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Don Quixote Nook edition You can download from the link below.  

Don Quixote, by Miguel de Cervantes, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences-biographical, historical, and literary-to enrich each reader's understanding of these enduring works.   Widely acknowledged as the first modern novel, Miguel de Cervantes's Don Quixote features two of the most famous characters ever created: Don Quixote, the tall, bewildered, and half-crazy knight, and Sancho Panza, his rotund and incorrigibly loyal squire. The comic and unforgettable dynamic between these two legendary figures has served as the blueprint for countless novels written since Cervantes's time. An immediate success when first published in 1604, Don Quixote tells the story of a middle-aged Spanish gentleman who, obsessed with the chivalrous ideals found in romantic books, decides to take up his lance and sword to defend the helpless and destroy the wicked. Seated upon his lean nag of a horse, and accompanied by the pragmatic Sancho Panza, Don Quixote rides the roads of Spain seeking glory and grand adventure. Along the way the duo meet a

dazzling assortment of characters whose diverse beliefs and perspectives reveal how reality and imagination are frequently indistinguishable. Profound, powerful, and hilarious, Don Quixote continues to capture the imaginations of audiences all over the world. Features illustrations by Gustave Doré. Carole Slade specializes in late medieval and early modern European literature.Her publications include St. Teresa of Avila: Author of a Heroic Life and Approaches to Teaching Dante's "Divine Comedy". She teaches Comparative Literature at Columbia University.  

About The Author Carole Slade specializes in late medieval and early modern European literature.Her publications include St. Teresa of Avila: Author of a Heroic Life and Approaches to Teaching Dante's "Divine Comedy". She teaches Comparative Literature at Columbia University.

Reviews Don Quixote de la Mancha tells the story of the self-made knight-errant Don Quixote. Don Quixote takes on this long lost profession of being a roaming knight because of his love for the romantic novels, telling of the great deeds of chivalrous knights and their quests and trials. Don Quixote sets out as a knight-errant, abandoning his possessions in search of a quest provided by God by which he can assay himself as a knight. Unfortunately for Don Quixote, the times of knights and Chivalry is long at an end and few people know what he duty of a knight is.

The book Don Quixote by Miguel de Cervantes Saavedra is a book about a man whose dream is to become a knight. This is hard for him because he never understands what a knight really has to do. His whole fantasy of what to do is from what he read from all of his books. The world he lives in is normally one that is a lot different from all the other characters, also a little crazy. For him the journey into knighthood starts by taking his old family armor and cleaning it up a little so that he can use it. Near the start of the book he meets a man name Sancho Panza who accompanies him. Sense Don Quixote lives in more of a fantasy world then the real world it normally ends up leaving Sancho with more problems that he has to deal with. Throughout the book you meet more characters on the journeys. "So he drew near to the near inn (which he thought was a castle), and at a short distance from it he halted Rozinante, expecting some dwarf would mount the battlements". This gets a little confusing from the main story of the book because every character that you meet has their own story and all the stories of each person are explained. Sense this happens a lot it can distract you from the main point of the story. Some of the journeys in this book are Quixote attacking some things that aren¿t really what he thinks they are. Some examples in the book of this are when he attacks a windmill because he thinks it is a troll and twice he attacks monks. One time when he attacks two monks with a carriage that has a girl in it because he thinks that they are capturing a princess and he wants to rescue her. The books make it so he can't become a great knight. At one point of the story he tries to make a potion that would heal him but ends up making him insanely ill. He also believes that everyone is going to follow their word for example after he finds a kid and a man arguing about the kid never getting paid and not wanting to work anymore the man says "Come here, my boy; want to pay you what I owe you in accordance with the commands of that undoer wrongs". Later in the book the boy comes back in the story and talks to Quixote about what happens once he left the farm. I liked this book because it's an older book that takes place in the middle ages. The Author was good at describing the sense and giving you a clear view of what is going on. The only thing that I didn't like about the book was when he tells you the stories of other people because it during their story you also need to remember what the main story of the book is through out the time of the other story. What I learned from this book is to keep working for your dreams no matter how it works out and don't let failure bring you down. Don's dream was to become a knight and even though it didn't work out he still kept trying to make it happen. I would recommend this book to someone looking for a good read on a higher level book. This was a great book and

explained everything that happens very clear and the changes in the story which makes it harder to follow at some points.

Cervantes is difficult to read without some helpful notations. Both from a translation difference and a time period difference. Fortunately, this B&N version has the notations you need to both read and enjoy the story to its fullest. Before now, I tried reading Don Quixote and was never was able to finish it. Yes, it is a long read. But with the notations in this version, it is a good read.

Fantastic adventure story - epic in scope, rich in detail and description, alternately hilarious, melancholic, and exciting. Both the translation and the design/layout of this ebook are excellent. Pick this up *for free!* and experience this absolutely mesmerizing story.


Read An Excerpt From Carole Slade's Introduction to Don Quixote In the first few pages of Don Quixote, Cervantes had his contemporaries laughing. King Philip III remarked of a student he spotted from his balcony bursting into fits of laughter while reading a book, "That student has either lost his wits or he is reading Don Quixote." A courtier who went to investigate found that the young man was indeed reading Don Quixote. Even if apocryphal, the remark conveys the contagious hilarity with which Don Quixote infected seventeenth-century Spanish readers. What did they find so amusing? Understanding the continuing power of Don Quixote to entertain as well as to instruct begins with answering that question. Cervantes's contemporaries would have immediately recognized Don Quixote as a low-level member of the nobility struggling to keep up appearances, always a comical endeavor. His rusty lance and rotted shield, relics of the means by which his grandparents and their forebears had acquired land, wealth, and power, now serve only as ornaments on his walls. Far from living with the ease of a gentleman, the status to which he pretends, he is tightening his belt to the point of constriction. His skimpy diet, which consumes three-quarters of his income, his "skeleton of a horse," and "starved greyhound" suggest that he lives right on the edge of his financial means. In taking the title of don, which he does not merit because he does not own enough land, he follows a widespread practice of inflating rank with nothing more substantial than assertions. His fragile ego, which he always protects from admission of failure, suggests that he would have needed a way to avoid facing his financial bind and prospective social ruin. Like many Spaniards of his time, he finds an escape in books of chivalry. To buy his books of chivalry, Don Quixote has raised money in a way that a seventeenth-century audience would have found ludicrous: selling off good, potentially income-producing farmland. Engrossed in reading the books, he has let his house and holdings go to ruin, and he has given up hunting, a perennial pastime of Spanish aristocrats. On these points he is laughably imprudent; but soon it becomes clear that on the subject of chivalry, he has not merely gorged himself on books, but perhaps has lost his sanity. Over the course of the novel, readers slowly begin to reckon with the sobering idea that they could be laughing not at a clown or a fool, but at a lunatic, and what's more, that Don Quixote quite possibly reflects their own image back to them. In choosing not to anchor the novel in a specific time and place, Cervantes signals that his satire will be directed not only at Don Quixote but also at his contemporary Spaniards. Don Quixote is not the only one, Cervantes suggests, who lives in a laughable, and dangerous, fantasy world. Don Quixote

was as topical in its time as the most recent broadcast of Saturday Night Live is today, and it has proved as timeless as Shakespeare's King Lear and Austen's Pride and Prejudice. Seventeenth-century Spaniards are not the only ones who cannot reconcile themselves to change and decline. In most of part I, especially in the first foray, the humor of Don Quixote remains relatively benign and broad. Consider, for example, Don Quixote's appearance. On the morning he rides out of his village on Rocinante, Don Quixote wears a full suit of rusted armor and a medieval helmet outfitted with a cardboard faceguard. In addition to being more than a century out of date, obviously jerry-rigged, and completely inappropriate for the intense July heat on the high plains of Castile, this outfit confines him to stiff, clumsy gestures reminiscent of the inflexible gait of the Tin Woodsman in The Wizard of Oz. Henri Bergson explains in his treatise on comedy, Laughter (1900), that "the artificial mechanization of the human body," the transformation of a human body into a "thing" by whatever means, costume or gesture, constitutes the stuff of physical comedy. Like the ungainly movements of the Tin Woodsman, which exhibit his lack of a heart, Don Quixote's armor, particularly his corroded helmet, represents the rigidity of his mind and spirit. He has created a self-image from books of chivalry, the accounts of heroic deeds of medieval knights, and he proceeds to treat the world as if it were the scene of such a romance. Spotting a very ordinary inn just at sunset, Don Quixote conjures up a castle. As our hero's imagination converted whatsoever he saw, heard or considered, into something of which he had read in books of chivalry; he no sooner perceived the inn, than his fancy represented it, as a stately castle with its four towers and pinnacles of shining silver, accommodated with a draw-bridge, deep moat, and all other conveniences, that are described as belonging to buildings of that kind. He hears the swineherd's horn call to round up his pigs as a trumpet salute to his arrival; he greets two women immediately recognizable as "ladies of the game," or prostitutes, as "high-born damsels"; and he addresses the innkeeper as "Castellano" (governor of the castle).

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Don quixote nook edition