2020桃園電影節影展手冊線上看

Page 1


指導 單位

主辦 單位

策展 單位

節目 協力

場地 協力

贊助 單位

感謝 單位

後製 協力

媒體 協力

器材 協力

大會指定 飯店

票務



䏆㷤㛻✳մ栐薈

Larisa BAKUROVA Ambassador of 2020 TYFF


12 14 20 23 30 32 34

Foreword from the Mayor of Taoyuan City

影展的話

Words from Taoyuan Film Festival

活動資訊

Event Information

周邊商品 Merchandise

售票資訊

Ticket Information

場地資訊

Venue Information

場次表

Screening Schedule

開幕片

十二夜 2:回到第零天

開幕片

甲子園:夢想競技場

閉幕片

孤味

7

Opening Film-Twelve Nights 2: Back to Day Zero

Opening Film-Koshien: Japan's Field of Dreams

Closing Film-Little Big Women

36

38 50 60 76

104 106 117 123 125

閉幕片

手塚治虫迷幻少女

市長序

5

Content

4

目錄

Closing Film-Tezuka's Barbara

台灣獎入圍作品

Taiwan Awards Nominated Films

熱血野球

Baseball Fever

城市潛望鏡 City Panorama

大師經典再現

Restored Master Classics

特別放映-一直游到海水變藍

Special Screening-Swimming Out Till the Sea Turns Blue

自由之聲 New Voices

大手牽小手

Big Hands Holding Small Hands

影片索引 Film Index

感謝名單

Acknowledgements


市長序

Foreword from the Mayor of Taoyuan City 市長序

桃園映像.川流不息

Foreword from the Mayor of Taoyuan City

桃園是台灣的國際門戶,電影是認識各國文化的最佳窗口,透過每年的影展 舉行,與會者得以立足桃園,放眼國際,從光影中構築對世界的想望。本屆 桃影以「川流不息」為策展主題,鋪陳時間序列,串聯過去、現在、未來, 從溯迴的反思,當下的凝視,到無垠的想望,剪輯成台灣之內,國境之外的 影像縮影。 今年桃影邀請來自烏克蘭的瑞莎 Лариса Бакурова (Larisa BAKUROVA) 出任影展大使。如同許多在台灣這塊土地上打拼的新住民,她積極融入台灣 社會,也帶來母國的傳統文化,增添台灣的多樣性。瑞莎不但有亮麗的外表 及鮮明的螢幕形象,更以堅毅不撓,築夢踏實的精神深植人心。她努力深耕 台灣,蹲點龍潭培育新秀,帶領國家韻律體操隊進軍國際,將電影、運動、 桃園串成一條美麗的韻律彩帶。

本屆影展精選 70 餘部國內外話題強片,藉由「城市潛望鏡」單元作為城市 觀察的速寫媒介;「自由之聲」選映各國電影新銳,以多樣風格探究不凡議題; 「大師經典再現」收錄法國電影巨擘――羅伯.布列松、西班牙最具影響力 的導演――佩德羅.阿莫多瓦,以及中國獨立電影代表――賈樟柯等。多達 40 部作品為台灣首映,多元題材橫跨時空,突破地域限制,於此匯流成電影 巨河。 桃園為台灣首席棒球城市,因此,影展不僅規劃「熱血野球」電影單元,表 彰在地各級棒球選手為桃園榮耀的揮棒進擊;更請來滅火器樂團以賽前電影 音樂會形式,於樂天桃園棒球場熱血開唱。音樂會節目內容將呈現滅火器樂 團歷年為台灣電影撰寫的主題曲、配樂與棒球應援歌,以搖滾樂將運動與藝 文完美揉合。 桃園電影節精彩可期,聯手在地五大影城,跨界舉辦電影音樂會及戶外放映 文創市集,加上近 20 場周邊活動,席捲全桃園,帶動電影新活力。竭誠歡 迎各位桃園市民、全國電影愛好者、影迷,享受為期 15 天的影展,大家相 招歡聚在桃園,期待與您在電影中相遇。

桃園市長 4

The 7th Taoyuan Film Festival will take place from October 9 to 23, 2020. This year's Festival will focus on six major focal themes, featuring approximately 70 films and over 40 films premiered in Taiwan. Over 120 screenings will be available at Shin Kong Cinemas, Ambassador Theatre, in89 Cinemax, SBC International Cinemas and Taoyuan Art Cinema II. As Taiwan's global gateway to the world, Taoyuan has the best position to make the world see Taiwan cinema. It can all begins from here at Taoyuan by attracting constant stream of visitors longing for beautiful new world as well as nostalgia for hometown. Thus, the Festival focuses on the theme “Constant Stream” by paving the way in chronological order and providing a microcosm of in-and-out of Taiwan through retrospective reflection, momentary stare, and endless longing. The 2020 Taoyuan Film Festival is expected to dazzle Taiwan and become the most celebrated event. We have invited Ms. Лариса Бакурова (Larisa BAKUROVA) to be the endorser of the Taoyuan Film Festival. Ms. BAKUROVA has also been known for her devotion in training the National Gymnastics Team resided in Taoyuan. With her endorsement, we hope to associate film and sport with Taoyuan, making the Festival a wonderful event. Meanwhile, the Festival also features “ Baseball Fever ” paying a tribute to Taiwanese baseball players of all levels. In honoring Taoyuan being a baseball city, the special film/music concert will be held before the game at the Taoyuan International Baseball Stadium performed by Fire EX. and Rakuten Monkeys. With an exciting program of screenings and a series of events, the Taoyuan Film Festival is expected to attract more than 30,000 visitors. Hereby, we sincerely welcome all Taoyuan residents, movie lovers and movie buffs to celebrate with us at Taoyuan. We look forward to joining hands with you on stage.

The Mayor of Taoyuan

CHENG Wen-tsan


影展的話

Words from Taoyuan Film Festival 影展的話

在疫情襲染全球之際,所有的開會、上課、交流都改為線上,宣告正式進入影音年代。影 像和聲音成為學習、溝通、討論的重要媒介。此刻,本屆桃園電影節以「川流不息」為主 軸,將透過影像連結被隔離的人與人、地與地、時間與時間,匯聚成水源豐沛的川流。

「城市潛望鏡」單元,拉近與桃園關係密切的影像故事,作為城市外交的見證。在時間軸 上,則以「經典修復」傳承世界影史與在地的文化記憶,以「桃園新影」匯集協拍的精彩

成果,以「大手牽小手」打造下一代的影像基因,以「台灣獎」和「自由之聲」培育台灣 電影的未來,更以「熱血野球」作為桃園的文化出擊。

在這些單元裡,市民主義和經典藝術可以共存,國際和在地可以分享,新手和大師可以對 話。反映當前的社會議題,思考永恆的文化使命。在有限的資源裡,牽繫起無限的風光。

Words from Taoyuan Film Festival

桃園,作為台灣最重要的國際往來樞紐,最有優勢拉起溝通的橋樑。在空間的軸線上,以

總策展人 While the world is hit by the pandemic, all meetings, classes, and exchanges have switched to online platforms. Video and sound have become important media for learning, communication and discussion. In light of the official arrival of the audiovisual age, this year's Taoyuan Film Festival explores the theme of “Constant Stream” by connecting the isolated people, places and time through images and converging all together into a stream of abundance. Taoyuan, as Taiwan's most important international hub, has the most advantages to be the communication bridge. Among these programs, “City Panorama” brings video stories closely related to Taoyuan as a witness to showcase the diplomatic activities of the city. Meanwhile, “Restored Master Classics” inherits history of world cinema and local cultural memories. “Made in Taoyuan” gathers wonderful results of collaborated work. With “Big Hands Holding Small Hands”, the next generation motion image is created. Moreover, in addition to “Baseball Fever,” a tribute to culture, Taoyuan has aimed to nurture the future of Taiwanese cinema with “Taiwan Award” and “New Voices.” On these topics, we are able to see that civicism and classic art coexist, shared internationally and locally, and that novices and masters begin dialogue. These topics also reflect current social issues, making us ponder eternal cultural missions. Together, with limited resources, we will be able to enjoy the boundless scenery.

Program Director

Hung Hung 5


國泰置地廣場 BAKUROVA


選片指南暨套票首賣會

Program Guide & Ticket Package Sales Event

活動資訊

8/29( 六 ) 桃園光影文化館 ( 光影二館 ) 桃園市桃園區埔新路 12 號 3 樓

14:00 選片指南

2020 桃園電影節策展人 鴻鴻

影評人 雀雀

Event Information

透過專業影評分析,分享名家私心片單,掌握今年影展焦點影片,專業影迷絕不能錯過!

2020 桃園電影節節目統籌 林珏竹

影評人 膝關節

16:00 套票開賣

現場購買即可獲得限量超值套票禮,優先至 劃場次!

2020 桃園電影節超值套票組 ( 每套 300 元,限量 100 套 ) 5 張桃園電影節票券+桃園電影節套票禮

+ 撒隆巴斯 勁涼活力組合

電影 ╳ 野球 電影音樂會 門票乙張 ( 詳見 P.8)

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※ 每人限購 2 套,如超過數量請重新排隊。僅收現金、實體振興三倍券及藝 FUN 券。 ※ 套票贈品僅供當天現場兌換領取,相關票務規定,請參閱「售票資訊」。

數量有限,送完為止

7


活動資訊

Event Information

搖滾吧 電影 ╳ 野球 9/26 電影音樂會 Film / Music Concert

(六)

演出曲目含括電影配樂、棒球應援曲等精彩曲目,將為影迷、球迷帶來全新體驗!

桃園國際棒球場

入場方式

17:45 搖滾吧!電影 × 野球 桃影電影音樂會

搖滾吧,電影!熱血吧,野球!

滅火器樂團 Fire EX. 將為本屆桃園電影節特色單元「熱血野球」加持演出。

桃園電影節影迷:套票禮、活動贈票

一般觀眾:憑 9/26 該場球賽門票,賽前即可免費觀賞本場音樂會 8

※ 欲購買門票者,請洽 Rakuten Monkeys 樂天桃猿官方網站,或中華職棒大聯盟全球資訊網。

桃園市中壢區領航北路一段 1 號

18:35 中華職棒大聯盟球賽:中信兄弟 VS 樂天桃猿主場


好揪電影院+戶外文創市集 Together Cinema + Outdoor Market

10/3( 六 )18:30 國泰置地廣場

18:00 開放入場

※ 現場排隊入場,座位有限,額滿為止。 ※ 若遇颱風等天然災害,經宣布達停班標準,則本活動停止辦理, 請參見桃園電影節官網及臉書粉絲專頁最新消息公布。

棒球英雄小聯盟

妻子過世後,喬決定改善他與兒子的父子關係。棒球是兩人共同熱情,喬接下充滿挑戰的工 作,與兒子一起擔任球隊教練,訓練一支沒有希望的少棒隊,而參與球隊的孩子們,大多是 來自父親缺席的家庭。隨著球隊步上軌道,兩人逐漸突破僵局。隊上的男孩們與父親之間的 關係,也因為這支球隊有了改變,畢竟,每個男孩都需要一個英雄。

桃園電影節 × 中央大學新生影展

選片指南中央大學場 主講人 / 鴻鴻

9/15( 二 )18:30

中央大學 107 電影院

地點|

始於 2016 年,每年舉辦的時間為 9 月大一新生 入住後的傍晚,希望讓忙於讀書考試而錯過許多 好片的新生們,重溫看電影的樂趣與回憶,並且 讓剛踏進中央大學校園內的新生們,知道校內有 一個可以看大銀幕電影的校園電影院,藉此機會 宣傳開學後的藝文活動,培養學生參與藝文活動 的興趣與習慣。

中央大學 107 電影院於民國 92 年由文學院英文 系規劃成立,係國內第一座學期間每週定期放映 35mm 膠卷影片的校園電影院。對中大人來說, 最自豪的就是擁有一個媲美商業電影院的電影放 映空間,有舒適的座椅、專業的電影放映設備和 環繞音響,為了因應高畫質影像之數位電影型式 播放,另購置數位電影放映設備,使電影放映來 源更多元。

Hero

曼尼·愛德華 Manny EDWARDS |美國 USA | 2014 | DVD | Colour | 94min

Event Information

好久沒聚在一起看電影了吧?在星空下,三五成群或家人或朋友, 或坐或站,共度一段美好時光。桃園電影節戶外特映場,特別選 映以棒球與親情為題材的電影《棒球英雄小聯盟》,熱血運動電 影加上感人勵志的親情故事,讓光影襯著夜晚,觸動你我心裡柔 軟的那一塊。

活動資訊

桃園市中壢區春德路 107 號北側廣場 ( 近領航北路 )

交響狂人 Crescendo Dror ZAHAVI

德國│ 2019 │ DCP │ Colour │ 102min

中央大學 特別放映

場次表 日期

時間

片名

9/9 (三)

18:30

9/10 (四)

知名的德國指揮家愛德華,接受了一項極 為艱難的任務,要組一個橫跨以色列與巴 勒斯坦的青年交響樂團。他動用了所有資 源與溝通技巧,克服雙方文化差異與國仇 家恨,希望能作一場和平且成功的交響樂 演出。但他能成功讓大家放下仇恨、恐懼 和偏執,彼此信任、團結起來,進而展開 為期一個月的演練並順利登台嗎?

Length

Rating

級別

備註 Note

Page

陽光電台不打烊 Radio! Ready Oh!

95

★|◉

107

18:30

紅葉傳奇 The Red Leaf Legend

70

57

9/16 (三)

18:30

那一年 Practice Makes Champions

75

59

9/17 (四)

18:30

KANO KANO

185

58

9/18 (五)

18:30

交響狂人 Crescendo

102

9

Date

Time

Title

片長

頁碼

9


專題講座 1

那些年,我們追過的棒球電影

黃國洲

活動資訊

雲林北港人,政大政治系畢業。自廟口街球算起,球齡已逾四十年。 上世紀末,開始鑽研棒球理論,曾為棒球雜誌寫過球路專欄;王建 民、陳偉殷在大聯盟崛起之後,跟著投一休四撰稿評球。2010 年起 考取教練證照,開始擔任基層中小學球隊義務教練,目前是台北市 介壽國中棒球社指導老師及棒球隊總教練。

桃園電影節今年的亮點單元「熱血野球」,將選映經典及台灣首 映的新片共 9 部電影,一同回味熱血青春的歲月。對於真正的 棒球迷來說,一定還有許多遺珠片單。活動將邀請三位對於棒球 都有狂熱傾向的專業球評,從歷史、棒球明星、經典賽事以及棒 球電影冷知識,帶我們回顧這些印象深刻的熱血棒球電影。

Event Information

李秉昇 Jacky

10/10( 六 )14:00 桃園市土地公文化館 203 視聽空間

畢業於臺大翻譯碩士學位學程口譯組。熱愛體育賽事、棒球、美國 職棒,從大一起撰寫棒球文章、編譯體育新聞,目前為 FOX 體育臺 官網、UDN 聯合新聞網、運動視界網站的大聯盟專欄作家,另擔任 過 FOX 體育臺記者、《好球帶》節目播報、中華職棒賽事英語播報, 也是棒球 Podcast 節目《Hito 大聯盟》的主持人之一。

桃園市桃園區三民路一段 100 號 2 樓

正義鷹大俠

MLB 歷史考古者、奉行棒球玩樂主義的寫手,熱愛書寫富有人生況 味的棒球故事。2012 年起於《美國職棒雜誌》固定撰寫專欄,與知 名球評曾文誠合著有《棒球驚嘆句 2》一書,目前經營專門報導美 國職棒的《MLB 星系》社群。

※ 網路免費報名,報名方式詳見臉書粉絲專頁公告。

2

大師講堂

賈樟柯 Zhang-ke JIA

《一直游到海水變藍》

賈樟柯〈視訊〉

鴻鴻

10/11( 日 )13:30 星橋國際影城 2 廳

2020 年第 70 屆柏林影展,在疫情擴散前如期舉辦。賈樟柯導演帶著他的新作《一 直游到海水變藍》與修復作品《小武》,與國際觀眾見面。然而,柏林影展結束後, 各國情勢急轉直下,許多國際影展受到衝擊轉為線上或取消,十月舉辦的桃園電影節 將是亞洲第一個平台放映這兩部作品。同時,賈導將在與桃園電影節幾乎同時舉行的 「平遙國際電影展」現場,與台北連線,談談時代變遷的洪流下,中國文學及城市的 轉變。

桃園市中壢區中園路二段 501 號 5 樓

10

※ 須購買此場放映電影《一直游到海水變藍》票券方可入場,不開放現場候位。


桃園電影節 × 禾聯家電 影迷專屬回饋禮 電影票根先別急著丟.限量好禮抽獎送給你!

中獎兌換| 兌換期限|

桃園電影節影展期間憑影展任一場次票根即可參加抽獎。

10/30( 五 )

於『桃園電影節官網』及『桃園電影節 FB 粉絲專頁』公布抽獎名單。

桃園市桃園區三民路一段 100 號 ( 土地公文化館 ) 請於開館時間,攜帶票根與證明文件,限本人兌換。( 恕無法代領、寄送,敬請見諒 )

11/13( 五 ) 止

HAO-02BY020 微電腦健康氣炸鍋

6名

Festival Goodies

得獎公布|

10/9( 五 ) − 10/23( 五 )

抽獎資訊

活動期間|

HAP-230M1 空氣清淨機

6名

HDF-14AH72W 14 吋智慧聯網 變頻 DC 風扇

7名

HSW-116B1 2.4G 無線重低音

3名

·所得獎品不可退換。 ·主辦單位保有最終修改、變更、活動解釋及取消本活動之權利,若有異動將會公告於網站,恕不另行通知。

11


周邊商品

Merchandise

影展大使 瑞莎

Larisa BAKUROVA Ambassador of 2020 TYFF

12


$ 手帳

200

背面

00

Merchandise

50 組

530 周邊商品

傘$

口罩 $ 12 品 套/ 商 卡 周邊 組 票 全套 量 限 限量

irt T Sh 0 $ 30

$ 布袋

280

13


售票資訊 影展限量超值套票

每套 300 元,可兌換 5 張票券。 售票資訊

首賣日期| 8/29( 六 )16:00 於選片指南暨套票首賣會現場販售

劃位時間| 8/29( 六 ) 17:00 於 網頁及超商機台劃位

(各場次座位有限,換完為止,請及早兌換)

銷售日期| 8/30( 日 ) 14:00 起至 10/8( 四 ) 23:59 止於 網頁

Ticket Information

及超商機台販售

8/29( 六 ) 於選票指南暨套票首賣會現場購買套票者,

即可獲得超值套票禮,限量 100 套,送完為止。 ■ ■ ■ ■ ■ ■

套票首賣會現場接受現金、三倍券及藝 FUN 券付款,三倍券及藝 FUN 券皆不找零。 套票首賣會現場每人每次限購 2 套,如超過數量,請重新排隊。 套票可分次兌換完 5 張單場票,不限於單次兌換完畢。 每次限購 8 組套票,如超過數量,請重複操作。 每場次單次操作限兌換 5 張票券,超過張數,請重複操作。 每場次開演前 1 小時 停止兌換該場次票券,僅可於影展現場售票服務台兌換。

單場票

單一票價,每張 70 元。

銷售日期| 9/1( 二 ) 12:00 起於 全面啟售

銷售店點| ibon 或影展現場服務台

■ ibon 每場次單次操作限購買 4 張票券,超過張數,請重複操作。 ■ 每場次開演前 1 小時 停止販售該場次票券,僅可於影展現場售票服務台購買。

影展現場售票服務台

影展期間於放映現場設立售票及退換票服務台,

每日服務時間為首場開演前 30 分鐘至末場開演後 20 分鐘。

影展現場售票服務台僅提供單場票購買服務。 桃園電影節觀眾服務專線:0800-666-701 ( 首場開演前 30 分鐘至末場放映完畢。)

購票注意事項

票券為唯一入場憑證,請妥善保存,遺失、毀損概不補發。

節目映演後 20 分鐘,不再開放進場,亦不得退換票,敬請準時入場。

各場次皆為對號入座,座位有限,售完為止,請及早購買或兌換。 客服專線:0800-016-138、(02)2659-9900 桃園電影節觀眾服務電話:0800-666-701

14

( 影展開始前服務時間:週一至週五 10:00-19:00;影展期間服務時間:首場開演前 30 分鐘至末場放映完畢。)

身心障礙者服務

各場次無障礙設施席位有限,如有需要可預先洽詢 桃園電影節觀眾服務專線:0800-666-701

退票須知

「換票」視同「退票」,若需更換場次直接依退票方式辦理。

所有退票皆酌收 10% 手續費,並須於票面開演時間前一天完成退票手續。 套票退票機制:退票須「整套」辦理 ( 連同已兌換之票券及贈品 ),恕不 接受「單場」退票。若其中已有兌換為單場票,則必須於兌換之「最早場 次」開演前一天辦理退票。

影展開始 (10/9) 前欲辦理退票請至影展台北或桃園辦公室;影展期間 (10/9-10/23) 則至現場服務台辦理。

■ ■ ■ ■

桃園辦公室:桃園市桃園區三民路一段 100 號 4 樓 ( 桃園市文化基金會 ) 台北辦公室:台北市信義區光復南路 419 號 3 樓之一 ( 想映電影 ) 使用藝 FUN 券購買者,將於退票三日內返還藝 FUN 券。 若因主辦單位因素 ( 級別異動、拷貝異動、影廳問題 ) 導致觀眾無法觀影,則票款將全額退回。

觀影須知

請依電影分級制購票觀影,級數如有異動,以 2020 桃園電影節官網與放

映現場公告為準。於公告前購票之觀眾若因級數異動而無法觀影,票款將 可全額退回。

桃園光影文化館廳內禁止飲食,敬請配合。其他放映場地,請遵守各戲院 之外食規定。

影展放映場地全面禁菸,寵物及危險物品請勿攜帶入場。

電影放映中嚴禁從事攝錄影、錄音、拍照等違法侵權行為。

為維護影廳內安全及維持逃生動線暢通,請勿逗留、站立或坐在影廳走道 與其他非座位處。

如遇天災或不可抗力之因素,主辦單位將依據桃園市政府發布之命令,決 定是否取消放映,並盡速於官網公告相關訊息。

上述事項若有未盡事宜,主辦單位保留節目更動之權利,所有演出時間及

內容將依現場實際狀況而定。最新消息隨時公布於 2020 桃園電影節官網。


購票流程

網站購票

售票系統網:ticket.ibon.com.tw

機台購票 票券中心

網路購票須至 7-ELEVEN 門市 ibon 機台印出實體票券,

電影票

套票/單場票

影展現場不提供取票服務。

套票 / 單場票

套 票:選擇張數 單場票:選擇日期/場次/區域/票種/張數/座位

確認購票明細

輸入聯絡電話

2020 桃園電影節

列印繳費單&持票須知

套票兌換

票券中心

閱讀 服務須知 確認 購票明細

電影票 輸入 序號 / 驗證碼 再次輸入 驗證碼

2020 桃園電影節

套票兌換

選擇

套票兌換

輸入 聯絡電話

完成付款後, 憑「取票序號」至 7-ELEVEN 門市 機台取票

購票明細

售票系統網

登入或加入會員

2020 桃園電影節 輸入 序號 / 驗證碼

列印繳費單& 持票須知

同一序號 / 驗證碼僅限單機操作,不可重覆登入其它機台。 單一場次每次限換 5 張,如超過張數,請重覆操作。 操作過程中若靜止逾 2 分鐘,畫面將跳回首頁,該筆訂單失效,須重新操作。 繳費單列印後,請於 10 分鐘內完成繳費取票,逾期該筆訂單失效,須重新操作。 套票之兌換額度須待 30 分鐘後才會復原。

點選線上購票

■ 套票每次限購 8 組,單一場次每場限購 5 張 ( 可跨場 ),每筆上限 5 張,如需購買超過張數,請重覆操作。 ■ 操作過程請於 10 分鐘內完成,逾期該筆訂單失效,須重新操作。

再次輸入驗證碼

持印有條碼之白色繳費單至櫃台 ( 無需繳費 ),取得印有「序號/驗證碼」 之套票兌換券,或印有「片名/場地/時間」之電影票。 ■ ■ ■ ■ ■

選擇電影

套票/單場票

確認

付款方式

選擇 日期/場次/區域/票種/張數/座位 輸入 聯絡電話

登入或加入會員

套票:選擇票種/張數 單場票:選擇日期/場次/區域/票種/張數/座位

持印有條碼之白色繳費單至櫃台完成繳費,取得印有「序號/驗證碼」 之套票兌換券,或印有「片名/場地/時間」之電影票。 ■ 操作過程中若靜止逾 2 分鐘,畫面將跳回首頁,該筆訂單失效,須重新操作。 ■ 套票每次限購 8 組,單一場次每次限購 5 張 ( 不可跨場 ),如需購買超過張數,請重覆操作。 ■ 繳費單列印後,請於 10 分鐘內完成繳費取票,逾期該筆訂單失效,須重新操作。

售票系統網

Ticket Information

閱讀 服務須知

2020 桃園電影節

售票資訊

套票 / 單場票

■ ■ ■ ■

套票兌換 選擇 日期/場次

選擇 區域

輸入聯絡電話

選擇電影 點選線上購票 選擇 票種/張數/座位 確認購票明細

憑「取票序號」至 7-ELEVEN 門市 機台取票

同一驗證碼僅限單機操作,不可重覆登入其它機台。 單一場次每次限換 5 張,如超過張數,請重覆操作。 操作過程請於 10 分鐘內完成,如逾時畫面將跳回首頁,該筆訂單失效,須重新操作。 套票之兌換額度須待 30 分鐘後才會復原。

15


售票資訊

Ticket Information

取票方式 限 機台

Limited Super Value Ticket Packages

售票資訊

首頁 ( 左上方 ) 代碼輸入 /QRcode 掃描

Ticket Information

確認 取票明細

列印繳費單 & 持票須知

輸入「取票序號」or 掃描訂單 QR code

持印有條碼之白色繳費單至櫃 台,取得印有片名、場次、時間 之電影票券

■ 繳費單列印後,請於 10 分鐘內完成繳費取票,逾期該筆訂單失效,須重新操作。該筆訂單須待 30 分 鐘後才會復原。

振興票券使用辦法 三倍券

■ 實體票券―僅適用於選片指南現場、影展現場服務台,不提供找零, 不接受退票。

■ 虛擬票券―僅適用於 購票網頁,消費者須於購票前,先行 向信用卡發卡銀行進行數位綁訂 ,,消費後即可計算於三倍券累計金額

內。

藝 FUN 券

■ 僅適用於 網頁及選票指南現場購買影展套票,不適用購買 單場票。

NT$300 per package. Each package includes 5 film tickets.

. Limited Super Value Ticket Packages are available at the Program

Guide X Ticket Package Sales event at 16:00 on Sat. Aug 29.

. Seat Reservations can be made via starting from 17:00

on Sat. Aug 29. (Ticket package holders are advised to reserve their tickets early as seats to each screening are limited.)

. Limited Ticket Package: available via from 14:00 on Sun.

Aug 30 to Thu. Oct 08. 23:59.

. Those who purchase tickets on Sat. Aug 29 at Program Guide X

Ticket Package Sales event on Sat. Aug 29 will be given one of the super value gifts. (100 free sets only).

Please Note

. All ticket at Program Guide X Ticket Package Sales event shall

be paid in CASH. The Triple Stimulus Vouchers and Art Fun Go Vouchers are accepted; the changes do not apply to the vouchers.

. Each person can only purchase 2 Limited Super Value Ticket

Packages each time at Program Guide X Ticket Package Sales event. Please line up again if you need to purchase more.

. All 5 tickets can be redeemed separately. . Each person can purchase up to 8 packages at one time

via . If you would like to purchase more, please repeat the process.

. Each person can purchase up to 5 tickets per screening via at one time. If you need to purchase more tickets,

please repeat the process.

. For ticket redemption, won't be able to redeem your

ticket one hour before the screening starts. You may only redeem your tickets at the onsite ticket counter

16


Individual Ticket

. Customer Service phone number: 0800-016-138 /

(02)2659-9900

. When and Where to Buy:

Please Note

701 (office hours: Mon to Fri 10:00-19:00)

Refund Policy

. For exchange of all tickets, you shall follow all given instructions for

ticket refund.

. Ticket sales via will end one hour before the screening

. Refund of an individual ticket shall be made one day before the

. You can purchase up to 4 tickets one time via per

. Ticket Packages can only be refunded or exchanged in its entirety

starts. After that, tickets can only be purchased at the onsite ticket counter.

screening. If you would like to purchase more, please repeat the process.

Onsite Ticket Counter

.Ticket counter will only provide single ticket sale. Please use

If you would like to purchase the Ticket Packages.

. Taoyuan Film Festival Customer Service phone number: 0800-666-

701 (30mins before the first screening of the day until 20mins after the last screening starts.)

Ticket Sales Information

. Please hold on to your tickets for admission. Tickets will not be re-

issued if lost or damaged.

. Latecomers will NOT be admitted 20 minutes after the film begins.

screening at the onsite ticket counter. A handling fee of 10% per ticket will be charged.

Ticket Information

Starting from Tue. Sep 1 (available till the last screening). All tickets can be purchased via or at the onsite ticket counter.

.Taoyuan Film Festival Customer Service phone number: 0800-666-

售票資訊

NT$70 per single admission.

(including all redeemed tickets and gifts). There is no refund for single tickets within the Ticket Package. If all tickets of a Ticket Package are redeemed, refund of all tickets shall be made at the onsite ticket counter no later than the preceding day of the first screening.

. From Fri. Oct 9 onward, for ticket refund, please visit Taoyuan Film

Festival Offices: Taoyuan: No. 100, Section 1, Sanmin Road, Taoyuan District, Taoyuan City (Taoyuan Culture Foundation) Taipei: 3F-1., No. 419, Guanfu South Road. Taipei City (Joint Pictures)

. If you purchase or redeem your tickets before the announcement

is made due to film rating, system error, or any other adjustment of particular screening, you may receive a full refund.

Tickets of latecomers CANNOT be refunded or exchanged.

. All seats at all screenings are limited assigned seating. Please

purchase or redeem tickets at your earliest convenience.

17


Ticket Information Please Note

. Please consult the rating system before you purchase or redeem 售票資訊

Ticket Information

the tickets. Please visit the official website of the Festival and onsite announcement for any adjustment of the rating system of all screenings. If you purchase or redeem your ticket before the announcement is made due to rating of the particular screening, you may receive a full refund.

. Taoyuan Arts Cinema II is prohibited for all food and drinks. Please

follow the food and drink instructions at each venue.

. There is no smoking at all venues, Pets and hazardous items will

not be allowed inside.

. Any illegal use of photography, recording, and filming is strictly

prohibited in the theaters.

. For your safety, please do not linger, stand or sit in access ways or

other non-seating areas.

. The Festival reserves all rights to cancel the screening due to

unforeseen weather or other unexpected occurrences following the order of Taoyuan City government. All the latest updates will be announced on official website of the Festival.

. The Festival reserves all rights to change the program schedule

due to unforeseen circumstances. Please visit the official website for latest updates.

18

Purchasing Tickets via Purchasing Ticket Package/Individual Ticket Ticket Center> Movie Tickets > 2020 Taoyuan Film Festival> Ticket Package/ Individual Ticket > Terms and Conditions> Ticket Package; Select Number of Tickets/ Individual Ticket: Select Date/ Screening/ Section/ Number of Tickets/ Seat– Confirmation> Enter Contact Number> Print Invoice and Ticket Information> Pay at store counter to receive Ticket Package Voucher with sequence number or individual ticket with film title/ location/ time .If the page is paused for over 2 minutes, the screen shall take you to the front page and the purchase shall be canceled. If you would like to continue your purchase, please repeat the process from the beginning. .Ticket Package is limited to 8 for each purchase. Individual ticket is limited to 5 per screening for each purchase. If you would like to purchase more tickets, please repeat the process. .Please be sure to finish payment at store counter within 10 minutes after the invoice is printed. Exceeding the time limit will result in invalid purchase.

Ticket Package Redemption Ticket Center> Movie Tickets> 2020 Taoyuan Film Festival> Ticket Package Redemption> Terms and Conditions> Input Sequence Number> Select Date/ Screening/ Section/ Number of Tickets/ Seat> Confirmation Invoice> Input Sequence Number> Enter Contact Number> Print Invoice and Ticket Information> Bring invoice to store counter (no payment needed) in exchange for individual ticket printed with film title/ location/ time .Tickets with the same sequence number must be processed at the same kiosk. .5 tickets are limited per screening at one time. Please repeat the process for more tickets. .If the page is paused for over 2 minutes, the screen shall take you to the front page and the purchase shall be canceled. If you would like to continue your purchase, please repeat the process from the beginning. .Please be sure to finish ticket exchange at store counter within 10 minutes after the invoice is printed. Exceeding the time limit will result in invalid purchases. It shall take up to 30 minutes to display the exchange limit for Ticket Package.


Purchasing Tickets via website http://ticket.bon.com.tw

Purchasing Ticket Package/ Individual Ticket

Ticket Package Redemption ticket.ibon.com.tw> Sign up or Log in> Select Movie> 2020 Taoyuan Film Festival> Ticket Package Redemption> Select Online Purchase> Input Sequence Number> Select Date/ Screening/ Section/ Numbers of Tickets/ Seat> Input Sequence Number> Enter Contact Number> Confirmation Invoice> Bring pick-up sequence number to 7-11 Kiosk for Ticket Pick-up .Tickets with the same sequence number must be processed at the same kiosk. .5 tickets are limited per screening at one time. Please repeat the process for more tickets. .Please be sure to complete ticket exchange at store counter within 10 minutes after the invoice is printed. Exceeding the time limit will result in invalid purchases. It shall take up to 30 minutes to display the exchange limit for Ticket Package

.Please be sure to complete ticket exchange at store counter within 10 minutes after the invoice is printed. Exceeding the time limit will result in invalid purchases. It shall take up tto 30 minutes to display the exchange limit for Ticket Package

Purchase with the Vouchers Triple Stimulus Voucher

· Physique Vouchers – accepted only at Program Guide X Ticket

Ticket Information

.Ticket Package is limited to 8 for each purchase. Individual ticket is limited to 5 per screening for each purchase. If you would like to purchase more tickets, please repeat the process. .Please be sure to complete payment at store counter within 10 minutes after the invoice is printed. Exceeding the time limit will result in invalid purchases.

Enter your serial number or scan your QRcode>Confirmation Invoice> Print Invoice and Ticket Information> Bring invoice to store counter (no Payment Needed) in exchange for individual ticket printed with film title/ location/ time

售票資訊

ticket.ibon.com.tw> Sign up or Log in> Select Movie> 2020 Taoyuan Film Festival> Ticket Package/ Individual Ticket> Select Online Purchase> Ticket Package: Select Number of Tickets/ Individual Ticket: Select Date/ Screening/ Section/ Number of Tickets/ Seat> Enter Contact Number> Select Payment> Confirmation Invoice> Complete Payment> Bring pick-up sequence number to 7-11 Kiosk for Ticket Pick-up

Online Ticket Pick-Up

Package Sales event or at the ticket counter at Festival venues. No changes or refund is accepted.

· Virtual Vouchers - accepted only on Online Ticket. If

you wish to use credit card, please register at relevant credit card websites prior to purchase. The amount will be calculated in your account.

Art Fun Go Voucher

· Accepted only at Program Guide X Ticket Package Sales event

or at the ticket counter at festival venues for Limited Ticket Packages. Individual tickets are not available.

19


場地資訊 Venue Information 桃園新光影城

國賓影城@八德廣豐新天地

桃園市中壢區春德路 107 號 (03)287-3808

桃園市八德區介壽路一段 728 號 3 樓 (03)218-2898

3F., No. 107, Chunde Rd., Zhongli Dist., Taoyuan City 320, Taiwan Customer Service: (03)287-3808

3F, No. 728, Section 1, Jieshou Road, Bade District, Taoyuan Customer Service: (03) 218-2898

▋機場捷運 ▋ 機場捷運 A18 高鐵桃園站 自捷運站出口後經華泰名品城二期天橋步行

▋大眾交通 ▋ 桃園火車站前站 桃園客運 ( 市區公車 ):102、157、201、GR2、GR2A 桃園火車站後站 桃 園 客 運 總 站 ( 公 路 客 運 ):5000、5008、5010、5011、 5044、5060、5096

SHIN KONG CINEMAS Taoyuan

Ambassador Theatres@ Bade Kwong Fong Plaza

場地資訊

Venue Information

▋高鐵桃園 ▋ 高鐵桃園站 自高鐵站出口後經華泰名品城二期天橋步行 ▋公車 ▋ 高鐵桃園站 自公車站下車點經華泰名品城二期天橋步行

▋ Airport MRT ▋ Airport MRT A18 HSR Taoyuan Take a 10-minute walk from MRT Exit through Gloria Outlets pedestrian bridge ▋ Taoyuan HSR ▋ Taoyuan HSR Station Take a 10-minute walk from HSR Exit through Gloria Outlets pedestrian bridge ▋ Bus ▋ Taoyuan HSR Station Get off at Taoyuan HSR Station, and take a 10-minute walk through Gloria Outlets pedestrian bridge

20

▋自行開車 ▋ 國道 2 號 ( 機場支線、桃園環線 ), 大湳交流道下 , 直走福德 一路→和平路→介壽路一段→大智路→即可抵達 ▋ Public Transportation ▋ Taoyuan Station Front Exit Taoyuan Bus (urban bus): Line 102, Line 157, Line 201, Line GR2, Line GR2A

Taoyuan Station Rear Exit Taoyuan Bus Main Station (intercity bus): Line 5000, Line 5008, Line 50 10, Line 5011, Line 5044, Line 5060, Line 5096 ▋ Vehicle ▋ Ta k e N a t i o n a l H i g h w a y N o . 2 , e x i t a t D a ' n a n Interchange, take Fude 1st Road, then Heping Road, Section 1, Jieshou Road, and finally arrive on Dazhi Road.


中壢 SBC 星橋國際影城 SBC Taiwan Ltd.

▋高鐵桃園站接駁車 ▋ 國定假日與例假日發車

▋大眾交通 ▋ 中壢區免費市民公車 (L209 內定青埔灰線 ) 208( 捷運高鐵站一內壢一八德 ) 台灣好行大溪快線 桃園市中壢區中園路二段 501 號 (03)468-0999 5F.,No.501,Section2,Zhongyuan Road,Zhongli District,Taoyuan City Customer Service: (03) 468-0999

▋中壢火車站接駁車 ▋ 平日 20-30 分鐘一班,例假日 15-20 分鐘一班 中壢火車站至大江 ( 直達專車,中間不停靠 ) 候車處:中壢火車站高橋證券對面 時刻表: 10:30-21:50(Mon.-Thu.) 10:30-22:10(Fri) 10:30-22:00(Sat.-Sun.)

大江至中壢火車站 ( 可於沿線公車站牌處,預先通知司機後下車 ) 候車處:大江國際購物中心 1F 時刻表: 11:00-22:05(Sun.-Thu.) 11:00-22:35(Fri.-Sat.) 11:00-22:35(Sat.)

Venue Information

高鐵桃園站大江 ( 直達專車,中間不停靠 ) 候車處:客運轉運區八號月台 ( 站區 5 號出口 ) 發車時間:14:45、16:50、18:30、20:15

場地資訊

大江至高鐵桃園站 ( 直達專車,中間不停靠 ) 候車處:大江國際購物中心 1F 發車時間:14:30、16:35、18:15、20:00

▋自行開車 ▋ 中山高速公路南下 56 公里處 ( 北上 57 公里 ) 出口 , 往大園方向 , 沿指標前行約 3 分鐘可達。

▋ Zhongli Station Shuttle Bus ▋ Intervals: 20-30 minutes on weekdays, 15-20 minutes on weekends and holidays Zhongli Station to Metro Walk Shopping Center Direct Bus stop: Across the Zhongli Station Schedule: 10:30-21 :50 (Mon.- Thu) 10:30-22:10 (Fri) 10:30-22:00 (Sat-Sun.)

Metro Walk Shopping Center to Zhongli Station Bus stop: Metro Walk Shopping Center 1F Schedule: 11:00-22:05 (Sun.-Thu) 11:00-22:35 (Fri.-Sat) 11:00-22:35 (Sat.) ▋ Public Transportation ▋ Zhongli District Citizen-Free Bus (Line L209), Line 208 Taiwan Tourist Shuttle Daxi Express ▋ Vehide ▋ Take National Highway No. 1, exit at 56 km southwards or 57 km northwards, head to Dayuan District, follow the signposts and arrive in about 3 minutes.

21


場地資訊 Venue Information 場地資訊

桃園光影文化館 TAOYUAN ART CINEMA II

Venue Information

桃園市桃園區埔新路 12 號 (03)335-7745 No.12, Section 1, Puxin Rd,Taoyuan District,Taoyuan City Customer Service: +886 3 335-7745

▋大眾交通 ▋ ·於桃園火車站前站中正路直行左轉中華路 , 至統領百貨前 搭乘桃園客運 151、152 路車 , 至「三民路口」站即達。 ·於台北捷運劍潭站搭乘桃園客運 9023 路車 , 至「中正商 業大樓」站即達。 ·免費市民公車環狀藍線跟環狀紅線可到達 , 請於「果菜市 場站」下車步行至本館。

·Take Taoyuan City citizen free bus Blue Circular Line or Red Circular Line, and get off at Fruit and Vegetable Station. ▋ Vehicle ▋ ·Take National Highway 1, exit at Nankan Interchange, and take Provincial Highway 4 Chunri Road, and turn right onto Section 2 Sanmin Road, and go straight to Zhongzheng Road Intersection. ·Take National Highway2, exit at Taoyuan Interchange, and take Daxing West Road, and turn right onto Zhongzheng Road, and go straight to Section 2 Sanmin Road. ▋ Parking Information ▋ · Paid parking spaces by Zhongzheng Road and Section 3 Sanmin Road ·Paid parking lots at the intersection of Sanmin Road and Zhongzheng Road, near Pxmart · Zhengkang paid parking lots and Foot Massage Institute paid parking lots on Zhongzheng 1st Street.

桃園 in89 統領影城 in89 Tongling Cinemax

▋自行開車 ▋ ·由國道 1 一南崁交流道下 , 循省道 4 號春日路右轉三民路 二段直行至中正路口即達 ·由國道 2 一桃園交流道下 , 往桃園方向 , 循大興西路右轉 中正路直行至三民路二段即達 ▋停車資訊▋ ·中正路及三民路三段路邊收費停車格 ·三民路與中正路交叉口全聯福利社收費停車場 ·中正一街內的正康收費停車場及足之林收費停車場

22

▋ Public Transportation ▋ ·Take Taoyuan Bus route 151 or route 152 in front of Tonlin Department Store, and get off at Sanmin Road Intersection. ·Take Taoyuan Bus route 9023 at Taipei MRT Jiantan Station, and get off at Zhongzheng Commercial Building Station.

桃園市桃園區中正路 56 號 (03)272-7738 No.56,Zhongzheng Rd,Taoyuan District,Taoyuan City Customer Service: (03)272-7738

▋桃園火車站步行 3 分鐘抵達 ▋ 3 minutes walk from Taoyuan Station


場次表 Screening Schedule 新光 2 廳

SKC 2

★影人出席 ■映前導讀 ◉有英文字幕

17:00

Koshien: Japan's Field of Dreams

SKC 11

17:00

19:30

Au hasard Balthazar

Oskar & Lilli: Where No One Knows Us

Lola

95min |普|◉ SBC 7

小小的回家願望 p.79

15:00

三步 + 你剛才說的是笑話嗎 + 家族無共識 This Is Not the End+Fish Tank+The 2014 Consensus

92min |輔 12 |◉

新光 7 廳

SKC 7

p.42-43

15:00

10:40

SKC 11

夢幻成真

107min |普

p.53

90min |護|◉

17:20

19:20

Caninity+Humming Memory+ See You, Sir

High Heels

一狗 + 蟾鳴 + 主管再見

95min |普|★|◉

p.40-41

112min |普

64min |普|◉

p.78

p.83

10/10 SAT.

The Dose p.107

93min |護|◉

18:30

The Natural

Fastball

Baseball Girl

速球對決 87min |普

Trial of Joan of Arc

p.112

藥命病房

16:20

p.54

聖女貞德的審判 [4K 數位修復版 ]

20:30

13:10

138min |護

21:50

高跟鞋 [ 數位修復版 ]

Radio! Ready Oh! p.85

天生好手 [4K 數位修復版 ]

Field of Dreams

p.118

陽光電台不打烊

Bad Education 105min |限

102min |普|◉

78min |輔 12 |◉

p.30-31

蘿拉的少女心事

17:30

壞教慾 [ 數位修復版 ]

新光 11 廳

93min |普|★|◉

14:30

驢子巴達薩 [ 數位修復版 ]

星橋 7 廳

Twelve Nights 2: Back to Day Zero

Screening Schedule

新光 11 廳

p.32,51

FRI.

十二夜 2:回到第零天

場次表

甲子園:夢想競技場 94min |普|

10/09

19:20

p.110

20:50

青春全壘打 p.55

105min |護

青春:第 50 屆日本全國高 中棒球錦標賽 p.56

Youth: The 50th National High School Baseball Tournament

96min |普

p.52,92

23


場次表 Screening Schedule 10/10

新光 12 廳

SKC 12

場次表

SAT.

15:00

17:20

Invisible

Bangla

盲舞殺機 90min |輔 12

Screening Schedule

星橋 7 廳

10:20

SBC 7

河粉的滋味

84min |普|◉

10/11 SUN.

新光 11 廳

10:30

p.65

SKC 11

小小的回家願望

Oskar & Lilli: Where No One Knows Us 102min |普|◉

星橋 2 廳

愛上卡布奇諾男孩 p.114

SBC 2

Three Lives and Only One Death

Apart

Lhamo and Skalbe

123min |普|◉

p.101

158min |護|◉

10/12 MON.

新光 11 廳

SKC 11

p.99

Paper Flower p.63

103min |普

Pickpocket

Money

Tokyo Olympiad

Lancelot of the Lake

75min |普|◉

p.77

85min |普|◉

東京奧運 1964 [4K 數位修復版 ] p.81

170min |普|◉

p.91

武士蘭西諾 [ 數位修復版 ] 85min |普|◉

p.80

p.104-105

小武 [4K 數位修復版 ] Xiao Wu

112min |普|◉

p.103

13:40

16:10

18:10

20:50

Southeast Asia Shorts

Force of Habit

Talk to Her

Damp Season

95min |輔 12 |★

p.108

16:50

女性日常 p.67-71

79min |護

悄悄告訴她 [ 數位修復版 ] p.73

113min |輔 12

16:00

18:30

Dear Orange

Invisible

大桔大利 闔家平安 112min |輔 15 |◉

24

110min |普|◉

20:30

錢 [ 數位修復版 ]

東南亞短片精選

Time Regained

p.66

紙花

17:00

111 min |普|★

追憶似水年華 [ 數位修復版 ]

97min |護|◉

20:20

拉姆與嘎貝

15:00

13:30

SBC 7

散後

p.111

13:00

Swimming Out Till the Sea Turns Blue

10:20

105min |限

17:40

一直游到海水變藍

星橋 7 廳

Dogs Don't Wear Pants p.115

15:20

扒手 [ 數位修復版 ] p.118

87min |普

窒愛診療室

12:30

三生一死 [ 數位修復版 ]

The Taste of Pho

19:30

回南天 p.84

90min |輔 12

p.62

20:50

盲舞殺機 p.46

107min |輔 12 |◉

愛情遺跡 Luxor p.114

85min |護

p.72


星橋 7 廳

SBC 7

18:30

Genealogies of a Crime

SKC 11

16:00

三步 + 你剛才說的是笑話嗎 + 家族無共識 This Is Not the End+Fish Tank+The 2014 Consensus

92min |輔 12 |◉

星橋 7 廳

SBC 7

p.42-43

TAOYUAN ART CINEMA II

悄悄告訴她 [ 數位修復版 ] Talk to Her

113min |輔 12

新光 11 廳 SKC 11

p.84

p.44

83min |護|◉

Alice

Practice Makes Champions

Southeast Asia Shorts 95min |輔 12

p.49

114min |護|◉

TUE.

p.116

巴黎應召日記 p.109

105min |限

p.113

小武 [4K 數位修復版 ] Xiao Wu p.67-71

112min |普|◉

18:50

Volver

The Fortune Goddess

p.103

10/14 WED.

幸運女神 p.86

114min |護

16:30

19:00

Heavy Craving

Tokyo Olympiad

大餓

90min |護|◉

10/13

18:50

16:00

121min |輔 12 SBC 7

108min |護|◉

Way Back Home

玩美女人 [ 數位修復版 ]

星橋 7 廳

Edward

回憶的祕密花園

東南亞短片精選 p.59

Boluomi

p.115

艾德華登大人

Temple of Devilbuster+ Get the Hell Out

16:30

75min |普|◉|免費放映

21:00

菠蘿蜜

21:00

14:00 那一年

18:30

18:20

110min |輔 15 |◉

11:00

87min |普

15:40

伏魔殿 + 逃出立法院

光影文化館

Bangla p.100

Screening Schedule

新光 11 廳

MON.

愛上卡布奇諾男孩

場次表

犯罪家譜 [ 數位修復版 ] 113min |普|◉

10/12

21:10

p.74

東京奧運 1964 [4K 數位修復版 ] p.48

170min |普|◉

p.91

25


場次表 Screening Schedule 10/14 場次表

WED.

光影文化館

11:00

TAOYUAN ART CINEMA II

犯罪家譜 [ 數位修復版 ]

Screening Schedule

10/15

新光 11 廳

15:40

Hello World! - The Movie

Force of Habit

哈囉世界,我來了

Genealogies of a Crime 113min |普|◉

14:00

p.100

61min |普

19:00

女性日常 p.120

SKC 11

THU.

一狗 + 蟾鳴 + 主管再見

79min |護

p.73

18:50

KANO

Broken Embraces

炎上

TAOYUAN ART CINEMA II

Conflagration

99min |護|◉

星橋 7 廳

14:00

16:30

Lancelot of the Lake

Au hasard Balthazar

武士蘭西諾 [ 數位修復版 ]

[4K 數位修復版 ]

p.90

85min |普|◉

p.58

SBC 7

128min |輔 12

p.87

19:00

驢子巴達薩 [ 數位修復版 ] p.80

p.40-41

破碎的擁抱 [ 數位修復版 ]

185min |普|◉

11:00

78min |輔 12 |◉

15:00 KANO

光影文化館

Caninity+Humming Memory+ See You, Sir

弟弟 [4K 數位修復版 ] Her Brother

95min |普|◉

p.79

98min |護|◉

p.89

16:00

青春全壘打 Baseball Girl 105min |護

10/16

FRI.

光影文化館

11:00

TAOYUAN ART CINEMA II

窒愛診療室 105min |限

in89 9 廳

in89 9

13:30

16:10

High Heels

My Brother Chases Dinosaurs

高跟鞋 [ 數位修復版 ]

Dogs Don't Wear Pants p.111

p.56

112min |普

18:40

弟弟追著恐龍跑 p.83

102min |普

p.119

Volver

121min |輔 12

p.86

16:30

19:00

Southeast Asia Shorts

The Mountain+The End of the Track

東南亞短片精選 95min |輔 12

26

玩美女人 [ 數位修復版 ]

上山 + 跑道終點 [ 數位修復版 ] p.67-70

110min |普|◉

p.96-97

21:20

巴黎應召日記 Alice

105min |限

p.113


光影文化館

10:30

TAOYUAN ART CINEMA II

伏魔殿 + 逃出立法院

Boluomi 108min |護|★|◉

10:10

p.44

in89 9

夢幻成真

光影文化館

10:20

p.53

TAOYUAN ART CINEMA II

哈囉世界,我來了

in89 9 廳

10:00

in89 9

野雀之詩

光影文化館

10:30

p.45

TAOYUAN ART CINEMA II

紅葉傳奇 70min |普

in89 9 廳

Lola

98min |護|◉

p.89

12:00

92min |普

90min |護|◉

95min |輔 12 |★|◉

p.45

[ 林強全新配樂版 ]

p.112

The Man Who Has A Camera+ A Morning in Taipei (Newly Scored by LIM Giong)

50min |普|★|無對白

p.94-95

19:40

天生好手 [4K 數位修復版 ] The Natural

138min |護

10/18 SUN.

動物狂歡節

Carnival of the Animals p.121

30min |普|■

p.122

12:30

14:50

17:40

20:00

Heavy Craving

Dear Orange

Caninity+Humming Memory+ See You, Sir

Temple of Devilbuster+ Get the Hell Out

90min |護|★|◉

大桔大利 闔家平安 p.48

12:20

107min |輔 12 |◉

112min |輔 15 |★|◉

p.54

15:40

Peter & the Wolf 30min |普|■

Wild Sparrow

持攝影機的男人 + 台北之晨

彼得與狼 p.75

SAT.

野雀之詩

17:30

14:10

一狗 + 蟾鳴 + 主管再見 p.46-47

78min |輔 12 |★|◉

伏魔殿 + 逃出立法院

p.40-41

110min |輔 15 |◉

p.49

10/19

15:00

MON.

青春:第 50 屆日本全國高 中棒球錦標賽

Damp Season p.57

in89 9

Her Brother

p.42-43

蘿拉的少女心事

回南天

The Red Leaf Legend

92min |輔 12 |★|◉

15:00

大餓

Wild Sparrow

This Is Not the End+Fish Tank+The 2014 Consensus

12:40

Ensemble p.120

95min |輔 12 |◉

p.49

指揮巨星亞尼克

Hello World! - The Movie 61min |普

110min |輔 15 |★|◉

弟弟 [4K 數位修復版 ]

Field of Dreams 107min |普

Temple of Devilbuster+ Get the Hell Out

三步 + 你剛才說的是笑話嗎 + 家族無共識

10/17

19:00

p.62

Screening Schedule

in89 9 廳

16:10

場次表

菠蘿蜜

13:20

Youth: The 50th National High School Baseball Tournament

96min |普

p.52,92

19:00

Bad Education

Death of Nintendo

壞教慾 [ 數位修復版 ] 105min |限

21:20

ㄐㄧ

16:30

任天堂死 了 p.85

99min |護|◉

愛情遺跡 Luxor p.64

85min |護

p.72

27


場次表 Screening Schedule 10/20

光影文化館

TAOYUAN ART CINEMA II

場次表

TUE.

13:00

15:00

Money

Trial of Joan of Arc

錢 [ 數位修復版 ] 85min |普|◉

Screening Schedule

in89 9 廳

in89 9

聖女貞德的審判 p.81

WED.

光影文化館

11:00

拉姆與嘎貝

110min |普|◉

Radio! Ready Oh!

Edward

Paper Flower

in89 9 廳

p.107

14:00

持攝影機的男人 + 台北之晨

p.63

in89 9

The Man Who Has A Camera+ A Morning in Taipei (Newly Scored by LIM Giong)

50min |普|無對白

p.94-95

Way Back Home

The Fortune Goddess

THU.

11:00

三生一死 [ 數位修復版 ]

Three Lives and Only One Death 123min |普|◉

28

p.101

14:00

p.109

任天堂死 了

p.64

限|◉

追憶似水年華 [ 數位修復版 ] Time Regained

114min |護

p.74

158min |護|◉

16:10

18:40

My Brother Chases Dinosaurs

Broken Embraces

102min |普

The Taste of Pho p.108

19:20

弟弟追著恐龍跑

Death of Nintendo 99min |護|◉

p.121-122

p.119

p.99

破碎的擁抱 [ 數位修復版 ] 128min |輔 12

p.77

河粉的滋味

神秘場

幸運女神

ㄐㄧ

10/22

TAOYUAN ART CINEMA II

60min |普

103min |普

75min |普|◉

21:10

18:10

彼得與狼 + 動物狂歡節

16:30

114min |護|◉

p.116

16:20

Peter & the Wolf+ Carnival of the Animals

Pickpocket p.90

紙花

83min |護|◉

13:50

回憶的祕密花園

光影文化館

99min |護|◉

18:40

艾德華登大人

[ 林強全新配樂版 ]

Lhamo and Skalbe

p.78

扒手 [ 數位修復版 ]

Conflagration

16:40

95min |普|◉ TAOYUAN ART CINEMA II

64min |普|◉

19:20

炎上 [4K 數位修復版 ]

14:30

陽光電台不打烊

10/21

[4K 數位修復版 ]

16:40

p.87

84min |普|◉

p.65


in89 9 廳

in89 9

15:00

17:10 散後

Fastball

87min |普 Ambassador 1

97min |護|◉

The Dose p.66

93min |護|◉

p.110

18:00

台灣獎頒獎典禮暨閉幕式

台灣獎得獎影片放映

60min |★

120min

Taiwan Awards & Closing Ceremony

國賓 1 廳

Ambassador 1

Screening Schedule

國賓 1 廳

Apart p.55

THU.

藥命病房

場次表

速球對決

10/22

19:30

Screening of Taiwan Awards Winner

10/23

18:30

FRI.

孤味

Little Big Women 123min |普|★|◉

國賓 8 廳

Ambassador 8

p.34

19:00

手塚治虫迷幻少女 Tezuka's Barbara 100min |限

p.36

29


開幕片 Opening Film 導演 Director

十二夜 2:回到第零天

世界首映 World Premiere

Twelve Nights 2: Back to Day Zero 台灣 Taiwan | 2020 | DCP | Colour | 93min Raye 世新大學廣電系畢,現任專 職剪輯師,作品涵蓋 MV、 廣告、短片與電影預告,剪 輯風格充滿故事性。長期關 心 流 浪 動 物 議 題,2013 年 《十二夜》是 Raye 首度執 導的紀錄片,以狗的視角看 待收容所裡發生的故事,將 收容所的真實面貌帶到觀眾 眼 前。《 十 二 夜 2: 回 到 第 零天》回到人類社會的角度 探討牠們來到收容所以前發 生的故事,並以群眾募資方 式獲得主要拍攝資金。 Graduated from the Department of Radio, Television and film, Shih Hsin University, Raye has worked as a prolific editor over the past decade. Her strong style of storytelling and artistic flare have landed her a wide variety of work in short films, music videos, TV commercials and movie trailers. Raye has been fortunate to work alongside some of the most prominent directors in the Taiwanese broadcast and film industry.

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《十二夜》上映一年後,台灣修法推行「零撲殺政策」,但棄養與繁殖無法遏止的

情況下,流浪狗問題並未因此獲得解決。《十二夜 2》走出收容所來到社會不同角 落,探討流浪動物問題的源頭。民間動保團體展開的「下鄉絕育」與「結紮計畫」

挑戰飼主長久以來根深蒂固的養狗思維。公立收容所的改建計畫因「鄰避效應」遭 到抗議,困難重重。而改建完成的收容所,卻面臨依然滿載的情形。如何帶給下一

個世代「動物保護觀念」爭取未來的希望?本片歷時三年拍攝後製完成,並以群眾

募資方式獲得主要拍攝資金,內容圍繞「結紮」、「收容」、「生命教育」三個主題, 以多個動保團體及公立收容所在各地的行動,呈現人與流浪狗之間的因果關係,並 前往美國、日本及奧地利取材,與觀眾共同思考解決之道。

「十二夜的故事或許令你感到悲傷,希望十二夜 2 能帶給你目標和方向,繼續為牠 們努力。」―Raye

Since the documentary Twelve Nights was released in 2013, regulators have rushed ahead to pass the No-Kill policy in public shelters in Taiwan, terminating the twelve nights law. However, the real problem of stray dogs has not yet been resolved.

Twelve Nights 2: Back to Day Zero is the follow up sequel that steps out of the older shelters and into different corners of Taiwanese society, delving back to the original source of Taiwan's stray dog problem. The film invites audiences to explore “spay & neuter”, “animal shelter systems” and “life education” through the actions of animal welfare charities and shelters in Taiwan. The film reveals the true cause and effect of humans and stray dogs. As part of the investigation, the team also travelled to the United States, Japan and Austria to learn from the experiences of those countries, with the hope of engaging more people in creating a fairer and better solution for animal welfare.

Producer 姜乃云 Nai-yun CHIANG Cinematographers

鄭舜仁 Shuen-ren CHENG

Raye

張曼森 Manson CHANG 王艾如 Ai-ju WANG 何政憲 Vic HO 陶磊 Leo TAO 鄭育哲 Norman CHENG

Editors Raye 曾于寧 Yu-ning TSENG Sound

劉小草 曾雅寧

Music 聶琳 Lin NIEH 程杰 Jie CHENG


開幕片

Opening Film

10/09 ( 五 ) 19:20 新光 2 廳★

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開幕片 Opening Film 導演 Director

甲子園:夢想競技場

台灣首映 Taiwan Premiere

Koshien: Japan's Field of Dreams 山崎艾瑪 Ema Ryan YAMAZAKI 日 英 混 血 導 演 山 崎 艾 瑪, 自 小 汲 取 東 西 方 文 化, 於 紐 約 大 學(NYU) 學 習 電 影 製 作, 目 前 在 紐 約 和 東 京 兩 地 發 展。2017 年, 艾 瑪 首 部 紀 錄 長 片《Monkey Business: The Adventures of Curious George's Creators》 在 Kickstarter 眾 籌 集 資 超 過 186,000 美 元, 由 The Orchard 全 球 發行。這部片在洛杉磯影展 首映,並在南塔克特島影展 獲得觀眾獎。 Ema Ryan YAMAZAKI grew up navigating between Japanese and Wester n cultures. She studied filmmaking at NYU, and currently splits her base b e t w e e n N e w Yo r k a n d Tokyo. In 2017, Ema's first feature documentary, Monkey Business: The Adventures of Curious George's Creators was released worldwide by The Orchard, after raising over $186,000 on Kickstarter. It premiered at the LA Film Festival and won the Audience Award at the Nantucket Film Festival.

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日本、美國 Japan, USA | 2019 | DCP | Colour | 94min 2019 紐約紀錄片影展

2018 年,適逢夏季甲子園 100 週年,更是「平成最後一個夏天」。日本全國近 4,000

參賽隊伍,即將透過單敗淘汰制,選出 56 校角逐高中棒球最高榮譽。水谷哲也,

橫濱隼人高中棒球總教練,目標制霸全國,始終將球隊擺在家庭之上。他從未見過

15 歲的兒子打球,也不願訓練他。水谷將兒子送到遠方的花卷東高中,在他的弟

子佐佐木洋隊中磨練。佐佐木可謂青出於藍,大聯盟球星大谷翔平、菊池雄星都是 他訓練出的高徒。大賽在即,同為甲子園常客的兩校隊伍,將會由哪隊創造奇蹟?

旅美日本導演山崎艾瑪與 NHK 合作,近距捕捉棒球青年的沸騰熱血,從地獄備賽

到最終決賽,感動呈現甲子園的汗與淚。「98% 的高中球員在這裡被打敗,然後

變得更強。」高懸於阪神電車甲子園站的標語,清楚揭示一切。甲子園作為文化縮 影,不只是熾烈青春的明證,更是塑造日本未來最堅實的夢想聖地!

Intimately following coaches and players in the historic 100th National High School Baseball Tournament, an unexpectedly shocking window into Japanese society and its struggle to balance Tradition vs. Progress, Enforcement vs. Autonomy.

Producer Eric NYARI Cinematographer Michael CROMMETT Editor Ema Ryan YAMAZAKI Music Jason CUMMINGS


開幕片

Opening Film

10/09 ( 五 ) 17:00 新光 2 廳

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閉幕片 Closing Film 導演 Director

孤味

台灣首映 Taiwan Premiere

Little Big Women 許承傑 Joseph Chen-chieh HSU 生長在台灣,於清華大學獲 得系統工程理工學位,從事 動畫劇本編劇的工作之後, 發現自己最大的熱忱依舊是 拍電影,因此決定到紐約大 學新加坡分校深造,取得電 影製作研究所的藝術碩士學 位。2014 年 受 邀 柏 林 影 展 「東京新銳營」研習,並於 2015 年參與京都電影人研 習營。許承傑具有豐富的國 際製作經驗,曾在南韓、日 本、尼泊爾、新加坡、台北 等地參與超過二十多部短片 製作。 Joseph Chen-chieh HSU, born and raised in Taiwan, received his science degree in Engineering and System Science from the National Tsing Hua University. After working as a screenwriter, Joseph realized his passion lies in film directing. He then attended New York University Tisch Asia and acquired his MFA in Film Production. He was an alumnus at Talents Tokyo in 2014 and Kyoto Filmmaker Lab in 2015. Joseph has abundant experiences in international production and participated in over 20 short films’ productions in South Korea, Japan, Nepal, Singapore, and Taipei.

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台灣 Taiwan | 2020 | DCP | Colour | 123min 2020 香港電影節開幕片

林秀英是台南赫赫有名的餐廳老闆,在丈夫無聲無息地離家後,便靠著賣蝦捲,獨

自撫養三個女兒長大成人,不僅把蝦捲從路邊攤賣到開餐廳,三個女兒更是成就非

Executive Producers 廖慶松 Ching-song LIAO 徐若瑄 Vivian HSU

己的餐廳事業。眼看就要苦盡甘來,秀英卻在 70 大壽當天接到丈夫離世的噩耗,

劉宛玲 Jacqueline W. LIU 陳郁佳 Tiffany Yu-chia CHEN

凡,大女兒阿青是國際舞者,二女兒阿瑜在台北當整形醫生,小女兒佳佳則接手自

在替這位有名無實的丈夫籌辦喪禮的同時,竟意外迎來了另一位陪伴丈夫度過晚年 的女人,家族間的矛盾再度浮現檯面;而秀英多年的隱忍,與三個女兒們因父親缺 席的童年回憶,母女間的情感糾結,是否也能圓滿畫下句點?

改編自導演的同名畢業製作短片,靈感來源正是導演的親阿嬤,故事細膩描寫台灣 女性的辛酸與堅毅。本片集結「全民阿嬤」陳淑芳、金馬影后謝盈萱、徐若瑄、丁

寧、孫可芳等實力演員同台飆戲,首次擔任監製的徐若瑄也與資深剪接大師廖慶松 合力監製,不僅劇情聚焦女人心事,拍攝劇組幾乎近九成都由女性所組成,獲邀

2020 年香港電影節開幕片。

On Shoying's 70th birthday, she receives the shocking news of her long-lost husband, Bochang's death. What is worse, there is another woman, Tsai, who stayed by Bochang till his last breath. A merry reunion now turns into a ten-day wake, an unfortunately perfect time for the family to face their complicated mother-daughter relationships. Ching, the oldest of the three daughters, has learned to downplay everything in her life to deal with an intrusive mother as Shoying. Yu, the perfect middle child, finds herself at odds with Shoying regarding her teenage daughter. Jia Jia, the youngest, fights Shoying to fulfill her father's dying wish to come home. The three daughters remind Shoying of Bochang in different ways. She goes on the quest to find out who Tsai is. Will Shoying get the closure she has longed for all her life?

Producers

Screenplay

許承傑 Joseph Chen-chieh HSU 黃怡玫 Maya HUANG

Cinematographer Jon KENG Editor

廖慶松 Ching-song LIAO 陳俊宏 Chun-hung CHEN

Sound

楊書昕 Agnes YANG

Composer

柯智豪 Blaire KO

Cast

陳淑芳 Shu-fang CHEN 謝盈萱 Yin-hsuan HSIEH 徐若瑄 Vivian HSU 孫可芳 Ke-fang SUN 丁寧 Ning DING 陳姸霏 Yan-fei CHEN


閉幕片

Closing Film

10/23 ( 五 ) 18:30 國賓 1 廳★

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導演 Director

手塚真 Macoto TEZKA 生於 1961 年,是手塚治虫 的長子,從小就展現優秀繪 畫能力,也長期沉浸在父親 的漫畫中。手塚真十九歲開 始拍片,1999 年以《白痴》 獲威尼斯影展數位影像獎, 並於 2005 年將父親最知名 的《怪醫黑傑克》改編為動 畫 聲 名 大 噪。2018 年 執 導 的首部劇情長片《星塵兄弟 的傳說》,包辦片中所有歌 曲、音樂,成為日本超 Cult 歌舞片的經典代表。

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Macoto TEZKA won a prize for his debut 8mm film at the age of 17, and was highly evaluated for his skills by judge and well-known movie director Nagisa OSHIMA. During his college years, he made his debut feature directing The Legend of the Stardust Brothers . Since then, he began creating various feature and experimental films. He also created a pioneering original video (V cinema) film called Ghost Paradise -Yokai Tengoku and a documentary about Akira Kurosawa. TEZKA spent 10 years on filming Hakuchi - the Innocent written by renowned novelist Ango SAKAGUCHI. The film received the digital a w a rd i n Ve n i c e a n d w a s invited to several international film festivals. His animated feature film Black Jack won the outstanding performance award at the Tokyo Animation Award. As the bereaved of Osamu TEZUKA, TEZKA has been working on various projects and productions of his father.

閉幕片 Closing Film

手塚治虫迷幻少女

台灣首映 Taiwan Premiere

Tezuka's Barbara

日本 Japan | 2019 | DCP | Colour | 100min 2019 東京影展最佳影片提名

「東京都市吞噬、消化了幾千萬人,有個女人卻像是排泄物般被排出了,她的名字

是芭波拉。」有著特殊性癖的唯美派作家美倉洋介在地鐵站邂逅了這名滿是酒氣的 女子,便將她帶回家。放浪形骸的芭波拉再次激起美倉創作的靈感,文思泉湧猶如 同他內心即將潰堤的慾望,她是繆斯?還是惡魔?或者根本只是美倉自行想像的幻 影?有如在芭波拉的引領之下,美倉洋介展開了這段毀滅的旅程。

「迷幻少女是關於一名男子癡迷於墮落與瘋狂的故事。」―手塚治虫

Producers 古賀俊輔 Shunsuke KOGA 亞當 · 托瑞爾 Adam TOREL Screenplay 黑澤久子 Hisako KUROSAWA (based on the manga of Osamu TEZUKA) Cinematographers 杜可風 Christopher DOYLE Kubbie TSOI Editor

手塚治虫誕辰 90 周年紀念之作,由手塚真執導,日德英跨國聯手製作,四座金馬

手塚真 Macoto TEZKA

郎,以及二階堂富美飾演謎一般的迷幻少女。繼東京影展競賽片之後,獲邀全世界

橋本一子 Ichiko HASHIMOTO

獎加七座香港電影金像獎最佳攝影得主的杜可風擔任攝影。加上實力派演員稻垣吾 各大奇幻影展。

The story is set in modern-day Tokyo. Famous novelist Yosuke MIKURA encounters a young girl in the subway station and brings her home to his condominium. The girl's name is Barbara. For all her bad manners and constant state of drunkenness, she has a certain charm that is hard to put your finger on. Much like a stray cat claiming her territory, Barbara settles herself into MIKURA's apartment. This propels the creatively congested MIKURA to write again. His life takes a drastic turn for the better. Is Barbara a muse? An artist's savior? Or is she a spell-casting sorcerer?

Music

Cast 稻垣吾郎 Goro INAGAKI 二階堂富美 Fumi NIKAIDO


閉幕片

Closing Film

10/23 ( 五 ) 19:00 國賓 8 廳

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逃出立法院 Get the Hell Out

Taiwan Awards Nominated Films

台灣獎入圍作品

自 2017 年開始舉辦的「台灣獎」競賽,今年正式邁入第四屆。本屆共收到 156 件報名

作品,不論長、短片皆各自透過影像述說存在於台灣這片土地上的故事,也展現出台灣 電影人豐沛的創作能量。

集結導演、製片、編劇、演員、策展人、影評人等專業電影人士組成的評審團,從眾多

投件作品中嚴選出 12 部優秀入圍影片,題材多元,涵蓋愛情、親情、成長、喪屍、政治、

黑幫等,將於今年桃園電影節五個合作放映場地連袂上演,邀請觀眾一起感受大銀幕上 的視覺饗宴,一覽台灣當代電影工作者的創作風貌。

頒獎典禮將於 10 月 22 日於國賓影城 @ 八德廣豐新天地隆重舉行,鄭文燦市長及決審評 審團共同揭曉三大獎項。「台灣獎」首獎影片也將於典禮結束後加映。

台灣獎獎項 Awards 最佳影片

頒予獎金新台幣 30 萬元 與獎座 1 式

1名

最佳演員獎

頒予獎金新台幣 20 萬元 與獎座 1 式

2名

未來之星

1名

由青少年評審團頒予 獎金新台幣 10 萬元與獎座 1 式


台灣獎 Taiwan Awards 初選評審

決審評審

王童

電 影 導 演, 代 表 作 品 有 《假如我是真的》、《稻草人》、 《看海的日子》、 《香蕉天堂》、 《 無 言 的 山 丘 》 等。2007 年 獲 國 家 文 藝 獎,2019 年 獲第 56 屆金馬獎終身成就 獎。

張榮吉

侯季然

電影及廣告導演,擅長於生 活 中 取 材, 以 獨 特 人 文 視 角,細膩展現角色情感。與 楊力州共同執導《奇蹟的夏天》 獲金馬獎最佳紀錄長片;首 部劇情長片《逆光飛翔》榮 獲金馬獎最佳新導演;甫以 《下半場》榮獲 2020 年台 北電影獎最佳導演獎。

電影編導、作家,敘事風格 詩意感性。多次入選柏林、 釜山、東京、鹿特丹等重要 影展,作品有《有一天》、 《南方小羊牧場》、《四十年》、 《書店裡的影像詩》等。

呂蒔媛

黃河

文化大學戲劇系影劇組畢 業,有多年電視、電影製作、 副導演等相關經驗,中年轉 業編劇,以《牽紙鷂的手》、 《出境事務所》、《我們與惡的距離》 三度獲得金鐘獎戲劇節目編 劇獎肯定。

鄭秉泓

高雄人,寫影評、策劃影展、 在東海及義守大學講授電 影。著有《台灣電影愛與死》、 《台灣電影變幻時:尋找台灣魂》, 並擔任蘇明彥作品《伏流》 監製。

陳保英

台灣藝術大學電影系製片組 畢業,曾任電影編導、影展 專案執行、劇情片及紀錄片 製片。代表作品有《歸 · 途》、 《迴光奏鳴曲》、《兒子老子》, 以及《生生》。

Taiwan Awards Nominated Films

詩人,劇場及電影編導。執 導作品《3 橘之戀》獲南特 影展最佳導演獎,以及芝加 哥影展國際影評人獎;合著 劇本《牯嶺街少年殺人事件》 獲金馬獎最佳原著劇本獎。 現於國立台北藝術大學電影 系兼任。

台灣獎入圍作品

鴻鴻

電 視、 電 影 演 員。2007 年 以《危險心靈》獲第四十二 屆金鐘獎戲劇類最佳男主角 獎,2016 年以《紅衣小女孩》 獲台北電影獎最佳男主角 獎。

青少年評審團

由桃園市在地青少年組成之評審團,透過培訓營課程,學習影像美學、敘事手法、演員表演等,進而擔任評審角色,以新生代的獨到觀點選 出最具潛力新人獎―未來之星。

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一狗

Caninity

廖崇傑 Eagle LIAO 台灣 Taiwan | 2019 | DCP | Colour | 25min

台灣獎入圍作品

2020 台北電影節 2020 希臘雅典 Psarokokalo 國際短片影展 2019 莫斯科國際短片影展

Producer 林彥廷 Yen-ting LIN Screenplay 廖崇傑 Eagle LIAO

Cast 錢立訢 Li-hsin CHIEN 許瑩美 Ying-mei HSU 源一聖 Ethan WANG

Cinematographer 簡強 Chiang CHIEN Editor 杜怡門 Yi-men DU

狐群狗黨的男人們,拿著剛到手的一筆錢前往熟識的小吃部,然而這夜晚卻彷彿只屬於一狗。初

來乍到的他,有個模樣生澀的 33 號女孩陪伴,一室裊裊搖曳的聲色犬馬,十分魔幻,浪漫情懷

也迎面而來。此刻的一狗,心裡卻仍思念著遠方的小琪,Eagle 啊 Eagle,究竟是霸氣的老鷹? 還是落魄的自我?

When a young Taiwanese man visits a remote Escort Karaoke for the first time, he begins to understand the complexity of desire and exploitation.

Taiwan Awards Nominated Films

蟾鳴

Humming Memory

游翰庭 Han-ting YU 台灣 Taiwan | 2019 | DCP | Colour | 28min 2020 金穗獎一般組首獎、最佳男演員獎、最佳導演獎 2020 台北電影獎最佳短片、最佳攝影、最佳聲音設計獎提名

主管再見 See You, Sir

林亞佑 Ya-yu LIN 台灣 Taiwan | 2019 | DCP | Colour | 25min 2020 台北電影獎最佳新演員獎 2020 金穗獎一般組最佳劇情短片優等獎、最佳整體演出獎

Producer

朱芸廷 Yun-ting JHU

Screenplay 游翰庭 Han-ting YU

Cinematographer 葉明廣 Ming-guang YEH Editor 劉人鳳 Ren-fong LIU

Music 林強 LIM Giong

Cast 楊傑宇 Jie-yu YANG 夏騰宏 Teng-hung HSIA 廖欽亮 Chin-liang LIAO

鄉下青年『阿肯』,平常在加油站上大夜班,漫漫長夜時常想起幼時無數大人們前往工廠上班, 村落還生氣勃勃的樣子。這一夜阿肯迎來許久不見的童年玩伴『長腳』,本應是重逢的喜悅,但 卻意外揭開阿肯記憶中不願面對的真相。

Ken is a young man who has lived in his small hometown for all his life. He spends his time working night shifts at the local gas station. One night, he reminisces about his childhood in this once-thriving town. Times were different back then: thriving factories provided most of the residents with jobs and the town with a booming economy. Ken especially thinks back on all the great friends he had, and how he sadly doesn't get to see them anymore. Then Long Foot, one of those close childhood friends, walks through the door and proves the past should sometimes stay that way. What should have been a happy reunion turns into a melancholic self-examination as Ken is reminded of an unpleasant memory, he'd never have to face again. Producer

巫奇優 Chi-yu WU

Screenplay 林亞佑 Ya-yu LIN

Cinematographer

古曜華 Yao-hua KU

Music 許家維 Chia-wei HSU

Editor 高鳴晟 Ming-cheng KAO 王瀞巧 Ching-chiao WANG

Cast

李曆融 Li-rong LI 陳恩 En CHEN 侯哿可 Co-co HO 羅能華 Ronan LO

跋扈又重義氣的小霸王 YAMAHA 三進三出少觀所,年幼的跟屁蟲弟弟仔因為遭受家暴反而在少 觀所得到歸屬,沉默又神秘的菜鳥筌仔身上背負著重罪,三名少年在冬季的跨年夜裡成為少年觀

護所內的室友。 想做老大的 YAMAHA 試圖照顧身邊所有人,三人在所裡關係越來越要好、越來

越適應,他卻也發現大家越來越離不開監所的輪迴。

Yamaha is a cocky and yet caring juvenile offender. He takes Sonny, a young inmate, under his wing. Chuan is a quiet and mysterious new arrival. The trio become roommates on the New Year's Eve. As they get closer and closer to each other and more and more used to the life in the detention house, they come to realize that they can never be truly free from the place.

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導演 Director

廖崇傑 Eagle LIAO

導演 Director

林亞佑 Ya-yu LIN

10/09 ( 五 ) 17:20 星橋 7 廳

導演及編劇。1986 年生於台北,從事影視工作約莫 10 年, 期許能活到老拍到老。2012 年以公視學生劇展《小金球》 入圍台北電影節、金穗獎;2014 年短片《非關男孩》入圍 金穗獎、高雄電影節國際短片競賽及南方影展。本片《蟾鳴》 2020 年再度獲得金穗獎的肯定,榮獲金穗獎一般組首獎及 最佳導演獎。 Han-ting YU was born in 1986 in Taipei. He's been working in film and television for ten years. His short film The Gold Ore was nominated for Taipei Film Awards and Golden Harvest Awards in 2012. His short film, Something about the Boy , was nominated for Golden Harvest Awards, Kaohsiung International Short Film Competition, and the South Awards in 2014. His latest work, Humming Memory , was nominated for Golden Harvest Awards, and won the Grand Prize as well as the Best Director Award.

Taiwan Awards Nominated Films

游翰庭 Han-ting YU

Eagle LIAO, Taiwanese short film and commercial director. Born in 1991 in Tainan. Graduated from the Department of Radio and Television of Ming Chuan University, Taiwan, he obtained his master degree in Film Directing in DePaul University, Chicago in 2019. During his studies in USA, he has participated in many independent films and visual projects. He currently lives in Taiwan. His works include 444 (2017), Unrequited Love (2014), and My Adoption (2017), which won the Best Student Documentary Short Film at London Independent Film Awards.

台灣獎入圍作品

導演 Director

劇情短片及廣告導演,1991 出生於台南新營。銘傳大學 廣電學系畢業,2014 年赴芝加哥帝博大學攻讀電影導演碩 士,在美期間曾參與不少獨立製片與影像工作,現居台灣。 曾執導作品《444》和《單戀》,2017 年以紀錄短片《My Adoption》獲倫敦獨立電影獎最佳學生紀錄短片。

就讀台北藝術大學電影創作學系導演組碩士班。2016 年完 成短片《一直騎呀一直騎》;2018 年入選金馬電影學院; 2019 年拍攝畢業製作《主管再見》。除了導演職務之外, 也曾擔任導演組的各個職位。 Ya-yu LIN studied in the Department of Filmmaking at Taipei National University of the Arts. In 2018, he participated in the Golden Horse Film Academy. See You, Sir is his graduation film.

10/14 ( 三 ) 19:00 光影文化館

10/18 ( 日 ) 17:40 in89 9 廳★

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三步

Producer

盛子毅 Zi-yi SHENG

This Is Not the End

Screenplay

陳淦熙 Kam-hei CHAN 台灣、香港 Taiwan, Hong Kong | 2020 | DCP | Colour | 26min 2020 香港鮮浪潮國際短片節最佳編劇獎

陳淦熙 Kam-hei CHAN

Cinematographer

陳瀚恩 Hon-yan CHAN

Editor

朱威 We CHU

Music 吳欣穎 SiNg WU 陳俊宇 Adam CHAN

Cast 胡智強 Chi-ciang HU 陳雪甄 Vera CHEN 陳柏文 Nat CHEN

16 歲窮小子程永睦在壓抑的家庭中成長,幸好他找到自己情緒宣洩的出

口―跨欄,即便媽媽王秀玲毫不在乎。當他越努力嘗試突破先天條件,目

標卻越遙不可及……高中畢業之前,永睦到底能不能縱身一躍,跨出成績、

台灣獎入圍作品

也跨越人生的難關?

Allen, a 16-years old student, grows up poor in a broken home. Fortunately, he finds a hobby to vent out his emotions-hurdling. Yet, his mother, Mina does not care about Allen at all. Allen practiced hard to overcome his short height obstacle, but his hard work does not pay off. Can Allen defy his destiny?

Taiwan Awards Nominated Films

你剛才說的是笑話嗎 Fish Tank

宋承穎 Cheng-ying SONG 台灣 Taiwan | 2020 | DCP | Colour | 32min

世界首映 World Premiere

Producer 楊涵君 Han-jyun YANG Cinematographer 邱建澄 Owen CHIU

Screenplay 宋承穎 Cheng-ying SONG 林澤凱 Tse-kai LIN Editor 林澤凱 Tse-kai LIN

Cast 陳柏豪 Hugo CHEN 林澤凱 Tse-kan LIN 高慧君 Francesca KAO

阿川只有工作、吃飯,和空蕩蕩的宿舍,其他的他不去想。有天,他畢業

後就沒再聯絡過的國中同學佑祥突然出現了。他告訴阿川,要帶他去找以 前心儀的對象,寶雯。事情的突如其來讓他不放心,但他更想見寶雯。

Chuan never have more thought aside from working, eating, and his empty dorm room. One day, his junior high school classmate who had never contact after graduate, Yu-hsiang, appeared. He told Chuan he could take him to see Bau-wen, the girl he once had a crash on. Even all those came in sudden, making he confused, he still wanted to see Bau-Wen again.

家族無共識 The 2014 Consensus

蘇奕瑄 I-hsuan SU 台灣 Taiwan | 2019 | DCP | Colour | 34min

Producer

葉直玠 Jason YEH

Screenplay 蘇奕瑄 I-hsuan SU

Cinematographer 蔡維隆 Wei-lung TSAI Editor 蘇奕瑄 I-hsuan SU

Cast

李玲葦 Ling-wei LI 林嘉俐 Gail LIN 藍葦華 Wei-hua LAN 游安順 An-shun YOU 黃婕菲 Jie-fei HUANG

欣樺回老家為阿媽忌日做對年,王家子孫難得齊聚一堂,一家人表面看來 和樂融融,實際上各有心思,從師公擲茭到馬鈴薯燉肉,都可以是爭論話

題。此時 318 學運爆發,焦躁的欣樺一心掛意著友人安危和國家命運,但

她也察覺到家族成員各懷鬼胎的詭譎氣氛。成長背景、世代觀念的差異, 是否將撕裂這個家?

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Hsin-hua goes back to her parent's house for the grandma's death anniversary. Her family will gather in a few days. But the day is also the first day of the Sunflower Movement, her friends protest the trade agreement for China in the Legislative Yuan. Hsin-hua wants to be there, but she has to stay with her family. She is worried about the protest and the country's future. At the same time, the family is not peaceful at all. Hsin-hua has a big generational gap with her parents and relatives in the political issue. And everyone has a different idea of grandma's heritage. When they receive a bad sign of grandma from the religious master priest, they are suspicious of each other. Along with the protest going on, a storm will arrive in this family…


導演 Director

陳淦熙 Kam-hei CHAN

出生於香港,現就讀台北藝術大學電影研究所導演系。在港、 台工作,擔任多部短片編導,作品《三步》獲 2020 年鮮浪 潮國際短片節最佳編劇獎。 Kam-hei CHAN is a Hong Kong director and screenwriter. His short film, This Is Not the End , won Best Screenplay in the Local Competition Section at the 2020 Fresh Wave.

台灣獎入圍作品

宋承穎,1997 年出生於高雄,就讀台北藝術大學電影創作學 系,主修攝影與剪輯。 Cheng-ying SONG, bor n in Kaohsiung in1997, studies in Department of Filmmaking in Taipei National University of Art, majoring in cinematography and editing.

宋承穎 Cheng-ying SONG

導演 Director

蘇奕瑄 I-hsuan SU

10/09 ( 五 ) 15:00 星橋 7 廳

Taiwan Awards Nominated Films

導演 Director

生於台北,巴黎法國自由電影學院畢業。2011 年短片《失 物招領》獲得新聞局短片輔導金。2018 年公視人生劇展《青 苔》,入圍金鐘六項大獎,並奪得最佳電視電影、電視電影 最佳男主角、最佳新人三項獎項;長片《青春並不溫柔》企劃, 入選 2018 年台北電影節與法國南特三洲影展合辦的南特國 際提案工作坊及東京新銳營,現正發展中。

Born in Taipei, she graduated from CLCF in Paris. In 2018, her telefilm, Where The Sun Don't Shine , was awarded for the Best Telefilm, Best Actor and New Actor of the Golden Bell Award in Taiwan. Her new project, Who'll Stop The Rain, was selected at PAS in Taipei and Tokyo Talent.

10/13 ( 二 ) 16:00 新光 11 廳

10/17 ( 六 ) 16:10 光影文化館★

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導演 Director

廖克發 Kek-huat LAU

台灣獎入圍作品

Taiwan Awards Nominated Films

出生於馬來西亞,目前定居 台灣。曾參與柏林影展新銳 營 與 金 馬 電 影 學 院。 短 片 《妮雅的門》獲釜山影展「超 廣角」單元最佳亞洲短片獎; 首部劇情長片《菠蘿蜜》入 圍釜山影展「新潮流」競賽 單元,並獲金馬獎與台北電 影獎多項提名。創作持續反 映真實世界,其兩部拍攝家 鄉的紀錄片《不即不離》與 《還有一些樹》依然受到馬 來西亞政府的審查禁止。 Kek-huat LAU, Malaysian filmmaker based in Taiwan. He is an alumnus of Golden Horse Academy and Berlinale & Tokyo Talents. His shor t film, Nia's Door , won the Sonje Award at Busan International Film Festival. His debut feature film, Boluomi , was in the New Currents competition section of Busan International Film Festival, and it was nominated for Best New Director at Golden Horse Awards. Both h i s d o c u m e n t a r y, A b s e n t without Leave and The Tree Remembers , still face censorship challenge today in Malaysia.

菠蘿蜜 Boluomi

台灣 Taiwan | 2019 | DCP | Colour | 108min

2020 台北電影獎最佳劇情片、女主角、男主角、剪輯、美術設計獎提名 2019 金馬獎最佳新導演獎提名

本片改編自導演廖克發的親身經歷及家族故事,他將菠蘿蜜和革命軍隊(馬共)的歷 史寫在了一起。以馬來西亞共產黨爭取獨立作為背景,男主角吳念軒飾演來台灣唸書 陳雪甄 Vera CHEN 台灣電影演員、劇場導演及 表演教師。現任魔梯形體劇 場藝術總監,以及東南科大 表演藝術糸助理教授。參與 演出電影有《妮雅的門》、 《氣》、《台灣十年》等。

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Vera CHEN, Taiwanese film actress, theatre director and performance coach. She currently works as the Artist Director at Multi-X Theatre Company, and the assistance p r o f e s s o r i n Tu n g n a n University. Her acting credits include BIFF 2015 Sonje Award winner, Nia's Door, Chi: The Method of Breathing, Ten Years Taiwan, etc.

的馬來西亞學生,他的祖父母曾參與游擊戰,時代的哀愁使他與父親的關係也陷入冰 點,在追尋自我認同的同時,吳念軒遇上來台打工的菲律賓女生萊拉,兩人迸發的愛

意卻讓他更加苦惱。許多馬來西亞人都有這樣的經驗,一家人一起圍著吃菠蘿蜜水果, 把一張一張舊報紙鋪好、疊放在地板上,父親或母親提著刀子,喀滋喀滋切開菠蘿蜜 的外殼,而滿懷期待的孩子們,蹲坐在地板上,眼睛盯著菠蘿蜜將露出黃色果肉和香 味的那一刻。

「菠蘿蜜是鄉愁的熱帶水果,也是被時代遺棄的一個小孩。」─廖克發 Over the decades, the Malayan Communist Party fought a guerrilla war in the jungle for independence. When a baby was born during the war, they sent it out of the jungle to ensure its survival. Boluomi is one of those babies.

10/13 ( 二 ) 18:30 新光 11 廳

10/17 ( 六 ) 10:30 光影文化館★

Producer 林仕肯 Shih-ken LIN Screenplay 廖克發 Kek-huat LAU 田開良 Kai-leong TIAN Cinematographer 葉明廣 Ming-kuang YEH Editor 林婉玉 Jessica Wan-yu LIN Cast 吳念軒 Nien-hsuan WU 萊拉 Laila Putli Pagtitahan ULAO 陳雪甄 Vera CHEN


台灣獎入圍作品

桃園新影 Made in Taoyuan

Wild Sparrow

台灣 Taiwan | 2019 | DCP | Colour | 95min 2019 台北電影獎最佳女主角獎 2019 芝加哥影展「新導演競賽單元」

導演 Director

Taiwan Awards Nominated Films

野雀之詩

施立 Li SHIH

小翰與含笑姨祖孫倆相依為命居於山城小鎮,在生靈萬物的照看下生活,他拾回一隻 垂死麻雀並將牠下葬的那天,久別的母親阿麗帶來要接小翰同住的消息。與母親來到 城市,小翰踏入迥異於自然山林、複雜而混濁的世界。阿麗遭情人不告而別後,重操

舊業回酒店上班,酒店少爺連仔成為載送阿麗接客的男友兼馬伕,並在一次爭吵中暴 力相向,小翰因而被送回山上老家。在徬徨無助中成長的小翰,在情感依賴中掙扎的

阿麗,和澹然知命迎向凋零的含笑姨,一家三代,每個人就像是彼此的過去或未來; 而關在籠中的野鳥,又能用多少力氣抵抗命運?

Han lives with his great-grandmother in a small mountain town. One day, Han comes across a dying sparrow, he brings it home and buries it when it has died. On the same day, Li, Han's mother who has been away, calls, asking Han to come live with her in the city. Soon after their reunion, Li's lover abandons her, and therefore Li goes back to work in the nightclub, where she begins another troublesome relationship. As a result, Han returns to his great-grandmother. In a dreamy state, they visit the sparrow's grave but find it destroyed and the body gone…

10/17 ( 六 ) 19:00 光影文化館★

Producer 賴珍琳 Jewel, C.L. LAI 施立 Li SHIH Screenplay 吳奕均 Yi-chun WU 施立 Li SHIH Cinematographer 陳麒文 Chi-wen CHEN Music 王榆鈞 Yu-jun WANG Cast 高於夏 Yu-sia KAO 李亦捷 Yi-chieh LEE 陳淑芳 Shu-fang CHEN 游安順 An-shun YOU 夏騰宏 Teng-hung HSIA

10/18 ( 日 ) 10:00 in89 9 廳

橫 跨 流 行 音 樂、 劇 場 及 電 影 等 領 域 的 創 作 人。 曾 參 與多位歌手專輯製作及歌 詞 創 作, 近 年 跨 足 影 像 創 作,以短片《離家的女人》 (2012)及電視電影《回家 的 女 人 》(2014) 入 選 金 馬影展、台北電影節及金穗 獎等國內外多個影展。《野 雀之詩》於 2019 台北電影 獎榮獲最佳女主角獎。 Li SHIH is a director, writer and a lyricist in popular music, theater, and cinema. His short No Way Home and his debut feature Almost Heaven were screened in many film festivals including Taipei Golden Horse Film Festival and Taipei Film Festival.

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台灣獎入圍作品

導演 Director

Taiwan Awards Nominated Films

導演 Director

林志儒 Chih-ju LIN 1984 年因參加柯一正導演 作品《我們的天空》製作團 隊,從此踏入電影一行,曾 擔 任 柯 一 正、 萬 仁、 廖 慶 松、丁善璽等人的副導演及 剪 輯。2002 年 以 拍 攝 短 片 《雙影》,開始影像創作的 旅程,爾後完成多部電影、 電視、連續劇、單元劇,作 品屢獲金鐘獎及其它獎項肯 定。2009 年 也 以 演 出 電 影 《不能沒有你》,開始表演 的工作,並獲台北電影獎最 佳男配角獎。 Chih-ju LIN stepped into the film industry in 1984 by joining the crew of Last Train to Tan Shui directed by I-chen KO. He was the co-director and e d i t o r o f I - c h e n K O , WA N Jen, Ching-song LIAO, Shanhsi TING. He embarked on a journey of filmmaking in 2002 with his short film Shuang Ying , he directed many films and TV series. He earned himself several Golden Bell Awards. In 2009, LIN started his acting career in the film Cannot Live without You , and he won the Best Supporting Actor at the Taipei Film Awards.

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大桔大利 闔家平安 Dear Orange

台灣 Taiwan | 2020 | DCP | Colour | 112min

梅姐一直追求的,就是個簡單的幸福愛情而已,但是命運好像總是在開她玩笑,一次 失敗的婚姻,一個驚天動地的婚外情,一次次的挫折,再怎麼樂天開朗的她還是放棄

了。十幾年來,帶著身心失調的兒子弟牯,老人癡呆症的母親,也是一步一步的走了

過來。前夫志遠的出現,改變了梅姐平靜的生活。也因為志遠的布袋戲,挽救了梅姐 的節目,梅姐感覺到自己追求的幸福好像已經到來。梅姐的節目成功了,卻引來頻道

業者的反彈,節目被逼得下架,志遠又發生意外身亡,梅姐心情跌到谷底,決定結束 自己悲慘的一生。在海邊,梅姐終於感受到,她一生追求幸福的功課,其實早已實踐 並得到了。梅姐趕回家,挽回可能發生的悲劇。

What Mei wants is a simple relationship with someone who loves her dearly. However, fate decides otherwise. After a failed marriage and an immoral affair with a married man, she gives up on life because of one setback after another. For the past decade, she has barely survived with her mentally disabled son, Diku, and her dementia mother. But when she bumps again into her ex-husband, Zhiyuan, her life is no longer quiet. His glove puppetry saves her show. She feels as if she is about to get the happiness that she wants. However, the success of her show has incurred her rival's displeasure. The show is forced to be canceled. In the meantime, an accident kills Zhi-yuan, which makes her so depressed that she intends to end her miserable life. While standing by the sea, Mei finally realizes that she has in fact got what she has been searching for. Therefore, she runs back home to try to prevent an imminent tragedy from happening.

10/12 ( 一 ) 16:00 新光 11 廳

10/18 ( 日 ) 14:50 in89 9 廳★

Producer 衛國泰 Guo-tai WEI Cinematographers 廖敬堯 Jing-yao LIAO 倪彬 Bin NI Editor 林志儒 Chih-ju LIN Cast 吳奕蓉 Yi-jung WU 彭浩秦 Hao-qin PENG 江承益 Cheng-yi JIAN 官賢妹 Xian-mei GUAN 范姜泰基 Tai-ji FANJANG


台灣獎入圍作品

Taiwan Awards Nominated Films

47 大桔大利 闔家平安 Dear Orange


台灣獎入圍作品

Taiwan Awards Nominated Films

導演 Director

謝沛如 Pei-ju HSIEH 謝沛如,台灣藝術大學電影 創作學士,美國哥倫比亞大 學電影創作碩士。以《十年 台灣》提名台北電影獎最佳 劇情長片獎。其首部劇情長 片 作 品《 大 餓 》 入 選 第 24 屆 釜 山 影 展「 亞 洲 電 影 之 窗」單元,獲得第 56 屆金 馬獎國際影評人費比西獎, 並獲得第 21 屆台北電影節 最佳新演員獎以及國際新導 演競賽觀眾票選獎。 Based in Taipei, Taiwan, Peiju H SIEH e a r n e d h e r M FA at Columbia University. Her feature debut, Heavy Craving was selected for Busan Inter national Film Festival, and it won Best New Talent at Taipei Film Awards, and the Audience Choice Award at International New Talent Competition of Taipei Film Festival, and FIPRESCI Prize at Taipei Golden Horse Film Festival in 2019.

48

大餓

Heavy Craving

台灣 Taiwan | 2019 | DCP | Colour | 90min

2019 台北電影獎最佳新演員獎 2019 金馬獎國際影評人費比西獎

「大恐龍老師」阿娟豐腴圓潤的身形底下,雖有著一顆熱情的「吃心」以及精湛的烹

飪「煮藝」,卻老是因為身材而飽受歧視。為了被愛,阿娟決心減肥,然而瘦身的魔 鬼訓練使她不堪負荷,原來改變自己的過程如此難堪,「做自己」好難。阿娟不禁開始 懷疑自己減肥的意義何在?難道非得活在社會的審美框架中,才有被愛的資格?

30 years old. 105 kilograms. Ying-juan was dealt a bad hand. She works at her mother's childcare center and has a harder time fitting in than a T-Rex in a petting zoo, until she meets Wu, a deliveryman who bears a checkered past underneath his radiant smile. Encouraged by Wu, Yingjuan finally decides to lose weight. Just when things are getting on the right track, devastatingly, Yingjuan's passion for cooking seems to be fading away due to her over-aggressive diet...

10/14 ( 三 ) 16:30 星橋 7 廳

10/18 ( 日 ) 12:30 in89 9 廳★

Producer 王閔立 Min-li WANG Screenplay 謝沛如 Pei-ju HSIEH Cinematographers 張皓然 Hao-jan CHANG Editor 湯宜菲 Yi-fei TANG Music 林弘韜 Hung-tao LIN Cast 蔡嘉茵 Jia-yin TSAI 柯淑勤 Samantha KO 張耀仁 Yao CHANG 張恩瑋 En-wei CHANG


太保不想當伏魔娘娘的乩身,逃出了伏魔殿;太保不想當仙仔的替死鬼, 逃出了地檢署。但太保逃得再快,也快不過阿輕的劍。同為魔君轉世的

阿輕將太保帶回伏魔殿繼續贖罪,卻終於發現伏魔娘娘只是在利用她們 ──伏魔殿的作用就是將世人的罪都轉嫁到她們身上。阿輕幫助太保殺 出伏魔殿,卻沒想到太保在最後關頭背叛她,將所有的罪都留給阿輕, 獨自逃亡。而太保始終不明白,自己滾滾落下的眼淚所為何來。

Temple of Devilbuster

台灣 Taiwan | 2020 | DCP | Colour | 24min

桃園新影 Made in Taoyuan

2020 台北電影獎最佳傑出技術獎─動作設計;最佳造型設計獎提名 2020 大阪亞洲電影節

Editor 王逸帆 I-fan WANG Action Choreography 黃泰維 Tai-wei HUANG 李紹朋 Shao-peng LEE

Music 吉米林 Jimmy LIN 張哲綱 CK Cast 林道禹 Dao-yu LIN 林幻夢露 Anicca

標準魯蛇王有為是立法院裡的替代役,卻在立委熊穎穎與反派立委的衝 突中,意外害熊穎穎使用暴力,不得不引咎辭職,她便強硬地要求王有

為替她把立委選回來。連班長都沒當過的王有為就這樣補選上了立委! 王有為上任的某天,立法院爆發化工廠流出的活屍病毒,立委、高官甚

至是總統一個個在立法院中開始互撕互咬變成活屍,政府高層下令要全 數殲滅以控制疫情。在各種活屍立委的夾擊下,一群情感與利益互相糾

Taiwan Awards Nominated Films

伏魔殿

Producer 傅崑閔 Kun-min FU Screenplay 王逸帆 I-fan WANG Cinematographer 王逸帆 I-fan WANG

台灣獎入圍作品

Tai-bao and A-Queen are both the reincarnations of the Devil Star, but Tai-bao flees. A-Queen takes Tai-bao back to the Temple of Devilbuster, to atone his sin. However, they both find out later the Holy Mother is just using them. The main reason they are locked at the temple is to take the blames for other people's sin, which they have never done.

葛的倖存者,該如何奮力逃出立法院?

逃出立法院 Get the Hell Out

台灣 Taiwan | 2020 | DCP | Colour | 86min 2020 多倫多影展 2020 台北電影節

導演 Director

WANG Yo-wei works as a security guard at the parliament and is regarded as a loser by others. One day, he gets involved in an incident which costs Ying-ying XIONG, a Member of Parliament, her job. XIONG then asks Wang to stand for the by-election, and she will help him win the seat. Therefore, a loser becomes a new MP. One day in the new session, as a fatal virus is spreading inside the parliament, the MPs are infected and become zombies! Strangely, WANG proves to be the only one immune to the virus. Together with XIONG, they not only fight their way out but save many lives! Producer 柯俋森 Yi-sen KO Screenplay 簡士耕 Shih-keng CHIEN 王逸帆 I-fan WANG 楊宛儒 Wan-ju YANG Cinematographer 蔡旻翰 Seven TSAI

Editor 施博瀚 Po-han SHIH 王逸帆 I-fan WANG Music 吉米林 Jimmy LIN 張哲綱 CK

Cast 禾浩辰 Bruce HO 賴雅妍 Megan LAI 庹宗華 Chung-hua TOU 王中皇 Chung-huan WANG 高慧君 Francesca KAO 林鶴軒 He-xuan LIN

王逸帆 I-fan WANG

除了導演外,也常擔任攝影師,歡迎發案! I-fan Wang, in addition to being a director, he is often a DP. Please feel free to contact him for new projects.

10/13 ( 二 ) 15:40 星橋 7 廳

10/17 ( 六 ) 13:20 光影文化館★

10/18 ( 日 ) 20:00 in89 9 廳

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甲子園:夢想競技場 Koshien: Japan's Field of Dreams

Baseball Fever

熱血野球

棒球源自美國,台灣棒球運動起源於日治時期,而日本棒球則又受 美國影響甚深,若梳理棒球在各國發展的歷史,可以發現這項運動 反映了社會變遷,也在文化傳承及身分認同上有不可或缺的地位。 桃園作為一個棒球城市,也是培育年輕選手的搖籃,今年特別選定

「棒球」主題作為焦點,希望觀眾一起透過電影感受熱血青春,讓 精采賽事串起我們的人生。


Producer Eric NYARI Cinematographer Michael CROMMETT Editor Ema Ryan YAMAZAKI Music Jason CUMMINGS

熱血野球

甲子園:夢想競技場 Koshien: Japan's Field of Dreams

台灣首映 Taiwan Premiere

日本、美國 Japan, USA | 2019 | DCP | Colour | 94min 2019 紐約紀錄片影展

2018 年,適逢夏季甲子園 100 週年,更是「平成最後一個夏天」。日本全國近 4,000

參賽隊伍,即將透過單敗淘汰制,選出 56 校角逐高中棒球最高榮譽。水谷哲也,橫 濱隼人高中棒球總教練,目標制霸全國,始終將球隊擺在家庭之上。他從未見過 15

歲的兒子打球,也不願訓練他。水谷將兒子送到遠方的花卷東高中,在他的弟子佐佐 木洋隊中磨練。佐佐木可謂青出於藍,大聯盟球星大谷翔平、菊池雄星都是他訓練出 的高徒。大賽在即,同為甲子園常客的兩校隊伍,將會由哪隊創造奇蹟?

Intimately following coaches and players in the historic 100th National High School Baseball Tournament, an unexpectedly shocking window into Japanese society and its struggle to balance Tradition vs. Progress, Enforcement vs. Autonomy.

旅美日本導演山崎艾瑪與 NHK 合作,近距捕捉棒球青年的沸騰熱血,從地獄備賽到

最終決賽,感動呈現甲子園的汗與淚。「98% 的高中球員在這裡被打敗,然後變得更

強。」高懸於阪神電車甲子園站的標語,清楚揭示一切。甲子園作為文化縮影,不只 是熾烈青春的明證,更是塑造日本未來最堅實的夢想聖地!

10/09 ( 五 ) 17:00 新光 2 廳

Baseball Fever

導演 Director

山崎艾瑪 Ema Ryan YAMAZAKI 日 英 混 血 導 演 山 崎 艾 瑪, 自 小 汲 取 東 西 方 文 化, 於 紐 約 大 學(NYU) 學 習 電 影 製 作, 目 前 在 紐 約 和 東 京 兩 地 發 展。2017 年, 艾 瑪 首 部 紀 錄 長 片《Monkey Business: The Adventures of Curious George's Creators》 在 Kickstarter 眾 籌 集 資 超 過 186,000 美 元, 由 The Orchard 全 球 發行。這部片在洛杉磯影展 首映,並在南塔克特島影展 獲得觀眾獎。 Ema Ryan YAMAZAKI grew up navigating between Japanese and Wester n cultures. She studied filmmaking at NYU, and currently splits her base b e t w e e n N e w Yo r k a n d Tokyo. In 2017, Ema's first feature documentary, Monkey Business: The Adventures of Curious George's Creators was released worldwide by The Orchard, after raising over $186,000 on Kickstarter. It premiered at the LA Film Festival and won the Audience Award at the Nantucket Film Festival.

51


Producers 衣奈多喜男 Takio ENA 菅野長吉 Chokichi KANNO Screenplay 井手雅人 Masato IDE 白坂依志夫 Yoshio SHIRASAKA 伊藤清 Kiyosi ITO 谷川俊太郎 Shuntaro TANIKAWA Cinematographer 植松永吉 Eikichi UEMATSU Sound 大橋鉄矢 Tetsuya OHASHI

熱血野球

Music 山本直純 Naozumi YAMAMOTO

Baseball Fever

導演 Director

市川崑 Kon ICHIKAWA 日本著名導演(1915-2008), 與黑澤明、木下惠介、小林 正樹並稱日本影壇四騎士。 以推理小說家橫溝正史的 《金田一耕助》系列為劇本 拍成的電影以絢爛畫面、緊 湊 劇 情 大 受 歡 迎。1964 年 市川崑為東京奧委會拍攝官 方紀錄片,於 1965 年推出, 不落俗套的手法不僅讓他揚 名世界,也為他贏得坎城影 展國際影評人協會獎。其作 品大部分來自日本文學作品 改編,如《炎上》、《鍵》、 《我是貓》、《細雪》等。 Kon ICHIKAWA (20 November 1915 – 13 February 2008) was a Japanese film director. His work displays a vast range in genre and style, from the antiwar films The Burmese Harp (1956) and Fires on the Plain (1959), to the documentary Tokyo Olympiad (1965), which won two BAFTA Film Awards, and the 19th-century revenge drama An Actor's Revenge (1963). His film Odd Obsession (1959) won the Jury Prize at the 1960 Cannes Film Festival.

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青春:第 50 屆日本全國高中棒球錦標賽

Youth: The 50th National High School Baseball Tournament

台灣首映 Taiwan Premiere

日本 Japan | 1968 | DCP | Colour | 96min

1968 年盛夏,第 50 屆日本全國高中棒球錦標賽「夏季甲子園」正式開戰!六萬名觀

眾擠爆看台觀戰,歡呼聲響徹雲霄。從 2,485 所學校脫穎而出 48 校菁英隊伍,準備 爭奪獨一無二的至高榮耀。劇組縱橫經緯走遍列島,從寒冬到酷暑,追蹤野球少年的

逐夢身影。片中更穿插珍貴歷史畫面,細數甲子園變遷史。走過二戰,巍巍場館除了 曾因軍需拆用,甚至有明星球員遠赴沙場不再歸來。汗淚齊飆的甲子園,不僅是青春 競技場,更見證永不言棄的大和精神。

本片為明治百年紀念電影,由朝日新聞社和日本高中棒球聯盟全面協力拍攝,一代名 導市川崑最膾炙人口的傳奇傑作,媲美導演 1965 年轟動鉅作《東京奧運 1964》。為

了落實導演的野望,全片出動 20 多台攝影機、動員 120 名工作人員,讓鏡頭伏地上天,

穿梭各個角落,精彩捕捉賽事精華與綻放的各色青春!

10/10 ( 六 ) 20:50 新光 11 廳

10/19 ( 一 ) 15:00 光影文化館

Among the hardest-to-see films in Kon ICHIKAWA's oeuvre, this 1968 documentary finds the legendary director approach the subject of Japanese high school baseball with the same lyricism and visual splendor as he did with the 1964 Summer Games in Tokyo Olympiad (1965). On the 50th anniversary of the Koshien games, ICHIKAWA captures the uniquely rigorous training― in snow, dirt and schoolyard lots ― of the young athletes preparing for the all-important tournament, interspersed with historical footage that contextualizes Japan's long love affair with student baseball. A thrilling portrait of youth in the economic boom of the postwar period, ICHIKAWA's rare film encapsulates an entire generation through sports.


Executive Producer Brian E. FRANKISH Producers Charles GORDON Lawrence GORDON Lloyd LEVIN Screenplay Phil Alden ROBINSON (based on the book of W.P. Kinsella) Cinematographer John LINDLEY

熱血野球

Editor Ian CRAFFORD Music James HORNER

夢幻成真

FIELD OF DREAMS:Images courtesy of Park Circus / Universal

Field of Dreams

美國 USA | 1989 | DCP | Colour | 107min

Baseball Fever

Cast Kevin COSTNER Amy MADIGAN Gaby HOFFMANN Ray LIOTTA Timothy BUSFIELD James Earl JONES

導演 Director

菲爾 · 艾登 · 羅賓遜 Phil Alden ROBINSON

1990 奧斯卡金像獎最佳影片、最佳改編劇本、最佳原創配樂提名

雷與妻子、女兒,三人生活在愛荷華州,擁有一大片玉米田。一天,一個神祕的聲音 傳來:「如果你蓋好了,他就會來。」。眼前的景象告訴他,如果在玉米田中央蓋一 座棒球場,前白襪隊球員「赤腳喬」就會來愛荷華打球,於是他把蓋棒球場這個大膽 的想法告訴妻子,想不到妻子竟支持他的夢想,將生財工具玉米田剷平。儘管所有居

民都嘲笑著這對瘋狂夫妻,他們仍然相信已故的棒球選手,總有一天會從玉米田中出

現。然而,日子一天天過去,深陷財務危機的夫妻倆打算放棄棒球場時,「赤腳喬」 竟與他的隊員們紛紛到來,一場探索棒球運動的奇妙之旅正式展開。

第一次世界大戰結束,棒球成為美國最主要的運動之一,所以大聯盟決定將 1919 年 世界大賽將改為九戰五勝制,由代表美國聯盟的芝加哥白襪隊與代表國家聯盟的辛辛

When Iowa farmer Ray hears a mysterious voice one night in his cornfield saying "If you build it, he will come," he feels the need to act. Despite taunts of lunacy, Ray builds a baseball diamond on his land, supported by his wife, Annie. Afterward, the ghosts of great players start emerging from the crops to play ball, led by "Shoeless" Joe Jackson. But, as Ray learns, this field of dreams is about much more than bringing former baseball greats out to play.

那提紅人隊進行系列戰,不過卻因為八名白襪隊球員被收受賄賂,故意輸給了紅人隊,

1950 年出生於美國紐約長 島,是一名導演與編劇。其 暢 銷 電 影 作 品 包 括《 夢 幻 成真》、《神鬼尖兵》、 《 恐 懼 的 總 和 》。2002 年 以《諾曼地大空降》獲得黃 金時段艾美獎迷你影集/電 視電影/劇情類節目最佳導 演。 Phil Alden ROBINSON was b o r n o n M a rc h 1 , 1 9 5 0 i n Long Beach, Long Island, New York, USA. He is a writer and director, known for Field of Dreams (1989), Sneakers (1992) and The Sum of All Fears (2002).

史稱「黑襪事件」。本片則以此事件為起點,敘述美國棒球運動如何成為國民運動, 巧妙的編劇也讓棒球串起人與人之間的情感與文化傳承。

10/10 ( 六 ) 10:40 新光 11 廳

10/17 ( 六 ) 10:10 in89 9 廳

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Producers Mark JOHNSON Philip M. BREEN Robert F. COLESBERRY Roger TOWNE Screenplay Roger TOWNE Bernard MALAMUD Phil DUSENBERRY Cinematographer Caleb DESCHANEL

熱血野球

Music Randy NEWMAN Editor Stu LINDER

Baseball Fever

Cast Robert REDFORD Glenn CLOSE Kim BASINGER Robert DUVALL Kevin LESTER

導演 Director

巴瑞 · 李文森 Barry LEVINSON 1942 年出生於美國巴爾的 摩,是名導演、編劇、監製 與演員。最為人熟知的作品 是 1987 年的《早安越南》、 1988 年獲得奧斯卡最佳導 演以及其他三個大獎的《雨 人 》、1997 年《 桃 色 風 雲 搖擺狗》;《天生好手》則 是他的第二部作品。出生於 俄 羅 斯 猶 太 裔 美 國 家 庭, 1960 年高中畢業後,前往 華盛頓美國大學就讀,之後 則前往洛杉磯從事演員及編 劇 工 作, 開 啟 他 的 電 影 之 路。2010 年 李 文 森 獲 頒 美 國 編 劇 工 會(WGA) 終 身 成就獎。

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Barry LEVINSON was born in Baltimore. He is of Russian Jewish descent. LEVINSON graduated from high school in 1960, attended college at American University in Wa s h i n g t o n , D C . H e t h e n moved to Los Angeles, where he began acting as well as writing and per for ming comedy routines. In 2010, LEVINSON was the recipient of the WGA's Laurel Award for Screen, honoring a lifetime achievement in outstanding writing for motion pictures.

天生好手 [4K 數位修復版 ]

THE NATURAL © 1984 Columbia Pictures Industries, Inc. All Rights Reserved.

The Natural

美國 USA │ 1984 │ DCP │ Colour │ 138min

1984 奧斯卡金像獎最佳女配角、最佳攝影、最佳場景設計、最佳配樂獎提名

羅伊霍布斯從小立志成為史上第一棒球員,14 歲時用一棵被雷擊中而倒塌的橡樹製造

屬於自己的球棒。19 歲那年,他暫別女友愛麗絲,決定前往芝加哥展開棒球生涯。然

而,卻在離家圓夢的火車上發生了意外。16 年後,羅伊已不再是身體力強的小伙子,

他加入了一支大家都不看好的三級球隊,然而熱愛棒球的他,仍然找到機會展露他的

實力,一度締造「羅伊霍布斯風潮」,卻遭人覬覦,企圖以金錢收買及美人計,終止 他的棒球生涯。當初戀女友愛麗絲帶著驚喜消息出現在棒球場時,忍著舊創的羅伊精 神為之一振,他是否能擊出勝利的一球,畫下其棒球生涯的完美結局?

本片改編自伯納德.馬拉默德 1952 年所寫的同名小說,片中許多球賽取景於水牛城 紐約戰爭紀念館及全高體育場,其他包括水牛城中央車站、艾里克特廣場大廈,皆於

電影中留下 80 年代建築的模樣,眾多場景於 1984 年上映後至今成為不少影迷朝聖之 地。

10/10 ( 六 ) 13:10 新光 11 廳

10/17 ( 六 ) 19:40 in89 9 廳

A once promising young baseball player returns to the mainstage sixteen years later in an attempt to restart his career after battling the demons of his past. But, it is the choices he makes with the women in his life that could lead to his downfall again.


Executive Producer Jack SELBY Producer Thomas TULL Screenplay Jonathan HOCK Cinematographer Alastair CHRISTOPHER Music Tony MORALES

Baseball Fever

導演 Director

熱血野球

Editors Peter PANAGOULIAS Steven PILGRIM

強納森 · 哈克 Jonathan HOCK

速球對決

台灣首映 Taiwan Premiere

Fastball

美國 USA │ 2016 │ DCP │ Colour │ 87min

當投手站上投手丘,使盡全力投球,打擊手奮力一擊,兩人正面交鋒,成為棒球賽眾 所矚目的焦點。投手板距離本壘板的距離為 60 英呎 6 吋 (18.4 公尺 ),一般而言,投

手球速若超過 100 MPH ( 約 160 KMH),大聯盟等級的打擊手擁有優異的動態視覺能 力,必須在小於 1 秒內看準球路並做出揮棒判斷,考驗著兩方超乎常人的體能及反應 力。

本片則從投手與打擊手的對決講起,回溯過去光榮歷史,從棒球名人堂到現任明星球 員,細數數十位優秀球員,包括華特.強森(Walter JOHNSON)、鮑伯.費勒(Bob

FELLER)、諾蘭.萊恩(Nolan RYAN),以及金氏世界紀錄保持者阿羅魯迪斯 ·

查普曼(Aroldis CHAPMAN),另外,擔任旁白的則是飾演《夢幻成真》的男星凱文 · 科斯納,喜愛美國棒球賽事的球迷,絕對不可錯過此豪華陣容。

10/10 ( 六 ) 16:20 新光 11 廳

The heartbeat of the game of baseball is the battle between the pitcher and the batter–one man with a ball, one with a stick. As the pitcher winds up and the batter zeroes in, both of their bodies tense up and suddenly spring into action against each other. All actions of the game arise from that confrontation, sixty feet and six inches and barely a second in the making. Hank AARON, Nolan RYAN, Bob GIBSON, and Derek JETER lead a cast of Baseball Legends, writers and scientists who explore how the magic of baseball can boil down to the 396 milliseconds it takes a 100 mph fastball to reach home plate, and they make a case for who threw the fastest pitch ever.

10/22 ( 四 ) 15:00 in89 9 廳

1964 年 出 生 於 紐 約, 曾 經 拿 過 十 一 座 艾 美 獎, 是 製 片、 導 演、 編 劇 及 剪 接。2005 年 首 部 記 錄 片 《Through the Fire》 紀 錄 布魯克林出生的高中生,勇 闖 NBA 的故事,於當年翠 貝卡電影節首映。也曾經為 ESPN 頻道製作過體育影集 榮獲不少獎項。大部分的作 品皆為運動相關紀錄片。 Jonathan HOCK is an eleventime Emmy Award winning producer, director, writer and editor. His first documentary feature Through the Fire had its world premiere at the Tribeca Film Festival in 2005, and his later films The Lost Son of Havana (2009) and Off the Rez (2011) also premiered there. HOCK has directed four documentaries for ESPN's Emmy and Peabody Award winning 30 For 30 series, including Unguarded , which was named Best Documentary of the year by Sports Illustrated; T h e B e s t T h a t N e v e r Wa s (2010); Survive and Advance (2013) and Of Miracles and Men (2015). Hock's series of documentary shorts, The Finish Line: Steve Nash , was a finalist for a National Magazine Award.

55


Producer Jeong-ju ON Cinematographer Seung-yoon HWANG Production Design Jin-ah PARK Editor Yun-tae CHOI

熱血野球

Cast Joo-young LEE Joon-hyuk LEE Hye-ran YEOM Young-gyu SONG Dong-yeon KWAK Hae-eun JOO Jae-myeong YU

Baseball Fever

導演 Director

崔允太 Yun-tae CHOI 1982 年出生於南韓慶尚北 道,2016 年 畢 業 於 南 韓 電 影 學 院 KAFA, 其 畢 業 作 《敲敲你的心門》入圍當年 全州國際影展短片競賽。本 片是他的長片處女作,於釜 山影展首映後,即獲得首爾 獨立電影節獨立新星獎。 Yun-tae CHOI was bor n in Yeongdeok County in 1982. He was graduated from KAFA (Koerean Academy of Film Arts). His first short film Knocking on the Door of Your Heart was selected in Jeonju International Film Festival Korean Competition For Shorts. Baseball Girl i s h i s de but feature, selected in Busan Film Festival Korean Cinema Today – Panorama, and awarded at Seoul Independent Film Festival with Independent Star Award.

青春全壘打 Baseball Girl

南韓 South Korea │ 2019 │ DCP │ Colour │ 105min 2019 釜山影展「南韓當代電影」單元 2019 首爾獨立電影節獨立新星獎

「我是女生,我想打棒球!」秀仁是世上唯一能投出 130 KPH 快速球的女棒球選手。 曾待過全男子高中棒球隊的她,正面臨另一個挑戰:她想加入職業棒球隊。崔教練告

訴秀仁,那是一個不可能達成的夢想,不只是因為性別上的阻礙,還有體力上的限制。 然而,崔教練提出一個建議:既然在力氣上無法打敗男生,那就學習男生投不出的蝴 蝶球吧。

如果你看過湯姆漢克主演的《紅粉聯盟》,講述二次大戰後填補空檔的全美女子職業 棒球大聯盟的勵志故事,就不能錯過這部以亞洲首位女子棒球選手為題的女力電影。 新銳導演崔允太首部長片自編自導,找來《梨泰院 Class》的李周映飾演天才棒球好

手,以及《與神同行》的李浚赫飾演高中教練,當紅男、女演員擔綱演出,激盪出大 銀幕戲劇火花。

56

台灣首映 Taiwan Premiere

10/10 ( 六 ) 18:30 新光 11 廳

10/15 ( 四 ) 16:00 星橋 7 廳

Soo-in is the world's one and only female baseball player who can throw a 130 kph pitch. Surviving from a boys-only high school baseball team, now she faces another challenge to be in a pro team. Watching her not giving up her dream, a new coach CHOI tells Soo-in that it's an impossible dream, not because of her gender obstacle but because of her physical limit. Instead CHOI suggests a new strategy; “ if you can't beat boys by strength, throw something that boys can't hit: a knuckleball”.


Cinematographers 黃天仁 Tian-ren HUANG 秦鼎昌 Ting-chang CHIN Sound

杜篤之 Du-chih TU

Music

陳明章 Ming-chang CHEN

Editor

陳博文 Po-wen CHEN

熱血野球

紅葉傳奇

The Red Leaf Legend

特別放映 Special Screenings

台灣 Taiwan │ 1999 │ BD │ Colour, B&W │ 70min

1999 金馬獎最佳紀錄片 1999 台北電影節獨立創作最佳紀錄片 1999 山形紀錄片影展亞洲競賽單元 1999 釜山影展

1968 年,紅葉少棒隊在台北以七比零大勝日本和歌山隊,這一戰讓台灣人重拾民族自

信心,而「紅葉小將」也成為台灣家喻戶曉的傳奇。三十年過去,這批紅葉小將們卻

有一半的球員已去世……全片像一段追尋之旅,尋找著紅葉少棒以及關於這片土地的 美好回憶。

本片紀錄了紅葉少棒隊三十年的傳奇今昔,導演也試圖在訪談間理解、傳達當時年輕 人如何看待台灣的歷史和土地的回憶。我們隨著導演探訪這些被遺忘在生活中的昔日

英雄,過程中陸續挖掘到種種殘酷的答案,而導演自己的拍攝經費也一步步消耗殆盡。 原取名《紅葉凋零》的片名,在戲劇性地發現後續動人故事裡有了逆轉。

In 1968, the Hongye Young Baseball Team defeated the Japanese Wakayama Team by 7-0 at Taipei Stadium. This battle made the Taiwanese regain national pride. Three decades later, half of the team players have passed away. As the film unfolds, it takes us on a journey searching for the Hongye (Red Leaf) team members and wonderful memories of the land.

10/19 ( 一 ) 10:30 光影文化館

Baseball Fever

導演 Director

蕭菊貞 Chu-chen HSIAO 台灣知名紀錄片與文字工作 者, 求 學 期 間 即 開 始 紀 錄 片 創 作。1999 年 的《 紅 葉 傳奇》與 2000 年的《銀簪 子 》, 在 國 外 影 展 受 到 矚 目,也奪得金馬獎最佳紀錄 片 獎。1999 年 與 鴻 鴻、 魏 德聖、鄭文堂等導演一同創 辦「純 16 影展」,首度將 國內創作短片、紀錄片帶進 電影院。在影像創作之外, 她也用獨特感性的文字記錄 自己的創作生涯,目前在清 華大學教授相關課程。 Chu-chen HSIAO is a documentar y director and a jour nalist. The Red Leaf Legend (1999) and Grandma's Hairpin (2001) won her Taipei Golden Horse Awards for Best Documentary. In 1999, she curated the Purely 16 with other famous Taiwanese directors.

57


Producers 黃志明 Jimmy HUANG 魏德聖 Te-sheng WEI Screenplay

陳嘉蔚 Ruby CHEN 魏德聖 Te-sheng WEI

Cinematographer

秦鼎昌 Ting-chang CHIN

Music

佐藤直紀 Naoki SATO

熱血野球

Editor 蘇珮儀 Milk SU Sound

Baseball Fever

杜篤之 Du-chih TU 吳書瑤 Shu-yao WU 湯湘竹 Siang-chu TANGH

Cast

永瀨正敏 Masatoshi NAGASE 大澤隆夫 Takao OSAWA 坂井真紀 Maki SAKAI 伊川東吾 Togo IGAWA 曹佑寧 Yu-ning TSAO 張弘邑 Hung-yi CHANG

導演 Director

馬志翔 Umin BOYA 原住民名為 Umin BOYA, 以演員身份出道,同時擁有 編劇、導演等多重身份。以 王小棣導演所執導的公視劇 集《 大 醫 院 小 醫 師 》 嶄 露 頭 角。 所 編 導 的 電 視 電 影 作品《十歲笛娜的願望》、 《生命關懷系列-說好不准 哭》、《看見天堂》、《原 視生命劇展-飄搖的竹林》 等亦都獲得金鐘獎的各項肯 定。 Umin BOYA is a Taiwanese a c t o r- t u r n e d - d i r e c t o r. H e started his acting career in director Shaudi WANG's TV series. He has written and directed many award-winning TV films and has been seen in various Taiwanese feature films, including Seediq Bale. KANO is his first feature film as director.

58

KANO KANO

台灣 Taiwan │ 2014 │ DCP │ Colour │ 185min 2014 金馬獎觀眾票選最佳影片、國際影評人費比西獎 2014 台北電影節觀眾票選最佳影片、最佳男配角獎

1928 年的台灣誕生了一支由日本人、台灣人和原住民組成的嘉農棒球隊,別人笑他們

是雜牌軍,教練則以「進軍甲子園」為目標,用斯巴達的嚴厲態度訓練他們,激發球

員的求勝意志與不怕輸的精神。1931 年,這支未曾打過勝仗的球隊一路過關斬將,代 表台灣征戰甲子園,面對強敵,嘉農球員們奮戰不懈的精神感動現場所有觀眾。遠遠 觀眾席上傳來一陣奮力呼喊:「英雄…戰場…天下…嘉農」。

改編自嘉農棒球隊進軍日本甲子園的真實故事。講述這群野球少年,朝著夢想前進的 路途中所克服的種種困境和了打落牙齒和血吞的拼搏信念,完美詮釋了運動精神的真 義,也帶出了台灣精神。在當中我們不但看到運動員的堅韌,也陪著他們走過友誼和 愛情,將種種遺憾化成前進的動力。

10/15 ( 四 ) 15:00 新光 11 廳

Based on a true story. In 1928, it was the period when Taiwan under Japanese rule. The KANO baseball team started out simply as a local sports club to improve the students' physique. However, the team overcame extreme odds and represent the island in the 1931 Japanese High School Baseball Championship at Koshien Stadium. The underdog team advanced to the championship final.


Executive Producer 洪竹彥 Chu-yen HUNG Producer

林彥潔 Yan-jie LIN

Cinematographers

張智淵 Chih-yuan CHANG 沈子耕 Tzu-keng SHEN 陳啟宏 Chi-hung CHEN 林依頻 I-pin LIN 洪竹彥 Chu-yen HUNG 李韋伯 Wei-po LI 林呈諱 Dillon LIN

Editor

熱血野球

巫昭慧 Zhao-hui WU 張智淵 Chih-yuan CHANG

Colorist

Sound

陳啟宏 Chi-hung CHEN Eye Media 搶眼數位影音

Baseball Fever

林呈諱 Dillon LIN

導演 Director

那一年

Practice Makes Champions

林呈諱 Dillon LIN

台灣 Taiwan | 2019 | DCP | Colour | 75min

「比獎盃、獎牌更多的,是練習球場上的汗水。」打球、接球,學生們努力不懈在球場上做著重複練習。成軍 16 年

多的平鎮高中棒球隊,拿過 4 座黑豹旗全國高中棒球大賽冠軍,堪稱台灣青棒霸主,在全台灣 200 多個高中球隊中

脫穎而出。過去桃園被戲稱為棒球沙漠,直到平鎮高中棒球隊成立,完成三級棒球銜接,留下優秀棒球人才,也網羅 國內青棒好手,一路練球練兵,陸續拿下國內外各項盃賽冠軍。平鎮高中棒球隊是職棒選秀的重要來源,目前已有近

40 位校友在職業棒球路上發光發熱。

導演歷時兩年紀錄棒球隊成長故事,呈現多樣化棒球精神:苦練、榮譽、挫折、挑戰自我和團隊精神。

舊金山藝術大學廣播電視學 碩士,曾擔任過導演、攝影、 剪輯等影片製作職務,作品 大多為國內外形象廣告、紀 實影片。本片是首部獨立擔 任導演作品,由桃園市教育 局及文化局共同籌拍製作完 成。 Dillon LIN was graduated from the Academy of Art University in San Francisco. He is a director, cinematographer, a n d v i d e o e d i t o r. H e h a s participated in many shorts, video ads and documentaries for several official departments.

Playing and catching balls tirelessly on the field have been daily routine practice for the Pingjen Senior High School baseball team. The baseball team has been in the game for more than 16 years and has won four Black Panther National Senior High School Baseball Championships. The team is regarded as the overlord of Taiwan's youth baseball league and has stood out among over 200 high school teams in Taiwan. In the past, Taoyuan was once called the baseball desert until the establishment of the Pingjen High School baseball team, which completed the three-level baseball connection, producing outstanding baseball talents, and also recruiting domestic young baseball players, training all the way, and successively winning various championships at home and abroad. The Pingjen High School has produced professional baseball talents and there are nearly 40 alumni playing in the professional baseball league. The director spent two years recording the story about the growth of the baseball team, presenting diverse baseball spirits: hard work, honor, setback, challenge, and team spirit.

10/13 ( 二 ) 14:00 光影文化館 免費放映

59


瘋狂渡假村 No One is Crazy in This Town


的神秘氣息,電影中的動態縮影展現不同城市的鮮明個性。

城市潛望鏡

心事。不論是新移民與市井小民的俗常生活,還是歷史遺留散不去

City Panorama

電影作為城市觀察的媒介,透過光影的折射,窺探每個城市的秘密


Producers 黃旭峰 Xufeng HUANG 王磊 Lei WANG Screenplay 高鳴 Ming GAO 劉冰 Bing LIU Director of Cinematography 大塚龍治 Ryuji OTSUKA Production Design 高鳴 Ming GAO

城市潛望鏡

Music 羅可居 Keju LUO Editor

廖慶松 Ching-song LIAO

Sound

City Panorama

婁堃 Kun LOU

Cast 黃宇聰 Yucong HUANG 陳宣宇 Xuanyu CHEN 梁龍 Long LIANG 林子熙 Phoebe LIN

導演 Director

回南天

台灣首映 Taiwan Premiere

Damp Season 高鳴 Ming GAO 深圳知名設計師,也是影像 策展人,藝術作品曾被不少 畫廊及大學圖書館收藏。其 紀錄片《排骨》曾入圍過許 多國際影展,本片為其第一 部劇情長片。 Ming GAO is a screenwriter, director and designer living and working in Shenzhen. Damp Season is his first feature film. His films and artworks have been showcased in o v e r a h u n d re d e v e n t s o f film, art, and design. Many of his artworks are collected by various art galleries and university libraries.

中國 China | 2020 | DCP | Colour | 107min 2020 全州國際影展評審團大獎 2020 鹿特丹影展

春夏之交的南方,天氣潮濕黏稠,空氣凝聚著大量水氣,鬱悶的生活讓人喘不過氣。 生活在深圳的杜鵑與小東是一對情侶,杜鵑在花店打工,夢想開一家花店;小東做著

守湖保安,期待有一天能夠重建遊樂城小舞台,登台演出美猴王的故事。杜鵑在去客

戶龍老師家插花的過程中,逐漸被神秘氣息的龍老師吸引,小東在守湖的時候偶遇來 放生的女孩園園。四個人的關係漸漸錯位,曖昧的背後,都有不為人知的一面。在他 們的彼此映照中,回南天悄然而至。

導演高鳴生於江西,影片拍攝取景於中國南方深圳,是其多年工作和生活的城市,因

高速城市化發展,外地工作遊子在此地生活的無奈與煩悶,讓導演非常有感觸,也讓

這部電影的創作過程,成為導演回溯自己人生的方式。本片由萬馬才旦、耿軍監製, 並邀請到廖慶松擔任剪接。導演第一部劇情長片,即入圍鹿特丹影展單元競賽。

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10/11 ( 日 ) 20:50 星橋 7 廳

10/19 ( 一 ) 12:20 光影文化館

A Young couple Dong and Juan who bicker and fuss throughout their relationship strive to make a living in Shenzhen. Dong works as a guard at a deserted waterpark in hopes that the old stage be reopened, so he can resume his acting career to play the Monkey King. He meets ex-dancer Yuan there and gets to know her life. Juan wishes to open her own flower shop while currently arranging flowers at Mr. Long's establishment; she is attracted to Long's mysterious demeanor. The relations between these four people become gradually displaced while the dankness of the muggy, wet weather creeps up on them.


Executive Producers Sonthar GYAL Jiamei FENG Producers Hei LIU Junjie CHEN Daktze Screenplay Sonthar GYAL Director of Cinematography Meng WANG

城市潛望鏡

Sound Designers Tao LI Dragan Tzondrus GYATSO Editors Matthieu LACLAU Sangdak JYAB

Cast Sonam NYIMA Lhamo DEKYID Tashi Sechok GYAL

拉姆與嘎貝

台灣首映 Taiwan Premiere

Lhamo and Skalbe

中國 China | 2019 | DCP | Colour | 110min

City Panorama

Art Directors Daktze DONDRUB Tsering DONDRUB

導演 Director

松太加 Sonthar GYAL

2019 聖賽巴斯提安國際影展最佳影片金貝殼獎提名 2019 平遙國際電影展

拉姆與嘎貝去登記結婚,才發現嘎貝昔日未成的婚事,在法律上仍然有效。嘎貝踏上 尋找「前妻」措雅的旅程,驚訝得知她四年前失約悔婚時便已遁入空門。當措雅的宗

教身份為離婚帶來了重重阻礙,拉姆對嘎貝亦若即若離。她正參與及籌備春節即將上 演的吟唱史詩藏戲,拉姆將在《格薩爾王傳》的選段中,飾演主角阿達拉姆:一個因 罪業深重墮入地獄的女人。她對角色心生抵觸,對婚姻恐懼,正如同嘎貝一樣,她也 有著一段秘密往事。

導演松太加是繼萬瑪才旦之後,自編自導,選用西藏製作團隊、演員,將西藏文化帶 到國際舞台的藏人導演。本片是在前作《阿拉姜色》製作前寫完劇本,故事源自於身

邊友人聊天的內容,一個演出《格薩爾王傳》的女孩,因為下起了冰雹,導致演出暫停, 沒有完成超渡儀式,松太加認為這是一個很好的戲劇素材,於是結合了男女情愛完成 此片創作。

10/10 ( 六 ) 17:40 星橋 7 廳

Lhamo and Skalbe fail to register their marriage because Skalbe is already engaged in a legal conjugal relationship. Skalbe embarks on a journey to search for his socalled exwife Tsoyag, only to find with surprise that the girl had renunciate her secular life already when she broke the promise four years ago. Tsoyag's identity causes great difficulty to Skalbe. Meanwhile, Lhamo acts estranged and confusing. She is busy with the rehearsal of Tibetan opera, Epic of King Gesar, representing the heroine protagonist Atak Lhamo who fell into hell sinfully. A buried secret brings her fear to the character and anxiety of marriage.

10/21 ( 三 ) 11:00 光影文化館

1974 年出生於西藏青海, 先後畢業於青海師範大學美 術 系、 北 京 電 影 學 院 攝 影 系。擔任過許多劇情片美術 指 導 與 攝 影 師,2011 年 首 部電影《太陽總在左邊》於 多個國際電影節獲獎。2015 年《河》提名柏林影展新生 代 單 元 水 晶 熊 獎。2018 年 《阿拉姜色》獲得上海國際 電影節評委會大獎。 Born in the Tibetan region of Amdo, Sonthar GYAL grew u p a m o n g s t s h e p h e rd s i n Qinghai Province in China. Following studies at Beijing Film Academy, he became a prominent member of the first generation of Tibetan filmmakers with films including The Sun Beaten Path (2011, Locarno, Hong Kong - Special Mention), River (2015, Berlin) and Ala Changso (2018, Shanghai - Grand Jury Prize and Best Screenplay).

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Producers Valerie CASTILLO MARTINEZ Kriz G. GAZMEN Marizel SAMSON-MARTINEZ Marjorie B. LACHICA Screenplay Valerie CASTILLO MARTINEZ Cinematographer Ante CHENG Sound Design Andy SISUL

城市潛望鏡

Sound Drew MILLALOS Music Zeke KHASELI, Yudhi ARFANI

City Panorama

Editor Cyril ARIS Cast Kim Chloe OQUENDO Noel COMIA Jr. John Vincent SERVILLA Jigger SEMENTILLA

導演 Director

拉亞.馬丁 Raya MARTIN 曾經被選為五十歲以下最重 要的青年導演之一。其作品 曾展映於坎城影展、多倫多 影展、柏林影展、盧卡諾等 重 要 影 展。2009 年 驚 為 天 人之作《Indepencia》入選 坎城影展一種注目單元;同 年,另一部作品 《馬尼拉》 也於坎城特別放映,成為史 上第一位菲律賓籍導演擁有 兩部作品在坎城放映的紀 錄。

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Named one of the 50 most important filmmakers under 50 by Cinema Scope, Raya MARTIN's films have screened in Cannes, Toronto, L o c a r n o , a n d N e w Yo r k . His breakthrough feature Indepencia , hailed as a singular mix of Filipino history a n d H o l l y w o o d f a n t a s y, screened in Un Certain Regard at the Cannes Film Festival in 2009. Manila also screened at Cannes the same year as a Special Screening, marking the first time a Filipino director had two films in the festival.

Death of Nintendo

台灣首映 Taiwan Premiere

菲律賓、美國 Philippines, USA | 2020 | DCP | Colour | 99min 2020 柏林影展 Generation Kplus 單元

地殼震動,來自地底的力量一觸即發。90 年代的炎炎夏日,對於 13 歲青少年保羅與

他的狐群狗黨朋友來說,沒什麼比拿到任天堂紅白機還令人期待了,然而,時不時發

生的區域性大停電,讓好動的男孩們被迫暫停打電動破關,也因此踏上了人生中最令 他們難忘的旅程:探索初戀的滋味、體驗登大人的割禮、勇闖墳墓的抓鬼大冒險以及 理解友情的珍貴。

充滿濃厚 90 年代復古風,結合大量當時正夯的西方流行音樂、速食文化、以及再現

電玩迷封為經典的任天堂紅白機及其遊戲。本片帶有濃厚自傳色彩,其故事發想來自 製片也是本片編劇瓦樂麗.馬丁尼茲 (Valerie MARTINEZ),80 年代出生的她與導演 是從小長大的鄰居,一直到 2000 年才自菲律賓前往美國求學發展。劇本創作一直是 她的興趣。因緣巧合與導演拉亞.馬丁重拾聯繫,兩人便展開電影合作。

10/19 ( 一 ) 19:00 in89 9 廳

10/22 ( 四 ) 14:00 光影文化館

The earth is trembling and emotions are running hot. Just yesterday the newest game from Nintendo was all Paolo and his friends could think about-while the occasional blackouts caused by the nearby volcano were their biggest concern. Alas, all that has been shaken up forever for Paolo's sleepy suburban Manila clique, in a dawning world of elaborate feminine hair-dos, crude rituals of masculinity and a mysterious ghost hunt. Mimaw appears to be the only one able to keep a clear head among aftershocks from multiple emo-epicentres.


Producers Benny DRECHSEL Mariusz WLODARSKI Screenplay Mariko BOBRIK Cinematographer Andrzej WOJCIECHOWSKI Sound Michael KACZMAREK Music Aki TAKASE

城市潛望鏡

Editor Benjamin MIRGUET

導演 Director

河粉的滋味

台灣首映 Taiwan Premiere

The Taste of Pho

波蘭、德國 Poland, Germany | 2019 | DCP | Colour | 84min

個性溫和的越南籍廚師阿龍,與他的十歲女兒瑪雅在華沙相依為命,不擅以言語表達

愛的他,每天替女兒準備便當、燙洗衣物。然而,身處叛逆期女兒的眼中,看待這一

切不但不領情,過於「越南」式的生活方式讓她不太自在。阿龍的拿手菜是越南河粉, 是餐廳的人氣餐點,但餐廳營運不佳必須易主,換人接手後,波蘭籍老闆則希望更換

菜單,要求阿龍開始製作生魚片。另一方面,女兒瑪雅對於傳統越南文化一直抗拒,

念念不忘已過世的波蘭籍母親,甚至擔心父親與鄰居展開新戀情,眼見父女關係漸行 漸遠,阿龍是否能藉著美味的拿手菜挽回女兒的心?

波蘭的亞洲餐館大部分是以越南料理混合泰式、中式元素,多為越南人所經營,與其 他歐洲國家相比,越南人占波蘭新移民族群的絕大多數。日本女導演麻梨子.鮑勃里

克在洛茲就讀電影學院時,特別觀察到此現象,選擇越南河粉為題,因聯想到日本拉 麵的療癒,第一部長片因此誕生。

10/10 ( 六 ) 10:20 星橋 7 廳

Long is a gentle Vietnamese chef who lives in Warsaw with his precocious ten-year-old daughter named Maja. He works in a restaurant where his signature Pho dish is popular but when his boss sells the place to an ambitious developer who wants to serve different types of Asian food, Long has to adapt. Meanwhile, Maja clings to the memory of her Polish mother who passed away. She is afraid her father is forgetting her mother and looking at a replacement in a pretty neighbor who lives in the building across from theirs. As Long struggles to acclimate to new demands, he misses signs of his daughter's worries but Maja's rebelliousness and their closeness soon pushes him to change.

10/20 ( 二 ) 21:10 in89 9 廳

City Panorama

Cast Thang Long DO Lena NGUYEN Aleksandra DOMAŃSKA Boguslawa PAWELEC Gia Khai TON

麻梨子.鮑勃里克 Mariko BOBRIK 1983 年出生於日本,2009 年畢業於波蘭電影學院,目 前 生 活 於 華 沙。2012 年 參 加坎城 Cinéfondation 駐村 計 畫,2013 年 獲 選 柏 林 影 展 新 銳 營 編 劇 之 一,2015 年獲得波蘭專業劇本創作第 二名殊榮。 Mariko BOBRIK was born in Japan in 1983. In 2009, she graduated the directing course of the Polish National Film School in Lodz. Currently she lives in Warsaw and just finished her first feature The Ta s t e o f P h o . T h e p ro j e c t participated in Cinéfondation: Résidence du Festival de Cannes (2012) as well as in Script Station program of the Talents, Berlinale (2013). The script won a 2nd prize of Script Pro 2015 – a Polish feature film script competition. Mariko currently receives a grant from Nipkow Programm for her new script Bright, Bright.

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Producer 邱禮濤 Herman YAU Screenplay

陳哲民 Chit-man CHAN

Henricus PRIA

Cinematographer

王炳雄 (HKSC) Ping-hung

WONG(HKSC)

Production Design

潘燚森 Albert POON

Music

城市潛望鏡

盧宜均 Anna LO

Editor

張經緯 King-wai CHEUNG

Cast

City Panorama

吳凱昕 Sophie NG 柯煒林 Will OR 馮海鋭 Yoyo FUNG 蔡頌思 Jocelyn CHOI 陳烈文 Lit-man CHAN

導演 Director

陳哲民 Chit-man CHAN 紐約市立大學戲劇表演藝術 碩士、香港大學電機電子工 程 博 士。 九 ○ 年 代 開 始 在 美、加、中、港、台等地從 事編、導、演及培訓等工作, 也曾在多部香港電影、電視 劇及舞台劇中演出。曾演出 電影《飲食男女》(1994) 及 任 表 演 培 訓 導 師。2016 年以原創電影劇本《散後》 獲創意香港第二屆首部劇情 電影計劃專業組冠軍。 Chit-man CHAN, M.F.A. in Theatre (Acting major), City University of New York. He has been an actor in film, television and theatre, and a theatre director for over two decades. His latest film Apart (2019) won the champion at the 2nd First Feature Film Initiative Professional Group in Hong Kong.

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散後

台灣首映 Taiwan Premiere

Apart

香港 Hong Kong │ 2019 │ DCP │ Colour │ 97min 2020 大阪亞洲電影節競賽片、聚焦香港單元 2020 香港獨立電影節

五名年輕學生在尋求民主及捍衛自己的道路上奮鬥,發現了社會政治對他們的生活和 人際關係有著嚴酷考驗。當理想主義與現實相遇,個人與政治相遇時,他們該如何選

擇?當夜幕降臨,人群散去,坐下來反思時,迷失的青春僅僅是長大後悔,還是一種 必然?

本片結合了紀錄色彩與虛構畫面,記錄了香港歷史的重要時刻。從學生運動到引渡法

案引發的動盪,演變成史無前例的反引渡運動。導演以優美的鏡頭浪漫地描繪了香港 歷史上極為嚴峻的時期。在此時的台灣觀看這部影片,深具意義。

10/10 ( 六 ) 15:20 星橋 7 廳

10/22 ( 四 ) 17:10 in89 9 廳

Set against Hong Kong's explosive politics from the student-led Umbrella Movement to the unprecedented AntiExtradition Movement. Five young students discover the harsh reality of sociopolitical impact on their life and relationship, as they fight their way through to defend democracy and freedom from fear.


Producers Davy CHOU Sungho PARK Screenplay Sreylin MEAS Cinematography Douglas SEOK Sound Vincent VILLA Editor Kavich NEANG

城市潛望鏡

Cast Sarita RETH Monysak SOU

東南亞短片精選

City Panorama

導演 Director

Southeast Asia Shorts

加州夢遊

台灣首映 Taiwan Premiere

California Dreaming

柬埔寨 Cambodia │ 2019 │ DCP │ Colour │ 16min 2019 新加坡國際電影節競賽特別提及 2019 大阪亞洲電影節

莎莉塔為了暫時逃離金邊城市裡的喧囂煩躁,隻身跑到海邊的度假勝地散心,就在準 備離開之際遇到了莎克,搭話幾句後,兩人即決定為了萍水相逢的彼此再留一晚。度 假山莊的夜裡,脫下長日的假面,兩人吐露各自的往事與心事,理解到彼此生命經驗 中的相似之處,距離也越靠越近。

Two women from different backgrounds encounter one another at an oceanfront resort and discover a hidden bond that ties them together, allowing them to escape from their realities.

導演透露自己是在看了《重慶森林》後,深深受到王菲的角色吸引,她認為《重慶森 林》中的加州是一個理想彼端,帶著對該片的印象與王菲角色形象開始著手撰寫本片 的劇本,因此將影片定名為《加州夢遊》。本片攝影成功捕捉動人的海邊風光與兩位

女主角的迷人神采,光耀明媚的影像令人神往。本片為導演斯雷林·米斯的首部作品,

即風光獲選大阪亞洲電影節、芬蘭坦佩雷國際電影節與新加坡等國際影展,成績斐然。

10/11 ( 日 ) 13:40 星橋 7 廳★

10/13 ( 二 ) 16:30 光影文化館

10/16 ( 五 ) 16:30 in89 9 廳

斯雷林.米斯 Sreylin MEAS 1989 年生於柬埔寨金邊, 她在柬埔寨電影圈耕耘工作 多 年, 做 過 場 記、 選 角、 助 理 導 演 等 各 種 職 位。 2016 年加入柬埔寨獨立製 片 團 隊「 反 檔 案 」(AntiArchive), 此 製 片 公 司 2014 年由幾位柬埔寨新銳 導演共同組成,包括周戴維 (Davy CHOU)、 寧 卡 維 (Kavich NEANG)、陳史 文(Steve CHEN) 等 人。 本片為斯林雷首次擔任導演 的短片作品,也是「來自未 來的回聲」群眾募資成功計 畫的其中一部。 Born in Phnom Penh, Cambodia in 1989, Sreylin MEAS began her career as a film crew member in 2009. Since then, MEAS has played various roles in local film and television and international productions in Cambodia. She has worked with Anti-Archive as first assistant director for Dream Land (2015) and for Turn Left Turn Right (2016), and as second assistant director and acting coach for Diamond Island (2016). California Dreaming (2019) is her first short film.

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Producer Lamin OO Screenplay Zaw Bo Bo HEIN Cinematographer Nyi PU Editors Myo Min KHIN Kyaw Myo LWIN Sound Sai Khong KHAM

城市潛望鏡

Music Slyne MON

City Panorama

Cast Maung BHONE Lwin Oo Maung Kyaw ZEYA Thu Shein MIN Moe KAUNG Nyi PU

導演 Director

扎波波海因 Zaw Bo Bo HEIN 來自緬甸,原來主修醫學卻 沒有成為醫生,反而開始撰 寫劇本與拍攝電影作品。他 在 2016 年參加緬甸瓦山影 展與捷克布拉格影視學院 (FAMU)合作的工作坊後, 開始創作短片,他的許多故 事靈感來自於自身臨床與駐 院經歷。 Zaw Bo Bo HEIN is a 37 years old writer and director from Myanmar. He is also a trained medical doctor. Although he was trained in medicine, his real passion was in the arts. A lot of his stories come to him from his time in medicine where he reflects on his experiences and interaction that he had during that time. He attended the Wathann-FAMU Workshop in 2016 and started making short films. He received two awards for the short film Sick at SGIFF and 2019 Wathann Film Festival. Currently he is working on the script of his first feature full-length film Garuda Dragon.

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東南亞短片精選 Southeast Asia Shorts

病入膏肓

台灣首映 Taiwan Premiere

Sick

緬甸 Myanmar │ 2019 │ DCP │ Colour │ 30min 2019 新加坡國際電影節最佳導演獎

阿布的朋友安南病了,趕緊送往鄰近的醫護中心檢查,院方卻只告訴阿布,應該把安 南轉往更大、設備更好的醫院檢查,然而現階段只能將他暫時住院觀察。該地區剛受

到颶風無情的摧殘,基礎設施仍在恢復中,因此更令阿布感到不安。為了解救朋友,

阿布進城向朋友們借錢籌資;而被留在醫院過夜的安南,獨自面對病房裡巨大的闇夜 幻影,長夜漫漫與自己的心魔交戰,不禁懷疑自己是被朋友丟下不管,兩人友誼的關 係在此面臨嚴峻的挑戰。

幽魅懾人的光影,殘敗破朽的病房,透過細節的重重堆疊,鋪陳出近乎驚悚片的戲劇

張力。醫院在本片彷彿成為受詛不詳的場域,出現多次的口罩、病床,以及對於未知

疾病的恐懼,瀰漫於無形之中,在疫情仍在全球延燒的此刻,看起來都令人觸目心驚。 導演除了呈現個人面對疾病的徬徨無力,也對緬甸的醫療資源分配不均,提出深刻批 判。

10/11 ( 日 ) 13:40 星橋 7 廳★

10/13 ( 二 ) 16:30 光影文化館

10/16 ( 五 ) 16:30 in89 9 廳

Fearing for his friend's health, Maung Bhone takes Aung Naing to their local health center. They are both from a remote village area that suffered from cyclone Nargis and the area is still under the effects of the storm. Aung Naing is in poor health, suffering from serious respiratory symptoms. The nurses and doctors insist that Aung Naing has to be sent to a well facilitated hospital to cure his health problems. This chain of events set off a journey for Maung Bhone to find money to help his friend while Aung Naing spends harrowing night, haunted by the thoughts of being left alone by himself.


Producer Ticha APHAIWONGS Screenplay Hesome CHEMAMAH Cinematographer Passakorn CHATHAISONG Editors Hesome CHEMAMAH Kantapon DUANGDEE Music Kantapon DUANGDEE

城市潛望鏡

Sound Warin TEPPASIT

導演 Director

東南亞短片精選

City Panorama

Cast Phakrada MATSHASOY Philaiwan LAOPHANICH Patanan CHOKPRASERT

Southeast Asia Shorts

去他 X 的刻板印象

台灣首映 Taiwan Premiere

I'm Not Your F***ing Stereotype 泰國 Thailand │ 2019 │ DCP │ Colour │ 29min 2019 新加坡國際電影節最佳東南亞短片獎

穆斯林女孩來自泰國南邊的城鎮,宗教信仰與矮人一截的鄉下出身,都讓她在學校飽 受同儕歧視的異樣眼光,也對她提出諸多疑問:穆斯林女孩在學校為什麼要禱告?穆

斯林女孩可以拿佛祖的畫像嗎?穆斯林女孩不吃豬肉但是可以去路邊攤買豬肉嗎?十 幾年來在家庭嚴密保護下建構的認同和信念,就在學校生活裡崩塌了,她開始否定自 己該死的名字,該死的家鄉,該死的宗教,還有自己該死的生日:九月十一日!

As a Muslim girl from Southern Thailand, Maryam falls prey to racism in school. She begins spiraling into an identity crisis, and starts resenting her name, religion and birthdate.

伊珊·齊馬曼 Hesome CHEMAMAH 畢業於泰國曼谷大學的數位 媒體與電影藝術學院。本片 是他的首部短片作品,也是 他個人面對成長經歷中的伊 斯蘭歧視,所進行自我療癒 的創作。 Hesome CHEMAMAH graduated from the School of Digital Media & Cinematic Arts - Bangkok University. I'm Not Your F***ing Stereotype is his first film. This film is his self-healing work based on his personal experiences with Islamophobia.

全片主要以圓形景框敘述,彷彿透過帶著頭巾的穆斯林女孩的第一人稱視角,特殊畫 面讓觀眾更聚焦看見人物的表情變化與反應,也以形式呼應女主角被限制禁錮的內心

衝突處境。導演收放自如在手機照片、社群媒體 SMS、IG 限時動態、新聞檔案影像

和實拍片段、圓形景框間跳躍自如,信手拈來皆是新時代的影像語言,時而幽默自嘲, 實則是源自自身成長苦澀經驗的轉化抒發。

10/11 ( 日 ) 13:40 星橋 7 廳★

10/13 ( 二 ) 16:30 光影文化館

10/16 ( 五 ) 16:30 in89 9 廳

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Producers Adi EKATAMA GANESYA Screenplay Wregas BHANUTEJA Henricus PRIA Original Story Eka KURNIAWAN (Based on a short story Tak Ada yang Gila di Kota Ini ) Art Director Deki YUDHANTO

城市潛望鏡

Sound Aim ADINEGARA Firman SATYANEGARA

City Panorama

Music Gregorius RAGIL Editor Akhmad Fesdi ANGGORO

導演 Director

雷格斯.巴努特佳 Wregas BHANUTEJA 1992 年出身於印尼雅加達, 雷格斯畢業於雅加達藝術學 院,主修導演。他的首部短 片《Lembusura》入選柏林 影展短片競賽單元,第二部 短 片《Prenjak》 則 在 坎 城 影展影評人雙週單元中一舉 奪下最佳發現短片獎(Leica Cine Discovery Prize)。

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Wregas BHANUTEJA was born in Jakarta, 20 October 1992. He grew up in Yogyakarta, a city in the center of Java Island t h a t h a s s t ro n g J a v a n e s e traditional culture and contemporary modern arts. He graduated from Jakarta Institute of Arts in 2014. His first debut in international film competition began in 2015 with his short film Lembusura , competed in Berlin International Film Festival. His other short film Prenjak / In The Year of Monkey won the best short film at Cannes Critics Weeks 2016. He was the first Indonesian who won an award in Cannes. His latest short film No One is Crazy in This Town competes at Sundance Film Festival 2020. Now he is developing his first feature film with producer Adi EKATAMA and Rekata Studio.

東南亞短片精選 Southeast Asia Shorts

瘋狂度假村

台灣首映 Taiwan Premiere

No One is Crazy in This Town

印尼 Indonesia │ 2019 │ DCP │ Colour │ 20min 2020 日舞影展短片單元競賽片 2019 釜山影展競賽片

飯店老闆僱請馬萬和幾位員工掃除大街上有精神疾病的低端人口,把他們集中載到森

林中放逐,以防他們入侵飯店,打擾到飯店裡的住客。事情看似進展順利,馬萬卻暗 中發起另一個秘密計畫。

本片請到近年進軍好萊塢成績有目共睹的性格男星歐卡·安塔拉(Oka ANTARA)主

演,以懸疑神秘氛圍引人入勝,後半段情節卻有了出乎意料的大反轉;瘋狂與理智原 來僅有一線之隔,道德與墮落其實也曖昧不明。精準銳利地提出道德批判,也在揭露 事情的全貌後,擺了身為觀眾的你我一道。本片風光入選韓國釜山影展,更入選美國

日舞影展短片競賽單元。導演身為印尼爪哇族後裔,希望本片透過在國際影展間映演, 讓外國觀眾去思考如何面對少數異己文化。

10/11 ( 日 ) 13:40 星橋 7 廳★

10/13 ( 二 ) 16:30 光影文化館

10/16 ( 五 ) 16:30 in89 9 廳

With the holiday season coming, the big boss of the hotel gives an order to employee Marwan and the staff to remove the street people with mental illness from the streets, and cast them away to the forest so they won't disturb the tourists. Instead of leaving them dying in the forest, Marwan has another plan.


城市潛望鏡

City Panorama

東南亞短片精選 Southeast Asia Shorts 10/11 ( 日 ) 13:40 星橋 7 廳★

10/13 ( 二 ) 16:30 光影文化館

10/16 ( 五 ) 16:30 in89 9 廳

加州夢遊 California Dreaming

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Producers Mohamed HEFZY Mamdouh SABA Gianluca CHAKRA Zeina DURRA Screenplay Zeina DURRA Cinematographer Zelmira GAINZA Music Nascuy LINARES

城市潛望鏡

Editor Andrea CHIGNOLI

City Panorama

Cast Andrea RISEBOROUGH Karim SALEH Shereen REDA Michael LANDESl

導演 Director

瑟娜.杜拉 Zeina DURRA 1976 年 生 於 英 國 倫 敦, 她 的 母 親 來 自 波 士 尼 亞、 巴 勒 斯 坦, 她 的 父 親 則 是 約 旦、 黎 巴 嫩 混 血, 擁 有 多 重 文 化 交 融 的 背 景, 大 學於牛津大學攻讀中東研 究,後來至紐約大學研習電 影 製 作。 執 導 的 首 部 作 品 《The Imperialists Are Still Alive!》2010 年入選日舞影 展競賽片,而後因為家庭因 素 而 暫 別 電 影 製 作。2020 年 再 度 帶 著 新 作《 愛 情 遺 跡》於日舞影展亮相。 Zeina DURRA received her BA in Oriental Studies from Oxford U n i v e r s i t y a n d M FA f r o m NYU's Tisch School of the Arts Graduate Film Programme. Her directorial debut, The Imperialists Are Still Alive! premiered in US Dramatic Competition at Sundance 2010. British born of Middle Eastern and Bosnian descent, Zeina spent over a decade living in New York, and after making her first film, she took some time off to have a family. Her recent feature Luxor staring Andrea RISEBOROUGH has been premiered in World Dramatic Competition at Sundance 2020.

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愛情遺跡

台灣首映 Taiwan Premiere

Luxor

埃及、英國 Egypt, UK │ 2020 │ DCP │ Colour │ 85min 2020 日舞影展競賽片

漢娜是名英國籍軍隊醫護人員,當她完成任務後,決定拋開一切來場一個人的小旅行, 再度來訪盧克索這悠久歷史的城市。期間,她邂逅前男友蘇丹,兩人在城市中遊蕩,

舊地重遊,許多回憶湧上心頭,她是否要留下,還是拋下這一切回到現實,面對未來 的不確定性,她猶豫不決。

本片拍攝緣起來自導演的一場夢,在夢裡她看見一個女人,在埃及古城中遊蕩。片中 大量空景與豐富環境音營造神聖的氛圍,隨著優美、色調一致的鏡頭,觀眾彷彿經歷

一場獨自旅行,置身尼羅河畔、盧克索神廟、冬宮酒店及具有千年以上的古文明遺跡。 「在盧克索這個城市中,你彷彿可以聽到城牆的呢喃,那是千年以來人們的禱告聲, 這也正是這部片所要討論的主題:生命、重生以及第二次機會。」―瑟娜.杜拉

10/12 ( 一 ) 20:50 新光 11 廳

10/19 ( 一 ) 21:20 in89 9 廳

When British aid worker Hana returns to the ancient city of Luxor, she comes across Sultan, a talented archeologist and former lover. As she wanders, haunted by the familiar place, she struggles to reconcile the choices of the past with the uncertainty of the present.


Producer Elli TOIVONIEMI Screenplay Kirsikka SAARI Elli TOIVONIEMI Anna PAAVILAINEN Alli HAAPASALO Reetta AALTO Jenni TOIVONIEMI Miia TERVO

女性日常

台灣首映 Taiwan Premiere

Force of Habit

芬蘭、瑞典 Finland, Sweden │ 2020 │ DCP │ Colour │ 79min

此拍攝計畫原有 11 個短篇故事,本片則由其中 6 條故事線所組成,透過女性導演的觀點道出現代女性的心聲:席拉

和克里斯欽的浪漫晚餐,因鹹豬手事件而被破壞;艾咪結束狂歡派對後,睡夢中房裡來了不速之客;艾力克西是名菜 鳥檢察官,處理妮娜等待已久的性侵案件;少女米拉上學途中,在公車上遇到兩名渣男,眾目睽睽下的言語暴力竟成 為她的惡夢;有野心的劇場演員安普,排練著被強暴的戲碼;凱特則在公司的派對晚宴中,娓娓道出曾被公司男同事 性侵的過去。

City Panorama

導演 Director

城市潛望鏡

Cast Pinja SANAKSENAHO Julia LAPPALAINEN Krista KOSONEN Eero RITALA Suvi BLICK Joonas SNELLMAN Seidi HAARLA Pirjo LONKA Johannes HOLOPAINEN Lotta KAIHUA

潔西卡.沙里 Kirsikka SAARI 艾莉.托里米 Elli TOIVONIEMI 安娜.帕非來寧 Anna PAAVILAINEN 愛莉.帕薩羅 Alli HAAPASALO 睿塔.艾圖 Reetta AALTO 珍妮.托里米 Jenni TOIVONIEMI 米亞.戴福 Miia TERVO

此計畫目的呈現後 #MeToo 時代女性的處境。片中的每個故事都可能發生在每個各行各業女性的身上,所有女性觀

眾都能深切體會。關於那些內化的性別意識形態與刻板印象,以及父權社會下被壓迫的女性境遇,必須透過影像引起 大眾討論,因為當性別平等的議題被廣泛討論且認可後,才有機會改變現狀。

Hilla's and Kristian's romantic dinner is ruined when a stranger gropes Hilla. After a house party, Emmi gets an uninvited guest to her bedroom. An inexperienced prosecutor Aleksi has a day to prepare for the rape trial Nina has waited for years. Milja's journey to school turns into a nightmare after strangers accompany her in a bus. An ambitious actress Emppu is preparing for a rape scene. Katja ruins the festive spirit in a company party when she reveals that her co-worker groped her after the last party.

Force of Habit is an anthology series and a feature film, all directed by women, that question individually, and as a collection, gender stereotypes and the way women's lives are conditioned by a patriarchal society.

10/11 ( 日 ) 16:10 星橋 7 廳

10/14 ( 三 ) 15:40 光影文化館

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Producers Tilde CORSI Gianni ROMOLI Screenplay Gianni ROMOLI Silvia RANFAGNI Ferzan OZPETEK Cinematographer Gian Filippo CORTICELLI Music Pasquale CATALANO

城市潛望鏡

Editor Pietro MORANA

City Panorama

Cast Stefano ACCORSI Edoardo LEO Jasmine TRINCA Sara CIOCCA Edoardo BRANDI

導演 Director

佛森 · 歐茲派特 Ferzan ÖZPETEK

1959 年出生於土耳其伊斯 坦堡,是當代獲獎眾多的同 志 導 演 之 一。1976 年 移 居 至羅馬,就讀羅馬大學電影 史。首部電影《男慾天堂》 入選坎城影展導演雙周單 元, 開 始 受 到 國 際 影 壇 的 熱烈推崇,從影 23 年執導 13 部 電 影, 除 每 創 票 房 佳 績 外,44 項 獲 獎 紀 錄 更 是 無 人 能 及。2008 年 紐 約 當 代美術館並曾為其舉辦回顧 展。歐茲派特作品常關注同 志與女性,擅長捕捉微妙情 感,進而感動觀眾。代表作 有《外慾》、《情遇那不勒 斯》等。

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Ferzan ÖZPETEK, born in Istanbul in 1959, moved to Rome in 1976 to study film history at the university La Sapienza. His first film Il Bagno Turco - Hamam (1997) was an immediate critical and public success, so much so that he was selected for Quinzaine des Réalizateurs at Cannes. Following Hamam, his movies Harem Suare , Facing Windows , N a p l e s i n Ve i l s h a s m a d e tremendous impact and has been awarded many times. He was considered one of the most important directors of Italian cinema. New York Modern Art Museum (MoMa) has exhibited a retrospective of his work in 2008.

幸運女神

The Fortune Goddess

台灣首映 Taiwan Premiere

義大利 Italy │ 2019 │ DCP │ Colour │ 114min

2020 義大利大衛獎最佳女主角、最佳電影歌曲 2020 義大利銀絲帶獎最佳女主角、最佳電影歌曲、最佳電影配樂

描述已同居 15 年的一對男同志,因為好心收容閨蜜的一對子女,意外肩負起「為人父」 的重責大任,並為他們日漸乾涸的愛情帶來了轉機。片中探討情侶該如何重拾愛情的 最初激情與悸動,以及初為人父、笨拙卻盡心的感人親情。不僅男同志伴侶心境描述 真情流露,劇情更是笑中帶淚,獲《好萊塢報導》讚譽是「溫暖與救贖的交織」。

本片根據真實故事改編,本片是義大利名導佛森 · 歐茲派特重返羅馬拍片,並首度獲 准進入古羅馬文物保護區「幸運女神神殿」拍攝的電影,此地對導演來說意義深遠,

因而選擇此地述說一個關於「愛」的故事。「故事真正吸引我的部分,是超越性與激

情之後,兩人關係如何的轉變,如何能夠繼續廝守。不論性向,對於許多伴侶來說, 這都是一個值得探討的議題。」

10/14 ( 三 ) 18:50 新光 11 廳

10/21 ( 三 ) 16:30 in89 9 廳

Arturo and Alessandro have been a couple for over fifteen years. Even though their passion and love have formed a close and important affection, their relationship has been in crisis for a long time. The sudden arrival of two children, left in their care for a few days by Annamaria, Alessandro's best friend, could give an unexpected turn to their tired routine. The solution will be a crazy departure for them both. But on the other hand, love is a state of pleasant madness.


Executive Producer Jo LÉGARÉ Producers Sandra-Dalhie GOYER Les Films JAD Screenplay Jean-Nicolas ORHON Cinematographer Jean-Nicolas ORHON

城市潛望鏡

Editor Jean-Nicolas ORHON Hubert HAYAUD Sound Simon BELLEFLEUR With the participation of Yannick NÉZET-SÉGUIN and L'Orchestre Métropolitain de Montréal

指揮巨星亞尼克 Ensemble

台灣首映 Taiwan Premiere

加拿大、美國、法國、德國、荷蘭 Canada, USA, France, Germany, Netherlands │ 2018 │ DCP │ Colour │ 92min

本片記錄曾三度來台、全球最炙手可熱的指揮家亞尼克.聶澤 - 賽金,與他發跡的「蒙

特婁大都會管弦樂團」,長達 20 年的濃郁感情。並記錄該團成立 35 週年時,展開征

戰德國多特蒙德、科隆、漢堡,荷蘭阿姆斯特丹、鹿特丹,以及巴黎愛樂廳等連續七 場的歐洲巡演。25 歲接掌蒙特婁大都會管弦樂團,35 歲當上費城管弦樂團指揮的亞

尼克,一站上指揮台總能爆發巨大能量,被美國《金融時報》讚美是「指揮台上最強 能量製造機」。

本片除展現亞尼克與樂團成員如家人般的親密情感,更一揭指揮家之於樂團的重要性, 引領觀眾以嶄新且專業的視角,近距離感受這些將對音樂的熱愛、昇華成自己生命的

藝術家群像。片中演奏起布拉姆斯《圓舞曲華爾滋》、蕭士塔高維奇《第四號交響曲》、 貝多芬《田園交響曲》、莫札特《第 39 號交響曲》,以及馬勒《第五號交響曲》等 多首招牌名曲,能讓含蓄的古典樂迷變得痴狂。

In the autumn of 2017, the Orchestre Métropolitain de Montréal begins its first international tour of Europe's most prestigious concert halls. This series of concerts is the crowning and paroxysm of the rich relationship between the musicians and their leader Yannick NÉZET-SÉGUIN. Over four seasons, Jean-Nicolas ORHON's camera follows the preparation of this international adventure and gently penetrates the daily life of the orchestra. Ensemble reveals the precious role of the maestro, exposes the excitement behind the scenes, displays the intimacy of the musicians and poses a new and delicate look on those whose life sublimes the love of music.

10/18 ( 日 ) 12:00 光影文化館

City Panorama

導演 Director

尚 · 尼可拉 · 歐宏 Jean-Nicolas ORHON 加 拿 大 蒙 特 婁 導 演, 作 品 含 括 劇 情 片 與 紀 錄 片。 2003 年結束電影與人類學 課程後,拍攝第一部紀錄片 《Asteur》,記錄關於美國 路易斯安那州法語區的緣起 與發展。導演歐宏親自扛機 拍攝亞尼克率領「大都會管 弦樂團」征戰歐洲七場演出 的點點滴滴,更費時三年將 這些音樂家的巡演準備、演 出心聲一一收錄。藉由這場 歐洲之旅,逐一開展亞尼克 與每位音樂家的親密情感, 讓觀眾見識到一個頂尖指揮 家、謙遜與專業的新高度。 Jean-Nicolas ORHON is a writer director in both documentary and fiction film. After completing his studies in cinema and anthropology, he directed Asteur (2003), a documentary about the survival of the French language and culture in Louisiana. In 2008, he directed the short fiction film Tu t'souviens tu? . The same year he completed Tant qu'il reste une voix , a documentary about collecting and recording of oral traditions. In 2011, he directed the short fiction Roule moi un patin , along with some fifteen vignettes exploring the world of wine for the TV program Des kiwis et des hommes .

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Robert BRESSON

羅伯.布列松

Restored Master Classics

大師經典再現

羅伯.布列松生於 1901 年,原是畫家,接觸電影拍攝不久後便放

棄繪畫。是法國最重要的導演之一,作品深刻地影響世界各地的青

年導演。他的作品量少質精,40 年的創作歷程中,只完成了 13 部 長片,但每一部影片都造成世界影壇的一陣騷動。認為導演該尋求 的是一種「新的電影狀態」,亦即對舊有電影語法的解構。

Robert BRESSON was a French film director. He left us in 1999. In his book "Notes on Cinematography" (“Les notes sur le Cinématographe”) published in 1975, Robert BRESSON

champions cinematography, an art based on writing using

sounds and movements. Filming scenes from everyday life with the most precise framing and taking as much care with the sound as the images thanks to a rigorous editing process, BRESSON is still seen as absolute master of the art by filmmakers worldwide.


Producers Agnès DELAHAIE Screenplay Robert BRESSON Cinematographer Léonce-Henri BUREL Sound Antoine ARCHIMBAUD Editor Raymond LAMY

大師經典再現

Restored Master Classics

扒手 [ 數位修復版 ] Pickpocket

法國 France │ 1959 │ DCP │ B&W │ 75min 1959 柏林影展競賽片

改編自杜斯妥也夫斯基的《罪與罰》,米榭為了生計成為扒手,第一次行竊失手因 故被放過,之後偷竊成為他生活的重心,並且把「扒」的技藝發揮到極致。某天鄰 居珍妮告知他的母親生命即將到達盡頭,他請朋友帶錢去給她,自己卻躲在房子

裡,不想讓母親知道他的謀生手段。全片猶如一篇誠實的青年自白書,由男主角的 第一人稱獨白串連而成,像是一個青年尋求自我的冒險故事。

本片被影評界公認是一部「最當代的影片」,充滿神秘主義的氛圍、不帶戲劇誇張 的神情與表演、精準的攝影鏡位跟場景調度,刻畫成純粹的布列松式鏡頭語言。電

Robert BRESSON's incomparable tale of crime and redemption follows Michel, a young pickpocket who spends his days working the streets, subway cars, and train stations of Paris. As his compulsion grows, however, so too does his fear that his luck is about to run out. Tautly choreographed and crafted in BRESSON's inimitable style, Pickpocket reveals a master director at the height of his powers.

影結束前男主角詩意的畫外音與極富生命力的鏡頭,堪稱影史最讓人印象深刻的經 典畫面之一,點到為止,卻會在觀者心中泛起巨大的漣漪。本片同時直接影響了賈 樟柯的《小武》(1998)、保羅.許瑞德的《美國舞男》(1983)。

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Producer Agnès DELAHAIE Screenplay Robert BRESSON Pierre CHAMPION Cinematographer Léonce-Henri BUREL Art Direction Pierre CHARBONNIER Costume Design Lucilla MUSSINI

大師經典再現

Editor Germaine ARTUS Cast Florence DELAY Jean-Claude FOURNEAU

Restored Master Classics

聖女貞德的審判 [4K 數位修復版 ] Trial of Joan of Arc

法國 France │ 1962 │ DCP │ B&W │ 64min

1962 坎城影展評審團特別獎、OCIC 天主教人道主義精神獎

布列松 1962 年拍攝的版本,將這個著名的歷史事件從頭到尾完全放在聖女貞德接受

審判的過程。特異地打破電影的傳統,布列松在本片中對聖女貞德最後的生與死,展

現一種寫實與獨特的關照。劇本根據審判聖女貞德的期間所留下的真實筆記,導演專 注在聖女貞德所受到生理與心理的煎熬,並顯示出這些拷問的方式如何用來摧毀她的 決心,並且造成她漸漸地放棄信念。

聖女貞德的故事是一個農民女孩在領導反抗政府的運動失敗之後,被帶去接受審訊, 宣告為異教徒,並且被當成一個女巫處以火刑。布列松使用真實的歷史證物再創造這 個我們耳熟能詳的故事,跟以往已被詮釋過純真的聖女貞德相比,布列松的聖女貞德 展現一種更成熟與複雜的性格,更真實而不再只有英雄式的悲壯。

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Based on the actual transcript notes taken during Joan's trial, BRESSON focuses on the psychological and physical torture that Joan had to endure, showing how these techniques were used to break her resolve and cause her to eventually recant her faith.


Producer Mag BODARD Screenplay Robert BRESSON Cinematographer Ghislain CLOQUET Sound Antoine ARCHIMBAUD Jacques CARRÉRE Music Jean WIENER

大師經典再現

Editor Raymond LAMY

Restored Master Classics

驢子巴達薩 [ 數位修復版 ] Au hasard Balthazar

法國 France │ 1966 │ DCP │ B&W │ 95min 1967 法國影評人協會最佳影片 1966 威尼斯影展 OCIC 天主教人道精神特別獎

少女瑪麗有一隻心愛的驢子,在同伴惡作劇替牠「受洗」之後,牠就叫做巴達薩。本

片敘事循著少女瑪麗和巴達薩分別前進,偶爾他們的命運交會,但大部分的時候他們

獨自面對生命種種無情的打擊。巴達薩推過磨、犁過田、馱過重物、拉過車、甚至在 馬戲團表演過乘法計算,最後被人利用走私而遭到擊斃。瑪麗雖然有位無條件愛她的 同伴賈克,可是她愛上蔑視一切的小混混傑哈,最後因為貧窮而賣淫,再被不了解她 的父母「拯救」到一個陌生之地。

This film follows the donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations beyond his understanding. Balthazar, whose life parallels that of his first keeper, Marie, suffering the sins of man. But despite his powerlessness, he accepts his fate nobly.

極其複雜的劇情,加上布列松徹底拒絕設定任何角色心理動機,讓歷來的影評人對它 又愛又恨。是影史上少數以動物為主角的奇異傑作,揚棄人物心理動機。與其說它是

一部動物的「擬人電影」,不如說它是人的「擬動物」片,語言不是用來表現角色的 情感,一切人為的意義與情感歸零。

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Screenplay Robert BRESSON Cinematographer Pasqualino de SANTIS Sound Jacques CARRÉRE Music Philippe SARDE Editor Germaine LAMY

大師經典再現

Restored Master Classics

武士蘭西諾 [ 數位修復版 ] Lancelot of the Lake

法國 France │ 1974 │ DCP │ Colour │ 85min 1974 坎城影展國際影評人費比西協會獎

蘭西諾是亞瑟王最信任的圓桌武士,經過多年徒勞地追尋聖杯之後,武士們又再度聚 集回亞瑟王身邊。他事實上是亞瑟王王妃瑰娜薇的「騎士」,「騎士之愛」是他們關

係的最高準則――一種不涉及身體情慾的精神愛戀。然而關在身體裡的慾望總要找尋 出口,瑰娜薇愛上了蘭斯洛,不論是情感的、身體的還是靈魂的愛。這毀滅性的愛勢 必導致一場更為毀滅的結果。

這部片可以說是布列松影像最為殘酷的一部,影片剛開始我們就看到戰場上的武士被

砍頭、被刺死、被輾死,無主的馬匹四處奔馳,血像 70 年代好萊塢低成本恐怖片般

亂噴。影片的殘酷並非無端的暴力影像,布列松在這部片中提出的另一個命題是中古 世紀的結束。時代精神的消亡已出現在《驢子巴達薩》裡,在《武士蘭西諾》這個命 題被更明顯地提出。

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10/15 ( 四 ) 14:00 光影文化館

Arthur's knights, far from being heroic, are conniving and greedy men who, just before the film starts, have failed miserably to find the Holy Grail. Aimlessly resentful at first, the developing relationship between Lancelot and Queen Guinevere focuses their rage, leading to inevitable tragedy...


Producers Jean-Marc HENCHOZ Daniel Toscan du PLANTIER Screenplay Robert BRESSON Cinematographer Pasqualino de SANTIS Emmanuel MACHUEL Sound Jacques MAUMONT

大師經典再現

Editor Jean-François NAUDON

Restored Master Classics

錢 [ 數位修復版 ] Money

法國 France │ 1983 │ DCP │ Colour │ 85min 1983 坎城影展最佳導演獎 1986 美國國家影評人協會最佳導演獎

改編自俄國文豪托爾斯泰的中篇小說《偽鈔》(The Forged Coupon)。故事描述一個

男孩跟父親要錢不成,跟朋友用一張五百元偽鈔到店內消費,後來這張偽鈔卻陰錯陽 差的導致另一位青年伊凡被誣陷,失去了在生活中擁有的一切,並犯下滔天大罪。

影片悲觀又現實的調性,不針對中產階級做評論,而就獨特而複雜的人性做出剖析。

導演同情這位與我們無異的人類,冷靜看著他使用暴力,然後安靜地在被觀看下結束。

影片如同暴風雨前的寧靜一般,充滿著許多美麗靜謐的時刻,而在那之後的殘暴場景,

A boy's parents refuse to lend him money, so a friend gives him a counterfeit 500-franc bill. This one act sets into motion a chain of events that will lead to murder. Inspired by a Tolstoy story, one of cinema's great masters creates a powerful tale of innocence corrupted.

也似乎相對動人的悲哀起來。通常,大師的晚年電影作品最容易被評論為故技重施,

創作力不復當年,但這部壓箱作品卻完全相反,被許多影評人及影迷視為布列松電影 的代表作之一。

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佩德羅

於是離開家鄉,獨自前往馬德里。但由於遭逢佛朗哥獨裁統

治時期,所有電影學院被迫關閉,他也因此未曾就讀過電影學 校,所有電影技術都靠自學。其作品題材具爭議性,經常探討 慾望、暴力、宗教等議題,並以用色大膽的絢麗影像見長。從

影三十年,電影作品超過二十部,這位多產導演,是坎城影展

Pedro ALMODÓVAR

阿莫多瓦 ‧

Restored Master Classics

大師經典再現

佩德羅 · 阿莫多瓦 1949 年出生於西班牙小鎮 La Mancha,

出生貧寒,從小進入教會學校讀書,17 歲便立志要拍電影,

的常客,還包辦柏林、威尼斯及奧斯卡金像獎等國際影展超過 一百個獎項,被譽為西班牙繼布紐爾之後,最具影響力的當代 西班牙電影大師。

Pedro ALMODÓVAR is a Spanish filmmaker, director, screenwriter, producer, and former actor. His films are marked by his employment of certain actors and creative personnel, complex narratives, melodrama, pop culture, popular songs, irreverent humour, strong colours, and glossy décor. Desire, passion, family, and identity are among ALMODÓVAR's most prevalent themes.


Executive producer Agustín ALMODÓVAR Screenplay Pedro ALMODÓVAR Costume Designer José María COSSIO Sound Jean-Paul MUGEL Editor José SALCEDO

大師經典再現

Cinematographer Alfredo MAYO Music Ryuichi SAKAMOTO

高跟鞋 [ 數位修復版 ]

Restored Master Classics

Cast Victoria ABRIL Marisa PAREDES Miguel BOSÉ Anna LIZARAN Mayrata O'WISIEDO Cristina MARCOS Féodor ATKINE

High Heels

西班牙 Spain | 1991 | DCP | Colour | 112min 1993 法國凱薩獎最佳外語片 1992 金球獎最佳外語片提名

蕾貝卡的母親是當紅的流行歌手,為了追求演藝事業拋下年幼的蕾

貝卡遠赴墨西哥。每當蕾貝卡想念母親時,就會來到劇場,看異裝 癖藝人戴上金髮、穿上迷你裙,模仿母親的表演。蕾貝卡對於母親 有著異常的迷戀,她盡其一生去模仿追趕,想要成為母親那樣的

人,同時對母親又充滿了妒與恨。於是她努力當上了新聞主播,還 嫁給了母親的舊情人。多年後,母親回到馬德里即將舉行公演,卻 與舊情人重燃愛火。得知消息的蕾貝卡一氣之下殺了丈夫,並在新 聞播報時公開了自己的罪行。蕾貝卡鋃鐺入獄之後,母親也在首演 當晚的舞台倒下了,她將不計一切代價讓蕾貝卡尋回幸福。

Becky de Paramo has had almost as many husbands as gold discs. She abandoned her daughter from her first marriage at thirteen to focus on her career as a pop singer. Rebeca was raised by her father but remains obsessed by her absent mother. She even marries one of Becky's former lovers, Manuel. Now she's the calm, unflappable anchorwoman on the evening news. But when Becky flies in to do a concert in Madrid, their meeting at the airport – the first for fifteen years – is tense and uncomfortable. Becky realized, as Manuel rekindles old flames within her, that her daughter's marriage is on the rocks. But then he is suddenly murdered. With amazing sangfroid, Rebeca announces his death on the TV news and then, astoundingly confesses to the killing. There comes another twist – Becky collapses on stage, finally revealing the illness she has hidden for years. It's the catalyst for all the characters to face their own demons, to discover the truth not just about Manuel's killing, but about themselves.

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Executive Producer Agustín ALMODÓVAR Screenplay Pedro ALMODÓVAR Director of Production Esther GARCÍA Cinematographer Javier AGUIRRESAROBE A.E.C Editor José SALCEDO

大師經典再現

Music Alberto IGLESIAS Choreography Pina BAUSCH

Restored Master Classics

Cast Javier CÁMARA Darío GRANDINETTI Leonor WATLING Rosario FLORES Mariola FUENTES

悄悄告訴她 [ 數位修復版 ]

台灣首映 Taiwan Premiere

Talk to Her

西班牙 Spain | 2002 | DCP | Colour | 113min 2003 奧斯卡最佳原創劇本獎 2003 金球獎最佳外語片

2003 歐洲電影獎最佳影片、最佳導演、最佳劇本

個性靦腆的班尼諾在私人診所擔任看護,他全心全意照顧著因車禍 陷入昏迷長達四年的芭蕾舞學生阿麗夏;馬可是一名旅遊記者,他

的女友莉蒂亞在一次鬥牛過程中身受重傷昏迷不醒。兩個完全不相

識的男人,在一場舞蹈家碧娜.鮑許的現代舞作「穆勒咖啡館」比

鄰而坐。幾個月後,兩人在私人診所正式相遇,正當兩個男人的友 情愈來愈深厚,莉蒂亞的前男友卻在此時來探病,並告訴馬可自己 與莉蒂亞在出事前就已舊情復燃,讓馬可深受打擊而離開,不久便

在報紙上看到莉蒂亞的死訊。同時,成為植物人許久的阿麗夏,竟 被發現懷有兩個月的身孕,一切矛頭都指向班尼諾……

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The curtain of salmon colored roses and heavy gold fringing which covers the stage is pulled back to reveal a Pina Bausch spectacle, Café Müller. Among the spectators, two men are sitting together by chance. Months later, the two men meet again at “The Forest”, a private clinic where Benigno works. Lydia, Marco's girlfriend, and a bullfighter by profession, has been gored and is in a coma. It so happens that Benigno is looking after another woman in a coma, Alicia, a young ballet student. When Marco walks by the door of Alicia's room, Benigno doesn't think twice before speaking to him. It's the start of an intense friendship... as lineal as a roller coaster. During this period of suspended time between the walls of the clinic, the lives of the four characters will flow in all directions, past, present, and future, dragging all of them towards an unsuspected destiny.


Executive Producer Esther GARCÍA Producer Agustín ALMODÓVAR Screenplay Pedro ALMODÓVAR Cinematographer José Luis ALCAINE A.E.C Editor José SALCEDO

大師經典再現

Art Director Antxon GÓMEZ Sound Miguel REJAS Music Alberto IGLESIAS

台灣首映 Taiwan Premiere

Bad Education

Restored Master Classics

壞教慾 [ 數位修復版 ]

Cast Gael GARCÍA BERNAL Fele MARTÍNEZ Javier CÁMARA Daniel GIMÉNEZ-CACHO Lluis HOMAR Francisco BOIRA Francisco MAESTRE Juan FERNÁNDEZ Ignacio PÉREZ Raúl GARCÍA FORNEIRO

西班牙 Spain | 2004 | DCP | Colour | 105min 2004 坎城影展開幕片 2004 歐洲電影獎最佳影片、最佳導演獎等 5 項提名

伊納修與安利奎是馬德里一所教會學校同學,懵懂的兩人有著非一般「同窗之愛」。

戀童癖的馬諾羅神父迷戀上擁有天籟美聲的伊納修,為了擁有他,馬諾羅神父勒令安 利奎退學,更進而性侵了伊納修。20 年後成為導演的安利奎,收到一份來自伊納修

的劇本。劇本影射兩人幼時的教會生活、情慾的初長、神父對男童的性幻象等等,安

利奎決定開拍成電影搬上大銀幕。安利奎對伊納修心有存疑決定私下展開調查。電影 開拍後,片場出現了一名不速之客 – 馬諾羅神父,神父告訴了安利奎另一個版本的故 事……童年禁忌的初戀、神父的戀童癖以及同性間的情慾糾纏,交織出一場慾望的狂 風驟雨。

10/10( 六 ) 15:00 新光 7 廳

Two kids, Ignacio and Enrique, discover love, cinema and fear in a religious school at the start of the 60s. Father Manolo, the school principal and their literature teacher, is witness to and part of these discoveries. The three characters meet twice again, at the end of the 70s and in the 80s. The reencounter will mark the life and death of some of them.

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Executive producer Agustín ALMODÓVAR Producer Esther GARCÍA Screenplay Pedro ALMODÓVAR Cinematographer José Luis ALCAINE A.E.C Art director Salvador PARRA

大師經典再現

Editor José SALCEDO Music Alberto IGLESIAS

Restored Master Classics

Cast Penélope CRUZ Carmen MAURA Lola DUEÑAS Blanca PORTILLO Yohana COBO Chus LAMPREAVE Antonio de la TORRE Carlos BLANCO

玩美女人 [ 數位修復版 ] Volver

台灣首映 Taiwan Premiere

西班牙 Spain | 2006 | DCP | Colour | 121min 2007 奧斯卡最佳女主角獎提名 2006 坎城影展最佳女主角、最佳劇本獎

某晚,寶拉在公車站等待母親蕾木妲下班,兩人回到家中,蕾木妲驚覺丈夫竟倒在血

泊之中。寶拉顫抖地坦承父親在喝醉後,不斷聲稱自己不是她的父親並想進一步地侵 犯她,兩人在拉扯中導致意外。蕾木妲二話不說地擔起殺人的罪責,並將屍體暫時放

在餐廳的冰箱。蕾木妲的母親伊列涅死於一場大火之中,盛傳伊列涅的鬼魂時常出沒, 鄰居奧古斯汀娜對此深信不疑,她堅信自己失蹤的母親必定也與那場大火有關,於是 拜託蕾木妲向伊列涅的鬼魂求證,卻遭蕾木妲斥為謬論。但沒想到蕾木妲的妹妹索蕾 竟真的看見了伊列涅。

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10/16( 五 ) 18:40 光影文化館

Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality. They are Raimunda, who is married to an unemployed laborer and has a teenage daughter; Sole, her sister, who makes a living as a hairdresser; and the mother of both, who died in a fire along with her husband. She appears first to her sister and then to Sole, although the people with whom she has some unresolved matters are Raimunda and her neighbor in the village, Agustina.


Executive producer Agustín ALMODÓVAR Producer Esther GARCÍA Screenplay Pedro ALMODÓVAR Editor José SALCEDO

大師經典再現

Cinematographer Rodrigo PRIETO ASC AMC Art Director Antxon GÓMEZ Sound Miguel REJAS

Cast Penélope CRUZ Lluís HOMAR Blanca PORTILLO José Luis GÓMEZ Rubén OCHANDIANO Tamar NOVAS Ángela MOLINA

破碎的擁抱 [ 數位修復版 ]

Restored Master Classics

Music Alberto IGLESIAS

台灣首映 Taiwan Premiere

Broken Embraces

西班牙 Spain | 2009 | DCP | Colour | 128 min 2010 金球獎最佳外語片提名 2009 坎城影展競賽片

本名馬泰歐的哈利,在當年是叱吒風雲的新銳導演,於一場車禍中失明後再也無法繼 續拍片,於是化名為哈利肯恩擔任編劇一職。某日,一則突如其來的死訊揭開塵封已

久的往事回憶,破碎的真相也一片片地拼湊了起來。14 年前,哈利執導處女作《女孩 與手提箱》期間,邂逅了美豔動人的女演員莉娜,兩人愛得濃烈,然而莉娜卻是富商

艾尼斯的情婦,由愛轉恨的艾尼斯不擇手段地介入電影拍攝。當哈利與莉娜決定私奔, 艾尼斯竟決心摧毀電影,讓電影招來惡評如潮。哈利氣急敗壞回到馬德里,萬萬沒想 到,這一次的離別竟讓兩人走上命運的分歧。

10/15( 四 ) 18:50 新光 11 廳

The death of Ernesto Martel sets off a chain of events that forces one man to come to terms with his past. Before he went blind, Harry Caine was Mateo Blanco, a film director who often worked with Ernesto. Ten years ago, Ernesto and Mateo's friendship became a battle for Lena, Ernesto's mistress and Mateo's secret object of affection. When the former recruits his son to spy on the latter, things quickly spiral out of control.

10/22( 四 ) 18:40 光影文化館

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市川崑(1915-2008),日本著名導演,與黑澤明、木下惠介、小林正樹並稱日本影壇四騎士。

以推理小說家橫溝正史的《金田一耕助》系列為劇本拍成的電影以絢爛畫面、緊湊劇情大受歡 迎。1964 年市川崑為東京奧委會,拍攝官方紀錄片,於 1965 年推出,不落俗套的手法不僅讓

他揚名世界,也為他贏得坎城影展國際影評人協會獎。其作品大部分來自日本文學作品改編, 如《炎上》、《鍵》、《我是貓》、《細雪》等。

joined the Kyoto J.O. Studio (the predecessor of Toho) as an animator. There he learned planning, screenwriting, animation, shooting, and editing. He then transferred to the assistant directors' department and moved to Tokyo. In 1948, he made his feature film directorial debut. He married Natto WADA that same year. In 1951, he transferred to Toho and directed such films as Wedding March , The Woman Who Touched the Legs , and Mr. Pu . He received recognition for exhibiting a daringly experimental spirit and creating sophisticated comedies of social satire. In 1956, he transferred to Nikkatsu and directed The Burmese Harp , which won the San Giorgio Prize at the Venice Film Festival. At Daiei, he directed several films of quality, variety and poignant visual style in succession, which include Conflagration , Odd Obsession (won the Jury Prize at the

Kon ICHIKAWA

市川崑

Restored Master Classics

大師經典再現

Kon ICHIKAWA was born on November 20, 1915 in Mie Prefecture, Japan. In 1933 he

Cannes Film Festival), Her Brother (won the Technical Grand Prize - Special Mention at the Cannes Film Festival), Ten Black Women , An Actor's Revenge . In 1965 his name became known all over the world for his documentary Tokyo Olympiad , which won the FIPRESCI Award at the Cannes Film Festival. In 1969, he established the "Yonki no kai" (group of four horsemen) together with Akira KUROSAWA, Keisuke KINOSHITA, and Masaki KOBAYASHI to create a stir in the stagnant Japanese film industry. He died on February 13, 2008 at the age of 92. His filmmaking career spanned 75 years and he never retired.


Producers Hiroaki FUJII Masaichi NAGATA Original Novel Aya KODA Screenplay Yoko MIZUKI Cinematography Kazuo MIYAGAWA

Restored Master Classics

弟弟 [4K 數位修復版 ]

© KADOKAWA CORPRODUCTION 1958

大師經典再現

Cast Keiko KISHI Hiroshi KAWAGUCHI Kinuyo TANAKA Masayuki MORI

台灣首映 Taiwan Premiere

Her Brother

日本 Japan │ 1960 │ DCP │ Colour │ 98min

1961 坎城影展技術貢獻特別獎 1961 日本藍絲帶獎最佳影片、最佳導演、最佳女主角、最佳攝影

17 歲的阿絃與小她 3 歲的弟弟碧郎,生長在一個信奉天主教的家

庭。他們的父親是名不經傳的作家,對於家務不聞不問,也經常沉 默不語;繼母患有手腳風濕痛,長年臥病在床。對於碧郎來說,姊

姊無微不至的照顧與愛護,他毫不珍惜,叛逆的行為舉止,令姊姊 擔憂不已。在一次騎馬意外因而受傷入院時,醫生才發現碧郎的肺 病已經很嚴重了,他才開始真正懂得珍惜身邊的親人……

改編自幸田文原著,導演市川崑不慍不火呈現日本女性堅忍不拔的

特質。市川崑曾說:「『家』是父愛、母愛、兄弟愛及姐弟愛建構 而成的。但不管如何相親相愛,人,仍是孤獨的。以孤獨為前提, 相互扶持的生活中所流露出的情感是最美麗的。」

Gen is 17 and only 3 years older than her brother, but she seems much more mature than Heriko who is headstrong yet timid at the same time. Their father is a writer, not spectacularly successful but rather well-known in the country. He is shut up in his study all day long and most of the night. Their stepmother, a devout Christian, is a semi-invalid suffering from rheumatism. The four members of the family are equally stubborn in their respective ways, and the friction between their father and step-mother adds to the oppressive gloominess at home. It seems to draw Gen and Hekiro even closer together than ordinary sister and brother in normal homes, and she tries to be a little mother to him. In spite of Gen's anxiety over Heriko's unpredictable behaviors at times, the worst happens. One day when she returns from school, her stepmother tells her that he has been expelled from the Christian school she had chosen for him because of stealing. She bitterly blames her father for Heriko's delinquency, saying that he spoils him.

10/15( 四 ) 19:00 光影文化館

10/17( 六 ) 12:40 in89 9 廳

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Producers 永田雅一 Masaichi NAGATA Original Novel 三島由紀夫 Yukio MISHIMA Screenplay 和田夏十 Natto WADA 長谷部慶治 Keiji HASEBE Cinematography 宮川一夫 Kazuo MIYAGAWA Music 黛敏郎 Toshiro MAYUZUMI

大師經典再現

Cast

市川雷藏 Raizo ICHIKAWA 仲代達矢 Tatsuya NAKADAI 中村鴈治郎 Ganjiro NAKAMURA

Restored Master Classics

炎上

[4K 數位修復版 ]

Conflagration

台灣首映 Taiwan Premiere

日本 Japan │ 1958 │ DCP │ B&W │ 99min 1959 威尼斯影展最佳男演員獎 1959 藍絲帶獎最佳男主角、最佳男配角、最佳攝影獎

改編自三島由紀夫的《金閣寺》,描述一名患有口吃的高中生,迷 戀「驟閣寺」之美成痴,最終釀成巨禍,卻也為個人不幸命運帶來 解脫。本片為市川崑首部寬銀幕作品,由攝影大師宮川一夫掌鏡。 兩人聯手將日本 20 世紀最重要的小說大銀幕化,推上日本影史經

典寶座。2020 年為三島由紀夫逝世 50 周年,此時再重溫兩位大 師的作品結晶,別有意義。

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10/15( 四 ) 11:00 光影文化館

10/20( 二 ) 16:40 光影文化館

Conflagration , known as Kon ICHIKAWA's favorite film, is based on Yukio MISHIMA's book The Temple of the Golden Pavilion , which was inspired by the burning of a national shrine in 1950. The film was released only two years after the novel was published. The story tells that a tormented young acolyte burned Kyoto's ancient Zen temple of the Golden Pavilion to the ground in an ecstatic act of vengeful jealousy. The film is considered one of the most beautiful Japanese films giving credit to Japan's Greatest Cinematographer, Kazuo MIYAGAWA.


Producers Suketaru TAGUCHI Screenplay Kon ICHIKAWA Yoshio SHIRASAKA Shuntarô TANIKAWA Natto WADA Cinematographer Kazuo MIYAGAWA Shigeo MURATA Shigeichi NAGANO Kenji NAKAMURA Tadashi TANAKA

大師經典再現

Editor Tatsuji NAKASHIZU Art Director Yusaku KAMEKURA

東京奧運 1964 Tokyo Olympiad

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Music Toshirô MAYUZUMI

台灣首映 Taiwan Premiere

[4K 數位修復版 ]

日本 Japan | 1965 | DCP | Colour | 170min 1965 坎城影展國際影評人大獎

1940 年東京被選為夏季奧運的主辦城市,但由於二次世界大戰影響及其他爭

議,東京主辦權因此終止,而此屆奧運賽事也因戰事開展而延期。直到 1964 年, 日本再次挑戰奧運之夢,成為奧運首座亞洲主辦城市,再度向全世界證明日本

從二次戰敗後,不屈不饒重新站立的能耐。日本大師市川崑受邀拍攝,對於奧 運選手不歌功頌德,也不流為官方賽事記錄的宣傳片,運鏡與場面調度展現大 師風範,整體敘事強調人道精神與多元文化,成為日本國民集體記憶的重要紀 事。

此 次 影 展 放 映 版 本 為 2013 年 國 際 奧 林 匹 克 委 員 會 (International Olympic

Committee) 修復之作。本節目由國際奧委會 IOC 協力放映。

Tokyo had been selected to host the Summer Games in 1940, but with war on the horizon, the host city had to withdraw. ICHIKAWA treated the 1964 event with an intensely humanist vision, dwelling not just on the effort and commitment of individual athletes but also on the experience of spectators and competitors alike. Using the scope format, his team of cameramen brought their telephoto lenses to bear on some of the greatest medalists of the modern era, from Bob HAYES and Dawn FRASER to Abebe BIKILA and Joe FRAZIER. With its superb editing and sound recording, this documentary remains an unrivalled treat for both eye and ear.

10/11( 日 ) 17:00 新光 11 廳

10/14( 三 ) 19:00 星橋 7 廳

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Producers 衣奈多喜男 Takio ENA 菅野長吉 Chokichi KANNO Screenplay 井手雅人 Masato IDE 白坂依志夫 Yoshio SHIRASAKA 伊藤清 Kiyosi ITO 谷川俊太郎 Shuntaro TANIKAWA Cinematographer 植松永吉 Eikichi UEMATSU Sound 大橋鉄矢 Tetsuya OHASHI

大師經典再現

Music 山本直純 Naozumi YAMAMOTO

Restored Master Classics

導演 Director

市川崑 Kon ICHIKAWA 日本著名導演(1915-2008), 與黑澤明、木下惠介、小林 正樹並稱日本影壇四騎士。 以推理小說家橫溝正史的 《金田一耕助》系列為劇本 拍成的電影以絢爛畫面、緊 湊 劇 情 大 受 歡 迎。1964 年 市川崑為東京奧委會拍攝官 方紀錄片,於 1965 年推出, 不落俗套的手法不僅讓他揚 名世界,也為他贏得坎城影 展國際影評人協會獎。其作 品大部分來自日本文學作品 改編,如《炎上》、《鍵》、 《我是貓》、《細雪》等。 Kon ICHIKAWA (20 November 1915 – 13 February 2008) was a Japanese film director. His work displays a vast range in genre and style, from the antiwar films The Burmese Harp (1956) and Fires on the Plain (1959), to the documentary Tokyo Olympiad (1965), which won two BAFTA Film Awards, and the 19th-century revenge drama An Actor's Revenge (1963). His film Odd Obsession (1959) won the Jury Prize at the 1960 Cannes Film Festival.

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青春:第 50 屆日本全國高中棒球錦標賽

Youth: The 50th National High School Baseball Tournament

台灣首映 Taiwan Premiere

日本 Japan | 1968 | DCP | Colour | 96min

1968 年盛夏,第 50 屆日本全國高中棒球錦標賽「夏季甲子園」正式開戰!六萬名觀

眾擠爆看台觀戰,歡呼聲響徹雲霄。從 2,485 所學校脫穎而出 48 校菁英隊伍,準備 爭奪獨一無二的至高榮耀。劇組縱橫經緯走遍列島,從寒冬到酷暑,追蹤野球少年的

逐夢身影。片中更穿插珍貴歷史畫面,細數甲子園變遷史。走過二戰,巍巍場館除了 曾因軍需拆用,甚至有明星球員遠赴沙場不再歸來。汗淚齊飆的甲子園,不僅是青春 競技場,更見證永不言棄的大和精神。

本片為明治百年紀念電影,由朝日新聞社和日本高中棒球聯盟全面協力拍攝,一代名 導市川崑最膾炙人口的傳奇傑作,媲美導演 1965 年轟動鉅作《東京奧運 1964》。為

了落實導演的野望,全片出動 20 多台攝影機、動員 120 名工作人員,讓鏡頭伏地上天,

穿梭各個角落,精彩捕捉賽事精華與綻放的各色青春!

10/10 ( 六 ) 20:50 新光 11 廳

10/19 ( 一 ) 15:00 光影文化館

Among the hardest-to-see films in Kon ICHIKAWA's oeuvre, this 1968 documentary finds the legendary director approach the subject of Japanese high school baseball with the same lyricism and visual splendor as he did with the 1964 Summer Games in Tokyo Olympiad (1965). On the 50th anniversary of the Koshien games, ICHIKAWA captures the uniquely rigorous training― in snow, dirt and schoolyard lots ― of the young athletes preparing for the all-important tournament, interspersed with historical footage that contextualizes Japan's long love affair with student baseball. A thrilling portrait of youth in the economic boom of the postwar period, ICHIKAWA's rare film encapsulates an entire generation through sports.


大師經典再現

Restored Master Classics

青春:第 50 屆日本全國高中棒球錦標賽 Youth: The 50th National High School Baseball Tournament

93


Cinematographer 劉吶鷗 Na-ou LIU Editor

劉吶鷗 Na-ou LIU

Music

林強 LIM Giong

大師經典再現

Restored Master Classics

導演 Director

劉吶鷗 Na-ou LIU 本 名 劉 燦 波,1905 年 生, 臺南新營人。通曉英、法、 日語、上海話、廣東話與北 京話等,活躍於上海文壇與 影壇,被歸類為「新感覺派」 作家。在他傳奇的一生中, 先後發行文藝雜誌、創辦書 店及出版社,並籌辦電影公 司。1940 年 因 政 治 立 場, 遭人於上海刺殺身亡,得年 僅 35 歲。過世後因政治因 素,成就一直未獲肯定,直 到近幾年終獲學者重新檢 視,被視為是引領當時文學 與電影腳步的先驅者,資深 影評人黃仁讚其為「文壇影 壇奇才」。

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Na'ou LIU (1905-1940) was a Ta i w a n e s e w r i t e r a n d f i l m m a k e r, b o r n i n Ta i n a n during the time when Taiwan was a colony of the Japanese Empire. LIU spent several years studying in Japan, before relocating to Shanghai in 1926. LIU was influenced b y c u l t u r e t r e m e n d o u s l y, establishing his worldview and sense of aesthetics. Due to his political leanings, he was assassinated at the age of 35. LIU is considered a pioneer of the literature and cinema in the 40s.

持攝影機的男人(林強全新配樂版)

The Man Who Has A Camera ( Newly Scored by LIM Giong ) 台灣 Taiwan | 1933 | DCP | B&W | 30min

1933 年,電影事業正起步的劉吶鷗,拿著新奇的百代 9.5 毫米攝

影機,實驗性地拍下他台南老家親友的身影,以及他在不同城市旅

行的景象風光。《持攝影機的男人》是他個人用影像書寫的日記, 也為當時的時代風華留下寶貴紀錄。

本片共分為〈人間卷〉〈遊行卷〉〈風景卷〉〈廣東卷〉〈東京卷〉 五卷,大量的人臉特寫、各種角度的取鏡、快速的剪接,使影像充 滿律動感,如樂如詩。2019 年,音樂人林強為原為無聲的影片全

新配樂,在電氣、廟宇音樂及人聲吟唱所營造的轟鳴之中,引領觀 者走入時光隧道,回溯記憶的吉光片羽。

10/17( 六 ) 17:30 in89 9 廳 ★

10/21( 三 ) 14:00 光影文化館

台灣首映 Taiwan Premiere

This film is comprised of five episodes, shot in four cities across national boundaries: Tainan, Canton, Shenyang, and Tokyo. It displays impressionistic street spectacle and images of quotidian life, as well as excursions by train and ship, unfolding as a private visual journal and a sort of souvenir, but with refined framing, camera movement, and rhythmic editing. With his own perspective and artistic sensitivity embedded in this film, struggling between being a Japanese colonial subject and a Taiwanese/Chinese litterateur, LIU attempts to transcend geological, national, racial/ ethnic, linguistic and medial boundaries, to establish a depoliticized, internationalist, cosmopolitan cinematic utopia, a pure cinema, and a fluid and contested identity.


Cinematographer 賴成英 Cheng-ying LAI Editor

白景瑞 Ching-jui PAI

Music

林強 Giong LIM

大師經典再現

台北之晨(林強全新配樂版)

白景瑞 Ching-jui PAI

A Morning in Taipei ( Newly Scored by LIM Giong ) 台灣 Taiwan | 1964 | DCP | B&W | 20min 2020 台北電影節

黑夜中霓虹光漸漸被晨光點點吞下,吐出城市黎明,日光打開鏡頭視野,行跡穿過

1960 年代台北的公園、教堂、市集、紡織廠、電信局等地,順著鐵馬送報生拋擲出的

日報,進入白領小家庭的早晨時光。

本片以紀實的「仿紀錄片」手法,在編排下拍攝台北城市的早晨。初剪後原計畫配上

現場環境音,但當時「健康寫實」當道,白景瑞的毛片沒有獲得認同,使得拍攝計畫

中止,本片原始拷貝也因此湮沒,僅存兩卷經他剪接後的工作帶,兩度在銷毀的邊緣。 數十年後《台北之晨》重新出土,白景瑞展現的美學實驗精神讓人驚異,可視為他赴 義大利修習的成果展示。此次放映的版本由音樂人林強,於 2019 年全新配樂。

10/17( 六 ) 17:30 in89 9 廳 ★

At dawn, the camera leads the viewers through a park, a church, a market, a textile factory, and the telecommunications bureau. As a paper is thrown towards the door, we walk into the life of a middle-class family in Taipei. After studying in Italy, Director PAI captured the morning images of Taipei city in the 1960s shooting as a pseudo-documentary. Composer LIM Giong was invited to produce a different version of the imagined soundtrack for this historical film.

10/21( 三 ) 14:00 光影文化館

Restored Master Classics

導演 Director

1931 年出生於遼寧營口, 1948 年隨海軍來台。1957 年受義大利新寫實主義電影 影響,決心赴義學習電影。 1968 年、1969 年以《寂寞 的十七歲》和《新娘與我》, 連續兩年獲金馬獎最佳導演 獎,在健康寫實的路線下容 納 了 社 會 批 判 意 識。1970 年代起開始改編文學作品, 以《再見阿郎》和《金大班 的 最 後 一 夜 》 為 人 稱 道。 1997 年, 在 金 馬 獎 前 夕, 於凱悅飯店因心肌梗塞辭 世,享壽 66 歲。 Ching-jui PAI was born in 1931 in Liaoning province in China. In 1948, he came to Taiwan with the navy. Influenced by Italian Neorealism, he decided study in cinema in Italy in 1957. He won Best Director at the Golden Horse Awards for Lonely Seventeen in 1968 and The Bride and I in 1969. In 1970s, he was known for his literary adaptations, such as Goodbye Darling and The Last Night of Madam Chin .

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大師經典再現

導演 Director

Restored Master Classics

陳耀圻 Richard Yao-chi CHEN 1938 年出生於四川成都, 1945 年隨父母來台。移民 至美國之前,曾就讀成功大 學 建 築 系,1961 年 畢 業 於 加州大學洛杉磯分校電影研 究所,《劉必稼》為其畢業 作品。自 1970 年起執導多 部 劇 情 片, 其 中《 追 球 追 求》、《蒂蒂日記》,分別 獲 得 1977 年 與 1978 年 金 馬獎優等劇情片獎。 Richard Yao-chi CHEN was born in Chengdu, Sichuan in 1938. CHEN and his family moved to Taiwan in 1945. He studied architecture at National Cheng Kung University before relocating to the US. Upon graduation from Chicago Art Institute in 1961, he attended the UCLA graduate school majoring in film. He completed his studies in 1967 with Liu Pichia . Since 1970, he has made a number of narrative features and won several Golden Horse Awards.

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上山 [ 數位修復版 ] The Mountain

台灣 Taiwan | 1966 | DCP | B&W | 19min 2018 台灣國際紀錄片影展 2018 美國聖地牙哥亞洲電影節

陳耀圻回台拍攝《劉必稼》期間,結識了就讀於藝專的黃永松、牟敦芾、黃貴蓉三人, 在藝術與電影之外,爬山亦為三人平日消遣。擔任《劉必稼》拍攝助理的黃永松,一 句「五指山很好玩,每個月都會去」,促成了久居美國的陳耀圻與三位年輕人結伴登 山的機會,並以攝影機一探台灣文青的生活樣貌,也記錄下三位好友的電影夢想。

陳耀圻以手持攝影的搖晃感、自由的跳接,創造出碎拍般的節奏,加上鏡頭前三位年

輕人即興、奔放的表現,使得全片洋溢青春活力。片中穿插幾段訪談,三人對於越戰

無感冷淡的回應,不僅透露出台灣年輕世代與世界的疏離,亦與六零年代全球青年的 反抗風潮脫節;貫穿全片的〈California Dreamin'〉亦暗示了彼時以美國為首的西方

文化的無所不在,與新竹五指山、觀音禪寺的東方意象,共同鋪展出青年人遠離現實 的逃逸路徑。

10/16( 五 ) 19:00 in89 9 廳

In his spare time when filming Liu Pi-chia (1967), the director follows three art school students Yongsong HUANG, Tun-fei MOU and Gui-rong HUANG as they enjoy an excursion into the mountains in Hsinchu. The three interviewees talk about their artistic ideals and dreams, how only KMT party members were eligible for scholarships, and their views on the Vietnam War; the song “California Dreamin” plays throughout the film, highlighting the dejection in the zeitgeist. The original film of this short film lay in a UCLA professor's garage for decades and underwent digital restoration by Taiwan Film Institute a half century later.


Cinematographer 陳忠信 Chung-hsin CHEN Editor

黃秋貴 Chiu-kuei HUANG 牟佳 Chia MOU

Script 蘇光勳 Guang-shien SU 牟佳 Chia MOU

大師經典再現

跑道終點 [ 數位修復版 ]

牟敦芾 Tun-fei MOU

The End of the Track

台灣 Taiwan | 1970 | DCP | B&W | 91min 2018 台灣國際紀錄片影展

小彤與永勝兩人鎮日玩鬧在一起,形影不離,而永勝在練跑時意外 猝死,讓在場的小彤悲痛自責,雙方家人的不諒解及失去摯友的孤

寂,迫使他走入黑暗。當年因同志情誼、意識形態遭傳為禁片,部 分情節令人聯想到陳映真的小說《麵攤》。導演在拍完此片後則轉 往香港發展。

( 文字提供:TIDF 台灣國際紀錄片影展 )

Tong and Yong-sheng are inseparable playmates, but when Yong-sheng dies in a track and field training accident with Tong present, Tong feels heartbroken and guilt-ridden. Since both families fail to understand him, and burdened by the solitude after losing his best friend, Tong falls into a dark spiral. At the time, this film was banned due to its homosexual overtones and ideology, while some felt that certain segments drew comparison with Ying-zhen CHEN's short story The Noodle Stall . After finishing this work, MOU relocated to Hong Kong.

10/16( 五 ) 19:00 in89 9 廳

Restored Master Classics

導演 Director

1941 年 出 生,1949 年 來 台。 畢 業 於 國 立 藝 專 影 劇 科,曾參與《文學季刊》, 畢 業 後 拍 攝 的《 不 敢 跟 你 講》與《跑道終點》,堪稱 台灣第一批獨立製片。1973 年 他 流 浪 至 歐 洲 與 南 美, 1977 年 後 赴 香 港 發 展 , 加 入邵氏公司 , 拍攝了許多黑 暗的血腥剝削電影。 Tun-fei MOU was born in 1941. He relocated to Taiwan in 1949 and graduated from Taiwan Art College. After graduation he made two films, I Didn't Dare to Tell You and The End of the Track , which were among the first independent films made in Taiwan. After his travels to Europe and South America in 1973, he began working in Hong Kong for Shaw Brothers Pictures in 1977 and made a number of bloody exploitation films.

97


拍攝電影短片和紀錄片,1968 年便以首部劇情長片《三隻傷心老虎》勇奪盧卡諾影展金豹獎。

1973 年智利政變,因對軍政府批判遭通緝而於 1974 年流亡法國。盧伊茲的作品充滿對神學、

拉烏

哲學、精神分析、文學及視覺表達的著迷,被評論家譽為是繼高達之後最具革新意識與創造力的 電影大師。

Born in Puerto Montt, Chili, in 1941, Raoul RUIZ would write poems and shoot films of his family on 8mm since childhood. Rising to international prominence in the early 1980s, Raoul RUIZ proved to be one of the most exciting and innovative filmmakers of recent

Raoul RUIZ

盧伊茲 ‧

Restored Master Classics

大師經典再現

1941 年生於智利蒙特港,2011 年逝世於法國巴黎。早期投入智利前衛劇場運動,19 歲開始

years, providing more intellectual fun and artistic experimentation, shot for shot, than any filmmaker since Jean-Luc GODARD. He explored diverse film genres, from aviation detective stories, Christmas horror, to rock-science-fiction. He didn't believe in a bad film. Or, rather, he was convinced that a bad film always had at least five minutes of pure poetry, just like there are five minutes of pure poetry in the best films in the world. In the 60s, he was one of the leading figures on the Chilean cinema scene and supported Salvador ALLENDE. Following the fascist coup in 1973, RUIZ was forced to flee his country. Since that time, he had been living in Belleville, Paris, where he dedicated his time to writing posthumous novels and film projects.


Producer Paolo BRANCO Screenplay Raoul RUIZ Gilles TAURAND (adapted from the novel of Marcel PROUST) Cinematographer Ricardo ARONOVICH Editor Denise de CASABIANCA

大師經典再現

Music Jorge ARRIAGADA Sound Philippe MOREL

追憶似水年華 [ 數位修復版 ]

Restored Master Classics

Cast Catherine DENEUVE John MALKOVITCH Emmanuelle BÉART

台灣首映 Taiwan Premiere

Time Regained

法國、義大利、葡萄牙 France, Italy, Portugal | 1999 | DCP | Colour | 158 min 1999 坎城影展競賽片

跳動的記憶沒有順序,而是隨著時間來回移動。1922 年,臨終前的普魯斯特,正翻閱

著一張張昔日照片。伴隨而來的,是他的童年、他的青春、他經歷過的愛戀與失去、 夢想與幻滅。這些華美、複雜、墮落、虛偽的貴族生活,在第一次世界大戰之後,也

逐漸裂解與改變。此刻,生命時鐘正在倒數,以為逝去的光陰依然璀璨;泛黃的相片, 顯影出未曾褪色的美好記憶。於是他提起筆,將生活中的真實融入虛構的文學中:「回 憶中的生活,比當下的現實生活更為現實。」

改編自法國作家馬塞爾.普魯斯特七卷鉅作《追憶似水年華》中之最後一卷:《重現

的時光》,是導演拉烏.盧伊茲最雄心勃勃的文學改編。他試圖將第七卷《重現的時光》 作為敘事框架,而將整部小說的精神濃縮放置其中。這部看似充滿愛情與耽溺的作品, 卻是導演對電影最深沈的思考之一:如何以影像的力量去擷取並保存時間?本片同時 集合眾多巨星包括艾曼紐.琵雅、凱薩琳.丹妮芙、約翰.馬可維奇參與演出。

In 1922, on his deathbed, Marcel Proust is looking through photos, remembering his life. But the real characters mingle with the fictional ones. And gradually, fiction wins out over reality. His life's only sense lies in the reality of his work, and his work streams before his eyes. His literary characters from his memories, like a stereoscope projection on the wall of his room, coming to life in the self-contained world of his small apartment on the Rue Hamelin. The happy days and lost paradises of his childhood alternate with the more recent memories of his social and literary life. The drama of the war, closely examined from the viewpoint of the small circles of Paris society, is transformed into a vast social comedy. In the spreading twilight, the shape of post-war society looms on the horizon.

10/11( 日 ) 10:20 星橋 7 廳

10/21( 三 ) 19:20 in89 9 廳

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Producer Paulo BRANCO Screenplay Pascal BONITZER Raoul RUIZ Cinematographer Stefan IVANOV Editor Valerina SARMIENTO Music Jorge ARRIAGADA

大師經典再現

Sound Henri MAIKOFF Cast Catherine DENEUVE Michel PICCOLI Melvil POUPAUD

Restored Master Classics

犯罪家譜 [ 數位修復版 ] Genealogies of a Crime

台灣首映 Taiwan Premiere

法國、葡萄牙 France, Portugal | 1996 | DCP | Colour | 113min 1996 柏林影展銀熊獎

律師索蘭吉擅長將必輸的案件「起死回生」。在兒子的葬禮上,她得知一位年輕的被

告雷內被控謀殺他富有的姑媽。出於對案件的好奇與吸引,索蘭吉同意做雷內的辯護 律師。然而當她開始進行調查,一個意想不到的因素改變了事件發生的方向:雷內開

始將索蘭吉當成他已故的姑媽珍妮,而索蘭吉也在雷內身上看見自己剛過世兒子的身

影。當兩人的身份與界限開始模糊不清,於此同時,一群與案件相關的心理學家,正 在他們四周虎視眈眈。

凱薩琳.丹妮芙首次演出拉烏.盧伊茲的電影,冷酷迷人的雙重角色為這部燒腦心理

分析驚悚片,增添令人不安的誘惑氣息。這是一場關於身份交換與犯罪心理學的瘋狂

幻想,懸疑的表象建構出多維空間的心理迷宮。拉烏.盧伊茲曾說:「如果可以使其

複雜,為什麼要簡單就好?」在抵達真相之前,都必須在層層迴路中,撥開幻象與真 實。

100

10/12( 一 ) 18:30 星橋 7 廳

10/14( 三 ) 11:00 光影文化館

René, a criminal, is defended by Solange, a lawyer. But as the lawyer investigates the case, an unexpected element changes the direction of events: René starts to identify her with his deceased aunt. And the lawyer starts to see in him the image of her own son who died not long before. Solange's defense is successful, René is acquitted. She falls in love with him. René moves in with her. Almost immediately, the young man returns to his criminal habits. Their life becomes impossible.


Producer Paulo BRANCO Screenplay Pascal BONITZER Raoul RUIZ Cinematographer Laurent MACHUEL Editor Rudolfo WEDELES Music Jorge ARRIAGADA

大師經典再現

Sound Laurent POIRIER

三生一死 [ 數位修復版 ]

Three Lives and Only One Death

Restored Master Classics

Cast Marcello MASTROIANNI Anna GALIEN Arielle DOMBASLE Marisa PAREDES

台灣首映 Taiwan Premiere

法國、葡萄牙 France, Portugal | 1995 | DCP | Colour | 123min 1996 坎城影展競賽片

廣播節目放送著四則關於愛情、慾望、犯罪與時間的城市奇譚:男人突然離開妻子, 住到自家對面公寓,一晃眼就是 20 年。有天,他決定回家過完餘生;一個有錢的人類

學教授突然自我放逐,成為流浪漢,並愛上一名妓女;貧窮的年輕夫妻接受神秘餽贈, 繼承了一間豪宅,並與一位奇怪的老管家同住。最終,這位老管家成為真正的所有者; 商人假裝自己在國外有妻小和姊妹,有一天,他發現這些虛構的「家人」正計劃「回國」 並住下來……

由義大利國寶級演員馬切洛.馬斯楚安尼演出擁有四個不同名字、身份與性格的謎樣 男子。宛如一則幽默的噩夢輓歌,層層疊疊交織出人生不同面向。由四則「多數人都

The stories in this movie are stories everyone knows and no one believes. The first story is about a man who leaves home for a few days, and ends up living across the road from his wife, without her knowing, for more than twenty years. The second story is about a wealthy man who becomes a tramp, without foregoing his wealth. The third story is about an impoverished young couple who suddenly inherit a mansion on one condition that they retain an old butler who has always been with the house...The fourth story is about a businessman who pretends he has a wife and a daughter and sister abroad in order to justify certain financial operations, except that one day he learns that this entirely fictitious family is planning to come and stay...

聽過但沒啥人相信」的都會預言,切入多重人格障礙症所遭遇與背負的多重命運。拉 烏.盧伊茲認為多重人格障礙是 21 世紀的精神疾病:「更確切地說是一種道德疾病,

是針對遇到不同的人而建立出不同的個性,每個人都將成為某種『個性樹』。我喜歡 這種疾病引起的所有不同組合。」

10/10( 六 ) 12:30 星橋 7 廳

10/22( 四 ) 11:00 光影文化館

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王小帥並列中國第六代導演代表人物。長片首作《小武》一鳴驚人,1998 年於柏林影展奪下青

年論壇首獎,2006 年以三峽大壩工程為故事背景的《三峽好人》,榮獲威尼斯最高榮譽金獅獎,

2013 年以《天注定》擒下坎城影展最佳劇本獎,完成世界三大影展獎項大滿貫,更二度獲法國 政府頒授法蘭西藝術與文學勳章,並於 2010 年獲頒瑞士盧卡諾影展終身成就獎,創下獲獎年紀

最輕紀錄,被影展總監譽為「傑出的電影天才」。2015 年也獲得坎城影展金馬車獎終身成就獎,

Zhang-ke JIA

賈樟柯

Restored Master Classics

大師經典再現

中國導演、製片人、作家。生於 1970 年,山西省汾陽人,畢業於北京電影學院文學系,與婁燁、

是首位華人導演獲得此項殊榮。

主要作品包括《小武》(1998)、《站台》(2000)、《任逍遙》(2002)、《世界》(2004)、《三

峽好人》(2006)、《二十四城記》(2008)、《海上傳奇》(2010)、《山河故人》(2015)、

《江湖兒女》(2018),創作不輟。

Director, producer and writer. Born in 1970 in Fenyang, Shanxi, Zhang-Ke JIA graduated from Beijing Film Academy. His directorial works include Xiao Wu (1998), Platform (2000), Unknown Pleasures (2002), The World (2004), Still Life (2006), 24 City (2008), I Wish I Knew (2010), Mountains May Depart (2015), Ash Is Purest White (2018) and others.


Producers 李杰明 Kit-ming LI 賈樟柯 Zhang-ke JIA Screenplay

賈樟柯 Zhang-ke JIA

Cinematographer

余力為 Lik-wai YU

Editor

林小凌 Xiao-ling LIN

Sound Mix

張陽 Yang ZHANG

大師經典再現

Cast 王宏偉 Hong-wei WANG 左柏韜 Bai-tao ZUO 郝鴻建 Hong-jian HAO

Restored Master Classics

小武 [4K 數位修復版 ]

亞洲首映 Asia Premiere

Xiao Wu

中國、香港 China, Hong Kong | 1998 | DCP | Colour | 112min 1998 柏林影展青年論壇首獎、沃爾夫岡斯道獎 1998 釜山國際影展新潮流獎

1998 法國南特三洲影展 最佳影片金熱氣球獎、最佳女主角獎

1997 年,山西汾陽。小武是個扒手,自稱是幹手藝活的。他戴著粗黑框眼鏡,寡言, 不怎麼笑,頭時刻歪斜著,舌頭總是頂著腮幫。他常常撫摸著石頭牆壁,在澡堂裡練 習卡拉 OK,陪歌女枯燥地壓馬路,與從前的「同事」、現在的大款說幾句閑言淡語, 他穿著大兩號的西裝,在大興土木的小鎮上晃來晃去。

「這是一部關於現實的焦灼的電影,一些美好的東西正在從我們的生活迅速消失。我 們面對坍塌身處困境,生命再次變得孤獨,從而顯得高貴。」―賈樟柯

本片 4K 修復版在賈樟柯導演監督下,由電影基金會「世界電影計畫」和義大利電影

基金會波隆納電影資料館聯合修復,首度在台放映。賈樟柯以跟拍攝影機捕捉 90 年

In 1997 at Fengyang, Shanxi, Xiao Wu is a small-town pickpocket. Having never managed to get away from the streets like his friends, he finds himself alone with his troubles. While a local cop is out to get him, his love affair with Mei Mei, the local karaoke hostess, is going nowhere. He realizes it is time to think about his future; but can he find the force to break with his criminal past? A rare look at modern China.

代中國的政治經濟及社會文化轉型的混亂氛圍,在大銀幕上緩緩地舒展開來。

10/11( 日 ) 16:50 星橋 2 廳

10/13( 二 ) 18:50 光影文化館

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特別放映 Special Screening

一直游到海水變藍

台灣首映 Taiwan Premiere

Swimming Out Till the Sea Turns Blue 中國 China | 2019 | Colour | DCP | 111min

2020 柏林影展特別展映單元、柏林紀錄片獎提名

2019 年 5 月,幾十位作家來到中國內陸省份山西的一個小村莊,他們在這裡談論 鄉村與城市,文學與現實,這裡也是本片導演的故鄉。影片以此為序曲,交響樂般

地用 18 個章節講述出 1949 年以來的中國往事。出生於上世紀 50 年代、60 年代 和 70 年代的三位作家賈平凹、余華、梁鴻成為影片最重要的敘述者,他們與已故

作家馬烽的女兒一起,重新注視了社會變遷中的個人與家庭,讓影片成為一部跨度

長達 70 年的中國心靈史。

繼 2006 年拍攝畫家劉曉東的《東》,和 2007 年拍攝服裝設計師馬可的《無用》

之後,賈樟柯再次將鏡頭對準藝術家,延續「精神肖像」的描繪,完成「藝術家三

部曲」最終章。談及理念初衷,賈樟柯表示:「我想讓畫面雕塑般莊重,而 18 個 章節的結構如流雲般散漫。這個國度中前行的人們如河流通往大海……每一個腳印 都極其相似,每一個腳印都不該被遺忘。」

Prominent Chinese writers and scholars gather in a village in Shanxi, a province of China and the hometown of Jia Zhang-ke. This starts an 18-chapter symphony about Chinese society since 1949. Narrated by three important novelists born in the 1950s, 1960s and 1970s respectively, telling their own stories with literature and reality, the film weaves a 70-year spiritual history of the Chinese people.

104

Producers 趙濤 Tao ZHAO Writers 賈樟柯 Zhang-ke JIA 萬佳歡 Jiahuan WAN Cinematographer

余力為 Lik-wai YU

Editor

孔勁蕾 Jing-lei KONG

Sound

張陽 Yang ZHANG


特別放映

Special Screening

10/11( 日 ) 13:30 星橋 2 廳★

105


紙花 Paper Flower

New Voices

自由之聲

本單元選映來自各國新銳導演的電影作品,多元議題包括生命與死 亡的討論,公共資源及醫療倫理的探尋,性別認同與女性意識的強 化,還有既幽默又令人感傷懷舊的電影小品,多樣風格與新穎的敘 事手法,展現桃園年輕城市的自由想像與未來憧憬。


Producer 黃騰浩 Tender HUANG 柯博仁 Po-jen KO 王競 Bakun Ruiy 孫鑠仁 Shuo-jen SUN 葉紹威 Jeff YE Screenplay

洪子鵬 Tzu-peng HUNG

Cinematographer

趙冠衡 Eric CHAO

Editor

林政宏 Cheng-hung LIN

Music

自由之聲

林傳智 Chuan-jhih LIN

Cast

New Voices

林雨葶 Yu-ting LIN 劉亮佐 Renzo LIU 海裕芬 Heaven HAI 黃鐙輝 Frankie HUANG 黃騰浩 Tender HUANG 林鶴軒 Da-her LIN

導演 Director

陽光電台不打烊

世界首映 World Premiere

Radio! Ready Oh!

洪子鵬 Tzu-peng HUNG

台灣 Taiwan | 2020 | DCP | Colour | 95min

夜晚,一個走錯公司的菜鳥,竟意外捲入了陽光電台的倒台危機!唯一能拯救電台的

台長,卻陰錯陽差被反鎖在儲藏室裡。破產的電台、來復仇的邪教團體、各懷心事的

瘋狂 DJ 們、一緊張就會嘔吐的菜鳥。在各種荒誕之中,拯救電台大作戰就此展開。 反正是今年最後一天了,還能發生什麼更扯的事?沒想到,一波未平,一波又起。

擅長懸疑風格的洪子鵬,首次挑戰拍攝喜劇,找來劉亮佐、海裕芬、黃鐙輝、林鶴軒、 林雨葶等實力派演員同台飆戲。本片是國片中難得一見以廣播為題材的電影,劇中人 物描寫生動,導演以知名電台廣播主持人馬克與瑪麗為原型改編,是獻給所有廣播人 的一封溫暖情書,也帶領觀眾一同緬懷有廣播相伴的美好時光。

10/10( 六 ) 17:30 新光 7 廳 ★

On a serendipitous New Year's Eve, a young interviewee lands a position at a company by mistake and encounters a series of quirky events. The only person who can save this miserable situation is locked in the storage room. While a radio station is facing bankruptcy, an evil cult is out for revenge, and a gathering of crazy DJs, a new battle is about to begin. It is believed that all problems would be resolved before the clock strikes 12, but with this New Year, here come new problems.

10/20( 二 ) 14:30 in89 9 廳

曾就讀世新大學廣播電視電 影學系,從助理導演慢慢磨 練到後期導演,建立了扎實 的製作經驗。個人執導作品 多 與 靈 異 題 材 有 關, 包 括 《林投記》、《靈佔》、《靈 異街 11 號》,以及《76 号 恐怖書店》。《陽光電台不 打烊》是他首次嘗試拍攝的 喜劇電影。 Tzu-peng HUNG graduated from Department of Radio, Television & Film, Shin-Hsin University. HUNG specializes in horror genre; his works include Circle of Noose (2017), Prossession (2018), The Fearless (2019), and 76 Horror B o o k s t o re ( 2 0 1 9 ) . R a d i o ! Ready Oh! (2020) is his first feature focusing on comedy, semi-based on his past personal experiences.

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Producers Jin-gyeong SEONG Hyun-min CHO Screenplay Hoon KOH Cinematography Seokjun LEE Art Director Injun HWANG

自由之聲

Editor Gokji PARK Yunhee LEE Music Eunsil PARK Heewon PARK

New Voices

Cast Sung-ki AHN Eugene Hye-seong KIM Jae-hee JANG

導演 Director

高勳 Hoon KOH 1977 年出生於韓國濟州島, 求 學 期 間 研 習 外 交 政 治, 2016 年於漢陽大學攻讀戲 劇電影系博士,擔任過濟州 電 影 節 評 審 工 作。2018 年 首 部 長 片《 我 的 母 親 》, 2019 年推出《紙花》展現 他成熟的編導能力。 Born in Jeju Island in 1977. After studying Political Science and Diplomacy, Hook KOH enrolled the PHD in Theater and Film at Hanyang University Graduate School in 2016. Since 2016, he has been as a Jeju filmmaker, working as a judge for various Jeju film festivals. Following his feature film My Mother (2018), he started a big step as a full-fledged filmmaker with Paper Flower .

紙花

台灣首映 Taiwan Premiere

Paper Flower

南韓 South Korea | 2019 | DCP | Colour | 103min 2020 休士頓影展最佳男主角、最佳外語片 2019 釜山影展

年老的禮儀師尚吉長期照顧著癱瘓的兒子智赫,龐大的經濟壓力迫使他加入大型的禮儀

公司,大公司利字當頭,讓一心想好好送亡者最後一程的尚吉經常與公司起嫌隙。單親 媽媽恩淑因為臉上的傷疤求職無門,因緣際會之下,當起了智赫的看護,樂觀開朗的母 女倆為這對父子帶來一線曙光,然而,溫馨的日子卻在不速之客的到來後破滅,恩淑藏 在笑臉背後的悲傷過往也浮出檯面。同時,總是溫暖收容弱勢的麵店老闆不幸病逝,沒 有家人的他,依照政府規定,只能直接火化。然而,一群受過恩惠的遊民,卻因無法幫

恩人辦一場體面的告別式而悲憤不已。他們竟從殯藏處偷走遺體,並找上尚吉,打算非 法在廣場為恩人舉行公開的葬禮,面對冰冷的制度,他們是否能完成最後的心願?

新銳導演高勳自編自導,結構完整,劇本讓角色能有所發揮,也因此說服南韓國民影帝

安聖基接下電影靈魂人物,與暌違十二年未出現在大銀幕的前 S.E.S. 女子團體柳真共同

演出,兩人戲中自然的互動,擁有截然不同生死觀的個性揣摩,成為本片最大看點。

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10/10( 六 ) 20:20 星橋 7 廳

10/20( 二 ) 18:40 in89 9 廳

Sung-gil, an old funeral director, lives with his unwell son. Sung-gil is strong but poor. He is too poor to be forced to work as an employee of a large funeral company. A woman who has many stories moves to the next door with her little daughter. Gradually she becomes a caretaker for Sung-gil's ill son. Sung-gil's son, who wants nothing but death, begins to learn about hope and happiness. Around that time, a benefactor of the town who cared for the homeless just passes away and the homeless wish the funeral to be held in the public town square illegally. The old undertaker thinks it is his job to do. Can Sung-gil get this job done?


Producer Joon-min YOO Screenplay Sun-joo PARK Cinematography Myoung-hwan MOON Editor Sun-joo PARK Music Myung-jong KIM

回憶的祕密花園

台灣首映 Taiwan Premiere

Way Back Home

南韓 South Korea | 2019 | DCP | Colour | 114min 2020 大阪亞洲電影節最具潛力創作者獎 2019 釜山影展

無法癒合的傷口,因時間而暫時被遺忘,也有可能悄悄的潰爛而不被發現。廷媛在游

泳訓練中心擔任兒童游泳教練,與丈夫過著平穩無憂的生活。即將搬入新家之時,卻

因一通電話而擾亂了他們平靜的生活。警察通知廷媛十年前性侵她的犯人終於捉拿歸 案,希望她能夠到警察局作筆錄並出庭指證。一直隱瞞這段不堪過去的廷媛,該如何 面對丈夫?她與母親、妹妹的矛盾情結,又該如何解套?

導演朴善珠以女性視角描繪性侵被害者的心路歷程,同時也呈現被害者家屬及其周遭 友人,因重大事件而受到影響的人生轉變。有別於一般性侵題材電影,導演刻意不著 墨犯罪事件過程,亦留白犯罪者的身分背景動機,避開灑狗血等悲情橋段,僅著重描

繪受害者面對瘡疤再次被劃開的苦楚,以及卸下心防後與家人關係復原的過程,不慍 不火呈現人性的堅強與光輝。

10/13( 二 ) 18:20 星橋 7 廳

Jeong-won and her husband Sang-u are a happily married couple who are about to move into a new home and welcome a child into the world. Their happiness begins to crack when Jeong-won receives a call from the police informing her that the man who sexually assaulted her ten years ago has been caught. Jeong-won had kept this incident a secret from Sang-u but now her peaceful life begins to buckle as her past comes back to disrupt the relationships with those around her.

10/21( 三 ) 13:50 in89 9 廳

New Voices

導演 Director

自由之聲

Cast Woo-yun HAN Suk-ho JUN Da-eun JUNG Min-ae OH Hye-ran YEOM Jae-myung YOO

朴善珠 Sunjoo PARK 畢業於首爾建國大學電影 系, 並 取 得 漢 陽 大 學 劇 場 博 士。 執 導 過 多 支 短 片, 曾獲得首爾女性影展最佳 導演。本片為其短片《Mild Fever》的延伸長版,也是 她的第一部劇情長片。 Graduated from Konkuk University with a degree in film and completed her Ph.D. in Hanyang University's theater and science department, Sun-joo PARK has directed many short films, including 1 m , B e t w e e n Yo u a n d M e (2012) and Graduation Trip (2012), Mild Fever (2017). She has been invited and won several film festivals, including the Best Award at the Seoul International Women's Film Festival. Way Back Hom e is her feature debut based on the short story Mild Fever .

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Producers Pablo CHERNOV Martín KRAUT Screenplay Martín KRAUT Cinematographer Gustavo BIAZZI Editor Eliane D. KATZ Sound Manuel de ANDRÉS

自由之聲

Art director Juan GIRIBALDI Music Juan TOBAL

New Voices

Cast Carlos PORTALUPPI Ignacio ROGERS Lorena VEGA

導演 Director

馬丁 · 克勞特 Martín KRAUT 1982 年出生,畢業於阿根 廷布宜諾斯艾利斯大學,接 著就讀阿根廷攝影專門學 校 (EAF),畢業於私立電影 大 學 電 影 導 演 系 (FUC)。 畢業後曾執導過一些短片及 廣告,且曾擔任過幾部劇情 片 的 副 導。2012 年 初 執 導 演筒,完成一部短片《Que Miren》,本片為其第一部 長片,於今年鹿特丹影展世 界首映。

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Martín KRAUT (1982, Argentina) received a bachelor's degree from the National College of Buenos Aires. He studied Photography at the Escuela Argentina de Fotografía and graduated i n F i l m D i re c t i n g f ro m t h e Universidad del Cine (FUC). After finishing film school, he directed video clips and commercials and worked as an assistant director for several fiction films. He made his directorial debut with Que Miren (2012, short). His first feature, La Dosis , has its world premiere at IFFR 2020.

藥命病房

台灣首映 Taiwan Premiere

The Dose

阿根廷 Argentina | 2020 | DCP | Colour | 93min 2020 鹿特丹影展

馬可斯是名資深護理師,在一間診所擔任夜間值班人員。他工作非常勤奮,也關心病

人,具有專業護理技能,但有一個祕密卻一直埋藏在他的心裡。當他遇到重症病人時, 他會主動給予病人安樂死藥劑。然而,這一切在充滿野心的年輕護理師加百列加入團 隊後,再也紙包不住火。兩人緊繃的共犯關係,會帶來什麼樣不可預測的後果?

拍攝起源為 2012 年在烏拉圭所發生的真實案件,多年來導演不斷修改劇本,電影所

描繪的情節早已和原案件有所不同,而原涉案的兩名護理師也一直未被起訴判刑,

2015 年終於宣告無罪釋放。本片採用驚悚片的基調,導演大量使用藍、綠色系光影,

突顯劇中兩名男護理師驚人駭俗的行為。

10/10( 六 ) 20:30 新光 7 廳

10/22( 四 ) 19:30 in89 9 廳

Marcos is a night shift nurse at a provincial hospital who cares for patients in severe stages of illness. Sometimes when a patient certainly won't recover, Marcos helps them reach their last moment quickly. But the settled routine of the ward is shattered when Gabriel joins the staff as new nurse. When Marcos realises that Gabriel is also killing patients, but indiscriminately and carelessly, he decides to act. But doing so places his own identity in jeopardy.


Producers Aleksi BARDY Helen VINOGRADOV Screenplay J-P VALKEAPÄÄ Juhana LUMME Cinematographer Pietari PELTOLA Editor Mervi JUNKKONEN

自由之聲

Music Michal NEJTEK Cast Pekka STRANG Krista KOSONEN

窒愛診療室

台灣首映 Taiwan Premiere

Dogs Don't Wear Pants

芬蘭、拉脫維亞 Finland, Latvia | 2019 | DCP | Colour | 105min 2019 坎城影展導演雙週單元 2019 美國奧斯汀奇幻影展最佳影片

熟男外科醫師尤赫,正式染上了不為人知的性癮。他在等待女兒穿舌環的過程,誤闖

BDSM 女王莫娜的調教地窖。莫娜白天是物理治療師,夜晚化身主人滿足眾牲慾望。

初次體驗,尤赫就被莫娜以皮藤突襲、狠狠壓頸伺候。在行將窒息之際,他的靈識竟 洄游到為了拯救溺斃妻子那刻的瀕死體驗。自此,尤赫甘願做一頭聽話的狗,爬著要

求莫娜對他「發發慈悲」。羞辱、綁束、撒尿、滴蠟……等在尤赫前頭的,是變態至 極的玩法,還是永難撫平的傷?

本片以衝擊性觀影體驗,成功席捲多座奇幻影展大獎。導演 J-P 瓦爾科帕以性虐連結

男主角對亡妻的思念,除了探討劇中人面對創傷的移情本質,戲裡戲外也考驗人際信

任。導演從《芬蘭湯姆》相中男主角皮卡.史特朗,更花了六個多月時間才說服「芬

The story follows Juha who develops an unexpected but powerful connection with a dominatrix named Mona, following a tragic event in his life that has left him emotionally paralyzed. His dangerous addiction to suffocation is reciprocated by Mona leading them both down a wild and crazy path towards emotional enlightenment. Dogs Don't Wear Pants is a darkly humorous story of loss, love and the sweet pain of being.

蘭奧斯卡」影后克瑞斯塔.科申娜答應 BDSM 演出。恰到好處的黑色幽默,某種程度 消弭了故事的瘋狂與殘忍。

10/10( 六 ) 19:30 新光 12 廳

10/16( 五 ) 11:00 光影文化館

New Voices

導演 Director

J-P 瓦爾科帕 J-P VALKEAPÄÄ 1977 年 生, 芬 蘭 電 影 導 演, 作 品 屢 受 讚 譽 與 獎 項 肯定。首部劇情長片《The Visitor》(2008) 入 選 鹿 特 丹 影 展 CineMart, 於 坎 城影展電影基金會發展,並 在 威 尼 斯 影 展 首 映。 第 二 部 長 片 作 品《They Have Escaped》(2014) 於 威 尼斯與多倫多首映,並獲得 芬蘭國家電影獎七項大獎提 名,風光奪下最佳影片、最 佳導演等四項殊榮。 J-P VALKEAPÄÄ, born in 1977, is a critically acclaimed and awarded Finnish film director. Debut feature The Visitor (2008) was selected to CineMart (Rotterdam), developed at Cannes' Cinéfondation and premiered in Venice. VALKEAPÄÄ's second feature They Have Escaped (2014) premiered at Venice and Toronto. The film was nominated for seven Finnish National Finnish Awards 'Jussi', of which it won four, including Best Film and Best Direction.

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Producers Benoît ROLAND Sébastien HAGUENAUER Screenplay Laurent MICHELI Cinematography Olivier BOOBJING Editor Julie NAAS Music Raf KEUNEN

自由之聲

New Voices

Cast Mya BOLLAERS Benoît MAGIMEL Els DECEUKELIER Sami OUTALBALI Jérémy ZAGBA

導演 Director

© Kim-LELEUX

羅宏 · 米榭利 Laurent MICHELI

1982 年出生於布魯塞爾, 在 INSAS 藝 術 學 校 接 受 戲 劇詮釋訓練,並擔任演員超 過十年時間。完成自己的作 品的慾望促使他拿起導演 筒, 首 部 劇 情 長 片《Even Lovers Get the Blues 》 (2017),入選多個國際影展 並獲數獎。本片是他第二部 劇情長片。 Born in Brussels in 1982 and first trained at the INSAS in dramatic interpretation, Laurent MICHELI worked as an actor for 10 years. The desire to carry his own projects quickly p u s h e d h i m t o d i re c t . H e directed his first feature film, Even Lovers Get the Blues , released in 2017. Even Lovers Get the Blues was selected in many international festivals and received many awards. Lola is Laurent MICHELI's second feature film.

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蘿拉的少女心事 Lola

台灣首映 Taiwan Premiere

比利時、法國 Belgium, France | 2019 | DCP | Colour | 90min 2020 法國凱薩獎最佳外語片提名 2020 比利時瑪格麗特電影獎最具潛力女演員、最佳製作設計獎

18 歲的蘿拉頂著一頭粉紅色長髮,滑板是她的代步工具。外表是個酷妹的她,其實本

是男兒身,母親是唯一支持她變性的人,父親則以她為恥,還把她趕出家門。然而, 就在蘿拉終於等到手術通知之際,母親卻過世了。為了完成母親希望骨灰能撒在故鄉 海邊的遺願,蘿拉和兩年未見的父親一同踏上歸鄉的旅程。只是,一路上兩人衝突不 斷,火爆場面不停上演,他們之間的隔閡,究竟是否有化解的可能?

本片敘事結構為公路電影,長期關注 LGBT 議題的導演,力求寫實,在角色刻畫,以

及父女間關係變化的描繪尤為細膩深刻,頗有多藍作品《親愛媽咪》的神采。坎城影

帝班諾·馬吉梅飾演父親,素人演員米雅·波菈絲飾演蘿拉,自然又生動的表演,讓她 初次演戲就抱走比利時瑪格麗特電影獎「最具潛力女演員獎」。

10/09( 五 ) 19:30 新光 11 廳

10/17( 六 ) 15:00 in89 9 廳

Just when Lola, 18 years old and transgender, learns that she can finally have surgery, her mother, who is her only financial support, passes away. Abiding by her mother's last wishes, Lola and her father, who are permanently in conflict and have not seen each other for two years, undertake a journey all the way to the Belgian coast. They realize the outcome of the journey may not be the one they were both expecting...


Producer Josephine MACKERRAS Screenplay Josephine MACKERRAS Cinematographer Mickael DELAHAIE Editor Marsha BRAMWELL Music Alexander LEVY

巴黎應召日記

台灣首映 Taiwan Premiere

Alice

澳洲、法國 Australia, France | 2019 | DCP | Colour | 105min

2019 美國 SXSW 影展 評審團大獎、 「櫻桃精選」女性首部劇情長片獎 2019 英國雨舞影展 Spirit Award 最佳影片

幸福人妻愛麗絲,丈夫疼愛、孩子可愛。才在晚餐聚會向眾好友放 閃,隔日購物刷卡失敗,才驚覺一生積蓄已被枕邊人敗光,拋下她

與稚兒自生自滅,連唯一遮風避雨的公寓也將失去!愛麗絲翻箱倒 櫃,發現丈夫將錢全花在高級應召女郎。循著線索,她來到招待所

想問個究竟,未想成了活命生機,意外開啟職場第二春。然而性情

單純的她,如何面對男人們的各式需索?況且孩子還得時時看顧。 愛麗絲最後能否「過關斬將」,重新拿回人生的主導權?

旅居巴黎的澳洲女性導演喬瑟芬·馬克拉斯首部編導長片作品。同

時身為製片的她,自己的公寓與兒子都成為片中要角,花了兩年半 才完成影片,過程沒人拿到酬勞。因為沒有資金起用明星,讓首度

擔綱女主角的艾蜜莉皮波尼爾有機會大展驚人演技。全片優雅地平

衡人性中的光與影,悲而不傷,時時閃現豁達幽默的智慧光芒。

Alice is the perfect wife and mother, living happily with her husband Francois and their son in an apartment in Paris. When her credit cards are declined one day while shopping, Alice discovers that Francois has been living a secret life, spending all their money at a high-end escort service and leaving them completely bankrupt. Even worse is that Francois has suddenly abandoned them, leaving Alice and their son to fend for themselves. When she learns that the bank will foreclose on their home in just a few weeks, she becomes desperate and visits the same escort service that Francois was addicted to in the hopes of finding a way to quickly make some cash and save the apartment. At first reluctant in her new profession, Alice soon begins to thrive with the help of another escort who befriends her, giving Alice both financial independence and a sense of empowerment that she has never felt before. But when Francois shows up again at their doorstep, Alice is forced to reconcile between the life she had shared with him and the new one she has built for herself.

10/13 ( 二 ) 21:00 星橋 7 廳

10/16 ( 五 ) 21:20 in89 9 廳

New Voices

導演 Director

自由之聲

Cast Emilie PIPONNIER Martin SWABEY Chloe BOREHAM

喬瑟芬 · 馬克拉斯 Josephine MACKERRAS 屢獲殊榮的電影製片人喬瑟 芬 · 馬克拉斯成長於澳大 利亞和中國,從小接觸劇場 表演,曾旅居耶路撒冷、阿 姆斯特丹和紐約,並在紐約 大 學(NYU) 學 習 電 影 製 作。她的四部短片作品《A Sign 》、《 Modlitba 》、 《 L'enfant Perdu 》 和 《Diva》廣受全球 90 多個 影展青睞。本片是她身兼編 導製片的第一部劇情長片。 Josephine MACKERRAS is an award-winning filmmaker. Growing up in Australia and China, MACKERRAS started in theatre before her career in film. Her short films - A Sign , Modlitba , L'Enfant Perdu , and Diva - have been selected by over 90 high-profile festivals. Alice (2019) is her first feature film.

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Producer Kristina RAMANAUSKAITE Screenplay Ignas JONYNAS Kristupas SABOLIUS Cinematographer Denys LUSHCHYK Editor Paulius ZAVADSKIS Music Toms AUNINS

自由之聲

Cast Dainius KAZLAUSKAS Darius BAGDZIUNAS Paulina TAUJANSKAITÉ

New Voices

導演 Director

殷納 · 喬納斯 Ignas JONYNAS 自 1993 年以來一直從事電 影和戲劇工作。首度擔綱編 導的第一部劇情長片作品 《The Gambler》(2013) 在全球 40 多個影展和國家 上映,並榮獲華沙國際影展 評審團特別獎、立陶宛電影 獎 6 座銀鶴獎(最佳影片、 最佳導演、最佳男主角、最 佳配樂、最佳個人成就)。 本片是他的第二部劇情長 片。 Ignas JONYNAS has been working in film and theatre since 1993. The first feature full-length film of Ignas as a w r i t e r a n d d i re c t o r T h e Gambler (2013) was screened at more than 40 festivals and countries around the world. Invisible (2019) is his second feature film.

盲舞殺機

台灣首映 Taiwan Premiere

Invisible

立陶宛、拉脫維亞、烏克蘭、西班牙 Lithuania, Latvia, Ukraine, Spain | 2019 | DCP | Colour | 90min 2019 西班牙聖賽巴斯提安國際影展新導演獎提名、Glocal in Progress 電影產業獎

中年男子尤納斯,選秀失利動起歪腦筋,大膽冒充盲人舞者,在立陶宛達人秀爆紅。

節目製作人安排身材曼妙的舞者女友莎勒和他搭檔,果不其然如預期那般刷新收視率。 舞跳得越來越貼,尤納斯和莎勒之間終究起了化學反應。因殺妻之罪甫出獄的維塔斯, 在電視上看到尤納斯和莎勒的曖昧盲舞,往事如臨在目;當年尤納斯就是如此緊貼自 己的愛妻,恬不知恥!維塔斯默默前往攝影棚,決定踢爆尤納斯的漫天大謊,要他坦 承自己過去所犯下的罪行。

本片探討盲目與操控之間的關係,直面各種視而不見。生活在視覺王道時代,消費大

眾形塑了世界觀、審美觀,左右政治與道德選擇。矛盾的是,看得越多,變得越瞎。

當虛構成為現實的一部分,是否還能「看見真相」?片中揭示的純粹孤獨與親密時刻, 仿如一顆顆散落的珍珠,敲響殘酷現實。

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10/10( 六 ) 15:00 新光 12 廳

10/12( 一 ) 18:30 新光 11 廳

A former dancer Jonas pretends to be blind to enter a TV dance competition. At the same time Vytas, someone from Jonas' past, is released from prison after serving a sentence for murdering his wife. Vytas is convinced that his wife's ex-lover Jonas is equally responsible for her death.


Producers Annamaria MORELLI Domenico PROCACCI Screenplay Phaim BHUIYAN Vanessa PICCIARELLI Cinematographer Simone D'ONOFRIO Editor Roberto di TANNA

自由之聲

Music Dario LANZELLOTTI Cast Phaim BHUIYAN Carlotta ANTONELLI Simone LIBERATI

愛上卡布奇諾男孩

台灣首映 Taiwan Premiere

Bangla

義大利 Italy | 2019 | DCP | Colour | 87min 2020 義大利電影大衛獎最佳新導演獎 2019 義大利國家影評人工會銀緞帶獎最佳喜劇電影獎

范因現年 22 歲,雖已成年,卻還沒「成為男人」。身為孟加拉裔移民第二代的他, 與家人一同住在羅馬種族最混雜的地區。平常他在博物館工作,勸阻遊客請勿越線; 閒暇時和朋友練團,沉浸在悠揚婉轉的孟加拉音樂。身為穆斯林,范因最困擾的就是

荷爾蒙作祟。在羅馬,可說是條條道路通性愛,到處都是正在親熱或即將親熱的美好 存在,然而一切彷彿與他無緣。在一次表演場合,范因邂逅了直率大方的美麗女孩艾

莎,彼此深受吸引。雖然心意確鑿,范因卻對艾莎的主動措手不及。不抽菸喝酒、不 吃豬肉,這些戒律都難不倒范因。但不能有婚前性行為?這可就讓他頭大了!

義大利新銳才子范因·布揚,身兼編劇、導演及主演,在 24 歲完成這部和自身背景多

所呼應的長片首作。全片口吻風趣迷人,以喜劇形式繽紛呈現傳統信仰和現代文明之 間的衝突。而他於劇中所詮釋的范因,對愛的渴望與躊躇,更彰顯出身處西方世界的

Phaim, a young Moslem of Bangladeshi, originally born in Italy 22 years ago, lives with his family in Rome's multi-ethnic Torpignattara neighbourhood, works as a museum steward, and plays in a band. At a concert, he meets Asia, his exact opposite: pure instinct, and no rules. The attraction between them is immediate, and Phaim will have to figure out how to reconcile his love for the young woman with the most inviolable of Islam's rules: no sex before marriage.

New Voices

導演 Director

范因 · 布揚 Phaim BHUIYAN 1995 年生於羅馬,是第二 代孟加拉裔移民,在 IED 歐 洲設計學院攻讀影像設計與 電影。他曾擔任多部電影的 助理導演,執導過多部音樂 錄影帶和義大利電視影集 《Yoroi》(2017) 其 中 一 集。 本 片 為 其 首 部 劇 情 長 片,2019 年 於 鹿 特 丹 影 展 全球首映。 Phaim BHUIYAN, born in 1995, is from a Bangladeshi family in Italy and studies Video Design and Film at the Istituto Europeo di Design. He worked as an assistant director on several films and has directed music videos and an episode of the Italian TV series Yoroi (2017). His first feature film, Bangla , had its world premiere at IFFR 2019.

少數族裔,在尋求多元身份的同時,於義務與慾望間不斷徘徊的迷茫身影。

10/10( 六 ) 17:20 新光 12 廳

10/12( 一 ) 21:10 星橋 7 廳

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自由之聲

New Voices

Producers Ferdinand LAPUZ Sarah PAGCALIWAGAN Valerie del ROSARIO Screenplay John Paul BEDIA Thop NAZARENO Denis O'HARA Cinematographer Kara MORENO Production Design Alvin FRANCISCO Editor Thop NAZARENO BB. Joyce BERNAL Jr. CABRERA Music Pepe MANIKAN Sound Immanuel VERONA Cast Louise ABUEL Ella CRUZ Dido de la PAZ Elijah CANLAS Manuel CHUA

導演 Director

札普·納薩雷諾 Thop NAZARENO 畢業於菲律賓馬尼拉的德拉 薩爾聖百尼德學院主修多媒 體。札普也是電影剪輯師, 操刀過的作品備受各大獎項 提名肯定。他的首部長片作 品《Kiko Boksingero》 榮 獲海內外多個影展及獎項肯 定,包括風光擒下菲律賓青 年評論大獎的最佳影片,也 在等同於菲律賓影藝學院奧 斯卡的 FAMAS 大獎中榮獲 提名最佳導演。

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Thop NAZARENO earned his degree in Multimedia Arts at the College of St. Benilde – School of Design and Arts. His first full length film is the award winning Kiko Boksingero where he won Best First Feature at the Young Critics Circle Awards 2018, Audience Choice Award at Pistang Pelikulang Pilipino 2018 and was nominated for Best Director at the FAMAS Awards 2018. He is also a film editor. His work 123 won Best Editing at the Northern Virginia International Film and Music Festival 2018. NAZARENO has also received nominations from Asean International Film F e s t i v a l , FA M A S A w a r d s , Gawad Urian and PMPC Star Awards for Directing, Editing and Producing.

艾德華登大人 Edward

台灣首映 Taiwan Premiere

菲律賓 Philippines | 2019 | DCP | Colour | 83min

2019 菲律賓 Cinemalaya 影展評審團特別獎、最佳女配角、最佳場景設計

少男艾德華被哥哥丟下,獨自在醫院裡照顧著病情日益惡化的父親。天生樂觀貪玩的 艾德華並沒有被父親的病情影響心情,反而開始在醫院裡結交朋友,好奇地四處探險 串門子,醫院成了他的遊樂場。某天,他在急診室裡遇見女孩阿涅絲,出於好奇開始 每天找阿涅絲聊天,兩人越走越近,互吐心事也暢聊未來夢想,小小的愛苗就在病院 中萌芽。然而隨著父親的病情加遽,家族的秘密和心結又被揭露,艾德華被迫面對生 命中諸多不能承受之重,苦澀之中小屁孩逐漸蛻變成了小男人……

本片為導演札普的父子關係三部曲的第二部,本次除了更細緻的人物部署,也深入探 究親情的羈絆與複雜關係,最重要的場景醫院也彷彿成為主角之一。本片再次成功獲

得肯定,一舉擒下菲律賓指標性獨立影展 Cinemalaya 三項大獎,包括評審團特別獎、

最佳女配角與最佳場景設計。

10/13( 二 ) 21:00 新光 11 廳

10/20( 二 ) 16:40 in89 9 廳

A public hospital serves as a witness to a young boy's rite of passage when he is stuck to take care of his ailing father. Caught in a place where life itself is in limbo, the boy treats the hospital grounds as his playground, not knowing that it will be his source of liberation in the end.


彼得與狼 Peter & the Wolf

一同看電影不再遙不可及!

大手牽小手

今年的桃園電影節,特別規劃一系列闔家觀賞的優質電影,讓親子

Big Hands Holding Small Hands

因疫情影響,今年找到適合的電影帶孩子進戲院,成為一項難題。


Screenplay Arash T. RIAHI Cinematographer Enzo BRANDNER Editor Julia DRACK Stefan BECHINGER Sound Atanas TCHOLAKOV

大手牽小手

Production Designer Katrin HUBER Gerhard DOHR Costumes Monika BUTTINGER Music Karwan MAROUF

Big Hands Holding Small Hands

Cast Leopold PALLUA Rosa ZANT Christine OSTERMAYER

導演 Director

© WEGA_Film_Vincent_Entekhabi

阿拉什.里耶 Arash T. RIAHI 生於 1972 年伊朗,十歲與 家 人 逃 離 伊 朗, 移 居 奧 地 利。曾就讀維也納大學電影 藝術學系,年輕時就以自由 接 案 身 分, 為 奧 地 利 電 視 台 藝 術 部 門 工 作;1997 年 成立電影及媒體製作公司 Golden Girls,曾獲得國際 八十餘獎。目前任教於維也 納電影學院。 Born 1972 in Iran, moved to Austria as a child in 1982, Arash T. RIAHI studied Film and Arts at the University of Vienna. He then worked as a freelancer in the youth and art department of the Austrian TV and founded the film and media production company Golden Girls Filmproduktion in 1997. His works have won more than 80 inter national awards. Since 2010 he has been working as a dramatic advisor for SOURCES 2, DOCIncubator and Berlinale Talents. Since 2013 he teaches at the Vienna filmacademy.

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小小的回家願望

Oskar & Lilli: Where No One Knows Us

台灣首映 Taiwan Premiere

奧地利 Austria | 2020 | DCP | Colour | 102min

八歲的奧斯卡和十三歲的姊姊莉莉與母親相依為命,他們是車臣難民,在沒有正式居留身分的情況下,已在維也納生

活六年。一天,媽媽自殺未遂被送進醫院,三人的身分因此曝光;兩個孩子雖不用遣返,但必須透過政府暫時安置, 安排到不同的寄養家庭生活。天真的孩子們一心想要回到媽媽的身邊,用盡各種方式打聽媽媽的下落,希望用他們的 愛以及溫暖的話語,克服一切障礙,讓一家人團圓。

本片改編自 Monika HELFER 的同名小說。導演從自身經驗出發,長期關注難民議題,他的作品《For a Moment,

Freedom》是半自傳電影,講述伊朗難民逃離家園,卻遭遇荒謬的行政公務流程。不同於過去嚴肅論述,本片則以孩 子的角度描繪現實生活,時而幽默、時而溫馨,兩位童星的精彩演出令人驚艷,讓本片自然乘載人道關懷精神。

The Chechen refugee kids Oskar, age 8, and Lilli, age 13, who have been living in Austria for six years, are about to be deported along with their mother. When their mother attempts suicide, it results in the short-term suspension of the deportation – but also in the forced separation of the family. The children hope that they will be reunited with their mother and with their love for each other they challenge all bureaucratic obstacles. The story is a bitter-sweet odyssey about how to survive through many ways of perceiving the world around you.

10/09 ( 五 ) 17:00 新光 11 廳

10/11( 日 ) 10:30 新光 11 廳


Screenplay Fabio BONIFACCI (based on the novel of Giacomo MAZZARIOL) Cinematographer Sergi BARTROLÍ Editor Massimo QUAGLIA Music Lucas VIDAL

弟弟追著恐龍跑

台灣首映 Taiwan Premiere

My Brother Chases Dinosaurs

斯特凡諾.吉帕尼 Stefano CIPANI

義大利 Italy | 2019 | Colour | 102min 2020 義大利銀緞帶獎最佳新人導演提名 2020 義大利電影金像獎大衛青年獎

Big Hands Holding Small Hands

導演 Director

大手牽小手

Cast Alessandro GASSMANN Isabella RAGONESE Rossy de PALMA Francesco GHEGHI Lorenzo SISTO

2020 歐洲電影獎青年觀眾票選獎

傑克的弟弟傑歐患有唐氏症。小時候的傑克相信父母對他說的謊,覺得傑歐是個擁有超能力的孩子,就像漫畫裡一樣。 然而,現在的傑克就要上高中了,他已經不再相信他的弟弟是超人,事實上,他覺得他很丟臉,尤其是在他遇到艾蓮 娜之後,絕不允許自己在心儀的女孩面前出糗,於是照顧弟弟這件事很快就成了他的負擔。傑克甚至假裝自己沒有弟

弟,並向新同學,尤其是艾蓮娜,隱藏了這件事。但如果你無法愛一個人的全部,包含他的缺點,別人也不會愛你的 全部。傑歐將用他直接的方式、獨特的觀點、簡單卻有智慧的話語,來教會哥哥傑克這個人生道理。

本片改編自年輕作者賈柯莫 · 馬札里歐 (Giacomo MAZZARIOL) 的暢銷同名自傳小說,故事真實描述比他多了一對

染色體的「特別」弟弟,降臨到他的世界,他曾說:「我花了 12 年才學會用我弟弟的眼睛看世界,我真心覺得,那 個世界還不賴。」導演第一部長片將此故事搬上大銀幕,幽默且溫馨動人,適合闔家觀賞。

年僅 34 歲,生於義大利, 曾就讀紐約電影學院電影製 作。本片是他第一部長片, 即獲得義大利大衛青年獎。 Stefano CIPANI is a director and writer from Italy, best known for his films My Brother Chases Dinosaurs , Shine Bright , and A Pill for David Friktenstein . CIPANI's latest film My Brother Chases Dinosaurs screened at the Venice Film Festival, featuring a strong Italian and Spanish cast. Previously, CIPANI studied filmmaking at the New York Film Academy in the MFA.

Jack has a brother, Gio, who has Down syndrome. As a child, Jack believed the tender lie his parents had told him, that Gio was a special being with superpowers, as in a comic book. Now that Jack is about to go to high school. However, he no longer believes that his brother is a superhero. In fact, he is almost ashamed of him, especially after he met Arianna, the first love of his life. Jack cannot allow himself to make any gaffes of bad impressions with the girl of his dreams, to the point that Jack pretends not to have any brother and hides the existence of Gio from the eyes of his new classmates and, above all, of Arianna. But you cannot be loved by someone as you are, if you cannot love someone despite his faults and this is a life-lesson that Jack will have to learn.

10/16 ( 五 ) 16:10 光影文化館

10/22 ( 四 ) 16:10 光影文化館

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Producer Alexis LAVILLAT Screenplay Anne-Lise KOEHLER Philippe TRAVERSAT Cinematographer Fabrice RICHARD Philippe ROUSSILHE Art Director Anne-Lise KOEHLER

大手牽小手

Editor Céline KELEPIKIS David SAUVE Sound Damien PROST

Big Hands Holding Small Hands

Music Den GOTTI

導演 Director

安 · 麗絲 · 科勒 Anne-Lise KOEHLER 艾力克 · 瑟爾 Éric SERRE 安.麗絲.科勒畢業於巴黎 高 等 藝 術 學 院 及 Gobelins 動畫學校,是動畫導演、編 劇也是藝術家,擅長紙類雕 塑和繪畫。她與另外一位導 演艾力克 · 瑟爾是動畫學 校的同學。兩人曾經皆為法 國動畫導演米歇爾 · 歐斯 洛(Michel OCELOT) 的 製作班底,曾參與過動畫電 影《嘰哩咕與女巫》、《一千 零二夜》。

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Anne-Lise KOEHLER i s a n a u t h o r- d i r e c t o r o f animated films. She is also a screenwriter, painter, and sculptor. She studied at the National School of Fine Arts in Paris and at the School of i m a g e s G O B E L I N S w h e re she met Éric SERRE. During her studies, she developed a naturalistic work of sculptures in papers that she has exhibited in many museums. After graduation, she took charge of the graphic direction of sets and bird characters for Kirikou and the Sorceress by Michel OCELOT and for Azur and Asmar .

哈囉世界,我來了

亞洲首映 Asia Premiere

Hello World! - The Movie

法國 France | 2019 | DCP | Colour | 61min

環繞著山明水秀的景色,十種動物在此生長、茁壯,觀察、認識彼此,在大自然生態中,他們是生命共同體,而每一

種動物也努力追逐著牠們自己的夢想:白斑狗魚希望成為水底之王;幼小的蜻蜓學習如何保護自己;火蠑螈則想離開

水面透透氣!天色漸暗,更多動物出來探索世界:河狸希望打造屬於自己的世界;大麻鷺計畫著攀上月亮;樹上的小

貓頭鷹學會飛翔,在天空中巧遇喜歡音樂的蝙蝠。太陽升起,白天又再度到來,兩隻冠鸊鷉在水面跳起獨特的雙人舞; 翠鳥則忙著找到最合適的位置曬太陽;烏龜則靜靜享受,觀賞這一切,伺機而動。本片結合紙雕、攝影及 2D 繪圖而

成的逐格動畫,製作超過 110 隻動物模型,共有 76 種動物,43 種植物、4 種菇類,所有模型皆以古董書的紙張所做成。 「透過此動畫,我們試著理解每個動物的世界觀,並開始學習多元觀點。靜靜觀賞著大自然,拋開成見與刻板印象, 超越所有生物階層意識,虛心接納成為世界的一份子,熱愛生命。」―導演 安.麗絲.科勒

In a landscape of water and forests, ten animal species are born, grow, pursue and observe each other ... Each of them is chasing a dream. Underwater, the tiny pike wants to become "colossal" and the young dragonfly learns to fight, as for the salamander, she would like to get out of the water to discover the world! On the shores with the magic of the evening, a beaver dreams of making the world his own way, while a bittern seeks to catch the moon. In the heights of the trees, an owl flies away crossing a bat that loves music! When day finally breaks, two great crested grebes dance; a kingfisher seeks his place in the sun. The turtle has fun in this busy world. She knows how to keep calm. Our ten life adventurers marvel at the beauty of the world. All of them, growing up, facing the surrounding nature, exclaim: "Hello world! ".

10/14 ( 三 ) 14:00 光影文化館

10/18( 日 ) 10:20 光影文化館

※ 本片為法語發音,中文字幕。


Editor Vanessa BOZZA Visual Effects Stéphane JARREAU Music Sergueï PROKOFIEV with the Orchestre National de France

導演 Director 大手牽小手

Big Hands Holding Small Hands

彼得與狼

© Camera Lucida productions – Radio France - 2013

台灣首映 Taiwan Premiere

Peter & the Wolf

法國 France │ 2013 │ DCP │ Colour │ 30min

帝埃里·古納

Thierry GUERNET (Gordon)

皮耶·艾曼紐·利埃特 Pierre-Emmanuel LYET

柯亨丁·勒孔特

2014 金玫瑰獎最佳美術

Corentin LECONTE

《彼得與狼》是俄國音樂家普羅高菲夫(Sergei PROKOFIEV)著名的古典音樂傑作,描述彼得如何在其他動物朋友

的幫忙下智取大灰狼的故事。而這部改編的真人動畫影片則讓我們對它產生新的感受。巧妙融合現場音樂和動畫,又 充滿文字設計和編排的藝術趣味,對孩子來說是學習欣賞及理解音樂構成的最佳墊腳石。

本片由義大利籍指揮家丹尼爾.加蒂 (Daniele GATTI) 帶領法國國家交響樂團實景演出,丹尼爾.加蒂現任馬勒室內樂 團藝術顧問。

Rediscover the most famous masterpiece of classical music: Peter and the Wolf in a wonderful new and innovative adaptation, especially for children. This film cleverly mixes live music and animation, with the complicity of the Orchestre National de France, conducted by Maestro Daniele GATTI.

10/18 ( 日 ) 14:10 光影文化館 ■

10/21( 三 ) 16:20 光影文化館

121


Cinematographer Christophe GRAILLOT Editor Corentin LECONTE Music Camille SAINT- SAËNS with the Orchestre Philharmonique de Radio France. Cast Myung-whun CHUNG Smaïn Rayane FAIROUZE

大手牽小手

導演 Director

Big Hands Holding Small Hands

動物狂歡節

© Camera Lucida Productions – Orchestre Philarmonique de Radio France -2010

帝埃里·古納

Thierry GUERNET (Gordon)

安迪.索莫

Andy SOMMER

Carnival of the Animals

台灣首映 Taiwan Premiere

法國 France │ 2010 │ DCP │ Colour │ 30min

每天晚上,父親都會講睡前故事給兒子聽,幫助他入睡。孩子總是選擇那本有點嚴肅的書,上面有音符、管弦樂隊照 片和動物圖畫―就是聖桑(Camille SAINT-SAENS)創作的《動物狂歡節》。看似簡單的故事,經過父子兩人想像

力變得生動起來,搭配樂團的現場演奏,一個個動物有了自己的出場主題曲。音樂具體化動物的形象,讓整部影片鮮 活動人,對樂曲也有了更具體的想像。

Every night, a father tells his son a bedtime story to help him fall asleep. Like a challenge, the child always choses the same book, a serious book with score sheets, photos of the orchestra and drawings of animals - the book is The Carnival of the Animals by Camille SAINT-SAENS.

122

10/18 ( 日 ) 15:40 光影文化館■

10/21( 三 ) 16:20 光影文化館


影片索引 Index

※ 以片名筆劃順序排列

KANO _________________________________ 58

去他 X 的刻板印象 I'm Not Your F***ing Stereotype ___________ 69

拉姆與嘎貝 Lhamo and Skalbe ______________________ 63

一直游到海水變藍 Swimming Out Till the Sea Turns Blue______

台北之晨 A Morning in Taipei _____________________ 95

東京奧運 1964 Tokyo Olympiad ________________________ 91

104

十二夜 2:回到第零天 Twelve Nights 2: Back to Day Zero ________

扒手 Pickpocket ____________________________ 77

武士蘭西諾 Lancelot of the Lake ____________________ 80

30

三生一死 Three Lives and Only One Death _________

犯罪家譜 Genealogies of a Crime __________________ 100

河粉的滋味 The Taste of Pho ________________________ 65

101

甲子園:夢想競技場 Koshien: Japan's Field of Dreams_________

炎上 Conflagration __________________________ 90

32.51

42.43

上山 The Mountain __________________________

伏魔殿 Temple of Devilbuster _________________ 49

玩美女人 Volver _________________________________ 86

96

大桔大利 闔家平安 Dear Orange ___________________________

任天堂死 了 Death of Nintendo ______________________ 64

盲舞殺機 Invisible _______________________________ 114

46

大餓 Heavy Craving _________________________

回南天 Damp Season __________________________ 62

48

女性日常 Force of Habit _________________________

回憶的祕密花園 Way Back Home ________________________ 109

青春:第 50 屆日本全國高中棒球錦標賽 Youth: The 50th National High School Baseball Tournament ___________________ 52.92

73

小小的回家願望 Oskar & Lilli : Where No One Knows Us ___

艾德華登大人 Edward _______________________________ 116

118

小武 Xiao Wu _______________________________

你剛才說的是笑話嗎 Fish Tank ______________________________ 42.43

103

天生好手 The Natural ____________________________

弟弟 Her Brother ____________________________ 89

54

巴黎應召日記 Alice __________________________________

弟弟追著恐龍跑 My Brother Chases Dinosaurs ___________ 119

113

手塚治虫迷幻少女 Tezuka's Barbara _______________________

那一年 Practice Makes Champions ______________ 59

36

主管再見 See You, Sir ___________________________

孤味 Little Big Women _______________________ 34

40.41

加州夢遊 California Dreaming _____________________

幸運女神 The Fortune Goddess ___________________ 74

67

彼得與狼 Peter & the Wolf ______________________ 121

ㄐㄧ

三步 This Is Not the End ______________________

Film Index

40.41

影片索引

一狗 Caninity _______________________________

青春全壘打 Baseball Girl ___________________________ 56 哈囉世界,我來了 Hello World! - The Movie ________________ 120 持攝影機的男人 The Man Who Has A Camera _____________ 94 指揮巨星亞尼克 Ensemble _____________________________

75

紅葉傳奇 The Red Leaf Legend ___________________ 57 家族無共識 The 2014 Consensus ___________________ 42.43 悄悄告訴她 Talk to Her _____________________________ 84 病入膏肓 Sick ___________________________________ 68

123


影片索引 Index

影片索引

Film Index

破碎的擁抱 Broken Embraces _____________________ 87

夢幻成真 Field of Dreams ______________________ 53

紙花 Paper Flower __________________________ 108

瘋狂度假村 No One is Crazy in This Town ___________ 70

追憶似水年華 Time Regained ________________________ 99

錢 Money _______________________________ 81

逃出立法院 Get the Hell Out _______________________ 49

壞教慾 Bad Education ________________________ 85

高跟鞋 High Heels ___________________________ 83

藥命病房 The Dose _____________________________ 110

動物狂歡節 Carnival of the Animals _____________ 122

蟾鳴 Humming Memory _____________________ 40.41

窒愛診療室 Dogs Don't Wear Pants _________________ 111

蘿拉的少女心事 Lola _________________________________ 112

速球對決 Fastball ______________________________ 55

驢子巴達薩 Au hasard Balthazar ___________________ 79

野雀之詩 Wild Sparrow _________________________ 45 散後 Apart ________________________________ 66 菠蘿蜜 Boluomi ______________________________ 44 跑道終點 The End of the Track ___________________ 97 陽光電台不打烊 Radio! Ready Oh! _____________________ 107 愛上卡布奇諾男孩 Bangla _______________________________ 115 愛情遺跡 Luxor ________________________________ 72 聖女貞德的審判 Trial of Joan of Arc _____________________ 78

124


感謝名單 Acknowledgements

※ 以姓名筆劃順序排列

Aurélien DIRLER

林建志

陳逸軒

王允踰

林文淇

陳灉

王馨珮 王亮鈞 王婷妮 王筠媛 王誌盟

中央大學藝文中心 日本台灣交流協會 江怡箴 吠搭拉 何映樂 吳振宇 呂佩憶 呂慈容 李欣哲

李芷璇 ( 李子 ) 李柏堯 李純怡 李瑜亭 李筱雯 周品頡 林木材 林辰徽 林孟穎

金子傑 洪珷

姚聖洋 柯智豪 洪韵筑 胡文齡 唐翊雯 徐進榮

高偉晏 (RT) 張克柔 張君涵 張玳寧 張倩茜 張寒梅 梁震牧 郭棋逸 陳昱蓁 陳柏佑

陳炫劭 ( 仙草 ) 陳家倩 陳家健 陳婉伶

陳人岳 彭小芬 黃之妍 黃俊閔 黃堯音 黃貴蓉 溫惠珍 廖子淇

Acknowledgements

王師

邱昱翔

陳慧娟 感謝名單

王芯

林美妤

廖家駒

劉人鳳 ( 阿斗 ) 劉盈汝 劉家銘

播磨憲治 蔡世宗 賴慕寧 薛雅慧 羅明秋

兄弟繪數位設計工作室 哈柏造型工作室

桃園市政府教育局

桃園市政府藝文設施管理中心 邊境映象藝文有限公司

陳善云

125


工作人員 Staff

工作人員

Staff

主辦單位 Executive Committee 董事長 Chairman of the Board 執行長 Chef Executive Officer 行政執行 Administrative & Marketing Coordinator 實習生 Intern

財團法人桃園市文化基金會 Taoyuan Culture Foundation 鄭文燦 Wen-tsan CHENG 劉子琦 Dsih-chi LIU 曾盈勳 Ying-hsun TSENG、廖冠翔 Kaos LIAO、劉惠羽 Hui-yu LIU、蘇毓婷 Yu-ting Su、林彥君 Yen-chun LIN 張畹婉 Wan-wan CHANG

文字編輯 Editor 英文編輯及翻譯 English Editor 手冊撰稿 Contributor

林珏竹 Erica C. C. LIN 許常葳 Pearl HSU 潘信宏 George PAN、林珏竹 Erica C. C. LIN、許耀文 Wen HSU 林雨靜 Kate Yu-ching LIN、林姿吟 Frances LIN、洪瑋伶 April HUNG

策展單位 Organizer 總策展人 Program Director 總監 Director 協同策展人 Deputy Director 節目統籌 Program Manager 國際聯絡 International Coordinator 台灣獎初選統籌 Taiwan Awards Coordinator 台灣獎決選統籌 Taiwan Awards Coordinator 字幕翻譯統籌 Subtitling Coordinator 行政票務統籌 Administrative & Ticketing Coordinator 戲院統籌 Cinema Coordinator 現場執行 On-Site Coordinator 行銷宣傳統籌 Marketing & Press Manager 社群行銷專員 Social Media Coordinator 活動統籌 Event Manager 活動執行 Event Coordinator 前期活動專員 Event Coordinator 活動助理 Event Assistant 放映控管 Screening Manager 拷貝統籌 Print Coordinator 前期活動企劃 Pre-project Coordinator

美術編輯 Art Design 主視覺設計 Visual Art Design 字幕後期製作 Subtitling

影展預告與片花製作 Teaser & Trailer 台灣獎宣傳影片 Taiwan Awards Promotional Video 台灣獎初選評審

Taiwan Awards Competiton Jury of Preliminary Stage 台灣獎決選評審 Taiwan Awards Competiton Jury of Final Stage 青少年評審團培訓營執行 Youth Jury Workshop 青少年評審團 Youth Jury 影展大使 Ambassador of 2020 TYFF 形象廣告導演 TYFF Promo Video Director 形象廣告製片 TYFF Promo Video Production Manager 形象廣告統籌 TYFF Promo Video Manager

126

指導單位 Adviser 局長 Director-General 副局長 Deputy Director-Genera 主任秘書 Chief Secretary 科長 Chief 專案人員 Officer

想映電影有限公司 Joint Pictures Inc. 鴻鴻 Hung Hung 劉嘉明 James LIU 張裕宏 Kenneth CHANG 林珏竹 Erica C. C. LIN 林雨靜 Kate Yu-ching LIN 林雨靜 Kate Yu-ching LIN 黃詩珊 Susan HUANG 林姿吟 Frances LIN 童佳慧 Ruby TUNG 莊凱晴 Natalie CHUANG 林冠承 Leo LIN 林衍孜 Sujora ANTAR、粘湘婉 Claire NIEN 許閔淳 Marcia HSU 蔡惠婷 Ting TSAI 黃華婕 Hua-chieh HUANG 莊雅凌 Yalin CHUANG、游佳怡 Jenny YU 李庭宇 Square LEE 詹鎰銘 I-ming CHAN 潘芸嫻 Debbie PAN 簡佩萱 Syuan CHIEN

紀貞羽 Jamie CHI、廖冠翔 Kaos LIAO 紀貞羽 Jamie CHI 遠東譯像 Far East Transvideo 陳兔人 Yann CHEN 高凌雲 Leonard KO

鴻鴻 Hung Hung、張榮吉 Jung-chi CHANG、 鄭秉泓 Ryan CHENG、侯季然 Chi-jan HOU、陳保英 Pao-ying CHEN 王童 Toon WANG、呂蒔媛 Shih-yuan LU、黃河 River HUANG

富邦文教基金會 Fubon Cultural&Educational Foundation· 青少年發聲網 YoungVoice.tw 陶頤穎 I-ying TAO、涂芃安 Peng-an TU、許馨方 Hsin-fang HSU、陳柏羽 Po-yu CHEN、張哲綸 Zhe-lun CHANG、 向彥儒 Yen-ju HSIANG、向苹嘉 Ping-jia HSIANG、李芸葶 Yun-ting LI、黃耀冬 Yao-tung HUANG、王柏崴 Po-wei WANG、 莊雯媛 Wen-yuan ZHUANG、劉丞勛 Cheng-shiun LIU、張以慈 Yi-tzu CHANG 瑞莎 Larisa BAKUROVA 莊翔安 Shiang An CHUANG 歐陽信 Sing OUYANG 林衍孜 Sujora ANTAR

桃園市政府文化局 Department of Cultural Affairs, Taoyuan 莊秀美 Hsiu-mei CHUANG 王麗娟 Li-chuan WANG 張至敏 Chih-ming CHANG 陳瑋鴻 Wei-hong CHEN 彭凱鈴 Kai-ling PENG