Waddington’s West
bid and view all lots online at www.waddingtons.ca on view
Sunday, September 25 from 12pm to 4pm PT Monday, September 26 from 10am to 7pm PT Tuesday, September 27 from 10am to 5pm PT preview held at 343 Railway Street, Suite 101 Vancouver, BC, V6A 1A4 tel: 416-504-9100 toll free: 1-877-504-5700
clientspecialist,services vancouver Jacqui 778-837-4588jd@waddingtons.caDixon
front cover Lot 18 BEAU DICK KOMINA front inside cover Lot 3 GATHIE FALK NICE TABLE WITH PRAIRIE GENTIANS AND DETAILS TRIPTYCH
back inside cover Lot 19 FREDA DIESING MALE PORTRAIT MASK back cover Lot 16 JUDAS ULLULAQ DRUM DANCER
This catalogue and its contents © 2022 Waddington McLean & Company Ltd.
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
Photography & design by Waddington’s All Rights reserved.
FRED HERZOG (1930-2019)
NORTH VANCOUVER gelatin silver print signed and dated 1958 image 14.25 ins x 18.5 ins; 36.2 cms x 47 cms
PROVENANCE: Private Collection, British Columbia $2,000 — 3,000
2
GORDON SMITH (1919-2020) UNTITLED (ROCK FACE SERIES) acrylic on canvas signed lower right, inscribed “Maria for your work (special Canadian writer) in appreciation - Marion and Gordon” verso 38 ins x 28 ins; 96.5 cms x 71.1 cms
PROVENANCE: Private Collection, British Columbia $12,000 — 15,000
GATHIE FALK (B.1928)
NICE TABLE WITH PRAIRIE GENTIANS AND DETAILS TRIPTYCH oil on signedcanvasanddated 95 lower right; titled overallverso measurements 48 ins x 89 ins; 121.9 cms x 226.1 cms
PROVENANCE: Equinox Gallery, Vancouver, BC; Private Collection, British Columbia $10,000 — 15,000
4
GREG MURDOCK (B.1954)
LAKE LIGHT, 2005 mixed media on board signed, titled and dated verso 18 ins x 18 ins; 45.7 cms x 45.7 cms
PROVENANCE: Equinox Gallery, Vancouver, BC; Private Collection, British Columbia $1,000 — 1,500
DOROTHY KNOWLES (B.1927), CANADIAN
VIEWS OF THE QU’APPELLE VALLEY, ROCKS ON THE LAKESHORE, 1963 oil on canvas; signed and dated lower right; signed, titled and dated verso 40 ins x 50 ins; 101.6 cms x 127 cms
PROVENANCE: Private Collection, British Columbia $6,000 — 8,000
6
ROBERT GENN (1936-2014)
ICE ON GEORGIAN BAY II OCTOBER oil on signedcanvaslower right; signed, titled verso 12 ins x 16 ins; 30.5 cms x 40.6 cms
PROVENANCE: Private Collection, British Columbia $1,500 — 2,500
ROBERT GENN (1936-2014)
MORNING, LOW TIDE oil on signedboardlower right; signed and titled verso 8 ins x 10 ins; 20.3 cms x 25.4 cms
PROVENANCE: Art Emporium, Vancouver, BC; Estate of Ann and Bruce Iver Howe, Vancouver, BC $800 — 1,200
8
ROBERT GENN (1936-2014)
SALAL JOE OF BARKLEY SOUND oil on signedcanvaslower right; signed and titled verso 24 ins x 30 ins; 61 cms x 76.2 cms
PROVENANCE: Private Collection, British Columbia $2,000 — 3,000
JACK BEDER (1910-1987)
PEAKS IN THE HAZE (JASPER NATIONAL PARK), 1970 oil on signedboardlower right; signed, titled and dated 8versoinsx 10 ins; 20.3 cms x 25.4 cms
PROVENANCE: Jack Beder Estate, St. Catherines, ON; Private Collection, British Columbia $700 — 900
10
JACK BEDER (1910-1987)
MOUNT EDITH CAVELL, (JASPER NATIONAL PARK), 1970 oil on unframed;boardsigned lower left; signed, dated and titled verso 13.75 ins x 10 ins; 34.9 cms x 25.4 cms
PROVENANCE:
Jack Beder Estate, St. Catherines, ON; Private Collection, British Columbia $1,000 — 1,200
11
ALEX JANVIER (B.1935) PINK PONY, 1991 oil on signedlinenupper right 24 ins x 30 ins; 61 cms x 76.2 cms
PROVENANCE: Private Collection, British Columbia $7,000 — 9,000
12
GATHIE FALK (B.1928) VANCOUVER TALK Commissionersilkscreen General’s Edition, 1986, sight94/10011.4 ins x 13.4 ins; 29 cms x 34 cms
PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $400 — 600
ABRAHAM APAKARK ANGHIK (B.1951), PAULATUK
SPIRIT SHAMAN AND ANIMALS
24stonex12 x 10.5 in — 152.4 x 30.5 x 20.3 cm
PROVENANCE: Private Collection, Idaho, USA $6,000 — 8,000
16
JUDAS ULLULAQ (1937-1999), UQSUQTUUQ (GJOA HAVEN)
DRUM DANCER stone, antler, sinew, leather; signed in 15syllabicsx12x7 in — 38.1 x 30.5 x 17.8 cm
PROVENANCE: Private Collection, Idaho, USA $4,000 — 6,000
DAVID RUBEN PIQTOUKUN (B.1950), PAULATUK
TRANSFORMATION PIECE (HALF MAN/ HALF BIRD)
stone; signed and dated 1989 22 x 4 x 7 in — 55.9 x 10.2 x 17.8 cm
PROVENANCE: Private Collection, Idaho, USA $3,000 — 5,000
18 BEAU DICK KWAKWAKA’WAKW(1955-2017), KOMINA
cedar, horsehair, copper, acrylic paint; ca. early 2000s signed and titled overall dimensions 45 x 37 x 13 in — 76.2 x 80 x 33 cm
PROVENANCE: Private Collection, British Columbia $30,000 — 35,000
FREDA DIESING (1925-2002)
MALE PORTRAIT MASK
signed, titled and dated 1975, overall dimensions 14 x 9 x 4.5 in — 35.6 x 22.9 x 11.4 cm
PROVENANCE: Acquired directly from the artist in 1975 to the current Private Collection, Victoria, BC $25,000 — 30,000
20 BEAU DICK KWAKWAKA’WAKW(1955-2017),
YO-LA WIND MASK
cedar, acrylic paint, cedar bark, feathers; signed and titled verso overall dimensions 22.4 x 12.2 x 7.5 in — 57 x 31 x 19 cm
PROVENANCE: Private Collection, British Columbia $15,000 — 20,000
ROBERT CHARLES DAVIDSON (B.1946) EAGLE OF THE DAWN (G_UUD SANS GLANS) DANCE MASK, 1992 acrylic paint on paper mache, operculum shell, human and cedar bark; signed and dated 1992, 6/6 not including hair 12 10 30.5
PROVENANCE: Robert & Dorothy Davidson Private AcquiredCollection;directly from the artist by present Private Collection, British Columbia $30,000 — 40,000
22
ROBERT CHARLES DAVIDSON (B.1946), HAIDA SILVER BRACELET WITH SEA BEAR DESIGN, 1970 sterling silver and dated
PROVENANCE: Private Collection, British Columbia $20,000 — 30,000
SIMON DICK (B.1951), BEAU DICK (B.1955-2017), EUGENE ISAAC (B.1958) AND OZZIE WADHAMS (B.1958)
MAQUETTE FOR LONGHOUSE AND THUNDERBIRD STRUCTURE FOR EXPO 86 cedar, acrylic paint signed by all four artists and dated 86
15.7versoins x 18.9 ins x 10.2 ins; 40 cms x 48 cms x 26 cms
PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $2,000 — 2,500
24
BEAU DICK (1955-2017)
CARVED BENTWOOD BOX yellow cedar, acrylic paint
6.5signedins x 7.7 ins x 5.3 ins; 16.5 cms x 19.5 cms x 13.5 cms
PROVENANCE: Private Collection, British Columbia $1,500 — 2,000
RED CEDAR CHIEF’S STORAGE BOX WITH SISIUTL MOTIF MADE BY A CARVER OF THE NISGA’A NATION, 1952
cedar, acrylic paint 12.25 x 28.75 x 15.25 in — 31.1 x 73 x 38.7 cm
PROVENANCE: Private Collection, British Columbia $600 — 900
26
ROY JAMES HANUSE (B.1943)
CARVED TALKING STICK
signedcedar
R.J. Hanuse and dated 1972 51 ins x 1.75 ins x 1.75 ins; 129.5 cms x 4.4 cms x 4.4 cms
PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $600 — 900
ELSIE JOHN NUU-CHAH-NULTH(B.1961),
PETRIFIED WHALEBONE CARVING WTIH WHALE SPIRIT AND HUMAN DESIGN petrified whalebone, wood, copper, 26.4lacquerx16.9 x 15 in — 67 x 43 x 38 cm
PROVENANCE: Private Collection, British Columbia $1,000 — 1,500
28
LYLE WILSON (B.1955), HAISLA CEDAR PANEL cedar; signed 24 x 24 x 3.1 in — 61 x 61 x 8 cm
PROVENANCE: Private Collection, British Columbia $500 — 700
ALAN WEIR (B.1981), HAIDA
CHILKAT CLAPPER (NOISE MAKER) wood, acrylic paint, leather; signed and dated 2019 14.5 x 3 x .5 in — 36.8 x 7.6 x 1.3 cm
PROVENANCE: Eagle Spirit Gallery, Vancouver, BC $500 — 700
30
ROBERT WHONNOCK
TWO MASKS: BUKWUS AND KOMOKWA one signed, the other signed indistinctly, 7.5 x 7.2 x 5.5 in — 19 x 18.2 x 14 cm; 8.5 x 7 x 5.7 in — 21.5 x 17.7 x 14.5 cm
PROVENANCE: Private Collection, British Columbia $400 — 600
EAGLE MASK
red cedar, cedar bark, acrylic paint, abalone; signed overall 16.1 x 9.1 x 7.5 in — 41 x 23 x 19 cm
PROVENANCE: Private Collection, British Columbia $400 — 600
32 UNIDENTIFIED ARTIST
CARVED SALISH WOODEN MODEL TOTEM wood; ca. 1940s 18 x 13.25 x 5 in — 45.7 x 33.7 x 12.7 cm
PROVENANCE: Private Collection, British Columbia $200 — 400
GREG LIGHTBROWN (B.1953) STRONGMAN
argillite, abalone signed and inscribed ‘Su-San’ Strongman
2versoinsx 4 ins x 1.5 ins; 5.1 cms x 10.2 cms x 3.8 cms
PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $200 — 400
34
RON LAROCHELLE, (1949-2020), HAIDA
MELTON WOOL VEST wool, abalone 29 x 28 in — 73.7 x 71.1 cm
PROVENANCE: Private Collection, British Columbia $100 — 200
35
BILL RONALD REID (1920-1998), HAIDA DOGFISH - XAXADA silkscreen; 1972, 176/450 Sight 23.4 x 17.7 in — 59.5 x 45 cm
PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $800 — 1,200
36
ROBERT CHARLES DAVIDSON (B.1948), HAIDA HUMAN silkscreen; 1971, 86/137 24.4 x 10.4 in — 62 x 26.5 cm
PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $500 — 700
ROBERT CHARLES DAVIDSON (B.1946), HAIDA
FEATHER DESIGN #4, 1972
20.7silkscreenx6.5in — 52.5 x 16.5 cm
PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC
$300 — 500
38
ROBERT CHARLES DAVIDSON (B.1948), HAIDA
FEATHER DESIGN #1, 1972
Sightsilkscreen20.7 x 6.5 in — 52.5 x 16.5 cm
PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $300 — 500
NORMAN TAIT (1941-2016), NISGA’A RAVEN
silkscreen; 1977, 74/150 Sight 13.25 x 9.75 in — 33.7 x 24.8 cm
PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $100 — 125
40
PATRICK SAMUEL MCGUIRE (1943-1970), HAIDA
TWO WORKS
watercolour and ink; signed and dated 69 15.7 x 12 in — 40 x 30.5 cm; 12 x 9 in — 30.5 x 22.9 cm
PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $300 — 500
ABRAHAM APAKARK ANGHIK (B.1951), PAULATUK
BEAR SHAMAN stone; signed in Roman and dated 1999 16 x 10.5 x 8 in — 40.6 x 26.7 x 20.3 cm
PROVENANCE: Private Collection, Idaho, USA $1,000 — 1,500
42
NUNA PARR (B.1949), KINNGAIT (CAPE DORSET)
GROWLING POLAR BEAR stone, antler; signed in Roman 10 x 14 x 6 in — 25.4 x 35.6 x 15.2 cm
PROVENANCE: Private Collection, British Columbia $3,000 — 5,000
GEORGE ARLUK (B.1949), ARVIAT (ESKIMO POINT)
COMPOSITION OF FIGURES
12stonex17 x 5.5 in — 30.5 x 43.2 x 14 cm
PROVENANCE: George R. Dinney Collection, Victoria, BC (formerly Winnipeg, MB)
$1,000 — 1,500
44
KAROO ASHEVAK (1940-1974), TALOYOAK (SPENCE BAY)
WALRUS
whalebone, antler; signed 9 x 11 x 13 in — 22.9 x 27.9 x 33 cm
PROVENANCE:
The Upstairs Gallery, Winnipeg, MB; Collection of George R. Dinney, Victoria, BC (formerly Winnipeg, MB)
$4,000 — 6,000
OVILOO TUNNILLIE, R.C.A. (1949-2014), KINNGAIT (CAPE DORSET)
TORSO stone; signed in syllabics 7 x 2.75 x 2 in — 17.8 x 7 x 5.1 cm
PROVENANCE: Fehely Fine Arts, Toronto, ON; Private Collection, British Columbia $600 — 900
46
TUNA IQULIQ QAMANI’TUAQ(1935-2015),(BAKERLAKE)
COMPOSITION WITH FACES AND BIRDS
stone; signed in syllabics 13 x 9 x 3 in — 33 x 22.9 x 7.6 cm
PROVENANCE: Private Collection, Idaho, USA $500 — 700
JOHNNY INUKPUK (1911-2007), INUKJUAK (PORT HARRISON)
MOTHER AND CHILD stone; signed in syllabics 12 x 7.5 x 5.5 in — 30.5 x 19 x 14 cm
PROVENANCE: Private Collection, British Columbia $600 — 900
48
DAVID IKUTAAQ (1929-1984), QAMANI’TUAQ (BAKER LAKE)
MOTHER AND CHILD stone; signed in syllabics 5.25 x 6.5 x 6 in — 13.3 x 16.5 x 15.2 cm
PROVENANCE: George R. Dinney Collection, Victoria, BC (formerly Winnipeg, MB) $500 — 700
JOHN PANGNARK (1920-1980), ARVIAT (ESKIMO POINT)
KNEELING WOMAN IN AMAUTIQ stone; ca 1970-72 4.1 x 2.8 x 4.7 in — 10.3 x 7 x 12 cm
PROVENANCE: George R. Dinney Collection, Victoria, BC (formerly Winnipeg, MB) $2,000 — 4,000
50
DAVIDIALUK ALASUA AMITTU (1910-1976), (POVUNGNITUK)PUVIRNITUQ
FISH IN NET stone; signed in syllabics 3.75 x 10 x 2.5 in — 9.5 x 25.4 x 6.4 cm
PROVENANCE: George R. Dinney Collection, Victoria, BC (formerly Winnipeg, MB) $500 — 700
DAVIDIALUK ALASUA AMITTU (1910-1976), (POVUNGNITUK)PUVIRNITUQ
HUNTER AND BEAR
stone; signed in syllabics
3 x 6 x 9 in — 7.6 x 15.2 x 22.9 cm
PROVENANCE: George R. Dinney Collection, Victoria, BC (formerly Winnipeg, MB)
$600 — 900
52
ANDY MIKI (1918-1983), ARVIAT (ESKIMO POINT)
ANIMAL
stone; signed in syllabics
2 x 4.5 x .75 in — 5.1 x 11.4 x 1.9 cm
PROVENANCE: Vancouver Art Gallery, Vancouver BC; Private Collection, British Columbia
$1,000 — 1,500
LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT)
FAMILY
5.1stonex4 x 4.5 in — 13 x 7,2 x 3.8 cm
PROVENANCE: George R. Dinney Collection, Victoria, BC (formerly Winnipeg, BC) $500 — 700 54
JOHN PANGNARK (1920-1980), ARVIAT (ESKIMO POINT)
WOMAN IN AMAUTIQ stone; ca.1970-75 3.5 x 1.2 x 2.7 in — 9 x 3 x 6.8 cm
PROVENANCE: George R. Dinney Collection, British Columbia (formerly Winnipeg, MB) $1,000 — 1,500
55
LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT)
EMERGING FACES
3stonex1x 2 in — 7.6 x 2.6 x 5 cm
PROVENANCE: George R. Dinney Collection, Victoria, BC $300 — 500
56
LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT)
EMERGING FACES
6.1stonex2.6 x 3.9 in — 15.4 x 6.5 x 10 cm
PROVENANCE: George R. Dinney Collection, Victoria, BC $500 — 700
JONASIE QUARQORTOK FABER (B.1944), GREENLAND
MUSK OX stone; signed in Roman 12 x 21 x 9 in — 30.5 x 53.3 x 22.9 cm
PROVENANCE: Private Collection, Idaho, USA $800 — 1,200
58
JONASIE QUARQORTOK FABER (B.1944), GREENLAND
MUSK OX HERDING stone; signed 3.5 x 10 x 13.5 in — 8.9 x 25.4 x 34.3 cm
PROVENANCE: Private Collection, Idaho, USA $500 — 700
KANANGINAK POOTOOGOOK (1935-2010), KINNGAIT (CAPE DORSET) OWL
5.75stonex 7 x 3.25 in — 14.6 x 17.8 x 8.3 cm
PROVENANCE: George R. Dinney Collection, Victoria, BC $500 — 700
60
ABRAHAM APAKARK ANGHIK (B.1950), PAULATUK SPIRIT MASK stone, metal; signed in Roman, 1999 18 x 14 x 4.5 in — 45.7 x 35.6 x 11.4 cm
PROVENANCE: Private Collection, Idaho, USA $1,000 — 1,500
UNIDENTIFIED ARTIST
WALRUS
PROVENANCE: Private Collection, British
62
PITALOOSIE SAILA (1942-2021), KINNGAIT (CAPE DORSET) BIRD OF SARGO stonecut; 1972, 35/50 Sight 20.5 x 22.8 in — 52 x 58 cm
PROVENANCE: Collection of Dr. James Colwill, Victoria, BC $1,000 — 2,000
KENOJUAK ASHEVAK (1927-2013) INTO THE LIGHT etching and aquatint 1999, sheetunframed83/10030.75ins x 38.5 ins; 78.1 cms x 97.8 cms
PROVENANCE: Private Collection, Idaho, USA $3,000 — 5,000
64
KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET) THE HARBINGER stonecut and stencil; 1993, 28/50 Sight 26 x 31 x 1.5 in — 47.3 x 59.5 x 0 cm;
PROVENANCE: Private Collection, Idaho, USA $500 — 700
PUDLO PUDLAT (1916-1992)
NEW HORIZONS
stonecut and stencil 1987, 29/50
Sight 17.25 ins x 25.25 ins; 43.8 cms x 64.1 cms
PROVENANCE: Private Collection, Idaho, USA $400 — 600
66
SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE)
THINKING OF ANIMALS
stonecut and stencil; 1979, 19/50
Sight 25 x 31.5 x 1.75 in — 46 x 63.7 x 0 cm;
PROVENANCE: Private Collection, Idaho, USA $300 — 500
67
MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY)
BUST
PROVENANCE: of James Colwill,
68
MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY)
PROVENANCE: of James Colwill, Victoria, —
75
SAMUEL NAHAULAITUQ (1923-1999), TALOYOAK (SPENCE BAY)
FLYING SHAMAN whalebone, antler; signed in syllabics x 4.1 x 1.2 in — 11 x 10.5 x 3 cm
PROVENANCE: Collection of Dr. James Colwill, Victoria, BC $200 — 400
76
MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY)
FISHING SCENE ivory, stone; signed in syllabics 3.5 x 5.5 x 5.5 in — 9 x 14 x 14 cm
PROVENANCE: Dr. James Colwill Collection, Victoria, BC $400 — 600
NICK SIKKUARK (1943-2013), KUGAARUK (PELLY BAY)
SWIMMING SHAMAN bone, antler, fur; signed in syllabics 3.9 x 5.7 x 2 in — 10 x 14.6 x 5 cm
PROVENANCE: Private Collection, British Columbia $800 — 1,200 VICTORIA (BAKER(1930-2016),MAMNGUQSUALUKQAMANI’TUAQLAKE)
WALL HANGING stroud, thread, embroidery floss 27 x 28.5 in — 68.6 x 72.4 cm
PROVENANCE: Private Collection, British Columbia $1,000 — 1,500
MARJORIE AGULUVAK (1941-2010), QAMANI’TUAQ (BAKER LAKE)
TRANSFORMATION
stroud, thread, embroidery floss; signed 35.5 x 38 in — 90.2 x 96.5 cm
PROVENANCE: Private Collection, Idaho, USA $500 — 700
86
MARJORIE AGULUVAK (1941-2010), QAMANI’TUAQ (BAKER LAKE)
FACES
stroud, thread, embroidery floss; signed 26 x 28 in — 66 x 71.1 cm
PROVENANCE: Private Collection, Idaho, USA $500 — 700
UNIDENTIFIED ARTIST
WALL HANGING
PROVENANCE: Private Collection, British Columbia $400 —
UNIDENTIFIED ARTIST
WALL HANGING x 87 cms x 144.8
PROVENANCE: Private Collection, British Columbia $300 —
UNIDENTIFIED ARTIST
WALL HANGING
stroud, thread, embroidery floss; signed 32 x 20 in — 81.3 x 50.8 cm
PROVENANCE: Private Collection, British Columbia $400 — 600
90
VERONICA KADJUAK MANILAK (B.1935), KANGIQLINIQ (RANKIN INLET)
ARCTIC ANIMALS
stroud, thread, embroidery floss; signed 33.5 x 27 in — 85.1 x 68.6 cm
PROVENANCE: Private Collection, Idaho, USA $400 — 600
VERONICA KADJUAK MANILAK (B.1935), KANGIQLINIQ (RANKIN INLET) ARCTIC LIFE stroud, thread, embroidery floss; signed 26 x 19.25 in — 66 x 48.9 cm
PROVENANCE: Private Collection, Idaho, USA $300 — 500
92
PETER SEVOGA (1940-2007), QAMANI’TUAQ (BAKER LAKE) HANDSTAND AND OPPOSING FACE stone; signed in syllabics 10.6 x 5.5 x 4.7 in — 27 x 14 x 12 cm
PROVENANCE: Private Collection, British Columbia $300 — 500
JONASIE QUARQORTOK FABER (B.1944), GREENLAND
SPIRIT MASK
stone, metal, bead; signed in Roman 16 x 9 x 5 in — 40.6 x 22.9 x 12.7 cm
PROVENANCE: Private Collection, Idaho, USA $700 — 900 94
JOHNASSIE SALA, SANIKILUAQ (BELCHER ISLANDS)
DOG stone; signed in Roman 6.5 x 2.25 x 8 in — 16.5 x 5.7 x 20.3 cm
PROVENANCE: Private Collection, Idaho, USA $300 — 500
95
MAUDIE RACHEL OKITTUQ (B.1944), TALOYOAK (SPENCE BAY)
SPIRITUAL BIRDS, 2000 stone, antler
8 x 8 x 6 in — 20.3 x 20.3 x 15.2 cm
PROVENANCE: Private Collection, Idaho, USA $300 — 500
96
SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE) COMMUNITY stone; signed in syllabics
PROVENANCE: Private Collection. Idaho, USA $300 — 500
THOMASSIE PUVIRNITUQTOOKALOOK,(POVUNGNITUK)
LOON 3.5stonex10.5 x 2 in — 8.9 x 26.7 x 5.1 cm
PROVENANCE: Private Collection, Idaho, USA $100 — 200
98
EDDIE OLEEKATALIK, TALOYOAK (SPENCE BAY)
TWO HUNTERS stone, wood, sinew; signed 9.5 x 7 x 2.5 in — 24.1 x 17.8 x 6.4 cm; 7 x 8 x 2.5 in — 17.8 x 20.3 x 6.4 cm
PROVENANCE: Private Collection, Idaho, USA $300 — 500
ELISAPEE ISHULUTAQ (1925-2018), IQALUIT (FROBISHER BAY)
DOG SLED TEAM
stone, antler, sinew, fur 4.5 x 20 x 8.5 in — 11.4 x 50.8 x 21.6 cm
PROVENANCE: Private Collection, Idaho, USA $300 — 500
100
BOBBY KONANA, UQSUQTUUQ (GJOA HAVEN)
MAN WITH ROPE stone, hide 13 x 8 x 5 in — 33 x 20.3 x 12.7 cm
PROVENANCE: Private Collection, Idaho, USA $600 — 900
SIMON UTTAQ, UQSUQTUUQ (GJOA HAVEN)
HUNTER antler, sinew; in syllabics, x 5 in — 27.9 x 16.5 x 12.7 cm
PROVENANCE: Private Collection, Idaho, USA $400 — 600
LOUIE ARNAYUIRNAAQ (B.1968) 2 ins x 3.75 6.4 cms x 5.1 cms x 9.5 cms
PROVENANCE: Private Collection, British Columbia $200 — 300
103
IOLA ABRAHAM IKKIDLUAK (1936-2003), KIMMIRUT (LAKE HARBOUR)
DANCING BEAR stone; signed in syllabics and dated 1999 13 x 10 x 6 in — 33 x 25.4 x 15.2 cm
PROVENANCE: Private Collection, Idaho. $600 — 900
104
DAVIDEE NASTAPOKA (B.1945), INUKJUAK (PORT HARRISON) HUNTER CARRYING WALRUS
18.5stonex 8.7 x 6.7 in — 47 x 22 x 17 cm
PROVENANCE: Private Collection, British Columbia $600 — 900
POOTOOGOOK
PROVENANCE: ANOWTALIK (1932-2006),
PROVENANCE:
KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET)
FRIGHTENED FLIGHT stonecut; 1986, 10/50
Sight 31.5 x 32 x 1 in — 55.4 x 58 x 2.5 cm
PROVENANCE: Private Collection, Idaho, USA $400 — 600
112
PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET)
WOMEN COLLECTING KELP stonecut; 1967, 26/50
Sight 17.7 x 23.6 in — 45 x 60 cm
PROVENANCE: Collection of George R. Dinney, Victoria, BC $500 — 700
PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET)
SEAMAID WITH WALRUS stonecut; 1969, 33/50 Sight 14.5 x 19.25 in — 36.8 x 48.9 cm
PROVENANCE: Collection of George R. Dinney, Victoria, BC $200 — 400
114
PITALOOSIE SAILA (1942-2021), KINNGAIT (CAPE DORSET)
FISHERWOMAN stonecut; 1968, 35/50 15 x 21.5 in — 38.1 x 54.6 cm
PROVENANCE: Collection of George R. Dinney, Victoria, BC $200 — 400
KANANGINAK POOTOOGOOK (1935-2010), KINNGAIT (CAPE DORSET)
STRETCHING KAMIKS
lithograph; 1987, 29/50
Sight 34.5 x 29 x 1.25 in — 63 x 48 x 0 cm;
PROVENANCE: Private Collection, Idaho, USA $300 — 500
116
PITALOOSIE SAILA, R.C.A. (1942-2021), KINNGAIT (CAPE DORSET)
TRANSFORMATION
stonecut and stencil; 1986, 10/50
Sight 24 x 30.7 in — 61 x 78 cm
PROVENANCE: Private Collection, Idaho, USA $800 — 1,200
LUCY QINNUAYUAK (1915-1982), KINNGAIT (CAPE DORSET)
TALELAYOU, GIANT BIRDS AND MEN stonecut and stencil; unframed, 1981, 5/50 23.8 x 33.5 in — 60.5 x 85 cm
PROVENANCE: Private Collection, Idaho, USA $400 — 600
118
KANANGINAK POOTOOGOOK (1935-2010), KINNGAIT (CAPE DORSET) YOUNG WALRUS lithograph; unframed, 4/60 12.8 x 18.1 in — 32.5 x 46 cm
PROVENANCE: Private Collection, Idaho, USA $200 — 300
KANANGINAK POOTOOGOOK (1935-2010), KINNGAIT (CAPE DORSET)
A BIG CATCH
stonecut and stencil; unframed, 1988, Sight33/5020.1 x 26.6 in — 51 x 67.5 cm
PROVENANCE: Private Collection, Idaho, USA $300 — 500
120
JANET KIGUSIUQ (1926-2005), QAMANI’TUAQ (BAKER LAKE)
THE RAVEN PROTECTS HER linocut, stencil; unframed includes mat, 1979, 19/45
Sight 22.8 x 31.7 in — 58 x 80.5 cm
PROVENANCE: Private Collection, Idaho. $200 — 400
Selling at Waddington’sat Waddington’s
All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
condition of lots
All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.
Frames on artwork are not included as part of purchase or condition.
buyers premium
A premium of 20% of the successful bid price of each lot.
A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
payment
Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).
ALL PRICES IN CANADIAN FUNDS
bidding
The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
shipping
The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:
PakShip 905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca
Safer Shipping Inc. 416-299-3367 / perry@safershipping.ca416-299-9750/www.safershipping.ca
removal of purchases
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
cites
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.
All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.
For more information please visit: www.cites.org
waddington’s commission rates
Items selling for $7,501 or more 10%
Items selling for $2,501 to $7,500 15%
Items selling for $251 to $2,500 20%
Items selling for $250 or less 25%
*There is a minimum handling charge of $20 per item
canadian art department commission rates
Items selling for $7,501 or more 10%
Items selling for $2,501 to $7,500 15%
Items selling for $2,500 or less 20%
*There is a minimum handling charge of $20 per item insurance
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
auction advice
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to
Forconsider.collections
with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at
Ourwww.waddingtons.ca.officesarelocated in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).
Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
Conditions of Sale
1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid
2.accordingly.Eachlot
sold is subject to a 20% buyers premium as part of the purchase price.
3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).
4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.
6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.
7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.
8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.
9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.
10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.
11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14
days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.
12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to 13.$25,000).Inthe
event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:
(a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer;
(b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.
14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.
15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).
16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.