Virginia Tech Interior Design Spring Newsletter 2021 by VT ITDS Newsletter

VIRGINIA TECH INTERIOR DESIGN

THE EDIT

PROGRAM NEWSLETTER

SPRING - ‘21

APPETITE FOR DESIGN

ON THE COVER ‘Dinner Party’

Kelsey Muir (‘19)

Visit https://archdesign.caus.vt.edu/itds/ for more information.

C o n n e c t i n g t h e p a s t , p re s e n t , a n d f u t u re o f Vi rg i n i a Te c h I n t e r i o r D e s i g n .

VIRGINIA TECH INTERIOR DESIGN

ISSUE - 05

Gatherings have long served as opportunities to come together

SPRING - ‘21

with friends, family or colleagues. colleagues Whether for a celebration, a meeting, or engaging in new connections, these interactions nourish us personally and professionally. professionally With the onset of the pandemic, these interactions, which were as often as daily occurrences, came to a halt instantly. It was only then when most of us realized the impact that these gatherings (or rather, the absence of) would have on our relationships, well-being, and sense of community.

Issue 05, Appetite for Design, Design asks you to consider what has kept you motivated or driven during challenging times such as these. It calls for a celebration of our accomplishments, accomplishments whether that means graduating from school, pivoting to a new career path, or perhaps trying your hand at something entirely new. Issue 05 aims to encourage you to consider new ways of sustaining your personal and professional well-being, and to continue looking forward to a time on the horizon when we can safely gather again. again

PROGRAM NEWSLETTER

APPETITE FOR DESIGN

A Message from the Program Chair

Meet the Virginia Tech Advisory Board

II. STUDENTS

114

A Toast to the Graduates: Virginia Tech Class of 2021

Senior Showcase

Awards and Recognition

III. ALUMNI

130

138

Nourish: Professionals and alumni share their expertise in continued education

Serve: Professionals and alumni share their experiences leading in the design industry

IV. CR E DITS

146

147

Acknowledgments and Contributors

How to Get Involved

I. INTRO

SPRING - ‘21

PROGRAM NEWSLETTER

VIRGINIA TECH INTERIOR DESIGN

I. - INTRO 11

A Message from the Program Chair

Meet the Virginia Tech Advisory Board

ISSUE - 05

PROGRAM CHAIR’S MESSAGE

Happy Spring! We are finally seeing some signs of spring and change for the future here in Blacksburg. Fall 2021 classes are set to be all in person and as back to normal as we are able to accomplish while meeting all public health and university guidelines. The faculty and students have worked harder this past year than I can ever remember. The student work has been excellent despite the many challenges each person faced. Our students continue to win national competitions and the employment horizon is looking much better for our graduating seniors this year. I am happy to say we have three new faculty members: Alp Tural, PhD and Eiman Elgewely, PhD have taught with us this past year. Eiman is from Egypt and has been unable to join us in person but plans to arrive in July. We welcome Yaoyi Zhou who is finishing up his doctoral work at Cornell. Brad Whitney is still leading the charge in second year and through his marker course and Elif Tural, PhD has been the lead in the third-year studio sequence. We are pleased with the many opportunities this new and diverse faculty team can provide for the future of the program! I appreciate all the support of the Alumni and Advisory Board this past year as they have helped us adapt and prevail. We look forward to seeing many of you in the coming months. Lisa Tucker, PhD Professor and Program Chair ltucker@vt.edu

SPRING - ‘21

MEET THE VIRGINIA TECH A D V I S O RY B O A R D

FIO NA GRANDOWSK I Board Chair

CA R O L I N E A L E X A N D E R Sponsorship Chair

L IS A BROC KM A N Membership Chair

A M Y G ROOM E Alumni Network Chair

Collins Cooper Carusi, Atlanta, GA

CCA LLC, Lexington, VA

Bialek, Washington, D.C.

Interior Architects, San Francisco, CA

Virginia Tech Architecture ‘91

Virginia Tech Interior Design ‘90

Miami University, Marketing ‘89 Marymount University Interior Design ‘97

Virginia Tech Interior Design ‘17

FGrandowski@collinscoopercarusi.com

caroline.alexander403@gmail.com

lbrockman@bialek.com

a.groome@interiorarchitects.com

C HRI STY GARRI TY Sponsorship Committee

FA R R A H G O A L Alumni Network Committee

IR WIN G U EC O Sponsorship Committee

J E S S IC A KIL BY Membership Committee

OTJ, Washington, D.C.

Gensler, Washington, D.C.

National Gallery of Art

AECOM

Virginia Tech Interior Design

Drexel Interior Design ‘86 The Catholic University of America, Arch ‘99

Virginia Tech Interior Design ‘02

christyg514918@icloud.com

farrah_goal@gensler.com

igueco@gmail.com

jessica.kilby@aecom.com

ISSUE - 05

L IS A T U C KER Professor and Program Chair, Virginia Tech Interior Design

L IL A D E LA ROS A Student Liaison Alumni Network Committee

ltucker@vt.edu

Virginia Tech Interior Design ‘21 lilad7@vt.edu

SCOTT M O O N E Y Sponsorship Committee

MA R I E M OU T S OS Membership Committee

Muse Architects, Bethesda, MD

FOX Architects, Washington, D.C.

Virginia Tech Interior Design ‘95

KE L S E Y M U IR Alumni Network Committee

KR IS T EN P F I S T ER Alumni Network Committee

Lillian Wu Studio, New York, NY

Steelcase, Denver, CO

Virginia Tech Interior Design ‘19

Virginia Tech Interior Design ‘07

smooney@musearchitects.com

mmoutsos@fox-architects.com

kelseymuir@vt.edu

kpfister@steelcase.com

HEATHER R O B I N SO N Sponsorship Committee

VI E N N A R OM ES BU RG Sponsorship Committee

KE L LY S IM C OX Alumni Network Committee

M A RC Y T REP K E Alumni Network Committee State Department, Overseas Buildings Operations

Within Interior Design, Norfolk, VA

Washington and Lee University

Interface

Virginia Tech Interior Design ‘98

Virginia Tech Interior Design ‘97

Virginia Tech Interior Design ‘04

HRobinson@withindesigns.com

vromesburg@wlu.edu

kelly.simcox@interface.com

SPRING - ‘21

Virginia Tech Interior Design ‘95 mtrepke@outlook.com

SPRING - ‘21

PROGRAM NEWSLETTER

VIRGINIA TECH INTERIOR DESIGN

II. - STUDENT NEWS 16

114

A Toast to the Graduates: Virginia Tech Class of 2021

Senior Showcase

Awards and Recognition

A T O A S T T O T H E G R A D U AT E S Virginia Tech Interior Design Class of 2021

ISSUE - 05

SPRING - ‘21

“ W H AT F E E D S Y O U R A P P E T I T E F O R D E S I G N ?

H O W W O U L D Y O U D E S C R I B E Y O U R TA S T E ? ”

ISSUE - 05

ELLIS ON CARM I CHAE L Chapel Hill, NC

MA D EL I N E C L A R K Potomac, MD

“Surrounding myself with nature inspires me to create

“What best motivates me is walking around studio and

and design holistic spaces that reflect the environment

seeing what my peers are working on. It’s inspiring

and culture of the site, and the desire to create an

and encourages my appetite for design to be in a

efficient yet beautiful solution to a problem [with] my

collaborative environment where we can learn and grow

design is what drives me.”

from each other.”

LILA DE LA ROS A Clifton, VA

G R A C E EVA N S Morristown, NJ

“As the world is constantly in flux, I look for inspiring and

“I’m constantly scrolling on Instagram and inspired by

inclusive interiors to keep me grounded and focused on

so many different types of projects in various styles and

what’s ahead. I’m eager to enter this exciting field as

settings. It gets me excited to graduate and start working

I hope to provide the same kind of relief for someone

in the field and bringing my designs to life.”

else through design.”

SPRING - ‘21

BRENNAN EVE RS E N Basking Ridge, NJ

B EC C A F R I ED MA N Green Brook, NJ

“The idea of one day creating a client’s dream space

“Listening to IDEAS presenters talk about their work

and making them happy. The client is what drives this

always inspires me by reminding me of all the unique

profession and if it was not for them I wouldn’t be able

opportunities available and the people that are affected

to do what I love, design.”

by design choices every day.”

M ONIQUE GA GNON Fairfax, VA

L A U R EN “R EN ” G U MB ERT Hampton, VA

“Seeing recent projects showcased on Instagram from

“I have eclectic taste. It sways with my mood, with the

design firms has been a constant source of inspiration

people around me, with the day. Some days I wish

while having school online.”

to live in an old manor, surrounded by antiques and items from around the world, and others I wish to live in a small, organized apartment free of clutter. I find the world interesting, it’s past, history, technology, and different cultures. All of these things become entangled in my design taste.”

ISSUE - 05

KRIST Y HANS HAW Vinton, WV

I MA N I H A RT Ashburn, VA

“My design appetite is fed through seeing and partaking

“Knowing that I can design for marginalized communities.”

in collaboration. It pushes me to create better designs, and I see how someone else might tackle the design.”

ANGELI CA HOE LZ LI Syosset, NY

O L I V I A J O H N SO N Glen Allen, VA

“I’m motivated and inspired by my peers’ extraordinary

“My overall style is generally modern but I love adding

work.

vintage pieces as an additional layer of character to a

Seeing their successes and what our program

has the ability to teach influences me to work to my

space.”

best capabilities.”

SPRING - ‘21

KATIE KARLINCHAK Springfield, VA

J U L I A KI N G Morristown, NJ

“Sophomore year, a professional told me, “do not be

“Traveling to both familiar and unfamiliar cities and

afraid to be bold and creative while you are in school.”

observing how design both responds to and forms the

Since then, I have pushed myself out of my comfort zone

surrounding environment.”

of color and creativity [...] my personal style has evolved to be contemporary with some modern elements.”

LELAND LAWS ON Richmond, VA

G R AYSO N L EV I T C H Richmond, VA

“I am drawn to designs with modern and clean lines,

“I am inspired by the unique experiences and architecture

light open spaces, and rich colors.”

that I have encountered while traveling. It has allowed me to become familiar with the many different opportunities, styles, and ideas that exist in our industry that I can apply to my designs.”

ISSUE - 05

JIANZ HE LI U Beijing, China

MAT T “L I V S” L I V I N G STO N McLean, VA

“TV programs play an increasingly important role in child

“The very wonder of there being a formidable response

growth, and this has been confirmed in my experience. Rather

to that question is what feeds that appetite. Beyond

than cartoons, a program named King of Comprehensive

anything,

Housing Renovation fueled my strong interest in interior design [...] Such a visual feast shocked me deeply and

the

motives

sparking

curiosity

per

circumstance is what I am most curious about.”

pushed me to want to be a designer.”

GWEN M ART I N Bristol, VA

MA C KEN ZI E O ESTER R EI C H Roanoke, VA

“I love uplifting groups of people in design that usually

“I love being able to create a detailed narrative through

don’t get thought of, such as people with disabilities or

the process of design. Being able to creatively tell

minorities. I want to be a designer that appreciates and

a story and influence the way that people perceive

designs for all, and for a user to walk in a space and

everyday spaces is incredibly rewarding.”

feel like they’ve been seen and thought of.”

SPRING - ‘21

HANNA OLSSON Richmond, VA

H A I L EY PAT T ER SO N Charlottesville, VA

“I find myself inspired by something new everyday

“I enjoy being in creative environments. I feel like I am

as design is all around us. From fashion, art, graphic

inspired by a variety of different visuals.”

design, cinematography and the most important to me, travel.”

JOSIE PRICE Richmond, VA

HANNAH RICHARDS Roanoke, VA

“My appetite for design is driven by the physical and

“Living life with those close to me, who constantly

emotional impact my work can have on both people

inspire me to create designs that can positively influence

and the planet. We have a unique opportunity within

our everyday life.”

architecture

and

design

influence

relationships

between people, their built environments, and the natural world. This type of work has allowed me to think globally and consider design equity in new and fascinating ways.”

ISSUE - 05

CARLY RI T T E R Midlothian, VA

L I ZZY SH AW Leesburg, VA

“Seeing other designers’ work really inspires me to

“Seeing the design process by peers and accomplished

push myself and my designs. I thrive off a collaborative

designers - how they go from an idea to a holistic and

and open studio environment because seeing people

strong final design.”

actively working and the designs they create helps spark my creativity.”

ALES S ANDRA S HORT E N Cary, NC

J A SMI N E SN YD ER Pacifica, CA

“Inspiration is my driving force when designing and

“Creativity has always been a big passion of mine.

creating. My ultimate objective in life is to design and

Design allows me to be creative and make a difference

create spaces that inspire those who use them. I am

in the world I live in.”

constantly inspired by the people around me, by nature, by fashion and art. I am my most talented, creative and passionate self when I am inspired by something or someone and I can only hope to design spaces that give life and light to other people’s passions. ”

SPRING - ‘21

JULIA SORENS ON Winchester, VA

R EB EC C A SO RT O -R O B L ES Oakton, VA

“I aspire to create designs that elevate the human

“Reading design magazines and seeing the interior

experience. Every design I create has a meaningful

photographs inspires me. I enjoy reading the process

narrative that is mindful of people and place, unfolding

designers went through and seeing their finished work

in the built environment.”

captured.”

M ARTHA STE VE NS Annandale, VA

C ATH ER I N E ST O N E Vienna, VA

“I am constantly inspired by other designers. Whether it’s

“My appetite is fed by the underlying ideas and reasoning

walking through Cowgill, or scrolling through Instagram,

that lurk behind elements of the designed world, and

seeing other people creating always keeps me moving

the everyday interactions with design that make me

forward.”

ask: what were they thinking? My vision has broadened to see the design in each built environment, and to appreciate how influential and inspiring my experience and understanding as a user can be in my own designs. I am fueled by the pursuit of understanding the “why.”

ISSUE - 05

LIZZY T Z OUM AS Arlington, VA

J U L I A N N A WEI H Poquoson, VA

“I think the reason I love design is being able to solve

“I am really drawn to historic design for its elegance. I

the problem in a way that is beautiful and makes the

love how each time period is so unique from the other

“client” happy.”

but they all tie together to create the styles we have today.”

SPRING - ‘21

SENIOR SHOWCASE Virginia Tech Interior Design Class of 2021 The 4th-Year studio provides a final opportunity

one of the following thesis prompts, we’d like to

for students to explore a project type of their

recognize and celebrate the hard work of this

research, research

year’s senior class by highlighting each of their

consisting of project/site selection, preliminary

individual projects. We’ve also given the option

site and building analysis, programming, and

to feature other projects completed during their

more. Spring semester combines research with

time at Virginia Tech.

choice.

Fall

semester

focuses

design,, addressing all of the design phases to design bring a unique concept to life. Concluding this year-long study and execution of

Executed during the first full hybrid school year, the following spreads are a testament to the graduates’ resiliency and dedication.

Congratulations and best of luck to the Class of 2021!

ISSUE - 05

OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer

DISASTER RELIEF HOUSING International site varies by designer

I N T E R N AT I O N A L A I R P O RT Site and program varies by designer

H E A LT H C A R E FA C I L I T Y International site varies by designer

E D U C AT I O N A L FA C I L I T Y Program varies by designer

B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer

ADDITIONAL PROJECTS Selected by designer

SPRING - ‘21

ISSUE - 05

OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer

DISASTER RELIEF HOUSING International site varies by designer

I N T E R N AT I O N A L A I R P O RT Site and program varies by designer

H E A LT H C A R E FA C I L I T Y International site varies by designer

E D U C AT I O N A L FA C I L I T Y Program varies by designer

B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer

ADDITIONAL PROJECTS Selected by designer

SPRING - ‘21

ISSUE - 05

G R A C E E VA N S

SPRING - ‘21

BRENNAN EVERSEN

Old Sweet Springs Wedding Venue

Concept Statement

Cocktail Hour Area

Marriage is a unique and special time in every relationship. It marks the commitment that a couple has made to one another and the bond they have. Marriage is a culturally recognized union of two individuals and typically this union is celebrated through having a wedding. A tradition that is used in some ceremonies is to have the newlyweds tie a knot to symbolize their pledge to each other. The true lover’s knot is one particular knot that a couple will tie to signify their eternal bond. This knot binds two separate pieces of rope together, when under pressure the true lover’s knot becomes strengthened.

Honeymoon Suite

Old Sweet Springs embodies the ideals of love and commitment by tying each space together to make a seamless bond between the old and the new additions to the building.

Front Elevation of Old Sweet Springs

Thesis Statement This project is an adaptive reuse of Old Sweet Springs, using historical guidelines while focusing on the use of sustainable and eco-friendly materials throughout the entirety of the building. The use of these materials will help create a healthier environment and encourage the utilization of the venue by more people. 34

ISSUE - 05

15 16

17 17

PROFESSIONAL KITCHEN (NIC)

Level 2 1/32" = 1'-0"Two Level

NTS

10 Storage 11 Employee Break Room 12 Administration 13 Conference Room 14 Laundry Room 15 Utility Closet

16 Coat Check 17 Public Bathroom 18 Main Lobby 19 Cocktail Hour Area 20 Outdoor Porch 21 Reception Area 2

Ceremony Space

SPRING - ‘21

option 2 1/32" = 1'-0"

Reception Area Option B NTS

Reception Area

L A U R E N “ R E N ” G U M B E RT

Old Sweet Springs

Hospitality and Historic Preservation The Original building was built in 1833 with a kitchen and fourth portico added on in the 1970s. The design is inspired by scrapbooking, with layering and negative space being the main ideas. These aspects were shown using rugs, flooring changes, and decorative ceilings. The orginal section of the building, the three left porticos, are designed with inspiration from the 1830s while the additions are are designed designed with with inspiration inspiration from from the the 1970s. 1970s. additions

This is the floorplan for the first floor. This level has the reception, bar, restaurant, lounge, and library spaces. The guest rooms and staff area are on the second floor. 36

ISSUE - 05

This rendering shows the bar. This room is in the fourth portico built in 1970, due to this it was inspired by that time period.

This rendering shows the main lounge on the first floor. This area is located in the middle, or second portico, in the original building, due to this it is inspired by the 1830s. SPRING - ‘21

ISSUE - 05

K R I S T Y H A N S H AW

SPRING - ‘21

JULIA KING

THE ADAPTIVE REUSE OF

OLD SWEET SPRINGS M o n r o e C o u n t y , We s t V i r g i n i a The a d a pt ive reu se of O l d S w eet S prings aim s to pro v ide a resto rative experienc e f or its guests. The d e s i g n c oncept is inspi red by t he his t or y of the ho t spring o n the site, an d the un derly ing n atural p ro ce s s t hat has l ong encou raged t hi s hu ma n-to-ear th c o nn ec tion . The hot sprin g loc ated on the s i t e w a s credi t ed w i t h medicinal proper t i es th at drew and c aptivated peo ple f or c enturies. When ra i n o r g rou ndw at er i s heat ed u p by magma deep beneath the Ear th’s sur f ac e, it esc apes bac k to t he s u r f a ce t hrou gh cracks and fis su res i n t he roc k undergro und as it bec o m es m o re v isc o us th an t he co l d w at er flow ing dow n. The w at er i s a t a c o nstant c on trast with its surroun din gs, c ausing its co n t i n u ou s cycl e. When t he w at er reaches t he un dergroun d warm er ro c k, it is c oo l in c om pariso n

Chase Images

t o i t s s u rrou ndings. The rock heat s i t u p, a nd then it rises to the sur f ac e, where it is warm in co m p a r i son t o i t s su rrou ndings. I t t hen cools an d sinks bac k down as a result o f being replac ed by wa r m e r w at er ris ing. There is a const ant s hi f t bet ween po les, y et the n atural balan c e is m ain tain ed. The d e s ign draw s from t he movement of w ater bet ween t wo o pposin g “poles”. These po les ac t as d e s t i n a t i ons, each havi ng t heir di f ferent iat i ng pro per ties th at allow f o r the c on tinuation o f the c y c le. O n e d e st inat ion, t he spa, i s more rest orat i ve an d intim ate in n ature, while the other destin atio n, the ho t e l , i s more soci al and air y. An i nt er vening c on nec tio n spac e, c on tain ing c om m un al am enities, i s re p resent at ive of t he s ol id yet permeable under-gro und roc k an d is lo c ated in bet ween the t w o d e st i nat i ons. The desi gn seeks t o create a sen se o f h arm o ny bet ween the t wo c on trastin g d e s t i n a t i ons. A sense of mys t iqu e w il l be brough t abo ut v ia m aterials an d textures in spired by the l i v e l y q uali t y of hot s prings.

Hotel Lobby

Cafe Dining

ISSUE - 05

Sp a

Guest Room Entry

Ho t e l

Guest Bathroom

Guest Bedroom

Pa r t i D i a g r a m

SPRING - ‘21

ISSUE - 05

G W E N M A RT I N

SPRING - ‘21

ISSUE - 05

OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer

DISASTER RELIEF HOUSING International site varies by designer

I N T E R N AT I O N A L A I R P O RT Site and program varies by designer

H E A LT H C A R E FA C I L I T Y International site varies by designer

E D U C AT I O N A L FA C I L I T Y Program varies by designer

B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer

ADDITIONAL PROJECTS Selected by designer

SPRING - ‘21

BECCA FRIEDMAN

The Butterfly House

Diagrams:

Disaster Relief Housing for California Wild Fires Lake Berryessa, California

Problem Statement: Many families throughout California have lost their homes to wildfires and need a quick, cheap, and affordable housing solution. It is important to help people affected by fires by giving them a safe and comfortable living space in order for them to obtain a sense of normalcy without stress of looking for a new home and buying all new items to restart their lives. Providing people with easy access housing helps them cope with psychological effects from the trauma of natural disasters. Large group housing facilities are easy but leave people without a sense of security or enough comfortable space, and tents are not long term like many victims need. Most of the population of the Lake Berryessa area are middle-aged home-owners who will need a space that is comfortable as they age.

Thesis Statement:

Perspectives:

Disaster relief housing for people affected by California wildfires that include sustainable materials and building practices, and aging in place prioritizes victims’ health by allowing them to deal with psychological effects that follow the trauma of natural disasters, and giving them a sense of security and belonging without the stress of searching for long-term housing.

Concept Statement: Many people associate butterflies as representations of resurrection, change, renewal and hope. The California state insect is the Dogface Butterfly is the inspiration for concept. The butterfly displays an iridescent bluish-black color with peach to pinkish markings, while the hind wings are orange and sulfur-yellow in color. Butterflies travel through the air by indirect flight. They flap their wings in a slanted figure-8 pattern, forming organic flowing and curving shapes. They are able to jostle the air around them with the quick flaps of their wings. This rapid movement makes a butterfly appear to make sharp, angular turns. The relief house will highlight the rigidness of a butterfly’s movement vs. the organic shape of its flight pattern.

ISSUE - 05

Butterfly Roof:

Rainwater Harvesting:

The butterfly roof, also known as an inverted

This roof type has the ability to collect rainwater, which can

gable roof, was popularized in California during

be helpful during drought and other natural disasters like

the 1950s. The design resembles the wingspan of

fires. The water can also be used for watering plants, flushing

a butterfly at rest. This roof shape creates higher

toilets, and irrigation. Rain barrels are containers placed

interior ceilings, allowing more light to enter

outside the building and connected to roof downspouts to

the space through contemporary style windows.

collect runoff for later use in non-potable applications. Rain

Butterfly roofs are also aerodynamic and can be

barrels don’t need to be very large, they are inexpensive,

helpful in areas with severe winds.

and can be installed by anyone.

Floor Plan:

1. Ramp / Porch

12.

2. Entrance 3. Bench 4. Living Room

6. 5.

5. Kitchen

6. Movable Island 7. Seating/Eating Area 8. Bathroom 01

12.

10.

11.

SPRING - ‘21

9. Bedroom 01 10. Bathroom 02 11. Bedroom 02

12.

12. Storage Closet

MONIQUE GAGNON

RESTORE DISASTER RELIEF HOUSING RELIEF HOUSING FOR DISPLACED PERSONS OF BANGLADESH

PROBLEM STATEMENT

The project will explore temporary housing units around 500 square feet created to promote a sustainable lifestyle that helps minimize the emotional distress of displaced persons

of multi-generational households in Bangladesh affected by monsoon season flooding. When floods occur not only are victims fighting for survival but they are faced with trauma and emotional distress from the loss of their property due to rapid changes in their environment. To do this the units will be net-zero

energy buildings and address essential living needs to relieve the added stress that is placed on a household following a natural disaster.

THESIS STATEMENT

Using sustainable materials and elements in refuge housing can improve the physical and mental state of victims affected by natural disaster.

CONCEPT STATEMENT The Restore disaster relief housing units are inspired by the Bengal delta and Bangladesh vernacular architecture. Using qualities from the countries land and structures will create a shelter rebuilds the lives of the victims who occupy it.

Concept Imagery

Site made mudcrete used for even ground foundation

Knoll Sahara textile in the color Palm

Knoll Dottie upholstery in the color Clearwater

EnviroTextiles Natural Canvas

Locally sourced Gamari wood used for modular furniture

Reclaimed lightweight durable CI Sheets used for unit roofing

Locally sourced split bamboo panels used

RIVER DELTA BREAKDOWN PARTI ABSTRACTION

Delta

branches off the river’s opening and have paths determined by the deposition of sediment carried down stream.

Secondary Distributary Pathway

Main R

the ocean. Distributary channels become

iver

Deltas form where the mouth of a river meets

Distributary Channel

Construction of traditional Mudcrete Plinth

Parti Diagram

Restored Communities Formed

ISSUE - 05

KITCHEN PERSPECTIVE

2 4

Laundry + Bathroom Unit

* Numbers 5 + 6 on floor plan

LEGEND FLOOR PLAN 540 SF

SPRING - ‘21

Covered Porch

Bathroom Unit

Living Room Unit

Laundry Unit

Kitchen Unit

Bedroom Unit

Collapsible Dining Table

JOSIE PRICE

G R O W. Disaster Relief Housing

Ponce, Puerto Rico

Reconnecting people with their built and natural environments

Cradle-to-Cradle Earthquake Resistance LBC Net Zero Energy

Problem & Thesis

Constant earthquakes along the southwestern coast of Puerto Rico have caused housing and infrastructure to fail fo much of the population. This has created a large group of displaced peoples, and has made obtaining water and electricity hard for the general population. A self sustaining approach to disaster relief housing, such as the implementation of the Living Building Challenge, rather than one that utilizes water and power from an outside source, will create housing better equipped to withstand any future incidents and meet the needs of its users.

Design Concept

Although nature can cause disaster, it is the ultimate healer. The victims of the Puerto Rico earthquakes need a safe and stable home, but also need to rebuild their community and self esteem. The natural world provides all of our basic needs and is capable of powering our homes and our minds. It is imperative that those healing from trauma reconnect with their environment to restore their joy and heal their communities.

The inspiration for this disaster relief housing is the Ceiba Tree, the national tree of Puerto Rico. To the island’s indigenous people and early settlers, the Ceiba represents hope, well-being, and good mental health. This is especially significant as this large species of tree was one of the few to re-bloom after the many earthquakes and hurricanes Puerto Rico has endured. It is representative of resilience despite facing hardship. This tree is exceptionally large and stable, and creates a safe haven for anything that needs protection from the elements. The form of the tree breaks down into a wide root system and strong central trunk with expanding branches that open up to the world. The design of the housing mimics the Ceiba Tree’s hierarchy between roots, trunk, and branch, and also connect users to the outdoors.

operable panels - branches breaks free from the form to let in natural light, views, community connection. mechanical core - trunk houses all vital mechanical systems of the unit main frame - roots grounding the home and creating a safe, stable environment inspiration: ceiba tree 50

parti diagram

ISSUE - 05

main unit kitchen view

site view 1

west elevation

SPRING - ‘21

east elevation

south elevation

north elevation

M A RT H A S T E V E N S

Wildfire Disaster Relief Housing Auburn, California The design concept for the disaster housing is informed by Auburn’s location on the First Transcontinental Railroad. The railroad was a feat of human ingenuity that connected both sides of the continent and allowed travelers and cargo to travel distances that, at the time of its construction, seemed impossible to overcome. Like the trains, the buildings and furniture will be made of pre-fabricated modular parts that snap together to allow for quick construction and flexibility. The master plan for the development will also focus on creating connections, but between residents. Individual units will have shared outdoor areas that link the modules into a network of connected spaces which residents can use to grow their social support network and convene with nature.

Individual units made

Units connected by

Shared outdoor areas

up of modular parts

shared outdoor areas

create neighborhood nodes

+ Flat-Packable

ISSUE - 05

+ Restorative

SPRING - ‘21

+ Safe

ISSUE - 05

OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer

DISASTER RELIEF HOUSING International site varies by designer

I N T E R N AT I O N A L A I R P O RT Site and program varies by designer

H E A LT H C A R E FA C I L I T Y International site varies by designer

E D U C AT I O N A L FA C I L I T Y Program varies by designer

B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer

ADDITIONAL PROJECTS Selected by designer

SPRING - ‘21

K AT I E K A R L I N C H A K

Prague

INTERNATIONAL AIRPORT

Inspiration

The ancient city of Prague was founded around the Vltava River which helped to facilitate transportation and allow for the exchange of goods. The Vltava River is known as the longest river in the Czech Republic commonly referred to as “the national river.” Current day, the Vltava River serves as a landmark dividing the two halves of the city being connected by one of Prague’s most known landmarks, the Charles Bridge. With its unique geometry, the Vltava River will serve as the inspiration for the Prague Havel Airport emphasizing an organic, fluid movement throughout the space. Two halves containing the domestic and international terminals will be connected through a central area representing the Charles Bridge. Organic materials and forms will help to establish the fluid movement to guide users through the space in a rapid fashion. Colors and textures from the natural landscape and topography will be incorporated to give users a sense of Prague’s architecture and rich history.

parti diagram

out of security + to baggage claim

three dimensional parti

baggage claim

ISSUE - 05

entry + check in

Program I.

ENTRY

II.

CHECK IN

III.

SECURITY

IV.

GATES + CONCESSIONS

NOT IN CONTRACT IV.

III. II. II.

SPRING - ‘21

ISSUE - 05

OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer

DISASTER RELIEF HOUSING International site varies by designer

I N T E R N AT I O N A L A I R P O RT Site and program varies by designer

H E A LT H C A R E FA C I L I T Y International site varies by designer

E D U C AT I O N A L FA C I L I T Y Program varies by designer

B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer

ADDITIONAL PROJECTS Selected by designer

SPRING - ‘21

ELLISON CARMICHAEL

RUMAH CARE CENTER Acute + Primary Care Clinic Singapore Project Statement:

The life expectancy in Singapore is rising drastically, and the amount and quality of

treatment in hospital stays needs to increase for the overwhelming silver wave. Introducing

care solutions focused on lessening the years spent in pain/illness for the senior population through comfortable facilities, efficient programming, individualized evidence-based

medicine, and connection to nature will create a safe space, mentally and physically, for

both patients and healthcare workers. Implementing WELL throughout the space will create a holisitic environment focused on healing and wellbeing for all occupants.

Concept Statement: Singapore is known globally for its economic prosperity, role in global trade, and rapid

urbanization. The traditional Singapore culture is evolving into this modern and business-

centric city. The traditional Singaporean culture is rooted in kampongs, hawkers centers, and

seaside culture. This long-established culture is diminishing due to the extreme urban sprawl in all aspects of mainland Singapore, except for the sole remaining kampong (traditional

Singaporean village). Kampong Lorong Buangkok is the last glimpse of ancient culture and a

time capsule for Singapore’s cultural roots. This physical location and monumental emotional

value of the kampong as a “home” for the community of Singapore emphasize the importance. Designing for the elderly, it is imperative to emote the feeling of home and comfort. Tucked between high rises on all sides of the kampong, it resembles a vegetative oasis.

Kampong Lorong Buangkok

parti diagram 60

central atrium ISSUE - 05

First Floor Plan

Second Floor Plan

Third Floor Plan SPRING - ‘21

L E L A N D L AW S O N

A healthcare facility to treat people who are blind or visually impaired

THESIS STATEMENT

CONCEPT STATEMENT

Light, color, texture, and material differentiation creates clarity, independence, and personal empowerment for people with vision impairments, allowing them to live independent and productive lives.

The design is inspired by Prague’s famous Charles Bridge- the main connection point between the Old Town Square and the Lesser Town with layers of streets leading to the Prague Castle. As people cross the bridge, they experience visual openness and relief from the busyness of the buildings in the city while seeing the layering and contrast of materials ahead in Old Town Prague. The design captures this prominent moment of openness and linear connection between the 2 wings of the building to orient and direct visitors with vertical circulation representing the 2 towers at each end. Line, rhythm, and selective use of vibrant color define paths and zones for visual clarity and to promote the beauty and culture of Prague from within the clinic.

4 5

1 3

Prague Diagram

OLD TOWN SQUARE

6 7 PRAGUE CASTLE

Relationship to Building

First Floor Plan 1

Entry + Reception

Optical Shop

2 Registration

6 General Optometry

3 Atrium

4 Café

8 Courtyard

Large Meeting Room

Parti Diagram

ISSUE - 05

Central Atrium

Materials reflect the experience of walking along the stone bridge and perceiving water on either side of you with the stone watch towers ahead. Upholstery and wallcoverings draw from the layering, texture, and vibrant colors of Prague’s buidings seen from Charles Bridge.

SPRING - ‘21

JIANZHE LIU 64

ISSUE - 05

SPRING - ‘21

JIANZHE LIU 66

ISSUE - 05

SPRING - ‘21

JIANZHE LIU 68

ISSUE - 05

SPRING - ‘21

HANNAH RICHARDS

RESTORATION PEDIATRIC CENTER Berlin, Germany

PARTI INSPIRATION

PROBLEM STATEMENT For my thesis project, I designed a healthcare space in Berlin, Germany. Berlin has struggled with providing good healthcare for those in at-risk categories such as a lower socioeconomic status, high poverty rates, and an average life expectancy that is five plus years lower than the average. The amount of children living in poverty in Berlin is roughly 23%. Taking these statistics into consideration, my client for this healthcare space is a nonprofit organization that wants to bridge the gap between those of higher and lower incomes, in the healthcare system currently provided in Germany. To achieve this goal, I designed a pediatric center for children from low socioeconomic status population. According to my research, medical care for this population is hard to access in Germany. The scope for this project is three levels with a total of 54,000 square feet. Incorporated in the design of this pediatric center is a focus on wellness, by providing proper privacy and fulfilling the lighting needs for the users of the center. By providing options to adjust lighting to personal preference and allowing more or less privacy adjustments, the users of the facility feel more at ease and in control in what can often be a stressful and fearinducing environment.

PARTI

THESIS STATEMENT This healthcare facility is aimed to fulﬁll a basic human need of medical care to the low income communities in Berlin, while also taking into consideration how their overall wellness is impacted by the healthcare environment.

AXON

SECTION OF RECEPTION AREA

SECTION ISSUE - 05

PERSPECTIVE OF WAITING AREA

CONCEPT For this pediatric center in Germany, the concept is restoration. With it being an healthcare facility there is a need for health and wellness and the incorporation of this into the fundamental design. Often the patients that enter this pediatric center are lacking in some sort of health or wellness aspect in their life so there is a need for restoration of the health and wellness areas in their life. The space is designed to incorporate a natural movement through the space to help provide a restorative process and experience for the patients and their family and friends. Because this pediatric center intent is to meet the needs of physical or mental health and wellness, the design draws the patients into the space and the areas of the center where their health can begin to be restored, by having a hub or central point in the reception area that greets them when they ﬁrst enter the space.

HALLWAY OUTSIDE EXAM ROOMS

SPRING - ‘21

PATIENT EXAM ROOM

JASMINE SNYDER

Problem Statement This project consists of a 50,000 square foot hospital that specializes in treatment for burn victims located in Melbourne, Australia. The average amount of time spent in a hospital for burn treatment is 4-9 days. Long hospital stays can affect a patient’s mood with the most common mental health issues being delirium, dementia, and depression. These common issues may stay with patients even after they leave the hospital. This hospital will provide an environment that can help prevent or diminish the mental issues that can afflict a patient.

Thesis Statement

STORAGE CLOSET

CUSTODIAL CLOSET

OPEN TO BELOW

Parti Diagram The parti shows the path of travel through the space and how the paths force a spiraling motion through the space 72

- 6"

A. Physical Therapy Room B. Conference Space A C. Pharmacy D. Testing Lab E. Employee Break Room A F. Conference Space B G. Exam Rooms H. Employee Break Room

JANITOR CLOSET

Hospitals are a place where patients and staff alike are under a lot of stress, physically and mentally. Hospitals are solely designed for function right now, and current design does not consider human behaviors and how the environment they are surrounded by can affect their emotions.

A. Collaboration Space B. Check In Area C. Cafe D. Courtyard E. Offices

STORAGE CLOSET

A. Respite Area B. Nurses’ Station A C. Inpatient Rooms D. Waiting Room E. Nurses’ Station B ISSUE - 05

Solace Through Softness

SPRING - ‘21

ISSUE - 05

OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer

DISASTER RELIEF HOUSING International site varies by designer

I N T E R N AT I O N A L A I R P O RT Site and program varies by designer

H E A LT H C A R E FA C I L I T Y International site varies by designer

E D U C AT I O N A L FA C I L I T Y Program varies by designer

B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer

ADDITIONAL PROJECTS Selected by designer

SPRING - ‘21

LILA DE LA ROSA

PORT SMOUTH SUCCESS ACADEMY STEM school for students grades 9-12.

SITE 1601 Effingham Street Portsmouth, VA 23704

THESIS STATEMENT Well designed schools in Portsmouth that give children of all backgrounds a safe place to learn and a quality, well-rounded education will improve not only their mental and physical health and well-being, but lead them to find stable employment or achieve a post-secondary education and help break the cycle of poverty that one-third of them live in currently.

CONCEPT / INSPIRATION The inspiration for this thesis is the Norfolk Navy Yard, the oldest, most multifaceted, and largest industrial facility that belongs to the U.S. Navy, located in Portsmouth, Virginia. One process at the shipyard that has carried on through many years of new technology and innovation is dry-docking, where the country’s watercraft can be brought to dry land to be cleaned, inspected, or repaired. The Portsmouth Success Academy will take in kids in need, and similarly to the process of dry-docking, students will “dock” at the academy for 4 years, becoming the best versions of themselves through individual attention, allowing them to change in many ways to later fulfill their niche later post-graduation.

OPEN CLASSROOM / LEARNING SPACES

CAFETERIA

ISSUE - 05

ABOVE: FOCUSED PLAN OF FLEXIBLE CLASSROOMS - NTS [TOTAL PLAN: 160,000 SF] RIGHT: AXONS OF CLASSROOM CONFIGURATIONS - NTS

CLASSROOMS + COURTYARD CORRIDOR

SPRING - ‘21

ISSUE - 05

H A I L E Y PAT T E R S O N

SPRING - ‘21

ISSUE - 05

OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer

DISASTER RELIEF HOUSING International site varies by designer

I N T E R N AT I O N A L A I R P O RT Site and program varies by designer

H E A LT H C A R E FA C I L I T Y International site varies by designer

E D U C AT I O N A L FA C I L I T Y Program varies by designer

B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer

ADDITIONAL PROJECTS Selected by designer

SPRING - ‘21

MADELINE CLARK

THE GATEWAY Prague, Czech Republic

Taking inspiration from the Charles Bridge, it provides a deﬁnite pathway between the two parts of the city by acting as a point of passage. It provides a key connection route that has allowed the city to expand and grow as a whole. Acting on the scenic views that can be t taken, the bridge acts as a moment of relief from the bustling city streets. Users now come to take a moment of pause, and reﬂection, taking the city in as a whole.

Guestroom

The hotel will act as a point of passage on users' journey when visiting the city, as it deﬁnes the major circulation path within the hotel. Upon entering, users will feel that same moment of relief when walking onto the bridge as an atrium moment breaks open the space. mo Parti

Bar

ISSUE - 05

Skybridge

Rooftop

SPRING - ‘21

ANGELICA HOELZLI

This boutique hotel is located in Rio de Janeiro, Brazil, along the coastline of Copacabana. The goal is to connect the guests to the city, while respecting the areas endangered land features. The building will do so by incorporating LEED and WELL Building requirements while representing a coastal land form. The inspiration for the design comes from the Guananbara Bay. Its coast is created through erosion to form a jagged slope where land and water meet. Within the building, the design will emphasize this jagged layering through different elements. An atrium goes through the building up towards the skylight and gets smaller on each floor. Where the various openings meet, a slanted wall smooths out the jagged transitions - symbolizing the slope. This atrium is a rectangular shape with a corner chipped off further represent that slope. This coast is also represented in the materials applied. The rough, textured materials coincide with the smooth, fluid materials just as the rigid land meets the flowing waters. The mosaics found in every space brings Brazilian culture and history in as well.

guestroom

ISSUE - 05

lobby bar

penthouse restaurant

rooftop bar

SPRING - ‘21

G R AY S O N L E V I T C H

HOTEL 54

Project Statement

This thesis will focus on the design of a built environment made up of a 36,000 square foot, four story Boutique hotel located in the Republic of Singapore, a maritime Southeast Asian country. Limitations include the square footage being addressed and the form of the existing building. The developer is placing the hotel in the capital city of the Republic of Singapore, Singapore. This city is known for its diverse population, lively culture, and immense tourism. It attracted 18.5 million tourists in 2018, more than three times Singapore’s total population. A main contribution to its tourism is it is a major hub for business,conferences, and events, making it one of the most visited cities in the world. The Singapore hospitality industry wants to make an effort to enforce sustainable design through improved material research with an additional improved approach to wayfinding and lighting to provide luxurious comfort to visitors.

Thesis Statement A built environment that aims to enhance sustainable design and environmental responsibility has the potential to positively affect users and and improve their wellbeing as well as to improve the surrounding city in efforts to provide a progressive future.

CONCEPT STATEMENT.

Level 1

NTS

1 Reception

2 Restaurant

3 Kitchen

4 Lounge

5 Public Restroom

INSPIRATION.

The inspiration behind this hotel is the Singapore Flyer, located near the project’s site in Marina Bay, Singapore. This 541 foot tall Ferris wheel provides locals and tourists with a 360 degree view of Singapore’s skyline. It serves as Asia’s largest observation wheel that occupies a prominent place in Singapore’s city center. When looking at the movement and positioning of a Ferris wheel, it rotates about a central axis allowing the visual experience of the user to constantly be moving in a continuous motion. The wheel serves as vertical circulation within the city core of Singapore as well as a landmark for the city. This design takes a similar approach and role as a Ferris wheel and the Singapore Flyer by incorporating a monumental staircase that acts as the core and central axis for the hotel. Similar to how the Singapore Flyer is a landmark for the city, the staircase is a landmark for the hotel. The staircase provides circulation on all four floors and connects the hotel vertically. Each floor branches off the central staircase informing this circulation, providing guests with a visual experience. A similar experience of observation is employed through the use of an open to below wrapped around the central axis along with an observation lounge placed on each floor that mimics the passenger cars that rotate upright, allowing visitors and locals to observe from each floor similar to how they might observe the city on the Singapore Flyer as the cars rise in height. 86

ISSUE - 05

PARTI + DIAGRAM

9 8

Level 2 & 3

NTS

Level 4

NTS

1 Guestroom 1

6 Spa

7 Game Room

2 Guestroom 2

7 Sauna

3 Suite

8 Laundry

3 Suite

8 Dipping Pool

4 Guestroom 3

9 Fitness Room

4 Guestroom 3

9 Observation Lounge

5 Lounge

10 Observation Lounge

5 Lounge

1 Guestroom 1

6 Communal Pantry

Laundry

2 Guestroom 2

Staff Offices Business Center

0 Observation Lounge

1 2

Bar

SPRING - ‘21

MACKENZIE OESTERREICH

Urban Escape

Bay East Bay Central Bay South

Singapore is often referred to as the Garden City, as the island nation remains a world leader in both green design and sustainability. The design is inspired by the urban nature park, Gardens by the Bay, which seeks to raise the quality of life for visitors and locals by incorporating greenery, sustainability, and serves as a place of restful exploration. Gardens by the Bay is a point of attraction that is composed of three distinct waterfront gardens each with their own character and purpose, attracting visitors from around the world to experience an oasis within the city. Bay South is the largest with monumental focal points and symmetrical structures. Bay East is the second largest, with tranquil sanctuaries, immense green space, and clear sightlines to the city. Bay Central serves as a link between the two gardens, through a lengthy waterfront promenade. The design celebrates how the three gardens come together as a whole to establish a moment that unifies the park. The design will unify the public and private spaces with elements alluding to the garden’s most unique aspects such as a monumental spiral staircase located in a central atrium, biophilic green wall, and a linking circulation promenade. Materiality and finishes reflect the natural wood tones, vegetation, vibrant flora and fruits, and locally sourced raw materials. The hotel will incorporate sustainable practices and amenities that promote guest wellbeing in order to curate a unique and memorable experience, essentially creating an oasis within the city.

Bay East

Bay Central

Monumental focal point and emphasis on verticality Primary circulation - links two sides Channel - social and common areas Tranquil serene sanctuaries and clear sightlines

Atrium

Bay South

ISSUE - 05

Feature Bar

Program 01. 02. 03. 04.

Reception Bar Lounge

03.

02.

08.

07. 09.

06. 10.

12.

Restaurant 05. Lounge + Atrium 06. Staff 07. Baggage Storage 08. General Storage 09. Public Restrooms 10. Business/Travel Printing 11. Kitchen 12. Feature Wall

05. 11.

04. 01.

LEVEL I NTS

SPRING - ‘21

HANNA OLSSON

CONCEPT STATEMENT

BOUTIQUE HOTEL PELOURHINO, BRAZIL

Termed the“city within a city”,The town of Pelourhino is renowned for its historic urban planning that is still used today. Centres, or plazas, are necessary for the formation of a sustainable and vibrant city. Hotel Luz is inspired by the underlying concept of the Praca of Pelourhino as it was historically, and still today, made for people to gather and come together in one central space. With a strong significance placed on the connection of these narrow cobble stone streets opening up to one central gathering space, the hotel takes the form of the city. With the additional emphasis of attention to the use of natural light, intricate detail, and the appreciation of the historic landscape, the hotel aims to pay homage to the architecture and urban planning of the surrounding community.

18.

07.

16.

17.

07.

09. 18. 11. 12.

10.

06.

15.

08.

PARTI DIAGRAM 05.

14. 03. 13.

01.

04.

02.

LEVEL Level 11: NTS

01 02 03 04 05 06

1/16" = 1'-0" Entrance

Reception Seating Reception Water-Refill Station Mens Public Restroom Women’s Public Restroom

07 08 09 10 11 12

Adminstrative Office Luggage Storage Elevators Central Staircase Atrium Dining Area Bar Area and Seating

13 14 15 16 17 18

Resaurant Seating Lounge Seating Janitorial Room Kitchen Water Supply Storage Fire Stairs

PARTI DIAGRAM SHOWN IN USE

ISSUE - 05

ATRIUM BAR + ‘TERRACE’ PATHWAYS

GUEST SUITE

SPRING - ‘21

C A R LY R I T T E R

Hotel Santuario is a 30,000 square foot building consisting of 4 floors and a rooftop, located in Rio de Janeiro, Brazil. Since Rio has issues associated with water, waste, and air pollution, LEED standards are taken into consideration in the design of the hotel as well as WELL standards and biophilic design to focus on the health and well-being of the occupants in the space. Concept Statement I was inspired by the serene nature of the Rio de Janeiro Botanical Gardens. My concept is based on the idea of a sanctuary or a retreat away from the bustling city of Rio de Janeiro. A sanctuary is a place that offers tranquility and security. The botanical gardens are considered a sanctuary in that it is a place of refuge and safety from the city as well as a biosphere reserve. The gardens have a peaceful and tranquil feel that give visitors a sense of relaxation and refuge.

Restaurant view looking onto atrium garden 92

ISSUE - 05

Parti Diagram The botanical gardens are a biosphere reserve which is also known as a sanctuary. A biosphere reserve “promotes solutions reconciling the conservation of biodiversity with its sustainable use.” There are three areas that make up a biosphere reserve: core area, buffer area, manipulation/ transition area. The core area is protected from human use and is the center garden atrium. The buffer area is limited human activity that is the main path of circulation throughout the space. The manipulation area is the outer circle where more human activity takes place such as the restaurant, lounges, and guestrooms.

Parti Diagram

Parti over floor plan

3D Parti Diagram

NIC

First Floor Plan

8 6

4 4

9 1 10

1. Reception 2. Lobby Lounge 3. Conference Room 4. Private Offices 5. Luggage Storage 6. Atrium Garden 7. Restrooms 8. Kitchen 9. Bar 10. Restaurant

SPRING - ‘21

L I Z Z Y S H AW

CONCEPT STATEMENT

Solo-travel is the top trend in travel in the past 5 years, especially with the COVID - 19 global pandemic. The biggest concern associated with solo travel is mental health, specifically loneliness. Incorperating the 14 patterns of biophilic design in an interior context with the use of light, material, texture, and color will promote individual health and well-being among guests.

The design is inspired by Singapore’s F made up of a system of tunnels under used as a headquarters in World War 2 experience at the tunnel’s entrance they environment with little light peaking throug the tunnel’s end, they are submerged into where natural light and lush greenery plun convergence zone. As travelers make they become submerged into the open The boutique hotel will take from thi three central areas: the “man-made” amenities such as the bar, coworking guests who first enter the space, the “co include the design of a large atrium- lik elements and biophilia, and the “nature spaces for guests to relax and unwind af

First Floor Plan

Relationship to building

Boutique hotel designed to promote individual health and well-being among guests

THESIS STATEMENT

Entrance/Reception

Atrium

Lobby Seating

Restaurant

Staff Office

Kitchen

Restrooms

Banquet Space

ATRIUM

8 4

5 7

1 6 2 First Floor Plan

Restaurant

ISSUE - 05

Parti

Fort Canning Park, a park rneath the green, originally 2. As park visitors start their are surrounded by the built gh. As they make their way to the large stairwell vestibule nge into the space. This is the their way up the stairs, space of the upper park. is experience by creating area that includes hotel spaces, and restaurant for onvergence” area that will ke space with green design e” area which will include ter a long day of travelling. Atrium

MAN-MADE These spaces include more man-made, luxurious materials that create a more formal atmosphere for guests as they enter the hotel

MAN-MADE CONVERGENCE ATRIUM

NATURE These spaces include a wide variety of natural materials that tie the space back to the surrounding area and allow guests to feel at peace and closer to nature

NATURE

MAN-MADE

NATURE

Rooftop

SPRING - ‘21

A L E S S A N D R A S H O RT E N

TH E O F F SH ORE HOTEL

A B O U T I Q U E H OT EL I N TO R Q UAY, MEL B O U R NE, AU S T R A L I A WAVE C REST

The way in which a wave forms is crucial to the way in which they are surfed. Studying and understanding the anatomy of an ocean wave helps surfers to prepare for the waves they will want to ride into shore. The formation of a wave, and its chang-

WAV E TROUGH

ing shape as it reaches shore is the inspiration for the space. The most basic parts of a wave are the wave crest and the wave trough. The wave crest is the highest point of the wave while the wave trough is the lowest point. As waves move toward shore, the wave crest occupies positive space while the wave trough represents negative space, a space of transition. The guests will experience the space in “waves” as they enter the hotel. These waves will have different dimensions that will provide separation and division to the different zones of a hotel experience. The wave troughs will be the main paths of travel in the space, while simultaneously creating separation. The wave crests will be the zones in which the main activity happens.

PART I DIAGR AM IN TO SPAC E T RANSLAT ION

RECEPTION VIEW

ISSUE - 05

08 03 07 02

LOUNGE

BAR

S URF S HOP

STORAGE

LOBBY

WATE R + LAND FE ATURE

RE CE PTION DE S K

LUGGAGE STORAGE

ADMINISTRATION OFFICE

ME E TING ROOM

LEV EL 0 1 F LOOR PLA N: N TS

BATHROOM VIEW

LOBBY VIEW

SPRING - ‘21

GUESTROOM VIEW

JULIA SORENSON

DISTRICT I. boutique hotel prague,czech republic

The Wallenstein Palace and Gardens is a Baroque-styled garden located in Mala Strana, Prague. It originally served as a residence for the Imperial Generalissimo Albrecht Von Wallenstein, and currently houses the Senate of the Czech Republic. It is a bold and elegant grounds with a strict geometric design created in parallel with the Wallenstein Palace. The massive Sala Pavilion serves as a focal point of the grounds, drawing people into a grand communal area that has hosted a series of events such as concerts and theatre plays. The surrounding geometric gardens offer areas for gathering or respite, as the forms of the hedges and walls delineate the areas and take on different degrees of openness vs. enclosure and privacy. The strict geometric order and axis impose a sense of order and balance that is characteristic of Baroque-styled gardens. A formal pathway directs visitors to the massive Sala Pavilion, with secondary pathways that guide one throughout the gardens for a leisurely stroll and beautiful views. The Gardens are a place of individuality and collectivity; providing a strong communal emphasis while also offering an environment of individual serenity and reflection to guests. Tapping into the power of the mind and its correlation to environmental consciousness, the District I Hotel aims to equip guests with amenities that promote mental wellbeing, awareness and reflection in conjunction with a community consciousness to create a holistically sustainable design.

Parti Diagram - Grand Courtyard

ISSUE - 05

Courtyard Bar

Entry Door

SPRING - ‘21

Courtyard Atrium

Reception

R E B E C C A S O RT O - R O B L E S

Crecer

A Boutique Hotel in Belem, Brazil

Located in the Amazon, this hotel is inspired by the reforestation process of the Amazon. The concept is creating a gateway into the Amazon forest where guest can experience restoration and growth through a relaxing stay at this boutique hotel. This boutique hotel is filled with moments of contrast and change that will reflect the journey of a damaged forest to new growth.

Cafe on Level 1 healthy forest navigating through the forest

forest under restoration

parti

10 0

nail bar

ISSUE - 05

level 1 | nts back of the cafe

ADA family suite

... .............................

... ..

level 2,3, + 4 floor plans

..............

family suite kitchenette

SPRING - ‘21

..............

101

C AT H E R I N E S T O N E

BOUTIQUE HOTEL

CITY CENTRE

MELBOURNE, AUS

BAR + LOUNGE

The Gem is a boutique hotel in Melbourne, Australia that caters to business travelers through combining elements of hospitality and workplace design. The use of Diorite as inspiration for this project aims at returning to the roots of the city of Melbourne. The design honors elements of the land that were historically mined and utilized by the original inhabitants of the area, the Wurundjeri people, prior to colonization. The concepts of collision and state change were inspired by the formation process of Diorite, an intrusive igneous rock. This formation is characterized by the combination of molten,flowing basalt and granite which then undergo a state change and form the final state of Diorite, a highly structured crystalline form. The concepts of collision and state change are applied in 3D through a central atrium referencing the break in the earth created by a Diorite mine. The spatial planning parallels the increasing order and structure of the Diorite formation process through the increasing level of privacy and enclosure moving upward in the building . The material selections derive from the natural color variations of Diorite and create a dramatic darkness reflective of the depths within the earth from which the inspiration comes.

2D PARTI DIAGRAM

10 2

3D PARTI STRUCTURE

FITNESS STUDIO

ATRIUM SEATING AREA

RESTAURANT

ISSUE - 05

COWORKING LOUNGE RENDERING

ENTERTAINMENT+STORAGE

LUXURY RESTROOM

SINGLE ROOM RENDERING

RELAX + RESTORE

SPRING - ‘21

10 3

LIZZY TZOUMAS

The goal for my thesis design was to create a boutique that emphasized wellness in the guest in a postpandemic world, sustainable and environmentally friendly design, and incorporating biomimicry into the spaces. For my Melbourne located boutique hotel, I studied the forms created by the ocean along the coast of Australia. Cliffs along the entire coast of Victoria, Australia are eroded by wave action that concentrates energy in these areas. The soft tide marks on the beach are created by the energetic horizontal movement of the ocean and the rigid cliff side forms are made by contact of the ocean’s energy with the static solid elements of the cliffs and sea stacks. These forms contrast each other and can be translated into the design of the space.

CLIFFSIDE

Diagram of the coast shape

Abstracted form used in the floor plan

I used the Twelve Apostles, located in the Port Campbell National Park, as an inspiration and example of natural landscapes in Victoria, Australia that should be preserved to incorporate biomimicry and sustainability through my design. The floor plan incorporates the diagonal movement of the ocean as the main path of travel into the space towards the buffer zone, which represents the beach. The remainder of the space is open for fluid movement of water and using the columns throughout the open space to symbolize the sea stacks. The elevator is where the cliff or private zone meets the ocean to symbolize the movement going upwards as it hits the cliff.

The bar, built-in seating, raised platform, and lighting feature showcase the same curves that were featured in the abstracted tide marks. The statement wall in the lobby and waiting area, symbolize the cliffside and sea stacks.

10 4

ISSUE - 05

PROGRAM 6 5

7 12

13 14

3 1

1. Reception 2. Waiting Area 3. Lounge 4. Restaurant and Bar 5. Kitchen 6. Walk-In Freezer 7. Kitchen Storage 8. Manager’s Office 9. Baggage Claim and Additional Storage 10. Men’s Restroom 11. Women’s Restroom 12. Elevator Dual-Access 13. Mechanical Closet 14. Fire Stairs 15. ADA Entrance + Ramp

Level One Floor Plan

SPRING - ‘21

10 5

JULIANNA WEIH 10 6

ISSUE - 05

SPRING - ‘21

10 7

10 8

ISSUE - 05

OLD SWEET SPRINGS - ADAPTIVE REUSE Program varies by designer

DISASTER RELIEF HOUSING International site varies by designer

I N T E R N AT I O N A L A I R P O RT Site and program varies by designer

H E A LT H C A R E FA C I L I T Y International site varies by designer

E D U C AT I O N A L FA C I L I T Y Program varies by designer

B O U T I Q U E H O T E L / H O S P I TA L I T Y International site varies by designer

ADDITIONAL PROJECTS Selected by designer

SPRING - ‘21

10 9

I M A N I H A RT

Revealing Records The Fusion of R&B Music REVEALING RECORDS

Inspiration derives from the R&B genre of music, also known as Rhythm and Blues. Typically known as an “urban” genre with influences from soul, jazz, funk, and hip hop. Each song in the genre has a personal story that resonates with the listeners; the passion and soul of each lyric and note speaks to the audience. Artists, such as H.E.R., reach back to when R&B first came to be. The artist strips the song to emphasize the vocals and the instruments. Just as the combination of the instrumentals and the lyrics influences the listener, the fusion of all the spaces in the sky-box will help the user experience the flow an R&B song. This concept can also be seen through the combination of warm and cool tones in the materials, as well as in the furniture selection that highlights the curved elements within the space. The warmth of the dark wood, leather and red-purple paint combines with the cool marble, concrete flooring and the white ceiling to create a compelling overall feel to the space.

110

ISSUE - 05

Instrumentals

Parti The concept can be seen through the parti diagram with a large and small circle merging together to create this overall flowing current that moves you through the space.

Vocals

Flow of the song

SPRING - ‘21

111

OLIVIA JOHNSON

Next Hub Tech Company Office 1545 Peachtree, Suite 280 Atlanta, GA 30309 NEXT Hub, a software development company, is located in Atlanta, Georgia. Known for its cosmopolitan and fast-paced lifestyle, Atlanta invites many visitors with its diverse cultural attractions. One of the many top sights include the Georgia Aquarium, the largest aquarium in the western part of the world. The tech company is inspired by the formation of a pearl, where in that process a grain of sand (or new and unknown substance) enters the oyster. In response, the oyster builds up layers of calcium carbonate around the unknown element which forms something of value and beauty, the pearl. The pearl formation is reflected in the philosophy and culture of NEXT hub where different ideas and perspectives are embraced to bring together treasured contributions to the company’s success.

IN BETWEEN SPACE

The design of NEXT Hub intends to draw inspiration of the concentric layering form and structure of an oyster as well as embody the value and beauty given to the space. The textures and materials selected for the space highlights tone and shadow that is reflected in the appearance of a pearl. The color selection is inspired by the natural pearl colors of white, beige and cream with extended hues of pink, orange and blue.

INSPIRATION SPACE

TOP LEFT Open Office Elevation BOTTOM LEFT Private Enclave 112

RECEPTION

ISSUE - 05

VIDEO CONFERENCE

OPEN OFFICE

MAIN LOBBY

SPRING - ‘21

113

AWA R D S & R E C O G N I T I O N

Two seniors recognized in the Metropolis Future 100 List: the top 100 graduating interior design and architecture students in North America and Canada as selected by Metropolis Magazine ALESSANDRA SHORTEN

Project: Pheonix Public Library

114

ISSUE - 05

JULIA SORENSON

Project: NEXT Office

SPRING - ‘21

115

AWA R D S & R E C O G N I T I O N

H E R O PA R K : L I V I N G U N I T E D IDEC STUDENT DESIGN COMPETITION Third-year Interior Design team receives Honorable Mention in national design competition

Juniors Heather Lodge, Leigh Ann Stapleton &

Hero Park: Living United is a socially sustainable,

Abby Harvey received Honorable Mention in

adaptive-reuse

the 2021 Student Design Competition for their

community in Roanoke, Virginia. The center pulls

project, Hero Park, a veterans living community in Roanoke, VA. According to IDEC, the competition is described

proposal

for

veteran

living

inspiration from Roanoke’s Elmwood Park and Art Walk, which connects people with one another, Walk nature, and creative expression. The design for Hero Park: Living United brings the elements of

as “a wonderful opportunity to create an

Elmwood Park indoors, creating an urban street

awareness of human, economic, environmental,

interior that focuses on community as a means of

and

ethical

concerns

for

future

interior

designers.” The trio was nationally recognized among 86 entrants from 31 universities, with faculty sponsors Elif Tural and Eiman Elgewelyi.

support for Veterans, keeping the health, safety, and welfare at top of mind. The Patrick Henry site was chosen due to its walkable proximity to the local Veterans’ Services Building,

the

Carilion

Clinic,

and

Elmwood

Park, providing natural views from the interior. Spatially, the central focus is the circular path that encourages resident connections, provides an indoor track for exercise and wellbeing, and transitions into an outdoor art walk and farmers’ market that brings the social sustainability focus to life. The central communal areas are surrounded life by two story facades mimic a traditional row house feel, with a ground level stoop for residents who crave interaction, and a second floor balcony for those who would like more privacy. Color inspiration was drawn from a Roanoke sunset, incorporating soft hues of blue and red to create a calming atmosphere that represents the different branches colors and is kissed with pops of orange. The facades of the residential units are designed in various colors so residents feel a sense of uniqueness and individuality about their homes.

116

ISSUE - 05

UNITED

Photos courtesy of project team

SPRING - ‘21

117

AWA R D S & R E C O G N I T I O N

B R E A K WAT E R IDEC STUDENT DESIGN COMPETITION Third-year Interior Design team recognized as Regional Winner in national design competition

Juniors Jackson Aldridge, Sarah Bannon &

spaces within the building. Just as an anchor

Erin Mulligan were named Regional Winners in

keeps ships secure, the furniture, materials, and

the 2021 Student Design Competition for their

colors are lighter on top and heavier on the

project, Breakwater, a veterans living community in Norfolk, VA. According to IDEC, the competition is described as “a wonderful opportunity to create an awareness of human, economic, environmental, and

ethical

concerns

for

future

interior

01 - What were some challenges or surprises you encountered during this project? “This was the first group project we completed once

classes

went

online.

Initially,

was

challenging to navigate working as a team without

designers.” The trio was nationally recognized

meeting in the studio as [we normally would].

among 86 entrants from 31 universities, with

Overall, we were able to overcome this challenge

faculty sponsors Elif Tural and Eiman Elgewelyi. Breakwater is a living community for veterans located in downtown Waterside Norfolk, VA, VA with

and learned to adapt and work together through Zoom.” 02 - Where did research take you?

a focus on socialization, rehabilitation, wellbeing,

“Research helped us learn that wide pathways

and re-integration. Norfolk has a large percentage

provide strong sight-lines and alleviate stress

of veterans as it has the largest naval base in the

caused by wayfinding. Additionally, the more

world. With Waterside as the coastal core of the

spaces

metropolitan area, it offers a variety of events,

walkways, encourage exercise and can improve

historic walking and biking trails, maritime and

mental health.

military cultural attractions, and ever-changing scenes of active harbors. A harbor provides safe anchorage and protection

118

bottom to ‘ground’ the users within the space. space

you

dedicate

for

movement

such

03 - Explain any key takeaways or lessons learned.

for those who pass through it. it The residential

“Iteration! Every studio project requires numerous

units that wrap around the building act as a

iterations; however, I don’t think I’ve ever had a

breakwater, creating a calm environment within

project that required so many iterations in terms of

a harbor, and serving as a transition for veterans

space planning. This project further emphasized

who are looking for a break from the stress of

to me how design is never truly finished, as

civilian life. The balcony surrounding these units

every project has aspects that can be improved

reinforces the barrier which protects the shared

upon.”

ISSUE - 05

Photos courtesy of project team

SPRING - ‘21

119

AWA R D S & R E C O G N I T I O N

P R I S M AT I C R E C O R D S BEINENSTOCK INTERIOR DESIGN COMPETITION Two seniors recognized as Finalists in annual BFL Design Competition

Two seniors were awarded Finalists in the annual Bernice Bienenstock Furniture Library Interior Design Competition. The competition received 26 entries from 7 colleges. The advising faculty member was Lisa Tucker. The prompt was to design a luxury stadium skybox for the CEO of a successful record label inspired by a specific genre of music or musical artist. Julia King (‘21) details the inspiration behind her design for the entertainment skybox, Prismatic Records. Taking inspiration from the vision and sound of Billie Eilish, Eilish the skybox embodies an atmosphere that is moody moody, exciting exciting, and luxurious luxurious. Billie is

known

for

her

captivating, captivating

ominous, ominous

and

transformative sound, as well as for her bold and dreamy visuals seen in her music videos. Her synesthesia influences her music; In a video on her Youtube channel, Billie exclaims that “...everything that [she] make[s], [she is] already thinking of what color it is, and what texture it is, and what day of the week it is, and what number it is, and what shape...” Prismatic Records incorporates the aspect of synesthesia into their brand through the creation of a highly immersive experience that appeals to the multiple senses of users.

12 0

the skybox features a strong sense of depth, depth

Three defining aspects of Billie’s music are her

paired with fluctuating levels of transparency to

quiet-but-strong vocals combined with low-end

produce a layering effect. Providing a shift, or a

minimalist tunes and a heavy bass. Translating

distortion of space, space is critical to represent Billie’s

these three fundamentals into a physical space,

ominous yet transformative musical approach.

ISSUE - 05

Photos courtesy of Julia King (‘21)

SPRING - ‘21

121

AWA R D S & R E C O G N I T I O N

VINDICTIVE PLUTO RECORDS SKYBOX BEINENSTOCK INTERIOR DESIGN COMPETITION Two seniors recognized as Finalists in annual BFL Design Competition

Two seniors were awarded Finalists in the annual

in a visual way, and inspired my design concept

Bernice Bienenstock Furniture Library Interior

and material selections.

Design Competition. The competition received

The design follows the same simple choreography

26 entries from 7 colleges. The advising faculty member was Lisa Tucker. The prompt was to design a luxury stadium skybox for the CEO of a successful record label inspired by a specific genre of music or musical artist. Martha Stevens (‘21) recalls the design of Vindictive Pluto Records. Vindictive Pluto Records Skybox is designed for

12 2

as a garage-rock song, using different design elements to fill visual space and create tension and release. release Controlled lines of sight at transition points act as the verse, which create an exciting moment of revelation for the main entertaining spaces, which act as the chorus. The feature stair, surrounded by guitar strings that extend through to the second floor, acts as the bridge connecting the two main entertaining spaces.

a fictional garage-rock record label, Vindictive

All of the materials were inspired by garage-

Pluto, to host parties and events for their clients.

rock instruments and fashion, fashion the celestial brand

During my early research, I played “Seven Nation

identity of Vindictive Pluto, and the distortion and

Army” by the White Stripes through a Spectrogram,

reverb effects that are present in this style of

a tool that creates a digital visualization of sound

music. Together, the visually stimulating materials

based on the audible range of human hearing.

and choreographed use of the space create a

This gave me a basis for understanding the

user experience that is memorable and exciting, exciting

choreography and design of a garage-rock song

just like the music Vindictive Pluto produces.

ISSUE - 05

Photos courtesy of Martha Stevens (‘21)

SPRING - ‘21

12 3

AWA R D S & R E C O G N I T I O N

THE NEXT HYBRID WORKPLACE STEELCASE NEXT COMPETITON Josie Price (‘21) named Finalist in annual Steelcase-sponsored competition

Senior Josie Price was named a Finalist in this year ’s Steelcase NEXT Student Design Competition.

The

competition

“challenges

future designers to create the NEXT office of the future.” Josie details the inspiration for the NEXT

woods, this concept introduces several aspects of wellness. The winding path linking the two floors mimics this canopy walk is a way to refocus and destress during the work day. Natural views are brought

Hybrid Office. Advising faculty: Lisa Tucker.

into the space through the plentiful windows, and

NEXT Hybrid Office pulls inspiration from one

finishes within the space. Along the canopy walk

of Atlanta’s Botanical Garden’s main attractions,

there are two terraces that provide a moment

canopy walk through Storza Woods. Woods

are enhanced by biophilic inspired furniture and

This

of pause to take in this view. This is reflected

immersive

in the space with the patio, a place of relaxing

experience of wandering within the forest, forest where

socialization, and the overlook above the stairway,

a viewer can find themselves encompassed by

as two moments to stop and view during your

layers of foliage as they transcend from the

walk. The space features layered ceiling elements

understory to the canopy. In addition to creating

and changing heights, alluding to overlapping

a compelling contrast between the man-made

trees and branches within a forest.

suspended

12 4

serpentine bridge and the calming views of the

pathway

provides

ISSUE - 05

Photos courtesy of Josie Price (‘21)

SPRING - ‘21

12 5

AWA R D S & R E C O G N I T I O N

W I L L I A M E . W I N E AWA R D F O R T E A C H I N G E X C E L L E N C E Dr. Lisa Tucker receives University-wide recognition

The William E. Wine Award is presented annually to

three

recognize

Virginia “a

Tech

history

faculty

members

university

teaching

excellence.” Following a college-level selection process of candidates nominated by students, faculty, and alumni, each college may put forth one nominee. From this group, three faculty members are selected annually. Each Wine Award winner receives $2,000 and automatic induction into the Academy of Teaching Excellence. This award is one of the highest given at Virginia Tech and only three can be awarded each year. Congratulations to Dr. Lisa Tucker on this welldeserved recognition, and for representing CAUS on the Virginia Tech stage!

12 6

ISSUE - 05

SPRING - ‘21

12 7

SPRING - ‘21

PROGRAM NEWSLETTER

VIRGINIA TECH INTERIOR DESIGN

III. - ALUMNI 130

138

Nourish: Professionals and alumni share their expertise in continued education

Serve: Professionals and alumni share their experiences leading in the design industry

NOURISH Professionals and alumni share their expertise in continued education

Bri Dazio, NCIDQ, WELL AP, LEED AP, EDAC

the “why” behind the questions, not just the

and Caroline Alexander, CID, IIDA, LEED AP

answers themselves.

share experiences and key takeaways regarding

I took all three tests this past October, scheduling

the Council for Interior Design Qualification (CIDQ) administered exam.

them a week apart. When I sat down for the PRAC, my last test, the unforeseen happened, my computer crashed and they had to void my

BD: “NCIDQ. That

five-letter

appellation

that

we’ve all heard, some have earned, and others fear. According to CIDQ, the 2020 comparative overall exam pass rates were: IDFX- 69%; IDPX64%; and PRAC- 73%. For Virginia Tech alumni, those pass rates were even higher, some of the highest out of CIDA accredited schools: IDFX73%; IDPX- 88%; and PRAC-70%.

behind me, it was my new friends from Qpractice that I turned to. Lisa League, the founder of Qpractice, reached out to me suggesting I start answering questions, instead of asking them, in the Study Group. Her rationale was that if I could answer someone else’s question, I knew the material myself. I took this new advice to heart, jumping at the

“I am honored to be part of these statistics and join my place as an NCIDQ Certified

opportunity to work with others. Two weeks after my computer crashed, I sat down at that same Prometric center and completed the PRAC. A

Interior Designer. However, taking the

few months later, I received good news on two

NCIDQ exams is no small task; my success

fronts. I had not only passed the exams, but I was

was largely thanks to the study materials

also offered the opportunity to join the team as a

and schedule through Qpractice Qpractice.” .” Qpractice is an online course that assists studying for the three NCIDQ exams. The course features: - lesson summaries

- videos

- suggested readings

- worksheets

- practice questions

- live workshops &

- ‘The Study Group’

practice test help

Qpractice coach. coach Now, I spend my time offering help to the next crop of designers. Qpractice was there for me every step of the way during my study process, and I’m grateful to give back to that community. community

Qpractice offers a 12-week course with daily

To learn more about signing up for Qpractice and applying for the exams, please reach out to Bri

effectively

at bdazio@kssarchitects.com or visit Everything

prepare for the exams, breaking study time into

You Need to Know About the NCIDQ Exam to sign

manageable chunks so that test takers understand

up for the newsletter to learn more!

lessons

13 0

session [...] While my friends and family rallied

guide

studying

and

ISSUE - 05

Bri Dazio, NCIDQ, WELL AP, LEED AP, EDAC

NCIDQ

N AT I O N A L C O U N C I L F O R I N T E R I O R D E S I G N Q U A L I F I C AT I O N Amount per serving

2021

COST A P P L I C AT I O N F E E

$225.00

EXAM FEES (3 EXAMS)

$1,100.00

S T U D Y M AT E R I A L S

$751.00

(4-month Qpractice subscription, book cost included)

TIMELINE E X A M R E G I S T R AT I O N S C H E D U L I N G P E R I O D Spring: January 3 - March 31, Fall: July 1 - September 30

TIME COMMITMENT

4 MONTHS

E F F O RT PAY O F F + P O T E N T I A L B E N E F I T S L E A D E R S H I P O P P O RT U N I T I E S , J O B P R O M O T I O N S , S A L A RY I N C R E A S E

Caroline Alexander, CID, IIDA, LEED AP

M O B I L I T Y,

WHY? - S E T S Y O U A PA RT W I T H E M P L O Y E R S , C L I E N T S - D E M O N S T R AT E S C O M P E T E N C Y - N C I D Q I S O F T E N R E Q U I R E D F O R S TAT E L I C E N S E TO PRACTICE OR CALL YOURSELF AN “INTERIOR DESIGNER”

Photos and content provided by Bri Dazio and Caroline Alexander

SPRING - ‘21

131

NOURISH Professionals and alumni share their expertise in continued education

Amy Groome (‘17), designer at IA Interior Architects

San

Francisco,

her

going to work to become a WELL AP some day… it only took four years of procrastinating and a

experience studying for the WELL AP exam,

pandemic to finally make me crack the study

and passion for human health in the built

books!

environment.

The WELL Building Standard was launched by

For me, human health and wellness has always been at the core of why I design. The unique ability to touch the lives of people, at such an intimate level, was the reason I chose to pursue Interior Design rather than the more macro studies of Architecture and Urban Planning.

Delos in 2013 in order to take a similar approach to the number of green building certifications circulating

the

industry,

and to hone in on

human health. health WELL takes a holistic approach to health - considering the physical, social, and psychological impacts the built environment can have on our wellbeing. wellbeing The standard is backed

During my senior year in college, Lisa Tucker

by years of scientific research, and draws upon

introduced

Building

the knowledge of doctors, material scientists,

Standard in an Advanced Research in Biophilia

and scholars to equip designers with the tools to

course. I knew right then and there that I was

design healthier spaces.

class

the

WELL

H AV E M O R E Q U E S T I O N S ? GET IN TOUCH! AMY GROOME, WELL AP

Designer, IA Interior Architects San Francisco

a.groome@interiorarchitects.com

13 2

ISSUE - 05

WELL AP

W E L L B U I L D I N G S TA N D A R D ( W E L L ) ACCREDITED PROFESSIONAL

2021

Amount per serving

COST E X A M R E G I S R AT I O N

$299.00

S T U D Y M AT E R I A L S

$50.00

(*WELL exams and materials are currently 50%!)

TIMELINE TIME COMMITMENT

2 MONTHS

(approx. 8 hr/week)

E F F O RT PAY O F F + B E N E F I T S P R O J E C T O P P O RT U N I T I E S , GAIN KNOWLEDGE!

RESUME

BOOSTER,

WHY? - M A K E A N I M PA C T - C O N N E C T W I T H E X P E RT S & G L O B A L C O M M U N I T Y - A D VA N C E Y O U R C A R E E R A N D D I F F E R E N T I AT E Y O U R S E L F A S A L E A D E R I N H U M A N H E A LT H & WELLNESS

Photos and content provided by Amy Groome

SPRING - ‘21

13 3

NOURISH Professionals and alumni share their expertise in continued education

A PMP professional shares their experience with studying for the exam and applying the credential to their career. For more information, visit www.pmi.org. Every design effort, big or small, is a project.

project management knowledge, experience, and

Having Project Management Professional (PMP)

skills to bring projects to successful completion.

certification gives designers an edge in managing

PMI’s certification is distinguished by their global

and directing any size project through knowledge

development and application, which makes them

of best practices, elevated organization skills, and

transferable across industries and geographic

staying updated with new project approaches and

borders. borders

methodologies. Some individuals are introduced to PMP training as

requirement

projects.

to win

federal

government

After the four-day training course,

I followed through with studying for the exam and yes, it was time consuming, but I enjoy improving my professional abilities.

I wish I

had studied project management earlier in my career.

Experience teaches you to improve how

The exam is a 180-question, multiple choice exam. Candidates are assessed by examining exam their competence using: 1. A Review of Education and Experience – A combination of education and/or experience in project management is required. 2 . Testing Competence – Candidate is required

you manage projects, but certification can do the

same thing in a lesser span of time. time

experience

O V E RV I E W (via pmi.org)

13 4

E X A M (via pmi.org)

apply

project to

management

potential

concepts

on-the-job

and

situations

through a series of scenario-based questions. 3 . Ongoing Development – Maintenance of a PMI

Globally recognized and demanded, the PMP

certification requires the accumulation of ongoing

certification demonstrates to employers, clients

professional development and education of, in

and colleagues that a project manager possesses

some cases, re-certification.

ISSUE - 05

PMP

PROJECT MANAGEMENT PROFESSIONAL Amount per serving

2021

COST E X A M R E G I S T R AT I O N MEMBER

$405.00

NON-MEMBER

$555.00

S T U D Y M AT E R I A L S

- PMP Certification | Project Management Institute (pmi.org) - A Guide to the Project Management Body of Knowledge (PMBOK Guide) - Head First PMP: A Learner’s Companion to Passing the Project Management Professional Exam

TIME COMMITMENT “PMP says on average, successful PMP candidates will spend 35 hours or more preparing and studying. I spent around 185 hours including the 35-hour course) to prepare.”

E F F O RT WHY PMP? -

A D D S VA L U E : P M P R A N K E D A S T O P P R O J E C T MANAGEMENT C E RT I F I C AT I O N IN N O RT H AMERICA

B E N E F I T S : M E D I A N S A L A RY F O R P R O J E C T P R O F E S S I O N A L S I N N O RT H A M E R I C A I S 2 5 % HIGHER THAN THOSE WITHOUT IT

- D E M O N S T R AT E S S K I L L S T O D R I V E B U S I N E S S R E S U LT S A N D I N C R E A S E Y O U R O R G . ’ S I M PA C T

Photos and content provided by contributor and www.pmi.org

SPRING - ‘21

13 5

NOURISH Professionals and alumni share their expertise in continued education

Jessica Kilby and Victoria Wante recount their experiences with studying for the LEED Green Associate & LEED AP exams. For more information, visit www.usgbc.org/credentials. VW: I took the two exams (LEED GA + LEED AP

the individual design stages. I would dedicate

ID+C) separately because I am not a great test

more time to studying for the AP exam and really

taker and wanted to really focus on the individual

focus on the different job titles and who does

content for each. LEED GA was very easy and

what.

relatable to what we learned at Virginia Tech, and from my first job out of school. It really was just

JK:

a basic understanding of how to design with the

Professional to ensure appropriate materials were

environment in mind.

being specified for the correct use and outcome

I purchased the LEED Green Associate Exam Preparation Guide and found it very helpful. In addition to using the study book, I also found many chapter outlines and notecards that other users had created on quizlet.com (I used this site for both exams & would highly recommend!). I will say, LEED AP ID+C was tough! The questions

chose

become

LEED

Accredited

to the building occupants. occupants As an Interior Designer we have a responsibility to the owners and occupants of the space to ensure not only the safety and wellbeing of the building occupants, but designing and being good stewards for the building environment. LEED is the premier third party rating system that sets the standards for sustainable buildings. buildings

were extremely specific to job roles on site and