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As heard across a room for Orchestra (3.3.3.1.-1.3.3.0 - 3 percussion, timpani- 12.10.8.6.4)

รžrรกinn Hjรกlmarsson


for Laufey Jensdóttir

Written in Reykjavík 2013/2014 with support from The Icelandic Radio Composers Fund (Tónskáldasjóður RÚV) Premiered by BBC SSO, conducted by Ilan Volkov in Glasgow, October 2014


As heard across a room In the work, the orchestra seeks to reproduce how an imagined sound event would appear as it would be heard across an imagined room. The room resonance of this imagined space becomes interwoven to the original event, what remains is a silhouette of the original sounding event.


As heard across a room 3 Flutes (thereof 1 bass flute) 3 Oboes (thereof 1 english horn) 3 Clarinets in Bb 1 Contrabassoon 1 Horn in F 3 Trumpets in C 3 Trombones (thereof 1 bass trombone) Percussion I Bongo drum (high and low) – with rough surface to be able to make aeolian sound* Tom-Tom (high and low) – with rough surface to be able to make aeolian sound* – string is taped on top of the skin - Damped** Gran cassa - with rough surface to be able to make aeolian sound - Damped Mallets: 2 standard drum sticks Percussion II Gong in c Bongo drum (high and low) - with rough surface to be able to make aeolian sound* Tom-Tom (high and low) – with rough surface to be able to make aeolian sound* – string is taped on top of the skin – Damped** Gran cassa - with rough surface to be able to make aeolian sound – Damped** Mallets: 2 standard drum sticks, 2 soft mallets Percussion III Vibraphone Bongo drum (high and low) Tom-Tom (high and low) – with rough surface to be able to make aeolian sound* – string is taped on top of the skins Gran cassa Mallets: 2 standard drum sticks *It is possible to use a rough sided tape on top of the drum to produce the aeolian sound **Damped sound – drum with short resonance as of 1 second or so Timpani circa 81 cm timpano prepared with straps of velcro. circa 63 cm timpano Mallets: standard drum stick, timpani mallets.

Violin I (12) Violin II (10) Viola (8) Violincello (6) Double Bass (4)

The score is not in C


Performance notes Time signature are written for convenience only. First beats of bars should not be given more emphasis than other beats. The dynamics are relative to each other, the orchestra should sound as one “sound source” in sound level. The written dynamic range in the work is from dal niente to pp. The dynamic marks do not not take into account the force of the action needed, as some of the instrument techniques used in the work need more force then usual to aim for the wanted dynamic.

Instrument techniques – Symbols in the score and parts. Flutes

Tr1 and tr2 trill – trill alternating between the trill keys tr1 (d) and tr2 (d#)

Key Click - quickly and percussively close the keys of the flute, resulting in a pitched percussive sound.

Slap Tongue - is produced by puffing short tones with the tongue, without any air pressure from the lungs.

Closed blow-hole – aeolian sound production, created by covering the entire mouthpiece with the mouth and either blowing air into the flute or pronouncing Sss [Sch] into the flute.

Oboes, Clarinets and Bassoons

Aeolian sound - [Played without the mouthpiece on Oboes and bassoons, with mouthpiece on clarinets], produce aeolian sound making a “Sch”-sound into the instrument, and finger the given note, trying to produce a range of different timbre of the aeolian sound.

Slap tongue – is produced by puffing short tones with the tongue, without any air pressure from the lungs.

Horn in F Highest note possible – a forced tone is produced, high and silent, with fluctuating pitch, this should not be played to precisely, the affect should be that the sound should be 'forced'.

Trumpets and Trombones Aeolian sound – produced by air-flow through the instrument, pronouncing a Sh-sound like in 'shoe'

Air staccato – produced by flapping the tongue into the mouthpiece or producing an attack such as pronouncing the letter T into the mouthpiece.

Roaring – Close the whole mouthpiece with the mouth and roll the tongue, almost without blowing. (The tone produced is a major seventh below written pitch)


Timpani 1) 81 cm timpano prepared with straps of velcro. 2) 63 cm timpano

Rub drumsticks together Holding one drum stick stationary with one hand while the other drum stick is rubbed rapidly against the surface of the stationary drum stick. Producing soft aeolian sound of the wood. This sound is amplif ied by letting the stationary drum stick touch a surface of a drum, changing it to a resonator.

Velcro on timpani Scraping the surface of the timpani with straps of velcro. Producing aeolian sound.

Percussion I-III Percussion I Bongo drum (high and low) – with rough surface to be able to make aeolian sound* Tom-Tom (high and low) – with rough surface to be able to make aeolian sound* – string is taped on top of the skin - Damped** Gran cassa - with rough surface to be able to make aeolian sound - Damped Mallets: 2 standard drum sticks Percussion II Gong in c Bongo drum (high and low) - with rough surface to be able to make aeolian sound* Tom-Tom (high and low) – with rough surface to be able to make aeolian sound* – string is taped on top of the skin – Damped** Gran cassa - with rough surface to be able to make aeolian sound – Damped** Mallets: 2 standard drum sticks, 2 soft mallets Percussion III Vibraphone Bongo drum (high and low) Tom-Tom (high and low) – with rough surface to be able to make aeolian sound* – string is taped on top of the skins Gran cassa Mallets: 2 standard drum sticks *It is possible to use a rough sided tape on top of the drum to produce the aeolian sound **Damped sound – drum with short resonance as of 1 second or so Instrument techniques - Symbols in the score/parts Pluck string on drum Stretch a string (a nylon string or so) on top of the drum skin, so it is possible to pluck the string and it slams right back to the drum when released.

Rub drumsticks together Holding one drum stick stationary with one hand while the other drum stick is rubbed rapidly against the surface of the stationary drum stick. Producing soft aeolian sound of the wood. This sound is amplif ied by letting the stationary drum stick touch a surface of a drum, changing it to a resonator.

Percussion setup Percussion I, II and III

Aeolian scrape Scrape with fingers the surface of skin drum producing an aeolian sound. If tom-toms do not have a rough skin, it is possible to tape a rough tape on top of the skin, where the drum is supposed to be somewhat damped before.

Damped/Dead-stroke Use fingertips to make damped dead-strokes on the drums.


Strings • •

No expressional vibrato When notes are slurred throughout an extended period of time – change bow where necessary – not synchronized.

Strings divisi Violins I: 1-2 = 1st desk Violins I: 3-4 = 2nd desk Violins I: 5-6 = 3rd desk Violins I: 7-8 = 4th desk Violins I: 9-10 = 5th desk Violins I: 11-12 = 6th desk

Violins II: 1-2 = 1st desk Violins II: 3-4 = 2nd desk Violins II: 5-6 = 3rd desk Violins II: 7-10 = 4th and 5th desk

Viola: 1-2 = 1st desk Viola: 3-4 = 2nd desk Viola: 5-6 = 3rd desk Viola: 7-8 = 4th desk

Violincello: 1-2 = 1st desk Violincello: 1-2 = 2nd desk Violincello: 1-2 = 3rd desk

Contrabass 1-2= 1st desk Contrabass 3-4= 2nd desk

String techniques – Symbols in the score and parts.

“on bridge” bowing on the bridge, producing white noise (aeolian sound). The duration of the note is marked in parenthesis above the note.

Col legno tratto Using the wood of the bow to draw across the strings. Producing a somewhat aeolian sound with slight hint of a pitch. Marked by the note. Sounding like a pitch from a distance.

High Natural Harmonics high natural harmonics in lascia vibrare (unstable & slow melody). The note referencing to the open string. [Playing around the 13th-17th Harmonics on the string – close to the bridge.]

The 'Bow bounce' (battitutto effect) is performed by making the bow do quick bounces on the written string. It is similar to jeté but the bow should not move in the horizontal direction. Sounding result should be soft bounce sounds, not much pitch or sound from the string. The square-like noteheads indicates the damped string.

Brush Tremolo [B.T.]: Rapid alternation of the two positions (s.t. and s.p.), brushing the strings with the bow hairs (at the point, almost without horizontal movement and without bow pressure). Squared noteheads indicates muted strings.

Bow screw tapping – Tapping with the bow screw on the positions indicated and on the string marked. The bow can be held vertically and the screw of the bow placed firmly against a string at a stright position on the indicated string. Marked with roman numbers. Second note (below on the staff line) is written when L.H. Pizz is used with this position.

Flagolet Light pressure on the string, such as doing a harmonic.

Flautando gestures Touch strings with left hand like when playing natural harmonics. Glissando on all four strings simultanoeusly while playing arpeggios with bow.

Aeolian legno tratto Movement of the bow, legno tratto, lengthwise to the string (never striking, always "appogiato") In the direction of Tasto, i.e. up the fingerboard, with the upward arches means a slight accelerando and a crescendo in an exponential manner. The indicated string is marked by a roman number.

Aeolian notes – (bowing) (only in Violas) using flat fingertips on the string and a very light bow, resulting in half-'aeolian', where the color of the pitch is included with most part amount of noise-like sound. Marked with square-like noteheads.

L.H. Tapping A performer can stop the strings with his left hand in an unusually forceful maneuver and thereby produce a percussive effect. Staccato mark indicates a short attack of the note, and with either a slur or tenuto, indicates a 'let vibrate'.


Þráinn Hjálmarsson

As heard across a room for Laufey Jensdóttir

SCORE not in C

(key click)

Flute I

&

œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ

+ +

+

3

œ œ

+ + ++ + + + + + ++ + + + + + + + + + + + + + + + + + + + ++ pp

(key click)

&

Bass Flute

&

ppp

5

5

5

5

pp

5

Clarinet in Bb I

6 ≈ -. #-6.

6 -.

-6.

6 -.

Clarinet in Bb II

6 6 ≈ -. -6. -. -6.

6 ≈ -. #-6.

6 -.

-6.

6 -.

6 -. n-6.

¢& #-6. ppp ° Trumpet in Bb & 1+2+3 ) o ? Trombone 1+2 -6 ppp

Clarinet in Bb

Bass Trombone

Timpani

Percussion I

¢

?

°? ¢ °

µ-6

-6

µ-6

ppp

Ó

~ æ ppp

Percussion III

Violin I 1-2

¢/

° &

6. 6. 6

6

#-6 æj ‚æ

6 -.

-6.

µ-6 µ-6 ‰

6.

6

j 6 -. r ≈ 6j -. -6. r ≈ j 6 -. -6. r ≈ -6.

pp

6.

-6.

6 -.

-6.

6 -.

-6.

n-6

Œ

ppp

Œ

6.

O ææ pp

o

j - -™

Pluck strings on drums

- Œ

pluck strings on drums

5

‚ ææ

ppp

Π- -

3

∑

-

≈ - ™ J

j -fi

Col legno tratto

Œ

j -fi

Œ

-6 -6 -6

pp

pp

O æ ppp

Rub drumsticks together

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

g

™ oG

o

pp

-6

-6

-6

-6

-6

∑

&

∑

&

Violin I 11-12

#O #O #O O

T

Col legno tratto

-g

g

oG

sfpp

T

j -g

∑

Go Ó

ppp

Œ

Left hand tap

G o

¿.

¿.

g

¿.

3

j -g sfpp ¿. T

III

II

I)

B B

Viola 7-8

?

Violoncello 1-2

∑ Go

Œ

Ó

Bow screw tapping

sempre

(IV

OO

III)

Violoncello 3-4

?

∑

Violoncello 5-6

?

∑

Contrabass 1-2

?

∑

G

o

+. 2 J

¢

?

∑

+ B 2. J

g

5

+. 2 J

Ó

Œ

Ó

Ó

Go

(solo)

o -6. J

óó óó

g Œ

g

G

Col legno tratto

o

o

pp

∑ Col legno tratto

oG

Ó

Oo (I) n OO nO n O ≈ ‰ R o Œ

+@ ææ 4 æ œo

-6. J

G

o

pp

V o ∑

on bridge (h)

pp

Sul C 1/2 col legno

1/2 col legno

(q)

Col legno tratto

ppp

Œ

)

Œ

-6

-6

Œ

pp

-6 -6 -6 -6

Ÿ 6 Ÿ 6 Ÿ 6

)o

-6

Œ

-6 -6

ppp

-6

Œ

~ æ

ppp

Π. . . - -- -

O O O ppp ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ O #O nO O O #O Œ 3 3 o o pp ∑ Œ

Ó

œ

œœ œ œ œ œ œ

O

Œ 6 æ œæ

pp

µ6 +2 æJ

(tutti)

w

pp

6

pp

6 #6 6 6 6 6 6 6

6

6 #6 6 6 6 6 6 6

6 #6 6 6 6 6 6 6

6

pp

pp

pp

pp

pp

#-6

#6

T

‚ ææ

∑ ∑ g

T

g g

pp

Œ

∑

o

G

pp

Ó o

g

∑ Ó

G

∑

o ∑ ∑

o

∑ ˙

∑ Ó o

˙

pp

G

Ó o

pp

∑

∑

G

∑

o

pp

∑

j -g ‰ T

sfpp

Œ

∑

∑

Œ

∑ ∑

-6

#-6

∑

Œ

-6 pp

∑

¿

G o

G

pp

∑

C.L.T.

oG

6 6 66 666Œ

∑

Ó o

j ‰ g

G o

Ó

Bow bounce

p

6 6 66 666Œ

pp

µ-6

o

pp

5

6 6 66 666Œ

µ-6

. -

pp

pp

Ó . --

5

5

∑

G

˙o

Œ

G

pp

Œ

o óó óó

∑

Œ

)

Œ

Ó

G

pp

G

66 6 6 6

(h) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

pp

˙o

G

o

oG Ó

G

Ó

-6

-6

pp

∑

Ó

Œ

66 6 6 6

Œ

>

Contrabass 3-4

(III)

g g

Col legno tratto

Col legno tratto

pp

∑

O O ≈ ‰ R o

5

ppp

Œ

∑

Œ

66 6 6 6

∑

∑

pp

G

Col legno tratto

-6

5 Sul tasto 1/2 col legno

+ + +3 + + +3 +

5

(h)

ppp

Viola 5-6

-6

Harmonic

ppp

Ó o

G

-6

-6

-6

‚ O ææ ææ pp . . 5 . - - ‰ -

Flat fingertip / V. Light Bow

Col legno tratto

-6

~ ææ

6 6

-6

Œ

ppp

G

ppp

Œ

T

pp

Col Legno Tratto

Œ

j ‰ -g

G

Col legno tratto

Ó

-6

Œ

O æ pp

Ó

pp

Ó

-6 -6

Œ

)

-6 -6

6

pp

-6

B.T.

pp

G

Col legno tratto

+2 ææ

)

5

>

B

Viola 5-8

æ œæ

4 æ œæ

>

B

Viola 1-4

p

Œ

œ œ œ œ œ œ

ppp

>

&

Violin II 7-8 9-10

ppp

>

&

Violin II 5-6

+@ ææ

>

&

Violin II 3-4

g o

Brush Tremolo

+2 ææ

ppp

Ó

>

&

Violin II 1-2

Bow screw tapping

<

Violin I 9-10

&

∑

<

Violin I 7-8

∑

<

&

6 -6

6

)

O ææ

ppp

Violin I 5-6

-6

-6

6

6 )

5

6

6

6

-6

5

6

6

∑ (IV

Sul tasto 1/2 col legno

∑

‚ æ

5

6

Œ

∑

5

6

Œ

Œ

œ œ œ œ œ œ œ œ œ œ

6

‚ ææJ

-

pp

Œ

-6

pp

Œ

5

6

Œ

+3

++++++++ ‰ > œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ # > ># > nœ œ œ œ œ œ œ œ pp ppp ppp + + + +++ + + + ++ + + +++ + + +++ + + + +++ + + + + + + +++ +++++ +++ œ œ œ œœœ œ œ œ œœ œ œ œœœ œ œ œœœ œ œ œ ‰ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ # > ># > >

6

Œ

6. ‰

-

-

O ææ

∑

æ Oæ

ppp

O ææ

Rub drumsticks together

6.

+ + + +3 + +

3

+ + + + + + + + + + + + + + + + + + + + + + + ++ + +

6

Œ

Œ

Ó

‚ ææ

r #-6. ≈ 6 6#6 6 ‰ r #-6. ≈ 6 6#6 6 ‰

6 -.

ppp

‚ ææ

6.

pp

n-6

Œ

5

r #-6. ≈ 6 6#6 6 ‰

pp

&

Violin I 3-4

#-6

pp

O ææ

≈ -

6

+ +3 + + +3 + + +3 + +

∏∏∏

/

)

Rub drumsticks together

ppp

Percussion II

6 -.

pp

pp

ppp

Rub drumsticks together

/

6 ≈ -. #-6.

-6

#-6

6. 6. 6

pp

-6

#-6

5

6. 6. 6

Ó

6 6 ≈ -. -6. -. -6.

6 -. n-6.

& #6. -

ppp

ppp

(slap tongue)

ppp

pp

(without reed)

English Horn

5

Ó

(without reed)

(without reed)

Oboe II

5

Œ 6 6 66 6 6 6 6 6 66 6 o o pp & 6 6 66 6 6 6 6 6 66 6 Œ o o pp 6 6 6 6 6 6 Œ & 6 6 6 6 6 6 o o pp 6 ≈ 6 6 6 & #6. 6 - -. n-6. -. -. -. -. &

œ

(slap tongue)

(key click)

Oboe I

+ +3 + ‰ œ œ œ œ œ # > ># > > n œ œ œ (slap tongue)

++ + ++ ‰ > œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ # > ># > nœ œ œ œ œ ppp pp ppp ppp ++ + ++++ + + ++++++++ +++ ++ + + +++ + + +++ + ++ + + + + +++ + + ++ œœ œ œœœœ œ œ œœœ œœœœœ œœœ œœ œ œ œœœ œ œ œœœ œ œ œ ‰ nœ œ œ œ œ œ œ œ œ œ œ # > ># > > ppp

Flute II

+ + + +3 +

3

<

4 q = 92 M.M. (with tension) 4 + +3 + + +3 + + +3 + + +3 + + +3 + + +3 + + +3 + + °

pp


pp

+

œ

+ + + +3 + + +3 + +

3

œ œ œ œ œ œ œ œ œ

+ + ++ ++ +++ + ++

& Ó

Ob. II

& Ó

Eng. Hn.

& Ó & 6 6 6 #6 Ó

Cl. I

Cl. III

Tpt.1 + 2 + 3

° & ?

) pp

¢ #-6

µ-6

n-6

°

Vln. I 1-2

ppp

∏∏∏

/ Ó Ó ¢/

Πj 6.

+ + +++ + +++ +++ +

j 6. j 6.

6

6

6

6

Œ

Œ

Œ

6

6

6

6

6

)

6

6

Œ

Vln. I 7-8

∑

&

∑

pp

-6

∑

ppp

-6

µ-6

≈ - - ≈ Œ

O™ æ pp

o

pp

+2 ææ

+@ ææ

ppp

p

ppp

& Ó

##OO #O O

B Œ

L.H. Tap

Vla. 3-4

B

Vla. 7-8

?

Vc. 1-2

3

ppp

B

Vla. 5-6

¿.

Go

¿.

Œ Œ ∑

III

II

I)

∑

Vc. 5-6

?

∑

?

Œ

Ó

Œ

G

∑ ∑

o

oG

Ó

6 -.

6 ≈ -.

#-6. n-6. n-6.

6 ≈ -. -6.

6 -.

6 -.

6 ≈ -.

#-6. n-6. n-6.

6 ≈ -. -6.

∑

Œ

∑

Ó

æ Oæ

Ó

Ó

‚ æJ

∑ ‚ æ

~ æ

Œ

O æ

‚ æ

O™ æ pp

∑

(IV

III)

OO

O æ pp

Œ

∑

(h) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

(h) Harmonic

Oo (I) O nnOO nO R

5 S.T. 1/2 col legno

Bow screw tapping

G o

G

pp

OO R

5

(III)

∑

+. 2 J

ppp

≈ ‰ o

O

≈ ‰

o

Œ

Ó

∑

Bow bounce

6

+@ ææ

p

∑

o

pp

Œ

4 æ œo

g

+ B 2. J

+. 2 J

µ6 +2 ææJ

æ œæ

#6 ‰

¿

∑

Œ

∑

Ó

Ó

Ó

Œ

Ó

Ó

óó óó

-6. J

G o

o o

pp

∑ Œ Œ

G

∑

o

pp

V o ∑

(h)

(q)

pp

Sul C 1/2 col legno

O O O Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O #O nO O O #O Œ 3 o 3 o pp

ppp

∑

G

ppp

Œ

Ó

pp

˙

o

∑ ˙

pp

G

pp

∑

Ó o Ó o ∑

G

o

pp

∑

Ó

∑

o

G o

G

G

∑

C.L.T.

oG

∑

∑

óó óó

Ó o

∑

pp

pp

˙o

g g g

o

w ∑

T

Œ

G

(tutti)

o

pp

G

j g

G

˙o

G

T

g

pp

Ó

(solo)

∑ Œ

G

oG

o -6. J

∑

∑

Πg g g g

G

Ó o

pp

5

Ó

Œ

Go

C.L.T

6 -.

n-6

j -g T

>

¢

¿.

≈ ‰

6 ≈ -. -6.

µ-6

sempre

sfpp

pp

∑

Cb. 3-4

¿.

j ‰ -g T

G

C.L.T.

?

?

g

C.L.T.

6. 6.

#-6. n-6. n-6.

sfpp

Œ

6

6

#-6

Flat fingertip / V. Light Bow

ppp

Vc. 3-4

Cb. 1-2

G

>

B Ó

Vla. 1-2

<

G o

≈ ‰

6

6

-6

∑

Ó o

pp

& Ó

Vln. II 7-8 9-10

6. 6. 3 2

6

6

#-6

ppp

∑

G

≈ ‰

6

6

pp

>

& G o

Vln. II 5-6

j ‰ -g T

ppp

∑

&

Vln. II 3-4

T

6. 6. 3 2

6

ppp

pp

6

3 2 6. 6. ≈ ‰ 3 2

6

>

sfpp

g

j ‰ -g

6

≈ ‰ # 6. 6. ≈ ‰ 3 2 ≈ ‰ 6. 6. # 6. 6. Ó 6 6. 6. 32

≈ ‰

# 6. 6. 32

≈ ‰

6

∑

∑

pp

>

-g

Ó

≈ ‰

6. 6. 32

≈ ‰

32 6. 6. ≈ ‰

3 2 6. 6. ≈ ‰ 3 2 ≈ ‰ 6. 6.

Œ

O æ

Ó

pp

>

Vln. II 1-2

T

>

& g o C.L.T.

oG

≈ ‰

B.T.

G

C.L.T

<

Vln. I 11-12

32

32 6. 6. ≈ ‰

pp

pp

æ œæ

4 æ œæ

ppp

pp

Œ

+2 ææ

nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

n-6

O ææ

(IV

S.T. 1/2 col legno

∑

pp

+ + + + ++ + + + + + + + + ++

µ-6

Ó

g

œ œ

#-6

O ææ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

™ oG

œ œ œ œ œ œ œ œ œ œ œ œ

-6

Œ

+ +

3

#-6

O æ pp

‚ ææ

∑

∑

&

32

≈ ‰

6

pp

3 2

# 6. 6.

6

j 6 6

µ-6

32 6. 6. ≈ ‰ 32 ≈ ‰ 6. 6.

# 6. 6. 3 2

)

∑

32 6. 6. ≈ ‰ 32 ≈ ‰ 6. 6.

# 6. 6. 3 2

pp

)

3 2 6. 6. ≈ ‰ 3 2 ≈ ‰ 6. 6. 3 2 6. 6. ≈ ‰

)

6™

O æ ppp

B.T.

Vln. I 9-10

+ +++ + + ++ +++

mp

- - Œ

Bow screw tapping

Œ

pp

æj ‚æ

∑

&

œ œ œ œ œ œ

+ + + +3 + + +3 + + +3 + +

3

+ + + +++ + + + ++ + + + + + + + ++ ++++++++ ++++ +++ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ # > ># > > 5 5 5 5 5 5 5

)

)

6

Œ

6

6

6

6

ppp

3

C.L.T.

+3 + + +3 + +

ppp

ppp

ppp

Vln. I 5-6

ppp

+ ++ +

pp

6

∑

‚ æ

∑

+ ‰ œ œ # > ># > > n œ

‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ # > ># > >

ppp

Ó

O æ

&

Vln. I 3-4

6. 6. ‰

~ æ

C.L.T.

° &

++++

6

o

∑ O æ pp . --

Œ

n-6

ppp

/ æO

n-6

-6

Œ

?

Œ

n-6

-6

Œ

6. 6.

-6

n-6

Perc. II

Perc. III

6

µ-6

°? Timp. ¢ Perc. I

6. 6. 6

6

#-6

Tbn. 1 + 2

B. Tbn.

6. 6.

Ó ¢& 6 6 6 #6

pp

pp

6

& 6 6 6 #6 Ó

Cl. II

œ œ œ œ œ œ œ œ œ œ

+ +A

3

++ + ++++ + + + + + + +++++++ ++ + ++++ + ++++ + ++ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ # > ># > > 5 5 5 5 5 5 5

6. 6. 6 6. 6. 6

œ œ œ œ œ

ppp

ppp

Ob. I

+ +3 + + +3 + + +3 + +

‰ œ œ œ œ œ œ œ œ œ œ œ œ # > ># > > n œ œ œ œ

++ ++++ + + ++++++ + & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ# ># > >‰ > 5 5 5

B. Fl.

+ + + +3 +

3

<

6 + +3 + ° + +3 + Fl. & œ œ œ # ># > >‰ n œ œ œ > ppp + + + + + + + + ++ + + Fl. II & œ œ œ œ œ œ œ œ œœ œ œ

<

2

∑ ∑ ∑

6 -.

6 -.

6 ≈ -.


pp

+ +3 + + +3 +

‰ œ œ œ œ œ œ # > ># > > nœ ppp ++ + +++ + ++ + + +

+ +

3

œ œ œ œ œ œ œ œ œ œ œ + + + + ++ + + + + + + ‰ > œ œ œ œ œ œ œ œ œ œ œ œ # > ># > nœ œ œ œ œ œ œ œ œ œ œ œ ppp

Ob. I

& 6

Œ

Ob. II

& 6

Œ

& 6

Eng. Hn.

& #6. -

Cl. I

& #6. -

Cl. II

Tpt.1 + 2 + 3

+ + + +3 + + +3 + +

3

ppp

+++ + ++++ + ++++ +++ + + ++ + + + +++++ +++++ ++ & nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ# ># > >‰ > 5 5 5 5 5 5 5

B. Fl.

Cl. III

+

¢& #-6. ° &

6. 6. 6

-6.

6 -.

6

6. 6. 6

-6.

6 -.

6

6. 6. 6

Π6 -.

pp

r ≈ -6.

j 6 -. -6.

6 -.

6 -.

r ≈ j 6 -6. -. -6.

6 -.

r ≈ -6.

6.

6.

6.

6.

6 -.

6 -.

-6.

6

6.

j 6 -. -6.

6. ‰

6. 6. 6 6. 6. 6 6. 6. 6

r #-6. ≈ 6 6 #6 6 ‰ r #-6. ≈ 6 6 #6 6 ‰ r #-6. ≈ 6 6 #6 6 ‰

6 -.

∑

Œ

-6

ppp

6 6 6

6.

6.

6.

6.

6.

?

Œ

)

? 7~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ B. Tbn. )7 ¢ b)

6

o °? ææ Timp. ¢ ~

Perc. I

°

Perc. II

Perc. III

Vln. I 1-2

/ Ó

Œ

/

∑

¢/

)

6

)

Œ

)

6

)

Œ

Col Legno Tratto

∑

&

pp

Œ

æ Oæ

∑

III

II

I)

Harmonic

sempre

5

ppp

Vln. I 9-10

∑

&

∑

&

∑ oG

< sfpp

pp

T

j ‰ -g T

Ó o

Œ

Ó

Œ

G

pp

G o

G

o

G

pp

G o Ó

6 66 6 6 6 6Œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ 6 )

pp

Œ

6

6 6 6 6

O O

O O ≈ ‰ R o

5

(III)

∑

6 66 6 6 6 6Œ

+ B 2. ‰ J

ppp

g

+. 2 J

Πg g g g 5

Œ

-6. J

Œ +@ ææ 4 æ œoæ

G

G

pp

-6. J

#-6.

6 -. n-6. 6 -. n-6.

o

G o

æ œæ

pp

‚ ææ

#-6

Ó

O ææ

O ææ

O æ

Ó

pp

∑

#6 Œ

∑

¿

∑ ∑

Ó o

∑

∑

∑

Πj g

6 ≈ -. -6.

µ-6

o

Ó

T

6 ≈ -. -6.

-6

O æ pp

pp

µ +62 æJ

6 ≈ -. -6.

∑

O

6

Ó

#-6

Ó

Bow bounce

g

T

g

pp

Œ

o

G

g g

pp

Ó o ∑ ∑

G

Ó

o

Flat fingertip / V. Light Bow

B Œ

Œ

Left Hand Tap

Vla. 3-4

¿.

3

¿.

g

Col Legno Tratto

ppp

Œ

¿.

j -g

T

>

B Ó

Vla. 1-2

Œ

Ó

Ó

Œ

Ó

Ó

(solo)

óó óó

sfpp

¿.

˙o

ppp

B ∑

Vla. 5-6

B

Vla. 7-8

?

Vc. 1-2

Go

Go

G

Col Legno Tratto

pp

∑

Vc. 3-4

?

∑

Vc. 5-6

?

∑

Cb. 1-2

?

∑

¢

?

∑

o

G

pp

o

G

o

pp

∑ oG Ó

∑ Œ Œ

G

V o ∑

o

pp (h)

pp

∑ (q)

G

ppp

(tutti)

O O O ppp ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ O #O nO O O #O Œ 3 o3 o pp Œ

Ó

∑

w

∑ o óó óó

˙

pp

G o

G

pp

∑

G

∑ ˙

C.L.T.

oG ∑

∑

o

pp

˙o

Sul C 1/2 col legno

∑

o

pp

j -g T

sfpp

Ó o Ó o ∑

G

>

Cb. 3-4

G

Œ

5

Ó

µ-6

ppp

‚ æ pp

p

pp

Ó

-6

ppp

Œ

Œ

5

6 -. 6 -. 6 -.

6 -. 6 -. 6 -.

∑

O æ

Oo (I) O nnOO n O ≈ ‰ R o

pp

o

6 -. n-6.

Ó Œ

pp

#-6.

#-6.

(h) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ó

oG Ó

G

Œ

5

pp

(h)

B.T.

∑

+. 2 J

pp

>

j -g ppp ∑

III)

ppp

Bow screw tapping

6 66 6 6 6 6Œ

6 6 6 6

6

5

>

g

Ó

+2 ææ

Ó

>

-g

Go & Ó

Vln. II 7-8 9-10

æ œæ

4 æ œæ

S.T. 1/2 col legno

Œ

6 6 6 6

pp

pp

pp

&

Vln. II 5-6

p

>

Vln. II 3-4

T

>

& g o & ∑

ppp

G

Col Legno Tratto

Col Legno Tratto

Vln. II 1-2

Brush Tremolo (B.T.)

+@ ææ

ppp

& Ó

Vln. I 11-12

Bow screw tapping

+2 ææ

∑

<

Vln. I 7-8

&

<

Vln. I 5-6

(IV

6

ppp

O™ æ

Œ ∑

(IV

6

Œ

O ææ

pp

O æ pp

##OO #O O

Œ

o ‚ æJ

‚ ææ

‚ æ

6

Ó

O™ ææ

o

pp

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ó b67 67

o

3

++++++++++++++++++++ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

R

∑

Sul Tasto 1/2 col legno

ppp

b) ™

6

pp

Ó

pp

ppp

-6

pp

o

g

™ oG

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Πb)7 67

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

+ + + +3 + + +3 + + +3 + + +3 +

3

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ 6 ) pp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ 6 )

R

O æ

+

‰ œ œ # > ># > > n œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ppp + + + + + + ++ + + + + + + + + + + + + + + + + ‰ > œ œ œ œ # > ># > nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ++ + +

6

pp

pp

O æ pp

+ +

3

pp

b)

∑

∑

6

6

pp

∑

Ó

6

6

)

o

O æ

∑

° &

Vln. I 3-4

‚ æ

6

pp

6

6

Ó

pp

6

pp

)

Œ

o o

6 6

6

6. ‰

R

pp

pp

+ +3 + +

+++ + +++++ +++ + +++++++ +++ + ++ + + +++ + + ++ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ # > ># > > 5 5 5 5 5 5 5

6

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ó b67 67

pp

R

œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Œ

b) ™

VIII -> I

œ œ œ œ œ œ œ œ œ œ œ œ pp ++ + + + + + + + + + + + + + +

6

ppp

Tbn. 1 + 2

+ +3 + + +3 + + +3 + + +3 +

<

11 ° + +3 + Fl. & œ œ œ ++ + + Fl. II & œœ œ œ

∑ ∑ ∑

-6 pp

-6

pp

6 ≈ -. 6 ≈ -. 6 ≈ -.


+ + +

3

œ œ œ

++ + + + + + +

pp

& œ œ œ œ œ œ œ œ # ># > >‰ >

Fl. II

ppp

Ob. I

Ob. II

Cl. I

Cl. II

6.

6.

& 66 6 . .

6

6.

6.

pp

6.

5

6. ‰

Œ Œ

5

6

6

6

6

6

6

-6.

6 -.

r #-6. ≈ 6 6 #6

6 ‰

Ó

& #6. -

6 -.

-6.

6 -.

r ≈ j 6 -. -6. r ≈ 6j -. -6.

-6.

6 -.

r #-6. ≈ 6 6 #6

6

Ó

6 ‰

Ó

6 -.

6 -.

-6.

-6.

r #-6. ≈ 6 6 #6

6 -.

5

6

pp

5

6 6

6

6

6

Œ

r ≈ j 6 -. -6.

6

Œ

6

Œ

6. 6. 6 6. 6. 6 6. 6. 6

Œ

. 66

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∏∏∏∏

∏∏∏

3

° &

Ó

∑

) ∑

∑

&

Œ

pp

S.T. 1/2 col legno

∑

∑

Vln. I 9-10

&

∑

&

∑

‚ æJ O ææ

#O ##OO O (IV

<

j -g

ppp

∑

Go & Ó

Vln. II 7-8 9-10

T

j -g

T

Œ

∑

G

G

G o

G

pp

6 666 6666 666Œ

Œ

6 -.

Œ

pp

Ó

pp

‚ ææ

III

II

I)

sempre

5 S.T. 1/2 col legno

(IV

O O

III)

O O ≈ ‰ R o

5

(III)

Œ +@ ææ

+. 2 J ppp

+ B 2. ‰ J

g g

Ó

g 5

+. 2 J

g Œ

g

G

-6. J

6 -. #-6.

6 ≈ Œ -.

Œ

~ æ pp Ó

Œ

Ó

∑

. . .j --‰ - ‰

∑

O

Œ

∑

o

pp

Ó

∑

Bow bounce

6

µ +6 2 æJ

p

æ œæ

pp

∑

#6

¿

∑

‰ Œ

∑

Ó o

Œ

∑ ∑ g

T

g

pp

j ‰ Œ g T

G

-6. J

6 ≈ Œ -.

G o

G

o

pp

g g

∑

Ó o

∑ Ó

G

o

Flat fingertip / V. Light Bow

B Œ

L.H. Tap

Vla. 3-4

¿. 3

¿.

Œ

g

¿.

ppp

Œ

j -g sfpp ¿. T

>

B Ó

Vla. 1-2

C.L.T.

Œ

Ó

Ó

Œ

Ó

Ó

(solo)

óó óó

˙o

ppp

B

Vla. 5-6

B

Vla. 7-8

?

Vc. 1-2

∑ Go

Go

∑

o

∑

∑

Vc. 5-6

?

∑

oG

? ¢

?

∑

o

pp

∑ Œ Œ

G

o

pp

Ó

V o

(h)

∑

(q)

pp

G

ppp

(tutti)

∑

w

O O O ppp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O #O nO O O #O Œ 3 o 3 o pp ∑ Œ

Ó

∑ ˙

∑ Ó o

˙

pp

G o

G

C.L.T.

Ó o

pp

∑ oG G

∑

o

pp

˙o

Sul C 1/2 col legno

∑

∑ G

pp

∑

j -g ‰ Œ T

>

Cb. 3-4

∑

G

G

C.L.T

?

o

o óó óó

pp

pp

Vc. 3-4

Cb. 1-2

G

G

C.L.T.

sfpp

6 -. #-6. 6

R

Œ

pp

o

6 -. #-6.

pp

Ó

oG Ó

G

4 æ œo

B.T.

∑

6 ≈ Œ -.

∑

(h) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Oo (I) O nO nnOO ≈ ‰ R o

pp

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Πb)7 67 o o pp

O ææ

. . ≈ - ≈ -- Œ . 5. . ≈ - - - ≈ Œ

. -

6 -. -6.

b)

Œ

o

>

6 666 6666 666Œ

(h)

Bow screw tapping

Ó

pp

G o

6

~ æ

Harmonic

∑

Œ

)

>

pp

>

&

sfpp

g

Ó

6

>

Vln. II 5-6

-g

pp

6. 6. ‰

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ó b67 67 o o pp

Œ

5. ≈ -

ppp

Ó o

>

&

T

Œ

+2 ææ

6

6

R

∑

Ó

pp

G

oG

6

pp

æ œæ

4 æ œæ

>

Vln. II 3-4

g o

p

B.T.

C.L.T

>

&

Vln. II 1-2

C.L.T.

ppp

ppp

& Ó

Vln. I 11-12

Bow screw tapping

+@ ææ

<

Vln. I 7-8

+2 ææ

∑

<

&

6

pp

ppp

Vln. I 5-6

pp

b) ™

VIII -> I

∑

o

6. 6.

6

6 666 6666 666Œ

6 -. -6.

3. . . j ≈ - - ≈ ‰ -- ‰ Œ

g

™ oG

6

6

6 -.

Ó

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

C.L.T.

6. 6. 6 6. 6. 6

6. 6. ‰

R

∑

Œ

æ Oæ

pp

6. 6.

)

n-6

Œ

6. 6.

6

6

µ-6

¢/

6

6. 6. 6

n6

)

#-6

Perc. III

#6

r #-6. ≈ 6 6 #6 6 ‰

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b)7 )7

/

6. 6.

n6

pp

∑

O™ ææ

6

#6

6 -. -6.

Œ

∑

6

6 -.

?

‚ ææ

b6

ppp

Œ

b)

æ ~æ

pp

)

∑

O ææ

ppp

[ch]

6

Œ

pp

nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

)

n-6

Ó

ppp

r #-6. ≈ 6 6 #6 6 ‰

r #-6. ≈ 6 6 #6 6 ‰

(closed mouthpiece)

++ + + ++ + +++++++++ + + +++ ++++ ++++ +++

6

µ-6

∑

œ œ

++++++++++++++ + œœœœœœœœœœœœœœ œ ‰ # > ># > > 5 5 5 ppp

6 n 6 6 6 6 n6 6 6

‰ Œ œ œ œ œ œ œ œ œ œ œ œ œ # > ># > >

ppp

#-6

/

+ +3 + + +3 + + +3 + + +3 +

‰ œ œ œ œ œ œ œ œ œ œ œ œ # > ># > >

6

∑

pp

?

°

Vln. I 3-4

++ + +++ + + ++++ ++++++++ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

6 -.

Perc. II

Vln. I 1-2

ppp

-6.

°? ~ Timp. ææ ¢ Perc. I

nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

6 -.

° & ∑

¢

6

++ + +++ + +++ + +

+ +

3

œ œ œ œ œ œ œ œ œ œ

ppp

& #6. -

¢& #-6.

Tbn. 1 + 2

B. Tbn.

6

+ +3 + + +3 + + +3 + +

+ + + + + + + + + + + ++ + + +++ + +

ppp

& 66 6 . . & 6. 6. 6

Eng. Hn.

Tpt.1 + 2 + 3

+ +3 + + +3 + ‰ œ œ œ œ œ # > ># > > n œ œ œ œ œ œ

+++ + +++ + + + + + + ++ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ># > >‰ #> 5 5 5

B. Fl.

Cl. III

+ + + +3 +

3

<

16 + + 3 + + +3 + + ° & œ œ œ œ œ œ œ

∏∏∏∏

Fl.

∏∏∏∏

4

∑ ∑ ∑

‚ ææ


21

3 2 ≈ ‰ 6. 6.

3 2 ≈ ‰ 6. 6.

3 2 ≈ ‰ 6. 6.

6 6 6 6 6 6 6 6 6

Œ

pp

ppp

Ob. I

Eng. Hn.

6

6

° &

6 -.

#-6. ≈ Œ

6 -.

#-6. ≈ Œ

6 -.

#-6. ≈ Œ Œ

6

¢

6

-6. -6.

6 -. 6 -. 6 -.

-6.

¢/

Ó

. -

. -

5

. -

Œ

6 66

6666 Œ

6

6

6

6 66

Π6666

6 ≈ #6 -. -.

Œ

[sh]

6

∑

-

O æ pp

j -

3

j -

Œ

&

∑

&

∑

pp

∑

S.T. 1/2 col legno

T

< sfpp

g

Ó

T

ppp

∑

Go & Ó

Vln. II 7-8 9-10

j -g

T

G

pp

G o

G

Œ

o

O ™To Vib. æ

#O #O #OO (IV

III

II

I)

S.T. 1/2 col legno

Œ

+2 æ

III)

OO

OO R ≈ ‰ o

5

(III)

∑

Ó o

Œ

Ó

Œ

∑

G o

G

pp

+ B 2. ‰ J

ppp

+. 2 J

Πg g g g 5

g

Ó

oG Ó

G

6. 6.

6. 6. ‰ 6. 6. 6

6

6. 6. ‰

6. 6.

6. 6. 6

6 -. -6.

6 ≈ -. #-6.

6 -. -6.

6 -.

Œ

6 -.

6 -. -6.

)

R

∑ Ó

O

Bow bounce

µ +6 2 ææJ

p

æ œæ

∑

Ó

Œ

G

j ‰ g T

G

-6. J

-6. J

#6

∑

¿

∑

Œ

∑

Ó o

pp

pp

o

∑

o

Ó

6

G o

O æ ∑

pp

Œ

Œ

~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ó b67 67 o o pp

Ó

∑ ∑ g

T

g g g

pp

Œ

o

G

pp

Ó o ∑ ∑

G

Ó

o

Flat fingertip / V. Light Bow

B Œ

Œ ¿.

L.H. Tap

Vla. 3-4

¿.

g

C.L.T.

¿.

ppp

Œ

3

j -g T

>

B Ó

Vla. 1-2

¿.

Œ

Ó

Ó

Œ

Ó

Ó

(solo)

óó óó

sfpp

˙o

ppp

B

Vla. 5-6

B

Vla. 7-8

?

Vc. 1-2

?

Vc. 3-4

?

Vc. 5-6

?

Cb. 1-2

¢

?

Go

C.L.T.

∑

Go

G pp G

C.L.T

o

∑ ∑ ∑ ∑

G

pp

o

G

o

pp

∑ oG

Ó

G

o

(h)

∑

˙o

(q)

Œ

3

pp

∑ Ó

3

O

˙

G o

G

pp

pp

∑ oG

∑ ˙

C.L.T.

Πo

∑

o

o óó óó

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O #O nO O O #O o

∑

∑

O

O

∑

w

∑ Sul C 1/2 col legno

(tutti)

pp

ppp

Œ

pp

V o

Œ

Ó o Ó o ∑

G

o

pp

∑

∑ ∑

pp

G

ppp

G

j -g ‰ T

>

Cb. 3-4

∑

sfpp

Œ

6 -. -6.

Ó

b) ™

6

(h) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Oo (I) O nO nO n O ≈ ‰ R o

6 ≈ -. #-6.

æ ~æ

Ó

4 ææ œo

6 -.

O æ

+@ æ

6. 6.

6 6 #6 6 Œ

6 6 #6 6 Œ

Ó

Œ

6

6 6 #6 6 ‰

6 6 #6 6 ‰

O æ pp

B.T.

∑

+. 2 J

6

(h)

ppp

Bow screw tapping

6. 6. 6

6 -.

O æ

5 (IV

‰ Œ

6 -. -6.

∑

sempre

2

6 ≈ -. #-6.

R

Harmonic

1

œ.

6 -. -6.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ b)7™

∑

2

6 -.

[sh]

‚ æ pp

sfpp

1

6 6 #6 6 Œ

b)

‚ æ

sfpp

‰ #œj ‰ .

6 6 #6 6 ‰

>

j -g

6

Œ

sfpp

6. 6.

Œ

6

Ÿ / jŸ ~~~~~~~~~

2

>

-g

pp

6

6

pp

Œ

Ó

pp

G

oG

pp

æ œæ

4 æ œæ

&

Vln. II 5-6

p

∑

>

Vln. II 3-4

ppp

>

C.L.T.

+@ ææ

B.T.

C.L.T

>

& g o &

Vln. II 1-2

+2 æ

Œ

Œ

n6

Ÿ/ Ÿ

1

6

ppp

Ÿ / jŸ ~~~~

œ.

∑

O æ

O æ

g

ppp

& Ó

Vln. I 11-12

Bow screw tapping

6

Ó

Ó

Œ

<

Vln. I 9-10

∑

<

Vln. I 7-8

&

Œ

ppp

Vln. I 5-6

Œ

#6

pp

‚ æ pp

™ oG

r ≈ ‰ -6.

R

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

C.L.T.

6 -.

r ≈ ‰ -6.

Œ

n6

Ó 6. 6. #6. 6.

Ó

æj ‚æ ‰

-

‚ æ

-6.

6 -.

-6.

6 -.

r ≈ ‰ -6.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ó b67 67 o o pp

pp

O™ æ

6 -.

b) ™

VIII -> I

O ææ

-6.

#6

6

6

6

6

)

R

Œ

6 -.

6 ≈ #6 -. -.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b)7 )7

Ó

6 -.

6 ≈ #6 -. -.

6 -.

"ff"

∑

&

6

6 -.

6 -.

r 6 ≈ -. -6.

b)

O æ

° &

6

6 -. 6 -.

(closed mouthpiece)

6

pp

6 -.

6

∑

pp

6

pp

pp

Π6666

6 6 6 6 6 6 6 6 6 6

b6

Ó

6 66

pp

r 6 ≈ -. -6.

Ó O æ pp

6 6 6 6 6

‰ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ # > ># > >

ppp

∑ Œ

. -

r 6 ≈ -. -6.

≈ 6 6 #6 6 ‰ -6.

∑

/ ‰

6. 6. ‰

≈ 6 6 #6 6 ‰

R

/ æO

6

6. 6.

≈ 6 6 #6 ‰ 6 -6.

? 7~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ó b6 67 o o pp

°

6. 6.

6

6 -6.

6

Ó

°? ¢

Vln. I 3-4

ppp

6

6

6

? ™ b)

Perc. II

Vln. I 1-2

& 6

¢& -6.

Tbn. 1 + 2

Perc. III

6

& 6. -

Cl. II

Perc. I

6

& 6. -

Cl. I

Timp.

& 6 & 6

Ob. II

B. Tbn.

‰ œ œ œ œ # > ># > >

5

+ +3 + + +3 + + +3 + + +3 + + +3 + + +3 +

œ œ œ œ œ œ œ œ

++++

pp

pp

+ + + +3 + + +3 +

3

œ œ œ œ

+ + + +++ + + + ++ + + + ++ + +++ +++ +++++++++ +++ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ# ># > >‰ > 5 5 5 5 5 5 5

B. Fl.

Tpt.1 + 2 + 3

6 66

+ + + + + + + + + + + + ++ + + + + + + + + + + + + ++ & # ># > >‰ n œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ >

Fl. II

Cl. III

+ +3 + +

<

° 3 2 ≈ ‰ Fl. & 66 . .

∑

6 -.


26 ° + +3 + + +3 + + +3 + + +3 + Fl. & nœ œ œ œ œ œ œ œ œ œ œ œ ++++++++++++++++ Fl. II & œœœœœœœœœœœœœœœœ ppp

Ÿ/ Ÿ

. & bœJ ‰

Œ

& 66‰ . . & 66‰ . . & 6. 6. ‰

6. 6. 6 6

1

B. Fl.

2

Œ

sfpp

Ob. I

Ob. II

Eng. Hn.

Cl. I

Cl. II

Cl. III

Cbsn.

Hn.

¢

B. Tbn.

Vln. I 1-2

6. 6.

‰ 6. 6. ‰

œ + ™™ œ

ppp

™™ 6

™™ œ™

?

-6 ppp

°

/ Œ / æ‚ æ

¢/

∑

5

œ

·ppp ï ïóïó ∑óóó ó

™™

œ

· ppp ï ïïóóó ∑ïïóó ïó

œ

·

µ-6 µ-6

‚ ææ O ææ

#-6 #-6

O ææ pp

pp

W/Mute Lontano

-6 -6

pp

pp

∑

&

∑

™™

ppp

™™

‚ ææ

j œ

j œ œ 3

™™

œ

™™

j ‰ ‰ .> # .>

5

r‰ >

6#6.

5

„ ‰

j >

pp

w ∑

3

Π.>

™™

j b .> ≈ .>r ‰

3

n6 #6. n6 #6.

6. 6.

5

n6 #6. n6 #6.

5

Œ

Œ

Flap Tonguing

-6

µ-6

VII

#-6

ppp

™™ O ™ ææ

6.

6.

6. ‰

Œ

-6

#-6

-6

6

6

Œ

-6

#-6

6

6

Œ

-6

#-6

j ≈ Œ b>

j ‰ .>

Œ

Œ

5

j .>

Œ

3

6.

5

6

6 6 >. >.

VI

6 Œ

Œ

Œ

3

j b .> ‰ Œ

6.

3

-6

Œ

-6

-6

-6

-6 j ‰ b .>

-6

#-6

æj n‚æ

∑

µ-6

66 6 6 6 ‰ Œ n6. 6. >> Œ n-6

Œ

Ó

O™ ææ

IV

∑

6

™ oG

∑

Œ

j -6.

Œ

j -6.

Ó

II

O ææ

&

∑

™™

∑

™™

&

∑

™™

∑

™™ Ó

Vln. II 1-2

&

∑

Vln. II 3-4

&

∑

Vln. II 5-6

&

∑

Vln. I 9-10

Vln. I 11-12

Vla. 5-6

Vla. 7-8

∑

B

∑

B

∑

B

∑

?

Vc. 1-2

∑

™™

∑

™™

∑

™™

∑

™™

∑

™™

∑

™™

∑

™™

∑

™™

∑

™™

∑

Vc. 3-4

?

∑

Vc. 5-6

?

∑

™™

∑

™™ ?

?

Cb. 1-2

∑

ppp

Cb. 3-4

¢

?

∑

™™ ?

arco "on bridge"

ppp

C.L.T.

ppp

T

-g

sfpp

Go ™™ Ó

™™ Œ

L.H. Tap

™™ ™™ ™™ ™™ ™™ ™™ ™™

Go

p

4 æ œæ G

C.L.T

™™

™™ Ó

ppp B.T.

∑

™™ g o ™™

+@ æ

g

oG Ó

pp

j ‰ -g T

∑

ppp

G o

pp

æ œæ

‚ ææ

O ææ

g

pp

S.T. 1/2 col legno

o

Œ

pp

O ææ

‚ ææ pp

∑ #O #O #OO (IV

III

II

I)

Harmonic

sempre

5

Œ

+2 æ

S.T. 1/2 col legno

Ó

j ‰ -g T

G

Ó o Ó

Œ

∑

G

Œ

o

G

(IV

OO

III)

pp

Bow screw tapping

(III)

∑ ∑

+. 2 J ppp

g

O O ≈ ‰ R o

5

ppp

pp

G

+ B 2. ‰ J g g

Ó

5

+. 2 J

¿. 3

ppp

¿.

Œ

g

¿.

ppp

Œ ∑

j ‰ -g sfpp ¿. T

oG Ó

G

G

pp

∑

C.L.T

o

∑ ∑ ∑ ∑

Ó

Ó

Œ

Ó

Ó

Go G

C.L.T.

Œ

o

o o

pp

∑ oG

Ó

(solo)

-6. J

óó óó

-6. J

G ∑

o

G

o

(h)

∑

(q)

pp

Sul C 1/2 col legno

O O O Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O #O nO O O #O Œ 3 3 o o pp ∑

ppp

Œ

pp

V o

Œ

G

ppp

˙o

pp

G

g Œ

g

Flat fingertip / V. Light Bow C.L.T.

>

Vla. 3-4

B

∑

∑

+2 æ

>

Vla. 1-2

∑

™™

™™

>

&

Vln. II 7-8 9-10

∑

Bow screw tapping

Œ

I

Ó

Œ

∑

>

&

∑

™™

∑

j ≈ Œ .>

æ #~æ

pp

∑

<

™™

&

Vln. I 7-8

∑

<

™™

∑

Œ

j -6.

ppp

Vln. I 5-6

5

III

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

C.L.T.

5

6 6 Œ

Œ Ó 6 66 b6. 6. ‰ n6. 6. ‰ b6. 6. ‰ > > > > >> ∑

6 6 6

‚ ææ

O ææ

Ó

pp

∑

j ‰ 6. ‰ b6. 6. >> V

6 6

3

Œ

j .>

5

∑

Πo

™™

n6.

6.

6

Ó

™™ ∑

n6.

6

pp

Πo

5

ppp

pp

+ + + +3 +

3

œ

Œ

∑ j ‰ 66.6 ‰ 66 >. >.

+

j n .> ‰

Ó

™™

1/2 col legno

6. 6.

pp

™™ ‚ ææ ¿

5

pp

™™ #~ææ

∑

5

)™

+ +

3

‰ Œ œ œ œ œ œ # > ># > > ppp + + + ++ + + ++ + + + ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ # > ># > > n œ œ œ œ œ œ œ œ œ œ œ œ pp ppp ppp + + + + +++ +++++ +++++ ++ + + + ++++++++ + + +++++++ œ œ œ œ œœœ œœœœœ œœœœœ œœ n œ œ œ œ œ œœœœœœ œ œ œœœœœœœ ‰ # > ># > >

[ord. fingering]

™™ b >™ .

™™

+ +3 + + +3 + + +3 + +

œ œ œ œ œ œ œ œ œ œ œ œ œ œ pp + + + ++ + + + + + + ++ + + + + + +

™™ )™ ‰

+3 +

3

)™

ppp

™™ Y™

n6#6.

pp

[ord. fingering]

) -)) ppp ™™ Ó

∑

wood end of mallet diatonic gliss damped

n6#6.

™™

∑

™™ ~ ææ

6.

6.

5

[ord. fingering]

œ œ™

ppp

™™

ï ïïóó ∑óïïóó ïó

E

E

™™ ~ ææ

™™

™™

ï ïóóïó ï ‰ ïïóó ∑ïóïó ∑óïóïó ïó ïó

∑

™™

ppp Vibraphone

° &

.> # .> 1

pp

j œ 3

œ

ï ïóïóó ∑ïïóó ó

6

œ

‰ ï ïóïó ∑óïóïó ïó

5

™™ ‰ 6 6 6#6. . . 3 j j ‰ ™™ Œ .> # .>

E

œ

Ϫ

ï ïóïóó ∑ïóïó ïó

ï ïïóóó ∑ïïóó ïó

j œ œ 3

ï ïóïóó ∑ïïóó ó

6

ï ïóïóó ∑ïóïó ó

™™

6

6

6

5

6

6

6

Without reed slap tongue

™™

5

6

ï ïóïóó ∑óó ó

r j r & #6. ≈ 6. 6. 6. 6. ≈ 6 6#6 6 ‰ - - - - -

-6 ppp

5

™™ 6

™™

? ∑

+3 + + +3 + + +3 + + +3 + B + +3 + + +3 + + +3 + + ™™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ + + ++ + + + + + + + + + + + ++ + + + + + + ++ + + + ™™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œœ œ œ œ ppp + + ++++ +++++ + + +++ +++ ++++++++ + ++++ + ++ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ™™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

™™ 6

r j r & #6. ≈ 6. 6. 6. 6. ≈ 6 6#6 6 ‰ - - - - -

?

Vln. I 3-4

6. 6.

œ +

™™

∑

Perc. II

Perc. III

6. 6 6 6. 6 6

& ¢

2

™™

+

r j r & #6. ≈ 6. 6. 6. 6. ≈ 6 6#6 6 ‰ - - - - -

°? ææ Timp. ¢ #~ Perc. I

6. 6.

∑

Tbn. 1 + 2

nœ. ‰ J 1

sfpp

° &

Tpt.1 + 2 + 3

Ÿ/ Ÿ

™™

<

6

Œ

Ó


31 + +3 + + +3 + + +3 + + ° Fl. & nœ œ œ œ œ œ œ œ œ œ

+ + + +3 + +

3

œ œ œ œ œ œ

œ œ œ œ

pp

++++ ++ + +++++ + +++++++ ++ + + +++++ ++ + + + + nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ # > ># > > 5 5 5 5 5 5 5

& 6 6 ‰ . . & 6 6 ‰ . . & Œ

6 6

j œ. -

Œ

1

2

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j & 6. -

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g g

g Ó

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g g g

g g g

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g

g g g g

g Ó

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Cb. 3-4

Ÿ / Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~ j

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6. 6.

pp

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Ob. I

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ppp

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‰ Œ Œ >fij > > Œ œ œ œ œ œ œ # > ># > > ppp ++ + + + + + + + + + ++ + + + + + + + + + ++ + +++++ ++ œ œ œ œ

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Perc. I

3

++ + +++++++++ + + + & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ># > >‰ #> 5 5 5 pp

B. Tbn.

+ +3 + + +3 +

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Fl. II

Tpt.1 + 2 + 3

+ + + + 3 + + +3 +

3

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C.L.T

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o

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B. Fl.

& Ó

Ob. I

& Œ

Ob. II

& Π&

Eng. Hn.

Cl. II

Cl. III

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¢

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sempre

(IV

III)

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5

(III)

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g

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pp

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3

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pp

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)

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6

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‰ Œ

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pp

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p

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pp

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6

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(t)

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j -6.

j 6. j b¿.

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j -6.

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(solo)

Ó

6

‰ -j ‰ ≈ j™ -

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>

&

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+. 2 J

j -6.

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(h) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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II

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5 S.T. 1/2 col legno

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(h)

ppp

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b6. 6. ‰ n6. 6. ‰ b6. 6. ‰ >> >> >>

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& ∑

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III

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6 6

6

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6

° &

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∑

¿

∑

∑

Ó

66 >. >.

VI

pp

∑

o

6666

6

j œœ œ

˙ · o

#-6

∑

6 66Œ

>

<◊> B -6

ï ïïóóó ∑óó ó

pp

-6

-6 -6 -6 J J -6

pp

>

Vla. 3-4

66666666 6

pp

>

<◊> B -6

-6

-6

#-6

Ó

pp

5

-6

Œ

6 66Œ

6

pp

j ‰ j ‰ j ‰ j ‰ n-6. -6. -6. -6.

G

-6

pp

>

<◊> B 6

Vla. 1-2

6

6. 6. ‰ 6 6 6 6 6 6 6 6 6

6. 6.

Œ

>

G o

6

6

6

6

6

6

6

6. 6. ‰

6

6

6

6

6 66Œ

6. 6.

-6

j ‰ Œ g

pp

6. 6. 6 6

6. 6. ‰

6

6. 6.

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6

-6

>

&

Vln. II 7-8 9-10

6. 6. ‰

6. 6. 6 6

6

6

6

6

#-6

T

& G

Vln. II 5-6

6. 6.

6. 6.

-6

Œ

& G

Vln. II 3-4

6. 6. ‰ 6. 6. 6 6

Œ 6j ‰ 6j ‰ ) -. -.

>

& Ó

Vln. II 1-2

6. 6.

6. 6. 6 6

)

Œ

pp

∑

6. 6. 6 6

6. 6.

(w)

6

O

6

p

&

Vln. I 11-12

6. 6.

Ó

6

Bow bounce

B.T.

Vln. I 9-10

6. 6.

6. 6. 6 6

r ‰™ Œ 6

6

(h) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

& Œ +@ æ & 4 & ææ œo

Vln. I 5-6

Œ

Ó

n)

ppp

)

Œ

r ‰™ 6

(w)

(w)

ppp

Ó

Œ 6j ‰ 6j ‰ ) -. -.

(h)

Oo (I) O nO & nnOO ≈ ‰ Œ R o

Vln. I 3-4

6

6. 6.

‰ œ œ œ œ œ œ œ œ œ œ œ œ # > ># > >

‰ Œ œ œ œ œ œ œ œ œ œ œ œ œ # > ># > > ppp

-6

∑

Harmonic

Vln. I 1-2

Œ

6 Œ

-6

∑ ∑

¢/

6

6

ppp

/

pp

++ +++ + + + + + + +

œ œ

pp

-6

∑

°? Timp. ¢

ppp

œœ œœ œ œ œ œ œ œ

11

+ +3 + + +3 + + +3 + + +3 +

#-6

Œ

?

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ œ œœ

pp

6

œ œ

+ +

3

-6

"ff"

B. Tbn.

-6

#-6

œ œ œ œ

ppp

+ + +5 + + + + +5 + + + + +5 + + + + +5 + + + + +5 + + + + +5 + + + + +5 + + œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ# >># > >‰

Ó

6

Ó

R

Tpt.1 + 2 + 3

6

6

6

Œ

6

6

6

6 66Œ

& 6

Cl. I

Cl. III

6 66Œ

6

6

6

Œ

+ +3 + + +3 + + +3 + +

++ ++ + + + + + + + ++ + ++ + + ++

Ó

∏∏∏

Eng. Hn.

6 66Œ

r ‰™ 6

<

Ob. II

r ‰™ Œ 6

pp

r ‰™ 6

)

+ +

3

<

& 6

Ob. I

)

(w)

(w)

)

pp

<

&

B. Fl.

6 6n 6 6 6 6 6 6r ≈ ‰ Œ

6 Œ

6

+ +3 + +

<

& n6

Fl. II

n6

Ó

(w)

<

55

∏∏∏∏

° Fl. & # ># > >‰ Œ >

G

-6 -)

-6 3

66 -6 -) J


12

° Fl. & n) 62

r ‰™ 6

(w)

∑

&

Fl. II

& r ‰™ Œ 6

B. Fl.

Ob. I

Ob. II

& 6

6

& 6

6

) 6

5

Timp.

Perc. I

Vln. I 1-2

&

Vln. I 9-10

&

Vln. I 11-12

&

Vln. II 1-2

&

Vln. II 3-4

&

Vln. II 5-6

&

Vln. II 7-8 9-10

∑

∑

∑

6

Œ

6. 6.

6. 6. 6 6

6. 6.

6. 6.

6. 6. 6 6

6. 6.

∑

∑

∑

∑

6. 6. ‰

∑

∑

∑

∑

6. 6. ‰ 6. 6. 6 6

Œ

ï ïïóóó ∑óó ó

œ · o

6. 6. 6 6

6. 6. ‰

˙

o

∑

Œ

œ · o

œ

3

ï ïïóóó ∑ïïóó ó

5

œ

˙ ï ïïóóó ∑ïïóó ïó

œ œ™„ œ

pp

G™

g™

G

g g J

g J

pp

o

o

Œ

Œ

œ

g

G™

˙

o

j œ · o

œ œ™

pp

j œ ˙

œ

j g G™™

3

pp

Ó

œ ˙™

∑

o

pp

æ wæ

æ wæ

æ wæ

G

G

G

g

g™

g

G

g g J

g J

G G™

g

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G G

G

G

G

G

G

& G o

G

G

G

G

G

G

G

G

-)

?

Vc. 3-4

? ?

-6

-)™

-6 3

6 ‰ Œ J -6 ™

-6 J

G

-6 -6 J J 6

-6 5

5

-6 ™

-6 -6™ J

-)

-6

-6

-)

-6

-6

-6 5

-6 J

-6

G

6

-6

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3

6 5

-6

-6

-6 -6 -6 J J

-6

-6

5

5

5

-)

-)

-6 -6

-6 -6 -6 J J

G

-6

-6

6 ) J

-6

-6™

-)

-)

-6

-6 -6 -6 J

-6 ™

-)

-6 ™

-6 -) J

-6 -6 J

G

-)

-6™

-6 -)

-)

6

-6

-6

5

-6 -6 -6 J J

-6

-6

-6

5

-6

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-6

6 6™

6 6™ 6 ‰ Œ J

-)

-6™

-6 -)

-)

3

6 -6 -) J

G

-) -6

G

G

G

G™

j g G™™

G G

-)

˙ ·o

o

w

G™

G™

œ

j œ œ œ

˙ · o

o

·

∑

G

∑

w

G G

G

œ

G

pp

G

E

G

Scrape w/fingenails

G

ï ïïóóó ∑ïïóó ïó

G g

œ

pp

æ wæ

G

3

˙™

æ wæ

g

pp

˙

æ wæ

g

Scrape w/fingernails

j œ œ

˙ · o

Go

Vc. 1-2

¢

6. 6. ‰

˙™

∑

<◊> B -)

Vla. 7-8

ï ïóïóó ∑ïóïó ïó

G

<◊> B 6 6 ™ 6 6™

Vla. 5-6

Vc. 5-6

Œ

<◊> B 6

Vla. 3-4

∑

∑

pp

<◊> B )

Vla. 1-2

∑

& G

Vln. I 7-8

∑

6. 6.

& G

Vln. I 5-6

∑

6. 6. 6 6

° & G

Vln. I 3-4

∑

E

¢/

6

6

Ó

6. 6.

/ Œ

Perc. II

Perc. III

/

6

Œ

∑

°? ¢ wæ °

r ‰™ 6

Ó

6. 6.

o

¢& Ó

)

Œ

6. 6. 6 6

˙™

)

(w)

6

r ‰™ 6

(w)

ï ïóïóó ∑ïóïó ïó

& œ

Ó ∑

∑

ï ïóïóó ∑ïóïó ó

Cl. III

6

Œ

Ó

6. 6.

E

Cl. II

r ‰™ 6

Œ

Œ

& w

Cl. I

r ‰™ 6

)

6

6

6

D

6

6

ï ïóïóó ∑ïïóó ïó

Ó

(w)

Ó

6

& 6

Eng. Hn.

Œ

(w)

-6 -6 ™ 3

-6 J

-6

3

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

-6 J


5 ° Cl. I & œ œr ˙™

13

69

∑

& œ

Cl. II

Cl. III

Timp.

Perc. I

Vln. I 1-2

pp

Œ

œ o·

œ

œ œ™

æ wæ

G

g

/ G™

g

Œ

g™

G

G

g g™ J

j g G

3

˙

˙

5

œ

o

pp

œ

o

Œ

Œ

œ · o

∑

j œ · o

˙ o

˙

œ œ™

pp

w ‰

pp

∑

o

pp

æ wæ

æ wæ

æ wæ

æ wæ

æ wæ

G

G

G

G

G

g

G™

G™

g g

G™

j ‰ Ó g

g

G

g

g™

G

g

g g™ J

j g G

G™

G™ g g g

G

G

G

G

G

G

G

G

G

G

G

G

G

& G

G

G

G

G

G

G

& G

G

G

G

G

G

G

G

G

G

G

G

G

G

& G

G

G

G

G

G

G

G

G

G

G

G

G

G

& G

G

G

G

G

G

G

&

Vln. I 5-6

Vln. I 7-8

&

Vln. I 9-10

Vln. I 11-12

&

Vln. II 1-2

Vln. II 3-4

Vln. II 5-6

&

G

G

G

G

G

G

G

Vln. II 7-8 9-10

&

G

G

G

G

G

G

G

<◊> B -6 6

Vla. 1-2

<◊> B -6 ™

Vla. 3-4

<◊> B 6

Vla. 7-8

Vc. 1-2

?

Vc. 3-4

? ¢

?

5

5

-6 J

-6 -)

-6 -6

-6

-6 -6™ J

<◊> B )

Vla. 5-6

Vc. 5-6

5

-6 -6 J J 6

-6

6

-6

-)

3

6 5

-6

-6 -6 -6 J J

-6

-6

5

5

5

-)

-)

-6 -6

-6 -6 -6 -6 J J

-6

-6

6 ) J

-6

-6™

-)

-)

-6

-6

-)

-6 ™

-6 -) J

-6 -6 -)

-6 -6 J -6 ™

-)

-6 J

-6™

-6

-6

-)™

6 6™

6 6™

-)

-6 3

5

-6 ™

-6™

-) -6 J

-6

-6

-)

-)

-6 -6

-6

5

-6

-6 6 ‰ Œ J

-6 -6 -6 J J

-6

-6

3

6 6 -6 -) J

-)

-)

g

G

° & G

Vln. I 3-4

˙ · o

o

w

o

Ó

˙™

œ

‚ „

œ œ

j œ ˙

œ

j œ œ 3

·

o

˙™

∑

w

pp

œ

œ

‚ „

œ · o

pp

/ G

¢/

o

Œ

˙™

°? ¢ wæ

Perc. II

Perc. III

˙

¢& Ó

°

˙ o

·

o

˙™

j œ œ 3

-6

Ó

-6 -6 J J 6

5

5

-6 ™ -6 J

-6 J

3

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

-6 J

-6™ -6 - 6 6

-) -6

-6

-)

-6 3

-6


14

° & 76

Cl. I

& œ

Cl. II

Cl. III

Timp.

Perc. I

¢&

Vln. I 1-2

∑

˙™

˙ ‰

pp

Ó

Œ

œ · o

o

∑

Œ

˙™

3

œ · o

œ

˙

œ

œ œ™ œ

5

pp

˙

˙™

o

pp

œ

o

Œ

™™

Œ

j œ œ 3

˙ · o

w ‰

pp

˙ · o

™™

∑

œ

‚ „

™™ Ó

∑

™™

∑

™™

∑

œ

∑

æ wæ

™™ æ wæ

™™ æ wæ

æ wæ

°

G

G

G

™™ G

™™ G

G

G

/ G ¢/

G

g

g™

G™

g g

g J

G™

g G™ J

g

G

j g G™™

™™ g

G

g

g™

g

G

™™ G ™

g

g ™™ g G™ J J

g

j ™ g ™ G™™

G

G

™™ G

™™ G

G

& G

G

G

G

G

G

G

& G

G

G

G

G

G

G

G

G

G

G

G

& G

G

G

G

G

G

& G

G

G

G

G

G

G

G

G

G

G

G

™™ -)

-)

Vln. I 5-6

&

Vln. I 7-8

Vln. I 9-10

&

Vln. I 11-12

Vln. II 1-2

G

G

G

&

G

G

G

G

Vln. II 5-6

&

G

G

G

G

Vln. II 7-8 9-10

&

G

G

G

G

<◊> B 6 <◊> B )

Vla. 3-4

<◊> B 6

Vla. 5-6

<◊> B )

Vla. 7-8

Vc. 1-2

?

Vc. 3-4

? ¢

?

-6 5

-6 -6 -6 J J

5

-6

-6 -6 -6 J J

-6

5

5

-) 6

-6

-6

-6

6 ) J

-6

-6™

-)

-)

-6

-6 5

-6

-6 ™

-)

-)

-6 ™

-6 -) J

-6 -6 -)

-6 -6 J -6 J

-6™

™™ ™™ ™™

G

Vln. II 3-4

Vla. 1-2

™™

™™ ™™ ™™

-)

-) -6

™™

-)™

-6

6 6 ™ 6 6™ 6J ‰ Œ -)

G

G

G

G

G

G

G

G

G

G

G

G

-6 -6 ™ 3

™™ ™™

™™

G

™™

G

™™

G

™™

G

™™

G

-)

™™ )

™™

™™

G

™™ -6 -6 J -6 J

™™

G

™™ -6

3

6 6 -6 -) J

™™

™™

G

G G G

-6

-6 -6

-6

G

-6

™™

6 6

™™ 6™

5

6. #6. 6. ‰ - - J

™™

™™ ™™ ™™

-6

-6

Œ

œ · o

g

g

G

™™

pp

G

° & G

™™

˙™

Ó

æ wæ

/

o

æ wæ

Vln. I 3-4

Vc. 5-6

™™

∑

°? ¢ æ w

Perc. II

Perc. III

∑

g™

g g

g J

G

-6 ‰ -6

-6

-6

-6

6 6 6™

j -6 -6 ™

-) 6 6™ j -6

G

G

G

G

G

G

j 6 ‰ -)

3

‰ -6 J

Π-6

-6 ™


15

° & 83

Cl. I

& ˙

Cl. II

Cl. III

∑

o

¢& ˙™

Œ

∑

3

œ · o

œ

œ

œ œ™„

pp

Timp.

Perc. I

°? ¢ ææ w °

Vln. I 1-2

¢/ g J

G G™

g

G j g

3

œ

œ

o

Œ

pp

o ∑

Ó

G™™

g

Œ ‰

œ

˙™

G

/ g

Perc. II

Perc. III

æ ˙æ

/ G

˙

j œ œ

pp

5

˙„

˙ · o

Œ

∑

w ‰

o

œ

˙

·

œ œ™

o

j œ · o

˙ · o

œ

pp

j œ

˙

œ

œ ‰

˙™

Ó o

j œ œ 3

pp

˙ · o

w ‰

œ

∑

w

œ

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

G

G

G

G

Vln. I 3-4

&

G

G

G

G

G

G

G

Vln. I 5-6

&

G

G

G

G

G

G

G

Vln. I 7-8

&

G

G

G

G

G

G

G

& G

G

G

G

G

G

G

& G

G

G

G

G

G

G

Vln. II 1-2

&

G

G

G

G

G

G

G

Vln. II 3-4

&

G

G

G

G

G

G

G

Vln. II 5-6

&

G

G

G

G

G

G

G

Vln. II 7-8 9-10

&

G

G

G

G

G

G

G

<◊> B -)

-)

<◊> B -)

G

G

G

G

-)

-)

<◊> B -)

G

G

G

-)

-)

-)

<◊> B -)

G

G

-)

-)

-)

-)

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

Vla. 3-4

Vla. 5-6

Vla. 7-8

Vc. 1-2

?

Vc. 3-4

?

Vc. 5-6

¢

?

Œ

∑

G

Vla. 1-2

∑

G

Vln. I 11-12

˙™ pp

o

pp

° & G

Vln. I 9-10

o

∑

tutti

∑

tutti

∑

tutti

∑

G

tutti

œ · o


16

° & 90

Cl. I

& ˙

Cl. II

Cl. III

∑

o

Œ

¢& ˙™

∑

œ · o œ

œ

3

œ

˙„

˙

° ¢/

∑

° Vln. I & G 1-2

5

œ™„

œ

œ

Vln. I 5-6

Vln. I 7-8

Vln. I 9-10

Vln. I 11-12

o

Œ

œ

pp

o

Œ

∑

w ‰

œ

˙

·

j œ · o

œ œ™

œ

∑

G™

pp

j œ

˙

œ

Gw o

Divisi: Inner - arco molto sul tasto Outer - col legno tratto

œ ‰

∑

˙™

∑

∑

Gw

pp

G

G

G

G™™

& G

G

G

G

G

G

G™™

& G

G

G

G

G

G

G

& G

G

G

G

G

G

G

& G

G

G

G

G

G

G

G

G

G

G

G

G

Vln. II 3-4

&

G

G

G

G

G

G

G

Vln. II 5-6

&

G

G

G

G

G

G

G

& G

G

G

G

G

G

G

B

G

G

G

G

G

G

G

B

G

G

G

G

G

G

G

B

G

G

G

G

G

G

G

B

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

Vla. 5-6

Vla. 7-8

Vc. 1-2

?

Vc. 3-4

?

Vc. 5-6

¢

?

Ó

bGw o

G

Πo

Divisi: Inner - arco molto sul tasto Outer - col legno tratto

G

Vla. 3-4

œ

pp

æ wæ o

&

Vla. 1-2

œ

w/ soft mallet Gong in c

Vln. II 1-2

Vln. II 7-8 9-10

pp

˙™ o

∑

3

o

pp

j œ œ

˙ ·o

o

w

∑

Œ

w

„o

o

o

∑

∑

G

&

Vln. I 3-4

˙™

∑

G

3

pp

pp

Perc. II

˙ o

·

E

j œ œ


17

° & w 97

Cl. I

o

pp

& w

Cl. II

Cl. III

Perc. II

Vln. I 1-2

∑

° ¢/

æ wæ

∑

& bgœ

G˙ ™™ pp

Divisi: Inner - arco molto sul tasto Outer - col legno tratto

& Ó

Vln. I 5-6

Vln. I 7-8

Vln. I 11-12

Vln. II 1-2

œ

pp

∑

w ‰

˙

·

∑

œ œ™

œ

pp

j œ

˙

∑

Gw o

œ

Œ o G˙ ™™ pp

∑

gœ ∑

Ó

[Bb -31 cent]

BbG˙ o

Œ Bbgœ

Πo

G˙ ™™

BbG˙ ™™ Gw o

Divisi: Inner - arco molto sul tasto Outer - col legno tratto

∑

∑

bG˙

Gw

pp

∑ Gw

G

G

G

G

G

G

G

G

& G

G

G

G

G

G

G

Gw

G

G

G

Ó

G˙ o

pp

Vln. II 3-4

&

G

G

G

G

G

G

G

Vln. II 5-6

&

G

G

G

G

G

G

G

Vln. II 7-8 9-10

&

G

G

G

G

G

G

G

B

G

G

G

G

G

G

G

B

G

G

G

G

G

G

G

B

G

G

G

G

G

G

G

B

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

Vla. 1-2

Vla. 3-4

Vla. 5-6

Vla. 7-8

Vc. 1-2

?

Vc. 3-4

?

Vc. 5-6

¢

?

o

Πo

G

& G

œ

æ wæ o

G

Divisi: Inner - arco molto sul tasto Outer - col legno tratto

œ

pp

∑

bG˙ ™™ o

pp

pp

˙™ o

∑

Ó

3

o ∑

j œ œ

˙ ·o

o

pp

Gw

Πo

∑

˙™

∑

∑ BbG˙ ™™

œ

w

pp

bG˙ ™™ Bbgœ

j œ · o

w

„o

o

œ

∑

∑

& G &

Vln. I 9-10

BbG˙ o

[Bb -31 cent]

3

∑

∑

o

pp

j œ œ

o

o

° &

Vln. I 3-4

∑

o

¢& w

˙ · o

G˙ ™™

pp


18

° & w 104

Cl. I

& w

Cl. II

Cl. III

Perc. II

¢& w

∑

&

∑

&

∑

& gœ

Vln. I 7-8

&

Vln. I 9-10

Œ

bG˙ ™™ o

Ó

˙ ·o

w j œ œ 3

pp

˙™ o æ wæ o

o

œ

w

o

∑ bG˙

∑

Gw o o

G˙ o

pp

G˙ ™

j gœ

Gw

Gw

G˙ ™™

Gw

j gœ

pp

∑

∑

Gw

w

„o

pp

‰ o

Œ

B G˙

˙™ o

∑

∑

Gw o

Ó

o Ó

Gw

pp

∑

∑

∑

∑

Gw o

Gw

G

G

G

G

G

G

Vln. II 5-6

&

G

G

G

G

G

G

G

Vln. II 7-8 9-10

&

G

G

G

G

G

G

G

B

G

G

G

G

G

G

G

B

G

G

G

G

G

G

G

B

G

G

G

G

G

G

G

B

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

Vla. 7-8

Vc. 1-2

?

Vc. 3-4

?

Vc. 5-6

¢

?

Ó

∑

G

Vla. 5-6

Πo

∑

&

Vla. 3-4

pp

æ wæ o gœ

œ

œ

Vln. II 3-4

Vla. 1-2

pp

∑

Œ

Œ

3

∑

Ó o

‰ o

j œ œ

˙ ·o

pp

B gœ

Gw o

∑

∑

pp

∑

BGw o

Divisi: Inner - arco molto sul tasto Outer - col legno tratto

∑

∑

o

Gw

pp

∑

∑

o

pp

∑

∑

w

æ wæ

∑

Gw o

œ

pp

∑

Divisi: Inner - arco molto sul tasto Outer - col legno tratto

o

pp

∑

∑

& Gw

Vln. II 1-2

Πo

w

„o

∑

G

&

Vln. I 11-12

∑

o

° &

Vln. I 5-6

∑

o

° ¢ / wæ

Vln. I 3-4

∑

o

pp

Vln. I 1-2

∑

o

pp


19

° & w 111

Cl. I

o

pp

& w

Cl. II

Cl. III

Perc. II

¢& w

o

° &

∑

& Œ

Vln. I 3-4

bG˙ ™™ o ∑

&

Vln. I 5-6

& gœ

Vln. I 7-8

Πo

Ó

& G˙

Vln. II 1-2

&

Vln. II 3-4

bG˙ pp

Gw o ∑

pp

Gw

G˙ ™

G™

Œ

œ

w

pp

pp

Ó

G˙ ™

‰ o

Œ

Πo

∑

Ó

∑

∑

∑

Œ

∑

Ó

∑

bGw o

bGw

b G˙

G

G

G

∑

Ó

pp

∑

&

G

G

G

Vln. II 7-8 9-10

&

G

G

G

B

G

G

G

G

G

G

G™

B

G

G

G

G

G

G

G

Vla. 1-2

Vla. 3-4

B

Vla. 5-6

B

Vla. 7-8

Vc. 1-2

?

Vc. 3-4

?

Vc. 5-6

?

Cb. 3-4

?

¢

G

G

G

G

∑

G

∑

∑

∑

G

G

G

G

G

∑

Gw o

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

G

∑

∑

∑

∑

Œ

Divisi: Inner - arco molto sul tasto Outer - col legno tratto

G

∑

G˙ o

bGw

Vln. II 5-6

∑

gœ pp

∑

j ‰ gœ o

pp

Divisi: Inner - arco molto sul tasto Outer - col legno tratto

G˙ o

Ó

Bbgœ J

Gw

Πo

æ wæ

pp

pp

gœ o

∑

o

æ wæ

BbGw

Πo

∑

o

∑

Gw o gœ

w

∑

G˙ ™

pp

œ

æ wæ o

[Bb -31 cent]

Gw

G

˙™ o

BbGw o

∑

G

pp

∑

o ∑

3

∑

Gw

∑

∑

&

Vln. I 9-10

j œ œ

∑

o

pp

∑

∑

w

˙ ·o

∑

∑

∑

w

„o

∑

∑

∑

F

∑

∑

∑

o

° æ ¢ / wæ

∑

∑

o

pp

Vln. I 1-2

∑

Divisi: Inner - arco molto sul tasto Outer - col legno tratto

∑

∑

S.T. 1/2 col legno


20

° ¢/

118

Perc. II

Vln. I 1-2

Vln. I 3-4

Vln. I 5-6

Vln. I 7-8

Vln. I 9-10

Vln. I 11-12

Vln. II 1-2

æ wæ

° Gw &

gœ J

& bGw o

bgœ

∑

&

&

∑

&

∑

&

∑

&

Vln. II 5-6

Vln. II 7-8 9-10

Vla. 3-4

Vla. 7-8

Œ o ˙G™™

œg

∑

o

Πo

B Gw o

Ó

∑

∑

∑

∑

∑

∑

Gw

Œ

Ó

G

B #Gw o

#Gw

B Gw

∑

pp

Πo

Ó

∑

?

Vc. 3-4

?

Vc. 5-6

?

G

G

G

G

G

G™

G

G

G

Πo

Cb. 1-2

Cb. 3-4

? ? Œ ¢

∑ BbO˙ ™™

[Sounding as F -31c] solo

o

∑ Bb~w pp

solo

bBb Oœ

o

BbOœ

pp

Πo

Ó

∑

µ Gw Gw o

G˙ o

G˙ pp

#Gw pp

∑

∑ G˙ o

Gw

B G˙

G˙ pp

Œ

G™

G

bBb ~w

Divisi: Inner - arco molto sul tasto Outer - col legno tratto div à 2

B Gw

o

bBb ~w

[Sounding as Ab -31c]

S.T. 1/2 col legno

G˙ o

BbGw

Ó

B Gw

Œ

pp

bGw

∑

Ó

∑

G

Ó

Ó

#Gw o

∑

G

Œ

∑

o

∑

G

Ó o

BGw o

BbGw o

Gw

Œ

pp

BbG˙ j gœ ‰ o

[Gb -50 cemt]

Divisi: Inner - arco molto sul tasto Outer - col legno tratto [D -49 cent]

Vc. 1-2

pp

∑

#gœ

pp

bGw

Divisi: Inner - arco molto sul tasto Outer - col legno tratto

#Gw

∑

∑

pp

bG˙ o

Ó

∑

bGw o

∑

#Gw

∑

Gw o

pp

G

Œ

[Bb -31 cent]

∑

Gw

Πo

pp

∑

‰ o

BbG˙ ™™ o

∑

∑

∑

Gw

∑

∑

bgœ J

Gw o j B gœ ‰ o

∑

pp

∑

o

pp

∑

G˙ ™

pp

Œ

o

pp

Œ

BGw ∑

˙™

G˙ o

bG˙ o

∑

BGw o

˙ o

Ó

∑

˙G™™

pp

Œ

Ó

∑

bG˙ ™™

pp

∑

[D# -40cent]

Vla. 5-6

G˙ ™™

∑

&

∑

∑

∑

b gœ

&

Ó

∑

& bGw

B

Œ

∑

Divisi: Inner - arco molto sul tasto Outer - col legno tratto

Vla. 1-2

‰ o

∑

wG o

pp

Vln. II 3-4

∑

o

˙O ™™ o

˙O ™™

1/2 col legno S.T.

Πo

Ó ∑

œO

Gw o

Divisi: Inner - arco molto sul tasto Outer - col legno tratto

œO

pp

Πo

∑ ∑

Ó

∑ Œ

BbO˙ ™™ o


21

° ¢/

125

Perc. II

Vln. I 1-2

˙™ o

œ

&

Vln. I 5-6

Bbgœ

[Bb -31 cent]

Vln. I 11-12

&

Gw

Vln. II 1-2

&

Gw

bgœ o

G˙ ™™

Bbgœ

pp

Gw o

∑ G˙ ™

Ó gœ

pp

Ó o

o

Gw

o

pp

& bGw

Vln. II 3-4

& Bb gœ

Vln. II 5-6

b gœ G˙ ™™

Πo

Ó

∑

BbGw

Bb G˙

Ó o

pp

& µ Gw Gw

Vln. II 7-8 9-10

µG G˙˙

B G˙

Vla. 1-2

B #gœ

Vla. 3-4

Πo

B

Vla. 5-6

pp

µ Gw Gw

µ Gw Gw

Ó o

Gw o

Gw

Ó

∑

∑

∑

B gœ

Vla. 7-8

µG G˙˙

µG˙ o

?

Vc. 3-4

?

?

Cb. 1-2

Cb. 3-4

B Gw

¢

? BbO˙ ™™

B Gw

B gœ

o

∑

∑ BbOœ pp

BbOœ

Πo

µgœ

pp

∑

∑

∑

∑

∑

∑

∑

Ó

∑

B G˙ o

pp

∑

o

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

o

Gw

Gw

#Gw

#G˙

µ G˙ o

[C# -49cent]

∑

o G˙

pp

#Gw

pp

Gw

µgœ

Πo

Ó

∑

Πo

Ó

∑

∑

∑

∑

Πo

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

pp

Gw

Gw

pp

∑

#Gw o

Gw

[D# -40cent]

pp

Vc. 1-2

Gw o

˙ pp

pp

Ó

G˙ ™

˙

∑

∑

∑

G˙ ™™

∑

w o

∑

Πo

∑

∑

Πo

pp

Πo

∑

∑

Gw

B G˙

pp

∑

∑

∑

BbG˙ o

Ó

& B gœ

Vln. I 9-10

Πo

Ó o

&

Vln. I 7-8

G˙ ™

pp

& bG˙

∑

o

pp

° G˙ ™ & o

Vln. I 3-4

Œ

˙™

∑

bBb ~w

bBb ~w

o

bBb Oœ

pp

∑

∑

Πo

Gw o

Ó

∑

∑

∑

o


22

° ¢/

132

Perc. II

Vln. I 1-2

œ

° Gw &

& ∑

bG˙ o

& ∑

Ó

& Gw o

Gw

Vln. I 3-4

Vln. I 5-6

Vln. I 7-8

B

Vla. 5-6

?

Vc. 3-4

?

Vc. 5-6

¢

?

BbG˙ o

Bbgœ

w

œ

Gw

‰ o

Œ

Ó

∑

G˙ ™™

BbG˙ ™™

pp

Πo

Πo

Bb G˙ o

Ó

[Ab -49cent]

pp

∑

bGw

Ó o

∑

∑

pp

∑

∑

Gw

Œ

∑

B gœ

G˙ ™™

pp

œO

Πo

Gw

∑

Œ

BbO˙ ™™ o

o ∑

BbGw o

Bb G˙ ™™

µ Gw Gw

µ Gw Gw

bG˙ o

pp

∑

[Eb -49cent]

∑

o

pp

Gw

µgœ

∑

B gœ

Ó

o

∑

B Gw

∑

œO

∑

BGw

pp

∑

G˙ ™

∑

˙O ™™

∑

∑ µgœ

∑

pp

o ˙O ™™ o

pp

∑

pp

∑

[Gb -50 cemt]

µG G˙˙

∑

[Bb -31 cent]

pp

Ó

∑

BbG˙ ™™ o

pp

Gw

o

Πo

∑

o

pp

B G˙ ™ gœ

∑

Gw

∑

B G˙

Ó

µG˙ o

Ó

∑

B G˙ o

µG G˙˙

∑

∑

∑

∑

Gw b gœ

µ Gw Gw

pp

o

Ó

∑

o

∑

µ Gw Gw o

∑

Œ

∑

Ó

G˙ o

Ó

∑

G˙ ™™

∑

bG˙ o

∑

pp

∑

Ó

pp

bGw

∑

Œ

pp

∑

[D -49 cent]

˙

∑

o

∑

?

Vc. 1-2

∑

B

Vla. 7-8

Gw o

bgœ J

bGw

B #Gw

Vla. 3-4

˙

∑

B Gw o

Vla. 1-2

w o

[Bb -31 cent]

∑

&

Vln. II 7-8 9-10

Ó

pp

∑

&

Vln. II 5-6

Πo

BGw

pp

& bGw o

Vln. II 3-4

Ó

o

∑

&

Vln. II 1-2

Œ

pp

& B G˙ ™ o

Vln. I 9-10

Cb. 3-4

w

Πo

Πo

Ó

G˙ o

Ó

Ó

∑

∑

∑

∑

∑

∑

∑

BbO˙ ™™

BbOœ pp

BbOœ

Πo

Ó


23

° ¢/

∑

° &

∑

139

Perc. II

Vln. I 1-2

& bG˙ o

Vln. I 3-4

Vln. I 7-8

pp

Vln. I 9-10

Vln. II 1-2

∑

&

∑

&

∑

& µ gœ gœ

Vln. II 7-8 9-10

Vla. 3-4

Vla. 5-6

Ó o

∑

∑

∑

Πo

B

∑

B

∑

o

Vc. 1-2

?

Vc. 3-4

Cb. 1-2

¢

?

∑

∑

BbG˙ o

Bbgœ

[Bb -31 cent]

G˙ ™™ pp

∑

∑

∑

∑

∑

∑

BbG˙ ™™

Πo

Ó

BbG˙ o

[Bb -31 cent]

∑

∑

BGw o

B gœ

G˙ ™

pp

G˙ o

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

BGw

o

pp

G˙ ™

Gw

B G˙ ™

∑

Œ

Gw

∑

[D -49 cent]

∑

G˙ ™

∑

3

∑

pp

o

pp

?

w

∑

[C# + 45]

Gw

˙™

∑

o

BG˙

Gw o

œ

pp

∑

∑

Ó

w

Ó

Gw

∑

w o

∑

pp

BbGw

B Gw

Vla. 7-8

∑

nGw o

& BbGw

Vln. II 5-6

bG˙

Ó o

&

∑

∑

& BbG˙

Vln. I 5-6

∑

#G˙

o

o

pp

∑

Πo

Ó

B G˙ ™

Πo

pp

Ó o

∑

∑

bBb ~w o

#Gw o

bBb ~w pp

Ó

Ó

#G˙ ™™

#G˙ o

#Gw

pp

bBb Oœ

Πo

Ó

∑


24

° ¢/

146

Perc. II

Vln. I 1-2

w

° Gw &

∑

& Bbgœ

Vln. I 5-6

G˙ ™™ pp

&

Vln. II 1-2

Πo

∑

∑

Πo

∑

∑

∑

&

Vln. I 11-12

∑

BbG˙ ™™

& B G˙ ™

Vln. I 9-10

∑

∑

∑

&

Vln. I 7-8

∑

∑

o

&

Vln. I 3-4

∑

o

∑

Gw

G˙ ™™

˙ o

∑

&

B

Vla. 1-2

∑

B <#>Gw

Vla. 3-4

G˙ o

Ó

#gœ

G˙ ™

B

?

Vc. 3-4

?

Cb. 1-2

Cb. 3-4

¢

?

∑

Gw

Gw

#Gw

o

∑

∑

∑

∑

∑

Ó

∑

∑

Πo

Ó

∑

∑

o

G˙ ™™

bgœ

pp

Bbgœ

pp

G˙ o

G˙ ™

BGw

pp

pp

Πo

pp

∑

∑

∑

∑

Ó

∑

Πo

Ó

∑

Πo

Ó

G˙ ™™

Ó

∑

o

∑

bGw

Πo

∑

Œ

∑

∑

bGw

bGw

pp

G˙ ™™

Gw

pp

#gœ

Πo

Gw

B gœ

Gw

Ó

bGw o

#Gw

∑

bgœ

Œ

BbGw

Ó

pp

Vla. 5-6

bG˙ o

[Bb -31 cent]

Gw o

Gw

BbGw o

B G˙

∑

G˙ pp

Ó

BGw o

∑

œ

pp

G˙ o

pp

Vln. II 3-4

˙

Πo

Ó

µG˙ o

Ó

∑

o

Ó

∑

∑

Gw

µgœ

∑

Gw

pp

#G˙ ™™

#Gw

Πo

#Gw

#Gw

bBb ~w

bBb ~w

o

pp

∑

∑

∑

Bb~w o

o

BbO˙ pp

pp

Ó o

∑


25

° ¢/

∑

° &

∑

&

∑

153

Perc. II

Vln. I 1-2

Vln. I 3-4

Vln. I 5-6

Vln. I 7-8

Vln. I 9-10

Vln. I 11-12

∑

&

∑

&

∑

&

∑

Πo

B µgœ

Vla. 5-6

Ó

Πo

∑ ∑

∑

æ wæ

Gw

∑

∑

bG˙ pp

BbG˙ o

BbG˙

[Bb -31 cent]

Œ

pp

5

gœ ™ o

∑

∑

∑

Ó o

∑

∑

∑

Ó o

∑

∑

∑

∑

∑

∑

G˙ ™

Πo

pp

Œ

B G˙ G˙ ™™ o

pp

b gœ

Πo

pp

Bb gœ

[Gb -50 cemt]

pp

µ G˙ ™™

µGw o

Œ

∑

∑

∑ µG˙ ™ o

∑

∑

∑

∑

∑

∑

G˙ ™™

Bb gœ µ G˙ o

µG˙ ™

Œ

Πo

µ G˙ ™™

∑

∑

Œ

Œ

gœ o

#Gw o

Vc. 1-2

?

Vc. 3-4

Bb O ?b œ

Cb. 1-2

¢

?

∑

∑

?

Vc. 5-6

Cb. 3-4

∑

∑

∑

Πo

pp

∑

∑

∑

∑

Bb~w o

Ó

BbO˙ pp

Ó

o

Ó o

bBb O˙

Œ

Bb O˙

Ó o

pp

B gœ o

B gœ

G˙ ™

pp

o

pp

˙O ™™ o

˙O ™™

bBb O˙

Ó o

pp

∑

Ó

#Gw

o

∑

bBb O˙

Œ

#Gw

∑

∑

Œ o ∑

G˙ o

Ó

∑

∑

o

pp

∑

∑

∑

∑

∑

Ó

∑

∑

Gw #gœ

[D -49 cent]

?

∑

o

pp

∑

o

Ó

Ó

∑

pp

∑

∑

∑

∑

∑

∑

Ó

o

pp

Ó o

o

Ó o G˙

B G˙

Ó

pp

BbGw o

∑

pp

bGw o

∑

æ wæ

∑

BGw o

∑

∑ Ó

bgœ o

Ó

G˙ o

æ wæ

o

pp

Ó

Ó

æ wæ

ppp

Gw o

∑

∑

B

Vla. 7-8

∑

∑

B

Vla. 3-4

∑

∑

B

Vla. 1-2

∑

∑

&

Vln. II 7-8 9-10

∑

∑

&

Vln. II 5-6

∑

∑

& b gœ

Vln. II 3-4

∑

æ wæ o

[Gong in c]

3

&

&

Vln. II 1-2

∑

∑

œO pp

∑

∑


26

° ¢/

160

Perc. II

Vln. I 1-2

o

pp

° &

∑

&

∑

&

∑

&

∑

&

∑

&

∑

Vln. I 3-4

Vln. I 5-6

Vln. I 7-8

Vln. I 9-10

Vln. I 11-12

B

Vla. 1-2

?

Vc. 1-2

?

Vc. 3-4

?

Vc. 5-6

¢

?

∑

∑

∑

∑

∑

∑

∑

B

Vla. 7-8

∑

∑

B

Vla. 5-6

∑

∑

B

Vla. 3-4

∑

∑

&

Vln. II 7-8 9-10

∑

∑

&

Vln. II 5-6

∑

∑

&

Vln. II 3-4

∑

∑

∑

B G˙ ™

æ wæ o

Πo

∑

∑

Πo

Ó

∑

∑

∑

æ wæ

[Gong in c]

˙

Gw o

Gw

bG˙ ™™ o

BbG˙

Gw o

∑

∑

bGw o

∑

∑

BbG˙ ™™ o

o

Ó o

pp

gœ o

Œ

BGw o

Gw

G˙ ™

pp

B G˙ G˙ ™™ o

Œ

pp

G˙ o

Ó

Ó

Œ

b gœ o

[Gb +28c]

o

o

bGw

µG G˙˙ ™™™ o

div à 2 [E+44c]

Ó

µ Gw Gw

gœ o

Œ

#Gw o

Gw pp

#gœ pp

µG˙ ™ o

Ó

∑

Gw o

Ó o

∑

Ó

∑

Ó

∑

B gœ

Œ

#Gw

o

#G˙ ™ o

o

B G˙ ™ G˙ ™™

˙O ™™

bBb O˙ o

bBb O˙

œO

Œ o ∑

œO

pp

Bb O˙ pp

bBb O˙

3

pp

o

pp

#G˙

[D# -31cent]

o

G˙ o

pp

3

pp

G G˙˙

o

pp

gœ pp

G˙ 3

pp

o

pp

B Gw

[D -49 cent]

o

pp

˙O ™™ o

∑

pp

#gœ

µG G˙˙ o

∑

∑

B Gw

div à 2 [E +44c]

∑

o

Ó o

pp

n G˙ o

Gw o

∑

b G˙ ™™ o

∑

µGw

pp

[Gb +28c]

∑

pp

G˙ o

Ó

Πo

µGw

[D# -40cent]

∑

∑

o

B G˙ o Gw o

Πo

o

pp

G˙ o

∑

pp

pp

∑

[Bb -31 cent]

∑

b G˙ Bb gœ

∑

Ó o

Ó

BbGw

[Gb -50 cemt]

Πo

B G˙

pp

pp

BbGw o

Ó

∑

o

o

pp

[Bb -31cent]

Ó

Œ

æ wæ o

Gw

bGw BbG˙ o

Ó

Œ

∑

pp

Œ

Œ

˙ ppp

[D -49 cent]

∑

œO

∑

∑

∑

&

Vln. II 1-2

Cb. 1-2

æ wæ

Πo

∑

∑

Ó

Ó o

∑

∑

o

#Gw o

˙O ™™ o

bBb O˙ o

œO pp

Bb Oœ

Bb O˙ 3

pp


27

° ¢/

167

Perc. II

æ wæ

o

ppp

° Vln. I & gœ gœJ G˙ 1-2

Œ

pp

& bGw

Vln. I 3-4

o

pp

& <Bb>G˙

Vln. I 5-6

Vln. I 7-8

Vln. I 9-10

Ó o

&

Gw

&

∑

&

Vln. I 11-12

&

&

Vln. II 5-6

&

Vln. II 7-8 9-10

Œ

j gœ gœ G˙ 3

Gw

o

pp

Ó o

Gw

o

∑

o Ó o

B

?

Vc. 1-2

o

∑

B gœ gœ G˙ J

Πo

pp

Cb. 1-2

¢

˙O

Bb ~ ? b w

∑

o

pp

?

∑

solo

“” œ œ œ # œ n œ #œ o

o

ppp

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

æ wæ o

∑

Œ

“” Ÿœ o

œ #œ ppp

o

Œ

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

æ wæ

Gw

gœ gœ G˙ J

tutti

o

3

bGw o gœ

B G˙ o

gœ G˙ pp

o

pp

pp

gœ G˙

Gw

∑

3

pp

o

pp

o

G˙ o

Ó o

∑

∑

o

∑

∑

∑

∑

∑

∑

∑

∑

∑

3

o Ó o

o

pp

o

∑

3

Πo

pp

#Gw

o

œO

pp

Bb Oœ Bb O˙ 3

pp

˙O

bBb ~w

∑

∑

∑

∑

o

pp

˙O ™™ o

∑

∑

B gœ gœ G˙ J

#Gw

∑

∑

pp

∑

∑

Gw

o

o

o

pp

B Gw

bBb O˙

o

gœ G˙

ppp

∑

pp

G˙ ™™

o

Ó

Gw

o

o

∑

o

Gw

Πo

pp

µ G˙ ™ o

“” œ œ œ # œ n œ #œ

∑

BGw

[D +41c]

µ G˙ o

∑

pp

[F -31cent]

solo

∑

o

3 j gœ gœ G˙

BGw o

[C# -49cent]

Ó o

bGw

3

Gw o

G˙ o

o

pp

Ó

o

pp

pp

[Bb -31 cent]

b G˙ o

Œ

bGw

BbG˙ ™™ o

∑

o

ppp

[D -49 cent]

? #Gw

Vc. 5-6

∑

∑

3

Vc. 3-4

∑

∑

B #Gw

Vla. 7-8

∑

∑

B <#>G˙

Vla. 5-6

∑

∑

pp

Vla. 3-4

∑

o

B Gw

Vla. 1-2

∑

∑

& <b> G˙

Vln. II 3-4

∑

∑

o

pp

Vln. II 1-2

∑

o

3

∑

Ó o

∑

∑

o

∑

o


28

° ¢/

174

Perc. II

° Vln. I & Ó 1-2

Vln. I 3-4

Vln. I 5-6

Vln. I 7-8

Vln. I 9-10

Vln. I 11-12

&

&

∑

&

∑

&

∑

&

Vln. II 7-8 9-10

B

Vla. 1-2

B

Vla. 3-4

B

Vla. 5-6

B

Vla. 7-8

œ #œ ppp

∑

&

Vln. II 5-6

o

∑

∑

∑

∑

∑

∑

∑

∑

æ wæ o

∑

œ

∑

&

Vln. II 3-4

“” œ

&

&

Vln. II 1-2

∑

Ÿ #œ nœ

Œ

Ó

o

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

æ wæ

Gw

tutti

o

3

bGw o gœ pp

3

Vc. 1-2

?

Vc. 3-4

?

Vc. 5-6

Cb. 1-2

¢

?

∑

∑

∑

∑

∑

∑

∑

∑

Ó o

bGw

pp

o

pp

µG G˙˙ o

G G˙˙

3

pp

o

pp

Ó o

∑

3

o

˙O

pp

Bb Oœ Bb O˙ 3

pp

bBb ~w

∑

BbG˙ ™™ o

b G˙ o B G˙ o

∑

∑

∑

Gw o

∑

∑

Gw o

∑

∑

B G˙ ™™ o

gœ G˙ J

-6. J

∑

∑

∑

3

pp

o

pp

Ó

pp

G˙ o

µG G˙˙ o

G G˙˙

div à 2 [E +44cent]

∑

“-.” 6 J

pp

[Gb +28 cent]

∑

solo

[Bb -31 cent]

∑

∑

3

pp

o

pp

Gw o

tutti

#G˙ ™ o #G˙

[D# -31cent]

o

G˙ o

gœ pp

G˙ 3

pp

o

pp

B Gw

[D -49 cent]

Πo

pp

o

pp

œO

∑

∑

∑

#Gw

˙O ™™ o

bGw o

∑

o

3

o

∑

pp

Ó o

B gœ

#Gw

∑

∑

o

pp

pp

Gw o

Flat fingertip / V. Light Bow

#Gw

∑

∑

∑

∑

o

pp

o

o

o

pp

B Gw

bBb O˙

o

pp

Gw

#G˙ ™ o

G˙ o

Œ

j gœ G˙

Gw

Gw o

o

3

pp

G˙ o

[D# -31cent]

o

pp

[Gb +28 cent]

æ wæ o

∑

Gw

B G˙ ™™ o

∑

∑

∑

Gw o

[D -49 cent]

?

#G˙

o

pp

o

Gw o

div à 2 [E +44cent]

Œ

pp

[Bb -31 cent]

B G˙ o

gœ G˙ J

bGw

BbG˙ ™™ o

b G˙ o

o

ppp

∑

Ó o

o

∑

∑

∑

∑

∑

∑

∑

∑

o

#Gw o

˙O ™™ o

bBb O˙ o

œO pp

Bb Oœ Bb O˙ 3

pp


29

° ¢/

æ wæ

181

Perc. II

° Vln. I & gœ gœJ G˙ 1-2 3

Πo

pp

& bGw

Vln. I 3-4

& <Bb>G˙

Vln. I 7-8

Vln. I 9-10

Vln. I 11-12

&

bGw

&

∑

&

j gœ gœ G˙

o Ó o

Gw ∑

o

pp

B <#>G˙

Vla. 3-4

Ó o

B #Gw

Vla. 5-6

B

Vla. 7-8

?

Vc. 1-2

o

∑

?

B gœ gœ G˙ J #Gw

?

Cb. 1-2

¢

∑

∑

Πo

pp

o

G˙ o

∑

Ó o

∑

pp

Bb ~ ? b w

∑

o

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

o Ó

o

o Ó o Œ o

pp

µG G˙˙ o

µg gœœ µ G G˙˙

µ Gw Gw

3

pp

Gw o

o

Gw

o

pp

#G˙ ™ o

Ó o

pp

#G˙

gœ G˙

[D# -31cent]

o

3

G˙ o

#Gw

o

pp

o

pp

B Gw

∑

B gœ gœ G˙ J

o

3

#Gw

#Gw

o

Πo

pp

o

pp

˙O ™™ o

œO

˙O

pp

bBb O˙

∑

∑

3 j gœ gœ G˙

div à 2 [E +44cent]

∑

∑

Gw o

∑

∑

Gw

B G˙ ™™ o

∑

∑

gœ G˙ pp

Bb Oœ Bb O˙

o

3

bBb ~w

pp

ppp

∑

pp

[Gb +28c]

o

∑

o

3

Πo

“” œ œ œ #œ #œ nœ

∑

pp

ppp

∑

∑

BGw

G˙ ™™ o

∑

∑

o

˙O

pp

[D -49 cent]

pp

Vc. 5-6

∑

∑

3

Vc. 3-4

∑

o

pp

“” œ œ œ # œ Ÿœ n œ o

pp

BGw o

∑

Ó o

solo

bGw

G˙ o

∑

∑

3

BbG˙ o

∑

∑

B Gw

Vla. 1-2

∑

∑

o

o

∑

∑

gœ G˙

[Bb -31 cent]

∑

∑

pp

bG˙

∑

∑

∑

o

ppp

G˙ ™ o

Ó

∑

∑

o

‰ o

æ wæ

tutti

∑

∑

Œ

pp

&

Vln. II 7-8 9-10

ppp

∑

Gw

&

Vln. II 5-6

o

∑

o

& <B> G˙

Vln. II 3-4

ppp

Πo

“” œ œ œ # œ n œ #œ

∑

3

&

o

æ wæ o

∑

“” œ œ œ # œ nŸœ #œ

Ó o

pp

Vln. II 1-2

solo

o

pp

Vln. I 5-6

∑

o

ppp

Ó o

o

=

“-.” 6 B J

Flat fingertip / V. Light Bow

188 Vla. 1-2

-6. J

#-6. J

n-6. J

#-6. J

Œ

Ó

U ∑

∑

‰ o

Ó

Profile for Thrainn Hjalmarsson

Thrainn Hjalmarsson - As heard across a room (for Orchestra) - Full Score  

Thrainn Hjalmarsson - As heard across a room (for Orchestra) - Full Score http://thrainnhjalmarsson.info/

Thrainn Hjalmarsson - As heard across a room (for Orchestra) - Full Score  

Thrainn Hjalmarsson - As heard across a room (for Orchestra) - Full Score http://thrainnhjalmarsson.info/

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