Discovery West | October 15 - 20, 2022

Discovery West

OCTOBER 15 — 20, 2022

OCTOBER 15 — 20, 2022 Discovery West

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343 Railway Street, Suite 101 Vancouver, BC, V6A 1A4 tel: 416-504-9100 toll free: 1-877-504-5700

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Jacqui Dixon jd@waddingtons.ca 778-837-4588

This catalogue and its contents © 2022 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

front cover Lot 9

VIRGINIA LUZ

HALIBURTON IN WINTER

front inside cover Lot 10

JACK BEDER EVENING (MOUNT BURGESS) EMERALD LAKE (YOHO NATIONAL PARK)

back inside cover Lot 82

LUCIE ANGALAKTE MAPSALAK OWL

back cover Lot 83

PITSEOLAK ASHOONA & SOROSILUTO ASHOONA HUNTER & SEAL, FIRST ICE

Photography & design by Waddington’s All Rights reserved.

JACK BEDER (1910-1987)

CURVING FORM marble on wood base signed Beder ‘65 including base 14.5 ins x 7 ins x 5 ins; 36.8 cms x 17.8 cms x 12.7 cms

PROVENANCE: Private Collection, British Columbia $800 — 1,200

2

JOHNNY FRIEDLAENDER (1912-1992), GERMAN

UNTITLED colour aquatint; signed in pencil lower right, inscribed E.A plate 21 ins x 14.75 ins; 53.3 cms x 37.5 cms

PROVENANCE:

Private Collection, British Columbia

$300 — 400

JOHNNY FRIEDLANDER (1912-1992), GERMAN UNTITLED colour aquatint; signed in pencil lower right, inscribed E.A plate 20.75 ins x 17 ins; 52.7 cms x 43.2 cms

PROVENANCE: Private Collection, British Columbia $300 — 400

4

JOHNNY FRIEDLANDER (1912-1992), GERMAN COMPOSITION ON OLIVE GROUND colour aquatint; signed in pencil lower right, numbered 4/135 plate 23 ins x 17.75 ins; 58.4 cms x 45.1 cms

PROVENANCE:

Private Collection, British Columbia $300 — 400

ROSS ALEXANDER COATES (B. 1932)

INTERIOR WITH HANGING FOWL oil on canvas signed lower right 34 ins x 24 ins; 86.4 cms x 61 cms

PROVENANCE:

Private Collection, British Columbia $200 — 400

ROSS ALEXANDER COATES (B. 1932)

SEATED FIGURE oil on canvas signed and dated Sept 55 verso 30 ins x 42 ins; 76.2 cms x 106.7 cms

PROVENANCE:

Private Collection, British Columbia $500 — 700

7WILMA PINKUS (B. 1954)

FRENCH CHAPEAUX SHOP watercolour signed sight 20.5 ins x 27.75 ins; 52.1 cms x 70.5 cms

PROVENANCE: Private Collection, British Columbia $500 — 700

8

HENRY WANTON JONES (B. 1925)

STILL LIFE WITH NUDE oil on board signed and dated 6-7-80 lower right 5 ins x 7 ins; 12.7 cms x 17.8 cms

PROVENANCE: Private Collection, British Columbia $300 — 500

VIRGINIA LUZ (1911-2005)

HALIBURTON IN WINTER oil on board signed lower right 12 ins x 14 ins; 30.5 cms x 35.6 cms

PROVENANCE: Private Collection, British Columbia

EXHIBITED:

OSA Small Picture and Sculpture Exhibition, 1954 $ 400 — 600

10

JACK BEDER (1910-1987)

EVENING (MOUNT BURGESS) EMERALD LAKE (YOHO NATIONAL PARK) oil on board signed lower left; signed titled and dated 1969 verso 8 ins x 10 ins; 33 cms x 39.4 cms

PROVENANCE: Private Collection, British Columbia $700 — 900

11

GRAHAM NOBLE NORWELL (1901-1967)

UNTITLED (WINTER LANDSCAPE) watercolour signed lower right sight 10 ins x 13 ins; 25.4 cms x 33 cms

PROVENANCE:

Private Collection, British Columbia $250 — 300

12

WILLIAM EDWARD DEGARTHE (1907-1983)

AFTERNOON, PEGGY’S COVE N.S oil on canvas board signed bottom right, titled and dated 1955 verso 7 ins x 9 ins; 17.8 cms x 22.9 cms

PROVENANCE:

Private Collection, British Columbia $200 — 300

RICHARD WALTER MAJOR (1899-1973)

THE BOATHOUSE oil on board signed lower right 8 ins x 10 ins; 20.3 cms x 25.4 cms

PROVENANCE: Alex Fraser Galleries, Vancouver B.C. Private Collection, British Columbia $400 — 500

14GRAHAM ARTHUR CLARKE (B. 1941)

LOW TIDE colour block print signed lower right image 19 ins x 24.5 ins; 48.3 cms x 62.2 cms

PROVENANCE: Private Collection, British Columbia $100 — 200

15

BRUCE MCLEAN (B. 1944), SCOTTISH

ANOTHER BAD NIGHT OUT ON SAUSAGE STREET

silkscreen print; signed, titled and numbered 78/250 30 ins x 23 ins; 76.2 cms x 58.4 cms

PROVENANCE:

Private Collection, British Columbia $300 — 500

16

LAWREN PHILLIPS HARRIS (1910-1994)

AERIAL ACTIVITY, 1972 serigraph

signed and dated lower right; inscribed artist proof from an edition of 25 image 19.5 ins x 21 ins; 495.3 cms x 53.3 cms

PROVENANCE:

Private Collection, British Columbia $200 — 400

KATHE KOLLWITZ (1867-1945), GERMAN

CONSPIRACY 1893-1897, A WEAVERS’ REVOLT SERIES

lithograph; unframed, signed lower left plate 10.75 ins x 6.875 ins; 27.3 cms x 17.5 cms

PROVENANCE:

Private Collection, British Columbia $300 — 400

18

19TH CENTURY DUTCH SCHOOL, DUTCH

UNTITLED (BRIDGE OVER CANAL) oil on panel 9.75 ins x 12 ins; 24.8 cms x 30.5 cms

PROVENANCE: Private Collection, British Columbia $500 — 700

19TH CENTURY DUTCH SCHOOL, DUTCH UNTITLED (PASTORAL SCENE BY VILLAGE) oil on panel

7.75 ins x 11 ins; 24.8 cms x 30.5 cms

PROVENANCE:

Private Collection, British Columbia $500 — 700

20 G.L. WHELPTON, BRITISH PORTRAIT OF A HORSE oil on canvas; signed and dated 1917 lower left 20 ins x 24 ins; 50.8 cms x 61 cms

PROVENANCE:

Private Collection, British Columbia $200 — 400

JOSEPH YOUNGHUSBAND (19TH/20TH CENTURY), BRITISH LAKE TAL-Y-UYN, NORTH WALES, 1864 oil on board; signed, titled and dated 1864 11 ins x 14 ins; 27.9 cms x 35.6 cms

PROVENANCE:

Private Collection, British Columbia $300 — 500

22

JOSEPH YOUNGHUSBAND, BRITISH LOCK LAMOND BON ARTHUR oil on board; signed, titled and dated 1864 14 ins x 20 ins; 35.6 cms x 50.8 cms

PROVENANCE:

Private Collection, British Columbia

$300 — 500

23

JOSEPH YOUNGHUSBAND, BRITISH MOEL SIABOD, NORTH WALES oil on board; signed, titled and dated 1869 verso

13 ins x 19.5 ins; 33 cms x 49.5 cms

PROVENANCE: Private Collection, British Columbia $300 — 500

24

MICHAEL LONECHILD (B.1955) THE WATERING HOLE acrylic on canvas signed lower right 24 ins x 18 ins; 61 cms x 45.7 cms

PROVENANCE: Hambleton Galleries, Kelowna, British Columbia $200 — 400

ERNEST ARTHUR ROWE (1863-1922), BRITISH

THE GARDEN PATH watercolour; signed lower right 13.75 ins x 10 ins; 34.9 cms x 25.4 cms

PROVENANCE:

Private Collection, British Columbia

$200 — 400

26

HAMILTON SLOAN (B. 1945), IRISH THE PARAMEDIC oil on canvas; signed bottom left 20 ins x 24 ins; 50.8 cms x 61 cms

PROVENANCE:

Private Collection, British Columbia

$500 — 700

27

DON LI-LEGER (1948-2019)

RIDING THROUGH THE GARDEN acrylic on canvas unframed, signed lower right 24 ins x 24 ins; 61 cms x 61 cms

PROVENANCE: Hambleton Galleries, Kelowna, British Columbia $100 — 125

28

RAND HEIDINGER (B.1964)

GRAVITY #24 lacquer paint on polymer 30 ins x 36 ins; 76.2 cms x 91.4 cms

PROVENANCE: Mayberry Fine Art Private Collection, British Columbia $300 — 500

ROBERT CHARLES DAVIDSON (B. 1946) BUTTERFLY silkscreen signed and dated 86, numbered 94/100 from The Commissioner General’s Edition sight 11.5 ins x 13.5 ins; 29.2 cms x 34.3 cms

PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $300 — 500

30

FLOYD JOSEPH TYEE (B. 1953) MOON OF CHANGE silkscreen 61/180,

22 ins x

PROVENANCE: Private Collection, British Columbia $100 —

31

DOUGLAS MCINNES (1960-1999), INUVIK UNTITLED acrylic on canvas; signed lower right 36 x 24 in — 91.4 x 61 cm

PROVENANCE: Private Collection, British Columbia $500 — 700

32

NORVAL MORRISSEAU (1931-2007) GABE silkscreen unframed, 52/270 Sheet 19.25 ins x 15 ins; 48.9 cms x 38.1 cms

PROVENANCE: Private Collection, British Columbia $200 — 300

NORVAL MORRISSEAU (1931-2007)

BEAR WALKER SOCIETY silkscreen unframed, 206/220 sheet 23.5 ins x 19 ins; 59.7 cms x 48.3 cms

PROVENANCE:

Private Collection, British Columbia $300 — 500

34

SAUL WILLIAMS (B. 1954), ANISHINAABE (OJIBWE)

TWO WORKS: MOTHER’S LOVE AND SHAMAN CALLING, 1976 silkscreen; unframed 17/60, 44/50 sheet 30 x 22 in — 76.2 x 55.9 cm; sheet 15 x 20.9 in — 38 x 53 cm

PROVENANCE:

Private Collection, British Columbia $120 — 200

35

JOSH KAKEGAMIC (1952-1993), ANISHINAABE (OJIBWE)

TWO WORKS: THREE BIRDS, TURTLE (1974) silkscreen; unframed, 14/25,13/35 22.5 x 30 in — 57.2 x 76.2 cm; 22.5 x 30 in — 57.2 x 76.2 cm

PROVENANCE:

Private Collection, British Columbia $120 — 200

36

JOYCE KAKEGAMIC AND JOSH KAKEGAMIC, ANISHINAABE (OJIBWE)

TWO WORKS: LOON’S NOCTURNAL CRY, SKUNK (1977)

silkscreen; unframed, 5/68, 4/25 sheet 22 x 30 in — 55.9 x 76.2 cm; sheet 14.6 x 20.3 in — 37 x 51.5 cm

PROVENANCE:

Private Collection, British Columbia $100 — 200

BARRY PETERS (B. 1958)

TWO WORKS: WHO DO THEE WED(1976), ANIMAL SPIRIT (1977)

silkscreen; unframed, 14/27, 11/40 sheet 15 x 21 in — 38.1 x 53.3 cm; sheet 24.5 x 35 in — 62.2 x 88.9 cm

PROVENANCE:

Private Collection, British Columbia

$100 — 200

38

TRESHAM GREGG, SUE COLEMAN

ALL ONE SPIRIT, LOVE SPIRIT, ANIMAL SPIRITS, EAGLE

silkscreen and lithograph 147/850, 123/950, 98/100 sight 24.4 ins x 17.7 ins; 62 cms x 45 cms; sight 18.5 ins x 23.5 ins; 47 cms x 59.7 cms; sight 28.3 ins x 21.9 ins; 72 cms x 55.5 cms; sight 20.9 ins x 14.2 ins; 53 cms x 36 cms

PROVENANCE:

Private Collection, British Columbia

$150 — 250

GOO POOTOOGOOK (B. 1958)

THE FLOE EDGE pencil and felt drawing signed, titled and dated 2007 10.25 ins x 8.25 ins; 26 cms x 21 cms

PROVENANCE: Private Collection, British Columbia $100 — 200

40

THREE ENGRAVINGS: “A WOMAN OF NOOTKA SOUND”, “TETACÚ - JUAN DE FUCA” AND “MARIA - MOTHER OF TETACÚ”

These engravings are after drawings by John Webber comes from the official account of Cook’s third voyage “A Voyage to the Pacific Ocean”, published by Scatcherd and Whitaker in 1784. sight 12.2 x 9.8 in — 31 x 25 cm; sight 9.8 x 6.9 in — 25 x 17.5 cm

PROVENANCE: Ann and Bruce Howe, Vancouver B.C. $200 — 400

TWO ENGRAVINGS: “A VIEW OF THE HABITATIONS IN NOOTKA SOUND” AND “THE INSIDE OF A HOUSE IN NOOTKA SOUND”

These engravings after a drawing by John Webber comes from the official account of Cook’s third voyage, ‘A voyage to the Pacific Ocean’, published by Scatcherd and Whitaker in 1784.

Cook traveled to Nootka Sound (King George’s Sound), Vancouver Island, on the north-west coast of America between March 29-April 26th, 1778.

plates 8.5 x 14.5 in — 21.6 x 36.8 cm; plates 8.75 x 14.75 in — 22.2 x 37.5 cm

PROVENANCE:

Ann and Bruce Howe Collection, Vancouver B.C.

$200 — 400

42

BEN HOUSTIE (B. 1960)

EAGLE DANCER mix media signed, titled and dated 1998 7 ins x 10.25 ins; 17.8 cms x 26 cms

PROVENANCE:

Private Collection, British Columbia $100 — 125

44

MARK HENDERSON

KOMOKWA - KING OF THE UNDERSEA WORLD acrylic on paper signed, titled and dated 85 18.25 ins x 14.25 ins; 46.4 cms x 36.2 cms

PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver BC $100 — 200

45

DELMAR JOHNNIE SELETZE (1926-2012)

UNTITLED (DANCER) silkscreen signed and editioned 14/40 in roman numerals sight 17 ins x 13 ins; 43.2 cms x 33 cms

PROVENANCE:

Private Collection, British Columbia $80 — 100

JOHN NELSON, KWAKWAK’WAKW

KWAKWAKA’ WAKW LOON silkscreen; unframed, 1992, A/P 20.1 x 26.2 in — 51 x 66.5 cm

PROVENANCE:

Private Collection, British Columbia

$80 — 100

47

RICHARD HUNT (B. 1941), KWAKWAK’WAKW

CHILDREN’S HOSPITAL; A BIRDIE silkscreen; unframed, 1999, 10/200; unframed. 1999, 73/180 19.1 x 14 in — 48.5 x 35.5 cm; 48 x 45.5 in — 121.9 x 115.6 cm

PROVENANCE:

Private Collection, British Columbia

$150 — 200

T. JOSEPH, DARREN YELTON, TWO WOOD CARVINGS cedar, stain signed “T. Joseph”; signed “Darren Yelton Raven Chief Mask 19/83” 25 ins x 4.25 ins; 63.5 cms x 10.8 cms; 26 ins x 5.25 ins; 66 cms x 13.3 cms

PROVENANCE: Private Collection, British Columbia $100 — 125

49

NORTHWEST COAST PAINTED PADDLE AND TSONOQUA MASK (SIGNED T. MARKS)

wood, acrylic paint, horsehair mask signed indistinctly ‘Tina Marks’ 2010 45 ins x 5 ins; 114.3 cms x 12.7 cms; 10 ins x 4.5 ins x 5 ins; 25.4 cms x 11.4 cms x 12.7 cms

PROVENANCE: Private Collection, British Columbia $300 — 500

KARL HARRIS, COAST SALISH EAGLE VEST

melton wool, acrylic, abalone; large size 25.5 x 22 in — 64.8 x 55.9 cm

PROVENANCE:

Private Collection, British Columbia $80 — 100

51

UNIDENTIFIED ARTIST MASK cedar, acrylic; Inscribed “RH” verso 9.1 x 8.7 x 4.7 in — 23 x 22 x 12 cm

PROVENANCE:

Private Collection, WA, USA $50 — 100

DALE HORNE, TSIMSHIAN RAVEN

wood, acrylic paint, abalone, hair, leather; signed, titled and dated 12/7/99 9.8 x 7.1 x 4.7 in — 25 x 18 x 12 cm

PROVENANCE: Private Collection, WA, USA $50 — 100

53

UNIDENTIFIED ARTIST

TWO NORTHWEST COAST BASKETS cedar root, cedar bark 6.5 x 9.25 in — 16.5 x 23.5 cm; diameter 12.5 in — 31.8 cm

PROVENANCE:

Private Collection, British Columbia $80 — 100

UNIDENTIFIED ARTIST

THOMPSON RIVER SALISH BASKET

c. 1890 with centrally placed star motif, imbricated in red, white and black with a smaller star inside a larger star, 14 x 18 x 14 in — 35.6 x 45.7 x 35.6 cm

PROVENANCE:

Private Collection, British Columbia

$300 — 500

55

UNIDENTIFIED ARTIST

A LARGE CIRCULAR SALISH BASKET WITH RATTLE TOP LID

imbricated with two parallel zigzag chains composed of rectangles in red, white, black, arranged diagonally from base to rim, 13 x 10 x 10 in — 33 x 25.4 x 25.4 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 400

UNIDENTIFIED ARTIST

TWO SALISH BASKETS WITH LIDS circular and hexagonal lidded baskets imbricated with motifs, 8 x 9 x 9 in — 20.3 x 22.9 x 22.9 cm; 6 x 8.5 x 8 in — 15.2 x 21.6 x 20.3 cm

PROVENANCE:

Private Collection, British Columbia $300 — 500

57

UNIDENTIFIED ARTIST

TWO SALISH BASKETS one oval with an openwork effect and a circular basket with flaring walls., 6 x 13.5 x 8 in — 15.2 x 34.3 x 20.3 cm; 8 x 10 x 10 in — 20.3 x 25.4 x 25.4 cm

PROVENANCE:

Private Collection, British Columbia $200 — 400

TWO SALISH SERVING TRAYS

one tray in the shape of a half diamond imbricated with red, white and black diamonds on the sides of the basket; the other rectancular with handles and imbricated with beading, 4 x 25 x 14 in — 10.2 x 63.5 x 35.6 cm; 2.5 x 22.5 x 13 in — 6.4 x 57.2 x 33 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 400

59

UNIDENTIFIED ARTIST

TWO SALISH BASKETS

circular basket decorated wtih a chain of rectangles imbricated in red, black and white, placed in a zig zag around the wall of the basket; rectangle basket decorated with diamond motifs, 5.5 x 9 x 9 in — 14 x 22.9 x 22.9 cm; 4.5 x 9.5 x 5 in — 11.4 x 24.1 x 12.7 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 400

60

JIMMY KADYULIK (B. 1934), SALLUIT (SUGLUK)

CARIBOU HEAD stone, whalebone 13.8 x 5.3 x 8.7 in — 35 x 13.5 x 22 cm

PROVENANCE: Marion Scott Gallery, Vancouver $200 — 400

61

GEORGE KAMIDLAK (B. 1941), COPPERMINE / KUGLUKTUK

RESTING CARIBOU stone; signed indistinctly in roman 2.2 x 8.1 x 3.9 in — 5.5 x 20.5 x 10 cm

PROVENANCE: Marion Scott Gallery, Vancouver $100 — 200

ELI TIKEAYAK (1933-1996) AND JOY HALLAUK (1940-2000), KANGIQLINIQ (RANKIN INLET), ARVIAT (ESKIMO POINT)

TWO WORKS: WOMAN IN AMAUTI AND STANDING MAN stone; signed in syllabics 2.6 x 2.4 x 1.3 in — 6.5 x 6 x 3.3 cm; 3.5 x 1.8 x 1.1 in — 9 x 4.5 x 2.7 cm

PROVENANCE:

Marion Scott Gallery, Vancouver $100 — 200

63

MARTHA TIKTAQ ANAUTALIK (1928-1987), QAMANI’TUAQ (BAKER LAKE)

FIGURE stone 4.9 x 2.8 x 2.6 in — 12.5 x 7 x 6.5 cm

PROVENANCE:

Marion Scott Gallery, Vancouver $150 — 250

64

SIMON NIAQUNNAQ, TALOYOAK (SPENCE BAY)

MAN AND BIRD stone; signed in syllabics 4 x 3.5 x 3.5 in — 10.2 x 8.9 x 8.9 cm

PROVENANCE: Private Collection, Idaho $150 — 250

65

THOMASSIE KOWCHARLIE, KUUJJUARAAPIK (GREAT WHALE RIVER)

WOMAN stone; signed in syllabics 8 x 5.75 x 2 in — 20.3 x 14.6 x 5.1 cm

PROVENANCE: Private Collection, Idaho $100 — 150

KOOYOO POOTOOGOOK, KINNGAIT (CAPE DORSET)

BIRD stone; signed in Roman 8.5 x 12.0 in; 21.6 x 30.5 cm

PROVENANCE: Private Collection, Idaho $200 — 400

67

TOMMY TAKPANIE JR. (B. 1964), IQALUIT (FROBISHER BAY)

BIRD & NEST stone; signed in Roman 4 x 10 x 7.5 in — 10.2 x 25.4 x 19.1 cm

PROVENANCE:

Private Collection, Idaho

$200 — 400

68

MIKIGAK KINGWATSIAK (B. 1943), KINNGAIT (CAPE DORSET)

BIRD stone 5 x 7 x 3 in — 12.7 x 17.8 x 7.6 cm

PROVENANCE: Private Collection, Idaho $200 — 400

69

MARTHA KOONOO (B. 1939), MITTIMATALIK (POND INLET)

KNEELING FIGURE stone; signed in Roman 6.3 x 3.9 x 0.8 in — 16 x 10 x 2 cm

PROVENANCE: Ann and Bruce Howe Collection, Vancouver B.C. $100 — 150

JOSEPH SHUQSLAK (B. 1958), UQSUQTUUQ (GJOA HAVEN)

TOTEM antler, stone; signed in syllabics 7.5 x 3 x 2 in — 19.1 x 7.6 x 5.1 cm

PROVENANCE: Private Collection, Idaho $200 — 400

71

TUTUIYA QATSIYA (B. 1966), KINNGAIT (CAPE DORSET)

BIRD WITH OUTSTRETCHED WINGS stone; signed in syllabics 8.5 x 12.5 x 3 in — 21.6 x 31.8 x 7.6 cm

PROVENANCE: Private Collection, Idaho $300 — 500

LUCASSIE NOWRAKUDLUK (1912-1981), INUKJUAK (PORT HARRISON)

MAN HOLDING SLED stone; inscribed with disc number 8 x 4,25 x 3 in — 20.3 x 1079.5 x 7.6 cm

PROVENANCE:

Private Collection, British Columbia

$300 — 500

79

JOHNNY PETER, KINNGAIT (CAPE DORSET)

BIRD WITH OUTSTRETCHED FEET stone; signed in syllabics 11 x 10 x 2 in — 27.9 x 25.4 x 5.1 cm

PROVENANCE:

Private Collection, Idaho

$300 — 500

80

BIRT KIMIKSANA, ULUKHAKTOK (HOLMAN)

BIRD stone; signed in Roman 4

PROVENANCE: Private Collection, Idaho $100

200

81

DAVID KINGATOOK, TALOYOAK (SPENCE BAY)

FALCON stone

PROVENANCE: Private Collection, Idaho $100

140

LUCIE ANGALAKTE MAPSALAK (B. 1931), NAUJAAT (REPULSE BAY)

OWL

stone; inscribed with syllabics and dated 1978

8 x 5 x 5 in — 20.3 x 12.7 x 12.7 cm

PROVENANCE:

Private Collection, British Columbia

$300 — 500

83

PITSEOLAK ASHOONA (1904-1983) & SOROSILUTO ASHOONA (B. 1941), KINNGAIT (CAPE DORSET)

HUNTER & SEAL, FIRST ICE lithograph; unframed; both 1979, 4/50 11 x 8.3 in — 28 x 21 cm; 9.6 x 13.2 in — 24.5 x 33.5 cm

PROVENANCE:

Private Collection, Idaho

$200 — 300

84

KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET)

ATTENTIVE BIRDS lithograph; unframed; 1992, 42/50 20.1 x 26 in — 51 x 66 cm

PROVENANCE: Private Collection, Idaho $300 — 500

85

KINGMEATA ETIDLOOIE (1915-1989), KINNGAIT (CAPE DORSET)

TIMIAK, ECHALOOK PUIGEELU stonecut and stencil; unframed; 1978, 4/50 29 x 26 in — 73.7 x 66 cm

PROVENANCE: Private Collection, Idaho $200 — 400

NAPATCHIE POOTOOGOOK (1938-2002), KINNGAIT (CAPE DORSET)

FIRST POLICEMAN I SAW stonecut and stencil; unframed; 1978, 4/50 23 x 26.5 in — 58.4 x 67.3 cm

PROVENANCE: Private Collection, Idaho

$200 — 400

PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET)

WATCHING THE OWL FISHING stonecut and stencil; unframed; 1980, 4/50 20 x 25.5 in — 50.8 x 64.8 cm

PROVENANCE: Private Collection, Idaho $200 — 400

88

ULAYU PINGWARTOK (1904-1978), KINNGAIT (CAPE DORSET)

SHAMAN WITH OWL lithograph; unframed; 1979, 4/50 20.5 x 26 in — 52.1 x 66 cm

PROVENANCE: Private Collection, Idaho $200 — 300

89

MAGDALINE UKPATIKU (1931-1999), QAMANI’TUAQ (BAKER LAKE)

GIVING SPITS ON THE EVIL WOMAN stencil; unframed; 1979, 19/55 18.5 x 25.2 in — 47 x 64 cm

PROVENANCE: Private Collection, Idaho $200 — 300

TIVI ETOOK (B. 1929), GEORGE RIVER

SEALS ARE USEFUL TO INUIT stonecut; unframed; 1979, 41/50 17.9 x 15.4 in — 45.5 x 39 cm

PROVENANCE:

Private Collection, Idaho

$80 — 100

91

DAVIDIALUK ALASUA AMITTU (1910-1976), PUVIRNITUQ (POVUNGNITUK)

OWLS AT NIGHT stonecut; unframed; 1977, 30/40 21 x 29 in — 53.3 x 73.7 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 400

92

PETER PITSEOLAK (1902-1973), KINNGAIT (CAPE DORSET)

OWL ATTACKED BY DOGS stonecut; unframed; 1972, 17/50 16.5 x 24 in — 41.9 x 61 cm

PROVENANCE: Private Collection, British Columbia $200 — 400

93

TIVI PANINGAJAK (B. 1917), IVUJIVIK (NUNAVIK)

OTTER stonecut; unframed,;1974, 20/50 21.5 x 29 in — 54.6 x 73.7 cm

PROVENANCE: Private Collection, British Columbia $200 — 400

WILLIAM KAGUYT (B. 1919), ULUKHAKTOK (HOLMAN)

TRYING TO STOP A QUARREL stonecut; unframed; 1968, 17/51

18 x 24 in — 45.7 x 61 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 400

95

AGNES NANOGAK (1925-2001), ULUKHAKTOK (HOLMAN)

STRANGLED TO DEATH stonecut; unframed; 1969, 45/50 18 x 24 in — 45.7 x 61 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 400

96

JAMASIE TEEVEE (1910-1985), KINNGAIT (CAPE DORSET)

SPRING HUNT lithograph; unframed; 1979, 4/50 20.3 x 26.4 in — 51.5 x 67 cm

PROVENANCE: Private Collection, Idaho $200 — 400

97

PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET)

THE OWL AND HAPPY CHILDREN lithograph; unframed,;1979, 4/50 15.4 x 18.1 in — 39 x 46 cm

PROVENANCE: Private Collection, Idaho $100 — 150

KANANGINAK POOTOOGOOK (1935-2010), KINNGAIT (CAPE DORSET)

HIDDEN HUNTERS

stonecut and stencil; unframed; 1989, 16/50

21.7 x 26.4 in — 55 x 67 cm

PROVENANCE:

Private Collection, Idaho

$200 — 400

99

KAVAVAOW MANNOMEE (B. 1958), KINNGAIT (CAPE DORSET)

SEA DANCE

stonecut and stencil; unframed; 1994, 37/50

25 x 18.3 in — 63.5 x 46.5 cm

PROVENANCE:

Private Collection, Idaho

$400 — 600

100

KEELEEMEEOOMEE SAMUALIE (1919-1983), KINNGAIT (CAPE DORSET)

BUILDING THE WINTER CAMP lithograph; unframed; 1979, 4/50 20 x 26 in — 50.8 x 66 cm

PROVENANCE: Private Collection, Idaho $200 — 400

101

LEAH QUMALUK (1934-2010), PUVIRNITUQ (POVUNGNITUK)

WOMAN TRYING TO FEED HER YOUNG AT HOME stonecut; unframed; 1979, 48/50 15.7 x 24.7 in — 40 x 62.75 cm

PROVENANCE: Private Collection, Idaho $100 — 200

JAMASIE TEEVEE (1910-1985), KINNGAIT (CAPE DORSET)

YOUNG INUIT stonecut; unframed; 1978, 4/50 21.9 x 28 in — 55.5 x 71 cm

PROVENANCE: Private Collection, Idaho $200 — 400

103

KEELEEMEEOOMEE SAMUALIE (1919-1983), KINNGAIT (CAPE DORSET)

MOTHER AND YOUNG lithograph; unframed; 1979, 4/50 20.1 x 26.4 in — 51 x 67 cm

PROVENANCE: Pirvate Collection, Idaho $200 — 400

104

ECHALOOK GOO (1914-1989), KINNGAIT (CAPE DORSET)

HUNTER AND FAMILY stonecut and stencil; unframed; 1978, 4/50 22 x 28 in — 56 x 71 cm

PROVENANCE: Private Collection, Idaho $100 — 200

105

MAYUREAK ASHOONA (B. 1946), KINNGAIT (CAPE DORSET)

WALRUS AND BIRD stonecut and stencil; unframed; 1994, 47/50 24.4 x 29.9 in — 62 x 76 cm

PROVENANCE: Private Collection, Idaho $200 — 300

KANANGINAK POOTOOGOOK (1935-2010), KINNGAIT (CAPE DORSET)

MAKING SEALSKIN KAMIKS lithograph; unframed; 1987, 29/50 20.5 x 25.4 in — 52 x 64.5 cm

PROVENANCE:

Private Collection, Idaho $200 — 400

KANANGINAK POOTOOGOOK

R.C.A. (1935-2010), KINNGAIT (CAPE DORSET)

DANCE OF CELEBRATION stonecut and stencil; unframed; 1988, 33/50, sight 16.4 x 23.4 in — 41.75 x 59.5 cm

PROVENANCE: Private Collection, Idaho $200 — 400

108

TIVI ETOOK (B. 1929), GEORGE RIVER

CARIBOU WERE VERY USEFUL TO INUIT unframed;1979, 33/50 21.3 x 18.2 in — 54 x 46.25 cm

PROVENANCE: Private Collection, Idaho $80 — 100

109

LEVI QUMALUK (B. 1919), PUVIRNITUQ (POVUNGNITUK)

CAMP SCENE stonecut; unframed; 1980, 46/50 21.9 x 28.9 in — 55.5 x 73.5 cm

PROVENANCE: Private Collection, Idaho $100 — 200

IKAYUKTA TUNNILLIE (1911-1980), KINNGAIT (CAPE DORSET)

BIRD AND DRYING SEALSKINS lithograph; unframed; 1978, 4/50 26 x 19.5 in — 66 x 49.5 cm

PROVENANCE: Private Collection, Idaho $200 — 400

111

EGEVADLUQ RAGEE (1920-1983), KINNGAIT (CAPE DORSET)

OUR FIRST WOODEN HOME lithograph; unframed; 1979, 4/50 20.3 x 26.2 in — 51.5 x 66.5 cm

PROVENANCE: Private Collection, Idaho $150 — 200

ULAYU PINGWARTOK (1904-1978), KINNGAIT (CAPE DORSET)

NIKOLIVEK INGNISVEKLU stonecut; unframed; 1978, 4/50 24.8 x 33.9 in — 63 x 86 cm

PROVENANCE: Private Collection, Idaho $200 — 300

113

PITSEOLAK NIVIAQSI (1947-2015), KINNGAIT (CAPE DORSET)

KUUQAPIK (THE RIVER) lithograph; unframed; 1992, 31/50, sight 25.8 x 19.5 in — 65.5 x 49.5 cm

PROVENANCE: Private Collection, Idaho $300 — 500

EGEVADLUQ RAGEE (1920-1983), KINNGAIT (CAPE DORSET)

PLAYING UNDER A SPRING SKY stonecut and stencil; unframed; 1978, 4/50 24.4 x 30.3 in — 62 x 77 cm

PROVENANCE:

Private Collection, Idaho

$200 — 300

115

ECHALOOK GOO (1914-1989), KINNGAIT (CAPE DORSET)

INUIT

stonecut and stencil; unframed, 1981, 5/50 18.1 x 23.6 in — 46 x 60 cm

PROVENANCE:

Private Collection, Idaho, USA

$200 — 400

MARY PUDLAT (1923-2001), KINNGAIT (CAPE DORSET)

FISH WITH PITSEOLAK lithograph; unframed; 1979, 4/50 16.5 x 28.7 in — 42 x 73 cm

PROVENANCE: Private Collection, Idaho $100 — 150

117

EGEVADLUQ RAGEE (1920-1983), KINNGAIT (CAPE DORSET)

YOUNG FAMILY stonecut and stencil; unframed; 1978, 4/50 13.6 x 17.3 in — 34.5 x 44 cm

PROVENANCE: Private Collection, Idaho $150 — 200

PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET)

FRIGHTENED GOSLINGS stonecut and stencil; unframed; 1983, 48/100 30 x 22 in — 76.2 x 55.9 cm

PROVENANCE:

Private Collection, British Columbia $200 — 400

119

UNIDENTIFIED ARTIST

BIRD AND FISH print signed in syllabics, 1976, 4/AP sight 13.4 ins x 14 ins; 34 cms x 35.5 cms

PROVENANCE: Private Collection, British Columbia $80 — 100

120

KANANGINAK POOTOOGOOK (1935-2010), KINNGAIT (CAPE DORSET)

SIJAQUIAG stonecut and stencil; unframed; 1981, 5/50 21.9 x 28.7 in — 55.5 x 73 cm

PROVENANCE: Private Collection, Idaho $300 — 400

121

KANANGINAK POOTOOGOOK (1935-2010), KINNGAIT (CAPE DORSET)

EIDER DUCKS lithograph; unframed; 1978, 36/60 16.9 x 23 in — 43 x 58.5 cm

PROVENANCE: Private Collection, Idaho $200 — 300

TIVI ETOOK (INUIT, B. 1929), GEORGE RIVER

WOLF, OTTER & FISH stencil; 1978, 26/50 11.4 x 15.7 in — 29 x 40 cm

PROVENANCE:

Private Collection, Idaho $80 — 100

123

NINGEEUGA OSHUITOQ (1918-1980), KINNGAIT (CAPE DORSET)

PICTURE OF MY YOUTH stonecut and stencil; unframed; 1978, 4/50 22 x 28.3 in — 56 x 72 cm

PROVENANCE:

Private Collection, Idaho $200 — 400

DOROTHY FRANCIS (1923-2016)

CHILD OF THE ARCTIC, COLD ENOUGH FOR MITTENS, JUST A BIT SHY lithograph; all prints unframed, 1986, 86/295; 1985, 254/295;1987, 54/295 15.2 x 18.9 in — 38.5 x 48 cm; 49.5 x 64 in — 125.7 x 162.6 cm; 47 x 34 in — 119.4 x 86.4 cm

PROVENANCE: Private Collection, British Columbia $100 — 200

Selling at Waddington’sBuying at Waddington’s

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

PakShip 905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

waddington’s commission rates

Items selling for $7,501 or more 10%

Items selling for $2,501 to $7,500 15%

Items selling for $251 to $2,500 20%

Items selling for $250 or less 25%

*There is a minimum handling charge of $20 per item

canadian art department commission rates

Items selling for $7,501 or more 10%

Items selling for $2,501 to $7,500 15%

Items selling for $2,500 or less 20%

*There is a minimum handling charge of $100 per item insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale

1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 20% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:

(a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer;

(b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and

(c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s

275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca