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International Art Auction JUNE 9 - 14, 2018


International Art Auction JUNE 9 - 14, 2018


International Art Auction JUNE 9 - 14, 2018

bid online at onlineauctions.waddingtons.ca

senior specialist Susan Robertson sr@waddingtons.ca

all lots can be viewed online at internationalart.waddingtons.ca

416-847-6179

front cover Lot 342 JOHN HOYLAND, SHUTTER

front inside

Lot 388 FRITS THAULOW, STREET IN CHRISTIANIA

on view Friday, June 8 from 12:00 pm to 5:00 pm

back inside Lot 355 GEORGES (KARPELES) KARS, NATURE MORTE

Saturday, June 9 from 11:00 am to 5:00 pm

back cover Lot 384

Sunday, June 10 from 11:00 am to 5:00 pm

EMILIO GRECO, PRIMAVERA (SPRING)

Monday, June 11 from 10:00 am to 12:00 pm preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2 tel: 416-504-9100 toll free: 1-877-504-5700 This catalogue and its contents © 2018 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.


300

301

302

VAL BERTOIA (1949- ), AMERICAN

JASON SELEY (1919-1983), AMERICAN

TWO CURVES OF SOUND (B-2087), 2018

FLIGHT FORMS, 1962

WILLIAM LANGDON KIHN (1898-1957), AMERICAN

Fi!y-six beryllium copper rods silvered to a silicon bronze plate; stamped “B-2087” to the plate, titled, “2 Curves of Sound” and dated 2018 to the accompanying Certificate of Authenticity signed with the artist’s initials on “16 Jan. 2018” and stamped “Bertoia”

Chromium-plated steel; signed “SELEY” to the underside, a small white label inscribed “J. Seley” with the title and indistinct inventory number “...S123” in blue pen and ink to the label to the underside

28 x 15 x 9.75 in — 71.1 x 57.2 x 38.1 cm Provenance: See website for full catalogue details. $4,000—6,000

25 x 50 x 15.5 in — 63.5 x 127 x 39.4 cm Provenance: See website for full catalogue details. $1,000—1,500

CHIEF YELLOW KIDNEY, BLACKFOOT INDIAN OF BROWNING, MONTANA

Gouache, colour crayon and ink on illustration board; signed and dated 1926 in pencil lower right, titled “Yellow Kidney/ Blackfoot Indian/ Browning Mont” in pencil verso, numbered “K18” in blue crayon in a circle verso 27.75 x 18.5 in — 70.5 x 47 cm $3,000—5,000

303

304

305

ARTHUR FITZWILLIAM TAIT (1819-1905), BRITISH/AMERICAN

ALEXANDER FRANCOIS LOEMANS (CIRCA 1816 -1898), DUTCH BORN, ACTIVE IN NEW YORK AND CANADA

WALTER EMERSON BAUM (1884-1956), AMERICAN

SPRINGTIME, 1895

RIVER LANDSCAPE WITH FIGURES FISHING ON SHORE WATCHING BOATS

Oil on canvas; signed and dated 95 at N.Y. lower right, signed “A.J. Tait N.A.” at New York, titled and dated “C.R. 1895” in black ink verso

Oil on canvas; signed “Loemans” lower le!

12 x 16 in — 30.5 x 40.6 cm

22 x 36 in — 55.9 x 91.4 cm

Provenance: The Estate of Janet Graham, Nobleton, Ontario

Provenance: N. Rheaume & Bro, Montreal partial label to the stretcher; Private Collection, Montreal

$4,000—6,000

$4,000—6,000

STREET SCENE

Oil on canvas; signed lower right, titled to the museum’s gallery label to the frame verso 29.25 x 36 in — 74.3 x 91.4 cm Provenance: Muriel and Philip Berman Collection, Allentown, Pennsylvania; Gi!ed to the Berman Museum of Art, Pennsylvania (BAM1990.203) label verso; Alderfer Auction & Appraisal, June 15, 2007, Lot 03046; Private Collection, Port Perry, Ontario $4,000—6,000


306

307

308

MORGAN RUSSELL (1886-1953), AMERICAN

RAUL SOLDI (1905-1994), ARGENTINIAN

BAIN DE SOLEIL

AT THE CIRCUS

JOHANN CHRISTIAN BRAND (1722-1795), AUSTRIAN

Oil on canvas; signed lower right

Black glass lidded jar decorated with a hand painted, encircling circus frieze painted in oil; signed “Raul Soldi” at the bo"om edge of the frieze. Mid to late 1930s.

44.5 x 35.25 in — 113 x 89.5 cm Provenance: With L.A. Packing and Crating, CA label; Freeman's, Philadelphia, PA., June 24, 2007, Lot 81; Private Collection, Port Perry, Ontario $5,000—7,000

height 15.7 in — 40 cm Provenance: Allan Moss Gallery, New York; From whom purchased by the present Private Collection, Toronto, circa 1990 $500—700

309

310

HENRY SCHOUTEN (1864-1927), BELGIAN

FRANZ VAN SEVERDONCK (1809-1889), BELGIAN

RETRIEVERS IN A LANDSCAPE

MOUTONS PAYSAGE (SHEEP IN A LANDSCAPE WITH DUCKS), 1869

Oil on canvas; signed lower right 31 x 39 in — 78.7 x 99.1 cm Provenance: John Britnell Art Galleries Limited, Toronto; Galerie Bernard Desroches, Montreal given erroneously to “Henry Solowitz” to their gallery label verso; Estate Collection, Toronto $3,000—5,000

Oil on canvas; signed “Francois VanSeverdonck” and dated 1869 lower right, signed, certified and titled “Moutons Paysage” by the artist in pen and ink to the canvas verso 20 x 28 in — 50.8 x 71.1 cm Provenance: Spiegel-Fabrik von L.F. Schmidt, Frankfurt am Main label verso $3,000—5,000

ITALIANATE LANDSCAPE WITH RUIN: A GATHERING OF HERDSMEN WITH CATTLE, SHEEP, DOGS AND WASHERWOMAN

Oil on canvas laid down on masonite; signed “Brand Professor” to the rock lower le! 41 x 33.5 in — 104.1 x 85.1 cm Provenance: See website for full catalogue details. $4,000—6,000


311

312

313

ATTRIBUTED TO SIR WILLIAM BEECHEY (1753 -1839), BRITISH

MISS JANE MARIA BOWKETT (MRS. CHARLES STUART) (1837-1891), BRITISH

WILLIAM STEWART MACGEORGE (1861-1931), SCOTTISH

SAID TO BE “LADY CAMBRIDGE” (SEATED HOLDING A BOOK IN A LANDSCAPE)

THE RECRUIT (”LISTED...”), CIRCA 1883/84

CLEARING THE LAND

Oil on canvas; signed lower right, titled “The Recruit” to the nameplate, signed from the artist’s studio: “The Hermitage, Cleve Road, West Hampstead London, N.W.” and indistinctly titled “Listed...” and further inscribed to the top stretcher and numbered “No. 9” in pencil

Oil on canvas laid down on masonite; signed “W.S. MacGeorge” lower le!

40 x 60 in — 101.6 x 152.4 cm

$10,000—15,000

Oil on canvas; given to Sir Wiliam Beechey and titled to the nameplate, the label of provenance to the stretcher inscribed in pen and ink: “Portrait of Lady Cambridge” 30 x 25 in — 76.2 x 63.5 cm Provenance: See website for full catalogue details. $3,000—5,000

32 x 52.75 in — 81.3 x 134 cm Provenance: Estate Collection, Woodville, Ontario

Provenance: See website for full catalogue details. $6,000—9,000

314

315

316

EDWIN ARTHUR WARD (1859-1933), BRITISH

RICHARD CATON WOODVILLE JR. (1856-1927), BRITISH

SIR FRANK BRANGWYN (1867-1956), BRITISH

BAFFLED (CHARLES I AND OLIVER CROMWELL DISCUSSING IMPORTANT NEWS), 1883

Oil on canvas; signed and dated 1883 lower right 40 x 50 in — 101.6 x 127 cm Provenance: See website for full catalogue details. $6,000—8,000

THE DUMB MOURNERS AT THE FUNERAL PROCESSION OF KING EDWARD VII, MAY 20 1910 - “KILDARE” AND “CAESAR”

TURKS BOARDING "THE DOLPHIN", CIRCA 1899

Oil on canvas; signed and dated 1910 lower le!, titled to the frame recto

Oil on board; signed with initials “FB” lower right., titled to gallery label verso, signed, titled and numbered No. 4813 to the L.B.H. label verso

16 x 22 in — 40.6 x 55.9 cm

14.75 x 20.5 in — 37.5 x 52.1 cm

Provenance: Henry Graves & Co., Ltd., London; Heffel Fine Art Auction House, November 9, 2000, Lot 150; Private Collection, West Vancouver, B.C.

Provenance: See website for full catalogue details.

$5,000—7,000

$7,000—9,000

Literature: See website for full catalogue details.


317

318

319

ROBERT WEIR ALLAN (1852-1942), SCOTTISH

MONTAGUE DAWSON (1890-1973), BRITISH

MONTAGUE DAWSON (1890-1973), BRITISH

THE SEA GROWS STORMY

SOUTH WINDS

HOMEWARD BOUND

Watercolour; signed lower le!, titled to the label from the artist’s address at “98 James Street, Buckingham Gate, London S.W.” to exhibition label verso

Oil on canvas; signed lower le!, titled in pencil to the stretcher and to the gallery label verso

Oil on canvas; signed lower le!, titled to gallery label verso

20 x 30 in — 50.8 x 76.2 cm

24 x 36 in — 61 x 91.4 cm

23.5 x 35.5 in — 59.7 x 90.2 cm

Provenance: Frost & Reed, London, Reg. No. 9435 label to the stretcher with them since February 14, 1950, inscribed “Arr. feb 14/50” in pencil to the stretcher; Prominent Collection, Montreal

Provenance: Watson Art Gallery, Montreal; Empire Auctions, Toronto; Private Collection, Toronto since circa 2012

Provenance: J.B. Benne" & Sons, Glasgow & Ayr Exhibited: See website for full catalogue details. $3,000—5,000

$30,000—50,000

$25,000—35,000

320

321

322

PHILIP HERMOGENES CALDERON (1833-1898), BRITISH

MANNER OF ALBERT JOSEPH MOORE (1841–1893), BRITISH

JOHN HENRY HENSHALL (1856-1928), BRITISH

THE FRUIT GIRL, 1877

PRE-RAPHAELITE BEAUTY SEATED IN A MARBLE INTERIOR

Oil on canvas; signed and dated 1877 lower right, titled to gallery label verso. Arched frame.

Oil on canvas; bears signature: “E. BurneJones” to the table edge lower le!

24 x 24 in — 61 x 61 cm

14 x 18 in — 35.6 x 45.7 cm

Provenance: Mellors-Laing Galleries, Toronto; Ex. Coll. Dr. R.J. Coyle and Dorothy Coyle, Windsor, Ontario; Gi!ed to the present Private Collection, Windsor, Ontario in the 1990’s

Provenance: Private Collection, Toronto and Greece

$5,000—7,000

$3,000—5,000

GOLAH

Watercolour; signed upper right, titled upper le! Sight 10.25 x 7.25 in — 26 x 18.4 cm Provenance: Sotheby's, London, January 31, 1990 Lot 351; From whom purchased by the present Private Collection, formally of Toronto and now residing in Greece $5,000—7,000


323

324

325

WILLIAM LUCAS (1840-1895), BRITISH

ARTHUR DAVID MCCORMICK (1860-1943), IRISH

DANIEL MACLISE (1806-1870), IRISH

THE DUET, 1866

THE KING’S MESSENGER

YOUNG LOVERS HELD CAPTIVE, CIRCA 1840

Watercolour; signed and dated 1866 lower le!, titled to gallery label verso

Oil on canvas; signed lower right, titled to gallery labels verso

14 x 12 in — 35.6 x 30.5 cm

25 x 30 in — 63.5 x 76.2 cm

Oil on canvas; inscribed “D. Maclise #26” in pen and ink to an old label to the stretcher, exhibited as “Young Lovers Held Captive (unknown historical scene)”

Provenance: A. Robertson Fine Art Dealer, Toronto; Waddington’s, Toronto, Lot 1280; From whom purchased by the present Private Collection, Toronto and Greece

Provenance: Mitchell Galleries, London, England; The Fine Art Galleries, The T. Eaton Co., Limited, Canada; From whom purchased by Mr. John Spence, Toronto on October 26th, 1949 accompanied by the original receipt; By descent through the family to the present Private Collection, Barrie, Ontario

$1,500—2,500

$3,000—5,000

326 WILLIAM SHAYER THE ELDER (1787-1879), BRITISH A TRAVELLING FAMILY WITH THEIR PONY AND DOGS

Oil on canvas; titled “Landscape with Figures and a Pony” to gallery label verso 28 x 36 in — 71.1 x 91.4 cm Provenance: Frost & Reed, London, Registration No. 11641; Frederick W. Thom Limited, Toronto $5,000—7,000

30 x 36 in — 76.2 x 91.4 cm Provenance: See website for full catalogue details. Exhibited: See website for full catalogue details. $7,000—9,000


327

328

329

WILLIAM SHAYER THE ELDER (1787-1879), BRITISH

JOSEPH THORS (1835-1920), BRITISH

ALFRED DE BREANSKI SNR. (1852-1928), BRITISH

MOTHER AND YOUNG CHILDREN IN AN EXTENSIVE RIVER LANDSCAPE

BEN-VENUE AND THE TROSSACHS

MILKING TIME

Oil on canvas; signed lower le!

Oil on canvas; signed lower le!, signed and titled verso

24 x 36 in — 61 x 91.4 cm

24 x 36 in — 61 x 91.4 cm

$6,000—8,000

$7,000—9,000

330

331

332

ALFRED DE BREANSKI SNR. (1852-1928), BRITISH

ALFRED FONTVILLE DE BREANSKI JNR. (1877 -1957), BRITISH

WILLIAM MEADOWS (1825-1901), BRITISH

Oil on canvas; signed lower right, titled to the nameplate 24 x 20 in — 61 x 50.8 cm Provenance: See website for full catalogue details. $3,000—5,000

THE PATH TO “MAM-BA” N.B.

Oil on canvas; signed lower le!, signed and titled verso 24 x 36 in — 61 x 91.4 cm Provenance: Kunsthaus Peiffer,Dusseldorf; Private Collection, Toronto $8,000—10,000

WATERLILY BAY, DERWENTWATER

LORD BYRON’S PALACE; CANAL RIALTO, VENICE

Oil on canvas; signed lower le!, signed and titled verso

Pair of oils on canvas; each titled in pencil to the stretcher, the second indistinctly

20 x 30 in — 50.8 x 76.2 cm

20 x 30.25 in — 50.8 x 76.8 cm

Provenance: The Cooling Galleries, London; Collection of Margaret and Grant Ross, Toronto; By descent to their son, Toronto

Provenance: Private Collection, Toronto

$3,000—5,000

$4,000—6,000


333

334

335

THOMAS EDWIN MOSTYN (1864-1930), BRITISH

EDWARD SEAGO (1910-1974), BRITISH

EDWARD SEAGO (1910-1974) , BRITISH

PICNIC (UNDER A FULL MOON)

BLAKENEY, NORFOLK

MARKET STALLS, ESSAOUIRA-MOROCCO

Oil on canvas; signed lower right, remains of title to a partial gallery label verso

Oil on masonite; signed lower le!,titled verso

Oil on masonite; signed lower le!, titled “Market Stalls, Essaouira. - Marocco” (sic) verso

20 x 24 in — 50.8 x 61 cm Provenance: Remains of a Toronto gallery active in the early to mid 20th Century; Private Collection, Montreal $3,000—5,000

20 x 30 in — 50.8 x 76.2 cm Provenance: Blair Laing Gallery, Toronto; Presented as a retirement gi! in the early 1970’s $30,000—40,000

14 x 10.5 in — 35.6 x 26.7 cm Provenance: G. Blair Laing Limited, Toronto label verso; Estate Collection, Toronto Exhibited: See website for full catalogue details. $15,000—25,000

336

337

338

EDWARD SEAGO (1910-1974), BRITISH

MAURICE CANNING WILKS (1910-1984), IRISH

DOROTHEA SHARP (1874-1955), BRITISH

QUAYSIDE SCENE - OSTEND, 1950

CO. ANTRIM COAST

CHILDREN ON A SHORELINE

Oil on masonite board; signed and dated “50” lower le!, titled verso

Oil on canvas; signed “Maurice C. Wilks” lower right

Oil on canvas; signed lower right

12 x 15.75 in — 30.5 x 40 cm

16 x 24 in — 40.6 x 61 cm

Provenance: Laing Galleries, Toronto; From whom purchased by a Private Collection, Toronto on December 1, 1950 accompanied by the original receipt; By descent

Provenance: Private Collection, Surrey, B.C.

Literature: See website for full catalogue details. $10,000—15,000

$4,000—5,000

12.5 x 16.25 in — 31.8 x 41.3 cm Provenance: Richardson Bros. Art Gallery, Winnipeg labels verso; Ex. Collection of Jean Mulholland, (nee Aikins) born Winnipeg; By descent to her granddaughter, Toronto $15,000—20,000


339

340

341

FRED CUMING (1930- ), BRITISH

FRED CUMING (1930- ), BRITISH

ROGER DE GREY (1918/19-1995), BRITISH

THE STUDIO DOOR, 1986

CHATHAM PIER

ST. SYMPHORIEN, 1987

Oil on masonite; signed lower right, titled to label verso

Oil on masonite; signed lower le!, titled in ink verso

Oil on canvas; signed “de G” lower le!

29 x 36 in — 73.7 x 91.4 cm

12 x 16 in — 30.5 x 40.6 cm

Provenance: Jonleigh Gallery, Wonersh, UK; From whom purchased by the present Private Collection, Toronto in June 1986; Minton Fine Art,Toronto

Provenance: Jonleigh Gallery, Wonersh, UK; With Academy Framing, London label; From whom purchased by the present Private Collection, Toronto in June 1986

Exhibited: Minton Fine Art, Toronto, circa 1989

Exhibited: Minton Fine Art Gallery, Toronto, circa 1989

$3,000—5,000

$2,000—3,000

50 x 36 in — 127 x 91.4 cm Provenance: Gallery 10, London; From whom purchased by the present Private Collection, Toronto at the cited exhibition in March 1987 Exhibited: See website for full catalogue details. $4,000—6,000

342

343

344

JOHN HOYLAND (1934-2011), BRITISH

KEN HOWARD (1932- ), BRITISH

SHUTTER, 16.4.76 (1976)

ANDRIE AT ORIEL

BERNARD SCHOTTLANDER (1924-1999), GERMAN/BRITISH

Acrylic on canvas; signed and dated “16.4.76” in red ink to the le! selvage verso, titled and dated “Shu"er 16.4.76” (April, 16, 1976) to gallery labels verso

Oil on canvas; signed lower right

90 x 59 in — 228.6 x 149.9 cm Provenance: Waddington Galleries, Toronto, (two labels), Stock No. T1006T; Waddington Galleries, Montreal, Stock No. 6218C label; From whom purchased by the present Private Collection, California $80,000—120,000

36 x 36 in — 91.4 x 91.4 cm Provenance: See website for full catalogue details. Exhibited: See website for full catalogue details. $10,000—15,000

MAQUETTE, CIRCA 1965

Brushed aluminum; signed “BM Scho"lander” to the lower le! side and signed with initials “BS” to the underside 4.75 x 4.5 x 1.5 in — 12.1 x 11.4 x 3.8 cm Provenance: See website for full catalogue details. $700—900


345

346

347

ENZO PLAZZOTTA (1921-1981), ITALIAN/BRITISH

ROBERT THEGERSTRÖM (1857-1919), BRITISH/SWEDISH

DI LI FENG (ALSO KNOWN AS DI LIFONG) (1958- ), CHINESE

DAMPORTRATT, PARIS

SEATED GIRL, 1996

Colour pastel on August Bergin & Co., Stockholm “Lilla Wa!ugatan No. 26” prepared board; titled to the exhibition label verso

Oil on canvas; signed in Chinese and dated 1996 lower right

ANTOINETTE SIBLEY I, 1972

Bronze with dark brown patina; signed “Plazzo!a” and numbered in an edition of 9 in the cast, this being numbered “9B” of an edition of 9 on the accompanying Enzo Plazzo!a, London, Photo-Certificate, titled, dated 1972 and cast “cire perdue” by the Fonderia Mariani Artistica to the Certificate, that the artist signed and dated on “December 1976” in pen and ink. Together with the book: “Enzo Plazzo!a - A Catalogue Raisonne”, 1986

36 x 24 in — 91.4 x 61 cm Provenance: See website for full catalogue details.

51 x 38 in — 129.5 x 96.5 cm $4,000—6,000

$8,000—12,000

13.5 x 6.5 x 3.5 in — 34.3 x 16.5 x 8.9 cm Provenance: See website for full catalogue details. $2,000—3,000

348

349

350

LUI LIU (1957- ), CHINESE/CANADIAN

LUI LIU (1957- ), CHINESE/CANADIAN

DANG XUAN HOA (1959- ), VIETNAMESE

NUDE MODEL AT AN EASEL, 2005

MICHELANGELO BUONARROTI, 1994

THE FEAST, 2003

Egg tempera and oil on canvas; signed “Lui Liu” and dated “05” lower right. Unframed.

Polychromed plaster cast; signed, titled and dated 1994 in the cast to the base

Oil on canvas; signed “Hoa” and dated 11/ 2003 lower le!

48 x 36 in — 121.9 x 91.4 cm

height 13.5 in — 34.3 cm

60.25 x 26.25 in — 153 x 66.7 cm

Provenance: Prominent Collection of a doctor, Toronto acquired directly from the artist in exchange for medical services while Lui Liu was residing in Toronto in 2005

Provenance: Prominent Collection of a doctor, Toronto acquired directly from the artist in exchange for medical services in 1996/97 while Lui Liu was residing in Toronto

Provenance: Apricot Gallery, Hanoi; From whom purchased by the present Private Collection, Toronto in 2004

$20,000—30,000

$500—700

$5,000—7,000


351

352

353

MARIO CARREÑO (1913-1999), CUBAN/CHILEAN

RENE PORTOCARRERO (1912-1985), CUBAN

EL INDIO (MINING VOLUME I), CHILE, 1982

STUDY TWO FIGURES, 1949

OSWALDO GUAYASAMÍN (1919–1999), ECUADORIAN

Watercolour on paper; signed and dated 82 lower le! and inscribed “MI - #15” to the St. Joe Minerals label verso

Sepia ink and black ink on watercolour board; signed and dated 1949 in black ink lower le!

28.5 x 36 in — 72.4 x 91.4 cm Provenance: Ex. Collection St. Joe Minerals Corporation, New York; Private Collection, Toronto $6,000—8,000

20.5 x 16 in — 52.1 x 40.6 cm Provenance: Private Collection of a diplomat stationed in Cuba, reportedly acquired directly from the artist; Gi!ed to Anne Wilson, in Rome, Italy in 1972; Her Estate Collection, O"awa, Ontario $3,000—5,000

RETRATO DE MERCEDES YCAZA PAREJA DE YLLESCAS BARREIRO Y SU HIJO FRANCISCO YLLESCAS YCAZA (AT GUAYAQUIL)

Oil on canvas; signed “Guayasmin” upper le!, titled, dated circa 1941 at Guayaquil to the accompanying Certificate of Authenticity from Juan Castro y Velazquez, dated August 18, 2017 accompanying this lot 31.9 x 23.6 in — 81 x 60 cm Provenance: See website for full catalogue details. $15,000—20,000

354

355

356

OTTO GUTFREUND (1889-1927), CZECH

GEORGES (KARPELES) KARS (1882-1945), CZECH/FRENCH

KAREL APPEL (1921-2006), DUTCH

SEATED YOUNG FEMALE NUDE TYING BRAIDS, 1911

NATURE MORTE, 1912

Bronze with brown patina; signed “Gutfreund”, stamped “K. Bartak/PrahaXI” with the foundry and the date “XI” in Roman numerals (1911) to the underside

Oil on canvas; signed “G. Kars”, dated 1912 and titled “Nature Morte” in red ink to label verso

8.6 x 7 in — 21.8 x 17.8 cm

Provenance: Kastel Gallery Inc., Montreal; Private Collection, O"awa

Provenance: Private Collection, Aurora, Ontario by descent $3,000—5,000

31.75 x 39 in — 80.6 x 99.1 cm

$30,000—50,000

UNTITLED (HEAD WITH BIRDS AND CAT), REFLEX PERIOD, 1948

Ink on paper; signed and dated “48” lower right Sheet 12.6 x 17.1 in — 32 x 43.5 cm Provenance: See website for full catalogue details. Literature: See website for full catalogue details. $4,000—6,000


357

358

359

KAREL APPEL (1921-2006), DUTCH

JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951), DUTCH

JOHAN FREDERIK CORNELIS SCHERREWITZ (1868 - 1951), DUTCH

DRIVING HORSE DRAWN WAGONS ON A BEACH

FISHER FOLK ON THE BEACH

COUPLE IN WOOD

Hand-painted wood multiple construction; signed “Appel” in red paint lower le", numbered 31/50 in red paint verso, signed with lower case initials “ep” of the Publisher (Editions Press) with copyright in red paint verso, also titled and numbered 31/50 to the publisher’s signed Certificate of Authenticity and Justification label numbered “#353” affixed to the verso.

Oil on canvas; signed lower le" 28 x 37.75 in — 71.1 x 95.9 cm

Oil on canvas; signed lower right 17.5 x 24 in — 44.5 x 61 cm

Provenance: Continental Galleries of Fine Art, Montreal

Provenance: The Cooling Galleries, London, England label verso

$4,000—6,000

$7,000—9,000

See website for full catalogue details. 17.75 x 24.75 in — 45.1 x 62.9 cm $4,000—6,000

360

361

362

JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951), DUTCH

JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951), DUTCH

WILLEM GEORGE FREDERIK JANSEN (1871 -1949), DUTCH

SHELLFISHERS ON THE BEACH

FISHING BOAT AT LOW TIDE

Oil on canvas; signed lower right 31.25 x 49.5 in — 79.4 x 125.7 cm

Oil on panel; signed lower right, authenticated to the William R. Watson, The Watson Galleries, Montreal label verso

SCHELPENVISSER OP HET STRAND (SHELL FISHERMEN ON THE BEACH)

Oil on canvas; signed lower right, titled to gallery label verso

$10,000—15,000

8.5 x 7 in — 21.6 x 17.8 cm

8.75 x 12.75 in — 30.5 x 40.6 cm

Provenance: William R. Watson, The Watson Galleries, Montreal with red wax seal of the gallery verso

Provenance: Roelofs Kunsthandels Art Gallery, Amsterdam; Estate Collection, Toronto

$4,000—6,000

$3,000—4,000


363

364

365

WILLEM MARIS (1844-1910), DUTCH

FOLLOWER OF REMBRANDT VAN RIJN (1606 -1659), DUTCH

FOLLOWER OF SIR ANTHONY VAN DYCK (1599 -1641), DUTCH

“PHILOSOPH” (PHILOSOPHER) (AFTER THE SEPIA DRAWING “OLD MAN WITH CLASPED HANDS, SEATED IN AN ARMCHAIR”)

PORTRAIT OF A GENTLEMAN HALF-LENGTH, TO THE LEFT WEARING A BLACK CLOAK WITH LACE RUFF, HOLDING A FALCON AT HIS LEFT, IN A LANDSCAPE AT DUSK

FARMER DRIVING A BOAT THROUGH A POLDER LANDSCAPE WITH COWS

Oil on canvas; signed lower le! 32 x 47 in — 81.3 x 119.4 cm Provenance: Private Collection, Westmount, P.Q. $10,000—15,000

Oil on oak panel; an indistinctly handwri!en and indistinctly signed statement dated “1897” affixed to the verso, an unknown red wax Serbian seal depicting a divided shield with the upper half depicting a saber, the bo!om half being indistinct, a helmet surmounts the shield with eagle crest to the verso 10.25 x 8 in — 26 x 20.3 cm Provenance: See website for full catalogue details.

Oil and bitumen on canvas; sculpted oval Oval 30 x 25.5 in — 76.2 x 64.8 cm Provenance: See website for full catalogue details. $3,000—5,000

Literature: See website for full catalogue details. $4,000—6,000

366

367

368

AFTER ANDREA DEL SARTO (1486-1530), ITALIAN

CHARLES VICTOR THIRION (1833-1878), FRENCH

JEAN-JACQUES HENNER (1829-1905) , FRENCH

YOUNG GIRL WITH A BASKET OF FLOWERS

NUDE BY POND, CIRCA 1881

Oil on canvas; signed “V. Thirion” lower right

Oil on cradled panel; signed “JJ HENNER” lower right

THE MEDICI HOLY FAMILY, 1529

Oil on canvas 54 x 44 in — 137.2 x 111.8 cm $4,000—6,000

24 x 15.75 in — 61 x 40 cm $8,000—10,000

11 x 17 in — 27.9 x 43.2 cm Provenance: See website for full catalogue details. Literature: See website for full catalogue details. $4,000—6,000


369

371

372

EDOUARD LEON CORTES (1882-1969), FRENCH

ANTOINE BOUVARD (1870-1956), FRENCH

BOUVARD (19TH/20TH CENTURY), FRENCH

INTERIEUR FAMILIAL

FROM THE LAGOON

VENETIAN BACKWATER

Oil on canvas; signed “Ed. Cortes” lower right, titled indistinctly in pencil to the stretcher, with two “Ed. Cortes” studio stamps to the stretcher, the canvas inscribed “Made in France” verso

Oil on canvas; signed “Bouvard” lower right, titled to gallery label verso

Oil on canvas; signed “BouvarD” lower le!

20 x 26 in — 50.8 x 66 cm

Provenance: The Fine Art Galleries, The T. Eaton Co. Limited, Canada; Estate Collection, Toronto

$5,000—7,000

19.75 x 25.75 in — 50.2 x 65.4 cm

$4,000—6,000

21 x 26 in — 53.3 x 66 cm Provenance: Campbell McConnell, Toronto; By descent to the present Private Collection, Mississauga, Ontario $3,000—5,000

373

374

375

CHARLES CLEMENT CALDERON (1870-1906), FRENCH

DIETZ EDZARD (1893-1963), GERMAN

FRANÇOIS GALL (1912-1987), FRENCH

ON THE GRAND CANAL, VENICE

LE RETOUR DES JOCKEYS

Oil on canvas; signed lower le!, titled to gallery label verso

Oil on canvas: signed “F. Gall” lower le!, titled to gallery label verso

7.5 x 10.5 in — 19.1 x 26.7 cm

19.75 x 24 in — 50.2 x 61 cm

21.5 x 32 in — 54.6 x 81.3 cm

Provenance: Galerie Walter Klinkhoff Inc., Montreal label

Provenance: See website for full catalogue details.

$1,500—2,000

Provenance: Dominion Gallery, Montreal, Inventory No. E4744 to the label verso; Private Collection, Montreal

CRÉPESCULE, VENICE (VENICE AT DUSK)

Oil on canvas; signed lower right, stamped: “Venise/ C.C. Calderon (S.M)” with the artist’s studio stamp to the canvas verso, titled to gallery label verso

$4,000—6,000

$4,000—6,000


376

377

378

FRANÇOIS GALL (1912-1987), FRENCH

CONSTANTIN KLUGE (1912-2003), FRENCH

ANTOINE BOURDELLE (1861-1929), FRENCH

JEUNE FILLE AU BOUQUET

BOOKSTALLS, NOTRE DAME

BATTEUR DE FAUX, 1907-1908

Oil on canvas; signed lower right, signed “F. Gall” and titled in black ink to the stretcher

Oil on canvas; signed lower right, titled to the nameplate a!ached

18 x 15 in — 45.7 x 38.1 cm

21 x 25 in — 53.3 x 63.5 cm

Provenance: See website for full catalogue details.

Provenance: Presented to Harry Trenholme by his aunt, Gladys Davies on May 5, 1992 inscribed verso; Collection, Montreal

Bronze with black-green patina; signed “EA Bourdelle”, numbered “IV” with the stamp of the foundry: “Valsuani Perdue” in the cast along the bo!om edge, titled, dated circa 1907 to 1908 and certified as number “IV” (4) from the total edition of 10 to the accompanying photo-certificate signed by Rhodia Dufet Bourdelle, daughter of the artist

$3,000—5,000

$3,000—5,000

6.7 x 7.4 in — 17 x 18.75 cm Provenance: See website for full catalogue details. $5,000—7,000

379 ROBERT COUTURIER (1905-2008), FRENCH FAUNE (FROM THE SERIES “LES GRANDS SCULPTEURS”), 1969

Bronze with brown patina; signed “Couturier” and numbered 6/6, stamped with the foundry “Susse Fondeurs Paris” in the cast. Titled and certified by the artist to the accompanying photo-certificate signed and dated at “Paris le 30 Janvier 72” in blue ink verso. Mounted on a stone base. Bronze/Mounted height 12.1 in — 30.8 cm; 14.2 in — 36 cm Provenance: See website for full catalogue details. $3,000—5,000

380 ATTRIBUTED TO OSKAR SCHLEMMER (1888-1943), GERMAN BAUHAUS, WEIMAR SCULPTURE - A WOMAN AT HER TOILETTE, CIRCA 1917-1922

Carved wood, paint, and gesso; with “Oskar Schlemmer/ Bauhaus, Weimar” printed artist’s studio label to the underside height 12.6 in — 32 cm

381 AKOS BIRKAS (1941- ), HUNGARIAN KOPF 50 (HEAD NO. 50), 1989 (A DIPTYCH FROM THE KOPF SERIES)

Two oils on canvas; one with sheet of paper mounted to the verso signed, inscribed “Fej 50” and inscribed in pen and ink, titled “Kopf 50”, one of the canvases is signed, titled, dated 1989 and inscribed "Zweitellig! Two parts!"; See website for full catalogue details.

Provenance: Bauhaus, Weimar, the artist's studio; Private Collection, B.C., purchased from Tut Schlemmer, wife of the artist in 1986

Each 78.7 x 35.4 in — 200 x 90 cm; 78.7 x 39.4 in — 200 x 100 cm

Note: See website for full catalogue details.

Exhibited: With the Art Gallery of Ontario since September 9, 1991

$5,000—7,000

Provenance: Private Collection, Toronto

$8,000—12,000


382

383

384

JACOB EPSTEIN (1921-2003), POLISH/ISRAELI

PINO CONTE (1915-1997), ITALIAN

EMILIO GRECO (1913-1995), ITALIAN

LOVERS

GIOVANETTA PUGLIESE, 1954

PRIMAVERA (SPRING), 1961

Bronze with brown/gold patina; signed with overlapping initials “EJ” and signed “Jacob Epstein” to the back of the bronze. Titled and certified to the accompanying Certificate of Authenticity. Cast in an edition of 8 with various patina.

Bronze with brown patina; signed at the back. Raised on a piece of weathered wood

Gilt and silvered bronze; signed “Greco I” in the cast to the tree trunk, titled to the gallery label affixed to the underside of the travertine base. Accompanied by the Dominion Gallery’s Certificate of Authenticity dated August 6th, 1970

Together with the catalogue “Jacob Epstein Sculptures” 11.4 x 13.8 x 11.8 in — 29 x 35 x 30 cm Provenance: Family of the artist, Bat-Yam, Israel Literature: Bella Epstein Carmely and Rachel Epstein BenTov, “Jacob Epstein Sculptures ‘Nativ Bahomer’ [association]/ In memory of Jacob Epstein”, Israel, illustrated in colour, full page, the catalogue acompanying the lot $3,000—4,000

Bronze/Mounted height 22 in — 55.9 cm; 25.5 in — 64.8 cm Provenance: With World House Galleries, New York by March 4, 1958; Purchased from World House Galleries by the Art Gallery of Ontario, Toronto, on March 4, 1958, on behalf of The Women's Commi!ee in memory of Lady Kemp, its first president; Deaccessioned to benefit art purchases at the AGO, with red Inventory No. 58/12 Exhibited: “VII Quadriennale,” Nazionale D’Arte di Roma, Rome, Italy, November 1, 1955 - April 30, 1966 $1,000—1,500

Bronze/Base 45.25 x 18 x 15 in — 114.9 x 45.7 x 38.1 cm; 2 x 10 x 10 in — 5.1 x 25.4 x 25.4 cm Provenance: Dominion Gallery, Montreal, Inventory Number B4564 described as a “silver cast” acquired directly from the artist as stated in the accompanying Dominion Gallery Certificate of Authenticity dated August 6th, 1970, signed by Max Stern; From whom purchased by the present Private Collection, Toronto on April 3rd, 1969 accompanied by the receipt Literature: See website for full catalogue details. $20,000—30,000

385 EMILIO GRECO (1913-1995), ITALIAN PATTINATRICE (SKATER)

Dark brown patinated bronze; signed “Greco” and dated 1955 at “Roma” to the foot of the bronze. Raised on a later wood base. 13.75 x 4.5 in — 34.9 x 11.4 cm Literature: See website for full catalogue details. $3,000—5,000


386

387

388

18TH CENTURY VENETIAN, ITALIAN

GIOVANNI DELLA ROCCA (1788-1858), ITALIAN

FRITS THAULOW (1847–1906), NORWEGIAN

PROCESSION OF CAVALIERS IN TRICORNS AND WOMEN IN VEILS; MEN IN WIDE BRIMMED HATS WITH ATTENDANT (VERSO)

THE ANTIQUE DEALER

STREET IN CHRISTIANIA

Oil on canvas; signed lower right

Oil on canvas; signed lower right, titled to gallery labels verso

Double-sided pen and ink drawing on laid paper 6.5 x 9.5 in — 16.5 x 24.1 cm Provenance: Collection of Paul Wallraf, London, No. 44 label affixed to the verso image

17.5 x 26 in — 44.5 x 66 cm Provenance: Robert Deveau Galleries, Toronto; The Estate of Robert Deveau, Toronto $5,000—7,000

$3,000—5,000

389

390

GRAND DUCHESS OLGA ALEXANDROVNA (1882 -1960), RUSSIAN

AFTER SALVADOR DALÍ (1904-1989), SPANISH

COFFEE TABLE

Watercolour; signed “Olga” lower right, titled in pencil verso Sheet 14.5 x 18 in — 36.8 x 45.7 cm Provenance: Estate Collection, Wales & Ontario; Gi"ed to the Dewi Sant, Welsh United Church, Toronto in 2017; Proceeds to benefit the Dewi Sant Church, Toronto $4,000—6,000

HOMBRE SOBRE DELFÍN – POSEIDÓN

Bronze with brown patina; signed “Dali” to the bo!om front of the bronze, stamped: “0510008-P.A. 11/12” to the back bo!om edge of the bronze. Dated at Madrid, March 1992, with the entire number: “0510008 - P.A. 11/12 ADH 657 HT” to the accompanying photocertificate. Raised on a black marbled base. Approximate/Mounted height 3.9 in — 10 cm; 5.5 in — 14 cm Provenance: See website for full catalogue details. $700—900

21.75 x 18 in — 55.2 x 45.7 cm Provenance: See website for full catalogue details. $15,000—25,000


391

392

393

MUHAMMAD ABDUR RAHMAN CHUGHTAI (1897 -1975), PAKISTANI

MUHAMMAD ABDUR RAHMAN CHUGHTAI (1897 -1975), PAKISTANI

ALBERT HUIE (1920-2010), JAMAICAN

YOUNG AMBASSADOR

YOUNG GIRL

Watercolour and pencil on thick paper; certified and titled by the artist’s son, Arif Chughtai in pen and ink in 2017 in Lahore, Pakistan and stamped by the Chughtai Museum Trust, Lahore, Pakistan twice verso. Unframed.

Watercolour and pencil on thick paper; certified and titled by the artist’s son, Arif Chughtai in pen and ink in 2017 in Lahore, Pakistan and stamped by the Chughtai Museum Trust, Lahore, Pakistan twice verso. Unframed.

Sheet 15.4 x 15 in — 39 x 38 cm

Sheet 12.8 x 8.8 in — 32.5 x 22.3 cm

Provenance: Ex. Coll. Chughtai Museum Trust, Lahore, Pakistan

Provenance: Ex. Coll. Chughtai Museum Trust, Lahore, Pakistan

$10,000—15,000

$8,000—12,000

394

395

VICTOR ROMAN (1937-1995), ROMANIAN

YEVGENY (EVGENY) RUKHIN (1943-1976), RUSSIAN

LE COUPLE

Bronze with brown/green patina; signed on the base.

UNTITLED (BROKEN ICON), 1975

height 9.4 in — 24 cm

Mixed-media and collage on canvas on masonite board; signed "E. Rukhin" in cyrillics and dated 75 in ink mid right

$600—900

19.75 x 19.75 in — 50.2 x 50.2 cm Provenance: Private Collection, Port Perry, Ontario $3,000—5,000

VILLAGE MEN CUTTING COCONUTS

Oil on board; signed lower le! 19 x 24 in — 48.3 x 61 cm Provenance: Private Collection, Toronto, purchased directly from the artist’s studio in Kingston, Jamaica in the early 1960s; By descent $3,000—4,000


Index A

E

L

Alexandrovna, Grand Duchess Olga (389)

Edzard, Dietz (374)

Liu, Lui (348, 349)

Allan, Robert Weir (317)

Epstein, Jacob (382)

Loemans, Alexander Francois (304)

Appel, Karel (356, 357)

Lucas, William (323)

F B

Feng, Di Li (347)

Baum, Walter Emerson (305) Beechey, Sir William (attributed to) (311) Bertoia, Val (300)

G

M MacGeorge, William Stewart (313) Maclise, Daniel (325)

Gall, François (375, 376)

Maris, Willem (363)

Greco, Emilio (384, 385)

McCormick, Arthur David (324)

Grey, Roger de (341)

Meadows, William (332)

Guayasamín, Oswaldo (353)

Moore, Albert Joseph (manner of) (321)

Gutfreund, O!o (354)

Mostyn, Thomas Edwin (333)

H

P

de Breanski, Alfred Snr (329, 330)

Henner, Jean-Jacques (368)

Plazzo!a, Enzo (345)

de Breanski, Alfred Fontville Jnr (331)

Henshall, John Henry (322)

Portocarrero, Rene (352)

Birkas, Akos (381) Bourdelle, Antoine (378) Bouvard, (372) Bouvard, Antoine (371) Bowke!, Miss Jane Maria (312) Brand, Johann Christian (308) Brangwyn, Frank (316)

Hoa, Dang Xuan (350)

C Calderon, Charles Clement (373) Calderon, Philip Hermogenes (320) Carreño, Mario (351)

Howard, Ken (343) Hoyland, John (342) Huie, Albert (393)

R Rembrandt van Rijn, (follower of) (364) Rocca, Giovanni della (387) Roman, Victor (394)

Chughtai, Muhammad Abdur Rahman

J

(391, 392)

Jansen, Willem George Frederik (362)

Russell, Morgan (306)

K

S

Kars (Karpeles), Georges (355)

Sarto, A"er Andrea Del (366)

Kihn, William Langdon (302)

Scherrewitz, Johan Frederik Cornelis

Rukhin, Yevgeny “Evgeny” (395)

Conte, Pino (383) Cortes, Edouard Leon (369) Couturier, Robert (379) Cuming, Fred (339, 340)

D

Kluge, Constantin (377)

(358, 359, 360, 361) Schlemmer, Oskar (attributed to) (380)

Dalí, Salvador (after) (390)

Scho!lander, Bernard (344)

Dawson, Montague (318, 319)

Schouten, Henry (309)

Dyck, Sir Anthony Van, (follower of) (365)


Seago, Edward (334, 335, 336,) Seley, Jason (301) Severdonck, Franz van (310) Sharp, Dorothea (338) Shayer, William the Elder (326, 327) Soldi, Raul (307)

T Tait, Arthur Fitzwilliam (303) Thaulow, Frits (388) Thegerstrรถm, Robert (346) Thirion, Charles Victor (367) Thors, Joseph (328)

V Venetian, 18th Century (386)

W Ward, Edwin Arthur (314) Wilks, Maurice Canning (337) Woodville, Richard Caton Jnr (315)


Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.


Selling at Waddington’s waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item

canadian art department commission rates Items selling for $7,500 or more 10% Items selling for $2,501 to $7,499 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item.

Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office. Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org


Buying at Waddington's

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905.470.6874 / 905.470.6875 / 416.293.8225

taurus@pakship.ca www.pakship.ca Envoy 416.299.3367, 416.299.9750 ph@envoy.ca www.envoypackandship.com Fero Transport 514.453.1462, 514.543.7585 www.ferotransport.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.


Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca

International Art Auction - June 9 - 14, 2018  

Waddington's International Art Auction Catalogue

International Art Auction - June 9 - 14, 2018  

Waddington's International Art Auction Catalogue