Asian Art | August 21 - 26, 2021 by waddingtons

Asian Art AUGU ST!"#!—!"%& ! " '" #

Asian Art AUGU ST!"#—"%& !" '"#

BID2AND2VIEW2ALL2LOTS2ONLINE2AT www.waddingtons.ca

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ASIAN2ART2SPECIALIST Austin Yuen ay@waddingtons.ca

COVER Lot %&

()'--(&-')+.

A!LARGE!PAINTED!POTTERY!JAR&! MAJIAYAO!CULTURE&!BANSHAN!PHASE&! NEOLITHIC!PERIOD&!-RD!MILLENNIUM!BC ꔢ෸๗෸դ Ḙ疑逰෈麁 ܎ઊ随ࣳ୸ᕲᵄ耴

ASIAN2ART2SPECIALIST Amelia Zhu az@waddingtons.ca

INSIDE2COVER!!

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Lot '(

A SET OF FIVE FAMILLE ROSE AND GILT 'WU SHUANG PU' PLATES, LATE QING DYNASTY ภႴ ᔇ୸矟ᰂ 闫‫݌‬ᨏ ፏӞᕟԲկ

INSIDE2BACK2COVER Lot )*%

A!COMPLETE!SET!OF!CERAMIC!FIGURES!OF! THE!EIGHTEEN!LUOHAN!6ARHATS7&!SHIWAN& CIRCA!#89' ᕅ ଙ Ꭺ걁逰‫ك܈‬ᗔ࿥Ӟॺ

BACK2COVER$ Lot )+%

AN!INDIAN!MINIATURE!PAINTING!OF!A! COURTLY!SCENE!WITH!A!EUROPEAN!DANDY&! #8TH!CENTURY!OR!EARLIER

This catalogue and its contents © !"!#$ Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

! A!PALE!GREYISH-GREEN!JADE! ‘SQUIRRELS!AND!GRAPES’!CUP#! MING!DYNASTY ก!ᶆጮሳ꘍ຂ诊茘苛ᕖ緫 length 5.9 in — 15 cm PROVENANCE"

Vancouver Private Collection ႈრ物 Ⴥ珠܏ᐺՈቊ萢 #$%&&&'—')%&&&

$ A!WHITE!AND!RUSSET!JADE!AXE-FORM! PENDANT#!MING!DYNASTY ก!‫ۮ‬ԯᕖճ‫୵ූݘ‬ሳࣟ ଃ14kἎᰂᶱ᱾牧᯿10‫ظ‬ Carved on each side with archaistic cloud motifs, the stone of mo!led reddish brown and pale green colour; with a 14k yellow gold chain (29’’), chain weight 10.0g height 2.5 in — 6.4 cm #*&&'—'!%&&&

) A!MOTTLED!JADE!BELT!BUCKLE#! MING!DYNASTY ก!ሳၶ꘍鞍ᕖଃಕ Finely carved in relief with a chi-dragon entangled in a spray of lingzhi fungus, the stone of pale celadon and russet colour streaked with brown and grey fissures length 2.8 in — 7 cm NOTE"

For a similar two-section belt buckle, see Bonhams San Francisco, June 24, 2014, lot 8001 随犲กդ鞍ᕖଃಕ᧗݇ᘍ෯ᰂઊ螸ᅁේ2014 ଙ6์24෭ ೌߝᖫ‫ݩ‬8001 #*&&'—'!%$&&

+ A!MOTTLED!CELADON!AND!RUSSET! JADE!BRUSH!POT#!QING!DYNASTY Ⴔ!箜ጮሳᰓᰂ࿽ᒟᒻ ଃܻ蟴๙ଷ Of cylindrical form, the stone with a pale greyish-celadon tone accentuated by dark veins and inclusions; with wood stand height 3.4 in — 8.6 cm NOTE"

For a similar example, see Freeman’s Auctions, December 10, 2007, lot 7 随犲ሳᒟᒻ᧗݇ᘍ聅ࢵFreeman’s, 2007ଙ12 ์10෭牧ೌߝᖫ‫ݩ‬7 #,&&'—'*&&

A!WHITE!JADE!DRAGON!BELT!HOOK#! LATE!QING!DYNASTY ภႴ!ጮሳ鞍ᕖଃᰰ Mounted on bronze campana-form intaglio head ‫ݸ‬᳨獈ᱞᰵ length 2.6 in — 6.5 cm #)&&'—'-&&

, A!GREEN!AND!RUSSET!JADE!CARVING! OF!A!RECUMBENT!RAM#!QING! DYNASTY Ⴔ!Ᏺሳ罦ා꘍‫ܡ‬ᗤ ଃ๙ଷ Carved in the form of a recumbent ram, the stone of translucent celadon tone with russet inclusions; with wood stand length 2.4 in — 6 cm #$&&'—')&&

. A!JADE!PLAQUE!AND!ENAMEL!INLAID! SILVER!FILIGREE!BROOCH#!LATE!QING! DYNASTY ภႴ!ᱷബӴ霘ቌ紖્ሳꖴᇆ胷ᰒ diameter 2.6 in — 6.6 cm #!&&'—'$&&

* A!PAIR!OF!MOTTLED!CELADON!JADE! BOWLS#!JIAQING!MARK#! EARLY!$%TH!CENTURY ԫ‫܈‬Ӯᕉ෱๗!ሳᏩӞ੒!ࡱଣଙ‫ګ‬皈ྃ Both of shallow form, raised on a thick foot rim and rising to an everted rim, the stone of a greyish celadon tone with black and brownish inclusions throughout diameter 6.7 in — 17 cm PROVENANCE"

Old Toronto Collection ग़ևग़ᐺՈ෯萢 #,&&'—'*&&

/ A!PAIR!OF!CARVED!MOSS!AGATE! ‘DRAGON-FISH’!HANDLED!CUPS#! EARLY!$%TH!CENTURY ԫ‫܈‬Ӯᕉ‫!ڡ‬ᡒᕖሸቯ꘍’Ṻ鞍‫ݒ‬麁’‫݌‬肊磻 Ӟ੒ Carved on each side with a dragon-from handle, the translucent stone with natural markings and dendritic pa!erns height 2 in — 5.2 cm #$&&'—')&&

!& A!PALE!CELADON!HARDSTONE!VASE! WITH!CHAIN!AND!COVER#! MID!$%TH!CENTURY ԫ‫܈‬ӮᕉӾ๗!ᏝᎪ꘍ճ‫ݘ‬൉ꔦ‫ܞ‬ Of archaistic ‘you’ form, the fla!ened pearshaped body flanked by a pair of handles linked by a long chain rising to a yoke, further suspended on a wood stand overall height 14.9 in — 37.8 cm #+&&'—',&&

!! A!CELADON!JADE!MOUNTAIN-FORM! BRUSH!REST#!TOGETHER!WITH!A!RAW! JADEITE!PAPERWEIGHT ᶆጮሳઊৼ!聡聠ܻᎪ᳁ᕕӞᕟӷկ brush rest length 4.9 in — 12.5 cm #$&&'—')&&

!$ A!PAIR!OF!GREEN!JADE!FIGURES!OF! AN!ELDERLY!COUPLE#!EARLY!$%TH! CENTURY ԫ‫܈‬Ӯᕉ෱๗!Ᏺሳ꘍ᐙ‫ض‬猟Ӟ੒ height 4.1 in — 10.4 cm #$&&'—')&&

!) AN!ANCIENT!JADEITE!BEADED! NECKLACE#!PRE-COLUMBIAN#!&TH! CENTURY#!WITH!'(K!YELLOW!GOLD! SPACERS#!CIRCA!')*% ‫ڹ‬珠և穉Ե෸๗/ᕅ‫"زل‬Ӯᕉ!‫ݘ‬聡聠ቐ᱾ ӞԀ Formed of gold hemispheres alternating with ancient jadeite beads 14KἎᰂ܎ꕟ୵ᳵᵍᇔ ԅ1970ଙդ‫ګ‬ length 20 in — 50.8 cm, 6.1 oz. — 191 grams PROVENANCE"

Private Toronto Collection ႈრ: ग़ևग़ᐺՈቊ萢 #,&&'—'*&&

!+ A!GROUP!OF!NINE!GRADUATED! STRANDS!OF!JADEITE!BEADED! NECKLACES ॠꕍ聡聠ቐᶱ᱾ӞᕟԜկ 4mm to 10.0mm; approximately 318 grams in total 疳ੑᕅ4ᛗ10ྺᔂ; ௛᯿ᕅ318‫ظ‬ length 18 in — 45.7 cm PROVENANCE"

Estate of Lois Orkin, Toronto ๶რ: ग़ևग़᪠ฃේ·閴ᰂ穇ॊ᭳Ծቊ萢閴ᰂ穇ॊ疑碢ࣁग़ևग़ᕪ០覍ଉ౮‫ۑ‬ጱቐਪ ኞ఺ ଚ硩萢य़ᰁᔜ聅舣ࢵꕢ瑊 ग़ևग़聅๞ ḅ괟ࣁ1962ଙԅٌԈ‫ې‬ӫ࣋疻ᥦ #$&&'—')&&

!A!BEADED!JADE!NECKLACE#!EARLY! $%TH!CENTURY ԫ‫܈‬Ӯᕉ෱๗!ሳቐ᱾ӞԀ Composed of thirty-six jade beads of pale celadon hue, alternating with carved red lacquer and ivory spacers, centered with a carved and polychromed ivory ball with floral and coin motifs ଃᕁᄉ犌‫୸ے‬粤꘍ꕟ᷶ overall length 31.5 in — 80 cm NOTE"

Contains material which may be subject to import/export regulation #-&'—'!&&

!, A!SPINACH!JADE!BROOCH!MOUNTED! WITH!A!'+K!GOLD!BUDDHA!FIGURE ԫ‫܈‬Ӯᕉ!Ᏺሳ્#$Kᰂ֡胷ᰒ ‫ݢ‬୮೯ࣟ֫ಀ height 3.6 in — 9.1 cm #*&&'—'!%$&&

!. A!CHINESE!SOAPSTONE!CARVED! FIGURE!MOUNTED!AS!A!LAMP#!LATE! QING!DYNASTY ภႴ!闅ઊᎪ꘍՛穇൳կ ‫ګݸ‬౮輐 Fi!ed with a reticulated hardstone finial; carving height 8.7 in (22 cm) overall height 25.8 in — 65.5 cm #-&&'—'*&&

!* A!CHINESE!ROSE!QUARTZ!COVERED! VASE!MOUNTED!AS!A!LAMP#!EARLY!TO! MID!$%TH!CENTURY ࿆ࢵ෸๗!ᔇส꘍ꖴ絵 ଃ៟Ꭺ皈ଷ ‫֢ګݸ‬౮輐 Fi!ed with a rose quartz finial; carving height 7.3 in (18.5 cm) overall height 20.7 in — 52.7 cm #)&&'—'-&&

!/ A!CHINESE!SOAPSTONE!‘PHOENIX!AND! PEONIES’!CARVING#! EARLY!$%TH!CENTURY ԫ‫܈‬Ӯᕉ෱๗!闅ઊᎪ꘍‫ڀ‬绝ᇐԄઊৼ height 11.9 in — 30.3 cm #$&&'—')&&

$& A!GROUP!OF!EIGHT!CHINESE! CARNELIAN!AND!AGATE!CARVINGS#! MID!$%TH!CENTURY ԫ‫܈‬ӮᕉӾ๗!ሸቯ꘍Ӟᕟ‫ك‬կ The carnelian carvings consisting of a goldfish, an elephant, and two roosters; the agate carvings consisting of a vase, a goldfish, and two snuﬀ bo!les tallest height 3.8 in — 9.7 cm #$&&'—')&&

$! TWO!SPINACH!JADE!CARVINGS#! TOGETHER!WITH!A!PAIR!OF!ROSE! QUARTZ!FOO!DOGS#! MID!$%TH!CENTURY ԫ‫܈‬ӮᕉӾ๗!ᔇส꘍ᐰሁӞ੒!ूሳ꘍՛穇! ềᕖ൳կӞᕟࢥկ tallest height 10.2 in — 26 cm #)&&'—'-&&

$$ A!CHINESE!SOAPSTONE!CARVED! CENSER!AND!COVER#! MID!$%TH!CENTURY ԫ‫܈‬ӮᕉӾ๗!ꕨᎪ꘍ᐰሁ굉阣 With wood stand ଃ๙ଷ height 10.2 in — 26 cm #$&&'—')&&

$) A!GROUP!OF!EIGHT!CHINESE! HARDSTONE!CARVINGS ᏝᎪ꘍Ӟᕟ‫ك‬կ height 6.9 in — 17.6 cm #$&&'—'+&&

$+ A!RARE!‘REALGAR’!GLASS!SNUFF! BOTTLE#!QING!DYNASTY#! '+TH/')TH!CENTURY Ⴔ!ාճᵜἎἲ輱ॏ Of ovoid form, the deep red glass evenly applied with swirled ochre-yellow splashes to imitate realgar, with two elongated yellow stripes to each side height 2.4 in — 6 cm NOTE"

For similar realgar-imitation glass snuﬀ bo!les, see Christie’s Hong Kong, October 7, 2020, lot 58; and Sotheby’s Hong Kong, May 26, 2014, lot 1064 随犲ճᵜἎාἲ輱ॏ᧗݇ᴅ굉჈֯ॊ 괔牧 ଙ ์ ෭牧ೌߝᖫ‫ ݩ‬犥݊굉 ჈ᝁ੄穉 ଙ ์ ෭牧ೌߝᖫ‫ ݩ‬ #*&&'—'!%$&&

$A!RED!OVERLAY!‘MANDARIN!DUCK’! PEKING!GLASS!SNUFF!BOTTLE#! TOGETHER!WITH!A!BONE!CARVED! SNUFF!BOTTLE ጮ瑿ॺᕁාឰऱốỎࢶἲ輱ॏ!℀ἲ輱ॏӞ ᕟӷկ tallest height 2.8 in — 7 cm NOTE"

Contains material which may be subject to import/export regulation #!&&'—'$&&

$, A!GROUP!OF!NINE!PORCELAIN!AND! GLASS!SNUFF!BOTTLES#! ')TH!CENTURY!AND!LATER ‫܈‬ԜӮᕉ݊ๅภ!ꕢ瑊݊ා瑊ἲ輱ॏӞᕟԜ կ 珀ᔇ୸Ոᇔᕖἲ輱ॏӣ‫ݝ‬牧ᵢྋྃᶆꖴၹ࿜ 鞍ᕖἲ輱ॏ牧ၽጮ瑿ා瑊蝢วᕖἲ輱ॏ牧ၹ ᠗ා瑊ἲ輱ॏ牧ճ素ቅᜋාἲ輱ॏӷ‫ݝ‬牧݊ ၊ᰂ瑿ා瑊ἲ輱ॏӷ‫ݝ‬ Consisting of three famille rose figural porcelain snuff bo!les; a peking glass ‘landscape’ snuff bo!le; an ‘aquamarine’ glass snuff bo!le; two ‘amber’ glass snuff bo!les; together with two ‘aventurine’ glass snuff bo!les tallest height 3.5 in — 8.9 cm PROVENANCE"

Hamilton Private Collection ࿥ੂਫ਼ᶷᐺՈቊ萢 #-&&'—'*&&

$. A!LARGE!PAINTED!POTTERY!JAR#! MAJIAYAO!CULTURE#!BANSHAN!PHASE#! NEOLITHIC!PERIOD#!,RD!MILLENNIUM! BC ꔢ෸๗෸դ!Ḙ疑逰෈麁!܎ઊ随ࣳ୸ᕲᵄ耴 height 13.5 in — 34.3 cm PROVENANCE"

H.H. Pao Collection, Toronto ग़ևग़ẃ௤‫ݎ‬疑碢ቊ萢 Click here for further provenance information on H.H. Pao #!%-&&'—')%&&&

$* A!GROUP!OF!FOUR!POTTERY!VESSELS#! WARRING!STATES!PERIOD!-(*&-$$'!BC. ౴ࢵ!‫ܦ‬ᕖ箜ᵄ耴Ӟᕟࢥկ tallest height 7 in — 17.8 cm PROVENANCE"

H.H. Pao Collection, Toronto ग़ևग़ẃ௤‫ݎ‬疑碢ቊ萢 Click here for further provenance information on H.H. Pao #!%&&&'—'!%-&&

$/ TWO!SMALL!BLACK!POTTERY! AMPHORAE#!HAN!DYNASTY!-$%/!BC$$%!AD. ࿥!ἓᵄ‫݌‬肊ੜ耴Ӟ੒ tallest height 6.9 in — 17.5 cm PROVENANCE"

H.H. Pao Collection, Toronto ग़ևग़ẃ௤‫ݎ‬疑碢ቊ萢 Click here for further provenance information on H.H. Pao #+&&'—',&&

)& A!PAIR!OF!LARGE!BLACK!POTTERY! AMPHORAE#!HAN!DYNASTY!-$%/!BC$$%!AD. ࿥!ἓᵄ‫݌‬肊耴Ӟ੒ height 12.5 in — 31.8 cm PROVENANCE"

H.H. Pao Collection, Toronto ग़ևग़ẃ௤‫ݎ‬疑碢ቊ萢 Click here for further provenance information on H.H. Pao #$%&&&'—')%&&&

)! A!GREEN-GLAZED!POTTERY!MODEL! OF!A!GRANARY#!HAN!DYNASTY!-$%/! BC-$$%!AD. ࿥!᱌ᖖ衊ᵄ璼 Heavily po!ed and raised on three bear-form supports, all covered in a deep green glaze; fi!ed with a metal cylinder height 11.6 in — 29.5 cm PROVENANCE"

Private Toronto Collection ႈრ ग़ևग़ᐺՈቊ萢 NOTE"

A similar example can be found at the Metropolitan Museum of Art, accession number 13.100.11 随犲᱌ᖖ衊ก瑊ୌꠂ秇ࣳ᧗݇ᘍᕘᕅय़᮷տ 玡ᇔḅ 萢ߝᖫ‫ݩ‬13.100.11 #$&&'—')&&

)$ A!GREEN-GLAZED!‘HU’!VASE#!HAN! DYNASTY!-$%/!BC-$$%!AD. ࿥!ᖖ衊‫݌‬肊ॏ Partially covered in a light-green glaze with silvery iridescence, the vase of compressed bulbous form rising to an elongated neck, the shoulder applied with a pair of taotie mask handles height 18.7 in — 47.5 cm PROVENANCE"

Private Toronto Collection ႈრ ग़ևग़ᐺՈቊ萢 NOTE"

For a similar example, please see Christie’s New York, March 27, 2018, lot 23 随犲࿥դᖖ衊‫݌‬肊ॏ᧗݇ᘍᕘᕅ֯ॊ괔 2018 ଙ3์27෭ ೌߝᖫ‫ݩ‬23 #,&&'—'*&&

)) A!GROUP!OF!EIGHT!POTTERY!TOMB!FIGURES#! HAN/TANG!DYNASTY ࿥/ࠈ!ᵄ‫ז‬Ӟᕟ‫ك‬կ tallest height 8.6 in — 21.8 cm PROVENANCE"

H.H. Pao Collection, Toronto ग़ևग़ẃ௤‫ݎ‬疑碢ቊ萢 Click here for further provenance information on H.H. Pao #$&&'—')&&

)+ A!CHANGSHA!POLYCHROME-DECORATED!BOWL#! TANG!DYNASTY!-AD!/'+-)%*. ࠈ!ᳩꔶ逰괻ᖖ୸哫 The stoneware body po!ed with gently rounded sides rising to a slightly everted rim, the interior painted with cursive decoration in green and brown against a cream ground diameter 6.1 in — 15.5 cm PROVENANCE"

From the Collection of Robert and Nancy Hall, Baltimore, MD ႈრ 聅ࢵḘ᯾‫ه‬癥૬ਫ਼ጱꔘ ᗔ֋ᇙ犌‫૶ܖ‬虦ਫ਼ॢঋյ‫ף‬ቊ萢 NOTE"

Robert E. Hall (1961-2020) and Nancy H. Hall (1934-2015) were well-known philanthropists and advocates of the humanities in Baltimore, Maryland, establishing positions and a fund at Johns Hopkins University, including a professorship position in the Zanvyl Krieger School of Arts and Sciences, a curatorship position at the Sheridan Libraries, and a brain research fund at Johns Hopkins Hospital, as well as establishing a fellowship program at the Walters Art Museum. For similar examples, see Christie’s Hong Kong, October 3, 2016, lot 90; and Bonhams Hong Kong, October 4, 2014, lot 241 随犲ᳩꔶ逰괻ᖖ୸哫᧗݇ᘍ굉჈֯ॊ괔2016ଙ10์3෭ ೌ ߝᖫ‫ݩ‬90 ݊굉჈螸ᅁේ2014ଙ10์4෭ ೌߝᖫ‫ݩ‬241 #!%&&&'—'$%&&&

)A!GROUP!OF!THREE!STRAW-GLAZED! POTTERY!FUNERARY!COVERS#!SONG! DYNASTY!-AD!)/%-'$*). ਟ!ก瑊ở୵ፍӞᕟӣկ tallest height 5.7 in — 14.5 cm PROVENANCE"

H.H. Pao Collection, Toronto ग़ևग़ẃ௤‫ݎ‬疑碢ቊ萢 Click here for further provenance information on H.H. Pao #!&&'—'$&&

), A!GROUP!OF!THREE!QINGBAI-GLAZED! CERAMICS#!SONG!DYNASTY!OR!LATER ਟ౲ๅภ!୽ᶆ衊ꕢ瑊Ӟᕟӣկ Consisting of a bowl, an ewer with kintsugi repair, and a small iron-spo!ed vase ۱珀臢‫ښݗ‬ꖴᏩ ᰂᗂ狕ꛂ絤ꝉፏ‫ݗ‬ॏ ᱈෌ ੜ絵 tallest height 6.8 in — 17.2 cm #+&&'—',&&

). TWO!PEAR-SHAPED!BOTTLE!VASES#! YUAN!DYNASTY!OR!LATER ‫ز‬౲ๅภ!괻ᖖ衊‫ښ‬ꖴᕖ絵Ӟᕟӷկ Both decorated with cursive lines under a pale olive-green glaze stopping above the foot; together with a fabric box with calligraphy to the interior, signed Feng Xianming tallest height 9.1 in — 23 cm PROVENANCE"

Ritchies Auctioneers, Toronto (according to the tag) Private Toronto Collection ႈრ ग़ևग़Ritchiesೌ‫ܕ‬ ग़ևग़ᐺՈቊ萢 #,&&'—'*&&

)* A!LARGE!HENAN!BLACK!AND!RUSSET! GLAZED!JAR!AND!COVER#!YUAN/MING! DYNASTY ‫ز‬/ก!မ‫ܖ‬逰ἓ衊ፍ耴 Heavily po!ed, the body streaked with black and russet glaze save for the base height 16.5 in — 42 cm PROVENANCE"

Ritchies Auctioneers, Toronto (according to the tag) Private Toronto Collection ႈრ ग़ևग़Ritchiesೌ‫ܕ‬ ग़ևग़ᐺՈቊ萢 NOTE"

For a similar example, see Bonhams London, November 3, 2014, lot 112 随犲မ‫ܖ‬逰ἓ衊耴᧗݇ᘍև碄螸ᅁේ 2014ଙ 11์3෭ ೌߝᖫ‫ݩ‬112 #!%&&&'—'!%-&&

)/ A!SMALL!LONGQUAN!CELADON!‘TWIN! FISH’!DISH 鞍ဣ逰ឰ絫୵‫݌‬ṺᏩ With shallow rounded sides rising to an everted rim and carved on the exterior with a band of upright petals, a pair of fish moulded to the interior, overall covered in a semitranslucent pale celadon glaze diameter 5.1 in — 13 cm #)&&'—'-&&

+& A!LONGQUAN!CELADON-GLAZED!JAR#! MING!DYNASTY!OR!LATER ก౲ๅภ!鞍ဣᶆ衊耴 height 7.1 in — 18 cm #+&&'—',&&

+! A!TANG!STYLE!SANCAI-GLAZED! POTTERY!FIGURE!OF!A!HORSE ӣ୸Ḙ Aﬃxed to wood stand overall height 11.5 in — 29.1 cm #!&&'—'!-&

+$ A!GROUP!OF!THREE!SANCAI-GLAZED! POTTERY!TILE!WARRIORS!RIDING! BEASTS#!EARLY!$%TH!CENTURY ԫ‫܈‬Ӯᕉ෱๗!ӣ୸ྎॊḸ猟Ӟᕟӣկ The three mythical warriors depicted riding a tiger, a shishi lion, and a giant fish largest 14.2 x 14.6 in — 36 x 37 cm #-&&'—'*&&

+) A!CHINESE!BROWN!CELADON-GLAZED! YUE-TYPE!TRAY#!SOUTHERN!DYNASTY#! &TH-/TH!CENTURY ‫ܖ‬๖!᩼逰ୗ괻ᶆ衊ፏ diameter 5.4 in — 13.6 cm #+&&'—',&&

++ A!SMALL!GUAN-TYPE!CRACKLEGLAZED!CUP ճਥ逰ੜӣ᪃ੜ磻 diameter 3.2 in — 8.2 cm #)&&'—'-&&

+A!SMALL!GE-STYLE!VASE#!')TH! CENTURY!OR!LATER ‫܈‬ԜӮᕉ౲ๅภ!珠衊ੜ絵 Covered overall in a thick glaze with ‘gold thread’ and ‘iron wire’ crackles, foot rim unglazed height 5.1 in — 13 cm PROVENANCE"

Hamilton Private Collection ࿥ੂਫ਼ᶷᐺՈቊ萢 #!&&'—'$&&

+, A!GE-TYPE!RECTANGULAR!FORM! BRUSH!WASHER#!QIANLONG!MARK Ԧᵇྃ!珠衊ࢥොᒟ။ Of even pale bluish-green tone, the washer suﬀused with a network of dark grey and pale gold crackles, Qianlong six-character seal mark in underglaze blue to the base width 4.6 in — 11.8 cm #*&&'—'!%$&&

+. A!BLUE!AND!WHITE!‘KLAPMUTS’!BOWL#! KANGXI!PERIOD!-'//$-'*$$. Ⴔ!皐ꕐ!ᶆꖴ՛穇ᒏৼᏩ य़ก౮麁ଙ‫ࢻ݌ګ‬皈ྃ Painted to the exterior with ladies and boys in a garden se!ing, eight Buddhist emblems on the exterior of the flared rim, the interior with a roundel enclosing boys at play, base with Chenghua six-character mark within a double circle diameter 6.3 in — 16.1 cm PROVENANCE"

Hamilton Private Collection ࿥ੂਫ਼ᶷᐺՈቊ萢 NOTE"

For a similar example, see Christie’s Amsterdam, June 19, 2012, lot 300 随犲ᶆꖴᏩ᧗݇ᘍᴨঢේᇙԄ֯ॊ괔 2012ଙ 6์19෭ ೌߝᖫ‫ݩ‬300 #*&&'—'!%&&&

+* A!BLUE!AND!WHITE!‘FIGURAL’!PLATE#! KANGXI!PERIOD!-'//$-'*$$. Ⴔ!皐ꕐ!ᶆꖴՈᇔ硲Ԫᕖፏ 纩‫ࢻ݌ݨ‬皈ྃ Painted to the centre with a lady greeting a scholar oﬃcial and a monk in an interior se!ing, the underside decorated with two branches of peaches along the flared rim, the base with an artemesia leaf mark within double circles diameter 8.9 in — 22.7 cm PROVENANCE"

Hamilton Private Collection ࿥ੂਫ਼ᶷᐺՈቊ萢 NOTE"

For a similar example, see Christie’s London, November 6, 2019, lot 18 随犲皐ꕐՈᇔፏ᧗݇ᘍ舣ࢵ֯ॊ괔2019ଙ11 ์6෭ ೌߝᖫ‫ݩ‬18 #*&&'—'!%&&&

+/ A!BLUE!AND!WHITE!‘LOTUS’!LOBED! PLATE#!KANGXI!PERIOD!-'//$-'*$$. Ⴔ!皐ꕐ!ᶆꖴꖴ‫ݗ‬ፏ Painted with flowers within lappets on both the interior and exterior of the moulded body, the center decorated with flower heads amongst scrolling vines diameter 8.5 in — 21.5 cm PROVENANCE"

Hamilton Private Collection ࿥ੂਫ਼ᶷᐺՈቊ萢 #)&&'—'-&&

-& AN!‘EGG!AND!SPINACH’!GLAZED! LIBATION!CUP#!KANGXI!PERIOD!OR! LATER 皐ꕐ౲ๅภ!ᔰӣ୸衊ꕢ磻 Biscuit-fired and modeled in the form of a rhinoceros horn libation cup supported by woody branches, covered overall in a sancai glaze with an ‘egg and spinach’ pale!e height 3.9 in — 10 cm NOTE"

Originally created as an imitation of Tang Dynasty sancai wares, this unique type of ‘three-colour’ sancai glaze was popularized during Kangxi’s reign and is characterized by patches of white, yellow, green, brown and purple colour, aﬀectionately named ‘egg and spinach’ decoration by Western collectors and ‘tiger skin pa!ern’ by Chinese antiquarians. #)&&'—'-&&

-! A!BLUE!AND!WHITE!‘DRAGONS’!SNUFF! BOTTLE#!YONGZHENG!MARK ᵢྋྃ!ᶆꖴၹ࿜鞍ᕖἲ輱ॏ Of tall cylindrical form, decorated in underglaze cobalt with a dragon chasing a flaming pearl against a ‘wanzi’ ground, a second dragon appearing just above the waves, fourcharacter Yongzheng seal mark to base, with agate stopper ଃሸቯፍ height 3.5 in — 8.9 cm #$&&'—'+&&

-$ A!CHINESE!EXPORT!ARMORIAL!PLATE#! M’ARTHUR#!CIRCA!'*)&#!TOGETHER! WITH!AN!ARMORIAL!TEACUP!AND!A! CUP!AND!SAUCER#!QIANLONG!PERIOD#! '+TH!CENTURY ᕅ#%&"ଙ!Ԧᵇ෸๗!क़ᲀꕢ瑊Ӟᕟࢥկ largest diameter 9.6 in — 24.5 cm #+&&'—',&&

-) A!CHINESE!EXPORT!‘EUROPEAN! SUBJECT’!BOX!AND!COVER#! TOGETHER!WITH!A!FAMILLE!ROSE! ‘FIGURAL’!TEAPOT#!'+TH!CENTURY ‫ك܈‬Ӯᕉ!Ӿࢵक़ᲀ఺ୗՈᇔᕖፍፋ!क़ᲀ矟 ᰂᔇ୸ՈᇔᕖꖵॏӞᕟӷկ The box cover painted with a bust portrait in the Renaissance Deruta (Majolica) style, with pseudo Latin/Italian script bordering the portrait and along the sides of the base, an endless knot mark in iron-red to the underside tallest height 5.1 in — 13 cm PROVENANCE"

Hamilton Private Collection ࿥ੂਫ਼ᶷᐺՈቊ萢 #)&&'—'-&&

-+ A!LARGE!BLUE!AND!WHITE!‘BIRDS!AND! FLOWERS’!BOWL#!LATE!'+TH!CENTURY ‫ك܈‬Ӯᕉภ๗!ᶆꖴꖴềᕖय़Ꮹ The exterior of the vessel decorated in underglaze blue with a continuous scene of birds of paradise, peonies, rocks and flowering bushes, a similarly decorated floral scene to interior centre and along the rim diameter 15.7 in — 40 cm #*&&'—'!%&&&

-A!BLUE!AND!WHITE!OCTAGONAL! ‘LANDSCAPE’!DISH#!TOGETHER!WITH! TWO!CUPS#!'+TH!CENTURY ‫ك܈‬Ӯᕉ!ᶆꖴ‫ك‬ꝉઊ࿜ࢶፏ!ᶆꖴੜ磻ӷ‫ݝ‬ Ӟᕟӣկ largest diameter 8.7 in — 22 cm #$&&'—'+&&

-, A!CHINESE!EXPORT!BLUE!AND!WHITE! PLATTER#!TOGETHER!WITH!A!MEAT! DISH!AND!MAZARINE!AND!AN!IMARI! PLATE#!'+TH/')TH!CENTURY ‫ك܈‬/‫܈‬ԜӮᕉ!ᶆꖴक़ᲀፏӞᕟӣկ largest length 14 in — 35.6 cm #)&&'—'-&&

-. A!GROUP!OF!FIVE!FAMILLE!ROSE! ‘FLORAL’!PLATES#!'+TH/')TH!CENTURY ‫ك܈‬/‫܈‬ԜӮᕉ!ᔇ୸ꖴ‫܍‬ᡩ艟ᕖፏӞᕟԲկ Consisting of four 18th century circular plates and one 19th century octagonal plate largest diameter 10.2 in — 26 cm #)&&'—'-&&

-* A!GROUP!OF!FOUR!BLUE!AND!WHITE! WARES#!'+TH!CENTURY!AND!LATER ‫ك܈‬Ӯᕉ݊ๅภ ᶆꖴ瑊Ӟᕟࢥկ 珀ꖴềᕖᒻ絵牧ꖴềᕖឰৼ耴牧ਞ‫ܖ‬虡肊絵牧皐ꕐୗْᕖ耴 Consisting of a cylindrical ‘birds and flowers’ vase; a small ‘birds and flowers’ lotus jar; an Annamese elephant-ear ‘floral’ vase; and a Kangxi-style ‘mythical beast’ jar tallest height 9.6 in — 24.5 cm #)&&'—'-&&

-/ TWO!SETS!OF!FAMILLE!ROSE!CUPS! AND!SAUCERS#!TOGETHER!WITH!A! BLUE!AND!WHITE!LOBED!DISH!AND! A!TRANSFERWARE!INKWELL#!'+TH! CENTURY!AND!LATER ‫ك܈‬Ӯᕉ݊ๅภ ꕢ瑊Ӟᕟ‫م‬կ ۱珀ᔇ୸ꖴềᕖ磻Ꮾӷॺ ᶆꖴꖴ‫ݗ‬Ոᇔᕖ ੜᏮ牧ᶆꖴ‫ܦ‬ꖴᎼ‫ݣ‬ଃ皈蟂ຽᓋ物藥ঢේኮ ୁ Ӿࢵक़ᲀꕢ瑊 ଙ largest diameter 4.6 in — 11.6 cm #$&&'—')&&

,& A!GROUP!OF!SIX!CHINESE!FAMILLE! ROSE!WARES#!'+TH!CENTURY!AND! LATER ႴӾภ๗!ᔇ୸瑊Ӟᕟ‫م‬կ Consisting of five Qianlong export wares, including a famille rose ‘bu!erfly and flowers’ punch bowl, three ‘figural’ dishes, and a small ‘bu!erfly and flowers’ cup; together with a 19th century ‘goldfish’ snuﬀ bo!le with jade stopper 珀Ԧᵇ෸๗क़ᲀᣕ‫܍‬ᕖय़Ꮹ ՈᇔᕖੜᏮӣ ‫ ݝ‬ꖴᣕᕖੜ磻Ӟ‫܈݊ ݝ‬ԜӮᕉ෱๗ ᔇ୸Ṻ ꗈᕖἲ輱ॏଃሳፍଌ largest diameter 10.3 in — 26.1 cm #,&&'—'*&&

,! A!BLUE-ENAMELED!‘FIGURAL’!BOWL#! QIANLONG!MARK#!LATE!QING! DYNASTY ภႴ!᠗୸ସᴺՈᇔᕖᏩ!Ԧᵇ皈ྃ Finely decorated in overglaze blue enamels, iron red and gilt, the bowl depicting an idyllic family scene in a garden se!ing, six-character Qianlong mark to base diameter 4.4 in — 11.1 cm PROVENANCE"

From a Private Toronto Collection ग़ևग़ᐺՈቊ萢 NOTE"

For a similar example, see Bonhams San Francisco, June 26, 2019, lot 516 #,&&'—'!%&&&

,$ A!FAMILLE!ROSE!‘DRAGON!AND! PHOENIX’!WINE!CUP!WARMER#! GUANGXU!MARK#!')TH/$%TH! CENTURY ‫܈‬Ԝ/ԫ‫܈‬Ӯᕉ!ᔇ୸鞍‫ڀ‬ᕖჅ蟸ፍፂ!‫ط‬ᖃྃ Six-character iron-red mark to the base ‘य़Ⴔ ‫ط‬ᖃଙ‫ ’ګ‬除ᕁ皈ྃ height 3.7 in — 9.5 cm #+&&'—',&&

,) A!FAMILLE!ROSE!ENAMELED!‘WU! SHUANG!PU’!TEAPOT!AND!COVER#! TOGETHER!WITH!TWO!TEA!CUPS 螇‫ݶ!ط‬လ皈ྃ!‘闫‫݌‬ᨏ’ꖵॏꖵ磻Ӟᕟӣկ Each depicting characters from ‘Wushuang Pu’, painted in bright colors and black enamels, embellished with a gilt strip to the rims; the teapot with six-character Daoguang seal mark in iron red, the cups with Tongzhi marks teapot height 4.7 in — 12 cm PROVENANCE"

From a Private Toronto Collection ग़ևग़ᐺՈቊ萢 NOTE"

For similar cups, see Bonhams Los Angeles, -81( /27 随犲 ņ闫‫݌‬ᨏŇꖵ磻᧗݇ᘍ၎๩Ꭻ螸ᅁේ ଙ ์ ෭牧ೌߝᖫ‫ ݩ‬ #!%&&&'—'!%-&&

,+ A!SET!OF!FIVE!FAMILLE!ROSE!AND!GILT! ‘WU!SHUANG!PU’!PLATES#!LATE!QING! DYNASTY ภႴ!ᔇ୸矟ᰂ’闫‫݌‬ᨏ’ፏӞᕟԲկ Each with the interior painted with a band of figures from ‘Wu Shuang Pu’ sectioned by descriptions of each character, the central roundel enclosing a fi$h figure, the rims embellished with gilding largest diameter 7.9 in — 20 cm PROVENANCE"

Hamilton Private Collection ࿥ੂਫ਼ᶷᐺՈቊ萢 #,&&'—'*&&

,A!FAMILLE!ROSE!‘EIGHT!IMMORTALS’! COVERED!BOWL#!TOGETHER!WITH! A!FAMILLE!ROSE!‘MONKEYS’!SNUFF! BOTTLE#!LATE!QING!DYNASTY ภႴ!ᔇ୸’‫ك‬՟’ᕖᏩ!ᔇ୸輓糞ᕖἲ輱ॏӞ ᕟӷկ Both the bowl and cover with Qianlong sixcharacter marks ‫ك‬՟ᕖᏩፍ犌ࢻ᪃ٖ璂ԡꯕ’ य़ႴԦᵇଙ‫ګ‬Ň‫ਁم‬缯ԡྃ牧Ꮹٖ‫ڰ‬ŇꔊŇਁ bowl diameter 4.7 in — 12 cm PROVENANCE"

From a Private Toronto Collection ग़ևग़ᐺՈቊ萢 NOTE"

The bowl inscribed to the interior with the Chinese character ꔊ ‘Gong’ #,&&'—'*&&

,, A!CHINESE!ENAMELED!‘BUTTERFLY’! LOBED!BOWL!WITH!TURQUOISE! INTERIOR#!TONGZHI!MARK#!')TH! CENTURY Ⴔ‫܈‬ԜӮᕉ!‫ݶ‬လྃᔇ୸괸ᣕᕖො୵ੜᏩ Iron-red Tongzhi seal mark to base, with hardwood stand ‘य़Ⴔ‫ݶ‬လଙ‫’ګ‬除ᕁ皈ྃ, ଃܻ๙ଷ 2.8 x 8 in — 7 x 20.4 cm #$&&'—'+&&

,. A!GROUP!OF!EIGHT!FAMILLE!ROSE! WARES#!LATE!QING!DYNASTY ภႴ!ᔇ୸瑊Ӟᕟ‫ك‬կ!‫ݶ‬လ皈ྃ Consisting of two covered tea bowls, one teapot, two cups, and three bowls 珀ӷ‫ݝ‬ፍ Ꮹ牧Ӟ‫ݝ‬ꖵॏ牧ӷ‫ݝ‬ੜ磻牧ӣ‫ݝ‬ੜᏩ largest diameter 4.4 in — 11.2 cm PROVENANCE"

From a Private Toronto Collection ग़ևग़ᐺՈቊ萢 #,&&'—'*&&

,* A!GROUP!OF!FOUR!FAMILLE!ROSE! WARES#!')TH!CENTURY!AND!LATER ‫܈‬ԜӮᕉ݊ๅภ!ᔇ୸瑊Ӟᕟࢥկ 珀‫ݶ‬လྃᔇ୸Ոᇔংॏ牧‫ط‬ᖃྃᔇ୸除ᕁ矟 ᰂ鞍ᕖ磻牧ࡱଣྃ괸ᣕᕖፍፈ牧‫ݶ‬လྃᔇ୸ Ոᇔᕖᒻ絵 Consisting of famille rose ‘figural’ creamer with Tongzhi mark, a small famille rose iron-red and gilt ‘dragon’ cup with Guangxu mark, a famille rose ‘bu!erfly’ cup and cover with Jiaqing mark, and a famille rose cylindrical ‘figural’ vase with Tongzhi mark largest height 7.2 in — 18.2 cm #-&&'—'*&&

,/ A!FAMILLE!ROSE!‘FIGURAL’!SNUFF! BOTTLE#!')TH!CENTURY ‫܈‬ԜӮᕉภ๗!ᔇ୸’ຂӥ੒鹪’ࢶἲ輱ॏ height 2.8 in — 7.1 cm NOTE"

With ‘Jian Ding’ (certified) export wax seal on the base 皈蟂ଃํŇ ਧŇ箛ᄉ #!&&'—'$&&

.& AN!ORMOLU!MOUNTED!CHINESE! PORCELAIN!LANTERN#!$%TH!CENTURY ԫ‫܈‬Ӯᕉ!᲻ᰂᱞ᳨ᔇ୸ꕢ輐Ӟ੒ height 12.1 in — 30.8 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #$&&'—')&&

.! A!CANTON!FAMILLE!ROSE!STYLE! PORCELAIN!UMBRELLA!STAND#!$%TH! CENTURY ԫ‫܈‬Ӯᕉ!ᔇ୸Ոᇔ硲Ԫᕖᒻ height 18.5 in — 47 cm #-&'—'*&

.$ A!GROUP!OF!FIVE!CHINESE!CERAMIC! WARES#!LATE!')TH/EARLY!$%TH! CENTURY ‫܈‬Ԝ/ԫ‫܈‬Ӯᕉ!皐ꕐᨘྃᨗᕁੜ絵Ӟ੒!ᔇ୸ 秇‫ܦ‬鞍ᕖ‫ܦ‬ፋ!ᔇ୸ා瑊᱊ӞᕟԲկ Consisting of two miniature peachbloomglazed bo!le vases with Kangxi marks, two famille rose moulded porcelain ‘dragons’ seal paste boxes with Qianlong marks, and an enameled glass call bu!on overall diameter 2.8 in — 7 cm #!&&'—'$&&

.) A!SMALL!CLAIRE-DE-LUNE!VASE#! KANGXI!MARK#!')TH!CENTURY ‫܈‬ԜӮᕉ!皐ꕐྃॠ᠗衊ੜ絵 With Kangxi six-character mark in underglaze cobalt to the base height 5.1 in — 13 cm PROVENANCE"

Hamilton Private Collection ࿥ੂਫ਼ᶷᐺՈቊ萢 #$&&'—')&&

.+ A!CHINESE!BLUE!AND!WHITE! ‘FIGURAL’!CENSER#!TOGETHER!WITH!A! RECTANGULAR!COVERED!BOX#! ')TH!CENTURY ‫܈‬ԜӮᕉ!ᶆꖴՈᇔᕖ阣!ᳩො鞍ᕖፍፋӞᕟ ӷկ censer 4.6 x 5 in — 11.8 x 12.6 cm #)&&'—'-&&

.A!GROUP!OF!FOUR!BLUE!AND!WHITE! SEAL!PASTE!BOXES#!TOGETHER!WITH! A!WATER!POT#!LATE!')TH!CENTURY ภႴ!ᶆꖴ‫ဲܦ‬ፋ!࿜ӵӞᕟࢥկ largest diameter 2.8 in — 7 cm #)&&'—'-&&

., A!LARGE!BLUE!AND!WHITE!‘DOUBLE! HAPPINESS’!VASE#!TOGETHER!WITH!A! PAIR!OF!GINGER!JARS#!')TH!CENTURY ‫܈‬ԜӮᕉ!ᶆꖴ’‫’ࡅ݌‬य़絵੒耴Ӟᕟӣկ tallest height 23.6 in — 60 cm #)&&'—'-&&

.. A!BLUE!AND!WHITE!CRACKLEDGLAZED!BOWL!AND!COVER#!$%TH! CENTURY ԫ‫܈‬Ӯᕉ!ᶆꖴ୏ᇆࢺፍፋ With Shunzhi mark to base ᶲလ皈ྃ diameter 6.2 in — 15.7 cm #!&&'—'$&&

.* A!GROUP!OF!FOUR!SMALL!PORCELAIN! WARES#!')TH/$%TH!CENTURY ‫܈‬Ԝ ԫ‫܈‬Ӯᕉ ꕢ瑊Ӟᕟࢥկ 珀‫ط‬ᖃᶆꖴՈᇔੜො絵 ᶆꖴꖽ雇ੜ絵牧ᶆ ꖴꖴ‫ݗ‬ੜᏮ牧ᶆꖴ鞍ᕖ‫ဲܦ‬ፋ 皈蟂ํਧ箛 ᄉ ᮑࢵᰮྃ ू୸‫ဲܦ‬ፋ ଙ Consisting of a small blue and white ‘figural’ square vase, Guangxu period; a small blue and white gourd vase; a blue and white ‘dragon’ seal paste box; and a grisaille-enameled seal paste box, signed Wu Guojun and dated 1948 largest height 4.9 in — 12.5 cm #$&&'—')&&

./ TWO!BLUE!AND!WHITE!‘PRUNUS’! GINGER!JARS ᶆꖴ٩໶ࢶ耴Ӟᕟӷկ height 5.6 in — 14.3 cm #$&&'—')&&

*& A!PAIR!OF!BLUE!AND!WHITE!‘FIGURAL’! BOWLS#!CIRCA!')$% ᕅ#&'(ଙ!ᶆꖴ’ỹ蒖ፘԩ’ᕖ᷌ᦸᏩӞ੒!!‘࿯ ᥜꕢӱ‫’ݪل‬皈ྃ The sides decorated with a farmer watching a bird engaged with a clam, ‘Jiangxi Porcelain Company’ mark to base diameter 5 in — 12.8 cm NOTE"

The motif depicted is a pictorial rendition of the classical Chinese proverb “if a sandpiper and a clam are locked in combat, it is only to the advantage of the fisherman.” #+&&'—',&&

*! A!FAMILLE!VERTE!‘FIGURAL’!CHARGER#! LATE!')TH/EARLY!$%TH!CENTURY ‫܈‬Ԝ/ԫ‫܈‬Ӯᕉ!Բ୸Ոᇔᕖय़ፏ diameter 17.9 in — 45.5 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #+&&'—',&&

*$ A!MASSIVE!FAMILLE!VERTE!‘FIGURAL’! CHARGER#!MID!TO!LATE!$%TH! CENTURY ԫ‫܈‬Ӯᕉ෱Ӿ๗!Բ୸Ոᇔᕖय़ፏ Decorated to the centre with an auspicious scene of women and children, the underside painted with four sprays of pine, bamboo, and plum blossom, six-character Kangxi seal mark to base diameter 24.1 in — 61.2 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #)&&'—'-&&

*) A!LARGE!FAMILLE!VERTE!‘DRAGON’! BOWL#!WANLI!MARK#!$%TH!CENTURY ԫ‫܈‬Ӯᕉ!Բ୸ၹ࿜ԯ鞍᩷ቐᕖय़Ꮹ!ӡܲ皈 ྃ Painted in colored enamels with dragon flying above a foaming sea chasing thunder bolts amongst scrolling clouds, with six-character Wanli mark to base य़กӡܲଙ‫ਁمګ‬禇ԡ 皈ྃ diameter 11.2 in — 28.4 cm #$&&'—')&&

*+ A!PAIR!OF!CHINESE!EXPORT!CANTON! FAMILLE!ROSE!RETICULATED! LANTERNS!AND!STANDS#!EARLY!')TH! CENTURY ‫܈‬ԜӮᕉ෱๗!क़ᲀଠ୸ꕢ輐ଃଷӞ੒ overall height 11.2 in — 28.5 cm NOTE"

For a similar pair, see Christie’s Interiors, January 10, 2012, lot 273 随犲क़ᲀଠ୸輐᧗ᥠ֯ॊ괔 ଙ ์ ෭牧ೌߝᖫ‫ ݩ‬ #*&&'—'!%$&&

*A!PAIR!OF!CHINESE!EXPORT!CANTON! FAMILLE!ROSE!CYLINDRICAL!‘FIGURAL’! VASES#!')TH!CENTURY ‫܈‬ԜӮᕉ!क़ᲀଠ୸ᱻْ肊絵Ӟ੒ height 12 in — 30.5 cm #+&&'—',&&

*, A!GROUP!OF!FIVE!CHINESE!EXPORT! CANTON!FAMILLE!ROSE!DINNER! WARES#!')TH!CENTURY ‫܈‬ԜӮᕉ!क़ᲀଠ୸ᏩፏӞᕟԲկ Consisting of a lobed tureen, two circular dishes, a punch bowl, and a reticulated oval dish largest length 11.8 in — 30 cm #,&&'—'*&&

*. A!CANTON!ENAMELED!CELADON! VASE#!')TH!CENTURY ‫܈‬ԜӮᕉ!ଠ୸क़ᲀᶆ衊ᔇ୸ꖴềᕖ絵 entire body restored height 9.3 in — 23.6 cm NOTE"

For a similar example, see Bukowskis, Sweden, October 28, 2018, lot 1048562 随犲ੜ絵᧗݇ᘍታَBukowskis牧 ଙ ์ ෭牧ೌߝᖫ‫ ݩ‬ #-&'—'*&

** A!PAIR!OF!CANTON!ENAMELED! CELADON!DISHES#!')TH!CENTURY ‫܈‬ԜӮᕉ!ଠ୸ꖴềᕖፏӞ੒ diameter 7.2 in — 18.3 cm #!&&'—'$&&

*/ A!CANTON!FAMILLE!ROSE!BEAKER! VASE#!LATE!')TH/EARLY!$%TH! CENTURY ภႴ/࿆ࢵ෸๗!ଠ癥क़ᲀᔇ୸Ոᇔꖴềᕖ疧 height 15.1 in — 38.4 cm #$&&'—')&&

/& A!GROUP!OF!TEN!CHINESE!EXPORT! CANTON!FAMILLE!ROSE!TEA!WARES#! ')TH!CENTURY!AND!LATER ‫܈‬ԜӮᕉ݊ๅภ!क़ᲀଠ୸ꖵٍӞᕟ‫܈‬կ Consisting of a creamer, a lidded sugar bowl, an oval dish, two circular plates, two sets of cups and saucers, and a shaker tallest height 5.7 in — 14.5 cm #+&&'—',&&

/! A!CANTON!FAMILLE!ROSE!SET!OF!TWO! TEACUPS!AND!A!TEAPOT#!TOGETHER! WITH!A!BAMBOO!STORAGE!BASKET#! CIRCA!'),% ࿆ࢵ෸๗!ଠ癥क़ᲀᔇ୸ꖵٍଃܻᒓፋӞॺ ‫ࢥو‬կ teapot height 5.7 in — 14.5 cm #$&&'—')&&

/$ A!GROUP!OF!TWELVE!CHINESE! EXPORT!CANTON!FAMILLE!ROSE! WARES#!$%TH!CENTURY ԫ‫܈‬Ӯᕉ!क़ᲀଠ୸瑊Ӟᕟ‫܈‬ԫկ Consisting of eleven plates and one punch bowl 珀ፏ‫܈‬Ӟկ牧य़ᏩӞ‫ݝ‬ largest diameter 14 in — 35.5 cm #$&&'—')&&

/) A!COPPER-RED!GLAZED!VASE#! TOGETHER!WITH!A!SMALL!SHIWAN! VASE#!')TH/$%TH!CENTURY ‫܈‬Ԝ/ԫ‫܈‬Ӯᕉ!ᕁ衊耴!Ꭺ걁逰ᕁ衊ੜᩝ絵Ӟ ᕟӷկ The large vase with a wooden cover and stand; the smaller Shiwan vase covered in a thick pomegranate-coloured glaze with a square seal mark to the underside Ꭺ걁ੜ絵皈ྃ: ‘걁࿯ ‫ګ‬ᵄ’ largest overall height 14.2 in — 36 cm #$&&'—')&&

/+ A!FAMILLE!ROSE!FIGURE!OF!FU!XING#! ')TH!CENTURY#!TOGETHER!WITH!A! PAIR!OF!FAMILLE!NOIRE!GINGER!JARS#! $%TH!CENTURY ภႴ/࿆ࢵ෸๗!ᔇ୸ᐰจꕢ猟!ἓ瑿ᔇ୸੒耴 Ӟᕟӣկ The figure depicting the God of Happiness carrying a child; the ginger jars decorated with phoenixes against a peony ground figure height 18.9 in — 48 cm #$&&'—')&&

/A!PAIR!OF!CHINESE!PORCELAIN! CRANES#!REPUBLICAN!PERIOD ࿆ࢵ෸๗!ᰂӡᐰ)#&##-!+ꗰꕢỲӞ੒ ‘Jin Wanfu’ seal mark to base height 15.7 in — 40 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 NOTE"

The ‘Jin Wanfu’ porcelain company was established in 1911 ‘ᰂӡᐰ’‫ګ‬ꕢ‫ݪل‬౮缏ԭ1911ଙ #$&&'—')&&

/, A!PAIR!OF!YELLOW-GROUND!FAMILLE! ROSE!FISH!BOWLS#!DAOGUANG!MARK#! EARLY!TO!MID!$%TH!CENTURY ԫ‫܈‬Ӯᕉ෱/Ӿ๗!Ἆ瑿ᔇ୸ṺꗈՈᇔᕖ‫ܫ‬耫 Ӟ੒!螇‫ط‬皈ྃ Each painted in bright enamels with one panel depicting four boys at play and another with four military and scholar oﬃcials, interspersed by a dragon and phoenix pair, the interior decorated with goldfish 9.1 x 12.4 in — 23 x 31.5 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #$&&'—')&&

/. A!PAIR!OF!LARGE!CHINESE!YELLOWGROUND!FAMILLE!ROSE!JARDINIERES#! MID!$%TH!CENTURY ԫ‫܈‬ӮᕉӾ๗!Ἆ瑿ᔇ୸Ոᇔᕖय़耫Ӟ੒ The sides painted with two cartouches of figural processions against a ground of shishi lions 14.3 x 13.9 in — 36.2 x 35.3 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #$&&'—')&&

/* A!PAIR!OF!MOULDED!‘DRAGON’! MEIPING!VASES#!QIANLONG!MARK#! $%TH!CENTURY ԫ‫܈‬Ӯᕉ!Ԧᵇྃ!᠗衊ṛၶ꘍矟ᰂ鞍绝ၹ࿜ ᕖ໶絵Ӟ੒ ‫ݗ‬窂ٖ݊瑊皈璂碞ᖖຂᎪ衊牧‫ݗ‬窂॒矟ᰂ牧皈ྃԅ矟ᰂŇय़ႴԦᵇଙ‫ګ‬Ň‫ਁم‬缯ԡྃ height 13.6 in — 34.5 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #,&&'—'*&&

// A!BLUE!AND!WHITE!‘MALLET’!VASE#! KANGXI!MARK 皐ꕐྃ!ᶆꖴࢫꖴᕖᳩ᷀絵 height 9.8 in — 24.8 cm #+&&'—',&&

!&& A!DOUCAI!‘LANCA’!CUP#!YONGZHENG! MARK#!$%TH!CENTURY ԫ‫܈‬Ӯᕉ!෎୸ឰ箓祋෈磻!‘य़Ⴔᵢྋଙ‫م’ګ‬ ਁ缯ԡ皈ྃ The cup painted with lanca characters amongst lotus scrolls, Yongzheng six-character mark to base diameter 3.5 in — 8.8 cm PROVENANCE"

From a Private Toronto Collection ग़ևग़ᐺՈቊ萢 #)&&'—'-&&

!&! A!WHITE!GLAZED!VESSEL!AND!COVER#! GUANG#!$%TH!CENTURY ԫ‫܈‬Ӯᕉ!ጮ衊ճ‫ْݘ‬ᶎᕖ薻 Modeled a$er the ancient Chinese ‘Guang’ ritual wine vessel, the body is moulded with stylized archaistic pa!erns, the cover formed by a mythical beast with horns and bulging eyes, finished with a rich creamy glaze overall 碉瑊ꗰࣳ秇ճᶆᱞ薻牧ፍ ᶮ蟂珊෼ْḒ୵牧ᕰٍ‫఺ݘ‬ height 4.3 in — 11 cm #!&&'—'$&&

!&$ A!COMPLETE!SET!OF!CERAMIC!FIGURES!OF! THE!EIGHTEEN!LUOHAN!-ARHATS.#!SHIWAN#! CIRCA!')+% ᕅ#&$(ଙ!Ꭺ걁逰‫ك܈‬ᗔ࿥Ӟॺ Consisting of the ‘Deer Si!ing Luohan’, the ‘Happy Luohan’, the ‘Raised Bowl Luohan’, the Raised Pagoda Luohan’, the ‘Meditating Luohan’, the ‘Overseas Lohan’, the ‘Elephant Riding Luohan’, the ‘Laughing Lion Luohan’, the ‘Open Heart Luohan’, the ‘Raised Hand Luohan’, the ‘Thinking Luohan’, the ‘Scratch Ear Luohan’, the ‘Calico Bag Luohan’, the ‘Plantain Luohan’, the ‘Long Eyebrow Luohan’, the ‘Doorman Luohan’, the ‘Taming Dragon Luohan’, and the ‘Taming Tiger Luohan’; each with an impressed seal mark to the interior tallest height 10.4 in — 26.5 cm NOTE"

In Chinese Buddhism, the Eighteen Luohans were the original followers of the Gautama Buddha. The number of monks was fixed to eighteen sometime around the end of the Tang Dynasty. For further discussion on the Eighteen Luohan, please see the footnotes in Bonhams San Francisco, June 21, 2011, lots 8011 and 8020 #,&&'—'*&&

!&) PANG!WENZHONG!-')&'-!.#!A!SHIWAN! FIGURE!OF!A!SEATED!OFFICIAL ଲ෈ம!)#&"#-!+!Ꭺ걁逰ࣖ猟 Incised square seal on the back ꖤ蟂‫ܦڰ‬物ଲ෈ம height 7.7 in — 19.5 cm NOTE"

ଲ෈ம牧Ӿࢵᵄꕢᜏ๞य़趂牏ଠӳꕯૡᜏ聅 ๞Ӟᕆय़趂牏ṛᕆૡᜏ聅๞趂牏Ӿࢵૡᜏ 聅๞਍տտާ牏֡ઊ૱ૡᜏ聅๞਍տ‫ۅ‬ቘ Ԫᳩ牧ሿ犨ᘳԭ֡ઊ૱ꔢᎪ걁聅๞ᵄꕢ‫ܯ‬ ‫֢ڠ‬ਰ牐 #$&&'—')&&

!&+ A!SHIWAN!FIGURE!OF!LI!TIEGUAI Ꭺ걁逰磷᱈瞨猟 Seal mark to interior: Bei Han Si 皈ྃ: 麃੆੓ height 9.3 in — 23.5 cm #!&&'—'$&&

!&A!GROUP!OF!THREE!YIXING!ZISHA! WARES ਩‫ي‬ᔳꕵꖵٍӞᕟӣկ Consisting of a ‘lotus and frog’ water dropper, signed ‫݋‬葦; a brown half melon-shaped twinspout teapot with calligraphic inscription ‘‫ܖ‬ ᴡՈᷴꖸᄣ࿜闅緡ጯ઎ታ‫ܮ‬Ռ‫س‬य़ՈႴߝ ஞᛪ֢’, the base signed 磥ᴩ܏ḅ; and a tall dark brown teapot with bamboo design, signed ‫ݥ‬媣裾蕣 height 7.7 in — 19.5 cm #*&&'—'!%&&&

!&, A!GROUP!OF!TWENTY-NINE!‘HOI! AN!HOARD’!VIETNAMESE!BLUE!AND! WHITE!MINIATURE!JARLETS#!'&TH! CENTURY ‫܈‬ԲӮᕉ!᩼‫’ܖ‬ਞ‫’ݩܖ‬ᶆꖴੜ耴Ӟᕟԫ‫܈‬ Ԝկ Consisting of one larger jarlet and twenty-eight miniature jarlets in bags, with original ‘Saga Hoi An Hoard - VISAL’ stickers 皈蟂ଃܻ’Saga-Hoi An Hoard-VISAL’ຽᓋ largest height 1.7 in — 4.4 cm NOTE"

For further discussion on the Hoi An Hoard, please refer to our blog post ‘Discovering the Hoi An Hoard’ on our website #)&&'—'-&&

!&. A!BRONZE!‘FOREIGNER’!CANDLESTICK#! MING!DYNASTY#!'*TH!CENTURY ก!‫܈‬犊Ӯᕉ!ᱞ괲Ո辐ਪ輰‫ݣ‬ The figure cast standing on a hexagonal waisted plinth, one arm raised to support a drip pan and socket height 7.6 in — 19.3 cm NOTE"

For larger examples, see Christie’s Paris, June 8, 2021, lot 173; and Sotheby’s New York, September 17, 2016, lot 1141 随犲ᱞ괲Ո辐ਪ輰‫݇᧗ݣ‬ᴅᕘᕅᝁ੄ 穉牧 ଙ ์ ෭牧ೌߝᖫ‫݊ ݩ‬૬讝 ֯ॊ괔牧 ଙ ์ ෭牧ೌߝᖫ‫ ݩ‬ #,&&'—'*&&

!&* A!CHINESE!BRONZE!TRIPOD!CENSER! FOR!THE!ISLAMIC!MARKET#!'*TH! CENTURY ‫܈‬犊Ӯᕉ!क़ᲀնේ‫ه‬ᴨ೉֋෈ӣ᪃ᱞ阣!ਯ 盓皈ྃ Xuande six-character mark to base diameter 5.7 in — 14.5 cm #)%&&&'—'-%&&&

!&/ A!BRONZE!INCENSE!BURNER#!YU!TANG! QING!WAN!MARK#!TOGETHER!WITH!A! BRONZE!VESSEL!WITH!RING!HANDLES ᱞ’ሳ璤Ⴔሻ’ྃ‫݌‬肊阣!!ᱞْ肊ᤊ辘耴Ӟᕟ ӷկ largest height 7.3 in — 18.5 cm #$&&'—'+&&

!!& A!BRONZE!CENSER#!XUANDE!MARK ਯ盓ྃᱞ阣 The censer with a pair of prominent loop handles below the flat rim, the base cast with an apocryphal Xuande six-character mark within a rectangular cartouche; together with a wood stand and cover with a reticulated jade finial ๙Ჽ꘍阣ፍଃሳ蝚꘍ઊৼᕖᰵ ๙皈ଷ diameter 9 in — 22.9 cm #-&&'—'*&&

!!! A!CHINESE!BRONZE!CENSER#!COVER! AND!STAND#!$%TH!CENTURY ԫ‫܈‬Ӯᕉ!ᱞ鞍ᕖ굉阣!ਯ盓皈ྃ Six-character Xuande mark to base overall height 12.4 in — 31.4 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #+&&'—',&&

!!$ A!CHINESE!ELMWOOD!ALTAR!TABLE Ӿୗ༹๙ଘ賻ໜ 36.9 x 56.9 x 16.7 in — 93.8 x 144.5 x 42.3 cm NOTE"

This lot is oﬀered without reserve. ྌೌߝԅ闫皈հೌߝ This lot is available for oﬀsite pick up at: Murrays Auctioneers 282 Monarch Ave., Unit 20 Ajax, Ontario, Canada L1S 2G6. Please contact the Asian Art Department (416847-6195 or asianart@waddingtons.ca) for more information. ྌೌߝፓ‫ࣁਂؙڹ‬Murrays Auctioneers 瑿 ࣎ 282 Monarch Ave., Unit 20 Ajax, Ontario, Canada L1S 2G6. ᧗관羬౯蟂ᳪ416-847-6195 ౲asianart@waddingtons.ca 酄玲ๅग़‫௳מ‬ #+&&'—',&&

!!) A!CHINESE!ELMWOOD!LOW!SQUARE! TABLE Ӿୗ༹๙꘍‫ܫ‬ԯᕖොໟ 17 x 37.1 x 36.7 in — 43.3 x 94.2 x 93.3 cm NOTE"

!!+ A!PAIR!OF!BLACK!LACQUER! HORSESHOE-BACK!ARMCHAIRS Ӿୗἓᄉ矟ᰂ’鞍‫ڀ‬ᕖ’ࢻ༗Ӟ੒ 38.8 x 24.6 x 24.8 in — 98.6 x 62.5 x 63 cm NOTE"

!!A!CHINESE!SMALL!CABINET!WITH! CARVED!DOOR!PANELS ӾୗᲽ꘍矟ᰂ’޾‫ݳ‬ԫ՟’ࢶᄉ๙礗 28.5 x 21.4 x 13.7 in — 72.5 x 54.3 x 34.7 cm NOTE"

!!, A!PAIR!OF!CHINESE!HARDWOOD! HORSESHOE-BACK!ARMCHAIRS ӾୗᏝ๙ࢻ༗Ӟ੒ 36.6 x 26.4 x 23.6 in — 93 x 67 x 60 cm NOTE"

!!. A!CHINESE!ELMWOOD!TABLE!WITH! CARVED!TOP Ӿୗ༹๙ᐣታࢶ꘍ᶎໟ With glass surface ଃቄቼᶎ຃ 18.1 x 47.4 x 25.6 in — 46 x 120.5 x 65 cm NOTE"

This lot is oﬀered without reserve. ྌೌߝԅ闫皈հೌߝ This lot is available for oﬀsite pick up at: Murrays Auctioneers 282 Monarch Ave., Unit 20 Ajax, Ontario, Canada L1S 2G6. Please contact the Asian Art Department (416847-6195 or asianart@waddingtons.ca) for more information. ྌೌߝፓ‫ࣁਂؙڹ‬Murrays Auctioneers 瑿 ࣎ 282 Monarch Ave., Unit 20 Ajax, Ontario, Canada L1S 2G6. ᧗관羬౯蟂ᳪ416-847-6195 ౲asianart@ waddingtons.ca 酄玲ๅग़‫௳מ‬ #+&&'—',&&

!!* A!CHINESE!ELMWOOD!RACK Ӿୗ༹๙ຝ 72 x 57.2 x 19.7 in — 182.8 x 145.3 x 50 cm NOTE"

!$& A!CHINESE!BLACK!LACQUER!SQUARE! TABLE!AND!FOUR!CHAIRS Ӿୗἓᄉ୸ᕲ矟ᰂໟ༗ӞॺԲկ 珀Ӟୟໟ ࢥୟ༗ table 33.5 x 32.3 x 32.3 in — 85 x 82 x 82 cm NOTE"

This lot is oﬀered without reserve. ྌೌߝԅ闫皈հೌߝ This lot is available for oﬀsite pick up at: Murrays Auctioneers 282 Monarch Ave., Unit 20 Ajax, Ontario, Canada L1S 2G6. Please contact the Asian Art Department (416847-6195 or asianart@waddingtons.ca) for more information. ྌೌߝፓ‫ࣁਂؙڹ‬Murrays Auctioneers 瑿 ࣎ 282 Monarch Ave., Unit 20 Ajax, Ontario, Canada L1S 2G6. ᧗관羬౯蟂ᳪ416-847-6195 ౲asianart@ waddingtons.ca 酄玲ๅग़‫௳מ‬ #!%-&&'—'$%&&&

!$! A!CHINESE!ROSEWOOD!DESK Ӿୗꖴ໾ࢧᕖໟ 31.3 x 55.1 x 28.7 in — 79.6 x 140 x 73 cm NOTE"

!$$ A!PAIR!OF!CHINESE!BLACK!LACQUER! LOW!SQUARE!TABLES Ӿୗἓᄉ矟ᰂ’ᐰ闅ᬳᖍ’ᕖ縸ො‫پ‬Ӟ੒ 11.8 x 23.7 x 23.7 in — 30 x 60.2 x 60.2 cm NOTE"

!$+ A!CHINESE!ELMWOOD!TABLE!AND! TWO!CHAIRS ༹๙꘍輓臨ᕖ蝢ꖤ༗!ො‫!پ‬Ӟॺӣկ chair 39 x 24.8 x 18.3 in — 99 x 63 x 46.5 cm NOTE"

!$A!CHINESE!HARDWOOD!TABLE!AND! TWO!CHAIRS ӾୗᏝ๙꘍ꖴ蝢ꖤ༗!ො‫!پ‬Ӟॺӣկ Chairs with bamboo foot rest; wri!en under the mat ‘Zheng He Tang Zhang’ ༗ଃᒓ‫ګ‬郥൚, 皈蟂ԡꯕ’ྋ޾璤ୟ’ chair 38 x 22.3 x 16.1 in — 96.5 x 56.7 x 41 cm NOTE"

This lot is oﬀered without reserve. ྌೌߝԅ闫皈հೌߝ This lot is available for oﬀsite pick up at: Murrays Auctioneers 282 Monarch Ave., Unit 20 Ajax, Ontario, Canada L1S 2G6. Please contact the Asian Art Department (416847-6195 or asianart@waddingtons.ca) for more information. ྌೌߝፓ‫ࣁਂؙڹ‬Murrays Auctioneers 瑿 ࣎ 282 Monarch Ave., Unit 20 Ajax, Ontario, Canada L1S 2G6. ᧗관羬౯蟂ᳪ416-847-6195 ౲asianart@ waddingtons.ca 酄玲ๅग़‫௳מ‬ #!%&&&'—'!%-&&

!$, A!CHINESE!ELMWOOD!BENCH!INSET! WITH!SOFT!MAT!SEAT#!')TH!CENTURY ‫܈‬ԜӮᕉ!༼๙‫څ‬ 18.1 x 44.9 x 15.2 in — 46 x 114 x 38.5 cm #$&&'—')&&

!$. A!CHINESE!SMALL!ROUND-CORNER! CABINET#!YUANJIAOGUI#!')TH! CENTURY ‫܈‬ԜӮᕉ!ࢺ薫礗 32.8 x 21.8 x 13.1 in — 83.3 x 55.3 x 33.2 cm #$&&'—')&&

!$* A!PAIR!OF!CHINESE!HUALI!LOW! BENCHES#!')TH!CENTURY ‫܈‬ԜӮᕉ!ꖴ໾ᳩ‫څ‬Ӟ੒ length 47.2 in — 120 cm #+&&'—',&&

!$/ A!CHINESE!BLACK!LACQUERED! ‘SPINDLE’!CABINET#!EARLY!TO!MID! $%TH!CENTURY ԫ‫܈‬ӮᕉӾ๗!Ӿୗἓᄉ๙礗 56.1 x 27.6 x 14.2 in — 142.5 x 70 x 36 cm #+&&'—',&&

!)& A!PAIR!OF!CHINESE!STAINED!ELM! SIDE!TABLES#!EARLY!TO!MID!$%TH! CENTURY ԫ‫܈‬Ӯᕉ‫!ݨ܎ڹ‬Ӿୗ༹๙ොໟӞ੒ Each set with a shallow drawer at the waist 32.5 x 17.5 x 17.5 in — 82.5 x 44.5 x 44.5 cm #+&&'—',&&

!)! A!CHINESE!BLACK!LACQUER!STOOL#! $%TH!CENTURY ԫ‫܈‬Ӯᕉ!ἓᄉꖴềᕖ‫څ‬ Incised and polychrome-decorated with birds and flowers height 18.5 in — 47 cm #!&&'—'$&&

!)$ A!PAIR!OF!LARGE!FRAMED!CHINESE! GILT!WOOD!TEMPLE!CARVINGS#!')TH! CENTURY ‫܈‬ԜӮᕉ!ᰂ๙Ჽ꘍ୌꠂ຅կ೯੽Ӟ੒!ଃ໛ Each of rectangular form and carved in several layers, depicting a naval scene to the centre, the top panel decorated with carp and the bo!om with figures on horseback; in a later wood frame frame 43.1 x 31.3 x 3.1 in — 109.5 x 79.5 x 8 cm #*&&'—'!%$&&

!)) A!GROUP!OF!FIVE!CHINESE!GILT! WOOD!TEMPLE!CARVINGS#! ')TH!CENTURY ‫܈‬ԜӮᕉ!ᰂ๙꘍ୌꠂ຅կӞᕟԲկ largest 22.8 x 11.8 x 2.2 in — 58 x 30 x 5.5 cm #+&&'—',&&

!)+ A!PAIR!OF!CHINESE!GILT!WOOD! TEMPLE!CARVINGS#!')TH!CENTURY ‫܈‬ԜӮᕉ!ᰂ๙꘍ୌꠂ຅կӞᕟӷկ 16.7 x 11.8 x 2 in — 42.5 x 30 x 5 cm #+&&'—',&&

!)A!GROUP!OF!FIVE!SMALL!CHINESE! GILT!WOOD!TEMPLE!CARVINGS#! ')TH!CENTURY ‫܈‬ԜӮᕉ!ᰂ๙꘍ୌꠂ຅կӞᕟԲկ largest 10.2 x 6.9 x 2 in — 26 x 17.5 x 5 cm #$&&'—'+&&

!), A!GILT!WOOD!CARVED!CHINESE! ARCHITECTURAL!PANEL#! LATE!QING!DYNASTY ภႴ!‘ࡅӤ፠໻’ᰂ๙ୌꠂ຅կ Finely carved in high relief with a pair of phoenixes enclosing a band of magpies and prunus width 37.3 in — 94.8 cm #$&&'—')&&

!). TWO!CHINESE!MARBLE!INSET! HARDWOOD!STANDS Ꮭ๙્य़ቘᎪଷӞ੒ height 7.3 in — 18.5 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #$&&'—')&&

!)* A!GROUP!OF!EIGHT!CHINESE!SMALL! WOOD!STANDS ๙ଷӞᕟ‫ك‬կ longest length 6.9 in — 17.4 cm #)&'—'-&

!)/ AN!IVORY!AND!WOOD!CARVED!HEAD! OF!VAIROCANA!BUDDHA#! ')TH!CENTURY ‫܈‬ԜӮᕉ!粤꘍Բ٢֡Ḓ With traces of gilt on the hair and crown, mounted on a wood pedestal ٢݊‫ݎ‬ᒒํ蟂 ‫ړ‬ꤚᰂ᭳ኸ overall height 6.7 in — 17 cm NOTE"

Contains material which may be subject to import/export regulation #)&&'—'-&&

!+& A!CHINESE!CARVED!IVORY!MEDICINE! FIGURE#!')TH!CENTURY ‫܈‬ԜӮᕉ!粤꘍豾አ穇֛秇ࣳ൳կ carved as a recumbent naked female figure with colored hair and eyes, with stand ଃଷ length 5.1 in — 12.8 cm NOTE"

Contains material which may be subject to import/export regulation #$&&'—'+&&

!+! AN!IVORY!CARVED!EMPEROR!AND! EMPRESS!PAIR#!EARLY!$%TH!CENTURY ԫ‫܈‬Ӯᕉ‫!ڡ‬粤꘍ଂ‫ࣖݸ‬猟Ӟ੒ height 5.5 in — 14 cm NOTE"

Contains material which may be subject to import/export regulation #$&&'—')&&

!+$ A!SET!OF!FIFTY-NINE!VOLUMES!OF! ‘ZHENG!XU!ZIZHI!TONGJIAN’ ྋᖅᩒလ蝢 !ӞॺԲ‫܈‬Ԝ๜ Ink on double-leaves; together with a wood storage box box 9.6 x 17.2 x 8.2 in — 24.4 x 43.7 x 20.8 cm #,&&'—'*&&

!+) A!CHINESE!BOXWOOD!RUYI!SCEPTRE#! ')TH/$%TH!CENTURY ‫܈‬Ԝ/ԫ‫܈‬Ӯᕉ!Ἆ๷๙꘍ই఺ Naturalistically carved as a gnarled branch of lingzhi mushrooms, the wood of a honey-brown tone and patina length 10.8 in — 27.5 cm #+&&'—',&&

!++ A!CHINESE!HARDWOOD!BRUSHPOT#! TOGETHER!WITH!A!CLOISONNÉ! LIDDED!CONTAINER Ꮭ๙ᒟᒻ!ว窊᠗ፍ耴Ӟᕟӷկ tallest height 7.5 in — 19 cm #)&&'—'+&&

!+A!PEACH-FORM!CARVED!LACQUER! WOOD!BOX ᄉ๙꘍闅໘ചፋ य़กྋ盓ଙ‫ګ‬皈ྃ With a six-character Zhengde mark to base length 9.8 in — 25 cm #!&&'—'$&&

!+, A!FRAMED!INDIAN!COMPANY! SCHOOL!IVORY!MINIATURE!PAINTING#! TOGETHER!WITH!A!CHINESE!WOOD! FRAME!AND!FIGURE!OF!SHOULAO ‫ܦ‬ଶ୸ᕲ粤຃!๙꘍闅ꖜ൳կ!๙꘍᳒໛ height 8.8 in — 22.4 cm NOTE"

Contains material which may be subject to import/export regulation #!&&'—'$&&

!+. A!CANTON!EXPORT!FOLDING!FAN#! ')TH!CENTURY ‫܈‬ԜӮᕉ!ଠ֢क़ᲀՈᇔರಈ One side painted with gilt and polychrome gouache figures with appliqué ivory faces and silk costumes, the other side decorated with birds and flowers, the tips of the fan frame further embellished with peacock feathers 13 x 21 in — 33 x 53.3 cm NOTE"

Contains material which may be subject to import/export regulation #$&&'—')&&

!+* A!GROUP!OF!FIFTEEN!EXPORT! FOLDING!FANS#!')TH!CENTURY!AND! LATER ‫܈‬ԜӮᕉ݊ๅภ!क़ᲀರಈ݊ಈ℀Ӟᕟ‫܈‬Բ կ ۱珀‫܈‬ԜӮᕉӾ๗ଠ癥क़ᲀ虡粤ᩂᇆἓᄉ ರಈଃܻፋ ෭๜Ფẓࢶರಈ ᰂ๙ರಈ ἓᄉ ๙Ჽ꘍ರಈಈ℀ 虡粤ಈ℀ರಈ犊‫ ݝ‬๙ಈ℀ ರಈӣ‫ݝ‬ Consisting of a Canton export lacquer folding fan with gilt decorated lacquer case, a Japanese ‘carp’ fan with signature, a gilt wood folding fan, and a carved black lacquered wood fan frame; together with seven folding fans with ivory frames and three with wood frames largest width 24.2 in — 61.5 cm PROVENANCE"

Hamilton Private Collection ࿥ੂਫ਼ᶷᐺՈቊ萢 #)&&'—'-&&

!+/ A!CHINESE!CUTLERY!TROUSSE!SET! WITH!SHAGREEN!COVER#!QING! DYNASTY Ⴔ!ẗᶐॺ訇‫ڏ‬Ӟॺ The set comprising of a knife, a pair of bone chopsticks, and a brass meat-picker; the sheath wrapped in an emerald green shagreen, the lower portion of the blade inscribed with a stylized dragon motif in gilt ‫ڏ‬ຢଃꤚᰂ鞍ᕖ length 12.4 in — 31.5 cm #$&&'—')&&

!-& A!PAIR!OF!CHINESE!CLOISONNÉ! FLORAL!VASES#!$%TH!CENTURY ԫ‫܈‬Ӯᕉ!ᱞ胛ബӴቌ紖絵Ӟ੒ height 11.8 in — 30 cm #!&&'—'$&&

!-! TWO!CHINESE!CLOISONNÉ!LIDDED! GINGER!JARS#!$%TH!CENTURY ԫ‫܈‬Ӯᕉ!ᱞ胛ബӴቌ紖ፍ耴Ӟ੒ height 9.9 in — 25.2 cm #$&&'—')&&

!-$ A!CHINESE!HARDSTONE-EMBELLISHED! TREE#!TOGETHER!WITH!TWO! EMBROIDERED!PANELS ᏝᎪፃว!ᕽᇆӞᕟӣկ tree height 12 in — 30.5 cm #!&&'—'$&&

!-) A!CHINESE!YELLOW-GROUND! EMBROIDERED!PANEL!OF!A!BUDDHIST! LANTERN#!$%TH!CENTURY ԫ‫܈‬Ӯᕉ!Ἆ瑿֡硽‫׀‬輐ᕖ‫گ‬ᕽ The centre depicting a hanging lantern embellished with auspicious Buddhist emblems and surrounded by floral sprays and fruits 37 x 39.4 in — 94 x 100 cm #!&&'—'$&&

!-+ TWO!FRAMED!CHINESE!EMBROIDERED! ‘HUNDRED!BOYS’!PANELS#!$%TH! CENTURY ԫ‫܈‬Ӯᕉ!Ӿࢵ’ጯৼࢶ’ᕽᇆӞᕟӷկ!᳒໛ including frame 25.6 x 13 in — 65 x 33 cm #!&&'—'$&&

!-A!CHINESE!BLUE!SILK!EMBROIDERED! ‘ANTIQUES’!PANEL ᠗瑿’玡‫’ࢶݘ‬ᕽᇆ 25.8 x 11 in — 65.5 x 28 cm #*&'—'!-&

!-, A!PAIR!OF!MASSIVE!CHINESE!BRONZE! COURT!FANS ԫ‫܈‬Ӯᕉ!癨୵Ჽ绚’Ṻ鞍‫ݒ‬麁’ᕖᱞಈӞ੒ Each of the oversized fans with a qilin to the centre and shishi lions above, a dragon head protruding from the top and another rising from waisted vase formed as the handle, incised ‘yu long bian hua’ on the upper section of the fan and ‘Qianlong yuannian neiyong shunde tang’ on the vase 39.4 x 24.4 in — 100 x 62 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #,&&'—'*&&

!-. A!CHINESE!‘SHOULAO’!PEWTER!EWER#! TOGETHER!WITH!A!TURKISH!PEWTER! EWER#!LATE!')TH/EARLY!$%TH! CENTURY ‫܈‬Ԝ/ԫ‫܈‬Ӯᕉ!Ӿࢵ’闅ꖜ’ᕖᲟॏ!ࢿ肊ٌᲟ ॏӞᕟӷկ Chinese pewter ewer with inscription on base: ‘Provincial production by Lin Zhengchang’ ӾࢵᲟॏ皈ྃ ꕯउ຋ྋ괛ꗰ tallest height 14.4 in — 36.5 cm #$&&'—')&&

!-* A!GROUP!OF!SIX!CHINESE!PEWTER! ITEMS#!TOGETHER!WITH!A!STRING! OF!COMPOSITE!BEADS#!LATE!QING! DYNASTY#!')TH!CENTURY ภႴ!!Ჟ‫ګ‬Ḓ᷶Ӟᕟ犊կ Consisting of a set of grooming tools, two stylized ‘Shou’ (longevity) character earrings, two hairpins, a pewter box, and a string of Chinese wood/herbal composite beads 珀‫ݳ‬౮๙ಋԀଃᲟፋ Ჟ‫ݎګ‬ꖈӞ੒ ‘闅’ਁ肊 ᷶Ӟ੒ 肊ۭӣկॺ longest length 8.3 in — 21 cm #!&&'—'$&&

!-/ A!GUANGXU!SICHUAN!SILVER!DOLLAR! MOUNTED!SILVER!DISH Ⴔ๛/࿆ࢵ‫ڡ‬๗!ࢥ૝ꕯꗰ‫ط‬ᖃ‫ز‬ਪପଘ犊᰸ ԫ‫ړ‬ᱷ૰ᱷፏ Coin le!ering: ‘Szechuen Province, 7 Mace and 2 Candareens’ Inscribed in cartouche: ‘Li Sheng Wen Yin’ ፏ皈क़ᖭ᳄“谘ኞ ᕖᱷ”ྃ diameter 4.1 in — 10.4 cm NOTE"

谘ኞᱷ蹭୏ӱԭ‫ط‬ᖃ‫ك܈‬ଙ 1892ଙ ‫ ڹ‬ମ࣎ ࣁ౮᮷าᤦ麃ᤋ40‫ ݩ‬羬๜超ᱷ蹭 ٌḒ‫ڠ‬ጱ ଘ霘ꖴӴૡᜏ‫ ߝګ‬蒸्Ӿक़ #!&&'—'$&&

!,& AN!ALBUM!OF!TWENTY!REPUBLIC!OF! CHINA!STAMPS#!')$) #&'&ଙ!ӾࢵᮒᐥӞꯓ‫('و‬礋 Silk bound covers, four sheets of four stamps; together with a booklet of four stamps and a le!er dated 1946 7.7 x 11.6 in — 19.5 x 29.5 cm #!&&'—'$&&

!,! A!FRAMED!SET!OF!CULTURAL! REVOLUTION!MAO!BUTTONS!AND!A! SHANGHAI!RED!ARMY!BAND#!CIRCA! ')&/-')/& य़᪋ᬰ෸๗!ᕁᤥᒍ疁ᒍӞॺ!᳒໛ 珀 ӤၹૡՈᶐ޸ꗰ‫ݪݍ‬犤蟂ꗰ‫ݍ‬ᴚ ᕁᤥᒍ Ӟկ, ᐞྷԆଅӡ闅闫ዅ 疁ᒍӷ礋, ᕁ‫ًܣ‬ 疁ᒍӞ礋 ꗰ‫ݍ‬窔-Ӥၹᨰᩆ羬ᕹᶐ޸ꗰ‫ݍ‬甛 ާտ 疁ᒍӞ礋, ྷԆԎ賻猟ࢺᒍӷ礋 13 x 13.5 in — 33 x 34.3 cm #!-&'—'$&&

!,$ ATTRIBUTED!TO!GAI!QI!-'**,-'+$+.#! MUSICIAN!AND!LADY 硬ቡ!)#%%,-#$'$+!ྃ!์ӥᒡᓜࢶ Cyclically dated to 1817; ink and colour on paper, hanging scroll mounted ྃᦩ ࡱଣӟ犍٧‫์܈‬ճ‫م‬ই੷ॊᒟ఺ 犊᜝ 硬ቡ ᰫ‫ ܦ‬硬ቡԏ‫ܦ‬ image 63.8 x 17.2 in — 162 x 43.6 cm PROVENANCE"

Private Toronto Collection ႈრ ग़ևग़ᐺՈቊ萢 #*&&'—'!%&&&

!,) AFTER!GUAN!SHANYUE!-')'$-$%%%.#! PEONIES ‫ى‬ઊ์)#&#'-'(((+ྃ!ૡᒟᇐԄ!࿜ूᕕ๜ Ink on paper ྃ ઊ์ꯕኞ ๟‫ ܦ‬ઊ์ 犊‫܈‬ 23.2 x 17.7 in — 59 x 45 cm PROVENANCE"

Chinese 20th Century Scroll Paintings from a Hong Kong Estate ႈრ ग़ևग़굉჈ᑏ࿆疑碢᭳Ծቊ萢 #!&&'—'$&&

!,+ AFTER!ZHU!QIZHAN!-'+)$-'))/.#! LANDSCAPE ๟痃縩)#$&'–#&&.+ྃ!ઊ࿜!ᦡᜋᕕ๜!缏數 Watercolour on paper, scroll mounted image 26.6 x 16.1 in — 67.5 x 41 cm #)&&'—'-&&

!,AFTER!WANG!XUETAO!-')%,-')+$.#! GEESE ሴ襃ႆ)#&(,-#&$'+ྃ!ở!ᦡᜋᕕ๜!缏᫰ Watercolour on paper, scroll mounted image 42.3 x 21.3 in — 107.5 x 54 cm #!&&'—'$&&

!,, AFTER!WANG!QIAN!-'&TH!CENTURY.#! PLUM!BLOSSOMS!AND!BAMBOO ճሴᨄ)ก+!ሳ໅Ⴔพ!๙ꕗ࿜‫ܫ!ܦ‬᫰ Woodblock print, scroll mounted image 53.5 x 24.4 in — 136 x 62 cm #$&&'—')&&

!,. A!PAINTING!OF!CHRYSANTHEMUM! AND!CRABS#!SIGNED!LI!KELIANG#! DATED!')/) ᰂ纩ꖸ蔅ࢶ!磷‫ظ‬臑֢!#&.&ଙ Cyclically dated to 1969, Taipei; watercolour on paper, handscroll image 13.3 x 35.8 in — 33.8 x 91 cm #!&&'—'$&&

!,* TWO!CHINESE!PAINTINGS!OF!PEONIES#! $%TH!CENTURY ꖴềࢶӷୟ!ᦡᜋᕕ๜!‫ܫ‬᫰ The larger scroll of Lingnan school style, signed Rong Mu, calligraphy reading ‘Evergreen All Year Round’, ink and colour on paper, handscroll; the smaller scroll unsigned, ink and colour on paper, hanging scroll mounted, image 26.6 x 13.1 in (67.6 x 33.4 cm) ྃ ឍ๙ ࢥ疄ᳩᶆ ᰫ‫ܦ‬: ឍ๙ largest image 19.9 x 48.4 in — 50.5 x 123 cm #!&&'—'$&&

!,/ A!PAIR!OF!CHINESE!‘BIRDS!AND! FLOWERS’!PAINTINGS ӾࢵꖴềኮӞᕟӷୟ!ᦡᜋᕕ๜!᳒໛ Signed and sealed; ink and colour on paper, framed image 13 x 13.5 in — 33 x 34.2 cm #!&&'—'$&&

!.& A!SET!OF!FOUR!FRAMED!CHINESE! ‘FIGURAL!LANDSCAPE’!PAINTINGS#! TOGETHER!WITH!A!PAIR!OF!‘FLORAL’! SCROLL!PAINTINGS ઊ࿜Ոᇔ೯੽ࢥୟ!ꖴ‫܍‬缏᫰Ӟ੒ Ink and colour on silk; framed panels overall 25.1 x 8.7 in (64 x 22 cm) scroll image 26.6 x 7.5 in — 67.5 x 19 cm #-&'—'*&

!.! A!CARVED!AND!PIERCED!WHITE!JADE! BELT!BUCKLE#!TOGETHER!WITH!A! WHITE!JADE!‘CHI!DRAGON’!BELT! BUCKLE 鞍ᕖሳଃಕ!᜿鞍硽ৼᕖሳଃᰰӞᕟӷկ Each section carved and pierced in high relief with a curled slender dragon, the hook terminating in a dragon’s head, the stone of an even white tone largest height 3.9 in — 10 cm #+&&'—',&&

!.$ A!JADEITE!‘CHI!DRAGON’!BELT! BUCKLE#!TOGETHER!WITH!TWO!JADE! BELT!BUCKLES ‘᜿鞍硽ৼ’ᕖሳଃᰰӞᕟӣկ longest length 4.3 in — 10.9 cm #)&&'—'-&&

!.) A!MOTTLED!WHITE!JADE!SWORD! SLIDE#!WEI 箜ጮሳ‫ ڻ‬ length 4.4 in — 11.2 cm #)&&'—'-&&

!.+ A!CELADON!AND!RUSSET!JADE!‘BOYS! AND!PEACH’!CARVING ᶆሳ꘍ᒏৼച໘ length 2.8 in — 7 cm #)&&'—'-&&

!.A!GROUP!OF!THREE!WHITE!JADE! CARVINGS!OF!BOYS ሳ꘍ᒏৼӞᕟӣկ length 1.7 in — 4.4 cm #$&&'—'+&&

!., A!CARVED!WHITE!JADE!‘LOTUS!AND! FROG’!BRUSH!WASHER ሳ꘍艰‫୵ݨ‬။ length 2.9 in — 7.4 cm #$&&'—')&&

!.. A!GROUP!OF!FOUR!JADE!CARVINGS!OF! BEASTS ሳ꘍ታْӞᕟࢥկ length 1.7 in — 4.4 cm #)&&'—'-&&

!.* A!GROUP!OF!FOUR!CELADON!AND! RUSSET!JADE!CARVINGS!OF!BEASTS#! $%TH!CENTURY ԫ‫܈‬Ӯᕉ!ሳ꘍ታْӞᕟࢥկ longest length 3 in — 7.7 cm PROVENANCE"

Estate of Lois Orkin, Toronto ๶რ: ग़ևग़᪠ฃේ·閴ᰂ穇ॊ᭳Ծቊ萢 #$&&'—'+&&

!./ A!YELLOWISH!CELADON!JADE! INCENSE!STICK!HOLDER width 4.8 in — 12.2 cm #!&&'—'$&&

!*& A!GREEN!JADE!CARVED!BEAR ሳ꘍ꕏ൳կ length 6.9 in — 17.5 cm #$&&'—'+&&

!*! A!SILVER-INLAID!BRONZE!FIGURE!OF! AMITABHA!BUDDHA#!TIBET/NEPAL Elaborately dressed in beaded necklaces, large circular earrings, armlets, sashes over a tightfi!ing dhoti, and a tiara with five foliate points, seated on a double lotus base and supporting a vase height 8.9 in — 22.5 cm #,&&'—'*&&

!*$ A!BRONZE!FIGURE!OF!MAHAKALA#! NEPAL#!')TH!CENTURY height 4.7 in — 11.9 cm #$&&'—')&&

!*) A!GILT!BRONZE!PLAQUE!OF!PALDEN! LHAMO#!'+TH!CENTURY!OR!LATER The female protector deity of Lhasa holding a knife and draped with a flayed skin as a shawl; mounted on a wood stand 10.2 x 6.7 in — 26 x 17 cm #)&&'—'-&&

!*+ A!TIBETAN!POLYCHROMED!AND! CARVED!STONE!FIGURE!OF!A! WRATHFUL!DEITY#!POSSIBLY!'&TH! CENTURY 4 x 3 in — 10.1 x 7.7 cm #$&&'—')&&

!*A!TIBETAN!GILT!BRONZE!FIGURE!OF! GARUDA#!'&TH!CENTURY!OR!LATER The legendary bird deity depicted seizing a snake in its claws height 4.4 in — 11.3 cm #)&&'—'-&&

!*, A!BRONZE!AND!IRON!VAJRA#!TIBET#! '&TH!CENTURY!OR!LATER ‫ك܈‬ԲӮᕉ౲ๅภ!ᥜ萢!ᱞᰂ‫ڟ‬๿ The four prongs on each end modeled with a crouched figure, their hands in anjali mudra length 9.1 in — 23.1 cm NOTE"

A vajra with similar figures is illustrated in ‘Tibet: Tradition and Change’ by Pratapaditya Pal, Albuquerque Museum, 1997 #+&&'—',&&

!*. A!TIBETAN!BRONZE!DEER#!'+TH! CENTURY!OR!LATER ‫ك܈‬Ӯᕉ౲ๅภ!ᥜ萢!ᱞ議 length 6.7 in — 16.9 cm #)&&'—'-&&

!** TWO!BRONZE!FIGURES!OF! KSITIGARBHA!AND!AVALOKITESHVARA ᱞ瑿萢ᥡᶪ苄៣Ӟᕟӷկ height 8.6 in — 21.8 cm #!&&'—'$&&

!*/ A!THANGKA!OF!THE!WHEEL!OF!LIFE#! BHAVACHAKRA#!$%TH!CENTURY ԫ‫܈‬Ӯᕉ!‫م‬螇᫪ࢧࢶࠈ‫ܜ‬ Opaque pigments on paper mounted on silk overall 39.8 x 27.6 in — 101 x 70 cm #)&&'—'-&&

!/& A!THANGKA!OF!SHAKYAMUNI! BUDDHA#!$%TH!CENTURY ԫ‫܈‬Ӯᕉ!ࠈ‫!ܜ‬ଃ໛ Opaque pigments on paper mounted on silk; framed thangka 42.5 x 25.6 in — 108 x 65 cm #$&&'—')&&

!/! A!LARGE!TIBETAN!METAL!ALLOY! SINGING!BOWL#!$%TH!CENTURY ԫ‫܈‬Ӯᕉ!ᥜ萢!‫ݳ‬ᰂᶺ᰼ With wooden mallet and cushion ଃ๙ᨶᶺ᰼ ༉݊ᕁӴᕭऀ diameter 12.4 in — 31.6 cm #)&'—'-&

!/$ AN!INDIAN!MINIATURE!PAINTING!OF!A! COURTLY!SCENE!WITH!A!EUROPEAN! DANDY#!')TH!CENTURY!OR!EARLIER Opaque watercolour on paper, pasted on cardboard; image 4.3 x 8 in (11 x 20.4 cm) with border 9.6 x 12.6 in — 24.5 x 32 cm #+&&'—',&&

!/) A!LARGE!AND!INCOMPLETE!INDIAN! MINIATURE!PAINTING!OF!A!DURBAR#! ')TH!CENTURY Opaque watercolour on paper 11.7 x 15.8 in — 29.6 x 40.1 cm PROVENANCE"

Acquired from the Estate of Theodore Allen Heinrich (1910-1981). Professor Heinrich was an art historian, curator, and educator. From 1955 to 1962, he was the director of the Royal Ontario Museum, and a$erwards he taught art history at the University of Saskatchewan and York University. #)&&'—'-&&

!/+ A!GROUP!OF!EIGHT!COMPANY! SCHOOL!MICA!PAINTINGS!OF!CASTES! AND!PEOPLE!OF!INDIA#!')TH!CENTURY Each captioned ‘A man and his wife bringing jungle birds for sale’, ‘Bangle man & his wife’, ‘A Bramin and his wife’, and ‘Suthany(?) Bramin & his wife’; framed overall 13.5 x 14.9 in — 34.2 x 37.8 cm NOTE"

Similar examples were sold at Christie’s South Kensington, October 10, 2013, lot 630 #)&&'—'-&&

!/RAJASTHAN!SCHOOL#!TWO! PRINCESSES!ON!HORSES#!'+TH/')TH! CENTURY Gouache heightened with gold on paper 7.8 x 7.6 in — 19.7 x 19.2 cm PROVENANCE"

!/, RAJASTHAN!SCHOOL#!AN!EROTIC! INDIAN!MINIATURE!PAINTING#!')TH! CENTURY Gouache on paper 8.8 x 6.5 in — 22.3 x 16.4 cm #$&&'—')&&

!/. PAHARI!SCHOOL#!KRISHNA!AND! LADIES#!')TH!CENTURY Gouache heightened with gold on paper 7.8 x 6.5 in — 19.7 x 16.4 cm #)&&'—'-&&

!/* MUGHAL!SCHOOL#!A!DRAWING!OF!A! CAMEL!WITH!TRAINER#!'*TH!CENTURY! OR!LATER Pencil on paper overall 6.1 x 8.8 in — 15.6 x 22.3 cm PROVENANCE"

Possible Mughal library stamp to the top le$ of the camel, above the camel and within the red border (also noted in pencil writing on the back) #)&&'—'-&&

!// A!VIJAYANAGAR!STYLE!BRONZE! FIGURE!OF!VISHNU#!SOUTH!INDIA Mounted on a wood pedestal height 5.4 in — 13.8 cm #$&&'—')&&

$&& A!KUSHAN!STYLE!RED!SANDSTONE! RELIEF!OF!A!DEITY#!POSSIBLY!(TH! CENTURY Dressed in beaded necklaces, sashes, a crown, and a pair of large earrings, the figure backed by a partial mandorla; mounted on a wood pedestal height 7.5 in — 19 cm #)&&'—'-&&

$&! A!BRONZE!JAIN!MANDORLA#!POSSIBLY! '/TH!CENTURY Originally part of a votive shrine, with four seated jinas and two four-armed dikpalas surrounding the centre; mounted on a wood stand 10.8 x 7.1 in — 27.5 x 18 cm #$&&'—')&&

$&$ A!BRONZE!JAIN!MANDORLA#!POSSIBLY! '/TH!CENTURY Flanked by a pair of fly-whisk bearers and elephants above and a pair of dikpalas below; mounted on a wood stand 10.5 x 6.8 in — 26.7 x 17.3 cm #$&&'—')&&

$&) AN!INDIAN!POLYCHROME!WOOD! MASK!OF!KALI#!')TH!CENTURY height 20.9 in — 53 cm #$&&'—')&&

$&+ AN!INDIAN!SILVER!AND!COPPER!INLAID! IRON!WATER!VASE#!LOTA#! '+TH/')TH!CENTURY Decorated with courtly scenes and processions of figures, a band of various large animals underneath height 12.9 in — 32.7 cm #$&&'—')&&

$&A!SILVER-INLAID!BIDRIWARE!BOX#! INDIA#!')TH!CENTURY#!TOGETHER! WITH!FOUR!BONE!CARVINGS box 1.5 x 5.9 x 3.9 in — 3.8 x 15 x 10 cm NOTE"

Contains material which may be subject to import/export regulation #!&&'—'$&&

$&, A!KASHMIR!PASHMINA!SHAWL#! NORTHERN!INDIA 118.1 x 57.5 in — 300 x 146 cm #$&&'—')&&

$&. A!LARGE!BRONZE!STUPA#!SRI!LANKA#! ')TH!CENTURY height 14.6 in — 37 cm #$&&'—')&&

$&* A!KHMER!BRONZE!FIGURE!OF!VISHNU! AND!GARUDA#!',TH!CENTURY!OR! LATER The four-armed deity standing atop his vehicle mount Garuda; mounted on a wood base with stand height 6.5 in — 16.6 cm #$&&'—')&&

$&/ A!SMALL!BURMESE!BRONZE!‘BEAST’! FINIAL#!LATE!')TH!CENTURY ‫܈‬ԜӮᕉภ๗!!ᖜኬᱞᐟْᕖᰵ height 5.1 in — 13 cm #$&&'—')&&

$!& A!PAIR!OF!BALINESE!‘PIS!BOLONG’! CHINESE!COIN!DOLLS ૬ܸ᰸૰Ո୵Ո‫؍‬Ӟ੒ length 15.7 in — 40 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #)&'—'-&

$!! UTAGAWA!KUNIYOSHI!-'*)+-'+/'.#! TOYOHARA!KUNICHIKA!-'+,&')%%.#!TOSHIHIDE!MIGATA!-'+/,')$&.#!A!GROUP!OF!FIVE!UKIYO-E! WOODBLOCK!PRINTS#!EDO/MEIJI! PERIOD#!')TH!CENTURY Consisting of ‘Oribe Yasubei Taketsune’, one sheet of an incomplete triptych, from the series ‘Stories of True Loyalty of the Faithful Samurai’ by Kuniyoshi, circa 1848; ‘Onoe Kikuguro V as Hiyoshi-maru’ from the series ‘One Hundred Roles of Baiko’ by Kunichika, circa 1893; two sheets from incomplete tripychs of Kabuki actors by Kunichika; and ‘Ichikawa Danjuro as Sakai Tadatsugu’ by Toshihide, circa 1893 14.2 x 9.4 in — 36 x 24 cm #+&&'—',&&

$!$ UTAGAWA!KUNISADA!-TOYOKUNI! III#!'*+/-'+/&.#!YOSHU!-TOYOHARA.! CHIKANOBU!-'+,+-')'$.#!A!GROUP!OF! THREE!UKIYO-E!WOODBLOCK!PRINTS#! ')TH!CENTURY Consisting of a triptych of Kabuki actors by Chikanobu; one sheet from an incomplete pentaptych of five samurai in the snow by Kunisada; and a bijin (beauty) in the summer evening by Kunisada triptych 14.6 x 28 in — 37 x 71 cm #$&&'—')&&

$!) UTAGAWA!KUNISADA!-TOYOKUNI!III#! '*+/-'+/&.#!OUTSIDE!A!BRUSHWOOD! FENCE!ON!A!SPRING!NIGHT#!MID!')TH! CENTURY Two le$ woodblock sheets from an incomplete triptych, framed frame 19.6 x 24.3 in — 49.7 x 61.7 cm NOTE"

Two right sheets from the same triptych were deaccessioned from the Museum of Fine Arts, Boston, accession number 11.29090-1 #$&&'—')&&

$!+ UTAGAWA!HIROSHIGE!-'*)*-'+&+.!AND! UTAGAWA!KUNISADA!-TOYOKUNI!III#! '*+/-'+/&.#!MOTO-YANAGIBASHI#!'+/$ From the series ‘Toto shiki meisho zukushi’ (Famous Places of the Eastern Capital in Four Seasons); colour woodblock print, framed image 14.2 x 9.8 in — 36 x 25 cm #!&&'—'$&&

$!AFTER!KITAGAWA!UTAMARO! -'*&,-'+%/.#!OKITA!OF!NANIWA-YA! TEAHOUSE#!TOGETHER!WITH!FOUR! UKIYO-E!PRINTS#!$%TH!CENTURY Utamaro colour woodblock print on mica background, framed largest 14.6 x 9.6 in — 37 x 24.5 cm #!&&'—'$&&

$!, AFTER!UTAGAWA!HIROSHIGE!-'*)*'+&+.!AND!UTAGAWA!KUNIYOSHI! -'*)+-'+/'.#!FOUR!FRAMED! WOODBLOCK!PRINTS#!$%TH!CENTURY Including ‘Sudden Shower at Shōno’ and ‘Kuwana, Seven-Ri Ferry at the Port’ from the ‘Fi$y-Three Stations of Tokaido’ by Hiroshige; and a beauty gathering salt from the ‘Suikoden of Women’s Customs’ by Kuniyoshi largest image 9.1 x 13.8 in — 23 x 35 cm #!&&'—'$&&

$!. HIROSHI!YOSHIDA!-'+*/-')&%.#! CHIKUGO!RIVER Posthumous with embossed title and signature; colour woodblock print, framed image 9.7 x 14.8 in — 24.7 x 37.5 cm #$&&'—')&&

$!* KIYOSHI!SAITO!-')%*-'))*.#! PERSIMMON!TREE#!CIRCA!')/% 갘萲!Ⴔ!)#&(%-#&&%+!຺ৼ䰽ᤋว!ꕗ向!᳒໛ Colour woodblock print; framed 獺֢ꔣ夹 1960ଙ 10.6 x 15.7 in — 27 x 40 cm #)&&'—'-&&

$!/ RISABURO!KIMURA!-')$(-$%'(.#! CITY!&(!AND!CITY!++#!')/) Screenprints; ‘City 54’ numbered ‘23/30’ and ‘City 88’ numbered ‘20/35’; both signed, titled, numbered, and dated 1969 in pencil image 21.9 x 15.9 in — 55.7 x 40.5 cm #,&&'—'*&&

$$& OGAWA!GABOKU!-')''-$%%%.#!SOFU! TAKASHI#!A!GROUP!OF!FIVE!ABSTRACT! CALLIGRAPHY!PAINTINGS Consisting of three works by Ogawa Gaboku, one titled ‘Heart’ and another titled ‘Wind’, ink and colour on paper, sealed; and two works by Sofu Takashi, titled ‘A’ and ‘B’, ink on paper, sealed largest image 18.9 x 25.4 in — 48 x 64.5 cm PROVENANCE"

Purchased from Sotheby’s in 1998, by repute NOTE"

Both artists have had their works exhibited at the Museum of Modern Art, New York, ‘Abstract Japanese Calligraphy’, June 22 September 19, 1954 #)&&'—'-&&

$$! A!PAIR!OF!JAPANESE!MIXED-METAL! INLAID!BRONZE!VASES#!MEIJI!PERIOD#! LATE!')TH!CENTURY Each of elongated ovoid body inlaid with a cockerel perched on a blossoming prunus branch, each inscribed with the signature ‘Hidekuni’, with Nogawa marks to bases height 6.3 in — 16 cm NOTE"

For a similar example, see Christie’s London, May 17, 2012, lot 51 #*&&'—'!%&&&

$$$ A!JAPANESE!MIXED-METAL!INLAID! BRONZE!VASE#!SIGNED#!MEIJI!PERIOD Three-character signature and seal incised on the lower section of the body height 11.9 in — 30.3 cm #)&&'—'-&&

$$) AN!IRON!CHAGAMA!TEA!KETTLE#! SHIRIHARI!TYPE#!EDO/MEIJI!PERIOD#! ')TH!CENTURY The compressed globular body applied with two handles and the lid with a bulbous finial, both sides of the body cast with characters in relief referring to the tea hall and/or temple names height 7 in — 17.8 cm #$&&'—')&&

$$+ A!JAPANESE!CAST!IRON!‘THREE! FRIENDS!OF!WINTER’!TEAPOT#!MEIJI! PERIOD ෭๜กလ䦒๗!ၶ꘍઎੆ӣ‫݋‬ᕖꕵ᱈ॏ Inscription: ᱈瑊蝵ߝ diameter 5.9 in — 14 cm #!&&'—'$&&

$$A!JAPANESE!CAST!BRONZE!‘TEMARI’! DESIGN!INCENSE!BURNER#!MEIJI! PERIOD height 7.5 in — 19 cm #)&&'—'-&&

$$, A!JAPANESE!WAKIZASHI#!SIGNED! INSHU!JU!KAGENAGA Nagasa length 18 in (45.6 cm) overall length 26 in — 66 cm PROVENANCE"

From a Private Toronto Collection #)&&'—'-&&

$$. A!GOLD!AND!BLUE!GROUND!SILK! JINBAORI!-SAMURAI!SURCOAT.#!EDO! PERIOD#!')TH!CENTURY The inner lining decorated with dragons chasing flaming pearls embroidered in gold and multi-coloured threads, the exterior of uniform gold colour with a white ‘tsurubishi’ doublecrane crest on the back 38.2 x 24.8 in — 97 x 63 cm #+&&'—',&&

$$* A!JAPANESE!INDIGO!JINBAORI! -SAMURAI!SURCOAT.#!EDO/MEIJI! PERIOD#!')TH!CENTURY Heavy indigo-dyed co!on with herringbone and diamond weave pa!erns, the silk collar embroidered with stylized floral shrubbery 31.5 x 19.7 in — 80 x 50 cm #$&&'—')&&

$$/ A!JAPANESE!COPPER-LINED!WOOD! HIBACHI#!EDO/MEIJI!PERIOD#! ')TH!CENTURY 14 x 27.6 x 14.8 in — 35.5 x 70 x 37.7 cm #)&&'—'-&&

$)& A!GILT!AND!BLACK!LACQUER!WRITING! BOX#!SUZURIBAKO#!MEIJI!PERIOD! -'+/+-')'$. The cover decorated with chrysanthemums, bamboo, and a bu!erfly, the flowers and leaves highlighted with mother-of-pearl inlays, the continuation of the chrysanthemum design extending to the base of the box, with removable inner tray 1.8 x 8.2 x 9.5 in — 4.6 x 20.8 x 24.2 cm #,&&'—'*&&

$)! A!GILT!WOOD!FIGURE!OF! KSITIGARBHA#!JAPAN/CHINA#! '*TH/'+TH!CENTURY ‫܈‬犊/‫ك܈‬Ӯᕉ!๙ᄉᰂ瑿萢苄៣ࣖ猟 The face heavily gilded, likely originally holding a staﬀ in the right hand and a wish-fulfilling jewel in the le$ height 7.9 in — 20 cm #$&&'—')&&

$)$ A!GILT!WOOD!FIGURE!OF!KANNON! -AVALOKITESHVARA.#!EDO/MEIJI! PERIOD#!')TH!CENTURY The bodhisa!va dressed in elaborately pa!erned robes and seated on a double-lotus pedestal, extensive traces of gilding throughout height 15.4 in — 39 cm #)&&'—'-&&

$)) ATTRIBUTED!TO!KATO!TOKURO! -'+)+-')+&.#!A!KO-SETO!WARE! REPRODUCTION!OF!AN!EININ!PERIOD! TSUBO!JAR Together with signed wood box height 10.2 in — 26 cm #$&&'—')&&

$)+ AN!UNDERGLAZE!COBALT!TOKKURI! SAKE!FLASK#!EARLY!$%TH!CENTURY#! TOGETHER!WITH!AN!ENGLISH!ST0!IVES! STONEWARE!DISH tallest height 13.8 in — 35 cm PROVENANCE"

H.H. Pao Collection, Toronto ग़ևग़ẃ௤‫ݎ‬疑碢ቊ萢 <a href=”h!ps://www.waddingtons.ca/the-h-hpao-collection-of-early-chinese-ceramics-lots28-90/”>Click here</a> for further provenance information NOTE"

With partial ‘Jian Ding’ export seal to neck #!&&'—'$&&

$)A!LARGE!JAPANESE!ARITA!BLUE!AND! WHITE!CIRCULAR!CHARGER#!MEIJI! PERIOD#!')TH!CENTURY Painted to the center with birds and floral sprays including peonies and plum blossoms issuing from a jardiniere diameter 24.4 in — 62 cm #)&&'—'-&&

$), A!PAIR!OF!JAPANESE!ARITA!BLUE!AND! WHITE!LOBED!CHARGERS#!EDO/MEIJI! PERIOD#!')TH!CENTURY ෭๜!࿯ಁ/กလ෸๗!ํኦᅹᶆꖴꖴ‫ݗ‬ፏӞ੒ diameter 16.5 in — 42 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #)&&'—'-&&

$). A!JAPANESE!ARITA-STYLE!BLUE!AND! WHITE!TRANSFERWARE!JARDINIÈRE 13.6 x 16.5 in — 34.5 x 42 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #*&'—'!-&

$)* AN!IMARI!PORCELAIN!‘FIGURAL’! CHARGER#!MEIJI!PERIOD!OR!LATER ෭๜กလ෸๗!նӡ᯾Ոᇔᕖय़ፏ diameter 18.1 in — 46 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #!&&'—'$&&

$)/ AN!ENAMELED!PORCELAIN!‘FIGURAL’! CHARGER#!MEIJI!PERIOD!OR!LATER ԫ‫܈‬Ӯᕉ!୸衊՛穇ᕖय़ፏ diameter 18 in — 45.6 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #!&&'—'$&&

$+& A!JAPANESE!POLYCHROME!ENAMELED! OCTAGONAL!CHARGER#!MEIJI!PERIOD! OR!LATER DRILLED!FOOT!FOR!WALL!MOUNTING DIAMETER!#$/#!IN!—!1.!CM #!&&'—'$&&

$+! A!PAIR!OF!JAPANESE!IMARI!LOBED! DISHES#!MEIJI!PERIOD Decorated in underglaze-blue, coloured enamels and gilt with a central roundel depicting a flower basket surrounded by shaped panels of leaves and geometric motifs, the base with an apocryphal six-character Chenghua mark diameter 8.4 in — 21.4 cm NOTE"

One plate with Lane Crawford ‘Imari Antique’ sticker to base #$&&'—')&&

$+$ A!JAPANESE!KUTANI!POT!AND!THREE! STEM!CUPS#!MEIJI!PERIOD ෭๜กလ䦒๗Ԝᨕ儑!ᰂ୸ꗡ妢䁆䄐蟸磻Ӟ 奲ࢥկ य़෭๜ Ԝᨕ蕣皈ྃ tallest height 9.3 in — 23.5 cm PROVENANCE"

From a Private Toronto Collection #!&&'—'$&&

$+) A!JAPANESE!POLYCHROME!IVORY! SHUNGA!TRICK!NETSUKE#!MEIJI! PERIOD ෭๜กလ෸๗!粤꘍ชኮ礬՞ Composed of two semi-robed figures, the gentleman hunched over the lady, signed ‘Matsuda’ ຂኦ length 1.7 in — 4.3 cm NOTE"

Contains material which may be subject to import/export regulation #$&&'—')&&

$++ WALTER!H0!SIEGFRIED#!THE!HARDSHIP! OF!A!SUMMER!SOJOURN!IN!JAPAN1! SEASON’S!GREETINGS!FROM!THE! HOME!OF!WALTER!H0!SIEGFRIED#! SHIDZUOKA#!JAPAN#!'),, Velvet-bound photograph album containing twenty-nine photogravure plates 8.4 x 11.2 in — 21.3 x 28.4 cm NOTE"

Walter H. Siegfried was the son of John Siegfried, founder of Siegfried & Co., a tea firm established in 1902 and based in Chicago. A$er taking over the company in 1915, Walter expanded the company to Japan, where he eventually lived full time. The present album contains photographs of his home in Japan, along with scenes of his garden, car, and four dogs, giving unique insight into the life of a wealthy American expatriate living in Japan in the 1930s. #!&&'—'$&&

$+A Group of Forty-Nine Japanese Military Arts and Other Miscellaneous Books and Catalogues largest 12.1 x 9.3 in — 30.7 x 23.5 cm PROVENANCE"

From a Private Toronto Collection #*&'—'!-&

$+, A!PAIR!OF!‘TAKASAGO’!SILK!PANELS#! LATE!')TH!CENTURY One panel depicting Jō and the other Uba; framed with frame 27.6 x 12.4 in — 70 x 31.5 cm PROVENANCE"

Estate of W. A. Ross MacFadden, Toronto ग़ևग़W. A. Ross MacFadden‫ض‬ኞ᭳Ծቊ萢 #!&&'—'$&&

$+. A!PAIR!OF!PAINTED!WOOD!FIGURES!OF! JAPANESE!SAMBASO!DANCERS height 16.9 in — 43 cm #-&'—'*&

Buying at Waddington’s All lots will be oﬀered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

CONDITION'OF'LOTS

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staﬀ answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

BUYERS'PREMIUM

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

PAYMENT

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank dra", electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL'PRICES'IN'CANADIAN'FUNDS

Selling at Waddington’s BIDDING

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

SHIPPING

WADDINGTON’S'COMMISSION'RATES Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots oﬀered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

#$%-'($-)*('+/+#$%-'($-)*(%+/+',)--#.-*--% taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. ',)--##-..)( / ',)--##-#(%$ perry@safershipping.ca / www.safershipping.ca

REMOVAL'OF'PURCHASES

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

CITES

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item CANADIAN'ART'DEPARTMENT'COMMISSION''RATES Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

INSURANCE

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

AUCTION'ADVICE

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our oﬃces are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto oﬃce (',)-%$'-#,$$). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, se0ing forth terms and fees for our services.

Conditions of Sale ,1+All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is oﬀered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. -1+ Each lot sold is subject to a 20% buyers premium as part of the purchase price. .1+ Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

)1 Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in a0endance at the sale. (1+ The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-oﬀer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately a"er the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-oﬀering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, a"er which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, a"er which storage charges may be incurred.

'1 The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

%1+ The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article oﬀered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a wri0en opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a wri0en request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank dra", electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any a0ribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s "IJ King Street East, Second Floor Toronto, Ontario!MJA!#K"

TEL﹕2@AB-CD@-EADD TOLL2FREE﹕2A-GHH-CD@-CHDD www.waddingtons.ca