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British & Continental Art Online Auction JU N E 23 - 28, 2 01 8


British & Continental Art Online Auction JUNE 23 - 28, 2018


bid online at onlineauctions.waddingtons.ca all lots can be viewed online at internationalart.waddingtons.ca on view

senior specialist Susan Robertson sr@waddingtons.ca 416-847-6179

Alec Kerr ak@waddingtons.ca 416-847-6166

Sunday, June 24 from 12:00 pm to 4:00 pm

front cover Lot 1

JOHANNES ANTONIUS CANTA Girl Feeding Chickens with Cat

front inside Lot 149

LOUISE J. RAYNER

The Long Gallery, Haddon Hall

back inside

Monday, June 15 from 12:00 pm to 7:00 pm

Lot 124 BERNARD GANTNER Barques Au Bord De L’Oignon

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

back cover Lot 48

JOHANN JUNGBLUT Fischerdorf In Winter

tel: 416-504-9100 toll free: 1-877-504-5700

This catalogue and its contents © 2018 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.


1

2

3

JOHANNES ANTONIUS CANTA (1816-1888), DUTCH

CIRCLE OF CHARLES-GUILLAUME BRUN (1825 -1908), FRENCH

SIDNEY EASTLAKE (19TH CENTURY), BRITISH

GIRL FEEDING CHICKENS WITH CAT

TURKISH WOMAN WEAVING IN AN INTERIOR

Oil on oak panel; signed “JA Canta” lower le!

Oil on canvas; inscribed and given to “V. Le Brun/ Galerie Lafaye"e” on the relined canvas verso

10 x 7.5 in — 25.4 x 19.1 cm Provenance: A wax collector seal verso; “Mrs. Early” ? inscribed to the frame; Private Collection, Toronto

30.5 x 45 in — 77.5 x 114.3 cm $400—600

COASTAL LANDSCAPE AT SUNSET WITH GULLS

Oil on canvas; signed “Sidney Eastlake” lower le! 20 x 30 in — 50.8 x 76.2 cm Provenance: The Cooling Galleries Ltd., London; Estate Collection, Canada $400—600

$800—1,200

4

5

6

HENRY H. PARKER (1858-1930), BRITISH

FOLLOWER OF JEAN-BAPTISTE-CAMILLE COROT (1796-1875), FRENCH

LEONOR FINI (1908-1996), ARGENTINIAN/FRENCH

HERDING COWS HOMEWARD AT SUNSET

Oil on canvas; signed lower right; signed verso, inscribed “No. 2” to the stretcher 16 x 24 in — 40.6 x 61 cm Provenance: Private Collection by descent from her husband $1,000—1,500

IN BRITTANY

Oil on plywood panel; titled in pencil, with black stamp/stencil “JC” ? verso 14.75 x 19.75 in — 37.5 x 50.2 cm $300—500

FOUR STUDIES OF FEMALE SPHINX (IN TWO FRAMES)

A pair of pen and ink drawings on paper; each signed to the frames verso: the first with studies for a winged figure in profile recto; a single study for the winged figure verso, the next: two winged figures recto; figure with mouth agape verso Sheets sight 16.25 x 12.75 in — 41.3 x 32.4 cm $400—600


7

8

9

HENRI VAN SEBEN (1825-1913), BELGIAN

ARCHIBALD ZIEGLER (1903-1971), BRITISH

TAKING HIS DAUGHTERS SKATING

STILL-LIFE WITH VASE, PIPE, AND VIOLIN

MICHEL RICHARD-PUTZ (1868-1934), BELGIAN/FRENCH

Oil on canvas; signed “H. V. Seben” at “Brussels” lower le!

Oil on canvas; signed “Ziegler” lower right

26.5 x 37 in — 67.3 x 94 cm $1,500—2,000

24 x 20 in — 61 x 61.6 cm $300—500

PORTRAIT D’ÉDOUARD JABLONSKI PROFESSOR DU LYCÉE SAINT LOUIS, PARIS, CIRCA 1905

Oil on canvas; signed lower le!, titled in pencil to the stretcher 25.75 x 21.25 in — 65.4 x 54 cm Provenance: Private Collection, Montreal, QC $2,000—3,000

10

11

12

19TH CENTURY GERMAN, GERMAN

CHARLES COUSIN (1904-1972), FRENCH

ALFRED STONE (1840- ), BRITISH

ELLE KATZCHEN (ALL KITTENS AT PLAY)

VENICE

AT NEWBURY, BERKSHIRE

Oil on panel; signed with initials “J.V.H” ? indistinctly lower right, titled to label verso

Oil on panel; signed lower le!, titled to the unidentified label of authenticity, no. 579.3 verso

Oil on canvas; signed lower le!, titled to the stretcher. Circa 1865.

7 x 9.5 in — 17.8 x 24.1 cm Provenance: Ex. Coll. “Mr. Sahpiro”? inscribed to the remains of The Art Gallery of Toronto, Grange Park gallery label $300—400

6 x 8.5 in — 15.2 x 21.6 cm Provenance: Art Emporium, Montreal; Private Collection, Ontario presented as a gi! circa 1971 $600—900

24.5 x 36 in — 62.2 x 91.4 cm $500—700


13

14

15

DAVID BATES (1840-1921), BRITISH

FREDERICK HENRY HENSHAW (1807-1891), BRITISH

SIDNEY EASTLAKE (19th CENTURY), BRITISH

WOMAN WITH DOG IN A MEADOW BY A RIVER, 1894

Oil on panel; signed and dated 1894 lower le! 11.5 x 15.5 in — 29.2 x 39.4 cm Provenance: The Cooling Galleries Ltd., London & Toronto $400—600

WINDERMERE CASTLE

Oil on cradled panel, titled to gallery label verso 9.5 x 14.5 in — 24.1 x 36.8 cm Provenance: Laing Fine Art Galleries Limited, Toronto

THE LINKS

Oil on canvas; signed “C. Eastlake” lower le!, titled ”The Links” to the original gallery receipt Provenance: Cooling Galleries Limited, Toronto; From whom purchased by the present Private Collection, on January 16th, 1956 as “S. Eastlake” and titled “The Links” accompanied by the original receipt

$500—700 $1,000—1,500

16

17

18

ARTHUR JOSEPH MEADOWS (1843-1907), BRITISH

DANIEL SHERRIN (1868-1940), BRITISH

EDWIN HENRY BODDINGTON (1836-1905), BRITISH

THE MOUTH OF THE TAGUS, LISBON

Oil on canvas; signed and dated 1881 lower le!, signed, titled and inscribed ”The pont from ... Vasco da Gama...” in pen and ink to artist label verso 24 x 42 in — 61 x 106.7 cm Provenance: The Cooling Galleries Ltd., London & Toronto; Ex. Coll. Mrs. A.H. Ayers, 89 Teddington Park Road, with her on 21/1/55 inscribed to this label; From whom purchased by the present Private Collection, Toronto on January 16th, 1956 accompanied by the original receipt $2,000—3,000

NEAR BOXHILL, SURREY

Oil on canvas; signed lower le!, signed and titled in pen and ink to artist’s label verso 20 x 30 in — 50.8 x 76.2 cm $800—1,200

TWO FIGURES WALKING ON A FOOTPATH, 1860

Oil on wood panel; signed and dated 1860 lower right 11.5 x 16 in — 29.2 x 40.6 cm $400—600


19

20

21

JOHN CRAWFORD WINTOUR (1825-1882), SCOTTISH

ATTRIBUTED TO GEORGE LAMBERT (1710–1765), BRITISH

BRITISH SCHOOL (19TH CENTURY)

NEAR QUEEN’S FERRY

RETOUR DE LA PECHE

Oil on canvas; signed with monogram “JCW” lower right, signed and dated 1882 verso, titled to exhibition label verso

Oil on canvas; given to the artist and titled to the nameplate

24 x 29 in — 61 x 73.7 cm Provenance: Doig Wilson & Wheatley, Edinburgh gallery label to the frame; Ex. Coll., John Kirkfield, Esq., Edinburgh, United Kingdom, his name wri!en in black ink to the typed Laing Art Gallery labels adhered to the frame verso;

20 x 25.5 in — 50.8 x 64.8 cm $1,500—2,500

FISHERMAN IN A RED COAT ON THE BANKS OF A WINDING RIVER

Oil on canvas; unsigned 20 x 24 in — 50.8 x 61 cm $400—600

$2,000—3,000

22

23

24

JAMES STARK (1794-1859), BRITISH

ATTRIBUTED TO GEORGE COLE (1810-1885), BRITISH

ARTHUR JAMES STARK (1831-1902), BRITISH

“LANDSCAPE WITH HORSEMAN”

Oil on canvas laid down on wood panel; given to the artist to the nameplate, called “Stark”, titled and numbered “206” to old catalogue entry affixed to the verso 14 x 18 in — 35.6 x 45.7 cm $500—700

GOING TO MARKET

Oil on canvas; given to the artist and titled to the nameplate 14 x 18.5 in — 35.6 x 47 cm $400—600

“HARVEST SCENE”

Oil on canvas; signed lower le#, titled to the partial gallery label to the stretcher 14.5 x 25.5 in — 36.8 x 64.8 cm Provenance: Frost & Reed, London, Reg. No. 2941 $400—600


25

26

27

HAROLD LAWES (1865-1940), BRITISH

AFTER WILLIAM COLLINS (1788-1847), BRITISH

FEEDING CHICKENS OUTFRONT A VILLAGE LANE, SUSSEX

HAPPY AS A KING

ATTRIBUTED TO JOHN FREDERICK HERRING THE ELDER (1795-1865), BRITISH

Watercolour; signed at Burpham, Sussex lower le! Sight 14 x 21 in — 35.6 x 53.3 cm $300—500

Oil on canvas; bears signature lower right 28.25 x 36 in — 71.8 x 91.4 cm Exhibited: The original canvas by William Collins was exhibited at the RA in 1836

THE VILLAGE SMITHY

Oil on canvas; signed “JF Herring” and titled on the tool box bo"om centre 28.5 x 35.5 in — 72.4 x 90.2 cm $3,000—4,000

$800—1,200

28

29

30

ATTRIBUTED TO RICHARD CATTERMOLE (1790 -1860), BRITISH

JOHANN BAPTIST WENGLER (1815-1889), AUSTRIAN

CHRISTIAN PIETER SNYDERS (SNIJDERS) (1904- ), DUTCH

CAVALIERS OUTFRONT A CATHEDRAL

ELDER COUPLE OUTSIDE A TAVERN READING A STORY, 1848

DUTCH FARM WITH COWS

Sepia toned watercolour heightened with white; signed indistinctly “R. Ca"ermole” and dated 1845 lower right

Oil on canvas; signed and dated 1848 on the doorstoop lower right

Sight 19 x 25 in — 48.3 x 63.5 cm

30.5 x 32.25 in — 77.5 x 81.9 cm

$400—600

$3,000—5,000

Oil on canvas; signed ”C. Snyders” lower right 14 x 20.25 in — 35.6 x 51.4 cm $500—700


31

32

33

WILLIAM WALKER MORRIS (FLOURISHED 1850 -1867), BRITISH

CHARLES E. HANNAFORD (1863-1955), BRITISH

FRANK WASLEY (1854-1934), BRITISH

FISHING BOATS IN A CALM AT DAWN

“SUNSET” VENETIAN LAGOON,1920

Watercolour; signed lower right

Watercolour; signed lower le!, signed, titled and dated 1920 in pencil verso, the sheet stamped “Produced in Great Britain

HIGHLANDERS WITH THEIR DOGS AND PONY ON THE HUNT RESTING AT A WATER STATION, 1863

Oil on canvas; signed “WW Morris” and dated 1863 lower le! 30.5 x 50.25 in — 77.5 x 127.6 cm

Sight 10 x 14 in — 25.4 x 35.6 cm $300—400

Sheet 10.25 x 18.25 in — 26 x 46.4 cm $300—500

$3,000—5,000

34

35

36

ROBERT MACGREGOR (1847-1922) , SCOTTISH

JOHN ERNEST AITKEN (1881-1957), SCOTTISH

JOHN ERNEST AITKEN (1881-1957), SCOTTISH

CLIPPER SHIP - “THE ALASTER”

WINDMILL ON THE CANAL

DUTCH HARBOUR WITH BOATS AT DOCK

Watercolour; signed lower le!, titled to the nameplate

Watercolour; signed lower right

Watercolour; signed lower le!

Sight 13.25 x 19 in — 33.7 x 48.3 cm

Sight 13.25 x 19 in — 33.7 x 48.3 cm

$800—1,200

$800—1,200

Sight 12.5 x 19.5 in — 31.8 x 49.5 cm $400—600


37

38

39

CRANIG C. EKSERGIAN (1855-1931), TURKISH/AMERICAN

SERGE KOROLKOFF (20TH CENTURY), RUSSIAN

JOHN SALMON (1844-1917), BRITISH

ILLUSTRATION FOR “DER STILLE DON”, 1934

GRAND CANAL VENICE, 1882

Graphite drawing; signed and titled in cyrillics and dated 1934 in pencil lower right

Watercolour; signed, titled and dated 1882 at Venice lower le!

21.5 x 15 in — 54.6 x 38.1 cm

20.5 x 29.5 in — 52.1 x 74.9 cm

$2,000—3,000

$800—1,200

40

41

42

RODOLFO AGRESTI (19TH CENTURY), ITALIAN

KARPO DEMJANOVIC TROCHIMENKO (1885-1979), UKRAINIAN

KONSTANTIN LOMYKIN (OR LOMIKIN) (1924 -1993), UKRAINIAN

MAN OF THE CLERGY, 1892

Oil on canvas; signed and dated 1892 mid le! edge 30 x 24 in — 76.2 x 61 cm $800—1,000

THE YOUNG ARTIST PAINTING GRANDPA

Oil on canvas; signed lower le! 22.5 x 31 in — 57.2 x 78.7 cm $1,000—1,500

LAKE IN THE MOUNTAINS

THE ARTIST’S MOTHER READING

Oil on board; signed in cyrillics in pencil verso, titled to label verso

Oil on canvas laid down to board; signed in cyrillics lower right

7 x 5 in — 17.8 x 12.7 cm

23 x 17.5 in — 58.4 x 44.5 cm

$200—300

$1,200—1,800


43

44

45

WLODZIMIERZ ZAKRZEWSKI (1916-1992), POLISH

ELIZABETH ADELA STANHOPE FORBES (1859-1912), CANADIAN/BRITISH

WILLIAM DUDLEY WARD (1879-1935), BRITISH

DOMEK NA KOLONII STASZICA

Oil on canvas; signed and dated 1989 lower right, signed, titled in Polish and dated 1989-26 at Warszawa in black ink verso 18 x 24 in — 45.7 x 61 cm Provenance: See website for full catalogue details. $600—900

LADY IN A BLACK HAT WEARING A JAPANESE KIMONO

Oil on canvas; signed with initial compounded monogram EAF lower right 24 x 20 in — 61 x 50.8 cm Provenance: With Robert Oliver Fine Paintings Prints and Handmade Frames, Montreal, Quebec; This painting was purchased with a grouping of other items in West Vancouver Literature: See website for full catalogue details.

RESEARCH; 40 H.P. 6 CYLINDER; SHE LOVES ME! SHE LOVES ME NOT!!, 1916

Three watercolours; each signed and dated /16 lower le!, the 1st titled lower right, the la"er two titled in pen and ink verso backings 11.5 x 10 in — 29.2 x 25.4 cm; 12 x 9.25 in — 30.5 x 23.5 cm; 14 x 9 in — 35.6 x 22.9 cm Provenance: Each work Mackenzie & Co., Toronto, one label dated 26/6/18 (1918) in pencil to gallery label verso $900—1,200

$4,000—6,000

46

47

48

WILLIAM DUDLEY WARD (1879-1935)

WILLIAM DUDLEY WARD (1879-1935), BRITISH

JOHANN JUNGBLUT (1860-1912), GERMAN

CASTLES IN THE AIR; CONFOUND THESE MUSHROOMS; NOW RUN AWAY LITTLE CHILDREN..., 1917

RATIONS; BRIBERY, 1913

FISCHERDORF IM WINTER

Two watercolours; each signed and dated /13 lower le!, the first, titled lower right, the la"er, titled in pen and ink verso backing

Oil on canvas; signed lower right, titled to gallery label verso

Three watercolours; each signed and dated /17 along the bo"om edge, each titled along the bo"om edge 9.5 x 7.25 in — 24.1 x 18.4 cm; 6.5 x 9 in — 16.5 x 22.9 cm; 6.5 x 9 in — 16.5 x 22.9 cm Provenance: MacKenzie & Co., Toronto gallery labels verso, their labels dated January 1917. $600—900

16.25 x 11 in — 41.3 x 27.9 cm; 12.5 x 8 in — 31.8 x 20.3 cm Provenance: MacKenzie & Co., Toronto gallery labels verso backing $600—800

27.5 x 39.5 in — 69.9 x 100.3 cm Provenance: Galerie Neupert AG, Zurich label verso; The Estate of Lee W. Larkin, Toronto $2,000—3,000


49

50

51

FOLLOWER OF EUGÈNE BOUDIN (1824–1898), FRENCH

JANIS FERDINANDS TIDEMANIS (1897-1964), LATVIAN

JANIS FERDINANDS TIDEMANIS (1897-1964), LATVIAN

ST. MALO, 1891

FACE OF A WOMAN (BELIEVED TO BE A PORTRAIT OF THE ARTIST’S WIFE)

STILL LIFE OF FLOWERS IN A VASE

Oil on panel; bears signature “E.Boudin” and date 91 lower right, titled “St. Malo” lower le!

Oil on canvas; signed lower right

Oil on thin board laid down to masonite by the artist; signed lower right. Unframed.

10.25 x 14.25 in — 26 x 36.2 cm

24 x 20 in — 61 x 50.8 cm

28 x 22 in — 71.1 x 55.9 cm

Provenance: Estate of Mr. B.M. Osler; By descent to his daughter, Tim Wills, Toronto; By descent to her husband; The Estate of her husband, Mr. Duane K. Wills, Toronto

Provenance: Family of Valdis Skudra, Montreal & Toronto, lifetime friend of the artist; By descent to his wife, Beatrice Skudra, Toronto; By descent to her son, Toronto

Provenance: Family of Valdis Skudra, Montreal & Toronto, lifetime friend of the artist; By descent to his wife, Beatrice Skudra, Toronto; By descent to her son, Toronto

$500—700

$1,200—1,800

$3,000—5,000


52

53

54

JANIS FERDINANDS TIDEMANIS (1897-1964), LATVIAN

JOHN PEDDER (1850-1929), BRITISH

LAJOS KOLOZSVARY (1871-1937), HUNGARIAN

LANDSCAPE NEAR WINDSOR (HERDER RESTING WITH THE FLOCK)

THE CONNOISSEUR

MONTREAL SNOW STORM

Oil on masonite; signed lower right 40 x 31.25 in — 101.6 x 79.4 cm Provenance: Family of Valdis Skudra, Montreal & Toronto, lifetime friend of the artist; By descent to his wife, Beatrice Skudra, Toronto; By descent to her son, Toronto

Watercolour on paper mounted by the artist on board support; signed lower le!, signed and titled in pencil verso 17 x 30 in — 43.2 x 76.2 cm $300—400

$4,000—6,000

Oil on canvas; signed lower right, titled to label verso 20.75 x 16.75 in — 52.7 x 42.5 cm Provenance: The T. Eaton Co. Ltd., Toronto; From whom purchased by William George Bea"y on February 14, 1930; By descent to his great granddaughter, Toronto $500—700

55

56

57

ATTRIBUTED TO GEORGINA LARA (ACT.1840 -1880), BRITISH

GEORGES JEAN-BAPTISTE GASSIES (1829-1919), FRENCH

EDWARD LADELL (1821-1886), BRITISH

PAIR OF VILLAGE SCENES

Pair of oils on canvas; engraved “William Shayer Sr.” on stretchers lower right and upper centre Each 10 x 18 in — 25.4 x 45.7 cm Provenance: J. Wilson & Co.Fine Arts, O"awa $1,500—2,000

COUNTRY CHURCH SCENE

Watercolour; signed lower right Sight 10.75 x 16 in — 27.3 x 40.6 cm $200—300

STILL LIFE OF FRUIT ON A LEDGE WITH GRAPES, A PLUM, A PEACH AND MORNING GLORIES WITH A BUTTERFLY AND AN ANT

Watercolour; signed with compounded initial monogram mid right Sheet 8.5 x 10.75 in — 21.6 x 27.3 cm $300—500


58

59

60

JOHN HENRY HENSHALL (1856-1928), BRITISH

A. PRESTI (20TH CENTURY), ITALIAN

HAMILTON JAMES GLASS (1820-1885), BRITISH

THE SCHOLAR

PALAZZO DUCALE, VENICE

LOADING HAY IN THE FARMYARD

Watercolour; signed lower le!, titled to the nameplate

Watercolour on watercolour board; signed lower le!

Oil on canvas; signed lower right

Sheet sight 8 x 11 in — 20.3 x 27.9 cm

12 x 6 in — 30.5 x 15.2 cm

Provenance: With Nash Galleries, London, Canada label verso backing

$250—350

$600—800

12 x 16 in — 30.5 x 40.6 cm Provenance: John Britnell Art Galleries Limited, Toronto, Centennial Jublilee 1873-1973 red label; Private Collection $500—700

61

62

63

DANIEL SHERRIN (1868-1940), BRITISH

BENGT LINDSTROM (1925-2008), SWISS

OTMAR ALT (1940- ), GERMAN

A SURREY COMMON

UNTITLED (GREEN FACE FIGURE)

DER BERG DER SUMMITIERE, 1970

Oil on canvas; signed lower le!, titled to the nameplate

Gouache on paper laid down to masonite; signed lower right.

14 x 18 in — 35.6 x 45.7 cm

30 x 22 in — 76.2 x 55.9 cm

Acrylic on canvas; signed and dated 70 lower le!, signed, titled and inscribed “VII“ in blue ink to the stretcher

$400—600

Provenance: The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

12.5 x 11 in — 31.8 x 27.9 cm Provenance: The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

$3,000—5,000 $800—1,200


64

65

66

ALFRED CHARLES WEBER (1862-1922), FRENCH

JOHN HORACE HOOPER (1851-1906), BRITISH

JOSE PUYET (1922-2004), SPANISH

THE CARDINAL’S STORY

NEAR GUILDFORD, SURREY

DAMA GOYESCA, 1965

Watercolour; signed “Weber” lower le!

Oil on canvas; signed lower le!, titled to typed label verso

Oil on canvas; signed lower right, signed, titled, dated 1965 and inscribed verso

13.5 x 23 in — 34.3 x 58.4 cm

24 x 19.75 in — 61 x 50.2 cm

$500—700

$500—700

67

68

69

ALEX DE ANDREIS (1880-1929), BELGIAN/BRITISH

ITALIAN (20TH CENTURY)

R. SCHMID (19TH/20TH CENTURY), FRENCH

VENEZIA

LA VARENNE (RIVER)

Oil on canvas; indistinctly inscribed with title “Venezia Nr Grio...” lower le!

Oil on canvas; signed with incised signature “R. Schmid” lower right, title incised lower le!, inscribed “Marne” and numbered “5” in pencil to the stretcher

sight 17.5 x 12 in — 44.5 x 30.5 cm Provenance: Frederick Thom Gallery, Toronto; Private Collection; By descent $700—900

THE KING’S SWORDSMAN

Oil on canvas; signed lower right, titled in pencil to the stretcher 25.5 x 21.5 in — 64.8 x 54.6 cm $700—900

24 x 32 in — 61 x 81.3 cm Provenance: Privtae Collection, Montreal $600—800

13 x 21.75 in — 33 x 55.2 cm Provenance: Private Collection, Montreal $400—600


70

71

72

PAUL JACOB NAFTEL (1817-1891) , BRITISH

BRITISH VICTORIAN (19TH CENTURY)

MONK’S BRIDGE, HOSPENTHALL, ST. GOTHARD, 1876

YOUNG SHEPHERDESS AND HER DOG MINDING HER FLOCK

EMILE VAN DAMME-SYLVA (1853-1935), BELGIAN

Watercolour; signed and dated 1876 lower right, titled to gallery label verso

Oil on panel; sculpted tondo. Unsigned.

Oil on canvas; signed “Van Damme” lower le!

13 x 11.5 in — 33 x 29.2 cm

13 x 22 in — 33 x 55.9 cm

$200—300

Provenance: See website for full catalogue details.

Sight 15 x 10.5 in — 38.1 x 26.7 cm Provenance: Manor Gallery, Hertfordshire label verso

COWS IN A MEADOW

$1,500—2,000

$600—800

73

74

75

POSSIBLY JAMES STUART PARK (1862-1933), SCOTTISH

JAMES CAMPBELL NOBLE (1846-1913), SCOTTISH

JOHN BLAIR (1850-1934), SCOTTISH

FLORAL STILL LIFE WITH DAFFODILS

WOODYARD, PAPENDRECHT (THE NETHERLANDS)

Oil on canvas 18 x 14.25 in — 45.7 x 36.2 cm Provenance: James McClure & Son, Glasgow label verso $1,000—1,500

SQUALLY WEATHER ST. MONANS, 1901

Oil on canvas; signed lower right, titled to exhibition label verso

Watercolour on paper; signed and dated 1901 at St. Monans lower le!, signed, titled and dated 1901 in pen and ink to artist label to the wood backing verso

28 x 36 in — 71.1 x 91.4 cm

22 x 30 in — 55.9 x 76.2 cm

Provenance: See website for full catalogue details.

Provenance: Aitken Do"’son, Edinburgh label verso

$2,000—3,000

$700—900


76

77

78

HENRY MOORE (1831-1895), BRITISH

HENRY FOLEY (1848-1874), BRITISH

HANS SCHWEIZER (1942- ), SWISS

APPROACHING STORM, 1877

WEST BOW. EDINBURGH, 1864

CHARLOTTE, 1973

Oil on canvas; signed and dated 1877 lower right

Oil on canvas laid down to masonite board; inscribed “H. Foley”, titled and dated “64” in black marker to the masonite verso

Pencil drawing on paper; signed and dated 1973 in pencil lower right, titled “Charlo!e” and inscribed “G/C#547” in black marker to the backing

16.5 x 26 in — 41.9 x 66 cm $1,500—2,000

16 x 20 in — 40.6 x 50.8 cm $500—700

30 x 25 in — 76.2 x 63.5 cm Provenance: Printed label “From the Collection of Abraham Green, Toronto”, another label inscribed “Hockey Place 1” verso; Estate Collection, Toronto $500—700

79

80

81

LEON GEORGES CALVES (1848-1924), FRENCH

GABRIEL DESCHAMPS (1919- ), FRENCH

PAUL SEIGNAC (1826-1903), FRENCH

FARMER AND HIS TEAM OF HORSES IN A BARNYARD WITH CHICKENS

CAMPAGNE DE MENTON VUE SUR LE CAP MARTIN ET LE ROCHE DE MONACO

THE LITTLE MOTHER

Oil on panel; signed lower right

Oil on canvas; signed lower right, titled in pencil to the stretcher

12.5 x 16 in — 31.8 x 40.6 cm $400—600

18 x 21.75 in — 45.7 x 55.2 cm Provenance: Roberts Gallery, Toronto; From whom purchased by the grandparents of the present Private Collection, Toronto $400—600

Oil on panel; signed lower le", titled to gallery label verso 15.5 x 12.5 in — 39.4 x 31.8 cm Provenance: Rayner MacConnal Fine Art Dealers, London; Coll. Mrs. Hirst, Harrogate, London; With Renoir Galleries Ltd., Harrogate, England on April 28th, 1976 while with owner Mrs. Hirst inscribed to their gallery label verso; Private Collection, Vancouver, B.C. $2,000—3,000


82

83

84

MIKHAIL GEORIGIEVICH ABAKUMOV (1948 -2010), RUSSIAN

DMITRIJ IVANOVIC KHAMIN (OR CHAMIN) (1945 -1996), RUSSIAN

FOLLOWER OF KUZ’MA SERGEEVICH PETROV-VODKIN (1878-1939), RUSSIAN

EVENING FOREST, 1989

FUTURE STARS

MEMORIES OF VILLAGE LIFE, 1990

Oil on canvas; signed in cyrillics lower le!; signed and titled in cyrillics, and dated 1989 verso

Oil on canvas; signed in cyrillics lower le!; signed and titled in cyrillics verso

Oil on canvas; signed with compounded initials and dated 90 verso

31.5 x 19.7 in — 80 x 50 cm

43 x 34 in — 109.2 x 86.4 cm

$3,500—5,000

$3,500—4,500

85

86

87

KONSTANTIN LOMYKIN (1924-1993), UKRAINIAN

PUBLIO DE SIMONI (1872-1948), ITALIAN

BLUE DUSK, 1979

CHICKENS IN A GATED VILLA FARMYARD

FOLLOWER OF MYLES BIRKET FOSTER (1825 -1899), BRITISH

Oil on canvas; signed in cyrillics lower le!; signed and titled in cyrillics and dated 1979 verso

Oil on canvas; signed at “Roma” lower right, signed in pencil to the stretcher

12.5 x 25 in — 31.8 x 63.5 cm $3,000—5,000

31.5 x 31.5 in — 80 x 80 cm $4,000—5,000

13 x 18.5 in — 33 x 47 cm Provenance: Sold to benefit the Eglinton St. George’s United Church, Toronto $200—300

WOMAN AND YOUNG GIRL FEEDING CHICKENS IN A FARMYARD

Oil on canvas; bears compounded monogram initials “MBF” lower right 10 x 8 in — 25.4 x 20.3 cm $300—400


88

89

90

JANIS FERDINANDS TIDEMANIS (1897-1964), LATVIAN

JANIS FERDINANDS TIDEMANIS (1897-1964), LATVIAN

CLAUS MEYER (1856-1919), GERMAN

CAN-CAN DANCERS

PORTRAIT OF A WOMAN IN A VEIL

YOUNG FARMER AND HIS WIFE IN A KITCHEN, 1892

Oil on masonite; signed lower right, inscribed “Lesjins” verso

Oil on masonite with scratching out; signed lower right

Oil on canvas; signed and dated “892” lower le!. Unframed.

16 x 9.25 in — 40.6 x 23.5 cm

19.75 x 16 in — 50.2 x 40.6 cm

22.4 x 18 in — 57 x 45.7 cm

Provenance: Private Collection, Toronto, acquired by the consignor’s mother directly from the artist, Toronto; With The Isaacs Gallery, Toronto label verso backing

Provenance: Private Collection, Toronto, acquired by the consignor’s mother directly from the artist, Toronto

Provenance: Proceeds of the sale to benefit The Prince Edward County Community Care for Seniors Foundation, Picton, Ontario

$1,500—2,500

$150—250

91

92

93

**BALLIQUANT (19TH CENTURY), FRENCH

EDWARDO SCOGNAMIGLIO (19TH/20TH CENTURY), ITALIAN

H. ALBENYAS (19TH/20TH CENTURY), SPANISH?

$1,000—1,500

SHEPHERD GIRL AND FLOCK ENTERING THE BARN

COMBAT

Oil on canvas; signed indistinctly lower le!, the nameplate inscribed: “C. Balliquant”

Oil on canvas; signed “Scognamiglio” lower right, titled to the nameplate

23 x 35 in — 58.4 x 88.9 cm

20.25 x 27 in — 51.4 x 68.6 cm

$800—1,200

$1,200—1,800

LA PARTIE D’ECHECS (CHESS PLAYERS)

Oil on canvas; signed indistinctly lower right, titled to the nameplate 23.5 x 29 in — 59.7 x 73.7 cm $1,000—1,500


94

95

96

HENRY H. PARKER (1858-1930), BRITISH

ALBERT ERNEST BOTTOMLEY (1873-1950), BRITISH

SIR HERBERT ALKER TRIPP (1883-1954), BRITISH

AT CULHAM ON THAMES

Oil on canvas; signed lower le!, signed and titled verso 12 x 18 in — 30.5 x 45.7 cm $800—1,200

LATE AUTUMN AFTERNOON

Oil on canvas; signed lower le!, signed and titled in pencil to the stretcher 16 x 20 in — 40.6 x 50.8 cm Provenance: Ex. Collection Charlo"e Smith, with her in 1958, inscribed to a partial label verso

PICCADILLY, LONDON

Oil on canvasboard; signed “Alker Tripp” lower right 14 x 18 in — 35.6 x 45.7 cm Provenance: Private Collection, Nanaimo, B.C. $800—1,200

$700—900

97

98

99

NICOLAI ALEXANDROV SYSOEV (1918-1999), RUSSIAN

AFTER GEORGE WILLAMS JOY (1844-1925), BRITISH

ETIENNE PROSPER BERNE-BELLECOUR (1838-1910), FRENCH

SPRING CHORES, 1990

NELSON’S FIRST FAREWELL

THE JILTED LOVER IN A FOREST, 1869

Oil on canvas; signed in cyrillics and dated 1990 lower right, signed and titled in cyrillics and dated 1990 verso. Unframed.

Oil on canvas; signed with unknown,initials “A. W.” and dated May 1898 and titled long the bo"om edge

Oil on panel; signed and dated 69 lower le!

61 x 85.4 in — 155 x 217 cm

24 x 17 in — 61 x 43.2 cm

$7,000—9,000

Provenance: Haynes Art Gallery, Toronto with them in 11/8/53 (1953) label to the frame

Provenance: Wm Watson Fine Arts, Montreal, Quebec label verso

$300—500

14.5 x 17 in — 36.8 x 43.2 cm

$600—800


100

101

102

ALEXANDER WILLIAMS (1846-1930), IRISH

LUIGI GIORGIO BALDERO (19TH/20TH CENTURY), SPANISH

EDWIN HAYES (1820-1904), ENGLISH/IRISH

BELOW THE BRIDGE DERRYINVER CONNEMARA

YOUNG TRICKSTER

Watercolour; signed and titled lower le!

Oil on canvas; signed lower right

Together with:

25.75 x 36 in — 65.4 x 91.4 cm

R. WARREN VERNON (1882-1908) BRITISH MOONLIGHT HILLSBOROUGH. ILFRACOMBE, DEVON

$1,000—1,500

OFF THE FRENCH COAST

Oil on canvas; signed lower le! 13 x 30 in — 33 x 76.2 cm Provenance: Purchased Waddington’s Irish Sale, May 23, 2002, Lot 604A $3,000—4,000

Watercolour; signed, titled and dated 1900 lower le!, inscribed “Smugglers’ Cove” (Hiding place for Robbers) to label verso backing 8 x 14.75 in — 20.3 x 37.5 cm; 6.5 x 9.5 in — 16.5 x 24.1 cm Provenance: See website for full catalogue details. $600—800

103

104

105

JOSEPH ELLIS (1783-1848), BRITISH

SIR WILLIAM ROTHENSTEIN (1872-1945), BRITISH

ON THE HILLS DOLYELLAU, 1876

DR. ALFRED RUSSEL WALLACE OM, LLD, DCL, FRS (BORN 1823)

AFTER GEORGE FREDERIC WATTS (1817-1904) , BRITISH

Oil on canvas; signed and dated 1876 lower le!, signed, titled and dated 1876 verso 19.5 x 29.5 in — 49.5 x 74.9 cm $1,000—1,500

GEORGE FREDERIC WATTS (SELF PORTRAIT)

Pen and ink drawing on paper; signed with initials and dated 1904 lower right, titled in graphite along the bo"om edge

Watercolour and ink on paper laid down on board; signed with initials “JEM” and dated 1914 lower right, titled “Wa"s” lower le!

Sheet sight 11.75 x 10 in — 29.8 x 25.4 cm

Oval 9.75 x 8 in — 24.8 x 20.3 cm

$500—700

$100—150


106

107

JOHN V.R. PARSONS (ACTIVE 1891-1914), BRITISH

JEAN PAUL LAURENS (1838-1921)

A.H. HEAL (GENTLEMAN IN RED OVERCOAT)

Watercolour; signed lower right,titled to the frame liner recto Arched mat sight 11 x 7.5 in — 27.9 x 19.1 cm Provenance: With Hugo Lang & Co., Liverpool label verso $200—300

108 , FRENCH

THE TREATY OF VENICE

THOMAS JONES BARKER (1815-1882), BRITISH HUNTSMAN RESTING WITH HIS DOGS AND GUIDE

Oil on panel; faint signature “Laurens”, titled to the nameplate

Oil on canvas; signed “J. Barker” lower le!

19.5 x 30 in — 49.5 x 76.2 cm

31 x 25.5 in — 78.7 x 64.8 cm

Provenance: Private Collection, Toronto

Provenance: Ex. Coll. Dr. L.G. Szollosy, Hamilton, Ontario stamps to the stretcher

$3,000—4,000

$1,200—1,800

109

110

111

SCOTTISH SCHOOL (19TH CENTURY)

WALTER HEATH WILLIAMS (1835-1906), BRITISH

JAMES HARWEY (1875-1952), BRITISH

SHEPHERD AND FLOCK - HOMEWARD BOUND

A SUMMER EVENING IN SUFFOLK

ELEGANTS OUT FOR A CARRIAGE RIDE

Oil on canvas; signed with conjoined monogram initials TM? lower right

Oil on canvas; titled to the nameplate

Oil on canvas; signed “J. Harwey” lower right

26 x 40 in — 66 x 101.6 cm

26 x 20 in — 66 x 50.8 cm

Provenance: Alex. Drysdale, Edinburgh label verso

Provenance: The Parker Gallery, London label verso; Private Collection, Lion’s Head, Ontario

Provenance: Private Collection, Lion’s Head, Ontario

$700—900

$1,000—1,500

30.3 x 22.3 in — 77 x 56.6 cm

$800—1,200


112

113

114

H. CHAMBERS (19TH/20TH CENTURY), BRITISH PROVENANCE

AFTER SIR EDWIN HENRY LANDSEER (1802 -1873), SCOTTISH

HARRY FIDLER (1856-1935), SCOTTISH

STILL LIFE OF PIPES AND CIGARS, 1903

THE ILLICIT HIGHLAND WHISKEY STILL

Oil on canvas; signed ”H. Chambers” and dated 1903 lower right

Oil on canvas

Oil on canvas; signed lower right, titled to the nameplate

18 x 20 in — 45.7 x 50.8 cm

10.75 x 12.5 in — 27.3 x 31.8 cm

14 x 18 in — 35.6 x 45.7 cm Provenance: The Parker Gallery, London label verso; Private Collection, Lion’s Head, Ontario

HOMEWARDS

Provenance: By descent to the present private collection $600—800

$1,000—1,500

$300—500

115

116

117

HERBERT ROLLET (1872-1932), BRITISH

PIERRE BOUDET (1925- ), FRENCH

P. HUYGENS (19TH/20TH CENTURY) , DUTCH

COTTAGE ON THE COAST

SOUTH OF FRANCE

Oil on canvas; signed lower right

Oil on canvas; signed “Boudet” lower le!, titled to the handwri"en label verso

PAIR OF VIGNETTES OF CHILDREN: SEATED CHILD WITH CARROTS; STANDING CHILD WITH SPOON

12.25 x 18 in — 31.1 x 45.7 cm Provenance: Antoine’s Art Gallery, Montreal $300—500

12 x 16 in — 30.5 x 40.6 cm Provenance: The Cooling Galleries Ltd., London & Toronto

Pair of oils on panel; each signed lower right and le! respectively Each 12.25 x 5 in — 31.1 x 12.7 cm $400—600

$300—400


118

119

120

STYLE OF RAFFAELE FRIGERIO (1875–1948), ITALIAN

ROBERT GUSTAV MEYERHEIM (1847-1920), GERMAN

PETRUS ANTONIUS DE ZWART (1880-1967), DUTCH

READING THE NEWS

SHEPHERD AND FLOCK

Oil on canvas. Unsigned.

Oil on canvas; signed “Meyerheim” lower right

LANDSCAPE ENVIRONS OF THE HAGUE, HOLLAND

319.7 x 437.8 in — 8 1/2 x 11 1/2 cm

13.25 x 20 in — 33.7 x 50.8 cm

Provenance: Vente Phillips, Sale No. 618, Lot 47 label verso; Private Collection, Mississauga, Ontario

Oil on canvas; signed lower right, inscribed “de Zwart” in pencil to the stretcher, titled to the handwri!en label verso

$500—700

8 x 15.25 in — 20.3 x 38.7 cm $300—500

$400—600

121

122

123

ROWLAND HILL (1915-1979), IRISH

SAWREY-GILPIN (1733-1807), BRITISH

JEAN LOUIS MARCEL COSSON (1878-1956), FRENCH

SUMMER DAY NEAR ROSAPENNA, CO. DONEGAL

Oil on canvas; signed lower right, titled to label verso 24 x 36.25 in — 61 x 92.1 cm Provenance: The Cooling Galleries Ltd., London & Toronto; Coll. Eleanor Winter, Toronto; Gi"ed to the present Private Collection, Toronto $2,000—3,000

TWO STUDIES OF DEER IN LANDSCAPES

ELEGANT BAR SCENE

A pair of ink and pencil drawings heightened with watercolour wash on paper

Oil on canvas; signed lower right

Sheets 3.25 x 7..5 in — 8.3 x 19.1 cm

33 x 28 in — 83.8 x 71.1 cm

$300—500

$2,000—3,000


124

125

126

BERNARD GANTNER (1928- ), FRENCH

WILLIAM HENRY MIDWOOD (ACTIVE 1867-1871), BRITISH

LEON GERMAIN PELOUSE (1838-1891), FRENCH

BARQUES AU BORD DE L’OIGNON

Oil on canvas; signed lower right, titled and numbered #53239 to the accompanying Wally Findlay Galleries, Inc., Certificate of Authenticity dated January 4, 1975 36 x 46 in — 91.4 x 116.8 cm Provenance: Wally Findlay Galleries, Inc., Palm Beach & Chicago accompanied by the Certificate of Authenticity contained in a folder the gallery published with the biography of Bernard Gantner; Private Collection, Toronto

A HAPPY FAMILY (COTTAGE INTERIOR WITH FIGURES)

“HORS CONCOURS” (EARLY MORNING FARMYARD SCENE)

Oil on canvas, signed “H. Midwood” lower le!

Oil on canvas; signed lower le!, titled “Hors Concours” to the nameplate

28 x 36 in — 71.1 x 91.4 cm

21.5 x 30.25 in — 54.6 x 76.8 cm

Provenance: Schillay & Rehs Inc., New York label verso; Private Collection, London, Ontario

Provenance: The Estate of Anne Laurier, Mulmur, Ontario $1,500—2,500

$800—1,200

$2,500—3,500

127

128

129

EDOUARD JULES JACOB HUBERTI (1818-1860), BELGIAN

CORNELIS BOUTER (1888-1966), DUTCH

LAU CHUN (1942- ), CHINESE

LAKE SCENE WITH FIGURES RESTING ON SHORE

A HAPPY FAMILY

FIGURES GOING TO THE BEACH, 1978

Oil on canvas; signed lower le!

Oil on canvas; signed and dated 1978 lower le!

Oil on canvas; signed “Huberti” lower le!

20 x 24 in — 50.8 x 61 cm

24 x 30 in — 61 x 76.2 cm

15.5 x 22.25 in — 39.4 x 56.5 cm Provenance: The Estate of Anne Laurier, Mulmur, Ontario

Provenance: The Cooling Galleries Ltd., London & Toronto; From whom purchased by the grandmother of the present Private Collection, Toronto

Provenance: With The Frame Up, Vero Beach, Florida

$1,200—1,800

$1,000—1,500

$300—500


130

131

132

ALEXANDER YOUNG (1865-1923), SCOTTISH

ROBERT LEWIS SUTHERLAND (1890-1932), SCOTTISH

ALEX RITCHIE (19TH CENTURY), BRITISH

LOCH TUMMEL, 1918

BRIDGE WITH CART AT PARIS, 1894

Oil on canvas; signed and dated 1918 lower right, titled and dated 1918 to the original gallery receipt accompanying the lot

Oil on canvas; signed and dated /94 at Paris lower le"

20.25 x 30.25 in — 51.4 x 76.8 cm

15.5 x 21.5 in — 39.4 x 54.6 cm

Provenance: Arlington Galleries Limited Fine Paintings, Cardiff, UK accompanied by the original receipt dated 14th June, 1984 with the original receipt and documents; From whom purchased by Mrs. Violet M. Flintoff, Canada; Gi"ed to the present Private Collection, Oshawa

$500—700

MERRY WIVES OF WINDSOR,1837

Oil on wood panel; signed “Alex. Ritchie”, titled and dated 1837 verso 16.5 x 21 in — 41.9 x 53.3 cm Provenance: Property of M.A. Cameron inscribed in pen and ink to an old label frame verso $300—500

$500—700

133

134

135

NANDOR (FERDINAND) KATONA (1864-1932), HUNGARIAN

DUNCAN CAMERON (1837-1916), SCOTTISH

LAJOS ZOMBORY (1867-1933), HUNGARIAN

TATRA MOUNTAINS

Oil on canvas; signed lower right 24 x 30 in — 61 x 76.2 cm $1,000—1,500

ROUGH SEA

COWS RESTING IN A PASTURE

Oil on canvas; signed “D. Cameron” lower le"

Oil on canvas

16.25 x 24 in — 41.3 x 61 cm

15 x 19.5 in — 38.1 x 49.5 cm

Provenance: With John Walls Picture Framing old label to the frame

$200—300

$400—600


136

137

138

NANDOR (FERDINAND) KATONA (1864-1932), HUNGARIAN

HANS ZEITNER (1903-1979), GERMAN

ATTRIBUTED TO FREDERICK WATERS WATTS (1800-1870), BRITISH

TATRA MOUNTAINS

Oil on masonite board; signed lower right 13.75 x 19.75 in — 34.9 x 50.2 cm $500—700

STILL LIFE OF DAHLIAS IN A VASE; TWO LANDSCAPE VIEWS OF LUSH TREES

The first; an oil on canvas; signed lower right, the later two: Trees and Stump and Pathway into the Forest, each oil on boards; each signed lower right. Two unframed. 34 x 30 in — 86.4 x 76.2 cm; 16 x 12.5 in — 40.6 x 31.8 cm; 18 x 15 in — 45.7 x 38.1 cm

NORTH WALES (GYPSY ENCAMPMENT) (NEER LYDFORS-DSARTHMOORE)

Oil on canvas 20 x 30.5 in — 50.8 x 77.5 cm $600—800

Provenance: Family collection, Germany; To Canada in 1957; By descent $500—700

139

140

141

JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951), DUTCH

HENRI JOSEPH GOMMARUS CARPENTERO (1820-1874), BELGIAN

JEAN PEZOUS (1815-1885), FRENCH

HOMEWARDS

Oil on canvas; signed lower right, titled to the nameplate

VILLAGE MARKET VENDOR SELLING FOWL AND HARE, 1867

Oil on cradled panel; signed lower le!

Oil on panel; signed and dated 1867 lower right

9.5 x 7.5 in — 24.1 x 19.1 cm

26 x 20 in — 66 x 50.8 cm

9.5 x 7.5 in — 24.1 x 19.1 cm

Provenance: Park Lane Galleries, inscribed to the frame verso

Provenance: Estate Collection; By descent

Provenance: Estate Collection; By descent

$2,000—3,000

$800—1,200

OFFICER’S MESS

$300—500


142

143

144

THOMAS VALENTINE GARLAND (1840-1914), BRITISH

EDWARD CHARLES BARNES (B.C. 1830-D. BEFORE 1882), BRITISH

WILLEM OPPENOORTH (1847-1905), DUTCH

TWO BOYS STRINGING ROBIN’S EGGS, 1872

YOUNG GIRLS WITH ROBIN’S EGG NEST

Oil on board; signed and dated 1872 lower right

Oil on canvas; signed lower right

13 x 10.5 in — 33 x 26.7 cm

21.25 x 17 in — 54 x 43.2 cm

Provenance: Estate Collection; By descent

Provenance: Gi!ed to the present Private Collection’s mother, Millbrook, Ontario in the early 1950’s

$2,000—3,000

COWS IN FARMYARD

Watercolour; signed lower right 12 x 18 in — 30.5 x 45.7 cm Provenance: Private Collection, Quebec $600—900

$800—1,200

145

146

147

** ALBANO (20TH CENTURY), EUROPEAN

ALBERTO PROSDOCIMI (1852-1925), ITALIAN

GUSTAVO PISANI (1877-), ITALIAN

PRACA PARIS (PARIS SQUARE IN RIO DE JANEIRO)

COURTYARD, VENICE (DOGE’S PALACE); CATHEDRAL (ST. MARKS, VENICE)

NEOPOLITAN MARKET

Watercolour; signed “Albano” at “Rio” lower right, titled at “Praca, Paris” lower left

Pair of watercolours; each signed lower le!, each titled and inscribed to old gallery labels verso

11.75 x 17.75 in — 29.8 x 45.1 cm

Sight each 12 x 7 in — 30.5 x 17.8 cm

Provenance: Private Collection, Quebec

Provenance: Laing Fine Art Galleries, Toronto labels verso

$200—300

$1,000—1,500

Oil on canvas; signed “Pisani” lower right 15 x 11 in — 38.1 x 27.9 cm $500—700


148

149

150

THOMAS NORMAN AULT (1880-1950), SCOTTISH

LOUISE J. RAYNER (1892-1924), BRITISH

PETER GHENT (1857-1911), BRITISH

ILLUSTRATION: BEDTIME MEDICINE,1910

THE LONG GALLERY, HADDON HALL

THE MUSSEL GATHERER

Watercolour en grisaille heightened with white on illustration board; signed lower right. Unframed.

Watercolour and bodycolour; signed lower le!, titled to the backing

Oil on board; signed lower le!

12 x 8.5 in — 30.5 x 21.6 cm Provenance: Private Collection, Quebec

Sight 10 x 15 in — 25.4 x 38.1 cm $1,500—2,500

19.5 x 14.25 in — 49.5 x 36.2 cm Provenance: With David T. Blackburn Picture Frame Makers, Liverpool, label to backboard verso $300—500

$150—200

151

152

153

LUIGI LANZA (1860-1913), ITALIAN

JOHN MACWHIRTER (1839-1911), SCOTTISH

GEORGE VICAT COLE (1833-1893), BRITISH

GONDOLA IN THE BACKWATERS OF THE VENETIAN CANAL

FISHERMAN AT A HIGHLAND RAPIDS

BOATMAN IN A RIVER WITH DISTANT CASTLE, 1882

Oil on canvas; signed lower le! 20 x 13.5 in — 50.8 x 34.3 cm Provenance: Estate Collection, Toronto $500—700

Oil on canvas; signed “MacW” lower le! 30 x 20.25 in — 76.2 x 51.4 cm Provenance: The Cooling Gallery Ltd., London & Toronto; Gi!ed to the present Private Collection, Toronto $1,000—1,500

Oil on canvas; signed with monogram and dated 1882 lower le! 20.25 x 24.25 in — 51.4 x 61.6 cm $700—900


154

155

156

DAVID SCHULMAN (1881-1966), DUTCH

HERBERT PARSONS (1872-1945), BRITISH

HARBOUR OF VOLENDAM

MARKET SCENE, 1925

DAVID FORRESTER WILSON (1873-1950), SCOTTISH

Oil on canvas; signed lower right, signed and titled in pencil to the stretcher

Watercolour; signed and dated 1925 lower right

20 x 28.5 in — 50.8 x 72.4 cm Provenance: The T. Eaton Co. Ltd., Canada Picture Department; Private Collection, Toronto by descent

Sight 10 x 14 in — 25.4 x 35.6 cm $200—300

A REST FROM HER LABOURS, 1931

Oil on panel; signed and dated 1931 lower right 40.25 x 36 in — 102.2 x 91.4 cm Provenance: McClure & Son, Glasgow; Waddington’s, Toronto, June 12, 2000, Lot 195; Private Collection, Victoria, B.C. Exhibited: Glasgow Art Gallery, “Exhibition of A Century of Art in Glasgow” while with McClure, n.d.

$1,000—1,500

$4,000—5,000

157

158

159

MIERCZYSLAW KRZYZAK (1914-1984), POLISH

THEOPHILE DE BOCK (1851-1904), DUTCH

WOLF ATTACK

WOMAN ON A FOREST PATH

MARINUS JOHANNES DRULMAN DE JONGERE (1912-1978), DUTCH

Oil on canvas; signed lower right. Unframed.

Oil on canvas; signed lower right, signed in pen and ink to handwri!en label to the stretcher

Oil on canvas; signed lower right

32 x 24 in — 81.3 x 61 cm

24 x 37 in — 61 x 94 cm

Provenance: Private Collection, Toronto

$1,000—1,500

24.25 x 32.25 in — 61.6 x 81.9 cm $400—600

$800—1,200

ROTTERDAM HARBOUR


160

161

162

ERNEST WALBOURN (1872-1927), BRITISH

CORNELIS GROENEVELD (1882-1952), DUTCH

NORMAN WILKINSON (1878-1971) , BRITISH

THE CHURCH POST-BETWS-Y-COED, NORTH WALES

MOTHER AND CHILDREN IN A SUNNY KITCHEN

THE STANLY RIVER TAY

Oil on canvas; signed lower le!

Oil on canvas; signed lower right

20 x 24 in — 50.8 x 61 cm

18 x 24 in — 45.7 x 61 cm

$400—600

$1,000—1,500

163

164

165

NORMAN WILKINSON (1878-1971) , BRITISH

HENRI (HENRY) MALFROY (1895-1944), FRENCH

THE LYNN OF TUMMEL

MEDITERRANEAN HARBOUR WITH FISHING BOATS

ROBERT FINLAY MCINTYRE (CIRCA 1846-1906), BRITISH

Oil on canvas; signed lower right, titled to the nameplate 40 x 50.5 in — 101.6 x 128.3 cm $800—1,200

Oil on canvasboard; signed lower right, titled to gallery label verso

Oil on canvas; signed “Malfroy” lower le!

18 x 24 in — 45.7 x 61 cm

25 x 36.5 in — 63.5 x 92.7 cm

Provenance: The Tryon Gallery Ltd., London, UK

$2,000—3,000

$1,000—1,500

FISHER ON THE COAST WITH HIS DOG

Oil on canvas laid down to masonite; signed lower le! 20 x 27.25 in — 50.8 x 69.2 cm $800—1,200


166

167

168

DAVID COX THE YOUNGER (1808-1885), BRITISH

DAVID COX THE YOUNGER (1808-1885), BRITISH

WILLIAM STRANG (1859-1921), SCOTTISH

HERDING THE FLOCK

RUINS IN A LANDSCAPE

Watercolour with pencil sketching lines

Watercolour; signed “... Cox Junior” lower le!

PORTRAIT OF A WOMAN IN A BONNET TIED WITH TARTAN RIBBONS

Sheet 19.4 x 27.2 in — 49.3 x 69 cm

Sheet 13.75 x 21 in — 34.9 x 53.3 cm

$1,500—2,500

$800—1,200

169

170

171

AFTER WILLEM VAN MIERIS (1662-1747), DUTCH

ROBERT GUSTAV MEYERHEIM (1847-1920 ), GERMAN

FREDERICK WATERS WATTS (1800-1862), BRITISH

LA CUISINIERE

Oil on canvas; signed bo"om right Oval 22 x 18 in — 55.9 x 45.7 cm $800—1,200

Oil on panel; given to “Mieris” and titled to the old auction label verso

MAN IN A BOAT

HEATH SCENE WITH CATTLE

Watercolour; signed lower right

18 x 14.5 in — 45.7 x 36.8 cm

17.25 x 31 in — 43.8 x 78.7 cm

Oil on canvas; signed and titled to artist’s handwri"en label verso, Certified by Vicar Brothers, label verso

Provenance: The Estate sale of Eleanor, Viscountess of Gort sold at East Cowes Castle, Isle of Wight, n.d. with their catalogue entry to the old labels verso, lot 30 as “Mieris...”; From whom purchased from the Carling Galleries, Toronto by William George Bea"y on March 4, 1934; By descent to his great-granddaughter, Toronto

$600—800

$2,000—3,000

13.75 x 16.75 in — 34.9 x 42.5 cm Provenance: The Cooling Galleries Ltd., London & Toronto $1,000—1,500


172

173

174

DAVID COX THE YOUNGER (1808-1885), BRITISH

ALPHONS SPRING (1843-1908), GERMAN

BERNARD DE HOOG (1867 - 1943), DUTCH

ABERGLASLYN PASS

AT THE SPINNING WHEEL

THE MORNING MEAL

Watercolour; signed lower le!, titled verso backing

Oil on braced panel; signed at “Munchen” lower right

Watercolour; signed lower right

Sight 8 x 11.25 in — 20.3 x 28.6 cm

10 x 8 in — 25.4 x 20.3 cm

$600—800

Provenance: Cooling Galleries, London & Toronto; G.H. Gooderham Collection, Toronto; With Odon Wagner Gallery, Toronto Catalogue No. 21 illustrated, while with a Private Collection, Toronto

14.5 x 20.5 in — 36.8 x 52.1 cm Provenance: Partial Glasgow gallery label to the verso backboard $700—900

$1,000—1,500

175

176

177

ARNOLD MARC GORTER (1866-1933), DUTCH

PHILIP WESTCOTT (1815- 1878), BRITISH

FRANZ LEITGEB (1911-1997), GERMAN

SPRINGTIME

NEAR YARMOUTH, 1875

TYROLEAN PEASANT

Oil on canvas; signed lower right, titled and numbered No. 7 to the top stretcher

Oil on canvas; signed and dated 1875 bo#om right, titled to the frame

Oil on masonite; signed upper right, titled to the namplate

22.4 x 18.3 in — 57 x 46.5 cm

22.4 x 35.8 in — 56.9 x 90.9 cm

10.6 x 8.1 in — 27 x 20.5 cm

$700—900

Provenance: Ex. Coll. Mrs. P.L. Debeny, Edmonton, AB; Private Collection, Toronto

$300—500

$800—1,200


178

179

180

ALFRED CHARLEY TOUCHEMOLIN (1829-1907), FRENCH

OTTO WEBER (1832-1888), BRITISH

J. KOENIG (FL. 1840), DUTCH

HAYTIME IN SPAIN

SKATERS ON A FROZEN POND, 1840

Watercolour; signed lower right, titled to the nampelate

Oil on canvas laid down to illustration board; signed indistinctly and dated 1840 lower right

Sight 10 x 19.5 in — 25.4 x 49.5 cm

13 x 18 in — 33 x 45.7 cm

$700—900

Provenance: With Garfield Galleries, Toronto for restoration in May 1965

A REGAL PROCESSION ON THE PALACE STEPS, 1887

Watercolour; signed and dated 87 at Versailles lower le! Sight 19.5 x 14.25 in — 49.5 x 36.2 cm $300—500

$300—500


Notes


Notes


Index A

H

Abakumov, Mikhail Georigievich (82)

Chun, Lau (129)

Hannaford, Charles E. (32)

Agresti, Rodolfo (40)

Cole, A!ributed to George (23)

Harwey, James (111)

Aitken, John Ernest (35, 36)

Cole, George Vicat (153)

Hayes, Edwin (102)

Albano, ** (145)

Collins, A"er William (26)

Henri, (164)

Albenyas, H. (93)

Corot, Follower of Jean-Baptiste-Camille (5)

Henshall, John Henry (58)

Alt, Otmar (63)

Cosson, Jean Louis Marcel (123)

Henshaw, Frederick Henry (14)

Andreis, Alex de (67)

Cousin, Charles (11)

Ault, Thomas Norman (148)

Cox, David the Younger (166, 167, 172)

Herring, Attributed to John Frederick the Elder (27) Hill, Rowland (121)

B

D

Baldero, Luigi Giorgio (101)

Damme-Sylva, Emile Van (72)

Balliquant, ** (91)

Deschamps, Gabriel (80)

Barker, Thomas Jones (108) Barnes, Edward Charles (143) Bates, David (13) Berne-Bellecour, Etienne Prosper (99) Blair, John (75) Bock, Theophile de (158) Boddington, Edwin Henry (18) Bo!omley, Albert Ernest (95) Boudet, Pierre (116) Boudin, Follower of Eugène (49) Bouter, Cornelis (128) British School (21) British Victorian (71) Brun, Circle of Charles-Guillaume (2)

C Calves, Leon Georges (79) Cameron, Duncan (134) Canta, Johannes Antonius (1) Carpentero, Henri Joseph Gommarus (140)

E Eastlake, Sidney (3, 15) Eksergian, Cranig C. (37)

Hoog, Bernard de (174) Hooper, John Horace (65) Huberti, Edouard Jules Jacob (127) Huygens, P. (117)

I Italian, (20th Century) (68)

Ellis, Joseph (103)

F Fidler, Harry (114) Fini, Leonor (6)

J Jongere, Marinus Johannes Drulman de (159) Joy, A"er George Willams (98) Jungblut, Johann (48)

Foley, Henry (77) Forbes, Elizabeth Adela Stanhope (44) Foster, Follower of Myles Birket (87) Frigerio, Style of Raffaele (118)

G Gantner, Bernard (124) Garland, Thomas Valentine (142) Gassies, Georges Jean-Baptiste (56) German, 19th Century (10) Ghent, Peter (150)

Ca!ermole, A!ributed to Richard (28)

Glass, Hamilton James (60)

Chambers, H. (112)

Gorter, Arnold Marc (175) Groeneveld, Cornelis (161)

K Katona, Nandor (Ferdinand) (133, 136) Khamin, Dmitrij Ivanovic (83) Koenig, J. (180) Kolozsvary, Lajos (54) Korolkoff, Serge (38) Krzyzak, Mierczyslaw (157)


L

T

Ladell, Edward (57)

Pelouse, Leon Germain (126)

Tidemanis, Janis Ferdinands

Lambert, A!ributed to George (20)

Petrov-Vodkin, Follower of Kuz’ma Sergeevich (84)

(50, 51, 52, 88, 89)

Landseer, A"er Sir Edwin Henry (113) Lanza, Luigi (151) Lara, A!ributed to Georgina (55) Laurens, Jean Paul (107) Lawes, Harold (25) Leitgeb, Franz (177) Lindstrom, Bengt (62) Lomykin, Konstantin (85, 42)

Pezous, Jean (141) Pisani, Gustavo (147) Presti, A. (59) Prosdocimi, Alberto (146) Puyet, Jose (66)

Macgregor, Robert (34) MacWhirter, John (152) McIntyre, Robert Finlay (165) Meadows, Arthur Joseph (16)

Tripp, Sir Herbert Alker (96) Trochimenko, Karpo Demjanovic (41)

W Walbourn, Ernest (160)

R Rayner, Louise J. (149)

M

Touchemolin, Alfred Charley (178)

Richard-Putz, Michel (9) Ritchie, Alex (132) Rollet, Herbert (115) Rothenstein, Sir William (104)

Ward, William Dudley (45, 46, 47) Wasley, Frank (33) Wa!s, A"er George Frederic (105) Wa!s, A!ributed to Frederick Waters (138) Wa!s, Frederick Waters (171) Weber, Alfred Charles (64) Weber, O!o (179)

Meyer, Claus (90)

S

Wengler, Johann Baptist (29)

Meyerheim, Robert Gustav (119, 170)

Salmon, John (39)

Westco!, Philip (176)

Midwood, William Henry (125)

Sawrey-Gilpin, (122)

Wilkinson, Norman (162, 163)

Mieris, A"er Willem van (169)

Scherrewitz, Johan Frederik Cornelis (139)

Williams, Alexander (100)

Moore, Henry (76)

Schmid, R. (69)

Williams, Walter Heath (110)

Morris, William Walker (31)

Scottish School (109)

Wilson, David Forrester (156)

Schulman, David (154)

Wintour, John Crawford (19)

N Na"el, Paul Jacob (70) Noble, James Campbell (74)

O Oppenoorth, Willem (144)

P Park, Possibly James Stuart (73) Parker, Henry H. (4, 94) Parsons, Herbert (155) Parsons, John V.R. (106) Pedder, John (53)

Schweizer, Hans (78) Scognamiglio, Edwardo (92) Seben, Henri Van (7) Seignac, Paul (81)

Y Young, Alexander (130)

Sherrin, Daniel (17, 61) Simoni, Publio de (86) Snyders, Christian Pieter (30)

Z

Spring, Alphons (173)

Zakrzewski, Wlodzimierz (43)

Stark, Arthur James (24)

Zeitner, Hans (137)

Stark, James (22)

Ziegler, Archibald (8)

Stone, Alfred (12)

Zombory, Lajos (135)

Strang, William (168)

Zwart, Petrus Antonius de (120)

Sutherland, Robert Lewis (131) Sysoev, Nicolai Alexandrov (97)


Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.


Selling at Waddington’s waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item

canadian art department commission rates Items selling for $7,500 or more 10% Items selling for $2,501 to $7,499 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item.

Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office. Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org


Buying at Waddington's

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905.470.6874 / 905.470.6875 / 416.293.8225

taurus@pakship.ca www.pakship.ca Envoy 416.299.3367, 416.299.9750 ph@envoy.ca www.envoypackandship.com Fero Transport 514.453.1462, 514.543.7585 www.ferotransport.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.


Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca

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British & Continental Art Online Auction | Jun. 23 - 28, 2018  

British & Continental Art Online Auction | Jun. 23 - 28, 2018