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1 GEORGE ARMFIELD (BORN CIRCA 1808-1893), BRITISH FOX AND DOGS

2 ALFRED RICHARDSON BARBER (1841-1925), BRITISH A FRUGAL MEAL, 1883

Oil on canvas; remains of signature lower right, faintly signed and titled “Fox + Dogs” verso

Oil on canvas; signed and dated 1883 bottom center and lower left, signed and titled to the stretcher

20.0 ins x 24.0 ins; 50.8 cms x 61.0 cms

14.0 ins x 18.0 ins; 35.6 cms x 45.7 cms

$800 — 1,200

$2,000 — 3,000

3 GEORGE TURNER (1843-1910), BRITISH HIGHLAND CATTLE CROSSING THE FORD, 1882

4 THOMAS SIDNEY COOPER (1803-1902), BRITISH SHEEP AND COWS RESTING IN A MEADOW

Oil on canvas; signed and dated /82 lower right, signed, titled and dated 1882 at “Barrow on Trent Near Derby” verso

Oil on canvas; signed and dated indistinctly 1865? bottom centre

24.0 ins x 36.0 ins; 61.0 cms x 91.4 cms

17.8 ins x 23.7 ins; 45.1 cms x 60.3 cms $1,500 — 2,000

Provenance By descent to the present Private Collection from her father’s mother who brought the painting with them from Scotland to Canada $800 — 1,200

5 THOMAS FRANCIS WAINEWRIGHT (1794-1883), BRITISH SUPINE COWS IN A FIELD

6 CHARLES LESLIE (BORN CIRCA 1835-1890), BRITISH WANDERING COWS

Watercolour; signed lower left

Oil on canvas laid down to board; signed lower left

14.0 ins x 24.0 ins; 35.6 cms x 61.0 cms

12.0 ins x 24.0 ins; 30.5 cms x 61.0 cms

$600 — 800

$300 — 500

7 ERNEST WALBOURN (18271927), BRITISH SUNLIT FARMYARD WITH FIGURES AND POULTRY OUTSIDE A COTTAGE WITH STREAM Oil on board; signed lower left, inscribed “Bidston, Cheshire” in pencil verso 11.0 ins x 19.0 ins; 27.9 cms x 48.3 cms

8 HENRY H. PARKER (1858-1930), BRITISH THE UPPER THAMES (CATTLE CROSSING RIVER) Oil on canvas; signed lower right, titled “The Upper Thames” to the typed label at the top of the frame verso 12.0 ins x 18.0 ins; 30.5 cms x 45.7 cms $1,500 — 2,500

$800 — 1,000


9 THOMAS JOHN SCOTT (19TH CENTURY), BRITISH CHESTNUT HUNTER IN A LANDSCAPE

10 19TH CENTURY BRITISH CATTLE WATERING IN THE SHADE WHILE THE FARMER RESTS

12 JAMES WEBB (1825-1853), BRITISH SHIP IN DISTRESS BY A LANDMARK ISLE AT LEFT

Oil on canvas

11 WILLIAM EDWARD WEBB (1862-1903), BRITISH BUSTLING HARBOUR SCENE WITH FISHER FOLK AWAITING THE ARRIVAL OF THE DAY’S CATCH, 1883

Oil on canvas; signed lower right 19.5 ins x 25.7 ins; 49.5 cms x 65.4 cms

20.0 ins x 29.8 ins; 50.8 cms x 75.6 cms

Oil on canvas; signed and dated 83 lower right

10.0 ins x 16.0 ins; 25.4 cms x 40.6 cms

$1,000 — 1,500

Provenance Cooling Galleries, Toronto; Private Collection, Toronto

20.0 ins x 30.5 ins; 50.8 cms x 77.5 cms

$1,200 — 1,800

Oil on canvas; signed lower left

$1,500 — 2,500 $300 — 500

13 JAMES HARRIS OF SWANSEA (1810-1887), BRITISH SHIPPING AT WORM’S HEAD, 1871 Oil on canvas; signed “Harris” and dated “1871” lower right

14 WILLIAM (ANSLOW) THORNLEY (1857-1898), BRITISH FISHING SCHOONER IN CHOPPY WATERS NEARING PORT Oil on canvas; signed lower left

14.3 ins x 22.2 ins; 36.2 cms x 56.5 cms Provenance See website for additional info. Note: See website for additional info. $4,000 — 5,000

8.0 ins x 16.0 ins; 20.3 cms x 40.6 cms $800 — 1,200

15 ATTRIBUTED TO WILLIAM (ANSLOW) THORNLEY (18571898), BRITISH LOW TIDE, CROMER (IN MOONLIGHT)

16 THOMAS BUSH HARDY (18421897), BRITISH SHIPS AT REST

Oil on canvas laid down on masonite; signed with conjoined first initial and last name: “Thornley” with a long uppercase “L” ? proceeding, titled to the nameplate to the frame recto

18.5 ins x 33.0 ins; 47.0 cms x 83.8 cms

18.3 ins x 26.3 ins; 46.4 cms x 66.7 cms

Oil on canvas; signed lower left

Provenance With Haynes Art Gallery, Toronto on 16-4-43 inscribed to gallery label verso $2,000 — 4,000

$1,200 — 1,800


17 WILLIAM GARTHWAITE (18211899), BRITISH DUTCH AND BRITISH SHIPS IN STORMY WATERS, 1850 Oil on canvas; strengthened signature and date 1850 lower left 19.0 ins x 23.0 ins; 48.3 cms x 58.4 cms

18 DONALD BRETT (20TH CENTURY), BRITISH SHIP IN DEEP WATER

19 WILFRED KNOX (1884-1966), BRITISH SQUALLY WEATHER

Oil on canvas; signed lower left

Oil on canvas; signed lower left

20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms

24.5 ins x 36.0 ins; 62.2 cms x 91.4 cms

$500 — 700

Provenance The Fine Art Galleries, The T. Eaton Co., Ltd., accompanied by the original receipt dated September 22, 1962; Acquired from the above by the present Private Collection, Toronto

$500 — 700

20 CHARLES WILLIAM WYLLIE (1853/59-1923), BRITISH A LOADED STRAW BARGE WITH BOYS TENDING ROW BOATS, A CITY IN THE DISTANCE, 1882 Oil on canvas; signed and dated 82 lower left, signed at Matilda Hill and inscribed No. 3 verso 10.0 ins x 18.0 ins; 25.4 cms x 45.7 cms $700 — 900

$700 — 900

21 EMILY BEATRICE BLAND (1864-1951), BRITISH FISHING BOAT BEACHED; BEACHED FISHING BOAT WITH STEAMER IN DISTANCE Pair of oils, the first on canvas, the latter on grey board; each signed “E. Bland” with overlapping E/B and dated 1900 lower right

22 WALTER STUART LLOYD (1875-1929), BRITISH CONWAY CASTLE Watercolour; signed lower right and titled to the nameplate 11.3 ins x 35.0 ins; 28.6 cms x 88.9 cms $700 — 900

6.0 ins x 8.0 ins; 15.2 cms x 20.3 cms

23 WILLIAM (ANSLOW) THORNLEY (1857-1898), BRITISH SHIPPING OFF ST. MICHAEL’S MOUNT, CORNWALL Oil on canvas laid down to masonite; signed lower left 17.5 ins x 13.0 ins; 44.5 cms x 33.0 cms $800 — 1,200

24 MALCOLM CROUSE (19TH/20TH CENTURY), BRITISH BEN-MY-CHREE (AN IRON PADDLE STEAMER, THAT SERVED THE ISLE OF MAN STEAM PACKET COMPANY); PRINCE OF WALES/ 1657 TONS/ 6500 H.P. Pair of oils on panel; the first signed lower right, titled bottom centre; the latter, signed lower left, titled and inscribed lower right

$300 — 500 5.0 ins x 8.5 ins; 12.7 cms x 21.6 cms $1,000 — 1,500


25 HAROLD GOLDTHWAITE (1869-1932), BRITISH THE RIVER NR LEWES (SUSSEX) Oil on panel; signed lower right, titled “River in Arun” to the nameplate, titled “The River Nr. Lewes” in pencil verso 9.8 ins x 14.8 ins; 24.8 cms x 37.5 cms Provenance Waddington’s, December 2, 1999, lot 125 sold as “The River Arun”; From whom purchased by the present Private Collection, Toronto

26 MANNER OF GEORGE CHAMBERS (1803-1840), BRITISH SHIPPING SCENE WITH GALLEONS AND SAILING VESSELS ON THE HORIZON WITH DUTCH VESSELS IN ROILING WATERS

27 JAMES SALT (1850-1903), BRITISH THE GRAND CANAL, VENICE

Oil on canvas

Provenance Estate Collection, Toronto

26.3 ins x 32.5 ins; 66.7 cms x 82.6 cms

Oil on canvas; signed lower right 18.0 ins x 32.8 ins; 45.7 cms x 83.2 cms

$1,000 — 1,500

Provenance The Estate of Mary Eileen Baldwin, Toronto, married to Robert Baldwin, a descendent of Sir Robert Baldwin (1804-1858)

28 JAMES CAMPBELL NOBLE (1846-1913), SCOTTISH FISHERMAN TENDING HIS BOAT BY A BRIDGE WITH WINDMILL Oil on canvas; signed lower left 20.0 ins x 24.5 ins; 50.8 cms x 62.2 cms Provenance Estate of Elis MacGillivray; Purchased by the present Private Collection, Toronto in the 1940’s $600 — 800

$500 — 700 $300 — 500

29 WILLIAM PITT (ACT. 18531890), BRITISH ON THE AVON - DEVON, 1873

30 HENRY WILLIAM PHELAN GIBB (1870-1948), BRITISH PONT NEUF, 1907

Oil on canvas; signed with initial monogram overlapping and dated “18 WP 73” lower right, signed, titled and dated 1873 at “Gothic Cottage, St. Pauls Road, Camden Town, London” verso

Oil on canvas; signed and dated 1907 lower left, signed, titled and dated 1907 at 15 Rue Boissonade, Paris verso

14.0 ins x 26.0 ins; 35.6 cms x 66.0 cms $800 — 1,200

18.3 ins x 21.3 ins; 46.4 cms x 54.0 cms Provenance Britnell’s Art Gallery, Toronto label to the frame; Petley Jones Gallery, Vancouver Note: See website for additional info. $800 — 1,200

31 HENRY MOORE (1831-1895), BRITISH SEASCAPE WITH SHIPPING VESSELS Oil on canvas; signed “H. Moore” and dated 1874 lower right 16.5 ins x 26.0 ins; 41.9 cms x 66.0 cms Provenance Private Collection, Ontario acquired circa December 1966 $2,500 — 3,500

32 ROSS REVERDY OSGOODE (1867-1946), BRITISH THREE LANDSCAPES WITH ARCHITECTURAL VIEWS: MOUNTED SOLDIERS AT AN ARCH; TWO VIEWS OF RUINS Three oils on canvasboards; each signed 9.0 ins x 12.0 ins; 22.9 cms x 30.5 cms $300 — 500


33 ROSS REVERDY OSGOODE (1867-1946), BRITISH FOUR LANDSCAPE VIEWS: TWO SCENES ON A CANAL; HORSE AND RIDER MEETING ON TRAIL; WAYSIDE MONUMENT

34 WILLIAM HENRY MANDER (1850-1922), BRITISH FALLS IN THE VALE OF MEATH

Four oils on canvasboard; each signed; one dated Aug 8 / 1818 lower left, another dated 1818 lower left

24.0 ins x 36.0 ins; 61.0 cms x 91.4 cms

Oil on canvas; signed lower left, titled to the nameplate

$1,500 — 2,500

8.0 ins x 12.0 ins; 20.3 cms x 30.5 cms

35 HENRY H. PARKER (1858-1930), BRITISH GORING ON THAMES Oil on canvas; signed lower right, signed and titled verso 12.0 ins x 24.0 ins; 30.5 cms x 61.0 cms Provenance The Cooling Galleries, London, UK

37 JOHN HENRY BOEL (FL. 18901910), BRITISH LANDSCAPE WITH HAY BARGE, 1905 Oil on canvas; signed and dated 1905 lower left 16.0 ins x 24.0 ins; 40.6 cms x 61.0 cms $300 — 500

$700 — 1,000

$400 — 600

38 DAVID JAMES (1853-1904), BRITISH NEAR EXMOUTH, DEVON, 1885 Oil on canvas; signed and dated 85 lower right, signed, dated 85 and titled verso 25.0 ins x 50.0 ins; 63.5 cms x 127.0 cms Provenance Britnell’s Art Gallery Ltd.,Toronto, Diamond Jubilee; The Estate of a Private Collection, Toronto; By Descent Note: See website for additional info. $2,000 — 3,000

39 ATTRIBUTED TO GEORGE MORLAND (1763-1804), BRITISH SHEEPFOLD IN WINTER

40 JOHN JAMES OFFORD (EXHIBITED 1886), BRITISH CARTER’S IN WINTER LANDSCAPE

41 JOHN FREDERICK HERRING THE ELDER (1795-1865), BRITISH HORSE DRAWN CARRIAGE RIDE

Oil on canvas; given to George Morland and titled to an old typed label verso

Oil on canvas; signed lower right, titled to an old typeset catalogue label verso

20.0 ins x 25.5 ins; 50.8 cms x 64.8 cms

24.0 ins x 36.0 ins; 61.0 cms x 91.4 cms

17.8 ins x 23.7 ins; 45.1 cms x 60.3 cms

Provenance Private Collection, Toronto, in the family for over 50 years

Provenance With Leeds City Art Gallery & Temple Newsham House label verso

$1,000 — 1,500

$2,000 — 3,000

$1,000 — 1,500

Oil on canvas; signed and dated 1833 lower right


42 CHARLES WALLER SHAYER (1826-1914), BRITISH HARVESTING

43 ATTRIBUTED TO HENRY WOODS (1846-1921), BRITISH HOMEWARDS, 1889

Oil on panel; signed lower left

Oil on canvas; bears signature of Henry Woods and date 1894 lower left, given to Henry woods and titled to the nameplate

11.5 ins x 15.7 ins; 29.2 cms x 40.0 cms Provenance With John H. Paris, the Fine Art Repository, Liverpool, label verso $500 — 700

18.0 ins x 22.0 ins; 45.7 cms x 55.9 cms

44 GEORGE TURNER (1843-1910), BRITISH STEPPING STONES, NORTH WALES

45 ALFRED AUGUSTUS GLENDENING SR. (1840-1910), BRITISH ON THE WYE, 1868

Oil on canvas; signed on the rock lower left

Oil on canvas; signed with initials A.A.G. and dated ‘68 lower right, titled to the stretcher

18.0 ins x 30.0 ins; 45.7 cms x 76.2 cms

20.0 ins x 32.0 ins; 50.8 cms x 81.3 cms

$1,500 — 2,500 Provenance By descent through the family

$2,000 — 3,000

$400 — 600

46 ATTRIBUTED TO GEORGE MORLAND (1763-1804), BRITISH LEAVING THE INN Oil on canvas

47 ALLAN J. HOOK (1853- ), BRITISH WHITE STALLION GRAZING BY A COUNTRY LANE WITH COUNTRY FOLK Oil on canvas; signed lower right

19.5 ins x 25.5 ins; 49.5 cms x 64.8 cms Provenance With Mackenzie & Co., Art Gallery, Toronto in circa the 1930’s; Private Collection, Toronto

20.0 ins x 24.3 ins; 50.8 cms x 61.6 cms $500 — 700

48 J. MYLES (19TH CENTURY), BRITISH RUSTIC SCENE WITH LOGGERS IN A FOREST CLEARING AND FIGURES RESTING OUTSIDE TOWN Oil on canvas; signed and dated 1878 lower left 19.8 ins x 27.0 ins; 50.2 cms x 68.6 cms

49 EDWARD WILKINS WAITE (1854-1924), BRITISH THE TIME OF BLOSSOM, FITTLEWORTH Oil on canvas; signed lower right, title inscribed to the nameplate to the frame recto 20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms $3,000 — 4,000

Provenance Estate Collection, Ontario

$1,000 — 1,500 $300 — 500


50 JOHN BRANDON SMITH (18481884), BRITISH A QUIET SPOT ON THE DEE, N. WALES Oil on canvas; signed and dated 1882 lower right, titled to the stretcher 20.0 ins x 15.0 ins; 50.8 cms x 38.1 cms $600 — 800

51 PHILIP HUTCHINS ROGERS (1794-1853), BRITISH LANDSCAPE (WITH SHEPHERD GUARDING THE FLOCK OF SHEEP, GOATS AND CATTLE)

52 THOMAS WILLIAM ALLEN (1855- ?), BRITISH TWO VIEWS AT BIRKENSHAW (WEST YORKSHIRE): AUTUMN; EARLY SEPTEMBER

Oil on canvas; given to the artist on the gallery labels and the old inscribed pen and ink label verso

Two oils on board; the first, signed lower left, the latter unsigned, the first, also signed verso, each titled at Birkenshaw in pencil verso

26.0 ins x 38.0 ins; 66.0 cms x 96.5 cms

9.5 ins x 12.0 ins; 24.1 cms x 30.5 cms

Provenance Adan A. Lysaght, n.p., purchased between 1812-1820 as given on an old pen and ink label to the frame verso; The Fine Art Galleries, The T. Eaton Co., Limited, Canada labels verso from several years

$400 — 600

53 ATTRIBUTED TO EDWARD WILKINS WAITE (1854-1924), BRITISH CHILDREN FISHING IN A STREAM BY BIRCH TREES IN SUMMER Oil on canvas. 20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms Provenance L’Art Francais, Montreal $1,000 — 2,000

$1,500 — 2,500

54 ALFRED STONE (1840- ), BRITISH AT NEWBURY, BERKSHIRE

55 ROBERT HUDSON JNR. (1852– 1884), BRITISH ENDCLIFFE WOOD

Oil on canvas; signed lower left, titled to the stretcher. Circa 1865.

Oil on canvas; signed “R. Hudson Jun” lower left, titled to the nameplate

24.5 ins x 36.0 ins; 62.2 cms x 91.4 cms

56 HAROLD GOLDTHWAITE (1869-1932), BRITISH LYMINGTON (FIGURE ON A FOOT BRIDGE) Oil on panel; signed lower right, titled in pencil verso

14.0 ins x 10.0 ins; 35.6 cms x 25.4 cms

10.0 ins x 15.0 ins; 25.4 cms x 38.1 cms

$700 — 1,000

Provenance J.A. Cooling & Sons, London; Private Collection by descent from the consignor’s husband

$500 — 700

$400 — 600

56A J. GALLOWAY (FL. 1865), BRITISH SCHOOL EXTENSIVE MOUNTAINOUS LOCH AT SUNSET WITH STAGS Oil on canvas; signed and dated 1865 lower left 24.0 ins x 45.5 ins; 61.0 cms x 115.6 cms $600 — 900


57 WILLIAM SHAYER SNR. (17871879), BRITISH IN DEVONSHIRE Oil on board; signed lower left, titled to the nameplate to the frame 10.0 ins x 12.0 ins; 25.4 cms x 30.5 cms

58 WILLIAM FREDERICK WITHERINGTON (1785-1865), BRITISH FAMILY PASTIMES IN A HILLSIDE WOOD Oil on canvas; signed and dated indistinctly 1839? at the bottom to the right of centre

Provenance Thomas McLean Printseller and Publisher, Dealer in Works of Art, London; Estate Collection, London, Ontario

14.0 ins x 22.0 ins; 35.6 cms x 55.9 cms

$1,000 — 1,500

$600 — 800

61 LEOPOLD RIVERS (1852-1905), BRITISH MOTHER AND CHILDREN ON A COUNTRY ROAD HOME FROM MARKET

62 HENRY MARTIN (1835-1908), BRITISH YOUNG SHEPHERD GIRL LOST IN THOUGHT

59 WILLIAM SHAYER SNR. (17871879), BRITISH RUSTIC FAMILY AND BABY’S FIRST RIDE Oil on board; signed lower left

60 MANNER OF DAVID COX SNR. (1783-1859), BRITISH HERDING SHEEP ALONG A PATHWAY WITH A WOMAN CROSSING A FOOTBRIDGE Oil on canvas

18.0 ins x 24.0 ins; 45.7 cms x 61.0 cms

15.0 ins x 21.0 ins; 38.1 cms x 53.3 cms

$1,500 — 2,000 $700 — 900

Provenance Estate Collection, London, Ontario

Oil on canvas; signed lower left

Oil on canvas; signed “H. Martin” lower left

50.5 ins x 30.0 ins; 128.3 cms x 76.2 cms

24.0 ins x 15.5 ins; 61.0 cms x 39.4 cms

Provenance Waddington’s Auctioneers & Appraisers, Toronto, June 12, 2012, Lot 84; Private Collection, Ontario

$400 — 600

63 CARL BRENNIR (1850-1920), BRITISH SUNLIGHT OF MID-DAY, EARLSWOOD COMMON, SURREY (PAINTED OUTSIDE), 1903 Oil on canvas; signed and dated 1903 lower left, signed, titled and dated 1903 and inscribed by the artist “Painted Outside” in pencil to the stretcher 20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms

64 ATTRIBUTED TO JOHN LINNELL SNR. (1792-1882), BRITISH “THE WOLD OF KENT” Oil on canvas; given to John Linnell and titled to the frame liner 30.0 ins x 45.5 ins; 76.2 cms x 115.6 cms Provenance Estate Collection, London, Ontario Note: See website for additional info.

$1,200 — 1,800 $1,200 — 1,800

$2,000 — 3,000


65 ALFRED AUGUSTUS GLENDENING SNR. (1840-1910), BRITISH COWS AND DOG WITH HERDER ON A COTTAGE PATH, 1897 Oil on Windsor & Newton canvasboard; signed with initials “A.A.G.” and dated 97 lower right 8.0 ins x 11.7 ins; 20.3 cms x 29.8 cms Provenance J.A. Cooling & Sons, London; Private Collection by descent from her husband

66 ABRAHAM HULK JUNIOR (1851-1922), BRITISH NEAR PADDINGTON FARM, SURREY

67 HENRY H. PARKER (1858-1930), BRITISH HERDING COWS HOMEWARD AT SUNSET

Oil on canvas; signed lower left, titled verso

Oil on canvas; signed lower right; signed verso, inscribed “No. 2” to the stretcher

16.0 ins x 24.0 ins; 40.6 cms x 61.0 cms Provenance Frost & Reed Gallery, UK, registered No. 36163; Cooling Galleries, Toronto; Private Collection, Canada; By descent

16.0 ins x 24.0 ins; 40.6 cms x 61.0 cms Provenance Private Collection by descent from her husband

68 ATTRIBUTED TO GEORGINA LARA (FL. 1840-1880), BRITISH THE SUSSEX FARM Oil on canvas, possibly signed lower left, given to George Lara and titled to the nameplate 6.5 ins x 9.3 ins; 16.5 cms x 23.5 cms Provenance See website for additional info. $400 — 600

$3,000 — 4,000

$500 — 700 $800 — 1,200

69 ATTRIBUTED TO ROBERT LADBROOKE (BORN CIRCA 1770-1842), BRITISH SHEPHERD MEETING BY A CRAGGY ROCK WITH DISTANT LANDSCAPE

70 BRITISH SCHOOL (LATE 18TH/19TH CENTURY) HORSEMEN STOPPING ON THEIR TRAVELS

Oil on panel; given to the artist on the gallery label “C.G.” and numbered “No. 113017” in pen and ink to label verso

5.5 ins x 8.0 ins; 14.0 cms x 20.3 cms

9.3 ins x 12.8 ins; 23.5 cms x 32.4 cms

Pair of oils on panels

Provenance With B.C. Fairfield & Son, St. Catharines, ON

71 FREDERICK HENRY HENSHALL (1807-1891), BRITISH WATERING HORSES AT A MILL POND Oil on canvas; signed and dated 1845 lower right 20.0 ins x 30.2 ins; 50.8 cms x 76.8 cms

72 DAVID BATES (1840-1921), BRITISH WOMAN WITH DOG IN A MEADOW BY A RIVER Oil on panel; signed and dated 1894 lower left 11.5 ins x 15.5 ins; 29.2 cms x 39.4 cms

Provenance With Haynes Art Gallery, Toronto

Provenance The Cooling Galleries Ltd., London & Toronto

$1,200 — 1,800

$500 — 700

$1,000 — 1,500 Provenance C.G. (gallery), n.p. label verso $500 — 600


73 ALFRED WILSON COX (C. 18201888), BRITISH SHIPLEY GLEN (EXTENSIVE LANDSCAPE WITH FIELD WORKERS RESTING AND GLEANERS IN THE DISTANCE)

74 JOSEPH HORLOR (1809-1887), BRITISH ON THE ROAD TO THE SEA, WALES, 1859

Oil on canvas; signed and dated 1883 lower left, titled to the stretcher in pencil

18.0 ins x 26.0 ins; 45.7 cms x 66.0 cms

20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms

Oil on canvas; signed and dated 59 lower left

Provenance Dominion Gallery, Montreal, Inventory number G978; Estate Collection, Toronto

75 JOHN LINNELL SNR. (17921882), BRITISH ROBBED FIGURES IN ADORATION UNDER A SLIVER OF A MOON, MOUNTAINOUS LANDSCAPE

76 JOHN HAMILTON GLASS (1820-1885), BRITISH BEECH ROAD NEAR WINTON

Oil on board; signed “J. Linnell” lower right

24.0 ins x 36.0 ins; 61.0 cms x 91.4 cms

6.5 ins x 9.0 ins; 16.5 cms x 22.9 cms

Provenance Aitken Dott’Son, Edingburgh, Scotland label verso

Oil on canvas; signed lower right, signed and titled verso

$600 — 900 $700 — 900

$500 — 700 $500 — 700

77 THOMAS KERR FAIRLESS (1825-1853), BRITISH A FAVOURITE HAUNT Oil on prepared mill-board; signed and dated 1853 lower left, signed and titled at Hexham, Northumberland verso 11.0 ins x 15.0 ins; 27.9 cms x 38.1 cms Note: The artist was born in Hexham, Northumberland. From 1848 to 1851, he exhibited landscapes at the R.A., at the B.I. and the S.S. $300 — 500

78 ATTRIBUTED TO JOHN SELL COTMAN (1782-1842), BRITISH COUNTRY COUPLE ON A VILLAGE LANE TENDING FARM ANIMALS

80 ARTHUR JOHN STRUTT (18191888), BRITISH PEASANTS HAULING HAY ACROSS AN EXTENSIVE ITALIAN LANDSCAPE WITH RUINS

81 JOSEPH THORS (1835-1920) , BRITISH COUNTRY COTTAGE WITH FARM MAID AND DUCKS

Oil on canvas; signed and dated 1863 at “Roma” lower right

12.0 ins x 20.0 ins; 30.5 cms x 50.8 cms

6.0 ins x 5.0 ins; 15.2 cms x 12.7 cms

30.5 ins x 44.5 ins; 77.5 cms x 113.0 cms

Provenance With Mackenzie & Co., Toronto in the early 20th Century

$300 — 500

$3,000 — 4,000

Oil on board; inscribed “J.S. Cotman” in pencil verso, given to the artist to the nameplate

Oil on canvas; signed lower right

$400 — 600


82 HENRY COOPER (ACTIVE CIRCA 1910-1925), BRITISH RODDEN; OKA (PAIR OF COUNTRY LANDSCAPES) Pair of oils on canvas; each signed lower left and lower right respectively, each dated indistinctly 1939, each signed and titled to the stretchers 16.0 ins x 24.0 ins; 40.6 cms x 61.0 cms

83 WILLIAM GREAVES (18521938), BRITISH WOODED LANDSCAPE WITH DUCKS FEEDING BY A RIVER, 1890 Oil on canvas laid down to masonite board; signed and dated 1890 lower left 20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms

84 FOLLOWER OF JOHN CONSTABLE (1776-1837), BRITISH LANDSCAPE WITH A LOW HORIZON AND WINDMILL IN THE DISTANCE Oil on panel; inscribed in black ink in an unknown hand “John Constable 1807. No. 10” verso 6.7 ins x 10.2 ins; 17.1 cms x 26.0 cms

85 J.D. MORRIS (19TH CENTURY), BRITISH RESTING HUNTER WITH HIS DOGS, 1893 Oil on canvas; signed and dated 93 lower left 36.0 ins x 28.3 ins; 91.4 cms x 71.8 cms $500 — 700

$600 — 800 $600 — 800

Provenance Purchased by the Grandfather of the present Private Collection, Toronto $400 — 600

86 WILLIAM SHAYER SNR. (17871879), BRITISH GYPSY ENCAMPMENT

87 WILLIAM HENRY MANDER (1850-1922), BRITISH ON THE WYE, 1889

88 CHARLES EDWARD JOHNSON (1832-1913), BRITISH A NOVEMBER TWILIGHT, 1887

Oil on canvas; signed lower left, titled to the nameplate

Oil on canvas; signed and dated /89 lower right, signed and titled verso

20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms

24.0 ins x 38.0 ins; 61.0 cms x 96.5 cms

Oil on canvas; signed and dated /87 lower right, signed at Morven House / Steeles Rd / Haverstock Hill / London and titled verso

$3,000 — 4,000

Provenance Frederick Thom Gallery, Toronto; Private Collection, Ontario $1,000 — 1,500

24.0 ins x 37.0 ins; 61.0 cms x 94.0 cms

89 ADA STONE (ACTIVE 18791916), BRITISH WOODED LANDSCAPES: LANE WITH RED FLOWERS; RIVER EDGE WITH RED FLOWERS Pair of oils on canvas; the first, signed lower left, the later signed lower right 16.0 ins x 12.0 ins; 40.6 cms x 30.5 cms

$1,500 — 2,500 Provenance Estate Collection, Toronto $300 — 400


90 HENRY JOHN KINNARD (ACTIVE 1880-1920), BRITISH COUNTRY COUPLE RESTING ON A LOG IN AN EXTENSIVE LANDSCAPE WITH SHEEP GRAZING

91 ROBERT ROBIN FENSON (FL. 1889-1914), BRITISH FARMER LEADING SHEEP WITH GEESE FEEDING IN A FARMYARD

92 ANTHONY VANDYKE COPLEY FIELDING (1787-1855), BRITISH HERDING SHEEP ON A HILLSIDE OVERLOOKING TOWN

Oil on canvas

Oil on canvas; signed and dated 1904 lower right

Oil on canvas; signed “Copley Fielding” lower right

24.5 ins x 40.5 ins; 62.2 cms x 102.9 cms

17.0 ins x 24.0 ins; 43.2 cms x 61.0 cms

13.2 ins x 17.2 ins; 33.6 cms x 43.8 cms

$700 — 900

$300 — 500

Provenance Ritchie’s, Toronto, lot 4032, Sale 66; From whom purchased by the present Private Collection, Toronto

93 ALFRED FONTVILLE DE BREANSKI JNR. (1877-1955), BRITISH AN OLD HAMPSHIRE MILL Oil on canvas; signed lower left, signed and titled verso, inscribed “Copyright reserved” and initialed by the artist verso 20.0 ins x 30.2 ins; 50.8 cms x 76.8 cms $3,000 — 5,000

$1,000 — 1,500

94 SIDNEY EASTLAKE (19TH CENTURY), BRITISH COASTAL LANDSCAPE AT SUNSET WITH GULLS Oil on canvas; signed lower left 20.0 ins x 30.0 ins; 50.8 cms x 76.2 cms Provenance The Cooling Galleries, London; Estate Collection, Canada

95 WILLIAM LEE-HANKEY (18691952), BRITISH MORLAIX, BRITTANY, 1936

96 WILLIAM LEE-HANKEY (18691952), BRITISH LE PRINTEMPS, PARIS

Oil on canvas; signed lower left, signed, titled, dated 1936 and further inscribed “this picture must not be varnished” in pencil to the top selvage verso

Oil on canvas; signed lower right, titled to the nameplate to the frame recto

24.0 ins x 20.0 ins; 61.0 cms x 50.8 cms

20.2 ins x 24.0 ins; 51.4 cms x 61.0 cms Provenance Frederick W. Thom Limited, Toronto

$2,000 — 4,000 $700 — 900

$3,000 — 5,000

97 ATTRIBUTED TO PATRICK LAMBERT LARKING (19071981), BRITISH BUSY ONE WAY STREET SCENE Oil on British “Daler Board” canvasboard; inscribed “Larking” in pencil verso 20.0 ins x 16.0 ins; 50.8 cms x 40.6 cms Provenance Gifted to the present Private Collection from his wife’s sister, circa 1986 who reportedly purchased the work at Christie's, London Note: See website for additional info. $300 — 500


98 ARTHUR TREVOR HADDON (1864-1941), BRITISH MARKET VENDORS SELLING VEGETABLES

99 EDWARD PRITCHETT (18081894), BRITISH VENETIAN CITY MARKET

Oil on canvas; signed lower right

Oil on canvas; signed lower right. Unframed.

20.0 ins x 30.2 ins; 50.8 cms x 76.8 cms

23.0 ins x 17.8 ins; 58.4 cms x 45.1 cms

Provenance Estate Collection, Toronto

Provenance J.A. Cooling & Sons, London; Private Collection, Toronto

$1,000 — 1,500 $1,200 — 1,800

100 PAUL FALCONER POOLE (1807–1879), BRITISH “THE EMIGRANT’S DEPARTURE/ WHAT SORROWS GLOOMED THAT PARTING DAY, THAT CALLED THEM FROM THEIR NATIVE LAND”

101 CHARLES LANDSEER (17991879), BRITISH THE LOVE LETTER

Oil on panel; signed and indistinctly dated /35 or /38 lower right; titled to labels verso

30.5 ins x 25.2 ins; 77.5 cms x 64.1 cms

Oil on canvas; signed with overlapped monogram initials “CL” on the stool lower left, signed with ink stamp “C. Landseer, R.A.” to the canvas verso

$3,000 — 4,000 10.0 ins x 12.0 ins; 25.4 cms x 30.5 cms Provenance See website for additional info. $500 — 700

102 JOHN SANDERSON WELLS (1872-1955), BRITISH THE HANDSOME MESSENGER Oil on panel; signed lower right 14.0 ins x 10.0 ins; 35.6 cms x 25.4 cms Provenance Galerias Madero, S.A., Mexico; By descent through the family, Saskatoon

103 CH. O. MARSHAL (19TH/20TH CENTURY), BRITISH SERENADING WATER NYMPHS Oil on braced panel; bears signature: “Ch. O. Marshal” lower right

104 BRITISH VICTORIAN ANNE BOLEN SAYS A FINAL GOODBYE TO HER DAUGHTER, PRINCESS ELIZABETH

105 EVA HOLLYER (1889-1902), BRITISH THE QUEEN’S PORTRAIT; SIR FRANCIS DRAKE (”ELIZABETH AND DRAKE”)

Oil on canvas laid down on masonite.

Pair of oils on canvas, each signed lower left and lower right respectively, each titled in pen and ink to gallery labels verso

10.0 ins x 15.0 ins; 25.4 cms x 38.1 cms

22.5 ins x 28.0 ins; 57.2 cms x 71.1 cms

Provenance The Estate of Shirley Rosenfeld, Toronto

$300 — 500

$700 — 900 $200 — 400

20.0 ins x 27.0 ins; 50.8 cms x 68.6 cms Provenance The Cooling Galleries, London & Toronto; Private Collection, Canada $1,000 — 1,500


106 W*** WHITE (19TH/20TH CENTURY), BRITISH TWO MEN SEATED AT A TABLE

107 WILLIAM A. BREAKSPEARE (1855-1914), BRITISH LOUIS XVI GENTLEMAN PEELING LEMONS

Oil on canvas; signed “W. White” lower right

Oil on canvas; signed lower right

25.0 ins x 30.2 ins; 63.5 cms x 76.8 cms

18.5 ins x 13.3 ins; 47.0 cms x 33.7 cms

108 HENRY THOMAS SCHAFER (1815-1915), BRITISH THE MANDOLIN

109 GEORGE ADOLPHUS STOREY (1834-1919), BRITISH THE SEAMSTRESS, 1858

Oil on canvas; signed “H. Thomas Schafer” and dated 1877 upper left, title inscribed to verso

Oil on canvas, sculpted tondo, signed with a conjoined initial monogram and dated 1858 lower right

36.0 ins x 28.5 ins; 91.4 cms x 72.4 cms

$3,000 — 4,000

$300 — 500 $500 — 700

110 HENRY SMITH (19TH CENTURY), BRITISH ITALIAN BOYS (AT ROME), 1858 Oil on canvas; painted with a feigned arched top; inscribed indistinctly “Domenica 19 dopo? Firenze”? upper right by the artist, inscribed “painted by Henry Smith”, titled “Italian Boys” and dated “1858 at Rome” in an unknown hand in pen and ink to an old label verso 48.0 ins x 36.0 ins; 121.9 cms x 91.4 cms $500 — 700

$2,000 — 3,000

111 HENRY JOHN KINNARD (ACTIVE 1880-1920), BRITISH FATHER AND SON RETURNING FROM A DAY’S FISHING

112 ALEX DE ANDREIS (18801929), BRITISH/BELGIAN A GALLANT CAVALIER

113 ALEX DE ANDREIS (1880-1929), BRITISH/BELGIAN CAVALIER IN RED

Oil on canvas; signed lower right

Oil on canvas; signed lower right

Oil on canvas; signed lower left

32.0 ins x 25.0 ins; 81.3 cms x 63.5 cms

14.0 ins x 10.7 ins; 35.6 cms x 27.3 cms

$800 — 1,200

Provenance Remains of gallery label verso probably The Fine Art Galleries, The T. Eaton Co. Ltd., Canada

36.0 ins x 28.0 ins; 91.4 cms x 71.1 cms $700 — 900

$500 — 700


114 CIRCLE OF JOHN WOOD (18011870), BRITISH MEDIEVAL CRUSADER WITH WOUNDED SOLDIER AT NIGHT, CASTLE IN THE DISTANCE

115 MANNER OF JOHN HOPPNER (1758-1810), BRITISH PORTRAIT OF A NOBLEMAN, SAID TO BE AUGUSTUS BERKELEY, 5TH EARL OF BERKELEY (1745-1810)

Oil on panel

Oil on canvas

36.0 ins x 27.5 ins; 91.4 cms x 69.9 cms

30.0 ins x 25.0 ins; 76.2 cms x 63.5 cms

Note: On wood panel stamped “Brown Holborn”

Provenance Estate Collection, Kingston, Ontario from whom purchased by John Kehn, Brockville; From whom purchased by the present collection, Ontario

$1,500 — 2,000

Note: See website for additional info.

116 ATTRIBUTED TO SIR WILLIAM BEECHEY (17531839), BRITISH PORTRAIT OF A GENTLEMAN, SAID TO BE DR. LONG Oil on canvas; given to the artist and the sitter identified as “Dr. Long” to the nameplate, and to the Bourlet label inscribed in pen and ink “Wm Beechy RA”, Ref. No. 9815 22.0 ins x 18.0 ins; 55.9 cms x 45.7 cms Provenance James Bourlet & Sons Ltd, London, UK, Inventory No. 9815; Frederick W. Thom Ltd., Toronto; Private Collection, Toronto

117 CIRCLE OF JOHN HAYTER (1800-1891), BRITISH PORTRAIT OF WILLIAM ALEXANDER MACKINNON SEATED THREE-QUARTER LENGTH (BRITISH POLITICIAN, BORN 1789-DIED 1878) Oil on canvas; titled to the nameplate 55.0 ins x 43.0 ins; 139.7 cms x 109.2 cms Provenance See website for additional info. Note: See website for additional info. $1,000 — 2,000

$700 — 900 $2,000 — 2,500

118 AFTER SIR JOSHUA REYNOLDS (1723-1792), BRITISH PORTRAIT OF THE HON. CHARLES JAMES FOX (17491806), MEMBER OF PARLIAMENT, BUST LENGTH Oil on canvas; inscribed ‘The Hon. CJ Fox/by/ Sr Joshua Reynolds” to an old paper label affixed to the top of the frame verso 27.0 ins x 20.5 ins; 68.6 cms x 52.1 cms Provenance See website for additional info. Note: See website for additional info. $1,000 — 1,500

119 KENNETH WYNN (1922- ), BRITISH DEVON & SOMERSET (SIC) STAGHOUNDS, MEET AT HAWKCOMBE HEAD, PORLOCK, SEPTEMBER, 1982 Oil on masonite; signed lower right, signed, titled and dated “September 1982” verso. Bird’s-eye maple frame. 14.0 ins x 24.8 ins; 35.6 cms x 62.9 cms $600 — 900

120 E. MILDE (19TH CENTURY), BRITISH STEEPLECHASE Oil on panel; signed “E. MIlde” lower left, titled to the typed label affixed to frame verso 6.3 ins x 10.2 ins; 15.9 cms x 26.0 cms $100 — 150

121 19TH CENTURY BRITISH SETTING OUT ON THE HUNT Oil on canvas 27.2 ins x 42.0 ins; 69.2 cms x 106.7 cms Provenance John Britnell Art Galleries Limited, Toronto, Centennial Jubilee 18731973 red label; Estate Collection, Toronto $700 — 900


122 JOHN ARTHUR LOMAX (18571923), BRITISH THE SPORTSMAN Oil on panel; signed lower right, signed and titled to label verso 12.2 ins x 10.2 ins; 31.1 cms x 26.0 cms Provenance Frost & Reed, London, Reg. Stock. No. 2934

123 FRANK WRIGHT BOURDILLON (1851-1924), BRITISH TRUE STEEL (PERIOD INTERIOR WITH A CAVALIER EXAMINING A SWORD) Oil on panel; signed and dated 1888 lower left 10.7 ins x 8.5 ins; 27.3 cms x 21.6 cms Provenance The Cooling Galleries Ltd., London

$500 — 700 $300 — 500

124 ERNEST CROFTS (1847-1911), BRITISH THE OUTPOST, 1871 Oil on panel; signed and dated 71 lower right, titled to label verso

125 19TH CENTURY BRITISH A MAN OF LOUIS XVI COURT POISED WITH A WALKING STICK Oil on board

8.3 ins x 6.5 ins; 21.0 cms x 16.5 cms

17.0 ins x 11.0 ins; 43.2 cms x 27.9 cms

Provenance The Cooling Galleries, London; Ex. Coll. Dr. Jos. C. Eager (died 1948), Hamilton, ON; By descent to E. Helen Eager (died 1989), Waterdown, ON; By descent to Jas. S. Tassie, Ottawa, ON; Acquired from the above and by descent to the present private Collection, Ontario

$300 — 400

$400 — 600

126 INDISTINCT- R. WILLINGHAM? (EARLY 19TH CENTURY, ACTIVE 1818), BRITISH PORTRAIT OF A YOUNG BRITISH ARMY OFFICER, 1818 Oil on board; inscribed indistinctly in script: “Painted by R Willington” ? and dated “Nov 18th 1818” in pencil verso 12.0 ins x 10.0 ins; 30.5 cms x 25.4 cms $400 — 600

127 BRITISH (ACTIVE 1840 ) “OFFICER OF THE ROYAL BRIGADIERS”, AT THREE QUARTER LENGTH, CIRCA 1840 Watercolour on paperboard; titled and dated 1840 to a handwritten label verso 9.0 ins x 7.0 ins; 22.9 cms x 17.8 cms

128 BRITISH (19TH CENTURY) PAIR OF FLORAL STILL LIFES: MIXED SUMMER FLOWERS WITH TULIPS IN COMPLIMENTARY VASES ON STONE LEDGES Pair of oils on canvas, each laid down to masonite, the backs wrapped with canvas. Matching frames. 35.5 ins x 28.0 ins; 90.2 cms x 71.1 cms

$100 — 150 Provenance See website for additional info.

129 JEAN YOUNG (1914-2009), BRITISH TWO WOMEN WITH ORANGE CAT Oil on canvas; signed upper left, with black ink stamp dated “Jan 1982” to canvas lower left verso and to the left vertical stretcher, inscribed in white chalk, “Art Moves of Chelsea” / For Ash Barn Petersfield” verso 20.0 ins x 23.7 ins; 50.8 cms x 60.3 cms Provenance Ash Barn Gallery, Petersfield

$1,200 — 1,800 $400 — 600


130 HERCULES BRABAZON BRABAZON (1821-1906), BRITISH VENICE. GRAND CANAL CHURCH OF THE SALUTE

131 FREDERICK JAMES ALDRIDGE (1850-1933), BRITISH FISHING BOATS ROUNDING A PORT WITH LIGHTHOUSE

133 GREGORY ROBINSON (18761967), BRITISH "CAPTURE OF THE FEDERAL SQUADRON OF NEW CANADA..."

Watercolour on wove paper; signed with initials “HBB” in pencil lower right, titled along the bottom edge in watercolour. Unframed.

Watercolour; signed lower right

Watercolour on paper; signed lower right, titled to gallery label and to a printed label verso

10.5 ins x 12.8 ins; 26.7 cms x 32.4 cms

$200 — 300

10.0 ins x 14.0 ins; 25.4 cms x 35.6 cms

10.0 ins x 14.8 ins; 25.4 cms x 37.5 cms Provenance Zwicker’s Gallery, Halifax, Nova Scotia

Provenance W.E. & J.J. Mark Fine Art Dealers, London; Private Collection, London, Ontario

134 JOHN VARLEY (1778-1842), BRITISH THE SLUICE GATE Watercolour on Whatman Turkey Mill watermarked paper; signed “J. Varley” lower right 9.5 ins x 14.5 ins; 24.1 cms x 36.8 cms Provenance Waddington's, December 2, 1999, Lot 84; From whom purchased by the present Private Collection, Toronto

Note: See website for additional info.

$800 — 1,200

$600 — 800 $500 — 700

135 MAX LUDBY (1858-1943), BRITISH ENGLISH LANDSCAPE Watercolour; signed lower left 19.5 ins x 28.3 ins; 49.5 cms x 71.8 cms

136 SAMUEL WILLIAM OSCROFT (1834-1924), BRITISH VENETIAN CANAL WITH TOWNSPEOPLE SHOPPING AND RESTING, 1903 Watercolour; signed lower left, signed and dated 1903 to remains of inscribed label verso backing

Provenance A. Robertson Fine Art Dealer, Toronto

14.5 ins x 10.0 ins; 36.8 cms x 25.4 cms

$300 — 500

$150 — 250

137 CHARLES JOHN DE LACY (1856-1929), BRITISH ROBIN HOOD’S BAY, YORKSHIRE Watercolour; signed lower left, titled in pencil to the frame verso 19.5 ins x 12.0 ins; 49.5 cms x 30.5 cms

138 CLAUDE HAYES (1852-1922), IRISH/ENGLISH THE LOCK Watercolour; signed lower right 10.0 ins x 14.0 ins; 25.4 cms x 35.6 cms Provenance See website for additional info.

$150 — 250 $500 — 700


139 NOEL HARRY LEAVER (18891951), BRITISH MARKET STALLS NEAR THE MOSQUE

140 NOEL HARRY LEAVER (18891951), BRITISH NORTH AFRICAN STREET SCENE

141 GEORGE CHARLES HAITE (1855-1924), BRITISH A STALL ON THE ZATTERE, VENICE

Watercolour; signed lower left

Watercolour; signed lower left

7.2 ins x 10.2 ins; 18.4 cms x 26.0 cms

14.0 ins x 20.0 ins; 35.6 cms x 50.8 cms

Watercolour; signed lower right, titled to an old unidentified label dated 1922 at “Bedford” verso

$1,000 — 1,500

Provenance With Roberts Gallery Limited, Toronto; Estate Collection, London, Ontario $3,000 — 4,000

13.7 ins x 23.0 ins; 34.9 cms x 58.4 cms Provenance Estate Collection; By descent to a Private Collection, Toronto; Private Collection, Canada

142 THOMAS EDWARD FRANCIS (1873-1961), BRITISH MARKET PLACE, HONFLEUR, NORMANDY, FRANCE; IN A COTTAGE GARDEN Two watercolours; each signed lower right, the first titled to label verso Together with: GEORGE F. NICHOLLS (1885-1937), BRITISH ON OXFORDSHIRE LANE Watercolour; signed lower right, titled to label verso 14.5 ins x 21.0 ins; 36.8 cms x 53.3 cms

$2,000 — 3,000 Provenance See website for additional info. $600 — 800

143 AUGUSTUS OSBORNE LAMPLOUGH (1877-1930) , BRITISH ARAB VILLAGE NR LUXOR Watercolour; signed lower left, titled lower right 9.8 ins x 13.7 ins; 24.8 cms x 34.9 cms $400 — 600

144 HENRY JOHN SYLVESTER STANNARD (1870-1951), BRITISH YOUNG GIRL AND CAT FEEDING FROM A SAUCER IN FRONT OF A COTTAGE Watercolour on paper, laid down to a support; signed lower left 10.5 ins x 14.5 ins; 26.7 cms x 36.8 cms

145 ELSIE MARCH (1883-1974), BRITISH BRIDGE AND CASTLE Watercolour and gouache on paper; signed and dated 1933 lower right, signed again lower left 12.8 ins x 17.5 ins; 32.4 cms x 44.5 cms Provenance See website for additional info.

$600 — 900

146 HERCULES BRABAZON BRABAZON (1821-1906), BRITISH VILLAGE LANE ON THE COAST Watercolour and pencil on paper; signed with script initials HBB lower left 9.0 ins x 7.0 ins; 22.9 cms x 17.8 cms $600 — 900

Note: The artist also made a bronze of the present owner’s mother while she visited Orillia in 1933 $300 — 400


147 ROBERT LESLIE HOWEY (1900-1981), BRITISH COASTAL SCENE WITH CRASHING SURF AND FLOCK OF GULLS

148 HENRY JOHN SYLVESTER STANNARD (1870-1951), BRITISH BROCKLEY COTTAGE Watercolour; signed lower left

Watercolour; signed lower right 19.5 ins x 25.0 ins; 49.5 cms x 63.5 cms $400 — 600

14.0 ins x 20.0 ins; 35.6 cms x 50.8 cms Note: The Brockley Cottages stood just south of Ladywell Road, between the future Chudleigh Road and Malyons Road. They were demolished circa 1900.

149 HENRY JOHN SYLVESTER STANNARD (1870-1951), BRITISH FLOWER GARDEN THROUGH AN ARCH

150 HERCULES BRABAZON BRABAZON (1821-1906), BRITISH ARCH RUINS

Watercolour; signed lower left

Watercolour and ink; signed with initials “HBB” lower right

20.0 ins x 15.5 ins; 50.8 cms x 39.4 cms

6.3 ins x 4.3 ins; 15.9 cms x 11.0 cms

$700 — 900

Provenance W.E. & J.J. Mark Fine Art Dealers, London; Private Collection, London, Ontario $500 — 700

$700 — 900

151 SAMUEL PROUT (1783-1852), BRITISH TEMPLE OF PALLAS AT ROME Watercolour and ink on paper; signed lower left, titled in graphite to the hand ruled mat 21.5 ins x 16.5 ins; 54.6 cms x 41.9 cms $400 — 600

152 WILLIAM FREEMAN (18531943), BRITISH CROWDS OF BATHERS GATHERED AT A MISTY WOODLAND POOL Watercolour; ascribed to William Freeman/1853-1943 to the handruled mat 15.0 ins x 22.0 ins; 38.1 cms x 55.9 cms

153 HAROLD LAWES (1865-1940), BRITISH IN FRONT OF A THATCHED COTTAGE AND GARDEN Watercolour; signed lower left 10.0 ins x 14.5 ins; 25.4 cms x 36.8 cms Provenance With The Roberts Gallery, Toronto in the early 20th Century

$100 — 150

154 FOLLOWER OF MYLES BIRKETT FOSTER (1825-1899), BRITISH THE FARMER AND CHILDREN IN A COTTAGE FARMYARD Watercolour and bodycolour on paper; bears monogram initials lower left 10.2 ins x 9.0 ins; 26.0 cms x 22.9 cms $300 — 400

$300 — 400


155 ATTRIBUTED TO JAMES STARK (1794-1859), BRITISH ENGLISH COUNTRYSIDE WITH A RED STONE BRIDGE AND CREEK

156 FREDERICK JAMES KNOWLES (1874-1931), BRITISH A COUNTRY LANE WITH HORSEMAN AND MAID WITH GEESE IN THE FORE

157 FREDERICK JAMES ALDRIDGE (1850-1933), BRITISH FISHING TRAWLERS OFF DOVER CLIFFS

Oil on panel; inscribed “Stark” in pencil verso, given to James Stark to the inscription to the frame liner recto

Watercolour; signed lower left

Watercolor; signed lower right, titled to the handwritten label affixed to the backing paper verso

14.5 ins x 10.7 ins; 36.8 cms x 27.3 cms

8.7 ins x 6.7 ins; 22.2 cms x 17.1 cms $250 — 300

10.0 ins x 14.5 ins; 25.4 cms x 36.8 cms

$250 — 350 $400 — 600

158 ARTHUR W. PERRY (19TH/20TH CENTURY), BRITISH FARMER WAITING AT THE GATE WITH POULTRY OUTSIDE A STONE COTTAGE Watercolour; signed lower left 7.0 ins x 17.0 ins; 17.8 cms x 43.2 cms Provenance With Roberts Art Gallery, Toronto; Private Collection, Toronto $300 — 500

159 FREDERICK JAMES KNOWLES (1874-1931), BRITISH SHEPHERD WITH HIS DOG MINDING THE FLOCK Watercolour; signed lower right 13.5 ins x 18.0 ins; 34.3 cms x 45.7 cms Provenance With Gavin Henderson Galleries, a subsidiary of Roberts Art Gallery, Toronto; Private Collection, Toronto $300 — 400

160 FREDERICK JAMES KNOWLES (1874-1931), BRITISH GATHERING CHESTNUTS, WELSH FARMSTEAD, DERBYSHIRE Watercolour; signed lower right, titled to the typed label mounted to the backing paper verso 13.5 ins x 20.0 ins; 34.3 cms x 50.8 cms

161 ATTRIBUTED TO GEORGE MORLAND (1763-1804), BRITISH PIGS IN A STY

162 WILLIAM HENRY WHEELWRIGHT (1857-1897), BRITISH LOADING THE COACH, 1870

Watercolour en grisaille heightened with white and pen and ink on laid paper, laid down to a support, the backing paper with an affixed watercolour and ink banner vignette with the artist’s name: “G. Morland” taken from the original backing

Watercolour heightened with white on paper; signed and dated 1870 lower right 8.7 ins x 12.5 ins; 22.2 cms x 31.8 cms $400 — 600

Provenance With Gavin Henderson Galleries, a subsidiary of Roberts Art Gallery, Toronto; Private Collection, Toronto $300 — 400

7.8 ins x 10.6 ins; 19.7 cms x 27.0 cms $200 — 400


163 VICTORIAN (CIRCA 1890’S), BRITISH OR AMERICAN? THE SCULPTOR OFFERING STATUES TO TWO NEOCLASSICALLY DRAPED BEAUTIES Oil sketch on canvas. 23.5 ins x 13.5 ins; 59.7 cms x 34.3 cms

164 ** ROBERTS (19TH CENTURY), BRITISH CAVALIERS IN INTERIOR

165 GEORGE SHERIDAN KNOWLES (1863-1931), BRITISH YOUNG SCHOOL GIRL

Watercolour sketch on paper; signed “ Roberts” and inscribed indistinctly in parts in his hand in pencil verso relating to an upcoming exhibition in “Liverpool” as follows: “.... have with me for our London Exhibition and if you wish to see it in time sent to the Arts Club ... Liverpool ....”

Watercolour on paper; signed lower right

10.5 ins x 13.5 ins; 26.7 cms x 34.3 cms

$500 — 700

12.0 ins x 9.0 ins; 30.5 cms x 22.9 cms Provenance Private Collection, Montreal

$300 — 500

166 HENRY EDWARD SPERNON TOZER (1864-C.1938), BRITISH PEASANT WOMAN FETCHING WATER; PEASANT WOMAN BY THE HEARTH WITH CATS FEEDING Two watercolours; the first signed and dated 1926 to the horizontal cross beam upper left; the second, signed and dated 1929 lower right 9.8 ins x 13.0 ins; 24.8 cms x 33.0 cms Provenance With John R. Thompson, Hamilton, ON

Note: **Roberts signed the inscription verso from his address: “Hale ... near Liverpool” and dated “Nov. 20/79” verso

$800 — 1,000

$100 — 150

167 MRS. ANNE E. HART (EXHIBITED 1883-1894), BRITISH ORIENTALIST GIRL WITH WHITE VEIL Watercolour on paper; signed and dated 1883? lower right 10.0 ins x 7.5 ins; 25.4 cms x 19.1 cms Note: A watercolour figure painter active in London with exhibition listings recorded at the R.A., R.I., and S.W.A. during 1883 to 1894 $100 — 150

168 JOHN HENRY HENSHALL (1856-1928), BRITISH FIORONDINA, 1891 Watercolour on paper, sculpted oval; signed and dated 1891 along the right edge, titled and inscribed “Painted by J. Henry Henshall”/ ‘Redholme’ in pen and ink to an old label verso Provenance A & F Ponzini & Co., H.C.; Nash Galleries Fine Arts & Antiques, London, ON stamp to verso backing $800 — 1,000

169 SIR FRANK BRANGWYN (18671956), BRITISH INTERIOR OF THE CLOTH HALL, YPRES Watercolour and ink on board; signed with initials and titled “Yepres”, (sic, “Ypres”) in pen and ink to the margin, titled “inside Cloth Hall“ in pencil to the lower left margin. Unframed. Together with the limited edition hardcover book: “BELGIUM BY FRANK BRANGWYN A.R.A.”. See website for additional info. 22.0 ins x 16.7 ins; 55.9 cms x 42.5 cms

170 ROLAND VIVIAN PITCHFORTH (1895-1982), BRITISH TWO MARINE VIEWS: SMALL BOAT AMIDST A OVERCAST SKY; SHIP ON HORIZON WITH RIPPLING WAVES Two watercolours; each signed lower left 18.0 ins x 23.0 ins; 45.7 cms x 58.4 cms Provenance Lauri Stewart - Fine Art/ The Church Lane Gallery, London gallery label to the second title $800 — 1,200

$1,200 — 1,800


171 ROLAND VIVIAN PITCHFORTH (1895-1982), BRITISH ISLAND HOUSES IN A MARSHLAND UNDER AN OVERCAST SKY

172 ROLAND VIVIAN PITCHFORTH (1895-1982), BRITISH HAZY MORNING

173 ROLAND VIVIAN PITCHFORTH (1895-1982), BRITISH SHIPPING ON THE HORIZON

174 GEOFFREY W. BIRKS (19291993), BRITISH STREET SCENE WITH LOCALS CARRYING SHOPPING BAGS

Watercolour; titled to the hand-ruled mat recto

Watercolour heightened with white chalk; signed in pencil lower right

Watercolour; signed and dated 1982 lower right

17.5 ins x 22.5 ins; 44.5 cms x 57.2 cms

17.2 ins x 23.0 ins; 43.8 cms x 58.4 cms

11.0 ins x 9.0 ins; 27.9 cms x 22.9 cms

$400 — 600

$400 — 600

Provenance Acquired directly from the artist, friends of the artist residing in Canada

Watercolour; signed lower left 18.5 ins x 24.3 ins; 47.0 cms x 61.6 cms $400 — 600

$700 — 900

175 GEOFFREY W. BIRKS (19291993), BRITISH STREET SCENE WITH ARTIST, CAT AND HULA HOOP PLAY Watercolour; signed lower right 7.8 ins x 5.5 ins; 19.7 cms x 14.0 cms Provenance Acquired directly from the artist, friends of the artist residing in Canada

176 JOHN CHARLES MAGGS (18191895), BRITISH PAIR OF LONDON-SALISBURY COACHING SCENES AT BATH, 1896 Pair of oils on canvas; the first, signed and dated 1896 at “Bath” lower left, the second, signed and dated 1896 at “Bath” lower right 12.2 ins x 26.0 ins; 31.1 cms x 66.0 cms $1,500 — 2,500

$600 — 900

177 GEOFFREY W. BIRKS (19291993), BRITISH MILL TRIP TO BLACKPOOL, #41 Watercolour; signed lower right, titled and numbered #41 in pen and ink to the backing sheet 12.0 ins x 17.8 ins; 30.5 cms x 45.1 cms Provenance Acquired directly from the artist, friends of the artist residing in Canada

178 GEOFFREY W. BIRKS (19291993), BRITISH THE TRAM Watercolour; signed and dated 1983 lower right, titled and numbered No. 9 verso 10.0 ins x 18.0 ins; 25.4 cms x 45.7 cms Provenance Acquired directly from the artist, friends of the artist residing in Canada $1,500 — 2,000

$2,000 — 3,000


179 GEOFFREY W. BIRKS (19291993), BRITISH SPEN VALLEY TOWN, NO. 133 Watercolour heightened with white; signed and dated 1980 lower right, titled and numbered in pen and ink to label verso 11.3 ins x 9.3 ins; 28.6 cms x 23.5 cms Provenance Acquired directly from the artist, friends of the artist residing in Canada $700 — 900

180 FOLLOWER OF THOMAS ROWLANDSON (1756-1827), BRITISH THE WELL DIGGER

181 UNIDENTIFIED (19TH CENTURY), BRITISH (OR FRENCH?) VIEW OF FLORENCE, 1805

182 CHARLES SIDNEY CHESTON (1882-1960), BRITISH DURHAM CATHEDRAL AND CASTLE, 1932

Watercolour and sepia ink on paper; bears signature “T. Rowlandson” in sepia ink lower right, titled in sepia ink lower left, with the black ink stamp of H.S. Reitlinger (Lugt 2274a) verso. Matted and unframed.

Watercolour and graphite on laid paper, laid down to stiff paper support; titled “Florence” and dated 1805 in graphite upper left, dated Sept. 1805 at “Padoua” lower right, inscribed in French in graphite lower right, with the black ink stamp of Alessandro Castagnari (Lugt 86a) to support verso. Matted and unframed.

Watercolour on wove paper; signed and dated 32 lower right, titled to the AGO label affixed to the mat lower right. Matted and unframed.

6.7 ins x 4.5 ins; 17.1 cms x 11.4 cms Provenance Ex. Coll. Henry Scipio Reitlinger; Gifted by the Estate of Mr. John T. Johnson to The Art Gallery of Ontario, Toronto, Accession No. 85/451, in 1985; Deaccessioned to benefit art purchases at the AGO

10.0 ins x 13.9 ins; 25.4 cms x 35.3 cms

Provenance See website for additional info.

Provenance Gifted by W.B. Dalton, Stamford, CT, USA & The UK, to The Art Gallery of Ontario, Toronto, Accession No. 64/54 in 1964/5; Deaccessioned to benefit art purchases at the AGO

$400 — 600

$800 — 1,200

185 ALFRED WILLIAM RICH (18561921), BRITISH LANDSCAPE (WITH A LOW HORIZON, MOUNTAINS IN THE DISTANCE)

186 BRITISH (19TH CENTURY) WELSH FARMYARD

4.3 ins x 7.0 ins; 10.8 cms x 17.8 cms

$500 — 700

183 ATTRIBUTED TO THOMAS GIRTIN (1775-1802), BRITISH LANDSCAPE STUDY

184 BRITISH (19TH CENTURY) LAST OF BATTLE ABBEY SUSSEX

Watercolour on laid paper, laid down to a later wove paper support; given to the artist and titled to the AGO label affixed to the mount lower right. Inscribed “Gainsborough”? in pencil verso. Matted and unframed.

Watercolour and graphite on cartridge paper; bears signature “David Cox” lower left, inscribed “Carisbrook Castle” in pencil in an unknown hand verso. Matted and unframed.

4.5 ins x 6.5 ins; 11.4 cms x 16.5 cms Provenance See website for additional info.

10.0 ins x 14.5 ins; 25.4 cms x 36.8 cms Provenance See website for additional info. $800 — 1,200

$700 — 900

Watercolour on fibrous paper; signed lower left. Matted and unframed. 9.0 ins x 11.5 ins; 22.9 cms x 29.2 cms

Watercolour on rough paper, laid down to a support; bears signature “David Cox,” and date 1847 in ink lower left, titled to the AGO label, affixed to the mat lower left. Matted and unframed. 9.5 ins x 11.7 ins; 24.1 cms x 29.8 cms

Provenance Gifted by W.B. Dalton, Stamford, CT, USA & The UK, to The Art Gallery of Ontario, Toronto, Accession No. 60/37 in 1960/1; Deaccessioned to benefit art purchases at the AGO

Provenance Purchased by The Art Gallery of Ontario, Toronto, Accession No. 1354-c in 1929; Deaccessioned to benefit art purchases at the AGO

$800 — 1,200

$500 — 700


187 BRITISH SCHOOL (19TH CENTURY) TOWNSCAPE WITH ACTIVITIES ON A RIVER Watercolour over graphite on wove paper. Matted and unframed. 7.5 ins x 9.8 ins; 19.1 cms x 24.8 cms

188 INITIALS A.G. (19TH CENTURY), BRITISH BODY GUARD, 1801 Watercolour with graphite on wove paper; signed with monogram “AG” (overlapping), and dated 1801 midlower right, titled lower centre. Matted and unframed. Sheet: 16.5" x 10.3" — 42 x 26.1 cm.

Provenance Ex. Coll. Dr. & Mrs. Gilbert Bagnani; Gifted by the above to The Art Gallery of Ontario, Toronto, Accession No. 22194; Sold to benefit art purchases at the AGO

Together with: LOT OF SEVEN MILITARY PORTRAITS BY VARIOUS FRENCH, ITALIAN AND BRITISH ARTISTS (See website for additional info.) Provenance See website for additional info.

$200 — 400

189 GEORGE BAXTER (1804-1867), BRITISH THE LOVER’S LETTER BOX, 1856; GEMS OF THE EXHIBITION, 1854; GEMS OF THE EXHIBITION, 1854 Three oil prints on stiff boards. Two unframed, arched tops. 14.6 ins x 10.5 ins; 37.0 cms x 26.6 cms Provenance Ex. Coll. Spencer Clark; The Art Gallery of Ontario, Toronto, Accession Nos. .22237, .22240 & .22241; Deaccessioned to benefit art purchases at the AGO

190 GEORGE BAXTER (1804-1867), BRITISH DAY BEFORE MARRIAGE, 1854; THE LOVER’S LETTER BOX, 1856 Two colour prints heightened with oil, the first laid down to a board support, the second, laid down to mat support, with a partial blind embossed stamp lower centre; titled in pencil to mat. The second, unframed. 20.2 ins x 16.0 ins; 51.2 cms x 40.7 cms Provenance See website for additional info. $500 — 800

$300 — 500 $200 — 400

191 AFTER GEORGE CHARLES MORLAND (1763-1804), BRITISH COTTAGERS IN WINTER

192 HARRY MORLEY (1881-1943), BRITISH ADAM AND EVE EXPELLED FROM THE GARDEN

Colour stipple engraving on paper laid down to a board support; signed and titled with letters to margin. Engraved by Thomas Williams (fl. 1860). Unframed.

Pen and ink with watercolour wash en grisaille on laid paper; signed with initials lower right

19.4 ins x 24.2 ins; 49.3 cms x 61.5 cms Provenance See website for additional info.

9.0 ins x 7.0 ins; 22.9 cms x 17.8 cms Provenance With Hari Gurung Picture Framing, Tunbridge Wells, UK $100 — 200

193 THOMAS ROWLANDSON (17561827), BRITISH PIPING SWAINS, 1809 Sepia ink heightened with watercolour wash en grisaille on wove paper, laid down at the edges of the sheet to a later laid paper support; signed and dated 1809 lower right in pen and ink, titled in pen and ink lower left 5.7 ins x 8.7 ins; 14.6 cms x 22.2 cms Provenance From the Estate of Mr. Vincent Tovell, Canada

$200 — 300 $800 — 1,200

194 HAROLD GILMAN (1876-1919), BRITISH HALIFAX HARBOUR SCENE (SKETCH FOR A MAJOR PAINTING), CIRCA 1918 Pen and black ink on paper; signed lower right 11.7 ins x 17.0 ins; 29.8 cms x 43.2 cms Provenance Ex. Coll. of Dr. Herman H. Levy, 1979; Private Collection, Hamilton, ON Note: See website for additional info. $800 — 1,200


195 JOHN STURGESS (ACTIVE CIRCA 1869-1903), BRITISH THE RACE Pen and ink drawing on paper; signed lower left 11.0 ins x 17.2 ins; 27.9 cms x 43.8 cms $300 — 500

197 FOLLOWER OF THOMAS LAWRENCE (1769-1830) PORTRAIT OF MISS HARRIET MARIA DAY (DIED 1843) (AFTERWARDS MRS. ICHABOD WRIGHT) WEARING A RUFFLED COLLAR TIED WITH A CORAL BOW

198 GEORGE HARLOW WHITE (1817-1888), BRITISH “SCRAPS”: A SKETCHBOOK CONTAINING 24 PENCIL DRAWINGS AND ONE WATERCOLOUR BY GEORGE HARLOW WHITE (WITH WORKS BY JOHN LINNELL)

Graphite heightened with coral coloured pencil and white on heavy wove paper; given to the artist on the hand-ruled matboard, titled “Miss Day (Norwich)” in pencil in an unknown hand verso

5.0 ins x 19.0 ins; 12.7 cms x 48.3 cms

13.0 ins x 10.2 ins; 33.0 cms x 26.0 cms Note: See website for additional info.

Provenance Ex-libris George Henry Harlow, his bookplate, uncle of the artist G.H. White; J.W. Wallace, n.p., The Estate of a Private Collection, Guelph, ON $700 — 900

199 JOHN BELL-SMITH (1810-1883), BRITISH/CANADIAN “SCRAPS”: LEAVES FROM MY SKETCHBOOK” (ALBUM OF 66 SHEETS OF PENCIL DRAWINGS AND 19 SHEETS OF WATERCOLOURS) (DATED FROM APRIL 1865 ENDING IN OCTOBER, 1865) INCLUDING THE WATERCOLOUR “THE HUMBER BAY FROM THE TOLL GATE DAVENPORT ROAD TORONTO” 11.5 ins x 9.0 ins; 29.2 cms x 22.9 cms Provenance Private Collection, Ontario Note: See website for additional info.

$1,000 — 1,500 $2,000 — 3,000

200 SAMUEL WILLIAM FORES (1761 – 1838) PUBLISHER, BRITISH REUBEN MARTIN BORN AT BRISTOL, 1801, PUBL. MAY 20, 1827; EDWARD STOCKMAN BORN IN LONDON 1804, PUBL. MARCH 1827; EDW. TURNER, A WELCHMAN (SIC) ABOUT 27 YEARS OF AGE Three engravings handcoloured with watercolour on wove papers with letters; each titled, two dated and further inscribed with letters to margins. Published by S.W. Fores, 41 London, between 1801 - 1827.

201 JAMES GILLRAY (1757-1815), BRITISH LIEUT. GOVERR. GALL-STONE, INSPIRED BY ALECTO; _ OR _ THE BIRTH OF MINERVA, 1790 [BM SATIRES, 7721] Handcoloured etching, engraving and aquatint on wove paper with letters. Published by Hanna Humphrey, London on Febr. 15th. 1790. 20.5 ins x 16.0 ins; 52.1 cms x 40.6 cms

15.4 ins x 11.0 ins; 39.0 cms x 28.0 cms

Note: The scene depicts the devil playing viol da gamba and a vignette showing Thicknesse admiring his wife, Ann Ford (1737-1824)

$300 — 500

$800 — 1,200

202 AFTER THOMAS WHITCOMBE (1763-1824), BRITISH THE NAVAL ACHIEVEMENTS OF GREAT BRITAIN FROM THE YEAR 1793 TO 1817 (8 PLATES): 7 ENGRAVED BY THOMAS SUTHERLAND AND ONE ENGRAVED BY J. JEAKES: Set of eight handcoloured aquatints with letters. See website for additional info. 6.8 ins x 10.2 ins; 17.3 cms x 25.9 cms Provenance With Gemst Limited, Montreal $2,000 — 2,500

203 ANTHONY KLITZ (1917-2000), IRISH THE STREETS OF LONDON (TWO MISTY VIEWS) Two oils on canvas; each signed lower right 24.0 ins x 20.0 ins; 61.0 cms x 50.8 cms Provenance With Ernest Wheatley Picture Framer, London, UK; Private Collection, Canada; By descent $1,000 — 1,500


204 MAURICE CANNING WILKS (1911-1984), IRISH NEAR TYRELLA, CO. DOWN Watercolour and pencil; signed lower right, titled to the matboard lower left 9.5 ins x 14.5 ins; 24.1 cms x 36.8 cms

205 MAURICE CANNING WILKS (1911-1984), IRISH QUIET DAY BUNBEG, CO. DONEGAL Watercolour and pencil; signed lower right, titled to the matboard lower left 9.4 ins x 14.5 ins; 23.9 cms x 36.8 cms

$500 — 700 $500 — 700

206 BRITISH VICTORIAN (19TH CENTURY), POSSIBLY IRISH FAMILY BY THE HEARTH Oil on canvas. Contained in an antique bird’s eye maple frame. 12.2 ins x 16.0 ins; 31.1 cms x 40.6 cms Provenance Private Collection, by descent probably from the consignor’s great, great uncle who lived in a castle in Ireland

207 ROWLAND HILL (1915-1979), IRISH ASHFORD ON THE WYE, DERBYSHIRE Oil on canvas; signed lower left, titled to label on the top stretcher 24.0 ins x 36.0 ins; 61.0 cms x 91.4 cms Provenance The Cooling Galleries Ltd., London & Toronto $1,000 — 1,500

$500 — 700

208 ROWLAND HILL (1915-1979), IRISH COTTAGES PEAL BUNBEG, COUNTY DONEGAL

209 CLAUDE HAYES (1852-1922), IRISH/ENGLISH COUNTRY FOLK TRAVERSING A SMALL BRIDGE

Oil on canvasboard; signed lower left, titled to gallery label verso

Watercolour on paper laid down to board; signed lower left

11.7 ins x 17.0 ins; 29.8 cms x 43.2 cms

6.5 ins x 9.8 ins; 16.4 cms x 24.8 cms

Provenance With F.G. Davis & Sons Ltd., Belfast; Zwicker’s Gallery, Halifax, N.S.

$400 — 600

210 18TH/19TH CENTURY, IRISH/ENGLISH PORTRAIT OF JANET CATHERINE GROGAN (BORN 1766), WIFE OF SIR JONAH BARRINGTON, MARRIED IN DUBLIN, 1789 Oil on canvas; inscribed in ink to the canvas and the strecther verso: “Katherine (sic) Grogan/ wife of/ Sir Jonah Barrington” 16.0 ins x 12.2 ins; 40.6 cms x 31.1 cms

$600 — 800 Provenance Barrington Collection, Ireland/France; Private Collection, Canada

211 PATRICK NASMYTH (17871831), SCOTTISH THE ANGLER’S CORNER (...LANDSCAPE) Oil on panel; given to the artist, titled and inscribed with the provenance in black ink to an old handwritten label verso 9.8 ins x 13.3 ins; 24.8 cms x 33.7 cms Provenance Ex. Coll. the Right Honourable Lord Parmoor inscribed in pen and ink to an old paper label verso, reputedly presented from the artist, his friend, to an old printed catalogue label headwed “Patrick Nasmyth”

$400 — 600 $1,000 — 1,500


212 CHARLES EWART (EXHIBITED 1913), SCOTTISH WHARF SCENE, 1910 Oil on panel; signed and dated ‘10 lower right 10.0 ins x 14.8 ins; 25.4 cms x 37.5 cms $150 — 250

213 EDWARD HARGITT (18351895), SCOTTISH IRISH PEASANTS GOING TO MARKET Oil on panel; signed lower left, signed, titled and inscribed “No. 11.” in ink to artist’s label verso 10.0 ins x 14.0 ins; 25.4 cms x 35.6 cms

214 JOHN BLAIR (1850-1934), SCOTTISH TILLING THE FIELD, 1878 Oil on canvas; signed and dated 1878 lower left 6.7 ins x 12.0 ins; 17.1 cms x 30.5 cms

Provenance With Roland Picture Frame, Montreal

Provenance With Joseph Lewis, Edinburgh label verso; Estate Collection, Toronto

$500 — 700

$500 — 700

215 JOHN BURR (1831-1893), SCOTTISH BLIND MAN’S BUFF (BLUFF), 1866 Oil on board; with a graphite sketch of another scene verso, signed and dated 1866 to the sketch verso, titled to nameplate 6.0 ins x 8.0 ins; 15.2 cms x 20.3 cms Provenance Estate Collection, Toronto $700 — 900

216 CHARLES P**** (19TH CENTURY), BRITISH/SCOTTISH FIGURES LOUNGING IN A CLASSICAL LANDSCAPE WITH RUINS AND AQUADUCT Oil on canvas; inscribed indistinctly in pen and ink “Painted by Charles P....?” to the stretcher 18.0 ins x 24.0 ins; 45.7 cms x 61.0 cms Provenance Robert Macindoe, Glasgow

217 JOHN RUSSELL (19TH CENTURY), BRITISH/SCOTTISH SHEEP AND HORSE IN BARN ON A WINTER’S DAY

218 HUGH COLLINS (EXHIBITED 1880-1892), SCOTTISH ELDER PLAYING THE BAGPIPES ( PIPE MAJOR WILLIAM ROSS?)

Oil on canvas laid down on masonite; inscribed “John Russell” verso

Oil on canvas; signed and dated 1866 lower right

20.5 ins x 29.5 ins; 52.1 cms x 74.9 cms

36.0 ins x 28.0 ins; 91.4 cms x 71.1 cms

Provenance James McClure & Son, Glasgow label to the frame

Note: Lyon & Turnbull auctioneers sold a canvas depicting a similar looking elder gentleman playing the bagpipes (depicted with his son) on April 15, 2009, lot 148. The elder was identified as “Pipe Major William Ross”

Oil on canvas on board; signed lower left 14.5 ins x 17.2 ins; 36.8 cms x 43.8 cms $800 — 1,200

$150 — 250 $300 — 500

219 ALEXANDER ROCHE (18611921), SCOTTISH GARDENER IN A SHADY ARBOUR

$2,000 — 3,000


220 WILLIAM PAGE ATKINSON WELLS (1872-1923), SCOTTISH MAID FETCHING WATER, 1906

221 HUGH COLLINS (EXHIBITED 1880-1892), SCOTTISH THE BASHFUL LOVERS, AFTER 1884

Oil on canvas; strengthened signature lower right and dated faintly “06” lower right, signed at “Sunderland Point, Lancaster” to the frame verso

Oil on canvas; signed and dated 1884 lower right, signed at “28 Forth Street, Edinburgh” and titled in pen and ink to old artist’s label verso

20.0 ins x 20.0 ins; 50.8 cms x 50.8 cms Provenance From Robert Macindo, Glasgow; James McClure & Son, Glasgow

20.5 ins x 24.0 ins; 52.1 cms x 61.0 cms Provenance Estate Collection, Ontario

222 J.A. HENDERSON TARBET (BORN CIRCA 1865-1938), SCOTTISH SHEPHERD LEADING FLOCK IN THE SCOTTISH HIGHLANDS

223 GRAHAM WILLIAMS (1940-), SCOTTISH THIRLEMERE, LAKE DISTRICT Oil on canvas; signed lower right, titled to a red ink stamped label affixed to the stretcher

Oil on canvas; signed lower left 22.0 ins x 32.0 ins; 55.9 cms x 81.3 cms Provenance Antoine’s Art Gallery, Montreal $700 — 900

18.0 ins x 24.0 ins; 45.7 cms x 61.0 cms Provenance Ex. Collection S.T. MacKenzie; The Cooling Galleries Ltd., London & Toronto; Estate Collection, Canada

$600 — 800 Note: See website for additional info.

$300 — 400

$3,000 — 5,000

224 G. MCDONALD (19TH CENTURY), SCOTTISH PROVENANCE HIGHLAND CATTLE IN THE MIST

225 ANDREW BLAIR (1817-1892), SCOTTISH IN THE WOOD, 1883

Oil on canvas; signed “G. McDonald” lower right

Oil on canvas; signed and dated 1883 lower right, signed with remains of title and numbered in pen and ink to exhibition label verso

24.0 ins x 42.0 ins; 61.0 cms x 106.7 cms

25.0 ins x 36.5 ins; 63.5 cms x 92.7 cms

Provenance James McLure & Son, Glasgow label to the frame

$500 — 700

226 ATTRIBUTED TO ALEXANDER LEGGATT (CIRCA 1828-1884), SCOTTISH GRANDMOTHER FEEDING BABY IN A COTTAGE INTERIOR, 1874

227 HENRY WRIGHT KERR (18571936), SCOTTISH MRS. STUART GRAY OF KINFAUNS NOW THE COUNTESS OF MORAY, 1894

Oil on canvas laid down on masonite; strengthened signature and date “74” lower right

Watercolour, matted in a feigned oval; signed and dated 94 lower right, titled and dated 1894 to labels to the support verso

20.0 ins x 24.0 ins; 50.8 cms x 61.0 cms

18.5 ins x 15.0 ins; 47.0 cms x 38.1 cms

Provenance Estate Collection, Ontario

$500 — 700

$600 — 800 $400 — 600


228 HELEN MARGARET MACKENZIE (MRS HELEN MARGARET BUDD) (18851966), SCOTTISH YOUNG WOMAN IN FANCY DRESS SEATED WITH HER CAT Oil on canvas; signed “Helen Mackenzie” lower right, inscribed to the stretcher 28.7 ins x 23.5 ins; 73.0 cms x 59.7 cms

229 FOLLOWER OF ALLAN RAMSAY (1713-1784), SCOTTISH REPUTED TO BE A PORTRAIT OF PRINCE CHARLES EDWARD STUART (1720-1788), KNOWN AS BONNIE PRINCE CHARLIE OR THE YOUNG PRETENDER (OF SCOTLAND), THREE-QUARTER-LENGTH, IN A RED TUNIC WITH CAPE

230 NORMAN MACBETH (18211888), SCOTTISH PORTRAIT OF A GENTLEMAN, SEATED AT A DESK, HOLDING A DOCUMENT Oil on canvas; signed “Norman Macbeth ARSA” and dated 1879 bottom right of centre

Oil on panel, feigned oval

50.2 ins x 40.2 ins; 127.6 cms x 102.2 cms

8.0 ins x 6.5 ins; 20.3 cms x 16.5 cms

Note: See website for additional info.

$500 — 700

$1,000 — 1,500

233 FOLLOWER OF DAVID ROBERTS (1796 - 1864), SCOTTISH SCHAFHAUSEN ("STADT SCHAFFHAUSEN"), SWITZERLAND, 1834

234 JOHN BLAIR (1850-1934), SCOTTISH FISHEROW

Watercolour and gouache over pencil on thick handmade paper with fibres; bears signature and date 1834 lower left, inscribed: “Schafhausen/ J. Hardy” faintly in pencil verso

22.0 ins x 29.5 ins; 55.9 cms x 74.9 cms

231 HENRY JOHN DOBSON (18581928), SCOTTISH SUCH A WEE DROP O PORRIDGE Oil on canvas; signed lower left, titled to the stretcher 7.2 ins x 8.3 ins; 18.4 cms x 21.0 cms $400 — 600

$1,500 — 2,500

232 ARCHIBALD THORNBURN (1860-1935), SCOTTISH STUDY OF A COMMON KINGFISHER Watercolour and bodycolour on heavy wove paper; signed and dated 1915 in watercolour lower right. Unframed. 7.0 ins x 7.5 ins; 17.8 cms x 19.1 cms $1,000 — 1,500

Watercolour on watercolour board; signed at “Fisherow” lower right

$500 — 700

235 JOHN WHITE (1851-1933) , SCOTTISH EVE (WOMAN BRANDISHING AN APPLE) Watercolour on paper; signed lower right, titled at “Chideock/Dorset” in pencil verso 14.3 ins x 10.2 ins; 36.2 cms x 26.0 cms $600 — 900

22.5 ins x 31.3 ins; 57.2 cms x 79.4 cms Provenance Private Estate Collection, Montreal $500 — 700


236 MANNER OF JOHN “SPANISH” PHILLIPS (1817-1867), SCOTTISH PEASANT FAMILY AND THE NEWBORN OUTSIDE ROME Watercolour laid down to a ruled matboard; remains of indistinct signature lower right 16.7 ins x 29.5 ins; 42.5 cms x 74.9 cms

237 MCNEIL MCLEAY (DIED 1848), SCOTTISH HEAD OF LOCH FEOCHAN (ARGYLLSHIRE) Watercolour mounted on canvas; signed “M. McLeay” bottom edge left, titled to the stretcher 14.0 ins x 20.0 ins; 35.6 cms x 50.8 cms $800 — 1,200

238 INITIALS T.S.C. (19TH/20TH CENTURY), BRITISH/AMERICAN? BATTLE SCENE WITH MOUNTED TROOPS ON THE PLAINS AND WOUNDED RED COATS IN FOREGROUND Oil on British panel; with burned initials “T.S.C”. verso 9.0 ins x 12.0 ins; 22.9 cms x 30.5 cms

$600 — 900 Provenance See website for additional info.

239 GEORGE HANMER (HAMMER) CROUGHTON (1843-1920), BRITISH/AMERICAN EMBANKMENT WITH CHURCH SPIRE IN THE DISTANCE Watercolour on paperboard; signed lower right 8.0 ins x 20.0 ins; 20.3 cms x 50.8 cms Note: See website for additional info. $200 — 400

Note: Possibly by American artist Thomas Shields Clarke (1860-1920) $400 — 600

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British Works of Art Online Auction | Nov. 7 - 10, 2016  

British Works of Art Online Auction | Nov. 7 - 10, 2016