Page 1

S E L E C T E D

W O R K S

2007~2016 HARUKA TOMOEDA

WOR K

S A M PL E S

M AST E R

T H E SI S

-1-

PROJ E C T


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C I R C U L AT I N G A R C H I T E C T U R E <MASTER THESIS> year: 2011~2012 project type: MASTER THESIS site: TOKYO,JAPAN brief: Focusing on the oil spill accident as the waste energy which constantly occurs as the environmental problem of the city, while building a circulation system to solve it in the flow of urban life. Hair which is considered waste material in daily life is used as oil adsorbent from its oil adsorption ability. Simulate the material bihavior of the hair, considering the form of new petroleum adsorbent from the attitude of both efficiency and design, and place it in the base of the oil control material designated at five places in Tokyo Bay . Quantitatively analyze the material flow from hair salon donation to accident utilization and try to use this substance as a building after use. In order to incorporate this circulation into the daily lives of the city, we set up a program for employers who change residents in 2 years, which is a changing form of the city in the present society. In this way, we propose architecture as the beginning of ecological urbanism, in which construction occurs together with ecological circulation, bringing new reforms to urban life. We propose building as the beginning of Le Urbanism.

東京 -TOKYO-

rotation

rotative force wave gravity

Hair Salon

Mobius Model

Tube Component

/SECTION

東京 Tokyo

Material

suggestion of new oil asorbing m a ter i a l s

hair salon

storage

keihin port

SITE

横浜 -YOKOHAMA-

56

千葉 -CHIBA-

Useing Components for Oil Spill

NEEDS:Components 28 units/1month →Components 334 units/1year

Taking Components to the Site

横浜 -YOKOHAMA-

-TOKYO BAY-

木更津 -KISARAZU-

28

OIL SPILL

NEEDS:Components 56 units/1month →Components 668 units/1year

po nt s

vi ng

CIRCULATION SYSTEM OF HUMAN HAIR

oi l

lon

39

28

28

9

9

tubeX20staff=600000cm3 amount of absorption

780ℓ

Yokohama Tokyo Yokosuka Chiba Kisarazu

Bay-Material Flow

hair gro

w

PROBLEM

木更津 -KISARAZUNEEDS:Components 9 units/1month →Components 104 units/1year

56

OIL ABSORPTION

ir sa

ha

NEEDS:Components 28 units/1month →Components 334 units/1year

C a lc u la t e t h e a m ou n t of c on su m pt io n o f o i l ab s o r b e r i n t h e T o k y o B ay

re tr ie

ial

28

02.T o k y o

ne

t

ater

横須賀 -YOKOSUKA-

NUMBER OF 1MONTH AMOUNT OF HAIR ON EACH AREA

横須賀 -YOKOSUKA-

m

ma

te m

M U L T I P L E SMALLEST SCALE OIL SPILL

300

OIL SPILL

38-379kl

250

C I R C U L A T I O N

Number of Cases

150

379-3786kl

LEARGEST SCALE OIL SPILL more than 37857kl

100

Forms

F or m fi n din g f o c u s e d o n t h e mat e r i al p r o p e r t y

3786-37857kl

RE-ENERGY 1999

2000

1997

1998

1994

1995

1996

1992

1993

1990

1991

1987

1988

1989

1985

1986

1982

1983

1984

1980

1981

1978

1979

0

03.F i n d i n g

S Y S T E M

200

50

year

Energy

GETTING FORM

Reserch eco lo gical pro brems a nd fo cus o n the o i l s p i l l 24

m o

23

2

936

39

5

21

199

8 3

9

10

1y ea

90

H c b li Pu d nts an e g on in p se om ou 0C 9 /3

r

468

11

12

780

Hous eing for /234C ompo Empl oyers nents

7

589

13

14

15

19

6

20

4

L I F E S T Y L E

18

in g nt s n Liv Ur ba om po ne /4 5C

3

g

22

1

N E W

0

in t a r ly St pp Su

Re Re new s id a en l ts

ts

After using,the oil absorbing ma ter i a l r eus e a s a s o l i d -fuel .

com po ne n

on

0

RE-ENERGY

ta ti

h nt

Mu

16

17

Sp ac e

05.A g r i g a t i o n

NEEDS :Components 39 units/1month →Components 462 units/1year

hair salon

hair salon

co

h a ir

was

00. W a s t e

千葉 -CHIBA-

Oil Absorbing Sysytem

mo biu s mo del

01. W a s t e

Hair Mat

39

SEA

oil absorption

weave

suggestion new life style using the new ty p e o f m a ter i a l a nd a gr i ga ti o n

SITE -3-

04. A d a p t a t i o n

A da pt t h e m a t r ia l a n d f o r ms t o t h e ar c h i t e c t u r al t y p o l o y


EC OLO GICAL PROBLEM /reserch for the oil spill-sea polution

STATITICS ON THE VARIOUS SCALE OF THE OIL SPILL ALL OVER THE WORLD STATITICS ON THE VARIOUS SCALE OF THE OIL SPILL ALL OVER THE WORLD

NUMBER OF CASES OF OIL SPILL IN THE WORLD

QUANTITY OF THE SPILL IN EACH OIL SPILL

SMALLEST SCALE SMALLEST SCALE OIL SPILL OIL SPILL 38-379kl 38-379kl

300 300

1200 1200

1000

100

200

150

50

600

SMALLEST SCALE SMALLEST SCALE OIL SPILL 3786-37857kl OIL SPILL 3786-37857kl 38-379kl 379-3786kl 38-379kl 379-3786kl

400

200

2000

1999

1998

1997

year

year

322000 322000 5205000 5205000 kl/23years

SMALLEST SCALE OIL SPILL kl/23years SMALLEST SCALE OIL SPILL LEARGEST SCALE OIL SPILL LEARGEST SCALE OIL SPILL kl/23years

SMALLEST SCALE OIL SPILL cases/23years SMALLEST SCALE OIL SPILL cases/23years LEARGEST SCALE OIL SPILL cases/23years LEARGEST SCALE OIL SPILL cases/23years

1996

1982

1995 2000 1994 1999 1993 1998 1992 1997 1991 1996 1990 1995 1989 1994 1988 1993 1987 1992 1986 1991 1985 1990 1984 1989 1983 1988 1982 1987 1981 1986 1980 1985 1979 1984 1978 1983

1981

3356 39

800

0 1980

0

year

1979

year

200

1978

2000

1999

1998

1997

1996

1995

19942000

19931999 19921998

19911997 19901996

19891995 19881994

19871993 19861992

19851991 19841990

19831989 19821988

19811987 19801986

1983

19791985 19781984

1982

1981

1980

1979

1978

3356 39

600

3786-37857kl 400

50

0

800

379-3786kl

LEARGEST SCALE 379-3786kl LEARGEST SCALE OIL SPILL OIL SPILL 3786-37857kl more than 37857kl more than 37857kl

100

Quantity of the Spill(1000kl)

150

Quantity of the Spill(1000kl)

Number of Cases

Number of Cases

200

0

LEARGEST SCALE LEARGEST SCALE OIL SPILL OIL SPILL more than 37857kl more than 37857kl

1000

250 250

kl/23years

Oil spill accidents are one of disasters that can not be prevented constantly occurring. However, it is not well known about the current situation such as how many times each month has occurred and how much resources are consumed. So, first of all, we surveyed these surveys and new methods that do not waste energy and resources.

THE NUMBER OF OIL SPILL AND STORAGE AND THEIR STOCK OF MATERIAL OF OIL ABSORBING AROUND THE TOKYO BAY 東京 -TOKYOCURRENT NUMBER OF STORAGES AND TOTAL NUMBER OF MATERIAL FOR OIL SPILL IN ALL THE STORAGES STORAGES TOTAL NUMBER OF OIL ABSORPTION MAXIMUM STORE NUMBER MINIMUM STORE NUMBER AVERAGE

KEIHIN PORT

CASE ) 20

18

15

9

12

5774kg

10

4000kg 200kg 962kg

5 0

千葉 -CHIBACURRENT NUMBER OF STORAGES AND TOTAL NUMBER OF MATERIAL FOR OIL SPILL IN ALL THE STORAGES

6

16年

17年

CHIBA PORT

CASE ) 20

18 年

MAXIMUM:18

15

13

12

10 5

横浜 -YOKOHAMACURRENT NUMBER OF STORAGES AND TOTAL NUMBER OF MATERIAL FOR OIL SPILL IN ALL THE STORAGES STORAGES TOTAL NUMBER OF OIL ABSORPTION MAXIMUM STORE NUMBER MINIMUM STORE NUMBER AVERAGE

CASE) 30 25

22

20

21923kg

15

5027kg 56kg 996.5kg

0

YOKOHAMA PORT

3

16年

17年

STORAGES TOTAL NUMBER OF OIL ABSORPTION MAXIMUM STORE NUMBER MINIMUM STORE NUMBER AVERAGE

60 36426kg 3632kg 26kg 852kg

18 年

MAXIMUM:13

26 23

23

-TOKYO BAY-

10 5 0

16年

17年

18 年

MAXIMUM:26

木更津-KISARAZUCASE ) 20

KISARAZU PORT

15 10

横須賀 -YOKOSUKACURRENT NUMBER OF STORAGES AND TOTAL NUMBER OF MATERIAL FOR OIL SPILL IN ALL THE STORAGES STORAGES TOTAL NUMBER OF OIL ABSORPTION MAXIMUM STORE NUMBER MINIMUM STORE NUMBER AVERAGE

22 9255kg 3202kg 60kg 661kg

5

4 1

0

CASE) 20

YOKOSUKA PORT

15

0

17年

STORAGES TOTAL NUMBER OF OIL ABSORPTION MAXIMUM STORE NUMBER MINIMUM STORE NUMBER AVERAGE

7 2090kg 1367kg 40kg 348kg

18 年

MAXIMUM:4

13

10 5

16年

1

CURRENT NUMBER OF STORAGES AND TOTAL NUMBER OF MATERIAL FOR OIL SPILL IN ALL THE STORAGES

OCASION OF OIL SPILL 5

5

16年

17年

18 年

故意排出又は容疑

海難によるもの

器具取扱い不注意

原因不明なもの

タンク等破損

その他

MAXIMUM:13

Currently, as the oil control material deployment base in Tokyo Bay, five of Tokyo, Yokohama, Chiba, Kisarazu, and Yokosuka are set by the Japan Coast Guard. The current status of oil spill accidents in these five areas as a cause of oil spill accident for the past three years, the number of each accident, the number of warehouses for oil control materials provided for each area, the total holding amount of oil adsorbent, We investigated the maximum oil control material holding amount, the minimum oil control material holding amount and the average oil control material holding amount in the whole warehouse for each region. -4-


FIDING MATERIAL

MATERIAL FLOW

/Ecological Circulation and Form Finding

Hair is useful material for oil spill. But now almost all of them are wasted.

Gathering through the hair donation from the hair salon,Hair mat is made by volunteer and some company.

hair donation charity movement of matter of trust

00.hair

01.hair salon

02.hair mat

04.architecture as re energy

03.oil retreaving

? After useing,we will use this material for architecture as solid energy.

Gathering through the hair donation from the hair salon,Hair mat is made by volunteer and some company. And,it is used for absorbing the oil.

For material and energy useage, we need to desing another flow system.

In the survey, it was found that a project using hair which is currently being conducted overseas is coping with energy and substance at the same time. I question the question of whether it is possible to incorporate this ecological circulation into my daily life, and I will start to consider the new way of building.

1.Hair Mat

2.Basic Form

!

3.Solidify and Detoxification

5.Component Techtonic Studies

4.FInding Forms

OIL Most EFFECTIVE!! BASIC FORM

POLYLINE

CURVE

BELLY

2D ALTERNATION

HAIR

Environmentally friendly chemicals for solidify and Detoxification

COTTON

mobius component 3D ALTERNATION

WOOD CHIPS

MOBIUS

mobius typology studies

MOBIUS TWISTING STUDY

ABSORBING EFFICIENCY MOBIUS RING BELLY FORM

STRAW

CURVE FORM POLYLINE FORM

Oil absorption test

BASIC FORM STRUTURAL ADVANTAGE

0twist

1twist

2twists

3twists

4twists

study aboout the number of twisting of mobius parts. 3twists is good for it’s own structural probrem and connection with other other mobiuses to make sequential oil absorbing staff.

Considering the strength and the way of connection, to establish as a building member, we present the Moebius model using twist as a member. Using three efficient twisting Mobius with high efficiency, we study members joined together.

-5-


MOBIUS TECHTONICS STUDIES /How to make the tube components

COMPONENT MANUFACTURING PROCESS WIDTH

ROTATION

SIZE

90°

ROTATE IN XZ PLANE

180°

270°

TWIST RADIUS

BEND IN XY PLANE DENSITY

PARAMETER FACTORS

COMPONENT PROTOTYPE STUDIES _ROTATION model _r001

model _r002

model _r003

model _r004

model _r005

model _r006

model _w001

model _w002

model _w003

model _w004

model _w005

model _w006

model _d002

model _d003

model _d004

model _d005

model _d006

_WIDTH

_DENSITY & SIZE model _d001

COMPONENTS TECHTONIC STUDIES mobius components same size model

0° rotate mobius components cosθsaize expansion model

5° rotate

10° rotate

0° rotate

5° rotate

10° rotate

20° rotate

20° rotate

CONFIRMATION OF APPEARANCE WHEN HANGING

0° rotate

1° rotate

15° rotate

20° rotate

5° rotate

30° rotate

10° rotate

45° rotate

In the survey, it was found that a project using hair that is currently being conducted overseas is coping with energy and substance at the same time. I question the question of whether it is possible to incorporate this ecological circulation into my daily life, and I will start to consider the new way of building. -6-


ABSORBING SYSTEM AND MATERIAL FLOW /Calculating the amount of hair

3 times twisted mobius

2D

weavingⅢ(whale image)

weavingⅡ(like tube)

weavingⅠ(each mobius)

shape reference from

Shape reference current oil absorber

hairmat

curent curent oil oil absorver absorver using using the the nylon nylon material material

hair hair m

WITH WITH

3D

Mobius,whict is made of hairmat,is twisted 3times so that it can connect various direction easily, and it is better for structure.

When layerig each other, they are rotated to fit well together.

Connect each mobius by weaving. The weaving part is on the layerd each mobius surface face to face by twisting.

By referring to the current adsorption method by oil adsorbent, it was formed into a tubular elongated form.

The tube length is about 8m. This can be ued well for retreabing oil.

Utilizing the characteristic of adsorbing while adsorbing the oil of the conventional tube type oil adsorbent while utilizing a hair mat which is a product made from hair in mat form, its structural weakness, oil only on one side of the face Attempts to solve the model which improves inefficiency not adhering by using a hair mat. Also, large quantities of waste can be deleted if this proposal becomes possible, and it is possible to work the world as a more ecological project. THE WAY OF RETRIEVING OIL WITH THE NEW STAFF SUGGESTION OF NEW WAY OF OIL ABSORBING

Hair mat Tube_MY SUGGETION With retrieving the oil,this staff is rotated by the oil gravity and wave power.

rotation

oil absorption rotation

rotative force gravity

gravity

w

av

Current way of retrieve the oil with tube stuff Made from polyethylene,this staff can only enclose the oil.

e

/AXONOMETRIC DIAGRAM

wave /SECTION

/ROLLING SYSTEM DIAGRAM

Unlike the conventional oil adsorbent, each time it adsorbs oil, it adsorbs while rotating with weight. It is made possible by the Mobius constituting the band, because it has ease of adsorbing oil, ease of rotation in water and robustness.

STUDIES ON OIL RETRIEVING MATERIAL FLOW -the aomunt of oil absorptionAbout 1seet of oil mat /65cmX65cmX0.4cm=1690cm3 /absorbed amount 1.7kg /weight 170g /350yen

1 hair mat

270mmX270mm=72900mm2 amount of absorption

0.95ℓ

40mmX375mm=15000mm2 amount of absorption

exemple unit

1 tube

1 mobius

mobiusX200staff=30000cm3

0.18ℓ

This amount of oill absorption is equivalent with488seets 488×0.17kg=82.96kg 488×200=97600yen saving the oil mat

amount of absorption

39ℓ

tubeX20staff=600000cm3 <1 COMPONENT> amount of absorption

780ℓ

<data from OTTI MAT co.>

hair donation 80staff/1day 1staff/2.5days 80 mobius can be made with 1day hairsalon donation

1unit/50days

1tube can be made with 2.5days hairsalon donation 1exemple unit can be made with 50days hairsalon donation

donation from hairsalon =12000cm3/1day

Based on the amount of oil adsorbed per hair mat, the amount of oil adsorbed per Mobius and the amount of oil adsorbed per tube were calculated to calculate how much oil is adsorbed when constituting a small building unit. It is to be noted that the adsorption amount by the hair mat is equivalent to the performance of the currently used oil adsorption material -7-


FINDING FORMS

/Studies on the form using the tube-shaped hair mat

There is gravity in the power to create a natural form. As a form that can be made by using this member, we will form a unit to create a building by using gravity to control how to control it. Perform gravity simulation with Autodesk Maya and check the change in the quality of space that can be achieved by Mobius’s twists, changes in size, and angular adjustment of rotation. The model used this time is a model in which twisted Moebius is connected and rotated by 10 ° each time while functioning as a function of cos θ three times.

OVERALL GEOMETRY GENERATING METHOD _CATENARY Gravity

Gravity MOVE!

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

Gravity

STICK!

L

Gravity

CATENARY MANIPULATION STUDY

TENTATIVE PROTOTYPE SIMULATION STUDY UNDER GRAVITY

gravity = 9.8 weight = 0.5 rotation radius = 0.3 size = 0.72 location = 0.4

gravity = 9.8 weight = 0.5 rotation radius = 0.3 size = 0.5 location = 0.7

gravity = 9.8 weight = 0.5 rotation radius = 0.68 size = 0.48 location = 0.26

gravity = 9.8 weight = 0.5 rotation radius = 0.5

-TENTATIVE AGRIGATION IMAGEBased on the above provisional gravity simulation study, we will present five types of typologies as main parts of buildings after that.

SIMULATION.01 CAVE MODEL 6000 5100

3000

simulation setting

01

02

03

04 -8-


SIMULATION.02 ROOM MODEL

simulation setting

01

02

03

04

SIMULATION.03 4200 HUNGER MODEL

3000 3000

simulation setting

01

02

03

04

SIMULATION.04 WALL MODEL

simulation setting

01

02

03

-9-


SIMULATION.05 ROOF MODEL

simulation setting

01

02

03

PERS

-TENTATIVE AGRIGATION IMAGE-

ADAPTATION

/ARCHI-TECTONIC STUIES Steel pillar (round Bearer beam pipe)Φ 70 Φ 40

Four-layer insert frame

Ascending beam Φ30

1. Frame Place a frame supporting component in advance. Since only the climbing beam of the roof is incorporated into the component, it shall be constructed at the same time.

2. Roof 3. Wall × Floor 4. Ceiling We construct a roof with angled water slope Lay down the component as it plays the wall Ceiling is further provided beneath the roof to 4/10 with component. Attach across the side and floor. The foundation is not attached. increase the heat insulating performance. It is beam and central beam with tension applied. also possible to spread the components in the open space of the attic.

5. Adjustment layer In order to improve the comfort of the living room, it is necessary to provide another layer on the roof or another layer on the wall depending on the degree of heat insulation accompanying the seasonal change,Lay out side frames with four layers.

We present a construction method to adapt the form examined by FINDING FORMS to building. Make the component and pillar a 4-step pluggable joint and set a slope on the roof. By the joint, a space of four layers is provided in the cross section, it is detachable according to the time, and the layer can be adjusted. After deforming by hanging a soft material, solidify by changing the oil to harmless ones by an oil solidifying material (α gel 2000) effective for A heavy oil. The surface is fireproofed and waterproofed with paint. -10-


TOTAL CIRCUL ATION /FROM OIL SPILL TO RE-USE ENERGY SIMULATION OF MATERIAL FLOW

1.POSSIBLE AMOUNT OF HAIR TO GET <from hair-salon to storage of hair-components and supply to the constraction-site> 2.NEEDS OF HAIR COMPONENTS OF EACH OIL SPILL

AMOUNT OF WASTE HAIR IN TOKYO AREA NUMBER OF HAIR SALON IN TOKYO AREA =17,819(TOTAL) 4276560000cm3/1day

=142552 Components

1DAY DONATION FROM ALL HAIR SALON IN TOKYO

東京 -TOKYO-

DONATION FROM 10 HAIR SALONS IN TOKYO AREA

10 HAIR SALON: 10/17,819

NEEDS :Components 39 units/1month →Components 462 units/1year

39

120000cm3/1day 600000cm3/5days =10Components 3600000cm3/1month

=120 Components/1month

hair salon

hair salon

ENOUGH NUMBER FOR ONE MONTH OIL SPILL IN TOKYO AREA!!

hair salon

storage

keihin port

NEEDS:Components 28 units/1month →Components 334 units/1year

Taking Components to the Site

横浜 -YOKOHAMA-

56

千葉 -CHIBA-

Useing Components for Oil Spill

SITE

28

OIL SPILL

NEEDS:Components 56 units/1month →Components 668 units/1year

横須賀 -YOKOSUKANEEDS:Components 28 units/1month →Components 334 units/1year

28

木更津 -KISARAZUNEEDS:Components 9 units/1month →Components 104 units/1year

9

NUMBER OF 1MONTH AMOUNT OF HAIR ON EACH AREA

56

39

28

28

9

Yokohama Tokyo Yokosuka Chiba Kisarazu

3.THESE MATERIAL ARE MOVED TO THE CONSTRACTION SITE!!

The number of warehouses for oil control materials, the total holding amount of oil adsorbent, the maximum oil control material holding amount and the minimum oil control material holding amount among each warehouse and the oil reservoir storage amount in each region The amount of oil adsorption and the amount of donation from the hair salon are shown together with the average oil control material holding amount in the whole warehouse for each warehouse, and the flow of substances in Tokyo Bay is shown and calculated as a quantitative numerical value. After this flow, this substance will be carried to the premises, which will be newly created as occasionally as a construction.

東京 -TOKYO-

rotation

rotative force wave gravity

Hair Salon

Mobius Model

Tube Component

/SECTION

東京 Tokyo

NEEDS :Components 39 units/1month →Components 462 units/1year

hair salon

hair salon

storage

keihin port

SITE

横浜 -YOKOHAMA-

56

千葉 -CHIBA-

Useing Components for Oil Spill

NEEDS:Components 28 units/1month →Components 334 units/1year

Taking Components to the Site

横浜 -YOKOHAMA-

-TOKYO BAY-

28

OIL SPILL

NEEDS:Components 56 units/1month →Components 668 units/1year

Oil Absorbing Sysytem

Material

sug g e st i o n o f n e w o i l as o r b i n g m a t e r i a l s

木更津 -KISARAZU-

横須賀 -YOKOSUKA-

co m po nt

t

s oi l

木更津 -KISARAZUNEEDS:Components 9 units/1month →Components 104 units/1year

56

39

28

28

9

9

tubeX20staff=600000cm3 amount of absorption

780ℓ

Yokohama Tokyo Yokosuka Chiba Kisarazu

n

OIL ABSORPTION

hair gro

w

PROBLEM

NEEDS:Components 28 units/1month →Components 334 units/1year

C a l c u l a t e t he a m ou nt of c ons um p t i o n o f o i l a b s o r b er i n t h e T o ky o B a y

alo

ir s

ha

CIRCULATION SYSTEM OF HUMAN HAIR

vi ng

al

re tr ie

ateri

28

02.T o k y o B a y - M a t e r i a l F l o w

ne

ma

te m

横須賀 -YOKOSUKA-

NUMBER OF 1MONTH AMOUNT OF HAIR ON EACH AREA

mo del

h a ir

was

M U L T I P L E SMALLEST SCALE OIL SPILL

300

OIL SPILL

38-379kl

250

C I R C U L A T I O N

Number of Cases

150

379-3786kl

LEARGEST SCALE OIL SPILL more than 37857kl

100

Forms

F or m fi n d i n g f o c u s ed o n t h e m a t er i a l p r o p er t y

3786-37857kl

RE-ENERGY 1998

1999

2000

1996

1997

1994

1995

1992

1993

1989

1990

1991

1987

1988

1985

1986

1982

1983

1984

1980

1981

1978

1979

0

03.F i n d i n g

S Y S T E M

200

50

year

Energy

GETTING FORM

R e se rch e c o l o gi c al p r o b r e m s an d f o c u s o n t h e o i l s p i l l 24

0

23 936

2

21

6

20

5

199

8 3

9

1y ea

90

H c b li Pu d nts an e g on in p se om ou 0C 9 /3

r

468

11

12

780

Hous eing for Empl oyers /234C omp onen ts

7

589

13

14

15

19

04. A d a p t a t i o n

A d a p t t he m a t r i a l a n d f o r m s t o t h e a r c h i t ec t u r a l t y p o l o y

4

L I F E S T Y L E

18

in g nt s n Liv Ur ba om po ne /4 5C

3

g

Re Re new s id a en l ts

39

22

1

N E W

0

in t a r ly St pp Su

A f t e r u sin g,th e o i l ab s o r b i n g m ate r i a l r e u s e a s a s o l i d - f u e l .

on

m o

ts

RE-ENERGY

ta ti

com po ne n

h nt

Mu

10

00. W a s t e

千葉 -CHIBA-

hair salon

mo biu s

01. W a s t e

Hair Mat

39

SEA

oil absorption

weave

16

17

Sp ac e

05.A g r i g a t i o n

su g g e st i o n n e w l i fe s ty l e u s i n g th e n e w t yp e o f ma t e r i a l a n d a g r i g a t i o n

SITE

Overall Material Cycle: Substance is supplied from hair salon, and material change to Tokyo Bay, supply to site, representation of form change of building due to accumulation over time is expressed as one circulation diagram.

-11-


AGRIGATION

/Architecture with the Hair Components We will create a building that will change with its accumulation amount with the monthly supply amount calculated by the survey using the previous form consideration and its architectural application. Below we show the change over time, the number of components used and the functional diagram. Posted here is part of the constantly changing circulation of architecture.

2MONTHS LATER

45 HAIR TUBE COMPONENTS

< Using For The City Living >

3MONTHS LATER

128 HAIR TUBE COMPONENTS

< Using For The City Rest house >

6MONTHS LATER

234 HAIR TUBE COMPONENTS

Using For House for Employers

-12-


10MONTHS LATER

390 HAIR TUBE COMPONENTS

Using For Houe and Public Space

TOTAL HUMAN HAIR 780kg OIL ABSOUPTION 15210â&#x201E;&#x201C; -13-


-14-


ADAPTIVE OUTER-SKIN <COMPETITION> year: 2016 project type: COMPETITION Design condition: · Structure: wooden · Housing type: Detached · Connected way: Tangential at the West side road (width of 4.5 m). There is no sidewalk. · Neighboring: South, North and East are in contact with the neighboring area, there is no difference in elevation in any direction, there are dwellings next to South, North and East. · Area of application: ​​ Type 1 low-rise residential area, building palation ratio 60%, volume ratio 150%, no outer wall retreat Type 1 high altitude (absolute height 10 m, north side shaded line: 5 m + 0.6 slope, road slant line: opposite side of the road To 1.25 slope · Family composition and desires: a couple (husband 46 years old (company employee, hobby for fishing and photography), wife 43 years old (part, recently woken up with yoga and jogging, home party lover), 2 children (boys high school student (soccer Department), female junior high school students (good at helping with animation and cooking)), cars: owned by 1 unit

site: TOKYO,JAPAN brief: <ADAPTIVE SKIN/RESPONDING SPACE>

Think about the sheath of the building. Change the method, method of construction and material of the outer skin according to the climate, the surrounding environment, and the inner space. It is a concept of houses with expressions that combine them in a condition that conflicts with antagonism, reconciliation, reconciliation, and coexistence. 1. Foamed plastic insulation with high insulation performance and fibrous insulation with high durability / sound insulation are used separately, the former is set on the west / south side from the amount of solar radiation, and the panel construction method is adopted and the latter is set as the north / east side And adopting the outer wall ventilation method, design expressions that fuse these different faces are used. Considering the solar radiation acquisition on the south side, the outer skin is made of glass and the double skin with another glass on the indoor side is made. 2. Plan the internal space according to these hulls. The middle area made by the south double skins is a flow line space which visitors also use. In accordance therewith, the entrance is made into a form capable of ensuring a two-way entrance where an outside person can easily enter a home party or the like. Through these, the 2F living room becomes a space which is opened visually and dynamically. Meanwhile, on the northeastern side of 1F, try to harden the playbaing space from the nature of the large wall. 3. The building outline is determined by the height limit (Type 1 low-rise residential area), North diagonally shaded, road diagonal, building pile rate 60%, volume ratio 150%. Both of these houses satisfy the outer skin performance grade with the U value of 0.45 <0.46 and the η value of 0.24 <2.8 as the thermal environmental performance of the outer skin (see the explanatory diagram in the image below)

SITE CONDITION

-15-


ADAPTIVE SKIN

/Environmental analysis and Outer Skin-Iner Space interaction

Confirm the simulation of cumulative solar radiation for the day. On the western side with a large amount of solar radiation, a heat insulating panel using foamed plastic insulation with high insulation performance, a solar panel on the south side roof and glasses on the south side are made double skins. The northeast side is durable, soundproof outer wall ventilation method · fiber heat insulation material. An internal function according to the characteristics of each hull is planned to be derived. A new unit covering the building (casing panel · louver · solar panel · glass stencil window) creates an interior space that changes gently. The building outline is determined by the height limit (Type 1 low-rise residential area), North diagonally shaded, road diagonal, building pile rate 60%, volume ratio 150%.

glass

rotating window

e ranntce

1F

F

It has a circular visual connection even inside

st ca air se

PV panel

double hight(glass)

outer wall panel

2Fliving room double hight(glass)

1Fprivate room stair(intermediate space)

louver

0.

Simulation of cumulative solar radiation amount per day

Confirm the simulation of cumulative solar radiation for the day. Foamed plastic type heat insulation material with high heat insulation performance is used at high solar radiation amount. The figure shows cumulative amount of solar radiation for the day of the summer solstice.

2.

Climate responsive hull (Including glass, window, louver, solar)

On the west side where the amount of solar radiation is large, use a heat insulating panel with foam plastic insulation with high insulation performance, solar panel on the south side roof and glasses on the south side to make double skin. The northeast side is durable, soundproof outer wall ventilation method · fiber heat insulation material.

entrance

residens flow guest flow

line plan that is easy 4. Atoflow connect with outside In order to make the space wider and bright, a 2-floor living room is set as a flow line plan that smoothly connects visitors from the entrance. For 1F as a private space, for daylighting and visual connection, a part of spillover is provided to make a tempered glass floor.

INTERMEDIATE SPACE (BY DOUBLE SKIN)

1. Main structure for outer skin As a structure evenly strengthen the outer skin part so as not to drop the column inside as much as possible. Although the structure is an essential consideration, it may be partly added with braces.

make heavy use of glass on the south side, we will set a 3. Tofurther glass partition on the inside As a structure evenly strengthen the outer skin part so as not to drop the column inside as much as possible. Although the structure is an essential consideration, it may be partly added with braces.

-16-

Planting plan seen

5. from inside and outside Permanently set up planting on the entrance, on the panels for outward tapping, in the middle area, on the terrace, shield solar radiation, enhance the visual effect of green.


terrace

容積率:110%

W・C dining

2F床面積:55.782㎡

隣地建物

from 1F

temperd glass floor

Light exercise space

living kitchen

隣地建物

9297

DR AWINGS

/PLAN and ELAVATION

front road 隣地建物

2階平面図 1/100

1階平面図 1/100

隣地建物

隣地建物

neighboring building

6000

neighboring building

隣地建物

Below is a plan view showing usage method, flow line, ventilation position. The red arrow indicates the entrance and the blue arrow indicates the warehouse to be accessed from the outside. Set the outdoor unit firmly in the northeast.

6000

容積率:110%

W・C

2F床面積:55.782㎡

dining

kitchen

隣地建物

from 1F

Light exercise space

temperd glass floor

living

9297

建築面積:55.782㎡

隣地建物

隣地建物

storage

hobby storage

ebtrance

EAST ELE.

SOUTH ELE.

guest flow

駐車場

敷地面積:101.25㎡

resident flow

2F to living room

storage

room03

上部吹抜

W・C bath room

wash room

隣地建物

9297

bed room

建蔽率:55%

room02

terrace

室外機

WEST ELE.

car flow front road

front road

2 F Floor area: 55.782 m 2 / volume ratio: 110% / 2 floor plan view NORTH ELE.

neighboring building

-17-

/100

Site area: 101.25 m 2 / Building area: 55.782 m 2 / building coverage: 55% / 1 floor plan


以下に各 部 位 にお ける部 材(工 法)の 種 類を示 す。左 の 各 部 材 の 構 成 及 び 環 境 性 能 の 構 成 図を参 考 にしな がら確 認され た い。南 西 は パネ ル 型 の 工 法でプラスチッ

ームが見える意 匠としており、北 東 は 防 音 性、耐 久 性 などを考え、外 壁 通 気 工 法で 繊 維 系 の 断 熱 材を用 い た 構 成としている。屋 根 にお いては、断 熱 パネ ル 工 法で、ル

CALCUL ATION

側屋根 一 部 はこれ にソーラーパネ ルを設 置 する。

Outer wall - insulation panel - method

/ Check the insulation performance of the wall1F External wall specification distribution and each room area

(※ The roof is insulation panel method + roofing + exterior)

A.bed room

area:7.42㎡ total wall length:11.7m

B.room2 area

C.room1

:8.32㎡

total wall length

<U value calculation of outer wall>

Outer wall - insulation panel - method

Outer wall - insulation panel - method

Types of members (construction method) at each part, types and configurations of members used for the outer skin are shown. In the southwest, a panel type construction method is adopted as a plastic type heat insulation material, and the structure frame is designed so that the structure frame can be seen. In the northeast, fiber insulation materials are used in the outer wall ventilation method considering soundproofness, durability and the like. In the roof, the roofing + sheathing is made by the insulation panel construction method, and a part of the south side roof is installed with a solar panel. The U value of each member used for the outer skin is calculated as <0.46, η value <2.8. The parentheses in the Un value in the calculation table are values ​​when using the outer wall aeration method.

(Numbers used inside () and gray painted parts for the ventilatio

Thermal conductivity D.LIVING ROOM etc. λ(W/mK)

area:42.45㎡ plywood total wall length:28.039m

column

Constitution of each member and environmental performance <Tokyo (climate division "6")>

ームが 見える意 匠としており、北 東 は 防 音北 性、 外壁通気工法で繊維系の断熱材を用いた構成としている。 屋根においては、 断熱パネル工法で、 ルーフィング+外装としており、 南 ームが見える意匠としており、 東耐 は久 防性 音などを考え、 性、耐久性などを考え、 外壁通気工法で繊維系の断熱材を用いた構成としている。 屋根においては、 断熱パネル工法で、 ルーフィング+外装としており、 南 Exterior material Yakisugi boarding

Low-e double glazing

Outer wall - insulation panel - method

Outer wall - insulation panel - method

Outer wall - insulation panel - method Ro

Ro

Un(=1/Rt)

Un(=1/Rt)

0.04(0.11)

Ri Ri Rt(=Ro+Ri+Σd/λ) Rt(=Ro+Ri+Σd/λ)

0.04(0.11) 0.04(0.11)

-

1.08(0.98) -

0.04(0.11)

0.11 0.11 0.11 4.841(3.53) 4.841(3.53) 1.23(1.275) 1.23(1.275) 0.206(0.283) 0.206(0.283) 0.813(0.784) 0.813(0.784)

Frame horizontal axis rotating window

Outer wall - insulation panel - method

(※ The roof (※ is insulation The roof ispanel insulation method panel + roofing method ++ exterior) roofing + exterior) (Low-e double glazing)

Heat transmission Heat transmission Solar heat Solar gain rateη heat (W/mK) gain rateη (W/mK) coefficientU coefficientU (W/㎡K) Outer wall - (W/㎡K) insulation

Frame horizontal Frameaxis horizontal axis rotating window rotating window 0.4 0.4 2F External (Low-e double (Low-e glazing) double glazing)wall specification <Both glass parts use Low-e double glazing.>

D.LIVING ROOM D.LIVING etc. ROOM etc.

Low-e double Low-e glazing double glazing

0.4

20mm

2.5mm <In this calculation, the louver is calculated as the same performance as the glass.>

2.15

2.15

2.15

2.15

distribution and room area

0.4

Louvers (gaps are low-e double glazing)

area:42.45㎡ area:42.45㎡ total wall length total :28.039m wall length:28.039m

panel - method

1F Northeastern 1F Northeastern private living private room living grouproom does group not usedoes glassnot etc. use than glass 2F etc. "D. living than 2F etc." "D. living etc." It can be said It that can be thesaid performance that the performance is high. Therefore, is high.here, Therefore, by confirming here, by the confirming outer skin the outer skin performanceperformance of "D. Livingof etc.", "D. Living all the etc.", rooms allItthe is assumed rooms It that is assumed the outer that skin theperformance outer skin performance of the product hasproduct been confirmed. type of(The members inmembers the livingin room other than of the has been(The confirmed. type of the living room other than "D. Living room etc." isroom shown onisthe left, the U value invalue the table It is asabove the It is as the "D. Living etc." shown on the left, etc. the U etc. above in the table value of) Calculation the southon side "D. Living, is a double of glass,skin so itoffaces value of) on Calculation theofsouth side ofetc." "D. Living, etc."skin is a double glass, so it faces outside or Uoutside value calculation it isBecause not, it isitnot calculated. calculation η value, of η value, or U value Because calculation is not, it is notIn calculated. In of calculation since sunlight enters, it is assumed be normaltocalculation. since sunlight enters, it to is assumed be normal calculation.

Outer wall Outer - insulation wall - insulation panel - method panel - method 2F External2F wall External specification wall specification distributiondistribution and room area and room area

-18-

3.18

0.023

105

4.56

0.12

135(120)

-

12.5

0.056

0.04(0

Outer wall - insulation panel - method

0.11 4.841(3

0.206(0.

coefficient Outer wall- ins Outer wall-wall ins Outer wall win Structure Outer Structure glass glass win total dow(heat -ulation panel-ulation panel axis - ventilation - ventilationdow(heat bridge) bridge) total Frame horizontal rotating window 41.01 2.57 - 41.01 roof(Low-e double glazing) wall(N)

- 11.21

11.21 -

wall(W)

9.26 wall(W)

-

0.77

wall(E)

wall(E)

- 12.705

12.705 -

wall(S)

roof

wall(N)

9.26 Low-e double glazing

-

0.4 2.57 9.92

9.92 53.5

53.5

1.56 -

1.56 12.77

12.77

15.15 2.75

15.15

15.15 1.895

15.15

-

2.370.77 2.75 0.42.37

0.55 -

1.895 0.55

2

2

1.5 1.5 private 20.17 5.74 20.17 2.46 5.74 29.87 2.46 wall - room 1F(S) Northeastern living group does not use glass29.87 etc. than 2

It can the performance high. Therefore, confirmin - be said that - 8.44 - is5.52 roof 8.44 5.52 8.06 22.03 8.06here, by 22.03

performance of "D. Living etc.", all the rooms It is assumed that the outer 3.17 3.17 - 1.224.39 1.22 of the product-has been confirmed. (The type of members in 4.39 the living ro

wall(N) -

wall(W)

wall (W) 1.90 1.90 etc." 1.65 5.09 "D. Living room is shown the1.65 left,2.23 the U value etc. in the table ab - on5.09 10.87 2.23 10.87

wall(E)

wall(E) -

value of) Calculation on the south1.18 side- of1.48 "D. Living,6.25 etc." is a double skin 3.59 1.18 1.48 6.25 - 3.59 outside or U value calculation Because it is not, it is not calculated. In calc since sunlight enters, it is assumed to be normal calculation. 43.54

Σ (Total amount Σ (Total of heat amount loss) of ※Calculate heat loss) except ※Calculate for theexcept inner wall, for the theinner southwall, sidethe 43.54 south side

※Calculate except ※Calculate for the inner except for the inner U=Σ/Total area U=Σ/Total of the roof areaand of the wall (96.57㎡) roof and wall (96.57㎡) 0.45 wall, the south wall, side the south side

roof

roof -

- 0.28

0.28 1.02

-

wall(N)

wall(N) -

- 0.02

0.02 -

-

wall(W)

wall(W) 0.02

0.02 -

wall(E)

wall(E) -

- 0.05 0.01 -

Solar radiation heat η of each part

Outer wall - insulation panel - method

3.18

105 3.18

wall(N)

U

furring

105

105 0.023 105 4.56 etc. 4.56 D.LIVING ROOM area:42.45㎡ 0.12 135(120) 0.12total 135(120) 1.08(0.98) column column wall length :28.039m <In this calculation, the louver is calculated as the same 12.5 12.5 0.056 0.056 plasterboard plasterboard performance0.22 as the glass.>0.22

roof

Heat loss of each part

12mm

105mm

0.033

Louvers (gaps are low-e double glazing) 0.075 12 0.075 (0.075) (0.075)

Solar radiation heat η of each part

r18mm

12

U

oarding

0.16

U valueUand value η value and ηofvalue window of window · glass · glass

135mm

2.5mm

plywood plywood

Heat loss of each part

External1F wall External specification wall specification distributiondistribution and each room and each area room area

Structure General Structure (heat bridge) (heat bridge)

Thermal Thermal conductivity <Bothconductivity glass parts use Low-e thickness double glazing.> Thermal resistance Thermal resistance thickness λ(W/mK)λ(W/mK) d/λ d/λ d(mm) d(mm)

The area of each part

:8.32㎡

Outer wall Outer - insulation wall - insulation panel - method panel - method

12mm

105mm 1F

General

Parts

plywood 12mm 0.16 High performance glass wool16K 1 105mm High performance High performance C.room1 C.room1 total wall length total wall length 0.033 Ventilation furring wool16K area area :13.639m :13.639m glass glass wool16K :7.43㎡ :7.43㎡ column 120mmx120mm Class A rigid Class urethane A rigid urethane total wall length total wall length 0.023 foam insulation foam board insulation board :11.639m :11.639m plasterboard 12.5mm

area

:8.32㎡

<It is installed on the whole north side and east side, and high performance glass wool with high durability / soundproofing etc is used as insulation material.>

oarding

Parts

Aeration layer18mm

0.075

value and ηtransmission value of window · glass <Calculation <Calculation ofU the average of the average heat heat transmission coefficient coefficient of the outer of the skin outer in living skin inetc.> living etc.> Solar heat gain rateη(W/mK) Heat trans The area of each part

ion "6")>

(※ The roof is insulation method roofing exterior) (Numbers used (Numbers insideused () and inside gray ()painted and gray parts painted forpanel the parts ventilation for the + ventilation metho d) +metho d)

Exterior material Yakisugi boarding

area

(Low-e double glazing)

<U value <U calculation value calculation of outerof wall> outer wall>

12

Therm d/λ

105

Un(=1/Rt) distribution and room area 2F External wall specification

1F External wall specification distribution and each room area Frame horizontal axis rotating window

plasterboard 12.5mm

B.room2 B.room2

Ri Rt(=Ro+Ri+Σd/λ)

thickness d(mm)

0.033

0.22

Ro

Outer wall - insulation panel - method

column 135mmx135mm

<Partially installed on the west side and the south side, rigid urethane foam with A.bed room high thermal insulation performanceA.bed is used asroom insulation material.> area:7.42㎡ area:7.42㎡ total wall length total :11.7m wall length:11.7m

plasterboard

Low-e double glazing

plywood 12mm Class A rigid urethane foam 105mm insulation board

0.16

High performance glass wool16K Class A rigid urethane foam insulation board

area :13.639m :7.43㎡ total wall length :11.639m 以下 に各部位 にお ける部材 (工 法)の材 種 類を示 す。 の 各部材の構成及び環境性能の構成図を参考にしながら確認されたい。 南西はパネル型の工法でプラスチック系断熱材を用いて、 構造フレ 構造フレ 以下に各 部位 にお ける部 (工 法)の 種左類を示す。 左の各部材の構成及び環境性能の構成図を参考にしながら確認されたい。 南西はパネル型の工法でプラスチック系断熱材を用いて、 側屋根一部はこれにソーラーパネ ルを設 置 する。 側 屋根 一部 はこれ ルを設 置 する。 Outerにソーラーパネ wall - insulation panel - method

Gener

Parts

wall(S)

wall(S) 0.01

0.13 -

0.05 3.14

0.45

1.02 0.27-

0.27 1.57

1.57

0.01-

0.01 0.03

0.03

0.09 0.02

0.16 0.02

0.16

-

0.42 0.13 0.03 0.42 0.09 -

0.89 3.14 0.02 0.89

0.03 0.6

4.06 0.02

0.6 4.06

Σ (Total solar Σ (Total radiation solar acquisition radiationamount) acquisition amount)

6.42

6.42

U=Σ/Total area U=Σ/Total of the roof areaand of the wall (126.44㎡) roof and wall (126.44㎡)

0.24

0.24

U value 0.45U<0.46, value η 0.45 value <0.46, 0.24η<2.8 value both 0.24satisfy <2.8 both the outer satisfy skin theperformance outer skin performance grade. grade. From here on From in the here room.Outer on in the room.Outer skin performance skin performance is secured, and is secured, the factand is asthe above. fact is as above.


-19-


-20-


時間蓄積装置創成術 -Time accumulation device creation technique<COMPETITION> year: 2015 project type: IDEA COMPETITION site: TOKYO,JAPAN brief: 0. Problem consciousness: How to accumulate the time flowing in the area through the substance in the time flowing to the city. 1. Construction technology: Think about building based on regional construction technology. 2. New technology: Think of architecture that could not be controlled so far by using modern information technology. 3. Circuit / circulation: Consider architecture as a connector connecting traditional regional production and modern cities. 4. Proposal: In order to integrate these three ideas, we plan to accumulate and circulate objects in cities and think about building new relationships between architecture and cities and areas.----------To somehow make it a little vague idea somehow, what is the architecture to stay in the city? , What is the unit that makes up the building? , What is details for building that unit? , What are the methods and materials that make the details possible? And, with the unit approach approaching backwards, I felt that a small scale (area) and a large scale (city) were connected to a fractal through a small unit. I thought that the number of overlapping ties will be different between new things and things, things and people, people and people, which are different from the past recognition.----------It is conscious that there is no detention, but rather than a building with solid reality, as small units are dispersed or gathered, it seems like a device that creates new relationships between people and things to stay or intersect We made a proposal for a form of existence of architecture. Although a concrete explanation is omitted, we considered the material flow in the target area of Japan ​​ ichibu production Nippon Ichiyoshi Umbrella Production Unit with Umbrella type which is one unit that functions as a unit

-21-


STUDY FROM NEW ARCHITECTUR AL UNIT S /Umbrella units and aggregation

Looking over the city from a broad perspective, it is full of materials and living things that passed through unique times. The expressions of time are different in each, and its climate, climate, geography and so on will also differ. The city is a place that accepts such a variety of time, I think that architecture continues to be the main thing of that element. However, since the modern era, with the industrial revolution as a starting point, the idea of ​​industrialization based on the awareness of expansion, rationality, standards, homogeneity, development in terms of scale, function, material, I think that specific specific actions based on the consciousness of preservation, succession, accumulation have come to be hidden. In response to recent circumstances like this, we will review the scale of the building, materials and methods of construction, improve the process from production to accumulation of the building, so that it can contribute to the accumulation of city time I think that it will become.In this proposal, we consider construction from a new unit, how to build it, calculate form, and develop to the city. We propose architecture as a device that produces various times to cities and incorporates them into ourselves by unit being installed in the city or functioning as part of the building. While collaborating with cities, we will try to plan by sustainable production manufacturing (sustainable fabrication) that makes use of traditional technology and modern technology.

TECHNOLOGY-MATERIAL FLOW REGION

和傘生産日本一:岐阜県

WHALE SHAPE

主要建築拠点 =短期的に置かれた 建築を統合する

部材、製品生産

UP

伝 統 技 術 を 利 用 し た 材 料 加 工 過 程 結構

UP UP

高効率太陽光発電パネル

DOWN

DOWN

LED照明

パワーコンディショナー

ファン

蓄電池

分電盤

UP

UP GL▽

NUMBERING

骨揃え

設置 備の 境設 環

発注 計画され 製品 たサ づく 基

<例>No.66(maximum)23sqm structure_gray,roof_clear

 計 画に

親骨、小骨干し

<例>No.0(minimum)5sqm structure_black,roof_clear-gray

-aggregation新しい単位の提案

 単独機能のた    めの    作

を伝統技術によ 個数 り製 ズ・ イ

UMBRELLA

city

環境設備設置

計画範囲 =都市に伝統技 術を蓄積する

都市に短期的に置か れる建築

TRADITIONAL MATERIAL FLOW

H:中心点の高さ R:中心点とエッジの最短距離

DOWN DOWN

竹の入荷

塩ビ板及び 高効率太陽光パネル 環境技 遮熱塗料 術利用 防水フィルム

親骨(竹or木) 漆塗

ACCUMULATING

地域素 材利用 小骨(支持部材)(竹or木) 漆塗

UNITS

region -traditional material and technique-

THINK FROM NEW-UNITS

METATECHNOLOGY

芯柱(竹or鉄パイプ) 漆塗 フローリング 地域素 材利用 構造用合板 防水シート

基礎+設備スペース 環境技 術利用

COMMONTECHNOLOGY

情 報 技 術 に よ る 計 画

大 衆 技 術 を 生 か し た 構 築

新 し い 単 位 か ら 考 え る

ARCHITECTURE-CITY ACCUMULATE THE TIME

建築-都市にまたがる展開/時間(関係性)の蓄積

1. New unit constituting building

2. Planning and form determination of units

3. Unit and building production and composition

H: Height of center point R: shortest distance between center point and edge

chloroethylene board high-efficiency solar panel thermal barrier painting waterproof film

FOR EMVIRONMENT

born (wood or bamboo) japan panting

H-zipper joint

Proposal of new unit

REGIONAL MATERIAL born USING (wood or bamboo) japan panting column (bamboo or steel pipe) apan panting flooring

Determination of architectural shape

The overall shape of the building is decided from the height of surrounding buildings and eaves, the high and low of the topography, the relation with the open space and residential densely populated areas, the flow line plan etc, and the size of the building from the scale of the city and the scale of the production place , Set the density. Then number each determined unit.

REGIONAL MATERIAL USING

structural board waterproof sheet

COMPOSITION OF THE UNIT

basement+ machine space

FOR EMVIRONMENT

4F Edge line of umbrella of each floor

4F

Equipment space

3F 2F

This unit is produced under regional technologies and gathered on the premises to create a building and later distribute that unit to cities. After the distribution, it is transferred to various cities and builds the flow of the moving unit that accumulates in the building again. Time will accumulate by touching different people in different places. What constitutes the time here is also a memory of people. BAMBOO

DRY BONES

MARKING IN THE COLUMN

MAKING BONES

SORTING

PAINTING

1F

PAINTING JAPANESE

2F 1F

Determination of unit

We will set the thickness of the pillars of each unit, the angle of support etc. according to the size of the divided building. Each one has a different shape, and by attaching the change of color together, it becomes a unit with individuality though it is part of the building.

Conposition diagram of building

barrier(waterproof curtain or glass) thermal barrier painting

water air conditioner

traditional technique line

DRY IN THE SUN

3F Ossicle + ribbon

chloroethylene board high-efficiency solar panel thermal barrier painting waterproof film

COMPOSITION

water air conditioner traditional technique line

PRODUCTION LINE FOLLOW THE REAGIONAL TECHNIQUE

Building with a new unit is produced using unique technology in various cities in synchronization with the production of the umbrella being done in various places.

We will divide the architecture by cluster for distribution to cities. Set the size and number according to the installation position of the city.

environmental machines rain water tank

Drain pipe Supply pipe

EMVIRONMENTAL FACILITIES OF THE ARCHITECTURE

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DISTRIBUTION

/each area and centoral architecture

1. The entrance of the city: the time record of the resting place at the station home.

2. Fellowship with the urban flow line: Recording time of the station square square waiting area

3. Utilization of open space in the city: Recording time of bus station / resting place

4. Connection with a store: time record of a small arcade linking the facade

5. Unit accumulation centers: Number of floors / Number of units on the fourth floor / 115 pieces Function / Regional property sales / Restaurants / Resting areas / Simple dormitories -23-


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S E R P E N TA I N E G A L L E RY <PAVILION DESIGN> year: 2013 project type: Pavilion design at Sou Fujimoto Architects site: London,Britain Designed by Fujimoto Sosuke Building Design Office in the Serpentine Gallery in 2013, he was involved in designing as one of the project staff. Form finding as an amphitheater, form model study from Rhinoceros Grasshoipper (voxel conversion adjustment by 400 mm grid from 3 dimensional curved surface model adjustment), morphological adjustment by structure and feedback loop (400 mm grid and 800 mm grid As a mutual examination of digital model and physical model, final adjustment by physical model of 1/200, 1/30, 1/10 scale was carried out. We also designed glass seats and designed polycarbonate disks.

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DIGITAL AND PHISYCAL STUDIES /computational design and out put

01.

02.ADJUSTING THE FORM

OUTSIDE AMPHITHEATER

03.VOLUME TO SURFACE

04.FORM FINDING 2

If the cover works,it might be posible to take a surface from the volume.This development from `volume`to`surface`is interesting.As this is a first time to develop such a complicated curve,we feel possibility in the further challenge.

We have searched for a comfortable shape to accomodete basic requirements by controlling the curve conditions.

It might be possible to shape a cover by stretching top of the foam model. As the central main theatre can provide for the required spaces, it is not necessary to create an inner theatre anymore.

First of all we tried to give a shape for an ‘amphitheatre’ as a foam model. This extraordinary shape is intriguing to us. However it divides the inner theatre and the outer theatre.

FORM FINDING

If the cover works, it might be possible to take a surface from the volume and develop it as a pavilion. This development from ‘volume’ to ‘surface’ is interesting. As this is a first time for us to develop such a complicated curve, we feel possibility in the further challenge.

RAIN COVER

INSIDE AMPHITHEATER, CAFE,...

First of all we tried to give a shape for an `amphitheatre` as a foam model.This shape is intriguing to us.However it divides the inner theatre and the outer theatre.

05.

SURFACE TO SPATIAL MESH

We tried to form the shape with a thin

stainless steel spatial mesh. It might be possible to shape a cover by stretching top of the foam model. As the central main theatre can provide for the required spaces,it is not necessary to create an inner theatre.

3

2

We tried to form the shape with a thin stainless steel spatial mesh.

07.

06.PHYSICAL TO DIGITAL

SPATIAL PLANING

SURFACE FORMING SLOPE AS SEATS, AND A ROOF , SHELTERING THE SPACE UNDERNEATH

Development from volume to surface, surface to spatial mesh is very exciting. This is an adventure of the relationship among architectural existence, dimensions and spaces. The object appearance is mysterious and attractive. We have a foreboding something new.

MODEL FOLM STUDIES 4

AREA PROTECTED FROM RAIN AND WIND, USED FOR CAFE, LECTURES, CINEMA, ...

SLOPED SURFACE OUTDOR AREA CAN BE USED FOR OPEN-AIR CINEMA, ...

Development from volume to surface, surface to spatial mesh is very exciting. This is an adventure of the relationship among architectural existence, dimensions and spaces. The object appearance is mysterious and attractive. We have a foreboding something new.

On the other hand, pavilion made of made of surface appears very heavy in the view to the Serpentaine Gallery. We wounder if there is any other new way to provide brightness and transparency to the pavilion.We tried to form the shape with a thin stainless steel spatial mesh.

08.

Slope that opens to surroundings, hollow that is protected by cover, open-air stepped area...many spaces are created.

COVERED UNDERNEATH SPACE WIND-BREAKING SURFACE CREATING PROTECTED AREA BEHIND

Development from volume to surfce,surface to spatial mesh is very exiting. This is an7 adventure of the relationship among architectural existence,dimensions and spaces. The object appearance is mysterious and attractive. We have a foreboding something new. 8

Slope that opens to surroundings, hollow that is protected by cover,open-air stepped area many spaces are created.

8

I made many physical model. The models are frome the volume model to the frame model basicaly using the 3D computational modeling tools:rhinoceros+grasshopper.The shape changed depending on the structure,interior space capacity and planing,circulation,opening,and so on. 11

7

Check the direction on the site with physical model.

Studies on shape and sitting-standing point using the 3D modeling boxell by rhinoceros grasshopper

Check the structural rod one by one with the 1/10 physical model. -26-

We have searched for a to accommodate basic r by controlling the curve


DR AWINGS

/Plan,Section and glass seating area STEPPED SEATING AREA BARRIER : STAINLESS STEEL BAR

BARRIER : STEEL MESH

HANDRAIL

GLASS FLOOR non-slip tempered double layered glass

GANGWAY BARRIER GL+2800

STRUCTURE : STEEL TUBE

GL+2400 GL+2000 GL+1600 GL+1200 GL+800

HANDRAIL

GL+400

BARRIER

GRAVEL CONCRETE

BARRIER : STEEL MESH

HANDRAIL :STEEL PIPE

MOVABLE CUSHION

STAINLESS STEEL

BARRIER : STAINLESS STEEL BAR

300

50

GLASS FLOOR non-slip tempered double layered glass

1100 800

900

1100

BARRIER : STEEL MESH

STRUCTURE : STEEL TUBE CONCRETE SLAB LEVEL

FREE DRAINAGE GRANULAR MATERIAL

-27-

UPLIGHTER

GRAVEL

BARRIER

SCALE 1:35


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Miami Design District <Shop faccade design at Sou Fujimoto Architects> year:2014 project type:shop front design program:shop site:Miami,USA brief: It is the design of the shop front in USA, Miami. Under the concept of waterfall, we designed a glass louver covering the facade, the ceiling and the wall. A single glass louver is made of a combination of four kinds of color glasses (2 to 5 sheets), so that from the combination of the huge number of louver colors that can be made by this, a complicated color pattern selected and examined , The entire space is covered. The study was mainly carried out by an elevation view and iterative review of 3D rendering and mockup check. In addition, we reviewed the details to integrate them together with the local architect.

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GL ASS C OMPOSITION AND DETAIL /DRAWING AND LAYERD GRASS PHOTO

 











 

 



  





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

REVISIONS

6

 REVISIONS







 

 



  



 



SUBMITTAL DATES



 

7

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4 LAYERD GLASS TYPICAL DETAIL

7



GLASS VARIATION

To make the many variation of the color,each glass louver has frome two to five layers to customise the three color louver variation.And this louver is arranged 3 differnt location so that people can feel the  depth and more layerd appearance .



SUBMITTAL DATES

8

DRAWING STATUS

__

PERMIT

)) SENTECH

ARCHITECTURAL SYSTEMS

BUILDING ENVELOPE SOLUTIONS

4509 Freidrich Lane, Ste. 102 Tel: (512) 266-7045

Austin, TX 78744 Fax: (512) 266-3844

9

3.00

DRAWING STATUS

__

PERMIT

)) SENTECH

ARCHITECTURAL SYSTEMS

BUILDING ENVELOPE SOLUTIONS

4509 Freidrich Lane, Ste. 102 Tel: (512) 266-7045

Austin, TX 78744 Fax: (512) 266-3844



5

 

6





 

3.01



Glass color study with 3D Rendering image

Layered clear glass color check -30-


Constraction photo

Constraction photo

From inside 2F corridor to outside park

From front of the shop towerd the layered glass louver.

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Layered glass louver photo.


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T A I WA N T O W E R <300m TOWER-unbuild-> year:2012~2015(stop) project type:300m Tower at Sou Fujimoto Architects program:B3F(parking)B2F(shop,other)B1F(museum,other)~1F(main ent)2F(office)+RF(oservatory) site:Taichun,Taiwan brief: Taiwan, Taichung City, 300 m radio tower design. As a program, the complex facilities of shops, restaurants and museums were placed on the ground floor (B1 ~ 2F), it was an observatory on the roof and was planned as a center facility within a large scale city plan which continues with the surrounding park . I started as a victory in the design competition, and I personally joined the project from the basic planning stage after the completion of the design competition. In cooperation with the local architect, as a Japanese team ARUP JAPAN, the team who joined Obayashi as a design consultant with the Sirius Lighting office as the main member repeatedly held meetings. As a plan, the structure became main due to being a tower, while progressing many variations of form, we proceeded with mutual examination with ARUPâ&#x20AC;&#x2122;s structure optimization program. The main idea is that a wide tower is the main idea, and according to the shape and size of this tower, the plans of the observation deck, the museum, etc. are adjusted, the parking lot planning, EV I made a plan. The design was advanced from the basic design to the implementation design, but the project was canceled along with the change of the mayor of Taichung City.

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福爾摩沙 - 沒有其他事情比豐富的綠色環境更能象徵台灣。台

C ONCEPT AND IMAES

灣生態系統擁有豐富 的動植物種,其中包含台灣特有品種。島 上 75% 的面積為山岳與森林,因此與自然共存是台灣生活方式 不可欠缺的一環。

/new tower images

許多城市內的大型公園與街道兩側的大樹皆提供了市民舒適的 微氣候。

屋頂庭園是一個神聖且美麗的島嶼 –福爾摩沙 Proposal of a new phenomenological tower form from the object type tower typology up to 20c. 高塔代表著台灣榕樹 高塔代表著台灣榕樹

被天空雲際包圍的 300 公尺高空迴廊是其他地方無法體驗到的特

The proposal for a new tower shape is inspired by the Banyan tree.

福爾摩沙 - 沒有其他事情比豐富的綠色環境更能象徵台灣。台

New Typology of theTower New Typology of theTower

殊經驗。根據季節及天候或時間,反映出時時變化的台灣天空。 Establish a rooftop garden that represents Taiwan Island called Formosa. Void in the shape of Taiwan Island in the 台灣,綠意盎然的綠洲漂浮於海洋中。 center is 300 meters high and continues to GL’s Plaza.

灣生態系統擁有豐富 的動植物種,其中包含台灣特有品種。島

在台灣,榕樹時常象徵著帶給人民舒適的遮蔭。從此概念出發,我們 在台灣,榕樹時常象徵著帶給人民舒適的遮蔭。從此概念出發,我們 上 75% 的面積為山岳與森林,因此與自然共存是台灣生活方式

Eiffel Tower Eiffel Tower

Taiwan Tower Taiwan Tower

設想在台中門戶意象之綠園帶中創造出一個巨大榕樹,讓所有的民眾 設想在台中門戶意象之綠園帶中創造出一個巨大榕樹,讓所有的民眾 不可欠缺的一環。 都可以在樹下享受到舒適的空間。我們希望這個榕樹狀的高塔可以成 都可以在樹下享受到舒適的空間。我們希望這個榕樹狀的高塔可以成 為台中市的代表象徵。 為台中市的代表象徵。

許多城市內的大型公園與街道兩側的大樹皆提供了市民舒適的 微氣候。

Banyan tree Banyan often seen Taiwan distinct provides people treeinoften seenby inits Taiwan by form its distinct form provides people with a shaded comforting shaded space, and one fromvery Taiwan’s very 21c with a comforting space, and20c protects oneprotects from Taiwan’s 被天空雲際包圍的 300 公尺高空迴廊是其他地方無法體驗到的特 strongInspired Sun light. this, theapplies proposal strong Sun light. by Inspired this,Parice the by proposal the applies pleasantthe pleasant Taichung space of tree the Banyan tree to theGateway’s Taichung Gateway’s Green-belt 殊經驗。根據季節及天候或時間,反映出時時變化的台灣天空。 shaded spaceshaded of the Banyan to the Taichung Green-belt Machine Environment creates a large shaded space all. We this anticipate and creates and a large shaded space for all. Wefor anticipate large this large (Banyan) tree-like to be a new symbol Object Phenomenon (Banyan) tree-like Tower to beTower a new symbol for the city.for the city.

Banyan Tree

Stracture like forest

Formosa

Roof Garden as an Oasis

20c 20c 21c 21c 就像是在一個典型台中炎熱夏天氣候中在樹底下乘涼的感覺,台灣塔

就像是在一個典型台中炎熱夏天氣候中在樹底下乘涼的感覺,台灣塔

屋頂花園被台灣天際所圍繞,如同漫步在離地 300 米的雲端中。

象徵著在城市中帶給人民一個有遮蔭的舒適空間。在本設計中,立體 象徵著在城市中帶給人民一個有遮蔭的舒適空間。在本設計中,立體 Paris Taichung

Paris

Taichung

樹狀的結構體中分布著許多細部枝幹,經而創造出樹狀內部一個嶄新 樹狀的結構體中分布著許多細部枝幹,經而創造出樹狀內部一個嶄新

Machine Environment 的微氣候空間。界於大自然與室內空間之中,台灣塔將會是一個台中 Machine Environment 的微氣候空間。界於大自然與室內空間之中,台灣塔將會是一個台中 市民聚集的新地標。 市民聚集的新地標。

Object Object

Phenomenon Phenomenon

Shade Roof and Façade, which to the hotclimatic and sunny climatic Shade Roof and Façade, which responds to responds the hot and sunny condition ofcondition Taichung.of Taichung. a tree day in a in Sunny day inthis theTower park, this Tower Like taking aLike resttaking underaarest treeunder in a Sunny the park, theGateway Taichung Gateway Green-belt witharea a Shaded provides theprovides Taichung Green-belt with a Shaded for area for people to gather. The tree-like frame made visible through people to gather. The tree-like frame made visible through the delicatethe delicate to the side and top, creates a micro-climate between artificimembers to members the side and top, creates a micro-climate between artificiality and nature, and will become Taichung city-goers’ new place or ality and nature, and will become Taichung city-goers’ new place or rest, or destination. rest, or destination.

= =

Bird Eye View :Taiwan Tower , West Park and surroundings

View from the north main street

Look up to Taiwan shape void from the central plaza

View from east green area

Long distance view from the west side

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STRUCTURE STUDIES AND DR AWING /tower form and structure optimisation

Form Studies

column model

truss model 12mX12m

many towers model

many towers model

many towers model

many towers model

20121012_8towers_type03_全体楕円形_ EYELEVEL

01_8タワー郡 柱折れ曲がりモデル修正 eyelevel

20121011_8towers_TYPE02_eyelevel

20121011_8towers_TYPE02_EYELEVEL

20121005 トラスモデル arup最適化 eyelevel

20121018_1004提出プラン3d_水平材+斜材モデル_ARUP最適化_eyelevel

truss model 10mX10m

truss model 5mX5m

wave model

truss model 10mX10m

column model

20121127-truss 5.0mX5.0m ARUP最適化_EYELEVEL

20121120_truss_波状変形_ARUP調整+最適化_EYELEVEL

20121112_Truss_10m to 30m_ARUP最適化_eyelevel.psd

20121112_ランダム柱176本モデル_ARUP最適化_eyelevel.psd

20121203_truss 10by10 9000sqm_ARUP最適化_EYELEVEL 20121203_truss 10by10 9000sqm_ARUP最適化_EYELEVEL

20121009_TRUSS20mX20m_EYE LEVEL

20121009_TRUSS10mX10m_EYE LEVEL

環梁

柱子由內柱、中間柱以及外柱構成。

環繞於外圍的螺旋式大梁用於形成台灣塔的特色外觀的一部分,同時還用於支撐在維修照明器具、 風力發電裝置、鋼筋塗層等時所需的連廊。環梁於分析時視為次要桿件,不參與地震力與風力抵 抗,故電腦分析模型內不建入該結構,且環梁接合將採鉸接與軸力滑脫接合,對主結構應力影響 降至最小。

truss model 10mX10m

mist model 10mX10m

column model

的結構將利用塔身的結構柱,同時為提高其室內空間的實用性,計劃在其內部盡量不配置支架。

一樓與 餐飲空間及咖啡廳

plaza内柱 col. 斜撐

中間柱 inner col.

外柱col. outer

brace

斜撐網格

圖 GSA 結構模型

whale structure

Composition of the main tructure:plaza column,inner parpart column,outer part column,braces.

Optimized Structure Model

除了遍布於塔身的支架(斜撐)能用於承受因地震、颱風等引起的水平力外,柱子還能透過壓縮軸力防止 座沉。

環梁

貓道

一樓與 餐飲空間及咖啡廳 我們計劃在塔身西南部建造 4 層高的餐飲空間及咖啡廳。餐飲空間及咖啡廳的樓板以及屋頂所採用 的結構將利用塔身的結構柱,同時為提高其室內空間的實用性,計劃在其內部盡量不配置支架。

300m spiral stairs for fire and amusment.This is set avoiding the structure.

Arup’s optimized structrure has all different size and thickness. We checked with render image and requested the rurle of structures. 一樓與 餐飲空間及咖啡廳

地下一層 1FFL-7,700 海拔+099,300

車輛動線 地下停車場小汽車動線

斜撐網格

通往地面停車場機車動線

海拔+104,928 人行步道

地下停車場小汽車動線 通往地面停車場機車動線

103年07月31日

服務車輛(博物館運載及一般服務 ) 與巴士動線

公 兼 道

電影博物館

OUT

電影博物館地下停車場小汽車動線

草地鋪面

混凝土鋪面

公 兼 道

海拔+106,197

電影博物館 IN(機車停車場)

OUT(台灣塔+電影博物館 小汽車停車場 )

+106,500

OUT(機車停車場)

30M-83

台中市交通局所提未來可能 之地下停車空間連結方案, 待與電影博物館規設團隊 及交通局協調

103年07月31日

103年07月31日

服務車輛(博物館運載及一般服務 ) 與巴士動線 計程車/小汽車接送動線

30M-83

電影博物館地下停車場小汽車動線

十二層(觀景台二層) 1FFL+300,000 海拔+407,000

一層 GL±00,000 海拔+107,000

30M-83

公 兼 道

計程車/小汽車接送動線

自行車停車空間 33(30) 自行車道

車輛動線

人行步道

自行車道

9500

SX07

9500

SX08

9500

SX09

9500

SX10

9500

SX12

9500

SX13

9500

SX14

SX16

海拔+100,801 11200

SX01

-585 -510

98.15

7800

SX02

9500

SX03

9500

SX04

9500

SX05

9500

SX06

9500

SX07

9500

SX08

9500

SX09

9500

SX10

+30

9500 9500 9500 9500 9500 9500 9500 9500 9500 9500 9500 9500 4750

9500

1500

5450 17450

海拔+104,263 9500

SX11

104.0

+30

9500

SX12

9500

SX13

9500

SX14

11200

SX01

SX16

B1F PLAN

97.15

+0 -585

+0

+0

102.0

103.0

9500

+30

SX04

9500

SX05

9500

SX06

9500

SX07

9500

SX08

9500

SX09

9500

SX10

9500

SX11

9500

SX12

9500

SX13

9500

SX14

9500

SX15

EX01 EX02

104.0

+20

RF PLAN

+0

104.20

平面圖 (十二層-觀景台二層)

773'$

平面圖 (一層)

773'$

平面圖 (地下一層)

773'$

1F PLAN -35+30

+30

9500

5500

WX02

+0

EX01 EX02

SX03

0

WX01

5500

WX02

101.0

SX02

550

0

WX01

EX01 EX02

7800

9500

SX15

550

5500

-585

SY02 SY01

OUT(團體巴士)

+0

安全 出口

+30

SY05 SY04 SY03

*巴士停車位建請 交通局統一檢討

4800

4800

SY02

+102,500

出口

0

WX02 96.15

9500

9500 9500 9500 9500 9500 9500 9500 9500 9500 9500 9500 9500 9500 4750 17450

98.35

9500

SX15

550

-585

SY06

IN(台灣塔+電影博物館 小汽車停車場 )

SY01

EV -4

内部望遠鏡

商業空間 115

緊急電梯將用於連接 所有觀景台層與屋頂 層各層服務空間。

進出車道待與電影 博物館規設團隊及 交通局協調

SY04

5450

5450

SY05

IN(團體巴士)

廣場洩水: 1FFL-000,600 (海拔+106,400)

商業空間 140

104.32

9500

SX11

EV -6

室內觀景台 1345

此天橋連接 東側基地

SY03

17450 4800

9500

SX06

9500

9500 9500

9500 9500 9500 9500 9500 9500 9500 9500 9500 9500 9500 9500 9500 9500 9500

UP

9500

SX05

103

4750

86

9500

SX04

103

9500

SX03

86

86

7800

SX02

103

11200

SX01

103

SY02

-585

-585

86

巴士乘降區上方挑空 : 830平方公尺

廣場洩水: 1FFL-000,600 (海拔+106,400)

SY01

EV -4

安全 出口

發電機排風管道

103

廣場洩水: 1FFL-000,700 (海拔+106,300)

+101,500 安全

95.15

86

FFL:1FFL-11,200 (海拔+095,800)

103

1070

WX01

86

10

9

103

8

7

6

86

5

巴士乘降區 10台

86

SY04

SY07

WY16

SY06

廣場洩水: 1FFL-000,800 (海拔+106,200)

SY08

103

4

3

86

+106,900

台灣塔 電梯 等候空間 130(75)

坡道斜率1/12

WY15

SY07

廣場洩水: 1FFL-000,800 (海拔+106,200)

SY09

103

+106,900

103 86

SY05

1500

SY03

2

B1FFL:1FFL-7,900(海拔+099,100)

安全 出口

全體 共同 480

86

2977

135

1FFL (海拔+107,000)

服務 諮詢 P/W/ EV F/M管道 -3 中心 80(120) 台灣塔大廳570(500)

103

1

EV -2 EV -1

+102,093

+101,693

+106,900

SY10

外部望遠鏡

WY14

SY09

+106,250

室外 安全梯

SY11

避雷針

WY13

SY10

SY08

臺灣塔 出口大廳 215

86

服務諮詢 中心20

(多用途劇場) 415

廣場: 1FFL-000,100 (海拔+106,900)

103

6500

7170

防災中心 60

廣場洩水: 1FFL-000,400 (海拔+106,600)

屋簷面積: 625sqm 收容人數: 200-300人

+106,900

WY16

SY06

B1FFL:1FFL-7,700 (海拔+099,300)

台灣塔 團體大廳

集中式垃圾 貯存空間 搬入口

14500

EV -3 P/W/ F/M管道

405

通風井

WY15

SY07

博物館 展示空間

團體 乘車 大廳 75

WY14

SY08

賣店105 EV+ 220平方公尺

博物館 公共服務 合計: 1F:405 + B1:2240 = 2645 (1250)

博物館 公共服務

EV -5

86

86

103

賣店 全體 75 共同 310

+102,400 +102,000

SY12

WY12

SY11

廣場

弱電房/ 電氣室10

103

86

EV -2 EV -1

清翠園土丘 結構體

通風井

台電配電室 30 平方公尺

大廳800(600)

86

103

WY16

B1FFL:1FFL-7,700 (海拔+099,300)

安全 出口

SY13

WY10

WY11

SY12

+106,300

廣場洩水: 1FFL+000,450 (海拔+107,450)

WY13 103

86

典藏 空間 735

室外 安全梯

展演空間 430

賣店 270

SY09

+102,760

86

103

WY14

103

86

103

通風井

SY13

室外 安全梯

+102,100

+102,360

SY14

WY09

86

WY12

清翠園土丘 結構體

SY10

儲藏空間 50

安全出口

安全 出口

86

86

SY11

餐飲空間 1790

WY15

103

103

WY11

86

86

弱電房15

WY12

室外機電空間 250平方公尺

SY15

WY08

SY14

台灣塔 賣店/餐飲服務區/商業空間 合計: 1F:270 + 觀景台:790 = 1060 (500)

103

103

電信機房 50

+106,900

WY10

SY12

B1FFL:1FFL-7,700 (海拔+099,300)

安全 出口

86

86

103

風機房 40平方公尺

WY11

+103,160

SY16

WY07

SY15

消防隊送水口 /F管道

通風井

SY13

弱電房15 交換機室 35

+102,760

WY09

1FFL (海拔 +107,000)

103

86

103

空調機房 57 平方公尺

86

86

SY14

室外 安全梯

廁所 90

SY17

綠洲樹木數量由6棵 增加為15棵, 虛線為2/5原提案大小

WY06

SY16

廣場洩水: 1FFL-000,400 (海拔+106,600)

1500

+106,350

86

通風井

(辦公室115+ 展示間1260)

+103,450

WY08 103

86

安全出口 空調機房 42平方公尺 通風井

WY13

WY07

通風井

86

103

走廊 850平方公尺

博物館 展示空間 1375

SY18

WY05

SY17

安全 出口

+103,050

103

103 86

WY08

103

103

103 86

清翠園土丘 結構體

SY15

SY19

WY04

SY18

WY06

SY16

B1FFL:1FFL-7,700 (海拔+099,300)

辦公室 115

安全出口

86

86

103

86

103

WY07

SY19

廣場洩水: 1FFL-000,400 (海拔+106,600)

+106,900

WY05

SY17

空調機房 220 平方公尺

通風井

SY20

WY03 103

86

86

103

弱電房45

+106,900

WY04

SY18

WY02

86

103

SY19

WY06

台中市建設局所提 地下停車空間與大 宅門地下停車場之 連結方案

86

86

空調機房 148 平方公尺

SY20

+104,000

103

103

103

WY05

WY10

台灣塔法定機車數量(190台)含括 於電影博物館機車停車場內, 與電影博物館參觀者共同使用

86

86 86

儲藏空間 500 平方公尺

WY04

+103,600

WY03

103

103

103 103

SY20

WY01

+106,450

WY02

WY02

WY03

WY09

進出車道待與電影 博物館規設團隊及 交通局協調

廣場: 1FFL-000,100 (海拔+106,900)

WY01

WY01

SX16

圖例:

藤本壯介建築師事務所 宗邁建築師事務所

中興工程顧問股份有限公司

Ove Arup & Partners Japan Ltd 恆開工程顧問有限公司

修正一版

Ove Arup & Partners Japan Ltd 超偉工程顧問有限公司

*備註: 製圖單位 (公厘)

修正事項

臺中市政府都市發展局

基本設計第一次期中報告

案名:

基本設計第二次期中報告

基本設計成果報告書

基本設計成果報告書 修正二版 基本設計成果報告書 調整後初版

「台灣塔」新建工程委託規劃 設計及監造技術服務案

基本設計成果報告書

基本設計第三次期中報告

專案管理:

6)$B<+

修正人

ELAVATION

業主:

日期

設計單位:



6)$B57

結構:



編號



基本設計成果報告書調整後 修正一版 基本設計成果報告書 調整天空步道設計 初版

$

6)$B</

6)$B</

6)$B57

6)$B<+



6)$B<+







(



)

,

*

+

藤本

審定 Approve by

基本設計成果報告書 核訂本

本間

邊界條件中,柱子連接地下層的部分完全固定,並使彎曲力矩傳至地下層。

6)$B<+

由於樓板區域少,不將樓板設定為剛性樓板。

•

校核 Check by

地震負荷的設定中,鑑於塔身的主要位移模式為第一模態,將根據”相應之反應譜” 假定的水平力作為體力輸入。

•



有關施加於柱子、斜撐上的風負荷,將各桿件的正面寬度以及該桿件高度相應的風負 荷採線載重輸入。

•

透過線要素對柱子、桁架進行模型化,同時考慮了彎曲、剪切以及軸向變形。 將固定負荷、裝載負荷以及施加於電梯機井的風負荷的輸入作為等價的點載重。

•

修正

有關自由度,各節點為 6 自由度,並透過立體框架矩陣法進行了應力分析。

• •

比例尺: 1:1000

•

圖號

5.6.2

Design

t . +81(0)3-3513-5401 f . +81(0)3-3513-5402

t . +886(0)2-2731-1493 f . +886(0)2-2741-5259

Structure Analysis 300m Staircase 環繞於外圍的螺旋式大梁用於形成台灣塔的特色外觀的一部分,同時還用於支撐在維修照明器具、 風力發電裝置、鋼筋塗層等時所需的連廊。環梁於分析時視為次要桿件,不參與地震力與風力抵 環梁 貓道 抗,故電腦分析模型內不建入該結構,且環梁接合將採鉸接與軸力滑脫接合,對主結構應力影響 一樓與 餐飲空間及咖啡廳 降至最小。 我們計劃在塔身西南部建造 4 層高的餐飲空間及咖啡廳。餐飲空間及咖啡廳的樓板以及屋頂所採用

-

環梁

階段

外柱

除了遍布於塔身的支架(斜撐)能用於承受因地震、颱風等引起的水平力外,柱子還能透過壓縮軸力防止 解析模型 座沉。

案名

中間柱

為隨時掌握在發生地震時、受風負載時的動態行為,除上一節所述之設定外力之外,主要使用 斜撐GSA ver8.6 進行了三維解析模型,並研究了材料的截面。 Oasys 公司的

773'$-

内柱

概述

5.6.1

20121018_1004提出プラン3d_水平材+斜材モデル_eyelevel

空調/機電:

20130911_TAT_truss study_view01.jpg

繪圖 Drawn by

mist model 10mX10m

20131029_TAT_truss mist plaza revised ARUP MODEL view01.psd

臺北市大安區忠孝東路四段310號9樓

Structure Diagram 柱子由內柱、中間柱以及外柱構成。

解析模型

圖名: 西向立面圖

mist model 10mX10m

BWUXVVP2))6(7非構造体BYLHZMSJ

20121017 trace model 10mto30m_EYELEVEL

上部構造的解析

5.6

圖號:

20130306_130COLUMN_揺らぎ検討01__eyelevel

I studied many kind of towers truss type,grid type,many towers type,many columns type etc.I picke up some models from many studies and put here.

[一級建築士事務所登録 - 278733] 東京都新宿区東榎町10-3市川製本ビル6F

20121113_Taiwan Tower_truss_10by10_波状変形_eyelevel

truss model 5mX5m

truss model 20mX20m

column model(stair check)

truss model 10mX10m 柱

truss model 10mX10m

20121019_TRUSS20mX20m_ARUP最適化_EYELEVEL


S H O P I N T E R I O R D E S I G N N Y A N D PA R I S <exhibition space and shop interior> year:2015 project type:Shop interior at Sou Fujimoto Architects program:exhibition space and shop site:NY and Paris brief: It is plan of interior design by renovation together with gallery, gallery shop, cafe and gallery book corner in NY, USA. Depending on the time, a flexible space that can adapt to functions such as art exhibitions, concerts, and parties was required. In order to be able to use it as a branding plan at other shops in the future, we propose a variable space with a sliding wall arranged in layers as a space form. Three types of sliding walls with different transparency of boards, acrylics and curtains are used, and by combining these, a complex feeling of depth was produced. Rails and wiring ducts are also layered, painting the whole in white, giving a sense of unity. We mainly focused on space by 3D rendering, detailed design, furniture design and so on.

-36-


CONCEPT AND PROGRAM DIAGRAM /3TYPES OF SLIDING WALLS

SLIDING PANNEL SECTION DETAIL

From front street toward interior in NY

THREE TYPES OF SLIDING PANNELS

WHITE BOARD

CURTAIN

WHITE BOARD

POLYCARBONATE

This space is consisted of the sliding panel for flexibility.The sliding panel has three type,white board,crtain and polycarbonate.These three type of sliding pannels create various kind of uniqu space.

PLAN FRLXIBILLITY in NY

PLAN OF SLIDING PANNEL in NY

Plan option 01:EVENT

Plan option 02:EXPANDED CAFE

CURTAIN WHITE BOARD

CURTAIN

POLYCARBONATE

Plan option 03:USING FOR VARIOUS PERPOSE

Interior viw from library area toward cafe

Interior viw around entrance

Interior viw from shop area toward entrance

Interior viw from cafe area toward library

-37-

POLYCARBONATE


-38-


TINAN MUSEUM OF FINE ARTS <competition> year:2014 project type:Competition at Sou Fujimoto Architects program:museum site:Tinan,Tiwan brief: It is a proposal to submit the museum design competition of the museum in Taichung City, Taiwan. Considering the unique climate of Taiwan, it is a proposal of a large roof-like museum which was inspired by the shape of Bai Yan tree, Taiwan’s traditional roof. The eaves’ underwater space by the louver that eases solar radiation and the interior space incorporating the top light combined with the plan that can be accessed from many directions and the plan of the public space such as 1F foyer, cafe, hall, etc. become a space with unity with the outside ing. The main museum and the office space are planned to be planned on the upper convex portion and the 1 F is planned to be opened. We studied the 3D surface according to the surrounding environment, and made a large study on the large roof volume that satisfies the required area of ​​the museum. SITE MAP

-39-


C ONCEPT AND PRO GR AM DIAGR AM 1.1.6 1.1.6 延續傳統屋頂的構築型式 延續傳統屋頂的構築型式 /GRAND LOUVER ROOF LIKE A BANYANTREE

1.1.4 新的公共空間

New roof as as a continuation of of tradition architecture New roof a continuation tradition architecture 1. 設計方案 /DESIGN PLAN

New public space

1.1.設計方案 /DESIGNPLAN PLAN 設計方案/DESIGN

1. 設計方案 /DESIGN PLAN

CONCEPT IMAGE

PLAZA

CAFE

SHOP

BOOK STORE

SHOP

HALL2

HALL1

1.1.10 向城市開放的美術館 Museum that opens to the city

LOBBY

PLAZA

CAFE

EXHIBITION

EXTERIOR EXHIBITION

RESRTAURANT

1. 設計方案 /DESIGN PLAN

1.1.8

適應台南氣候所變化的新型建物型態

Architecture as a new environmental device

1. 設計方案 /DESIGN PLAN

在基地上,全覆蓋的屋頂創造出大面積的 底層公共開放空間,實現美術館向城市的

EXHIBITIONSPAECE SPACE EXHIBITION COLLECTIONSPAECE SPACE COLLECTION

開放。美術館的功能空間被集中放置在上

ADMINISTRATIVE ADMINISTRATIVE

層,提高了地面層的城市連續性,實現了

PARK

民眾可以隨時訪問美術館的意圖。

CAFE EXHIBITION

SHOP

BOOK STORE

一個開放的公共區域被寬大的屋頂所遮蔭,使的美術館與其他的公 Banyantree

On the site, we will create a museum with a

共空間有著截然不同的感受。大部分的美術館的機能都是採固定且

roof as large as possible so that entering the

RESTAURANT

LECTURE

LOBBY

CAFE

HALL EXHIBITION

PARK

Traditional roof

As an open spaceGrand shaded bylouver a huge roof, this museum stands out roof among other public spaces. The functions of an ordinal public space are

Roof louver

TRADITIONALTAIWANESE TAIWANESETILED TILEDROOF ROOF concentrated, but this museum has a flexible layout. Visitors can TRADITIONAL move

NEWROOF ROOFTAKES TAKES OVER THETRADITION TRADITION 集中的配置,但這個美術館有著靈活彈性的機能配置,參訪者能不 OVER THE We would like to propose where people could spend their time pleasantly as if they were under the shade The volumej of the second to fourth floors will be coveredAANEW with louvers to help shield visitors from first floor would be like stepping into the open around without any interference. The free and open layout of the space 受干擾地自由穿梭。開放的空間配置使的未來在布展或是更動演變 of a Banyan tree .Weair.propose create a grand the harsh sunlight of Taiwan.It plays an important part of the project ,protecting people from sunlght The functionalto aspects of the museum will roof with louvers over the site which shall protect visitors 1.1.8 適應台南氣候所變化的新型建物型態 The volume of the second to fourth floors will becovered covered with with louvers louvers 從二樓到四樓都會由百葉板構成的屋頂所覆蓋來抵抗台灣嚴苛的太 The volume of the second to fourth floors will be works with any events and makes 1.future evolution the space possible. 從二樓到四樓都會由百葉板構成的屋頂所覆蓋來抵抗台灣嚴苛的太 時有著相當大的彈性空間。能容納各種不同的活動在美術館發生, /DESIGNof PLAN 設計方案 Architecture as a new environmental device be placed on the upper floors, so the first floor from the sunlight and produce a bright park that will allow people to obtain theThsame peace of mind that and maintaining Taiwanese tradition. SHADE / SUNLIGHT ENVIRONMENTAL CLOUD VENTILATIION / AIR FLOW e various activities that happen here will陽,這在計畫之中佔了相當重要的一環,保護室內不被日光所侵擾 create fresh new scenes in the 在這城市創造出不同的景緻變化。 helpshield shieldvisitors visitorsfrom fromthe theharsh harshsunlight sunlight of Taiwan. Taiwan. ItIt plays plays an an 陽,這在計畫之中佔了相當重要的一環,保護室內不被日光所侵擾 totohelp of will be an inviting space, naturally connecting they find under the shade of a Banyan tree where sunlight shines through the branches. city. the city outside with the museum’s interior. As important part of the project, protecting people from sunlight and 並承繼了台灣傳統構築,百葉板的屋頂型式設計一道弧線於基地上

並承繼了台灣傳統構築,百葉板的屋頂型式設計一道弧線於基地上 12 展現了傳統屋瓦的意象,設計過後的屋頂形似柔和、細膩與優雅的 展現了傳統屋瓦的意象,設計過後的屋頂形似柔和、細膩與優雅的

TAINAN MUSEUM OF FINE ARTS a public function, a restaurant and shops shall

important part of the project, protecting people from sunlight and maintainingTaiwanese Taiwanesetradition. tradition.AAlouver louverroof roofover overthe thesite siteisissuggestive suggestive maintaining

PAGE

be placed on the first floor. The project will be

傳統台灣建築,而非一個厚實龐大如山的量體。 傳統台灣建築,而非一個厚實龐大如山的量體。

built not only as a museum but also as a city

thetraditional traditionaltile tilecurved curvedroof roofdesign, design,resembling resembling gentle, gentle, sensitive, sensitive, ofofthe andelegant eleganttraditional traditionalTaiwanese Taiwanesearchitecture. architecture. and

landmark where people could get together, interact, and enjoy. TAINAN MUSEUM OF FINE ARTS TAINAN MUSEUM OF FINE ARTS

SHADE / SUNLIGHT

ENVIRONMENTAL CLOUD

1.2.1 明確的分區使用

FOREST

VENTILATIION / AIR FLOW

A flexible security A flexible plan security A flexible plan security plan

1.2.1 明確的分區使用

PLAN /DESIGN PLA 1. 設計方案 /DESIGN 1. 設計方案 1. 設計

PAGE 18 1. 設計方案 /DESIGN PLAN

Clear zoning plan

14 14

ELECTRONICAL ENERGY

RAINWATER

1.2.3 1.2.3 靈活彈性的安全計劃 1.2.3 靈活彈性的安全計劃 靈活彈性的安全計劃

A new emvironmental device adapt to the climate of TINAN

TAINAN MUSEUM OF FINE ARTS

Clear zoning plan

PAGE PAGE

1. 設計方案 /DESIGN PLAN

適應台南氣候所變化的新型建物型態 PAGE

Yo Ai St.

A NE� EN�I��N�EN�AL DE�I�E ADAP� �� ��E �LI�A�E �� �AINAN

11

Yo Ai St.

EXTERIOR

㖾㺃佘࣏㜭オ䯃㻛䳶ѝ᭮㖞൘

ENT EXTERIOR EXHIBITION

FOREST

CAFE

ENT

ENT

FOYER FOYER

On the ground floor, public functions On the ground floor, public functions are consolidated.

are consolidated.

攨⺛ FOYER

ENT

⺋⟜ PLAZA

⺋⟜

ENT PLAZA ENT

ENT

PAGE 16 攨⺛ 攨⺛ 梸梚䨢攻 FOYER 梸梚䨢攻 梸梚䨢攻 FOYER ⯽奥⭌ ⯽奥⭌ ⯽奥⭌ RESTAURANT RESTAURANT RESTAURANT EXHIBITION EXHIBITION EXHIBITION 㺼嫃⺛ġIJ 㺼嫃⺛ġIJ 㺼嫃⺛ġIJ HALL 1 HALL 1 HALL 1 ℍ⎋⣏⺛ ℍ⎋⣏⺛ ℍ⎋⣏⺛ ENT ENT ENT

攨⺛ FOYER

LOBBY

LOBBY

ENT

攨⺛ FOYER 㺼嫃⺛ġIJ HALL 1

LOBBY

SECURITY

‫ޡޜ‬オ䯃㻛䳶ѝᆹ᭮൘ൠ䶒ኔ

ENT

SECURITY SECURITY

‫ޡޜ‬オ䯃㻛䳶ѝᆹ᭮൘ൠ䶒ኔ

ENT

SECURITY

SECURITY

ENT

㇞⢾⯽䣢䨢攻 EXTERIOR EXHIBITION ⺋⟜ SPACE ENT PLAZA

SECURITY

ENT

㺼嫃⺛ġij HALL 2

㇞⢾⯽䣢䨢攻 ㇞⢾⯽䣢䨢攻 EXTERIOR EXTERIOR EXHIBITION EXHIBITION SPACE SPACE ENT SECURITY SECURITY

SECURITY

PLAZA

⺋⟜ SECURITY PLAZA

SECURITY

Fu Quian Rd.

PLAZA

SECURITY

ENT

ENTENT CAFE CAFE

SECURITY

ENT

Fu Quian Rd.

TAINAN MUSEUM OF FINE ARTS

BOOK BOOK

LOADING STORE LOADINGSTORE

SECURITY SECURITY ␾┉⺛ ␾┉⺛ CAFE CAFE 攨⺛ 攨⺛ 攨⺛ 梸梚䨢攻 梸梚䨢攻 FOYER 梸梚䨢攻 FOYER FOYER RESTAURANT RESTAURANT ⯽奥⭌ ⯽奥⭌ ⯽奥⭌ RESTAURANT EXHIBITION EXHIBITION EXHIBITION 㺼嫃⺛ġIJ 㺼嫃⺛ġIJ 㺼嫃⺛ġIJ HALL 1 HALL 1 HALL 1 ℍ⎋⣏⺛ ℍ⎋⣏⺛ ℍ⎋⣏⺛ LOBBY LOBBY LOBBY SECURITY

FOYER FOYER

ENT

㇞⢾⯽䣢䨢攻 EXTERIOR EXHIBITION ⺋⟜ ⺋⟜ SPACE SECURITY SECURITY PLAZA PLAZA

␾┉⺛ CAFE

SECURITY

ACTIVITY ACTIVITY CENTER CENTER

SECURITY SECURITY

㇞⢾⯽䣢䨢攻 ㇞⢾⯽䣢䨢攻 EXTERIOR EXTERIOR EXHIBITION EXHIBITION ENT ENT SPACE SPACE SECURITY

ENT

SECURITY

SHOP SHOP

A NE� EN�I��N�EN�AL DE�I�E ADAP� �� ��E �LI�A�E �� �AINAN HALL HALL22

ENT

ENT

⺋⟜ PLAZA

攨⺛ 攨⺛ EXHIBITION 梸梚䨢攻 梸梚䨢攻 梸梚䨢攻FOYER EXHIBITION FOYER ⯽奥⭌ ⯽奥⭌ ⯽奥⭌ RESTAURANT RESTAURANT RESTAURANT COLLECTION EXHIBITION EXHIBITION EXHIBITION COLLECTION 㺼嫃⺛ġIJ 㺼嫃⺛ġIJ EXHIBITION EXHIBITION ADMIN.ADMIN. HALL 1 HALL 1 ENT ENT ENT ℍ⎋⣏⺛ ℍ⎋⣏⺛ ℍ⎋⣏⺛ SHOP SHOP LOBBYLOBBY SHOP SHOP INFORMATION FOYER FOYER LOBBY INFORMATION ENTPLAZAPLAZA LOBBY LOBBY PARKING ⓮⸿ ⓮⸿ ⓮⸿ PARKING 㺼嫃⺛ġij 㺼嫃⺛ġij 㺼嫃⺛ġij SHOP SHOP SHOP ⬱䭉⭌ ⬱䭉⭌ ⬱䭉⭌ PARKING PARKING HALL 2 HALL 2 HALL 2 SECURITY SECURITY SECURITY 㚠⸿ 㚠⸿ 㚠⸿ 攨⺛ BOOK 攨⺛ 攨⺛ BOOK⌠屐⋨ ⌠屐⋨ ⌠屐⋨ STORE BOOK STORE STORE FOYER FOYER FOYER LOADING LOADING LOADING ␾┉⺛ ␾┉⺛ ␾┉⺛ CAFE CAFE CAFE ㇑⨶Ӫ଑൘਴ኔ䜭㜭ཐ䕅儶ࡠ ⺋⟜ ⺋⟜ ⺋⟜ SECURITY SECURITY SECURITY ㇑⨶Ӫ଑൘਴ኔ䜭㜭ཐ䕅儶ࡠ PLAZA PLAZA PLAZA ENT ENT ENT Administrative rooms have easy access Administrative rooms have easy access PAGE 16 to exhibition rooms at each floor. to exhibition rooms at each floor.

適應台南氣候所變化的新型建物型態

INFORMATION INFORMATION

SPACE ENT

SECURITY

SHOP SHOP

㇞⢾⯽䣢䨢攻 ㇞⢾⯽䣢䨢攻 EXTERIOR EXTERIOR EXHIBITION EXHIBITION ENT SPACE SPACEENT ENT

SECURITY SECURITY

HALL LOBBY HALL 1 1 LOBBY

ENT ENT

ENT

SECURITY SECURITY

EXHIBITION  EXHIBITION 

㇞⢾⯽䣢䨢攻 EXTERIOR EXHIBITION ⺋⟜ ⺋⟜ ENT ELECTRONICAL ENERGY PLAZA PLAZA ENT ENT SECURITY SECURITY SECURITY ENT ENT ␾┉⺛ ␾┉⺛ ␾┉⺛ EQUIPMENT TAINAN FINE ARTS EQUIPMENT CAFE CAFE MUSEUM OF CAFE

Museum functions are concentrated

Museum functions are concentrated at upper floors. at upper floors. RAINWATER

PLAZA

PLAZA

SECURITY

Yung Fu Rd.

ENT

CAFE

RESTAURANT RESTAURANT

Yung Fu Rd.

ENT

Chung Yi Rd.

PARK

㖾㺃佘࣏㜭オ䯃㻛䳶ѝ᭮㖞൘ ENT

ENT

SPACE

Chung Yi Rd.

BANYAN TREE BANYAN PARKTREE

ENT EXHIBITION SPACE

⓮⸿ ⓮⸿ ⓮⸿ ⓮⸿ ⓮⸿ ⓮⸿ SHOP SHOP SHOP 㺼嫃⺛ġij 㺼嫃⺛ġij 㺼嫃⺛ġij SHOP SHOP SHOP 㺼嫃⺛ġij ⬱䭉⭌ ⬱䭉⭌ ⬱䭉⭌ ⬱䭉⭌ ⬱䭉⭌ HALL 2 HALL 2 HALL 2 HALL 2 SECURITY SECURITY SECURITY SECURITY SECURITY 㚠⸿ 㚠⸿攨⺛ 㚠⸿ 㚠⸿ 㚠⸿ 㚠⸿ 攨⺛ ⌠屐⋨ ⌠屐⋨ ⌠屐⋨ 攨⺛ 攨⺛ 攨⺛ ⌠屐⋨ ⌠屐⋨ ⌠屐⋨ STORE STORE BOOK STORE BOOK STORE BOOK STORE BOOK STORE FOYER BOOK FOYERBOOK LOADING LOADING LOADING FOYER FOYER LOADING LOADING LOADING ␾┉⺛ ENT ␾┉⺛ ENT FOYER ␾┉⺛ ENT ␾┉⺛ ␾┉⺛ ␾┉⺛ CAFE CAFE CAFE CAFE CAFE CAFE ⺋⟜ ⺋⟜ ⺋⟜ ⺋⟜ ⺋⟜ ⺋⟜ SECURITY SECURITY SECURITY SECURITY SECURITY SECURITY ENT ENT ENT PLAZA PLAZA PLAZA PLAZA PLAZA PLAZA 㺼嫃⺛ġij ⬱䭉⭌ HALL 2 SECURITY

伶埻棐攱棐İℍ⎋⣏⺛␴⓮⸿䆇㤕 伶埻棐攱棐İℍ⎋⣏⺛␴⓮⸿䆇㤕 伶埻棐攱棐İℍ⎋⣏⺛␴⓮⸿䆇㤕 伶埻棐␴ℍ⎋⣏⺛攱棐İ⓮⸿䆇㤕 伶埻棐␴ℍ⎋⣏⺛攱棐İ⓮⸿䆇㤕 伶埻棐␴ℍ⎋⣏⺛攱棐İ⓮⸿䆇㤕

伶埻棐␴⓮⸿攱棐İℍ⎋⣏⺛攳㓦 伶埻棐␴⓮⸿攱棐İℍ⎋⣏⺛攳㓦 伶埻棐␴⓮⸿攱棐İℍ⎋⣏⺛攳㓦

MUSEUM AND MUSEUM LOBBY AND MUSEUM CLOSED/SHOPS LOBBY AND CLOSED/SHOPS LOBBY OPEN CLOSED/SHOPS OPEN MUSEUM MUSEUM AND MUSEUM CLOSED/LOBBY SHOPS AND CLOSED/LOBBY SHOPS OPENCLOSED/LOBBY OPEN O MUSEUM MUSEUM CLOSED/LOBBY MUSEUM ANDsecurity SHOPS CLOSED/LOBBY AND OPEN SHOPS AND OPEN SHOPS OPEN The functional parts of the museum are on the upper floors. The first floor under the large CLOSED/LOBBY roof A clear line will be established by placing the public functions on OPEN the AND firstSHOPS floor and the museum The functional parts of the museum are on the upper floors. The first has public functions. A restaurant and café are positioned to partition able functions on the upper floors. By controlling access to the upper fl oors with escalators and an elevator, the The functional parts ofthe the space. museumVisitors are on the are upper floors. The first 美術館的機能規劃於較高的樓層,置於大屋頂下的一樓定位為公眾 floor under the large roof has public functions. A restaurant and café are 區域,餐廳與咖啡館作為區域的劃分,遊人能在此漫無目的的走動 to walk around freely.On the 2nd floor through thepositioned 4th floor, the exhibition, collection, ad- andshops floor under the large has public functions. Aand restaurant café are on the fi rst floor can still be operable aft er the museum has closed.The public spaces are always open 區域,餐廳與咖啡館作為區域的劃分,遊人能在此漫無目的的走動 to partition the roof space. Visitors are able to walk around freely. 感知空間氛圍。二樓到四樓分別配置了典藏空間與行政中心,這樣 ministrative center are arranged. This layout is convenient handle administration makes free to pedestrians. to partitionthe the4th space. areand able collection, to walk around freely. 感知空間氛圍。二樓到四樓分別配置了典藏空間與行政中心,這樣 On positioned the 2nd to floor through floor,Visitors the exhibition, andand 的布局方式便捷了管理者,且使服務動線與參觀動線清晰明瞭。 A clear security A clear line security A will clearbe line security established will be line established will by placing be established bythe placing public bythe functions placing publicthe function publi 建立一道清楚明確的安全分界將美術館公共使用機能置於一樓,即使在 建立一道清楚明確的安全分界將美術館公共使用機能置於一樓,即使在 建立一道清楚明確的安全分界將美術館公共使用機能置於一樓,即使在 the circulation of service and guests clear. On the 2nd floorare through theThis 4th layout floor, the exhibition, and 的布局方式便捷了管理者,且使服務動線與參觀動線清晰明瞭。 administrative center arranged. is convenient to collection, handle

美術館的機能規劃於較高的樓層,置於大屋頂下的一樓定位為公眾

on the first on floor the first and onfloor the the first museum and floor the museum functions and the functions museum on the upper functions on the floors. upper onBy the floors. upper B 美術館關閉時能透過控制一樓的電梯與電扶梯地途徑讓商業空間依然能 美術館關閉時能透過控制一樓的電梯與電扶梯地途徑讓商業空間依然能 美術館關閉時能透過控制一樓的電梯與電扶梯地途徑讓商業空間依然能

administrative centerthe arecirculation arranged.ofThis layout convenient administration and makes service and is guests clear. to handle

TAINAN MUSEUM OF FINE ARTS

TAINAN MUSEUM OF FINE ARTS

持續營業,且行人還是能自由的穿梭在公共區域。 持續營業,且行人還是能自由的穿梭在公共區域。 持續營業,且行人還是能自由的穿梭在公共區域。 administration and makes the circulation of service and guests clear. PAGE

21

PAGE

21

controlling controlling access tocontrolling the access upper to the access floors upper with to the floors escalators upper withfloors escalators and with an elevator, escalators and an the elevator, and anthe

shops on shops the first onflthe oor shops fican rstonflstill oor thebe can first operable still floorbecan aft operable er still thebemuseum aft operable er the has museum after closed. thehas museum closed The publicThspaces e public are Th spaces always e public are open spaces always andare open free always to and pedestrians. free opentoand pedestrians. free to pedestrians.

TAINAN MUSEUM TAINAN OF FINE MUSEUM ARTS TAINAN OF FINE MUSEUM ARTS OF FINE ARTS

PAGE

Each business is operable independently while the museum is closed.Moreover,each shop can have its own hours of operation . Separating the functions of each space creates an open air space to citizens and to the city.The intention is to make the museum free and flexible as a public place,not self-contained and closed off.

SITE PLAN -40-

LONG SECTION

23

PAGE

2


Back view (restaurant)from outside

Side view (service entrance) from outside



Front view (main entrance) from outside



RF

 

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4F

  

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GL



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SHORT ELEVATION -41-

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EA


-42-


Media Forest <Axel Springer Berlin Competition>

year:2013 project type:Competition at Sou Fujimoto Architects program:office,media center site:Berlin,Germany brief: It is a proposal for a designated design competition at Axel Springer in Berlin, Germany. As a major premise, proposal of a new office building space that has never been seen was requested. As a concept of â&#x20AC;&#x153;connectingâ&#x20AC;? in various ways such as connect, link, bind, network, as a change of the publishing industry in the future information era and presentation of a new vision in the city Berlin which has historically been divided, I made an overall plan.As a whole, SML size volumes were connected by a frame in such a way that they floated in the air, and trees, public spaces, semi-external office areas (most of the gaps in the volume are made of glass on the outside) Which is a covered intermediate area) is planned. Huge advertisements are set up on the walls of multifaceted volumes. Connected to cities, the offices are connected visually, creating a space that is conscious of mutual linkage in the information age. While planning to meet each volume size and required area, we planned flexible office space planning and flow line planning while considering with 3D model. SITE MAP

-43-


lms Wilhe

SPITTELMARKT

ichHei ne

HISTORY

aße

ardtstr

e

MIXED

WEST NEW MEDIA KREUZBERG KREUZBERG

SPITTELMARKT

SITE traße

Rudi-Dutschke-S

tra ße

Straße Rudi-Dutschke-

EAST

EAST CHECKPOINT CHARLIE

Potsdamer Platz

WEST KREUZBERG KREUZBERG

Hei nric

h-H eine -S

SITE

WEST EAST

WEST

MITTE MITTE

ße ra nst ne An

CHECKPOINT CHARLIE

SPITTELMARKT

-Straße

-Arendt

Hannah

e mstraß Wilhel

ße

EAST

Potsdamer Platz

PRINT MEDIA

MIXED

NEW MEDIA

lmstra

WEST

EAST

r Straße

Brandeburger Tor TIERGARTEN

Wilhe

PRINT MEDIA

EAST

WEST

Unter den Linden

Stralaue

r Straße

MITTE MITTE ße tra ns ne An

Friedrichstraß

and Chancellery

Stralaue

e

dt-Straß

h-Aren

Alexanderplatz

Since the historical division of East and West Berlin, various values and ideas of the future co-existed together. As a remaining piece of the trail where the Berlin wall once existed runs along the site, we propose a landmark Reichstag that LINK the history and future of Berlin.

Unter den Linden

Brandeburger Tor

Hanna

Luisenstraße

e

ße Friedrichstra

Luisenstraß

Reichstag and Chancellery

e

rdtstraß

Reinha

FUTURE

Alexanderplatz

He inric h-He ineStra ße

Reinh

TIERGARTEN

HISTORY

Hei nr

VARIOUS SCALE OF WORKPLACE

SPITTELMARKT

aße

NEW MEDIA

KREUZBERG KREUZBERG

SITE

WEST KREUZBERG KREUZBERG

-Stra

traße

Rudi-Dutschke-S

PRINT MEDIA WEST

MIXED

EAST

Rudi-Dutschke-Str

ße

SITE

MITTE MITTE

CHECKPOINT CHARLIE

Potsdamer Platz

ße ra

CHECKPOINT CHARLIE

nst ne An

traße

Potsdamer Platz

Hannah

EAST

WEST

ße stra en Ann

MITTE MITTE EAST

Stra

-Arendt-

TIERGARTEN

Wilhel

raße

t-St -Arend

Hannah

HISTORY

HISTORY VARIOUS IDEAS ARE The value of traditional Print Media and the leading-edge and advanced Digital Media of our generation.When these two media are joined together, we believe that they increase the mutual value as well asCO-EXISTING new diversity and relationships that will lead to the discovery of a New Media for the next future generation. By creating a network of relations - that may connect RELATION / NETWORK

FUTURE Since the historical division of East and West Berlin, various values and ideas of the future co-existed together. As a remaining piece of the trail where the Berlin wall once existed runs along the site, we propose a landmark that LINK the history and future of Berlin.

Since the historical division of East and West Berlin, various values and ideas of the future co-existed together.As a remaining piece of the trail where the Berlin wall once existed runs along the site, we propose a landmark that LINK the or disconnect, or become strong or weak - transformations can be achieved a mutual, coordinated environment. In aof various history and future of Berlin. Within theinAxel Springer Company there are a countless number operating and related satellite groups. Instead of articulating society where there is continuous change and will have future interaction in groups,brands this New Media Age, we propose a exible, new workplace. environment where they co-exist together. The value of traditional Print Media and the leading-edge and advanced Digital Media of our generation. When these two media are joined together, we believe that they increase the mutual value as well as new diversity and relationships that will lead to the discovery of a New Media for the next future generation. By creating a network of relations - that may connect or disconnect, or become strong or weak - transformations can be achieved in a mutual, coordinated environment. In a society where there is continuous change and will have future interaction in this New Media Age, we propose a flexible, new workplace.

FUTURE

Since the historical division of East and West Berlin, various values and ideas of the future co-existed together. As a remaining piece of the trail where the Berlin wall once existed runs along the site, we propose a landmark that LINK the history and future of Berlin.

EAST

WEST

EAST

WEST

MIXED

ROOFTOP CAFE CEO ROOM

ROOFTOP BAR OFFICE OFFICE RELATION / NETWORK

OFFICE

CONFERENCE

PRESENTATION TERRACE

CANTEEN

MIXED

WORK SPACE

OFFICE

OFFICE MEETING ROOM

OFFICE TERRANCE

FUTURE

WORKSHOP

The value of traditional Print Media and the leading-edge and advanced Digital Media of our generation. CAFE When these two media are joined together, we believe that they increase the mutual TRAINNING value as well as new diversity and relationships that will lead to the discoveryOFFICE of a New Media for the next future generation. By Since the historical division of East or and West Berlin, variousstrong valuesorand ideas of the future co-existed together. creating a network of relations - that may connect disconnect, or become weak - transformations As ain remaining of the trail where the wallwhere once existed runs along the site,and we propose a landmark OFFICE can be achieved a mutual,piece coordinated environment. InBerlin a society there is continuous change thatinteraction LINK the history andMedia futureAge, of Berlin. will have future in this New we propose a flexible, new workplace.

RELATION / NETWORK

FUTURE

Since the historical division of East and West Berlin, various values and ideas of the future co-existed together. As a remaining piece of the trail where the Berlin wall once existed runs along the site, we propose a landmark that LINK the history and future of Berlin.

The value of traditional Print Media and the leading-edge and advanced Digital Media of our generation. When these two media are joined together, we believe that they increase the mutual value as well as new diversity and relationships that will lead to the discovery of a New Media for the next future generation. By creating a network of relations - that may connect or disconnect, or become strong or weak - transformations can be achieved in a mutual, coordinated environment. In a society where there is continuous change and will have future interaction in this New Media Age, we propose a flexible, new workplace.

DIVIDED

CAFE EV TERRANCE

GREEN TERRANCE

CIRCULATION

OFFICE

ROOF TERRACE

REST ROOM

STORAGE

PRINT ROOM

EV

WORKSHOP

SERVER

EV STAIRS BRIDGE

PUBLIC

THEATRE ADMINISTRATION SHOP CAFE FOOL&DINE HALL LOUNGE BAR

OFFICE OFFICE

LIBRARY OFFICE

MEETING ROOM

PERFORMANCE TERRACE

CAR TRUCK

OFFICE

6535㎡

TOTAL

MACHINE ROOM

SHOP

TOTAL FLOOR AREA

MACHINE ROOM

THEATRE

PARKING

226 UNITS 8 UNITS

9825㎡

MAINTENANCE

CAFE

CENTRAL PLAZA PARKING

PARKING

TOTAL

FOOD HALL ADMIN.

8146㎡

TOTAL

OFFICE

BAR OFFICE

RELATION / NETWORK

60000㎡

TOTAL

OFFICE TERRANCE

OFFICE

OFFICE

LINKED

CEO ROOM MEETING ROOM CONFERENCE ROOM WORKSHOP TRAINING ROOM LIBRARY REST ROOM PRINTING ROOM STORAGE ROOM SERVER ROOM CAFE CANTEEN BAR

LIBRARY

84506㎡

MACHINE ROOM

The value of traditional Print Media and the leading-edge and advanced Digital Media of our generation. When these two media are joined together, we believe that they increase the mutual value as well as new diversity and relationships that will lead to the discovery of a New Media for the next future generation. By creating a network of relations - that may connect or disconnect, or become strong or weak - transformations can be achieved in a mutual, coordinated environment. In a society where there is continuous change and will have future interaction in this New Media Age, we propose a flexible, new workplace.

RELATION / NETWORK The value of traditional Print Media and the leading-edge and advanced Digital Media of our generation. When these two media are joined together, we believe that they increase the mutual value as well as new diversity and relationships that will lead to the discovery of a New Media for the next future generation. By creating a network of relations - that may connect or disconnect, or become strong or weak - transformations can be achieved in a mutual, coordinated environment. In a society where there is continuous change and will have future interaction in this New Media Age, we propose a flexible, new workplace.

These LINKS for the new workspaces connect big and small areas together in a forest-like manner. Various adjacent activities occur together simultane y. One can carry their own laptop and work at any location that they like. The future workspace is rich - with vari Office are extecsively surroounded by trees.Meetings are held under- Within the Axel Springer Company there are a count-SPACIOUS ously, which creates a lively, bustling atmosphere. ent. The CENTRAL PLAZA is a sunken area connecting from ground level that contains a big, urban square. The single,

neath sunlight streaming through the trees while cafe terraces are places where you can rest and view the green scenery. One can carry their own laptop and work at any location that they like. The future workspace is ric-h with variety and volumetric, forest-like environment.

FLOOR AREA Each oor area in the general oce layout is suciently equipped with the required space. The interior furniture and layout is very free to dierent arrangements.

less number of various operating groups,brands and related satellite groups. Instead of articulating each of them individually,these significant groups are linked into a work space environment where they co-exist together.

spacious volume above is a LINK for the city and offices above, creating a new public space.

GRADATION MIX NATURE AND ARCHITECTURE

SIZE OPTIONS The program and scale can be chosen according to the existing variations in oor area and volume.

FROM INDIVIDUAL TO CO-OPERATION GROUP

GATHERING

CROWD SUMMER

FORESTATION

SUNLIGHT Offices are brightened naturally.

1F

Y01

Y02

Y03

This growth of trees creates a pleasant atmosphere through the tree-filtered sunlight.

Y04

Y05

Y06

Y07

Y08

Y09

Y10

Y11

Y12

WINTER

AIR FLOW

GEOTHERMAL ENERGY

RAINWATER

A huge ventilation system is used to circulate fresh air.

By using the earth below, the temperature adjustments are made according to seasonal change.

Water routes are built to recycle rainwater for re-use.

Y13

Y14

Y15

Y16

Y17

8F

Y01

Y18

Y02

Y03

Y04

Y05

WORK SPACE 365sqm X01

CHECK

OPEN KITCHEN

DINING HALL 215sqm

CHECK

X04

SECURITY CHECK OFFICE 185sqm

CAFE AREA 210sqm PUBLIC ENTRANCE 430sqm

Y13

Y14

Y15

Y16

Y17

Y18

OUTSIDE CAFE AREA

WORK SPACE 565sqm

HANDICAPPED WC

EV LOBBY

-5.000m

+0.000m

INFO

X08

Y12

KITCHEN

MTG SPACE

X03

X04

INFO

X07

Y11

-2.500m

PUBLIC BURIDGE

+0.000m

Y10

CAFE AREA 185sqm

X05 V.I.P.

Y09

+0.000m

X05

X06

Y08

X02

SECURITY CHECK OFFICE 295sqm

SHOP SHOP 115sqm 250sqm

X03

Y07

X01

+0.000m

X02

Y06

MTG SPACE 145sqm

X06

-5.000m

+2.500m

+0.000m

X07

X08

+0.000m

X09

X09

X10

X10

-44-

FEMALE WC

HANDICAPPED WC

GREEN TERRACE

MALE WC

GREEN TERRACE

EV LOBBY

FEMALE WC MALE WC

TERRACE

GREEN TERRACE TERRACE

VOID

WORK SPACE 565sqm GREEN TERRACE

LIBRARY AREA 100sqm

WORK SHOP AREA 100sqm

scale 1:600

He inrich -Hein e-St raße

traße

Brandeburger Tor

TIERGARTEN

e mstraß

TURE WORKPLACE IS FOREST

+ LINK CONNECT BETWEEN PRINT MEDIA HISTORY EAST BETWEEN PRINTWEST MEDIA HISTORY CONCEPT AND PROGRAM EAST DIAGRAM WEST AND NEW MEDIA ANDAND FUTURE NEW MEDIA AND FUTURE /historical spiral tower PRINT MEDIA NEW MEDIA


Look toward the entrance frome the front road. Look up from the entrance robby.Insatinide also Look up frome the In-between space.Many Many advertising and vegitation can be seen can be seen many advertising and vegetation. advertising and vegetations can be seen.As not from outside. only many bridgs,Cable cars are also ranning inside,people can go any place easily.

-45-

Look down frome the In-between space.As roof top of each volum is also used for the office area,working people can be relaxed in the large space with vegetations.


-46-


S P I R A L To w e r <Competition> year:2014 project type:Competition at Sou Fujimoto Architects program:tower site::Canakkale,Turkey brief: It is a design competition proposal of a radio tower in Canakkale city, Turkey. Because of the site on the top of the mountain, we suggested a symbolic tower with a spiral shape, which changes according to the angle of view and makes the image of the dragon. The spiral is a staircase that people can climb and it is also a symbol of old history accumulated from Troy. In the middle part of the spiral, an observation platform and a stage using steps are installed, and the upper part has radio wave reception and transmission facilities, the lounge on the ground floor, the exhibition space, the media room and so on. Mainly, the spiral form and angle, which meet the staircase and the observation facility etc, were examined on 3D and the planning was coordinated mutually.

SITE MAP

-47-


CONCEPT AND PROGRAM DIAGRAM /historical spiral tower

P R O GR A M M E L ATO U T

ANTENNA

AN TE N N A FIRE S TAT I O N

FI R E S TATI ON OB S E R VATI ON DECK (INSIDE)

O B S E R VAT I O N D E C K ( I N SI DE)

AMPHIT H E AT R E

ANTENNA: LOCATED 100m ABOVE GROUND LEVEL, IT ASSURES CLEAR VIEWS 360 DEGREES AROUND. SERVICE ACCESS TO THIS AREA IS PROVIDED INSIDE THE SUPER STRUCTURE.

ObsERvATIOn dECk

AmPHITHEATRE

PLAT fORms

PLAT fORms

mOUnd

mAIn ACCEss

O BS E R VAT I O N

D E C K (O UTSI DE)NEW TYPOLOGY TYPICAL TYPE OF TOWER OF TOWER

TIME OF TOWER

FIRE LOOKOUT: IN CONSIDERATION OF ANTENNA RADIATION, THE FIRE LOOKOUT IS LOCATED 55m ABOVE GROUND LEVEL. PLACEMENT AT THE BOTTOM OF THE VERTICAL PART OF THE TOWER ALLOWS FOR EASY ACCESS AND 360 DEGREE VIEWS.

Turkey is a cou ntry T YPwith I C A La very characteri stic history and Ç A Nan A Kexistence K A L E TObased WERon the synthesis of different realms: Europe and Asia Isla m Sea BlacU kT Sea , and so on. We were P R OG RAM ME L, AYO UTand Christia nity, the P RAegean OGRAM M Eand L AYO inspired by its la yered and chai ned lapse of time and history and designed the to wer as time itself that continues from the age of ancient Troy through today and into the future.

AMPHITHEATRE: AT THE HIGHEST PUBLIC LEVEL IS AN OPEN SEATING AREA WHERE VISITORS CAN ENJOY VIEWS TO THE SURROUNDINGS. THE AREA CAN ALSO BE USED AS OUTSIDE GATHERING, RESTING AND LECTURE SPACE

OBSERVATION DECK (INSIDE): LOCATED 45m ABOVE GROUND, THE OBSERVATION DECK IS PROTECTED WITH A ROOF AND GLAZING. PUBLIC ACCESS TO THE AREA IS EITHER VIA ELEVATOR OR SPIRAL STAIRCASE.

VIEWING +ACCESS STEP: THE SPIRAL SHAPED STAIR ROVIDES 360 DEGREE VIEWS AROUND THE SITE FROM MANY DIFFERENT LEVELS. PLATFORMS PROVIDED ALONG THE SPIRAL PROVIDE RESTING, VIEWING AND GATHERING SPOTS

SUPER STRUCTURE: BY CONSIDERING THE IMPACT OF THE STRUCTURE TO THE UNIQUE ENVIRONMENT, MINIMAL STEEL LEGS ARE APPLIED.

CANNAKALE TOWER

TYPICAL PROGRAM

DIFFERENT VIEW,DIFFERENT SHAPE Not simply a formal gesture, the spiral pro vides a continuous viewing experie nce for visitor s. A gra nd stair way with extended landings that act as viewing plat for ms pro vides 360 degree views at many levels and invites visitors to the main indoor observation deck 45m in the air. To empha size a visual connection with the out door s and a sense of gatheri ng, the very top of the stair way turns into a sort of amphitheater where people may rela x and enjoy the views, and where specific events may be held.

MAIN ACCESS:

MOUND: MECHANICAL SPACES: MAIN MECHANICAL SPACE FOR ANTENNA IS PLANNED IN THE BASEMENT.

AS YOU APPROACH, YOU SEE LARGE STAIR WELCOMES YOU TO THE OBSERVATION DECK.

THE MAJORITY OF THE PROGRAM IS LOCATED IN A MOUND AT THE BOTTOM OF THE SUPER STRUCTURE. A NATURAL EXTENSION OF THE SURROUNDINGS, AMPLE OUTDOOR SPACE IS ALSO PROVIDED.

SECTION AND ELAVATION 28

29

SITE PLAN 04 - PLAn 1:500 04 - PLAn 1:500

05 - sECTIOn 1:500 05 - sECTIOn 1:500

f I R E s TAT IO n f I R E s TAT IO n

A m P H I T H E AT R E A m P H I T H E AT R E A n T E n nA A n T E n nA

O b sE RvAT IO n O bC sEkRvAT dE ( I n sIIO dn E) d E C k ( I n sI d E )

sE Rv IC E sE ECE E nRv T RIC An EnTRAnCE

O b sE RvAT IO n O bC sEkRvAT IO dE (OUT sInd E ) d E C k ( O U T sI d E )

v I Ew I n g + AC C E s s v ACdCEE) s s s TI Ew E P sI n ( OgU+T sI s T E P s ( O U T sI d E )

ObsERvATIOn dECk LEvEL ObsERvATIOn dECk LEvEL P U b L IC m A I n P EU nb T LRIC ACm E AIn E n T R AC E

vO I d

( m E C HA n IC A LI d P I T b E L Ow ) vO ( m E C HA n IC A L P I T b E L Ow )

wC wC

kITCHEn + k I T CnHgEEn + L OU LOUngE

ExHIE I -n bx I THIO b I T IO n

m E d IAm IAT HE Edq UE THEqUE EnTRAnCE E nT HA LR L AnCE HA L L

T E R R AC E T E R R AC E Ev Ev

T E R R AC E T E R R AC E

gROUnd fLOOR LEvEL gROUnd fLOOR LEvEL sTOTAg E sTOTAg E m AC H I n E P I T AC H ITO nE PIT (mOPEn ( OPEn TO

-48mE ET I ng mE ET I ng


6

06 - ObsERvATIOn dECk sECTIOn 1:100

RAINWATER SERVICE ACCESS TO ANTENNA

WATER GUTTER: COLLECTS RAIN WATER AND PREVENTS FLOODING OF THE OUTDOOR OBSERVATION DECK

DAYLIGHT FOR THE AMPHITHEATER

FIRE LOOKOUT

360 DEGREE VIEWS FROM THE FIRE OUTLOOK

EV CORE

VIEW OUT TO SURROUNDINGS

FIRE OUTLOOK: SEPARATED FROM PUBLIC SPACE AND PROVIDING 360 DEGREE VIEWS OUT TO THE SURROUNDINGS

EV MACHINE SPACE

AMPHITHEATER

SUPERSTRUCTURE SUPPORT LEGS

OBSERVATION DECK (INSIDE) AMPHITHEATER: FUNCTIONS NOT ONLY AS A LITTLE LECTURE SPACE BUT ALSO AS A GATHERING AREA, REST SPACE AND VIEWING PLATFORM

OBSERVATION DECK (OUTSIDE)

EMERGENCY STAIR

MA R K O F T H E YE A R

INDOOR OBSERVATION DECK: PLANED IN 4 DIFFERENT LEVELS THAT CREATES A DYNAMIC INTERIOR SPACE

200 S TE P S 200 YE AR S (40yea r s x 5)

STEPS : PA R T O F TH E S TEP I S A R EP L AC EA BL E STEEL BOX . EAC H S TEP R EPR ES ENTS E V ERY YEA R STA R TI N G F R O M TH E YEA R TH AT CO NS TR U C TI O N O F TH E PR O J EC T CO M P L E TED.

CABLE SHAFT: A LARGE CABLE SHAFT IS PROVDED TO ACCOMMODATE ANTENNA CABLES, POWER, ETC.

PUBLIC / SERVICE EV

ME MO RY B OX

2020 2 01 9

PUBLIC EV

2 01 8 20 17 2 01 6

ST E P S

2 01 5 20 14

M E M O RY B OX : S T E E L B OX S TO R E S T HE M E M O R I E S O F E V E RY YE A R. CO N T E N TS CO ULD B E : - D I G I TA L DATA O F S AT I S T I CS ( P O P ULAT I O N / N AM E O F V I S I TO R e tc. ) - N AT I O N A L PA R K I N F O R MAT I O N ( S E E D O F V E G E TAT I O N e tc. ) - S YM B O LI C O B J E C T O F T HE YE A R

TO BASEMENT ANTENNA MACHINE ROOM

32

ELEVATOR: 2 ELEVATORS ARE PLANNED FOR PUBLIC AND SERVICE USE. AT PEAK TIMES, BOTH ELEVATORS CAN BE USED FOR VISITORS.

33

From ground toward the spiral top

SUNSET VIEW

NIGHT VIEW -49-

7

View from the middle part :Walk up the tower 7


-50-


D i g i t a l Te a H o u s e <Digital fabrication workshop> year:2010 project type:Digtal Fabrication Workshop program:tea-house site:Tokyo brief: It is a tea-house project by digital fabrication conducted at a workshop with Columbia University in the graduate school era. It is based on CNCâ&#x20AC;&#x2122;s 3 Ă&#x2014; 6 version of wood processing, and a form unique to information technology using Rhinoceros Grasshopper of 3DCAD was sought. We will conduct a mutual study to simulate the appearance at the time of floor seating and how to hit the light at the seating position, etc. in three dimensions, reflecting on the model, based on the space where light is adjusted by the cell covering the tea ceremony. Once the shape and composition are roughly determined, concrete form determination based on construction method, planning of construction procedure / method will be carried out. At this time, because of human-powered construction, ideas for absorbing construction error are required (planned to be able to flexibly accommodate rubber in the gap between cells this time). We will nest the finished 3D model, send it to the woodworks, processing and numbering tree parts will come up as planned. We tried practical use of information technology through a series of digital fabrication projects including construction.

-51-


FORM FINDING AND MAPPING

/RELATION BETWEEN SUN LIGHT AND SURFACE WITH DELONEY CELL FORM MAKING DIAGRAM 01 -basic form from the sun direction N

N

E

E

35.5°

S N

N

W

W

S

Tokyo Latitude 35.5 :check the sun angle

S

Circular cone :gathering the maximum sun light

First cutting :with adjusting the hight

One of the most important factor of tea-house is the light and shadow. This tea-house analyse the sun position and diside the form from the analysis.

FORM MAKING DIAGRAM 02 -surface division

Second cutting :build the arch shape with paying attention to the entrance hight

FORM MAKING DIAGRAM 03-floor pattern from the sun lighting and shadow N

N

N

W

Celler system consists of delaunay surface division and extruding divided surface according to the attractor point.

E

E

E

W

S

Light zone of 2010 8.25 pm 13:00

W

S

S

Light zoning plan

Floor plan

Tea-ceremony was held on 2010 8.25 pm 13:00. This tea-house’s floor pattern was desided by the shadow pattern and strength of the light at the moment.

3D RENDERING MODEL

Detail of delaunay cells

× 86 uni

x 86units We made the 3Dmodeling with rhinoceros grasshopper(script).We colud simulate using this modeling and render engine

Lighting simulation with the render engine(v-ray for rhinoceros) -52-


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e-1-6-a

a 10

1

-c

a-

4-

-5-2-

2-b

F-1

1

-c

b-5-1

c-3 e-2

1-4

a-4-5

-1-b

10

1

c-1-

1F

10

10

D-

-2-b

a-1-2-b

10

10

a-1-1

c

D-1

1

c-1-1-b

b-1-1-c c

a

This is the numbering map for the construction.This includes how to group and connect to the neighbers. All expansion plans of cells are also here.

1

D-1-3-b

e-4-1-a

10

-a

D-2

-3-

4-c

b-1-4-a

B-5-3-a

a-1-4

7E

1

10

-5-c

-c

c-3-6

F-1 -3-c

c-3-5-c

c-1-

b-5-1-b

c

10

10

c-1-4-a

a-1

a-4-4-a

b

1E

1D

7C

10

1

-1a

e-4-1-b

1C

b-5

a

7B

1B b-1-5-c

3-

7A

1-

1A

F-1-3-b

a

F-

c

c b

c b

c

b

c

a

b

a

c

a

a

a

b c b

a

b

c a

c

1

b-5-7-c

D-2-8

10

1

D-1

1-5

2F

1

e-3-4-a

e-4-4-a

4-a

10

10

D-

8E

10

b c

a b a

c

a c

a a c

b

a b

10

D-1-

10

c-3-1-c

1

e-2-2-a

a

b

b

c

a

a-2-4-c

b

a

b

c c

a

a

b

b

c

b

a

c

b

b

c

c

c c-2

10

10

10

1

1

c

b

a a

c

a

c

b-2

c

1 c-4-7-a

c

F-1-8-a

8-a

D-1 -8-

1

1

1

1

c-2-3-

D-11

10

10

c-4-8-b

10

b

b

b

c a

c

F-1-10-a

10 e-1-9-a

e-1-8-c

c

1

10

-2-a

D-2

a

c

c

b

a b

c

c-2-4-

c-4-8-c

a

b c

a

1

e-4-2

-c

10

b-6

a c-2

2-a

b

c

c b

b

10

-2-

c-5-

a

b

a

c

c b

a

c

4-

c

c

a

b

b

b

b

-2-

-a 10

1

e-1-8-b

1

e-4-4-c

10-a

10

c-5-3

10

b-5 -7-b

10

e-2-

10

-7

1

b

2-

2-

D-

10

e-3-8-a

-8b-5

c

F-1-9-

10

1

e-2-10-b

-b

2-

b-2-4-a

1

10

1

1

-a

F-1-9

c-2-4-a

c-4-8

a

e-5-1-b

c-4

-c

10 1

1

10

D-2-1-a

10

-3-

e-4-2-c

10

10

b-2

e-4-3-b

e-1-9-b

1

D-2-1

a c

a-

b

c b

a b-1 -1-a

a c

b c

c

c

b c a

a

a

a

b

c

a

a a

c

a

c

c

c

b

c c

c b a

b

a-2 b-6-2 -c

10

1-c

1

10

e-1-6-b

e-1-

b

b

a

a

b

a

a

c a b

-7-

b 10

a

a

a

b

c b a

b

c

a

b

b

c

c

b

b-2

1

D-2-7

1

c-2-1-c

10

a

b c

a

a

b a

c

a b

b c

a

c

c a b c b

10

1

c-2

c

a

a

c

1

c

a

b c

b

b

b c a

a

a

b

c

b

b

c

b

c

a

b

c

b

1

1

e-2-4-

-3-

a-3

F-3-4-b

-4b-3 b

a-3

a

-3-

a

b

-1-

b-6-3-c

b-3

F-3-4-c

15

c

b

b c

b-3

10

b

-5-

a

a

a

b-3

c-4-6-a

b c

c

c

10

a

a

c

a

a

10

10 -a

2-4

c

b

a a

D-

10

b

c

a

c

b

c-4-9-b

b

b

-6-

b-3

10

a

c b

b

10

-2-

e-2-7-c

-1-

B-4-8-a

e-2-1-a

F-2

a

a a

e-2-4-a

F-2-3-c

b

a b

c

c a

1

a

b

a a b

c-4-3-c

10

D-3-7-a

a-3

b

4-

a-

1

10

b -7-

b

1

-5c

10

1

10

10

a-

b

a

3-

c-6-2-

10

e-3-3-c

b a c

b

a -7-

b-3

b-3

10

a

4-

3-

a

1

10

b-3

b-4-1 -c

c-5-4-c

10

1

c-4-7-b

e-3-8-b

1

b

b-4-4-c

F-2 -5-

10 1

-9-a

D-2

10

b-3-6-c

e-4-1-c

e-4-3-c

a c

1

b-4-2-c

-9-c

2-b

1 10

a

10

a-3-6-c c

8-

4-

F-

b-4-

10

D-2-8-c

D-2 1-

-2-

1 10

4-

b-4

1

F-2 10

e-3-5-a

c-5-1-b

b-

e-22-b

a-3-5 -a

F-3-1-c

1

1

10

1

1

-3c

b

10

10

c-1-5-c

b-

a

-5-a

D-1

-5-b

a

10

c-3-2-a

10

c-1-6-a

10

a

a

a-4-3-

a

e-3-2-a

e-3-4-a

c-2-7-a

c

c

1-

1

1

2E

2D

1

b-5-2-a

b-1-2-c

1

-a

a-1-3

-4-

a

D-2-2-c

8C

c-1-6-c

b-1

c

c 72D-

c-5

-1-c

b-1-5-a 10

b

a

b

b

c

c-3-7-b

c-1-7-c

b-2 b-1-2 -b

10

b

a

a

-a

1

b-1-6-c

a c

a-4 -4-

c

e-4-3

10

10

b

e-5-1-c

-c

1

c-1-7-b

10

b-1-6-a

1-a

1

c

0-b

F-1

2C

6-b

b-2-1-a

c

10

b

a

b

10

10

8B

b-5-

1-

a-1-1-b

a

e-3-3-b

1

c

b

b

2-

10

1

-4-

a-1-1-a

b

c

e-1-9

c-2-2-b

b-5-6-a

b-1-4-c

c

c

e-2-8-c

-b

c-4-6c

c-4-6

2B

b-2

a-1-2-c

c

a

1

-1-b

c-6

10

2-c

-4-b

1

b

a

1

a

c-2-

b-5-8-

F-

F-1-1

c

a c

c

10

1

D-1 -8-b

3F F-1-10-c

10

10

10

1

b

a

a

-b

-2

c-5

10

b

b a

1

F-2-1-a

9E 1

1

10

1

B-6-1-b

B-6-1-c

b-2

b

a

c

a

-b

2A

a-2-2-b

b b

b

b-2-3

-b

b

b c

3-b

3E

-b

c-5-3-b

10

b-2-2-a

a-2-1

a

a

b-1-

1

2-4

10

a

a-1-3-c

b

a b

1

D-

D-2-1-b

c-2-3 -b

a-2-3-c

a-2-

c

F-2

b

2-

a

b

a

-b

10

-c

F-2-1

a

3D

9C

a

1

c

c

b

3C 1

b-6-2-

a

a-

c

c a

a

c

10

1

c

a b

a

10

c-2-1-b

e-2-1-b

6-a

a

b

b

1

a

1

b

c

b

c-6 -2-

-6-c

15

c

c

c

a

a

c

b

b-2

b-2-

a

b

b

c

c

a

b a

a

b

b

a

2-2

-b

b-5-5-c

b

-6-b

b-2

b

c

b

c

c

b

a

c

c

a

b

a c

F10

F-2-4

b

F-2-3-

10

-5-

9B

-7b

1

a

b

a

a a c

-5c-5

3D

b-2

10

a

c

b a

a

c-2

10

a

b

-5-

-4-

-a

10

-5-

b

-2-

a

e-4-2-a

c-5-5-c

c

b

c

a

10

b-5

D-2-3

5-c

a-2

b b

a

b

b a

c-6-1-

c

-4-

1

F-2-4-c

b-5-5-a

b-1-3-a

10

b c

10

c-2

3A

c

c

c

c

c

-b

c

c

b

a

b

b c c

1

10

c

b a

a

b

10

-6

a

a a

F-2

1

1

10

10

1-a

1

c

a

b

c

c a

-3-

c-2

b a

4F 10

F-2-4-b

1

-3-c

c-2-

2-

a c

1

a

10E

e-1-7-c

9-c

e-3-

D-2

c-3-4a 10

1

b

b c

c

b a

b

c-4

1

-4-b

c

c

b

c-2

-b

b-3-1

b

a

a

4e 10

-b

2-3

D-

1

1

-7-a

2-

a

a

b-2

a-

b c

1

b

c

b

c

a

c

-5-

c-2-

15

b

b

b

a

c

F-3-4-a

1

1

a

10

c

10

4D 1

10

-3-b

c

a

a

a b

a

c-2

1

a-2

c

a

a b

c

b

10

c

c-6-11

c-4-3-a

c a

b

c

c

a c b

b

a

b

a

c c

b

b

c

a

b c

a

c

c

a b

b

c

e-3-9-b

c-5-4-a

a

10

b a

c-4-4-a

a

c

10C

1

a 16B-

b

c

c-5-1-a

e-5-1-a

1

10

10

-3-c

a

c

10

b

a b

c

D-2-10-c

c-3-4-b

c-2-

b-2

b

c

b

e-3-9-a 1

-a

1

a

b b

b-6-3-a

b-4-1-

e-1-6-c

1

-3a

a-2-5-a

a

a

b

c-2-6

5-c

c

-3-

b-3

15

a-3

1-a

c

c

11E

c-5-1-c

1

b-3-

b

c

1

a

b

b

b

a

-4-

b-35-b

b-3-4-a

c

c b

a

b

-1-

a-3

-c a-2-6

a a-2-3-

b

c

-c

4C 10

-6-

c-2

a25b

a

c

-2

1

a

b

c

c

b

c-6

c-4

6-

b a b a a

D-2-10-a

10

10

b-33-b

2-

c

c

-c

4B

4A

a-

a

a c

b

1

c

a-3-1-c

b

c

c-4-4

1

b

10

a

1

-2-

10

a

b

5e 1

10

1

c-4-5-b

c

10

a-3-3-c

c c

1 c-5 -5-

-7-

b-3-6

b

a-3-2-a

b

1

b

-4c-5

-7-c

10

10

1

-2-

a-3

-8-c

10

5D

11C 1

c-4 -5-

a c-1-3-

b-3

F-2

10

5C

D-3

5-c

a

e-2-9-a

10

a-4-

c

c a

8-b

D-1

5B

-a

a

8-

2-

F-

F-2-

10

10

a

-2-

a

a-3-4-c

a-3

F-2-9-b

-6-

F-2

b-4-5

10

10

b

1 1

1

b-4

b-4-3-c

F-2-1

e-3-

e-3-6-b

b-4 1

c

-6-

-c

1

1

1

-a -1 c-4

c

1

-3-

c

-5-

a-3

10

c

-4-

a-4

B-

F-5 -2-a

F-2-9

-a

3-2

-b

b -7-

1-2

a-4-1 -c

D10

1

10

e-3-5-b

1

-1-

5-a

-b

5A

A

a

D-2 -5-a

D-1-2-c D-2-5-b 10

c-4

F-2-

b-4-3

1-

F-2-5-c

-4-a

F-4-8-a

3-

b-4-5-a

b-4

c-36-b

D

a

6-

3-

a-

-a 3-1 F-

-a -2

b

F-4-8-b

6-b

-b F-3-1

c-4

b-4 -5-

1

F-

10

1

10

F-

1

e-3-6-a

B-3-2-b

1

c-4

10

a-3

1

10

-c 2-6 D-

1 D-2-6-a

-1-b

a-3-

F-2-9-c

1

10

10

10 10

10

a-4 -1-a

-a

-b

10

e-3-7-b

10

-7-a

2-3

B-3-2-c

F-5-

5-1

a-4-1-b

1

-b

2-8

D-

F-2 F-27-b

F-

3c

F5

1-c

10

10

b -5-

-b

e-3-7-c

a-4

c-4-2

1

7-a

1

1 1

10

6F

6e F-2-10-b

1

c-4-2-c

1

c

b

-6-

c-1-3-c

F-2-7-

-6-a

b-4-7-a F-53-a F-5-2-c

6D

D-2

10

b-4

F-5-1-a

6C

5F 10

b

10

a-3-7-c

6B F-2-7-c

-3-

10

11F F-5-2-b

F-5

1

6A a

7-

3-

a-

b-4-6-c

NESTING MAP


-54-


Green Cell <NTC Museum of Art Competition> year:2011 project type:Labolatory Competition program:museum,library site:Taipei,Taiwan brief: It was a design competition proposal of the museum in Taiwan, New Taipei City, working on the graduate school era. It is a museum proposal, taking into consideration the vast nature while taking environmentally friendly passive design. In the composition of double skin with inner skin and outer skin, each skin is made by accumulation of cells. Between the inner skin and the outer skin is an intermediate space that creates a sense of unity with the outside, and although it is a public space, it is also a space to adjust the environmental performance of museums and library space surrounded by the inner skin . The accumulated cells are extended to the urban areas, so that they function as an project integrated with the city. It is a proposal for a model of a new museum connecting future cities with the natural environment. The mutual adjustment between the three dimensional form by the outer skin and the circulation and internal plan of the volume by the inner skin forested in the outer skin and the environmental plan were the main study of this project.

-55-


C ONCEPT , DIAGR AM AND DR AWING /Celler surface (double skin) system

Louver

IN-BETWEEN SPACE

CONNECTION HUB

CELLER SYSTEM

EXTEND TO THE CITY

Ventilation

LED

Machine Room In-between Space

Energy Saving useing the Solar Panel

Solar

ETFE

Green

Electricity

ET

Property of the ETFE 100%

50%

This architecture has the double skin and celler system.These systems contribute to the emvironment and outspread this ecological systems to the around of the city.

STRACTURAL DIAGRAM

Ventilation System

Aluminum

Louver

Ventilation

Ceramic Panel

Machine Room

・cutting off the sun light ・easy maintenance ・light material ・durable material

Water Dispersing The advantage of using this technology relies on controling temperature inside the in between space, keeping it more constant through shadow and evaporation process, offering both economical and sustainable advantages. The irrigation system is based on natural rainwater and using one single source that disperses throughout all the cells. Any kind of small sized native vegetation will be used, but from >30m altitude only moss can be used due to local conditions (typhoons). Maintenance is easy and performed only 2/3 times a year.

Louver

Ventilation

LED

Energy Saving useing the Solar Panel

Solar

Sun Light

Tower Structural Analysis

joint

Wind Force Y

50%

Electricity 3D

ETFE

Property of the ETFE

450

X

2D

Cell

creating the complex surface from the combination of the simple 2D plane

displacement

Axial Force

Simple Composition

50%

20% axial force

Simple Joint System

100%

Exhibit

A curved and seemingly complex system is assembled by a planar unit using a simple joint.

・cutting off the sun light ・easy maintenance ・light material ・durable material

Moss Planting

Machine r

water pipe

Outer Skin Structure

ETFE

Evap

INNER SKIN

Simple 2D Plane Components 100%

Green

Green Panel

Water Pipe

OUTER SKIN

Moss/Vegetation

In-between Space

Fin

seismic

permanent

This celler system has the various materials and functions.And these cells are composed of the hexagonal shape and whole cells make the shell structure. Water Dispersing Aluminum Ceramic Panel

Green Panel

Water Pipe

from the station

The advantage of using this technology relies on controling temperature inside the in between space, keeping it more constant through shadow and evaporation process, offering both economical and sustainable advantages. The irrigation system is based on natural rainwater and main hall to the using one single source that disperses throughout all the cells. Any kind of small sized native vegetation will be used, but from >30mSecurity altitude only moss can be used due to local conditions (typhoons). Lobby Maintenance is easy and performed only 2/3 times a year.

Moss/Vegetation

Bridge

er Skin Structure joint

Wind Force

Main Hall to parking

IN-BETWEEN 19F Plan (100.00) 19.5F Plan (103.50) SPACE

Restaurant

Restaurant

Automatic Day light Control System

20F Plan (108.00) 20.5F Plan (111.50)

Info X

Photo Censor

16F Plan (83.50)

Dimming LED Light

Restaurant

Restaurant

17F Plan (88.00)

18F Plan (92.50)

Foyer

creating the complex surface from the combination of the simple 2D plane axial force

Lounge Simple Joint System

Double lazing glass Temporary Exhibition

to the lecture hall

Lobby

18.5F Plan (96.00)

Flat slab

Shop

2D

Cell

30%

0%

Void Library

Big Stair

Y

Waiting area

3D

to B2,B3 parking

Restaurant

Restaurant

Moss Planting Panel

International Design Competition

Ticketing Backyard Tower Structural Analysis

Simple 2D Plane Components

Library

New Taipei City Museum of Art Conceptual Design

Evaporation

to the museum

Shop

12F Plan (62.50)

Fin

13F Plan (68.50)

Dry Area

Library

DIY Classroom

Temporary Exhibition

Restau

14F Plan (74.50)

15F Plan (79.00)

Void Resting Area

Permanent Exhibition

Lecture Hall

Thematic Exhibition

Thematic Exhibition

Shops

Void

displacement

8F Plan (39.50)

Axial Force

9F Plan (45.50)

10F Plan (50.50)

11F Plan (56.50)

to the main hall

sition

and seemmplex system bled by a nit using a oint.

Ventilation System

Office

Tour Bus Parking (10 cars) Void

Ground Floar Texture Cell

Furniture Cell

Cooling Tower wood

grass

stone

cable car

table and chair

1F Plan (±0.00)

Management Room

New Taipei Slope City Museum of Art Conceptual Design (from B1)

Special International Exhibition

4F Plan (16.50)

International Design Competition

5F Plan (22.50)

Parking (236 cars)

Parking (119 cars)

New Taipei City Museum of Art Conceptual Design

Office

KKAA - Kengo Kuma & Associa Meeting Room

Cafe

Arts Classroom Storage

Void

Library

B1 Plan (-10.00)

Void Void

Special International Exhibition

Reading

Lecture Hall

Spetial Exhibition

-1F Plan (-4.00)

Common Exhibition Void

-56-

13th October 2011

Special Exhibition

2F Plan (5.50~6.00)

Building Maximam Hight : 130m Strucuture : Steel + Concrete Leuels : B2-21F (27 Floors in total) International Design Competition

Reading

Muliti Media Common Exhibition

DIY Classroom

Audio Visual Room

Slope (from -1F)

Total Floor Area : 53682 ㎡ Floor Area Ratio : 37.1% Building Coverage Ratio : 40%

7F Plan (33.50)

Shops Void

Motorcycle & Bike Parking (355 cars)

B2 Plan (-16.00)

6F Plan (27.50)

13th OctoberLounge 2011

Management Room

Section De

Resting Area

Void

Office

EV Hall

Machine Room

Permanent Exhibition Permanent Exhibition

Bookstore

Slope (to B2)

EV Hall

Void

Void

seismic

permanent

Library

Conference Resting Area

Void

3F Plan (9.00~12.00) scale: 1/1000 0 5

15

30

50(m)

KKAA - Kengo Kuma & Associates

4


ISOMETRIC VIEW

EMVIRONMENTAL DIAGRAM

This double skin and various material celler system controle emvironment of the interior space.

-57-

Work sample eng  
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