Waddington’s West J ULY 3 — 8, 2 02 1
Waddington’s West JULY 3 — 8, 2021
bid and view all lots online at www.waddingtons.ca important notice In-person previews are available by appointment only. Please contact us to book an appointment, for auction details, additional photographs, condition reports or virtual consultations. Please note that all appointments require two business days’ notice.
director, client services vancouver Jacqui Dixon jd@waddingtons.ca
front cover
Lot 40 OVILOO TUNNILLIE RECLINING MAN AND WOMAN
778-837-4588
front inside cover
Lot 64 UNIDENTIFIED ARTIST HUNTER BLOWING UP AN AVATAQ
back inside cover Lot 6 DAVID JANZEN MARCH
Item(s) located in Vancouver, BC. Please contact jd@waddingtons.ca to book a preview appointment. Local pick up by special arrangement; shipment from Vancouver only.
back cover Lot 13 ROY ARDEN WALMART STORE, BURNABY, B.C. (ROYALE) 1996
Please contact us for more information. tel: 416-504-9100 toll free: 1-877-504-5700 This catalogue and its contents © 2021 Waddington McLean & Company Ltd.
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
Photography & design by Waddington’s All Rights reserved.
1 DONALD APPELBE SMITH (B. 1917) UNTITLED (FALL SPLENDOUR)
oil on masonite; signed lower right, signed verso 23 x 16 in — 58.4 x 40.6 cm PROVENANCE:
The Art Emporium, Vancouver Private Collection, British Columbia $500 — 700
2 ROBERT GENN (1936-2014) HILL, OCTOBER
oil on canvas signed lower right, signed and titled verso 16 ins x 20 ins; 40.6 cms x 50.8 cms PROVENANCE:
The Art Emporium, Vancouver Private Collection, British Columbia $2,000 — 3,000
3 WILLIAM PERCIVAL WESTON (1879–1967) EVENING BEACHY HEAD, 1909
oil on panel signed lower left 7 ins x 11 ins; 17.8 cms x 27.9 cms PROVENANCE:
Acquired directly from the artist Private Collection, British Columbia EXHIBITED:
Third Annual British Columbia Society of Fine Arts, May 1910 $2,500 — 3,500
4 LAWRENCE ARTHUR COLLEY PANTON (1894-1954) FOREST INTERIOR
oil on canvas signed lower left 12 ins x 14 ins; 30.5 cms x 35.6 cms PROVENANCE:
Private Collection, British Columbia $500 — 700
5 DOROTHY KNOWLES (B. 1927) EDMONTON
watercolour signed and dated “82” lower right sight 15 ins x 11 ins; 38 cms x 28.5 cms PROVENANCE:
Private Collection, British Columbia $400 — 500
6 DAVID JANZEN (B. 1959) MARCH
oil on canvas signed, titled and dated 1995 verso PROVENANCE:
Trepanier Baer Gallery, Calgary Private Collection, British Columbia $5,000 — 7,000
7 DAVID ROBINSON (B. 1964) EQUESTRIAN
polymer gypsum signed with intials, dated 1991, and numbered 3/6 28.5 ins x 32.3 ins x 11.8 ins; 72.5 cms x 82 cms x 30 cms PROVENANCE:
Private Collection, British Columbia $9,000 — 12,000
8 DAVID ROBINSON (B. 1964) FOR THE MOMENT
bronze, steel and cable signed with initials, dated 1997 and numbered 9/12 5.5 ins x 35 ins x 4 ins; 14 cms x 88.9 cms x 10.2 cms PROVENANCE:
Private Collection, British Columbia $7,000 — 9,000
9 ALBERT JACQUES FRANCK (1899-1973) BACK OF AFTON AVE
oil on masonite signed and dated 1970 lower right; titled and dated verso 20 ins x 16 ins; 50.8 cms x 40.6 cms PROVENANCE:
Gallery Moos, Toronto, Ontario Art Emporium, Vancouver, British Columbia Private Collection, British Columbia $5,000 — 7,000
10 LORNE HOLLAND BOUCHARD (1913-1978) THE SACRISTY, ST FAUSTIN, P.Q.
oil on board signed lower left, signed, titled and dated “(early October)” verso 18 ins x 12 ins; 30.5 cms x 45.7 cms PROVENANCE:
Walter Klinkoff Gallery, Toronto Private Collection, British Columbia $1,000 — 1,500
11 GORDON APPELBE SMITH (1919-2020) UNTITLED (GLOVES)
graphite drawing signed lower right sight 10.6 ins x 13.6 ins; 27 cms x 34.5 cms PROVENANCE:
Gift by Artist to current owner Private Collection, British Columbia $600 — 900
12 GORDON APPELBE SMITH (1919-2020) UNTITLED
ink on paper initialed and dated 22.10.80 lower right Overall dimensions 12.2 ins x 14.2 ins; 36.7 cms x 46.7 cms PROVENANCE:
Private Collection, British Columbia $400 — 600
13 ROY ARDEN (B. 1957) WALMART STORE, BURNABY, B.C. (ROYALE) 1996
archival pigment print signed RA, titled and dated 2004, AP # 1 verso image 14.8 ins x 18.9 ins; 37.5 cms x 48 cms PROVENANCE:
Private Collection, British Columbia $2,000 — 3,000
14 SCOTT MCFARLAND (B. 1975) TRIMMING - LATE SUMMER
chromogenic print signed, titled and dated 1999 to gallery label verso image 37.4 ins x 47.4 ins; 95 cms x 120.5 cms PROVENANCE:
Monte Clark Gallery, Vancouver Private Collection, British Columbia $3,000 — 5,000
15 GRAHAM GILLMORE (B. 1963) BEAUTIFUL RESULTS
mixed media sheet 15.7 ins x 18.3 ins; 40 cms x 46.5 cms PROVENANCE:
Private Collection, British Columbia $800 — 1,200
16 ANGELA GROSSMANN (B. 1955) BOY AND TWO GIRLS
titled and dated 1991 to gallery label verso, sight 24.75 x 23.25 in — 61 x 58.4 cm PROVENANCE:
Diane Farris Gallery, Vancouver Private Collection, Washington State NOTE:
A Vancouver based artist, Grossmann’s collages explore ideas of identity and social displacement. This series examines the end of WWII; the artist uses photographs of European children that she found in second-hand stores. Grossmann has exhibited widely across Canada and internationally, and her works are found in public and private collections around the world. $1,000 — 1,500
17 SCOTT MCFARLAND (B. 1975) EMPIRE #6, 2006
inkjet type print; signed on gallery label; titled and numbered 2/3 in type on gallery label on the backing sight 13 ins x 16 ins; 33 cms x 40.6 cms PROVENANCE:
Monte Clark Gallery, Vancouver Private Collection, Vancouver $1,500 — 2,000
18 GRAHAM GILLMORE (B. 1963) UNTITLED
mixed media 15.5 ins x 20.5 ins; 39.4 cms x 52.1 cms PROVENANCE:
Private Collection, British Columbia $800 — 1,200
19 ROY ARDEN (B. 1957) AGAINST THE DAY
archival pigment print signed, dated 2005 and numbered 1/7 verso 32.1 ins x 40.6 ins; 81.5 cms x 103 cms PROVENANCE:
Monte Clark Gallery, Vancouver Private Collection, British Columbia $3,000 — 5,000
20 KARIN BUBAŠ (B. 1976) IVY HOUSE, OFFICE SUPPLIES ON A DESKTOP
archival pigment print dated 2003, numbered 1/5 to gallery label verso sight 10 ins x 10 ins; 25.4 cms x 25.4 cms PROVENANCE:
Monte Clark Gallery, Vancouver Private Collection, British Columbia $400 — 600
21 ADAM HARRISON (B. 1983) COVERED WINDOW
archival pigment print signed, titled, dated 2004 and numbered 5/8 to the gallery label verso 24 ins x 24.6 ins; 61 cms x 62.4 cms PROVENANCE:
Monte Clark Gallery, Vancouver Private Collection, British Columbia $500 — 700
22 BRANDON LATTU, AMERICAN (B. 1970) COMPUTER SHELF
chromogenic print signed, titled, dated 2006 and numbered 1/4 on the gallery label verso 16.5 ins x 22 ins; 42 cms x 56 cms PROVENANCE:
Monte Clark Gallery, Vancouver, B.C. Private Collection, British Columbia $300 — 500
23 GRAHAM GILLMORE (B. 1963) THIS FAMILY ADOPTED A PRISON
collage and paint signed and dated 2004 lower right 10.8 ins x 15.5 ins; 27.4 cms x 39.4 cms PROVENANCE:
Monte Clark Gallery, Vancouver Private Collection, British Columbia $600 — 900
24 ALLAN SWITZER (B. 1955) THIS IS NOT MY GREATEST, 2010
22k gold plate on water jet cut aluminium 26 ins x 26 ins; 66 cms x 66 cms PROVENANCE:
Private Collection, British Columbia $1,000 — 1,500
25 UNIDENTIFIED ARTIST NARWHAL TUSK ON CARVED WHALEBONE VERTABRAE
ivory, bone; accompanied by Government of Canada marine mammal tag 80.5 x 21 x 9 in — 204.5 x 53.3 x 22.9 cm PROVENANCE:
Private Collection, British Columbia $4,000 — 6,000
26 UNIDENTIFIED ARTIST CARVED ANTLER WITH ARCTIC ANIMALS AND MASSIVE CRIB BOARD
antler 35 ins x 31.5 ins x 13 ins; 89 cms x 80 cms x 33 cms PROVENANCE:
Private Collection, British Columbia $500 — 700
27 URIASH PUQIQNAK (B. 1946), GJOA HAVEN / UQSUQTUUQ TRANSFORMATION
stone; signed in syllabics 16 x 8.5 x 6 in — 40.6 x 21.6 x 15.2 cm PROVENANCE:
Private Collection, Alberta $800 — 1,200
28 BOB KUSSY, YELLOWKNIFE, NWT ARCTIC DENTIST
bone, antler, string; signed, titled and dated 2001 26.2 x 23.6 x 12.6 in — 66.5 x 60 x 32 cm PROVENANCE:
Private Collection, British Columbia $3,000 — 5,000
29 ABE UKUQTUNNUAQ (B. 1944), SPENCE BAY / TALOYOAK HUNTER WITH SPEARS
stone, antler; signed in roman 15.7 x 11.8 x 4.7 in — 40 x 30 x 12 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
30 ABRAHAM ANGHIK RUBEN (B. 1951), SALT SPRING ISLAND GROWLING BEAR
stone; signed in roman 26 x 10 x 6.5 in — 57 x 27.5 x 14 cm PROVENANCE:
Private Collection, British Columbia $1,500 — 2,500
31 BARNABUS ARNASUNGAAQ (1924-2017), BAKER LAKE / QAMANI’TUAQ MUSKOX
stone 6.5 x 11.8 x 3.5 in — 16.5 x 30 x 9 cm PROVENANCE:
Private Collection, Washington State $2,500 — 4,000
32 SEEPEE IPEELIE (1940-2000), FROBISHER BAY / IQALUIT MUSKOX
stone, antler; signed in syllabics 5 x 3 x 8 in — 12.7 x 7.6 x 20.3 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
33 JONASIE QUARQORTOK FABER (B. 1944), GREENLAND MUSKOX
stone; signed in roman and dated 1977 4.5 x 6.7 x 2.8 in — 11.5 x 17 x 7 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
34 JONASIE QUARQORTOK FABER (B. 1944), GREENLAND POLAR BEAR
stone; signed in roman 3.9 x 9.1 x 2.4 in — 9.8 x 23 x 6 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
35 NUNA PARR (B. 1949) DANCING BEAR
stone 19.5 ins x 10 ins x 11 ins; 49.5 cms x 25.4 cms x 27.9 cms PROVENANCE:
Private Collection, Washington State $3,000 — 5,000
36 HENRY EVALUARDJUK (1923-2007), FROBISHER BAY / IQALUIT POLAR BEAR
stone 6.1 x 11.8 x 3.9 in — 15.5 x 30 x 10 cm PROVENANCE:
Private Collection, British Columbia $3,000 — 5,000
37 KALINGO SATAA, FROBISHER BAY / IQALUIT DANCING BEAR
stone; signed in roman and syllabics 8 x 6 x 4 in — 20.3 x 15.2 x 10.2 cm PROVENANCE:
Private Collection, Alberta $200 — 400
38 ABRAHAM ANGHIK RUBEN (B. 1951), SALT SPRING ISLAND PREENING LOON
stone 21.9 x 10.2 x 6.9 in — 55.5 x 26 x 17.5 cm PROVENANCE:
Private Collection, British Columbia $2,000 — 4,000
39 ABRAHAM ANGHIK RUBEN (B. 1951), SALT SPRING ISLAND RAVEN/MAN TRANSFORMATION
stone 12.2 x 23.2 x 9.8 in — 31 x 59 x 25 cm PROVENANCE:
Private Collection, British Columbia $2,000 — 4,000
40 OVILOO TUNNILLIE, R.C.A. (1949-2014), CAPE DORSET / KINNGAIT RECLINING MAN AND WOMAN
stone 4.3 x 13.8 x 5.9 in — 11 x 35 x 15 cm PROVENANCE:
Private Collection, British Columbia $2,000 — 4,000
41 LIZZIE ITTINUAR (B. 1929), RANKIN INLET / KANGIQLINIQ FACE
stone, antler; signed in syllabics PROVENANCE:
Private Collection, Alberta $300 — 500
42 LIZZIE ITTINUAR (B. 1929), RANKIN INLET / KANGIQLINIQ SKULL
stone, antler 6.3 x 6.7 x 3.5 in — 16 x 17 x 9 cm PROVENANCE:
Private Collection, Alberta $300 — 500
43 MARIANO AUPILLARDJUK (B. 1923), RANKIN INLET / KANGIQLINIQ RAVEN PEERING OVER CLIFF
stone, ivory; signed in syllabics 3.7 x 7.9 x 5.9 in — 9.5 x 20 x 15 cm PROVENANCE:
Private Collection, Alberta $200 — 400
44 GEORGE ARLUK (B. 1949), ESKIMO POINT / ARVIAT SPIRIT
stone, antler; signed in roman and dated 1991 8.3 x 2.4 x 6.7 in — 21 x 6 x 17 cm PROVENANCE:
Private Collection, Alberta $400 — 600
45 UNIDENTIFIED ARTIST, RANKIN INLET / KANGIQLINIQ HUNTER
stone, leather, antler; signed in syllabics and dated 1990 8.3 x 4.3 x 4.3 in — 21 x 11 x 11 cm PROVENANCE:
Private Collection, Alberta $300 — 500
46 UNIDENTIFIED ARTIST FISH ON MINIATURE WALRUS BASE
antler; signed in syllabics 7.9 x 15 x 5.5 in — 22 x 39 x 22 cm PROVENANCE:
Private Collection, Alberta $300 — 500
47 UNIDENTIFIED ARTIST TWO FIGURES WAVING WITH CHILD HIDING BEHIND
bone 10.5 x 16 x 9 in — 26.7 x 40.6 x 22.9 cm PROVENANCE:
Private Collection, Alberta $200 — 400
48 SHOMIK ANANACK, GEORGE RIVER BIRD WITH OUTSTRETCHED WINGS
antler 5.75 x 6.5 x 7 in — 14.6 x 16.5 x 17.8 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
49 VICTORIA MAMNGUQSUALUK (B. 1930), BAKER LAKE / QAMANI’TUAQ MAN HOLDING A FISH
stone 6.5 x 2.75 x 2 in — 16.5 x 7 x 5.1 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
50 ANNIE NIVIAXIE (1930-1989), GREAT WHALE RIVER / KUUJJUARAPIK MOTHER AND CHILD
stone; signed in syllabics 5.5 x 2.5 x 2.5 in — 14 x 6.4 x 6.4 cm PROVENANCE:
Private Collection, Washington State $200 — 400
51 UNIDENTIFIED ARTIST OWL
stone 16.1 x 7.1 x 7.5 in — 41 x 18 x 19 cm PROVENANCE:
Private Collection, British Columbia $600 — 900
52 UNIDENTIFIED ARTIST WOMAN IN AMAUTI
stone; signed in syllabics 5.1 x 2.4 x 1.6 in — 13 x 6 x 4 cm PROVENANCE:
Private Collection, Alberta $100 — 200
53 JOAMIE IPEELIE (B. 1963), CAPE DORSET / KINNGAIT NARWHAL
stone, ivory; signed in roman 11 x 8 x 5 in — 27.9 x 20.3 x 12.7 cm PROVENANCE:
Private Collection, Alberta $100 — 200
54 MARY YUUSIPIK SINGAQTI (1936-2017), BAKER LAKE / QAMANI’TUAQ STARTING THE IGLOO
stone and antler 4.7 x 5.5 x 7.9 in — 12 x 14 x 20 cm PROVENANCE:
Private Collection, Alberta $200 — 400
55 UNIDENTIFIED ARTIST WALRUS
stone; signed in syllabics 4.7 x 8.3 x 2.6 in — 12 x 21 x 6.5 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
56 NAPATCHIE NOAH (1926-2004), FROBISHER BAY / IQALUIT DIVING WHALE
stone; signed in roman 5.5 x 4.7 x 3.9 in — 14 x 12 x 10 cm PROVENANCE:
Private Collection, British Columbia $200 — 400
57 ADAMIE NINGEOK (B. 1948) HUNTING SCENE
stone; signed in syllabics 4.3 x 2.8 x 1.6 in — 11 x 7 x 4 cm PROVENANCE:
Private Collection, British Columbia $150 — 250
58 MIKISITI SAILA (1939-2008), CAPE DORSET / KINNGAIT LOON
stone; signed in roman and syllabics 7.5 x 15.4 x 2.7 in — 19 x 39 x 6.8 cm PROVENANCE:
Private Collection, Washington State $600 — 900
59 FRED IYAK TRIMBLE (B. 1961) BLANKET TOSS
stone signed in roman 8 ins x 19.5 ins x 18.5 ins; 20.3 cms x 49.5 cms x 47 cms PROVENANCE:
Private Collection, Washington State $500 — 700
60 SIMEONIE ELIJASSIAPIK MOTHER AND CHILDREN
stone, ivory inset signed in syllabics and dated 1978 12.5 ins x 16 ins x 6.5 ins; 31.8 cms x 40.6 cms x 16.5 cms PROVENANCE:
Private Collection, Washington State $800 — 1,200
61 UNIDENTIFIED ARTIST, IGLOOLIK SEAL/MAN TRANSFORMATION
stone 7.5 x 4.5 x 20.1 in — 19 x 11.5 x 51 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
62 SAM KAVIK, BELCHER ISLANDS / SANIKILUAQ ALIGHTING FALCON
stone 22.8 x 7.9 x 4.3 in — 58 x 20 x 11 cm PROVENANCE:
Private Collection, British Columbia $500 — 700
63 MARC ALIKASWA (1928-2008), ESKIMO POINT / ARVIAT STANDING MAN
stone; signed in syllabics 14.2 x 7.1 x 2.8 in — 36 x 18 x 7 cm PROVENANCE:
Private Collection, British Columbia $600 — 900
64 UNIDENTIFIED ARTIST, PORT HARRISON / INUKJUAK HUNTER BLOWING UP AN AVATAQ
stone; c.1960 7.1 x 5.1 x 10.6 in — 18 x 13 x 27 cm PROVENANCE:
Private Collection, British Columbia $1,500 — 2,500
65 UNIDENTIFIED ARTIST, PORT HARRISON / INUKJUAK WOVEN GRASS LIDDED BASKET WITH STONE SEAL KNOP
grass, stone 9.1 x 9.8 x 9.8 in — 23 x 25 x 25 cm PROVENANCE:
Private Collection, British Columbia $200 — 400
66 JASSIPI NALAPUJAK, PORT HARRISON / INUKJUAK MOTHER AND CHILD
stone 13.2 x 5.1 x 2.8 in — 33.5 x 13 x 7 cm PROVENANCE:
Private Collection, British Columbia $200 — 400
67 SIMON NOVALINGA (B. 1946), POVUNGNITUK / PUVIRNITUQ HUNTER STALKING A BEAR
stone, antler; signed in roman 5.5 x 14 x 16 in — 14 x 35.6 x 40.6 cm PROVENANCE:
Private Collection, Alberta $300 — 500
68 PAULUUSEE ENOOKOOLOO, POND INLET / MITTIMATALIK HUNTER PULLING A SEAL
stone, leather; signed in roman on the seal 8 x 6 x 7 in — 20.3 x 15.2 x 17.8 cm; 3 x 9 x 4 in — 7.6 x 22.9 x 10.2 cm PROVENANCE:
Private Collection, Alberta $200 — 400
69 CLIFFORD PETTMAN (B. 1946), CREE OTTER’S EMBRACE, 2001
stone; signed 23 x 11 x 6 in — 58.4 x 27.9 x 15.2 cm PROVENANCE:
Private Collection, British Columbia $600 — 900
70 GRAHAM PETTMAN (B. 1938) TWO SISTERS
stone; signed in roman 14.4 x 8.7 x 7.1 in — 36.5 x 22 x 18 cm PROVENANCE:
Private Collection, British Columbia $400 — 600
71 KENOJUAK ASHEVAK (1927-2013), CAPE DORSET / KINNGAIT OPIILEE TIMIALU
lithograph; dated 1979 and numbered 23/50 22 x 30.5 in — 55.9 x 77.5 cm PROVENANCE:
Private Collection, British Columbia $1,500 — 2,500
72 KENOJUAK ASHEVAK (1927-2013), CAPE DORSET / KINNGAIT GREY OWL
stonecut and stencil; dated 1978 and numbered 47/50 24 x 36 in — 61 x 91.4 cm PROVENANCE:
Private Collection, British Columbia $1,200 — 1,800
73 KANANGINAK POOTOOGOOK (1935-2010), CAPE DORSET / KINNGAIT UNTITLED
ink and coloured pencil drawing; signed in syllabics lower right 22 x 30 in — 55.9 x 76.2 cm PROVENANCE:
Private Collection, British Columbia $1,000 — 1,500
74 LUCY QINNUAYUAK (1915-1982), CAPE DORSET / KINNGAIT BIRD EATING BERRIES
stonecut; dated 1968 and numbered 3/50 17.3 x 24.6 in — 44 x 62.5 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
75 PITALOOSIE SAILA, R.C.A. (B. 1942), CAPE DORSET / KINNGAIT KAYAK AND AVITUK
stone cut; dated 1968 and numbered 4/50 18 x 24 in — 45.7 x 61 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
76 LUCY QINNUAYUAK (1915-1982), CAPE DORSET / KINNGAIT FAMILY GROUP WITH BIRD
stonecut; dated 1967 and numbered 26/50 15.5 x 19.7 in — 39.4 x 50 cm PROVENANCE:
Estate of Lassy Malowany, British Columbia. $300 — 500
77 PAUNICHEA (1920-1968), CAPE DORSET / KINNGAIT FIELD OF BIRDS
stonecut; dated 1968 and numbered 5/50, sight 19.9 x 23.2 in — 50.5 x 59 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
78 LUCY QINNUAYUAK (1915-1982), CAPE DORSET / KINNGAIT THREE BIRDS WITH A FISH
stonecut; dated 1969 and numbered 35/50 16.3 x 23.6 in — 41.5 x 60 cm PROVENANCE:
Private Collection, British Columbia $800 — 1,200
79 MARJORIE ESA (B. 1934), BAKER LAKE / QAMANI’TUAQ SNOW BUNTING
stonecut and stencil; dated 1973 and numbered 32/43,, sight 9.1 x 12.8 in — 23 x 32.5 cm PROVENANCE:
Private Collection, British Columbia $200 — 400
80 ELIZABETH ARNENAGANERK, BAKER LAKE / QAMANI’TUAQ WALLHANGING
felt, thread, embroidery floss 37.5 x 38.5 in — 95.3 x 97.8 cm PROVENANCE:
Private Collection, Alberta $500 — 700
81 NAOMI ITYI (1928-2003), BAKER LAKE / QAMANI’TUAQ WALLHANGING
felt, thread, embroidery floss; signed 26.5 x 28.5 in — 67.3 x 72.4 cm PROVENANCE:
Private Collection, Alberta $800 — 1,200
82 POSSIBLY MONA ARNGNASUNGAAQ (B. 1946), BAKER LAKE / QAMANI’TUAQ MOTHER AND CHILD
felt, thread, embroidery floss; signed in syllabics “KANU” 23 x 15 in — 58.4 x 38.1 cm PROVENANCE:
Estate of Lassy Malowany, British Columbia $200 — 400
83 PETER ALIKNAK (B. 1928), HOLMAN / ULUKHAKTOK GRANNY TEACHES GRANDSON
stencil; dated 1986 and numbered 10/50, sight 18.5 x 23.6 in — 47 x 60 cm PROVENANCE:
Private Collection, British Columbia $200 — 400
84 MARY PUDLAT (1923-2001), CAPE DORSET / KINNGAIT KEEPER OF THE KELP
lithograph; dated 2001 and numbered 11/50 21.3 x 24.8 in — 54 x 63 cm PROVENANCE:
Private Collection, British Columbia $200 — 400
85 NAPATCHIE POOTOOGOOK (1938-2002), CAPE DORSET / KINNGAIT SEALSKIN BUCKETS
stonecut; dated 1962 and numbered 29/40 15.7 x 12 in — 40 x 30.5 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
86 BILL HOLM (1925-2020) HOWKAN WHALE, BURKE MUSEUM
signed and dated 1986 lower right, Good condition, no visible issues to report, 23.5 x 24 in — 59.7 x 61 cm PROVENANCE:
Private Collection, Washington State $300 — 500
87 HERBERT JOHANNES JOSEPH SIEBNER (1925–2003) SHADOWS ON THE BALTIC SEA
watercolour signed lower right; signed, titled and dated 1953 verso 11.5 ins x 19 ins; 29.2 cms x 48.3 cms PROVENANCE:
Private Collection, British Columbia $500 — 700
89 HERBERT JOHANNES JOSEPH SIEBNER (1925–2003) BELLA-BELLE
sgraffito and encaustic on panel signed, titled and dated 1967 verso 9 ins x 12 ins; 22.9 cms x 30.5 cms PROVENANCE:
Private Collection, British Columbia $500 — 700
90 HERBERT JOHANNES JOSEPH SIEBNER (1925–2003) WAR HORSE (STREITPFERD)
sgraffito and encaustic on panel signed, titled in English and German and dated 1967 verso 9 ins x 12 ins; 22.9 cms x 30.5 cms PROVENANCE:
Private Collection, British Columbia $500 — 700
91 CHRIS NANCARROW TOTEM POLES BY THE EMPRESS HOTEL, VICTORIA, 1986
watercolour and ink signed and dated lower left 11 ins x 15.4 ins; 28 cms x 39 cms PROVENANCE:
Private Collection, British Columbia $300 — 500
92 MARGARET SHELTON (1915-1984) HOMESTEAD AT REVELSTOKE, 1942
linoleum cut inscribed 19-A8 on paper under the mat sight 8 ins x 10.5 ins; 20.3 cms x 26.7 cms PROVENANCE:
Private Collection, British Columbia $150 — 200
93 MARGARET SHELTON (1915-1984) ST. PETERS, WINDERMERE, 1978
color woodcut and linocut signed, dated, and numbered 162/200 sight 4.5 ins x 5 ins; 11.4 cms x 12.7 cms PROVENANCE:
Private Collection, British Columbia $150 — 200
94 MARGARET SHELTON (1915-1984) DRIFTWOOD
watercolour signed lower right sight 9.3 ins x 12.8 ins; 23.5 cms x 32.5 cms PROVENANCE:
Private Collection, British Columbia $300 — 400
95 RONALD JOHN SPICKETT (B. 1926) PRAIRIE FRINGE
serigraph signed, numbered 20/23 13.4 ins x 20.7 ins; 34 cms x 52.5 cms PROVENANCE:
Private Collection, British Columbia $100 — 150
96 MARGARET SHELTON (1915-1984) BARN AT LOMOND
linoleum cut sight 5.5 ins x 7.5 ins; 14 cms x 19.1 cms PROVENANCE:
Private Collection, British Columbia $150 — 200
97 MARGARET SHELTON (1915-1984) TREE ROOTS, OPPOSITE MATTY’S
linoleum cut sight 4 ins x 5 ins; 10.2 cms x 12.7 cms PROVENANCE:
Private Collection, British Columbia $150 — 200
98 MARGARET SHELTON (1915-1984) MANCHEL’S WATERWHEEL, ROSEDALE
linoleum cut sight 3.5 ins x 5 ins; 8.9 cms x 12.7 cms PROVENANCE:
Private Collection, British Columbia $150 — 200
99 NICHOLAS HORNYANSKY (1896-1965) TWO WORKS: TORONTO FROM THE OLD FORT; WINTER WATERS
coloured etching and aquatint plates 4.8 ins x 4.5 ins; 12.3 cms x 11.5 cms; 4.1 ins x 3.7 ins; 10.5 cms x 9.3 cms PROVENANCE:
Private Collection, British Columbia $150 — 200
100 NICHOLAS HORNYANSKY (1896-1965) TWO WORKS: THE SOLDIERS’ ARCHWAY; CHRISTMAS DAY MORNING
coloured acquatint and etching 5.3 ins x 4.5 ins; 13.5 cms x 11.5 cms; 5.8 ins x 4.1 ins; 14.8 cms x 10.3 cms PROVENANCE:
Private Collection, British Columbia $150 — 250
101 DREAMS OF FORT GARRY LIMITED EDITION HARD COVER BOOK OF POEMS BY ROBERT WATSON WITH WOOD CUT ILLUSTRATIONS BY WALTER J. PHILLIPS
published by Stovel Company Ltd. Winnipeg, signed by Robert Watson and W.J. Phillips. edition 836 of 968. PROVENANCE:
Private Collection, British Columbia $300 — 500
102 RED GROOMS (B. 1937) EXHIBITION CATALOGUE WITH HAND DRAWN SELF PORTRAIT CARICATURE
black ink drawing on inside front cover of “Red Grooms A Retrospective / Pennsylvania Academy of the Fine Arts” exhibition catalogue, annotated “With Best Wishes Red Grooms”, 11.4 x 10.2 in — 28.9 x 26 cm PROVENANCE:
Private Collection, British Columbia $300 — 500
103 ANTHONY BLICQ THISTLES AT BLUE RIVER
mixed media on handmade paper signed lower left, signed and titled verso 31.9 ins x 25.6 ins; 81 cms x 65 cms PROVENANCE:
Private Collection, British Columbia $500 — 700
Notes:
Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
condition of lots
All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.
buyers premium
A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
payment
Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS
Selling at Waddington’s bidding
The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
shipping
waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%
The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:
Items selling for $250 or less 25%
PakShip
*There is a minimum handling charge of $20 per item
905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca
removal of purchases
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
cites
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org
*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%
insurance
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
auction advice
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).
6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.
4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.
5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.
11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14
days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2
tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca