"Black History in the Making" Vol 2: Ofo Ezeugwu Cover

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ART What we can all learn from Basquiat:

The artist who gave up too soon... By Michelle A. Reed

Although he had run away from home, often sleeping outside, Basquiat was a middle-class kid who attended private schools and independently explored the art world with his mother even as a toddler.

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tudies show that most artists have a versatile often hyperactive frame of mind. The world and its history are filled with the outlets of the most creative individuals. Either it is dance, literature, or even portraits, artists seem to have a beautiful way of communicating with the rest of the world. Born on December 22nd, 1960, in Brooklyn New York, Jean-Michel Basquiat was an African American painter who rose to fame during the beginning of the Neo-impressionism era. His father was a Haitian accountant and his highly supportive mother was Puerto Rican. Although suffering from mental-health issues his entire life Basquiat’s mother always was a place of peace even when she became hospitalized.

Initially, Basquiat was a graffiti artist. In the 70s he formed a duo with childhood friend names Al Diaz and they called themselves Samo, which meant “Same old shit.” Their eye-catching work consisted of tagging buildings on the lower east side that had boldly conscious statements such as “Samo as an alternative to food stamps.” The Neo-impressionism era became popular around the mid-80s helping with his success. Its rise being similar to that of Hip Hop culture. Basquiat’s work was abstract and expressive containing dialogue that often brought out bold perspective. He was thought of as extremely rebellious. Although his work displayed depth and bravado in a beautifully twisted yet childlike blatancy. Once he gained notoriety Basquiat even collaborated with Italian artist Francesco Clemente and American artist Andy Warhol. Basquiat did a show with Warhol that included “Ten punching bags” which seemed to be a re-

34 | Urban Freedom Magazine - Winter 2018 Vol. 3


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