Asian Art | May 15 - 20, 2021 by waddingtons

Asian Art M AY 1 5 — 2 0, 2 02 1

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asian art specialist Amelia Zhu az@waddingtons.ca 416-847-6185

Lot 100

LE PHO (1907-2001), FLEURS 黎譜 (1907-2001) 花油彩画布

Lot 74

A PAIR OF LARGE SANCAI-GLAZED DRAGONFORM ROOF TILES, MING DYNASTY (1368-1644) 明三彩琉璃螭吻一对

inside cover A COLLECTION OF BLUE & WHITE CERAMICS

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inside back cover A COLLECTION OF JAPANESE ARTIFACTS

back cover

A COLLECTION OF JADE ITEMS

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

1 A PALE CELADON AND RUSSET JADE ‘CHILONG’ POURING VESSEL, MING DYNASTY 明青白玉雕螭龙纹盃

Carved around the sides extensively with openwork grape vines, the vessel handle partially formed by a masculine chilong clutching rim and vine, the stone of a translucent pale celadon tone with several patches of fine russet length 4.7 in — 12 cm PROVENANCE:

Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 NOTE:

Similar examples sold at Sotheby’s New York, September 10, 2019, lot 73; and Christie’s London, November 8, 2011, lot 117 类似龙纹盃请参考纽约苏富比2019年9月10 日，拍品编号73 伦敦佳士得2011年11月8日，拍品编号117 $3,000 — 5,000

2 A PALE GREY AND BLACK JADE ‘DRAGON AND PHOENIX’ TWO-PART BELT BUCKLE, MING DYNASTY 明灰白玉雕龙凤纹带扣

Each buckle of rectangular form, the surface carved in deep relief with a dragon and phoenix pair, the reverse incised further with two dragons, the centre with a hinge component and aperture for interlocking mechanism, the pale grey stone with a few black patches together length 4.5 in — 11.4 cm PROVENANCE:

Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $1,000 — 2,000

3 A WHITE AND RUSSET JADE ‘RAT’ BI DISC, MING DYNASTY 明白玉沁色’三鼠运财’出廓璧

Of circular form, centered with an aperture with three rats carved along the edges carrying the ‘fortune wheel’, each side carved with archaistic curls, the translucent stone of even white tone with areas of russet diameter 2.9 in — 7.4 cm PROVENANCE:

Collection of Larry Caplan, Toronto 来源：多伦多拉里·卡普兰珍藏 $1,000 — 2,000

4 A GROUP OF FIVE WHITE AND RUSSET JADE CARVINGS, QING DYNASTY 清白玉雕一组五件

Consisting of a white jade carving of three water caltrops, with wood stand; a white jade carving of two peapods; a white jade carving of a bat and water chestnuts; a white jade carving of peaches and lingzhi with russet skin; and a white and russet jade pendant of a beetle and fruit 含：白玉雕荷叶菱角雕带座, 白玉透雕豆莢佩, 白玉’福至心灵’圆雕，白玉沁色’富甲一方’佩，白玉俏色巧雕’福寿’佩 largest length 2.3 in — 5.8 cm PROVENANCE:

Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $3,000 — 5,000

5 A GROUP OF THREE WHITE AND PALE CELADON JADE PENDANTS, MING/QING DYNASTY 明/清青白玉雕’连年有余’佩白玉雕双獾佩一组三件

Consisting of a white and russet carving of a lotus leaf encircling a carp, Ming Dynasty; together with two white and celadon jade carvings of cats on leaves largest length 2.6 in — 6.5 cm PROVENANCE:

Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $600 — 800

6 A WHITE JADE ‘SHOU’ CHARACTER, 19TH CENTURY 清十九世纪白玉雕’寿’字牌

With wood stand 带木座 height 2.4 in — 6.2 cm PROVENANCE:

Acquired by descent from a Toronto family 来源: 多伦多家族遗产 NOTE:

A similar example sold at Christie’s South Kensington, November 11, 2015, lot 554 类似拍品请参考佳士得南肯辛顿，2015年11月 11日，拍品编号554 $800 — 1,200

7 A WHITE JADE ‘PARROT’ PENDANT, TOGETHER WITH A WHITE JADE ‘BOYS’ PENDANT, QING DYNASTY 清白玉镂雕五子登科佩鹦鹉佩各一

Both carved in openwork with scrolling vines longest length 2.4 in — 6.1 cm $1,000 — 2,000

8 A CELADON JADE VASE WITH RING HANDLES, 19TH CENTURY 清十九世纪青玉活环耳瓶

Of flattened baluster form, the flower head handles suspending loose rings, with wood stand height 4.9 in — 12.5 cm PROVENANCE:

Acquired by descent from a Toronto family 来源: 多伦多家族遗产 $1,000 — 2,000

9 A FINELY CARVED WHITE JADE BRUSH POT, QING DYNASTY, 19TH CENTURY 清十九世纪白玉雕玉兰纹笔筒

Finely carved in shallow relief with tall grasses and a flower head sprouting from a single rock formation near the foot, a second spray emerging from the rim, the sunken base incised with a fish, the semi-translucent stone of pale celadon-white colour with flecks of white inclusions height 3.3 in — 8.4 cm PROVENANCE:

Christie’s South Kensington, November 12, 2010, Lot 1314 来源：佳士得南肯辛顿，2010年11月12日，拍品编号1314 $3,000 — 4,000

10 A LARGE PALE CELADON JADE RUYI SCEPTRE, QING DYNASTY, 19TH CENTURY 清十九世纪青白玉浅浮雕’连年有余’如意

The large ruyi-shaped head carved in low relief with a raised border enclosing two leaping carp amidst cresting waves, the thick arched shaft carved with a single leafy branch rising from a pointed terminal with further waves, pierced at the bottom edge for threading a tassel, the smoothly polished stone of an even pale celadon tone with faint streaks of russet and white mottling length 16 in — 40.6 cm PROVENANCE:

An Important Toronto Collection 来源：多伦多重要私人珍藏 $15,000 — 20,000

11 A WHITE JADE DOUBLE-GOURD CARVING, TOGETHER WITH A PALE CELADON JADE PENDANT OF MUSHROOMS, QING DYNASTY 清白玉雕三脚金蟾摆件青白玉雕君子佩各一

The translucent white stone skillfully worked in the form of a three-legged toad scaling a double-gourd amongst swirling clouds, with wood stand; the pendant carved with mushrooms and lingzhi, stone of pale celadon tone with russet skin tallest height 2.5 in — 6.4 cm PROVENANCE:

Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $600 — 800

12 A WHITE JADE RECUMBENT BEAST, TOGETHER WITH A GREYISH-WHITE JADE CARVING OF BEASTS HOLDING A LINGZHI BRANCH, 19TH CENTURY 十九世纪白玉雕瑞兽衔灵摆件灰白玉雕子母兽衔灵摆件各一

Recumbent beast with wood stand 白玉雕瑞兽摆件带原木座

largest length 2 in — 6 cm PROVENANCE:

Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $600 — 800

13 A WHITE JADE BELT HOOK, 19TH/20TH CENTURY 十九/二十世纪白玉雕’苍龙教子’带钩

length 4.4 in — 11.2 cm $600 — 800

14 A GROUP OF THREE JADE AND JADEITE CARVED ARCHER RINGS, 19TH CENTURY 清十九世纪玉雕扳指一组三件

The first of even white and brownish tones with russet inclusions, carved in relief with stylized characters; the second carved from brown and russet stone with mythical beast and bats within a landscape; the final ring carved from spinach jade with an animal resting beneath a flower largest diameter 1.3 in — 3.2 cm PROVENANCE:

Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $1,000 — 2,000

15 A CARVED SPINACH-GREEN JADE ‘LOTUS’ BRUSH WASHER, QING DYNASTY, 19TH CENTURY 清十九世纪碧玉雕荷叶形洗

Carved in the form of a curled lotus leaf with incised veins to the underside, a crab resting on the top while two frogs climb up the other side, the stone of dark green tone with areas of darker speckling, together with a carved wood stand length 3.3 in — 8.5 cm PROVENANCE:

Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $600 — 800

16 A CHINESE ROSE QUARTZ ‘LIONS’ BRUSHWASHER, QING DYNASTY 清粉晶雕’双狮戏球’笔洗

The compressed globular washer carved with two lions clambering over the sides, a ball tied with ribbons in between them, with carved wood stand 带镂雕原配木座 length 3.9 in — 10 cm PROVENANCE:

Acquired by descent from a Toronto family 来源: 多伦多家族遗产 $400 — 600

17 A LARGE KHOTAN GREEN JADE ‘DRAGON’ SEAL, QING DYNASTY, 19TH/20TH CENTURY 清十九/二十世纪 ‘皇帝信宝’交龙钮碧玉宝玺

Carved with two outfacing intertwined recumbent dragons, the seal face inscribed ‘Huangdi Xinbao’ in Chinese and Manchu seal scripts 3.6 x 4.3 x 4.3 in — 9.2 x 10.8 x 10.8 cm PROVENANCE:

An Important Toronto Collection Previously acquired from Hartman Rare Art, New York 来源: 多伦多重要私人珍藏购于纽约哈特曼艺廊

View website for full catalogue details $20,000 — 25,000

18 A GROUP OF FOUR JADEITE CARVINGS, TOGETHER WITH TWO SMALL AGATE CENSERS AND A ROCK CRYSTAL CARVED BOAT, LATE QING/REPUBLICAN PERIOD 晚清/民国时期翡翠玛瑙雕摆件一组七件

The jadeite carvings consisting of a pair of thin cylindrical lidded vases with loop handles, a boy riding a large carp, and a seated figure with a dog, all with wood stands; the two agate censers surmounted with foo dog finials and with two ring handles; the rock crystal ship manned by two figures, with carved wood stand 包含翡翠雕小盖瓶一对，翡翠雕童子摆件，翡翠雕’连年有余’摆件, 水晶雕’一帆风顺’摆件, 玛瑙雕三足炉两件

tallest height 6.1 in — 15.4 cm $600 — 800

19 A WHITE JADE-INSET BRASS RUYI SCEPTER, LATE QING DYNASTY 晚清黄铜嵌玉’寿’字纹牌如意

The arched brass sceptre inset with a large white jade plaque to the ruyi head, the jade carved with a stylized ‘Shou’ character surrounded by three Buddhist emblems and lotus scrolls, the brass frame with figures and auspicious cranes and bats cast in low relief, the edges lined with key-fret borders length 17.1 in — 43.5 cm $400 — 600

20 A GROUP OF FIVE CARVED JADE PLAQUES ON STANDS, MING DYNASTY AND LATER 明及清玉透雕插屏一组五件

Of various forms and carved in openwork, with wood stands largest length 2.6 in — 6.5 cm $300 — 500

21 A JADE INSET WOOD TABLE SCREEN, TOGETHER WITH THREE WHITE JADE PLAQUES, 19TH/20TH CENTURY 晚清/民国时期嵌玉牌桌屏镂雕玉牌玉璧一组四件

The plaques reticulated and set within a wood frame carved with figures underneath in pine and flanked by pavilions; two brass finials and one bi disc largest plaque diameter 2.6 in — 6.6 cm $300 — 500

22 A GE-TYPE LOBED DISH, YUAN/MING DYNASTY 元/明仿哥釉花口盘

The dish lobed in a chrysanthemum form and covered in a warm, ivory-white glaze suffused with a fine network of crackles, the edges bound with a metal rim diameter 5 in — 12.7 cm PROVENANCE:

Victor Rienaecker Collection, London, according to the sticker 底部带’Victor Rienaecker’收藏标签 Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $3,000 — 5,000

23 A CRACKLE-GLAZED BARBED-RIM DISH, 19TH CENTURY OR EARLIER 十九世纪或更早仿哥釉折沿葵口盘

The dish potted with a deep cavetto rising to a barbed-rim with raised lip, all covered in a greyish-cream glaze save for the base diameter 8 in — 20.4 cm PROVENANCE:

Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 NOTE:

With partial ‘British Antique Dealers’ Association’ sticker to the interior, the stand with a serial number ‘918.21.198’ 盘中残留部分’英国古董商协会’标签，木座带有编号: 918.21.198 $600 — 800

24 A JUN-TYPE PURPLE-SPLASHED DISH, 19TH CENTURY OR EARLIER 十九世纪或更早仿钧釉花口盘

Of lobed form, covered overall in a pale grey-blue glaze with a single splash of dark purple diameter 5.1 in — 13 cm PROVENANCE:

Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $400 — 600

25 A SILVERY BRONZE ‘LION AND GRAPEVINE’ MIRROR, TANG DYNASTY (AD 618-907) 唐海兽葡萄纹铜镜

Cast in high relief on the back with a crouching animal-form loop surrounded by six animals crawling amongst grapevines, encircled by a frieze of numerous birds and galloping animals among further scrolling vines, the bronze with a bright silvery patina with areas of malachite encrustation diameter 5.7 in — 14.6 cm PROVENANCE:

C.C. Lai Antiques, Toronto 涞源：C.C. Lai Antiques, 多伦多 NOTE:

For similar examples, please see Christie’s New York, September 18, 2014, lots 1014 and 1015 类似拍品请参考纽约佳士得2014年9月18日，拍品编号1014，1015 $800 — 1,200

26 A BRONZE OCTALOBED ‘FLOWER’ MIRROR, TANG DYNASTY (AD 618-907) 唐青铜折枝花卉纹镜

Of mallow form, the mirror well-cast with a raised lip and decorated with various flowers and vines joined by a single branch encircling a flower blossom to the centre, the silvered surface with patches of russet and green encrustation diameter 8.3 in — 21.2 cm PROVENANCE:

C.C. Lai Antiques, Toronto 涞源：C.C. Lai Antiques, 多伦多 NOTE:

For a similar example, please see Sotheby’s New York, March 19, 2014, lot 209 类似拍品请参考纽约苏富比2014年3月19日，拍品编号209 $1,000 — 1,500

27 A BRONZE CIRCULAR MIRROR WITH ANIMALS, HAN DYNASTY (206 BC - AD 220) 汉四乳龙虎纹铜镜

Cast in high relief with four dragons racing between four studs within circled borders below a plain rim, the patina with russet and malachite encrustation diameter 5.8 in — 14.8 cm PROVENANCE:

C.C. Lai Antiques, Toronto 涞源：C.C. Lai Antiques, 多伦多 NOTE:

For a similar example, please see Christie’s New York, March 21, 2012, lot 1420 类似拍品请参考纽约佳士得2012年3月21日，拍品编号1420 $600 — 800

THE H.H. PAO COLLECTION OF EARLY CHINESE CERAMICS (LOTS 28-90)

H.H. Pao (Sear Hang Hwei Pao) (19372009) is recognised as one of Canada’s most revered dealers and collectors of Chinese art during the second half of the twentieth century. The Pao & Moltke gallery was an institution in Toronto’s prestigious Yorkville neighborhood for over forty years and was frequented by Chinese art collectors, academics, and curators alike. Mr. Pao was of Shanghainese descent and came from a long line of Chinese art collectors. His father in particular had a well-known collection of Chinese huanghuali furniture. Surrounded by art throughout his childhood, Mr. Pao was inspired to study at the State Academy of Fine Arts in Stuttgart, Germany, in the 1950s. It was here he met his future wife and business partner, Countess Nadia von Moltke-Kirsten. Together they studied at the Academy of Arts, Berlin, for another four years. In the late 1960s, Mr. Pao and his wife moved to Toronto and opened the Peking Gallery at Church and Gerrard. In the 1970s, they changed the gallery’s name to Pao & Moltke Ltd., relocating to Yorkville Avenue, before finally moving to its iconic location at Toronto’s Four Seasons Hotel where it remained until his retirement in 2006.

Although Mr. Pao dealt in a wide range of Asian artwork, his primary passion was ceramic figures and vessels from the Han (206 BC-220 AD) to Tang (618-907 AD) dynasties. In Toronto, his inventory of early Chinese ceramics was arguably only surpassed by the holdings of the Royal Ontario Museum. Many of these objects were acquired through his travels to China from as early as the 1970s and from cities such as New York, London, and Hong Kong. 鲍恒发 (Sear Hang Hwei Pao) 先生中国高古瓷器珍藏鲍恒发 (H.H.Pao) (1937-2009) 被公认为是 20世纪下半叶加拿大最受尊敬的中国艺术品交易商和收藏家之一。其所经营的 Pao＆Moltke艺廊，坐落于多伦多著名的约克维尔(Yorkville)高端社区，历经40余载，生意兴隆，门庭若市。营业期间，受到众多中国艺术收藏家，业界名流，学者和策展人的频繁造访，可谓“谈笑有鸿儒，往来无白丁”。鲍先生是上海人，来自顶级中国艺术品收藏世家。鲍先生的父亲以其精品中国黄花梨家具收藏而闻名。鲍先生在整个童年时代都被艺术所包围，长期的耳濡目染，使他决定于1950年代进入德国斯图加特国家美术学院学习。在这里，他遇到了未来的妻子和商业伙伴纳西娅·冯·莫尔特克·基尔斯滕伯爵夫人

(Countess Nadia von Moltke-Kirsten)，并一同在柏林艺术学院度过了四年的进修时光。 1960年代后期，鲍先生及夫人来到多伦多定居。在教堂街(Church st.)和杰拉德街(Gerrard st.)开设了北京艺廊(Peking Gallery)，后于1970年代将艺廊的更名为 Pao＆Moltke Ltd.，迁至约克维尔大街，最终移至位于多伦多四季酒店的标志性位置后，持续营业直到其2006年退休为止。在鲍先生经手过的众多精美亚洲艺术品中，他偏爱从汉代（公元前206年至 220年）到唐代（公元618年至907年）的陶瓷造像及器物。在多伦多，鲍先生的的高古中国陶瓷收藏质量，从广度与深度上来讲，或许只有皇家安大略博物馆的库藏才可与之相提并论。鲍先生私人珍藏中许多藏品都为其70年代往来穿梭于中国，纽约，伦敦及香港的艺术品寻宝之旅途中所获。

28 TWO LARGE PAINTED POTTERY JARS, MAJIAYAO CULTURE, BANSHAN PHASE, NEOLITHIC PERIOD, 3RD MILLENNIUM BC 新时期时代仰韶/马家窑文化半山类型彩绘陶罐两件公元前2600年至前2300年

Each with broad shoulders and painted in black and red with sweeping spirals enclosing fishnet patterns, a pair of lug handles applied mid-body tallest height 15.5 in — 39.4 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏

View website for full catalogue details $3,000 — 5,000

29 TWO LARGE PAINTED POTTERY JARS, MAJIAYAO CULTURE, BANSHAN PHASE, NEOLITHIC PERIOD, 3RD MILLENNIUM BC 新时期时代马家窑文化半山类型彩陶罐两件公元前2600年至前2300年

The sloping upper body painted with spirals enclosing crescents on one and fishnet patterns on the other, two loop handles tallest height 15.5 in — 39.4 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

A similar example can be found at the Royal Ontario Museum, Toronto, accession number 2000.106.984 类似彩绘陶罐请参阅多伦多安大略省皇家博物馆，藏品编号2000.106.984 $3,000 — 5,000

30 A LARGE PAINTED POTTERY JAR, MAJIAYAO CULTURE, MACHANG PHASE, NEOLITHIC PERIOD, 3RD MILLENNIUM BC 新时期时代仰韶文化马厂类型彩陶蛙纹罐

The globular jar flanked by two loop handles, the body painted with broad zigzag ‘arms’ with paw/finger-like terminals connecting two medallions on each side height 14.5 in — 36.8 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏

View website for full catalogue details $1,500 — 3,000

31 A LARGE RED POTTERY WINE EWER, QIJIA CULTURE, NEOLITHIC PERIOD 新石器时代齐家文化红陶双耳罐

The ovoid body rising to a flared mouth, the waist applied with two lug handles height 18.5 in — 47 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $600 — 800

32 A RED POTTERY EWER, QIJIA CULTURE, NEOLITHIC PERIOD, 2ND MILLENNIUM BC 新石器时代齐家文化红陶盉公元前2200-1900年

Of ovoid form, the tapered neck rising to a domed top and tubular spout, a flat strap handle applied to the body height 8.4 in — 21.4 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

A similar example described as a ‘Red Pottery He Pouring Vessel, Qijia Culture’ can be found at the Palace Museum, Beijing 类似齐家文化红陶盉请见北京故宫博物院馆藏 $400 — 600

33 A GROUP OF FOUR POTTERY JARS, NEOLITHIC PERIOD 新石器时代彩陶罐一组四件

The largest a two-handled jar of inverted pear form painted in black and red pigment; the second a small black jar with a long neck; the third jar with two loop handles joining the flared neck to the body painted with black and red patterns; the last a small Qijia culture zoomorphic pottery ewer tallest height 6.3 in — 16 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

For a similar Qijia ewer, see Bonhams Edinburgh, November 18, 2015, lot 125 $800 — 1,200

34 A NEOLITHIC BLACK POTTERY TRIPOD VESSEL, ‘LI’, INNER MONGOLIA, XIAJIADIAN CULTURE, CIRCA 1500 BC 新石器时代夏家店下层文化黑陶鬲公元前1500年

The tubular body with a flared rim and supported on three pointed feet height 9.3 in — 23.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

A very similar vessel sold at Christie’s New York, September 4, 2002, lot 548 类似拍品请参考纽约佳士得2002年9月4-5 日，拍品编号548 $400 — 600

35 A LARGE ‘PROTO-PORCELAIN’ JAR, WARRING STATES PERIOD (475-221 BC) 战国青釉原始瓷直条纹双系罐

Of compressed ovoid form, the sides encircled by a wide band of crisply cut vertical flutes, a narrower band on the high shoulder applied with two moulded handles terminating in a loop suspending a loose ring, of mottled olive glaze height 9 in — 22.9 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏

View website for full catalogue details $1,500 — 2,500

36 TWO LARGE POTTERY JARS, WARRING STATES PERIOD (475-221 BC) 战国灰陶罐一组两件

Each large globular body heavily potted, one impressed with alternating friezes of zigzag and square patterns, the other impressed with short, hair-thin lines tallest height 13.9 in — 35.3 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

A similar example sold at Christie’s Interiors, June 21, 2011, lot 451 $2,000 — 3,000

37 A GROUP OF THREE POTTERY JARS, WARRING STATES PERIOD (475-221 BC) 战国印纹灰陶罐一组三件

Of compressed, globular forms, two jars impressed with diamond and keyfret designs, the third jar incised with fine bands of wave patterns while the shoulders are applied with undulating strands with spiral heads tallest height 5.1 in — 13 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

For another group of Warring States vessels, please see Christie’s New York, March 27, 2018, lot 16 $1,000 — 1,500

38 AN ASH-GLAZED POTTERY JAR, WARRING STATES PERIOD (475-221 BC) 战国印纹青釉陶罐

The compressed globular jar impressed with a basket-weave pattern and covered in a thin olive-beige glaze height 6.4 in — 16.3 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $1,000 — 1,500

39 A LARGE GREEN-GLAZED TWO TIER POTTERY WATCHTOWER, HAN DYNASTY (206 BC - AD 220) 汉绿釉陶楼

Fired in two components, the tower rising from a basin with two square-form sections separated by a balcony, three out of the four sides with pierced windows, figures and animals placed throughout, all covered in a rich olive-glaze with patches of silver iridescence height 37 in — 94 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏

View website for full catalogue details $3,000 — 5,000

40 A GREEN-GLAZED MODEL OF A GAMES TABLE, HAN DYNASTY (206 BC - AD 220) 汉 ‘六博’绿釉陶俑

Modeled as a large table platform with four figures engaged in the ancient game of ‘Liubo’, all covered in a light green iridescent glaze 10.8 x 10.8 in — 27.5 x 27.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

A similar example can be found in the British Museum, accession number 1933,1114.1a-c 类似藏品请参考大英博物馆，藏品编 1933,1114.1a-c $1,500 — 2,500

41 A LARGE POTTERY MODEL OF A HOUSE WITH A COURTYARD, HAN DYNASTY (206 BC - AD 220) 汉大型陶院落模型

Modeled in square form, the front entrance greeted by a single standing figure leading into an inner courtyard populated by more figures and animals, the gable roofs fired with ridges 18.8 x 17.7 x 24.4 in — 47.8 x 45 x 62 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏

View website for full catalogue details $1,000 — 1,500

42 A POTTERY MODEL OF A GRANARY, HAN DYNASTY (206 BC - AD 220) 汉陶屋模型

Realistically modeled with an inner section revealing a seated figure at a table, a second figure peering through a lattice window decorated with a single flower head 14.3 x 25.4 x 6.1 in — 36.2 x 64.5 x 15.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

A similar example was sold at Christie’s Interiors, New York, January 10, 2012, lot 337 $600 — 800

43 A PAIR OF TALL POTTERY MALE WARRIOR FIGURES, HAN DYNASTY (206 BC - AD 220) 汉着衣式武士陶俑一组两件

Each with burnished earthenware bodies, realistically rendered coiffure and facial features height 26.4 in — 67 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏

View website for full catalogue details $600 — 800

44 A PAINTED POTTERY TORSO OF A HORSE, HAN DYNASTY (206 BC - AD 220) 汉彩陶马

Red and white pigments painted against the dark grey body suggesting bridle, saddle, and other embellishments length 11.2 in — 28.4 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

Another painted pottery torso of a horse sold at Christie’s New York, Septemeber 24, 2020, lot 896 $600 — 800

45 A PAINTED POTTERY HORSE HEAD, HAN DYNASTY (206 BC - AD 220) 汉彩陶马首

The horse’s strong features defined by linear cheekbones, nostrils, and eyes, traces of red pigment throughout; mounted on glass length 6.7 in — 17 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $50 — 100

46 A PAIR OF LARGE PAINTED POTTERY FIGURES OF ATTENDANTS, HAN DYNASTY (206 BC - AD 220) 汉塑衣式彩绘跽坐俑一组两件

Both figures with separately moulded heads, the kneeling torsos dressed in layered robes, one with traces of lilac pigment to the collar height 20 in — 50.8 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

Similar examples can be found at the Metropolitan Museum of Art, New York, accession numbers 55.195.1a,b and 55.195.2a,b $600 — 800

47 A GROUP OF THREE POTTERY FIGURES OF DANCERS, HAN DYNASTY (206 BC - AD 220) 汉陶乐舞佣一组三件

Each performer dynamically rendered with long sleeves and one leg placed on a drum-shaped instrument height 9.1 in — 23 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

A figure with similar posture can be found at the Metropolitan Museum of Art, New York, accession number 1994.605.85a-c $400 — 600

48 A GREEN-GLAZED POTTERY ‘HILL’ CENSER AND COVER, BOSHANLU, HAN DYNASTY (206 BC - AD 220) 汉绿釉博山炉

Modeled in the form of a bronze censer, the pottery boshanlu with the cover moulded as a mountain topped with a bird finial, supported by a tall stem within a deep basin, the whole vessel covered with green glaze height 10.2 in — 26 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $300 — 500

49 AN AMBER-GLAZED POTTERY CYLINDRICAL ‘HILL’ CENSER AND COVER, HAN DYNASTY (206 BC - AD 220) 汉褐釉博山陶奁

The cylindrical body raised on three bear-form feet and ornamented on the side with a frieze of various figures and animals, the cover moulded as a stylized mountain symbolic of Mount Penglai, the red pottery covered with a brown glaze of even colour overall height 11 in — 28 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

For a similar example, please see Christie’s New York, September 12, 2020, lot 71 类似博山陶奁请参阅纽约佳士得2020年9月 12日，拍品编号71 $600 — 800

50 A PAIR OF LARGE BLACK POTTERY AMPHORAE, HAN DYNASTY (206 BC - AD 220) 汉黑陶双耳罐一对

With broad flat handles extending upwards from the body to meet the outward curve of the everted lip, the neck decorated with hatching and the body with four spirals in low relief, the black pottery body with smooth burnished patina height 13.5 in — 34.3 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏

View website for full catalogue details $2,000 — 3,000

51 A PAIR OF SMALL BLACK POTTERY AMPHORAE, HAN DYNASTY (206 BC - AD 220) 汉黑陶双耳罐一对

Each of the black burnished bodies with unique patina height 6.9 in — 17.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $400 — 600

52 A PAIR OF SMALL BLACK POTTERY AMPHORAE, HAN DYNASTY (206 BC - AD 220) 汉黑陶双耳罐一对

Each of the black burnished bodies with unique patina height 6.9 in — 17.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $400 — 600

53 TWO DARK GREY POTTERY ‘COCOON’ JARS, HAN DYNASTY (206 BC - AD 220) 汉灰陶茧形壶两只

Each supported on a pedestal foot, the rounded oblong body with short neck and everted rim, incised with thin vertical stripes tallest height 15.4 in — 39 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

For similar examples, see the Metropolitan Museum of Art, New York, accession number 1981.466; and Christie’s New York, June 6, 2006, lot 313 $2,500 — 4,000

54 A BRONZE CYLINDRICAL COVERED VESSEL, HAN DYNASTY OR LATER 汉代或以后青铜提梁壶

Raised on three stylized bear-form supports, the cylindrical body is decorated with taotie mask handles on each side attached by chain links joined into an addorsed chilong form handle, body with inscriptions to one side and green encrustation all over height 9.8 in — 25 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

A similar example sold at Freeman’s Auctions, Philadelphia, June 19, 2020, lot 20 类似青铜提梁壶请参照Freeman’s，2020年6 月19日，拍品编号20 $400 — 600

55 AN ASH-GLAZED ‘PROTO-PORCELAIN’ JAR, HAN DYNASTY (206 BC - AD 220) 西汉褐釉原始瓷刻竖条纹双系罐

The upper body covered in a pale olivegreen glaze and moulded with three horizontal ribs, the shoulders applied with a pair of stylized mask handles height 12.8 in — 32.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

Compare with an example sold at Christie’s New York, March 25, 2015, lot 8025 类似壶请参考纽约佳士得2015年3月25日，拍品编号8025 $2,000 — 4,000

56 A LARGE OLIVE-GLAZED ‘HU’ VASE, HAN DYNASTY (206 BC - AD 220) 汉青釉双耳壶

Of ovoid form rising to a cylindrical neck and flared mouth, the shoulder applied with two double-loop handles, the upper body covered in a pale olive-green glaze height 17 in — 43.2 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

Compare with a similar vase sold at Sotheby’s New York, March 17, 2015, lot 30 类似双耳壶请参考纽约苏富比2015年3月17 日，拍品编号30 $2,000 — 3,000

57 A WOOD HORSE HEAD, TOGETHER WITH SIX BODY PARTS, HAN DYNASTY (206 BC - AD 220) 汉木雕马首及肢干一组七件

The head modeled in dynamic form with mouth agape, ears pricked, and nostrils flared, traces of red, white, and black pigment throughout; the body parts consisting of two necks, two bent legs, and two tails head length 7 in — 17.8 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

A similar example can be found at Bonhams London, May 11, 2021, lot 24 类似木雕马首请参考伦敦邦瀚斯2021年5月11 日, 拍品编号24 $200 — 400

58 A GROUP OF THREE PAINTED POTTERY FIGURES OF ATTENDANTS, HAN DYNASTY (206 BC - AD 220) 汉塑衣式彩绘直立陶俑一组三件

Each standing with painted facial expressions tallest height 12 in — 30.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $400 — 600

59 A GROUP OF FOUR LARGE PAINTED POTTERY FIGURES OF ATTENDANTS, HAN DYNASTY (206 BC - AD 220) 汉塑衣式彩绘直立陶俑一组四件

Of various sizes and pigmentation, each attendant modeled with the hands joined and tucked under long loose sleeves tallest height 19.4 in — 49.3 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $800 — 1,200

60 A GROUP OF FOUR LARGE PAINTED POTTERY FIGURES OF ATTENDANTS, HAN DYNASTY (206 BC - AD 220) 汉塑衣式彩绘直立陶俑一组四件

Each of similar height and slender form, dressed in long, layered robes height 17.2 in — 43.7 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $800 — 1,200

61 A PAINTED POTTERY FIGURE OF AN OWL, POSSIBLY HAN DYNASTY 或汉代彩陶鴞

Almost anthropomorphic in shape, with polychrome pigments height 13.1 in — 33.3 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

For a similar owl, please see Christie’s New York, December 9, 2020, lot 77 类似拍品请参见纽约佳士得2020年12月9日，拍品编号77 $400 — 600

62 A GROUP OF NINE POTTERY TOMB FIGURES, HAN/TANG DYNASTY 汉/唐彩陶俑一组九件

The figures of various sizes and glazes tallest height 14.6 in — 37 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $400 — 600

63 A LARGE PAINTED POTTERY FIGURE OF A GUARDIAN, TANG DYNASTY (AD 618-907) 唐彩绘天王立像

The warrior dressed in full military uniform, consisting of a helmet and breastplate over a short tunic and long robes, standing atop a rock base, sections of pigment throughout height 31 in — 78.7 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

A figure dressed in almost identical military garb sold at Christie’s Interiors, October 1, 2013, lot 288 $1,500 — 2,500

64 A PAINTED POTTERY FIGURE OF A GUARDIAN, TANG DYNASTY (AD 618-907) 唐彩绘天王立像

Realistically modeled and decorated in polychrome pigment height 22 in — 55.9 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $600 — 800

65 A LARGE PAINTED POTTERY FIGURE OF A COURT LADY, TANG DYNASTY (AD 618-907) 唐彩绘女立俑

The figure dressed in voluminous robes, coiffure drawn up into one large loop and face modeled with full cheeks, small mouth, and elongated eyes height 19.3 in — 49 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $800 — 1,200

66 A RARE CHANGSHA AMBER AND STRAW-GLAZED POTTERY EWER WITH ‘WARRIOR’ DESIGN, TANG DYNASTY (AD 618-907) 唐长沙窑青釉褐斑贴花壶

The ewer with three leaf-shaped appliqués, one of which is moulded with an elaborately adorned martial figure height 8.3 in — 21 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $800 — 1,200

67 A SMALL WHITE-GLAZED JAR AND COVER, TANG DYNASTY (AD 618-907) 唐白釉小盖罐

Of globular form, topped with a floral finial on the cover, all covered in an opaque, ivory-coloured glaze height 3.5 in — 9 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

With Ritchies Auction tag, lot 3316, sale no. 852 带Ritchies拍卖标签，拍卖852 拍品编号3316 $600 — 800

68 A GROUP OF SIX BRONZE REPOUSSÉ BELT ORNAMENTS, DIE XIE, POSSIBLY LIAO DYNASTY 或辽代青铜凤纹蹀躞带扣一组八件

Each cast with a phoenix to the front, the back fixed with four studs, the patina with heavy green and russet encrustation longest length 2.2 in — 5.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $400 — 600

69 A GANZHOU ‘RICE MEASURE’ JAR, SONG DYNASTY (AD 960-1279) 南宋赣州窑褐釉乳钉罐

Of globular form, the stoneware body with unglazed exterior fired to a light brown colour and incised with basketweave lines, the neck encircled by a row of pale studs, the interior covered in a thick reddish-brown glaze height 3.4 in — 8.7 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

Compare with examples from the British Museum, accession number PDF.311; Sotheby’s Hong Kong, November 29, 2019, lot 393; and J.J. Lally & Co. exhibition of Song Dynasty Ceramics: The Ronald W. Longsdorf Collection, April 13, 2013, lot 52 $600 — 800

70 A HENAN BLACK-GLAZED BOTTLE VASE, SONG DYNASTY (AD 960-1279) 宋河南窑黑釉瓶

Of cylindrical form rising to a thin tubular neck and flared mouth, the large ribbed body covered in a thick dark glaze ending above the foot height 9.5 in — 24.1 cm, grams PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $400 — 600

71 A PAIR OF TALL STRAW-GLAZED POTTERY FUNERARY URNS AND COVERS, SONG DYNASTY (AD 960-1279) 宋青白釉堆塑魂瓶一对

Each of slender elongated form, with birds topped as finials on the cover, all under a crackled pale green glaze height 34.6 in — 88 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

For a similar pair, please see Christie’s Amsterdam, November 3, 2003, lot 398 类似青白魂瓶请参考阿姆斯特丹佳士得 2003年11月3日，拍品编号398 $600 — 800

73 A SANCAI-GLAZED SEATED FIGURE OF MANJUSHRI, YUAN/MING DYNASTY 元/明三彩文殊坐像

Seated in royal ease on a lotus atop a resting lion, the Bodhisattva dressed in loose flowing robes, a jeweled necklace, and an embellished crown, all supported on a waisted pedestal; with wood stand height 12 in — 30.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

For another sancai-glazed bodhisattva, please see Freeman’s Auctions, Philadelphia, June 19, 2020, lot 82 $1,000 — 1,500

72 AN UNUSUAL CIZHOU-TYPE CARVED ‘FLORAL’ JAR, YUAN/MING DYNASTY 元/明磁州窑刻花大罐

Of ovoid form tapering sharply from broad shoulders, the white surface carved against a reddish-brown ground with floral scrolls height 10.8 in — 27.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $1,000 — 1,500

74 A PAIR OF LARGE SANCAI-GLAZED DRAGON-FORM ROOF TILES, MING DYNASTY (1368-1644) 明三彩琉璃螭吻一对

Each modeled in two sections as a descending ‘chiwen’ dragon holding a roof ridge in its jaws as a smaller dragon writhes upwards along its truncated fish-like body through raised cloud scrolls height 40 in — 101.6 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏

View website for full catalogue details $20,000 — 30,000

75 A PAIR OF FAHUA-GLAZED DRAGON-FORM ROOF TILES, MING DYNASTY (1368-1644) 明法华琉璃吞脊兽一对

Rendered in deep aubergine, turquoise, and yellow glazes, the large ‘chiwen’ heads modeled to grasp an architectural beam between their mouths height 17 in — 43.2 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

A similar example can be found at the David Owsley Museum of Art, Indiana, accession number 2001.007.001a-e $6,000 — 8,000

76 A PAIR OF FAHUA GLAZED ‘GUARDIAN LION’ ROOF ORNAMENTS, MING DYNASTY (1368-1644) 明法华琉璃’风狮爷’瓦当一对

Each grasping a rectangular support on all fours, with blue, aubergine, and ochre glazes length 28 in — 71.1 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $8,000 — 12,000

77 A PAIR OF SANCAI-GLAZED ROOF TILE EQUESTRIAN FIGURES, MING DYNASTY (1368-1644) 明三彩骑像瓦当一对

Dynamically rendered as two warriors on horseback mid-sprint, the figures and horses applied with green, ochre, and ivory colours height 14.8 in — 37.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $400 — 600

78 A PAIR OF GLAZED POTTERY HORSES AND RIDERS, MING DYNASTY (1368-1644) 明三彩骑像一对

Each equestrian astride a caparisoned horse, supported on a rectangular plinth height 12.5 in — 31.8 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $800 — 1,200

79 A GLAZED POTTERY FIGURE OF A HORSE, MING DYNASTY (1368-1644) 明彩色釉陶马

Standing foursquare and modeled with saddle and trappings, partially glazed height 9.3 in — 23.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $300 — 500

80 A PALE-GLAZED MEIPING VASE, MING DYNASTY (1368-1644) 明白釉梅瓶

Heavily potted with rounded shoulders and a tapering baluster body, glaze of mottled ivory tone height 11 in — 28 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $600 — 800

81 A LARGE GREEN-GLAZED TOMB ATTENDANT, MING DYNASTY (1368-1644) 明彩色釉陶俑

Dressed in thick attire, the sleeves and robe applied with green glaze height 19.5 in — 49.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $200 — 400

82 A RARE GILT LACQUERED ‘DRAGON’ CHEST, LATE MING/EARLY QING DYNASTY, 17TH/18TH CENTURY 明十七/十八世纪木漆金龙纹方匣

Of square section, each side reliefdecorated in gesso with two five-clawed dragons confronting a flaming pearl, fitted with metal clasp, handles, and hinges height 10 in — 25.4 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 NOTE:

For another gilt-lacquer and gesso-applied seal chest, please see Christie’s New York, March 22, 2012, lot 1758 $1,500 — 2,500

83 A CHINESE EXPORT BLACK AND GILT-LACQUERED ‘FOREIGNER’ DOUBLE-SIDED TABLE SCREEN, 18TH/19TH CENTURY 十八/十九世纪黑漆加彩人物纹砚屏

The man depicted with curled red hair and accompanied by an attendant, the reverse painted with a knurled branch with flowers and a butterfly height 9.6 in — 24.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $800 — 1,200

84 A CHINESE EXPORT FAMILLE ROSE ‘FLORAL’ CHARGER, QIANLONG PERIOD, 18TH CENTURY 十八世纪乾隆时期中国外销粉彩洞石牡丹纹盘

Painted in the centre with flowers amongst rockery, orange and gilt band of florals along the well and gilt fleur-de-lis border along the rim diameter 13.6 in — 34.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $400 — 600

85 AN UNUSUAL UNDERGLAZE COPPER RED SPLASHED WATER POT, 19TH CENTURY 十九世纪釉里红水盂

height 2.2 in — 5.5 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $300 — 500

86 A LARGE ROOTWOOD SCHOLAR’S MOUNTAIN, QING DYNASTY 清根雕山子

The naturalistic form evocative of a peaked mountain, the reddish-brown surface highlighted with thin streaks of honey tone height 26.8 in — 68 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $1,000 — 1,500

87 A ROOTWOOD SCHOLAR’S MOUNTAIN, QING DYNASTY 清根雕山子

Of deep brown tone with streaks of reddish-brown height 21.7 in — 55 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $600 — 800

88 A FAMILLE ROSE FIGURE OF LU XING, LATE QING DYNASTY 晚清粉彩禄星像

The God of Wealth depicted carrying a ruyi sceptre and dressed in an elaborately patterned dragon robe height 26 in — 66 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $1,000 — 1,500

89 A FAMILLE ROSE PORCELAIN TABLE SCREEN, REPUBLICAN PERIOD 民国时期粉彩山水诗文桌屏

Decorated with a boat and retreat by the river and mountains, with calligraphy and seal plaque 10.2 x 15.5 in — 26 x 39.3 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $1,000 — 1,500

90 A BLANC DE CHINE FIGURE OF GUANYIN, EARLY 20TH CENTURY 二十世纪早期德化白瓷观音像

Standing on swirling waves, holding a basket containing a fish height 14.2 in — 36 cm PROVENANCE:

H.H. Pao Collection, Toronto 多伦多鲍恒发家族珍藏 $200 — 300

91 A PAIR OF POLYCHROME AND GILT STUCCO FIGURES OF WARRIORS, MING DYNASTY (1368-1644) 明彩塑金刚力士像一对

Each depicted in a powerful warrior stance with their arms fixed in floating sleeves, painted in polychrome pigments and chainmail highlighted with gilt; modern stands length 13 in — 33 cm PROVENANCE:

C.C. Lai Antiques, Toronto 涞源：C.C. Lai Antiques, 多伦多 View website for full catalogue details $5,000 — 6,000

92 A POLYCHROME STUCCO HEAD OF A BOY, MING DYNASTY (1368-1644) 明泥塑加彩首像

The face with heavy-lidded eyes under arched eyebrows, a sharp nose and small lips flanked by rounded cheeks, the hair parted in the centre painted with blue pigment throughout height 8 in — 20.3 cm $300 — 500

93 A GREY TERRACOTTA HEAD OF AN OFFICIAL, POSSIBLY TANG DYNASTY (AD 618-907) 或唐灰陶文官首像

height 6.5 in — 16.5 cm $300 — 400

94 A SUI-STYLE GREEN-GLAZED ‘CHICKEN HEAD’ EWER 绿釉鸡首壶

The tall loop handle terminating in a dragon head opposite a chicken-head spout height 18.1 in — 46 cm $600 — 800

95 A RARE ANNAMESE POLYCHROME CERAMIC CHARGER, VIETNAM, 15TH/16TH CENTURY 十五/十六世纪安南青花加彩鸟纹盘

Decorated in iron-red and green enamels with underglaze-blue, the circular panel depicting two birds perched on a fruiting tree diameter 13.8 in — 35 cm $800 — 1,200

96 A FAHUA-TYPE MODEL OF A SHRINE OF ZHENWU, MING DYNASTY (13681644) 明法华釉真武大帝神龛

The deity seated inside and flanked by two guardians, the ‘Black Tortoise of the North’ represented by a turtle entwined by a snake at his feet 11.1 x 5.5 x 3.7 in — 28.3 x 14 x 9.3 cm PROVENANCE:

Bonhams Los Angeles, April 5, 2011, lot 228 From the Collection of Sir Daniel Donohue 来源：洛杉矶邦瀚斯 2011年4月5日，拍品编号228 Daniel Donohue先生私人藏品 View website for full catalogue details $800 — 1,200

97 A LARGE LACQUERED BRONZE FIGURE OF WEITUO, MING DYNASTY, 16TH/17TH CENTURY 明十六/十七世纪铜韦陀立像

The guardian deity of Buddhist faith portrayed with a youthful face, two hands held in anjali mudra, fully clad in chain-mail armour and helmet, and surrounded by billowing celestial scarf and ribbons 16 x 9 x 8.2 in — 40.6 x 22.9 x 20.8 cm PROVENANCE:

An Important Toronto Collection Ex. Vancouver Collection, purchased in San Francisco during the late 1990s View website for full catalogue details $18,000 — 22,000

98 A BRONZE ARCHAISTIC SQUARESECTION CENSER, COVER AND STAND, 18TH CENTURY 清十八世纪铜方炉带盖

The body moulded with two sections of taotie masks and raised on four feet, the stand and cover inlaid with silver and topped off with a jade finial overall height 5.9 in — 15 cm $2,000 — 3,000

99 A BRONZE MODEL OF A FIST, INSCRIBED DONGYUE TEMPLE, DATED 1812 道教铜拳铸件

Inscribed on both sides of the shaft, mounted on a marble stand 刻：東嶽廟 1812年 overall height 15.9 in — 40.5 cm $800 — 1,500

100 LE PHO (1907-2001), FLEURS 黎譜 (1907-2001) 花油彩画布

Oil on canvas, signed to the lower right on the front ‘黎譜 Le Pho’; frame 44 x 36.4 in 款识：黎谱 Le Pho（右下） 36.2 x 28.7 in — 92 x 73 cm PROVENANCE:

Artist Studio Paris, France Findlay Galleries, January 1971 Acquired January 1975 from above by the present owner Private Collection, Toronto 来源：黎譜法国巴黎工作室 Findlay画廊，1971年1月 1975年由现任收藏者购自上述画廊多伦多私人珍藏

View website for full catalogue details $70,000 — 90,000

104 TAKASHI MURAKAMI (1962-), WOULDN’T IT BE NICE IF WE COULD DO SUCH A THING, 2017 村上隆 (1962- ) 《如果我们能这样做那该多好》限量版画签名定制镜框

Offset lithograph printed in colours, 2017, signed in silver ink, numbered 879/1000, published by Kaikai Kiki Co., Ltd., Tokyo, on smooth wove paper, framed 胶印油墨纸本银墨签名款识: 879/1000 (右下)；藤子 F 不二雄 (哆啦 A梦创造组) (左下) 2017年作, 共有1000, 此为第879版东京Kaikai Kiki画廊出版

19.9 x 39.8 in — 50.5 x 101 cm PROVENANCE:

Tonari no Zingaro, Tokyo Acquired from the above by the present owner 来源: 日本东京 Tonari no Zingaro 现藏者购自上述来源

View website for full catalogue details $2,000 — 4,000

105 WANG YACHEN (1894-1983), BIRD AND FLOWERS 汪亚尘 (1894－1983) 梅雀图设色卡纸镜心

Signed ‘Ya Chen’, sealed ‘Wang Yachen’; ink and colour on paper board 款：亚尘钤印: 汪亚尘 14.3 x 17.3 in — 36.2 x 44 cm PROVENANCE:

Private Collection of a lawyer (USA), acquired directly from the artist by the current owner 来源：美国律师私人收藏现任藏家直接获赠于画家本人 NOTE:

原名松年, 字云隐, 浙江杭州人。1932年与徐悲鸿,朱屺瞻,张大千,吴恒勤,姜丹书等发起创建了中国画会。 $1,000 — 1,500

106 ATTRIBUTED TO DENG FEN (1894-1964), LADY AND BAMBOO 邓芬 (1894-1964)款竹间美人图设色纸本立轴

Cyclically dated to 1946; ink and colour on paper, hanging scroll mounted image 31.5 x 13.8 in — 80 x 35 cm NOTE:

邓芬（1894-1964）字诵先，号昙殊，别署从心先生，广东南海人。幼年即聪慧异常，诗文词过目成诵，书、画、音乐，到手即精。六岁师从董一夔，学习山水人物，复师张泽农，学习山水花鸟，书法则学李北海，此外私淑谭云波的人物写法。邓芬山水、仕女、花卉，不拘一格，随手即成，天才横溢，别饶佳趣。 $1,000 — 2,000

107 AFTER WU ZUOREN (1908-1997), GOLDFISH 吴作人 (1908-1997)款池趣图设色纸本立轴

Ink and colour on paper, hanging scroll mounted image 19.1 x 15.4 in — 48.6 x 39 cm $200 — 400

108 DENG XUEFENG (1906-1987), CRICKET AND GRAPES 邓雪峰 (1906-1987) 蟋蟀葡萄设色纸本立轴作于1965年

Cyclically dated to 1965; ink and colour on paper, hanging scroll mounted 钤印：吾生无涯邓画款：乙巳年三月蜀人雪峰作于台北

image 34.3 x 13.4 in — 87 x 34 cm NOTE:

邓雪峰（1906-1987）广东东莞人。画室堂号“华之庐”。毕业于台湾政工干校，擅长摄影、书画、诗文。曾任台湾政战学校美术系教授兼系主任。更多 $300 — 500

109 HUANG ZHAOHAN, AN ALBUM OF TEN FLOWER PAINTINGS 黄兆汉花卉画册(十开) 设色纸本

Ink and colour on paper board 8.5 x 5.6 in — 21.7 x 14.1 cm NOTE:

黄兆汉澳大利亚名画家，著名收藏家 $200 — 400

110 TWO FAN PAINTINGS OF BIRDS AND FLOWERS AND CALLIGRAPHY, REPUBLICAN PERIOD 民国时期佚名喜上眉梢设色纸本书法扇轴

Ink and colour on paper, hanging scroll mounted each fan width 20.1 in — 51 cm $800 — 1,200

111 QIAN YULING (1763-1827), YANG TIZHI, DUCKLINGS AND CALLIGRAPHY 钱与龄 (1763-1827) 鸭趣图设色纸本书法扇轴

Ink and colour on paper, hanging scroll mounted 款识：春江水暖鸭先知九英女士钤印：钱氏与龄九英氏蒯氏与龄书法扇面落款杨体之

largest fan width 21.7 in — 55 cm $800 — 1,200

112 FANG CHUXIONG (1950-), LEOPARD 方楚雄 (1950- )款豹趣图设色纸本立轴

Ink and colour on paper, hanging scroll mounted 款识：楚雄钤印：方楚雄岭东人岭东方人 image 53 x 27 in — 134.6 x 68.6 cm $4,000 — 6,000

113 A SCROLL PAINTING OF AN OLD MAN AND AN ATTENDANT 佚名人物设色纸本立轴

Ink and colour on paper, hanging scroll mounted image 52 x 27.2 in — 132 x 69 cm $500 — 700

114 QI LIANGZHI (1931-), TWO CHICKS 齐良芷（1931- ）牵牛雏趣设色纸本立轴

Ink and colour on paper, hanging scroll mounted 款识：白石小女齐良芷钤印：齐良芷白石小女 image 26.6 x 17.5 in — 67.5 x 44.5 cm NOTE:

齐良芷（1931- ）出生于北京，为艺术大师齐白石的小女儿，自幼随父学画。现为中国画研究会会员，齐白石艺术研究会主席，全国妇联港、澳、台三胞会会员，广州师范大学艺术系讲师，中国画研究会会员、深圳大学艺术系客座教授、中国齐白石艺术研究会主席。 $800 — 1,200

115 QIU SHUFANG, PANDAS 邱淑芳 1975年作熊猫水墨纸本立轴

Dated 1975; ink on paper, hanging scroll mounted 款识：熊猫图一九七五年淑芳画钤印：邱淑芳 image 37.8 x 13 in — 96 x 33 cm $200 — 400

116 SHAN BAIQIN (1936-), BANGLADESHI DANCER 单柏钦 (1936- ) 捕蛇舞设色纸本立轴

Ink and colour on paper, hanging scroll mounted image 43.3 x 22.6 in — 110 x 57.5 cm NOTE:

单柏钦，广东惠州人。早年毕业于广州美术学院。关山月嫡传弟子。八十年代旅居加拿大。2002年后任北京大学、天津美术学院、华南师大、广州大学客座教授，广东培正学院副院长，惠州文化研究会首席顾问。擅古代人物。 $800 — 1,200

117 CHEN YONGKANG (1944-), PIGEONS 陈永康(1944- ) 双鸽图设色纸本立轴 1982 年作

Ink and colour on paper, hanging scroll mounted, cyclically dated to year 1982 款识：壬戌秋月永康作钤印：永康 image 26 x 17.3 in — 66 x 44 cm $200 — 300

118 LIANG SHOUYONG (1930-), MOUNTAINS AND PINES 梁守庸 (1930- ) 山居图水墨纸本立轴

Ink on paper, hanging scroll mounted image 70.1 x 37 in — 178 x 94 cm $600 — 800

119 XU XIANG (1850-1899), BIRD AND FLOWERS 徐祥 (1850-1899) 花鸟团扇设色绢本镜心

Ink and colour on silk, mounted on paper board 款识：寒江仁兄雅正小仓徐祥钤印：徐祥之印 image diameter 10.9 in — 27.8 cm PROVENANCE:

Purchased from Pao & Moltke Ltd. 源自鲍恒发旧藏，现藏家直接购自鲍恒发本人 NOTE:

徐祥（约1850-1899），字小仓，上海人。晚清时期海上画派名家。人物、山水均能，尤擅花鸟。海派大师王一亭早年学画，曾拜徐小仓、任伯年为师。 $800 — 1,000

120 SHEN ZHENMING, YE YONG, AND WANG YU, A PAINTING OF BAMBOO, PLUM BLOSSOM, AND CAMILLIA, DAOGUANG PERIOD (1821-1850) 清道光沈振铭、叶镛、王堉合作松梅山茶图团扇设色金笺绢本

Ink and colour on gold-painted silk, mounted on paper board 款识：蕅舩写墨梅庚戌夏杪笙甫叶镛为小泉大兄先生补山茶子斌大兄大人属画松，一梧王堉

image 9.3 x 9.6 in — 23.5 x 24.5 cm PROVENANCE:

Purchased from Pao & Moltke Ltd. 来源:：源自鲍恒发旧藏，现藏家直接购自鲍恒发本人 View website for full catalogue details $800 — 1,000

121 A LARGE ANCESTOR PORTRAIT OF FOUR GENERATIONS, EARLY 20TH CENTURY 晚清祖先像设色纸本镜框

Ink and colour on paper; framed image 67.7 x 36.6 in — 172 x 93 cm $1,000 — 1,500

122 A CHINESE ANCESTOR PORTRAIT, LATE QING DYNASTY 晚清祖先像设色纸本立轴

Ink and colour on paper; hanging scroll mounted image 44.3 x 36.6 in — 113 x 93 cm PROVENANCE:

Private Toronto Collection $400 — 600

123 A CHINESE BLUE AND WHITE ‘DUCK’ DISH, WANLI PERIOD (1573-1619) 明万历青花莲塘戏鸭纹碗

The dish finely painted in underglaze cobalt with a lush lotus pond scene of a duck in flight while two ducks head for the water on the bank, all within a lingzhi scroll border diameter 7.6 in — 19.2 cm NOTE:

For a similar example, see Christie’s South Kensington, March 17, 2015, lot 608 $1,200 — 1,500

124 A BLUE AND WHITE ‘HUNDRED ANTIQUES’ BOTTLE VASE, KANGXI PERIOD (1662-1722) 清康熙青花胆瓶

The pear-shaped body decorated with a formal arrangement of auspicious emblems and antiques, supported on a raised foot decorated with pendant motifs, a lingzhi-form mark within double-circle lines to the base height 9.4 in — 23.8 cm PROVENANCE:

Michael B. Weisbrod Inc., New York, according to the sticker NOTE:

Similar examples can be found at the Metropolitan Museum of Art, New York, accession number 29.149.15; and in the Topkapi Palace Museum, Istanbul (see John Ayers, Regina Kraahl and others, ‘Chinese Ceramics in the Topkapi Saray Museum, Istanbul’, London, 1986, vol. III, p. 1011, pl. 2157) $4,000 — 5,000

125 A BLUE AND WHITE BARBED-RIM ‘IMMORTALS’ BOWL, KANGXI PERIOD (1662-1722) 清康熙青花八仙人物纹花口碗

The exterior decorated with immortals riding swirling clouds, all above a band of moulded petals enclosing floral sprays, the interior with a central medallion containing a lone immortal, six-character Chenghua mark to base height 4.1 in — 10.3 cm, diameter 8.2 in — 20.8 cm PROVENANCE:

Ex. Elinor Gordon Collection $4,000 — 5,000

126 A BLUE AND WHITE BARBED-RIM ‘LOTUS’ BOWL, KANGXI MARK AND PERIOD (1662-1722), TOGETHER WITH A SAUCER 清康熙青花花口仕女纹碗碟一组两件

Both rims barbed and the centres with petal-form moulding, the bowl depicting ladies engaged in leisurely palatial pursuits bowl diameter 6 in — 15.2 cm $2,000 — 2,400

127 A LARGE BLUE AND WHITE GALLBLADDER VASE, KANGXI PERIOD (1662-1722) 清康熙青花胆瓶

The vase painted with suspended lappets enclosing peonies interspersed by hanging vine scrolls across the globular body, a band of geometric design on the shoulder, and further panels of peonies and vines to the neck, double circle mark to base height 14.2 in — 36 cm $1,000 — 2,000

128 A BLUE AND WHITE ISLAMIC-INSPIRED ‘HUQQA’ BOTTLE VASE, KANGXI PERIOD (1662-1722) 清康熙伊斯兰式长颈瓶

The bulbous body is slightly moulded in the area connected to the slim long neck, painted with Islamic pattern in vibrant cobalt blue height 9.7 in — 24.6 cm NOTE:

For a near identical example, please see Christie’s Amsterdam, November 3, 2003, lot 146 类似长颈瓶请参照阿姆斯特丹佳士得2003 年11月3日拍品编号146 $2,500 — 2,800

129 A BLUE AND WHITE ‘VENETIAN GLASS’ TWIN-HANDLED VASE, KANGXI PERIOD, CIRCA 1700 清康熙青花花卉纹双耳瓶

Flanked by two foliate handles, the tall neck is connected to a flat globular body and a flared mouth, decorated throughout in elaborate floral motifs height 7.8 in — 19.9 cm NOTE:

For a similar example, please see William R. Sargent, ‘Treasures of Chinese Export from the Peabody Essex Museum’, p. 123, pl. 35 $1,500 — 1,800

130 A BLUE AND WHITE TRIPLE-GOURD VASE, 19TH CENTURY 十九世纪青花缠枝花卉纹葫芦瓶

Of triple-gourd form and raised on a hexagonal foot, the body decorated throughout with lotus and foliate scrolls height 24 in — 61 cm NOTE:

A pair of similar vases sold at Skinner Auctioneers, Massachusetts, October 9, 2020, lot 82 同类葫芦瓶请参考马塞诸塞Skinner拍卖 2020年10月9日拍品编号82 $3,000 — 5,000

131 A BLUE AND WHITE ‘BIRD AND FLOWER’ BOWL, KANGXI MARK, QIANLONG PERIOD 清乾隆青花花鸟纹碗康熙底款

The deep rounded sides rising from a short foot, the exterior painted in rich cobalt-blue tones with a continuous scene of a hawk perched on a flowering tree while a butterfly floats in the clear sky on the other side, the interior with a medallion enclosing a single spray of flowers, the base with apocryphal Kangxi mark in underglaze-blue height 3.2 in — 8.2 cm, diameter 8.1 in — 20.6 cm $600 — 800

132 A LARGE CHINESE EXPORT BLUE AND WHITE OVAL PLATTER WITH THE INITIALS ‘T.J.’ AND SAILING SCENE, CIRCA 1800 清约1800年中国青花外销纹章大盘

The central image depicting a British East Indian ship in grisaille and colour enamels, the rim with a Fitzhugh-type border in underglaze blue enclosing the gilt script monogram ‘TJ’ 14.7 x 17.2 in — 37.4 x 43.7 cm NOTE:

Dishes from the same service can be found in the Minneapolis Institute of Art, accession number 56.21.114; and Christie’s New York, January 24, 2012, lot 49 $1,300 — 1,500

133 A BLUE AND WHITE STEM CUP, KANGXI PERIOD (1662-1722) 清康熙青花高足小杯

The deep, rounded body is raised on a tall, flaring foot, painted with floral patterns in cobalt blue height 2.5 in — 6.3 cm $300 — 500

134 A GROUP OF TEN BLUE AND WHITE SNUFF BOTTLES, 18TH CENTURY AND LATER 清十八世纪及更晚青花鼻烟壶一组十件

Painted with underglaze cobalt blue and copper red tallest height 3.6 in — 9.2 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $1,000 — 1,500

135 A GROUP OF TWENTY-EIGHT BLUE AND WHITE CUPS AND SAUCERS, KANGXI PERIOD (1662-1722) 清康熙青花杯碟一组二十八件

Consisting of two sets of eight and one set of twelve cups and saucers, of various fluted and lobed sides, all painted in underglaze cobalt blue largest saucer diameter 4.5 in — 11.4 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $1,000 — 2,000

136 A SET OF TWELVE ‘CRABS AND FISH’ CUPS AND SAUCERS, KANGXI MARK AND PERIOD (1662-1722) 清康熙青花鱼蟹纹杯碟一套十二件

Each saucer decorated in shades of blue to depict a crab in the centre surrounded by fish and seaweed, the cups painted to the exterior with fish and aquatic plants, all with four-character Kangxi marks to bases saucer diameter 5.2 in — 13.2 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $800 — 1,200

137 A GROUP OF FIFTEEN BLUE AND WHITE CUPS AND SAUCERS, KANGXI PERIOD (1662-1722) 清康熙青花杯碟一组十五件

Each painted in shades of cobalt blue, with various patterns of birds, flowers, gardens, and figures largest saucer diameter 5.1 in — 13 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $600 — 800

138 A DUTCH SILVER MOUNTED BLUE AND WHITE TEA CADDY, KANGXI PERIOD (1662-1722), TOGETHER WITH A BLUE AND WHITE TEA CADDY 清康熙青花人物花卉纹茶叶罐一组两件

Each jar painted in underglaze cobalt blue with ‘tall eliza’ figures on the sides and Chenghua mark to base, one mounted with 19th century Dutch silver; 成化年制’底款 tallest height 6.5 in — 16.5 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $800 — 1,200

139 A CHINESE EXPORT BLUE AND WHITE TANKARD, 18TH CENTURY 清十八世纪中国外销青花花卉纹马克杯

The sides decorated with flowering trees centered by a rock formation and backed wiith a lattice fence height 6.2 in — 15.7 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

140 A GROUP OF FOUR BLUE AND WHITE TEAPOT AND CREAMERS, 18TH/19TH CENTURY 清十八/十九世纪青花茶具一组四件

With Chinese Imari and underglaze-blue decoration tallest height 5.5 in — 14 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

141 A GROUP OF ELEVEN MINIATURE BLUE AND WHITE GARNITURES, 19TH CENTURY 清十九世纪青花五供一组十一件

Of underglaze-blue, Chinese Imari, and crackled-glaze styles tallest height 5.3 in — 13.4 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $600 — 800

142 A SET OF FOUR BLUE AND WHITE ‘BOY AND BUFFALO’ PLATES, 18TH CENTURY 清十八世纪青花牧牛图纹盘一组四件

Painted to the centre with two large pines outside a household garden while a small boy rides a large buffalo in the distance, apocryphal Chenghua mark to base diameter 11.5 in — 29.2 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $600 — 800

143 A SET OF FOUR ‘FLYING GEESE’ LOBED PLATES, TOGETHER WITH A PAIR OF ‘LANDSCAPE’ PLATES, 18TH CENTURY 清十八世纪青花飞雁纹花口盘一组六件

In underglaze cobalt decoration largest diameter 11 in — 27.9 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

144 A SET OF FOUR BLUE AND WHITE ‘FLORAL’ DISHES, TOGETHER WITH A SET OF THREE DISHES, 18TH CENTURY 清十八世纪青花花卉纹盘一组七件

Painted in vivid shades of cobalt blue, one set with radiating panels of floral sprays, the other with flowers dispersed across a white ground diameter 8.9 in — 22.5 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $600 — 800

145 A GROUP OF EIGHT EXPORT BLUE AND WHITE DISHES, 18TH/19TH CENTURY 清十八/十九世纪外销青花盘一组八件

Painted with various scenes of scholars, palace gardens, and duck ponds largest diameter 10.8 in — 27.5 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $600 — 800

146 A SET OF SIX OCTAGONAL BLUE AND WHITE ‘SCHOLAR AND BRIDGE’ DISHES, TOGETHER WITH A PAIR OF ‘PAVILION’ DISHES, 18TH CENTURY 清十八世纪青花八棱高’仕山水’图盘庭院山石图盘一对共八件

Depicting vast landscapes in various shades of blue diameter 6.3 in — 16 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

147 A GROUP OF NINE EXPORT BLUE AND WHITE DISHES, 17TH/18TH CENTURY 清十七/十八世纪外销青花盘一组九件

Of various shapes and variously decorated with gardens and landscapes largest diameter 8.9 in — 22.5 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

148 TWO LARGE EXPORT BLUE AND WHITE ‘LANDSCAPE’ PLATTERS, 18TH CENTURY 清十八世纪外销青花山水图大盘两只

Each painted with pavilioned landscapes to the centre, bordered by patterned bands to the well and rim longest length 18.2 in — 46.2 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $600 — 800

149 A GROUP OF THREE EXPORT BLUE AND WHITE PLATTERS, 18TH CENTURY 十八世纪外销青花山水图盘一组三件

The largest painted with various floral sprays, the second with a rock garden with peony and bamboo, and the third with two figures crossing a bridge longest length 16.5 in — 41.9 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $600 — 800

150 A SET OF EIGHT BLUE AND WHITE LOBED CUPS AND SAUCERS, 18TH CENTURY 清十八世纪青花庭院山水纹小杯碟一套八件

Each painted with a pavilion retreat by the riverside saucer diameter 5.5 in — 14 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

151 A GROUP OF TWENTY-THREE JAPANESE EXPORT CUPS AND SAUCERS, 18TH/19TH CENTURY 十八/十九世纪日本外销杯碟一组二十三件

One set of octagonal form decorated with ladies and flowers in underglaze blue and overglaze red, green, and gilt enamels, another set painted with red and gilt with underglaze blue to the interior and underside, both sets with six-character marks to the base, and one cup with underglaze blue and overglaze enamels saucer diameter 5.6 in — 14.3 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

152 A GROUP OF TEN EXPORT CUPS AND SAUCERS, 18TH/19TH CENTURY 清十八/十九世纪外销杯碟一组十件

Consisting of a pair of enameled underglaze blue ‘dragon’ dishes, Wanli mark; a pair of blue and white dishes with ladies and dogs; two pairs of famille rose cafe-au-lait cups and saucers; and an enamel and gilt-decorated cup and saucer largest saucer diameter 5.3 in — 13.5 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $600 — 800

153 A GROUP OF ELEVEN EXPORT CUPS AND SAUCERS, 18TH/19TH CENTURY 清十八/十九世纪外销杯碟一组十一件

Consisting of two sets of cups and saucers with ladies and dogs; a pair of ‘crabs and fish’ cups with celadon glaze; a pair of blue and white cups with antiques; an enameled underglaze blue ‘dragon’ dish, Wanli mark; a large saucer with pavilion landscape; a blue and white dish with flowers and rockery; and a blue and white ‘floral’ cup with fluted sides largest diameter 6.2 in — 15.8 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $600 — 800

154 A GROUP OF FOUR FAMILLE ROSE PLATES, TOGETHER WITH A PUNCH BOWL, QIANLONG PERIOD, 18TH CENTURY 清乾隆粉彩花卉纹盘碗一组五件

Each painted with various decorations of flowers plates diameter 9 in — 22.9 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $600 — 800

155 A PAIR OF FAMILLE ROSE ‘DUCK’ PLATES, QIANLONG PERIOD, 18TH CENTURY 清乾隆粉彩荷塘鸭趣纹盘一对

Painted to the centre with ducks amongst large peony blooms diameter 9.4 in — 23.9 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

156 A SET OF SIX FAMILLE ROSE OCTAGONAL ‘FLORAL’ SOUP PLATES, QIANLONG PERIOD, 18TH CENTURY 清乾隆粉彩花卉纹盘一组八件

Of octagonal form, enameled in bright colours with floral sprays to the centre and rim diameter 9.1 in — 23 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

157 A PAIR OF FAMILLE ROSE ‘CHRYSANTHEMUM’ PLATES, 19TH CENTURY 十九世纪粉彩草虫纹菊瓣盘一对

The edges fluted in the form of a chrysanthemum, painted with flowers and crickets to the centre, base with peach mark in iron red diameter 10.6 in — 27 cm $300 — 500

158 A PAIR OF PINK SGRAFFITO GROUND FAMILLE ROSE ‘MEDALLION’ DISHES, QIANLONG MARK, REPUBLICAN PERIOD 民国时期粉地扎道开窗花卉纹盘一对乾隆底款

The interior with ruby-pink sgraffito ground incised with feathery scrolling, decorated with three medallions enclosing floral sprays, iron red Qianlong seal mark to base diameter 9.4 in — 24 cm $300 — 500

159 AN ENAMEL AND GILT-DECORATED BLUE AND WHITE BOTTLE VASE AND LID, 19TH CENTURY 十九世纪外销青花加金彩花鸟纹簸箕瓶

The compressed globular body rising to a long neck, fired in underglaze blue and decorated in gilt and enamels with medallions, floral sprays, birds, insects, and fruits height 14 in — 35.5 cm $600 — 800

160 A GROUP OF EIGHT CHINESE IMARI DISHES, 18TH CENTURY 清十八世纪中国伊万里瓷器一组八件

Of various sizes and decoration, fired in underglaze blue and painted with gilt and iron-red enamels diameter 12.6 in — 32 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $500 — 700

161 A SET OF SIX CHINESE IMARI PLATES, 18TH CENTURY 清十八世纪中国伊万里花卉纹盘一组六件

Decorated in underglaze cobalt blue with green, pink, gilt, and iron-red enamels diameter 9 in — 22.9 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

162 A SET OF SIX CHINESE IMARI PLATES, TOGETHER WITH A PAIR OF DISHES 清康熙中国伊万里花卉纹瓷盘一组八件

The set of six soup plates painted with chrysanthemum flowers, the pair of deep rounded dishes with flowers and rockery diameter 9 in — 22.9 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

163 A SET OF SIX CHINESE IMARI ‘FLOWER VASE’ PLATES, KANGXI PERIOD (1662-1722) 清康熙中国伊万里花卉纹盘一组六件

Each decorated with a central roundel containing a vase with chrysanthemums and peonies, reserved on a scrolling lotus ground with shaped panels of a lion dog, birds, and a butterfly amongst flowering branches diameter 9.2 in — 23.4 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 NOTE:

A plate of similar design sold as part of a group lot at Bonhams San Francisco, August 24, 2014, lot 3705 $300 — 500

164 A SET OF SIX CHINESE IMARI ‘BAMBOO AND PEONY’ PLATES, 18TH CENTURY 清十八世纪青花矾红描金花卉竹石纹盘一组六件

Painted in underglaze blue with gilt decorations highlighted in iron-red diameter 9 in — 22.9 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

165 FOUR PAIRS OF CHINESE IMARI DISHES, 18TH CENTURY 清十八世纪中国伊万里花卉纹对盘一组八件

Variously decorated with flowers, vases, and gardens diameter 9 in — 22.9 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

166 A SET OF FIVE CHINESE IMARI DISHES, TOGETHER WITH A SET OF FOUR DISHES, KANGXI PERIOD (1662-1722) 清康熙中国伊万里花卉纹盘一组九件

The set of five plates decorated with vase arrangements of flowers and rocks, the set of four with fenced gardens of bamboo and flowers diameter 9 in — 22.9 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

167 TWO PAIRS OF CHINESE IMARI OCTAGONAL ‘LANDSCAPE’ DISHES, 18TH CENTURY 清十八世纪中国伊万里山水人物纹对盘一组四件

Decorated in bright pink and orange enamels against underglaze blue, highlighted with gilt diameter 9.4 in — 24 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

168 A SET OF FIVE CHINESE IMARI ‘LANDSCAPE’ DISHES, TOGETHER WITH A SET OF FOUR ‘ANTIQUES’ DISHES, 18TH CENTURY 清十八世纪中国伊万里山水博古图盘一组九件

Coloured with bright green, pink, and orange enamels diameter 9.3 in — 23.6 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

169 TWO CHINESE IMARI TEAPOTS, 18TH CENTURY 清十八世纪中国伊万里花卉纹茶壶一组两件

One decorated with two pheonixes, the other with birds amongst flowers height 4.7 in — 12 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

170 A SET OF SEVEN ‘BATAVIAN’ FLORAL LARGE BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750年 ‘南京号’ 海捞瓷‘巴达维亚’ 花卉纹碗一组七件

diameter 7.5 in — 19 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lot 2525 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品2525号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

171 A SET OF SEVEN ‘BATAVIAN’ FLORAL BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750 年 ‘南京号’ 海捞瓷青花酱釉’ 巴达维亚’花卉纹碗一组七件

diameter 6.5 in — 16.5 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lot 2560 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品2560号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

172 A SET OF SEVEN ‘BATAVIAN’ LANDSCAPE BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750年 ‘南京号’ 海捞瓷青花酱釉’ 巴达维亚’通景纹碗一组七件

diameter 5.9 in — 15 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lot 2617 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品2617号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

173 A SET OF SEVEN ‘BATAVIAN’ LANDSCAPE BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750年 ‘南京号’ 海捞瓷青花酱釉’ 巴达维亚’通景纹碗一组七件

diameter 5.9 in — 15 cm PROVENANCE:

174 A SET OF TWELVE ‘FLYING GEESE’ PATTERN BOWLS AND SAUCER DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750年 ‘南京号’ 海捞瓷‘飞雁风景’ 纹碗及盏托一套十二件

saucer diameter 6.9 in — 17.5 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lot 2682 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品2682号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

175 A SET OF EIGHT ‘SCHOLAR ON BRIDGE’ PATTERN SMALL BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750年 ‘南京号’ 海捞高仕图瓷碗一组八件

diameter 5.9 in — 15 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lot 3100 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品3100号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

176 A SET OF EIGHT ‘SCHOLAR ON BRIDGE’ PATTERN SMALL BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750年 ‘南京号’ 海捞高仕图瓷碗一组八件

diameter 5.9 in — 15 cm PROVENANCE:

177 A SET OF SIX ‘THREE PAVILIONS’ PATTERN LOBED SOUP PLATES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750 年 ‘南京号’ 海捞瓷碗式青花酱釉‘巴达维亚’青花庭院山水纹花口盘一组六件

diameter 8.9 in — 22.5 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lot 3757A Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品3757号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

178 A PAIR OF ‘THREE PAVILIONS’ PATTERN LOBED DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750年 ‘南京号’ 通景纹瓷盘一对

diameter 11.4 in — 29 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lot 3757F Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品3757F号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

179 TWO LARGE BOWL-SHAPED JUGS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750年 ‘南京号’ 海捞瓷碗式曲柄带流杯一组两件

width 8.3 in — 21 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lots 4039 and 4060 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品4039及4060号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

180 TWO SMALL BOWL-SHAPED JUGS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750年 ‘南京号’ 海捞瓷碗式曲柄带流小杯一组两件

width 6.9 in — 17.5 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lot 4122 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品4122号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

181 A SET OF EIGHT ‘LEAPING BOY’ PATTERN SAUCER DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750年 ‘南京号’ 海捞青花庭院童子纹盘一组八件

diameter 11.2 in — 28.5 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lot 4616 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品4616号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

182 A SET OF SEVEN ‘LEAPING BOY’ PATTERN SAUCER DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750年 ‘南京号’ 海捞青花庭院童子纹盘一组七件

diameter 11.2 in — 28.5 cm PROVENANCE:

183 A SET OF TEN ‘LEAPING BOY’ PATTERN SAUCER DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750年 ‘南京号’ 海捞青花庭院童子纹盘一组十件

diameter 11.2 in — 28.5 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lot 4616A Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品4616A号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $500 — 700

184 A SET OF TWENTY ‘BATAVIAN BAMBOO AND PEONY’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750 年 ‘南京号’ 海捞瓷‘巴达维亚’ 青花竹石花卉纹茶杯盏托一组二十件

saucer diameter 4.5 in — 11.5 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lot 5237 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品5237号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

185 A SET OF TWENTY-ONE ‘BATAVIAN BAMBOO AND PEONY’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750 年 ‘南京号’ 海捞瓷‘巴达维亚’ 青花竹石花卉纹茶杯盏托一组二十一件

saucer diameter 4.5 in — 11.5 cm PROVENANCE:

186 A SET OF SEVENTEEN ‘BATAVIAN WILLOW’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750 年 ‘南京号’ 海捞瓷‘巴达维亚’ 青花柳树花卉纹纹茶杯盏托一组十七件

saucer diameter 5.1 in — 13 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lot 5273 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品5273号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

187 A SET OF EIGHTEEN ‘BATAVIAN PAVILION’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750 年 ‘南京号’ 海捞瓷‘巴达维亚’ 青花庭院纹茶杯盏托一组十八件

saucer diameter 5.3 in — 13.5 cm PROVENANCE:

Christie’s Amsterdam, April 28-May 2, 1986, lot 5627 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品5627号。约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $400 — 600

188 A SET OF EIGHTEEN ‘BATAVIAN PAVILION’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750 年 ‘南京号’ 海捞瓷‘巴达维亚’ 青花庭院纹茶杯盏托一组十八件

saucer diameter 5.3 in — 13.5 cm PROVENANCE:

189 A SET OF SEVENTEEN ‘BATAVIAN PAVILION’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清乾隆约1750 年 ‘南京号’ 海捞瓷‘巴达维亚’ 青花庭院纹茶杯盏托一组十七件

saucer diameter 5.3 in — 13.5 cm PROVENANCE:

190 AN UNUSUAL IRON-RED DECORATED ‘FOREIGNERS’ DISH, JIAQING MARK, 18TH CENTURY OR LATER 十八世纪或更晚矾红’洋人’故事纹盘嘉庆款

Painted to the centre with three figures dressed in European attire curiously perusing through a Chinese scholar’s studio, with two ships anchored in the background, the underside with four bats and Jiaqing seal mark painted in iron red「大清嘉庆年制」六字篆书矾红底款 diameter 7.9 in — 20 cm $300 — 500

191 A LARGE CHINESE FAMILLE VERTE ‘FIGURAL’ CHARGER, 19TH CENTURY 十九世纪五彩人物纹大盘

Decorated to the centre with a martial narrative of four figures dressed in military garb while another two figures tend to a horse, war banners and tents painted throughout, all encircled by an inner border of sinuous dragons against vine scrolls and an outer diaper border interrupted by vignettes of scholar and daoist objects on the rim diameter 21.5 in — 54.5 cm PROVENANCE:

Private Collection, Toronto $3,000 — 5,000

192 AN ORMOLU MOUNTED CHINESE FAMILLE VERTE PORCELAIN BOWL, 19TH CENTURY 十九世纪五彩人物故事大碗

Painted throughout with panels of palatial narratives in overglaze wucai enamels, later fitted with French neoclassical style mounts 镶镀金铜双耳底座 bowl diameter 13 in — 33 cm PROVENANCE:

Private Collection, Toronto $2,000 — 3,000

193 A PAIR OF WUCAI GINGER JARS, KANGXI MARK, 19TH CENTURY 十九世纪五彩人物纹罐两只

Painted to the body with figures on rickshaw and horseback, six-character Kangxi mark in underglaze blue「大清康熙年制」底款 height 5.7 in — 14.5 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

194 A CHINESE WUCAI ‘FIGURAL’ BALUSTER VASE 五彩’麒麟送子’罐

Painted to the body with a procession of an immortal riding a qilin surrounded by attendants, the rim brown-glazed height 11 in — 27.9 cm $600 — 800

195 A PAIR OF ENAMELED SQUARE VASES, TONGZHI MARK, LATE 19TH/EARLY 20TH CENTURY 清十九/二十世纪粉彩’三友’图方瓶一对

Cartouches of chrysanthemums, plum blossoms, and bamboo against a diaper ground, iron-red Tongzhi seal mark to base「大清同治年制」矾红底款 height 10.9 in — 27.6 cm $600 — 800

196 A GROUP OF THREE ENAMELED PORCELAIN WARES, LATE QING DYNASTY 晚清粉彩人物纹铺兽耳方瓶粉彩人物纹四屉盒印泥盒一组三件

Consisting of a square-form vase, a tiered box, and a circular box, all painted with figures in overglaze enamels tallest height 12.2 in — 31 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $600 — 800

197 A CHINESE FAMILLE ROSE PORCELAIN BARREL STOOL, MID 20TH CENTURY 二十世中期嵌粉彩瓷板木凳

Painted with birds and flowers in overglaze enamels height 18.4 in — 46.7 cm PROVENANCE:

Private Collection, Toronto $300 — 500

198 A MASSIVE MING-STYLE BLUE AND WHITE ‘DRAGON’ CHARGER, 20TH CENTURY 二十世纪青花龙纹大盘

Barbed-rim and painted to the centre with a sinuous three-clawed dragon, Xuande mark to base diameter 24.5 in — 62.2 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

199 A MASSIVE MING-STYLE BLUE AND WHITE ‘DOUBLE-DRAGON’ CHARGER, 20TH CENTURY 二十世纪青花龙纹大盘

Painted with two dragons to the centre, Xuande mark to base diameter 24 in — 61 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $300 — 500

200 A CELADON-GLAZED SLIP-DECORATED DISH 冬青釉堆白花卉纹盘

diameter 8.4 in — 21.3 cm $300 — 500

200A A PEACHBLOOM-GLAZED VASE AND STAND, KANGXI MARK, 19TH CENTURY 十九世纪豇豆红柳叶瓶康熙底款

Of typical form with tall rounded shoulders rising to a flared trumpet rim, the vase and stand covered in a mottled strawberry-red glaze, six-character Kangxi mark in underglaze blue height 6.9 in — 17.5 cm $800 — 1,200

200B A LARGE GUAN-TYPE VASE, FANGHU, TONGZHI MARK 官窑式贯耳方壶同治款

The vase is moulded with a peach-shaped panel in low relief on each side, flanked by tubular handles on the narrow sides of the neck, covered overall in a crackle-suffused glaze of pale aqua colour, six-character Tongzhi mark in underglaze cobalt to the base height 12 in — 30.5 cm PROVENANCE:

From a Private US Collection NOTE:

For a Guan-type Hu vase of Tongzhi period, please see Waddington’s, June 8, 2015, lot 197 类似官窑式方壶瓶请参考我司2015年6月8 日亚洲艺术拍卖，拍品编号197 $1,000 — 1,500

201 YU WENXIANG (1910-1993), A FAMILLE ROSE PORCELAIN PANEL 余文襄(1910-1993)款粉彩雪景瓷板

Depicting a wooded snow field with figures dressed in colourful outfits collecting snow, backed by a modern metropolitan structures consisting of brightly coloured buildings, smokestacks, and power lines visible in the distance, signed and sealed on the bottom left 款: 余文襄作印: 文襄 15.2 x 9.9 in — 38.5 x 25.1 cm $6,000 — 8,000

202 ATTRIBUTED TO ZHANG ZHITANG (1893-1971), A FAMILLE ROSE PORCELAIN ‘LANDSCAPE’ PLAQUE 张志汤(1893-1971)款粉彩山水诗文瓷板

The plaque painted with a village by the river populated with figures amongst large thatched-roof houses and gnarled willow trees, sealed and inscribed with calligraphy including frame 16.9 x 26.6 in — 43 x 67.5 cm $800 — 1,200

203 A SET OF FOUR FAMILLE ROSE PORCELAIN ‘LANDSCAPE’ PANELS, LATE QING/REPUBLICAN PERIOD 晚清/民国时期粉彩山水瓷板挂屏一套四张

Each plaque painted with figures and boats amongst mountainous river landscapes, framed each overall 15.7 x 22.4 in — 40 x 57 cm PROVENANCE:

Estate of Johannes Van Wees, Victoria, BC 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚省，维多利亚市 $1,000 — 2,000

204 A CHINESE EXPORT IVORY FIGURAL CHESS SET, CANTON, 19TH/20TH CENTURY 十九/二十世纪广州外销牙雕人物象棋一套

One side stained red, the other side left natural, together with a gilt-lacquered board storage box decorated with continuous bands of dragons and figural landscapes tallest piece height 5.5 in — 14 cm PROVENANCE:

Formerly the A.W. Bahr Collection, thence by descent within the family in Montreal 来源: 蒙特利尔古董商 A.W.Bahr 先生旧藏 NOTE:

A similar chess set was sold at Christie’s Interiors, November 8, 2010, lot 143 类似象棋请参考佳士得2010年11月8日，拍品编号143 Contains material which may be subject to import/export regulation $400 — 600

205 TWO IVORY CARVED FIGURES OF DAOIST IMMORTALS, 19TH CENTURY 十九世纪牙雕二仙摆件一组两件

Well-carved, the two immortals dressed in long robes, mounted on carved hardwood stands overall height 10.6 in — 26.8 cm NOTE:

Contains material which may be subject to import/export regulation $800 — 1,200

206 A CHINESE IVORY EMPEROR AND EMPRESS ON HORSEBACK PAIR, EARLY TO MID 20TH CENTURY 二十世纪中期牙雕帝后狩猎像一对

Each dressed in hunting expedition attire and seated astride embellished horses, set upon rectangular waisted plinths height 14 in — 35.6 cm NOTE:

Contains material which may be subject to import/export regulation $1,000 — 2,000

207 A CHINESE IVORY CARVED EMPEROR AND EMPRESS PAIR, EARLY TO MID 20TH CENTURY 二十世纪早期牙雕帝后坐像

Dressed in elaborately carved robes, the thrones carved in openwork to the back height 8.7 in — 22 cm NOTE:

Contains material which may be subject to import/export regulation $600 — 800

208 AN IVORY CARVED FIGURE OF LI BAI, EARLY TO MID 20TH CENTURY 民国时期牙雕李白像

Realistically carved, the drunken poet raising his wine cup while accompanied by a female attendant holding a wine flask, both underneath a flowering tree, bearing spurious ‘Da Ming Chenghua’ mark to base 大明成化底款 height 11 in — 28 cm NOTE:

Contains material which may be subject to import/export regulation $600 — 800

209 AN IVORY CUP WITH LANDSCAPE AND CALLIGRAPHY, TOGETHER WITH A FIGURE OF LI BAI, 18TH/19TH CENTURY 清十八/十九世纪牙雕李白醉酒像牙雕诗文笔筒一组两件

The cup finely carved with a landscape to one side and calligraphy to the other, the drunken poet hunched over with his sleeping face resting against his knees height 3 in — 7.5 cm NOTE:

Contains material which may be subject to import/export regulation $300 — 500

210 A FRAMED CANTON EXPORT POLYCHROME IVORY PANEL, LATE QING DYNASTY 清末广州十三行牙雕加彩《力克寿州城》故事板木镜框

Brightly polychromed and carved with figures in front of a palace, all against a reticulated patterned ground overall 12.9 x 9.3 x 2 in — 32.8 x 23.6 x 5.1 cm NOTE:

Contains material which may be subject to import/export regulation $400 — 600

211 A GROUP OF SEVEN CHINESE CARVED BUFFALO HORNS, 20TH CENTURY 二十世纪角雕摆件一组七件

Carved to the surface with figures and animals tallest height 11.4 in — 29 cm NOTE:

Contains material which may be subject to import/export regulation $400 — 600

212 A CINNABAR LACQUER OCTAFOIL BOX AND COVER, 20TH CENTURY 二十世纪剔红雕开光式高士游山图捧盒

The cover carved with eight panels decorated in scholar and landscape motifs, the central panel with plum blossoms scattered amongst swirling waves, the sides embellished with cartouches of flowers carved in low relief, gilt ‘Da Qing Qianlong Nian Zhi’ mark to base「大清乾隆年制」底款 diameter 21.7 in — 55 cm $400 — 600

213 A CHINESE CINNABAR RED LACQUER HU-FORM VASE, QIANLONG MARK, LATE 19TH/EARLY 20TH CENTURY 晚清/民国时期铜胎剔红携琴访友纹牛头尊

The ovoid-form body rising to a waisted neck, each side of the body carved with cartouches of scholars and attendants in a pavilion setting, all against a dense ground of foliate scrolls, the bronze foot inscribed with Qianlong mark「大清乾隆年制」底款 height 6.9 in — 17.5 cm $800 — 1,200

214 A BLUE-GROUND SUMMER GAUZE ‘NINE DRAGON’ ROBE, JIFU, LATE QING DYNASTY, 19TH/20TH CENTURY 晚清十九/二十世纪藏青地纳纱绣金龙纹吉服

Embroidered in gold thread with nine dragons surrounded by various auspicious symbols and motifs, all above a terrestrial diagram and lishui band, the garment with a central split and horse cuffs 57 x 83 in — 144.8 x 210.8 cm $800 — 1,200

215 A CHINESE SILK EMBROIDERED ‘BUTTERFLIES AND FLOWERS’ OVERCOAT, LATE QING DYNASTY, 19TH CENTURY 晚清十九世纪蓝缎地蝴蝶花鸟纹刺绣对襟褂

Intricately worked in satin and knotted stitches with butterflies, flowers and birds surrounding a lotus pond, the silk sleeve bands embroidered with flowers, bamboo, and leaves 43 x 61 in — 109.2 x 154.9 cm $600 — 800

216 A CHINESE EMBROIDERED RED SILK SKIRT, LATE QING DYNASTY 晚清红地刺绣凤凰牡丹纹马面裙

Decorated with butterflies and flowers 37 x 44.5 in — 94 x 113 cm PROVENANCE:

Acquired by descent from a Toronto family 来源: 多伦多家族遗产 $200 — 300

217 A PAIR OF CHINESE SILK EMBROIDERED LADIES’ SHOES, TOGETHER WITH A SILVER TEA CUP, LATE QING DYNASTY 晚清刺绣女鞋一双银杯一组三件

The shoes embroidered with butterflies and flowers, the cup engraved with flowers and stylized characters with marks to the base 银杯刻：天津禄华慎足纹福

shoes length 7.9 in — 20 cm $300 — 500

218 A SET OF EIGHT CHINESE EMBROIDERED RED SILK PANELS, LATE QING DYNASTY 晚清红地团凤纹绣片一组八件

Each decorated with crane roundels bordered by flowers and Buddhist emblems each 60 x 19.5 in — 152.4 x 49.5 cm PROVENANCE:

Acquired by descent from a Toronto family 来源: 多伦多家族遗产 $800 — 1,200

219 AN EMBROIDERED SILK PANEL OF A BUTTERFLY AND FLOWERS, LATE QING DYNASTY 晚清黄地花蝶纹刺绣

Constructed with an embroidered silk fragment of rectangular shape surrounded by decorative bands on a orange cloth backing, depicting a butterfly surrounded by flowers, framed 带镜框 29.6 x 25 in — 75.2 x 63.5 cm $200 — 300

220 A HARDWOOD AND PARCEL-GILT CANOPY MARRIAGE BED, NINGBO, CHINA, CIRCA 1830-1850 清 19世纪早期金漆木雕山水人物拔步床

Of paneled construction using poplar wood, the facade boasting four tiers of panels above the entranceway, decorated throughout with individual panels of dynamic figural scenes highlighted in gilt, red and black lacquer, the edges embellished with openwork carving, five open windows to the back and three to the sides, all supported on six posts connected by a network of stretchers forming the base platform 94 x 88 x 70 in — 238.8 x 223.5 x 177.8 cm View website for full catalogue details $4,000 — 6,000

221 A PAIR OF CHINESE CLOISONNÉ MODELS OF CAPARISONED HORSES, 20TH CENTURY 二十世纪铜胎掐丝珐琅马一对

Standing foursquare and decorated with archaistic motifs against a turquoise ground, with removable saddles and manes height 21.3 in — 54 cm $1,000 — 1,500

222 TWO CHINESE CLOISONNÉ JARDINIÈRES WITH HARDSTONE TREES 铜鎏金掐丝珐琅嵌宝盆景两只

tallest overall height 23.6 in — 60 cm $800 — 1,000

223 A SPINACH JADE CARVING OF A RECUMBENT HORSE 碧玉雕卧马

All four legs tucked under the body, the head turned towards the back, the stone of deep green tone with streaks of yellow and black mottling, on a wood stand length 8.7 in — 22 cm $400 — 600

224 A SPINACH JADE DOUBLE GOURD PLAQUE TABLE SCREEN 木嵌「大吉」纹碧玉雕桌屏

Carved in relief with the characters ‘daji’ on both sections of the gourd, mounted on a hardwood table screen with reticulated supports; plaque height 7.2 inches (18.3cm) overall screen height 15.5 in — 39.3 cm NOTE:

For a similar example, please see Bonhams Los Angeles, July 26, 2020, lot 1149 $1,500 — 2,000

225 A PAIR OF CHINESE CLOISONNÉ VASES 铜胎掐丝珐琅花瓶一对

Brightly enameled with variously coloured peonies and chrysanthemums height 9.1 in — 23 cm $200 — 400

226 A PAIR OF CANTON ENAMEL CUPS AND SAUCERS, 19TH CENTURY 十九世纪铜胎画珐琅缠枝莲纹杯碟两套

Enameled with flower heads and scrolling vines against a deep blue ground saucer diameter 5.8 in — 14.8 cm $300 — 400

227 A GROUP OF FIVE PEKING GLASS SNUFF BOTTLES, 19TH/20TH CENTURY 十九/二十世纪料器鼻烟壶一组五件

Of various shapes and decoration tallest height 2.6 in — 6.7 cm $200 — 300

227A A GROUP OF THREE CARVED HORNBILL AND BUFFALO HORN SNUFF BOTTLES, MID 20TH CENTURY 二十世纪鹤顶红’踏雪寻梅’ ‘荷池妻鹭’鼻烟壶角雕’白云红叶’鼻烟壶一组三件

The first carved from hornbill, decorated in relief with the Tang poet Meng Haoran riding a donkey and accompanied by an attendant, the other side with Shoulao riding a deer, the narrow sides carved through the red surface with chilong dragons; the second carved from buffalo horn and incised with calligraphy and a landscape; the third carved in openwork from hornbill with cranes and lotus ‘荷池妻鹭’ 樵西愚子刻庚子初夏刻 tallest height 2.7 in — 6.8 cm NOTE:

Contains material which may be subject to import/export regulation $800 — 1,200

228 A PAIR OF CHINESE GILT WOOD FOO DOGS, 18TH/19TH CENTURY 清十八/十九世纪金漆木雕狻猊一对

Well-carved, the two guardian dogs with tightly curled fur and flowing ribbons, areas of gilding throughout, mounted on wood stands with stand height 11.5 in — 29.2 cm $300 — 400

229 A CHINESE LACQUER FOUR-PANEL SCREEN, 19TH CENTURY 十九世紀彩漆绘庭院人物纹四开屏风

Each panel carved and painted with ladies and children engaged in various courtly pursuits in a palace setting, the top and bottom depicting mythical beasts, the reverse with lotus scrolls each panel 79 x 18.5 in — 200.7 x 47 cm $1,000 — 1,500

230 A LARGE FRAMED CHINESE GILT LACQUER PIERCED WOOD PANEL OF HORSES 金漆木浮雕奔马纹挂屏

Gilded and polychromed with four horses prancing along a rocky landscape populated by lush trees 17.2 x 60.2 in — 43.7 x 152.9 cm $400 — 600

231 A CHINOISERIE RED AND GILT PAINTED REVOLVING BOOKCASE, CIRCA 1900 晚清约1900年髤漆描花卉纹金柜

The rotating component with two tiers each with two sections, a third tier on the bottom portion 40 x 23.3 x 23.3 in — 101.6 x 59.2 x 59.2 cm $400 — 600

232 A CHINESE CARVED OAK WOOD PRESENTATION BOX, LATE 19TH/EARLY 20TH CENTURY 晚清/民国时期橡木镂雕人物纹方盒

The top with five cartouches intricately carved with pavilioned figural landscapes 2.1 x 20.7 x 20.7 in — 5.3 x 52.6 x 52.6 cm $200 — 300

233 A SET OF CHINESE GOVERNMENT RAILWAY STERLING BONDS, REPUBLICAN PERIOD, 1913 1913年中华民国政府对外发行陇秦豫海铁路债券20镑面值20英镑连债息券带吴尔昌签名

each sheet length 20 in — 50.8 cm $200 — 300

234 D.F. LUNSINGH SCHEURLEER, CHINESE EXPORT PORCELAIN, FABER AND FABER LTD., 1974 《中国外销瓷特别订制》1974年版荷兰版本英文译本作者D.F. Lunsingh Scheurleer (1908-1999)

9.9 x 7.9 in — 25.1 x 20 cm $40 — 60

235 JAMES C.Y. WATT AND BARBARA BRENNAN FORD, EAST ASIAN LACQUER: THE FLORENCE AND HERBERT IRVING COLLECTION, THE METROPOLITAN MUSEUM OF ART, 1991 《佛罗伦斯与赫伯特·欧云珍藏: 东亚漆器》大都会博物馆出版 1991年版

11.5 x 9.3 in — 29.2 x 23.7 cm $60 — 80

236 WAN-GO WENG AND YANG BODA, THE PALACE MUSEUM: PEKING, TREASURES OF THE FORBIDDEN CITY, HARRY N. ABRAMS INC., 1982 杨伯达翁万戈合著《古代中国美术拼的宝库北京故宫博物院藏品选》1982年版

13.8 x 10.6 in — 35 x 27 cm $80 — 120

237 A BRONZE FIGURE OF A SEATED BODHISATTVA, MING DYNASTY, LATE 16TH CENTURY 明十六世纪晚铜净瓶观音像

The Buddha finely cast and seated in dhayasana on a double-lotus base, the body clad in loose flowing robes and adorned with a jeweled necklace and tiara, hands joined and turned upwards to support a vase height 10.7 in — 27.2 cm $800 — 1,000

238 A COPPER ALLOY FIGURE OF MEDICINE BUDDHA, TIBET, 14TH CENTURY OR LATER 西藏十四世纪或更晚铜合金药师佛坐像

Seated in dhyanasana and hands in dhyana mudra to support an alms bowl, traces of gilt throughout 表面有金残留 height 5.1 in — 13 cm $4,000 — 6,000

239 A SMALL GILT BRONZE FIGURE OF MAITREYA, PRAKHON CHAI STYLE, THAILAND, 8TH/9TH CENTURY 八/九世纪泰国铜鎏金弥勒像

The Buddha cast standing upright and holding implements in both hands, mounted on a wood stand height 4.3 in — 10.9 cm $300 — 500

240 A RED AND GILT LACQUERED FIGURE OF A SEATED BUDDHA, THAILAND, 19TH CENTURY 十九世纪泰国木漆金佛坐像

Seated with the right hand in bhumisparsa mudra and the left in dhyana mudra, the base with inscriptions along the sides 底座两边刻有铭文

height 16.3 in — 41.4 cm $400 — 600

241 A GILT BRONZE FIGURE OF A MONK, THAILAND, 19TH CENTURY 十九世纪泰国鎏金铜僧立像

The tall figure clad in loose flowing robes, both hands supporting a vessel with stand height 26 in — 66 cm $500 — 600

242 A BRONZE FIGURE OF MANJUSHRI NAMASANGHITI, NEPAL, 16TH CENTURY OR LATER 十六世纪或更晚尼泊尔铜十二臂文殊像

The deity cast with six pairs of arms in a complex array of positions and objects height 4.8 in — 12.2 cm $400 — 600

243 A BRONZE FIGURE OF VAISRAVANA, TIBET/MONGOLIA, 18TH CENTURY OR LATER 十八世纪或更晚西藏/蒙古铜多闻天王像

The guardian deity of the northern cardinal direction adorned with necklaces and floating ribbons, a snake around his shoulders and a mongoose and conch in each hand, seated leisurely on a pedestal decorated with a figure, elephants, and lions height 8.9 in — 22.6 cm $400 — 600

244 A FRAMED THANGKA, TIBET, 17TH CENTURY 十七世纪西藏唐卡

Depicting five deities on horseback and Mahakala backed by a flaming aureole; opaque pigment on textile with frame 27.8 x 17.4 in — 70.6 x 44.2 cm $600 — 800

245 A TIBETAN OPENWORK GILT IRON SADDLE ORNAMENT, 16TH CENTURY OR LATER 十六世纪或更晚西藏铁鎏金鞍饰

The horizontal section cast with a deer while a sinuous dragon ascends the longer curved section, all against vine scrolls ornament height 16.2 in — 41.1 cm $300 — 500

246 A LIMESTONE TORSO OF A GODDESS, INDIA, 12TH CENTURY OR LATER 十二世纪或更晚印度石灰岩雕女神躯干立像

Standing in tribhanga, dressed in a sari and jeweled strands height 12.5 in — 31.8 cm $400 — 600

247 A GROUP OF THREE INDIAN BRONZES, 19TH CENTURY AND EARLIER 十九世纪或更早印度铜器一组三件

Consisting of a ‘puzzle cup’ containing Vasudeva holding an infant Krishna; a figure of Ganesha; and a figure of Shiva Nataraja tallest height 7.2 in — 18.3 cm NOTE:

A similar ‘puzzle cup’ can be found at the Victoria and Albert Museum, London, accession number 01843(IS) $600 — 800

248 BIKANER SCHOOL, SCENES FROM THE BHAGAVATA PURANA, CIRCA 1620

Manuscript painted on both sides; tempera on paper, framed 6.9 x 13.4 in — 17.5 x 34 cm $1,000 — 1,500

249 KASHMIR SCHOOL, TWO MANUSCRIPT LEAFS FROM THE SHAHNAMA (BOOK OF KINGS), 19TH CENTURY

Each leaf double-sided; tempera on paper, framed image 8.9 x 5.1 in — 22.5 x 13 cm $400 — 600

250 KANGRA SCHOOL, TWO PRINCESSES, 19TH CENTURY

Opaque watercolour heightened with gold on paper, framed overall 12.2 x 9 in — 31 x 22.9 cm $200 — 300

251 TWO MINIATURE PAINTINGS OF HUNTING SCENES, INDIA, 19TH CENTURY

Tempera on paper, framed largest image 6.5 x 3.3 in — 16.5 x 8.5 cm $400 — 600

252 A MINIATURE DRAWING OF TWO COURT LADIES, INDIA, 19TH CENTURY

Pencil heightened with gold on paper, framed image 5.3 x 3.4 in — 13.5 x 8.7 cm $200 — 400

253 A PAIR OF EROTIC MINIATURE PAINTINGS, INDIA, 19TH CENTURY

Tempera on paper, framed image 6.7 x 3.5 in — 17 x 9 cm $400 — 600

254 AN IVORY PAINTING OF SHAH JAHAN’S ROYAL COURT, TOGETHER WITH A FRAMED SET OF MINIATURE PORTRAITS ON IVORY, LATE 19TH CENTURY

Gouache with gilt highlights on ivory, framed largest image 6 x 4.4 in — 15.2 x 11.2 cm NOTE:

Contains material which may be subject to import/export regulation $800 — 1,000

THE LARRY CAPLAN COLLECTION OF JAPANESE NETSUKE (LOTS 255-278)

Larry Caplan (1926-2014) was born, raised, and lived in Toronto all of his life. In 1947, he founded Cords Canada Ltd., one of the top three Canadian manufacturers of electrical parts. Larry began his netsuke collecting journey in the late 1960s, which led him to befriend fellow Toronto collectors Victor Topper and Irving Gould. He was most active in the 1970s, acquiring the majority of his collection from important names such as Eskenazi, Spink & Son, Sydney L. Moss, and Raymond Bushell, to name a few. He gave lectures and participated at various organizations over the years, including

the London Netsuke Convention, the Token Kai Conference, and the netsuke dealers’ conventions in Honolulu, and was an ongoing member of the International Netsuke Society (founded as the Netsuke Kenkyukai Society in 1975) until his death. 拉里·卡普兰 (Larry Caplan) 先生日本根付珍藏拉里·卡普兰 (Larry Caplan，1926-2014 年) 出生，成长并一生居住于加拿大多伦多。卡普兰先生于1947年创立了加拿大三大电器零件制造商之一的电线有限公司，并在1960年代后期开始了他的根付 (netsuke) 收集之旅。日

后，卡普兰先生广交收藏界挚友，与其交好的藏家中包括多伦多著名收藏家维克多·托帕 (Victor Topper) 和欧云·古德 (Irving Gould)。卡普兰先生在1970年代最为活跃，陆续将顶级精美藏品收入囊中，涞源众多可靠，诸如Eskenazi，Spink＆Son，Sydney L. Moss和 Raymond Bushell等知名古董商及公司。多年来，卡普兰先生进行了有关根付收藏的多场演讲并积极加入相关各种组织，包括伦敦根付研讨会，Token Kai研讨会和檀香山根付研讨经销会，并作为国际根付协会的重要成员，直到其仙逝。

255 AN IVORY NETSUKE OF THE FOXWOMAN KUZUNOHA, SIGNED ICHIYUSAI NAOHARU, EDO/MEIJI PERIOD, 19TH CENTURY

Depicting the kitsune woman Yuzunoha, mother of Abe no Seimei, eluding the advances of her lover Abe no Yasuna, signed on the underside height 1.7 in — 4.3 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $1,000 — 1,500

256 AN IVORY NETSUKE OF HOTEI WITH FIVE KARAKO, SIGNED RANTEI, EDO/ MEIJI PERIOD, 19TH CENTURY

The hefty Buddha resting on his large sack of treasures, five Karoko children clambering up the sides of the sack, signed to the underside 1.5 x 1.7 x 1.3 in — 3.8 x 4.3 x 3.2 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $1,000 — 1,500

257 AN IVORY NETSUKE OF FUKUROKUJU, SIGNED MINKO, EDO/MEIJI PERIOD, 19TH CENTURY

The deity in a forward leaning posture to counterbalance the weight of his furoshiki bag, signature to the underside of the bag height 1.8 in — 4.5 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $800 — 1,200

258 AN IVORY NETSUKE OF A PRIEST CLEANING A LARGE BELL, SIGNED SHUOSAI, EDO/MEIJI PERIOD, 19TH CENTURY

Dressed in typical Shinto garments, the small figure grasping onto the massive bell for support as he scrubs it using a tawashi, signature on the back of the left leg 1.2 x 1.4 x 1.1 in — 3 x 3.6 x 2.7 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $1,000 — 1,500

259 AN IVORY NETSUKE OF A MONKEY, EDO/MEIJI PERIOD, 19TH CENTURY

The monkey perched on a gnarled trunk and holding a fruit in its left hand height 1.8 in — 4.5 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $600 — 800

260 AN IVORY NETSUKE OF A BAKU, SIGNED KAIGYOKUSAI MASATSUGU, EDO/MEIJI PERIOD, 19TH CENTURY

The dream-eating chimera finely rendered with curled tufts of hair and sharp claws, standing on a mound of earth sprouting a single leafy branch, signed to the underside 1 x 1.4 x 0.9 in — 2.6 x 3.6 x 2.4 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $2,000 — 3,000

261 AN IVORY NETSUKE OF A RAT ON A CANDLE, TOGETHER WITH A NETSUKE OF A TIGER AND BAMBOO, EDO PERIOD, 19TH CENTURY

The rat climbing up a wax candle, the tiger prowling a bamboo forest tallest height 2.4 in — 6.2 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $600 — 800

262 AN IVORY NETSUKE OF A MONGOLIAN ARCHER, EDO PERIOD, EARLY 19TH CENTURY

Dressed in a long robe, boots, and a hat, the figure standing with a quiver strapped to his back and hands grasping an arrow and a bow, the sashes, robe, and quiver with detailed patterning height 3 in — 7.5 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 View website for full catalogue details $600 — 800

263 AN IVORY NETSUKE OF A SAMBASO DANCER, EDO/MEIJI PERIOD, 19TH CENTURY

Performing a ritual cleansing dance for a new season of Kabuki theatre, the figure donning a Sambaso mask with a suzu belltree and a folding fan in hand height 1.7 in — 4.2 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $600 — 800

264 A GROUP OF THREE IVORY MANJU NETSUKE, SIGNED NAOMITSU AND HOJITSU, MEIJI PERIOD

The first depicting Oniwaka killing a giant carp, signed Naomitsu; the second inlaid with a man wearing a mask of Hyottoko, signed Hojitsu; and the third formed from a cluster of seven Noh masks largest diameter 2 in — 5 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $2,000 — 3,000

265 AN IVORY AND WOOD KAGAMIBUTA NETSUKE, TOGETHER WITH MATCHING OJIME BEAD, SIGNED MITSUHIRO, 19TH CENTURY

Netsuke and ojime finely carved with a single stalk of bamboo, both signed Mitsuhiro with kao (seal mark) largest diameter 1.7 in — 4.2 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $800 — 1,200

266 AN IVORY NETSUKE OF A PLUM SPARROW, SIGNED MASANAO, 19TH CENTURY

Rendered as a stylized baby sparrow with a plump body, stubby wings, and a short erect tail, signed in cartouche to the underside 1 x 2.4 x 1.6 in — 2.6 x 6 x 4 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $800 — 1,200

267 AN IVORY NETSUKE OF HOTEI HOLDING A BLOWFISH, SIGNED HIDEMASA, 19TH CENTURY

A humorous depiction of the laughing Buddha holding an upside-down fugu blowfish in place of a wish-fulfilling jewel, signed to the base 1.2 x 1.6 x 1.4 in — 3 x 4.1 x 3.5 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $800 — 1,200

268 TWO IVORY NETSUKE OF DAIKOKU, SIGNED SOKO AND MINKOKU, 19TH CENTURY

One in a reclined position and portrayed with his characteristic mallet representing fortune, signed Soko; the other depicted carrying a giant bifurcated radish symbolizing fertility, signed Minkoku longest length 1.4 in — 3.6 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $1,000 — 1,500

269 AN IVORY NETSUKE OF TWO BATS, SIGNED TOMOYUKI, TOGETHER WITH A NETSUKE OF A PERSIMMON, SIGNED KOHO, LATE 19TH CENTURY

The bat and its pup perched on a single log, signed to the underside; the kaki persimmon naturalistically rendered with the stalk formed as the himetoshi, signed to the top largest diameter 1.7 in — 4.3 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $1,000 — 1,500

270 A WOOD AND IVORY NETSUKE OF URASHIMA TARO, BY TOKOKU, MEIJI PERIOD, LATE 19TH CENTURY

The legendary figure Urashima Taro holding his tametebako box and with a turtle strung over his back, inlaid with a silver seal tablet ‘Bairyu’ height 1.9 in — 4.8 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $1,000 — 1,500

271 AN IVORY TRICK NETSUKE OF DAIKOKU AND EBISU, SIGNED KUYA, TOGETHER WITH A NETSUKE OF A FISHMONGER, SIGNED MASATOSHI, 20TH CENTURY

The compressed mallet opens to reveal the two lucky gods in the midst of bookkeeping, calligraphy and seal to the underside; the fishmonger squatted over a butcher’s block, signed underneath longest length 1.9 in — 4.9 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 NOTE:

Contains material which may be subject to import/export regulation $1,000 — 1,500

272 TWO WOOD NETSUKE OF A KARAKO AND A MOCHI POUNDER, 19TH CENTURY

Karako child holding a basket containing a single stalk of coral; the mochi pounder leaning over a large usu (mortar) with kine (mallet) over the shoulder height 1.7 in — 4.4 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $600 — 800

273 TWO WOOD FIGURAL NETSUKE, 19TH CENTURY

Depicting a large robed sennin immortal and a man holding up a handscroll tallest height 4.4 in — 11.2 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $400 — 600

274 A WOOD NETSUKE OF A ‘SHISHI’ MOKUGYO, TOGETHER WITH A NETSUKE OF A HIPPO AND BAT, 19TH CENTURY AND LATER

The mokugyo bell in the form of a typical shishi mai (lion dance) mask; the hippo well-carved with a bat resting on its back mokugyo 1.3 x 1.5 x 1 in — 3.4 x 3.8 x 2.6 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $600 — 800

275 A NETSUKE AND OJIME BEADED NECKLACE, 19TH CENTURY

With Daruma, persimmon, and mask motifs length 16 in — 40.6 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $800 — 1,200

276 A PAIR OF ‘BOY AND BUFFALO’ MENUKI MOUNTED ON 14K GOLD CUFF LINKS

The mixed metal menuki with one boy leading a buffalo and the other pushing it width 1.5 in — 3.7 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $200 — 300

277 A STAG ANTLER PIPE CASE, KOKUSAI MARK, TOGETHER WITH TWO BAMBOO PIPE CASES

The stag antler sealed with two marks of Kokusai longest length 9.3 in — 23.5 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $600 — 800

278 A WOOD CARVED ONE-CASE INRO WITH NETSUKE

Inro carved with an okame mask length 4.4 in — 11.2 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $100 — 200

279 A GROUP OF FOUR IVORY AND BONE CARVINGS, TOGETHER WITH TWO GOLD MOUNTED BANGLES, 19TH/20TH CENTURY

Consisting of a pair of gold mounted ivory bangles; two Japanese ivory noh mask pendants; a noh mask pendant with 14k gold clasp; and a polychrome bone-carved and rabbit-form inro longest diameter 16 in — 40.6 cm $400 — 600

280 INABA TSURYU, SEVEN VOLUMES OF SOKEN KISHO, 1781

Six volumes on sword fittings, and the seventh volume as the first printed book on netsuke with illustrations; woodblock printed, ink on double leaves each 9 x 6.3 in — 22.8 x 16 cm PROVENANCE:

Acquired from the Isseido Booksellers, Tokyo, July 1975 Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $600 — 800

281 MATSUKAWA HANZAN (1818-1882), EHAN TOYOTOMI KUNKOKI (THE MERITORIOUS JOURNAL OF TOYOTOMI HIDEYOSHI), PART 6, VOLUME 1, CIRCA 1860, TOGETHER WITH A WOODBLOCK PRINTED BOOK OF ANIMALS AND MYTHICAL BEASTS

Ink and colour on double leaves largest 10.2 x 7.1 in — 26 x 18 cm $100 — 200

282 MARIE-THÉRÈSE COULLERY AND MARTIN S. NEWSTEAD, THE BAUR COLLECTION OF NETSUKE, GENÈVE, 1977

Limited edition no. 748 out of 1600 11.4 x 9.4 in — 29 x 24 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $200 — 300

283 RAYMOND BUSHELL, THE ART OF NETSUKE CARVING BY MASATOSHI, 1981, SIGNED BY MASATOSHI AND RAYMOND BUSHELL

Inner title page signed ‘Masatoshi’ in marker, signed in pen ‘To Larry and Lola with fond remembrances, Raymond Bushell Tokyo 1981’ 12.2 x 9.1 in — 31 x 23 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $200 — 300

284 RAYMOND BUSHELL, A GROUP OF THREE NETSUKE AND INRO REFERENCE BOOKS, ALL SIGNED BY THE AUTHOR

Consisting of ‘Netsuke Masks’, 1985; ‘Netsuke Familiar and Unfamiliar: New Principles for Collecting’, 1975; and ‘The Inro Handbook: Studies of Netsuke, Inro, and Lacquer’, 1979 largest 12.2 x 9.1 in — 31 x 23 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $200 — 300

285 RAYMOND BUSHELL, THE NETSUKE HANDBOOK OF UEDA REIKICHI, 1971, TOGETHER WITH TWO EDITIONS OF COLLECTOR’S NETSUKE, 1971 AND 1977

The seventh printing of Bushell’s English adaptation of Ueda’s ‘Netsuke no Kenkyu’ (first printing 1961); together with the first and third editions of ‘Collector’s Netsuke’ by Raymond Bushell 10.6 x 8.3 in — 27 x 21 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $100 — 200

286 A GROUP OF SEVEN SIDNEY L. MOSS LTD BOOKS AND CATALOGUES ON NETSUKE, 1982-2010

Consisting of ‘They Are All Fire and Every One Doth Shine: The Elly Nordskog Collection of Japanese Inro, Pipecases and Netsuke’, 2010; ‘More Things in Heaven and Earth: Japanese Netsuke and Ojime’, 2006; ‘Outside the Box: Further Explorations in Japanese Netsuke and Lacquer’, 2004; two copies of ‘Zodiac Beasts and Distant Cousins: Japanese Netsuke for Connoisseurs’, 1993; ‘Minor Masterpieces: A Selection of Individual Styles in Netsuke and Okimono’, 1987; and ‘Eccentrics in Netsuke’, 1982 largest 11.5 x 8.6 in — 29.2 x 21.8 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $200 — 300

287 A GROUP OF SIXTEEN ESKENAZI CATALOGUES ON NETSUKE, INRO, AND OTHER WORKS OF ART, 1974-1993

12 x 8.6 in — 30.5 x 21.8 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $200 — 300

288 A GROUP OF EIGHT CHRISTIE’S AND SOTHEBY’S JAPANESE WORKS OF ART CATALOGUES, 1976-1999, TOGETHER WITH A CHRISTIE’S VHS TAPE OF THE RAYMOND AND FRANCES BUSHELL COLLECTION OF NETSUKE PART 1

largest 12.2 x 9.4 in — 31 x 24 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $80 — 150

289 A GROUP OF ELEVEN NETSUKE REFERENCE BOOKS, TOGETHER WITH EIGHT EXHIBITION CATALOGUES ON NETSUKE, 1975-1996

Exhibition catalogues including Michael Spindel Ltd, Bernard Hurtig, Barry Davies Oriental Art, and the London International Netsuke Convention largest 12.4 x 9.4 in — 31.5 x 24 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $200 — 300

290 L.E. BERTIN, LES GRANDES GUERRES CIVILES DU JAPON, 1894, TOGETHER WITH COLLECTIONS JEAN DOLLFUS: OBJETS D’ART DE L’EXTRÊME ORIENT, 1912

largest 13 x 10 in — 33 x 25.4 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $200 — 300

291 V.F. WEBER, TWO VOLUMES OF KO-JI HO-TEN: DICTIONNAIRE À L’USAGE DES AMATEURS ET COLLECTIONNEURS D’OBJETS D’ART JAPONAIS ET CHINOIS, 1965

1965 reprint of the 1922 edition 15.2 x 11.7 in — 38.6 x 29.7 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $200 — 300

292 CAPTAIN F. BRINKLEY, A SET OF TWELVE VOLUMES OF JAPAN AND CHINA: ITS HISTORY, ARTS AND LITERATURE, AUTHOR’S EDITION 26/1000, 1902

Each numbered ‘26’ in pen in the front matter 9.3 x 2.6 in — 23.7 x 6.5 cm PROVENANCE:

Collection of Larry Caplan, Toronto 多伦多拉里·卡普兰先生珍藏 $200 — 300

293 A OKEGAWA-DO TOSEI GUSOKU WITH BLACK LACQUERED KAWARI ZUNARI KABUTO AND RARE MATCHING ICHIMAE MENPO, EDO PERIOD (1615-1868)

Kabuto (helmet): High crown with medial ridge and unusual eyebrows of exaggerated length, early Edo period, recently relaced Menpo (facial armour): one piece, recently relaced Dou/dō (breastplate/cuirass): Tetsu Sabiji (iron finish) Yamamichi Okegawa Nimai, applied with stencil-patterned deer-skin, mid Edo Period Including sode (shoulder armour), kusazuri (fauld/skirt), kote (sleeves), haidate (thigh armour), and gusoku bitsu (armour box) overall with box height 55.1 in — 140 cm $9,000 — 12,000

294 A JAPANESE KATANA, SIGNED BANSHU JU SADAYOSHI

Edo period mounts, ubu nakago (unaltered tang), square iron tsuba with signature, shakudo ‘dragon’ fuchi-kashira, K-9; nagasa length 25 in (63.5 cm) overall length 25 in — 93.2 cm $900 — 1,000

295 A JAPANESE WAKIZASHI, SIGNED BUSHU SHITAHARA JU HIROSHIGE

Edo period mounts, tsuba impressed with go-san kiri mon (5-3 Paulownia crest), iron fuchi-kashira, kongo (vajra) menuki, the blade an unusual shape, W-2; nagasa length 20.9 in (53 cm) overall length 32.3 in — 82 cm $800 — 1,000

296 A JAPANESE WAKIZASHI WITH SHINSHINTO BLADE

Pseudo military mounts, copper tsuba with wave patterns, chrysanthemum menuki in soft metal, copper fuchi with omori-style waves, gold wash military-style brass kashira, military-style hanger and leather-covered saya, mumei (unsigned); nagasa length 18.9 in (48 cm) overall length 33.2 in — 84.4 cm $500 — 600

297 A JAPANESE KAGA-STYLE KATANA IN HIGO MOUNTS

All iron higo mounts, the sukashi tsuba with fan openings and stylized birds, mumei (unsigned); nagasa length 25.7 in (65.4 cm) overall length 36.8 in — 93.4 cm $1,000 — 1,200

298 A JAPANESE WAKIZASHI, SIGNED KUNINAGA

Copper habaki, fuchi decorated with seated figures and kashira with a figure on horseback, tsuba with dragons; nagasa length 20.7 in (52.7 cm) overall length 33.1 in — 84 cm $1,200 — 1,400

299 A JAPANESE KATANA, SIGNED BISSHU OSAFUNE KIYOMITSU

Nagasa length 26.2 in (66.5 cm) overall length 36.2 in — 92 cm $1,200 — 1,400

300 A JAPANESE WAKIZASHI, TWO SIGNATURES

W-9; nagasa length 20.5 in (52 cm) overall length 34.5 in — 87.7 cm $1,000 — 1,200

301 A LATE KOTO/EARLY SHINTO BLADE, 16TH CENTURY

Mumei (unsigned); nagasa length 28 in (71 cm) overall length 34.9 in — 88.7 cm $800 — 1,000

302 A JAPANESE SHINTO TANTO, EDO PERIOD (1615-1868)

All matching higo silver-inlaid iron fittings with vine and kiri (paulownia) motif, silver rope rim on tsuba, silver habaki, and dragon menuki; nagasa length 8.5 in (21.6 cm) overall length 15 in — 38.2 cm $1,000 — 1,200

303 A MINO-SCHOOL KOTO WAKIZASHI

Edo period copper fuchi-kashira, near katana size, mumei (unsigned); nagasa length 23.3 in (59.2 cm) overall length 36.4 in — 92.5 cm $900 — 1,000

304 A MINO-SCHOOL WAKIZASHI

Shoami iron tsuba with basket-weave pattern, red saya, mumei (unsigned); nagasa length 22 in (56 cm) overall length 37.2 in — 94.4 cm $1,000 — 1,200

305 A JAPANESE KO-WAKIZASHI

Iron Christian cross tsuba, mumei (unsigned); nagasa length 14.8 in (37.5 cm) overall length 25.4 in — 64.6 cm $300 — 400

306 A JAPANESE AIKUCHI TANTO, SIGNED YOSHIHIRO

Fuchi decorated with books and kashira with kabuto helmet, sparrow menuki, black lacquer saya decorated with taiko drum, uchiwa fan, and other festive implements in hiramaki-e; nagasa length 8.7 in (22 cm) overall length 13.4 in — 34 cm $600 — 800

307 A JAPANESE WAKIZASHI IN SHIRASAYA

Mumei (unsigned); nagasa length 16.5 in (41.9 cm) overall length 23.4 in — 59.5 cm $500 — 600

308 A GOLD AND BLACK LACQUER BOX AND COVER WITH SHIMAZU FAMILY CREST, 16TH CENTURY OR LATER

Of square form with rounded corners, the deep roiro black ground lacquered with scrolling vines and the cross-form Shimazu mon in gold takamaki-e, flush metal-fitted rims 2.4 x 3.4 x 3.4 in — 6 x 8.6 x 8.6 cm $600 — 800

309 A RARE BLACK ORIBE TEA BOWL (CHAWAN) WITH A CHRISTIAN CROSS, EDO PERIOD (1615-1868)

The kutsugata (clog-shaped) body applied with a bluish-black glaze save for a patch of cream painted in brown iron-oxide with a rare Christian cross pattée 3.3 x 5.1 x 4.6 in — 8.4 x 13 x 11.7 cm $1,000 — 1,200

310 A FINE GOLD-LACQUER ‘DRAGON’ DOCUMENT BOX AND COVER (RYOSHIBAKO), EDO PERIOD, 18TH/19TH CENTURY

Of standard rectangular form, the box intricately worked with gold and brown takamaki-e and hiramaki-e, the cover depicting a lean dragon emerging from billowing waves backed by Mt. Fuji, goldsprinkled nashiji applied to the interior and sides, further decorated with a recumbent stag under maple tree to the cover interior and birds and wisteria to the sides, the maple subtly embellished with mother-of-pearl 5.5 x 12 x 15.6 in — 14 x 30.5 x 39.6 cm NOTE:

For similarly decorated boxes of similar size, please see Bonhams London, November 5, 2020, lot 161; Bonhams London, May 17, 2018, lot 170; and Bonhams New York, March 15, 2017, lot 6192 $1,000 — 1,200

311 A PAIR OF SHIBAYAMA-STYLE MOTHER-OF-PEARL, IVORY AND BONE INLAID ‘HAWK’ PANELS, MEIJI PERIOD

28.2 x 18.2 in — 71.6 x 46.2 cm NOTE:

Contains material which may be subject to import/export regulation $600 — 800

312 A SET OF FOUR SHIBAYAMA-STYLE LACQUER AND BONE PANELS, TOGETHER WITH A TABLE SCREEN, MEIJI PERIOD

largest 46.3 x 23.7 in — 117.6 x 60.2 cm NOTE:

Contains material which may be subject to import/export regulation $400 — 600

313 A PAIR OF ARITA BLUE AND WHITE BOWLS WITH DESIGN AFTER CORNELIS PRONK (DUTCH, 1691-1759), EDO PERIOD, MID 18TH CENTURY 江户时期十八世纪中期日本外销青花仕女纹花口碗一对

Each teabowl featuring a barbed rim with iron brown glaze, the interior decorated after the well-known design ‘La Dame au Parasol’ by Dutch artist Cornelis Pronk for the Dutch East India Company (V.O.C.) height 2.7 in — 6.8 cm, diameter 4.5 in — 11.5 cm PROVENANCE:

Hoffman & Gampetro Collection, according to sticker 来源:：多伦多Hoffman&Gampetro收藏见底部标签 View website for full catalogue details $800 — 1,200

314 A JAPANESE ARITA LOBED-RIM PORCELAIN BOWL, CIRCA 1900, MEIJI PERIOD

Polychrome and gilt enameled in the Imari-style with florals and mythical beasts, tomi 富 (wealth) mark to the underside diameter 6 in — 15.2 cm $200 — 300

315 A LARGE SATSUMA ‘CHRYSANTHEMUM’ VASE, LATE EDO/MEIJI PERIOD

Heavily potted and of ovoid form, the body extensively gilded and decorated with a continuous scene of chrysanthemums issuing from a band of jardinières, the shoulder with a band of stylized fans, Dai Nippon Satsuma Yaki, Kokuma (or Koun) mark to base height 18.5 in — 47 cm PROVENANCE:

Private Collection, Toronto $3,000 — 5,000

316 A RARE AND FINE MINIATURE SATSUMA BEAKER VASE, SIGNED KIZAN, MEIJI PERIOD

The square-form vase equally flared to the top and bottom, painted with two bands of continuous purple wisteria, the middle section with four panels of figural scenes, two-character gilt mark Kizan 輝山 to base height 6.6 in — 16.8 cm $200 — 300

317 A PAIR OF MINIATURE SATSUMA VASES, SIGNED HOTODA, MEIJI PERIOD

Brightly decorated in gilt, two sides featuring court ladies, the other two with rakan (arhats) and immortals height 3.7 in — 9.5 cm $100 — 200

318 A JAPANESE SATSUMA CYLINDRICAL VASE, SIGNED KOZAN, MEIJI PERIOD

Well-painted with three figures on a trek up to a pagoda, signed Kozan 光山 to base height 7.3 in — 18.5 cm $300 — 500

319 A SATSUMA TRIPOD DISH, TOGETHER WITH A PAIR OF MORIAGE VASES, 19TH/20TH CENTURY

The dish painted to the interior with Jurojin, the god of longevity, surrounded by Karoko and various species of birds; the pair of vases decorated in raised enamels depicting scholar and military figures dish diameter 10.6 in — 27 cm $600 — 800

320 A JAPANESE KORANSHA CELADON VASE WITH ENAMEL AND GILT DESIGN, MEIJI PERIOD, CIRCA 1880

The ovoid body rising to a columnar neck, intricately painted with numerous patterned bands in gilt and enamel imitating brocade and cloisonné, four roundels of dragons to the body, the base with an orchid mark in gilt height 12 in — 30.5 cm PROVENANCE:

Previously acquired from a Dutch collection, circa 1900 $500 — 700

321 A PAIR OF JAPANESE IMARI ‘KIRIN’ CHARGERS, EDO/MEIJI PERIOD

Painted in the central roundel with a kirin engulfed in flames, surrounded by a paneled border of alternating landscapes with cranes and decorative reserves diameter 18.2 in — 46.3 cm PROVENANCE:

Private Collection, Toronto $400 — 600

322 A PAIR OF ORMOLU MOUNTED IMARI PORCELAIN VASE LAMPS, 19TH CENTURY

Each comprised of two stacked Imari vases, Edo/Meiji period, fixed by 19th/early 20th century French gilt bronze mounts height 25 in — 63.5 cm PROVENANCE:

The Estate of William Reid, Toronto $200 — 400

323 A LARGE JAPANESE ENAMELED ELEPHANT-HANDLED VASE, MEIJI PERIOD

Painted with wisteria on a bright blue ground, four-character mark to base 款: 春日井上造 height 17.4 in — 44.2 cm NOTE:

With partial ‘Jian Ding’ export seal to base $200 — 400

324 A CAST IRON ‘CRABS’ TEAPOT (TETSUBIN) AND COVER, MEIJI PERIOD 日本明治時期浮雕蟹纹砂铁壶

The underside of the cover inscribed ‘Kinjudo zo’ 盖内款：金龍堂造 width 6.4 in — 16.3 cm $300 — 500

325 MORI TETSUZAN (1775-1841), TIGER 日本森徹山 (1775-1841) 虎设色纸本立轴

Signed Tetsuzan, sealed Shushin; ink and colour on paper, hanging scroll mounted image 44.4 x 20 in — 112.8 x 50.8 cm $600 — 800

326 A JAPANESE SCROLL PAINTING OF DARUMA, TOGETHER WITH TWO CALLIGRAPHY SCROLLS, EDO PERIOD AND LATER 江户时代或更晚达摩及书法作品设色纸本立轴一组三件

Ink and colour on paper, hanging scroll mounted largest image 61.2 x 13.1 in — 155.5 x 33.3 cm $300 — 500

327 UTAGAWA HIROSHIGE (1797-1858), THE FERRY CROSSING AT SAKASAI (SAKASAI NO WATASHI), 1857 歌川広重 (1797-1858) 浮世绘版画作于1857年

No. 67 from the series ‘One Hundred Famous Views of Edo’, with traces of mica (kirazuri) over the trees; margins trimmed, framed woodblock print image 13.3 x 8.7 in — 33.7 x 22.2 cm PROVENANCE:

Ohya Shobo Co., Ltd. according to the label NOTE:

Compare with an example at the Museum Fine Arts, Boston, accession number 21.9471 $500 — 700

328 UTAGAWA KUNISADA (TOYOKUNI III, 1786-1865), NOBLE LADY ON SEDAN CHAIR, CIRCA 1850 约1850年作歌川国貞 (三代歌川豊国 1786-1856) 人物版画

Woodblock print, framed 带镜框 19.3 x 15.4 in — 49 x 39.2 cm PROVENANCE:

Private Toronto Collection 来源: 多伦多私人珍藏 $200 — 300

329 HASEGAWA SADANOBU III (1881–1963), KAGAMIJISHI (THE KAGAMI LION DANCE) 長谷川貞信三世 (1881-1963) “新歌舞伎十八番之內鏡獅子” 手摺木版畫

Woodblock print, framed 带镜框 15.4 x 10.6 in — 39 x 27 cm PROVENANCE:

Private Toronto Collection 来源: 多伦多私人珍藏

View website for full catalogue details $200 — 300

330 HASEGAWA SADANOBU III (1881–1963), BENKEI IN KANJINCHO 長谷川貞信三世 (1881-1963) “新歌舞伎十八番之內動進帳” 手摺木版畫

Woodblock print, framed 带镜框 15.4 x 10.6 in — 39 x 27 cm PROVENANCE:

Private Toronto Collection 来源: 多伦多私人珍藏

View website for full catalogue details $200 — 300

331 UTAGAWA KUNISADA (TOYOKUNI III, 1786-1865), UTAGAWA HIROSHIGE (1797-1858), TOYOHARA KUNICHIKA (1835-1900), A GROUP OF FIVE UKIYO-E TRIPTYCH PRINTS, EDO/MEIJI PERIOD 日本浮世繪版畫一組五件江户/明治時期

Woodblock prints, framed 歌川国貞，歌川広重，豐原國周 largest 17.5 x 32 in — 44.5 x 81.3 cm PROVENANCE:

Estate Collection, Hamilton, Ontario 来源: 安大略汉密尔顿遗产珍藏 $800 — 1,200

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Selling at Waddington’s waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item

canadian art department commission rates Items selling for $7,501 or more 10%

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our office is located in Toronto, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Items selling for $2,500 or less 20%

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

*There is a minimum handling charge of $20 per item

cites

Items selling for $2,501 to $7,500 15%

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

Buying at Waddington's

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905-470-6874 / 905-470-6875 / 416-293-8225

taurus@pakship.ca www.pakship.ca Safer Shipping Inc. (formerly Envoy) 416-299-3367 / 416-299-9750 perry@safershipping.ca www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca