Page 1


Bc.

I. Olbrachta 111 541 01 Trutnov Czech Republic E-MAIL: veisser@centrum.cz TEL.: +420 776 760 280 WEB: issuu.com/veisser

DATE OF BIRTH 24.09.1986 NATIONALITY Czech EDUCATION TU Liberec FACULTY OF ART AND ARCHITECTURE - 6th year MIMAR SINAN UNIVERSITY of Fine Arts in Istanbul - semestral erasmus exchange programm 2010 LANGUAGES English: fluent German: basic REALIZED PROJECT Case for orchan in protestant church Trutnov (http://www.trutnovinky.cz/index.php?gid=18303) AWARDS

2th prize(1st Prize not awarded) New centre of VELKÁ CHUCHLE -cooperation Jan Hora, Petr Burian -21competitors,2010

(http://www.cka.cc/souteze/vysledky/komora)

jury: Markéta Cajthamlová, Jan Aulík, Roman Brychta, Jan Sedlák, Jakub Fišer, Stanislav Fresl, David Vokurka, Jiří Vrzal

1st prize New district Pod Hády

- competition for students of FUA TUL (2011)

(http://bydleni.idnes.cz/misto-podnikatelskeho-baroka-chce-postavit-malou-vesnici-s-vezi-pxf-/architektura.aspx?c=A110702_193827_architektura_rez)

jury: Sládeček, Pilař, Novák, Pech, Němcová

1st prize IDNES AWARD for the best 3d model YOUNG ARCHITECT AWARD 2010 - project: Town Hall Troja - competition for young architects to 33 years - 26 competitors, 2010

(http://www.youngarchitectaward.cz/2010/cz/Yaa_2010_vysledky.asp) - video: http://vimeo.com/user4586451/videos jury: idnes.cz

3th prize - KOMA - design of a small urbanism of modular housing units - competition for Czech and Slovak students of architecture - 36 competitors - cooperation Jan HORA

(http://www.koma-modular-construction.cz/koma/files/userfiles/docs/cs-data-startovaci-bytove-domy-3-cena.pdf)

jury: Ing. arch. Stanislav Babčan, Ing. Martin Hart, Doc.Ing.arch. Václav Dvořák, CSc., Ing. arch. Iva Poslušná, PhD., Ing. arch. Dagmar Nová, prof. Ing. arch. Bohumil Kováč, PhD., M. Arch. Ing. arch. Adam Gebrian

4th prize - competition of magazine “Bydlení -170 competitors -housing unit Vršovice - Three towers

IQ” for czech students of architecture

(http://www.bydleni-iq.cz/architektura-a-design/souteze/vitezkou-souteze-biq-je-petra-krobotova/) jury: Markéta Cajthamlová, Ondřej Císler, Michal Kunc, Michal Kuzemenský, Antonín Novák

1st prize (category: Housing) Ještěd f kleci 2010

competition for students of Faculty of Art and Architecture TUL project: Housing units Vršovice - Three towers

(http://www.archiweb.cz/news.php?type=&action=show&id=8148) jury: John Eisler, Michal Kuzemenský, Radek Šíma, Cyril Říha

WORKSHOPS 11 SUDDENMARKET WORKSHOP - RAUMLABOURBERLIN - 3 day workshop 10 RINTALA/FRANEK/KROUPA - TROJA meadow - workshop of students of FUA TUL, AAAD Prague, NTNU Trondheim (Norway) - one week workshop in Prague 10 EASA 2010 Manchaster 09 Politecnico di Milano + FUA TUL, urban strategy Ustí nad Labem - 2 week workshop 08 FUA TUL, urban strategy MGM Resort - Nanjing, China / Lead by Ivana Bendová (AAI architects) SCHOOL STUDIOS 11/12 studio Suchomel 10/11 studio Haydar Karabey // studio Novák/Pilař/Němcová Bachelor thesis: Town Hall Troja - studio Fránek/Suchánek 09/10 studio Šafer /Němcová 08/09 studio Suchomel/Šípek/Masák 07/08 studio Fránek/Suchánek 06/07 studio Suchomel /Mach PROFESSIONAL EXPERIENCES

07 - 08/11 Serhat Akbay (Turkey) (http://www.serhatakbay.com/) 03 - 05/10 DaM / Doležal, Malinský (http://www.dam.cz/) 10/08 - 5/09, 11/09 - 03/10 ADR / Lapka, Kolář (http://www.adr.cz/) 2-6/08/ Aulík - Fišer architekti (http://www.studioa.cz/)

TRAVELS / ARCHITECTONIC FIELD TRIPS 11/Paris/Berlin/ Netherlands/ Turkey/ Georgia/Venice Bienale 10/Kosovo/Manchaster - Liverpool/Sofia-Istanbul/Istanbul-Aleppo-Damascus-Beirut/ Venice Bienale 09/Rome/Brussel-Gent-Bruggy/Frankfurt-Stuttgart/Malmo - Copenhagen/Graz-Ljubljana-Zadar-Dubrovnik-Bar/ Uzhgorod-Cerna Gora / Krakow-Warszaw-Gdansk-Wroclaw/ Venice Bienale-Zagreb-Days of Oris 08/Berlin/Wien/Dresden/Tatry/Retezat/Shqiperia/Egypt 07/Munchen, Macedonia, Kappadokia 06/London, Kriti INTERESTS architecture, travelling, hiking, film, music IT SKILS 3ds MAX, AutoCAD, Sketch Up, Photoshop, Ilustrator, In Design, Premiere, V-Ray, MS Office


[HONG KONG] Alternative Car Park Tower


ROOF TERRACE

café

PARKING SYSTEM

ROOF TERRACE

CAR COMMING CAR LEAVING PEOPLE

PERSONAL LIFTS

tennis wellness

ENTRANCE

pool

EXIT

TWO CAR LIFTS IN BOTH LEGS 1 LIFT HAVE 4 FLOORS, 8 CARS IN IT

MOVEABLE STAGE

CULTURE CENTRE

pool

TENNIS AND WELLNESS

HARBOUR CRANE

sculpture garden gallery

terrace

BATHS

PAGODA

escalator

ESCALATORS TO “ISLAND”

INDEPENDENT ISLANDS

+

hall

TWO OTHER CAR LIFTS

+

CULTURE CENTRE

CONCEPT

LIBRARY

PUBS

“SQUARE”

SQUARE

TENNIS FITNESS

BATHS

CARS CARS

ENTRANCE EMPLOYEE

ENTRANCE VISITORS

BASKETBALL PLAYGROUNDS TEMPORARY MARKETS

SUPPLY

TURNTABLE

SECTION A (1:750)

ENTRANCE EMPLOYEE

ENTRANCE LORRIES


VSTUPNÍ HALA

GROUND LEVEL(1:500)

2. LEVEL (1:500)


WHAT ARE THE BASIC CHARACTERISTICS OF CZECH TOWNHALL? - Great place on the square

- racional plan, irational view, tower

Vrchlabí

Turnov

PLACE

“SMALL SQUARE”

PRA CA GUE STL EV IE

W

Praha-Troja have no squere. I rebuild empty spaces in the centre. I try with my building define squere on one side and park - garden on other. Townhall is looking directly to Prague Castel

Anti-flood wall

CONCEPT ENTERING

SHAPING

PUBLIC SPACES

“GARDEN WITH LAKE

HALL

HALL SMALL SQUARE MAIN ENTRANCE

ENTRANCE TO PARKING

PRAGUE CASTLE

SQUARE

TYPOLOGY

SCANDINAVIAN CULTURE CENTRE

TOWNHALL

underground parking

hall

offices

lift entrance hall reception, cloaks room

conference room

café

TERRACE relax room infocentre and small library

ENTRANCE

ENTRANCES

PR A CA GUE STL EV IE

W

THEATRE OF CHILDREN OF PRIMERY SCHOOL IS STARTING

HOW IT IS NOW...

CHILDRENS PLAYS

MARKET

1:3000


The Centre of small town Velka Chuchle (collaboration with Jan Hora)

The main concept is to design two different public spaces - municipal meadow on one side of stream, on other side town centre with square and important buildings.


HOUSES

COTTAGE - COMMUNITY CENTRE

LATERN - CULTURE CENTRE

TWO TOWERS - FLATS

SMALL HOUSES

PLANS:

SECTIONS:

NOW

FUTURE


Three Towers Block of flats Prague - Vršovice


dvůr

společný prospřed se do sebe, zároveň je však a vlídná všem příchozím. Balkonky vystrčené jako periskop vyhlížejí zlepšení okolní situace. Stavba vytváří od the okolí„flood“ uzavřený,ofale všem přístupnýpublic měřítkově přiměřený venkovní into prostor – ant záplavou place tonekvalitního live. My veřejného buildingprostoru. wants Uzavírá to be strong, but not to be apootevřená wall. View axiskepassing through the lot is preserved. Myponorky building wants to protect its residents from poor-quality space. It retreats itself, while= itcentrální is slightly open tor pro všechny byty, teprve ze dvora se dá vstoupit do jednotlivých bytů, většina bytů má s dvorem vizuální kontakt. Místo pro společné i soukromé trávení času. Místo her dětí a letních grilování. jsou založené na volném půdoryse, mnohdy se dají jednotlivé místnosti spojovat. Díky rozřezání hmoty bytovky jsou osvětleny friendly all comers. = jsou central area All entrances flats from the sidejeofv tomto the court, most have visual contact the court. place,Kavárna wheremáinhabit¬ants spent their na free time. It is a place DAVIDof ADJAYE zand několika stran. to Výhledy z obytnýchCourt místností jak docommon dvora, zahrady MŠ,for takall do flats. ulice. Nikdy nesměřují na of přímo na are ministerstvo. Celkem bytovém domě of 19 the bytů.flats Část je mezonetových. V Parteruwith je umístěna kavárnaCourt obchodisa a ordinace. terasu při schodišti vedoucím dvůr. „Poddvorkové“ parkoviště ve chldren´s andKonstrukce summer barbecues. Construction - concrete frame filled withtvárnicemi blocks Materiály of AAC -– facade thepouze street: blocks overcoated dark gray. Facades of zakrývající the courtyard: dvou úrovníchgames má 20 stání. – železobetonový skelet vyplněný tepelně izolačními porobetonovými fasády doto ulice přetřeny tmavěare šedou barvou sjednocující barvu tvárnic a stěrky tepelnou larch izolaci wood na betonovém skeletu. Fasády do dvora: modřínové dřevo bez povrchové úpravy.

Byty

DAVID ADJAYE DAVID ADJAYE DAVID ADJAYE

ANALÝZY ANALÝZY ANALÝZY ANALÝZY ANALÝZY ANALYSES

DUBROVNÍK

ŠKOLKA

ŘÍM

STEVEN HOLL

ŘÍM

DAVID ADJAYE STEVEN HOLL

DUBROVNÍK

ŘÍM

STEVEN HOLL

DUBROVNÍK

ŘÍM

STEVEN HOLL

DUBROVNÍK

ŠKOLKA ZAHRADA ŠKOLKY ŠKOLKA KINDERGARTEN

ŠKOLKA ZAHRADA ŠKOLKY ZAHRADA ŠKOLKY

ZÁKLADNÍ ŠKOLA DUBROVNÍK

PALACE OF JUSTICE

ZÁKLADNÍ ŠKOLA

ŘÍM GARDEN ZAHRADA ŠKOLKY

STEVEN HOLL

ŠKOLKA

ZÁKLADNÍ ŠKOLA

KINDERGARTEN

ZÁKLADNÍ ŠKOLA PRIMARY SCHOOL

SCHOOL

ZAHRADA ŠKOLKY OBSLUŽNÝ VJEZD

MINISTRY OBSLUŽNÝ VJEZD ZÁKLADNÍ ŠKOLA OBSLUŽNÝ VJEZD OBSLUŽNÝ VJEZD ENTRANCE FOR LORRIES

THIS VIEW IS DANGEROUS

VIEW AXIS RESTAURANTS, SHOPS

OBSLUŽNÝ VJEZD

PROSTŘEDÍ MINISTERSTVO ŽIVOTNÍHO PROSTŘEDÍ MINISTRY OFDVŮR MINISTERSTVO ŽIVOTNÍHO PROSTŘEDÍ THE ENVIRONMENT

TOMUTO VÝHLEDU DVŮR SE VŠECHNY OBYTNÉ MÍSTNOSTI VYHÝBAJÍ COURT

POZEMEK

SMĚR DOPRAVY VÝHLEDY OBÝVÁKŮ

TOMUTO VÝHLEDU MINISTERSTVO ŽIVOTNÍHO SE VŠECHNY OBYTNÉ PROSTŘEDÍ TOMUTO VÝHLEDU MÍSTNOSTI VYHÝBAJÍ SE VŠECHNY OBYTNÉ MÍSTNOSTI VYHÝBAJÍ TOMUTO VÝHLEDU SE VŠECHNY OBYTNÉ MÍSTNOSTI VYHÝBAJÍ MINISTERSTVO ŽIVOTNÍHO

FOOTBALL STADIUM BLOCKS VILLA SOLITAIRES GREEN

TOMUTO VÝHLEDU SE VŠECHNY OBYTNÉ MÍSTNOSTI VYHÝBAJÍ

VÝHLEDY LOŽNIC

10 M

SMĚR DOPRAVY VÝHLEDY OBÝVÁKŮ SMĚR DOPRAVY VÝHLEDY LOŽNIC DIRECTION OF VÝHLEDY OBÝVÁKŮ SMĚR DOPRAVY

TRANSPORT

VÝHLEDY LOŽNIC 10 M OBÝVÁKŮ VIEWS FROM VÝHLEDY

LIVING ROOMS 10 M LOŽNIC VÝHLEDY VIEWS FROM BEDROOMS 10 M

DVŮR

SMĚR DOPRAVY

DVŮR

VÝHLEDY OBÝVÁKŮ

VÝHLEDY LOŽNIC MINISTERSTVO ŽIVOTNÍHO VSTUPNÍ ZÓNA, TERASA KAVÁRNY PROSTŘEDÍ

POZEMEK

LOT

10 M

POZEMEK POZEMEK

VSTUPNÍ ZÓNA, TERASA KAVÁRNY

AREA VSTUPNÍENTRANCE ZÓNA, TERASA KAVÁRNY DVŮR VSTUPNÍ ZÓNA, TERASA KAVÁRNY

POZEMEK

VSTUPNÍ ZÓNA, TERASA KAVÁRNY

ZÁKRESY

ZÁKRESY ZÁKRESY ZÁKRESY ZÁKRESY PHOTOS KONCEPT KONCEPT KONCEPT KONCEPT KONCEPT DRAFT

INSPIRACE INSPIRACE INSPIRAC INSPIRA I

MÍSTO MÍST MÍS

public space would be nicer. potkávání, Suitable thickening Kvalita bydlení = sousedství, intimita, pěší dostupnost a blízkost jednoduchost a samozřejmost příjemného bydlení, co možná nejbližší vzdálenost mezi bytem venkovním chce pevná,of aleneighborhood, ne další zdí. Pohledová osa procházející skrz pozemek je zachována. Chce své obyvatele ochránit of central Prague is služeb, desirable to counterbalance the negative trend of displacement of Prague to satellites. Thea sollution is příjemným to offer a prostředím. high-qualityMoje urbanstavba housing = být Quality encounters, intimacy, simplicity and commonplace of pleas-

PLACE MÍSTO

TŘI THREEVĚŽE TOWERS

The place, where house has never planned, thezaloženého place ofnadistortion of urbanism, based on blocks, arrogant andzeď, dominating building of the Ministry. Ministry is a barrier around this buiding there is much unre¬solved Místo , na kterém nikdythe nebyl dům plánován, místobeen narušení urbanismu, blocích, arogantní dominantou ministerstva. Budova nearby ministerstva tvoří bariéru, v okolí zanechává neřešený zbytkový prostor. Jedním building z nich je řešený pozemek.and Současný urbanismus umocňuje dominantnost budovy ministerstva. V

emptyzastavění space.okolních On one part of is my lot. Contemporary urbanveřejných plan enhances thezahuštění dominance of the In thejako event of overbuilding of empty space, building of Ministry would stifled and případě pozemků by it mohlo dojít k jeho potlačení, k zkvalitnění prostor. Vhodné centrálních částíMinistry. Prahy je žádoucí, protiváha k negativní tendenci vysidlování Prahythe do satelitů. Klíčem je nabídnout kvalitníbe městské bydlení.

MATERIALS

MATERIALY

MATERIALY MATERIALY MATERIALY

MATERIALY PAINTED BLOCKS POROBETON NATŘEN NA OFŠEDIVO AAC TMAVĚ

POROBETON NATŘEN NA TMAVĚ ŠEDIVO POROBETON NATŘEN NA TMAVĚ ŠEDIVO POROBETON NATŘEN NA TMAVĚ ŠEDIVO

DVŮR

VIEWS IN DIRECTION OF AXIS POHLEDY VE SMĚRU OSY

LARCH MDŘÍN


LEVEL 08 plan 1:250

LEVEL 07 plan 1:250

duplex

duplex

duplex

duplex

LEVEL 06 plan 1:250

LEVEL 04 plan 1:250

sands

kitchen

duplex view into living space

duplex view into living space

view into living space

LEVEL 02 plan 1:250

SECTION A

LEVEL 03 plan 1:250

12 parking places

8 parking places

store

surgery

store

shop

SECTION B

19 cellars

cafĂŠ

LEVEL 00 plan 1:250 entrances into flats entrances into offices entrances into parking LEVEL 01 plan 1:250

SECTION A 1:500

SECTION B 1:500


MOSQUE - MEETING WITH TRADITIO


MAIN PRINCIPLES: MOSQUE CULTUR CENTRE MOSQUE IN CALMLY SECOND FLOOR

WHY? - BETTER USAGE OF LOTS, HIGHER DENSITY - CLOSENESS OF DIFERENT TYPOLOGIES AND ATMOSPHERES - MOSQUE IS INTEGRATED WITH THE CITY, IN THE SAME TIME IT IS CALM PLACE - IN FIRST LEVEL SPACE FOR CULTURAL FACILITY (LIBRARY, CAFE, LECTURE HALL)

MOSQUE BUSSINES

HISTORICAL EXAMPLE: SULTAN KHAN

- TRADITIONALY PROTECTED SPACE - MOSQUE IS BUILDING, WHICH NEVER CONFORM TO NEIGHBOURHOOD. - FROM OUTSIDE FORTRESS, FROM INSIDE PROTECTED GARDEN.

1

HISTORICAL EXAMPLE: CORDOBA

MOSQUE LIKE SHELTER

- FIRST MOSQUES HAD ONLY SPACE OF COURT, THE SPACE WAS DIVIDED TO PRAYER HALL AND COURT BY PROGRESS, BETWEEN QIBLAH WALL AND COURT SET IN BARRIER. MY MOSQUE CAN JOIN THESE TWO SPACES

COURT INTEGRED PART OF MOSQUE

2

MAN WOMAN WOMAN

EQUALITY:

MAN

MAN AND WOMAN SIDE BY SIDE

ROOF:

3

ARCHETYP: DOME - DOME IS SYMBOL OF GOT´S UNITY

PROBLEM: IN BIGGER MOSQUES ARE ANOTHER SMALL DOMES, LIKE IN CHRISTIAN CHURCHES. IN CHURCH THEY ARE SANSTIFIED OF ST. PEAPLE. IN MOSQUE IS SYMBOLIC MEANING OF OTHER DOMES WEAK.

IN CENTRAL PLAN THERE IS LOSING THE MOST INPORTANT THING IN THE MOSQUE - DIRECTION TO MEKKA

!

I TRY TO DESIGN ROOF IN ANOTHER WAY, BUT SAVE THE SYMBOLIC

I USE ARABIC TYPOGRAPHY


3

COURT

2

1

VIEW OF CAMERAS ENTRANCE OF MOSQUE ENTRANCE OOF CULTURAL CENTRE

COURT - BACK WALL OF PRAYER HALL IS PUSHED UP

1. LEVEL

2. LEVEL 1:400

3. LEVEL 1:400

4. LEVEL 1:400

SECTION1:200


Leading Edge Historical and Natural Center of University of California, Santa Barbara


SITE site plan

historic Campbell Barn

second floor plan 1:500

ground floor plan 1:500

Santa Barbara

cars public space

public space bicycle path, footways

playing-field s of university

offices offices

2 school rooms labortory

wc library lecture hall

wc laboratory lecture hall

art gallery

art gallery

student residence building

student residence building

historic Campbell Barn - art gallery

historic Campbell Barn - art gallery

dDIAGRAMS

The new ecological and historical center is (situated) in a neighborhood of a historic barn. My concept revolves around the idea of underlining its importance. I don’t want to overshadow it. The architecture of building and building materials refers to the orientation of the center - the ecology and history. Exploring traditions, a certain moderation and humility is com¬mon to these disciplines. The land is situated on the dynamically changing outskirts, where is no fixed point. My building has ambition to become a real social center of the area. The build¬ing creates a pleasant semi-closed public space. Atrium should be a quiet place for reading and relaxing. The complex is open for everyone. Lockable at night. Materials: frame wood, in¬sulation: straw (visible from exterior), corten. The complex is divided into 6 separate “straw blocks”. Communications are covered by openable corten panels. Plants are everywhere.

TEXT

section: 1:500


View from behind of historical barn to the main public space. On the left there is studetĹ› housing. Solar panels are on the roofs

square

studentĹ› housing is in front


HALL

oening of the skin


Atrium is embosomed with galleries . Solar panels are on the roofs.

gallery

atrium


LOW-TECH STUDENT´´S HOUSE

Harcov lake

tent duck

scaffold tube

jute sackcloth

market

MATERIALS

school

student dormitory

PLACE

INSPIRATION

TEXT

Soft bag in which you can lie, relax, live. It is a place to hide against the world, from which you can observe moving below - cyclists, mothers with prams, canoes on the lake, all nicely from a height. Shelter is gracefully creeping along the rock, avoiding strains of trees. I use cheap materials that fascinate. Water and electricity is taken from near villa. skeleton of welded old scaffolding tubes, covered with layers of sackcloth , insulation and tent duck. some parts of cover transmit diffusion light. Furniture is integrated, seat turns to bed, table and kitchen unit is the same. View is directed to the rising sun.


cooking

case sleeping sitting living space bathroom outdoor terrace

wc

vestibule

plans of floors 1:200

section 1:200


view from sofa”

view from a bet

view from entrance, stairs into “living space”, On the left there is wc in the tube


Cube __100 m x 100 m x 100m_ Most coal-field (Czech Republic) _ moonscape created by coal mining __ cube is the last human intervention in area after a total reshaping of the landscape lustre of cube is fading, plants are growing_ cube is a measure that ought to define the size of area _ steel structure coated with stainless plate _ There is no possibility to climb it, come in. Cube is not a building but an object.


generative ar

The art piece is based on work of Zdenek Sykora and Stanislav Zippe. Randomly directed by author‘s creativity. I wrote a script which generates automatically an abstract painting. One was repainted carefully /in details/. I creÂŹated generative endless animation, which should be played beside the paint. Between this duality arising from the same, there should be a relationship - tension.

var x:Number = 0; this.createEmptyMovieClip("cara", this.getNextHighestDepth()); this.createEmptyMovieClip("cara2", this.getNextHighestDepth()); mnozstvi = 1; x=1; doba = new Array (); dobai = 0; while (dobai < 30){ doba[dobai]=13; dobai++; } cara.onEnterFrame = function () { if (x == 1 ) { _root.x = 2; barva2 = 0x000000; sirka = Math.floor(Math.random()*20); viditelnost = Math.floor(Math.random()*70+20 ); sirka2 = Math.floor(Math.random()*20); viditelnost2 = Math.floor(Math.random()*70+20); xx = new Array (); xxi = 0; while (xxi < 7){ xx[xxi]=Math.floor(Math.random()*1424-200); xxi++; } yy = new Array (); yyi = 0; while (yyi < 7){ yy[yyi]=Math.floor(Math.random()*1168-200); yyi++; } cara.lineStyle(sirka, barva2, viditelnost); cara.moveTo(xx[0], yy[0]); cara.lineTo(xx[1], yy[1]); cara.lineTo(xx[2], yy[2]); cara2.lineStyle(sirka2, barva2, viditelnost);2 cara2.moveTo(xx[3], yy[3]); cara2.lineTo(xx[4], yy[4]); cara2.lineTo(xx[5], yy[5]); cara2.lineTo(xx[6], yy[6]); } else { cara.clear(); cara2.clear(); this.createEmptyMovieClip("cara2", this.getNextHighestDepth()); this.createEmptyMovieClip("cara", this.getNextHighestDepth()); p = new Array (); pi = 0; while (pi < 14){ p[pi]=Math.floor(Math.random()*10); pi++; } trace ("doba" + doba); s = new Array (); sx = 0; sy = 1; j=14;

while (j > 0){ if (doba[sx] > 12 ) { posun = new Array (); posuni = 0; while (posuni < 14){ posun[posuni]=Math.floor(Math.random()*4); posuni++; }} doba[sx]--; if (doba[sx] == 0 ) { doba[sx] = 13} switch (posun[sx]){ case 1: s[sx] = p[sx] s[sy] = p[sy] break; case 2: s[sx] = -p[sx] s[sy] = -p[sy] break; case 3: s[sx] = -p[sx] s[sy] = p[sy] break; default: s[sx] = p[sx] s[sy] = -p[sy] ;} j--; sx= sx+2; sy= sy +2;} sirka = Math.floor(Math.random()*20); sirka2 = Math.floor(Math.random()*10); trace ("s" + s[13]); xx[0]=xx[0]+Math.floor(Math.random()*11 yy[0]=yy[0]+Math.floor(Math.random()*11 xx[1]=xx[1]+Math.floor(Math.random()*11 yy[1]=yy[1]+Math.floor(Math.random()*11 xx[2]=xx[2]+Math.floor(Math.random()*11 yy[2]=yy[2]+Math.floor(Math.random()*11 xx[3]=xx[3]+Math.floor(Math.random()*11 yy[3]=yy[3]+Math.floor(Math.random()*11 xx[4]=xx[4]+Math.floor(Math.random()*11 yy[4]=yy[4]+Math.floor(Math.random()*11 xx[5]=xx[5]+Math.floor(Math.random()*11 yy[5]=yy[5]+Math.floor(Math.random()*11 xx[6]=xx[6]+Math.floor(Math.random()*11 yy[6]=yy[6]+Math.floor(Math.random()*11 mezi = 0; while (mezi < 6){ if (xx[mezi]< -200) { xx[mezi] = -200; }

if (xx[mezi]> xx[mezi] = } if (yy[mezi]< yy[mezi] = } if (yy[mezi]> yy[mezi] = }

1224) { 1224; -200) { -200; 1000) { 1000;

mezi++ } cara.lineStyle(sirka, barva2, viditelnost); cara.moveTo(xx[0], yy[0]); cara.lineTo(xx[1], yy[1]); cara.lineTo(xx[2], yy[2]); cara2.lineStyle(sirka2, barva2, viditelnost2); cara2.moveTo(xx[3], yy[3]); cara2.lineTo(xx[4], yy[4]); cara2.lineTo(xx[5], yy[5]); cara2.lineTo(xx[6], yy[6]); } };

-

5) 5) 5) 5) 5) 5) 5) 5) 5) 5) 5) 5) 5) 5)

+ + + + + + + + + + + + + +

s[0]; s[1]; s[2]; s[3]; s[4]; s[5]; s[6]; s[7]; s[8]; s[9]; s[10]; s[11]; s[12]; s[13];


acryl on fibreboard 2m x 1 m

random generative endless animation

20:14:10

20:14:17

20:14:24

20:14:31

20:14:39

20:14:45

20:14:51

20:14:59

20:15:02

20:15:10

20:15:17

20:15:23


2. Price Velkรก Chuchle

[HONG KONG] Alternative Car Park Tower

Raumlabour workshop

Townhall

Bamboo Bar


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