Issuu on Google+

淡江大學建築系│一年級工作室│第 二 組。設計作品集 EA1_Studio。Dept. of Architecture。Tamkang University

2012-2013

[Unit_02]

│葉佳奇│ │李馨綸│楊顓徽│張晏慈│顧子堯│甘宣浩│歐柏陞│褚宗曄│


葉佳奇

Chia-Chi Yeh

2 部電影 3 個人種 ( 人 , 殭屍 , 與狼人 ) 7 位同學 本組藉由對異種拆解分析 , 從微觀細胞到巨觀行為 模擬 , 從人 , 狼人 與喪屍 三者互動關係的模擬重建 到部分生物結構拆解運用 , 近而選取素材 , 創造想 像空間的可能性 , 建構建築系第一年的創意廣度與 空間想像的深度。

2 movies 3 races 7 students the unit starts from analysis and reconstruction of m o v i e c l i p f ro m t h e m a c ro s c o p i c t o t h e m i c ro s c o p i c to s e e h o w a n e w r a c e interacts with human and themselves. From reconstruction of the human body to reuse of imagination from biological structure of new race (zombie etc), the interesting imagination of future space and the creativity can be found by students. I believe that it’s the interesting way to encourage Architecture Year 1 students to expand their creative imagination breadth and depth of space.


皮膚之間

Imagine Skin

異。身 _ 之間 Inbetween Regular Body and Altered Body Inbetween Altered Space of Altered Body 2013.04.18-05.19 Instructor │指導老師 Chia Chi Yeh │葉 佳 奇 Student │學  生 Zin Lun-Lee │李 馨 綸

I have observed that when the werewolf in the process of transfiguration,aside the bones and blood from the film we can be seen outside,I am more curious is like a small change in this subtle skin. I assume the skin of werewolf is infinitely magnified.So after his skin constantly opened,it may produce a lot of broken hole and pull into the wire. Enlarge skin silk, which may have more folds. This is what I initially imagined on the skin. A special feature is that I found that this cellular changes appeared like displacement dislocation, and superimposed. Today I put the werewolf as a media message.If I wrote a message when he was a werewolf, it will be able to hide the message when he change back to human. Im other world,the message will emerge again when he becomes a werewolf. That this say"change" process is like A decoder.Only when you let him turned to a werewolf , the midterm message can be read. Finally, I observed that the cell filaments are messy when he was the wolf-shaped. It is within the rules of the message when it gets back to human form. This is an inverse relationship.

我觀察的是狼人在變身時的過程 除了電影中可以看到的骨頭和血液外 我比較好奇的是像皮膚這種細微的小變化 我假設狼人的皮膚是可以無限放大的 所以將他的皮膚不斷拉開後 可能會產生很多破裂的洞 , 並拉成絲 放大皮膚絲 , 裡面可能有更多皺褶 這是我對皮膚的初步想像 比較特別的是我發現 , 這樣的細胞變化出現了 細胞間的位移 , 錯動 , 和疊合 今天我把狼人當成是一種訊息的傳播媒介 假如我在他是狼人的時候寫下一段訊息 在它變回人類時就能隱藏 當他再次變成狼人時訊息又會浮現 也就是說這個 " 變 " 的過程就像一種解碼器 唯有讓狼人變身 , 才能讀到期中的訊息 最後我觀察到狼人的皮膚變化與內部機密的關係 當它外部是狼形的時候 , 細胞絲是雜亂的 內部訊息卻是有規則的文字 但是當它變回人形時 , 細胞恢復到有規則的堆疊 訊息卻被破碎到各個細胞間 這是一個相反的關係 , 我想讓我的空間也有這種 可能外部變大內部就會縮小的關係


Erode

異。身 _ 之間 Inbetween Regular Body and Altered Body Inbetween Altered Space of Altered Body 2013.04.18-05.19 Instructor| 指導老師 Chiachi Yeh| 葉 佳 奇 Student | 學  生 Zhuanhui Yang| 楊 顓 徽

The concept of the design was from the movie Resident Evil.I was to analyze the predation of zombies in the movie. The main factor of driving zombie action is to satisfy the appetite, when the food (human) appear in front of zombies, zombies will make their best effort to predation. The scene, when a zombie find food, after a while, it will gather a large group of zombies and prey on people, just like zombies have the ability to deliver food messages to each other. Because zombies will crazy when they see the food, and miss the food which is the nearest and available for food. So I think if a lot of zombies are dispersed everywhere. They can use the ability to pass messages , so zombies will have more chance to get the food. Imagine zombie is inserted in the soil or surface, buried in the ground like the roots of plants, like cross-linked message across. Because there catch stratigraphic underneath, the rotational movement of zombies predator,making the surface produce pulled, twisted with rugged. I use the characteristics in the intact house. There are originally Quartet houses,placed zombies in the inner surface and the surface layer. Because zombies see somebody into the house and see people inside through the window,prompted predatoion and the surface of the house is pulled deformation.

以電影惡靈古堡為發想 , 分析電影場景的殭屍 , 掠 食的行為 , 為設計的主要概念。 驅動殭屍行動的主要因素是要滿足食慾 , 當食物 ( 人 類 ) 出現在殭屍面前 , 殭屍會使盡最大力氣掠食。 場景中 , 當一隻殭屍發現食物 , 過了一段時間 , 便會 聚集一大群殭屍一起掠食 , 就像是殭屍彼此間有傳 遞食物訊息的能力。 因為殭屍看到食物只會一股腦往眼前食物前進 , 而 錯失離自己最近最容易取得的食物 , 所以我想如果 把很多殭屍固定分散在各地 , 那經由殭屍傳遞訊息 的能力 , 殭屍便能更有機會掠取到食物。 想像殭屍被插在土裡或地表 , 埋在地底下真的有像 植物的根一樣交錯連接傳遞訊息 , 當殭屍掠食時 , 身體的移動轉動 , 因底下有抓住地層的關係 , 而使 地表產生被拉扯 , 高低不平跟扭轉的感覺。 我把這樣的特性套用到原本完好的房屋上 , 原本是 四方體的房屋 , 在房屋表層內層都置入殭屍 , 殭屍 因看到人走入房屋 , 經由窗看到裡面的人 , 觸動殭 屍掠食 , 使房屋表層被拉扯變形。


現況照片│ Site Image

模型照片│ Model Image


殭屍博物館

Roam with zombie

異。身 _ 之間 Inbetween Regular Body and Altered Body Inbetween Altered Space of Altered Body 2013.04.18-05.19 Instructor │指導老師 Chia Chi Yeh │葉 佳 奇 Student │學  生 JANG,YAN-TSZ │張 晏 慈

[The Setting] Zombies are human cadavers that losing intelligent . Zombie foot appetite is the only way to drive, but they have no way to think about how to catch when the humans. Human being into a zombie after zombie bite." Zombie T virus" invades the human b o d y, a n d g r a d u a l l y d e s t ro y h u m a n thinking loop.Gradually, the zombies lost language, writing, logic, judgment that left brain control.Gradually, zombies can not feel the edge of space does not recognize boundaries. In their eyes, only humans into sporadic patches, no distance, no space. [The Space] I imagine there is a space in the high-level difference , humans can observe unilateral zombies, zombies can intersect the line of sight, or even touch each other. When humans and zombies placed in the same plane, the mushroom-like structures can be divided zombie vision of humans. So can not judge the distance of the zombies, misjudged his direction. You can also make use of space zombies haptic motion vectors, not just purely toward humans. Humans and zombies, in the same space, secure coexistence.

[ 故事背景 ]   殭屍是失去智能的人類屍體,滿足食慾是驅 動殭屍的唯一方式,但他們卻沒有辦法思考如何 去捕時人類。   人類被殭屍咬食後變成殭屍。殭屍 T 病毒侵 入人體後,逐漸地破壞人類思考的迴路,並主動 將其串聯。漸漸的,殭屍失去左腦語言、文字、 邏輯、判斷 ...... 漸漸的,殭屍無法感覺到自己的 邊緣,無法辨識空間的界線。   在他們眼中,只剩下人類變成的零星色塊, 沒有遠近、沒有空間。 [ 空間 ]   我想像有一個空間,在不同的高層差之中, 人類可以單方面的觀察殭屍,可以和殭屍視線相 交,甚至互相接觸。   而當人類和殭屍放置在同一個平面時,蕈狀 的結構物可以分割殭屍視覺中的人類,讓無法判 斷遠近的殭屍,誤判他的方向。也可以讓用觸覺 感知空間的殭屍的移動向量,不會只純粹朝向人 類。人類和殭屍,在同一個空間,安全的共存。


殭屍農場 Bodies Farm

異。身 _ 之間 Inbetween Regular Body and Altered Body Inbetween Altered Space of Altered Body

Zombie GreenHouse

2013.04.18-05.19 Instructor │指導老師 Cadman Yeh │葉 佳 奇 Student │學 生 GuGuDot │顧 子 堯 Lycan bodies,i got many idea at first such as Blood 異身之間,一開始想了很多案子,有捐血中心,歌劇院, Center ,opera house,embassy,gallery...etc

大使館,藝廊等等,但最後都因為沒有靈感而無法發展

But eventually because of lack of inspiration so I can 下去,直到上網看到了真菌影響螞蟻的活動力這則報導 not develop they

後,才有了新的靈感,何不也把真菌種在殭屍身上,來

untill I saw a report about "fungus affecting the 做個以殭屍為沃土般的殭屍農場呢?於是開始畫了一系 activity of ants"on the internet,I got a new inspiration , 列關於真菌是如何灑種在殭屍身上的想像圖,也想像真 why dont we put the fungus on the zoombies' bodies 菌會因為環境的不同,光線的充足與否,生長出不同的 and to be a fertile ground to zombie-like zombie 樣貌。 farm?

有了這個的前提下,開始研究殭屍與人之間的差別,像

So I painted a series of the imagination about how the 是殭屍的行動力比人緩慢,殭屍的體溫比人類低,殭屍 fungal spread and grow in the zoombies' body

因為身體僵硬而無法彈跳,只能一步步緩慢前進,再來

And I also image fungal will grow different because of 殭屍因為缺乏神經細胞,再被槍射到時也不會有知覺反 the envirement.

應。再來則是研究殭屍看出去的世界,殭屍是如何分辨

Based on it , I start to find out the different between 食物與牠的同類?殭屍在追人的時候都是以直線前進, human bodies and zoombies

當有阻礙時,牠便得重新尋找目標,也許牠看出去的世

Such as the action of zoombie is more slow than 界是熱能感應的世界,因為牠能分辨溫度低的同類而不 human,and their body temperature is more higher 會撞上,也能分辨溫度高的食物而往前追逐,但卻無法 than human,too.

分辨常溫下的牆壁,門,窗。

Zoombie can not bounce because of stiff body they 有了這些情況的假設,我做出了一個隨著人類想要栽種 only can move step by step very slowly

出什麼樣樣貌的真菌而踏往不同的路線,這些路線因為

What more they will not have any react when they got 選擇的布料材質,所以在空間大的地方,會因稱的較開, a shot because the lack of nerve cells.

而透光率較高,反之則較小,造就出了這座農場的多樣

Next,I research the world zoombie look like ,and how 變化性。 they distinguish between food and its like. They go straight while they chash people ,and they find their target again when they hampered Maybe the world they see is "Thermal sensors" Because it can distinguish between similar with there low temperature without hitting,andthey can also distinguish the foods with high temperature ,so they can chash on it. But they can not distinguish normal temperature such as the walls, doors, windows.


探測飛船

Exploring Ship

異。身 _ 之間 Inbetween Regular Body and Altered Body Inbetween Altered Space of Altered Body 2013.04.18-05.20 Instructor │指導老師 Chia-Chi,Yeh │葉 佳 奇 Student │學  生 Shuan,Hao │甘 宣 浩

I n th e wor l d I i m a gi n g, l yc a n s e xc h a n ge blood with memior y.If it's the way to get knowledge,lycans could get knowledge in sucking blood. I regard the part of the blood changed as the part of consciousness.So it will happen a miniature split personality in the body contain 2 consciousness. In the view of lycans,they could stole humans' knowledge with thier superior blood.In the microscopic world,they explored in a cycle of the blood circulation when inserting part of blood . Before being metabolised,lycans have to collect message and the send it to the main lycans'body through neuron in brain.

在我想像的世界中 , 狼人血液交換時會伴隨著記憶。 若以其作為獲取知識的方式,血液的吸收即意味著 知識的獲得。 倘若交換的那一部分的血液也是作為本體人格意識 的一部份,那麼交換血液後體內擁有兩種人格的個 體,將會發生小規模的人格分裂。 我以狼人為出發,以自身血液的優越性作為竊取人 類知識的工具。 微觀狼人將部分血液注入人類體內 , 順著血液循環 做探測週期為一循環的運動。 在被代謝掉之前 , 狼人必須儘量蒐集訊息 . 然後到 達腦部的時候 , 將情報藉由控制神經元將其傳遞。


領域 AREA

異。身 _ 之間 Inbetween Regular Body and Altered Body Inbetween Altered Space of Altered Body 2013.04.18-05.19 Instructor │指導老師 Chiachi Yeh │葉 佳 奇 Student │學  生 Bezaleel Chu │褚 宗 曄

Determine the theme is AREA.Then I selected user from the title is a Lycaon and human. From the beginning Lycaon scale,Analysis of the Lycaon can jump, crashed through the wall, climbing walls .... field over the buildings(1). These actions because of his perception of the field over the building, this perception is his sense of smell. And when he turned, without guns, waving, jumping, etc., can know the Lycaon is to capture the sense of smell in accordance with blur action, and the loss of most people's vision so he can not aim at a target.And he can sense something behind walls, analysis of his body low pressure, can pay off many layers dip taste odor molecules reveal the deepest smell tear(23). In his scent created space(4), the way I used stippling dig, so he can feel the smell of human vision(5-6), and then to artificially eliminate points to create more kinds of perspective and even to the continuous screen video screen, that is 2D.3D.4D so on. *P.1: is the actual space that can be used in accordance with the established werewolf smell out of the fake vision, 2D.3D.4D combination.* 5-6: 2D,*7: 3D * P.4: Lycaon body has low pressure, werewolves concentrated, can be formed Xuan wind,When they move in a whirlwind, they will see a circle of continuous screen, just like movies.

確定主題是領域後,從題目指定電影中選出的 使用者是狼人和人類。又以電影中狼人的尺度下 手,分析出狼人可以飛越、撞破牆壁、爬牆等等超 過建築物本身的使用領域 (1),再往下分析後發現, 這些行動是出自於他的感知先突破了建築物領域, 這個感知就是他的嗅覺。 依照他在變身後不拿槍和揮動跳躍等等動作, 分析出狼人是依照捕捉嗅覺殘影動作,並且喪失一 般人類的視覺進而無法瞄準;再依他能感知牆壁後 面的事物,分析出他體內有低氣壓 (2-3),能把沾 付過層層氣味的氣味分子撕裂顯出最深層氣味,在 他已氣為建立的空間中 (4),我嘗試用點繪的開口 方式讓他用嗅覺可以看出人類的視覺 (5-6),而再 以人為消點,所以當人和狼對準好方向時狼人就可 以看見立體感。以此創造出更多種的透視和影像畫 面甚至到連續畫面,也就是 2D.3D.4D 等變化。 *P.1: 這視實際的使用空間,是依照狼人的嗅覺模 擬人類的視覺,而人類可以以視覺觀察到狼人嗅覺 的情況。這是一個 2D3D4D 放在一起的使用空間。 *7: 環狀的空間讓狼人看到環景的視覺。 *P.4: 如果狼人體內有低氣壓,那當狼人集中時勢必可以 形成璇風飛行,這個上升的通道,對狼人來說他是 有時間性的 4D 因為他們可以在裡面流動,類似我 們的電影院但他是四維的。 而製作是是用水管是由氣味的借質 _ 風,在熱 風機不斷流動於水管內時扭轉變型,同時噴火把外 層加溫,再把變成咖啡色的皮膚去掉而形成。


淡 江 大 學 建 築 系 │ 一 年 級 工 作 室 │ 第 二 組。 設 計 作 品 集 E A 1 _ S t u d i o 。 D e p t . o f A r c h i t e c t u r e 。 Ta m k a n g U n i v e r s i t y


Inbetween-unit_2