the orange oil painted canvas; signed, titled, dated 2008 and numbered “AP” in pencil. Matted and unframed. 13.5” x 18.5” — 34.3 x 47 cm. Note: Kim Abeles is an esteemed interdisciplinary artist and activist whose works seek to engage with various social and environmental issues. She began her work for “Smog Collector” in 1987 and considers the project to be on-going. “Smog Map” was created by placing a stenciled image on to the transparent acetate. The acetate is then left outside to collect the various gritty particles of the polluted air. $200—300

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

62 RUTH ORKIN (1921-1985), AMERICAN WOMEN’S MINI-MARATHON UP CENTRAL PARK WEST, JUNE 3, 1978 Type C colour photograph on Kodak paper; signed, titled and dated “Women’s mini-marathon 1978” in pen and ink verso, signed, titled ‘Women’s Mini- Marathon up Central Park West, June 3, 1978” and dated 1978 to the matboard. Matted and unframed. Sheet 14.25” x 10” — 36.2 x 25.4 cm. Provenance: The Fine Line Gallery, Toronto; Purchased at Witkin Gallery, New York c. 1980 $800—1,200

63 WILLEM DE KOONING (1904-1997), DUTCH/AMERICAN UNTITLED (FROM SEVENTEEN LITHOGRAPHS FOR FRANK O’HARA), 19681988 Lithograph on chine-colle on handmade Twinrocker paper; stamped signature to lower right margin, numbered 47/60 in pencil to margin. Published by The Limited Editions Club, New York, with wide margins. Plate 14.2” x 11” — 36.1 x 27.9 cm. $300—500

64 NEIL FOLBERG (1950-), AMERICAN FATHER AND SON IN SHUL, MONTREAL; HASSIDIM SINGING AT A FARBRENGEN, BROOKLYN; PIDYON HA-BEN, BROOKLYN Three gelatin silver prints, laid down to a mount; each signed, titled and dated 1975 in pen and ink verso. Each matted and unframed. 9.5” x 6” — 24.1 x 15.2 cm.; 6.5” x 9.5” — 16.5 x 24.1 cm.; 6.3” x 9.1” — 16 x 23.1 cm. $1,000—1,500

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65 JOSEF ALBERS (1888-1976), GERMAN/AMERICAN PALATIAL (FROM SOFT EDGE HARD EDGE), 1965 [DANILOWITZ, 165.2] Colour silkscreen; signed, titled, dated ‘65 and numbered 10/50 in pencil to margin. Published by Ives Sillman Inc., New York. Image 11” x 11” — 27.9 x 27.9 cm.; 17” x 17” — 43.2 x 43.2 cm. $1,000—1,500

66 JOSEF ALBERS (1888-1976), GERMAN/AMERICAN VARIANT II (FROM TEN VARIANTS SERIES), 1966 [DANILOWITZ, 173] Colour silkscreen; signed with initial, titled, dated ‘66 and numbered 69/200 in pencil to margin, titled to gallery label verso. Published by Ives-Sillman, inc., New Haven, Connecticut. Together with: “Josef and Anni Albers Art is Everywhere,” a film by Sedat Pakay, a 57 minute CD, Hudson Film Works, 2006; and with a soft cover catalogue monograph No. 8 in the series: “Josef Albers Prints 1915-1970”, published by The Brooklyn Museum, 1973. Image 11” x 11.25” — 27.9 x 28.6 cm. Provenance: The Pollock Gallery, Toronto Literature: The series is cited in the accompanying catalogue “Josef Albers Prints 1915-1970,” published by The Brooklyn Museum, 1973, Cat. No. 124, p. 17 $1,000—1,500 *Additional images available on our website.

67 JOSEF ALBERS (1888-1976), GERMAN/AMERICAN “HOMAGE TO A SQUARE” (FROM FORMULATION ARTICULATION FOLIO) Four colour silkscreens from portfolio 184/1000, published by Harry N. Abrams Inc., NY, 1972. In two frames. Sheet 15” x 20” — 38.1 x 50.8 cm. Provenance: The Fine Line Gallery, Toronto; Purchased at Waddington’s, Dec. 1, 1980 Note: “Formulation Articulation” folio was signed and numbered in black ink on the title page; a copy of the title page accompanies the lot; “Formulation Articulation” was a 2-box set that originally contained a suite of 127 colour screenprints $600—800

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

68 JOSEF ALBERS (1888-1976), GERMAN/AMERICAN WHITE LINE SQUARE VIII (FROM WHITE LINE SQUARES (SERIES II), 1964 Colour lithograph; signed with initial, dated 64 and numbered 44/125 in pencil to margin. Published by Gemini Gel. Image 8.5” x 8.5” — 22 x 22.2 cm. $800—1,200

69 JOSEF ALBERS (1888-1976), GERMAN/AMERICAN EA, 1973 [DANILOWITZ, 222] Colour silkscreen; signed with initial,titled, dated ‘73 and numbered 63/100 in pencil to margin Image 10.2” x 13.5” — 25.9 x 34.3 cm. $700—900

70 JOSEF ALBERS (1888-1976), GERMAN/AMERICAN CHRY SOPRASE (FROM DIE OBERFLACHE), 1965 [DANILOWITZ, 167.4] Colour silkscreen; signed, titled, dated ‘65 and numbered 68/120 in pencil to margin. Unframed. Sheet 12” x 12” — 30.5 x 30.5 cm. Provenance: The Fine Line Gallery, Toronto; Purchased from Waddington’s Dec. 1, 1980. $400—600

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71 RICHARD LINDNER (1901-1978), GERMAN/AMERICAN PROFILE (FROM AFTER NOON), 1969 Colour lithograph; signed and numbered 136/250 in pencil to margin Image 24” x 19.75” — 61 x 50.2 cm. $500—700

72 WILLIAM WEGMAN (1943-), AMERICAN SHOE HEAD, 1994 Large scale polariod; signed, titled and dated in black ink lower margin. Image 23.5” x 19” — 59.7 x 48.3 cm. $3,000—4,000

73 ROY LICHTENSTEIN (1923-1997), AMERICAN ASPEN WINTER JAZZ, FEB. 26 ‘67 (1967) (POSTER) [LICHTENSTEIN POSTERS, 18], [CORLETT 44] Colour silkscreen poster; signed and numbered 262/300 in pencil along the bottom. Published by Roy Lichtenstein and Leo Castelli. Sheet sight 39.5” x 29.5” — 100.3 x 74.9 cm. Note: Lichtenstein’s image of a saxophone was created as an advertisement for this jazz festival held on Feb. 26, 1967. Commencing in 1963, Richard Gibson held jazz parties in Aspen. A New Yorker who had moved West, Gibson tried to bring popular music of New York to the Rocky Mountains. The jam session parties continued to be held until 1969. $1,000—1,500

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

74 ROY LICHTENSTEIN (1923-1997), AMERICAN ART ABOUT ART POSTER 20 JULY- 24 SEPT 1978 [CORLETT, III 27] Colour offset lithograph; with Whitney museum label adhered to the sheet. Published in an edition of 3,000 (including 2,000 with Whitney labels). Published by Jaylen Offset Lithography Company Inc., New York/Whitney Museum of American Art, New York. Unframed. Sheet 36” x 25” — 91.4 x 63.5 cm. $600—800

75 ROY LICHTENSTEIN (1923-1997), AMERICAN NEW WAVE FESTIVAL (BROOKLYN ACADEMY OF MUSIC POSTER), 1983 [CORLETT, III.31] Colour offset lithograhic poster; signed and dated ‘97 in ink lower right. Published by the artist and the Next Wave Producers Council, Brooklyn. Unframed. Sheet 36” x 24” — 91.4 x 61 cm. $600—800

76 ROY LICHTENSTEIN (19231997), AMERICAN TWO POSTERS: HOMMAGE A PICASSO, 1973; AMERIKANSK POP-KONST, 1964 [CORLETT III, 19] Colour offset lithograph; the first title, signed and dated ‘73 in the plate mid left, the latter title, a colour silkscreen. Published by Moderna Museet. Each unframed. 33” x 23.25” — 83.8 x 59.1 cm.; 39.5” x 27.5” — 100.3 x 69.9 cm. $400—600

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77 CONRAD MARCA-RELLI (19132000), AMERICAN F (FROM THE AUTUMN SUITE), 1970 Lithograph with paper and jute collage; signed, dated /70 and numbered 26/50 in pencil. Published by Marlborough Graphics, New York. Sheet 19” x 25” — 48.3 x 63.5 cm. Provenance: Marlborough Godard, Toronto $500—1,000

78 RALPH GIBSON (1939-), AMERICAN UNTITLED (TWINS WITH MIRRORS), 1974 Gelatin silver print; signed and annotated by ‘Ralph” the artist with a star in pencil to margin. Image 6” x 9” — 15.2 x 22.9 cm. $1,000—1,200

79 EDWARD WESTON (1886-1958), AMERICAN NUDE BEHIND SCREEN, 1943 Gelatin silver print mounted on support; the support signed in pencil “Cole by Weston” and stamped “Negative by Edward Weston Print By” verso, titled and dated 1943 with archive number “N43-CH-1” in pencil to the support verso. 7.25” x 9” — 18.4 x 22.9 cm. Provenance: Deja Vu Gallery, Toronto; From whom acquired by the present, Private Collection, Toronto Note: Cole Weston (Edward’s son) printed the image in the 1970s $1,000—2,000

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

80 JOHN GRUEN (1926- ), AMERICAN PITCHER, PUMP, 1977 Silver print (toned); titled and dated to gallery label verso 14.6” x 13.4” — 37 x 34 cm. Provenance: Jane Corkin Gallery, Toronto $2,000—4,000

81 RALPH EUGENE MEATYARD (1925-1972), AMERICAN UNTITLED (BOY WITH OLD MAN’S MASK AND TWO MEN), 1960 Gelatin silver print; signed in pencil verso. Matted and unframed. Image 10” x 8” — 25.4 x 20.3 cm. $1,500—2,000

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82 ALEX KATZ (1927- ), AMERICAN THE SWIMMER, 1974 [MARAVELL, 75] Colour aquatint and drypoint on German etching paper; signed and numbered 40/84 in pencil. Co-published by Brooke Alexander and Marlborough Graphics, New York. Sheet 28” x 35.75” — 71.1 x 90.8 cm. Provenance: Mira Godard Gallery, Toronto $1,000—1,500

83 PAUL JENKINS (1923-2012), AMERICAN FROM SEEING VOICE WELSH HEART 6 Colour lithograph; signed and numbered XV11/XV in pencil Sheet 15.75” x 10.25” — 40 x 26 cm. Provenance: Gimpel & Weitzenhoffer Gallery, N.Y.; Collection, Montreal Note: One plate from the series of seven illustrating the compilation of poems of Cyril Hodges “Seeing Voice Welsh Heart” $500—700

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

84 SAUL LEITER (1923-2013), AMERICAN JOHANNA, CIRCA 1947 Gelatin silver print; signed in ink and numbered 6/25 in pencil verso, titled to gallery label verso. Printed later. Image 8.75” x 12.6” — 22.2 x 32 cm.; 11” x 14” — 27.9 x 35.6 cm. Provenance: Howard Greenberg Gallery, New York $4,000—6,000

85 ELLSWORTH KELLY (1923- ), AMERICAN CYCLAMEN III (FROM SUITE OF PLANT LITHOGRAPHS), 19641965 [AXSOM, 38] Offset lithograph; signed and numbered 41/75 in pencil. Published by Maeght, Paris. Sheet 35.5” x 24” — 90.2 x 61 cm. $3,000—5,000

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ROBERT MAPPLETHORPE Lots 86 – 89 Mapplethorpe’s photography is dominated by images of nudes both male and female. Mapplethorpe’s images, as we see in Lots 86-89, are all together affronting and frank in their depictions. The viewer senses the physicality of the bodies and their vulnerabilities despite their confrontational presentation. What’s more, Mapplethorpe’s evocative use of velvety haze of the silver print contrast with the jarring depictions of the truncticated or otherwise impersonal sitters to evoke pain and violence and yet they are markedly and overwhelmingly sexual.

86 ROBERT MAPPLETHORPE (1946-1989), AMERICAN KEN MOODY (WITH ORCHID), 1984 [MAP, 1484] Silver print; titled, dated 1984, numbered 8/10 and inscribed “Map # 1484” in pencil along the bottom edge verso, signed in pen and ink by the executor, Michael Ward Stout with “The Estate of Robert Mapplethorpe” stamp, dated “1984”, in pencil verso. 20” x 16” — 50.8 x 40.6 cm.; 20” x 16” — 50.8 x 40.6 cm. Provenance: Olga Korper Gallery, Toronto; The Estate of Tracy Dort-Kyne, Toronto $7,000—9,000

87 ROBERT MAPPLETHORPE (1946-1989), AMERICAN LEATHER CROTCH, 1980 [MAP, 524] Silver print; inscribed “Steve Lloyde” dated 1980, numbered 2/15 and inscribed #524 [Map, 524] in black ink along the bottom edge verso, signed and dated 1980 in black ink to the artist’s studio stamp verso 20” x 16” — 50.8 x 40.6 cm. Provenance: Olga Korper Gallery, Toronto; The Estate of Tracy Dort-Kyne, Toronto $6,000—8,000

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Long-time companion of Mapplethorpe, Patti Smith wrote of his work in her 2010 book Just Kids, "Robert took areas of dark human consent and made them into art. He worked without apology, investing the homosexual with grandeur, masculinity, and enviable nobility. Without affectation, he created a presence that was wholly male without sacrificing feminine grace. […] He was presenting something new, something not seen or explored as he saw and explored it.”


Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

88 ROBERT MAPPLETHORPE (19461989), AMERICAN LISA LYON, 1980 [MAP, 462] Silver print; titled, dated 1980, numbered 2/15 and inscribed 462 [Map, 462] in pencil along the bottom edge verso, signed in pen and ink by the executor, Michael Ward Stout with “The Estate of Robert Mapplethorpe” stamp, dated 1980, in pencil verso 20” x 16” — 50.8 x 40.6 cm. Provenance: Olga Korper Gallery, Toronto; The Estate of Tracy Dort-Kyne, Toronto

$6,000—9,000

89 ROBERT MAPPLETHORPE (19461989), AMERICAN NYC CONTEMPORARY (BALLET), 1980 [MAP, 546] Silver print; titled “NYC Contemporary”, dated 1980, numbered 2/15 and inscribed #546 [Map, 546] in pencil along the bottom edge verso, signed in pen and ink by the executor, Michael Ward Stout with “The Estate of Robert Mapplethorpe” stamp, dated 1980, in pencil verso 20” x 16” — 50.8 x 40.6 cm. Provenance: Olga Korper Gallery, Toronto as “NYC Contemporary Ballet”; The Estate of Tracy Dort-Kyne, Toronto $4,000—6,000

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90 ANDY WARHOL (1928-1987), AMERICAN LIZ, 1965 [FELDMAN & SCHELLMANN, II.7] Colour off-set lithograph on wove paper; signed and dated 65 in black pen and ink to margin. From the edition of approximately 300 printed by Total Color, New York. Published by Leo Castelli Gallery, New York. Image 21.9” x 21.9” — 55.5 x 55.5 cm. $15,000—25,000

91 ANDY WARHOL (1928-1987), AMERICAN LADIES AND GENTLEMEN (NERA), 1975 [FELDMAN & SCHELLMANN, II.135] Colour silkscreen on heavy textured paper; signed, dated 75, inscribed “@ AWE” and numbered A.P. 3/25 in pencil along the bottom edge verso. Published by Luciano Anselmino, Milan. Sheet 44” x 28.9” — 111.8 x 73.5 cm. Provenance: Collection of the Late Georges Loranger, Toronto; By descent to his niece, Toronto $4,000—6,000

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

92 ANDY WARHOL (1928-1987), AMERICAN ONION SOUP (FROM CAMPBELL’S SOUP I), 1968 [FELDMAN & SCHELLMANN, II.47] Colour silkscreen on smooth wove paper; signed “Andy Warhol” in black ball-point pen, stamp-numbered “12/250” in black ink verso. Published by Factory Additions, New York. Sheet 34.9” x 23.1” — 88.7 x 58.7 cm. Provenance: Isaacs Gallery, Toronto; Art Gallery of Ontario Art Rental, Toronto while with Isaacs Gallery; Private Collection, Toronto $15,000—18,000

93 ANDY WARHOL (1928-1987), AMERICAN HOT DOG BEAN (FROM CAMPBELL’S SOUP II), 1969 [FELDMAN & SCHELLMANN, II.59] Colour silkscreen on smooth wove paper; signed “Andy Warhol” in black ball-point pen, stamp-numbered “82/250” in black ink verso. Published by Factory Additions, New York. Sheet 35” x 23” — 88.9 x 58.4 cm. Provenance: Isaacs Gallery, Toronto; Art Gallery of Ontario Rental, Toronto while with Isaacs Gallery; Private Collection, Toronto Note: With Christopher Hume’s Toronto Star newspaper article: “Andy Warhol dies in Sleep”/Pop Artist’s Campbell soup can started it all” (undated) attached to the verso. $12,000—15,000

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94 ANDY WARHOL (1928-1987), AMERICAN CAMPBELL’S SOUP CAN (TOMATO), 1966 [FELDMAN & SCHELLMANN II.4A] Colour silkscreen on paper shopping bag made by “Guild Paper Products Co., N.Y” stamp verso, from the edition of an unknown size, published by the Institute of Contemporary Art, Boston for the exhibition, October 1966. Unframed. Bag 19.5” x 16.9” — 49.5 x 42.9 cm.; 24.6” x 16.8” — 62.5 x 42.7 cm. $1,000—1,500

95 ATTRIBUTED TO THE FACTORY OF ANDY WARHOL (1928-1987), AMERICAN THREE VARIATIONS OF ANDY WARHOL’S ICONIC IMAGES: MARILYN MONROE; MARLON BRANDO; ELIZABETH TAYLOR Three colour silkscreens and acrylic paint on white acrylic sheets. Unsigned. Unframed. Sheets 48” x 36” — 121.9 x 91.4 cm. $4,000—6,000 *Additional information available on our website.

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

96 DORIS EMRICK LEE (1905-1983), AMERICAN BLOSSOM TIME, 1959 Colour lithograph; signed in pencil to margin. From an edition of 300. Image 18” x 24” — 45.7 x 61 cm. $300—500

97 JOSEPH RAFFAEL (1933-), AMERICAN POND WITH GOLDFISH, 2004 Colour silkscreen on Rives textured paper; signed and numbered 16/108 in pencil to margin. Unframed. Image 28.5” x 42” — 72.4 x 106.7 cm.; 35.5” x 48.4” — 90.2 x 123 cm. $700—900

98 LEROY NEIMAN (1921-2012), AMERICAN SKATEBOARDER Colour silkscreen; signed and dated ‘77 in the plate lower right; signed in black ink to the margin. With Certificate of Authenticity. 23.5” x 17.75” — 59.7 x 45.1 cm. Provenance: Centaur Sculpture Galleries, No. 29204 $200—300

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99 EDNA HIBEL (1917- ), AMERICAN AMELIA & CHILDREN, 1988 Colour lithograph on Rives paper; signed and numbered “XIII 1/10 ed 268” in pencil to margin, signed in black ink, titled and numbered from the edition of 268 (in 31 sections) plus 47 Artist’s Proofs to the Certificate of Authenticity label verso. Produced in Zurich, Switzerland. Image 39.25” x 28” — 99.7 x 71.1 cm. Provenance: Ken’s Art Center, Toronto; Private Collection, Toronto $400—600

100 GATJA HELGART ROTHE (1935- C. 2007), GERMAN/AMERICAN KIROV (RUDOLF NUREYEV) Colour silkscreen; signed, titled and numbered 29/300 in pencil to margin. Accompanied by a Certificate of Authenticity from Globe Art Distributors, Toronto dated November 2, 1978 verso. Sheet sight 35” x 21.75” — 88.9 x 55.2 cm. Provenance: Globe Art Distributors, Toronto Note: Rudolf Nureyev was born on March 17, 1938, in Irkutsk, Russia. After graduating from the Leningrad Ballet School, he became a soloist with the Kirov Ballet. $200—300

101 FRANCIS ROBERT KELLY JR. (1927-2012), AMERICAN SLEEP Etching; signed, titled and numbered 18/50 in pencil to margin Plate 5.75” x 11.6” — 14.6 x 29.5 cm. Provenance: The Estate of Dr. Ronald J. Osborne, Toronto $100—200

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

102 SIDNEY NOLAN (1917-1992), AUSTRALIAN MINER/ RED HELMUT (FROM LANDSCAPES), 1973 Colour silkscreen; signed and numbered 14/70 in pencil to margin, titled to gallery label verso. Image 29.5” x 29.75” — 74.9 x 75.6 cm. Provenance: Marlborough Godard, Toronto and Montreal $800—1,000

103 HEINRICH KUEHN (KUHN) (1866-1944) , AUSTRIAN STUDY (MISS MARY WARNER), (FROM CAMERA WORK, #33) Mezzotint photogravure from a gum print; titled and dated January 1911 to gallery label verso Sheet 7.5” x 5.5” — 19.1 x 14 cm. Provenance: Yarlow/Salzman Gallery , Toronto Literature: Camera Work #33 January 1911 Note: Mary was the nurse of the photographer’s child. $300—500

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104 AFTER THOMAS ROWLANDSON (1756-1827), BRITISH FIVE PLATES FROM DOCTOR SYNTAX: DR. SYNTAX AND THE GYPSIES; DR. SYNTAX SELLS GRIZZLE; DOCTOR SYNTAX IN HYDE PARK; DOCTOR SYNTAX TAKING POSSESSION OF HIS LIVING; DOCTOR SYNTAX (AND BANDITS) Five handcoloured engravings with aquatint with letters Together with: JOHN AUGUSTUS ATKINSON (1775-1883), BRITISH PRINCE BLUCHER UNDER HIS HORSE AT THE BATTLE OF WATERLOO Handcoloured etching and aquatint with letters. Published in 1815 by Edw. Orme, London. Plate sizes 4.25” x 7.25” — 10.8 x 18.4 cm.; 7.5” x 11” — 19.1 x 27.9 cm. $500—700 *Additional images available on our website.

105 AFTER WILLIAM JOHN HUGGINS (1781-1845), BRITISH THE SAMUEL ENDERBY, OF 422 TONS WILLIAM LISLE, COMMANDER LEAVING COWES ROAD FOR LONDON, SEPTEMBER, 1834 Handcoloured aquatint with letters; engraved by C. Rosenberg Plate 16” x 21.5” — 40.6 x 54.6 cm. Provenance: Britnell’s Art Gallery Ltd., Diamond Jubilee label, Toronto $400—600

106 JOHN CHARLES MOODY (18841962), BRITISH THE SHIPYARD Etching and drypoint; signed, titled, and numbered 30/75 in pencil to margin Plate 9.5” x 11.75” — 24.1 x 29.8 cm. $300—500

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

107 BENJAMIN FAWCETT (1808-1893), BRITISH BALLAN WRASS, PLATE CXXV, 1868 Colour woodcut engraving with letters; titled in the plate, dated and certified by the attached gallery certificate verso. Sight 5” x 8” — 12.7 x 20.3 cm. Provenance: The William Dennis Gallery (William Dennis & Son Limited), Victoria, B.C. Note: The design of this work was cut on a plank of boxwood. The boxwood block being allowed to mature for three years before cutting as recorded on the typed letter from The William Dennis Gallery verso. $200—300

108 AFTER FRANCIS CALCRAFT TURNER (BORN CIRCA 1782-1846), BRITISH THE YOUNG ENGLISH FOX HUNTER (PLATES 1 - 4): BREAKING COVER; FULL CRY; THE DEATH; THE DESSERT Set of four handcoloured aquatints and etchings with letters engraved by C. Hunt. Published by I.W. Laird in London in 1841. Each plate 15.5” x 23.75” — 39.4 x 60.3 cm. $400—500 *Additional images available on our website.

109 PETER HENRY EMERSON (18561936), BRITISH BRICKFIELD ON THE RIVER BURE, NORFOLK, 1888 (PL. 10 FROM PICTURES OF EAST ANGLIAN LIFE) Photogravure; signed in the negative lower left. Printed in an edition of 275. Image 5.2” x 11” — 13.2 x 27.9 cm. Provenance: Yarlow/Salzman Gallery, Toronto $300—500

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110 SIR NORMAN BISHOP HARTNELL (1901-1979), BRITISH DESIGNER FOR THE LADIES OF THE ROYAL FAMILY : PHOTOGRAPHIC PORTRAIT AND FOUR FASHION DESIGNS Four watercolour and pencil fashion designs including: Her Majesty the Queen (Sketch: 2); H.R.H. The Princess Margaret (2 studies); H.R.H. The Princess Elizabeth, marked “Reject”; each signed, titled and inscribed “Especially Designed for” or “Specially Designed for” along the bottom edges. Together with an autographed silver gelatin photographic portrait of the artist. Unframed. Photograph and Sheet sizes 8.25” x 6.26” — 21 x 15.9 cm.; 14” x 10” — 35.6 x 25.4 cm. $800—1,200 *Additional images available on our website.

111 FRANK MARTIN (1921-2005), BRITISH FOUR NUDE STUDIES: SEATED NUDE (2 VIEWS: FACING LEFT; FACING RIGHT); STANDING NUDE; RECLINING NUDE Four etchings; each signed, the first three numbered “III” in pencil to margin. Plate sizes respectively 7.75” x 5.75” — 19.7 x 14.6 cm.; 7.75” x 4.9” — 19.7 x 12.4 cm.; 7.75” x 4.75” — 19.7 x 12.1 cm.; 7.75” x 5.75” — 19.7 x 14.6 cm. Provenance: The Estate of Dr. Ronald J. Osborne, Toronto $300—500 *Additional images available on our website.

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

112 PETER BLAKE (1932- ), BRITISH BABE RAINBOW, 1968 [TATE GALLERY, 63] Colour silkscreen on tin; signed and dated 1967 in the plate. Commissioned and printed by Dodo Designs, London. Sheet 26” x 17.3” — 66 x 44 cm. $400—600

113 SIR EDUARDO PAOLOZZI (19242005), BRITISH UNTITLED (FROM AS IS WHEN), 1965 Colour lithograph; signed, dated 1965 and numbered 29/65 in pencil to margin. Sheet sight 32.5” x 22” — 82.6 x 55.9 cm. Provenance: The Estate of Ethel Myers, Toronto $600—900

114 JOHN LENNON (1940-1980), BRITISH HONEYMOON IN PARIS (PLATE 14 FROM BAG ONE), 1970 Lithograph; signed and numbered 139/300 in pencil. Sheet sight 22.5” x 29” — 54.4 x 73.7 cm. $1,000—1,500

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115 ANTHONY BENJAMIN (1931-2002), BRITSH SEVEN UNTITLED ABSTRACTS Seven colour screenprints on paper; variously annotated in pencil to lower margin as follows: the first, signed, dated ‘65, and numbered 4/8; the next, signed, dated ‘65, and numbered 7/8; the next, signed, titled “Doodles”, dated ‘69, and numbered 22/28; the next, signed, dated ‘68, and numbered “Artist’s print 4/7”; the next, signed, dated ‘68, and numbered 25/26; the next, signed, dated ‘68, and numbered 25/26; the next, signed, dated ‘68, and numbered AP 8/10; the last, signed, dated ’69, and numbered 6/30. All unframed. Various sizes and smaller 41.5” x 29.5” — 105.4 x 74.9 cm. $1,500—2,000

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

116 HENRY MOORE (1898-1986), BRITISH MOTHER AND CHILD WITH DARK BACKGROUND, 1976, [HM, 432] Colour lithograph; signed and numbered 14/30 in pencil to margin. Published by Raymond Spencer for the Henry Moore Foundation in an edition of 30. Image 13” x 13.25” — 33 x 33.7 cm. Provenance: Loranger Gallery, Toronto $800—1,200

117 HENRY MOORE (1898-1986), BRITISH FOUR RECLINING FIGURES CAVES, 1974 [CRAMER, 335] Colour lithograph; signed and annotated by the artist: “To/ John/from/Henry” in pencil to margin. Un-numbered, Artist’s Proof? aside from the edition of 100. Published by the Art Gallery of Ontario, Toronto. Printed by Curwen Prints, Ltd., London 17.5” x 23.3” — 44.5 x 59.2 cm. Provenance: Gifted directly from the artist to “John”; By descent $1,500—2,500

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118 HENRY MOORE (1898-1986), BRITISH RECLINING FIGURE PIRANESI BACKGROUND I, 1979 [CRAMER, 510] Etching and drypoint; signed and numbered IV/X in pencil to margin. One of 10 artist’s proofs aside from the edition of 50. Printed by Lacouriere and Frelaut, Paris. Published by Raymond Spencer Company Ltd., for the Henry Moore Foundation, Much Hadham. Plate 6.2” x 11” — 15.7 x 28 cm. Provenance: The Pallas Gallery Ltd., London $1,500—2,500

119 HENRY MOORE (1898-1986), BRITISH FOUR RECLINING FIGURES CAVES, 1974 [CRAMER, 335] Colour lithograph; signed and numbered 82/100 in pencil to margin. Published by the Art Gallery of Ontario, Toronto. Printed by Curwen Prints Ltd., London. Image 17.5” x 23.3” — 44.5 x 59.2 cm. $1,500—2,500

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

120 HENRY MOORE (1898-1986), BRITISH RECLINING FIGURES (COMPLETE PORTFOLIO OF 6), 1973 [CRAMER, 236-242]

Provenance: The Estate of Dr. Ronald J. Osborne, Toronto

Six colour lithographs on Arches paper; each signed, dated 73, and numbered 22/50 in pencil to margin, with title page and justification page. Printed by Curwen Prints, Ltd., London. Published by Societe Internationale d’Art XXe Siecle, Paris, text by G. di San Lazzaro. Contained in the original paper folio with tissue guards within the paper covered paste board portfolio box lettered “Moore” on the front cover and on the spine, lettered “Henry Moore/ Reclining Figures”. Overall portfolio 26.75” x 20.5” x 0.8” — 64.8 x 50.2 x 2 cm.; 25.5” x 19.75” — 64.8 x 50.2 cm. $7,000—10,000 *Additional images available on our website.

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121 STANLEY WILLIAM HAYTER (1901-1988), BRITISH COMBAT, 1953 [BLACK/MOOREHEAD, 210] Colour engraving with soft-ground etching; signed, numbered 31/220 and dated ‘53 in pencil to margin, signed “Hayter” and titled in pencil verso. Printed at Atelier 17. Published by La Guide Internationale de La Gravure, Geneva. Matted and unframed. Plate 11.5" x 7.7" — 29.3 x 19.6 cm.; Sheet 22" x 14.5" — 55.9 x 36.8 cm. Provenance: Greenwich Gallery, Toronto $1,500—2,500

122 STANLEY WILLIAM HAYTER (1901-1988), BRITISH CLAIRVOIE (1974) Colour etching and aquatint; signed, titled, dated ‘74 and numbered 52/75 in pencil to margin. Unframed. Sheet 22” x 29.5” — 55.9 x 74.9 cm. Provenance: The Fine Line Gallery, Toronto $300—500

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

123 GERTRUDE ANNA BETTHA HERMES (1901-1983), BRITISH THE WATERFALL, 1967 Colour woodcut; signed, titled, dated 1967 and numbered 16/50 in pencil to margin. Unframed. Image 35” x 24.6” — 88.9 x 62.5 cm. $2,000—3,000

124 WILLIAM KURELEK (1927-1977), CANADIAN BREAKAWAY, 1976 Colour half-tone lithograph; signed with monogram and dated ‘76 in the plate lower right, signed and numbered 623/950 in pencil to margin. Unframed. Image 11.7” x 29.5” — 29.7 x 74.9 cm.; 18.75” x 35.6” — 47.6 x 90.5 cm. $1,000—1,500

125 WILLIAM KURELEK (1927-1977), CANADIAN MAP OF METROPOLITAN TORONTO, 1976 Colour half-tone lithograph; signed with monogram and dated ‘76 in the plate lower right, signed and numbered 517/850 in pencil to margin. Published by Pagurian Press Limited, Toronto in 1976. Unframed. Image 23.5” x 28” — 59.7 x 71.1 cm. $800—1,200

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CANADIAN ARTIST CHRISTMAS CARDS Lots 126 – 139 We are pleased to offer the following collection of Canadian artist Christmas cards. Most were published by the Wm. E. Coutts Company in the late 1920’s and early 1930’s. These designs were commissioned from twenty-six Canadian artists, several of whom were members of the Group of Seven. The resulting silkscreens created slightly embossed images,

perfect for capturing the various scenes of wintertime jovialities and snow covered villages. As a result of this economic trouble of the era, coupled with the disposable nature of Christmas cards, a very limited number of these printed greetings remain in existence.

126 ALEXANDER YOUNG JACKSON (1882-1974), CANADIAN VINTAGE OF 1930 (CHRISTMAS CARD) Colour silkscreen heightened with watercolour on blue wove paper; signed and titled in blue pen and ink, a folded card opening with Jackson’s handwritten annotation: “To Chuck and Dorothy/ with best wishes/ from Alex Jackson... When Christmas cards used to be Canadian” in blue pen and ink. Unframed. Image 3.25” x 3.75” — 8.3 x 9.5 cm. Provenance: Christmas card sent to Chuck (Charles) and Dorothy (Matthews) from the artist in 1930 $400—600 *Additional images available on our website.

127 ALEXANDER YOUNG JACKSON (1882-1974), CANADIAN WINTER AFTERGLOW, 1931 (FROM COUTTS PAINTERS OF CANADA SERIES) Colour silkscreen on wove paper, dry mounted to the ruled Publisher’s matboard; signed with initials in the plate lower right. Unframed. Image 3.75” x 4.5” — 9.5 x 11.4 cm.; 13.25” x 9.5” — 33.7 x 24.1 cm. $400—500

128 ALEXANDER YOUNG JACKSON (1882-1974), CANADIAN OVER THE HILLS, 1931 (FROM COUTTS PAINTERS OF CANADA SERIES) Colour silkscreen on wove paper; signed with initials in the plate lower right, titled and dated 1931 to exhibition label verso 4.7” x 5.7” — 12 x 14.5 cm. Provenance: McCready Galleries Inc., Toronto Exhibited: Kitchener-Waterloo Art Gallery, (Kitchener, ON), c. 1990 $500—700

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

129 ALEXANDER YOUNG JACKSON (1882-1974), CANADIAN LATE AFTERNOON (FROM COUTTS PAINTERS OF CANADA SERIES) Colour silkscreen on wove paper; signed with initials in the plate lower left, titled to gallery label verso 3.25” x 4.75” — 8.3 x 12.1 cm. Provenance: McCready Galleries Inc., Toronto Exhibited: Kitchener-Waterloo Art Gallery, (Kitchener, ON), c. 1990 $400—600

130 GEORGE DOUGLAS PEPPER (1903-1962), CANADIAN SNOW TRAILS, 1931 (FROM COUTTS PAINTERS OF CANADA SERIES) Colour silkscreen on wove paper, dry mounted to the ruled Publisher’s matboard; signed in the plate lower right, titled and dated 1931 in an unknown hand to the verso backing. Image 3” x 3.5 “ — 7.6 x 8.9 cm. $300—400

131 RODY KENNY COURTICE (1895-1973), CANADIAN LAURENTIAN VILLAGE, 1931 (FROM COUTTS PAINTERS OF CANADA SERIES) Colour silkscreen on wove paper, mounted to publisher’s matboard; signed with initials in the plate lower left, titled to the verso of the original Coutts Christmas card where this print was cut from the cover of the folded published card, titled and dated to gallery label verso Image 3.7” x 4.7” — 9.5 x 12 cm. Provenance: A Christmas greeting card with text for Mr. and Mrs. H. Richardson, Vancouver Exhibited: Kitchener-Waterloo Art Gallery, (Kitchener, ON), c. 1990 $300—500

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132 JOSEPH SYDNEY HALLAM (1898–1953), CANADIAN THE START, 1931 (FROM COUTTS PAINTERS OF CANADA SERIES) Colour silkscreen on wove paper, dry mounted to the ruled Publisher’s matboard; signed in the plate lower right, titled to the Coutts biography label with framing instructions affixed to the verso. Image 3.5” x 4.5” — 8.9 x 11.4 cm. $300—400

133 JOSEPH SYDNEY HALLAM (1898–1953), CANADIAN SLEIGH PARTY, 1931 (FROM COUTTS PAINTERS OF CANADA SERIES) Colour silkscreen on wove paper; signed in plate lower right, titled to the verso of the original folded Coutts Christmas card where this print was cut from the cover of the published card. Matted and unframed. 5” x 6” — 12.7 x 15 cm. Provenance: A Christmas greeting card with text for Mr. and Mrs. E. Corbin White, London, ON $400—500

134 JOSEPH ERNEST SAMPSON (18871946), CANADIAN CUTTING THE CHRISTMAS TREE, 1931 (FROM COUTTS PAINTERS OF CANADA SERIES) Colour silkscreen on wove paper; signed in the plate lower left, titled to the accompanying typed exhibition label from the KitchenerWaterloo exhibition. Matted and unframed. Sheet 4” x 3.5” — 10.2 x 8.9 cm. Exhibited: Kitchener-Waterloo Art Gallery, (Kitchener, ON), c. 1990 $300—400

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

135 THOREAU MACDONALD (1901-1989), CANADIAN BLUEBIRD; DEER (FROM COUTTS PAINTERS OF CANADA SERIES), 1931 Two colour silkscreens on wove paper; each signed with initials in the plate lower right, each titled to the verso of the original folded Coutts Christmas card where this print was cut from the cover of the published card. Each matted and unframed. Each image 3.8” x 3.3” — 9.6 x 8.3 cm.; 8.1” x 9.3” — 20.6 x 23.6 cm. Exhibited: Kitchener-Waterloo Art Gallery, (Kitchener, ON), c. 1990 $300—400

136 WALTER JOSEPH PHILLIPS (18841963), CANADIAN WEST COAST VILLAGE, 1931 (FROM COUTTS PAINTERS OF CANADA SERIES) Colour silkscreen on wove paper, dry mounted to the Publisher’s ruled matboard; signed with initials in the plate lower left. Unframed. Image 3.75” x 4.5” — 9.5 x 11.4 cm.; 13.25” x 9.5” — 33.7 x 24.1 cm. $300—500

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137 LIONEL LEMOINE FITZGERALD (1890-1956), CANADIAN ROOFTOPS, CIVIC AUDITORIUM, CIRCA 1938 Linocut; inscribed “Vally and LeMoine FitzGerald” on the accompanying mounted sheet to the mat below. Plate 4” x 5.5” — 10.2 x 14 cm. Provenance: Private Collection, Montreal Literature: Helen Coy, FitzGerald as Printmaker: A Catalogue Raisonné of the First Complete Exhibition of the Printed Works, University of Manitoba Press, 1982, page 84, Cat No. 83 for Rooftops, Civic Auditorium, reproduced. Note: This linocut was executed 1938. It was sent as a greeting card signed by Vally (Felicia, the artist’s wife) and LeMoine FitzGerald in pencil. $500—700 *Additional images available on our website.

138 LIONEL LEMOINE FITZGERALD (1890-1956), CANADIAN VIEW OF CITY THROUGH A WINDOW, 1946 Linocut on japon paper; signed and inscribed: “Merry Christmas. 1946 Vally Lemoine FitzGerald” in pencil to margin. Unframed. Plate 5.1” x 2.9” — 13 x 7.3 cm.; 5.7” x 6.1” — 14.4 x 15.4 cm. Provenance: Private Collection, Waterloo Literature: Helen Coy, FitzGerald as Printmaker: A Catalogue Raisonné of the First Complete Exhibition of the Printed Works, University of Manitoba Press, 1982, page 90, Cat. No. 91 for View of City, reproduced. $500—700 *Additional images available on our website.

139 ROWLEY WALTER MURPHY (1891-1975), CANADIAN OLD QUEEN’S WHARF, 1837; GREAT WESTERN RAILWAY; TORONTO’S FIRST CUSTOM HOUSE AND POST OFFICE FREDERICK STREET, 1801 (WITH HISTORIC DATES) $300—400 *Additional information and images available on our website.

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Three handcoloured engraved prints; the first, titled and dated 1837 in the plate; the next, signed with artist’s monogram in the plate lower right; the next signed with artist’s monogram and titled in the plate. Accompanied by two mailing envelopes, postmarked Dec. 21, 1929 and Dec. 22/1930 attached to the verso. Three prints framed together. Each plate 4.75” x 6” — 12.1 x 15.2 cm. Provenance: Two cards sent to Mr. & Mrs. J. Holland, Oshawa in 1929 and 1930


Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

140 CECIL TREMAYNE BULLER (1888-1973), CANADIAN BATHERS AT THE BEACH Lithograph; signed and numbered 7/10 in pencil to margin. Image 9.75” x 13.25” — 24.8 x 33.7 cm. $500—700

141 MARION FLORENCE S. MACKAY NICOLL (1909-1985), CANADIAN HEAVENLY HOST; MOTHER AND CHILD, 1964 Two colour clay prints, the first on japon paper; the latter on Mulberry paper; each signed, titled, inscribed “clay print”, dated 1964 and numbered 2/10 and 4/15 respectively in pencil to margin, each with catalogue numbers K859 and K1431 verso. Image 10.75” x 13” — 27.3 x 33 cm.; 10.25” x 9.25” — 26 x 23.5 cm. Provenance: Kensington Downtown Fine Art Gallery Limited, Calgary $600—900

142 ANNE KAHANE (1924- ), CANADIAN FIVE GREETING CARDS AND POSTERS: CHEERS!; PAIX 985; MAN WEARING GLASSES (GEORGE LORANGER); PAIX 984; TRUMPETING ANGEL Five colour block prints, four on japon paper; three signed from Anne and her husband, Robert (Langstadt) Some folded. Unframed. Various sizes and smaller 23.75” x 18” — 60.3 x 45.7 cm. Provenance: From the artist sent to Georges Loranger, Toronto art dealer; By descent to his niece, Toronto Note: Anne Kahane former art professor at McMaster University, Hamilton, Ontario (1980-1982) was the wife of Canadian artist Robert Langstadt (1912-1987) whose woodcuts are also being offered in this sale, Lot 169 $300—500 *Additional images available on our website.

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142A HAROLD BARLING TOWN (1924-1990), CANADIAN SENTRIES CHALLANGE, 1959 Single autographic colour print (”SAPs”); signed, dated -59 and numbered 1-1 in pencil to margin, titled and dated ‘”Sentries Challenge”... S.A.P. & Collage ...1959’ to typed labels verso. Image 17.75” x 24” — 45.1 x 61 cm. Provenance: Galerie Dresdnere, Montreal, inventory number 5164; Charles Bronfman’s Claridge Collection, Montreal Note: Proceeds to benefit Historica Canada. Town referred to his single autographic prints as “SAPs”. $1,000—1,500

142B HAROLD BARLING TOWN (1924-1990), CANADIAN THE MAGIC MOUNTAIN, 1959 Single autographic colour print (”SAPs”); signed, dated 59- and numbered 1-1 in pencil to margin, titled and dated ‘”Magic Mountain”... HOR. S.A.P. ...1959’ to typed labels verso. Image 18” x 24” — 45.7 x 61 cm. Provenance: Galerie Dresdnere, Montreal; Charles Bronfman’s Claridge Collection, Montreal Note: Proceeds to benefit Historica Canada Town referred to his single autographic prints as “SAPs”. $1,000—1,500

143 HAROLD BARLING TOWN (1924-1990), CANADIAN ONTARIO PLACE (POSTER) Colour poster on paperboard; signed, dated 70 and numbered 283/500 in pencil along the top edge, with letters: “This poster is one of 500 first edition reproductions signed by the artist Harold Town” Sight 57.75” x 41” — 146.7 x 104.1 cm. Note: This poster was designed by Town to celebrate the opening of Toronto’s Ontario Place, Toronto in 1971. $200—300

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

144 CHARLES PACHTER (1942- ), CANADIAN DAVENPORT AND BAY, 1984 Colour silkscreen; signed, titled, dated ‘84 and numbered 130/150 in pencil. Sight 23.75” x 15.75” — 60.3 x 40 cm. Literature: Bogomila Welsh-Ovcharov, “Charles Pachter”, McClelland and Stewart Inc., Toronto, 1992, page 96 (fig. 102), where the original painting is reproduced in colour. $600—800

145 CHARLES PACHTER (1942- ), CANADIAN STREETCAR CIRCUS Colour lithograph; faintly signed and numbered 1/5? and inscribed beside it, possibly “Artist Proof” along the bottom edge in red pencil, signed and inscribed: “For Alison and David” in the windows of the bottom streetcar in sepia toned pen and ink. Together with three additional streetcar themed exhibition posters and prints including: “Queen West Summer Fair, July 17, 24, 31”, colour lithographic poster with letters; “Queen West Street Fair, June 13 14 15 1980”, colour lithographic poster on shiny paper with letters; “Cloudcars”, 1971, colour reproduction on paper; signed, titled and dated 71 in the plate. The last three unframed.

Sheet 28.5” x 19.25” — 72.4 x 48.9 cm.; 14.5” x 23.25” — 36.8 x 59.1 cm.; 20” x 16” — 50.8 x 40.6 cm.; 28.5” x 22” — 72.4 x 55.9 cm. $100—200

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146 DAVID LLOYD BLACKWOOD (1941- ), CANADIAN AUNT MAG FELTHAM ON BRAGG’S ISLAND! LOOKING OUT FOR “SOME SIGN”, 1969 Colour etching and aquatint; signed, titled, dated 1969 and numbered “Artist’s proof” in pencil to margin Plate 31.75” x 19.75” — 80.6 x 50.2 cm. Provenance: Gallery Pascal, Toronto $2,000—3,000

147 DAVID LLOYD BLACKWOOD (1941- ) , CANADIAN HOME IN SAFE HARBOUR, 1980 Colour etching and aquatint; signed, titled, dated 1980 and numbered 30/50 in pencil to margin Plate 15.75” x 19.75” — 40 x 50.2 cm. $2,000—3,000

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

148 DAVID LLOYD BLACKWOOD (1941- ), CANADIAN SS. IMOGENE LEAVING FOR THE ICEFIELDS, 1973 Colour etching and aquatint; signed, titled, dated 1973 and numbered “Artist’s proof” in pencil to margin Plate 19.75” x 31.5” — 50.2 x 80 cm. $1,500—2,000

149 DAVID LLOYD BLACKWOOD (1941- ), CANADIAN PORTRAIT OF HEBER FIFIELD AS A GREAT MUMMER, 2000 Colour etching and aquatint; signed, titled, dated 2000 and numbered “Working proof number 10” in pencil to margin Plate 35.5” x 23.75” — 90.2 x 60.3 cm. Provenance: Abbozzo Gallery, Oakville, ON; Collection, Toronto $2,000—3,000

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150 WALTER JOSEPH PHILLIPS (1884-1963) , CANADIAN SOFT MAPLE, 1936 [MBL135] Colour woodcut; signed and numbered 54 in pencil to margin, titled to label verso. Recorded as “edition unknown”. Plate 4” x 4.25” — 10.2 x 10.8 cm. $700—900 *Additional information available on our website.

151 WALTER JOSEPH PHILLIPS (1884-1963) , CANADIAN SMOKE HAZE, LAKE OF THE WOODS, 1935 [MBL212] Colour woodcut on japon paper; signed in pencil to margin, titled to label verso. Executed in an edition of 100 (a further 100 were issued in 1936) for a total edition of 200. Plate 5.7” x 8.4” — 14.5 x 21.3 cm. $800—1,200 *Additional information available on our website.

152 WALTER JOSEPH PHILLIPS (1884-1963), CANADIAN TREE SHADOWS ON SNOW, 1922 [MBL65] Colour woodcut; signed in pencil to margin, titled to label verso. Executed in an unknown edition. Plate 4.1” x 6.1” — 10.3 x 15.4 cm. $800—1,200 *Additional information available on our website.

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

153 WALTER JOSEPH PHILLIPS (1884-1963), CANADIAN AGAMEMNON CHANNEL, B.C., 1936 [MBL215] Colour woodcut on japon paper; signed in pencil to margin, titled to label verso. Printed in an edition of 200. Plate 3.25” x 8.5” — 8.3 x 21.6 cm. $700—900 *Additional information available on our website.

154 WALTER JOSEPH PHILLIPS (1884-1963), CANADIAN WILLOW DRIVE, MADISON, 1920 [MBL53] Colour woodcut on paper; signed, numbered 1/50 and annotated “To Mrs. Fairburn” in pencil to margin Plate 3.75” x 11.5” — 9.5 x 29.2 cm. $800—1,200 *Additional information available on our website.

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155 WALTER JOSEPH PHILLIPS (1884-1963), CANADIAN MAMALILICOOLA, BRITISH COLUMBIA, 1928 [MBL112]

Provenance: By descent to the present Private Collection, Toronto from her father (first President of the Robert McLaughlin Gallery, Oshawa) in the late 1970’s, having been with the family since at least the early 1960’s.

Colour woodcut on japon paper; signed in the plate lower right. Aside from the edition of 100.

Literature: Roger H. Boulet, “The Tranquility and the Turbulence, The Life and Work of Walter J. Phillips”, illustrated in colour, p. 100; pgs. 97-101 Duncan Campbell Scott, “W.J. Phillips,” Canadian Art Series, the Ryerson Press, Toronto, p. 46, illustrated p. 19, cited p. 57, Cat. No. 77

Image 12” x 13.9” — 30.5 x 35.2 cm. $25,000—35,000

Note: Phillips made his first sketching trip to the West Coast in 1927 during a visit to his sister Edith and her husband Robert Sharp at Alert Bay. Phillips’ account of this trip, where his interest in totem poles was awakened during a sight-seeing tour, is recorded in Boulet. [pgs. 97-101]: “Now the totems were of great interest to me, as examples of primitive art, and I wept when he [the tour guide] said that the method of making them was lost in the mists of antiquity. [...] Alert Bay — the Papeete of the North Pacific — they said, was the place to go to. I went. [...] The town is built on a strip of land above the beach — a single street with a long and tenuous water-front, facing the sea, and brushing the fringe of the forest. [...] The surroundings of Mamalilicoola are beautiful, and the village itself, larger than the other as we saw it from the sea, was strongly attractive. I was anxious to walk its single street. The bay in which we lay was secluded. The shore was obscured by a dense forest, which limited our view. On the chance that there was a trail within it leading to the village, we rowed to the head of the bay in the dinghy, and stepped ashore. There was indeed an old blazed trail, and a walk of a mile or more in a green twilight brought us to our objective. We entered a strange world as we emerged from a mass of head-high nettles on the sward immediately beneath a tall and magnificent totem-pole. It stood in front of a community house, the pediment of whose facade was carved and painted with an allegorical figure of the sun, flanked by two fishes. As we turned to the sea we looked upon a crescent beach, gleaming white with broken clam shells. A long and sinuous pier of floating logs indicated a good deal of canoe traffic.”

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156 CHRISTOPHER PRATT (1935- ), CANADIAN HOUSE AT PATH END, 1977 (IN FIVE STATES) Five colour silkscreens on paper in five states; each signed, titled, dated Jan 1977, and annotated with the final state being numbered 43/55 in pencil, the four progressive states (I/V - IV/V) further inscribed alongside the titles as follows: “Lines”; “Shadows” “Stencils 1 + 2”; and “Stencils 1 + 2 + 3” in pencil to margin Each image 15” x 30” — 38 x 76.1 cm. $8,000—12,000

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Provenance: Two with Mira Godard Gallery, Toronto labels verso; From whom purchased by the present, Private Collection, Toronto. Literature: Christopher Pratt, “Personal Reflections on a Life in Art”, Introduction by David Silcox, Key Porter Books, 1995, pgs. 111 - 117, the final state illustrated in colour p. 117 Note: In reference to “House at Path End”, Pratt comments, “I thought this print would be an extension of ‘March Night’ (a 1976 Pratt oil on board cited in the above book). I was aiming for optimism, the house bright against the darkness, but it did not turn out that way. The windows, and the wire pole, complicate the image...” The house depicted is similar to many houses in the small community of St. Mary’s Bay, Newfoundland where Pratt lives and works, called “Path End”. Pratt says the circumstances in his life and to those around him forced him to alter the mood of the final “House at Path End”.


Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

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157 CHRISTOPHER PRATT (1935-), CANADIAN WALL FACING WEST, 1980 Colour silkscreen; signed, titled, dated March 80, and numbered 23/50 in pencil to margin Image 15” x 32” — 38.1 x 81.3 cm. Provenance: Mira Godard Gallery, Toronto; From whom purchased by the present, Private Collection, Toronto. $3,000—4,000

158 MICHAEL THOMPSON (1954- ), CANADIAN PATTY AND A FULL MOON, 1979 Lithograph on Arches paper; signed, titled, dated ‘79 and numbered 9/35 in pencil to margin. Unframed. Image 25” x 18” — 63.5 x 45.7 cm. $200—300

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

159 DAVID ALEXANDER COLVILLE (19202013), CANADIAN RAVEN, 1990 Colour silkscreen with letters; signed, dated 1990 and numbered 42/70 in pencil to margin Image 29.5” x 18.75” — 76.8 x 50.2 cm. Literature: Michael Bell, Colville, Being Seen: The Serigraphs, Carleton University Art Gallery, Ottawa, 1994, page 64, fig. 30, for Raven, reproduced; Helen J. Dow, “The Art of Alex Colville”, McGrawHill Ryerson Limited, Toronto, 1972; Philip Fry, Alex Colville, Paintings, Prints and Processes 1983 - 1994, the Montreal Museum of Fine Arts, 1994, page 165, reproduced page 167, nine preparatory drawings for this print reproduced page 140 and four preparatory drawings reproduced page 166 $3,500—4,500 *Additional information available on our website.

160 DAVID ALEXANDER COLVILLE (1920-2013), CANADIAN CAT ON THE FENCE, 1956 Colour silkscreen; signed and dated 1956 in pencil lower right, signed, titled, dated 1956 and annotated by the artist: ”Serigraph edition of 20 only” in pencil verso. Image 21” x 28” — 53.3 x 71.1 cm. $8,000—10,000 *Additional information available on our website.

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161 EDWIN HEADLEY HOLGATE (1892-1977), CANADIAN LABRADOR KITCHEN Woodcut on japon paper; signed and numbered 11/30 in pencil to margin. 11.25” x 8.5” — 28.6 x 21.6 cm. $3,000—4,000

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Literature: Rosalind Pepall and Brian Foss (eds.), Edwin Holgate, Montreal Museum of Fine Arts, Montreal, 2005, for François-Marc Gagnon’s chapter entitled, “Edwin Holgate and Rural Life” and page 34, cat. no. 170 for Labrador Kitchen (Collection of the National Gallery of Canada), reproduced. Note: Holgate’s treatment of interior rooms was not dissimilar to his treatment of a portrait or a landscape. The interior alone is the main subject. Gagnon in his chapter on Holgate’s rural works states, “Holgate made several images – both prints and paintings – of French-Canadian interiors, not in order to show human figures in their habitual setting, but (since in most cases they are entirely devoid of figures) as ends in themselves. The only subject, in these unusual works, is the interior.”


Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

162 FRITZ BRANDTNER (1896-1969), CANADIAN MOUNTAINS, 1930; LOOKING UP BONSECOURS STREET, MONTREAL, 1941 The first, linocut on japan paper; signed, titled and dated 1930 in pencil to margin. The latter, colour woodblock; titled, dated 1941 and indistinctly annotated in pencil to margin. Matted. Both unframed. Image 10” x 8” — 25.4 x 20.3 cm.; 11.75” x 10.5” — 29.8 x 26.7 cm.; 4.5” x 3.5” — 11.4 x 8.9 cm. Provenance: Louis Muhlstock, Montreal; By descent to present Private Collection, Montreal $1,000—1,500 *Additional images available on our website.

163 FRITZ BRANDTNER (1896-1969), CANADIAN RIDERS Colour silkscreen on wove paper; signed in the plate lower right, signed and numbered 12/50 in pencil to margin, artist’s studio stamp at 1154 Beaver Hall Sq., in black ink number “LA. 2658” verso. Unframed. Image 9.1” x 12.8” — 23.2 x 32.5 cm. Provenance: Louis Muhlstock, Montreal; By descent to present Private Collection, Montreal $900—1,200

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164 ROBERT WAKEHAM PILOT (1898-1968), CANADIAN THE STUDIO Etching with tone; signed and titled in pencil to margin. Plate 1.9” x 2.8” — 4.7 x 7.2 cm. $200—300

166 ROBERT WAKEHAM PILOT (1898-1968), CANADIAN OLD FORT, CHAMBLY Etching with tone; signed, titled ”Fort Chambly” and indistinctly inscribed beside it with a possible date “/15”? in pencil to margin. Plate 1.8” x 4.3” — 4.5 x 11 cm. $700—900

167 JEAN PAUL RIOPELLE (1923-2002), CANADIAN PARLER DE CORDE, L’INDIEN, 1972 Colour lithograph; signed and numbered 31/75 in pencil to margin. Sheet sight 13.75 “ x 10.75” — 34.9 x 27.3 cm. Provenance: With Burlington Art Shop Limited, Edmonton, Alberta Literature: Yseult Riopelle, Jean-Paul Riopelle Catalogue of Graphic Works, 2005, reproduced page 39, catalogue #1972.25EST.ALB $1,000—1,500

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

168 ROBERT BORDEAU (20TH CENTURY), CANADIAN ROBERT BOURDEAU (LIMITED EDITION PHOTOGRAPHIC ALBUM), 1979 Limited edition book with 32 plates printed actual szie from contact prints, with the exception of 8, 9 and 10 which are enlargements from 5” x 7” negatives. Produced by the National Film Board of Canada, printed by Herzig Somerville Limited, Toronto in 1979 in a limited edition of 800 copies, this being signed and numbered 274 one of the 369 which are signed and numbered in ink to the title page. In a linen covered slip case. Overall 14” x 17” — 35.6 x 43.2 cm. Provenance: Jane Corkin Gallery, Toronto $200—300 *Additional images available on our website.

169 ROBERT LANGSTADT (1912-1987), GERMAN/CANADIAN QUE CAIS-JE?, 1972; MEETING RENCONTRE, 1962 Two woodcuts on japon paper; the former, a colour woodcut; signed and titled in the plate, signed and numbered 9/10 in pencil to margin, the latter, signed, dated /62 and numbered 2/15 in pencil to margin, titled and dated 1962 to a typed unknown gallery label No. 13 verso. Sheet 20.75” x 15” — 52.7 x 38.1 cm.; 21.25” x 7.25” — 54 x 18.4 cm. $100—200 *Additional information available on our website.

170 ANDRE DUFOUR (1929- ), CANADIAN LES RETARDATAIRES, 1976 Colour block print with texture; signed, titled, dated 1976 and numbered 29/35 in pencil to margin. Unframed. Image 9.5” x 12” — 24.1 x 30.5 cm.; 13” x 20” — 33 x 50.8 cm. $150—250

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171 PAUL VANIER BEAULIEU (1910-1996), CANADIAN CLOWN ET ARLEQUIN, 1956 Colour lithograph on BFK Rives watermarked paper; signed, dated 56 and numbered 15/50 in pencil to margin. Unframed. Image 19” x 15” — 48.3 x 38.1 cm.; 22” x 18” — 55.9 x 45.7 cm. Provenance: Louis Muhlstock, Montreal; By descent to present Private Collection, Montreal $300—500

172 PAUL VANIER BEAULIEU (1910-1996), CANADIAN NATURE MORTE AU MORTIER & PRUNES, 1956 Colour lithograph on BFK Rives watermarked paper; signed, dated 56 and numbered 6/50 in pencil to margin. Unframed. Image 12” x 19” — 30.5 x 48.3 cm.; 15” x 22” — 38.1 x 55.9 cm. Provenance: Louis Muhlstock, Montreal; By descent to present Private Collection, Montreal $300—500

173 ALFRED PELLAN (1906-1988), CANADIAN SANS TITRE Colour screen print; signed and numbered 38/40 in pencil to margin. Unframed. Image 11.2” x 8.5” — 28.4 x 21.6 cm.; Sheet 26” x 19” — 66 x 48.3 cm. Provenance: Louis Muhlstock, Montreal; By descent to present Private Collection, Montreal Note: A near identical cross shape of the female form can be found in Pellan’s 1959 Fragment de lune (oil, silica on canvas, 13 x 18, Collection of Mr. & Mrs. Norman Lupovitch, Montreal) See detail in Germain Lefebvre, Pellan, (McClelland and Stewart, Toronto, 1973), pgs. 66-7 $600—800

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

174 ALFRED PELLAN (1906-1988), CANADIAN BESTIAIRE, 1982 Colour etching and aquatint on Arches paper; signed, dated 82 and numbered “Bon a Tirer 2/2” in pencil to margin. Unframed. Plate 17.4” x 24.75” — 44.2 x 62.9 cm.; 22” x 30” — 55.9 x 76.2 cm. Provenance: Louis Muhlstock, Montreal; By descent to present Private Collection, Montreal $700—900

175 ALFRED PELLAN (1906-1988), CANADIAN SOLDAT, 1971 Colour silkscreen; signed, titled, dated 1971 and numbered 39/100 in pencil to margin. Sheet 25.8” x 19.9” — 65.5 x 50.5 cm. $700—900

176 ALFRED PELLAN (1906-1988), CANADIAN SIX FLEURS, 1981 Colour etching on Arches paper with blind stamp; signed, titled, dated 81 and numbered “épreuve d’éditeur” in pencil to margin. Unframed. Plate 7” x 7.5” — 17.8 x 19.1 cm.; Sheet 19.75” x 12.75” — 50.2 x 32.4 cm. Provenance: Louis Muhlstock, Montreal; By descent to present Private Collection, Montreal $600—800

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177 YVES GAUCHER (1934-2000), CANADIAN SA, 1962 Colour embossed etching on laminated papers; signed, titled, dated ‘62 and numbered 1/25 in pencil Sheet 41.5” x 28.7” — 105.4 x 72.9 cm. Note: “Laminated papers” refers to a process whereby the artist has amalgamated a number of layers of hand-made paper to achieve a very thick single sheet of paper. $4,000—6,000

178 RITA LETENDRE (1928- ), CANADIAN AVIVA 25TH ANNIVERSARY, ART SHOW, SIMPSON’S ARCADIAN COURT, WED. APRIL 13, 1977 (POSTER) Colour silkscreen; signed and numbered 62/250 in pencil under the image. Sheet sight 39” x 26” — 99.1 x 66 cm. $300—500

179 CLAUDE TOUSIGNANT (1932- ), CANADIAN DIAGONALES, 1971 Colour silkscreen; signed, dated 1971 and numbered 21/25 in pencil. Sheet sight 19.25" x 25" — 48.9 x 63.5 cm. $800—1,200

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

180 CLAUDE TOUSIGNANT (1932-), CANADIAN SANS TITRE (SERIES OF SIX ABSTRACTS), 1975

Provenance: Private Collection, Western Canada

Six colour silkscreens on paper; each signed and dated 75 in pencil lower right, each plate in the series from #1-#6 are numbered in order as follows: #1 - 55/60; #2 - 53/60; #3 - 58/60; #4 - 51/60; #5 - 55/60; #6 - 51/60 in pencil lower left Sheet each 25” x 38” — 63.5 x 96.5 cm. $8,000—10,000 *Additional information available on our website.

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181 GUIDO MOLINARI (1933-2004), CANADIAN UNTITLED, 1992 Colour silkscreen; signed, dated 1992 and numbered 5/9 in pencil to margin. Image 22.3” x 22.25” — 56.7 x 56.5 cm. $2,500—3,500

182 BETTY ROODISH GOODWIN (1923-2006), CANADIAN VEST FOR BUEYS, 1972 Etching; signed, titled, dated “3 - 1972” and numbered 14-15 in pencil to margin, stamped “APPROVED” mounted with a silvered seal lettered “Neuville” to the lower right margin. Plate 21.5” x 27.5” — 54.6 x 69.9 cm. Provenance: Acquired directly from the artist; Private Collection, New Brunswick; Collection, Alberta $6,000—8,000

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

183 UNIVERSITY OF GUELPH ARTIST PRESS PORTFOLIO, 2004 , CANADIAN THE SET OF THREE PRINTS INCLUDING: TONY SCHERMAN (1950- ), MONICA TAP (1962- ) AND DAVID URBAN (1966- ) Three colour lithographs; each signed and numbered 2/30 in pencil. Published by the University of Guelph School of Fine Art and Music. With the portfolio. Sheets 30.25” x 20.25” — 76.8 x 51.4 cm. $1,800—2,400 *Additional images available on our website.

184 TONY SCHERMAN (1950-), CANADIAN BOUQUET-4355, 2001 Aquatint on paper; signed, dated 2001, numbered 10/40 and inscribed “To Darin Best Wishes” in pencil to margin. Plate 23.5” x 17.25” — 59.7 x 43.8 cm.; 33” x 25.25” — 83.8 x 64.1 cm. Provenance: Gifted to Darin Yorston from the artist $400—600

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185 WILLIAM PEREHUDOFF (1918-2013), CANADIAN LA PLONGE #12 Colour lithograph; signed, titled and numbered 21/75 in pencil to margin. Unframed. Image 21” x 28.75” — 53.3 x 73 cm.; 26.75” x 36.25” — 67.9 x 92.1 cm. $400—600

186 GERALD GLADSTONE (1929-2005), CANADIAN UNTITLED (FROM THE TORONTO 20 PORTFOLIO, 1965) Colour offset lithograph; signed and numbered 40/110 in black ink. Sheet 26” x 19.75” — 66 x 50.2 cm. $500—700

187 GENERAL IDEA (FL. 1967 TO 1994), CANADIAN PLA©EBO (HELIUM) Three multicoloured, uninflated mylar balloons; signed and numbered 13/250 in pencil on the accompanying Museum of Contemporary Art, Chicago publication page with printed title. Each folded. Unframed. Each 15” x 34” — 38.1 x 86.4 cm. $400—600

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

188 VALERIE C. BURTON (1945- ), CANADIAN CLIGNANCOURT MARKET RESTAURANT, PARIS Digital colour scan print from the original 35 mm colour negative; signed, titled and numbered 4/10 verso backing. 16.5” x 12” — 41.9 x 30.5 cm. Note: This print is a digital scan from the original 35 mm negative done in Paris originally produced in an edition of five as part of a project the artist was working on in Europe. It is a universally popular image that won best in show when recently exhibited. The digital scan was executed in an edition of ten this being numbered 4/10 by the artist verso backing. $600—800

189 VALERIE C. BURTON (1945-), CANADIAN IT’S THE REAL THING (MAYAN WOMAN WITH COCA COLA), KINI, YUCATAN, MEXICO, 1996 Digital colour print; signed and numbered 2/10 in ink to margin. Second edition. Image 21.75” x 21.75” — 55.2 x 55.2 cm. Exhibited: Solo exhibition at the National Museum of Anthropology, Mexico City, 2004 $1,000—1,200

190 DAVID T. ALEXANDER (1947-), CANADIAN MY OLD MAN THE LOG THEIF (SIC), 1992 Colour oil monotype on paper; signed, titled, dated 92 and numbered 1/1 in pencil to margin. Matted and unframed. Plate 17.5” x 21.75” — 44.5 x 55.2 cm. $400—600

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191 ROBERT MCLELLAN BATEMAN (1930- ), CANADIAN WINTER TRACKERS-COYOTE, 1991 Colour offset lithograph; signed and numbered 283/4500 in pencil to margin. Reproduced in 1992 after the acrylic painting executed in 1991. Published by Millpond Press Inc., Venice, Florida with 76 Artist’s proofs. With Certificate of Authenticity. 18.5” x 32.5” — 47 x 82.6 cm. Provenance: Mill Pond Press, Venice, Florida $150—250

192 DAVID SILVERBERG (1936- ), CANADIAN MIEKO AND KAMIGAMO Colour etching; signed, titled and numbered 42/120 in pencil to margin. Plate 20” x 14” — 50.8 x 35.6 cm. $200—300

193 DAVID R. COWLES (1950- ), AMERICAN/CANADIAN MOROCCAN INTERIOR WITH BOXING RING; COURTYARD OF THE ATTARINE MEDERSA (12994); GLAOUI KASBAH, WINDOW #2 (12430) Three gold toned gelatin chloride prints; the first title, signed, dated 2000 and numbered APII in pencil to the mount, the latter two, each signed, and dated 2000, numbered 4/10 and 6/10 respectively in pencil to the mount, the last two, titled to gallery label verso Each Image 18.75” x 14.9” — 47.6 x 37.8 cm.; 9.5” x 7.5” — 24.1 x 19.1 cm. Provenance: Marcia Rafelman Fine Arts, Toronto (the last two titles with gallery labels verso) $400—600 *Additional images available on our website.

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

194 JOHN REEVES (1938-), CANADIAN MARSHALL MCLUHAN, 1967 Toned gelatin silver print; initialed in pencil, stamped signed and dated 1967 verso Together with: JUSTIN CHAN (20th Century), AMERICAN NUDE IN PROFILE Gelatin silver print; signed in pen and ink to margin. Each unframed. 6.75” x 4” — 17.1 x 10.2 cm.; 10” x 8” — 25.4 x 20.3 cm.; 10” x 7.75” — 25.4 x 19.7 cm. Provenance: Jane Corkin Gallery, Toronto $200—300

195 CYLLA VON TIEDEMANN (20TH CENTURY), GERMAN/CANADIAN TOUCH, 1996 Gelatin silver print; signed in black ink to margin, signed, titled, dated 1996 and numbered 6/15 in pencil verso. 16” x 20” — 40.6 x 50.8 cm. Provenance: Jane Corkin Gallery, Toronto Note: Von Tiedemann is a Performing Arts and motion photographer, who also conducts workshops at photographyMoves, in Toronto, ON, Canada. $500—700

196 CYLLA VON TIEDEMANN (20TH CENTURY), GERMAN/CANADIAN MARRIAGE , 1991 Gelatin silver print; signed in ink to margin; signed, titled, dated and numbered 1/15 to gallery label verso Image 14.25” x 13.75” — 36.2 x 34.9 cm. Provenance: Jane Corkin Gallery, Toronto $500—700

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197 CYLLA VON TIEDEMANN (20TH CENTURY), GERMAN/CANADIAN WINGS OF DECISION, 1991 Silver print; signed, titled, dated ‘91 and numbered 1/30 in pencil verso. Matted and unframed. Image 17.25” x 13.75” — 43.8 x 34.9 cm. $200—300

198 MARK BRICKELL (20TH CENTURY) , CANADIAN UNTITLED (WILD ORCHID), 1992 Mixed media on handmade japon paper; signed and dated ‘92 in pencil to margin, signed and dated verso. Sheet 12.25” x 9.5” — 31.1 x 24.1 cm. Provenance: Jane Corkin Gallery, Toronto $100—150

199 JOHN REEVES (1938- ) , CANADIAN WOMAN WITH REFLECTION Colour photograph on thin paper; signed and numbered “artist’s proof” in pencil to margin. Matted and unframed. Image 9.25” x 6.25” — 23.5 x 15.9 cm. $100—150

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

200 LINCOLN CLARKES (1957- ), CANADIAN FRIDA KAHLO, PICCADILLY CIRCUS Colour C-print; signed and numbered 3/15 in pen and ink with artist’s studio stamp verso. 14” x 11” — 35.6 x 27.9 cm. Provenance: With the Initial Gallery, Vancouver; Collection of the artist Exhibited: This photograph was exhibited in a One Man show of the artist’s works held at the Initial Gallery, Vancouver in August, 2014. Literature: This photograph was reproduced on the front cover of the gallery invitation for the above exhibition. $800—1,200

201 MARK BRICKELL (20TH CENTURY), CANADIAN TWO UNTITLED PRINTS: (RED FRUIT), CIRCA 1977; (PERRIER MINERAL WATER BOTTLE), 1992 The first a cibachrome print; annotated, dated “circa 1977” and numbered “Print A80” in pen and ink in an unknown hand verso. The latter, a gelatin silver print; dated 1992 to gallery label verso. The first matted and unframed, the latter, framed. Image 8” x 10” — 20.3 x 25.4 cm. Provenance: Jane Corkin Gallery, Toronto $200—300 *Additional images available on our website.

202 JENNIFER JOAN DICKSON (1936- ), CANADIAN TO ENTER A WILDERNESS AND FIND A TEMPLE Handtinted photo-engraving; signed in pencil and with red chop mark lower right margin, titled and numbered 3/5 in pencil to lower left margin. 16.75” x 24” — 42.5 x 61 cm. $400—600

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203 JENNIFER JOAN DICKSON (1936- ), CANADIAN PATHWAY TO THE PYRAMID Handtinted photo-engraving; signed in pencil and with red chop mark lower right margin, titled and numbered 2/5 in pencil to lower left margin. 18” x 24.25” — 45.7 x 61.6 cm. $400—600

204 JENNIFER JOAN DICKSON (1936- ), CANADIAN I WILL GET ME TO THE MOUNTAIN OF MYRRH, AND TO THE HILL OF FRANKINCENSE, 1969 Colour etching with aquatint; signed, titled, dated ‘69 and numbered 21/30 in pencil to margin. Sheet 22.5” x 31” — 57.2 x 78.7 cm. $600—800

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DONATED BY THE ARTISTS AND SOLD TO BENEFIT THE SCOTIABANK CONTACT PHOTOGRAPHY FESTIVAL Lots 205 – 210

205 SEBASTIAO SALGADO (1944- ), BRAZILIAN UPPER XINGU REGION, BRAZIL, 2013 Silver gelatin print; signed and dated 2005 at Brazil in pencil verso, and with an embossed signature “Sebastiao Salgado” verso. Sheet 19.7” x 23.6” — 50 x 60 cm. Provenance: Donated by the artist; Prodeeds to benefit the Scotiabank CONTACT Photography Festival $10,000—12,000 *Additional information available on our website.

206 SCARLETT HOOFT GRAAFLAND (1973- ), DUTCH POLAR BEAR, IGOOLIK SERIES, CANADA, 2007-2008 Chromogenic print; signed in ink to label affixed to mount verso. Printed in 2011. Sheet 20” x 24” — 50.8 x 61 cm. Provenance: Donated by the artist; Sold to benefit the Scotiabank CONTACT Photography Festival $2,000—3,000 *Additional information available on our website.

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207 MARTIN PARR (1952- ), CANADIAN CANADA. TORONTO. 2012 Pigment print. Printed in 2013 in an edition of 10, this being numbered 1 of 10 to artist’s signed studio label verso. Image 20” x 30” — 50.8 x 76.2 cm. Provenance: Donated by the artist; Sold to benefit the Scotiabank CONTACT Photography Festival $5,000—7,000

208 ANDREW WRIGHT (20TH CENTURY) , CANADIAN UNTITLED PHOTOGRAPH #3, 2013 Chromogenic print; signed in pen and ink, titled, dated and numbered 20/25 to label verso. 18” x 24” — 45.7 x 61 cm. Provenance: Donated by the artist; Sold to benefit the Scotiabank CONTACT Photography Festival $1,200—1,800

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

209 LARRY TOWELL (1953- ), CANADIAN NARAY VILLAGE, KUNAR AFGHANISTAN, 2009 Archival pigment print on fibre paper; signed, titled, dated 2009 and numbered 4/25 in pencil to labels verso. Image 6.5” x 18” — 16.5 x 45.7 cm.; 8.6” x 20” — 21.8 x 50.8 cm. Provenance: Donated by the artist; Sold to benefit the Scotiabank CONTACT Photography Festival $1,200—1,800

210 PHILIPPE CHANCEL (1959- ), FRENCH ARIRANG, 2006 Chromogenic print; signed, dated 2012 in pen and ink and numbered 3/25 to the same label verso. Printed in 2012. 15” x 22” — 38.1 x 55.9 cm. Provenance: Donated by the artist; Sold to benefit the Scotiabank CONTACT Photography Festival $1,000—1,500

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211 KENNETH EDISON DANBY (19402007), CANADIAN THE SKATES, 1972 Colour silkscreen; signed, dated ‘72 and numbered 46/100 in pencil to margin Image 15.5” x 22” — 39.4 x 55.9 cm. Provenance: Gallery Moos Ltd., Toronto; Charles Bronfman’s Claridge Collection, Montreal Note: Proceeds to benefit Historica Canada $600—800

212 KENNETH EDISON DANBY (1940-2007), CANADIAN THE PROWLER, 1970 Colour silkscreen; signed, dated ‘70 and numbered 42/75 in pencil to margin. Image 15.75” x 22” — 40 x 55.9 cm. Provenance: Galerie Mihalis, Montreal; Charles Bronfman’s Claridge Collection, Montreal Note: Proceeds to benefit Historica Canada $500—700

213 KENNETH EDISON DANBY (1940-2007), CANADIAN ON THE GATE, 1971 Colour silkscreen; signed, dated ‘71 and numbered IV/X in pencil to margin. Aside from the edition of 100. Image 15.5” x 21.75” — 39.4 x 55.2 cm. Provenance: Galerie Mihales, Montreal; Charles Bronfman’s Claridge Collection, Montreal Note: Proceeds to benefit Historica Canada $500—700

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214 GUILLERMO SILVA SANTAMARIA (19212007), COLUMBIAN VISTA AL MUSEO, 1971 Colour etching; signed, titled, dated 1971 and numbered A-26 in pencil to margin. In a gilt painted wood frame with pilaster decoration. Plate 11.25” x 14” — 28.6 x 35.6 cm. Provenance: Howard Mann Art Center, New Jersey $300—500 *Additional images available on our website.

215 KAREL APPEL (1921-2006), DUTCH FLOATING RED PASSION, 1980 Colour silkscreen; signed and numbered 58/100 in pencil to margin. Titled “Flying Flower Passion Silver” to accompanying Certificate of Authenticity. Image 25.75” x 37.5” — 65.4 x 95.3 cm. Provenance: Park West Galleries, Detroit/New York/Atlanta $600—900

216 MAURICE LANGASKENS (18841946), BELGIAN LE RETOUR Colour etching; signed, titled and numbered 65/150 in pencil to margin Plate 9.5” x 15.5” — 24.1 x 39.4 cm. Provenance: Framed by Simpson’s, Canada, circa 1930 $200—300

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217 JEAN-MICHEL FOLON (1934-2005), BELGIAN THEATER, 1980 (SUITE OF 4 WORKS): THE SCENE [AFG491]; MARIONETTE [AGF492]; THE ARENA[AFG493]; THE ROAD[AFG491] Four colour etchings and aquatints on Moulin du Gué watermarked paper; each signed and numbered 85/100 in pencil to margin. Published by Abrams Original Editions, New York in 1980. Printed by Tanguy Garric, Paris, 1980. Contained in a rust coloured hardcover portfolio case with title page and tissue guards between each print. Plate 11.6” x 14.6” — 29.5 x 37 cm.; 19.5” x 22.5” — 49.5 x 57.2 cm. $800—1,200 *Additional images available on our website.

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

218 REMBRANDT VAN RIJN (1606-1669), DUTCH OLD MAN IN MEDITATION, LEANING ON A BOOK, CIRCA 1645 [B., HOLL. 147] Toned etching and drypoint on laid paper, laid on top of a 20th Century sheet. A 17th Century impression. Trimmed to the plate 5” x 4” — 12.7 x 10.2 cm. Provenance: Park West Gallery, Michigan; Acquired from the above by the present Private Collection, Toronto in January 2006 Note: From the first state of two according to G. W. Nowell-Usticke showing evidence of the scratches between the top right shoulder and the left edge as indicative of this state. Nowell-Usticke refers to this work as an “extremely rare very lightly etched plate. The plate for this work is not in existence.” $3,000—5,000

219 REMBRANDT VAN RIJN (1606-1669), DUTCH THE FLIGHT INTO EGYPT: A NIGHT PIECE (MATTHEW 2:13-15), 1833 EDITION [B., HOLL. 53, G.W. NOWELL-USTICKE, VII/IX] Etching and drypoint. Trimmed on four sides. Plate 5” x 4.2” — 12.8 x 10.6 cm. Provenance: Park West Gallery, Michgan; Acquired from the above by the present Private Collection, Toronto in 2005 $300—500

220 PIERRE BONNARD (1867-1947), FRENCH FEMME DEBOUT DANS SA BAIGNOIRE (FROM MAITRES ET PETITS MAITRES D’AUJOURD’HUI), 1925 [BOUVET, 94] Lithograph on wove, fourth (final) state; signed and numbered 66/100 in pencil to margin with the Galerie des Peintres-Gravures, Paris blindstamp to lower right margin. Image 11.5” x 7.25” — 29.2 x 18.4 cm. Provenance: The Estate of Dr. Ronald J. Osborne, Toronto $800—1,200

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221 PIERRE BONNARD (1867-1947), FRENCH LE CHAT ET L’OISEAU (IL GATTO E IL MERLO) Drypoint etching on laid paper. Unframed. Plate 11” x 8.3” — 27.9 x 21.1 cm. Provenance: The Estate of Canadian artist, Albert Dumouchel (1916-1971), Montreal; By descent $200—300

222 PIERRE BONNARD (1867-1947), FRENCH AU JARDIN D’ENFANTS Etching; signed in the plate lower left. Plate 12.7” x 10” — 32.2 x 25.5 cm. $100—200

223 PIERRE-AUGUSTE RENOIR (18411919), FRENCH FEMME NUE COUCHEE [D.; S. 14], CIRCA 1906 Etching Plate 5.25” x 7.5” — 13.3 x 19.1 cm. $300—400

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224 PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH FROM DOUZE LITHOGRAPHIES ORIGINALES DE PIERRE-AUGUSTE RENOIR (2 PLATES): FEMME AU CEP DE VIGNE, [DELTEIL, 46; DELTEIL/STELLA, 47 II], CIRCA 1904 Two lithographs; each signed in the plate lower left. Published by Ambroise Vollard, Paris. Together with the book: “Les Lithographies de Renoir” by Claude Roger-Marx, Andre Sauret Editions du Livre, Monte-Carlo. Published in a limited edition of 3,000, this being numbered no. 2399 to the colophon, Printed by Mourlot Freres and Georges Duval in 1951, soft cover. 11” x 8.25” — 27.9 x 21 cm. Provenance: The Estate of Dr. Ronald J. Osborne, Toronto $600—900 *Additional images available on our website.

225 PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH BAIGNEUSE DEBOUT A MI-JAMBES [STELLA, 23] Etching, possibly from the 1923 printing. Plate 6.5” x 4.25” — 16.5 x 10.8 cm. Provenance: Galerie Agnes Lefort, Montreal $500—700

226 LOUIS ICART (1888-1950), FRENCH CENDRILLON (CINDERELLA), 1927 [HOLLAND, 324] Handcoloured etching and aquatint; signed and numbered 59 indistinctly in pencil to margin, titled to the mount. Plate oval 15.5” x 19” — 39.4 x 48.3 cm. $600—800

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227 LOUIS ICART (1888-1950), FRENCH LA BELLE AU BOIS DORMANT, 1927 [HOLLAND, FIG. 323] Handcoloured etching and aquatint; signed and numbered A54 in ink to margin, titled to the mount. From the edition of 500. Published by Les Artistes Modernes, Paris. Plate 15.25” x 19” — 38.7 x 48.3 cm. $600—800

228 LOUIS ICART (1888-1950), FRENCH FUMMEE, 1926 [HOLLAND, 275] Handcoloured etching and aquatint; signed, titled and numbered 216/500 in pencil to margin. Published by Les Gravures Modernes, Paris. Plate 14.75” x 20” — 37.5 x 50.8 cm. $600—800

229 LOUIS ICART (1888-1950), FRENCH ALMS, 1926 [HOLLAND, 293] Colour etching and aquatint heightened with handcolouring; signed and numbered “Epreuvre d’artiste” in pencil to margin Plate oval 17” x 13” — 43.2 x 33 cm. $300—500

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230 JEAN LOUIS FORAIN (1852-1931), FRENCH EVENTAIL POUR LA BAL GAVARNI Colour lithograph; stamped signature. Fan shaped 6” x 19.5” — 15.2 x 49.5 cm. $100—200

231 AFTER EUGENE-CHARLES-FRANCOIS GUERARD (1821- 1866), FRENCH ASCENSION DUMONT RIGHI (LAC DES 4 CANTONS); SUR LE RHIN, DE STRASSBOURG A COLOGNE Pair of colour lithographs with letters; the first title, lithographed by Regnier. Published by W. Schaus, New York in 1851. The latter title, drawn and lithographed by Guerard; signed and dated 1854 by him in the plate. Published by Goupil & Cie., New York. Each Sheet 19” x 21.5” — 48.3 x 54.6 cm. $300—500 *Additional images available on our website.

232 ARTHUR MAYEUR (1871-1934), FRENCH AUX VAINQUEURS D’ARTOIS; AUX VAILLANTS DEFENSEURS DU FRONT D’ARTOIS Two lithographs; each signed in the plate, each titled and dated 1914-1915 in the plate, each signed in red ink to margins. Each image 9.75” x 14.75” — 24.8 x 37.5 cm. $100—200 *Additional images available on our website.

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233 PIERRE-YVES TREMOIS (1921- ), FRENCH LES METAMORPHOSES (LIMITED EDITION BOOK BY OVIDE WITH 20 WORKS), 1968 Twenty drypoint etchings; the forwarding pages signed twice in black felt tip pen, one page also dated 1968. The colophon numbered 162 in black felt tip pen. Published in an edition of 190. Contained in a beige hard-cover folio box. Overall 16” x 12” — 40.6 x 30.5 cm. $1,000—1,500 *Additional images available on our website.

234 MARIE LAURENCIN (1885-1956), FRENCH LE CHANT, 1945 [MARCHESSEAU, 233] Colour lithograph; signed and numbered 97/150 in pencil to margin. Image 13” x 18” — 33 x 45.7 cm.; 18.75” x 24.5” — 47.6 x 62.2 cm. $1,000—1,500

235 AFTER MARIE LAURENCIN (18851956), FRENCH FEMME A LA ROSE, 1930 Colour lithograph; signed and numbered 141/250 in pencil to margin, dated 1930 in the plate. Image 17.75” x 21.25” — 45.1 x 54 cm. $500—700

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236 OSSIP ZADKINE (1890-1967), RUSSIAN/FRENCH FETE PAYSANNE, 1960 Colour lithograph on Arches paper; signed and numbered 25/110 in pencil to margin. Printed and published by L’Oeuvre Gravee, Paris. Image 24.5” x 16” — 62.2 x 40.6 cm. Provenance: The Estate of Dr. Ronald J. Osborne, Toronto $500—700

236a ZAO WOU-KI (1921-2013), CHINESE/FRENCH LES PETITS BATEAUX, 1953 [AGERUP, 84] Colour lithograph printed in three colours; signed and numbered 69/200 in pencil. Published by the Caby-Birch Gallery, New York. Unframed. Image 7.5” x 6.3” — 19 x 16 cm. $1,000—1,500

237 BERNARD LORJOU (1908-1986), FRENCH LORJOU VOUS INVITE AU BAL DES FOLS 21-9-59 AU 22-10-59 (DESIGN FOR ECOLE DE PARIS EXHIBITION POSTER, MOURLOT, 1959) Colour lithograph; signed and numbered 21/59 in pencil to margin Image 21.3” x 13.7” — 54 x 34.8 cm. $300—400

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238 LEONOR FINI (1908-1996), ARGENTINIAN/FRENCH HEAD OF A WOMAN Colour lithograph; signed and numbered 105/185 in pencil Sheet sight 24.5” x 20” — 62.2 x 50.8 cm. Provenance: Rolland Picture Frame, Montreal $300—500

239 LEONOR FINI (1908-1996), ARGENTINIAN/FRENCH LA MEMOIRE OFFENSEE, CIRCA 1974 Colour lithograph; signed and numbered 55/225 in pencil, titled to the titlepage with the text of a poem: “la souvenir, ame de ma pensee...” adhered to the verso Sheet sight 25.6” x 19.7” — 65 x 50 cm. $300—500

240 VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH TRIOND Colour silkscreen with Denise Rene Editeur blindstamp to lower left margin; signed and numbered 108/250 in pencil to margin. Image 25.8” x 25.8” — 65.5 x 65.5 cm. $1,200—1,500

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

241 VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH BORA Silkscreen on gold coloured metal sheet mounted on a lacquered wood panel painted gray; stamped signature and stamped edition number 16/17 to the plaque verso. Published by Giffon. Overall 19” x 17.5” — 48.3 x 44.5 cm. $400—600

242 VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH TOPAZ (FROM ALBUM LAPIDAIRE), 1966 Colour silkscreen; signed and numbered 13/150 in pencil to margin. Image 27.2” x 25.4” — 69 x 64.5 cm. $500—700

243 MAX PAPART (1911-1994), FRENCH MIRAGE Colour aquatint with embossing; signed and numbered 94/95 in pencil along the bottom edge Sheet 20.5” x 38.25” — 52.1 x 97.2 cm. $400—600

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244 VICTOR VASARELY (1906- 1997) , HUNGARIAN DIORRE (FROM JALONS), 1986 Colour silkscreen; signed and numbered 21/250 in pencil to margin. Published by Galerie Lahumiere. Printed by Atelier Arcay, Paris. Image 25.4” x 25.2” — 64.5 x 64 cm. Provenance: Probably Park West Gallery, Michigan $600—900

245 VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH (FROM JALONS), 1986 Colour silkscreen; signed and numbered 78/250 in pencil to margin. Printed at Atelier Arcay, Paris. Accompanied by a Certificate of Authenticity. Image 25.75” x 24.25” — 65.4 x 61.6 cm. Provenance: Park West Gallery, Michigan $500—700

246 MAX PAPART (1911-1994), FRENCH CORDOBA Embossed colour etching; signed and numbered 33/100 in pencil to margin. Unframed. Sheet 30” x 22” — 76.2 x 55.9 cm. Provenance: The Fine Line Gallery, Toronto $300—500

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247 MARISOL ESCOBAR (1930- ), FRENCH SELF-PORTRAIT, 1973 Etching; signed, dated 1973 and numbered 10/15 in pencil to margin. Universal Limited Editions. Plate 23” x 17.5” — 58.4 x 44.5 cm.; 41” x 27.5” — 104.1 x 69.9 cm. Provenance: The Morris Gallery, Toronto; From whom purchased by Mr. Nicholas Smith, Toronto on February 2, 1979 with a copy of the original gallery receipt. $300—500

248 FANCH LEDAN (1949-), FRENCH LE SALON MATISSE, 1993 Colour lithograph; signed and numbered 67/350 in pencil to margin. Image 38.25” x 27.5” — 97.2 x 69.9 cm. $800—1,200

249 ERTÉ (ROMAIN TIRTOFF) (1892-1990), FRENCH RIVIERA, 1978 Colour silkscreen; signed and numbered E.A. in pencil to margin. Image 20” x 14.25” — 50.8 x 36.2 cm. $300—500

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250 ERTÉ (ROMAIN TIRTOFF) (18921990), FRENCH DINARZADE, 1979 Colour lithograph; signed and numbered 203/300 in pencil Image 13.25” x 9.5” — 33.7 x 24.1 cm. Literature: “Erte at Ninty: The Complete Graphics”, by M.Lee, London: Weidenfield and Nicholson, 1982. $300—500

251 CLAUDE WEISBRUCH (1927-), FRENCH SYNDIC DES DAPIERS, 1973; L’ATELIER DE AMSTERDAM Two colour lithographs; each signed and numbered EA 13/30 and EA 14/20 respectively in pencil Image 22.25” x 30.25” — 56.5 x 76.8 cm.; 21” x 29.5” — 53.3 x 74.9 cm. Provenance: Galerie Rolland, Montreal $500—800 *Additional images available on our website.

252 THEO TOBIASSE (1927-2012), FRENCH UNIQUE EST MA COLOMBE/ MA FIANCEE Colour lithograph; signed and numbered 61/150 in pencil to margin Image 18.75” x 22.75” — 47.6 x 57.8 cm. Provenance: The Estate of Dr. Ronald J. Osborne, Toronto $500—700

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253 THEO TOBIASSE (1927-2012), FRENCH LA LUMIERE JAILLIT QUAND LES HOMMES DANSENT Colour lithograph; signed and numbered 59/150 in pencil to margin Image 18” x 23.5” — 45.7 x 59.7 cm. Provenance: The Estate of Dr. Ronald J. Osborne, Toronto $500—700

254 THEO TOBIASSE (1927-2012), FRENCH L’EXIL ET LE TEMPS RETROUVE Colour lithograph on japon paper; signed and numbered 8/135 in pencil to margin Sheet 12” x 11.75” — 30.5 x 29.8 cm. $200—300

255 MARCIL MOULY (1918-2008), FRENCH STILL LIFE Colour silkscreen; signed and numbered 83/300 in black ink Sheet 12.75” x 15.75” — 32.4 x 40 cm. $200—300

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256 MARCEL MOULY (1918-2008), FRENCH TABLE DE JEUX À LA MANDOLE NOIRE Colour lithograph; signed and numbered 141/275 in white chalk Sheet 34” x 25” — 86.4 x 63.5 cm. $400—600

257 HENRI DE TOULOUSE-LAUTREC (1864-1901), FRENCH LA REVUE BLANCHE; ZLATA PRAHA (FROM LES MAITRES DE L’AFFICHE, PL.82; AND PL. 176, 1897) Two colour lithographic posters with letters; each with Les Maitres de L’Affiche blind stamp lower right margins, each printed by Imprimierie Chaix (Encres Lorilleux & Cie). Each image 15.7” x 11.4” — 39.9 x 29 cm. $1,500—2,000 *Additional images available on our website.

258 HENRI DE TOULOUSE-LAUTREC (1864-1901), FRENCH DIVAN JAPONAIS [DELTEIL, 341], LATER PRINTING Colour lithographic poster on board. Sheet 30” x 23.5” — 76.2 x 59.7 cm. $400—600

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259 MARC CHAGALL ET AL (20TH CENTURY), FRENCH COLLECTION OF FOURTEEN EXHIBITION POSTERS: Fourteen lithographic posters with letters; eleven of which are published by Mourlot Studios (France) for exhibitions held at the following: Bibliotheque National Galerie Mansart & Galerie Maeght for Chagall; Galerie Maeght for Braque; Musee National D’ Art Moderne for Derain; Galerie Charpentier for Vlaminick; Maison de la Pensee Francaise for Vallotton; Galeire Louis Carre for Raoul Dufy; Palais des Papes Sixieme Biennale de Peinture, & Berggruen for Picasso; Musee Toulouse-Lautrec for Rouault; Galerie Matarasso for Miro; Tragedie - Comedie Compagnie Madeleine Renaud - Jean Louis Barrault; after Miton Glaser, Bob Dylan, 1966. Each unframed. largest/smallest 30.5” x 22.5” — 77.5 x 57.2 cm.; 24” x 15.5” — 61 x 39.4 cm. $800—1,200 *Additional images available on our website.

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260 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH HOMMAGE A MARC CHAGALL (FROM XXE SIECLE), 1969 [MOUROT, 572] Colour lithograph; signed and numbered 50/75 in pencil to margin. Published by Revue XXe, Paris. Image 12.5” x 9.25” — 39.4 x 23.5 cm. $3,000—5,000

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261 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH LE CIEL DES AMOUREUX, PARIS, 1964 [MOURLOT, 426] Colour lithograph on Rives paper (Mourlot calls for the edition to be on Arches paper); signed and numbered “epreuve d’artiste” in pencil to margin, titled, dated 1964 and inscribed in pencil verso Image 25.4” x 19.7” — 64.5 x 50 cm.; 30” x 22.5” — 76.2 x 57.2 cm. $6,000—9,000

262 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH THE COBBLER AND THE FINANCIER (PL. NUMBER 87 FROM LA FONTAINE FABLES), 1952 Etching on Montval paper; signed and numbered 79 in pencil to margin, titled with the plate number to publisher’s justification page verso. From the signed edition of 100 (there was also an unsigned edition of 200 on Rives paper) published by Maurice Potin, Paris. Plate 11.7” x 9.6” — 29.7 x 24.3 cm. $300—500

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263 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH DIE REITERIN, 1926-1927 [KORNFELD, 72] Etching with tint; signed and numbered XIII/XXV in pencil to margin. Aside from the edition of 50. Plate 12.75” x 9.25” — 32.4 x 23.5 cm.; 22” x 16” — 55.9 x 40.6 cm. Provenance: The Estate of Dr. Ronald J. Osborne, Toronto $2,500—3,500

264 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH RENCONTRE DE RUTH ET DE BOAZ, 1960 (FROM DESSINS POUR LA BIBLE), [C. BOOK, 42] Colour lithograph with the reverse of the page with black and white lithograph showing at the back in the backboard. With Certificate from Park West and the original receipt. Sheet 14” x 10.5” — 35.6 x 26.7 cm. Provenance: The Estate of Ethel Myers, Toronto $100—200 *Additional images available on our website.

265 BERNARD BUFFET (1928-1999), FRENCH BRAVO! JO JO; PIPO (TWO CLOWNS FROM MON CIRQUE), 1968 [SORLIER] Two colour lithographs; each signed and numbered 51/120 in pencil to margin. Published by Fernand Mourlot, Paris. Image 26.75” x 18.5” — 67.9 x 47 cm. Provenance: The Estate of Dr. Ronald J. Osborne, Toronto $1,200—1,800 *Additional images available on our website.

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266 OTTO SCHUBERT (1892-1970), GERMAN BALZAC CONTES DROLATIQUES, 1921 ( FOLIO OF 30) Thirty etchings including the title page; each signed, titled and inscribed: Sulbpronk? (Proof?) in German in pencil to margin. Tipped onto publisher’s folded mats. Contained in a burlap and brown hard board folio case with ink title. Sheets 9” x 6.75” — 22.9 x 17.1 cm. $600—800 *Additional images available on our website.

267 HANS BELLMER (1902-1975), GERMAN FEMME SUR UNE CHAISE (PL. 6) AND TWO OTHERS (THREE PLATES FROM PETIT TRAITE DE MORALE), 1966-68 [DENOEL, 83] Three etchings heightened with colour on japon paper; each signed in pencil to margin. Published by Georges Visat, Paris in an edition of 150. Unframed. Plate 10.8” x 8.3” — 27.5 x 21 cm. $600—900 *Additional images available on our website.

268 JOHNNY FRIEDLAENDER (19121992) , GERMAN/AMERICAN LE LUBERON, 1965 Colour etching; signed and numbered E.A. in pencil to margin. Aside from the edition of 95. Plate 22.5” x 30” — 57.2 x 76.2 cm. $400—500

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269 A.R. PENCK (1939-), GERMAN UNTITLED, 1983 Drypoint etching; signed and numbered 14/25 in pencil to margin Plate 22.5” x 15.25” — 57.2 x 38.7 cm. $400—600

270 LOVIS CORINTH (1858-1925), GERMAN WINTER AM WALCHENSEE (HOTEL FISCHER AM SEE), 1924 [MULLER, 858] Drypoint on paper; signed, dated and inscribed 1924 indistinctly in German in pencil to margin. Printed by Arthur Rogall, published by Ernst Arnold. Plate 5.7” x 7.7” — 14.5 x 19.5 cm. $600—900

271 JEAN (HANS) ARP (1886-1966), FRENCH/GERMAN PLATE FROM SOLEIL RECERCLE, 1966 [ARNTZ, 261C] Colour woodcut; signed and numbered 6/60 in pencil to margin Plate 13” x 11.75” — 33 x 29.8 cm. Provenance: Albert White Galleries, Toronto $600—900

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272 YAACOV AGAM (1928-), ISRAELI VISUAL CHOREOGRAPHY [FROM THE COUNTERPOINT SERIES OF SIX, 1982] Agamograph on plastic; signed and numbered 72/99 in green ink to margin, titled and dated 1982 to the Certificate of Authenticity verso Image 15.25” x 12.5” — 38.7 x 31.8 cm. Provenance: Park West Gallery, Michigan, registration no. 36129 $600—800

273 YAACOV AGAM (1928-), ISRAELI TRIPLE GALAXY, CIRCA 1990 Agamograph (lenticular print in colors); signed and numbered LX/IC in blue ink to margin. Sheet sight 15” x 14” — 38.1 x 35.6 cm. $500—700

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274 ITZCHAK TARKAY (1935- ), ISRAELI LADY IN PURPLE II Colour lithograph; signed and numbered 206/300 in pencil to margin, titled to label verso. Image 15.2” x 10.8” — 38.5 x 27.5 cm. $400—600

275 ITZCHAK TARKAY (1935-), ISRAELI VIBRANT HILLSIDE Colour lithograph; signed in ink and numbered 80/150 in pencil to margin. Image 15.5” x 15.5” — 39.4 x 39.4 cm. $300—400

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

276 MARINO MARINI (1901-1980), ITALIAN CHEVAUX ET CHEVALIERS (COMPLETE PORTFOLIO OF 8), 1972 [GUASTALLA]

Provenance: The Estate of Dr. Ronald J. Osborne, Toronto

Eight colour lithographs on Arches paper; each signed and numbered 34/50 in pencil to margin with title page and justification page and with forwarding text by G. Di San Lazzaro. Contained in the original paper folio within a portfolio box with printed title “Marino Marini” in black lettering on a red background. Printed by Fernand Mourlot, Paris on 15 May 1972. Published by Societe Internationale d’Art XXe Siecle, Paris. Sheet 19.75” x 25.5” — 50.2 x 64.8 cm. $6,000—9,000

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277 MARINO MARINI (1901-1980), ITALIAN CAVALIER ROUGE, 1953 [GUASTALLA, L46] Colour lithograph on Zerkall Butten paper; signed and numbered 8/65 in pencil. Sight 25.4” x 19.6” — 64.5 x 49.8 cm. $800—1,200

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

278 MARCO SCARPELLI (1918-1995), ITALIAN FILM STILL FOR “L’ULTIMO PARADISO” (THE LAST PARADISE), 1955 Gelatin silver print; given to Marco Scarpelli, titled and annotated in French on the affixed typed label verso. Matted and unframed. 9.5” x 7” — 24.1 x 17.8 cm. Provenance: Jane Corkin Gallery, Toronto Note: A 1955 Italian independent film, released in the USA in 1956. It is a travelogue of four stories, each about a different island in the South Pacific. $100—150

279 ALFREDO (ALFRED) MULLER (1869-1939), ITALIAN BAIGNEUSES SOUS LES SAULES, 1902 [WURZER 8] Colour etching and aquatint; signed in pencil to margin. Together with: LA VOISINE A PONTOISE, Colour etching and aquatint; signed and numbered 34/50 in pencil to margin. Plate 14” x 13.25” — 35.6 x 33.7 cm.; 17.25” x 11.25” — 43.8 x 28.6 cm. Provenance: Sotheby Parke Bernet Inc., New York purchased by the present Private Collection in 1979 accompanied by the original receipt. $400—600 *Additional images available on our website.

280 GIOVANNI BATTISTA TIEPOLO (1696-1770), ITALIAN LES DEUX MAGICIENS DEBOUT ET L’ENFANT (PLATE 13 FROM THE SCHERZI DI FANTASIA SUITE OF 23 ETCHINGS) [DE VESME, 25, STATE I (OF II) Etching on laid paper. Published by Tiepolo’s son Gian Domenico in 1775. Sheet trimmed to the plate 8.75” x 6.75” — 22.2 x 17.1 cm. $3,000—4,000

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281 YOSHIDA HODAKA (1926-1995), JAPANESE FIGURES IN GREEN, 1952 Colour woodcut; signed, titled and dated 1952 in pencil to margin. Image 14.5” x 9.5” — 36.8 x 24.1 cm. $300—500

282 TOKIO MIYASHITA (1930-2011), JAPANESE UNTITLED Colour woodcut and etching; signed and numbered 1/50 in pencil to margin. Plate 22.5” x 17” — 57.2 x 43.2 cm. $300—500

283 KUMI SUGAI (1919-1996), JAPANESE HIVER NO 4, 1958 Colour lithograph; signed and numbered 43/75 in pencil to margin, titled verso. Unframed. Sheet 25.75” x 19.75” — 65.4 x 50.2 cm. Provenance: The Fine Line Gallery, Toronto; Purchased from Waddington’s, Dec. 01, 1980. $300—500

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

284 LEONARDO NIERMAN (1932- ), MEXICAN RAVEL (FROM THE SOUND OF COLOUR), 1976 Colour lithograph; signed and numbered AP in pencil to margin. Aside from the edition of 250. Image 24” x 18” — 61 x 45.7 cm. Provenance: Private Collection, Montreal $250—350

285 TAMARA DE LEMPICKA (1898-1980), POLISH LADY IN LACE, CIRCA 1972 Colour lithograph; estate signed “K. Lempicka” by the artist’s daughter, titled and numbered 162/300 in pencil to margin. Image 25.75” x 15.5” — 65.4 x 39.4 cm. Provenance: Marcia Rafelman Fine Arts, Toronto $800—1,200

286 BORIS SYLK (20TH CENTURY), UKRAINIAN RUSSIAN REVOLUTIONARY POSTER, KIEV, 1920 Colour lithograph with screen printing and cyrillic lettering. Unframed. Sheet 27.25” x 19” — 69.2 x 48.3 cm. Provenance: Collection of Edith Free, Baum Fine Arts & Antiques, Denver, Colorado; By descent to her son, Canada $200—300

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287 MIHAIL CHEMIAKIN (1943- ), RUSSIAN/FRENCH FROM CARNIVAL DE ST. PETERSBURG SERIES Colour lithograph; signed and numbered 32/90 in pencil to margin 11” x 9” — 27.9 x 22.9 cm. $400—600

288 SONIA DELAUNAY-TERK (1885-1979), UKRAINIAN RYTHMES ET COULEURS Colour etching and aquatint; signed and numbered 90/125 in pencil to margin, titled to gallery label verso. Plate 19.3” x 15.5” — 49 x 39.4 cm. Provenance: Purchased by Michael Greenwood from Estee Gallery, Toronto, circa 1978 for the present Private Collection, Toronto Note: Michael Greenwood was past Director of the Hannover Gallery, London $1,500—2,500

289 ANTONI CLAVE (1913-2005), SPANISH LE ROI BOIT Colour lithograph; signed and numbered 157/200 in pencil to margin. Image 19.25” x 16” — 48.9 x 40.6 cm. Provenance: From the Estate of Donald and Mary Early, Toronto, purchased on July 4th, 1958 $700—1,000

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

290 ANTONI CLAVE (1913-2005), SPANISH UNTITLED (BLUE BRUSHSTROKE) Colour lithograph; signed and numbered 84/90 in pencil to margin. Unframed. Sheet 30” x 22” — 76.2 x 55.9 cm. Provenance: The Fine Line Gallery, Toronto (1980-1985) $300—500

291 ANTONI CLAVE (1913-2005), SPANISH MADEMOISELLE MARGUERITE Embossed etching; signed and numbered 61/75 in pencil to margin. Editions Sonet, Sweden. Sheet 30” x 22” — 76.2 x 55.9 cm. Provenance: The Fine Line Gallery, Toronto, purchased from the publisher $300—500

292 JOAQUIN VAQUERO TURCIOS (1933-), SPANISH TORO AUX BENDERILLAS, 1959; LE GRAND TORO; BULL IN PROFILE Three colour block prints; each signed, one titled to the L’Oeuvre Gravee, Paris label verso, the first two dated ‘59 in pencil to margin, the third not dated, each numbered 76/150, 30/150 and 23/150 respectively in pencil along the bottom edge, each sheet with L’oeuvre Gravee blind stamp. Published by L’Oeuvre Gravee, Paris. Each unframed. Each sheet 22” x 30 “ — 55.9 x 76.2 cm. $300—500 *Additional images available on our website.

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293 ALVAR SUNOL MUNOZ RAMOS (1935-), SPANISH THE BLUE SUITE (FIVE PLATES) Five colour lithographs with embossing; each signed and numbered 105/275 in pencil to margin. Each image approximately 20.75” x 16” — 52.7 x 40.6 cm. Provenance: Graphic Gallery, Division of Fitzgerald Galleries Inc, Toronto, c. 1980 $500—700 *Additional images available on our website.

294 SALVADOR DALI (1904-1989) , SPANISH LET HIM KISS MEE WITH THE KISSES OF HIS MOUTH: FOR THY LOVE IS BETTER THAN WINE (FROM SONG OF SOLOMON SUITE), 1971 [FIELD 71-17B(I)] Colour etching with gold dust; signed and numbered S 34/200 in pencil to margin Plate 16” x 10” — 40.6 x 25.4 cm.; 26.4” x 20.1” — 67 x 51 cm. $400—600

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

295 SALVADOR DALI (1904-1989), SPANISH MEMORIES OF SURREALISM (PORTFOLIO OF 12 ), 1971 [FIELD, 71-15]

Provenance: The Estate of Dr. Ronald J. Osborne, Toronto

Twelve colour photolithographs of original gouaches with collage and original etching on Arches watermarked paper with “Salvador Dali” blindstamp lower left margin with 4 introductory pages, lacking justification page, with text in English, each of the 12 photolithographs; signed and numbered 23/175 in pencil to margin, each edition number proceeded with a faint blindstamped “A”, each sheet stamped [US] copyright “Salvador Dali 1971” in black ink verso Sheet 29.75” x 20.5” — 75.6 x 52.1 cm. $4,000—6,000 *Additional images available on our website.

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296 AFTER PABLO PICASSO (18811973), SPANISH BACCHANALE, CIRCA 1960 Colour aquatint and etching on Rives watermarked paper; signed and numbered 205/300 in pencil to margin with the blind stamp of the publisher Atelier Crommelnyck, Paris to margin. Matted and unframed. Plate 18.5” x 22” — 47 x 56 cm.; 22” x 30” — 55.9 x 76.2 cm. $6,000—9,000

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Provenance: By descent to the present Private Collection, Ontario


Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

297 PABLO PICASSO (1881-1973) , SPANISH MINOTAURE CARESSANT UNE FEMME (FROM THE VOLLARD SUITE, NO. 84), 1933 [BLOCH, 191]

Provenance: Park West Gallery, Michigan; Acquired by the present Private Collection, Toronto in 2005

Etching on Montval laid paper, with watermark “Vollard” dated “Paris 18 mai XXXIII” in the plate lower right; signed in pencil to margin. From the edition of 260. Plate 11.7” x 14.4” — 29.7 x 36.5 cm. $10,000—15,000

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298 PABLO PICASSO (1881-1973), SPANISH RAPT, AVEC CELESTINE, RUFFIAN, FILLE ET SEIGNEUR AVEC SON VALET (PLATE 98 FROM THE 347 SERIES), 1968 [BLOCH, 1578] Aquatint; signed in pencil lower right margin and numbered 22/50 in pencil lower left margin. Published by Galerie L. Leiris. Plate 11.5” x 13.6” — 29.2 x 34.5 cm.; 17.7” x 20.5” — 45 x 52 cm. $3,000—5,000

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Provenance: Park West Gallery, Michigan; Acquired from the above by the present Private Collection, Toronto


Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

299 PABLO PICASSO (1881-1973), SPANISH POUR ROBY (FROM L’AGE DE SOLEIL BY ROBERT J. GADET), 1950 [BLOCH, 680] Etching on wove paper; signed and titled in reverse in the plate. Accompanied by a Certificate Appraisal dated June 12, 1998 Plate 9” x 7” — 22.9 x 17.8 cm.; 15” x 11” — 38.1 x 27.9 cm. Provenance: Park West Gallery, Michigan; From whom purchased by Karen Swanston, Canada on March 1, 1998 with a copy of the original receipt $300—500

300 PABLO PICASSO (1881-1973), SPANISH L’ATELIER, 1927 [BLOCH, 80] Drypoint etching; signed in sepia toned ink and numbered in an edition of 150 (the top number from the edition is torn off lower left). Unframed. Plate 13.7” x 15.4” — 34.7 x 39 cm. Provenance: Collection, Michigan, USA $4,000—6,000

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301 PABLO PICASSO (1881-1873) , SPANISH L’ABREUVOIR (FROM LA SUITE DES SALTIMBANQUES), 1905 [BLOCH, 8] Drypoint etching; inscribed “P. Picasso S446“ in pencil to lower left margin. Plate 4.75” x 7.2” — 12.1 x 18.3 cm.; 12.75” x 19.75” — 32.4 x 50.2 cm. $2,000—3,000

302 PABLO PICASSO (1881-1973), SPANISH POUR ROBY (FROM L’AGE DE SOLEIL BY ROBERT J. GADET), 1950 [BLOCH, 680] Etching; signed and titled in the plate in reverse, bears signature in pencil lower right margin. Plate 9” x 7” — 22.9 x 17.8 cm. $300—500

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

303 JOAN MIRO (1893-1983), SPANISH UNTITLED (RUG), FRANCE, MID 20TH CENTURY Wool pile; stitched signature in red thread verso

Note: Documented in a 1965 exhibition catalogue “Contemporary French Tapestries”. Due to a revival of tapestry and weaving techniques that occurred in the early 20th Century in Paris, between 1920-1930, workshops in Aubusson faithfully recreated the works of Miró and fellow Spanish artists Pablo Picasso as rugs and tapestries.

78” x 60” — 198.1 x 152.4 cm. $2,000—3,000

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304 JOAN MIRO (1893-1983), SPANISH AUS (PLATE X) (FROM ODA A JOAN MIRO), 1973 [CRAMER 911] Colour lithograph; signed and numbered 28/75 in pencil; impressions as indicated in the accompanying original receipt; Published by Ediciones Poligrafa in 1973. Accompanied by the original gallery receipt. Sight 34” x 24” — 86.4 x 61 cm. $7,000—10,000

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Provenance: Albert White Gallery, Toronto, from whom purchased by Don Franczak, Ontario accompanied by the original receipt dated March 17, 1980 Literature: Exhibition catalogue: “Miro L’Oeuvre Graphique”, Musee d’Art Moderne de la villa de Paris, 1974, No. 506, p.134


Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

305 JOAN MIRO (1893-1983), SPANISH PERSONATGE I ESTELS III, 1979 [DUPIN, 1090] Colour aquatint and etching printed to the edges; signed and numbered 48/50 in pencil. Printed by Joan Barbara, Barcelona. Published by Maeght, Paris. Sheet 35.75” x 24.75” — 90.8 x 62.9 cm. $4,000—6,000

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306 JOAN MIRO (1893-1983), SPANISH ROCA, 1978 [MAEGHT, 1178] Colour lithograph on “Roca” watermarked paper; signed and numbered 45/60 in pencil. Unframed. Image 14.5” x 23.25” — 36.8 x 59.1 cm.; 22” x 30” — 55.9 x 76.2 cm. Provenance: Private Collection, Toronto by descent from her father Note: The present Private Collection received this print from her father who worked for ‘Roca’ in Spain. $1,500—2,500

307 JOAN MIRO (1893-1993), SPANISH COMPOSITION IV, 1977 (FROM JOAN MIRO LITHOGRAPHIE III) [MOURLOT, 1116] Colour lithograph on Arches paper; signed and numbered XVI/LXXX in pencil (there was also a deluxe book edition of 150). Published by Maeght Editeur, Paris. Sheet 17.7” x 14.6” — 45 x 37 cm.; 13” x 11” — 33 x 27.9 cm. Provenance: Galerie 67, Quebec $1,500—2,500

308 BENGT LINDSTROM (1925-2008), SWEDISH UNTITLED (GREEN MAN WITH RED EYE); UNTITLED (FACE WITH BLUE, BROWN AND ORANGE EYES); UNTITLED (RED FACES AND ANIMALS Three colour lithographs; each signed and numbered 90/100; 34/135 and 65/100 respectively in pencil. Two unframed. Image 27.5” x 20” — 69.9 x 50.8 cm. Provenance: Gallery Brand Fine Art, Oakville, Ontario; Private Collection, Oakville, former friends of the artist Note: The proceeds of the sale of this lot and the following lot 309 will benefit Ducks Unlimited Canada $250—350 *Additional images available on our website.

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Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

309 BENGT LINDSTROM (1925-2008), SWEDISH THREE UNTITLED FACES: GREEN MAN WITH RED EYE; RED FACE WITH GREEN NOSE; TWO FACES Three colour lithographs; each signed and numbered 89/100; 88/100 and 110/135 respectively in pencil to margin. Each unframed. Image 27.5” x 20” — 69.9 x 50.8 cm. Provenance: Gallery Brand Fine Art, Oakville, Ontario; Private Collection, Oakville, former friends of the artist Note: The proceeds of the sale of this lot and lot 308 will benefit Ducks Unlimited Canada $250—350 *Additional images available on our website.

310 ALBERTO GIACOMETTI (1901-1966), SWISS THE ARTIST’S MOTHER SEATED I, 1965 [LUST, 50] Lithograph on Rives wove paper; signed and numbered 75/75 in pencil. Published by Maeght, Paris. Sheet 25.5” x 19.5” — 64.8 x 49.5 cm. $2,500—3,500

311 MAX BILL (1908-1994), SWISS CROSSOVER, 1965 Colour silkscreen; signed, dated 1965 and numbered 227/250 in pencil to margin, titled indistinctly to gallery labels verso. Image 23.75” x 23.75” — 60.3 x 60.3 cm. Provenance: Pollock Gallery, Toronto; Art Gallery of Ontario Rental, Toronto $400—600

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Index

A Abeles, Kim (1952-)...61 Agam, Yaacov (1928-)...272, 273 Albers, Josef (1888-1976)...65, 66, 67, 68, 69, 70 Alexander, David T. (1947-)...190 Allan, Ted (1910-1933)...35 Appel, Karel (1921-2006)...215 Arp, Jean (Hans) (1886-1966)...271 Atkinson, John Augustus (1775-1883)...104 Avedon, Richard (1923-2004)...46

B Basquiat, Jean-Michel (1960-1988)...52 Bateman, Robert McLellan (1930- )...191 Beaulieu, Paul Vanier (1910-1996)...171, 172 Bellmer, Hans (1902-1975)...267 Benjamin, Anthony (1931-2002)...115 Benton, Thomas Hart (1889-1975)...28 Bill, Max (1908-1994)...311 Blackwood, David Lloyd (1941- )...146, 147, 148, 149 Blake, Peter (1932- )...112 Bonnard, Pierre (1867-1947)...220, 221, 222 Bordeau, Robert (20th Century)...168 Brandtner, Fritz (1896-1969)...162, 163 Brickell, Mark (20th Century)...198, 201 Buffet, Bernard (1928-1999)...265 Bull, Clarence Sinclair (1895-1979)...40 Buller, Cecil Tremayne (1888-1973)...140 Bureau Provincial du Tourisme, Ministere de la Voirie, Quebec...24 Burton, Valerie C. (1950- )...188, 189

C Cadmus, Paul (1904-1999)...44 Calder, Alexander (1898-1976)...47, 47A Case and Draper Studio (1898–1907)...2 Cassatt, Mary (1844-1926)...32 Chagall, Marc (1887-1985)...260, 261, 262, 263, 264 Chan, Justin (20th Century)...194 Chancel, Philippe (1959- )...210 Chemiakin, Mihail (1943- )...287 Clarkes, Lincoln (1957- )...200 Clave, Antoni (1913-2005)...289, 290, 291 Colville, David Alexander (19202013)...159, 160 Corinth, Lovis (1858-1925)...270 Courtice, Rody Kenny (1895-1973)...131 Cowles, David R. (1950- )...193 Cox, John Raffles (1887-1977)...6

133

Curtis, Edward Sheriff (1868-1952)...3

D Dali, Salvador (1904-1989)...294, 295 Danby, Kenneth Edison (1940-2007)...211, 212, 213 de Kooning, Willem (1904-1997)...63 De Lempicka, Tamara (1898-1980)...285 Delaunay-Terk, Sonia...288 Dickson, Jennifer Joan (1936- )...202, 203, 204 Dine, Jim (1935- )...50, 51 Dufour, Andre (1929- )...170

Hermes, Gertrude Anna Bettha (19011983)...123 Hibel, Edna (1917- )...99 Hodaka, Yoshida (1926-1995)...281 Holgate, Edwin Headley (1892-1977)...161 Huggins, William John (1781-1845) (After)...105 Hurrell, George (1904-1992)...38

I Icart, Louis (1888-1950)...226, 227, 228, 229

J E Emerson, Peter Henry (1856-1936)...109 Erté (Romain Tirtoff) (1892-1990)...249, 250 Escobar, Marisol (1930- )...247

Jackson, Alexander Young...126, 127, 128, 129 Jenkins, Paul (1923-2012)...83 Johnston, Alfred Cheney (1885-1971)...33

K F Fawcett, Benjamin (1808-1893)...107 Fini, Leonor (1908-1996)...238, 239 FitzGerald, Lionel Lemoine (18901956)...137, 138 Flaherty, Robert Joseph (1884-1951)...4 Folberg, Neil (1950-)...64 Folon, Jean-Michel (1934-2005)...217 Forain, Jean Louis (1852-1931)...230

Kahane, Anne (1924- )...142 Kahn, Wolf (1927-)...60 Karsh, Yousef (1908-2002)...6, 25 Katz, Alex (1927- )...82 Kelly Jr., Francis Robert (1927-2012)...101 Kelly, Ellsworth (1923- )...85 Kepes, Gyorgy (1906-2001)...53 Kertesz, Andre (1894-1985)...42, 43 Kuehn (Kuhn), Heinrich (1866-1944)...103 Kurelek, William (1927-1977)...124, 125

G Gaucher, Yves (1934-2000)...177 General Idea (fl. 1967-1994)...187 Giacometti, Alberto (1901-1966)...310 Gibson, Ralph (1939-)...78 Gladstone, Gerald (1929-2005)...186 Glasser, Milton (1929- )...259 Goodwin, Betty Roodish (1923-2006)...182 Graafland, Scarlett Hooft (1973- )...206 Gruen, John (1926- )...80 Guerard, Eugene-Charles-Francois (18211866) (After)...231

H Haas, Richard (1936-)...41 Hallam, Joseph Sydney (1898–1953)...132, 133 Harper, John Russell (1914-1983)...1 Harrington, Richard (1911–2005)...7, 8, 9 Hartnell, Sir Norman Bishop (19011979)...110 Hayter, Stanley William (1901-1988)...121, 122

L Langaskens, Maurice (1884-1946)...216 Langstadt, Robert (1912-1987)...169 Laurencin, Marie (1885-1956)...234 Laurencin, Marie (1885-1956) (After)...235 Ledan, Fanch (1949-)...248 Lee, Doris Emrick (1905-1983)...96 Leiter, Saul (1923-2013)...84 Lennon, John (1940-1980)...114 Letendre, Rita (1928- )...178 Lichtenstein, Roy (1923-1997)...73, 74, 75, 76 Lindner, Richard (1901-1978)...71 Lindstrom, Bengt (1925-2008)...308, 309 Lorjou, Bernard (1908-1986)...237 Lund, Chris (1923-1983)...25

M MacDonald, Thoreau (1901-1989)...135 Man Ray (1890-1976)...48, 49 Mapplethorpe, Robert (1946-1989)...86, 87, 88, 89 Marca-Relli, Conrad (1913-2000)...77


Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

Marin, John (1870-1953) (After)...30 Marini, Marino (1901-1980)...276, 277 Martin, Frank (1921-2005)...111 Max, Peter (1937- )...56, 57, 58, 59 Mayeur, Arthur (1871-1934)...232 Meatyard, Ralph Eugene (1925-1972)...81 Miro, Joan (1893-1983)...303, 304, 305, 306 Mitchell, Herbert (1898-1980)...39 Miyashita, Tokio (1930-2011)...282 Molinari, Guido (1933-2004)...181 Moody, John Charles (1884-1962)...106 Moore, Henry (1898-1986)...116, 117, 118, 120 Mouly, Marcel (1918-2008)...255, 256 Mourlot Studios...259 Muller, Alfredo (Alfred) (1869-1939)...279 Murphy, Rowley Walter (1891-1975)...139

N National Film Board of Canada...5, 26, Neiman, LeRoy (1921-2012)...98 Nicoll, Marion Florence S. Mackay (19091985)...141 Nierman, Leonardo (1932- )...284 Nolan, Sidney (1917-1992)...102 Notman, Circle of William (1826-1891)...21 Notman, William (1826- 1891)...15, 16, 17, 18, 19, 20 Nowell, Frank Hamilton (1864-1950)...14

O Orkin, Ruth (1921-1985)...62

P Pachter, Charles (1942- )...144, 145 Paolozzi, Sir Eduardo (1924-2005)...113 Papart, Max (1911-1994)...243, 246 Parr, Martin (1952- )...207 Pellan, Alfred (1906-1988)...173, 174, 175, 176 Penck, A.R. Penck (1939-)...269 Pepper, George Douglas (1903-1962)...130 Perehudoff, William (1918-2013)...185 Phillips, Walter Joseph (1884-1963)...136, 150, 151, 152, 153, 154, 155 Picasso, Pablo (1881-1873)...297, 298, 299, 300, 301, 302 Picasso, Pablo (1881-1973) (After)...296 Pilot, Robert Wakeham (1898-1968)...164, 166 Pond, Edwin Percy (1872-1943)...13 Pratt, Christopher (1935- )...156, 157

R

V

Raffael, Joseph (1933-)...97 Ramos, Alvar Sunol Munoz (1935-)...293 Reeves, John (1938- )...10, 11, 194, 199 Renoir, Pierre-Auguste (1841-1919)...223, 224, 225 Riopelle, Jean Paul (1923-2002)...167 Robley L. Johnson Studio (fl. 1940s)...29 Rothe, Gatja Helgart (1935- c. 2007)...100 Rowlandson, Thomas (1756-1827) (After)...104

van Rijn, Rembrandt (1606-1669)...218, 219 Vasarely, Victor (1906- 1997)...240, 241, 242, 244, 245 von Tiedemann, Cylla (20th Century)...195, 196, 197

S S.H. Parsons and Sons (1844-1908) (Attr.)...23 Salgado, Sebastiao (1944- )...205 Sampson, Joseph Ernest (1887-1946)...134 Sandham, Henry (1842-1912)...17 Santamaria, Guillermo Silva (19212007)...214 Scarpelli, Marco (1918-1995)...278 Schapiro, Miriam (1923-)...54 Scherman, Tony (1950-)...183, 184 Schubert, Otto (1892-1970)...266 Silverberg, David (1936- )...192 Steir, Pat (1938- )...55 Stuart, Gilbert (1755-1828) (After)...34 Sugai, Kumi (1919-1996)...283 Sylk, Boris (20th Century)...286

W Warhol, Andy (1928-1987)...90, 91,92, 93, 94 Warhol, Andy, To The Factory...95 Wegman, William (1943-)...72 Weisbruch, Claude (1927-)...251 Welbourne, Scotty (1907-1979)...37 Weston, Edward (1886-1958)...79 Whistler, James Abbott McNeill (18341903)...31 Wieland, Joyce (1931-1998)...12 Willinger, Laszlo (1909- )...36 Winter, Lloyd Valentine (1866-1945)...13 Wolcott, Marion Post (1910-1990)...45 Wood, Grant (1891-1942)...27 Wou-Ki, Zao (1921-2013)...236a Wright, Andrew (20th Century)...208

Z Zadkine, Ossip (1890-1967)...236

T Tap, Monica (1962-)...183 Tarkay, Itzchak (1935- )...274, 275 The Detroit Publishing Company (1895-) (Attr.)...22 Thompson, Michael (1954- )...158 Tiepolo, Giovanni Battista (16961770)...280 Tobiasse, Theo (1927-2012)...252, 253, 254 de Toulouse-Lautrec, Henri (18641901)...257,258 Tousignant, Claude (1932- )...179, 180 Towell, Larry (1953- )...209 Town, Harold Barling (1924-1990)...142A, 142B, 143 Tremois, Pierre-Yves (1921- )...233 Turcios, Joaquin Vaquero (1933-)...292 Turner, Francis Calcraft (born c. 17821846) (After)...108

U Urban, David (1966-)...183

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Glossary of Printmaking Terms

A.P. (Artist’s proof): Prints made outside of a regular edition for an artist’s own use and excluded from the numbering of a printed edition. Also called epreuve d’artiste (E.A.). Aquatint: An intaglio method for creating uniform tones on a matrix. B.A.T. (Bon a tirer): “Good to pull” or “good to be printed.” A printer’s working proof, which serves as the standard of quality by which other prints will be judged as they are being printed. Chalcography (defined by http://dictionary.reference.com/b rowse/chalcographic): The art of engraving on copper or brass. Chromotypograph (defined by Bamber Gascoigne): Colours printed from variously textured metal blocks, with or without other colours from woodengraved blocks; an intermediate stage between a manual and process print. Embossing: A printing technique which raises all or part of an image from the paper. Engraving: An intaglio printmaking method in which a pointed tool is employed to incise the lines of an image into a matrix. Copper engraving (defined by Bamber Gascoigne): A line engraving on copper, in practice all line engravings before 1820 and a minority thereafter. Stipple engraving (defined by Bamber Gascoigne): The important parts achieved by means of stipple, whether etched or engraved, regardless of whether etched or engraved lines are also used to reinforce the

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image. Etching: An intaglio printmaking process in which images are scratched with a sharp tool onto a metal plate covered with an acid-resistant waxy material, the ground. Acid is then applied to “bite” the scratched image areas into the plate. Etching with drypoint (defined by Bamber Gascoigne): An etching, but with drypoint lines included from which the burr has not been removed, giving the characteristic rich furry look to parts of the image. Open-bite etching (defined by http://www.magicalsecrets.com/studio/glossary): Also called flat biting, means means biting areas of a plate without inserting tooth or texture. Tooth may be provided by aquatint, or in soft ground etching by paper grain or other material pressed into the wax ground, or in hard ground etching by closely spaced lines not drawn so close that the ground separating them erodes in the acid. Wide flat depressions without tooth, even if deeply bitten, will be wiped out as the printer clears the surface ink from the plate in preparation for printing. Ink accumulates at the edges of an image that is flat bitten, but in its center only the ink held in the grain of the metal remains after the plate is wiped. The image prints as an irregular gray with dark edges. H.C. (Hors de commerce): A designation often made on a number of prints which are not intended for sale. Intaglio: A term used to describe printing methods in which images are incised or “bitten” into the matrix with tools or acid.

Japon paper: A high quality, acidfree art paper made from mulberry fibers. Also called Japan paper. Linocut: A relief printing method in which the image is cut into a sheet of linoleum. The design to be inked and printed is formed by cutting away areas on both sides of the image lines, leaving the outline intact on the surface of the linoleum block. Also called linoleum cut. Lithograph (defined by Bamber Gascoigne): Printed from a stone or metal surface on the principle of antipathy between grease and water, therefore including Zincograph: if wishing to distinguish more precisely between different types of lithograph (the difference relating in each case to how the image was achieved on stone), the likely categories are pen-and-ink, chalk, mezzotint style, lithotint, spatter and stone engraving. Offset lithograph (defined by http://www.donaldheald.com/glo ssary/glossary_01.php): Lithographs printed by transferring an image from a stone or plate to an intermediate surface and then to the print paper. Mezzotint: An intaglio process in which the entire surface of metal plate is textured with a special tool called a rocker. The plate would print solid black if inked at this stage. The artist makes his drawing by scraping away certain areas to produce white and gray tones in the image. Monoprint: An image made using a printmaking medium and materials but only one print is produced. Also called monotype. Photogravure: A high-quality

photographic reproduction made from a copper printing plate. Also called gravure. Relief Printing: Any printing method where the non-image areas are gouged out of the surface of the matrix leaving the raised portions to form the image. Screenless offset lithograph (defined by Bamber Gascoigne): halftone achieved by gaining of the lithographic plate rather than by a cross-line screen. Screenprint (defined by Bamber Gascoigne): Any print made exclusively by the screenprinting method, whether originated by hand or photographically. Silkscreen: A stencil print created by forcing ink or paint through a cut stencil or the open mesh of a screen onto sheets of paper. Also called Serigraph. Stonecut (defined by Inuit Artists Print Workbook Volume 3, Book 2: Print Documentation) : A negative image of the design is traced on to the stone so that when the stone is inked and a print is pulled, it is right-reading and appears exactly as the drawing. Woodcut: A relief printing method in which an image is incised into the side of a block of wood.


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Buying at Waddington’s

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Condition of Lots All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to

Artfact Live! clients will be charged a buyer's premium of 23% of the successful bid price of each lot up to and including $50,000 and 18% on any amount in excess of $50,000 as part of the total purchase price.

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Frames on artwork are not included as part of purchase or condition. Buyers Premium A premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 is paid by the buyer as part of the total purchase price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer's premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

Bidding To bid in person at the auction, you must register for a bidding number by showing identification acceptable to the Auctioneer upon entering the salesroom. Your number will identify you if you are the successful bidder. You will be responsible for all lots purchased on your bidding number. Banking information may be requested by Waddington’s™. You may submit an Absentee Bid Form if you are unable to attend the sale. Bidding by telephone, in limited circumstances, can be arranged prior to the sale. While we are pleased to offer absentee and telephone bidding as a service to our clients, and take great care in their commission, the Auctioneer will not be responsible for technical difficulties, errors or failure to execute bids. The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

Payment Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). As Waddington's requires written authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone. However, fax authorization arrangements can be made. ALL PRICES IN CANADIAN FUNDS


Fine Prints and Photography Auction – Tuesday 10 March 2015 at 7:00 pm

Selling at Waddington’s

Shipping: The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: Pak Mail 905.470.6874 905.470.6875 416.293.8225 taurus@pakmailmarkham.ca www.pakmailmarkham.ca Envoy 416.299.3367 416.299.9750 ph@envoy.ca www.envoypackandship.com Removal of Purchases Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item. Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office.

Notice for our International Clients

Commission Rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item Insurance A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

Restrictions exist regarding the export of species protected under CITES (Convention on International Trade in Endangered Species). The export and importation of items made of or containing whalebone, ivory, tortoise shell, seal skin, rhinoceros horn and other animal parts is strictly controlled or forbidden by most countries. Please review your country’s laws before shipping or purchasing pieces made of or containing these restricted items. Obtaining the appropriate permits is the responsibility of the client. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington's. For more information please visit: www.cites.org

Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

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InternationalArt.Waddingtons.ca

Operational Sta

Specialist Departments

Asian Art Anthony Wu 416 847 6185 aw@waddingtons.ca Yvonne Li 416 847 6195 yl@waddingtons.ca

Jewellery, Watches & Numismatics Don P. McLean 416 847 6170 dpm@waddingtons.ca Lynda Macpherson Jewellery Administrator 416 847 6190 lm@waddingtons.ca

Canadian Fine Art Monthly Fine Art Linda Rodeck 416 847 6176 lr@waddingtons.ca Eileen Reilly Condition Reports 416 847 6191 etr@waddingtons.ca Erin Rutherford Fine Art Administrator 416 504 5100 er@waddingtons.ca Contemporary Art Stephen Ranger 416 847 6194 skr@waddingtons.ca Kristin Vance Fine Art Administrator 416 504 9100 ext 6178 kv@waddingtons.ca International Art Susan Robertson 416 847 6179 sr@waddingtons.ca Nadine Di Monte 416 847 6182 Assistant npd@waddingtons.ca Inuit Art Christa Ouimet 416 847 6184 co@waddingtons.ca Nadine Di Monte Assistant 416 847 6182 npd@waddingtons.ca

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Doug Payne 416 847 6180 dp@waddingtons.ca Decorative Arts Bill Kime Silver, Glass & Ceramics 416 847 6189 bk@waddingtons.ca Sean Quinn Sculpture, Decorations, Clocks & Lighting 416 847 6187 sq@waddingtons.ca Ellie Muir Decorative Arts Assistant 416 847 6196 em@waddingtons.ca

President Duncan McLean 416 847 6183 adm@waddingtons.ca

Building Manager Steve Sheppard 416 847 6186 ss@waddingtons.ca

Vice President Business Development Stephen Ranger 416 847 6194 skr@waddingtons.ca

Client Services Andrew Brandt 416 504 9100 ext 6200 ab@waddingtons.ca

Vice President Fine Art Linda Rodeck 416 847 6176 lr@waddingtons.ca General Manager Duane Smith 416 847 6172 das@waddingtons.ca Creative & Technical Manager Jamie Long 416 847 6188 jl@waddingtons.ca Queeny Xu Assistant qx@waddingtons.ca Accounts Manager Karen Sander 416 847 6173 ks@waddingtons.ca Elda Pappada 416 504 9100 x6213 ep@waddingtons.ca Corporate Receptionist Kate Godin 416 504 9100 kg@waddingtons.ca Ali Nasir 416 847 6181 an@waddingtons.ca Appraisal Co-ordinator Ellie Muir 416 847 6196 em@waddingtons.ca Communications Tess McLean 416 504 9100 tm@waddingtons.ca

Waddingtons.ca/Cobourg 9 Elgin Street East, Cobourg ON K9A 0A1 General Manager Paul Needham 905 373 0501 pn@waddingtons.ca Absentee and Phone Bidding 905 373 1467 (Fax)

Waddingtons.ca/Collingwood P. O. Box 554, Collingwood ON L9Y 4B2 Valerie Brown 705 445 8811 vb@waddingtons.ca


Fine Prints and Photography Auction Waddingtons.ca

275 King Street East, Second Floor Toronto Ontario Canada M5A 1K2

Telephone: 416.504.9100 Fax: 416.504.0033 Toll Free: 1.877.504.5700

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Fine Prints and Photography Auction | Mar. 10, 2015  

Fine Prints and Photography Auction | Mar. 10, 2015