Waddington's West | September 24 - 29, 2022

Page 1

Waddington’s West

SEPTEMBER 24 — 29, 2022

Waddington’s West

SEPTEMBER 24 — 29, 2022

bid and view all lots online at www.waddingtons.ca on view

Sunday, September 25 from 12pm to 4pm PT Monday, September 26 from 10am to 7pm PT Tuesday, September 27 from 10am to 5pm PT preview held at 343 Railway Street, Suite 101 Vancouver, BC, V6A 1A4 tel: 416-504-9100 toll free: 1-877-504-5700

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front cover Lot 18 BEAU DICK KOMINA front inside cover Lot 3 GATHIE FALK NICE TABLE WITH PRAIRIE GENTIANS AND DETAILS TRIPTYCH

back inside cover Lot 19 FREDA DIESING MALE PORTRAIT MASK back cover Lot 16 JUDAS ULLULAQ DRUM DANCER

This catalogue and its contents © 2022 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.

FRED HERZOG (1930-2019)

NORTH VANCOUVER gelatin silver print signed and dated 1958 image 14.25 ins x 18.5 ins; 36.2 cms x 47 cms

PROVENANCE: Private Collection, British Columbia $2,000 — 3,000

2

GORDON SMITH (1919-2020) UNTITLED (ROCK FACE SERIES) acrylic on canvas signed lower right, inscribed “Maria for your work (special Canadian writer) in appreciation - Marion and Gordon” verso 38 ins x 28 ins; 96.5 cms x 71.1 cms

PROVENANCE: Private Collection, British Columbia $12,000 — 15,000

1

GATHIE FALK (B.1928)

NICE TABLE WITH PRAIRIE GENTIANS AND DETAILS TRIPTYCH oil on signedcanvasanddated 95 lower right; titled overallverso measurements 48 ins x 89 ins; 121.9 cms x 226.1 cms

PROVENANCE: Equinox Gallery, Vancouver, BC; Private Collection, British Columbia $10,000 — 15,000

4

GREG MURDOCK (B.1954)

LAKE LIGHT, 2005 mixed media on board signed, titled and dated verso 18 ins x 18 ins; 45.7 cms x 45.7 cms

PROVENANCE: Equinox Gallery, Vancouver, BC; Private Collection, British Columbia $1,000 — 1,500

3

DOROTHY KNOWLES (B.1927), CANADIAN

VIEWS OF THE QU’APPELLE VALLEY, ROCKS ON THE LAKESHORE, 1963 oil on canvas; signed and dated lower right; signed, titled and dated verso 40 ins x 50 ins; 101.6 cms x 127 cms

PROVENANCE: Private Collection, British Columbia $6,000 — 8,000

6

ROBERT GENN (1936-2014)

ICE ON GEORGIAN BAY II OCTOBER oil on signedcanvaslower right; signed, titled verso 12 ins x 16 ins; 30.5 cms x 40.6 cms

PROVENANCE: Private Collection, British Columbia $1,500 — 2,500

5

ROBERT GENN (1936-2014)

MORNING, LOW TIDE oil on signedboardlower right; signed and titled verso 8 ins x 10 ins; 20.3 cms x 25.4 cms

PROVENANCE: Art Emporium, Vancouver, BC; Estate of Ann and Bruce Iver Howe, Vancouver, BC $800 — 1,200

8

ROBERT GENN (1936-2014)

SALAL JOE OF BARKLEY SOUND oil on signedcanvaslower right; signed and titled verso 24 ins x 30 ins; 61 cms x 76.2 cms

PROVENANCE: Private Collection, British Columbia $2,000 — 3,000

7

JACK BEDER (1910-1987)

PEAKS IN THE HAZE (JASPER NATIONAL PARK), 1970 oil on signedboardlower right; signed, titled and dated 8versoinsx 10 ins; 20.3 cms x 25.4 cms

PROVENANCE: Jack Beder Estate, St. Catherines, ON; Private Collection, British Columbia $700 — 900

10

JACK BEDER (1910-1987)

MOUNT EDITH CAVELL, (JASPER NATIONAL PARK), 1970 oil on unframed;boardsigned lower left; signed, dated and titled verso 13.75 ins x 10 ins; 34.9 cms x 25.4 cms

PROVENANCE:

Jack Beder Estate, St. Catherines, ON; Private Collection, British Columbia $1,000 — 1,200

9

11

ALEX JANVIER (B.1935) PINK PONY, 1991 oil on signedlinenupper right 24 ins x 30 ins; 61 cms x 76.2 cms

PROVENANCE: Private Collection, British Columbia $7,000 — 9,000

12

GATHIE FALK (B.1928) VANCOUVER TALK Commissionersilkscreen General’s Edition, 1986, sight94/10011.4 ins x 13.4 ins; 29 cms x 34 cms

PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $400 — 600

13 MICHAEL LORD (B.1954) SPERM WHALES stone, maple 21.7signedins x 13.8 ins x 10.6 ins; 55 cms x 35 cms x 27 cms PROVENANCE: Private Collection, British Columbia $2,000 — 2,500 14 JACK BEDER (1910-1987) SENTINEL, 1975 20signedmarbleinsx 10 ins x 10 ins; 50.8 cms x 25.4 cms x 25.4 cms PROVENANCE: Estate of Jack Beder, St. Catherines, ON; Private Collection, British Columbia $1,200 — 1,500

ABRAHAM APAKARK ANGHIK (B.1951), PAULATUK

SPIRIT SHAMAN AND ANIMALS

24stonex12 x 10.5 in — 152.4 x 30.5 x 20.3 cm

PROVENANCE: Private Collection, Idaho, USA $6,000 — 8,000

16

JUDAS ULLULAQ (1937-1999), UQSUQTUUQ (GJOA HAVEN)

DRUM DANCER stone, antler, sinew, leather; signed in 15syllabicsx12x7 in — 38.1 x 30.5 x 17.8 cm

PROVENANCE: Private Collection, Idaho, USA $4,000 — 6,000

15

DAVID RUBEN PIQTOUKUN (B.1950), PAULATUK

TRANSFORMATION PIECE (HALF MAN/ HALF BIRD)

stone; signed and dated 1989 22 x 4 x 7 in — 55.9 x 10.2 x 17.8 cm

PROVENANCE: Private Collection, Idaho, USA $3,000 — 5,000

18 BEAU DICK KWAKWAKA’WAKW(1955-2017), KOMINA

cedar, horsehair, copper, acrylic paint; ca. early 2000s signed and titled overall dimensions 45 x 37 x 13 in — 76.2 x 80 x 33 cm

PROVENANCE: Private Collection, British Columbia $30,000 — 35,000

17

FREDA DIESING (1925-2002)

MALE PORTRAIT MASK

signed, titled and dated 1975, overall dimensions 14 x 9 x 4.5 in — 35.6 x 22.9 x 11.4 cm

PROVENANCE: Acquired directly from the artist in 1975 to the current Private Collection, Victoria, BC $25,000 — 30,000

20 BEAU DICK KWAKWAKA’WAKW(1955-2017),

YO-LA WIND MASK

cedar, acrylic paint, cedar bark, feathers; signed and titled verso overall dimensions 22.4 x 12.2 x 7.5 in — 57 x 31 x 19 cm

PROVENANCE: Private Collection, British Columbia $15,000 — 20,000

19

ROBERT CHARLES DAVIDSON (B.1946) EAGLE OF THE DAWN (G_UUD SANS GLANS) DANCE MASK, 1992 acrylic paint on paper mache, operculum shell, human and cedar bark; signed and dated 1992, 6/6 not including hair 12 10 30.5

PROVENANCE: Robert & Dorothy Davidson Private AcquiredCollection;directly from the artist by present Private Collection, British Columbia $30,000 — 40,000

22

ROBERT CHARLES DAVIDSON (B.1946), HAIDA SILVER BRACELET WITH SEA BEAR DESIGN, 1970 sterling silver and dated

PROVENANCE: Private Collection, British Columbia $20,000 — 30,000

21
hair
x
x 7 in —
x 25.4 x 17.8 cm
bracelet; signed
1970 verso 1.6 x 2.6 x 2 in — 4 x 6.5 x 5 cm

SIMON DICK (B.1951), BEAU DICK (B.1955-2017), EUGENE ISAAC (B.1958) AND OZZIE WADHAMS (B.1958)

MAQUETTE FOR LONGHOUSE AND THUNDERBIRD STRUCTURE FOR EXPO 86 cedar, acrylic paint signed by all four artists and dated 86

15.7versoins x 18.9 ins x 10.2 ins; 40 cms x 48 cms x 26 cms

PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $2,000 — 2,500

24

BEAU DICK (1955-2017)

CARVED BENTWOOD BOX yellow cedar, acrylic paint

6.5signedins x 7.7 ins x 5.3 ins; 16.5 cms x 19.5 cms x 13.5 cms

PROVENANCE: Private Collection, British Columbia $1,500 — 2,000

23

RED CEDAR CHIEF’S STORAGE BOX WITH SISIUTL MOTIF MADE BY A CARVER OF THE NISGA’A NATION, 1952

cedar, acrylic paint 12.25 x 28.75 x 15.25 in — 31.1 x 73 x 38.7 cm

PROVENANCE: Private Collection, British Columbia $600 — 900

26

ROY JAMES HANUSE (B.1943)

CARVED TALKING STICK

signedcedar

R.J. Hanuse and dated 1972 51 ins x 1.75 ins x 1.75 ins; 129.5 cms x 4.4 cms x 4.4 cms

PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $600 — 900

25

ELSIE JOHN NUU-CHAH-NULTH(B.1961),

PETRIFIED WHALEBONE CARVING WTIH WHALE SPIRIT AND HUMAN DESIGN petrified whalebone, wood, copper, 26.4lacquerx16.9 x 15 in — 67 x 43 x 38 cm

PROVENANCE: Private Collection, British Columbia $1,000 — 1,500

28

LYLE WILSON (B.1955), HAISLA CEDAR PANEL cedar; signed 24 x 24 x 3.1 in — 61 x 61 x 8 cm

PROVENANCE: Private Collection, British Columbia $500 — 700

27

ALAN WEIR (B.1981), HAIDA

CHILKAT CLAPPER (NOISE MAKER) wood, acrylic paint, leather; signed and dated 2019 14.5 x 3 x .5 in — 36.8 x 7.6 x 1.3 cm

PROVENANCE: Eagle Spirit Gallery, Vancouver, BC $500 — 700

30

ROBERT WHONNOCK

TWO MASKS: BUKWUS AND KOMOKWA one signed, the other signed indistinctly, 7.5 x 7.2 x 5.5 in — 19 x 18.2 x 14 cm; 8.5 x 7 x 5.7 in — 21.5 x 17.7 x 14.5 cm

PROVENANCE: Private Collection, British Columbia $400 — 600

29

EAGLE MASK

red cedar, cedar bark, acrylic paint, abalone; signed overall 16.1 x 9.1 x 7.5 in — 41 x 23 x 19 cm

PROVENANCE: Private Collection, British Columbia $400 — 600

32 UNIDENTIFIED ARTIST

CARVED SALISH WOODEN MODEL TOTEM wood; ca. 1940s 18 x 13.25 x 5 in — 45.7 x 33.7 x 12.7 cm

PROVENANCE: Private Collection, British Columbia $200 — 400

31

GREG LIGHTBROWN (B.1953) STRONGMAN

argillite, abalone signed and inscribed ‘Su-San’ Strongman

2versoinsx 4 ins x 1.5 ins; 5.1 cms x 10.2 cms x 3.8 cms

PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $200 — 400

34

RON LAROCHELLE, (1949-2020), HAIDA

MELTON WOOL VEST wool, abalone 29 x 28 in — 73.7 x 71.1 cm

PROVENANCE: Private Collection, British Columbia $100 — 200

33

35

BILL RONALD REID (1920-1998), HAIDA DOGFISH - XAXADA silkscreen; 1972, 176/450 Sight 23.4 x 17.7 in — 59.5 x 45 cm

PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $800 — 1,200

36

ROBERT CHARLES DAVIDSON (B.1948), HAIDA HUMAN silkscreen; 1971, 86/137 24.4 x 10.4 in — 62 x 26.5 cm

PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $500 — 700

ROBERT CHARLES DAVIDSON (B.1946), HAIDA

FEATHER DESIGN #4, 1972

20.7silkscreenx6.5in — 52.5 x 16.5 cm

PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC

$300 — 500

38

ROBERT CHARLES DAVIDSON (B.1948), HAIDA

FEATHER DESIGN #1, 1972

Sightsilkscreen20.7 x 6.5 in — 52.5 x 16.5 cm

PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $300 — 500

37

NORMAN TAIT (1941-2016), NISGA’A RAVEN

silkscreen; 1977, 74/150 Sight 13.25 x 9.75 in — 33.7 x 24.8 cm

PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $100 — 125

40

PATRICK SAMUEL MCGUIRE (1943-1970), HAIDA

TWO WORKS

watercolour and ink; signed and dated 69 15.7 x 12 in — 40 x 30.5 cm; 12 x 9 in — 30.5 x 22.9 cm

PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $300 — 500

39

ABRAHAM APAKARK ANGHIK (B.1951), PAULATUK

BEAR SHAMAN stone; signed in Roman and dated 1999 16 x 10.5 x 8 in — 40.6 x 26.7 x 20.3 cm

PROVENANCE: Private Collection, Idaho, USA $1,000 — 1,500

42

NUNA PARR (B.1949), KINNGAIT (CAPE DORSET)

GROWLING POLAR BEAR stone, antler; signed in Roman 10 x 14 x 6 in — 25.4 x 35.6 x 15.2 cm

PROVENANCE: Private Collection, British Columbia $3,000 — 5,000

41

GEORGE ARLUK (B.1949), ARVIAT (ESKIMO POINT)

COMPOSITION OF FIGURES

12stonex17 x 5.5 in — 30.5 x 43.2 x 14 cm

PROVENANCE: George R. Dinney Collection, Victoria, BC (formerly Winnipeg, MB)

$1,000 — 1,500

44

KAROO ASHEVAK (1940-1974), TALOYOAK (SPENCE BAY)

WALRUS

whalebone, antler; signed 9 x 11 x 13 in — 22.9 x 27.9 x 33 cm

PROVENANCE:

The Upstairs Gallery, Winnipeg, MB; Collection of George R. Dinney, Victoria, BC (formerly Winnipeg, MB)

$4,000 — 6,000

43

OVILOO TUNNILLIE, R.C.A. (1949-2014), KINNGAIT (CAPE DORSET)

TORSO stone; signed in syllabics 7 x 2.75 x 2 in — 17.8 x 7 x 5.1 cm

PROVENANCE: Fehely Fine Arts, Toronto, ON; Private Collection, British Columbia $600 — 900

46

TUNA IQULIQ QAMANI’TUAQ(1935-2015),(BAKERLAKE)

COMPOSITION WITH FACES AND BIRDS

stone; signed in syllabics 13 x 9 x 3 in — 33 x 22.9 x 7.6 cm

PROVENANCE: Private Collection, Idaho, USA $500 — 700

45

JOHNNY INUKPUK (1911-2007), INUKJUAK (PORT HARRISON)

MOTHER AND CHILD stone; signed in syllabics 12 x 7.5 x 5.5 in — 30.5 x 19 x 14 cm

PROVENANCE: Private Collection, British Columbia $600 — 900

48

DAVID IKUTAAQ (1929-1984), QAMANI’TUAQ (BAKER LAKE)

MOTHER AND CHILD stone; signed in syllabics 5.25 x 6.5 x 6 in — 13.3 x 16.5 x 15.2 cm

PROVENANCE: George R. Dinney Collection, Victoria, BC (formerly Winnipeg, MB) $500 — 700

47

JOHN PANGNARK (1920-1980), ARVIAT (ESKIMO POINT)

KNEELING WOMAN IN AMAUTIQ stone; ca 1970-72 4.1 x 2.8 x 4.7 in — 10.3 x 7 x 12 cm

PROVENANCE: George R. Dinney Collection, Victoria, BC (formerly Winnipeg, MB) $2,000 — 4,000

50

DAVIDIALUK ALASUA AMITTU (1910-1976), (POVUNGNITUK)PUVIRNITUQ

FISH IN NET stone; signed in syllabics 3.75 x 10 x 2.5 in — 9.5 x 25.4 x 6.4 cm

PROVENANCE: George R. Dinney Collection, Victoria, BC (formerly Winnipeg, MB) $500 — 700

49

DAVIDIALUK ALASUA AMITTU (1910-1976), (POVUNGNITUK)PUVIRNITUQ

HUNTER AND BEAR

stone; signed in syllabics

3 x 6 x 9 in — 7.6 x 15.2 x 22.9 cm

PROVENANCE: George R. Dinney Collection, Victoria, BC (formerly Winnipeg, MB)

$600 — 900

52

ANDY MIKI (1918-1983), ARVIAT (ESKIMO POINT)

ANIMAL

stone; signed in syllabics

2 x 4.5 x .75 in — 5.1 x 11.4 x 1.9 cm

PROVENANCE: Vancouver Art Gallery, Vancouver BC; Private Collection, British Columbia

$1,000 — 1,500

51

LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT)

FAMILY

5.1stonex4 x 4.5 in — 13 x 7,2 x 3.8 cm

PROVENANCE: George R. Dinney Collection, Victoria, BC (formerly Winnipeg, BC) $500 — 700 54

JOHN PANGNARK (1920-1980), ARVIAT (ESKIMO POINT)

WOMAN IN AMAUTIQ stone; ca.1970-75 3.5 x 1.2 x 2.7 in — 9 x 3 x 6.8 cm

PROVENANCE: George R. Dinney Collection, British Columbia (formerly Winnipeg, MB) $1,000 — 1,500

53

55

LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT)

EMERGING FACES

3stonex1x 2 in — 7.6 x 2.6 x 5 cm

PROVENANCE: George R. Dinney Collection, Victoria, BC $300 — 500

56

LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT)

EMERGING FACES

6.1stonex2.6 x 3.9 in — 15.4 x 6.5 x 10 cm

PROVENANCE: George R. Dinney Collection, Victoria, BC $500 — 700

JONASIE QUARQORTOK FABER (B.1944), GREENLAND

MUSK OX stone; signed in Roman 12 x 21 x 9 in — 30.5 x 53.3 x 22.9 cm

PROVENANCE: Private Collection, Idaho, USA $800 — 1,200

58

JONASIE QUARQORTOK FABER (B.1944), GREENLAND

MUSK OX HERDING stone; signed 3.5 x 10 x 13.5 in — 8.9 x 25.4 x 34.3 cm

PROVENANCE: Private Collection, Idaho, USA $500 — 700

57

KANANGINAK POOTOOGOOK (1935-2010), KINNGAIT (CAPE DORSET) OWL

5.75stonex 7 x 3.25 in — 14.6 x 17.8 x 8.3 cm

PROVENANCE: George R. Dinney Collection, Victoria, BC $500 — 700

60

ABRAHAM APAKARK ANGHIK (B.1950), PAULATUK SPIRIT MASK stone, metal; signed in Roman, 1999 18 x 14 x 4.5 in — 45.7 x 35.6 x 11.4 cm

PROVENANCE: Private Collection, Idaho, USA $1,000 — 1,500

59

UNIDENTIFIED ARTIST

WALRUS

PROVENANCE: Private Collection, British

62

PITALOOSIE SAILA (1942-2021), KINNGAIT (CAPE DORSET) BIRD OF SARGO stonecut; 1972, 35/50 Sight 20.5 x 22.8 in — 52 x 58 cm

PROVENANCE: Collection of Dr. James Colwill, Victoria, BC $1,000 — 2,000

61
whalebone, antler, stone 5 x 6 x 10 in — 12.7 x 15.2 x 25.4 cm
Columbia $400 — 600

KENOJUAK ASHEVAK (1927-2013) INTO THE LIGHT etching and aquatint 1999, sheetunframed83/10030.75ins x 38.5 ins; 78.1 cms x 97.8 cms

PROVENANCE: Private Collection, Idaho, USA $3,000 — 5,000

64

KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET) THE HARBINGER stonecut and stencil; 1993, 28/50 Sight 26 x 31 x 1.5 in — 47.3 x 59.5 x 0 cm;

PROVENANCE: Private Collection, Idaho, USA $500 — 700

63

PUDLO PUDLAT (1916-1992)

NEW HORIZONS

stonecut and stencil 1987, 29/50

Sight 17.25 ins x 25.25 ins; 43.8 cms x 64.1 cms

PROVENANCE: Private Collection, Idaho, USA $400 — 600

66

SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE)

THINKING OF ANIMALS

stonecut and stencil; 1979, 19/50

Sight 25 x 31.5 x 1.75 in — 46 x 63.7 x 0 cm;

PROVENANCE: Private Collection, Idaho, USA $300 — 500

65

67

MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY)

BUST

PROVENANCE: of James Colwill,

68

MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY)

PROVENANCE: of James Colwill, Victoria, —

OF CHRIST 2ivoryx0.8 x 0.8 in — 5.5 x 2 x 2 cm
Collection
Dr.
Victoria, BC $500 — 700
ANGEL ivory, stone; signed in syllabics including base 3.75 x 3.5 x 5.5 in — 9.5 x 8.9 x 14 cm
Collection
Dr.
BC $800
1,200
69 FABIAN OOGAAQ (B.1923), KUGAARUK (PELLY BAY) BOY BEING CHASED BY SPIRIT BIRD ivory, antler 3.3 x 5.3 x 4.3 in — 8.3 x 13.5 x 11 cm PROVENANCE: Collection of Dr. James Colwill, Victoria, BC $400 — 600 70 ATTRIBUTED TO MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY) HUNTER PULLING SEAL ivory, whalebone, stone 2.4 x 3.3 x 3.9 in — 6 x 8.5 x 10 cm PROVENANCE: Collection of Dr. James Colwill, Victoria, BC $400 — 600
71 HENRY NAPARTUK (1932-1985), KUUJJUARAPIK (GREAT WHALE RIVER) BEAR LUNGING AT PREY ivory, whalebone 3.1 x 4.7 x 4.1 in — 8 x 12 x 10.5 cm PROVENANCE: Collection of Dr. James Colwill, Victoria, BC $300 — 500 72 UNIDENTIFIED ARTIST, GREENLAND TUPILAK 4ivoryx1.25 x 1.25 in — 10.2 x 3.2 x 3.2 cm PROVENANCE: Collection of Dr. James Colwill, Victoria, BC $400 — 600
73 CECILIE KLEIST (B.1949), GREENLAND BIRD SPIRIT ivory; inscribed C.K. 4.5 x 1.5 x 1.5 in — 11.4 x 3.8 x 3.8 cm PROVENANCE: Collection of Dr. James Colwill, Victoria, BC $500 — 700 74 CORNELIUS NUTARAK (B.1924), MITTIMATALIK (POND INLET) TOTEM ivory; signed in Roman 6.75 x 1.5 x 1.75 in — 17.1 x 3.8 x 4.4 cm PROVENANCE: Collection of Dr. James Colwill, Victoria, BC $500 — 700

75

SAMUEL NAHAULAITUQ (1923-1999), TALOYOAK (SPENCE BAY)

FLYING SHAMAN whalebone, antler; signed in syllabics x 4.1 x 1.2 in — 11 x 10.5 x 3 cm

PROVENANCE: Collection of Dr. James Colwill, Victoria, BC $200 — 400

76

MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY)

FISHING SCENE ivory, stone; signed in syllabics 3.5 x 5.5 x 5.5 in — 9 x 14 x 14 cm

PROVENANCE: Dr. James Colwill Collection, Victoria, BC $400 — 600

4.3
77 UNIDENTIFIED ARTIST LONE FIGURE ivory, stone 2.8 x 3.3 x 1.4 in — 7 x 8.5 x 3.5 cm PROVENANCE: Dr. James Colwill Collection, Victoria, BC $200 — 400 78 UNIDENTIFIED ARTIST, NAUJAAT (REPULSE BAY) DOMESTIC SCENE ivory, stone 2.8 x 5.9 x 3.1 in — 7 x 15 x 8 cm PROVENANCE: Dr. James Colwill Collection, Vancouver, BC $300 — 500
79 UNIDENTIFIED ARTIST WALRUS AND BEAR 2ivoryx3.5 x 1.4 in — 5 x 9 x 3.5 cm; 1.2 x 2 x 0.8 in — 3 x 5 x 2 cm PROVENANCE: Dr. James Colwill Collection, Victoria, BC $200 — 400 80 UNIDENTIFIED ARTIST KAYAKER ivory, leather 2.4 x 5.9 x 10.6 in — 6 x 15 x 27 cm PROVENANCE: Dr. James Colwill Collection, Victoria, BC $200 — 400
81 UNIDENTIFIED ARTIST, U.S.S.R. RUNNING CARIBOU ivory; signed in Cyrillic 3.5 x 1.8 x 5.1 in — 9 x 4.5 x 13 cm PROVENANCE: Dr. James Colwill Collection, Vancouver, BC $300 — 500 82 UNIDENTIFIED ARTIST THREE SWIMMING WHALES 2.4antlerx5.5 x 10.6 in — 6 x 14 x 27 cm PROVENANCE: Dr. James Colwill Collection, Vancouver, BC $300 — 500

NICK SIKKUARK (1943-2013), KUGAARUK (PELLY BAY)

SWIMMING SHAMAN bone, antler, fur; signed in syllabics 3.9 x 5.7 x 2 in — 10 x 14.6 x 5 cm

PROVENANCE: Private Collection, British Columbia $800 — 1,200 VICTORIA (BAKER(1930-2016),MAMNGUQSUALUKQAMANI’TUAQLAKE)

WALL HANGING stroud, thread, embroidery floss 27 x 28.5 in — 68.6 x 72.4 cm

PROVENANCE: Private Collection, British Columbia $1,000 — 1,500

83
84

MARJORIE AGULUVAK (1941-2010), QAMANI’TUAQ (BAKER LAKE)

TRANSFORMATION

stroud, thread, embroidery floss; signed 35.5 x 38 in — 90.2 x 96.5 cm

PROVENANCE: Private Collection, Idaho, USA $500 — 700

86

MARJORIE AGULUVAK (1941-2010), QAMANI’TUAQ (BAKER LAKE)

FACES

stroud, thread, embroidery floss; signed 26 x 28 in — 66 x 71.1 cm

PROVENANCE: Private Collection, Idaho, USA $500 — 700

85

UNIDENTIFIED ARTIST

WALL HANGING

PROVENANCE: Private Collection, British Columbia $400 —

UNIDENTIFIED ARTIST

WALL HANGING x 87 cms x 144.8

PROVENANCE: Private Collection, British Columbia $300 —

87
stroud, thread, embroidery floss
600 88
34.25wool ins
57 ins;
cms
500

UNIDENTIFIED ARTIST

WALL HANGING

stroud, thread, embroidery floss; signed 32 x 20 in — 81.3 x 50.8 cm

PROVENANCE: Private Collection, British Columbia $400 — 600

90

VERONICA KADJUAK MANILAK (B.1935), KANGIQLINIQ (RANKIN INLET)

ARCTIC ANIMALS

stroud, thread, embroidery floss; signed 33.5 x 27 in — 85.1 x 68.6 cm

PROVENANCE: Private Collection, Idaho, USA $400 — 600

89

VERONICA KADJUAK MANILAK (B.1935), KANGIQLINIQ (RANKIN INLET) ARCTIC LIFE stroud, thread, embroidery floss; signed 26 x 19.25 in — 66 x 48.9 cm

PROVENANCE: Private Collection, Idaho, USA $300 — 500

92

PETER SEVOGA (1940-2007), QAMANI’TUAQ (BAKER LAKE) HANDSTAND AND OPPOSING FACE stone; signed in syllabics 10.6 x 5.5 x 4.7 in — 27 x 14 x 12 cm

PROVENANCE: Private Collection, British Columbia $300 — 500

91

JONASIE QUARQORTOK FABER (B.1944), GREENLAND

SPIRIT MASK

stone, metal, bead; signed in Roman 16 x 9 x 5 in — 40.6 x 22.9 x 12.7 cm

PROVENANCE: Private Collection, Idaho, USA $700 — 900 94

JOHNASSIE SALA, SANIKILUAQ (BELCHER ISLANDS)

DOG stone; signed in Roman 6.5 x 2.25 x 8 in — 16.5 x 5.7 x 20.3 cm

PROVENANCE: Private Collection, Idaho, USA $300 — 500

93

95

MAUDIE RACHEL OKITTUQ (B.1944), TALOYOAK (SPENCE BAY)

SPIRITUAL BIRDS, 2000 stone, antler

8 x 8 x 6 in — 20.3 x 20.3 x 15.2 cm

PROVENANCE: Private Collection, Idaho, USA $300 — 500

96

SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE) COMMUNITY stone; signed in syllabics

PROVENANCE: Private Collection. Idaho, USA $300 — 500

THOMASSIE PUVIRNITUQTOOKALOOK,(POVUNGNITUK)

LOON 3.5stonex10.5 x 2 in — 8.9 x 26.7 x 5.1 cm

PROVENANCE: Private Collection, Idaho, USA $100 — 200

98

EDDIE OLEEKATALIK, TALOYOAK (SPENCE BAY)

TWO HUNTERS stone, wood, sinew; signed 9.5 x 7 x 2.5 in — 24.1 x 17.8 x 6.4 cm; 7 x 8 x 2.5 in — 17.8 x 20.3 x 6.4 cm

PROVENANCE: Private Collection, Idaho, USA $300 — 500

97

ELISAPEE ISHULUTAQ (1925-2018), IQALUIT (FROBISHER BAY)

DOG SLED TEAM

stone, antler, sinew, fur 4.5 x 20 x 8.5 in — 11.4 x 50.8 x 21.6 cm

PROVENANCE: Private Collection, Idaho, USA $300 — 500

100

BOBBY KONANA, UQSUQTUUQ (GJOA HAVEN)

MAN WITH ROPE stone, hide 13 x 8 x 5 in — 33 x 20.3 x 12.7 cm

PROVENANCE: Private Collection, Idaho, USA $600 — 900

99

SIMON UTTAQ, UQSUQTUUQ (GJOA HAVEN)

HUNTER antler, sinew; in syllabics, x 5 in — 27.9 x 16.5 x 12.7 cm

PROVENANCE: Private Collection, Idaho, USA $400 — 600

LOUIE ARNAYUIRNAAQ (B.1968) 2 ins x 3.75 6.4 cms x 5.1 cms x 9.5 cms

PROVENANCE: Private Collection, British Columbia $200 — 300

101
stone,
signed
111999x6.5
102
MUSKOX 2.5stoneins x
ins;

103

IOLA ABRAHAM IKKIDLUAK (1936-2003), KIMMIRUT (LAKE HARBOUR)

DANCING BEAR stone; signed in syllabics and dated 1999 13 x 10 x 6 in — 33 x 25.4 x 15.2 cm

PROVENANCE: Private Collection, Idaho. $600 — 900

104

DAVIDEE NASTAPOKA (B.1945), INUKJUAK (PORT HARRISON) HUNTER CARRYING WALRUS

18.5stonex 8.7 x 6.7 in — 47 x 22 x 17 cm

PROVENANCE: Private Collection, British Columbia $600 — 900

POOTOOGOOK

105
JAW (B.1959), KINNGAIT (CAPE DORSET) DRUMMER stone, hide, sinew; signed in Roman PROVENANCE: Private Collection, Alberta $300 — 500 106 STEPHEN AQQAQ, TALOYOAK (SPENCE BAY) WELCOMING FIGURE whale bone 18.5 x 16.9 x 5.1 in — 47 x 43 x 13 cm PROVENANCE: Collection of George R. Dinney, Victoria, BC $500 — 700

PROVENANCE: ANOWTALIK (1932-2006),

PROVENANCE:

107 JUTAI TOONOO (1959-2001), KINNGAIT (CAPE DORSET) COMPOSITION OF FACES stone ; signed in syllabics 5.7 x 5.3 x 4.3 in — 14.5 x 13.5 x 11 cm
Marion Scott Gallery, Vancouver, BC $300 — 500 108 LUKE
ARVIAT (ESKIMO POINT) ANTLER FIGURES 17antlerx25 x 11.5 in — 43.2 x 63.5 x 29.2 cm
Private Collection, Idaho, USA $300 — 500
109 UNIDENTIFIED ARTIST SEDNA whalebone, antler 8.5 x 4 x 12 in — 21.6 x 10.2 x 30.5 cm PROVENANCE: Private Collection, British Columbia $500 — 700 110 PAUL AALUK (B.1950), UQSUQTUUQ (GJOA HAVEN) TWO BIRDS 10antlerx19.5 x 20 in — 25.4 x 49.5 x 50.8 cm PROVENANCE: Private Collection, Idaho, USA $200 — 400

KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET)

FRIGHTENED FLIGHT stonecut; 1986, 10/50

Sight 31.5 x 32 x 1 in — 55.4 x 58 x 2.5 cm

PROVENANCE: Private Collection, Idaho, USA $400 — 600

112

PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET)

WOMEN COLLECTING KELP stonecut; 1967, 26/50

Sight 17.7 x 23.6 in — 45 x 60 cm

PROVENANCE: Collection of George R. Dinney, Victoria, BC $500 — 700

111

PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET)

SEAMAID WITH WALRUS stonecut; 1969, 33/50 Sight 14.5 x 19.25 in — 36.8 x 48.9 cm

PROVENANCE: Collection of George R. Dinney, Victoria, BC $200 — 400

114

PITALOOSIE SAILA (1942-2021), KINNGAIT (CAPE DORSET)

FISHERWOMAN stonecut; 1968, 35/50 15 x 21.5 in — 38.1 x 54.6 cm

PROVENANCE: Collection of George R. Dinney, Victoria, BC $200 — 400

113

KANANGINAK POOTOOGOOK (1935-2010), KINNGAIT (CAPE DORSET)

STRETCHING KAMIKS

lithograph; 1987, 29/50

Sight 34.5 x 29 x 1.25 in — 63 x 48 x 0 cm;

PROVENANCE: Private Collection, Idaho, USA $300 — 500

116

PITALOOSIE SAILA, R.C.A. (1942-2021), KINNGAIT (CAPE DORSET)

TRANSFORMATION

stonecut and stencil; 1986, 10/50

Sight 24 x 30.7 in — 61 x 78 cm

PROVENANCE: Private Collection, Idaho, USA $800 — 1,200

115

LUCY QINNUAYUAK (1915-1982), KINNGAIT (CAPE DORSET)

TALELAYOU, GIANT BIRDS AND MEN stonecut and stencil; unframed, 1981, 5/50 23.8 x 33.5 in — 60.5 x 85 cm

PROVENANCE: Private Collection, Idaho, USA $400 — 600

118

KANANGINAK POOTOOGOOK (1935-2010), KINNGAIT (CAPE DORSET) YOUNG WALRUS lithograph; unframed, 4/60 12.8 x 18.1 in — 32.5 x 46 cm

PROVENANCE: Private Collection, Idaho, USA $200 — 300

117

KANANGINAK POOTOOGOOK (1935-2010), KINNGAIT (CAPE DORSET)

A BIG CATCH

stonecut and stencil; unframed, 1988, Sight33/5020.1 x 26.6 in — 51 x 67.5 cm

PROVENANCE: Private Collection, Idaho, USA $300 — 500

120

JANET KIGUSIUQ (1926-2005), QAMANI’TUAQ (BAKER LAKE)

THE RAVEN PROTECTS HER linocut, stencil; unframed includes mat, 1979, 19/45

Sight 22.8 x 31.7 in — 58 x 80.5 cm

PROVENANCE: Private Collection, Idaho. $200 — 400

119

Selling at Waddington’sat Waddington’s

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

PakShip 905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

Safer Shipping Inc. 416-299-3367 / perry@safershipping.ca416-299-9750/www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

waddington’s commission rates

Items selling for $7,501 or more 10%

Items selling for $2,501 to $7,500 15%

Items selling for $251 to $2,500 20%

Items selling for $250 or less 25%

*There is a minimum handling charge of $20 per item

canadian art department commission rates

Items selling for $7,501 or more 10%

Items selling for $2,501 to $7,500 15%

Items selling for $2,500 or less 20%

*There is a minimum handling charge of $20 per item insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to

Forconsider.collections

with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at

Ourwww.waddingtons.ca.officesarelocated in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Buying

Conditions of Sale

1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid

2.accordingly.Eachlot

sold is subject to a 20% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to 13.$25,000).Inthe

event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:

(a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer;

(b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

tel: www.waddingtons.catoll416-504-9100free:1-877-504-5700275Waddington’sKingStreet East, Second Floor Toronto, Ontario M5A 1K2