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275 King Street East, Toronto Ontario Canada M5A 1K2 Telephone: 416.504.9100 Fax: 416.504.0033 Toll Free: 1.877.504.5700 Email: info@waddingtons.ca www.waddingtons.ca

Waddingtons.ca AMERICAN & 20TH CENTURY PAINTINGS ONLINE AUCTION

SPECIALIST:

Susan Robertson 416.847.6179 sr@waddingtons.ca

Starts: Monday 27 October 2014 at 9:00 am Ends: Thursday 30 October 2014 at 2:00 pm On View: Tuesday 28 October 2014 from 2:00 pm to 7:00 pm

http://internationalart.waddingtons.ca/auctions-139/American---20th-Century-Paintings-Online-Auction

1 CLARK GREENWOOD VOORHEES (1871-1933), AMERICAN SOMERSET BERMUDA, 1922

2 CLAIRE SHUTTLEWORTH (1868-1930), AMERICAN RIVER WALL, SEAWAY AT NORMANDY, 1909

Oil on board; signed lower left, titled and dated 1922 to the backing paper 6” x 8.25” — 15.2 x 21 cm.

Oil on board; signed and dated ‘09 lower left, titled in pencil “River Wall” and dated in red paint “1909-15” verso, also signed and titled ”Seaway in Normandy” in pencil to the frame verso 10 “ x 13” — 25.4 x 33 cm.

$1,000—1,500

3 REUBEN TAM (1916-1991), AMERICAN ISLAND ENDINGS

4 PAUL GRIMM (1891-1974), AMERICAN PEACEFUL VISTA

Oil on canvas; signed lower right; signed, titled and dated 1975 verso, 32” x 36” — 81.3 x 91.4 cm.

Oil on canvasboard; signed lower left, signed, titled and dated 1950 verso 20” x 24” — 50.8 x 61 cm.

Provenance: Coe Kerr Gallery, Inc. label verso

$800—1,200

$3,000—4,000

$600—800

5 ANDRE GISSON (1921-2003), AMERICAN MARGARET

6 MICHAEL STEINER (1945-), AMERICAN AA-104, 1984

7 CHARLES XAVIER HARRIS (1856-?), AMERICAN TUNING THE GUITAR

Oil on canvas; signed lower right, titled to gallery label verso 30.5” x 40” — 77.5 x 101.6 cm.

Mixed-media on heavy paper; signed verso, titled and dated 1987 to gallery label verso Sheet 28.5” x 40.5” — 72.4 x 102.9 cm.

Oil on canvas; signed lower right, titled to gallery label verso 14” x 10” — 35.6 x 25.4 cm.

Provenance: Miner’s Gallery Americana, California label inscribed “purchased 9-14-74”; Estate Collection, Canada

Provenance: Waddington and Shiell Galleries Ltd., Toronto

$1,500—1,800 $700—900

8 WILLIAM LEE JUDSON (18421928), AMERICAN INDIAN TRADING POST IN THE MOUNTAINS Oil on canvas; signed and dated 1880 lower right 20” x 34” — 50.8 x 86.4 cm.

Provenance: Vose Galleries of Boston, Boston, Mass.;

Provenance: Private Collection, Tulsa, OK

$800—1,200

$4,000—6,000


9 MARK FREEMAN (1908-1975), AMERICAN ROBERTA G. BURKE: A SAILOR’S WIFE Watercolour on illustration board; signed mid right Image 25.9” x 31.9” — 65.7 x 81 cm.; 29.25” x 37.75” — 74.3 x 95.9 cm. Note: Roberta Gorsuch Burke (18991997)was one of America’s best known military wives and was affectionately known as ‘’the first lady of the United States Navy”. Mrs. Burke was married to Admiral Arleigh A. Burke, who was Chief of Naval Operations from 1955 to 1961 and led the Navy into the nuclear age. During the war years, she worked with the Red Cross and was also active in helping other Navy wives cope with their husbands’ long absences. Until her death, Mrs. Burke continued to receive hundreds of letters from Navy spouses she had helped and from foreign diplomats. Her role as a senior Navy wife and her 72-year partnership with the admiral were noted by President Clinton in his eulogy at the admiral’s funeral.”You have blessed America with your service and set an example for not only Navy wives today and to come, but for all Americans,’’ Mr. Clinton said. http://www.nytimes.com/1997/07/0 9/us/roberta-burke-anavy-legend-dies-at-98.html (accessed 10/14/2014) $600—800

10 ATTRIBUTED TO CARLOS ALBERTO CASTELLANOS (1881-1945), URUGUAYAN HUT AND GARDEN IN THE VALLEY

12 CIRCLE OF GILBERT STUART (1755-1828), AMERICAN PORTRAITS OF GENTLEMEN: JOSIAH WHITCOMBE (1780); DAVID YATES (KATES) (1773)

13 LOUIS ASTON KNIGHT (18731948), AMERICAN TREES IN BLOSSOM (A SOUVENIR FROM NORMANDY), 1944

Oil on canvas laid down on board; signed “Castellanos” lower right 31.5” x 51.25” — 80 x 130.2 cm.

Pair of sculpted ovals on canvas, the first title laid down on board, the second title on relined canvas; each given to artist “Firlotte”? inscribed in a 20th Century hand in pen and ink to handwritten labels verso and each titled in pencil with a date to labels verso Oval each 12” x 9” — 30.5 x 22.9 cm.

Oil on board; signed lower right, signed, inscribed: “To Mrs. Ed. Denham/A souvenir from Normandy” by the artist dated New York 1944 verso 14.5” x 9.5” — 36.8 x 24.1 cm.

$300—500

$1,000—1,500

Provenance: Presented to Mrs. Ed. Denham direct from the artist with his inscription dated New York, 1944 verso $1,000—1,500

14 MARTIN JEWELL (20TH CENTURY), AMERICAN LILY POND

15 WILLIAM EDWARD NORTON (1843-1916), AMERICAN SEA COAST, DIEPPE

Oil on canvas; signed lower right 35” x 36” — 88.9 x 91.4 cm.

Oil on canvas; signed and dated /86 lower left, signed and titled to artist’s label in London, England verso 18” x 20” — 45.7 x 50.8 cm.

$300—400

Provenance: With H.J. Matthews, Toronto; Ex. Coll. Sir Byron Edmund Walker, Toronto; By descent through the family, Toronto Note: Sir Byron Edmond Walker (18481924) was instrumental in a campaign to establish a world class museum in Toronto. After many years of planning and pursuing this interest, The Royal Ontario Museum, Toronto opened to the public on March 19, 1914. Sir Walker also took part in the foundation and direction of many of Canada’s organizations, including the National Gallery of Canada, the Art Gallery of Ontario, and the University of Toronto. $1,500—2,000


16 ATTRIBUTED TO HUGH BOLTON JONES (H.J. BOLTON) (1848-1927), AMERICAN THE FALLS OF MONTMORENCY NEAR QUEBEC Oil on board; bears signature “H.J. Bolton” and dated 1868 lower left 6.75” x 9.75” — 17.1 x 24.8 cm.

17 AUGUST FREDERICK LUNDBERG (1878-1928), AMERICAN RIVER BRIDGE IN SPRING

18 ATTRIBUTED TO MARION GREENWOOD (1909-1970), CANADIAN/AMERICAN ACAPULCO, 1970

19 WILLIAM LUMPKINS (19092000), AMERICAN MOUNTAIN RANGE AND FALL TREES

Oil on canvasboard; signed lower right 17.75” x 21.5” — 45.1 x 54.6 cm.

Mixed-media on panel; signed “Marion” and dated 70 at Acapulco bottom centre 24.5” x 30 “ — 62.2 x 76.2 cm.

Acrylic on paper; signed along the bottom edge in center; dated 86 above this 22” x 29.5” — 55.9 x 74.9 cm.

Note: Possible study for a mural

$800—1,200

$300—500

Provenance: The Parker Gallery, London

$500—700

Literature: See Peter Falk, ‘Who Was Who in American Art” p. 1759 and; Russell Harper, “Early Painters and Engravers in Canada”, p. 175 Note: Possibly the artist born in Baltimore, MD who exhibited landscape works at the National Academy for over 60 years beginning in 1867, one year before the execution of this scene. Harper states H. Bolton (Belton) Jones lived in England and sketched for “Picturesque Canada”. Falk states he travelled extensively. $600—900

20 WILLIAM LUMPKINS (19092000), AMERICAN ABSTRACT, 1972

21 WILLIAM LUMPKINS (19092000), AMERICAN ABSTRACT, 1956

22 MICHAEL STEINER (1945- ), AMERICAN ABSTRACT (RED AND GREEN)

Watercolour and ink on paper; signed with initials and dated 72 in pencil lower right Sight 16” x 12.5” — 40.6 x 31.8 cm.

Watercolour and ink on paper; signed and dated 56 lower right Sheet sight 5.75” x 9.5” — 14.6 x 24.1 cm.

Mixed-media on heavy paper Sheet sight 28.5 “ x 40” — 72.4 x 101.6 cm.

$500—700

$400—600

$700—900


23 BELMORE BROWNE (18801954), AMERICAN MOUNTAIN VISTA Oil on thin board; signed lower right 12” x 9” — 30.5 x 22.9 cm. $600—800

24 LOUIS MICHEL EILSHEMIUS (1864-1941), AMERICAN NUDE BATHERS AND BOATMAN IN A SOUTH SEA BEACH Oil on board; signed lower right, dated 1918 lower left 17.5” x 30.5” — 44.5 x 77.5 cm. Note: This scene was executed in 1918, one year after Marcel Duchamp praised Eilshemius’ work shown at the Society of Independent Artists First Annual Exhibition in 1917 $700—900

25 PAUL WIEGHARDT (1897-199), AMERICAN GRAY AND WHITE

26 MARTIN JEWELL (20TH CENTURY), AMERICAN NORTHERN IGHTS

Oil “en grisaille” on canvas; signed lower right, signed and titled to the stretcher 25” x 21” — 63.5 x 53.3 cm.

Oil on canvas; signed and dated 91 lower right 49.5” x 59” — 125.7 x 149.9 cm. $500—700

Provenance: By descent to the present Private Collection, Ontario Note: The artist was the uncle of the present owner’s step father. The artist was living in New York when this canvas was painted. $400—600

27 MANNER OF JOHN QUIDOR (1801-1881), AMERICAN GYPSIES TRAVELLING IN THE WOODS AT NIGHT

28 CHARLES E. WALTENSPERGER (1871-1931), AMERICAN CHILDREN AT BREAKFAST

Oil on canvas 17” x 22” — 43.2 x 55.9 cm.

Oil on canvas; signed lower right 20” x 16” — 48.6 x 39.4 cm.

$400—600

$600—800

29 ALONZO MYRON KIMBALL (1874-1923), AMERICAN “ITS LIKE A FAIRY TALE HE SAID” FROM LUCY OF THE STARS (COVER FOR SCRIBNER’S MAGAZINE) Watercolour; on paper wrapped illustration board; signed lower right edge 22.5” x 14” — 57.2 x 35.6 cm. Literature: This watercolour was subject of an article and reproduced in the Saturday May 5, 1906 issue of “The Inter Ocean,” Chicago, Illinois newspaper, p. 5 $500—700

30 LARS THORSEN (1876-1952), AMERICAN OFF SOUNDINGS Oil on canvas; signed lower right, signed and titled verso and to the stretcher 16.5” x 20.25” — 41.9 x 51.4 cm. Note: Lars Thorsen was known for his association with the Mystic Art Assoc. and the CT Academy of Fine Arts. He exhibited widely, in Boston, New York, Chicago and Los Angeles. https://www.facebook.com/media/set /?set=a.115833745154129.16624.109 958639074973 on Oct. 18/13 $500—700


31 ANA JULIA ALVAREZ (19082007), SALVADORIAN/AMERICAN “JOSELIN, 8 ANOS”, 1955

32 19TH CENTURY BRITISH/AMERICAN BELLE EPOQUE GIRL IN BRIMMED HAT

Oil on canvasboard; signed lower right; signed, titled, and dated 1955 “Pintado en “Berlin, CA” along the top verso, also dated in black paint “1950” lower left verso 16” x 20” — 40.6 x 50.8 cm.

Oil on “London” stamped Academy board. Unsigned. 11.75” x 9.75” — 29.8 x 24.8 cm.

Note: The artist also signed with her married name: Mrs. W.E. Bovard with her address in Texas verso. She married the American pilot and metal artist William (Bill) Bovard in 1946. $500—700

$200—300

33 ATTRIBUTED TO ALICE E. JOB (EARLY 20TH CENTURY), AMERICAN WATER CARRIER AT JAIPUR, INDIA; CANTON, 1916 (STREETSCENE) Pair of oils on canvas; each signed with indistinct middle initial “A. E. (or F.?)Job” lower right; each titled verso, the second: titled and dated 1916 in pencil near the top stretcher Each 20” x 16” — 50.8 x 40.6 cm. Provenance: Reallo ? Art Co., NYC stamps to the stretchers Note: Alice E. Job was a painter and writer in NYC as reported in Peter Falk’s “Who Was Who in American Art”, Vol. II, p. 1732 $300—500

34 MARTIN JEWELL (20TH CENTURY), AMERICAN SUNSET WINTER LANDSCAPE Oil on canvas; signed and dated 90 lower left 11” x 14” — 27.9 x 35.6 cm. $200—300


35 MARIO F. FERNANDEZ (19462012), CUBAN “THE STORY OF THE EAGLE” (ENSEMBLE CONSISTING OF 4 PAINTINGS): SYMBOL OF A NATION; THE NEST; FIRST FLIGHT; COURTSHIP RENEWED (LACKING THE BRONZE); AND 4 PORTFOLIOS EACH CONTAINING 4 PRINTS OF THE SAME IMAGES; AS WELL AS A PARTIAL FOLIO CONTAINING 2 LOOSE PRINTS FROM THE SAME FOLIO; A VHS VIDEO; 2 COLOUR PAMPHLETS DESCRIBING THE ENSEMBLE AND 3 BOOKLETS “THE STORY OF AN EAGLE” Four egg temperas on opaque white plastic panels: “Symbol of a Nation” being signed and dated 1988 upper right; “The Nest”; being signed and dated 88 lower right; “First Flight”, being signed and dated 88 lower right; “The Courtship” being signed lower right. Together with 4 sets of four lithographs in folio; each signed and numbered in black pen: 73/2,500; 219/2,500; 451/2,500; 429/2,500, each contained in blue folio sleeves; and with 2 additional loose prints (only) from the folio, each signed and numbered 74/2,500 18” x 18” — 45.7 x 45.7 cm.; 18” x 18” — 45.7 x 45.7 cm.; 47.5” x 24” — 120.7 x 61 cm.; 49” x 47.75” — 124.5 x 121.3 cm.

36 GOTTFRIED ARNEGGER (1905- ), AUSTRIAN MEDITERRANEAN FISHING BOATS ON THE COAST

37 ALFONSE JOSEPH BLOMME (1889-1979), BELGIAN FISHING BOATS AT REST IN A HAZE

Oil on canvas; signed lower right 28” x 37.5” — 71.1 x 95.3 cm.

Oil on canvas; signed lower right 17.5 “ x 18.25” — 44.5 x 46.4 cm.

$1,800—2,500

$300—400

38 ROY TURNER DURRANT (1925-1998), BRITISH HEAD SCAPE, CR10-531 Ink and watercolour wash on paper; signed and dated 1962 lower right, numbered 10-531 lower left, signed, titled, numbered CR10-531 and dated 1962 verso backing. Together with: HEAD, 1966; Ink and watercolour on paper; signed and dated 15 1966 upper right, signed, titled and numbered 14/187 lower right, signed, dated and numbered 14/187 in pencil support verso Together with: UNTITLED ABSTRACT, 14CR 32; Ink and watercolour wash; signed twice bottom edge, dated 66 and numbered 14CR 32 lower left Together with: UNTITLED ABSTRACT, 14/31; Ink, gouache with wash and mixedmedia on paper; signed upper right, signed, dated 66 and numbered 14/31 lower right Together with: HEAD PORTRAIT; Ink and ink wash on stiff paper; signed and numbered 14-195 upper right, signed, dated 1966 and numbered 14195 lower right. One framed, four matted and unframed. 7.75” x 10” — 19.7 x 25.4 cm.; 15” x 11” — 38.1 x 27.9 cm.; 13” x 9.5” — 33 x 24.1 cm.; 13.25” x 9.5” — 33.7 x 24.1 cm.; 11.8” x 6.1” — 30 x 15.5 cm. $600—800

Note: With copyright including right of reproduction reserved by the Fernandez Studio Inc. $6,000—8,000


39 ROY TURNER DURRANT (1925-1998), BRITISH FIVE ABSTRACTS INCLUDING: UNTITLED ABSTRACT, 14-296 Gouache and mixed-media on stiff paper; signed upper right, signed, dated 66 and numbered 14-296 lower left Together with: UNTITLED ABSTRACT, CR14/256; Ink and watercolour on paper; signed upper right, signed and numbered CR14/256 lower left. Together with: UNTITLED ABSTRACT, 14/48; Ink and watercolour on paper; signed lower left, signed, dated 1966 and numbered 14/48 lower right, signed, titled, dated ‘66 and inscribed “JG” in pencil verso Together with: UNTITLED ABSTRACT, 13/8; Ink and watercolour on paper; signed lower right, signed, dated 65 and numbered 13/8 mid left

40 ROY TURNER DURRANT (1925-1998), BRITISH WOMAN WITH BIRD

41 ROBERT MICHELMORE (1928- ), BRITISH NUDE

Gouache and mixed-media on paper laid on paper support; signed and dated 88 lower left, numbered 36.39 upper left, titled and dated June 88 at Lausanne, numbered 36-39, Ref. No. 36-39 (1’18), Catalogue No. 51 to verso backboard

Charcoal and colour chalk drawing on paper; signed lower right Sight 28” x 24” — 71.1 x 61 cm.

Together with: AT WALBERSWICK, 3 CR.412 (55); Oil and mixed-media on panel; numbered 3 CR-412, titled and numbered 3 CR.412 (55) verso backing

$600—800

Provenance: Lauri Stewart Fine Art, The Church Lane Gallery, London

42 HELEN SAUNDERS (18851963), BRITISH UNTITLED (BLUE/PURPLE AND GOLD) Watercolour and colour inks on paper; signed with initials lower right Sheet 22” x 30” — 55.9 x 76.2 cm. $1,500—2,500

Together with: INTERTWINED GEOMETRICS IN BROWN, BLUE AND BLACK; Waterolour and ink on paper. Two framed, one matted and unframed. 11.5” x 8” — 29.2 x 20.3 cm.; 13.5” x 7.25” — 34.3 x 18.4 cm.; 9.5” x 13.75” — 24.1 x 34.9 cm. $600—800

Together with: UNTITLED ABSTRACT, 4CR 367; Ink and watercolour on paper; signed, dated 51 and numbered 4CR 367 lower right. Two framed, three matted and unframed. 12” x 15.75” — 30.5 x 40 cm.; 11.5” x 20” — 29.2 x 50.8 cm.; 13.5” x 19.75” — 34.3 x 50.2 cm.; 6.5” x 9.25” — 16.5 x 23.5 cm. Provenance: James Giraytys Twentieth Century British Fine Art, Winchester, VA gallery label to the first title $600—800

43 HELEN SAUNDERS (18851963), BRITISH UNTITLED (BROWN)

44 NANCY SHEPPARD (18901980), BRITISH HILLSIDE CABINS

Watercolour and colour inks on paper; signed with initials lower right Sheet 22” x 30” — 55.9 x 76.2 cm.

Watercolour; signed lower right Sight 9” x 13.25” — 22.9 x 33.7 cm.

$1,500—2,500

Provenance: Lauri Stewart Fine Art, The Church Lane Gallery, London $200—300


45 ROBERT SYDNEY RENDLE WOOD (1895- ), BRITISH WOMAN AND PUPPET Watercolour; signed lower left Sight 10” x 14.25” — 25.4 x 36.2 cm. Provenance: Lauri Stewart Fine Art, The Church Lane Gallery, London $300—500

46 HOLGER PETER SVANE LUBBERS (1850-1931), DANISH BRIGI NORDS... (SHIPS IN DEEP SEAS) Oil on canvas; signed and dated 1908 lower left, inscribed indisitinctly to the stretcher 25” x 37” — 63.5 x 94 cm.

47 WILLEM ALEXANDER KNIP (1883-1967), DUTCH PARIS IN A FOG Oil on canvas; signed lower right 16” x 20” — 40.6 x 50.8 cm. $1,000—1,500

Provenance: Aug. With’s Efte Kunsthandel

48 GERARD ADOLFS (1897-1968), DUTCH KAMPONG COTTAGE WITH FLAMBOYANT TREE (DESSABLEU?) Oil on panel; signed lower left, titled and numbered No. 21 to artist’s studio label verso 11.25” x 15.5” — 28.6 x 39.4 cm. Provenance: With a framer in the Hage, Holland label verso; Gifted to the present Private Collection from a friend, residing in Toronto originally from Holland

$1,000—1,500

$3,000—5,000

49 ARNOLD MARC GORTER (1866-1933), DUTCH SHEPHERDESS AND CATTLE WATERING BY A SHADY POND Oil on canvas; signed lower right 18.25” x 22.25” — 46.4 x 56.5 cm. $1,500—2,000

50 GERARD SLUYTER (20TH CENTURY), DUTCH STILL LIFE ON A TABLE

51 KOO... (20TH C), DUTCH GODDESS OF THE INDIAN RIVER

52 DORUS ARTS (1901-1961), DUTCH FISHERFOLK ON A BEACH

Oil on canvas; signed “G. Sluyter” lower left 26” x 30” — 66 x 76.2 cm.

Oil on canvas; partial signature “KOO..” lower right 34 “ x 48” — 86.4 x 121.9 cm.

Oil on canvas on masonite board; signed lower left 16” x 20” — 40.6 x 50.8 cm.

Provenance: Galerie Bernard Desroches, Montreal

$700—900

$800—1,200

$500—700


53 ** ANDERS (20TH CENTURY) , EUROPEAN VILLA COURTYARD WITH POULTRY Oil on canvas; signed indistinctly l”Anders” lower right 18” x 22” — 45.7 x 55.9 cm. $100—200

54 MOHAMMED SABRY (1917- ), EGYPTIAN VIALLJOYOSA, SPAIN

55 HENRI HAYDEN (1883-1970), FRENCH RED FIELDS

Colour pastel on blue paper; signed in Roman and Arabic and dated 1969 lower right, signed in Roman, dated 1969 and inscribed in Arabic verso Sheet sight 17.5” x 23” — 44.5 x 58.4 cm.

Gouache on paper; signed and dated 69 lower left, inscribed W.A.G. 4012 to the backing board 19” x 24.5” — 48.3 x 62.2 cm.

$4,000—6,000

Provenance: The Waddington Galleries Ltd., London and Montreal, W.A.G. No. 4021 inscribed verso

56 ATTRIBUTED TO ANDRE LANSKOY (1902-1976), FRENCH ABSTRACT COMPOSITION Colour pastel on paper; signed lower left Sight 16.25” x 13” — 41.3 x 33 cm. $2,000—3,000

$2,000—3,000

57 YVARAL (JEAN-PIERRE VASARELY) (1934-2002), FRENCH STRUCTURE AMBIGUE RV

58 YVARAL (JEAN-PIERRE VASARELY) (1934-2002), FRENCH STRUCTURE AMBIGUE RV

59 CLAUDE MOURIER (1930- ), FRENCH LANDSCAPE (BIRCHES ALONG A RIVER)

Acrylic on board; signed, titled, dated 1969 and numbered “No. 79” verso 25.25” x 25.25” — 64.1 x 64.1 cm.

Acrylic on board; signed, titled, dated 1969 and numbered “No. 80” verso 25.25” x 25.25” — 64.1 x 64.1 cm.

Provenance: The Fleck Family Collection, acquired directly from the artist’s studio, Paris

Provenance: The Fleck Family Collection, acquired directly from the artist’s studio, Paris

Oil on masonite; signed lower right, titled to the original gallery receipt accompanying the lot. Together with Andre Flament’s hardcover book: “Claude Mourier” 21.25” x 18” — 54 x 45.7 cm.

$3,000—4,000

$3,000—4,000

Provenance: Galerie Haussmann, France, purchased on 1 June, 1982 together with the original receipt $300—500

60 MAURICE GHIGLION-GREEN (B. CIRCA 1913-1989), FRENCH LIESSE ET EGLANTINES Oil on canvas; signed lower left, titled to gallery label verso 18” x 13” — 45.7 x 33 cm. Provenance: Wiener Gallery, New York; Christie’s,” lot 157, chalk date 11 Mar. 78” / NYE75” verso backing; Collection, Montreal $400—600


61 JACQUES BLANCHARD (19121992), FRENCH STILL LIFE WITH EGGS

62 JEAN LEFEUVRE (1882-1975), FRENCH ATHENIAN PICNIC

63 SUZANNE EISENDIECK (19081998), FRENCH JARDIN AVEC COQUELICOTS

64 CONSTANTINE KLUGE (19122003), FRENCH PORTRAIT OF A LADY

Oil on canvas; signed upper left 18” x 21” — 45.7 x 53.3 cm.

Oil on canvas; signed lower right, 28” x 77” — 71.1 x 195.6 cm.

Oil on canvas; signed lower right, titled verso 18” x 15 “ — 45.7 x 38.1 cm.

Oil on canvas; signed lower right. Unframed. 36” x 26” — 91.4 x 66 cm.

$1,000—1,500

$5,000—7,000 Provenance: Walter Klinkhoff Gallery, Montreal

$400—600

$1,000—1,500

65 FRANCOIS GALL (1912-1987), FRENCH LES CHEVAUX

66 JACQUES BLANCHARD (19121992), FRENCH EGGS AND A GREEN JUG

67 ANTOINE CALBET (18601944), FRENCH TAMBOURINE DANCE

68 HENRI HAYDEN (1883-1970), POLISH/FRENCH CANAL DE L’OURCQ, 1957

Oil on canvas; signed lower right, titled to the stretcher 8.75” x 10.75” — 22.2 x 27.3 cm.

Oil on panel; signed upper left, titled to gallery label verso 8” x 10” — 20.3 x 25.4 cm.

Pen and ink drawing on paper; signed lower left, titled to gallery label verso 12.9” x 19.5” — 32.8 x 49.5 cm.

Provenance: Dominon Gallery, Montreal, inventory number B6426

Provenance: Frost & Reed, London, reg. number 29684; With Staff’s Gallery, Toronto June 03, 1989

Charcoal drawing heightened with white chalk on paper; signed lower right Sheet sight 24.75” x 17.75” — 62.9 x 45.1 cm.

$2,500—3,500

$600—800

$800—1,000

Provenance: The Waddington Galleries, London, the Ex.Coll. Mrs. Louis-Dreyfus; Taylors Auction, Scotland in 2011; Private Collection, Canada $500—700


69 ETIENNE BOUCHAUD (18981989), FRENCH CHILDREN ON A PATH TO THE LAKE Oil on canvas; signed lower right 18” x 24” — 45.7 x 61 cm. Provenance: With Arthur Lenars & Co., Paris transport marked “RN Toronto” to their label verso

70 SERGE DE BELABRE (20TH CENTURY), FRENCH FARM SCENE Oil on masonite; signed lower left, signed and dated 46 verso 21” x 25.5” — 53.3 x 64.8 cm.

71 GUILY (GUILY-JOFFRIN) JOFFRIN (B. 1909-2007), FRENCH NU AUGUERIDON

72 CLAUDE JOUSSET (1935- ), FRENCH VENISE REFLETS DANS LE CANAL

Oil on canvas; signed lower left, signed and titled verso 24” x 19.75” — 61 x 50.2 cm.

Oil on canvas; signed lower left, signed and titled verso 25.25” x 21.5” — 64.1 x 54.6 cm.

$300—500

Provenance: W.T. Burger Co., Inc.

$200—300

$300—400 $700—900

73 DIETZ EDZARD (1893-1963), GERMAN DANSEUSE ETOILE, 1962

74 DIETZ EDZARD (1893-1963), GERMAN LA MIDINETTE

Oil on canvas; signed lower left, titled and dated to the stretcher 22” x 18.5” — 55.9 x 47 cm.

Oil on canvas; signed lower left, titled to gallery label verso 18” x 15” — 45.7 x 38.1 cm.

Provenance: The Paris American Art Co., Paris stamped stretcher

Provenance: Watson Art Galleries, Montreal, Record number 15668

$3,000—4,000

$2,000—3,000

75 **DRESCHER (FL. EARLY 20TH CENTURY), GERMAN BORN?/AMERICAN? NATIVE AMERICAN? GIRL TRAPPING CHICKS Oil on canvas; vestiges of a signature lower right, inscribed “Drescher” in black crayon to the canvas verso, faint scratched inscription into the wood to the stretcher, given to “A. Drescher” on the remains of the verso backing paper 9.25 “ x 12” — 23.5 x 30.5 cm. Provenance: With Britnell’s Art Gallery Ltd., Toronto, label verso $400—600

76 ADRIAN HOFFMANN (20TH CENTURY), GERMAN STILL LIFES OF FLOWERS Pair of oils on masonite; each signed lower right Each 18” x 14” — 45.7 x 35.6 cm. $300—400


77 EDDY PIERRE (B. MID 1960’S ), HAITIAN HAITIAN MARKET WOMEN CARRYING BASKETS ON THEIR HEADS

78 JEAN ENGUERRAND GOURQUE (1930-1996 ), HAITIAN ROAD THOUGH A HAITIAN COUNTRYSIDE

Oil on masonite; signed at CapHaitien lower right 10” x 8” — 25.4 x 20.3 cm.

Oil on masonite; signed lower left 19.75” x 23.75” — 50.2 x 60.3 cm.

$700—900

79 E.P. AUGUSTIN (20TH CENTURY), HAITIAN VILLAGERS AT WORK AND PLAY Oil on masonite; signed lower right 19.25” x 23.25” — 48.9 x 59.1 cm. $200—300

Provenance: “Gal. Suda” inscribed to the frame verso; Haitian Art Gallery Inc., New York stamp verso $800—1,000

80 WILSON BIGAUD (1931-2010), HAITIAN BLACK MAGIC CARD GAME Oil on masonite board; signed lower right 24” x 24” — 61 x 61 cm. Literature: A clipping from “Newsweek” magazine, p. 68 entitled “Black Magic” discusses the admiration of the Haitian school admired by “Western Intellectuals” that blossomed in the 1940’s. The article mentions a current travelling exhibition of Haitian Art in New York City suffused by voodoo and earthly visions of Heaven and Hell that hallmark Haitian art despite being from the “poorest countries in the world”. $400—600

81 HUGO SCHEIBER (1873-1950), HUNGARIAN MAN IN RELAXED POSE

82 OSZKAR GLATZ (1872-1958), HUNGARIAN YOUNG COUPLE IN A FIELD

Watercolour on paper; signed lower left Sheet 26.25” x 19” — 66.7 x 48.3 cm.

Oil on canvas; signed and dated 1947 lower right 25” x 30” — 63.5 x 76.2 cm.

83 BELA KADAR (1877-1955), HUNGARIAN WOMAN WITH GUITAR AND STILL LIFE Oil on canvas; signed lower right. Unframed. 33.5” x 27.25” — 85.1 x 69.2 cm.

$2,000—3,000 $3,000—5,000

$1,000—1,500

84 MARIA SZANTHO (18981984), HUNGARIAN BALLERINAS Oil on canvas; signed lower left 25” x 33” — 63.5 x 83.8 cm. $500—700


85 LUKACSNE BERNATH ILMA (1891-1961), HUNGARIAN GIRL WITH HAT Oil on canvas; signed lower left 39” x 29” — 99.1 x 73.7 cm. $500—700

86 WILLIAM WEINTRUB (20TH CENTURY), ISRAELI MORROCAN GIRL LEADING DONKEYS

87 JOSEPH KOSSONOGL (19081981), ISRAELI FIGURES IN A WOOD; MUSIC IN A FIELD

Oil on canvas; signed and dated ‘76 lower left 28.75” x 39” — 73 x 99.1 cm.

Pair of watercolours, each signed, the first dated 1977 lower right Each approximately 13.75” x 9.5” — 34.9 x 24.1 cm.

Provenance: Private Collection, Montreal

88 AVSHALOM OKASHI (19161980), ISRAELI TOWN SCAPE Gouache and ink on paper; signed in Hebrew twice lower left, one signature visible under the paint lower left Sight 18.75” x 26.25” — 47.6 x 66.7 cm.

$600—800 $300—500

$1,000—1,500

89 LEA AVIZEDEK (20/21ST CENTURY), ISAELI FOUR WOMEN

90 LEA AVIZEDEK (20/21ST CENTURY), ISRAELI WOMAN IN A LANDSCAPE

91 WILLIAM WEINTRUB (20TH CENTURY), ISRAELI RIDING A DONKEY

92 EZELINO BRIANTE (19011971), ITALIAN PORTO DI CAMOGLI

Oil, crayon and paper collage on paper; signed in Roman lower right, signed in Hebrew lower left Sight sheet 29.25” x 24” — 74.3 x 61 cm.

Mixed-media and paper collage on paper; signed in Hebrew lower right, signed in Roman lower left, titled to gallery label verso Sight 31” x 26” — 78.7 x 66 cm.

Oil on canvas; signed lower left 16” x 13” — 40.6 x 33 cm.

Oil on canvas; signed lower right, titled verso 19.5” x 27.5” — 49.5 x 69.9 cm.

$400—600

Provenance: Odon Wagner Gallery, Toronto

$300—500

Provenance: Private Collection, Montreal

Provenance: Williams & Son, London; W.T. Burger Co., Inc. $800—1,200

$500—700


93 LODOVICO MOSCONI (19281987), ITALIAN UNTITLED ABSTRACT

94 GINO SALVIATI (1911-1988), ITALIAN CANALE VENEZIA

95 ITALIAN (20TH CENTURY), ITALIAN VENICE SCENE

Oil on canvas; signed and dated 57 lower right 19.75” x 23” — 50.2 x 58.4 cm.

Oil on canvas; signed lower left, signed and titled in Italian verso 23” x 35.5” — 58.4 x 90.2 cm.

$500—700

$400—600

Oil on canvas; indistinctly signed lower right, inscribed “Orlando Luigi / Alitalia Roma/ Via Bissolati” to the stretcher 27” x 39” — 68.6 x 99.1 cm.

96 COSIMO PRIVATO (1899-1971), ITALIAN MOTHER AND CHILDREN PLAYING IN A FIELD Oil on canvas; signed lower right 23.5” x 47” — 59.7 x 119.4 cm. $600—800

$500—700

97 ARMENO MATTIOLI (19202012), ITALIAN METEORA, 1958 (MONK FROM THE GREEK MONASTERY) Oil on board; signed and dated 1958 lower right, titled to the nameplate recto 21.5” x 18” — 54.6 x 45.7 cm. $600—800

98 GIO COLUCCI (1892-1974), ITALIAN FLOWERS- STILL LIFE; CHRIST AND WOMAN; LANDSCAPE OLIVE TREE; BULLS LANDSCAPE; ANIMALS IN FERNS Five gouache and watercolours on paper; each sheet mounted on larger thick paper sheets; the first four signed lower right, the last unsigned, the first four titled verso. Each unframed. Mounted size and sheet sizes 30.25” x 23” — 76.8 x 58.4 cm.; 22” x 16.5” — 22 x 17 cm.; 21.5” x 16.75” — 54.6 x 42.5 cm. Provenance: From the Estate of Donald and Mary Early, Toronto $800—1,000

99 ILLO GIANNACCINI (18971968), ITALIAN VILLAGERS WALKING IN SNOW OUTSIDE OF TOWN

100 MANJIRO TERAUCHI (18901964), JAPANESE VIEWS ON A RIVER WITH JUNKS AND BOATS

Oil on canvas; signed lower left 12” x 16” — 30.5 x 40.6 cm.

Seven watercolours and gouaches on paper; each signed, four lower left, three lower right Sight 2.25” x 19” — 5.7 x 48.3 cm.; 19” x 12.25” — 48.3 x 31.1 cm.

$100—200

Provenance: With Campani Cornici, Firenze, Italy; Family collection, Italy thence by descent to Canada $2,000—3,000


101 JESUS MARIANO LEUUS (1948- ), MEXICAN UNTITLED (FAMILY)

102 LEONARDO NIERMAN (1932 ), MEXICAN OLD WALLS

Acrylic and mixed-media on masonite; signed and dated “X-73” lower right 47.5” x 37.25” — 120.7 x 94.6 cm.

Oil on masonite; signed lower right, titled verso 31.5” x 23.5” — 80 x 59.7 cm.

$1,500—2,500

Provenance: Private Collection, Montreal $1,000—1,500

103 PETER BEADLE (1933- ), NEW ZEALAND TOWNLEY MTS & FLORENCE VALLEY FROM THE GREBE VALLEY/ FIORDLAND, NEW ZEALAND Oil on canvasboard; signed lower left, signed, titled and dated 1986 in pen and ink verso, also stamped with the artist’s studio stamp at 15 Holywood Terrace, Invercargill, N.Z. verso 11.5 “ x 23.5 “ — 29.2 x 59.7 cm. Provenance: Northland Art Galleries, Markham, Ontario

104 PETER BEADLE (1933- ), NEW ZEALAND MT. TUHAWAIKI & BEECH FOREST LOWER HOLLYFORD VALLEY/FIORDLAND, NEW ZEALAND. Oil on canvasboard; signed lower left, signed and titled verso, also stamped with the artist’s studio stamp at 15 Holywood Terrace, Invercargill, N.Z. verso 18” x 24” — 45.7 x 61 cm. Provenance: Northland Art Galleries, Markham, Ontario

$500—700 $600—800

105 TRAIAN BILTIU DANCUS (1899-1975), ROMANIAN NEIGHBOUR OF THE ARTIST AT SIGHET, ROMANIA (YELLOW HAT) Oil on panel; signed and dated -935lower right, signed and titled to exhibition label verso. Unframed. 20.5” x 16.25” — 52.1 x 41.3 cm. Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982 Exhibited: Salon of the Professors of Fine Art, Romania, 1937 “Not for Sale” Note: The artist was a relative who married the present owner’s mother’s sister $1,000—1,500

106 TRAIAN BILTIU DANCUS (1899-1975), ROMANIAN PICTOREUL (SELF PORTRAIT) Oil on panel; signed and dated 1937 upper right, signed, titled and dated 1937 verso. Unframed. 19.5” x 14.5” — 49.5 x 36.8 cm. Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982

107 TRAIAN BILTIU DANCUS (1899-1975), ROMANIAN COUNTRYMAN AND HIS SON

Note: Painted after the artist’s trip to Cartagena where he was commissioned to execute huge murals

Oil on canvas; signed and dated 1946 upper right. Unstretched and unframed. 19.25” x 16.75” — 48.9 x 42.5 cm.

$1,000—1,500

Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982 $800—1,200

108 TRAIAN BILTIU DANCUS (1899-1975), ROMANIAN ARTISTS FATHER, PETRU BILTIU DANCUS (1860-1907) HOLDING HIS BOOK OF POEMS “FLORI CU SPINI” Pen and ink drawing on stiff paper; signed “Traian” lower right 23” x 16.5” — 58.4 x 41.9 cm. Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982 $1,000—1,500


109 TRAIAN BILTIU DANCUS (1899-1975), ROMANIAN A PEASANT PRAYING

110 TRAIAN BILTIU DANCUS (1899-1975), ROMANIAN PEASANT IN FUR HAT

Oil on canvas; signed and dated 1941 upper left 15.25” x 23” — 38.7 x 58.4 cm.

Oil on canvas; signed and dated 1940 upper left 24.75” x 15.75” — 62.9 x 40 cm.

Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982

Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982

$700—900

$1,000—1,500

111 JEAN NITESCU (NITZESCO) (1897-1981), ROMANIAN LADY IN BLACK DRESS (THE ARTIST’S WIFE VERA VESLOVSCHI-NITESCU, 19011974)

112 JEAN NITESCU (NITZESCO) (1897-1981), ROMANIAN PORTRAIT OF THE ARTIST’S WIFE VERA VESLOVSCHI NITESCU AS A YOUNG WOMAN IN RED

Oil on canvas; signed lower right. Unstretched and unframed. 43” x 31.5” — 109.2 x 80 cm.

Oil on board; signed lower right, signed verso. Unframed 27.75” x 19.5” — 70.5 x 49.5 cm.

Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982

Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982

Exhibited: Salon International de la Peinture, Paris, 1928

$900—1,200

Literature: The artist was awarded Le Grand Prix for this portrait reproduced and praised in the 1928 edition of “L’Illustration” art magazine $2,000—2,500

113 JEAN NITESCU (NITZESCO) (1897-1981), ROMANIAN IN TRIG (AT THE FAIR)

114 JEAN NITESCU (NITZESCO) (1897-1981), ROMANIAN LOGGING

Oil on board; signed lower right, titled verso. Unframed. 11.5” x 15.75” — 29.2 x 40 cm.

Oil on canvasboard; signed lower right. Unframed. 11.5” x 15.75” — 29.2 x 40 cm.

Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982

Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982

$500—700

$500—700

115 JEAN NITESCU (NITZESCO) (1897-1981), ROMANIAN PORTRAIT OF THE ARTIST’S WIFE VERA SEATED IN HER HOUSE IN A BIDERMAIER CHAIR Oil on canvas. Unstretched and unframed. 35.5” x 25.5” — 90.2 x 64.8 cm. Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982 $900—1,200

116 JEAN NITESCU (NITZESCO) (1897-1981), ROMANIAN FARMER’S FAIR Oil on card; signed lower right. 14.5” x 17.5” — 36.8 x 44.5 cm. Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982 $700—900


117 TRAIAN BILTIU DANCUS (1899-1975), ROMANIAN SAPANTEAN (PEASANT FROM THE REGION IN A STRAW HAT), A DOUBLEDSIDED OIL LANDSCAPE VERSO Oil on canvas; signed and dated 1947 upper left, signed and titled verso. Unstretched and unframed. 19.5” x 13.75” — 49.5 x 34.9 cm.

118 VERA VESLOVSCHI NITESCU (1901-1974), ROMANIAN STILL LIFE

119 WOJCIECH WEISS (1875-1950), POLISH ZINNIAS IN A BLUE PITCHER

Oil on canvas; signed and dated 1968 lower left 19.5” x 27.5” — 49.5 x 69.9 cm.

Oil on board; signed with initials lower right 20” x 16” — 50.8 x 40.6 cm.

Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982

$3,000—4,000

120 NATHAN GUTMAN (19141990), POLISH ELDER AND STUDENT IN THE VILLAGE Oil on canvas; signed lower right 22” x 18” — 55.9 x 45.7 cm. Provenance: Gallery 68, Toronto purchased in c. 1978-1979 $500—700

$400—600 Provenance: Private Collection, Toronto acquired directly from the artist in Romania thence to Canada in 1982 $700—900

121 HENRY (HENRYK) MUSIALOWICZ (1914- ), POLISH COMPOSITION WITH BUST Mixed-media with gold paint on paper; signed upper right and lower right Sheet 21” x 15” — 53.3 x 38.1 cm. $800—1,000

122 JERZY MIERZEJEWSKI (19172012) , POLISH BOOT, HAARLEM, 1977

123 BENJAMIN CREME (1922- ), SCOTTISH WOMAN IN GREEN DRESS

Oil on canvas; signed and dated 77 bottom right, signed at Poland, titled and dated 1977 to the stretcher 31.7” x 39.4” — 80.5 x 100 cm.

Oil on plywood panel; signed and dated 46 upper right, signed, titled and dated Fe. 1946 verso 23” x 18” — 58.4 x 45.7 cm.

$1,000—1,500

$800—1,200

124 M. (MAX?) RUDISUHLI (20TH CENTURY), SWISS RUINS AND CYPRESS TREES ON A ROCKY HILLSIDE Oil on canvas; signed “M. Rudisuhli” bottom center 18” x 26.5” — 45.7 x 67.3 cm. Provenance: A.H. Campbell Picture Framing and Fine Art, Montreal Note: The nameplate gives this work to Max Rudisuhli. Stylistically it is similar to Eduard and Hermann Rudisuhli, artists recorded with the same dates (18751938) and possibly of the same family. $300—400


125 SELIM TURAN (1915-1994), TURKISH ABSTRACT COMPOSITION Watercolour on paper; signed lower right Sheet 19.75” x 25.25” — 50.2 x 64.1 cm. $1,000—1,500

126 WILLIAM LANGDON KIHN (1898-1957), AMERICAN ABORGINAL MOTHER AND CHILD Mixed-media colour crayon, gouache and gold leaf on paper laid down onto board; signed and dated 1926 lower left, inscribed “Lucille Oscar Boy” and inscribed “K12” verso Sheet sight 39” x 28.25” — 99.1 x 71.8 cm. $2,000—3,000

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American & 20th Century Paintings Online Auction | Oct. 27 - 30, 2014  

American & 20th Century Paintings Online Auction | Oct. 27 - 30, 2014