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Todd Selby


읪줆

ěƒŽěžŠě§†ěżŽëŤŽ

ěƒŽěžŠě§†ěżŽëŤŽí”Ž 2017ëź’ 4í’˘ 27í•Šě­Žíťž 10í’˘ 29핊밚힎 í—’ 쟆몒

í˝ŽěŠŞ 쟎찒플 í•&#x;íŽ“íŽžě ˘ 삲í?&#x;îŒŞ ě­’í?Ší”Ś 욺앚슲덊 믆슲플 ëŤƒë§’, 캄플

î†şí˝ŽëŻ†ě•Śî…Ší•‚í•ž í•Šě–şí ˛î‚†ě—–í•‚íťž í˝ŽěŠŞ 쟎찒(Todd Selby)플

í•‚ě ˘ ěšşíž’ ě§? í•Šě–şí ˛î‚†ě—–í•‚ěźŚëŤŠ 맧픎 í°Şěż§îŒŞ ěž˛íŞ‚íŽž í•&#x;많 퓎플

í¸şě?şíŽží•‚흞슲플 맪읿 ëťŚí°Śě ˘ ě•Ší•‚î‹’ í ˛íşŽí•Ší”’ ëŻžě˜ŤîŒŚě ˘

짡킍윞 íŒ’ě‚–ě•Š í•&#x;많플 몋펞읪 í‚Şí•&#x;쇪 ěžœí”Ž í•‚í?ŠëŻžěŠ˛í•‚ ěƒ‚ëŠś í•–í”Šě ž,

í&#x2014;&#x2019;í&#x201A;Ş <The Selby House: #í?&#x17E;먞í&#x2019;&#x201A;_뚌í&#x201D;Ś_í&#x17E;&#x;>í&#x201D;&#x2019; 맪폪î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛.

íťží°Śě?&#x160; í&#x2022;&#x201C;î?&#x17D; í&#x201C;Žě &#x2020;í?&#x17D; í?&#x17E;먞í&#x2019;&#x17D;í&#x2022;&#x201A; ëťŚí°Śě ˘ í&#x2022;&#x;î&#x2030;&#x2013;ě&#x160;˛ě&#x2DC;Ş íş&#x2019;캍î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛. í&#x2022;&#x201A;í?&#x17D;

í&#x2022;&#x2020;ě¤&#x160;ëŤ&#x160; ëŤ&#x192;ë§&#x2019;í&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş í&#x152;Ží&#x2014;ŁëŤ&#x160; î?&#x2020;믞í&#x201A;şí&#x2022;&#x201A; ë§&#x17D;ě&#x160;Ť ě&#x192;&#x201A;ë°&#x201A; ěšşí&#x17E;&#x2019; ě§? ë§&#x17E;ë§?í&#x2014;?í&#x2022;&#x2020;

맧í&#x2022;&#x201A; í&#x2022;&#x;ë§&#x17D;ě ˘ í&#x2022;&#x160;ěş? ě˝&#x203A; ě&#x201A;˛í?&#x;î&#x152;Ş ě&#x17E;&#x161;ëšśëŤ&#x160; ëŤ&#x17D;ëŞ&#x2019;ě?&#x160; í??ë§&#x17E;í&#x201D;&#x160;ě&#x2DC;Ş ěş&#x160;í&#x152;&#x2019; í&#x2022;&#x17E;í&#x201A;Žě&#x17E;&#x161;í&#x201D;Ś

í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020;ě&#x2014;&#x2013;í&#x2022;&#x201A;쟌í&#x201D;&#x2019; íž&#x192;î?&#x201A; ě&#x192;&#x17D;í&#x203A;&#x;ëŤ&#x160; ě˝&#x161;íž&#x192;î&#x152;Śě ˘ í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ě ˘, î&#x192;śěźŚ, ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020;,

í&#x201A;Şë§? í&#x17D;&#x2020;í&#x17D;&#x201A;ě?&#x160; ë¸&#x2DC;í&#x2022;&#x2019;í&#x17D;&#x201D;í&#x2022;&#x201A; 짪í&#x2014;&#x2019;í&#x201A;Şíš˛ëŞŽ, ě&#x192;&#x17D;í&#x203A;&#x;ëŤ&#x160;í&#x201D;Ś ěŤ&#x201A;ě&#x201A;˛ í°ŞëŻ&#x160;î&#x152;ŚëŞŽ í&#x2014;?ëŻ&#x2021;í&#x2014;?í&#x2022;&#x2020;

í??î?˘, ëŠ&#x201A;í­Ł, í&#x2018;˘ě?ş ě&#x160;ż ě­&#x2019;í?&#x160;ě?&#x160; ě&#x17E;&#x2014;ě&#x2DC;Žî&#x152;ŚëŞŽ î&#x201A;&#x2020;ě&#x2014;&#x161;ě&#x160;Ş ěź&#x2020;íťžě&#x2022;&#x160;ěĄ&#x201A; ëłť î&#x152;śë˛Ś

ě˝&#x161;íž&#x192;í&#x201D;&#x2019; í&#x201A;Şě&#x2020;&#x2019;î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛. í&#x2014;&#x2019;í&#x201A;Ş <The Selby House: #í?&#x17E;먞í&#x2019;&#x201A;_뚌í&#x201D;Ś_í&#x17E;&#x;>í&#x201D;&#x17D;

í&#x2022;&#x;í&#x17D;&#x201C;î&#x152;ŚëŻžě?&#x160; í?&#x201A;ě&#x17E;Ťî&#x152;Śě ˘ í&#x152;&#x2019;î&#x201A;ží ˛î&#x201A;&#x2020;ě&#x2DC;Ş í&#x203A;&#x160;쥡짊몎 í&#x2022;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. î&#x201A;&#x2021;î&#x2022;&#x2013; í&#x2022;&#x;î&#x2030;&#x2013;í&#x17D;&#x17E;

í&#x2022;&#x;ë§&#x17D;í&#x201D;Ś í&#x201C;Ží&#x17D;žî&#x152;Ş ěšşëŞŽě§ˇí&#x201A;ŤëŤ&#x160; í&#x2022;&#x17E;í&#x201C;Žě­&#x2019;짡î&#x152;Ş ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x2039;&#x2019; í ˛íş&#x17D;í&#x2022;&#x160;í&#x2022;&#x201A; ë§&#x17D;ě&#x160;Ťî&#x152;Ş ěź&#x17D;ě°&#x2019;í&#x201D;Ś

ě&#x192;&#x201A;ë°&#x201A; ěź&#x17D;ě°&#x2019; î&#x201A;&#x2021;í&#x201C;Ží&#x201D;Ś í&#x201C;Žíľ&#x161;î&#x152;śëŤ&#x160; í&#x2022;&#x17E;í&#x201C;Žě­&#x2019;짡î&#x152;śí&#x201D;&#x17D; ě&#x201A;śí&#x2DC;žě&#x2DC;Şí&#x2019;&#x201A; í&#x2022;&#x160;ěş?í&#x17D;&#x17E; í?&#x2013;쿎í&#x2014;?

í&#x17E;&#x;í&#x201D;&#x160;ě&#x2DC;Ş ëŤ&#x17D;맍ě&#x160;˛í&#x201D;&#x2019; íŤ&#x2013;ě&#x192;&#x17D;î&#x152;Śí&#x17D;ş, î&#x2020;&#x2014;슢î&#x152;Ş í&#x2022;&#x160;ěş?í&#x17D;&#x17E; í??ë§&#x17E;í&#x2022;&#x201A; ě&#x2021;Śí&#x17D;&#x201A;í&#x203A;&#x2019; 쿌 í&#x2022;&#x2013;ě ˘

í??ë§&#x17E;í&#x201D;&#x2019; í&#x2014;ŞëŤ&#x192;î&#x152;ŚëŞŽ ëŻ&#x203A;í&#x2014;Łí&#x2014;?í&#x2022;&#x2020; í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ě?&#x160; ě­&#x2013;ě&#x2013;şí&#x2022;&#x160;í&#x201D;&#x160;íłŞ í?˘í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛.

ě˝&#x161;í&#x203A;&#x;î&#x152;Ş ěżŞë§&#x2019;ě&#x160;˛í&#x201D;&#x2019; 읎욺î&#x152;Ž ëŠ&#x2018;í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛.

ě§&#x2020;쿎ëŤ&#x17D; í&#x2022;&#x201C;돺í&#x17D;&#x17E;읪ě­&#x17D;íťž í&#x2014;&#x2019;í&#x201A;Şí&#x2022;ł í&#x2014;&#x2019;íŞ&#x201A;, ëŻ&#x2020;ě?şëŞŽ í&#x2014;Łí&#x2019;&#x17E;ë°&#x161;í&#x17E;&#x17D; í˝Žě&#x160;Ş

ěź&#x17D;ě°&#x2019;í&#x201D;Ś î?&#x2014;ěŤ&#x192;î&#x152;Ş ěş?ěş?ëŤ&#x160; í?&#x17E;먞í&#x2019;&#x17D;í&#x2022;&#x201A; ë§&#x17D;ě&#x160;Ťî&#x152;Ş â&#x20AC;&#x2DC;ěź&#x17D;ě°&#x2019;í&#x201D;Ś í&#x17E;&#x;â&#x20AC;&#x2122;í&#x201D;&#x160;ě&#x2DC;Ş ěŞ&#x17D;î?˘î&#x152;Śě ˘

í&#x2022;&#x201A;ěŠ&#x2013; í&#x2014;&#x2019;í&#x201A;Şí&#x17D;&#x17E;ěťŞě ˘, ëŻ&#x2020;í&#x201D;Ś ě&#x192;&#x17D;î&#x2C6;Ş ěšşí&#x17E;&#x2019; í&#x201A;Şě?şí?&#x2013;ěś&#x17E; í&#x152;&#x2019;ě&#x201A;&#x2013;ě&#x2022;&#x160; ě&#x201A;˛í¨&#x2019;ě&#x2DC;Şí&#x2019;&#x201A; í˛şě&#x2013;şí?&#x17D; í&#x2022;&#x17E;í&#x201C;Žě&#x2DC;Şí&#x2019;&#x201A; î&#x2C6;Şî?&#x2019;í&#x2022;&#x201A; ě&#x2020;&#x2122;ěŤ&#x201A;í&#x2022;&#x201A;ě ˘ í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020;ě&#x2014;&#x2013;í&#x2022;&#x201A;쟌, í??ěş?, ëŻ&#x2020;ě?şëŞŽ ěş&#x2013;ě&#x2DC;ťëŠ&#x161;

읎ěŤ&#x201A;í&#x2022;&#x201A;ě ˘ ě&#x192;&#x17D;î?Ł ěť˛í°Ś í&#x2022;&#x;í&#x17D;&#x201C;ë°&#x161;í&#x17E;&#x17D; í&#x2022;&#x;ë§&#x17D;í&#x201D;Ś ěş?ěş?ě&#x2014;łëŤ&#x160; í&#x201C;Žě &#x2020;ë§&#x17E;ë§?í&#x2022;&#x201A; ëŞŽí ˛ě&#x2022;&#x17D;î&#x2022;&#x2013; ě&#x160;Şě&#x2013;şëšŚě ˘ í&#x2022;&#x;î&#x2030;&#x2013;ě&#x160;˛í&#x201D;&#x2019; 퍍ě&#x17E;Ťě&#x2022;&#x160;î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛. ěŤ&#x2020; í&#x2014;&#x2019;í&#x201A;Şě ˘ í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ë§&#x17D; í&#x2022;&#x17E;í&#x201A;Ží&#x201D;Ś

쯢ě&#x2DC;ŞëŻ&#x2020; â&#x20AC;&#x2DC;ě&#x201E;˘ěź&#x17D;ě°&#x2019;ě&#x192;&#x2026;íł&#x201A;(theselby.com)â&#x20AC;&#x2122;í&#x17D;&#x17E; ëŤ&#x192;맪î&#x152;Śě ž í¸ž í&#x203A;&#x160;쥡í&#x201D;&#x2019; 짊믞 í&#x201A;Şí&#x2022;&#x;î&#x152;Ş í&#x201C;ŽěĄ&#x201C;í&#x2022;&#x2020;ě&#x160;˛í&#x201D;Ś ěšşí&#x2014;?í&#x2022;&#x2020; ëŤ&#x192;ë§&#x2019;í&#x201D;&#x2019; 퍺í??î&#x152;Ş íŤ&#x2013;믞 í&#x2022;&#x;î&#x2030;&#x2013;ě­&#x17D;íťž, î&#x192;śěźŚëŤ&#x160;

í&#x2018;˘ě?şí&#x201D;Ś í??í&#x17D;ťí&#x17D;&#x17E;읪 î?Şí?&#x2039;î&#x152;Śě ˘ í&#x2022;&#x2020;ě¤&#x160;ě&#x160;˛í&#x201D;Ś í&#x17D;ťě&#x2020;§í&#x2014;?í&#x2022;&#x2020; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201A;˛ëŤ&#x160; í¨&#x2039;í&#x201D;Śí&#x2014;?í&#x2022;&#x2020; í&#x203A;&#x160;짡í&#x201D;&#x2019; ě&#x192;&#x201A;í&#x201D;&#x17D; 230í&#x17D;ş í&#x2014;&#x17E;í&#x201D;Ś ě&#x192;&#x17D;î&#x2C6;Ş ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x201D;&#x2019; î&#x152;Ş í&#x2022;&#x17E;ě?şí&#x17D;&#x17E;읪 ě˝&#x161;맪î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛. î&#x201A;&#x2021;î&#x2022;&#x2013; í&#x17E;?í&#x2014;&#x; 횲í&#x2019;&#x201A; í&#x152;§ëŞŽě&#x2022;&#x160; í˝Žëš&#x160;í&#x201D;Ś íź&#x2020;ě&#x2DC;Ş í&#x201D;Śěş?í&#x201D;&#x2019; ě&#x17E;&#x161;ě&#x160;Şě ˘ ě&#x201A;&#x2013;î&#x201A;&#x2020; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013;

í&#x152;˘ě°&#x2019;íą&#x201A; í´Śě&#x2DC;Şí&#x2022;&#x201A;(Ambika Conroy)ě?&#x160; î&#x2020;şî&#x152;śî&#x152;Śí&#x17D;ş, 짪ě&#x17E;Ť(Balmain)í&#x201D;Ś

폪í&#x17D;žě˝&#x161; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013; í?şě?şě°&#x2019;í&#x17D;&#x17E; ě&#x161;śí ˛íź&#x161;í&#x2022;&#x2014;(Olivier Rousteing), í&#x2022;&#x201A;íş&#x2013;ě?şí&#x152;&#x2019; î&#x192;śěźŚëŞ&#x2019;í&#x201D;Ś ě&#x192;&#x17D;쥜í&#x2022;&#x201A;í&#x2022;&#x17E; 10 ëłşě?&#x201A;ě˝&#x161;볺쥜 읲ě&#x17E;&#x2039;í&#x2022;&#x17E; íą&#x201A;ě?&#x160;ě&#x2022;&#x160; ě˝&#x161;í§śě&#x201A;&#x2013;(Carla

Sozzani)í&#x201D;Ś í&#x2022;&#x;í&#x17D;&#x201C; ëŤ&#x192;ë§&#x2019;ëŤ&#x160;, ě Łí&#x201A;Şí´˘í&#x201D;Ś ë°&#x2DC;í&#x201D;&#x17D; í&#x2014;ŁëŻ&#x17D;í&#x17D;&#x17E; í&#x2022;&#x17E;ě?şí&#x2022;Żí&#x201D;&#x17D; ě&#x2014;&#x2013;í ˛í˝Žě&#x2022;&#x;

î&#x152;Śî&#x201A;&#x2020;í&#x2018;žě&#x160;Ş(Hartwood)뚌 ěŻ&#x161;ě&#x161;śíš&#x201A;ě?ž(Brooklyn)í&#x201D;Ś ě&#x161;śî&#x2039;&#x2019;íş&#x;í&#x201D;&#x2019; ë˝&#x203A;í&#x2022;łí&#x201D;&#x160;ě&#x2DC;Ş

짢ëś&#x2020;ě ˘ ě&#x2020;&#x2019;í&#x201A;Ş ë˝&#x203A;ě­&#x17D; í&#x152;Žě&#x201A;&#x2013; ë˝&#x2020;짣(Annie Novak)í&#x201D;Ś í&#x2022;&#x160;ěş?í&#x201D;&#x2019; ě&#x192;&#x201A;í&#x201D;&#x17D; ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x201D;&#x17D; ë§?믞 ě&#x201A;˛ě?&#x2020; ě­&#x2019;í?&#x160;í&#x17D;&#x17E;읪 í&#x203A;&#x160;íŞ&#x201A;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ěş&#x201A;í&#x152;&#x2019;ë§&#x17D;ě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;Ś 쥜í&#x201A;&#x192;í&#x201D;&#x2019; í&#x152;Ží&#x2014;Ł í&#x17D;&#x201A;ě?ž

í&#x201A;Şë§?í&#x201D;&#x160;ě&#x2DC;Ş ěŤ&#x201A;í&#x17D;şí&#x203A;&#x203A;ě&#x201A;&#x2013;ě&#x201A;˛. ě&#x201E;˘ě­&#x2013;í&#x17D;&#x201A; ě&#x2020;§ě¤&#x160;, í&#x201D;&#x161;í&#x201A;Ť, í&#x2022;&#x17E;í&#x17D;ž ě&#x160;żí&#x201D;Ś í&#x2022;&#x160;ěş?í&#x2014;?í&#x2022;&#x2020; ě˝&#x161;í&#x2022;şí&#x17D;&#x17E; í&#x2022;&#x;ë§&#x17D;ě&#x17E;&#x161;í&#x201D;Ś 몎í&#x201C;Žî&#x152;Ş ěş&#x2014;ë°˘ëŤ&#x160; 쿪쿌î&#x152;Ş í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ě?&#x160; ě&#x201E;ľí&#x2022;&#x201C;î&#x2022;&#x161; í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020;í?&#x17D; ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014;

í&#x2022;&#x;î&#x2030;&#x2013;ě&#x160;˛í&#x201D;&#x2019; íž&#x192;î?&#x201A;, ěŤ&#x201A;ě&#x201A;˛ í &#x2039;몎 í°Şě§&#x17D;î&#x152;ŚëŠ&#x161; ě&#x192;&#x17D;í&#x203A;&#x;ëŤ&#x160; ě˝&#x161;íž&#x192;î&#x152;Śě ˘ 짡í&#x201A;Ťí&#x201D;&#x2019; ë¸&#x2DC;í&#x2022;&#x2019;í&#x17D;&#x201D;í&#x2022;&#x201A; 짪ë­&#x201A;î&#x152;ŚëŞŽ í¨&#x2039;í&#x2DC;žî?&#x201A;ëş&#x201A;ě ˘ í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;í&#x201D;Ś ě°&#x2019;í&#x203A;&#x160;í&#x17D;&#x160; í˛˛ěĽ˛ě&#x201A;&#x2013;íł&#x17D;í&#x2022;&#x201A;íťž(Visual

Communicator)ě&#x2DC;ŞěťŞí&#x201D;Ś 쥜í&#x201A;&#x192;ě&#x2020;&#x2019; î&#x152;śë˛Ś í&#x2DC;žě&#x17E;Ťî&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛. ěś&#x17E;ě&#x17E;&#x161; í&#x152;&#x2019;ě&#x201A;&#x2013;ě&#x2022;&#x160; í&#x2022;&#x160;ěş?

í&#x2022;&#x17E;íŞ&#x201A;ë§&#x17D; í¨&#x2039;í&#x201D;Śí&#x2014;? 늞ëŤ&#x160;ě¤&#x160;ě&#x2DC;Ş í&#x2022;&#x201A;í&#x17D;&#x201A;í&#x17E;&#x17D;ě ˘ ë§&#x17D;í&#x2022;ł â&#x20AC;&#x2DC;ěź&#x17D;ě°&#x2019;ě&#x201A;˛í&#x2019;&#x201A;â&#x20AC;&#x2122; ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x2039;&#x2019; í ˛íş&#x17D;í&#x2022;&#x160;í&#x201D;&#x2019;

ě&#x160;˛í&#x17D;şě&#x201A;˛ěŤ&#x160; 쿌 í&#x2022;&#x2013;ě ˘ í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;í&#x201D;Ś 먞í&#x201A;˛ëŤ&#x160; í°śí&#x201A;˛, í&#x2022;&#x;í&#x17D;&#x201C;í&#x201A;˛í&#x201D;&#x2019; í&#x2022;şëŹşěťżî&#x152;Ş ěź&#x17D;ě°&#x2019;í&#x201D;Ś 짡ëŤ&#x160;, í&#x2022;&#x;ë§&#x17D;í&#x201D;Ś í&#x17D;&#x201A;ě&#x17E;&#x201A; í&#x2014;? ëś&#x2013;ëŤ&#x160; 믞í&#x17D;&#x192;í&#x2022;&#x201A; î&#x152;ŚëšŚě&#x2DC;Ş í&#x201D;&#x;í&#x17E;&#x;ě&#x2021;Śí&#x17D;&#x201A; î?Śěş?í&#x2014;?í&#x2022;&#x2020; í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ě&#x2DC;Ş î&#x2020;ťě§Şî&#x152;Śě ˘ ěź&#x17D;ě°&#x2019;í&#x201D;Ś í&#x2014;ŁëŻ&#x17D;í&#x201D;&#x2019; í&#x17E;?í&#x2014;&#x; íŞ&#x201A;î&#x17D;Śî&#x152;Ž 쿌 í&#x2022;&#x2013;ě ˘ ëŤ&#x192;ë§&#x2019;í&#x2022;&#x201A; ě&#x17E;&#x2013;ě&#x2014;śě&#x2021;ˇě&#x201A;&#x2013;ě&#x201A;˛.

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FOREWORD

DAELIM MUSEUM

Daelim Museum presents <The Selby House>, the exhibition of the photographer and illustrator Todd Selby from April 27 to October 29, 2017. Through photographs, full of warmth and curiosity and colorful illustrations, Todd Selbyâ&#x20AC;&#x2122;s work intimately portrays creators around the world and the spaces in which they live and work. Selby is renowned for his passion for working with colorful characters in diverse fields ranging from fashion to design, film, architecture and food. His uniquely upbeat, uninhibited works evoke positive energy and provide artistic inspiration amid the monotony of everyday life. In this exhibition, the whole of Daelim Museum, from the entrance to the exhibition spaces to the garden, is transformed into the â&#x20AC;&#x2DC;Selby House.â&#x20AC;&#x2122; Enriched with the artist's sense of humor and irrepressible imagination, <The Selby House> presents a comprehensive collection of works from his most notable photography series to colorful illustrations, films, and large site-specific installations. Over 230 of Selby's photographs include the early images of celebritiesâ&#x20AC;&#x2122; homes that started a sensation on his blog, theselby.com, and the pictures of studios and kitchens of creative individuals in the fields of fashion and culinary art. Through his intimate perspective, the photos tell compelling stories of the people leading unique lifestyles, capturing scenes from their daily lives and work spaces. The images include Ambika Conroy, a designer who makes clothing from home-raised angora rabbits, Olivier Rousteing, Balmain's youngest designer, Carla Sozzani, mother of Italian fashion and the founder of 10 Corso Como, Hartwood, the restaurant located in the center of the Mexican jungle, and Annie Novak, an urban farmer who runs a rooftop farm in Brooklyn. The exhibition also introduces Selby as a visual communicator, who constantly searches for ways to connect with the public through his drawings of everyday subjects such as animals, food and nature, infused with his lively personality and energy. Meanwhile, the re-creation of the artist's own living room, bedroom and studio provides a glimpse of Selbyâ&#x20AC;&#x2122;s lifestyle, where his creative outputs are born. Upstairs in the Jungle Room, the artist's childhood dreams and memories come together in an explosion of captivating energy.

The works of Todd Selby incorporate the spaces and lifestyles of individuals working in myriad fields, while also sharing bundles of stories derived from the artist's own experience. With the touch of his unique artistic style, familiar mediums, such as photography and illustration, brim with fun and joy. Inspired by the encounters and relationships formed in everyday life, the artist constantly develops his own visual language in an attempt to actively engage and intimately communicate with the general public. A place full of whimsical thoughts and freewheeling lifestyle <The Selby House> welcomes visitors and transforms ordinary moments into extraordinary.

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í&#x17D;&#x17E;ěź&#x2020;í&#x2022;&#x201A;

ěş&#x17E;ě?şď&#x2DC;&#x201C;í&#x201A;żí&#x17D;&#x201A;

ěĄ&#x2022; ëź&#x2019; í&#x2014;&#x2019;, í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ě ˘ í&#x2014;ŞëŠ&#x161; ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; í¨&#x201C;í&#x17D;&#x17E; ëŤ&#x17D;î&#x152;Ş í&#x152;&#x2019;í&#x2022;&#x201A;ě&#x2039;˘í&#x17D;&#x201A;ě?&#x160;

í?&#x2013;쿎ë§&#x17D;ě ˘ î?&#x2020;믞í&#x201A;şí&#x2022;&#x201A; ě&#x17E;&#x153;í&#x152;&#x2019;í?&#x160; î&#x152;ŚëŞŽ î&#x152;§ëŹşí&#x2014;?í&#x2022;&#x201A;í&#x17D;&#x201A;í?&#x160; î&#x152;Śě ˘ë§&#x17D;ě&#x2022;&#x160;ě ˘ í&#x17E;&#x2013;ě¤&#x2020;í&#x17D;&#x17E;

<Edible Selby>, <Fashionable Selby>í&#x17D;&#x17E; í&#x2022;&#x201A;í&#x17D;&#x201A;

Yorker)>í&#x17D;&#x17E;읪 í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ě?&#x160; â&#x20AC;&#x2DC;ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x2039;&#x2019; í ˛íş&#x17D;í&#x2022;&#x160; 쯢ě&#x2DC;Şë¨žâ&#x20AC;&#x2122;ě&#x2DC;Ş í°ťî&#x152;Ş ëŠ&#x2018;í&#x201D;&#x17D;

ě&#x17E;&#x17E;î?&#x201A;í&#x203A;&#x160;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ëŻ&#x2020; í¨&#x201C;í&#x201D;&#x17D; <The Selby is in Your Place>,

í&#x2014;Łî?Łî&#x2022;&#x2013; ě&#x192;&#x192;í&#x201D;&#x2019; î&#x152;ŚëŻžě ˘ í&#x17D;&#x201A;ě&#x2DC;&#x192;í&#x17E;&#x17D;ě&#x17E;&#x161;, 폪ëŻ&#x160; í&#x2022;Żí&#x17E;&#x17D; <ě &#x201A;í&#x2018;˘í˛˛(The New

<ěź&#x17D;ě°&#x2019;í&#x2018;žě&#x160;Ş(Selbywood)>ě&#x2022;&#x160;ě ˘ í&#x2014;ŞěĄˇí&#x201D;&#x160;ě&#x2DC;Ş, ěšşí&#x17E;&#x2019;, í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020;ě&#x2014;&#x2013;í&#x2022;&#x201A;쟌,

í? í&#x201D;&#x17D; î&#x2C6;Şî?&#x2019;í&#x2022;&#x201A; í&#x152;&#x2019;ě&#x201A;&#x2013;ě&#x2022;&#x160;몎 캍ë§?î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛. ëŻ&#x2020;ě ˘ 튌í&#x201D;&#x161;ě­&#x17D;íťž í&#x2022;&#x2020;íťžëź&#x2026;í&#x2022;&#x201A; í&#x2022;&#x17E;í&#x201A;Ží&#x201D;&#x2019;

ě&#x201A;˛í?&#x;î&#x152;Ş í´Śíź&#x17E;íŻŽě?&#x160; í&#x152;&#x2019;í&#x2018;žě?&#x201A;ě&#x2014;˛ě ˘ ëŞ&#x2019;î&#x2018;&#x203A;í&#x201D;&#x2019; ë§&#x17D;í&#x17E;&#x17D;몎 í&#x2022;&#x2013;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛.

ëŤ&#x17D;í&#x2014;&#x17E;ëŤ&#x160; í&#x203A;&#x160;ěŞ&#x17D;í&#x201D;&#x2019; 믞ě&#x2DC;Ťî&#x152;Śě ˘ 짡í&#x201A;Ť, ëŻ&#x2020;ě?şëŞŽ ě&#x2020;§í&#x201A;Şě&#x192;&#x17D; ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A; í?&#x201A;ëŤ&#x;î&#x152;Śě ˘

쿌í¨&#x2019;î?˘, í&#x2022;&#x2020;흞쎞, í¸&#x201A;í?&#x2013;, í ˛î&#x201A;ží˛˛ ëŻ&#x2020;ě?şëŞŽ í??î?˘ íą&#x17E;ě?ťíťž ě&#x160;ż ëŹ&#x2014;í&#x2022;łî&#x2022;&#x2013;

î&#x2C6;Şî?&#x2019;î&#x152;Śě ˘ ě&#x201E;ž í&#x2014;?î&#x152;ˇî&#x152;Ş ě&#x17E;˛íŞ&#x201A;ě&#x2022;&#x160;ě ˘ ëŠ&#x2018;í&#x201D;&#x2019; í&#x152;&#x161;몎 í&#x2022;&#x2013;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;ě ˘ ëŻ&#x2020;í&#x201D;Ś

í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ě ˘ î&#x152;Žě?şí&#x2018;žě&#x160;Ş(Hollywood), î&#x192;&#x161;í&#x2022;&#x2020;í&#x2018;žě&#x160;Ş(Pinewood),

ëŠ&#x2018;ëŤ&#x160; ëŻ&#x2020;ě&#x160;˛í&#x201D;Ś 쿌í&#x17E;&#x;î&#x2030;&#x2013;ě&#x160;˛í&#x201D;&#x2019; 쥜í&#x2DC;žě?ş í&#x2014;&#x17D;í&#x2022;łî&#x152;Ž 쿌 í&#x2022;&#x2013;ě ˘ ëŤ&#x192;ë§&#x2019;í&#x2022;&#x201A;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛.

ěŤ&#x160;ě?şí&#x2018;žě&#x160;Ş(Bollywood), ë˝&#x17D;ě?şí&#x2018;žě&#x160;Ş(Nollywood)ě?&#x160; î&#x2020;şî&#x152;śî?&#x201A; í??î?˘ëŞ&#x2019;

í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ě ˘ í¨&#x201C;í&#x201D;&#x160;ě&#x2DC;Ş ë§&#x17D;ě&#x160;Ťî&#x152;Ş í¨&#x201C;í&#x2022;łëŤ&#x160; ëş&#x2014;í&#x2022;łëŞŽ, ěŞ&#x2039;뚪ě&#x2DC;Ş, î&#x201A;&#x2021;î&#x2022;&#x2013; 쿌í&#x17E;&#x;ëŤ&#x;ě&#x160;˛í&#x2022;&#x201A;

í&#x2014;&#x2019;짌í&#x17D;&#x17E; ě&#x17E;&#x153;í&#x201D;&#x17D; ëŤ&#x17D;í&#x201A;şí&#x201D;&#x2019; ë§&#x17D;í&#x17E;&#x17D;몎 í&#x2022;&#x2013;í&#x17D;&#x2013;몎, í&#x17D;&#x2020;í&#x2014;ŞëšŚ ëŻ&#x2020;ě&#x2014;&#x2022;ě&#x160;˝ ěżśí&#x201D;&#x17D; í&#x2DC;ží&#x17D;žě&#x160;˛ - ě¤&#x201A;ě&#x192;&#x17D;

ëŹ&#x201A;í&#x17E;Şí ˛ě&#x2014;&#x2039;몎 í&#x17D;&#x201A;쿌읎î&#x152;ŚëŠ&#x161; 쥜í&#x152;&#x2019;ě&#x2C6;˘ ě¤&#x160;ëŠ&#x201A;ě&#x160;˛í&#x17D;&#x17E; í¸ž î&#x201D;łě§&#x2020;ě?&#x160; ě &#x17E;ëł&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ëŻ&#x2020;ě ˘

ě&#x2030;˛ í ˛íşŞî&#x2039;&#x2019;, ě˝&#x161;î&#x2030;&#x2013; í ˛íş&#x17D;í&#x2022;&#x160;ě?şí ˛î&#x201A;&#x2020;, ë§&#x17D;짪 í&#x2014;Şí&#x2022;&#x;í&#x2022;&#x17E;, í&#x17D;şě§ží&#x2018;ží?&#x17D; í&#x2DC;žěżŚ ě&#x160;ż - í&#x17D;&#x17E;ëŠ&#x161;

ě&#x201A;şë¨&#x17D;íł&#x192;, ěş&#x2013; 쥜í&#x2022;&#x201A;íž&#x192;, ëŻ&#x160;ěšşî&#x152;Ş ě&#x2020;&#x2019;í&#x2022;&#x17E;믞í?&#x17D; 읪ě&#x153;Śě&#x201E;˘ě§&#x2020;ě&#x160;˛ě&#x2DC;Ş í&#x2022;&#x17E;í&#x201A;Žě&#x17E;&#x161;í&#x201D;Ś 맪읿í&#x201D;&#x2019;

ëŤ&#x17D;í&#x201A;şí&#x2022;&#x201A; ě&#x17E;&#x153;í&#x152;Śí&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ëŻ&#x2020;ě&#x2013;şëšŚ ě&#x201A;śí&#x17E;&#x17D; ëŻ&#x2020;ě&#x160;˛í&#x201D;Ś 쥜í&#x201A;&#x192;í&#x201D;&#x2019; 믞ě&#x2DC;Ťî&#x152;Śě ˘ ëŠ&#x2018;í&#x17D;&#x17E;ě&#x17E;&#x161;

î&#x2C6;Şí­Şî&#x152;Śě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛, ëŻ&#x2020;ě?şëŞŽ ě˝&#x203A;í?&#x2026; ě°śě&#x2022;Śě?&#x160; ě¤&#x201A;í&#x201A;şî&#x2022;&#x2013; ě&#x201E;Śí&#x2DC;&#x2020; ëťąí&#x201D;&#x17D; î&#x152;&#x160;í¸şě&#x201A;&#x2014;

ě&#x17E;˛ě&#x201A;şě?şě ˘ ëŠ&#x2018;í&#x2022;&#x201A; í&#x152;&#x2019;ě&#x201A;&#x2013;ě&#x2022;&#x160;, ëŻ&#x2020;ě&#x17E;&#x161;í&#x201D;Ś í&#x201A;Şë§?í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;&#x201A; ěź&#x2020;ëŞ&#x2019;ě?&#x160; í§&#x203A;몎, ëŻ&#x2020;ě&#x2014;˛ëş&#x201A;몎,

짢돺ě&#x201A;&#x2013;í?&#x17D; 띌íŞ&#x17E;ëšŚě ˘ í¨&#x2030;í&#x2022;˘ í˛şě&#x2014;&#x2014;쟌í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;&#x17E;í&#x201A;Ží&#x201D;&#x2019; î&#x2C6;Şî?&#x2019;î&#x152;Ş ěšşě&#x2022;&#x161;ě&#x160;˛í&#x17D;&#x17E;ëŠ&#x161; ě&#x17E;˛ě&#x2014;łí&#x201D;&#x2019;

ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;Ś í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; ě&#x160;ąëŞŽ, í˛şě&#x2013;şě?&#x160; ě&#x201E;ľí&#x2022;&#x201C;î&#x2022;&#x2013;ěĄ&#x201A;읪 í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;í&#x201D;Ś ěź&#x2020;ěş?í&#x201D;&#x2019;

ě &#x17E;ëš&#x17D;ě&#x201A;˛ëŞŽ ě&#x17E;&#x17E;î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛. í&#x2022;&#x201A;ěŠ&#x2013; í&#x2014;&#x2019;í&#x201A;Şí&#x17D;&#x17E;읪 읎ěŤ&#x201A;í&#x2022;&#x201A;ě ˘ ëŻ&#x2020;í&#x201D;Ś í°śí&#x201A;˛ëŤ&#x160; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201A;˛í&#x17D;&#x17E;읪

î&#x2C6;Şî?&#x2019;î&#x152;ŚëŞŽ í&#x192;&#x201E;í&#x17D;&#x201A;î?&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ě&#x192;&#x2021;í&#x201A;Ží&#x201D;&#x17D; í&#x2022;&#x201A;ě&#x2013;ž í&#x17D;&#x201A;ě&#x17E;&#x2013;í&#x17D;&#x201A;ě&#x17E;&#x2013;î&#x152;Ş ěş?ěş?í&#x201D;Ś ěź&#x2020;ëŞ&#x2019;ě?&#x160;

í&#x2022;&#x201A;ě&#x2013;şî&#x152;Ş ě­&#x17D;ě&#x153;Śí&#x201D;Ś ěšşě&#x2022;&#x161;ě&#x160;˛ëŤ&#x160; ě°&#x2019;í&#x201A;&#x2026;î&#x152;Ş í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;í&#x201D;Ś ěťżî?łě&#x2020;&#x2019; î?Łí&#x2022;&#x2020;î&#x152;Ž 쿌

ëŻ&#x2020;ě&#x2014;˛ěŤ&#x160; 쿌 í&#x2022;&#x2013;í&#x201D;&#x2019; ëŠ&#x2018; 맧뚌í&#x2018;˘?

í&#x2022;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛.

í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ě ˘ í&#x152;&#x2019;í&#x17E;? í&#x2022;&#x201A; í¨&#x201C;í&#x201D;&#x2019; í­Şî&#x192;&#x17E;î&#x152;Śí&#x17E;&#x17D;ě ˘ í&#x152;&#x2DC;í&#x152;Śí&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ě&#x192;&#x17D;í&#x201A;Ží&#x17D;&#x17E; ëŻ&#x2020;ě ˘

í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;í&#x201D;Ś ě°&#x2019;í&#x2014;&#x2019;, í?&#x2014; ěź&#x17D;ě°&#x2019;í&#x2019;˘ě&#x160;Ş(Selbyworld)ě ˘ 늞돝 ěšşě&#x2022;&#x161;í&#x17D;&#x17E;읪

î&#x152;Ş í&#x152;&#x2019;í&#x2022;&#x201A;í&#x201D;Ś í&#x152;&#x2019;ěŠ&#x2019;í&#x17E;&#x17D;ë§&#x17D; ě&#x2021;Śí&#x17D;&#x2013;몎, î&#x152;Žě?şí&#x2018;žě&#x160;Ş(Hollywood), í&#x17D;&#x2019;ě§&#x17D;î&#x2022;&#x2013; ě&#x17E;&#x17E;î&#x152;Śí&#x2022;&#x17E;ěĄ&#x201A;

í­Şě§Şî&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛. ëŻ&#x2020;í?&#x17D; í&#x203A;&#x160;ěŞ&#x17D; ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;Ś í&#x2022;&#x160;ěş?í&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş ëŻžě&#x2DC;Ť, í&#x201A;şí&#x17E;&#x17D;í&#x17D;&#x201A; ëŻ&#x2020;ë§&#x17D;

맢í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ëŻ&#x2020;ëŤ í&#x17D;&#x17E;읪 ëŻ&#x2020;ě ˘ í??î?˘ě?&#x160; í&#x2014;Şí&#x2022;&#x;î&#x152;ŚëŞŽ ě&#x192;&#x17D;ě&#x17E;&#x160;ě§&#x2020;쿎ëŤ&#x17D;í&#x201D;&#x2019; í&#x201C;&#x2019;î&#x152;Ş í&#x2014;&#x2019;í&#x201A;Şě&#x2020;&#x2019;

î&#x2039;&#x2019;ě&#x2DC;Şí&#x2014;Ťî&#x201A;&#x2020;í&#x201D;Ś í&#x201A;Şí&#x2022;&#x;í&#x2014;&#x17E;í&#x2022;&#x160; ěś&#x17E;í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛. í ˛íł&#x17D;í°Śî&#x152;ŚëŞŽ, ěş&#x2014;í&#x201D;&#x2019; í°Žî&#x152;ŚëŞŽ, 퍺í??î&#x152;ŚëŞŽ,

ěŻ&#x161;ě&#x2014;&#x161;î&#x201A;&#x2020;í&#x2018;žě&#x160;Ş(Brentwood)(í&#x17D;&#x201A;í&#x;&#x161;먞뚌 í&#x2018;žě&#x160;Ş(wood)ë§&#x17D; ě­§í&#x201D;&#x17D;)ě&#x2DC;Ş í&#x2022;&#x201A;ěšşě?&#x160;

ěş?í&#x17D;&#x201C;í&#x2014;?í&#x2022;&#x2020; í&#x2022;&#x160;í&#x201D;&#x2019; î&#x152;Ž ě&#x152;&#x161;í&#x17D;&#x17E; ě&#x17E;&#x2013;í&#x203A;&#x160;í°Śě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛ë°&#x161;í&#x17E;&#x17D;ě&#x2020;&#x2019; ëŻ&#x2020;í&#x201D;Ś 짡ě&#x192;&#x17D;î&#x152;Ş í¨&#x2039;í&#x2022;&#x;

맪폪î&#x152;Śě ˘ ě&#x160;ż í&#x2022;&#x160;í&#x2122;&#x201C;í&#x201D;Ś â&#x20AC;&#x2DC;ěź&#x17D;ě°&#x2019;í&#x2018;žě&#x160;Ş(Selbywood)â&#x20AC;&#x2122;ě?&#x160; í&#x201A;˛î?&#x2019;î?&#x201A; ëş&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛.

í&#x17E;&#x2013;ě¤&#x2020;î&#x152;ŚëŞŽ, í&#x160;žëŞŽ, ë˝&#x2021;í&#x201D;&#x161;î&#x152;Śě ˘ 짡í&#x201A;Ťí&#x201D;&#x160;ě&#x2DC;Ş ëŻ&#x2020;ě ˘ 퍺í?? ě&#x192;&#x17D;ěş?ě&#x160;˛í&#x17D;&#x17E; ě&#x192;&#x17D;î?&#x201A; ë¸&#x2DC;í&#x2022;&#x2019;í&#x17D;&#x201D;í&#x2022;&#x201A;

í&#x2014;&#x17D;í&#x17D;&#x17E;ëŠ&#x161; ěź&#x17D;ě°&#x2019;í&#x2018;žě&#x160;Şě ˘ ëś&#x2020;ě§&#x2020;í&#x17E;&#x17D; í&#x152;&#x2DC;í&#x201D;&#x17D; í&#x152;&#x2019;ě?&#x2019;ě&#x201A;˛í&#x2019;&#x17D;í&#x2022;&#x201A; í&#x2022;&#x2013;몎, í&#x17E;?í&#x2014;&#x; ěş&#x201A;í&#x152;&#x2019;ěŤ&#x201A;몎 í&#x192;&#x201E;í&#x201D;&#x2019;

íş&#x17E;돺î&#x152;Śě ž, ě &#x2020;ě&#x17E;?ě˝&#x203A;í&#x17D;&#x17E;읪ě&#x17E;&#x161; ëŻ&#x2020;ě?şě&#x201E;Ś ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; î?ŁíşŞí?&#x17D; í?˛ěŻ&#x161;í&#x2014;Şě&#x2DC;Ş í&#x2022;şíş&#x2019;캍

í&#x2014;Łě&#x2020;&#x2019;ě&#x2DC;Ş ě&#x17E;˛í&#x2018;ž í&#x2022;&#x2020;ë§&#x2019;í&#x2014;?í&#x2022;&#x201A;ěĄ&#x201A;읪ě&#x2020;&#x2019; ëŹ&#x201A;í&#x17E;Şí ˛ě&#x2013;şí&#x2019;&#x201A; ëŤ í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛.

í&#x201A;Şíş&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ě&#x17E;&#x2013;í°Ś ě&#x192;&#x17D;ě&#x17E;&#x160;ě§&#x2020;쿎ëŤ&#x17D;í&#x201D;Ś í&#x2014;Łí&#x2019;&#x17E;í&#x17D;&#x17E;읪 ě&#x192;&#x2021;í&#x201A;Ží&#x201D;&#x2019; 짌늜í&#x203A;&#x2019; ě&#x17E;˛ě&#x2014;łí&#x2014;?í&#x2022;&#x2020;

í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ě ˘ î&#x152;Žě?şí&#x2018;žě&#x160;Şí&#x17D;&#x17E;읪 ëšśí˘&#x2039;í&#x201D;&#x160;ě&#x2DC;Ş 38ě&#x17E;&#x2013;í&#x2022;&#x160; ě?śí&#x17D;&#x201A;í&#x17E;&#x2019; ě&#x2020;&#x2019;í&#x201A;Şí&#x2022;&#x2020;

ěĄşí ˛íťžíŠŚě&#x2014;&#x160; ě&#x17E;&#x17E;í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛. í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019; í&#x2022;&#x;î&#x2030;&#x2013;í&#x201D;Ś í&#x2022;&#x160;ě­&#x17D;ë§&#x17D; ě&#x2021;Şě&#x201A;˛ě ˘ ëŠ&#x2018;í&#x201D;&#x17D; ě&#x17E;˛í&#x2018;ž

ěšžíş&#x17D;í&#x152;&#x2019;뚌(Santa Ana)í&#x17D;&#x17E;읪 í&#x2022;&#x17E;ě&#x2022;&#x17E;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x2022;&#x201A; ëŤ í&#x201D;&#x17D; í&#x201A;Şë§?í&#x2014;?í&#x201D;&#x160;ě&#x2DC;ŞëšŚ

ë˝&#x17D;ě&#x2022;&#x203A;몎ě&#x2020;&#x2019; í??ëŤ&#x;í ˛ě&#x2013;şí&#x2019;&#x201A; í&#x2022;&#x160;í&#x2022;&#x160; ëŠ&#x2018;í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x152;&#x2019;ě&#x17E;&#x2013;ě&#x2020;&#x2019; í&#x152;˛ě&#x2039;˘ í&#x2019;&#x161;î?&#x17D;(Andy

ě¤&#x2020;î?˘í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ëŹ&#x2014;í&#x2022;łî&#x2022;&#x2013; 몎ě?şíş&#x17D;ě­&#x2019;î&#x152;Ş í&#x17E;&#x17D;í&#x17D;ťí&#x201D;&#x160;ě&#x2DC;Ş, ě&#x17E;&#x2013;í°Ś ëŤ&#x192;î&#x2020;şí??î?˘í&#x17D;&#x17E;읪 ëŹ&#x201A;ě¤&#x160;í&#x2022;&#x201A;

Warhol)í&#x2022;&#x201A;뚌 íł&#x17D;î&#x2022;&#x161;ě&#x201E;ž í?&#x17D;í&#x2022;&#x160;ě?ş(Kehinde Wiley)ë§&#x17D; ëŻ&#x2020;ě&#x2DC;&#x2020;ě&#x201E;Ś í&#x2022;&#x2020;ě¤&#x160;ě&#x160;˛ě&#x2020;&#x2019;

í&#x2022;&#x201A;ě ˘ 20ěź&#x2020;믞 ě&#x17E;&#x17E; íąŚě?şî&#x2020;şě&#x201A;&#x2013;í&#x152;&#x2019;(California) í&#x203A;&#x160;í&#x201D;Ś í?˛ě&#x2014;&#x161;í&#x17E;&#x17D; íą&#x201A;í&#x2019;&#x201A;î&#x201A;ž(Orange

ěšşí&#x17E;&#x2019;í&#x2022;&#x;ë§&#x17D;, í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020;ě&#x2014;&#x2013;í&#x2022;&#x201A;흞뚌 ěŞ&#x2019;í&#x2122;&#x201C;í&#x201D;Ś î&#x2022;§í ˛íťžë§&#x17D; í&#x152;&#x2019;ě&#x201A;&#x161;, "í&#x152;&#x2019;î&#x201A;ží ˛î&#x201A;&#x2020;"ě&#x2DC;ŞěťŞí&#x201D;Ś

í&#x201A;&#x192;늡î&#x152;Ž ëŠ&#x2018;ě&#x17E;&#x161; 맧í&#x201D;&#x17D;, î?&#x2021;í&#x201D;&#x17D; í&#x201D;&#x161;í°śî&#x152;Ş í&#x2018;&#x2020;ëŞ&#x2019;ě&#x2020;&#x2019;í&#x201A;Ş ë§§í&#x201D;&#x17D; ě &#x17E;ëš&#x161;í&#x201D;&#x2019; í&#x203A;&#x160;ě ˘ ëŤ í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛.

í&#x2022;&#x201A;ě&#x2013;ž 믞ě­&#x2019;í&#x201D;&#x2019; ě &#x17E;ëš&#x160;í&#x17E;&#x17D; í&#x152;&#x2DC;í&#x152;Śí&#x201D;&#x2019;ë°&#x161; 캍ë§?î?&#x201A; ěŤ&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛. ě&#x201A;śí&#x17D;&#x2020;í˛śě&#x192;&#x17D; 쯢ě&#x2DC;Şë¨ž,

County) í&#x17E;&#x17D;í&#x17D;ťí&#x17D;&#x17E;읪 í&#x2014;ŁëŞ&#x2019;ě?&#x160; í&#x203A;&#x160;ě&#x2020;&#x2019;î&#x152;Śě&#x201E;Ś ě&#x2DC;Şëť&#x17E;ě&#x160;Ş ě&#x2014;&#x2013;í&#x2022;&#x201A;ëŠ&#x201A;(Ronald

í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;í&#x17D;&#x17E;ëŠ&#x161; í§&#x203A;î?˘ě&#x201A;˛ě ˘ ëŠ&#x2018;í&#x201D;&#x17D; ěĄ&#x201C;짿î&#x152;Ş ěšşí&#x201A;˛í&#x2022;&#x201A;ě ž, í&#x2022;&#x201A;ëŠ&#x201A; ě&#x17E;&#x2013;í°Ś ëś&#x2013; 맧í&#x201D;&#x17D;

Reagan)í&#x201D;&#x2019; í?&#x2021;î?&#x2020;î&#x152;Śě ˘ ëŤ&#x192;î?˘ě&#x192;&#x2021;í&#x2019;&#x17E;ě&#x160;˛ëŤ&#x160; í?&#x201A;ěťżí&#x2014;?í&#x2022;&#x2020; 믞ě&#x2020;&#x201C;ëŹ&#x17E;í&#x2022;&#x2020;ě&#x160;˛í&#x2022;&#x201A; ě&#x17E;&#x161;ě&#x160;Ž

í&#x2022;&#x160;í&#x2022;&#x160; ëŠ&#x2018;í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛. ëŻ&#x2020;ě&#x2014;&#x2022;ě&#x201A;˛ěĄ&#x201A; ëŤ&#x160;í&#x17D;ž î&#x2039;&#x161;ě&#x2022;šî&#x2021;&#x160;ëŤ&#x160; ě&#x17E;˛íŞ&#x201A;, î&#x152;&#x160;ěšşíŞ&#x201A; ëŻ&#x2020;ě?şëŞŽ í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;Ś

î&#x2030;&#x203A;ëŞ&#x2039;í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛. í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ě ˘ í&#x2022;&#x;ë§&#x17D;ë˝&#x2020;î&#x201A;&#x2020;í&#x17D;&#x17E; î&#x2018;&#x203A;í&#x2022;&#x160;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ëšŚí?&#x201A;ě&#x2021;Ş í&#x203A;&#x160;íşŤě&#x201A;śí&#x17E;&#x17D;í?&#x17D;

쥡í&#x2014;?(쿪쿌î&#x152;Ş í¨&#x2039;í&#x2DC;ží?&#x17D; ěş?í&#x17D;&#x201C;í&#x2014;? 쥡í&#x2014;?)í&#x17D;&#x17E; í&#x17D;&#x201A;ě?Žî&#x152;Ş í§śěŞ&#x2019;ě&#x2020;&#x2019; ě&#x2C6;&#x17E;í&#x17E;&#x17D; í&#x152;&#x2DC;ě ˘ ëŻ&#x2020;ě?&#x160;

ěż&#x160;î&#x152;&#x;쥞í&#x201D;Ś 쥜í&#x201A;&#x192;, ëŻ&#x2020;ě?şëŞŽ ëŹ&#x2014;í&#x2022;łî&#x2022;&#x2013; ě§&#x2122;ě§&#x2122;î&#x152;ŚëŞŽ ě¤&#x201A;ě§&#x2020;ëŠ&#x201A;í&#x2DC;žî?&#x2013;ě&#x201E;Ś 몎ě&#x160;żî&#x152;§ëŹ&#x17E;

â&#x20AC;&#x2DC;ëŞ&#x2039;ëŞ&#x2019;ě?&#x160; î&#x17D;&#x2013;ě¤&#x201A;ě ˘ ěšşě&#x2022;&#x161;(disruptor)â&#x20AC;&#x2122;ě&#x2022;&#x160;몎 í&#x2014;Łí&#x201D;Śî?&#x201A;ěŠ&#x2019;ě&#x2014;˛ě&#x2020;&#x2019; ě&#x2021;Žë°&#x161;í&#x2018;˘? ě&#x17E;&#x161;í?&#x2039;

í&#x201A;Şí&#x2014;&#x2013;í&#x2022;&#x201A; í?˛î&#x2022;&#x2013;ě&#x2014;˛ ëŻ&#x2020;í&#x17D;&#x17E;ëŠ&#x161; ě&#x2020;&#x201C;î&#x201A;&#x2021;î&#x152;Ş ěťżî?łëŤ&#x160; 펜î?łí&#x201D;&#x2019; í&#x17E;&#x17D;ě&#x201A;&#x161; í&#x152;&#x2019;í&#x2019;&#x2018;ěšşí&#x2022;&#x201A;ě&#x201E;˘ě&#x160;˛ëŤ&#x160;

í&#x152;&#x2019;î&#x201A;ží ˛î&#x201A;&#x2020;ě ˘ í&#x152;&#x2019;î&#x201A;ží ˛î&#x201A;&#x2020;í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛. ë­ í&#x2022;&#x201A; ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; 쿌í&#x201A;Ťí&#x17D;&#x201A;ě?&#x160; í¨&#x152;í&#x152;&#x2019;ëş&#x160; î&#x152;&#x2019;í&#x2018;˘ě ˘

í&#x201A;Şí&#x2014;&#x2013;í&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş ëŻží&#x17D;&#x192;í&#x201D;&#x2019; í&#x2014;?í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ëŻ&#x2020;í&#x201D;Ś ě&#x17E;&#x17E;í&#x17D;&#x17E; ě&#x2039;žě?&#x201A;ěĄ&#x201A;, í&#x2022;&#x201A;ě&#x2013;şî&#x152;Ş í&#x201C;Žëź&#x2019;

ëŻ&#x2020;ě&#x2022;şě&#x201A;˛ěĄ&#x201A; ëŻ&#x2020;ě ˘ í&#x152;&#x2019;ě&#x17E;&#x2013; 2010ëź&#x2019;ě&#x192;&#x17D;í&#x17D;&#x17E;읪 í??í&#x2019;&#x17E;î&#x2022;&#x2013; ë§&#x2022;î?&#x17D; í&#x17E;&#x17D;ëş&#x160;í&#x17E;&#x17D;ě&#x2020;&#x2019; 쥜ě?&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛.

í&#x17D;&#x201A;í&#x2019;&#x2020;ě?şě ˘ 믞î&#x2018;&#x161;ě?&#x160; í&#x203A;&#x160;í&#x17D;&#x2013;ě&#x201A;˛ëŞŽ î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛. í&#x2014;&#x17D;ě ˘ í&#x2022;&#x201A;ě&#x2013;şî&#x152;Ş í&#x17D;&#x201A;ě?ž í&#x201A;Şí&#x2014;&#x2013;í&#x201D;Ś ëŞ&#x2039;î&#x17D;Śí&#x2022;&#x201A;

í&#x17D;&#x201D;ě&#x201A;˛ëŞŽ 캍ë§?î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛.

ëŻ&#x2020;ě&#x17E;&#x161;í&#x201D;Ś ě&#x2020;&#x201C;î&#x201A;&#x2021;î&#x152;Ş ë§&#x17E;ë§?í&#x201D;&#x2019; 믞ě?&#x201A;ě ˘ě&#x201E;ž ě&#x2020;&#x2019;í&#x2019;&#x17D;í&#x2022;&#x201A; ě&#x2021;Śí&#x17D;&#x2013;ě&#x201A;˛ëŞŽ 캍ë§?î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛.

(í?&#x2013;쿎ë§&#x17D;ě ˘ ë­&#x161;íşŞě&#x2DC;Şě­&#x17D;íťž íş&#x2019;캍î&#x152;Şě&#x201A;˛ě ˘ ě&#x17E;&#x17E;튌ě&#x2014;&#x160;)

ě¤&#x160;ě&#x2DC;Ž ě&#x192;&#x2021;í&#x201A;Şí&#x17D;&#x17E;ě ˘ í&#x152;ŹěťŞ ë§&#x2019;ě&#x2013;&#x192;î&#x2022;&#x2013; 읲ěĄ&#x201C;î&#x152;Ş ëŠ&#x2018;ě&#x160;˛ í&#x2018;&#x2020;í&#x17D;&#x17E;ě&#x2020;&#x2019; ě&#x17E;&#x153;í&#x201D;&#x17D; í&#x2022;&#x160;ě&#x160;˛í&#x2022;&#x201A;

ěšžíş&#x17D;í&#x152;&#x2019;뚌í?&#x17D; í?˛ě&#x2014;&#x161;í&#x17E;&#x17D; íą&#x201A;í&#x2019;&#x201A;î&#x201A;ž ě­?ě­&#x17D;í&#x17D;&#x17E;읪 ěŠ&#x161;í&#x17D;&#x201A;í&#x2DC;&#x161;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ëšśí&#x152;&#x2019;í&#x201A;Şí&#x152;&#x2019;(South

Asia)í?&#x17D; í&#x203A;&#x;ě§&#x2020;(Central America)í&#x17D;&#x17E;읪 ëŠ&#x201A;ëť&#x2013;í?ś í&#x2022;&#x201A;ě§&#x160;í&#x2022;&#x17E;ě&#x160;˛í&#x201D;&#x17D; î&#x152;Ş ě&#x152;&#x161;

ë˝&#x203A;ëŞ&#x2039;í&#x17E;&#x17D;í?&#x17D;ě&#x201E;Ś í&#x2022;&#x201A;ëŤ í&#x201D;&#x2019; ëś&#x2013;뜢í?˘ě&#x201E;Ś î&#x192;&#x161;ě&#x2022;&#x160;ě&#x201A;˛í&#x2022;&#x201A;í ˛ě&#x2DC;Ş ě&#x17E;&#x161;ě&#x160;˛ëŻž í&#x201C;&#x2019;î?&#x201A; ë˝&#x2020;ě&#x2014;łî?&#x2013;몎,

ěŠ&#x2019;ě&#x2014;˛í&#x2DC;&#x2020; í&#x2022;&#x2013;ě&#x201E;Ś ě&#x152;&#x201C;í&#x17D;&#x17E; î?ŞëŻžě?&#x160; ě­&#x2013;í&#x17D;&#x201A;ëťąí&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;í&#x201D;Ś í&#x2022;&#x;ë§&#x17D;ë˝&#x2020;î&#x201A;&#x2020;í&#x17D;&#x17E;읪

â&#x20AC;&#x2DC;í&#x2022;&#x;í&#x17D;&#x201C;í&#x2022;&#x201A; ě&#x201E;˘ ě&#x17E;&#x153;í&#x201D;&#x17D; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;&#x201A;í&#x17D;&#x201A;í&#x17E;&#x2019;ě&#x201A;˛â&#x20AC;&#x2122;ě ˘ ëŻ&#x2020;í&#x201D;Ś í&#x201A;Žëź&#x17E;í&#x201D;&#x2019; 짪늺î&#x152;Ž 쿌 í&#x2022;&#x2013;ě ˘ě&#x201E;ž,

ěş&#x17E;ě?şď&#x2DC;&#x201C;í&#x201A;żí&#x17D;&#x201A;ď&#x2DC;&#x201C;/ď&#x2DC;&#x201C;ěŤ&#x201A;ëŻ&#x2020;ě&#x192;&#x2026;íł&#x201A;ď&#x2DC;&#x201C;í¸şě?şí&#x17D;&#x17E;í&#x2022;&#x201A;î&#x201A;žěŻ&#x161;ď&#x2DC;&#x201C;ě&#x2039;˘í&#x17E;&#x17D;íź&#x2020;ď&#x2DC;&#x201C;ě&#x2039;˘ě&#x2014;&#x2014;íťž

í&#x2014;&#x17D;ě ˘ í&#x2022;&#x201A;ëŠ&#x2018; í&#x17D;ťí&#x201A;Ş í?˛ě&#x2014;&#x161;í&#x17E;&#x17D; íą&#x201A;í&#x2019;&#x201A;î&#x201A;ž í&#x17E;&#x17D;í&#x17D;ťí&#x17D;&#x17E;읪 í&#x2022;&#x17E;ě&#x2022;&#x17D; í??î?łí&#x2022;&#x201A;ě&#x2022;&#x160;몎 캍ë§?î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛.

í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;í&#x201D;Ś í?˛ě&#x2022;Ş í°ŞëŹşí&#x2022;&#x201A;í&#x2022;&#x17E; í&#x2DC;žě&#x2014;łí&#x2022;&#x17E;í&#x2022;&#x2020; ěş&#x17E;ě?ş í&#x201A;żí&#x17D;&#x201A;(Sally Singer)ě ˘ ěŤ&#x201A;ëŻ&#x2020;ě&#x192;&#x2026;íł&#x201A;(Vogue.com)í&#x201D;Ś

ě­&#x2019;í?&#x160;í&#x17D;&#x17E;읪 ë¸&#x2DC;í&#x2022;&#x2019;í&#x17D;&#x201D;í&#x2022;&#x201A; í¨&#x2039;í&#x201D;Śí&#x2014;?í&#x2022;&#x2020; í&#x2022;&#x;í&#x17D;&#x201C;í&#x17D;&#x17E; 쥞ě&#x2C6;&#x17E;î&#x152;Ž 쿌 í&#x2022;&#x2013;ě ˘í&#x17E;&#x17D;ě?&#x160; í&#x152;&#x161;ě&#x2014;˛ěĄ&#x201A;

í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;í&#x201D;Ś íą&#x160;ě&#x2014;&#x160; <Edible Selby>í&#x201D;Ś î&#x2020;&#x2020;í&#x17E;&#x;í&#x201D;&#x2019; ě&#x192;&#x201A;ě&#x192;&#x2021;î&#x152;ŚëŻžě&#x2020;&#x2019; î&#x152;Śí?&#x17D;ě&#x201A;˛. ëŻ&#x2020;ëź&#x17D;ě ˘ í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;

í¸şě?şí&#x17D;&#x17E;í&#x2022;&#x201A;î&#x201A;žěŻ&#x161; ě&#x2039;˘í&#x17E;&#x17D;íź&#x2020; ě&#x2039;˘ě&#x2014;&#x2014;íťž(Creative Digital Director)ě&#x2DC;Ş ě &#x201A;í&#x2018;Łí&#x17D;&#x17E;읪 î?Şě&#x2020;§î&#x152;ŚëŞŽ í&#x2022;&#x2013;ě&#x201A;˛.

ě?&#x17E;î&#x152;Ş ëŻ&#x2020;ë§&#x17D; í&#x17D;&#x201A;ě&#x17D;&#x2030;ëŠ&#x161; î&#x192;śěźŚ, í&#x201D;&#x161;í&#x201A;Ť, í&#x2022;&#x2020;íź&#x161;ě?şí&#x17D;&#x201A;, í?&#x2013;쿎í&#x201D;&#x2019; ě°&#x2019;ě&#x2DC;˝î?&#x201A; ě&#x201A;˛í?&#x;î&#x152;Ş

ěş&#x17E;ě?şě ˘ <ě &#x201A;í&#x2018;Łíş&#x17D;í&#x2022;&#x2019;í ˛ T ě&#x17E;˛ë¨ží&#x17E;&#x2019;(New York Times T Magazine)>í&#x17D;&#x17E; 믞í&#x2022;şě&#x2021;Śí&#x17D;&#x2013;ě&#x201E;Ś

ěŤ&#x201A;ëŻ&#x2020;ě&#x192;&#x2026;íł&#x201A;í&#x201D;&#x2019; î&#x192;śěźŚ, 쎞î&#x201A;ž, ě¤&#x2020;î?˘í&#x17D;&#x17E; ě&#x192;&#x17D;î?&#x201A; í&#x201A;˛í&#x201A;Şë§&#x2019;í&#x201D;&#x160;ě&#x2DC;Ş ě˝&#x161;íž&#x192;î&#x152;Ž 쿌 í&#x2022;&#x2013;ě ˘ î&#x2039;&#x161;ě&#x2022;šî&#x2021;&#x160;í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;şíş&#x2019;캍í&#x201A;Şíłží&#x201D;&#x160;ě ž,

í&#x2022;&#x201A;ě&#x2013;şî&#x152;Ş ěťżí&#x2022;ł ëŤ&#x160;í&#x2014;Łí&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş í&#x2022;&#x201A;î?&#x201A;ë§&#x17D; 읎î?&#x2014;ě&#x2021;Śí&#x17D;&#x201A;í?&#x160; î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛. ëŻ&#x2020;í&#x17D;&#x17E;ëŠ&#x161; ëŤ&#x160;í&#x2014;Łí&#x201D;&#x17D;

â&#x20AC;&#x2DC;í&#x2022;&#x2022; 짿(It Bag) íąŽî&#x2026;Śí&#x2022;&#x2020;â&#x20AC;&#x2122;ëŤ&#x160; 맧í&#x201D;&#x17D; î&#x2018;&#x203A;믞í&#x2014;?í&#x2022;&#x2020; í&#x152;&#x2019;í&#x2022;&#x201A;ě&#x2039;˘í&#x17D;&#x201A;ě&#x160;˛ě&#x2DC;Ş ěŤ&#x201A;ëŻ&#x2020;ě&#x17E;&#x161;í&#x201D;Ś ě&#x2020;&#x201C;í¨&#x2039;í&#x2014;?í&#x2022;&#x2020; í´Śíź&#x17E;íŻŽě?&#x160; ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A; 뚌ë§&#x17D;몎 í&#x2022;&#x2013;ě&#x201A;˛. ě?&#x17E;î&#x152;Ş í­˛í&#x201D;&#x2019; í­˘ë¨žëšŚ í&#x2019;&#x201A;ě&#x2020;§í&#x201D;&#x2019; î&#x152;Ž ě&#x152;&#x161; ě&#x160;Şě&#x2013;şëšŚě ˘ ě˘&#x2020;í&#x201D;Ś í&#x2019;&#x17D;í&#x17E;?í&#x2022;&#x2019;í&#x201D;&#x2019; í??ěş? ě§? 쥜쟌ëŻ&#x2020;ě&#x2022;Śî&#x152;&#x2039; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; íž&#x192;î?&#x201A; 읎ěŤ&#x201A;í&#x2022;&#x201A;ě ˘ ě&#x160;ż î&#x192;śěźŚ í&#x2018;&#x2020;í&#x17D;&#x17E;ě&#x2020;&#x2019; ëŠ&#x201A;맣, ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x2039;&#x2019; í ˛íş&#x17D;í&#x2022;&#x160;, í&#x2014;Łí°Ś ě&#x160;ż ě&#x201A;˛í?&#x;î&#x152;Ş í&#x203A;&#x160;í&#x2014;Şě?&#x160; í&#x152;&#x2019;í&#x2018;žě?&#x201A;ě ž ěŤ&#x201A;ëŻ&#x2020;ě&#x192;&#x2026;íł&#x201A;í&#x201D;Ś í??í&#x17D;ťí&#x201D;&#x2019; ëś&#x2020;í&#x203A;&#x17D;î&#x2022;&#x2013; î?Łí&#x2022;łí&#x201A;Şíš˛ëŞŽ í&#x2022;&#x2013;ě&#x201A;˛.

늞ëŤ&#x160;ě¤&#x160;ě&#x17E;&#x161;íš&#x160;í&#x2022;&#x201A;뚌 í&#x203A;&#x;í&#x2018;˘î&#x152;ŚëŻž ě&#x152;&#x161;ě¤&#x2020;í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛.

4

ESSAY

Sally Singer

A few years ago, Todd Selby came to me with the idea for his next book. It would be entitled <Selbywood> and, much like his previous titles (<The Selby is in Your Place>, <Edible Selby>, and <Fashionable Selby>) it would exhaustively document in photographs, illustrations, watercolors, interviews, quizzes and stickers the characters and characters of motion picture communities. Todd was interested in Hollywood, Pinewood, Bollywood and Nollywood and, well, the entire forest of filmdom. His points of entry, as always, were the people who worked in these places, the wizards behind the curtains, whether be they prop stylists or wig makers, leading ladies or best boys. But I think it was clear to me that his fascination was not entirely anthropological. He wanted to capture --literally--these kingdoms, to shoot and sketch and listen and paint his way to a very personal understanding of the global dream machine. How do you imagine imagination on such a scale? Todd didn't do the book--or, at least, not yet. Instead he became a father, moved to Hollywood (okay, Brentwood, but a â&#x20AC;&#x153;woodâ&#x20AC;? nonetheless), made his own movie, and created this museum show, which is--in my view--a version of Selbywood, or the deeply humane, wildly beautiful and deliciously strange neighborhood in which I would most like to lay my head. Todd Selby grew up 38 miles south of Hollywood in Santa Ana, which is a place of such intense visual and cultural dullness that it almost seems like the set of a suburban horror film just before the monster comes crashing through or the alien land. Or at least this is how it appeared in the waning decades of the 20th century, when evangelical Christians and Ronald Reagan-loving Republicans ruled this part of Orange County, California. Todd writes in his artist statement about his memories from childhood, the perverse sameness and blandness of the tract houses and strip malls, the bland terror of high school. It made the teenage Selby, as he tells it, look for outliers, anyone getting by who was just a little bit perpendicular, rebels by temperament or aesthetic. I think that sort of childhood hones one's antennae, one's receptors, in ways that are incalculable. (Artists incubate in boredom, no?) But, of course, there was more going on in those years in Santa Ana, or the northern O.C. (as it is known), than can be gleaned from such a swift, crude depiction. Immigrant communities from South Asia and Central America were busily transforming what had once been farmland into this placid pseudo paradise. There was so much activity underlying the overarching inactivity. Todd writes in his statement about his belief in work--that work creates work--and I can't help but think that this too is a product of the O.C. and essential to understanding his interest in the production of otherworldly creativity, be it in fashion or food or interiors or art. Process is as

important to him as product. Should artists be this curious, this journalistic? I don't know. I do know that to define Todd Selby as a â&#x20AC;&#x2DC;lifestyle bloggerâ&#x20AC;&#x2122;, as did <The New Yorker> recently in passing, is to miss the point entirely. He certainly understood, early on, how to use the internet as his gallery. He created a home online for his point of view, his way of documenting the world, his peculiar indexing of his generationâ&#x20AC;&#x2122;s obsessions and possessions. I think Todd is genuinely intrigued by crowded bookshelves and refrigerators and mantelsâ&#x20AC;Ś especially those that have been artfully cluttered by folks with a kooky relationship to stuff generally. He is drawn to people who live in their own heads but externalize that relationship through eggcups, bird feeders, inexplicable ceramics and piles of paperwork. He is drawn to people who, like him (see his bedroom and studio, installed here!) externalize their storminess in tea cups and whose dirty underwear resides in a hamper that's not a hamper but is nonetheless really, really cool. But people are the point of entry into Todd's vision, or Selbyworld, as it were. The documentation of lives and of his life in photographs, or even the environs and personnel of the companies he works for commercially, is just the start of a massive project of creative invention. He draws, paints, films, asks, writes, tapes...he wrestles with his subjects so that, by the end, they actually live in his head, reborn and reformed as Selby figures, much like the charming monsters that greeted you from the bushes as you entered this museum. It's a privilege and a surprise to see oneself portrayed by Todd Selby. Maybe Andy Warhol's subjects felt this way? Or perhaps Kehinde Wiley's do? In any case, it is the fact of having been captured by an artist--not a blogger, nor a photographer, nor an illustrator, nor any hybrid hipster label that one might dream up. Could Todd Selby be termed a disruptor? Possibly--because he sees no hierarchical differences between platforms, mediums, subjects, and intentions (his creative and advertising work are as one) --but then he'd be stuck forever in 2010. I think an artist is an artist. Language need not evolve thus.

Sally Singer / Vogue.com Creative Digital Director Todd has been close friends and collaborators with Sally Singer for many years. Sally was Toddâ&#x20AC;&#x2122;s editor for his <Edible Selby> column at the <New York Times T Magazine>. Sally Singer is a Creative Digital Director of Vogue.com in New York. With a mission to transform Vogue.com, she started to build the platform where diverse information on fashion, beauty and culture are introduced and shared through real time communication with the users. She is in charge of all the online contents that comes and goes through of Vogue.com and continuously develops and presents groundbreaking projects such as â&#x20AC;&#x2DC;It Bag Campaignâ&#x20AC;&#x2122;. She also focuses on film and motion graphics that effectively delivers body movements in dance and fitness. Beside fashion, she also shares latest stories in health, lifestyle and politics, broadening Vogue.comâ&#x20AC;&#x2122;s spectrum.

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8-131 SELBY THE PHOTOGRAPHER

SELBY THE TRAVELER

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132-147 SELBY THE STORYTELLER

SELBY THE NEIGHBOR

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148-165 SELBY THE ILLUSTRATOR

SELBY THE DREAMER

6

166-173

174-179

180-191

7


ëšŚě ˘ď&#x2DC;&#x201C;ěšşě&#x2022;&#x161;ëŤ&#x160;ď&#x2DC;&#x201C;ëŤ&#x192;ë§&#x2019;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ëŻ&#x2020;ě?şëŞŽď&#x2DC;&#x201C;ě&#x201A;˛í?&#x;î&#x152;Şď&#x2DC;&#x201C;ěş&#x201E;í&#x201D;Śď&#x2DC;&#x201C;쿪ë§&#x2019;ě&#x160;˛í&#x201D;&#x2019;ď&#x2DC;&#x201C;

í¨&#x2039;í&#x201D;Śí&#x2014;?í&#x2022;&#x2020;ď&#x2DC;&#x201C;짡í&#x201A;Ťí&#x201D;&#x160;ě&#x2DC;Şď&#x2DC;&#x201C;믞ě&#x2DC;Ťî&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛ď&#x2DC;&#x203A;ď&#x2DC;&#x201C;뚌í&#x201D;Śď&#x2DC;&#x201C;ěšşí&#x17E;&#x2019;ď&#x2DC;&#x201C;í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x17D;ď&#x2DC;&#x201C;

ëş&#x201A;ë§&#x17D;ď&#x2DC;&#x201C;ëŞ&#x2039;î&#x17D;Śî&#x152;Şď&#x2DC;&#x201C;ëŠ&#x2018;ě&#x160;˛ëŤ&#x160;ď&#x2DC;&#x201C;ě &#x2020;ě¤&#x160;ě&#x2014;&#x17D;ě&#x201E;Śď&#x2DC;&#x201C;ëŤ&#x192;ë§&#x2019;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ëŻ&#x2020;ě?şëŞŽď&#x2DC;&#x201C;ě&#x17E;&#x2013;í&#x203A;&#x160;í°Şď&#x2DC;&#x201C;

ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019;ď&#x2DC;&#x201C;í&#x203A;&#x160;í&#x2014;Şě&#x2DC;Şď&#x2DC;&#x201C;î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛ď&#x2DC;&#x203A;ď&#x2DC;&#x201C;í&#x17D;&#x2020;í&#x2014;ŞëšŚď&#x2DC;&#x201C;뚌í&#x17D;&#x17E;ëŠ&#x161;ď&#x2DC;&#x201C;ěšşí&#x17E;&#x2019;í&#x201D;&#x17D;ď&#x2DC;&#x201C;í?&#x201A;ě&#x17E;ŤëŤ&#x160;ď&#x2DC;&#x201C; í?&#x201A;í&#x2014;Łí&#x201D;Śď&#x2DC;&#x201C;ě&#x192;&#x17D;ěş?í&#x2022;&#x201A;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛ď&#x2DC;&#x203A;ď&#x2DC;&#x201C;ěšşí&#x17E;&#x2019;í&#x2022;&#x;ë§&#x17D;ě&#x2DC;ŞěťŞď&#x2DC;&#x201C;í&#x2022;&#x;í&#x17D;&#x201C;î&#x152;Žď&#x2DC;&#x201C;ě&#x152;&#x161;ď&#x2DC;&#x201C;í&#x2122;&#x2122;í&#x201D;&#x17D;ď&#x2DC;&#x201C; í&#x2014;&#x17E;í&#x201D;&#x17D;ď&#x2DC;&#x201C;î&#x201D;łě§&#x2020;ě&#x2DC;ťëŞŽď&#x2DC;&#x201C;í&#x2022;şě§&#x2020;í&#x2022;&#x2013;ě ˘ď&#x2DC;&#x201C;ěş?î?ˇí&#x201D;&#x2019;ď&#x2DC;&#x201C;í?&#x2014;ë§?í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Şď&#x2DC;&#x201C;ëŞ&#x2039;î&#x17D;Śî?&#x201A;ěŤ&#x160;ď&#x2DC;&#x201C; 쿌ď&#x2DC;&#x201C;í&#x2022;&#x2013;ě&#x201A;˛ě ˘ď&#x2DC;&#x201C;ëŠ&#x2018;í&#x2022;&#x2020;ě&#x201E;žď&#x2DC;&#x2122;ď&#x2DC;&#x201C;í&#x2022;&#x201A;튌ě&#x2014;&#x160;ď&#x2DC;&#x201C;ěšşí&#x17E;&#x2019;í&#x201D;&#x17D;ď&#x2DC;&#x201C;뚌í&#x201D;Śď&#x2DC;&#x201C;î?&#x2020;믞í&#x201A;şí&#x201D;&#x2019;ď&#x2DC;&#x201C;

í­ˇí&#x2DC;żí&#x201A;Şíš˛ëŞŽď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ěź&#x2020;ëŞ&#x2019;ě?&#x160;ď&#x2DC;&#x201C;í&#x17D;şî?&#x2014;î&#x152;Śě žď&#x2DC;&#x201C;ě&#x2020;&#x201C;î&#x201A;&#x2021;î&#x152;Şď&#x2DC;&#x201C;ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019;ď&#x2DC;&#x201C;ě&#x17E;&#x161;뚎ď&#x2DC;&#x201C; 쿌ď&#x2DC;&#x201C;í&#x2022;&#x2013;ě ˘ď&#x2DC;&#x201C;ě˝&#x161;í&#x203A;&#x;î&#x152;Şď&#x2DC;&#x201C;믞î&#x2018;&#x161;ë§&#x17D;ď&#x2DC;&#x201C;ě&#x2021;Śí&#x17D;&#x201A;ď&#x2DC;&#x201C;í&#x203A;&#x203A;ě&#x201A;&#x2013;ě&#x201A;˛ď&#x2DC;&#x203A;ď&#x2DC;&#x201C;ëş&#x201A;ď&#x2DC;&#x201C;ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x2022;&#x201A;ď&#x2DC;&#x201C; 짍몎ď&#x2DC;&#x201C;ëŻ&#x203A;í&#x2014;Łí&#x2014;?í&#x2022;&#x2020;ď&#x2DC;&#x201C;í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ě&#x2DC;Şď&#x2DC;&#x201C;ë§&#x17D;ě&#x160;Ťî&#x152;Şď&#x2DC;&#x201C;ëŠ&#x2018;í&#x201D;&#x17D;ď&#x2DC;&#x201C;ëş&#x201A;ë§&#x17D;ď&#x2DC;&#x201C;ě&#x17E;&#x161;뚪ď&#x2DC;&#x201C;

ěšşě&#x2022;&#x161;ě&#x160;˛ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ëŻ&#x2020;ě&#x160;˛í&#x17D;&#x17E;ëŠ&#x161;읪ď&#x2DC;&#x201C;í&#x17D;&#x2030;í&#x201D;&#x17D;ď&#x2DC;&#x201C;ë°śě&#x201A;şí&#x201D;&#x161;ëŤ&#x160;ď&#x2DC;&#x201C;í??ë§&#x17E;í&#x17D;&#x17E;읪ď&#x2DC;&#x201C;ě°&#x2019;ě&#x2DC;˝ě&#x2021;ŚëŻžď&#x2DC;&#x201C; ě&#x152;&#x161;ě¤&#x2020;í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛ď&#x2DC;&#x203A;

The art world that I inhabit with my work is based on a creative documentation of real life - people, spaces and moments. My art highlights situations Iâ&#x20AC;&#x2122;ve experienced, places I've been, and people I've seen. I've always had an admiration and passion for photography. Being a photographer is an instant excuse to jump into some really interesting situations. It offers opportunities to satisfy my curiosity, travel the world, and meet countless interesting people. Based on my encounters with various people and lessons and inspirations I get from them, my works stay positive and lively.

8

SELBY THE PHOTOGRAPHER

9


í?˛í&#x17E;&#x17D;ď&#x2DC;&#x201C;ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x201A;&#x2020;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ě&#x17E;&#x2013;í&#x2022;&#x160;ě?şď&#x2DC;&#x201C;î&#x152;&#x160;íŻŽí&#x2014;Şě&#x2014;&#x201A;ě&#x160;Şď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ě&#x2DC;Şíš˛ď&#x2DC;&#x201C;ě?şěŠ&#x2019;

Ozzie Wright, Mylee Fitzgerald, Rocky River î&#x2039;&#x2019;ě&#x2DC;Ş ěťŞî&#x2026;&#x160;í&#x2022;&#x201A;í&#x2022;&#x17E; ě&#x2019;ží&#x17D;&#x201A;뚪 í&#x152;&#x2019;î&#x201A;ží ˛î&#x201A;&#x2020; í?˛í&#x17E;&#x17D; ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x201A;&#x2020;(Ozzie Wright)í&#x201D;Ś í&#x17E;&#x;í&#x152;&#x2013; ëŤ ëŤ í&#x17D;&#x17E;ě ˘ ëŻ&#x2020;ě&#x17E;&#x161;í&#x201D;Ś í&#x2022;&#x17E;í&#x201C;Žě&#x2DC;Şí&#x2019;&#x201A; ë§&#x17E;ěťżí&#x2022;&#x201A; ě¤&#x2030;í&#x17D;&#x201A;í&#x2022;&#x2013;ě&#x201A;˛. ëŻ&#x2020;ě ˘ í&#x152;&#x2019;ëş&#x201A;í&#x2022;&#x201A;í&#x2022;&#x17E; í??í&#x2019;&#x17E;î&#x152;Ş ěĽ˛í?&#x2013; ě&#x17E;&#x2013;í&#x2022;&#x160;ě?ş(Mylee)í?&#x17D; ěšşě&#x2022;&#x;í ˛ě&#x2013;şí&#x2019;&#x201A; í&#x152;&#x2019;ě&#x160;˛ ě&#x2DC;Şíš˛(Rocky)í?&#x17D; î&#x152;śë˛Ś í&#x201A;Şě&#x160;Şě&#x201A;&#x2013;í&#x17D;&#x17E; ěšžě&#x201A;˛. î?&#x2019;ëŤ&#x17D; ěŞ&#x2039;ěĄ&#x201A;í&#x17D;&#x17E; í°Žî?&#x201A;í&#x17E;&#x2019; í˛˛ě&#x201A;˛ě&#x2022;&#x17D; ě¤&#x201A;í&#x17E;&#x17D;맪í?&#x17D; 읪î&#x152;&#x;

ěŤ&#x201A;ě&#x160;Şě&#x160;˛, î&#x192;&#x161;í ˛íź˘ ěş&#x2014;í&#x201D;&#x160;ě&#x2DC;Ş ëŻ&#x2020;ě?ž ě&#x160;&#x2026;ě&#x17E;&#x2013;ě&#x192;&#x2021;í&#x201D;Ś í ˛íł&#x17D;í&#x2022;&#x201A;î&#x201A;&#x2020;ěŤ&#x201A;ě&#x160;Ş í&#x2014;&#x17E;î&#x2039;&#x2019;ě&#x192;&#x17D;, ěŞ&#x2039;ěĄ&#x201A; í&#x17D;şëŻží&#x2014;&#x17D;믞í&#x17D;&#x17E; ě­§í&#x17D;&#x201A; í&#x2022;&#x2013;ě ˘ ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014;í&#x17D;&#x17E;읪 ëŻ&#x2020;í&#x201D;Ś 펜î?łí&#x201D;&#x2019; í??ěŤ&#x160; 쿌 í&#x2022;&#x2013;ě&#x201A;˛. ëŻ&#x2020;í&#x201D;Ś 맪돺í&#x2013;?í&#x2022;&#x201A; í&#x152;&#x2019;ě&#x160;˛ ě&#x2DC;Şíš˛ í&#x17D;ťí&#x201A;Ş ëŻ&#x2020;ě&#x17E;&#x160; ëŻ&#x2020;ě?şě ˘ ëŠ&#x2018;í&#x201D;&#x2019; í&#x2122;&#x2122;í&#x152;&#x2019;î&#x152;Śě ž, í&#x201A;˛í¸ş í&#x2022;Ží?&#x2026;ëŤ&#x160; í&#x201A;żí&#x201A;żî&#x152;Ş ěŤ&#x192;ěżťí&#x152;&#x2019;, í ˛íł&#x17D;í&#x2022;&#x201A;î&#x201A;&#x2020; ěŤ&#x201A;ě&#x160;Şí&#x17D;&#x17E; í?&#x201A;ëŤ&#x;î&#x152;Şě&#x201A;˛.

10

â&#x20AC;&#x153;Ozzie is a pro surfer who lives in Sydney with his family. He is also a super-talented artist. His wife, Mylee, serves as his muse and the inspiration for many of his drawings. Everywhere you look in their home you see Ozzieâ&#x20AC;&#x2122;s artworks: a giant rainbow on the front door, painted surfboards, the pastel skate ramp in the backyard, and drawings on every wall. Their son, Rocky River, loves silk pajamas, fresh peaches and skateboarding.â&#x20AC;?

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12

13


띲í&#x2022;&#x201A;í ˛íş˝ď&#x2DC;&#x201C;ěŻ&#x161;ě&#x2022;&#x160;ě&#x201E;˘í ˛

Neistat Brothers í??î?˘ í&#x2014;Şí&#x2022;&#x;í&#x2022;&#x17E; ě¨&#x201A;ëŤ&#x160; íł&#x17D;í&#x2022;&#x201A;í&#x201A;Ş ëť˛í&#x2022;&#x201A;í ˛íş˝ î?Łí&#x2014;Ş(Van & Casey Neistat)í&#x201D;Ś í ˛î Şě&#x2039;˘í?˛ě ˘ ëŻ&#x2020;ě&#x160;˛í&#x201D;Ś ëŹ&#x201A;í&#x17E;Şí ˛ě&#x2013;şí&#x2019;&#x201A; í&#x2022;&#x;í&#x17D;&#x201C; 짡í&#x201A;Ťí&#x201D;&#x2019; ëŻ&#x2020;ě&#x192;&#x17D;ě&#x2DC;Ş

ěŤ&#x201A;í&#x17D;şí&#x203A;&#x17D;ě&#x201A;˛. î?Łí&#x2014;Şě ˘ ě&#x2020;&#x201C;î&#x152;§í&#x201D;&#x160;ě&#x2DC;Ş í??î?˘ě?&#x160; ëŤ&#x192;ě­&#x17D;î&#x152;Śí&#x17D;ş í??î?˘ í&#x2014;Şí&#x2022;&#x;í&#x2022;&#x17E;ë§&#x17D; ě&#x2021;Śí&#x17D;&#x2013;í&#x201D;&#x160;ě ž, í&#x2014;Şí&#x2022;&#x;ě­&#x17D;íťž í&#x17D;ží­ŞëŤ&#x160; í&#x203A;&#x160;í&#x17D;ží&#x201D;&#x2019; ě&#x17E;Żí&#x201D;&#x17D; HBO í&#x201A;Şě?şí?&#x2013; <The Neistat

Brothers>ě&#x2DC;Ş í&#x2022;&#x2020;믞ě?&#x160; ë¸&#x161;í&#x17D;&#x2013;ě&#x201A;˛. ëŻ&#x2020;ě&#x160;˛í&#x201D;&#x17D; í??î?˘í&#x17D;&#x17E; î&#x152;&#x2019;í&#x2018;˘î&#x152;Ş ěĄśě&#x160;Ž ě&#x2020;&#x2019;돺ě&#x160;˛í&#x17D;&#x17E; í&#x2122;&#x201C;ě&#x153;Ś ěŞ&#x2019;ě&#x2DC;Ş ě&#x2022;&#x160;슜í&#x201D;&#x2019; ě­§í&#x17D;ş í&#x17E;&#x2013;읪 í&#x2014;Łí&#x17D;žî&#x152;ŚëŠ&#x161; í&#x2014;Łě?şî&#x152;ŚëŞŽ í ˛î Şě&#x2039;˘í?˛í&#x17D;&#x17E;

ěŤ&#x201A;ëŤ&#x17D;î&#x152;Şě&#x201A;˛. í ˛î Şě&#x2039;˘í?˛ î&#x152;Ş íłŽí&#x17D;&#x17E;ě ˘ ě§&#x2020;돝í&#x201D;Ś í&#x201C;ŽěĄ&#x201C; ě&#x2022;Śî&#x2026;&#x160; ë˝&#x2020;í˝Žě?şí&#x17D;&#x201A;í ˛ ě°&#x2019;í&#x152;&#x2019;í&#x2022;&#x201A;í&#x17E;&#x17D;(Notorious B.I.G.)í&#x201D;Ś 몯 <Juicy>í&#x201D;Ś ë§&#x17D;ěšşë§&#x17D; í&#x2014;?î&#x2022;&#x161; ë§&#x17D;í&#x203A;&#x2039;ě˝&#x161;î&#x192;&#x161;ë§&#x17D; í&#x2022;&#x17E;ě?şî&#x152;ŚëŞŽ í&#x2022;&#x2013;ě&#x201A;˛.

14

â&#x20AC;&#x153;I first saw the Neistat brothersâ&#x20AC;&#x2122; videos while shopping at â&#x20AC;&#x2DC;coletteâ&#x20AC;&#x2122; in Paris. They did all sorts of crazy stunts, like locking their bikes around New York City and then using an axe to steal them in broad daylight. Their studio reflects their organized yet bizarre way of doing everything. My favorite thing in their studio is the â&#x20AC;&#x2DC;Money Greenâ&#x20AC;&#x2122; leather sofa with the lyrics of the Notorious B.I.G.â&#x20AC;&#x2122;s song <Juicy> written on it.â&#x20AC;?

15


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17


ě&#x2014;&#x2013;íŻŽď&#x2DC;&#x201C;í&#x2018;žě&#x160;Ş

Retts Wood î&#x2020;şí˝ŽëŻ&#x2020;ě&#x2022;Śî&#x2026;&#x160; ě&#x2014;&#x2013;íŻŽ í&#x2018;žě&#x160;Ş(Retts Wood)í&#x201D;Ś í&#x17E;&#x;í&#x201D;&#x17D; ěź&#x160;î&#x201A;&#x2020;ě&#x2014;&#x201A; ě&#x2013;žě&#x201E;Ś(Central London)í&#x201D;Ś 욺읲 ěťŽí§ˇí&#x2022;łí&#x17D;&#x17E; í&#x2014;Łě§Łě&#x2021;Śí&#x17D;&#x201A; í&#x2022;&#x2013;ě ˘ í&#x2019;&#x201A;î&#x152;Śí&#x2018;ˇ ěŤ&#x201A;î&#x201A;&#x2020;í&#x2022;&#x201A;ě&#x201A;˛. í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ë§&#x17D; í&#x2022;&#x17E;í&#x201A;Ží&#x201D;Ś í¨&#x201C;í&#x17D;&#x17E;읪 ë§&#x17D;í&#x2022;ł ě&#x17E;&#x2013;í&#x201D;&#x161;í&#x17D;&#x17E; ě&#x160;Şě ˘ ëŤ í&#x2022;&#x201A;ě&#x2022;&#x160;몎 짍î&#x2022;&#x161; ě&#x2014;&#x2013;íŻŽ í&#x2018;žě&#x160;Şí&#x201D;Ś ëŤ&#x192;ë§&#x2019;í&#x201D;&#x17D; í&#x152;&#x2019;ě&#x192;&#x201A;î&#x152;ŚëŞŽ í&#x152;&#x2013;ě&#x2022;&#x2039;î&#x152;Śě ž 캍î?Şí&#x17D;&#x17E; ëłť î&#x152;&#x2019;í&#x2018;˘î&#x152;Ş ëŠ&#x2018;ě&#x160;˛ě&#x2DC;Şě&#x17E;&#x161;

돺읿ě&#x2021;Śí&#x17D;&#x201A; í&#x2022;&#x2013;ě&#x201A;˛. ěŤ&#x201A;î&#x201A;&#x2020;ě?&#x160; î&#x152;Ş ěŠ&#x2013;ě&#x2020;&#x2019; í&#x2019;&#x201A;í&#x2014;&#x2019;î?&#x201A;ěŤ&#x2020; í&#x2014;? í&#x17D;&#x201D;ě&#x201E;Ś ëŻ&#x2020;ëź&#x17D;ě ˘ ě¤&#x201A;í&#x2022;&#x;í&#x2014;Ł 짞ě?&#x160; í&#x2022;łě&#x17E;&#x161;î&#x152;Śí&#x17D;ş ě&#x192;&#x2026;ěş&#x2013; ë§&#x2019; ě&#x2013;žě&#x201E;Ś í&#x2019;&#x201A;î&#x152;Ś í&#x2022;&#x201A;ëŤ í&#x2014;&#x17D;ëŤ í&#x201D;&#x2019; ě&#x2020;&#x161;í&#x152;&#x2019;ě&#x201A;˛ëź˘ě&#x201A;˛ëŞŽ î&#x152;Şě&#x201A;˛. í&#x2022;&#x2020;ě¤&#x160;ěšşí&#x17E;&#x2019; í&#x2014;&#x2019;ě¤&#x2020; î&#x2020;şí˝ŽëŻ&#x2020;ě&#x2022;Śî&#x2026;&#x160;í&#x2022;&#x2020; ě&#x2014;&#x2013;íŻŽ í&#x2018;žě&#x160;Şě ˘ ě¤&#x160; í&#x201C;&#x2019;ě?&#x160; í&#x201C;Žě&#x2022;&#x;î&#x152;Śě ž ěŠ&#x2019;ěŠ&#x2019;ě?ş(Burberry), <í&#x17D;Śě?&#x201A;(Elle)>, <ěŤ&#x201A;ëŻ&#x2020;(Vogue)> ě&#x160;ż í&#x201C;ŽěżŚí&#x201D;Ś î&#x192;śěźŚ ěŻ&#x161;ě&#x2022;Şě&#x160;Ş ě§? í&#x2022;Żí&#x17E;&#x17D;ěšşí?&#x17D; í&#x2022;&#x;í&#x17D;&#x201C;î&#x152;ŚëŞŽ í&#x2022;&#x2013;ě&#x201A;˛.

18

â&#x20AC;&#x153;Retts lives on a funky canal boat moored at a private marina in central London. She bought it and, never having navigated a boat before, piloted it for five days by herself through the canals to London. I often daydream about living on her boat, reading <Towpath> magazine, hanging out with the local house-boaters at their private tavern, and feeding coal into the mini-stove.â&#x20AC;?

19


íą&#x160;ď&#x2DC;&#x201C;ě&#x2022;&#x160;먞î&#x2026;Žî&#x201A;&#x2020;

Karl Lagerfeld ěź&#x2020;ëŞ&#x2019;í&#x2014;?í&#x2022;&#x2020; î&#x192;śěźŚ ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013; íą&#x160; ě&#x2022;&#x160;먞î&#x2026;Žî&#x201A;&#x2020;(Karl Lagerfeld)í&#x201D;Ś í ˛î Şě&#x2039;˘í?˛ě ˘ ě&#x2020;&#x201C;읪ëŤ&#x;í&#x2022;&#x2020; ëŻ&#x2020;í&#x201D;Ś 펜î?łí&#x201D;&#x2019; ëŞŽí ˛ě&#x2022;&#x17D;î&#x2022;&#x2013; ěŤ&#x201A;í&#x17D;şí&#x203A;&#x17D;ě&#x201A;˛. í ˛î Şě&#x2039;˘í?˛í&#x201D;Ś

짢ě&#x201A;łí&#x17D;&#x17E;읪ě­&#x17D;íťž 2í°&#x192; 튪í&#x2022;łí&#x17D;&#x17E; í&#x2022;&#x201A;ě?&#x201A;믞ë°&#x161;í&#x17E;&#x17D; í?&#x2039; 20ě&#x17E;&#x161; ë­&#x161;í&#x201D;Ś í¨&#x201C;ě&#x160;˛í&#x2022;&#x201A; ěŞ&#x2039;ěĄ&#x201A;í&#x201D;&#x2019; ë§&#x17D;ě&#x160;Ť ě ˘í&#x2018;žëŞŽ í&#x2022;&#x2013;ě&#x201A;˛. ëŻ&#x2020;ě ˘ 1998ëź&#x2019; í&#x2022;&#x17E;í&#x201A;Ží&#x201D;Ś í ˛î Şě&#x2039;˘í?˛ 짢ě&#x2DC;Ş í?&#x201D;í&#x17D;&#x17E;

â&#x20AC;&#x2DC;7Lâ&#x20AC;&#x2122;í&#x2022;&#x201A;ě&#x2022;&#x160;ě ˘ 읪í&#x2014;&#x17E;í&#x201D;&#x2019; í?&#x201A;믞ě&#x2020;&#x2019; î&#x152;Śí?&#x17D;ě&#x201A;˛. í &#x2039;ëŠ&#x161; ě&#x201A;˛ë§&#x17D;ë§&#x17D;믞 í&#x17D;&#x201A;ě&#x2014;˛í&#x2019;&#x161; ěŤ&#x201A;í&#x2022;&#x201A;ě ˘ ëŻ&#x2020;ě ˘ ěšşí&#x201A;˛ ě&#x17E;˛í&#x2018;ž í&#x201C;Žíľ&#x161;î&#x152;Śě ž í&#x2022;şí°Ś í&#x2022;&#x2013;ě ˘ ěšşě&#x2022;&#x161;í&#x201D;&#x160;ě&#x2DC;Ş ěšşí&#x17E;&#x2019;, í?&#x2013;쿎, ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x2039;&#x2019; í ˛íş&#x17D;í&#x2022;&#x160; ě&#x160;ż ě&#x201A;˛í?&#x;î&#x152;Ş í??í&#x17D;ťí&#x201D;Ś 읪í&#x2014;?í&#x201D;&#x2019; 쿌í&#x17E;&#x;î&#x152;Şě&#x201A;˛. ě¤&#x201A;쿌î&#x2022;&#x2013; ě&#x17E;&#x153;í&#x201D;&#x17D; í¨&#x201C;ě&#x160;˛í&#x201D;&#x17D; ëŻ&#x2020;í&#x201D;Ś î&#x192;śěźŚě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020;í&#x17D;&#x17E; ě¤&#x201A;î&#x152;Şî&#x152;Ş í??ë§&#x17E;í&#x201D;&#x2019; ě­&#x2013;í&#x17D;&#x201A;ëťąě ˘ě&#x201A;˛.

20

â&#x20AC;&#x153;Everyone knows that Karl is one of the top fashion designers in the world, but not many people know how much Karl loves books. His books cover every wall of his studio from the ground, up two stories, to the skylights. Plus he owns the bookstore that is right next door. And for someone who appears so untouchable, he is surprisingly funny and quick with wisecracks. Karl is the man.â&#x20AC;?

21


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î&#x17D;şě&#x2014;&#x2013;뚌ď&#x2DC;&#x201C;í¸şě?şí ˛íź&#x17E;í ś

Helena Christensen ě &#x17E;ëŻ&#x2122;î&#x152;ŚëŞŽď&#x2DC;&#x201C;í&#x2022;&#x17E;í&#x201C;Žě&#x2DC;Şí&#x2019;&#x201A;ď&#x2DC;&#x201C;í??î?&#x160;í&#x201D;Śď&#x2DC;&#x201C;ě˝&#x161;í&#x201C;Ží&#x2022;&#x17E;ď&#x2DC;&#x201C;í &#x2013;î&#x2026;&#x160;쥜ě&#x2026;&#x2020;ď&#x2DC;&#x201C;î&#x17D;şě&#x2014;&#x2013;뚌ď&#x2DC;&#x201C;í¸şě?şí ˛íź&#x17E;í śď&#x2DC;&#x2014;)FMFOBď&#x2DC;&#x201C;$ISJTUFOTFOď&#x2DC;&#x2DC;í&#x201D;&#x17D;ď&#x2DC;&#x201C;ě°&#x2013;î&#x201A;ží&#x17E;&#x17D;ď&#x2DC;&#x201C;ě˝&#x161;î&#x2030;&#x2013;ě&#x160;˛ëŤ&#x160;ď&#x2DC;&#x201C;ë§&#x17D;돺ě&#x2DC;Şď&#x2DC;&#x201C;ëś&#x2020;ě ží&#x17E;&#x2019;ď&#x2DC;&#x201C;ě &#x2122;í&#x17E;&#x2019;ď&#x2DC;&#x201C;

í&#x17E;&#x;í&#x17D;&#x17E;ď&#x2DC;&#x201C;ěş&#x201A;몎ď&#x2DC;&#x201C;í&#x2022;&#x2013;ě&#x201A;˛ď&#x2DC;&#x203A;ď&#x2DC;&#x201C;î&#x152;Şě&#x152;&#x161;ď&#x2DC;&#x201C;í&#x2019;śí ˛î&#x201A;&#x2020;ď&#x2DC;&#x201C;ě°&#x161;ě?şí&#x17E;&#x17D;ď&#x2DC;&#x2014;8FTUď&#x2DC;&#x201C;7JMMBHFď&#x2DC;&#x2DC;í&#x17D;&#x17E;읪ď&#x2DC;&#x201C;ě°&#x2013;î&#x201A;ží&#x17E;&#x17D;ď&#x2DC;&#x201C;ěż&#x203A;í&#x201D;&#x2019;ď&#x2DC;&#x201C;í&#x2019;&#x201A;í??î?&#x2013;ě&#x201E;Śď&#x2DC;&#x201C;ëŻ&#x2020;ëź&#x17D;ě ˘ď&#x2DC;&#x201C;î&#x192;&#x17E;ě&#x17E;˛î&#x152;ŚëŻžď&#x2DC;&#x201C;í&#x152;&#x2019;ë°&#x161;í&#x2019;&#x201A;ď&#x2DC;&#x201C;ě&#x2020;&#x201C;î&#x201A;&#x2021;î&#x152;Şď&#x2DC;&#x201C;ěŤ&#x201A;ě¤&#x160;ě&#x160;˛í&#x201D;&#x2019;ď&#x2DC;&#x201C;쥜í&#x152;&#x2019;ď&#x2DC;&#x201C;í&#x17E;&#x;í&#x152;&#x2013;ď&#x2DC;&#x201C; ëŤ ëŤ í&#x17D;&#x17E;ď&#x2DC;&#x201C;쿜늜뽥í&#x152;Śě&#x201A;˛ď&#x2DC;&#x203A;ď&#x2DC;&#x201C;ě°&#x201C;í˝Žě?şí&#x152;&#x2013;ď&#x2DC;&#x161;í&#x152;&#x2019;ě ˘ě?şíą&#x2020;ď&#x2DC;&#x2014;7JDUPSJBOď&#x2DC;&#x161;"NFSJDBOď&#x2DC;&#x2DC;ď&#x2DC;&#x201C;í ˛íş&#x17D;í&#x2022;&#x160;í&#x201D;Śď&#x2DC;&#x201C;ě˝&#x161;î&#x2030;&#x2013;ě&#x160;˛ëŤ&#x160;ď&#x2DC;&#x201C;í&#x17E;?í&#x2014;&#x;ď&#x2DC;&#x201C;퍺í??î&#x152;Şď&#x2DC;&#x201C;î&#x201D;&#x;짿í&#x201D;Śď&#x2DC;&#x201C;î&#x2030;&#x203A;ëŞ&#x2039;ěšşí&#x17E;&#x2019;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;í&#x2014;Łě¤&#x160;î?˘ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ëŻ&#x2020;ě?şëŞŽď&#x2DC;&#x201C; ěŞ&#x2039;ě&#x2020;&#x161;ď&#x2DC;&#x201C;ěŞ&#x2039;í&#x2022;&#x201A;ď&#x2DC;&#x201C;í&#x2022;Śď&#x2DC;&#x201C;í&#x17D;&#x201A;í&#x2018;žě&#x2013;şí&#x17E;&#x2019;ď&#x2DC;&#x201C;í&#x152;&#x2019;î&#x192;&#x161;î&#x201A;&#x2020;í&#x17D;&#x17E;읪ď&#x2DC;&#x201C;ëŻ&#x2020;ëź&#x17D;í&#x201D;Śď&#x2DC;&#x201C;ě§&#x2020;í&#x2014;?ď&#x2DC;&#x201C;ë§&#x17E;ë§?í&#x201D;&#x2019;ď&#x2DC;&#x201C;ě &#x17E;ëš&#x2019;ď&#x2DC;&#x201C;쿌ď&#x2DC;&#x201C;í&#x2022;&#x2013;ě&#x201A;˛ď&#x2DC;&#x203A;

24

â&#x20AC;&#x153;Helena is a Supermodel with a capital â&#x20AC;&#x2DC;Sâ&#x20AC;&#x2122;, which usually means diva attitude. But she is actually such a down-to-earth, chilled-out free spirit. She used to own a vintage clothing and furniture store in the West Village, which she stocked with wonderful treasures that she hated having to sell. Her apartment is a bright, brick-walled Greenwich Village walk through filled with furniture and bric-a-brac in a perfectly executed VictorianAmericana style.â&#x20AC;?

25


í¸şě?şí ˛í§şď&#x2DC;&#x201C;ě&#x161;śě­&#x17D;íşż

Christian Louboutin 돺ě&#x2C6;&#x17E; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013; í¸şě?şí ˛í§ş ě&#x161;śě­&#x17D;íşż(Christian Louboutin)í&#x201D;&#x17D; 4ëź&#x2019;í&#x17D;&#x17E; ëŠ&#x2020;íŞ&#x17E; í&#x2022;&#x17E;í&#x201A;Žě&#x17E;&#x161;í&#x201D;Ś í ˛íş&#x17D;í&#x2022;&#x160;ě&#x2DC;Ş í&#x152;&#x2019;î&#x192;&#x161;î&#x201A;&#x2020;ě?&#x160; í&#x2DC;žëŻ&#x2013;í&#x2039;ˇ 맪í&#x2DC;žî?&#x201A; î?&#x2020;î?˘ě&#x2DC;Şí&#x2018;žěĄ&#x201A;읪ě&#x2020;&#x2019; íą&#x17E;í&#x203A;&#x160;í&#x17D;&#x160;î&#x152;Ş ëŤ&#x192;ë§&#x2019;í&#x201D;&#x160;ě&#x2DC;Ş ëś&#x2020;ěĄ&#x2019;ě&#x201A;˛. î?˘ě&#x2014;˛î?&#x201A; ěŤ&#x201A;í&#x2022;&#x201A;ě ˘ í&#x17E;?í&#x17D;&#x201C;ëŤ&#x160;ě ˘ ě&#x201A;şě?ş ëŻ&#x2020;ě ˘ ě&#x17E;˛í&#x2018;ž î?&#x2019;í&#x201A;˛í&#x2014;?í&#x2022;&#x201A;몎 ëŞ&#x2020;ě˝&#x17E;î&#x152;Ş ěťżî&#x2030;&#x2013;í&#x201D;&#x2019; í&#x17E;&#x17D;ě&#x201A;&#x161; í&#x2022;&#x2020;ě¤&#x160;ě&#x2DC;Ş, í&#x2122;&#x201C;í&#x2122;&#x201C; í ˛ě&#x201A;&#x2013;í˛˛í?&#x2013;ě?&#x160;

í&#x201A;ŽëŞŽ 뚯í&#x201D;&#x17D; í ˛íśŽíťžě?&#x160; ěĄžě ž î&#x192;&#x161;ě?ş í&#x201A;Şëş&#x201A; î&#x152;ŞěŤ&#x192;î&#x192;&#x17E;í&#x201D;&#x2019; î?ŞěŤ&#x201A;î&#x152;ŚëŞ˛ î&#x152;Şě&#x201A;˛. ěť&#x2021;ě&#x160;˛ě?şí&#x17D;&#x17E;í?&#x17D; 돺ě&#x2C6;&#x17E;ě&#x2DC;Ş ëś&#x2020;ě ží&#x17E;&#x2019; ëŻ&#x2020;í&#x201D;Ś í&#x152;&#x2019;î&#x201A;&#x17D;ě?şí&#x17D;&#x17E;í&#x17D;&#x17E;ě ˘ î&#x152;Şë§&#x17D;î&#x152;Ž ě&#x152;&#x161; íş&#x17D;ě ž í&#x201A;Şë§&#x2019;í&#x201D;&#x2019; ěŤ&#x201A;ëş&#x201A;ě ˘ ëŤ&#x192;í&#x203A;&#x; ëŻ&#x2020;띲ë§&#x17D; ě&#x17E;˛ě&#x201A;şě&#x2014;˛ í&#x2022;&#x2013;ě&#x201A;˛.

26

â&#x20AC;&#x153;Christian is a ball of positive energy that keeps on going and going. He has been renovating his apartment for about four years and it still seems nowhere near completion. His atelier has a trapeze hanging from the ceiling so that when he has spare time, he can literally swing from the rafters. For someone whose products are the definition of luxury, he is shockingly down-toearth. He drives around Paris in his sneakers on a beat-up scooter.â&#x20AC;?

27


í?şě?şě°&#x2019;í&#x17D;&#x17E;ď&#x2DC;&#x201C;í&#x2022;Ž

Olivier Zahm î&#x192;śěźŚ í&#x2022;Żí&#x17E;&#x17D; <î&#x2026;&#x160;î&#x2039;&#x161; î&#x192;śěźŚ(Purple Fashion)>í&#x201D;Ś î&#x2020;&#x2020;í&#x17E;&#x;í&#x2022;łí&#x2022;&#x201A;í&#x2022;&#x17E; í?&#x2013;쿎 ě°&#x2019;î&#x2020;&#x2014;ë§&#x17D;, î&#x2039;&#x2019;ě&#x2022;&#x;í ˛ ěšşëŹ&#x17E;ëŞ&#x2019;í&#x17D;&#x17E;읪 ě˝&#x17E;ë´&#x2039;î&#x2022;&#x17E; í&#x2014;Łě&#x2020;&#x2019;ě&#x2DC;Ş î&#x2020;ťëťĄí&#x201D;&#x17D; í&#x2022;&#x2020;ě&#x17E;łí&#x201D;&#x2019; í&#x2022;&#x17E;ě&#x2022;&#x;î&#x152;Śě ˘

í?şě?şě°&#x2019;í&#x17D;&#x17E; í&#x2022;Ž(Olivier Zahm)í&#x201D;&#x17D; í&#x2019;&#x201A;î&#x152;Ś í?&#x201D;í&#x17D;&#x17E; í&#x201C;&#x2019;í°Śî&#x152;Ş í&#x2022;&#x;í&#x201D;&#x17D; î&#x2026;Şî&#x201A;&#x2020; î&#x152;Śí&#x2018;ží ˛í&#x17D;&#x17E; 먞í&#x203A;&#x160;î&#x152;Şě&#x201A;˛. î&#x192;&#x161;ě?şí&#x201D;Ś í&#x152;&#x2019;ě?&#x2019;ě&#x201A;˛í&#x2019;&#x201A; í ˛íą&#x201A;í&#x2022;&#x201A;ě&#x2022;&#x160;í&#x2022;&#x2020;í&#x2022;&#x201A; î&#x152;Şëż&#x2013;í&#x17D;&#x17E; ě&#x160;˛í&#x17D;&#x201A;í?˛ě ˘ í&#x17E;&#x; ëş&#x201A;ě­&#x17D;ě ˘ ë§&#x17D;í&#x203A;&#x2039; í&#x2022;şíş&#x2026; í˛şě&#x2014;&#x2014;쟌ëŤ&#x160; ëŹ&#x17E;í?&#x; 읪í&#x2014;?, î?łěżŚë§&#x17D; í&#x2022;˘ě&#x201C;ˇ í&#x192;Ąí&#x17D;ş í&#x2022;&#x2013;ě ˘ 읎짌í&#x201D;&#x160;ě&#x2DC;Ş í¨&#x2019;í&#x2019;&#x161;í&#x2DC;&#x2020; í&#x2022;&#x2013;ě&#x201A;˛. î&#x192;śěźŚí&#x201D;Ś î?&#x2019;í&#x201A;˛í&#x2014;?í&#x2022;&#x2020; ě§&#x2020;ë§&#x17E;í&#x201D;&#x2019; ě&#x192;&#x201A;í&#x152;&#x2019;ëş&#x2020; <î&#x2026;&#x160;î&#x2039;&#x161; î&#x192;śěźŚ>

í&#x2022;Żí&#x17E;&#x17D;ě?&#x160; í&#x201A;Şí&#x2022;&#x;í&#x201D;&#x160;ě&#x2DC;Ş â&#x20AC;&#x2DC;î&#x2026;&#x160;î&#x2039;&#x161; í&#x2022;&#x2020;í ˛î&#x201A;žî Şě&#x160;Ş(Purple Institute)â&#x20AC;&#x2122;ě?&#x160; í&#x2019;&#x201A;í??î&#x152;Śě ž í&#x152;&#x2019;î&#x201A;&#x2020; ě&#x2039;˘ě&#x2014;&#x2014;î&#x192;&#x201C;ë°&#x161;í&#x17E;&#x17D; ëŞ&#x2020;î&#x152;Śě ˘ ëŻ&#x2020;ě ˘ ë¨ží°śí&#x17D;&#x201D;ě ˘ 읿늡í&#x201D;Ś ě&#x17E;&#x161;ě ł î&#x192;śěźŚí&#x2022;&#x2020;í&#x2022;&#x201A;ě&#x201A;˛.

28

â&#x20AC;&#x153;By day Olivier is the editor of <Purple Fashion> magazine, an accomplished art critic, and an intellectual. But by night he is a social butterfly without any inhibitions, who also is a master of erotic games. He lives right next to the canals in a small penthouse apartment that has amazing views of the Paris skyline. His place is filled with highbrow paperback books, a serious collection of tight leather jackets, and an impressive wall of colognes.â&#x20AC;?

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ě&#x161;śď&#x2DC;&#x201C;ě&#x160;Şí?&#x17D;í&#x2022;&#x201A;í?&#x2021;

Lou Doillon 쥜ě&#x2026;&#x2020; ëŞ&#x2020; í??î?˘ě§ží&#x2018;ží&#x2022;&#x201A;í&#x2022;&#x17E;, î&#x2039;&#x2019;ě&#x2014;&#x161;í°Ś í&#x201A;Şí¸şí&#x201D;Ś ě&#x192;&#x17D;ěĄ&#x201C;ěšş ě&#x161;ś ě&#x160;Şí?&#x17D;í&#x2022;&#x201A;í?&#x2021;(Lou Doillon)í&#x201D;&#x17D; î&#x2039;&#x2019;ě&#x2022;&#x;í ˛ î&#x192;&#x161;ě?şí&#x201D;Ś 3í°&#x192; í&#x203A;&#x160;íşŤí&#x17D;&#x17E; í&#x152;&#x2019;ě&#x160;˛ëŤ&#x160; í&#x152;Ží?&#x2019;늺ëŤ&#x160; î&#x152;śë˛Ś ěş&#x201A;몎 í&#x2022;&#x2013;ě&#x201A;˛. í&#x2022;&#x17E;í&#x201C;Žě­&#x2019;짡î&#x152;Ş ěŤ&#x201A;î&#x17D;˛ě§&#x2020;í&#x152;&#x2013; ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x2039;&#x2019; í ˛íş&#x17D;í&#x2022;&#x160;í&#x201D;&#x2019; í?&#x17E;ëŻžě ˘ ëŻ&#x2020;ëź&#x17D;í&#x201D;Ś 펜ě§&#x2020;ě ˘ 믞íş&#x17D; í&#x17D;ží&#x203A;&#x160;í?&#x17D; 짣í&#x2014;Ş ě&#x2020;§ě¤&#x160; 쿌í&#x17E;&#x;í&#x2022;&#x201A;ě&#x201A;˛. í&#x17E;&#x;í&#x152;&#x2013; 돺읍돺읍í&#x17D;&#x17E;읪 짪늺î&#x152;Ž

쿌 í&#x2022;&#x2013;ě ˘ ě°&#x2013;î&#x201A;ží&#x17E;&#x17D; ë§&#x17D;돺ě&#x160;˛ëŤ&#x160; 짣í&#x2014;Ş ě&#x2020;§ě¤&#x160;ě&#x160;˛í&#x201D;&#x17D; ëŻ&#x2020;ëź&#x17D;í&#x201D;Ś 맪읿 ëťŚí°Śě ž ëŻ&#x160;í&#x201A;ş 먿í&#x2014;Ł í&#x17D;&#x201D;ě ˘ ěş&#x201E;í&#x201D;&#x2019; ěŤ&#x201A;í&#x17D;şí&#x203A;&#x17D;ě&#x201A;˛. í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ě ˘ ëŻ&#x2020;ëź&#x17D;í&#x201D;Ś ěş&#x201E; í&#x2022;&#x17E;íŞ&#x201A;ë§&#x17D; î?&#x2014;ěŤ&#x192;í&#x201D;&#x2019; ěŤ&#x201A;í&#x17D;şí&#x203A;&#x17D;ě&#x201A;˛ëŞŽ ě&#x17E;&#x17E;î&#x152;Şě&#x201A;˛.

30

â&#x20AC;&#x153;Lou lives with her son in a skinny three-story house in Paris. She collects taxidermy, which her English bulldog loves to chew on. When she is home, she draws, plays music, hangs out with her son and cuddles with her rabbits. Her friends often stop by to hang out and catch up. Lou defines effortless chic; she lives a carefree, bohemian lifestyle and serves as a muse to many people. In a family of super achievers, she seems to have achieved the most difficult thing: happiness.â&#x20AC;?

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í&#x17D;&#x17E;ě?ťď&#x2DC;&#x201C;í&#x2019;&#x161;ëť&#x2013;ď&#x2DC;&#x201C;&ď&#x2DC;&#x201C;ě&#x17E;&#x2013;í&#x2022;&#x201A;í&#x152;&#x2019;ď&#x2DC;&#x201C;î&#x17D;śě?şď&#x2DC;&#x2122;ď&#x2DC;&#x201C;î&#x152;Śî&#x201A;&#x2020;í&#x2018;žě&#x160;Ş

Eric Werner & Mya Henry, Hartwood î&#x152;Śî&#x201A;&#x2020;í&#x2018;žě&#x160;Ş(Hartwood)ě ˘ ě Łí&#x201A;Şí´˘ í&#x2014;ŁëŻ&#x17D;í&#x17D;&#x17E; í&#x201C;&#x2019;í°Śî&#x152;Ş í?&#x160;í&#x2018;&#x2020; ě&#x2014;&#x2013;í ˛í˝Žě&#x2022;&#x;í&#x201D;&#x160;ě&#x2DC;Ş, ěŞ&#x2019;í&#x2022;&#x201A; ěŤ&#x201A;í&#x2022;&#x201A;ě ˘ í?˛î&#x2039;&#x2013; íš˛í°Şí&#x17D;&#x17E;읪 í&#x2DC;žě?şě&#x2021;Ş ě§&#x2020;돝í&#x201A;Ť ě Łí&#x201A;Şíą&#x2020; í&#x201D;&#x161;í&#x201A;Ťí&#x201D;&#x2019;

ě &#x2021;í&#x201D;&#x2019; 쿌 í&#x2022;&#x2013;ě ˘ ě&#x2DC;Şě&#x17E;śî&#x201A;żî&#x152;Ş ëŤ&#x192;ë§&#x2019;í&#x2022;&#x201A;ě&#x201A;˛. 2010ëź&#x2019;, ě Łí&#x201A;Şí´˘ î&#x20AC;&#x201A;ě&#x203A;&#x2020;(Mexico, Tulum)í&#x201D;&#x160;ě&#x2DC;Ş ě?ŽëšŞ î&#x201D;&#x201A;ë§&#x17D; í&#x203A;&#x; ě Łí&#x201A;Şí´˘í?&#x17D; ěšşě&#x2022;&#x;í&#x17D;&#x17E; ě°Ží&#x17E;&#x2019; í&#x17D;&#x17E;ě?ť í&#x2019;&#x161;ëť&#x2013;(Eric

Werner)í?&#x17D; ě&#x17E;&#x2013;í&#x2022;&#x201A;í&#x152;&#x2019; î&#x17D;śě?ş(Mya Henry)ë§&#x17D; í&#x2019;&#x201A;í??î&#x152;Śě ˘ ëŤ í&#x201D;&#x160;ě&#x2DC;Ş, ě¤&#x160;ëŤ&#x160; í&#x2014;&#x2019;믞ě?&#x160; ěšşí&#x2018;ˇî&#x152;Śí&#x17E;&#x17D; í&#x152;&#x2DC;몎 íşŞí?&#x;ě°ŠëŤ&#x160; í&#x2022;łí&#x2022;&#x;ě­&#x2013;ě&#x2DC;Şě&#x17E;&#x161; í&#x201C;Ží&#x17E;&#x17D;ě&#x2021;Şě&#x201A;˛. 쥡í&#x2DC;ž

ëŠ&#x201A;ě¤&#x160;í&#x2022;&#x201A;ě&#x201A;˛ ěŤ&#x201A;ě&#x201A;&#x2013; í?&#x2013;ěş?í°Ś ě˘&#x2030;î&#x152;Ş í&#x2022;&#x17E;í&#x17D;ží&#x2022;şî?&#x201A;ě&#x2DC;Ş í&#x17D;&#x201A;ě&#x2014;˛í&#x2019;&#x17D;í&#x201D;&#x2019; 늸몲 î&#x152;Śí&#x17E;&#x17D;ě&#x17E;&#x161;, 쿌 í§śě&#x2DC;&#x17D; ě&#x2014;&#x2013;í ˛í˝Žě&#x2022;&#x;í&#x201D;&#x2019; ěŤ&#x201A;쿌î&#x152;Śě ž 늺몎î&#x152;ŚëŠ&#x161; ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A;뚌ë§&#x17D;몎 í&#x2022;&#x2013;ě&#x201A;˛.

32

â&#x20AC;&#x153;Eric Werner and Mya Henry fell in love with Mexico while on vacation in Tulum in 2010. They talked about realizing their own dream of starting an open-air restaurant in the jungle, using just a wood-burning grill and oven to cook. What is crazy is they actually did it. Hartwoodâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;Mexican farmhouse rusticâ&#x20AC;&#x2122; food reflects Ericâ&#x20AC;&#x2122;s love of traditional American recipes combined with his respect for the local spices, produce, and seafood. The wood that makes up the restaurant was all harvested by local Mayans under the full moon.â&#x20AC;?

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35


ëŻ&#x2020;ě&#x2022;Şî&#x201A;&#x2020;ď&#x2DC;&#x201C;í&#x152;Ží˛˛íŻŽď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ëťłí ˛î&#x201A;&#x2020;ď&#x2DC;&#x201C;

Grant Achatz, Next

ëťłí ˛î&#x201A;&#x2020;(Next)ě ˘ í&#x2014;Łî?Łî?˘ě&#x2021;Ş í&#x2019;&#x201A;í?? 짡í&#x201A;ŤëŤ&#x160; í&#x2DC;žě?şěŠŁí&#x17D;&#x17E;읪 슼í&#x17D;&#x201A;뚌 î??í&#x201A;Ží&#x2014;?í&#x2022;&#x2020; 짡í&#x201A;Ťí&#x201D;&#x2019; ě&#x2020;&#x2019;í&#x2022;&#x201C;î&#x152;Ş ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; 맪ëź&#x17E;í&#x201D;Ś ě&#x2014;&#x2013;í ˛í˝Žě&#x2022;&#x;í&#x2022;&#x201A;ě&#x201A;˛. í&#x2022;&#x201A;ëŤ í&#x201D;Ś í&#x20AC;&#x17E;î&#x2039;&#x2019;

ëŻ&#x2020;ě&#x2022;Şî&#x201A;&#x2020; í&#x152;Ží˛˛íŻŽ(Grant Achatz)ě ˘ â&#x20AC;&#x153;í?Ş ě&#x2014;&#x2013;í ˛í˝Žě&#x2022;&#x;í&#x201D;&#x17D; î&#x152;ťěş? 맧í&#x152;&#x2019;í?&#x160; î&#x152;ŚëšŚ?â&#x20AC;?ě&#x2022;&#x160;ě ˘ í&#x17E;&#x2013;ě¤&#x2020;í&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş î?&#x201A;ě&#x192;&#x192;í&#x201D;&#x160;ě&#x2DC;Ş, 3맪í&#x2019;˘í&#x17D;&#x17E; î&#x152;Ş ěŠ&#x2013;í&#x2039;ˇ ě&#x2014;&#x2013;í ˛í˝Žě&#x2022;&#x;í&#x201D;Ś

íź&#x161;ě&#x17E;&#x2013;ě?&#x160; 짢ëś&#x160;ě&#x201A;˛. 2011ëź&#x2019; 맪í&#x17D;&#x201C; í&#x2022;&#x201A;î&#x2019;&#x2019; â&#x20AC;&#x2DC;íşŞëŹť í&#x17D;şî?&#x2014;â&#x20AC;&#x2122;, â&#x20AC;&#x2DC;ě&#x2020;§í&#x201A;şâ&#x20AC;&#x2122; ě&#x160;ż ě&#x201A;˛í?&#x;î&#x152;Ş íź&#x161;ě&#x17E;&#x2013;ě?&#x160; í&#x2014;Łî&#x152;Ş ě&#x2030;˛, í&#x201A;Ťě&#x192;&#x2021;í&#x201D;Ś ě­&#x2019;í&#x201C;&#x2019;믞í?&#x17D; ě ˘ě &#x201A;ě?&#x160; í&#x203A;&#x160;í&#x2014;Şí&#x17D;&#x17E; ě&#x17E;Źí­ž ěŞ&#x17D;ëŞ&#x2039;î?&#x201A;í?˘ě&#x201A;˛. ě&#x2020;&#x2019;í&#x2014;&#x2019;ëŤ&#x160; 쥜î&#x17D;Śí&#x201D;&#x2019; í?&#x17E;ëŻžě ˘ ëŻ&#x2020;í&#x201D;Ś 욺몎짡í&#x201A;Ťí&#x201D;&#x17D; ě&#x17E;˛ěŠ&#x2013; ëťłí ˛î&#x201A;&#x2020;ě?&#x160; í§śěŞ&#x2019;î?˘ě&#x2021;Ş ëŤ&#x192;ë§&#x2019;í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;şíş&#x2019;캍í&#x201A;Şíšśě&#x201A;˛.

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â&#x20AC;&#x153;The thing that inspires me the most about Chef Grant Achatz is his dedication to ask questions and coming up with his own answers. Dining at one of his restaurants, Alinea or Next, Grantâ&#x20AC;&#x2122;s dedication to questioning assumptions is obvious. At Alinea, Grant asks questions like â&#x20AC;&#x153;why should we eat off plates?â&#x20AC;? and at Next he asks â&#x20AC;&#x153;why should a restaurant stay the same?â&#x20AC;? Every three months Nextâ&#x20AC;&#x2122;s theme will change. The first three themes after Next opened in early 2011 were â&#x20AC;&#x2DC;Paris 1906â&#x20AC;&#x201D;Escoffier at the Ritzâ&#x20AC;&#x2122;, â&#x20AC;&#x2DC;Tour of Thailandâ&#x20AC;&#x2122; and â&#x20AC;&#x2DC;Childhoodâ&#x20AC;&#x2122;.â&#x20AC;?

37


í&#x17D;&#x17E;ě§&#x17D;ě?şí?˛ď&#x2DC;&#x201C;î&#x2026;Śě?&#x201A;뚪ě&#x201E;ží?&#x2013;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ěšşď&#x2DC;&#x201C;î&#x2020;şě&#x2022;&#x160;ě&#x201A;˛ě&#x201A;˛

Emilio FernĂĄndez, Sa Foradada ěšş î&#x2020;şě&#x2022;&#x160;ě&#x201A;˛ě&#x201A;˛(Sa Foradada)ě ˘ í ˛î&#x2026;Śí&#x2022;&#x2020; í&#x2014;&#x2019;íž&#x192; í&#x2018;˘ě?şí&#x2022;&#x2020; î&#x192;&#x161;í&#x17D;&#x17E;í?&#x160;(Paella) í&#x2014;&#x2019;ě¤&#x2020; ě&#x2014;&#x2013;í ˛í˝Žě&#x2022;&#x;í&#x201D;&#x160;ě&#x2DC;Ş í&#x17E;&#x17D;í&#x203A;&#x;î?&#x201A;í&#x17D;&#x17E; í&#x201C;&#x2019;í°Śî&#x152;Ş ě&#x17E;&#x2013;í&#x2018;˘ě?&#x201A;íą&#x201A; ěťş(Mallorca)í&#x17D;&#x17E; í&#x2022;&#x2013;ě&#x201A;˛. í&#x2022;&#x201A; ëŤ í&#x17D;&#x17E; ë§&#x17D;믞 í&#x201C;&#x2019;î?&#x201A;ěťŞě ˘ ěŤ&#x201A;î&#x201A;&#x2020;ě?&#x160; íş&#x17D;먞뚌 í?şě?şěŻ&#x161; í&#x20AC;&#x20AC; ěšşí&#x2022;&#x201A;ě?&#x160; í&#x17E;&#x17D;뚌ë§&#x17D;í?&#x160;ě&#x17E;&#x161; î&#x152;Şě&#x201A;˛. í&#x152;&#x2019;ě?&#x2019;ě&#x201A;˛í&#x2019;&#x201A; í&#x2022;&#x17E;í&#x17D;ž ě˝&#x203A;í&#x17D;&#x17E;읪 í&#x201A;Şë§?ëŤ&#x160; ě§&#x2020;ë§?í&#x201D;&#x2019; ě&#x2020;§í&#x201A;Şí&#x17D;&#x17E; í­ˇí&#x2DC;żí&#x201A;ŞíłŞí&#x203A;&#x160;ě ˘ í&#x2022;&#x201A; ëŤ í&#x201D;&#x17D;, ěŤ&#x2020;ě&#x2022;Ś í?˛í ˛î&#x201A;&#x2020;ě?şí&#x152;&#x2019; ëŤ&#x192;í&#x2022;&#x;í&#x201D;Ś 맪í&#x2022;&#x2020; ěšşí&#x201C;Ží&#x17E;&#x17D;í?&#x17D;ě&#x201A;˛ë§&#x17D; 1972ëź&#x2019; í&#x20AC;&#x17E;î&#x2039;&#x2019;í&#x2022;&#x201A;í&#x2022;&#x17E; í?˛ëť&#x2013;í&#x2022;&#x2020; í&#x17D;&#x17E;ě§&#x17D;ě?şí?˛ î&#x2026;Śě?&#x201A;뚪ě&#x201E;ží?&#x2013;(Emilio

FernĂĄndez)í&#x17D;&#x17E; í&#x201D;Śî?&#x201A; ě&#x2014;&#x2013;í ˛í˝Žě&#x2022;&#x;í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;şíş&#x2019;캍ě&#x2021;Śí&#x17D;&#x2013;몎, î?&#x2019;í&#x2022;şě ˘ ëŻ&#x2020;í&#x201D;Ś ě&#x152;&#x2020; ě?şě&#x2039;˘í&#x152;&#x2019;(Lidia)ë§&#x17D; í&#x2019;&#x201A;í??î&#x152;ŚëŞŽ í&#x2022;&#x2013;ě&#x201A;˛. í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ě ˘ í&#x2022;&#x17E;í&#x201A;Ží&#x2022;&#x201A; 짡ě¤&#x2020;î&#x152;Ş ě&#x2014;&#x2013;í ˛í˝Žě&#x2022;&#x; í&#x203A;&#x; í&#x2022;&#x17E;í&#x17D;ž î&#x2030;&#x203A;ëŞ&#x2039;í&#x201D;&#x2019; í?&#x17E;ë°&#x2020; 쿌 í&#x2022;&#x2013;ě ˘ 폪몎í&#x201D;Ś í&#x2022;łě˝&#x161;ě&#x2DC;Ş í&#x2022;&#x201A; ëŤ í&#x201D;&#x2019; ë´&#x2039;ě ˘ě&#x201A;˛.

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â&#x20AC;&#x153;Sa Foradada is a paella restaurant in Mallorca that is only accessible by boat or climbing a fence and hiking down a very long path through ancient olive groves. Sa Foradada was originally built as one of the private homes of Archduke Luis Salvador of Austria. In 1972 it was leased by Emilio FernĂĄndez, who transformed it into a restaurant. Emilioâ&#x20AC;&#x2122;s daughter, Lidia, runs the place, while Emilio makes paellas using the fire in the back.â&#x20AC;?

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íš&#x201A;ě&#x2014;&#x2013;í&#x17D;&#x201A;ď&#x2DC;&#x201C;î&#x2039;&#x2019;íş?ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;짢í&#x2022;&#x201A;í?şě&#x2014;Šď&#x2DC;&#x201C;íł&#x17D;í&#x2022;&#x201A;í¸şď&#x2DC;&#x201C;

Claire Ptak, Violet Cakes

짢í&#x2022;&#x201A;í?şě&#x2014;Š íł&#x17D;í&#x2022;&#x201A;í¸ş(Violet Cakes)ě ˘ íš&#x201A;ě&#x2014;&#x2013;í&#x17D;&#x201A; î&#x2039;&#x2019;íş?(Claire Ptak)í&#x2022;&#x201A; í&#x2019;&#x201A;í??î&#x152;Śě ˘ 슎í&#x2022;&#x201A;í˛˛ě?şí&#x2022;&#x201A;ě&#x201A;˛. 2005ëź&#x2019; ě&#x2013;žě&#x201E;Ś ě&#x17E;&#x2013;íłĄí&#x17D;&#x17E;읪 ě˝&#x161;뎪쥜ě&#x2DC;Ş

í&#x201A;Şí&#x2022;&#x;î?&#x201A; 2010ëź&#x2019; í??돝 î?&#x201A;í¸şě&#x201A;&#x2013;(Hackney)í&#x17D;&#x17E; í&#x201C;&#x2019;í°Śî&#x152;Ş í˛˛ě&#x201A;˛ě&#x2022;&#x17D; ěş?í&#x2014;&#x17E;í&#x201D;&#x160;ě&#x2DC;Ş î?Łí&#x2022;łě&#x2021;Śí&#x17D;&#x2013;ě&#x201A;˛. ěť˛íşŁí&#x201D;&#x160;ě&#x2DC;Ş ě&#x201E;źí&#x17D;şí&#x2022;&#x2013;í&#x17E;&#x17D;ě&#x17E;&#x161; ě&#x192;&#x201A;짿î&#x152;Ş ě&#x17E;Ší&#x201D;Ś ě &#x2020;î&#x152;&#x17D;ëŤ&#x160; í&#x2018;žî&#x152;&#x160;

î&#x192;&#x161;í&#x2022;&#x201A;(whoopie pie), í??돝í&#x201A;Ť ě&#x152;&#x2020;믞 íł&#x192;íł&#x17D;í&#x2022;&#x201A;í¸şě ˘ ě&#x201A;śě&#x17E;Ší&#x201D;&#x2019; 띌í&#x17D;&#x201A;읪 ě &#x2021;ě ˘ í&#x2022;&#x201A;í&#x201D;Ś ě&#x17E;&#x2013;í&#x201D;&#x161;ë°&#x161;í&#x17E;&#x17D; ě&#x201A;şí´˛î&#x152;ŚëŠ&#x161; ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A;í&#x203A;&#x17D;ě&#x201A;˛. ěť˛íşŁ, í&#x2018;ží&#x201C;Ž, ëŞ&#x2019;ě&#x2022;&#x17D; ě&#x160;ż 쥜ě&#x160;Ž í&#x203A;&#x160;í&#x2022;şě&#x161;&#x161;ě?&#x160; í&#x201C;ŽëŻžë˝&#x203A;í&#x201D;&#x160;ě&#x2DC;Ş ěšşí&#x2018;ˇî&#x152;ŚëŞŽ, î?&#x2020;ě§&#x17D;ëŤ&#x160; ëŽ&#x17D;ě?ş ě&#x160;ż í&#x201A;ŽěťŽî&#x152;Ş ëŞŻě¤&#x160;ě&#x160;˛í&#x201D;&#x2019; ëťąí&#x17D;&#x201A; ě&#x17E;Šěś&#x17E;ě&#x17E;&#x161; í&#x152;&#x2019;ě&#x201A;&#x2013;ě&#x2022;&#x160; ëŠ&#x201A;맣í&#x17D;&#x17E;ě&#x2020;&#x2019; í&#x2122;&#x2122;í&#x201D;&#x17D; ě&#x2039;˘í&#x2014;&#x17D;î&#x201A;&#x2020;ě?&#x160; ě&#x17E;&#x161;ě&#x160;Žě&#x201A;˛.

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â&#x20AC;&#x153;Claire Ptak opened Violet Cakes as a market stall in 2005 when she moved to London from California. In 2010 she moved her shop and bakery into a little free-standing white house in Hackney. She describes her concept of baking as â&#x20AC;&#x153;not really conceptual, itâ&#x20AC;&#x2122;s just good-ass cake.â&#x20AC;? I politely disagree. I think there is a very strong concept of understated purity to her baking style, which always feels wholesome, even if what youâ&#x20AC;&#x2122;re eating is pure sugar.â&#x20AC;?

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í&#x152;Žě&#x201A;&#x2013;ď&#x2DC;&#x201C;ë˝&#x2020;짣ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;í&#x2022;&#x201A;ëŻ&#x17D;ď&#x2DC;&#x201C;í ˛î&#x201A;&#x2020;ě?şî&#x201A;&#x2020;ď&#x2DC;&#x201C;í?łěş?ď&#x2DC;&#x201C;ë˝&#x203A;í&#x2022;ł

Annie Novak, Eagle Street Rooftop Farm ě &#x201A;í&#x2018;Ł ěŻ&#x161;ě&#x161;śíš&#x201A;ě?ž(Brooklyn)í&#x17D;&#x17E; í&#x201C;&#x2019;í°Śî&#x152;Ş í&#x2022;&#x201A;ëŻ&#x17D; í ˛î&#x201A;&#x2020;ě?şî&#x201A;&#x2020; í?łěş? ë˝&#x203A;í&#x2022;ł(Eagle Street Rooftop Farm)í&#x201D;&#x17D; í&#x2022;&#x201A;ě?&#x2019; ëŻ&#x2020;ě&#x192;&#x17D;ě&#x2DC;Ş í?łěş?í&#x17D;&#x17E; ëś&#x2020;ě&#x2014;˛í&#x17E;&#x2019;

ë˝&#x203A;í&#x2022;łí&#x201D;&#x160;ě&#x2DC;Ş, ě&#x201A;˛í?&#x;î&#x152;Ş ë˝&#x203A;í&#x2022;&#x;ě¤&#x160;ëŤ&#x160; ëś&#x17D;ěŠ&#x161;, í˝Žëš&#x160;, ě&#x201A;ťě&#x160;˛í&#x2022;&#x201A; í&#x2022;&#x17E;ě&#x2022;&#x160;몎 í&#x2022;&#x2013;ě&#x201A;˛. í&#x152;Žě&#x201A;&#x2013; ë˝&#x2020;짣(Annie Novak)í&#x201D;&#x17D; ěšşě&#x2022;&#x161;ě&#x160;˛ëŤ&#x160; í&#x201D;&#x161;í&#x201A;Ť ë§&#x2019;í&#x201D;Ś ě§&#x17D;í&#x2014;&#x;î&#x152;Ş ëŤ&#x17D;ëŞ&#x2019;í&#x17D;&#x17E; î&#x201D;łě§&#x2020;ě?&#x160; ě &#x17E;ëš&#x160;몎 í?łěş?í&#x201D;&#x2019; 맪í&#x2DC;žî&#x152;Śí&#x17D;ş ë˝&#x203A;í&#x2022;łí&#x201D;&#x2019; ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x2013;ě&#x201A;˛. í&#x17D;şě?&#x2019;í&#x17D;&#x17E;ě ˘ í&#x201A;Şí&#x2019;&#x17E;î&#x152;ŚëŞŽ 늜í&#x2019;&#x2020;í&#x17D;&#x17E;ě ˘ í?śëŻžë§&#x17D; í&#x201C;Ží&#x17E;&#x17D;ě&#x2021;Śě ˘ ëŻ&#x2020;ëź&#x17D;í&#x201D;Ś ě&#x2020;&#x2019;í&#x201A;ş ě˝&#x203A; ë˝&#x203A;í&#x2022;łí&#x201D;&#x17D; í¨&#x2019;ě˝&#x161;ě?&#x160; í&#x2022;şě§žî&#x152;Śě ˘ ëŠ&#x2018; í&#x2018;&#x2020;í&#x17D;&#x17E;ě&#x2020;&#x2019;, í&#x2022;&#x17E;ë§&#x2013;ëŤ&#x160; íş&#x17D;ě?&#x201A;ě&#x2DC;Ş ě&#x2030;˛ě&#x201E;źí&#x2022;&#x2020; 믞í&#x2122;&#x201A;í&#x201D;Ś í?łěş?ěŤ&#x201A;ě&#x201A;˛ î&#x2019;śí&#x2039;ş í&#x2022;şě§&#x2020;í&#x2022;&#x2013;몎 í&#x201C;Ží&#x2022;&#x192;î&#x152;Ş ëŠ&#x2018;ě&#x160;˛í&#x2022;&#x201A; ě&#x17E;&#x153;ě&#x201A;˛.

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â&#x20AC;&#x153;The Eagle Street Rooftop Farm in Brooklyn was the first commercially run, fully landscaped green roof in the United States. In the three years it has been around, it has grown tons of food and been a home to 80,000 honeybees, some rabbits, and a flock of chickens. Annie Novak started the farm primarily as a way to promote green roofs and rooftop farms. By planting on roofs we can insulate buildings to keep them warm in the winter and cool in the summer. Plus itâ&#x20AC;&#x2122;s a lot more fun than a bunch of gravel or tar.â&#x20AC;?

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í&#x152;&#x2013;í&#x2014;˛ě&#x2DC;Şď&#x2DC;&#x201C;ë§&#x17D;ě&#x2DC;Şď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ě?&#x201A;띲ěş?í ˛ď&#x2DC;&#x201C;î&#x2020;şí&#x17E;&#x17D;

Angelo Garro, Renaissance Forge ěŤ&#x2020;ě&#x2022;Ś ëŠ&#x201A;í­Ł í&#x2022;łí&#x201A;Ťě¤&#x160;ëŤ&#x160; ěŞ&#x2039;뚪ě&#x2DC;Şí&#x17D;&#x17E; í&#x160;ží&#x2022;&#x201A;ě ˘ ě&#x2020;&#x2019;돺ě?&#x160; ě&#x17E;&#x161;ě&#x160;Şě ˘ ëŤ í&#x2022;&#x2020; ě?&#x201A;띲ěş?í ˛ î&#x2020;şí&#x17E;&#x17D;(Renaissance Forge)ě ˘ í&#x2018;˘ě?şě?&#x160; í?&#x17E;ëŻžě ˘ í&#x203A;&#x160;í&#x2022;&#x2020; í&#x152;&#x2013;í&#x2014;˛ě&#x2DC;Ş

ë§&#x17D;ě&#x2DC;Ş(Angelo Garro) ě&#x201E;Łě­&#x2019;í&#x17D;&#x17E; ëŹ&#x2014;í&#x2022;łî&#x152;Ş í&#x203A;&#x160;짡í&#x201D;&#x2019; ë§&#x17D;í&#x17E;&#x17D;몎 í&#x2022;&#x2013;ě&#x201A;˛. ëŻ&#x2020;ě ˘ ě˝&#x17E;쿌 í&#x203A;&#x160;짡믞믞ě?&#x160; í&#x2014;Şí&#x2022;&#x;î&#x152;ŚëŞŽ, í°ŞëŹşí&#x201D;Ś í&#x2014;Łí&#x2019;&#x17E;í&#x17D;&#x17E;읪 ëŤ&#x160;í&#x2022;&#x160;í&#x201D;&#x2019; 쿌î?Łî&#x152;Śě ž, î&#x192;&#x161;í ˛íş&#x17D;í?&#x17D; í?&#x17D;í&#x2022;&#x2020;ëŤ&#x160; 맧í&#x201D;&#x17D; í&#x2018;˘ě?şí&#x17D;&#x17E; ě&#x160;˛í&#x17D;&#x201A;ë§&#x17D;ě ˘ 쥜ě&#x160;Ž í&#x2022;şě&#x161;&#x161;ě?&#x160; í&#x17E;?í&#x2014;&#x; 돺î&#x152;ŚëŞŽ ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A; í¨&#x2039;í&#x201D;Śí&#x2014;?í&#x2022;&#x2020; í&#x2018;˘ě?şě?&#x160; 읎ěŤ&#x201A;í&#x2022;&#x2020;ě&#x201A;˛. ěş&#x161;î&#x2039;&#x2019;ě&#x2022;&#x17D;í&#x201A;Şí ˛í´˘í&#x17D;&#x17E; ěšşě ˘

ěšşě&#x2022;&#x161;í&#x2022;&#x201A;ě&#x2022;&#x160;ěĄ&#x201A; ëż&#x2019;돺뚌 í&#x201A;˛î&#x17D;Śí&#x2014;?í&#x2022;&#x2020; í&#x203A;&#x160;짡 ě&#x2020;&#x2019;돺ě&#x2DC;Ş í&#x2DC;žě?şî&#x152;Ş í&#x201A;ŽěťŽî&#x152;Ş í&#x201D;&#x161;í&#x201A;Ť, ě¤&#x201A;î?˘ëŤ&#x160; 뚌ě¤&#x201A; í&#x152;&#x2019;ě&#x2022;Śí&#x201D;Ś 짢ě°&#x2019;í¸&#x17E;, í§śëŞŽ í&#x152;&#x2013;í&#x201D;Ś í˛˛ě&#x201A;˛ě&#x2022;&#x17D; íź&#x161;í&#x2022;&#x201A;쯢í&#x17D;&#x17E; ě&#x2C6;Śě&#x2013;şí&#x152;&#x2014;í&#x152;&#x2019; ě &#x2021;ě ˘ í&#x2014;&#x17D;ëź?í&#x201A;Ťěšşí&#x17D;&#x17E; íŤ&#x2013;ě&#x192;&#x17D;짊믞ě?&#x160; í&#x2019;&#x17E;î&#x152;Şě&#x201A;˛.

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â&#x20AC;&#x153;Angelo Garroâ&#x20AC;&#x2122;s house has the most incredible kitchen I have ever seen. It is a large sprawling space that includes his metal forge, his stainlesssteel-drum barbecue pit and an open space with a large fig tree growing out of it. He makes his own pasta and wine, cures olives and makes prosciutto from the boars that he hunts in his friendâ&#x20AC;&#x2122;s grape field. Under the name of Renaissance Forge, he makes custom hand-forged architectural details as well as beautiful fireplace tools.â&#x20AC;?

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í˛˛í¸şď&#x2DC;&#x201C;ě&#x2DC;şě§˘ě&#x160;Şď&#x2DC;&#x2122;ď&#x2DC;&#x201C;í&#x2039;śď&#x2DC;&#x201C;î&#x2020;şě?şí&#x2014;&#x17D;

Kirk Lombard, Sea Forager í&#x2039;ś î&#x2020;şě?şí&#x2014;&#x17D;(Sea Forager)ě ˘ í˛˛í¸ş ě&#x2DC;şě§˘ě&#x160;Ş(Kirk Lombard)ë§&#x17D; í&#x2019;&#x201A;í??î&#x152;Śě ˘ ě˝&#x161;뎪쥜 í°Şî?ŚëŞ&#x2039; 뚨í&#x201A;Ş íżşí&#x17D;&#x201A; î&#x2039;&#x2019;ě&#x2DC;ŞëŻ&#x2020;ě&#x2022;śí&#x201D;&#x160;ě&#x2DC;Ş ě­&#x17D;ě&#x2C6;&#x17E; í&#x152;&#x2019;ě&#x2022;ŚëšŚ ě°Ľě¤&#x160; 짞쿌ëŤ&#x17D; ëş&#x201A;ě­&#x17D; ě&#x160;ż ěş&#x161;î&#x2039;&#x2019;ě&#x2022;&#x17D;í&#x201A;Şí ˛í´˘ ě&#x17E;&#x161;(San Francisco Bay Area) ëŤ ëŤ í&#x17D;&#x17E; ěżśí&#x17D;&#x201A; ěšşě ˘ ë§?í?&#x;ë§?ěş&#x2014;í&#x201D;Ś ě¤&#x160;몎믞ě&#x160;˛í&#x201D;&#x2019; í&#x2022;ŻëŞŽ íş&#x17E;돺î&#x152;Şě&#x201A;˛. ëŻ&#x2020;ě ˘

ěş&#x161;î&#x2039;&#x2019;ě&#x2022;&#x17D;í&#x201A;Şí ˛í´˘í&#x201D;Ś í&#x17D;&#x201A;í&#x17D;&#x201C; ě&#x2020;§î?łí&#x201D;&#x2019; ěş&#x201A;î&#x152;&#x160;ě ˘ ëŤ&#x192;ě¤&#x201A;í&#x2019;&#x17E;í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;&#x160;î&#x152;ŚěĄ&#x201A;읪 í&#x17D;&#x2030;í&#x201D;&#x17D; í&#x17E;&#x17D;í&#x201A;Ťí&#x201D;&#x160;ě&#x2DC;Ş íşŞî&#x2020;&#x2014;í?&#x;í&#x17D;&#x17E; 읪í&#x201A;Ťî&#x152;Śě ˘ í&#x17D;&#x201A;î&#x192;śě&#x153;Ś í&#x2014;&#x2019;ě¤&#x2020;ë§&#x17D;ë§&#x17D; ě&#x2021;Śí&#x17D;&#x2013;ě&#x201A;˛. ëŻ&#x2020;ě ˘ í&#x2039;ś î&#x2020;şě?şí&#x2014;&#x17D;ě?&#x160; íž&#x192;î?&#x201A; í&#x17D;&#x2020;í&#x2014;Ş, í&#x17D;&#x201A;ě&#x2039;˘ěťŞ, í&#x17D;&#x201A;ě&#x17D;&#x2030;ëŠ&#x161; í&#x2022;Żî?˘ě ˘í&#x17E;&#x17D; í&#x2019;&#x17E;ěšží&#x17E;&#x17D;ë§&#x17D; ě­&#x2019;ěĄ&#x201C;î&#x152;Ş í&#x201A;ŽěťŽî&#x152;Ş î?&#x201A;ěšžě¤&#x160;í&#x201D;&#x2019; î&#x192;&#x17E;ě&#x17E;˛î&#x152;ŚëŞŽ í&#x17E;?í&#x2014;&#x; í&#x2018;˘ě?şî?&#x201A; ě &#x2021;ě ˘ě&#x201A;˛.

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â&#x20AC;&#x153;Kirk Lombard is the founder of Sea Forager, which includes an element of commercial fishing done in a very targeted, small-scale, sustainable way, along with an educational component through the fishing tours he gives around San Francisco. On our day together, Kirk showed me how to fish out of a storm drain. We also kayaked under old piers to catch black surfperch, threw nets on a beach to catch surf smelt, and went poking for the elusive monkey-faced eel.â&#x20AC;?

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í&#x152;˘ě°&#x2019;íą&#x201A;ď&#x2DC;&#x201C;í´Śě&#x2DC;Şí&#x2022;&#x201A;

Ambika Conroy í&#x152;˘ě°&#x2019;íą&#x201A; í´Śě&#x2DC;Şí&#x2022;&#x201A;(Ambika Conroy)ě ˘ í°Şî?ŚëŞ&#x2039;í&#x2014;?í&#x2022;&#x2020; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020; í&#x201D;Śě&#x153;Śě?&#x160; ě&#x17E;&#x161;ě&#x160;Žě&#x201A;˛. ě &#x2020;í&#x20AC;şě Şě&#x2DC;Şí&#x2018;ž ě¤&#x2014;í°Ś 맧í&#x201D;&#x17D; 16ě&#x17E;&#x2013;ě?şí&#x201D;Ś í&#x152;§ëŞŽě&#x2022;&#x160; í˝Žëš&#x160;í?&#x17D; í?&#x160;ě˝&#x161;, í?&#x;í&#x201D;&#x2019; 횲í&#x2018;žě ž ě&#x17E;˛ëź&#x2019; ë°&#x153;í&#x201D;&#x17D; íź&#x2020;ě&#x2DC;Ş í&#x201A;˛í&#x201D;&#x2019; ě´&#x;몎 쥜í&#x2022;&#x17E;í?&#x17D; í ˛í&#x2019;śíťžě?&#x160; í&#x17E;Žě&#x201A;˛. ě˝&#x17E;쿌 ě&#x17E;&#x161;ě&#x160;Ž í?&#x2026;ě&#x160;˛í&#x201D;&#x17D; í&#x2022;&#x17E;í&#x17D;ží&#x17D;&#x17E;읪 í&#x17D;&#x2030;í&#x201D;&#x17D; 튪í&#x17D;ž í&#x2022;şě&#x161;&#x161;ě&#x2DC;Ş í?&#x160;ěş&#x2014;î&#x152;Śí&#x17D;ş î&#x192;&#x17E;ě&#x17E;˛ě&#x2021;Şě&#x201A;˛. ě &#x201A;í&#x2018;Ł í&#x203A;&#x160;

ëšśě­&#x17D;í&#x17D;&#x17E; í&#x201C;&#x2019;í°Śî&#x152;Ş íą&#x17E;􋩺 ěšžě&#x17E;ł(Catskill Mountain)í&#x17D;&#x17E;읪 í&#x17D;&#x201A;ě?ž í&#x201A;Şí&#x2014;&#x2013;í&#x201D;&#x2019; ěŤ&#x201A;ëş&#x2020; ëŻ&#x2020;ëź&#x17D;í&#x17D;&#x17E;ëŠ&#x161; ě&#x2020;§ě¤&#x160;ě&#x160;˛í&#x201D;&#x17D; í&#x201C;Ží&#x2022;&#x192;î&#x152;Ş ě˝&#x161;í&#x2022;şí&#x2022;&#x201A;í&#x2022;&#x17E; í??ë§&#x17E;í&#x201D;Ś í&#x2019;&#x17E;튪í&#x2022;&#x201A;ě&#x201A;˛. í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ě ˘ ëŻ&#x2020;ëź&#x17D;í&#x201D;Ś í˝Žëš&#x160;ě&#x160;˛ í&#x203A;&#x; ě´&#x17E;ëş&#x201A;믞ě?&#x160; í&#x2122;&#x2122;í&#x152;&#x2019;î&#x152;Śě ˘ ě&#x17E;˛ě&#x2014;łí&#x2014;?í&#x2022;&#x2020; í˝Žëš&#x160; í&#x201A;˛ěŠŽí ˛íťž(Sylvester)ě?&#x160; ë§&#x17D;í&#x2022;ł í&#x2122;&#x2122;í&#x152;&#x2019;î&#x152;Şě&#x201A;˛.

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â&#x20AC;&#x153;Ambikaâ&#x20AC;&#x2122;s 16 Angora bunnies are like giant pouncing marshmallows. Sylvester is my favorite, a charming ruffian who humps everything and always shows off. Whatâ&#x20AC;&#x2122;s even more impressive than the hats, vests, and stoles that Ambika makes from the rabbitsâ&#x20AC;&#x2122; super soft, fluffy woolâ&#x20AC;&#x201D; which is hand-shorn without cruelty, blended with fiber from her sheep and goats, and woven using wind-powered spinning wheelsâ&#x20AC;&#x201D;is how Ambikaâ&#x20AC;&#x2122;s love and respect for the animals inspire her in creations.â&#x20AC;?

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í?˛ě&#x160;Şě?şď&#x2DC;&#x201C;ě&#x161;śí&#x2022;&#x201A;í ˛ď&#x2DC;&#x201C;ě&#x2014;&#x2013;í&#x2022;&#x201A;ë˝&#x17D;í?&#x2013;

Audrey Louise Reynolds 튪í&#x17D;ž í?&#x160;ěş&#x2014;ë§&#x17D;í&#x2022;&#x201A;í&#x2022;&#x17E; î?˘ë§&#x17D;, í&#x2014;Łí&#x2019;&#x17E;ěšşí&#x2022;&#x2020; í?˛ě&#x160;Şě?ş ě&#x161;śí&#x2022;&#x201A;í ˛ ě&#x2014;&#x2013;í&#x2022;&#x201A;ë˝&#x17D;í?&#x2013;(Audrey Louise Reynolds)ě ˘ ě&#x201A;˛í?&#x;î&#x152;Ş í&#x2022;&#x17E;í&#x17D;ž í&#x2022;şě&#x161;&#x161;ě?&#x160; í&#x2022;&#x201A;í&#x2018;ˇî?&#x201A; í&#x17E;?ě¤&#x160;í&#x201D;&#x2019;

í?&#x160;ěş&#x2014;î&#x152;Şě&#x201A;˛. ěŻ&#x161;ě&#x161;śíš&#x201A;ě?ž ě&#x2014;&#x2013;ě&#x160;Ş î&#x2019;&#x2019;í¸ş(Brooklyn Red Hook)í&#x17D;&#x17E; í&#x201C;&#x2019;í°Śî&#x152;Ş í&#x17E;&#x; ě&#x160;&#x2026;ě&#x17E;&#x2013;ě&#x192;&#x2021;í&#x17D;&#x17E; 뽥í&#x2022;&#x2020; í˛˛ě&#x201A;˛ě&#x2022;&#x17D; 콳í&#x17D;&#x17E; í?&#x160;í¨&#x2019;, ëŤ&#x160;í?§, í?˛í&#x17E;Łí&#x17D;&#x201A; ě &#x2021;ě¤&#x160;, í¸şě?şí ˛íź&#x2020; ë§&#x17D;ě&#x161;ś ě&#x160;ż ë§?í&#x2122;&#x201C; 튪í&#x17D;ž í&#x2022;şě&#x161;&#x161;ě&#x160;˛í&#x201D;&#x2019; 띹몎 븥í&#x17D;ş ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; ěş&#x2014;í&#x201D;&#x2019; ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A; ëş&#x2020;ě&#x201A;˛. î&#x152;&#x160;ě­&#x17D;í&#x17D;&#x17E; í&#x17E;?í&#x2014;&#x; ě&#x192;?ě ˘ í?&#x2026;í&#x17D;&#x17E; í°Şî?ŚëŞ&#x2039;í&#x2014;?í&#x2022;&#x2020; 짡슣í&#x201D;&#x160;ě&#x2DC;Ş ěş&#x2014;í&#x201D;&#x2019; í&#x2022;&#x201C;î&#x2022;Śí&#x201D;&#x160;ě&#x2DC;Şí&#x201E;ś,

í&#x2022;&#x2020;ë§&#x2019;ëŤ&#x160; î?ŚëŞ&#x2039; 쥜ě&#x2C6;&#x17E;ě?&#x160; í&#x201C;&#x2019;î&#x152;Ş ëŠ&#x201A;맣î&#x152;Ş ě§ˇí&#x201A;Ťí&#x201D;&#x2019; í&#x2014;Şí&#x152;&#x2013;î&#x152;ŚëŞŽ í&#x2022;&#x2013;ě&#x201A;˛. 뚌í&#x2022;&#x201A;횲(Nike)í?&#x17D; î&#x192;&#x161;ě Şě&#x2022;&#x160; ě&#x2013;şěŻ&#x161;(Pamela Love) ě&#x160;ż í&#x17D;şě&#x2013;ş î&#x192;śěźŚ ěŻ&#x161;ě&#x2022;Şě&#x160;Şí?&#x17D; î?Şě§Şî&#x2022;&#x2013; í&#x2022;&#x;í&#x17D;&#x201C; í&#x203A;&#x;í&#x2022;&#x201A;ě&#x201A;˛.

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â&#x20AC;&#x153;I work with color.â&#x20AC;? Audrey says. â&#x20AC;&#x153;I work with it in every possible form and Iâ&#x20AC;&#x2122;m always searching for new experiments and tones.â&#x20AC;? Using a cauldron in her backyard in Red Hook, Brooklyn, sheâ&#x20AC;&#x2122;s constantly cooking up new colors, using a creative mĂŠlange of natural ingredients: vegetable, fruit juices, squid ink, powdered crystals and even rust. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s a mineral explosion thatâ&#x20AC;&#x2122;s like chemistry, cooking, and painting in one,â&#x20AC;? she speaks. â&#x20AC;&#x153;And itâ&#x20AC;&#x2122;s also about helping people wear healthy things on their skin, which happens to be our largest organ.â&#x20AC;?

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ě?ží&#x17E;&#x17D;ď&#x2DC;&#x201C;ě&#x2039;˘ëŠ&#x201A;

Lindsay Degen ě˝&#x17E;ě&#x201C;śë§Ş ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013; ě?ží&#x17E;&#x17D; ě&#x2039;˘ëŠ&#x201A;(Lindsay Degen)í&#x201D;&#x17D; ě &#x201A;í&#x2018;Łí&#x17D;&#x17E;읪 ě&#x201C;śë§Şí&#x17E;&#x2013;ě&#x2DC;Ş ě&#x201A;˛í?&#x;î&#x152;Ş í&#x201A;Şě&#x2020;&#x2019;ě?&#x160; î&#x152;Śě ˘ ěŻ&#x161;ě&#x2022;Şě&#x160;Ş ě&#x2039;˘ëŠ&#x201A;(Degen)í&#x201D;Ś í¨&#x2039;ě&#x17E;&#x2039;í&#x2022;&#x17E;í&#x2022;&#x201A;ě&#x201A;˛. ëŻ&#x2020;ëź&#x17D;ě ˘ î&#x201A;&#x2021;ěŞ&#x2019;î&#x152;ŚëŞŽ ě&#x2020;&#x201C;î&#x201A;&#x2021;î&#x152;Ş î?ŁíşŞí&#x201D;Ś í&#x201D;Śěş?ëŤ&#x160; í&#x152;Żěź&#x2020;읪ě?şě?&#x160; ě&#x17E;&#x161;ě&#x160;˛ě ž ě&#x201A;&#x2013;î&#x201A;&#x2020;í&#x201D;Ś ëŞ&#x2039;ëŞ&#x2019;ě?&#x160; î?Łí&#x2022;łî&#x152;Şě&#x201A;˛. ě&#x201C;śë§Şí&#x17E;&#x2013;í&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş ëŻ&#x2020;ëź&#x17D;í&#x201D;Ś í?&#x201A;í&#x2014;Łí&#x201D;&#x17D; 3ěş&#x201A; ě&#x152;&#x161;

î&#x152;Žě &#x2020;ě&#x201A;&#x2013;ě&#x2DC;Şě­&#x17D;íťž ě§˘ě Ś ěź&#x2020;î&#x201A;&#x2020;ě?&#x160; 읎ě¤&#x160; 짊í&#x201D;&#x160;ěĄ&#x201A;읪 í&#x201A;Şí&#x2022;&#x;ě&#x2021;Śí&#x17D;&#x2013;ě&#x201A;˛. í&#x201C;Ží&#x2014;&#x2019;î&#x152;§í&#x2022;&#x17E;í&#x2022;&#x2020; ě­&#x17D;쥜ě&#x201A;Śí&#x201D;Ś í??î?łí&#x201D;&#x160;ě&#x2DC;Ş, ě&#x201C;śë§Şí&#x17E;&#x2013; î&#x152;Ş ě&#x152;&#x17D;í&#x201D;&#x2019; î&#x152;ŚëšŚí&#x201D;Ś í&#x2022;&#x201C;í&#x2022;&#x17E;ě&#x2DC;Ş, ě˝&#x17E;ě&#x201C;śë§Şě&#x2DC;Ş ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A;í&#x17E;&#x2019; í&#x2022;&#x;î&#x2030;&#x2013;í&#x201D;&#x2019; ě­&#x2019;í&#x2022;&#x17E;뚌 짢í&#x2022;&#x201A;ě&#x2013;şí ˛ î?&#x2021;í&#x201D;&#x17D; ě§&#x2020;캍ě¤&#x160;ě&#x2DC;Ş í&#x2022;&#x201A;î?&#x201A;î&#x152;Şě&#x201A;˛.

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â&#x20AC;&#x153;Lindsayâ&#x20AC;&#x2122;s passion for knitting was born when she was three years old when her grandmother taught her how to knit. After many years of needling scarves, sweaters and hats, she has always been looking for new ways to push knittingâ&#x20AC;&#x2122;s boundaries. Knowing its constraintsâ&#x20AC;&#x201D;knitting is just purling, tucking, and skippingâ&#x20AC;&#x201D;helps her bend the rules, creating nipple shapes and embellishments inspired by microscopic leeches.â&#x20AC;?

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í?şě?şě°&#x2019;í&#x17D;&#x17E;ď&#x2DC;&#x201C;ě&#x161;śí ˛íź&#x161;í&#x2022;&#x2014;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;짪ě&#x17E;Ť

Olivier Rousteing, Balmain í?şě?şě°&#x2019;í&#x17D;&#x17E; ě&#x161;śí ˛íź&#x161;í&#x2022;&#x2014;(Olivier Rousteing)í&#x201D;&#x17D; 24ěź&#x2020;í&#x201D;Ś 뚌í&#x2022;&#x201A;ě&#x2DC;Ş ě§Şě&#x17E;Ť(Balmain)í&#x201D;Ś í¸şě?şí&#x17D;&#x17E;í&#x2022;&#x201A;î&#x201A;žěŻ&#x161; ě&#x2039;˘ě&#x2014;&#x2014;íťžë§&#x17D; ě&#x2021;Ş î&#x192;śěźŚëŞ&#x2019;í&#x201D;Ś í&#x2014;&#x2019;읲í&#x2014;?í&#x2022;&#x2020;

í&#x2022;&#x2020;ě¤&#x160;í&#x2022;&#x201A;ě&#x201A;˛. î&#x152;Ş ě&#x152;&#x161; ěťşěź&#x2020;î&#x152;śëŤ&#x160; í&#x2018;ží&#x152;&#x2019;î&#x152;śí&#x201D;&#x2019; 맣í&#x2DC;žî&#x152;Śě&#x201E;Ś 짪ě&#x17E;Ťí&#x201D;&#x17D; í?şě?şě°&#x2019;í&#x17D;&#x17E;ë§&#x17D; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020;í&#x201D;&#x2019; ě&#x17E;Żí&#x201D;&#x17D; í&#x2022;&#x201A;î&#x2019;&#x2019;ě&#x2DC;Ş í&#x201A;Şí¸şî&#x152;ŚëŞŽ ě&#x2020;&#x2019;í&#x2014;&#x2019;í&#x2014;?í&#x2022;&#x2020; í&#x17D;şěťżí&#x201D;Ś í&#x2022;&#x201A;ě§&#x2020;í&#x17E;&#x17D;ě?&#x160; í­˘ëŹşî&#x152;ŚëŞŽ í&#x2022;&#x2013;ě&#x201A;˛. ě&#x201A;˛í?&#x;î&#x152;Ş ě˝&#x161;í&#x2022;şě?&#x160; ěšşí&#x2018;ˇî&#x152;Ş ëŹşí&#x2DC;ží&#x2014;?í&#x2022;&#x2020; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020;í&#x201D;&#x17D; ëŻ&#x2020;ë§&#x17D; ëŠ&#x201A;í­Ł í?&#x;í&#x201A;Ťí&#x17D;&#x17E;읪 ě&#x17E;&#x153;í&#x201D;&#x17D; í??ë§&#x17E;í&#x201D;&#x2019; 짊í&#x152;Śí&#x201D;&#x161;í&#x201D;&#x2019; ěŤ&#x201A;í&#x17D;şí&#x203A;&#x17D;ě&#x201A;˛. ëŻ&#x2020;í&#x201D;Ś í&#x201D;Śěş?í&#x201D;&#x17D; í&#x152;&#x2019;ě?&#x2019;ě&#x201A;˛í&#x2019;&#x17D;í&#x201D;&#x2019; 띌í&#x17D;&#x201A; í&#x2022;&#x17E;í&#x201A;Žë§&#x17E;ëŤ&#x160; 맪읿 ëťŚí°Śě ˘ í&#x17D;şěťżí&#x201D;&#x2019; ëŻ&#x2020;ě?žě&#x201A;˛.

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â&#x20AC;&#x153;One of Parisâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;big threeâ&#x20AC;&#x2122; fashion houses after World War II (along with Dior and Balenciaga), Balmain was once known for dressing leading ladies in girlishly elegant frocks. Even a quick glance at Olivierâ&#x20AC;&#x2122;s clothes shows that heâ&#x20AC;&#x2122;s inspired by architecture so much so that he compares designing a dress to constructing a building: â&#x20AC;&#x153;All the shapes, materials, and colors have to fall into place perfectly in order for it to be steady and strong,â&#x20AC;? he says.â&#x20AC;?

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ě§&#x2020;í?&#x2013;î&#x152;Śě&#x2022;&#x160;ď&#x2DC;&#x201C;íš˛í´˘

Kiko Mizuhara ě§&#x2020;í?&#x2013;î&#x152;Śě&#x2022;&#x160; íš˛í´˘(Kiko Mizuhara)ě ˘ í&#x2022;&#x160;ěŤ&#x2020;í&#x17D;&#x17E;읪 î?Şě&#x2020;§î&#x152;Śě ˘ î&#x192;śěźŚěĄśě&#x2026;&#x2020; ëŞ&#x2020; 짞í&#x2018;žě&#x2DC;Ş ě&#x2020;&#x201C;î&#x201A;&#x2021;î&#x152;Ş î&#x192;śěźŚěź&#x160;í ˛ě?&#x160; í&#x17E;&#x17D;ě&#x201A;&#x2013;몎 í&#x2022;&#x2013;ě&#x201A;˛. î&#x192;śěźŚ í&#x2022;Żí&#x17E;&#x17D;

<ěź&#x2020;ěŻ&#x17E;î&#x192;&#x201A;(Seventeen)>í&#x201D;&#x2019; íž&#x192;î?&#x201A; í&#x17D;&#x201A;ě?ž 뚌í&#x2022;&#x201A;í&#x17D;&#x17E; 쥜ě&#x2026;&#x2020; î?Şě&#x2020;§í&#x201D;&#x2019; í&#x201A;Şí&#x2022;&#x;î&#x152;Ş ëŻ&#x2020;ëź&#x17D;ě ˘ í&#x2022;şě§&#x2020;í&#x2022;&#x2013;ě ˘ ě§&#x2021;í ˛-í&#x152;˛-ě&#x17E;˛í°Ś í ˛íş&#x17D;í&#x2022;&#x160;í&#x201D;&#x2019; í&#x2122;&#x2122;í&#x152;&#x2019;î&#x152;ŚëŞŽ í&#x201A;˛î&#x17D;Śí&#x2014;?í&#x2022;&#x2020;

í&#x201D;Śěş?í&#x201D;&#x2019; í?&#x17E;늜 í&#x2022;&#x201C;í&#x201D;&#x160;ě ž, ěź&#x2020;ëŞ&#x2019;í&#x2014;?í&#x2022;&#x2020; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013;ě&#x160;˛í&#x201D;Ś 켲í?&#x2013;ě&#x2DC;ŞěťŞ í?Łěťżî&#x152;Ş î?Şě&#x2020;§í&#x201D;&#x2019; î&#x2020;&#x160;í°ŚëŞŽ í&#x2022;&#x2013;ě&#x201A;˛. ě¤&#x201A;ě&#x2022;&#x160;íą&#x201A;ě§&#x2020; î&#x152;Śě&#x161;śíš˛(Haruki Murakami)í&#x201D;Ś ě˝&#x161;읲í&#x201D;&#x2019; í??î?˘î?˘î&#x152;Ş <ěş?í&#x201A;˛í&#x201D;Ś í&#x201A;Şě&#x192;&#x17D;(Norwegian Wood)>í&#x17D;&#x17E;읪 í&#x17D;şí&#x203A;&#x160;í&#x2022;&#x2020;ëŤ&#x192;í&#x17D;ťí&#x201D;&#x2019; ě&#x17E;Żí&#x201D;&#x160;ě ž 짞í&#x2018;žě&#x2DC;ŞěťŞě&#x2020;&#x2019; î?Şě&#x2020;§î&#x152;ŚëŞŽ í&#x2022;&#x2013;ě&#x201A;˛.

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â&#x20AC;&#x153;Texas-born, Kobe-bred actress and model Kiko got her big break when she found an advertisement for a modeling competition in <Seventeen> magazine. She ripped it out, sent in photos of herself and became Miss Seventeen. She charms in real life and told me that even at home, sheâ&#x20AC;&#x2122;s just looking for a good time. â&#x20AC;&#x153;I love something fun. Iâ&#x20AC;&#x2122;m happy to be with my cats and with lots of cheerful colors.â&#x20AC;? she says.â&#x20AC;?

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í?&#x160;ě&#x17E;&#x2013;íą&#x201A;íş&#x17D;ď&#x2DC;&#x201C;í&#x2018;˘í&#x201A;Şíą&#x201A;í?&#x2013;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ě?şî&#x201A;&#x160;í&#x152;Žî&#x2039;&#x2019;íťží&#x2019;&#x161;í?&#x2013;

Yoshikazu Yamagata, writtenafterwards í&#x2022;&#x160;ěŤ&#x2020;í&#x201D;Ś î&#x192;śěźŚ ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013; í?&#x160;ě&#x17E;&#x2013;íą&#x201A;íş&#x17D; í&#x2018;˘í&#x201A;Şíą&#x201A;í?&#x2013;(Yoshikazu Yamagata)ě ˘ î?˘ě&#x2014;˛î&#x152;ŚëŞŽ íš˛í°Śî&#x152;Ş í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; î&#x2020;&#x160;í°Şě&#x201A;˛. í¨&#x201C; <Fashionable Selby> î&#x2C6;Şí&#x17E;&#x17D;í&#x17D;&#x17E; ě&#x160;żí&#x2022;łî&#x152;Śě ˘ í&#x2022;łëšŞë§&#x17E;í&#x2022;&#x201A; í&#x2022;˘ě&#x201C;ˇ ě­§í&#x201D;&#x17D; ě&#x201A;˛ě&#x201A;˛ě§&#x2020; í?&#x2026; í&#x17D;ťí&#x201A;Ş ëŻ&#x2020;í&#x201D;Ś í&#x2022;&#x;î&#x2030;&#x2013;í&#x2022;&#x201A;ě&#x201A;˛. í&#x2022;&#x17E;í&#x201C;Žě&#x2DC;Şí&#x2019;&#x201A; î&#x192;śěźŚí&#x201D;&#x2019; ë§&#x17D;í&#x2022;ł í&#x203A;&#x;í&#x2018;˘í&#x201A;Şî&#x152;Śě ˘ ëŻ&#x2020;ě ˘ í&#x2022;&#x17E;í&#x201A;Ží&#x201D;Ś ěŻ&#x161;ě&#x2022;Şě&#x160;Ş

ě?şî&#x201A;&#x160;í&#x152;Žî&#x2039;&#x2019;íťží&#x2019;&#x161;í?&#x2013;(writtenafterwards)ě?&#x160; íž&#x192;î?&#x201A; 쿪쿌î&#x152;ŚëŞŽ 맪읿 ëťŚí°Śě ˘ í&#x201D;Śěş?í&#x201D;&#x2019; 읎ěŤ&#x201A;í&#x2022;&#x2020;ě&#x201A;˛. î&#x192;śěźŚ î&#x152;§ëŹ&#x17E; â&#x20AC;&#x2DC;í´˘í´˘ë˝&#x2020;ë§&#x17D;í´˘(Coconogacco)â&#x20AC;&#x2122;ě?&#x160; í&#x2019;&#x201A;í??î&#x152;Śě ž í&#x2014;&#x2DC;í&#x201D;&#x17D; ěş&#x2013;ëş&#x201A;믞 ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013;ě&#x160;˛ëŤ&#x160; ëŹ&#x17E;ě&#x153;Śě?&#x160; íž&#x192;î?&#x201A; ě¤&#x201A;î&#x152;Şî&#x152;Ş ěş?ěş?ě&#x2014;łëŤ&#x160; í&#x2014;&#x2DC;í&#x201D;&#x17D; ë§&#x17E;ë§?í&#x201D;&#x2019; í&#x201C;Ží&#x17E;&#x17D;î&#x152;Şě&#x201A;˛.

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â&#x20AC;&#x153;Yoshikazuâ&#x20AC;&#x2122;s designs show how we accept and gather everything together and combine them in a chaotic way. What I find truly special in all of Yoshikazuâ&#x20AC;&#x2122;s works at writtenafterwards, from his runway shows to his illustrations, is the beautiful, childlike innocence that shines through. Perhaps he stays youthful by working with fledgling designers at the private fashion school he runs, â&#x20AC;&#x2DC;Coconogaccoâ&#x20AC;&#x2122;, which focuses on â&#x20AC;&#x2DC;free fashion expressionâ&#x20AC;&#x2122;.â&#x20AC;?

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ě&#x17E;&#x2013;ě?şě˝˘ď&#x2DC;&#x201C;쿌í&#x152;&#x2019;ě&#x2014;&#x2013;í?&#x2013;

Marisol Suarez ě&#x17E;&#x2013;ě?şě˝˘ 쿌í&#x152;&#x2019;ě&#x2014;&#x2013;í?&#x2013;(Marisol Suarez)ě ˘ ěšşě&#x2022;&#x161;í&#x201D;Ś ě &#x2020;ě?şíą&#x201A;ě&#x2022;&#x2039;í&#x201D;&#x2019; í&#x2022;şě&#x161;&#x161;ě&#x2DC;Ş î&#x17D;˛í&#x17D;&#x201A;î&#x152;&#x160;í ˛ě?&#x160; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020;î&#x152;Śě ˘ â&#x20AC;&#x2DC;í ˛î Şě&#x2039;˘í?˛ ě&#x17E;&#x2013;ě?şě˝˘(Studio Marisol)â&#x20AC;&#x2122;í&#x201D;Ś î&#x17D;˛í&#x17D;&#x201A; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013;í&#x2022;&#x201A;ě&#x201A;˛. ëŻ&#x2020;ě ˘ î&#x152;§í¨&#x2039;í&#x201A;Şí&#x2014;&#x2013; í&#x201A;ŽíŞ&#x201A;í&#x201D;Ś í&#x2022;&#x160;ě­&#x17D;í&#x2022;&#x2020; ě &#x2020;ě?şíą&#x201A;ě&#x2022;&#x2039;í&#x201D;&#x2019; í&#x2022;şě&#x161;&#x161;ě&#x2DC;Ş ěş&#x160;ě ˘ î&#x17D;˛í&#x17D;&#x201A; í&#x152;&#x2019;î&#x201A;&#x2020;í&#x17D;&#x17E; ě&#x17E;˛ě&#x161;&#x161;ě&#x2021;Śí&#x17D;&#x201A; î&#x17D;˛í&#x17D;&#x201A; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020;í&#x201D;&#x2019; í&#x201A;Şí&#x2022;&#x;î?&#x2013;ě&#x201A;˛. î?&#x2019;í&#x2022;ş

î&#x192;&#x161;ě?şí&#x201D;Ś ě&#x17E;&#x2013;ě&#x2014;&#x2013;(Marais) í&#x17E;&#x17D;돺í&#x17D;&#x17E;읪 ěş&#x201A;ě&#x2DC;żí&#x201D;&#x2019; í&#x2019;&#x201A;í??î&#x152;Śě ž í§ˇí&#x2018;ˇ ë§&#x17D;ě łî&#x152;Ş ě&#x2020;&#x201C;î&#x201A;&#x2021;î&#x152;Ş î?ŁíşŞí&#x201D;Ś î&#x17D;˛í&#x17D;&#x201A;î&#x152;&#x160;í ˛ě?&#x160; ě&#x17E;&#x161;ě&#x160;Žě&#x201A;˛. î&#x2018;&#x203A;믞í&#x2014;?í&#x2022;&#x2020; î?ŁíşŞí?&#x17D; 믞슣í&#x201D;&#x160;ě&#x2DC;Ş í&#x2014;Şí&#x2022;&#x;ě&#x2021;Ş ë§&#x17D;짪ě&#x160;˛í&#x201D;&#x2019; í&#x2014;&#x2019;í&#x201A;Şí?&#x17D; î&#x192;śěźŚěż&#x160;í&#x17D;&#x17E; 읎ěŤ&#x201A;í&#x2022;&#x201A;믞ě&#x2020;&#x2019; î&#x152;Şě&#x201A;˛.

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â&#x20AC;&#x153;Marisol chose hair as a medium to work with while in art school. She was instantly attracted to it â&#x20AC;&#x153;because it is organic, and therefore very alive. It reacts in such different ways.â&#x20AC;? Now she has a salon in the Marais in Paris, where she makes wearable masterpieces of hair art. Marisolâ&#x20AC;&#x2122;s work is featured in magazines, museum exhibitions and two runways annually, as well as in thematic exhibitions at her salon.â&#x20AC;?

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ěŠ&#x2019;í&#x17E;&#x17D;ě&#x201A;&#x2013;í&#x152;&#x2019;ď&#x2DC;&#x201C;슎í&#x2022;&#x201A;íŻŽ

Virginia Bates

ě°&#x2013;î&#x201A;ží&#x17E;&#x17D; í&#x2014;&#x2019;ě¤&#x2020;ë§&#x17D; ěŠ&#x2019;í&#x17E;&#x17D;ě&#x201A;&#x2013;í&#x152;&#x2019; 슎í&#x2022;&#x201A;íŻŽ(Virginia Bates)ě ˘ 짞í&#x2018;ž 캍î?Şí&#x201D;&#x2019; í&#x201D;&#x17D;íż&#x201A;î&#x152;Ş î&#x2019;&#x2019; â&#x20AC;&#x2DC;ěŠ&#x2019;í&#x17E;&#x17D;ě&#x201A;&#x2013;í&#x152;&#x2019; í&#x152;˛î&#x201A;ží¸ş(Virginia Antiques)â&#x20AC;&#x2122; ěż&#x203A;í&#x201D;&#x2019; í?&#x201A;í&#x17D;&#x201A;

ě°&#x201C;í˝Žě?şí&#x152;&#x2019; í&#x201A;Şě&#x192;&#x17D;í&#x201D;Ś í&#x2018;Łí&#x2DC;ž, î?ˇě&#x2020;§ î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019; í°śě&#x192;&#x17D;, î&#x2026;Śî&#x201A;ží´˘î&#x201A;&#x2020; ě&#x160;żí&#x201D;Ś í&#x152;˛î&#x201A;ží¸ş ë§&#x17D;돺ě&#x160;˛ëŤ&#x160; í&#x201D;Śěş?í&#x201D;&#x2019; î&#x192;&#x17E;ě&#x17E;˛î?&#x2013;ě&#x201A;˛. î&#x192;śěźŚ 쥜ě&#x2026;&#x2020; î&#x17D;şě&#x2014;&#x2013;뚌 í¸şě?şí ˛íź&#x17E;í ś(Helena

Christensen)ëŤ&#x160; 뚌í?˛ě§&#x2020; íąŽěŠś(Naomi Campbell)í&#x2022;&#x201A; í&#x2022;&#x201A; ëŤ í&#x17D;&#x17E;읪 돺ě&#x17E;˛î&#x152;Ş í´˘î&#x201A;&#x2020;ě?&#x160; î&#x192;śěźŚ í&#x201C;&#x2019;í¸şí&#x17D;&#x17E;읪 í§ˇí&#x2018;ˇî&#x152;Śě ž ě&#x17E;˛í­Şí&#x2022;&#x201A; ëŻ&#x2014;늡î&#x2022;&#x2013; ě Śí&#x17D;&#x2013;몎, ëŻ&#x2020;ëź&#x17D;í?&#x17D; ëŻ&#x2020;ëź&#x17D;í&#x201D;Ś 쿌í&#x17E;&#x;î&#x2030;&#x2013;ě&#x2020;&#x2019; í¸şëŠ&#x161; í&#x203A;&#x160;쥡 짊í&#x152;Śě&#x201A;˛. 2013ëź&#x2019; ëŻ&#x2020;ëź&#x17D;í&#x201D;Ś ë§&#x17D;ëŠ&#x161;ě ˘ ě¤&#x2020;í&#x201D;&#x2019; ě&#x201A;ší&#x152;Śí&#x17E;&#x17D;ě&#x17E;&#x161;, <ěŤ&#x201A;ëŻ&#x2020;(Vogue)>í&#x201D;Ś 쯢ě&#x2DC;Şë¨ží&#x2022;&#x201A;í&#x2022;&#x17E; î&#x192;śěźŚ î&#x152;&#x160;î&#x2039;&#x161;ě&#x2DC;Ş ëś&#x2020;í&#x203A;&#x17D;î&#x2022;&#x2013; î?Şě&#x2020;§î&#x152;ŚëŞŽ í&#x2022;&#x2013;ě&#x201A;˛.

70

â&#x20AC;&#x153;I was a teenager when I first saw Virginia Bates, when she played the role of a beautiful and sadistic temptress in Stanley Kubrickâ&#x20AC;&#x2122;s <A Clockwork Orange>. Between acting gigs, she opened a shop called Virginia Antiques, filled with Victorian baths, brass beds, petticoats and turn-of-the-century shawls. â&#x20AC;&#x153;I love antique clothes for the mystery and life they had before finding their way to me.â&#x20AC;? she says. â&#x20AC;&#x153;The cut, the textures, and even the faded colors make the garments irresistible works of art.â&#x20AC;?

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íą&#x201A;ě?&#x160;ě&#x2022;&#x160;ď&#x2DC;&#x201C;ě˝&#x161;í§śě&#x201A;&#x2013;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ď&#x2DC;&#x201C;ëłşě?&#x201A;ě˝&#x161;볺쥜

Carla Sozzani, 10 Corso Como íą&#x201A;ě?&#x160;ě&#x2022;&#x160; ě˝&#x161;í§śě&#x201A;&#x2013;(Carla Sozzani)ě ˘ â&#x20AC;&#x2DC;10 ëłşě?&#x201A;ě˝&#x161;볺쥜(10 Corso Como)â&#x20AC;&#x2122;í&#x201D;Ś 읲ě&#x17E;&#x2039;í&#x2022;&#x17E;í&#x2022;&#x201A;í&#x2022;&#x17E; 맲ě&#x2013;şě?ş í?˛ëť&#x2013;í&#x2022;&#x201A;ě&#x201A;˛. <ěŤ&#x201A;ëŻ&#x2020; í&#x2022;&#x201A;íş&#x2013;ě?şí&#x152;&#x2019;(Vogue

Italia)>í&#x17D;&#x17E;읪 í&#x2022;&#x160;î&#x152;Śě&#x201E;Ś í&#x201A;Şí&#x2014;&#x2013; ěź&#x2020;ëŞ&#x2019;í&#x2014;?í&#x2022;&#x2020; ěšşí&#x17E;&#x2019;í&#x2022;&#x;ë§&#x17D;ě&#x160;˛ëŤ&#x160; î&#x152;śë˛Ś í&#x2022;&#x;í&#x17D;&#x201C;î?&#x2013;ě&#x201E;Ś ëŞ&#x2039;î&#x17D;Śí&#x201D;&#x2019; ěş&#x201A;ě&#x2014;˛ ě&#x17E;&#x161; ě&#x2014;&#x2013;í&#x2022;&#x201A;(Man Ray)í?&#x17D; ě&#x2DC;ŞěŠ&#x2019;î&#x201A;&#x2020; î&#x2021;&#x201A;ě?şě&#x2020;&#x2019;ě?ş(Robert Polidori)í&#x201D;Ś ěšşí&#x17E;&#x2019;í&#x2014;&#x2019;í&#x201D;&#x2019; 믞î&#x2018;&#x203A;î&#x152;ŚëŻžě&#x2020;&#x2019; î?&#x2013;ě&#x201A;˛. ě ˘í&#x2122;&#x201C; ě&#x17E;&#x2013;î&#x192;&#x201A; ě&#x17E;&#x2013;ě?&#x201A;í&#x17E;&#x17D;í&#x17D;Śě&#x2022;&#x160;(Maison Martin Margiela), í&#x152;&#x161;ě&#x2014;&#x2014;ěšžě&#x201E;˘ ě&#x17E;łí¸&#x2020;(Alexander

McQueen)ëŤ&#x160; 맧í&#x201D;&#x17D; í&#x201C;ŽěĄ&#x201C; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013;í&#x201D;Ś í&#x201D;Śěş?í&#x201D;&#x2019; ě˝&#x161;맪î&#x152;Ž ěś&#x17E; í&#x152;&#x2019;ě&#x201A;&#x2013;ě&#x2022;&#x160; ëŻ&#x2020;ëź&#x17D;í&#x201D;Ś ěšşí&#x17D;&#x201C;î&#x192;&#x161;î&#x201A;&#x2020;ëť&#x2013;í&#x2022;&#x201A;í&#x2022;&#x17E; í&#x152;&#x2019;î&#x201A;ží ˛î&#x201A;&#x2020; í¸şě?şí ˛ ě&#x153;Ś(Kris Ruhs)í&#x201D;Ś î&#x2018;&#x161;î?˘ ě§? í&#x2DC;žë§? í&#x2022;&#x;î&#x2030;&#x2013; ě&#x160;żí&#x2022;&#x201A; ěť˛í°Śě&#x2021;Ş â&#x20AC;&#x2DC;10 ëłşě?&#x201A;ě˝&#x161;볺쥜â&#x20AC;&#x2122;ě ˘ ëŻ&#x2020;ëź&#x17D;í&#x201D;Ś ëšśě&#x201A;˛ě?&#x2020; í&#x152;&#x2013;쥡ëŤ&#x160; í¸&#x17E;ě&#x2014;&#x2013;í&#x2022;&#x201A;î&#x192;&#x201C; ě łě&#x2014;łí&#x201D;&#x2019; í??ěŤ&#x160; 쿌 í&#x2022;&#x2013;ě ˘ ëŤ&#x192;ë§&#x2019;í&#x2022;&#x201A;ě&#x201A;˛.

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â&#x20AC;&#x153;Having worked with photographers from Bruce Weber to Robert Mapplethorpe during her time at <Vogue Italia> and showcasing the works of Man Ray and Robert Polidori in her influential â&#x20AC;&#x2DC;10 Corso Comoâ&#x20AC;&#x2122; gallery, store, restaurant and hotel, Carla is the ultimate editor. With paintings and sculptures by her partner, Kris Ruhs, and with its white-andglass decor, â&#x20AC;&#x2DC;10 Corso Comoâ&#x20AC;&#x2122; doesnâ&#x20AC;&#x2122;t look like anything else.â&#x20AC;?

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íą&#x201A;쥜ď&#x2DC;&#x201C;íą&#x201A;íŻŽí?&#x160;

Katsuya Kamo íą&#x201A;쥜 íą&#x201A;íŻŽí?&#x160;(Katsuya Kamo)ě ˘ ě&#x2020;&#x2019;íś&#x2019;, ě &#x201A;í&#x2018;Ł, î&#x192;&#x161;ě?şí&#x17D;&#x17E;읪 î?Şě&#x2020;§î&#x152;Śě ˘ î&#x17D;˛í&#x17D;&#x201A; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013;í&#x2022;&#x201A;í&#x2022;&#x17E; ě ˘í&#x2022;&#x201A;í¸şí&#x17D;&#x201C; í&#x152;&#x2019;î&#x201A;ží ˛î&#x201A;&#x2020;ě&#x2DC;Ş, î?˘ě&#x2014;˛î&#x152;ŚëŞŽ íŞ&#x201A;ëŞ&#x2019;í&#x2014;?í&#x2022;&#x201A;ě ž î&#x201D;łě§&#x2020;ě&#x2DC;Şí&#x2019;&#x201A; í ˛í˝Žě?şë§&#x17D; ě&#x192;&#x201A;ë°&#x201A; í&#x2022;&#x;î&#x2030;&#x2013;í&#x201D;&#x2019; í&#x2014;Şí&#x2022;&#x;î&#x152;Şě&#x201A;˛. í&#x203A;&#x160;ěŞ&#x17D;í&#x201D;Ś 쥜ě&#x160;Ž ëŠ&#x2018;í&#x201D;&#x2019; î&#x201D;ŻěżŚî&#x152;Śě ˘ í&#x2022;&#x2020;ë§&#x2019; í ˛î&#x2020;ží&#x17E;&#x17D;ě&#x2DC;Ş ě­&#x2013;ě?şě ˘ ëŻ&#x2020;ě ˘ í&#x2022;Żí&#x17E;&#x17D;í&#x201D;Ś í&#x17E;˛ě&#x17E;&#x2014;î&#x152;Ş ëŻžěšş, í&#x2022;&#x;í&#x201D;&#x17D;

ě&#x2039;żí&#x2014;ŁěŠ&#x161;ě&#x2014;&#x2013;, 짌í&#x17E;Ťí&#x2022;&#x201A;ě ˘ ěŞ&#x;ě&#x2018;Şë˛&#x; ě&#x160;ż í&#x203A;&#x160;ěŞ&#x17D;í&#x201D;Ś 쥜ě&#x160;Ž ěšşě¤&#x160;í&#x17D;&#x17E;읪 í??ë§&#x17E;í&#x201D;&#x2019; í&#x17D;&#x2030;몎, í&#x2022;&#x201A;ě?&#x160; î&#x192;śěźŚ ěšşí&#x17E;&#x2019;í&#x2022;&#x201A;뚌 ě&#x2013;ží&#x2019;śí&#x2022;&#x201A;ě?&#x160; í&#x201C;&#x2019;î&#x152;Ş î&#x17D;˛ě&#x160;Şî&#x152;&#x160;í ˛ě&#x2DC;Ş ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A;ëş&#x2020;ě&#x201A;˛.

74

â&#x20AC;&#x153;Half person, half sponge, Kamo absorbs everything around him: snippets from magazines and books, of course, and also a butterflyâ&#x20AC;&#x2122;s broken wings, a tiny beetle and a shiny bottle cap. He channels all that inspiration into the sculptural headpieces he makes for fashion shoots and runway shows. When I asked him what inspired the pieces I shot, he told me he couldnâ&#x20AC;&#x2122;t possibly explain. The art of hair design, it seems, is tough to put into words. Itâ&#x20AC;&#x2122;s all there in the headpieces themselves and they tell their own stories.â&#x20AC;?

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í&#x152;˛ě&#x160;Şě&#x153;Śď&#x2DC;&#x201C;ě&#x2DC;ŞëŠ&#x201A;

Andrew Logan í&#x2DC;žë§?ë§&#x17D;í&#x2022;&#x201A;í&#x2022;&#x17E; í&#x152;Żěź&#x2020;읪ě?ş ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013; í&#x152;˛ě&#x160;Şě&#x153;Ś ě&#x2DC;ŞëŠ&#x201A;(Andrew Logan)í&#x201D;&#x17D; í??돝 ě&#x2013;žě&#x201E;Śí&#x201D;&#x2019; í&#x203A;&#x;í&#x201A;şí&#x201D;&#x160;ě&#x2DC;Ş í&#x152;Żěź&#x2020;읪ě?ş, í&#x2022;&#x2020;íź&#x161;ě?şí&#x17D;&#x201A;, î&#x2026;Śí ˛î&#x201A;žěŠ&#x161; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020;

ě&#x160;ż ě&#x201A;˛í?&#x;î&#x152;Ş ě­&#x2019;í?&#x160;í&#x17D;&#x17E;읪 î?Şě&#x2020;§î&#x152;Şě&#x201A;˛. ëŻ&#x2020;ë§&#x17D; í&#x203A;&#x160;ě&#x2DC;Ş ěšşí&#x2018;ˇî&#x152;Śě ˘ í&#x2022;&#x;í&#x17D;&#x201C; í&#x2022;şě&#x161;&#x161;ě ˘ 쿌í&#x2014;Ł, í&#x2019;&#x201A;읍 ě&#x160;ż 짌í&#x17E;Ťí&#x2022;&#x201A;ě ˘ ëŠ&#x2018;ě&#x160;˛í&#x2022;&#x201A;ě ž, ëŻ&#x2020;ě?&#x160; ě&#x192;&#x17D;î&#x2C6;Şî&#x152;Śě ˘ í&#x152;&#x2019;í&#x2022;&#x201A;ퟪí&#x201D;&#x160;ě&#x2DC;Şě ˘ íŤ&#x2013;î?&#x2019;í&#x201A;˛í&#x203A;&#x160;í&#x201D;Śí&#x2014;? í&#x152;Żěź&#x2020;읪ě?şí?&#x17D; í?&#x17E;늜 í&#x2022;&#x201C;ě ˘ 맣ě&#x2014;şî&#x152;Ş ěş&#x2014;í&#x201D;Ś í&#x201A;˛í¸ş í&#x201D;Śěş?ëŤ&#x160; í&#x2022;&#x17E;쿌 쥜í&#x2022;&#x17E;ë§&#x17D; í&#x2022;&#x2013;ě&#x201A;˛. í&#x17D;Žě&#x17E;&#x2013;ëż&#x2019;í&#x17D;Ś í&#x2019;&#x201C;ë§&#x17D;ě&#x2DC;Ş(Emanuel Ungaro),

ë´&#x160;ě&#x201E;žë§&#x17D;ě?&#x201A;콯(Comme des Garçons) ě&#x160;żëŤ&#x160; î?&#x;í&#x17D;&#x201C;î&#x152;Śě ž í&#x201A;Žë§Şëź&#x17E; ě§&#x2020;í&#x2022;&#x2020;ě&#x192;&#x17D;î&#x2018;&#x161; â&#x20AC;&#x2DC;í&#x17D;&#x160;íťžëť&#x2013;î&#x201A;žěŻ&#x161; ě§&#x2020;í ˛ í&#x2019;˘ě&#x160;Ş(Alternative Miss World)â&#x20AC;&#x2122;í&#x201D;Ś í&#x203A;&#x160;폪í&#x2022;&#x17E;ě&#x2DC;Ş î?Şě&#x2020;§î&#x152;ŚëŻžě&#x2020;&#x2019; î&#x152;Şě&#x201A;˛.

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â&#x20AC;&#x153;Ask Andrew, a London based artist and accessories designer, to name his favorite materials to work with, and heâ&#x20AC;&#x2122;ll cite asteroids, crystals, meteorites and glitter. His jewelryâ&#x20AC;&#x201D;think of odd-shaped, pearl-encrusted cufflinks and bright red rings made with stonesâ&#x20AC;&#x201D;would fit in at an incredibly glamorous Renaissance fair.â&#x20AC;?

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79


î&#x2039;&#x2019;ě&#x2014;&#x2013;ě&#x160;Şď&#x2DC;&#x201C;ěŠ&#x2019;î&#x201A;&#x17D;ě&#x2013;ş

Fred Butler

î&#x2039;&#x2019;ě&#x2014;&#x2013;ě&#x160;Ş ěŠ&#x2019;î&#x201A;&#x17D;ě&#x2013;ş(Fred Butler)ě ˘ ě&#x2014;&#x2013;í&#x2022;&#x201A;ě&#x2039;˘ ë§&#x17D;ë§&#x17D;(Lady Gaga)ë§&#x17D; <ퟢě&#x2014;&#x2013;î&#x2020;ž(Telephone)> 켲í&#x17E;? ě°&#x2019;ě&#x2039;˘í?˛í&#x17D;&#x17E;읪 í§ˇí&#x2018;ˇî&#x152;Ş î&#x2030;&#x2020;ě?&#x2020;ěş&#x2014; í&#x2014;&#x2019;î?˘ëŻž 쥜í&#x2022;&#x17E;í?&#x17D; î?&#x2020;짣ěŠ&#x161; í˛şě&#x2014;&#x2014;쟌í&#x201D;&#x2019; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020;î&#x152;Ş í&#x152;Żěź&#x2020;읪ě?ş ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013;í&#x2022;&#x201A;ě&#x201A;˛. í ˛í ˛ě&#x2DC;Şě?&#x160; í??î?˘ í&#x2014;Şí&#x2022;&#x;í&#x2022;&#x17E;, í&#x152;&#x2019;î&#x201A;&#x2020; ě&#x2039;˘ě&#x2014;&#x2014;íťž, ě˝&#x161;î&#x2030;&#x2013; í ˛íş&#x17D;í&#x2022;&#x160;ě?şí ˛î&#x201A;&#x2020;ě&#x2022;&#x160;몎 í°ťî&#x152;Śě ˘ ëŻ&#x2020;ëź&#x17D;ě ˘ ě°&#x2019;í&#x2018;˘í¸ş(BjĂśrk)í?&#x17D; ě&#x201A;&#x2013;횲 ě§&#x2020;뚌í?&#x2013;(Nicki Minaj)í?&#x17D; 맧í&#x201D;&#x17D; 맪읿 맣î&#x152;Ş ěź&#x17D;ě&#x2014;&#x2039;ě&#x160;˛í&#x201D;Ś í&#x152;Żěź&#x2020;읪ě?ş ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020;í&#x201D;&#x2019; í&#x2014;&#x2019;ě&#x192;&#x201A;î?&#x201A;í?˘ě&#x201A;˛. î?&#x2019;í&#x2022;ş â&#x20AC;&#x2DC;î&#x2039;&#x2019;ě&#x2014;&#x2013;ě&#x160;Ş ěŠ&#x2019;î&#x201A;&#x17D;ě&#x2013;ş í ˛íş&#x17D;í&#x2022;&#x160;(Fred Butler Style)â&#x20AC;&#x2122;í&#x2022;&#x201A;ě&#x2022;&#x160;ě ˘ 쯢ě&#x2DC;ŞëŻ&#x2020;ě?&#x160; í&#x2019;&#x201A;í??î&#x152;Śě ž î&#x201A;&#x2021;ěŞ&#x2019;î&#x152;Ş î&#x2039;&#x2019;ě&#x2DC;Şí&#x2014;Ťî&#x201A;&#x2020;ě?&#x160; í&#x17E;&#x2019;î?&#x2014; í&#x203A;&#x;í&#x2022;&#x201A;ě&#x201A;˛.

80

â&#x20AC;&#x153;While most accessories designers are fashion obsessives above all, Fred Butler got her start in prop-making and set design. After all this is the lady who made the blue telephone helmet that Lady Gaga wore in her <Telephone> music video, and the brain behind an entire collection of golden accessories inspired by bumblebees. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s all to conjure up another dimension of fun and joyous vibes.â&#x20AC;? she says. â&#x20AC;&#x153;I want to create works that uplift and inspire people and open dialogues between strangers.â&#x20AC;?

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ě?şíŠŚě&#x160;Şď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ě&#x2DC;Şě?şď&#x2DC;&#x201C;ě?žď&#x2DC;&#x2122;ď&#x2DC;&#x201C;í&#x2014;Şí&#x201A;Şď&#x2DC;&#x201C;í&#x2DC;žď&#x2DC;&#x201C;í ˛íş?ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;í¸şě&#x2DC;şî&#x152;ŚíŻŽ

Richard, Laurie Lynn & Jesse Jo Stark, Chrome Hearts í¸şě&#x2DC;şî&#x152;ŚíŻŽ(Chrome Hearts)í&#x201D;Ś 쿌í&#x2022;ł ě?şíŠŚě&#x160;Ş í ˛íş?(Richard Stark)í&#x201D;&#x17D; ëŻ&#x2020;í&#x201D;Ś í&#x152;&#x2019;ëş&#x201A; ě&#x2DC;Şě?ş ě?ž(Laurie Lynn), ě&#x152;&#x2020; í&#x2014;Şí&#x201A;Ş í&#x2DC;ž(Jesse Jo)í?&#x17D;

î&#x152;śë˛Ś ě&#x17E;Źí­˛î?Ł í&#x152;Żěź&#x2020;읪ě?şě?&#x160; ě&#x17E;&#x161;ě&#x160;Žě&#x201A;˛. 1980ëź&#x2019;ě&#x192;&#x17D; 쥡ëŤ&#x192;í&#x2022;łí&#x201D;Ś í&#x201A;˛í&#x201A;&#x192;캍í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;&#x160;î&#x152;Śě&#x201E;Ś ě?şíŠŚě&#x160;Şě ˘ í&#x2022;&#x17E;í&#x201A;Ží&#x2022;&#x201A; í&#x2019;&#x17E;î&#x152;Śě ˘ í ˛íş&#x17D;í&#x2022;&#x160;í&#x201D;Ś 쥜흞욺í&#x2022;&#x201A;íš&#x201A; í&#x201D;Śěş?í&#x201D;&#x2019; í¨&#x152;í&#x17E;&#x17D; ě˘&#x2030;î?&#x201A; í ˛í ˛ě&#x2DC;Ş ë§&#x17D;í&#x203A;&#x2039; í&#x2022;&#x17E;íłĄí&#x201D;&#x2019; ě&#x17E;&#x161;ě&#x160;˛ëŻž í&#x201A;Şí&#x2022;&#x;î?&#x2013;ě ˘ě&#x201E;ž, í&#x2022;&#x201A;ëŠ&#x2018;í&#x2022;&#x201A; â&#x20AC;&#x2DC;í¸şě&#x2DC;şî&#x152;ŚíŻŽâ&#x20AC;&#x2122;í&#x201D;Ś ěĄśíşŞë§&#x17D; ě&#x2021;Śí&#x17D;&#x2013;ě&#x201A;˛. L.A. ëŤ&#x192;짡í&#x17D;&#x17E;읪 í&#x2022;&#x17E;í&#x201C;Žě&#x2DC;ťëŠ&#x161; í&#x2022;&#x;í&#x17D;&#x201C;î&#x152;Śě ˘ ëŻ&#x2020;í&#x201D;Ś ë§&#x17D;í&#x2DC;żí&#x201D;&#x17D; î&#x201A;&#x2020;ě&#x2014;&#x161;ě&#x160;Şí?&#x17D; ěş?ëŤ&#x17D;í&#x17D;&#x201D;í&#x2022;&#x201A; í&#x2022;&#x17E;í&#x201A;Žě&#x160;˛í&#x2022;&#x201A; ě&#x192;&#x2021;í&#x2022;ł î&#x152;ŚëŞŽ í&#x192;&#x201E;몎, î&#x152;ŚëŞŽ í&#x2022;&#x2013;ě ˘ ëŠ&#x2018;í&#x17D;&#x17E; í&#x17E;&#x;í&#x203A;&#x;î&#x152;Śě ž í?&#x2014;î&#x201D;łí&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;&#x160;î&#x152;Şě&#x201A;˛.

82

â&#x20AC;&#x153;I am willing to bet that Richard Stark is the only person to have ever won a Council of Fashion Designers award and not know what it meant. He has always done things his own way. Back in the 80s, Richard was an apprentice to a woodworker and was also working in a leather business. Unable to find the kind of motorcycle-riding gear he wanted, he started making his own leather jacket prototypes. This is how Chrome Hearts was born. This do-it-yourself attitude is in many ways the backbone of the company.â&#x20AC;?

83


í&#x17D;Śě?şď&#x2DC;&#x201C;íş&#x;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ě&#x2022;&#x;짡

Elie Top, Lanvin í&#x17D;Śě?ş íş&#x;(Elie Top)í&#x201D;&#x17D; ë˝&#x17D;ě&#x2022;&#x160;í&#x2019;&#x201A; í&#x2022;şě łí&#x201D;&#x2019; íş&#x17D;몎 뚪 í&#x152;Żěź&#x2020;읪ě?ş ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013;í&#x2022;&#x201A;ě&#x201A;˛. 19ěş&#x201A; ě&#x152;&#x161;ě­&#x17D;íťž í&#x2022;&#x201C;캍ě&#x2DC;Şě&#x2022;&#x;(Yves Saint Laurent)í&#x17D;&#x17E;읪 í&#x152;Żěź&#x2020;읪ě?ş

ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020;í&#x201D;&#x2019; î?&#x201A;í?ś ëŻ&#x2020;ě ˘ ë§ ě°&#x2019;í&#x192;&#x160; ěŤ&#x201A;읍 ě&#x192;&#x17D;í&#x201A;Ž 쥜í&#x2DC;ž ěŤ&#x201A;읍í&#x201D;&#x2019; ěšşí&#x2018;ˇî?&#x201A; ěş&#x2014;ěş?, í¸şëŻž ě&#x160;żí&#x17D;&#x17E; í&#x2014;Şî&#x152;Şí&#x201D;&#x2019; 짊í&#x17E;&#x17D; í&#x152;&#x2DC;몎 í&#x2022;&#x17E;í&#x201C;Žě&#x2DC;Şí&#x2019;&#x201A; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020;í&#x201D;&#x2019; 읎ěŤ&#x201A;í&#x2022;&#x2020;ě&#x201A;˛. í&#x17D;&#x201A;ě?Žî&#x152;Ş

í ˛íş&#x17D;í&#x2022;&#x160;í&#x2022;&#x201A;ě&#x160;Ž, ě?&#x17E;î&#x152;Ş í&#x17D;&#x201A;ě?Žî&#x152;Ş ěšşě&#x2022;&#x161;í&#x17D;&#x17E;ëŠ&#x161;뚌 í&#x17D;&#x201A;í&#x2019;&#x2020;ě?şě ˘ í&#x2022;łí&#x201A;ŽëŹşě?&#x160; ě&#x17E;&#x161;ě&#x160;Şě ˘ ëŻ&#x2020;ě ˘ í&#x17D;ťěšşí&#x2014;?í&#x2022;&#x2020; í&#x2022;&#x2020;ě¤&#x160;í&#x2022;&#x201A;뚌 í&#x152;˛î&#x201A;ží¸ş í&#x152;Żěź&#x2020;읪ě?şě&#x2DC;Şě­&#x17D;íťž í??ë§&#x17E;í&#x201D;&#x2019; í&#x17D;&#x2030;몲 î&#x152;Şě&#x201A;˛.

2016ëź&#x2019; í&#x2022;&#x17E;í&#x201A;Ží&#x201D;Ś í&#x2022;&#x201A;ě?&#x2019;í&#x201D;&#x2019; ëş&#x201A;ëŠ&#x201A; í˛şě&#x2014;&#x2014;쟌í&#x201D;&#x2019; ě&#x2DC;Ží°ťî?&#x201A; î&#x192;śěźŚëŞ&#x2019;í&#x201D;Ś í&#x203A;&#x160;쥡í&#x201D;&#x2019; 짊몎 í&#x2022;&#x2013;ě&#x201A;˛.

84

â&#x20AC;&#x153;A driven man with an amazing mustache, Elie has been designing accessories since the ripe age of 19, when he began dreaming wonderful ideas in Yves Saint Laurentâ&#x20AC;&#x2122;s Paris atelier. When Alber Elbaz arrived in 1998 and created the studioâ&#x20AC;&#x2122;s famous Rive Gauche ready-to-wear line, Elie was charged with developing the perfect jewelry to go with every look. Avoiding precious stones in favor of larger-than-life costume jewelry, he makes pieces that are unrestricted by color, size or cut.â&#x20AC;?

85


í&#x152;&#x2019;í&#x2022;&#x201A;ě?şí ˛ď&#x2DC;&#x201C;짌ď&#x2DC;&#x201C;î&#x17D;˛ě?&#x201A;î&#x2026;Ş

Iris Van Herpen

í&#x152;&#x2019;í&#x2022;&#x201A;ě?şí ˛ 짌 î&#x17D;˛ě?&#x201A;î&#x2026;Ş(Iris Van Herpen)í&#x201D;&#x17D; 폪íŤ&#x2013;ě&#x2DC;Ş 3D î&#x2039;&#x2019;ě?žî&#x192;&#x201C; ě&#x160;Şě&#x2014;&#x2013;í ˛ě?&#x160; 읎ěŤ&#x201A;í&#x2022;&#x2020; ě&#x2020;&#x201C;ěŤ&#x201A;í&#x2014;?í&#x2022;&#x2020; î&#x192;śěźŚ ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013;í&#x2022;&#x201A;ě&#x201A;˛. î?˘ě&#x2014;˛î&#x152;ŚëŞŽ íŤ&#x2013;î?&#x2019;ě&#x192;&#x17D;í&#x2014;?í&#x2022;&#x2020; ëŻ&#x2020;ëź&#x17D;í&#x201D;Ś í˛şě&#x2014;&#x2014;쟌í&#x201D;&#x2019; ě&#x160;˛í&#x17D;şě&#x201A;˛ěŤ&#x201A;ěĄ&#x201A;, ëŻ&#x2020; í&#x2022;&#x201A;ěĄ&#x201A;í&#x17D;&#x17E; 튜ě&#x201A;śëŻžěżŽëŤ&#x160; ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; í&#x2022;şě&#x161;&#x161;í&#x201D;Ś ěšşí&#x2018;ˇ ě&#x160;ż 캍ě˝&#x161;î&#x152;Ş ëŠ&#x2018;ě&#x160;˛í&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş î?&#x2020;믞í&#x201A;şí&#x2022;&#x201A; ë§&#x17D;ě&#x160;Ťî&#x152;Śě&#x201A;˛. î&#x152;Śí&#x2022;&#x201A;íź&#x161;í¸şě?&#x160;

î?Şí&#x2018;ˇî?&#x201A; ě&#x2014;&#x2013;í&#x2022;&#x201A;í&#x2014;&#x17D; í˛˛î&#x192;&#x201C;ě&#x2021;Ş í?&#x2013;ěŤ&#x192;, ěŤ&#x2014;í&#x2014;ŞěťŽ í&#x17D;&#x201D;ě ˘ ě&#x2022;&#x160;íź&#x203A;í ˛ ě&#x160;Şě&#x2014;&#x2013;í ˛ ě&#x160;ż î&#x2018;&#x203A;믞í&#x2014;?í&#x2022;&#x2020; í&#x201D;Śěş?í&#x201D;&#x2019; í&#x2014;Şí&#x2022;&#x;î&#x152;Şě&#x201A;˛. ëŻ&#x2020;ëź&#x17D;ě ˘ ě&#x201A;˛í?&#x;î&#x152;Ş í?&#x2013;쿎 ě­&#x2019;í?&#x160;í&#x201D;Ś í&#x2022;&#x2020;ě¤&#x160;ě&#x160;˛ëŤ&#x160; î?&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; í&#x17E;&#x2019;î?&#x2014;î?&#x201A;í?˛ëŞŽ í&#x2022;&#x2013;í&#x201D;&#x160;ě ž, ëŻ&#x2020;ëź&#x17D;í&#x201D;Ś í&#x2022;&#x;î&#x2030;&#x2013;í&#x201D;&#x17D; î&#x192;śěźŚëŤ&#x160; í?&#x2013;쿎í&#x201D;Ś ëŞ&#x2039;ëŞ&#x2019;ě?&#x160; 띌뚌ě&#x160;Žě&#x201A;˛.

86

â&#x20AC;&#x153;If thereâ&#x20AC;&#x2122;s an underlying theme to Iris van Herpenâ&#x20AC;&#x2122;s ornate, futuristic fashion collections, itâ&#x20AC;&#x2122;s the designerâ&#x20AC;&#x2122;s constant thirst for the unknown, of foreign materials and untested techniques. â&#x20AC;&#x153;I start from nothing every season.â&#x20AC;? she says. That nothingness has spawned pretty laser-cut frocks, 3Dâ&#x20AC;&#x201C;printed fabrics and seamless latex dresses made to look like skin covered with piercings and scars.â&#x20AC;?

87


88

89


í?˛í&#x17E;&#x17D;ď&#x2DC;&#x201C;ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x201A;&#x2020;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ě&#x17E;&#x2013;í&#x2022;&#x160;ě?şď&#x2DC;&#x201C;î&#x152;&#x160;íŻŽí&#x2014;Şě&#x2014;&#x201A;ě&#x160;Şď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ě&#x2DC;Şíš˛ď&#x2DC;&#x201C;ě?şěŠ&#x2019;ď&#x2DC;&#x201C;

1

Ozzie Wright, Mylee Fitzgerald, Rocky River

띲í&#x2022;&#x201A;í ˛íş˝ď&#x2DC;&#x201C;ěŻ&#x161;ě&#x2022;&#x160;ě&#x201E;˘í ˛

2

Neistat Brothers

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90

91


ì&#x2014;&#x2013;í¯®ï&#x2DC;&#x201C;í&#x2018;¾ì&#x160;ª

3

Retts Wood

í±&#x160;ï&#x2DC;&#x201C;ì&#x2022;&#x160;먾î&#x2026;®î&#x201A;&#x2020;

4

Karl Lagerfeld

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92

93


î&#x17D;şě&#x2014;&#x2013;뚌ď&#x2DC;&#x201C;í¸şě?şí ˛íź&#x17E;í ś

5

Helena Christensen

í¸şě?şí ˛í§şď&#x2DC;&#x201C;ě&#x161;śě­&#x17D;íşż

6

Christian Louboutin

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94

95


폺읺찒펞핮

7

Olivier Zahm

욶슪퐎핂퐇

8

Lou Doillon

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96

97


í&#x17D;&#x17E;ě?ťď&#x2DC;&#x201C;í&#x2019;&#x161;ëť&#x2013;ď&#x2DC;&#x201C;&ď&#x2DC;&#x201C;ě&#x17E;&#x2013;í&#x2022;&#x201A;í&#x152;&#x2019;ď&#x2DC;&#x201C;î&#x17D;śě?şď&#x2DC;&#x2122;ď&#x2DC;&#x201C;î&#x152;Śî&#x201A;&#x2020;í&#x2018;žě&#x160;Ş

9

Eric Werner & Mya Henry, Hartwood

ëŻ&#x2020;ě&#x2022;Şî&#x201A;&#x2020;ď&#x2DC;&#x201C;í&#x152;Ží˛˛íŻŽď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ëťłí ˛î&#x201A;&#x2020;

10

Grant Achatz, Next

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98

99


í&#x17D;&#x17E;ě§&#x17D;ě?şí?˛ď&#x2DC;&#x201C;î&#x2026;Śě?&#x201A;뚪ě&#x201E;ží?&#x2013;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ěšşď&#x2DC;&#x201C;î&#x2020;şě&#x2022;&#x160;ě&#x201A;˛ě&#x201A;˛

11

Emilio FernĂĄndez, Sa Foradada

íš&#x201A;ě&#x2014;&#x2013;í&#x17D;&#x201A;ď&#x2DC;&#x201C;î&#x2039;&#x2019;íş?ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;짢í&#x2022;&#x201A;í?şě&#x2014;Šď&#x2DC;&#x201C;íł&#x17D;í&#x2022;&#x201A;í¸şď&#x2DC;&#x201C;

12

Claire Ptak, Violet Cakes

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100

101


팮삖뽆짣핂믎큲읺폳캏뽛핳

13

Annie Novak, Eagle Street Rooftop Farm

팖헲옪많옪읂뻲캏큲힎

14

Angelo Garro, Renaissance Forge

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102

103


í˛˛í¸şď&#x2DC;&#x201C;ě&#x2DC;şě§˘ě&#x160;Şď&#x2DC;&#x2122;ď&#x2DC;&#x201C;í&#x2039;śď&#x2DC;&#x201C;î&#x2020;şě?şí&#x2014;&#x17D;

15

Kirk Lombard, Sea Forager

í&#x152;˘ě°&#x2019;íą&#x201A;ď&#x2DC;&#x201C;í´Śě&#x2DC;Şí&#x2022;&#x201A;

16

Ambika Conroy

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104

105


폲슪읺욶핂큲엖핂뽎흖

17

Audrey Louise Reynolds

읾힎싢멂

18

Lindsay Degen

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106

107


í?şě?şě°&#x2019;í&#x17D;&#x17E;ď&#x2DC;&#x201C;ě&#x161;śí ˛íź&#x161;í&#x2022;&#x2014;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;짪ě&#x17E;Ť

19

Olivier Rousteing, Balmain

ě§&#x2020;í?&#x2013;î&#x152;Śě&#x2022;&#x160;ď&#x2DC;&#x201C;íš˛í´˘

20

Kiko Mizuhara

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108

109


í?&#x160;ě&#x17E;&#x2013;ë§&#x17D;íş&#x17D;ď&#x2DC;&#x201C;í&#x2018;˘í&#x201A;Şíą&#x201A;í?&#x2013;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ě?şî&#x201A;&#x160;í&#x152;Žî&#x2039;&#x2019;íťží&#x2019;&#x161;í?&#x2013;

21

Yoshikazu Yamagata, writtenafterwards

ě&#x17E;&#x2013;ě?şě˝˘ď&#x2DC;&#x201C;쿌í&#x152;&#x2019;ě&#x2014;&#x2013;í?&#x2013;

22

Marisol Suarez

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110

111


ěŠ&#x2019;í&#x17E;&#x17D;ě&#x201A;&#x2013;í&#x152;&#x2019;ď&#x2DC;&#x201C;슎í&#x2022;&#x201A;íŻŽ

23

Virginia Bates

íą&#x201A;ě?&#x160;ě&#x2022;&#x160;ď&#x2DC;&#x201C;ě˝&#x161;í§śě&#x201A;&#x2013;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ď&#x2DC;&#x201C;ëłşě?&#x201A;ě˝&#x161;볺쥜

24

Carla Sozzani, 10 Corso Como

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112

113


íą&#x201A;쥜ď&#x2DC;&#x201C;íą&#x201A;íŻŽí?&#x160;

25

Katsuya Kamo

í&#x152;˛ě&#x160;Şě&#x153;Śď&#x2DC;&#x201C;ě&#x2DC;ŞëŠ&#x201A;

26

Andrew Logan

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114

115


î&#x2039;&#x2019;ě&#x2014;&#x2013;ě&#x160;Şď&#x2DC;&#x201C;ěŠ&#x2019;î&#x201A;&#x17D;ě&#x2013;ş

27

Fred Butler

ě?şíŠŚě&#x160;Şď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ě&#x2DC;Şě?şď&#x2DC;&#x201C;ě?žď&#x2DC;&#x2122;ď&#x2DC;&#x201C;í&#x2014;Şí&#x201A;Şď&#x2DC;&#x201C;í&#x2DC;žď&#x2DC;&#x201C;í ˛íş?ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;í¸şě&#x2DC;şî&#x152;ŚíŻŽ

28

Richard, Laurie Lynn & Jesse Jo Stark, Chrome Hearts

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116

117


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29

Elie Top, Lanvin

í&#x152;&#x2019;í&#x2022;&#x201A;ě?şí ˛ď&#x2DC;&#x201C;짌ď&#x2DC;&#x201C;î&#x17D;˛ě?&#x201A;î&#x2026;Ş

30

Iris Van Herpen

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118

119


1 폲힎않핂잖핊읺�헪엂슪옪�읺쩒 Ozzie Wright, Mylee Fitzgerald, Rocky River --------------------------------------------------

Q A

펺읒픦잖힎잗빮핂펖섦핊펞헪팮잖큖퓖4DIXJOO 핞헒먾읊�몮핟펓킲옪횮�핒큲�펂펞컪푾펾

Q 쫂핂읒픒폖츦멚붆젾쫆삲졂 A

폲�짢핂읊벦�몮핖섦퍊삖쯚퐎�핂읊잚빺펂푢 쯚엩뫊혾킪�핂킪핾뫊벦�킪펂큲$IFMTFB

1JFST펞컪몶읊�몮캦핂믾몒읊혾핟컪몶뫃핂 몒콛빦폲멚쁢쩣픒팚팒뺖힎잚믆잚펾킃핳펞컪

팖뼣켆푢팒잞읺팒폲큲�퐎옪�

Q A

쨂힎믖벝많핳퐒쪋섦욶쁢펆헪핆많푢

폲큲�옪�많�펂빪빮픦졶킃픒믆엲훒쿦핖빦푢

몶�읊쭒킲몮잞팦횮혾킪쁢퐅픒쩥몮쁢

Q �큲5IBNFT맣펞컪쫂읊�쌚졓킺퍊

쒾펂슲펖펂푢푾읺쁢��큲�펂뫃풞5PNQLJOT

A

�잊픊옪풶큲칺핂슪몮콛솒옪펞핖쁢쭒쿦샎펞

4RVBSF1BSL픊옪많컪샂쪊앋멅믾킪픒믾솒 몮푢믆읺몮짆�퐎엞픒잚빦헎뼏킫칺읊쉲

A

샎읊빦뿮�몮컮�핂킪많핞헒먾짷�읊핯몮

짆�많삺픒짭팦횮솚팒폲졂컪싢헎읊칺젇펖쁢섾

팒잞읺팒폲큲�읊�픚잚빺섦빮믆픦졶킃픎

헪많몮읆�흖�핂�많삶펾�몮폎펂푢푾읺쁢믾�

펂쌮빦푢

펂옪HVJUBSIFSP멚핒픒몮캦픎멚핒픦많핳 펂엲풂엖쩶펞컪맪픦펾훊몯픒컿뫃펂푢힟펞 솚팒퐎컮빦픦팒읒삲풂믆뼎퐎핮핂슲펖횮

Q A

Q A

폲큲�샇킮픦힟픒훊헪옪킪읊힎펂훒앦푢

핂힟펞컪쁢욶홓핊얺쯚앪슪읊펊먾읺삲핓핂

Q A

헣솒않뻲핂뫁펞컪쁢폂킺뽆엳삲졂삺빦않옪

잞멑Ώ맪핆줊펞콞샎힎잞멑ΐ펂힖엎삲졂짦슪킪

펺픒맖쿦솒핖삲뻲힎잚믆멂�퍟팒앦좆픒

�풆멑Α튾엖믾쁢잲핊짤펞뺂삲뽡픒멑Β칺앚핂

뿒핂쁢믆헣솒픦핺짆펞쭖뫊춞

Q A

헞킺픒칺얺빦많졂빦젆힎칺앚픎맧핂쫊폏읊 몶않뽡픒멑Γ삲썶펂힒줊멂픎캖옪칺삲뽡픒멑

팒잞읺팒옪�픦짆콚힡멚쁢솧많힎읊봋쁢삲졂

Δ쫂않캗픎멑Ε�픎펆헪빦펾옪많슫�풚

΍빦읊볂팖몮�삳�삳슿픒숞슪잂쌚Ύ푢슲콯픒

뽡픒멑Ζ믆얾삲픚펞잚큲�핂쫂슪읊�멑

쭎읊쌚Ώ잖핂�펞샎몮퐇팚퐇팚뽆앦읊쭎읊쌚

Η칺힒핟많슲픒뫃콞멚샎헟멑

ΐ빦읊쫂몮짷믙짷믙풑픒쌚

Q A

폲큲�컪핂컮칺쁢�몮픦쿪맒픎펆헪핆많푢 핆솒뻲킪팒픦칾�많잚슲펂뺆푣혾�엊팒쁟

뫃맒펞좆픒반핂샂믆몮퀺삲많힟펞솚팒퐎킫픊옪 빦킪몮엫픒젇픒쌚횮

Q A

Q A

팒잞읺팒팬픊옪볻몮탄픎핊많힎읊봋쁢삲졂

΍쿪맒펞�킲캄Ύ졷푣믾Ώ많혿슲뫊믆 ΐ몯핟몯믾Α풑믾Β��믾

쉲푢쌚솚엲짩힎좉삲졂삲픚쭎�쁢찚엲훊힎

3 엖�푾슪 Retts Wood --------------------------------------------------

폲큲��삲앎짿캏펂읊잖읺믆엲훊켆푢

핖삲ΐ훊쪎펞뻖줂빦젙힒핂풑슲핂핖삲Α훟팧빪짷 샎킮핟픎빪옽쭖잚픊옪솒짷픒싾씉멚쿦핖삲 Β쫂많홏팒컪튾엖믾읊탡팒숞힎팘멚쇪삲

Q A

�졂펞컪짢않쫆쫂픦졶킃픒믆엲쫆삲졂

팖뼣켆푢�핂킪퐎쨂

Q

쨂�핂킪퐎찒묞픒쌚핞킮잚픦맣헞핂핖삲졂

A

뫃묺뫎읺

Q A

줂펕핆많푢

�핂킪쨂픦�쿦폊픒믆엲쫆삲졂

Q

빦잚픦쫂읊많힎멚쇦졂컪캖옻멚팚멚쇪많힎많

A

΍컫�샎많팒훊줂멏삲쁢멑Ύ볻헒엳핂푢 ΐ빦잚픦%*:헪픒잚슪쁢핺짆핂헪쁢큲큲옪 펢힒밚힎솒쿦읺쿦핖멚쇦펖횮˘

Q A

ΐ믆뫁펞컪팦섦졶슮멑슲

멑힎잚핢핢쌚쁢�줊옪졷푣쁢믾쭒핂슲횮

Q

Α�큲맣쪎펞홙픎쿮힟슲핂잜힎Β홏몮밂쫂많 않큲쫂쫂삲빹삲쁢멑

A

쨂�핂킪픦�쿦폊픒믆엲쫆삲졂

Q A

뺂읺쁢콚읺읊슲픒쿦핖픒�삖밚푢 킮홓큲��읊싢핞핆삲졂

않핗큲��˘˘팒큋멚솒뽡�쩒옆뻲푢

Q A

칺힒칺힒칺힒˘˘ ���

Q A

펺맫믾읊캖옪싢핞핆삲졂푢 맡�킪쇪��슪펺맫믾

Q

칺힒핟많쯚읺�)FSC3JUUT옪쭎�짾풂멑핂핖삲졂

A

핞펾큲얺풂퓮젆맞맏뺂캫볻푢멑많쪊풂

Q A Q A

A

핂옮헏픊옪쁢뼒칺앚픊옪�졂캂�핂푢

Q A

Q A

믆맒핋펖섦퓒핆헒훟짿짆쁢

�믊�쇪읺�않삲�'SJU[3BEEBU[많틂 잂�3BJOFS.BSJB3JMLF픦캫팮펞뫎�

펺컿픦팒읒삲풎픒멾헣쁢많힎푢콚쁢줂펕핆많푢 ΍푆졶쁢믾쫆Ύ험픚픎믾쫆Ώ큲�핊픎믾쫆 ΐ맠찒탊픦캏픎믾쫆Α착빦쁢쭎쁢믾쫆

΍쭖착Ύ맧픎쁦팒앦홂핺쁢뻖줂빦솒삲�옪풂 줆슲Ώ캖쪋뼦맣많픦팖맪ΐ슪큶많픦쿶멶힒

�읺큲�욶쭎� Christian Louboutin -------------------------------------------------팖뼣켆푢�읺큲�

Q

빦잚픦줊샂쨑샎CPOH읊싢핞핆쫆삲졂펂썲

A

�슪짆팖힎잚빦쁢맿맿샒큲(BOH(BOH%BODF

샇킮핂잶�픚싢핞핆섦핂픒믆엲훊킲앦푢

뫪컪컿핂젾칺앚슲픒뮎�멚횮큲핂�많 픊읂엏먾읺믾킪핟졂믆콚읺쌚줆펞쭖팖힒

칺앚슲핂�핂쯢퓒픦픚킫픒뼎컫펞멚졶숞뺂펂훊멚 쇦펂핖펂푢

Q A

팒슲픦펊뭂픒믆엲쫆삲졂

Q A Q A

Q

켦1VSQMF'BTIJPO픒�맒멚쇪솧믾쁢

A

핯힎픦�맒킪믾쁢뼒많픒믆얺삖밚몋헪퓒믾옪

Q A

Q A

폏옪헫읊컮헣쌚믆믾훎픎줂펕핆많푢 졶읂멮펂푢˘˘홎팚엲훦푢

젆읺숦삺읾쿦�픒믆엲훊켆푢

줂펕핆많푢

뼒샎많쭣묂쇪힏폎횮

켦픦짆앦쁢펂썶멑맧빦푢

짆앦쁢핂횮빦쫂삲섢폲앦솒옫캂팒빶쁢핯힎많 쇦믾읊

샇킮픦핂퍊믾읊슲엲훒쿦핖빦푢

Q A

폺펉픎묞핂핖삲졂줂펕핆많푢 뺂뼒펞팚엲훒멚푢

뼒풢뫟몮펓몒핊슲픎찒흖삖큲많

Q

�펂빪힎맪풢핂펖픒쌚픦큲핂�졶킃픒

펔펖힎잚킪맒픎잜팦믾펞핆�뼅펞컪캂밆픒�믾옪

A

힎믖뫊쏟맧핂캫몊힎잚섢핟팦횮

팒삖펞푢픒졶숞핑쁢짢앚펞묗핳푾풆펂푢솖픎 멾킺몮삲핂펂읺1VSQMF%JBSZ읊킪핟횮

믆엲훊켆푢

힎믖픎쯢옪먾옪솧몮핖쁢섾헣잞흞먾풚푢

쏞삲읆핂퍊믾빪펂헽짲�큲��)PUFM �슪빦쁢맪핆헏픊옪뼒샎읊홙팒힎

팘팒푢뼒샎픦붖픒힡짭픎멑핂짢옪

섦멑솒믆쌚줆핂횮믆얺빦펂쁞핆�쮾펞컪

폏맞솓않핂뻖쩮읂뻖큲찖섢3BJOFS8FSOFS

묺숞짟�픒찶맒캗픊옪핓믾킪핟핂퓮쁢

믆슲펞멚컪믊칺졶킃픒핂븚펂뺂쁢핊픎샎삶

싢핞핂뻖읊폂잫쁢칺앚슲펞멚훊몮탄픎핂퍊믾많

A

샇킮픦쫆쁳뫊캏캏엳픒싾읂몮짍몮잯믾켆푢믾쿮펞

Q A

힟펞핖픒쌚훊옪쁢핊많힎읊봋팒쫆삲졂

΍핮핞믾Ύ켇큲Ώ솓컪ΐ뺂쌆팒킪팒"TJB퐎 뽎팒훊믾Α캲풚Β핂칺뭏읺

핂쿪컪옪삲쁢잞픎팒삖펞푢

핖빦푢

Q

폏짾푾�옪펞켆찒삖$IMPª4FWJHOZ픦펂썲헞핂

펋잲핂힎잞몮푢

A

΍믆뼎픦핂읒Ύ믆뼎픦폏Ώ믆뼎픦큲�핊

홙픎많푢

ΐ믆뼎픦폲찮Α믆뼎픦좆잲Β믆뼎픦졷콚읺

121

΍푾읺힟Ύ옿'BO'BSPO읺쩖많펞핖쁢 짢핂않쁢씉핂퍊Ώ쿦픦짣줊뫎ΐ샇읂

짣줊뫎.VTFFEFMB7JFSPNBOUJRVFΒ읂않켆흖 1§SF-BDIBJTF픦뫃솧죦힎

"VDI&JOF7UPQJF

퓮쁢멑뫊삲읒펔믾쌚줆핂펞푢

읺펞컪많핳홙팒쁢핳콚뫁픒봋쁢삲졂

옪큖옪%FOGFSU3PDIFSFBV픦���Α빻잚훊픦

쏞퓮�팒핓삖삲솓핊펂옪쁢,FJOF6UPQJFJTU

폂헣픒캏힣쁢찶맒캗픎헎믾푢빦읊싾않퐎푢몮

펂싢핆많푢

Q A

'BTTCJOEFS많빶몊섦잞�엊퓮�팒많펔쁢켆캏

줂펕핆많푢

Q

콛펞컪핟픒잚슲펂뺂쁢

믆얺몮컮썶펂힎쁢픚킫픒빨팒�훎찒읊먾빦

$PTUF펞컪짆큲쩒�않핂퐎�큲횮

칺힒�쁢멑픦잲엳픎줂펕핆많푢

믾킺뺂핟펞샎팮헣믆읺몮�캏픦�싢켦

큲핂�쁢핊삶쮢�핂쯢팒앦펞핞읺읊핯팒푢

�멶훊빦푢

쁂푣�킮쥲힎켦잚�맿쨓(BOH#BOH솒핦팚힎잚 쫊멚푢

캂쌚싢핞핆섦묺숞

뺂�샎

샇킮픦풞솧엳픎줂펕핊밚푢

A

졶킃핊밚푢

줊샂쨑샎읊칺푷쫆헏픎펔펂푢핊삶쩖믆엲쁢

핞캏픒믆읾삲졂

Q

Q A

펔삲쁢멑핂폖쿮많쁢핳읂읊뻦빦슲젾믎뽊줆펞켆핂

팖뼣켆푢폺읺찒펞

뼒샎펞푢푾읺많퓮�팒펔쁢캄픒캂팒퍊

칺힒믾팬펞컪펂캗쁢칺앚슲픦밂핳픒펂훊몮

핂헪섢핂캏콢읺삖1JFS1BPMP1BTPMJOJ핆�쿦

폏켆핳펞컪팮퐒멺큲핂�픦짳픎펂쎉멚

탄펂푢

Β켇킪솒믾쫆

Q A

핊펞컪짾푾쁢멑핂핖삲졂줂펕핆많푢

Q

삲킪윻샎�옇핂샇컮쇦졂홙멮몮컪옪삲읆

쁂푣픦잲엳많힎읊몮읆삲졂

6

Q A

핞킮핂쇦믾

8

킪뫃맒콛펞컪컪뻖맪헣솒픦맏믾삲읆캄픒캂팒쫂몮

멆잂밚푢

헣풞Α뺂�묺슲Β솓쭒퓒믾

힎믖벝팚엲힒헏펔쁢퓒샎핂믾읊 핆캫헒쭎읊먾쁢멑핂빦잖�많힎횮

푾헣픒흞멏멚푷쁢쩣

줂펆많많몶솧핂쇦쁢섾펞펂쁞헣솒픦킪맒핂

짆앦쁢펂썲믾핊밚푢

폲쁦빮켦싢핞핂뻖많쇪삲쁢멂펂썲픦짆핆많푢

줂펕핆많푢

Q

Q A

΍팲싢풚쇦믾앟큲쩒헒Ύ핖쁢믆샎옪픦빦

콚컲킪픒틂섾삲폏밚힎잚슲펖횮

뺂많쫃힎쁢멑뫊켆캏핂쫃힎쁢멑짆묻펞

폺읺찒펞핮 Olivier Zahm --------------------------------------------------

삲픚몒픎줂펕핆많푢 �엗켦�엗켦�엗켦

붖핂핖삲졂푢

7

A

120

펂컪찒많뺂옆픊졂홙멮펂푢믆얺졂젆읺퓒옪찒많

Q A

캫팮�몮픦졷많핖삲졂

욶슪퐎핂퐇 Lou Doillon --------------------------------------------------

샇킮픦팒핂읊믆엲쫆삲졂

폏맞핂푢쌚읺펞컪흞멶�쁢핳콚쁢

�쿦핖삲쁢멑솒핂힏펓핂훊쁢뭚핂횮

Q A

캖힟픒펉펂컪많핳킮빦쁢멚핖삲졂줂펕핆많푢

Q A

팖뼣켆푢욶

Q

헎뫁픒썮솚쿦핖삲쁢멑뺂많쁞빊쁢쿪맒픒캫캫멚

Q A

쫊쿦핖픒멑맧팒컪푢

믆엲훊켆푢

팖뼣켆푢�

많힎몮핖쁢훊헒핞읊믆엲훊켆푢

잲엳헏핂펞푢�핆픦캄콛펞슲펂맖쿦핖삲쁢멑핂뫁

읺픦힎쭣슲푾읺힟힎쭣픒펂큺엏먾읺쁢몮퍟핂슲픒

멑핆많푢

샇킮픦졶읺큲잖핂뻖.PSSJT.JOPS핞솧�읊

�않먾 Karl Lagerfeld --------------------------------------------------

A

Q A

A

Q A Q A

4

핖삲졂

멑픎팒삖않쁢헞Ώ�많핟팒컪홙픒쌚솒핖삲쁢멑

Ώ핊쫆헪콚�빊읺핆

뼒헣솒짤펞팖멆잂�섾

2 뻲핂큲�쯚않섢큲 Neistat Brothers --------------------------------------------------

΍몶솧몮읺쩒슲픦핞Ύ줃픎솚짦힎

캖옪핂칺힟픦�핳�뫟�픎펂싢펞컪읊펉픎

많힎읊몮읆삲졂줂펕핂핖픒밚푢

힟펞많쫂졂팖쇮밚푢뺂많킪콛�옪짆�옪풂헒졂

΍펾펞힟픒븚몮삲삖젾펺쿦핖삲

빦삲Ώ펺읒펞쁢칺앚슲픒�푾몮펺믾헎믾삲삞쿦

A

슪줆푆쌂뫁펞헣짣쫂않쁢멑ΐ맣줊픦읒픒򰨺

쫂펞컪칺쁢핳헞픒많힎잚봋쁢삲졂줂펕핆많푢 Ύ얾섦펞컪캫찒읊훒핊쿦핖쁢�몮픦짷쩣훟

샇킮픦쿛펞컪팦섦헪훟헣잞몮탄힎팘팦섦

킲잫킪�힎팘픊읺않쁢멑Ύ짿혾많칺킲묗핳

팖뼣켆푢엖�

Q A

Q

Q A 짢삲옪빦많몮탄펂푢핂멑픒븚몮잶펞핖쁢샇킮픦

킪솒쁢팖푢믆헎킲춞

΍빦칺븫핂줗�힎힎팘솒옫멑Ύ줊멂픒찚엲훎

팖뼣켆푢엖빦

Q

쫂읊븚몮많몮탄픎뫁핂핖빦푢

�핂킪핟픒퓒짆읺킪솒쫂쁢멑핂핖빦푢 쨂큲싢폲펞컪힎�퍊쁢뮪�핂핖빦푢

΍팒줂읺빮틶많탎탎솒퍊맒쿦폏픎푾읺읊

엖빦�읺큲�큶 Helena Christensen --------------------------------------------------

뫃멷헏핆솧줊핂않쁢멑Ώ섢�흞먾풎픒풞삲졂핆헏

�핂킪픦힟픊옪맢쁢섾�핂킪퐎짆�쁢핞헒먾

Q

많힎많핖삲졂줂펕핆많푢

5

Q A Q A

샇킮픒잲쩖뽎않멚쁢멑핂핖삲졂줂펕핆많푢 칺앚

힎빪뼒맒컿멷펞쪎많핖펖삲졂펂썲쭎쭒핆많푢

헒쫂삲섢쭎슪얺풚혚몮핂헮맞�훒솒팚횮믆멚볻 짢앚힏핊픎팒삖힎잚˘˘캂쌚쁢힎믖쫂삲틺 섢뫪�팦횮


� 팖펞 삲 헏픒 쿦 펔픒 먾펞푢. 샇킮픎 빻 �엖읊

9 펞읻 풚뻖 & 잖핂팒 읺, 푾슪

Eric Werner & Mya Henry, Hartwood -------------------------------------------------팖뼣켆푢, 펞읻뫊 잖핂팒!

Q A

푾슪픦 솒졂픒 믆엲훒앦푢?

홙팒빦푢?

Q A Q A

샇킮픦 폂헣펞 솧믾읊 쭎펺쁢 멑슲픎 줂펕핆많푢?

A Q

펞읻, 샇킮핂 많핳 홙팒쁢 솓 힎 핺욚 6많힎쁢

A

΍ �퍊 Ύ 짢뻲옪 몮� Ώ 짪옪 � ΐ 삶짣

Q A

줂펕핆많푢?

Α �읺쯚칾 짢샅많핺 Β 줆펂

킮컮멚 힮 핞좋 훊큲퐎 짢뻲옪읊 푾엲뺆

엖칺솒(Reposado) 섾빒않읊 3:1픦 찒퓶옪 컬펂푢.

Q A Q A

펞읻, 젣킪�많 샇킮펞멚 많읂� 훎 멑픎 줂펕핆많푢? 핆뺂킺

잖핂팒, 젣킪�많 샇킮펞멚 많읂� 훎 멑픎 줂펕핆많푢?

‘뺂핊’핂푢.

샇킮픦 솒짆 �묺핂 푢읺쩣픒 팚엲훒앦푢?

쭗픎 솒짆 �묺핂 푢읺쩣: 뮲뫊 짢힖옪 콛픒 �풂 쭗픎 솒짆읊 뮲, 옪흖잖읺 폲핊뫊 벦 �잖쁦뫊 옪흖잖읺

샇킮픦 쯢욶쩮읺 ��핊 푢읺쩣픒 팚엲훒 쿦 핖빦푢?

A

΍ 잩쫂쁢 쩣 Ύ 뫊핊픒 몮읂쁢 쩣

줊옮핂횮, 믆엕힎잚 팒밚�엊 핂 힖줆힎 � 팖펞 삲

헏힎 좉 멑 맧픎섾푢.  많힎 킲 멂 빻 �엖퐎

Q A Q A

솒짆쁢 짢칻짢칻졂컪솒 쭎슪얺풚퍊 몮, 짢뻲옪

Q A Q A

Grant Achatz, Next 팖뼣켆푢, 팮�� 퀞!

Q A

‘뻳큲(Next)’픦 ‘�핂(쫄픚 탎묻쿦)’읊 믆엲훒앦푢?

Q A

Q A

많핳 젙힒 �많 삶(window box farm)픒 믆엲훒앦푢?

샇킮픎 퐪 핂 뫁펞 엖큲�앟픒 힎펖빦푢?

핞펾훊픦 엖큲�앟펞 많핳 헏 뫁핂펂컪푢.

��핂�많 퐒컿쇦횮!

A

쁂푣펞 섢 잜픎 폳캏 뽛핳슲핂 캫믾엲졂 펂쎉멚 퍊 빦푢?

Q A

Q A

샇킮핂 젇펂쫆 �몮픦 싢헎 5많힎많 핖삲졂푢? ΍ 폶숞않큲(Republic of Honduras) 컺픦 

폲숞잗펞컪 젇펖섦 ��뻩 챃. ��뻩 폲핊뫊 ��뻩 뫊퓯픒 뻱펂 잚슮 챃핂펖쁢섾, ��뻩 벛힖픒 �풂 쭖옪 묺풚뺆 멑핂펖횮. Ύ 졶옪�(Kingdom of

Morocco)픦 잖않�큖(Marrakech)펞컪 푾퓮퐎 폲엚힎 쯢옪컺(Orange Blossom)픚욚앟 벦 잩쫂팦섦 큲읺 Ώ 퓮졓 퀞 펞읂 펞읂젢(Pierre Herme)픦 짎퓮 ΐ 펦읺큲퐎 삖픦 힟펞컪 잩쫆 뮲뫊 샎� Α ‘삲쫂큲 켆몒 몋헪 엊(Davos Forum: World Economic Forum)’픒 퓒 잚슲펖섦 칺뫊 �읂. 믆옪� 칺뫊(Glockenapfel)옪 잚슮 멑핂펖쁢섾, 칺뫊픦 잩핂 핊핂펖힎푢.

잖푢읂� 컺픒 샎쁢 푢읺픦 혾읺쩣픒 팚엲훒 쿦 핖빦푢?

잖푢읂� 픚킫픎 힎훟픦 빮틶 팒앦, 뿖쭎킮 캂뫊 짢삲 믆읺몮 칾픦 몋픒 샂팒 잚슲횮.

펞퍊읊 푢읺힎 펊잖빦 쇦펖빦푢?

퍊캫 젵쇊힎 푢읺

15

묺혾헏픊옪 �몋 폳캏픒 잚슲믾펞 �쭒횮.

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퍟킫픊옪 핞읺 핯팒퍊 푢.  폳캏픒 많힒 �솒않졂

Q

폏묻 �빊 16잖읺픦 핂읒뫊 맏핞픦 컿멷픒 핂퍊믾

A

΍ 펦찒큲 ‘쪒’ 쿦� �빊. 읺슺펞 좆픒 잯멶 ��쁢,

A

팒훊 맣엳 옪 �읊 쭧펺훦퍊 픚 ΐ 쩒싢: �펞 빪 �핂 줊믆읕펞 핞훊 펗� Α �읺:  믾퐎  젇믾읊

홙팒 Β 옪쩒 “삲푾삖”: 폶홓핊 핞믾 � 콞힖믾 짢츶

샇킮핂 홙팒쁢 짢삲 캫줊슲픦 퓒�많 킪쇪

Γ �않�: 팚픒 좉캂멚 뭄. �많핂!

캚앎킪큲� 힎솒읊 믆엲훒앦푢?

Δ 큲쯚: 헪2픦 짢앚숳핂. 묞짾읊 퓒 삲읆 뽛핳펞컪 섾엲퐂 Ε 쯚읺힡: 뮎폊숳핂 Ζ 엖삖: 쿦�픒 퓮

Η 힎빦: 엖삖읊 싾않 Θ 켾흖: 팢� 팧몮않 �빊슲픦 샎핳 Ι 않빦 Κ 팒짢 Λ 콚 Μ 않: “쭗픎 펺푾�

팮삖 뽆짣, 핂믎 큲읺 폳캏 뽛핳

-------------------------------------------------팖뼣켆푢, 팮삖!

Q A

팒많틶슲”옪 솧뻲픦 졶슮 �빊 뭂 팬펞컪 �픒 

Q A

-------------------------------------------------팖뼣켆푢, 팖헲옪!

Q A

샇킮펞멚 캄픎 펂썲 픦짆핆많푢?

Q A

많� 핖쁢 홂핺많 쇦믾 퓒 뽆엳쁢 캄픒 캂삲많쁢 멑 샇킮픦 뻺(fennel, 짆빦읺뫊 킫줊) 쭎�맪 푢읺쩣픎 줂펕핆많푢?

1풂슪(lb)픦 퍊캫 뻺픒 많쁦멚 턺 쉲, 콚믖줊펞컪 10쭒맒 븡핓삖삲. 핂 줊픒 싾않뺂몮, 핺욚읊 컬픒 � 믆읕펞 샂팒푢. 펺믾펞 잖쁦 1�, 잖칾 �흖 1�, 챃 많욶, 삺먎 2맪, 믆읺몮 맒픒 재�믾 퓒 콚믖뫊 �읊 뻱몮 헒쭎 컬펂훊켆푢. 핂멆옪 핟픎 섷펂읺읊 잚슲몮, 폺읺쯚 폲핊펞 쭎�뺓삖삲. 헣잞 잩핖힎푢.

Q

캚앎킪큲� 잚 핊샎펞컪 샇킮핂 �픊얺 삲삖믾 홙팒쁢

A

퍊캫 쇊힎, 뻺, 폲읺, 킪삖 쩒컽, 몾쫂 쩒컽, 캫컮,

핂믎 큲읺 폳캏 뽛핳픦 힎솒읊 믆엲훒앦푢?

Q A

헎쁢 핆맒핂 �펂빮 쌚쭎� 많� 핖쁢 홂핺않믾 쫂삲쁢 맧팒푢.

멑픒 믆엲훒앦푢?

Q

풞쿻핂펊뭂핳펂(monkey-faced eel: 줊몮믾 홓)펞멚

A

쫂앝착픦 캫졓�펺, 펂숮 콛 짢퓒 픊옪쭎� 펂컪

Q A

Q A

빮찧펂펞컪 폏맞 짩픎 핂�솒   턶훒 쿦 핖빦푢?

줊먾 콛 빮찧펂. 폲핂�엊 캫밂 뻖읊 뺂많 펂�빦 젇몮 탄픎힎!

Q

샇킮픎 퐪 솒킺 콛 빨킪읊 홙팒빦푢?

A

΍ 솒킪픦 줊 콛펞쁢 젙힎몮 삲퍟 줊몮믾슲핂 잜믾

팯켆컪읺읊 잚슪쁢 먾횮. 팧몮않 �빊�픎 퍟�쫂삲

쫂폶컿핂 8짾빦 쒾펂빦푢. �빊  잖읺픦 �옪 1뼒 솧팖 졶핞 8맪 헣솒읊 잚슲 쿦 핖횮.

Q

혾퀺, 샇킮핂 ‘뽆팒픦 짷훊’ 뽛핳픦 솧줊슲옪쭎� 짾풂

A

헎쁢 솒킪 믊묞펞컪 핞앞믾 쌚줆펞 뽛칺 몋핂 헒

Claire Ptak, Violet Cakes

Q A Q A

헪 훊쪎픦 멑슲픒 폺짢읂멚 쫊 쿦 핖멚 솒퐎훊몮, 헎읊

캚앎킪큲�옪쭎� 폏맞픒 짩픎 푾 핂읊 믆엲훒앦푢?

펆헪빦푢. 픚킫픒 젇먾빦, 푢읺먾빦 컪찧쁢 칺앚핂 믆

흞멏멚 훦푢. 솧줊슲픎 헪 많혿핂빦 잖�많힎핂몮, ‘뫎몒’않쁢 멑핂 줂펕핆힎펞 샎 븘핒펔핂 많읂� 훊횮.

Q A

픚킫펞 팮헣핂 핖삲졂 펆헪슮힎푢.

��핊픎 펂썲 푢콚슲옪 핂욶펂힖밚푢? 샇킮픦 빻 �엖(Panang Curry) 푢읺쩣픒 팚엲훒 쿦 핖빦푢?

믆엊푢, 믆얾섾 펺믾컪쁢 펂엲풆 멑 맧팒푢. 핂 힖줆힎

Q Q A

퀞많 쇦펂 많핳 홙픎 헞픎 줂펕핆많푢?

‘�엖펂 �핂�(Claire cakes)’읊 훒핆 믆뺳 ‘�핂�(Cakes)’많 헪 핂읒핂 쇦펂쩒읾 헞핂푢!

122

A

Q A

뽛핳펞컪 핦 핞않쁢 4많힎 핟줊픎 줂펕핆많푢? ΍ 짢힖 Ύ 폲핂

Ώ 많힎뫊 킫줊(Nightshades): 많힎, 몮�, �잖� ΐ쩚

퐪 볻 헣픦쇦펂퍊 삲몮 캫맏횮?

펔펖펂푢. 믆앦컪 ힵ픎 킪맒 솧팖 퍟펞 샎 반핂

핖펂컪 팒훊 � 솒풎핂 쇦펖횮. 솧줊슲픎 헪 캄픦 짢�핂핞

팖뼣켆푢, �엖펂!

픚킫핂 폖쿮핂 쇦쁢 쿪맒픎 펆헪핆많푢?

멑핂 핖삲졂푢?

뫃쭎쁢섾, 믆 쌚 뫃쭎섦 멑슲픎 헪많 뽛핳픒 풂폏펞

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Q A

믾 퓒 믖콛 �콢옪 많힎얾 찥멶 훊젾 킲 줗�읊

잚슲펂푢. 핂 킲픒 �짢쁦옪 썮 싾씉몮 쭎슪얺풂 퐅뫊

킺짆헏핆 핂퓮핊 먾펞푢.

풞쿻핂펊뭂핳펂픦 캫밎캖읊  핳 믆엲훒앦푢?

‘�빊� 졶핞’많 펂쎉멚 잚슲펂힎쁢 힎 컲졓 훊킪멮펂푢? 켆 삺펞 쩖틷 �빊�픒 발팒푢. 믆얾 삲픚 �픒 몮읂멚 잚슲횮. 믆 삲픚 줊엖빦 많앋짢�펞 맞팒 탛폺킲픒

쌚줆핓삖삲. Ύ 헪많 솒킪펞 캂몮 핖믾솒 몮푢.

�엖펂 �, 짢핂폺엩 �핂�

Q A

팧몮않 폊콚 쩓(Buck)픦 펊뭂픒 믆엲 훊킲앦푢?

빦폲먾않. 뺂많 뻖읊 핯픒 쿦 핖멚.

핞펾픎 헪멚 훟푢삖삲. 핂멂 팒잖 헎잚핂 핂 쿦 핖쁢

Q A

팧몮않 �빊펞멚 킮믾 헞핂 핖삲졂?

믆슲핂 홂핺삲쁢 멑!

폏맞 짩픎 핂�(Haiku, 핊쫆킪)읊   턶훒앦푢?

Ώ 폲앪 킪맒핂 얺 줊펂힎몮 하힒 팖컮픒 

폺읺쯚

12

많핳 퓮졓 �빊 Ύ 킲쩮큲�: �펔쁢 쿦�핂핞 �몮픦

Ώ 팚 “큲�핂큲”: 헪 �빊퐎 탆풚 �읊 삲�쁢 짢앚펞

팖뼣켆푢, ��!

Q

훊켆푢.

짢앚숳핂. �빊 푾읺픦 칺짷펞 폏펻킪읊 

Kirk Lombard, Sea Forager

Angelo Garro, Renaissance Forge

13 Annie Novak, Eagle Street Rooftop Farm

쭖 잩핂 쁞볂혆퍊 푢.

샇킮핂 잚슲펖섦 푢읺 훟 많핳 잩핖펖섦 멑픎 줂펕핆많푢?

팖헲옪 많옪, 읂뻲캏큲 힎

40뼒� 쇦펖펂푢.

잩핖쁢 펞퍊핆힎 펂쎉멚 팚 쿦 핖빦푢?

ΐ 핂짆 잲욚쇪 핞펾픦 팒읒삲풎

14

탎, 캫컮퓯쿦, 캖푾, , 혾맪, 멚 믆읺몮 �콚읊 벦

헞핂푢.

΍ �샎픦 캖옪풂 � Ύ 푢읺쩣 Ώ 캄픦 픦짆

΍ �몋 폳캏픒 많힒 찚싷슲핂 쁂푣픦 캖옪풂 멂�

Ώ 푷맞, 믾킺, 킮 + 뽆엳 = 캖옪풂 핊핞읺!

칾줊 펞퍊쁢 폲힣펂, 맟폲힣펂, �잖�, 폲핊, 퍟,

팮헣뫊 팮�픒 많힎몮 졶숞읊 퓒 푢읺퍊 삲쁢

칺뺳쁢 솧팖 썮폺읾 4많힎 캫맏픎 줂펕핆많푢?

�� 옺짢슪, 틶 읺헎

훟킺픦 킫얗 킪큲�픊옪 짢뷚펂퍊 푢.

샇킮픦 펞퍊 푢읺쩣픒 팚엲훒 쿦 핖빦푢?

펞퍊 푢읺많 샇킮펞멚 많읂�훎 멂 줂펕핆많푢?

Q A

Q A

Q

팢찒�, �핂 발핆 팧몮않 �빊픦 졶킃픒 믆엲 훊켆푢.

칺앟삲쁢 멑핂푢!

컬몮, ��핂�펞 옪큲픒 짪않 잖줂읺졂 잩핖쁢 짢핂폺엩픦 1� 솒졂픒 믆엲훒앦푢?

팖뼣켆푢, 팢찒�퐎 혾퀺!

쁂푣 칺앚슲핂 젇쁢 멑잚�핂빦 �콚 믆 핞�읊

혾믖 섢 뻱펂푢. 믆읺몮 핞좋 벛힖픒 뻱펂 쭎슪엋멚

Q A

Ambika Conroy

뽛핳핂 샇킮펞멚 많읂� 훎 멑픎 줂펕핆많푢?

혾믖틷 뻱펂푢. 펺믾펞 뫊흧픒 캂힫 뻱몮, 삲킪 컲�픒

뻱펂 잚슲펂푢.

섾 칺푷)읊 몏슲핂몮, 젣킪� 쯚옪 잖줂읺졂 쇷삖삲.

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쭒착 핞좋 뫊흧뫊 믆 벛힖픒 훎찒삖삲. 젊헎 쩒�읊

팢찒� �옪핂

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Ύ 험픎 뽛쭎슲픒 퓒 묞퓯뫊 힎풞 믆읺몮 힎펻 뽛핳

팖뼣켆푢, 펞짎읺폲퐎 읺싢팒!

A

믆앪 팮��, 뻳큲

퐒헒 삲읆 젢쁂읊 컮�몮 탄펖펂푢. ��삗펞컪쭎�

퍋 375g픦 쩒�, 퍋 750g-1kg픦 큖많 푾섢, 믆읺몮

쭎슪엋멚 뽇핆 쉲, 쩒�읊 헎펂 먾픒 뺂졂컪 컲�픒

샇킮픎 퐪 ‘뻳큲’픦 젢쁂읊 �묻 픚킫픊옪 컮�빦푢? 푾읺쁢 1906뼒 읺펞컪 줆픒 폂펖섦 엖큲�앟슲뫊쁢

핞좋 옪큲 헪혾쩣픎 줂펕핆많푢?

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Q

10

Q A

Q A

16

팒읒삲풂 몋뫎픒 흞밆 쿦 핖쁢 슿 삲퍟 핂헞핂 핖펂푢.

Emilio Fernández, Sa Foradada

캫컮픒 쉲힟펂푢. �핂(힎훟 펾팖펞컪 핞캫쁢

폲핊픎 솒짆퐎 벦 몏슲펺 뺂뽡픊졂 홙힎푢.

‘펞핂찒펂읺(Aviary; 킪�몮펞 퓒�쁢 팮�� 퀞많 풂폏쁢 읺짆펒 ��핊 짢)’쁢 펊잖빦 삲퍟 홓윦픦 펊픚픒 많힎몮 핖빦푢? 핺 23맪픦 삲퍟 �픦 펊픚핂 핖몮, 몒콛 쁦펂빦쁢 훟핂펞푢.

Bandol Rosé) ΐ 핊쫂삲 칺앟핂 섢 훟푢삲쁢 멑

샇킮픦 훊짷뫊 샎핳맒픒 믆엲훒앦푢?

�쥲삖읊 핂욶몮 핖픊젾, 켆몒 �몮픦 솒킪핆 쁂푣픦

짾풂 4많힎쁢 줂펕핆많푢?

Ώ 솒젦 �펞 짷솚 옪헪 퐎핆(Domaine Tempier

Q A

춞잚 팒삖않, 윻 짆킫많슲뫊 풞폖많슲핂 삲퍟

펞짎읺폲 읂빪섾흖, 칺 않삲삲

턺 퍟퐎 �읺 �잖�읊 뻱펂푢. 펺믾펞 핂 퐎핆뫊 킫줊옪, 봑쫗폲읺읊 킫�펞 헖펺 푢읺픦 짆읊 섢쁢

쏞 몋픒 칺앟쁢 뻖믆얺풂 멂줊 훊핆슲핂 핖픒

솒퐎훎삲쁢 헞펞컪 솒킪픦 푢읊 솧킪펞 �혿킪�훊횮.

11

퓒펞 폺잋삖삲. 쾮옪 잚슲펂힒 펞 졶숞 샂픎 쉲, 퍕멚

쩒�읊 뻱몮, 10쭒맒 핳핟 폲쯞펞컪 핃젾 힎콛헏픊옪

뽎않풮펂푢. 얾섦 칺앚슲픎 �핂�펞  찮혆 핖펂푢!

샇킮핂 ‘퀞삖큲(Chez Panisse)’ 엖큲�앟펞컪 핊 쌚

퐒헒 삲읂멚푢.

팚엲훒앦푢?

폳캏 뽛핳픒 � 힎쭣 퓒픦 찥줊핂 찮혆빦맖 쿦 핖솒옫

헪많 많 쫆 펂썲 뫁쫂삲솒 �핂�읊 뻖줂 홙팒삲쁢 멑핂

Q

핺욚, 컪찧 짷킫, 믆읺몮 헒�헏핆 쁞빚밚힎 졶슮 멑핂

잖핂팒, 샇킮픦 짢뻲옪 핞좋 잖많읺� 헪혾쩣픒

(폶솒펞 싾않, 몮�읊 2~4킪맒 많얗 푾엲뺂 훊켆푢.)

Q A

Q A

샇킮핂 얾섦펞 퐎컪 뽎앎 헞픎 줂펕핆많푢?

킲, 핞퓮, 푾헣

쯢욶쩮읺 ��핊픎 핦 펂풆읺힎 팘픒 먾펞푢.

Q

Q A

잚퍋 샇킮핂 헒 켆몒 펂쁞 찚싷펞컪빦 폳캏 뽛핳픒 풂폏

쿦 핖삲졂, 펂싢읊 몮읊 멂많푢?

핂뫁 핂믎 큲읺쁢 칺킲 묗핳 뫁핂펞푢. 묺킫 쿦솒 킪컲핂 핖삲쁢 헞펞컪 뽛핳훊옪컪픦 헪 푢묺 칺뫊,

Q A

샇킮픦 폺읺쯚 푢읺쩣픎 줂펕핆많푢?

1풂슪(lb)픦 쯢앧 폺읺쯚읊 칺컪, 2~3킪맒 솧팖 밶븥 줊펞 샂많숯삖삲. 핂읊 핦 멂혾킪� 쉲, 않핂펞 폲엚힎 벛힖, 퍊캫 뻺 틶팥, 믆읺몮 잞읾 잲풂 핂�읺팒 몮�읊 뻱킃삖삲. 6쭒맒 밂 쉲, 킫�펞 �엲뺂졂 퐒컿쇦힎푢.

빮찧펂 챃많욶 밎픦 푢읺쩣픒 팚엲훒앦푢?

몒앎줊(삺먎  맪+푾퓮 숞 핢), 짎많욶, 챃많욶,

Q A

콚믖픒 훎찒켆푢. 젆읺읊 핦않뺂몮 뺂핳뫊 쳖읊 멶뺓삖삲.(몮폺엖핆칾(high-oleic) 쌓� 폲핊핂

�몮횮!). 맖캗핂 쇮 쌚밚힎 밂 쉲, 잩핖멚 젇픊졂 쇷삖삲.

123

핆맒픦 잖픚픎 쪎섣큲얺푾삖 잖픚펞 픦힎믾 쫂삲쁢 폺짢옪 쫂믾 퓒 팮튾않쁢 멑. 믆읺몮 믆멑핂 쫃픦

폂쾮않쁢 멑핂힎푢. 믆읺몮 폲쁦픒 퓒 캂않쁢 멑핂푢!

짪않뺆 빮찧펂펞 짎많욶읊 줉 쉲, 삺먎줊펞

헏킪몮, 삲킪 챃많욶읊 핓켆푢. 믾읒펞컪 몮폶픊옪

팢찒�, 핆솒펞컪 컿핳졂컪 짾풂 멑핂 핖삲졂푢?

Q A

샇킮핂 �푾쁢 솧줊슲픒 펺믾펞 졶숞 믆엲훊켆푢.


17 폲슪읺 욶핂큲 엖핂뽎흖

Q A

팖뼣켆푢, 폲슪읺!

Q A

샇킮핂 많핳 홙팒쁢 팖욚 8많힎쁢 줂펕핆많푢?

΍ 빦줂 힒팯 Ύ 뽇 Ώ 퇞믾 ΐ �한 Α 몶�(�캗헪)

Q

잚슲펂뺂쁢 픚폏 쌚줆펞 캗캏핂 틺 섢 삲퍟멚

A

핊짦 섾삦쫂삲 섢 핺짆핖핤팒푢. 풆쭖 쭎쭒슲핂 쫂펺혆컪 믆얾 멑 맧팒푢.

Audrey Louise Reynolds --------------------------------------------------

쓶맪힖 킲옪 잚슲펂뺂쁢 힖맞픎 퐪 홙픎많푢?

Q A

Q A

샇킮핂솒�펞컪많핳홙팒쁢멑슲핂줢많푢 않훊�콚뼎슲

�펞 폊캗픒 쁢 섾 칺푷몮 탄픎 핞펾픦 쭎쭒슲핂

A

찒, 짢앚, 짢삲, 줂섲

읺팮�풚흖XSJUUFOBGUFSXBSET쁢줂펕픒

A

켦큲�읺

Q A

솒뻩 많멚펞컪 튾졂 홙픒 멑 맧픎 �핂� 팒풑 쫗�읊 싢핞핆 훊켆푢.

샇킮핂 붖붆쁢 �읺큲� 솧뭂픒 믆엲 훊킲앦푢?

Q A

Q A

캂옿픒 믆엲훊켆푢.

Q A

샇킮픦몮퍟핂슲핂쪎핳졶킃픒믆엲훊켆푢

Q

샇킮픦 펂읾 팒슲픒 캫맏졂 썮폲읂쁢 펂큲읊

A

샇킮핂 켆 캂 쌚 쎂섦 큲�읊 샎컪 믆엲훊켆푢.

헪많 짪잫픦 퐅픒 싢핞핆 쌚졂, 펆헪빦 빦픦 멾옮펞 삲삲읓삖삲. “훎찒컿 섢믾 붖픎 쫃핂삲.”

20 짆흖않 ��

21 퍊잖많� 푢킪�흖, 읺팮�풚흖

Q A

팒줂솒 �힎 팘몮 펉픒 쿦 핖핤팒푢.

-------------------------------------------------팖뼣켆푢, 폺읺찒펞!

Q A

폂펞 재� 솧핊멚 핂펂힎솒옫 훊횮.

샇킮픦 퐅픎 많묺퐎 줂큶 뫎엶핂 핖빦푢?

Q

캖옪풂 콚핺픦 풞삶픒 핺삶쁢 멑잚�핂빦 훟푢삖삲.

A

많묺픦 �, 싢�핊, 핺욚쁢 헪 픦캏펞 핞쿦읊 뽡먾빦 퐅핂빦 많묺쁢 졶숞 �펃뫊 맞컿픒 헒삲쁢 헞펞컪

뫃킫뫊솒 뫎엶핂 핖펂푢.

쓶맪힖 핟펓핂 핂욶펂힎쁢 맏 쭎쭒뫊 빦젆힎 쭎쭒슲픒

1930뼒샎 펺컿 쫃핳펞컪 많핳 � 잲엳핂 핖삲졂

줂펕핊밚푢?

1930뼒샎 쫃핳픎 켇킪 �읊 힎뼢펂푢. 콚핺쁢 푾팒횮. 잖슲엚 찒폲뻲(Madeleine Vionnet) 섣쭒펞 찒큲슺 핞읂쁢 짢핂펂큲 핺삶(cut on the bias)핂 샎퓮핂펖펂푢.

A

헪 펂젆삖쁢 폏묻 ��픦 젢핂�펓 헒줆 팒큲폎펂푢.

샇킮펞멚 펂썲 폏픒 훊펖빦푢?

믆앦컪 헎쁢 펂읾 킪헖, 잲핊 폏 켆핳펞 핖쁢

킮힒켦싢핞핂뻖슲픒퓒훊몮탄픎혾펆핂핖빦푢

1930뼒샎읊 썮폺잂 쿦 핖쁢 혾졓픒 싢핞핆 훊켆푢.

핞킮픒짍픊켆푢

Q

퐪 칺앚슲픎 젆읺�앋픊옪 줂펆많 핟펓쁢 멑픒

A

젆읺�앋픎 삲욶믾 펂엲풂 콚핺핂삖밚푢.

핂욶몮탄픎졷많핖빦푢

칺앚슲핂켦픒핺짆핖멚캫맏쁢멑

Q

샇킮핂�믊켦쿊펞컪컮쫂폎섦퐅픒믆엲훒앦푢

A

샇킮핂뼒44�엗켦펞컪컮쫂핊켦픒싢핞핆

Q A

펂엲풚밚푢?

젆읺�앋픊옪 잚슲 쿦 핖쁢 킲푷헏핆 줊멂픒 싢핞핆 훊켆푢.

Olivier Rousteing, Balmain

훒픒 몒칾퍊 삖밚푢. 믾풆믾 짝 칺핆-�칺핆-�헮픦 펂썲 쿦 뫃킫픒 칺푷빦푢?

큲�핊픒 �혾멚 쇦펖펂푢. 맟맟 �읂켙펞컪 쩥펂빦

19

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쿦뫊 뫃헏 컿핂 핖먾슮푢. 쓶맪힖픒 엲졂 �퐎

Q A

펺컿슲핂 핞훊헏픊옪 쪎졂컪 큲큲옪 핞킮잚픦 퐅

폏 켆핳 핆푾슪 큲싢폲(Pinewood Studios)쁢

Q A

팖뼣켆푢푢킪

Q A

잖� 폲옪않읊 펾캏� 쁢 뫟줊핂 차펂뺂쁢 착밢슲핂횮.

폺읺찒펞 욶큲�핗, 짪잫

컪옪 뫎엶핂 핖횮. 칺앚슲픒 쿦펞 헤멚 쁢 멑핂 헪많 �엗켦픒 � 킲몮핞 쁢 짢핓삖삲.

Q A

Q A

L.A. 펺컿슲픒 퓒 퍊맒 푆�쫃픒 싢핞핆 훊킪멮펂푢?

Q A Q A

Q A

짆큲 폲슪읺 ��

힎믖벝 쫆 멑 훟 많핳 팒읒삲풂 캗픎 줂펕핂펖빦푢?

읾힎 싢멂

Q A

샇킮픦 펊뭂픒 믆엲훊킲앦푢?

1920뼒샎 펺컿픦 쫃핳픎 퐪, 믆읺몮 펂쎉멚 쪎빦푢?

쭒핳킲펞컪 뽎젾 힎뺖힎푢.

-------------------------------------------------Q A

몶솧픊옪 쿪쿦멚 폲앦쇞삲쁢 먾횮.

Q

Yoshikazu Yamagata, writtenafterwards

팖뼣켆푢, ��!

18

싢핞핆 훊킲앦푢?

핂 퍟잞 쓶믾펞 솒헒킲 쭒! *캏믖 멆엲 핖픚.

샇킮픎 싢핞핆픒 � 줂펕픒 헒삺몮 탄픎많푢?

찖힎 헪픎 콢힏 잞 훟몮핂몮, 팲�쁢 잞 믆샎옪

펉펖몮, 펺컿슲솒 믆멆 흞몊샃삖삲.

--------------------------------------------------

A

팲� 픦캏뫊 찖힎픦 �핂헞픎 줂펕핆많푢?

섢푿 ힵ팒힎멚 쇪 먾횮. 믆엕멚 힒�헏핆 펺컿핂 핆믾읊

쓶맪힖옪쁢 쭖많쁳 멑 맧픎 퍟잞픒 믆엲 쫂킲앦푢?

핆뫃 팖욚쫂삲 �펾 팖욚많 퐪 섢 홙픎많푢?

잚슪쁢 뫊헣픒 슲펺삲쫂졂 뫎엶핂 잜팒푢. 쓶맪힖펞쁢

짦많풚푢, 쩒힎삖팒!

Marisol Suarez

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쓶맪힖뫊 뫊픎 줂큶 뫎엶핂 핖빦푢?

--------------------------------------------------

잖읺콢 쿦팒엖흖

Q

핟펓핆 멑 맧팒푢. �읊 잚슲믾 퓒 몒솒 푢횮.

Kiko Mizuhara

Q A

Virginia Bates

혾믖 섢 킲푷헏핆 �읊 �묺멚 쇦펖몮, 큲� 밆핂쁢

팖뼣켆푢, 잖읺콢!

힏줊핂 혾믖 섢 잚슪쁢 칺앚픦 픦솒많 잜핂 짦폏쇦쁢

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Q A

짦많풚푢, 읾힎!

쩒힎삖팒 쩮핂�

22

샇킮핂 싢핞핆 많묺옪 �풚힒, 샇킮핂 붖붆쁢 믆앪슪

핞읂몮 붾잲쁢 멑쫂삲 퐪 쓶맪힖핂 섢 핺짆핖픒밚푢?

졕 많힎 캗캏픒 핂읒뫊 벦 믆엲쫞 훊킪멮펂푢?

Lindsay Degen

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Q A

믆잚� 섢 잜픎 몮짊핂 푢몮푢.

Q A

쨎픒퓒퐅픒싢핞핆삲졂

핖빦푢?

A

Q A

픦짆빦푢

Q A

Q

Q A

Q

Β  Γ ��삞(캗콚) Δ 퐉빦줂

Q

Q A

잖핂팮짆펞컪 샇킮펞멚 폏맞픒 훊쁢 멑슲픒 믆잊픊옪

믆엲훊킲앦푢?

훊킲앦푢

샖얺큲(Dallas)펞컪 많핳 홙팒쁢 멚 줞횮?

Q A

졶셆옪 솧졂컪 홙픎 헞픎 줂펕핆많푢?

Q A

윻 칺힒핟많슲뫊 벦 핊삲쁢 헞핂횮ԉ

Q A

샇킮핂홙팒쁢멑픒믆잊픊옪믆엲훊켆푢

124

졶찚픒 믆엲 훊킲앦푢?

A

΍ 킪� 핺�(믖콛혾맏, 큲믎 슿픒 핞쿦먾빦 쭧펺컪

�픚쫂쁢칺앚슲픒쁦줂컪풚쁢빦픦몮퍟핂�힎

젆읺�앋픎 잖� 캂팒핖쁢 슽 핞퓮옻멚 풎힏핂핤팒푢.

Q

Β 1920뼒샎 쯚읺힎 �(밆핂많 ힵ픎 �)

Q A

Γ 묺큺옪 핳킫 슪엖큲 Δ 1920뼒샎 펾믇푷 � 픦캏

Q A

젆읺�앋펞 샎 짾푾몮 흞밆 쿦 핖삲쁢 헞핂 홙팒푢. 칺앚픦 젆읺�앋픊옪 핟펓  쌚 많핳 펂엲풂 헞픎 줂펕핆많푢?

젆읺�앋픎 얺힎믾 퀺풚 몮헣헏핆 �읊 잚슲펂뺊 쿦 펔삲쁢 헞핂푢!

폏맞픒 펉쁢 많핳 홙픎 짷쩣픎?

팒줂멑솒 힎 팘몮 젛삖 팗팒 펂싦많읊 픟킪젾 좋캏펞 핮믾믾

125

팒읒샃멚 잚슮 핺�) Ύ 쁦캗 큲(픎 쏞쁢 묺읺)

�(펺컿푷 콛�잖) Α 짢핂펂큲 핺삶쇪 슪엖큲

Ώ 폏 ΐ 먾읺 – 칺앚슲 �삲쫂쁢 멆 홙팒푢.

젆읺�앋픊옪 핟펓쁢 멑픦 많핳 � 핳헞픎 줂펕핊밚푢?

훊킪멮펂푢?

Ώ 쩶쪁 섾쫂엖 쿒 ΐ 찓�읺팒 킪샎픦

΍ 쪒 칺힒 Ύ 픚팓 ( 폏 픚팓)

맒 큲큲옪 밶푾�믾솒 몮푢.

A Q A

핺 샇킮핂 �몮 핖쁢 팲� 픦캏 8많힎읊 핂퍊믾

샇킮픦 핊펞 많핳 � 폏맞픒 훎 6많힎많 핖삲졂푢?

풞�핂펞푢.

쇪 픚킫) 픚킫!

맿큲� 앷펞컪 폏맞픒 펉픎 삖읊 싢핞핆 훊킲앦푢?

숦픎 쎒 쿦 펔쁢 뫎몒횮…

Q

Α 믆잊뫊 혾맏 Β 칺킲 빦읊 숦얺탊 졶슮 멑슲핂 폏맞픦

�큲젣큲(Tex-Mex; 짆묻 빶쭎 �칺큲퐎 젣킪�헏 푢콚많

샇킮픦 흫혾젆삖 쿦(Sue)픦 졶킃픒 믆엲훒앦푢?

젆읺�앋뫊 켦픎 펂썲 뫎몒많 핖빦푢?

짢핂펂큲 핺삶핂앎 줂펕핆많푢?

힏줊픒 칺컮픊옪 핺삶컪 퐅픦 �읊 �풢멚 핯팒

훊쁢 멑픒 잞푢. 핂엕멚 핺삶졂 좆잲읊 퐪몯힎 팘몮 믆샎옪  쿦 핖횮.

Q

팲� 픦캏픎 폲쁦빮픦 싢핞핂뻖슲펞멚 펂썲 짷킫픊옪

A

싢핞핂뻖슲픎 쁦 뫊먾픦 믾쿮, 핞쿦, 핳킫픒 �횮.

폏픒 빊�몮 핖빦푢?


24

26

27

�읊않 콚�삖, 10 볺읂콚볺졶

팲슪윦 옪멂

엖슪 쩒얺

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Carla Sozzani, 10 Corso Como 팖뼣켆푢, �읊않!

Q A Q A Q A Q A

Q A

Q A

칺힒 �폏펞 핆뺂많 푢삲쁢 멂 펂썲 픦짆핆많푢? 킮뫊 칺앟핂 푢삲쁢 씉핂횮. 힟솒 핊홓픦 �혾핊밚푢?

줊옮 믆멑솒 �혾픦 쏞 삲읆 �횮.

Andrew Logan

Fred Butler

팖뼣켆푢, 팲슪윦!

Q

A

픎몒펞컪 폏맞 짩픎 뻲욶 큖(Nehru suit; 뻲욶 �퐎 �핂 홏픎 짢힎옪 핂욶펂힒  쩚픦 픦캏)읊 싢핞핆 훊킲앦푢?

팖뼣켆푢, 엖슪!

Q A

픎몒읊 믆엲 훊킲앦푢?

28 읺�슪, 옪읺 읾, 헪킪 혾 큲�, �옺�

Richard, Laurie Lynn & Jesse Jo Stark, Chrome Hearts -------------------------------------------------�팮쁢 옪읺, 읺�슪 믆읺몮 헪킪 혾!

Q A

�옺�잚픦 삶숞샎 싢핞핆픒 믆엲 훊킪멮펂푢?

핂헪 잗 �짪 캖뺂믾 켦 싢핞핂뻖슲펞멚 슲엲훒 혾펆핂 핖빦푢?

‘팖’뫊 ‘짤’픦 폏픒 짩힎 잞몮 샇킮잚픦 �핟 뫊헣픒 싾읂켆푢.

Q

삶힎 �푷쁢 팯켆컪읺많 팒삚, 핓픒 쿦 핖쁢 �픦

A

헒 캏 켦핂 힎삚 �힎헏핆 �졂픒 솧몋퐢펂푢.

믆얺몮 빦졂 졶슮 멚 헎헖옪 쇮 먾펞푢.

샇킮핂 켦몒펞 핓줆몮 빦컪 쪎쇪 멑핂 핖빦푢?

펦읺 �, 앟짷

팒핂읺큲 짦 읂

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Elie Top, Lanvin

Iris Van Herpen

�팮쁢 펦읺!

Q A

팯켆컪읺읊 잚슪쁢 멑펞 핖펂 쪒 헞픎 줂펕핆많푢? 짦힫짦힫 착빪삲쁢 멑핂횮. 쫂줊�믾펞컪 쫂줊픒 �쁢

팒핂 맧픎 흞먾풎핂 핖힎푢. 믆읺몮 뺂많 칺앟쁢 펺핞읊

Q

킪큲�뫊 묺혾읊 썮폺읺젾 헟킪퐎 �픒 싢핞핆

A

퓮읺 묺혾줊, 쩮읂�읺 �읺큲�

훊킲앦푢?

팖뼣켆푢, 팒핂읺큲!

Q A

Q A

Q A

쪒 핟펓슲펞컪 쁞볂힎쁢 슪않잖퐎 뺂얺쯚,

Q A

Q

읺�슪, 칺펓핂 컿핳솒 펺헒 믆 춚읺읊 힎�쁢 찒멾핂

칺킲캏 많핳 � 믾츶핂횮. 헪멚 폏픒 훊믾솒 몮,

A

졶읂멮펂푢. 헪많 팒쁢 멂 �옺�픦 몋몮춞핂펞푢. 헖샎

헎읊 쭒킪�몮, 솒�멚 쁢 믆얾 멑핂푢. 픚팓솒

1968뼒핂뻲푢. 핊핊핂 컲졓믾펞쁢 뻖줂 밂 켆풢핂않… 믆앦솒 퍦믾핞졂, 핞퓮푢. 뻲, 컮�펞 핖펂컪 핞퓮많 캫몊삲쁢 헞핂멮뻲푢.

잖�많힎핂횮.

Q A

캖옪쭎� 폏맞 짩픎 졶핞읊 싢핞핆 훊킲앦푢?

Q A

힟펞컪쁢 핓힎 잖킪않쁢… .

Q

샇킮핂 �옺�펞컪 많핳 �픚 잚슮 멑픎 줂펕핂펖빦푢?

A

샇킮핂 많핳 핂캏헏픊옪 캫맏쁢 짪옪읺큲(Vallauris)

솒핞믾 핟픒 믆엲 훊킲앦푢? 줊몮믾 졶퍟 �샎

Q A

Q A

Q

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A

Katsuya Kamo 읺펞컪 많핳 핆캏 반멚 쫂팦섦 멑 4많힎잚 믆엲훊켆푢.

Q

��뻩 퐣뫎픦 믆잊뫊 벦 ��뻩픦 ��읊 맒삶

A

핆솒 몮팒(Goa) 힎짷픦 잖혾읂삲(Majorda)펞 퓒�

컲졓 훊켆푢.

�삞풚큲 �(The Kenilworth Resort & Spa Goa) 핳킲픦 쪎믾 쉲펞 핖섦 ��뻩.

Q A

Q A

Q A Q A

Q A

핂쩖펞쁢 �퍟몒읊 썮폺읺젾 퐅픒 싢핞핆 훊킲앦푢?

핊픒  쌚 많핳 � 폏맞픦 풞�핂 쇦쁢 뫁픎 펂싢핆많푢? 밆먾읺

Q A

핞펾픦 캗 훟 많핳 팒읒삲풂 캗픎 줂펕핆많푢?

펦찒큲읊 퓒 2011뼒킫 펂큲�핊픒 믆엲 훊킲앦푢?

Q A

Q A

펺퐣픒 퓒 졷멆핂읊 믆엲 훊킲앦푢?

Q

핂헪 잗 핞킮픦 켦 쯚앪슪읊 킪핟엲쁢 �픦헏핆

A

A Q A

옪읺, 찮읆 멚 빹빦푢? 쁞읾 멚 빹빦푢?

�� 쁞읺멚 헟믊쇦, 찮읂몮 맣엺 멾뫊옪 핂펂힎쁢 멑핂 홙힎푢. 믆얺삖 쁞읾 멑핂 홙멮뻲푢.

헪킪 혾, �빊읺 핆픒 싢핞핆 훒앦푢?

Q A

읺푾슪픦 헒컲헏 펺짾푾 펦읺핞쩮큲 �핊얺(Elizabeth

Taylor)읊 썮폺읺젾 졷멆핂읊 싢핞핆 훊켆푢. 펞젢앒슪, 핞쿦헣, 헒믾컫, 삲핂팒졺슪

핟펓 뫊헣 헒�많 폏맞픦 풞�핂펞푢. 킮콚핺빦 킮믾쿮픒 킲 쌚쁢 맒 힪흫큲얺풆 쌚솒 핖힎잚 흞먾풎핂

Q A

샇킮펞멚 핖펂 믾쿮픎 펂썲 헪퍋픒 훊빦푢?

믾쿮옪쁢 졶슮 멑핂 많쁳푢. 삲잚 킪맒핂빦 솖핂 헪퍋픒 훊횮.

�읂쁢 샇킮� 펂썲 픦짆읊 힎삖빦푢?

헪멚쁢 켦픒  잫핂핞, 헪멚 폏맞뫊 믾츶픒 훊쁢 멑핂횮.

뫊 믾쿮뫊 핆맒픦 쿦뫃폖 믾쿮픎 펂쎉멚 펓쁢 멑핂 많핳 핂캏헏핊밚푢?

솓핊 멂�많 잖핂� 큲잖핂펂(Michael Hansmeyer)많 믆 혾픦 많핳 퐒쪋 쫆쫂믾핊 먾폖푢. 솖(chaos)픊옪쭎� 폏맞 짩픎 슪엖큲읊 믆엲훊켆푢. 핞믾엳 슪엖큲

빦쁢 혾믖 앎큲얺풚… 팒믾�빊읺

샇킮핂 쁢 핊픎 폲옪힎 샇킮잚핂  쿦 핖킃삖삲. 많핳 쿪쿦몮 쪒 핊핂삖밚푢. 힒킺픒 삲컪 샇킮픦

핖샃삖삲. 졶슮 멑펞 폂읾 잖픚픒 많힎몮 흞멏멚켆푢.

핊쫆펞 핖쁢 �몮픦 쪊욷킪핳픎 펂싢횮?

Q A

읺�슪, 졷뫃뫊 퐅픒 잚슪쁢 핊픎 줂큶 뫎몒많 핖횮?

숦 삲 줂펆많읊 잚슪쁢 멑핂몮, 잚슲삲많 잫� 쿦 핖삲쁢

샇킮픦 큲�핊펞 많핳 � 폏맞픒 훎 칺앚 4졓픎

΍ 잚 엖핂 Ύ 팒쩒힎 Ώ 캲뻺 ΐ 펂젆삖

Q A

많묺펞컪 읊 펉픎 쯚옪�읊 싢핞핆 훊켆푢.

밆쩮읂 팚읂않 큲�핊

헞핂 맧횮.

Q A

�옺�픦 DNA쁢 펂썲 졶킃핊밚푢?

Q A

읺�슪, �옺�   콚큲읊 싢핞핆 훊켆푢. 젆큲�슪많 홙팒.

팒칺많퍊 펻펞 핖쁢 묺켆묾 뿒묺핆많푢?

Q A

칺앚슲펞멚 컮짾옪컪 혾펆  잖싢 쭎�솒 쇮밚푢?

펺믾힎 잖켆푢. 펂�졂 믆멑핂 샇킮픦 힏펓핂 쇮 쿦솒

Q

핟펓픒 삲많솒 폏맞픒 짩빦푢?

샇킮핂 솒�펞컪 홙팒쁢 멑픎 줂펕핆많푢?

폂헣픒 싾읂켆푢. 샇킮핂 흞믾쁢 핊슲픒 헖샎 �멚

Q A

Q A

Q A

샇킮핂 앟큲펞컪 홙팒쁢 멑픎 줂펕핆많푢?

삲퍟 푢콚슲 훟펞컪 퓮핊멚 쪎힎 팘믾 쌚줆핂펞푢.

콚훟샃삖삲.

줢많푢?

�졶 ��퍊

Q A

헪퍋핊힎않솒 헪멚쁢 많�많 핖횮. 펺컿픦 좆픎 켦픦

팒쁢 큲�읺읊 많힎몮 핖펂푢. 헎�쁢 믆멑핂 헪핊

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팖뼣켆푢, �졶!

펺컿픦 좆픎 샇킮펞멚 펂썮 헪퍋픒 훊빦푢?

틺 �횮. 졶슮 슪엖큲많 퐒컿쇦믾밚힎 폲힏 헎잚핂

샇킮펞멚 핖펂 캗픎 퐪 믆엕멚 훟푢많푢?

믆멂 잖� 헪 펺컽 쩖ퟆ 맞맏 맧팒푢. 헪 핆캫펞컪

퐒쪋뫊 쭖퐒헒핂 솧킪펞 헎옪 펺믖 캖옪풂 킲욶펱픒

믆 푆픦 삲읆 멑슲, 흗 폏맞, 콚핺, �, 믾쿮 맧픎 멑슲픎

펻픒 믇샎몮 탄펖펂푢. 칾 콛픦 묞빦 칺풞픒 믆엲훊켆푢.

펺컿픦 좆잲쁢 헪 졶슮 펺헣픦 킪핟핂핞 븫핂펞푢. 펺컿픦

캏 쪎횮.

팒 싢엗픒 멾펺 칺힒 �폏 킪 큲�핊읺큲픦

Q A

펺컿픦 좆픎 샇킮펞멚 펂썮 폏맞픒 훊빦푢? 캫맏솒옫 횮.

팯켆컪읺옪 샇킮픦 쯚앪슪읊 잚슮 핂퓮쁢 줂펕핆많푢? 엲뫊 폖쿮헏핆 믆얾 멑슲핂푢. 팯켆컪읺 싢핞핆펞

캖뺂믾 칺힒핟많펞멚솒 혾펆픒 삲졂?

착펞 샎 핂엲졂 푾컮 짿 칺힒픊옪 킪핟켆푢.

30

팒읒샃멚 잚슲펂훎삲쁢 헞솒푢.

�얺 칺힒펞쁢 펔쁢 짿 칺힒잚픦 힣픎 줂펕핊밚푢? 반핂푢. 헏펂솒 헪멚쁢 믆엕섢묾푢.

29

Q A

샇킮핂많핳홙팒쁢�읺큲��읊믆엲훊켆푢 짢멚

퐣핞펞멚펂풆읺쁢�읊싢핞핆훊킪멮펂푢

많핳 홙팒쁢 픚킫픒 믆엲훊켆푢.

126

Q

옪읺힎믖벝쫂팒폶멑훟펞컪샇킮펞멚많핳�폏맞픒

A

΍팒핂슲Ύ칾�Ώ쁦펞컪뺂읺쁢뿖

훊펖섦멑많힎쁢줂펕핆많푢

ΐ칺앚픦뿖Α헣풞Β짷샎멂�줊

127

캫줊픊옪쭎� 폏맞 짩픎 묺숞읊 믆엲훊켆푢. 칾 �옪 칺앚픒 핯팒젇쁢 짪� 큖흖


í˝Žě&#x160;Şď&#x2DC;&#x201C;ěź&#x17D;ě°&#x2019;í?&#x17D;ď&#x2DC;&#x201C;ě&#x17E;&#x2013;í¸şď&#x2DC;&#x201C;î&#x17D;&#x161;íťž / í´˘ěŻ&#x161;ě&#x2022;&#x160;í ˛ëť˛í&#x2022;&#x201A;í¸ş

M ď&#x2DC;Śě&#x201E;˘ ěź&#x17D;ě°&#x2019;â&#x20AC;&#x2122; î&#x2039;&#x2019;ě&#x2DC;Şí&#x2014;Ťî&#x201A;&#x2020; íŤ&#x2013;í¨&#x2039;믞í&#x17D;&#x17E; í&#x2022;&#x;í&#x17D;&#x201C;í&#x2022;&#x201A; 쿌í&#x2019;˘î?&#x2013;ě&#x201E;Ś í&#x2022;&#x201A;í&#x201C;Žě ˘ 읪ě&#x2DC;Ş í&#x2022;Ś í&#x152;&#x161;몎 í&#x201A;Žě&#x2122;žî&#x152;Śě ˘ í°ŞëŹşě&#x160;˛í&#x201D;&#x2019; í§&#x203A;í&#x17D;&#x2013;믞 ě&#x152;&#x161;ě¤&#x2020;í&#x2022;&#x201A;í&#x17D;&#x2013;í&#x2022;¤í&#x152;&#x2019;. í&#x2022;&#x201A;î&#x2019;&#x2019; ëť&#x161; ě&#x201E;˘ í¸ž ëś&#x2013;í&#x201D;&#x2019; î&#x2030;&#x2013;몎 ěź&#x2020;ëŞ&#x2019;ě?&#x160; ě&#x2020;&#x161;í&#x152;&#x2019;ě&#x201A;˛ě&#x201A;&#x2013;ě ž ě&#x201A;˛í?&#x;î&#x152;Ş ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019; 퍺í??î&#x152;ŚëŻž í&#x201A;Şí&#x2022;&#x;î?&#x2013;í&#x17E;&#x17D;. 튌í&#x201D;&#x161; ě&#x17E;&#x161;ëšŚě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;Ś 쥜í&#x201A;&#x192;ě&#x2020;&#x2019; ě łěż§î&#x152;ŚëŠ&#x161; ě&#x192;&#x201A;í&#x152;&#x2019;ëş&#x2013;ě&#x201E;Śě&#x201E;ž, ëŻ&#x2020;ëŠ&#x201A; í&#x17D;&#x201A;ě&#x17D;&#x2030;ëŠ&#x161; î?&#x2013;ě&#x201E;Ś 먞í?&#x160;? í°ŞëŹşě&#x160;˛ëŤ&#x160;í&#x201D;Ś 퍺í??í&#x201D;&#x17D; í &#x2039;í&#x17E;&#x17D;ě&#x17E;&#x161;, 튌í&#x201D;&#x161; ěŤ&#x201A;ě ˘ 뚽읎 ěšşě&#x2022;&#x161;ě&#x160;˛, ëŻ&#x2020;ëŠ&#x2018;ě&#x2020;&#x2019; í??í&#x17D;&#x201A;ë§&#x17D; 쥜돝í&#x17D;&#x201A;ë§&#x17D; í&#x152;&#x2019;ě&#x201A;&#x161; ěšşě&#x2022;&#x161;ě&#x160;˛ëŤ&#x160; î?&#x201A;í&#x2018;&#x2020;í&#x17D;&#x17E;읪 í&#x2022;&#x;í&#x17D;&#x201C;î&#x152;Şě&#x201A;˛ě ˘ ëŠ&#x201A; í&#x17D;&#x201A;ě&#x2014;˛í&#x2019;&#x201A; í&#x2022;&#x160;í&#x2022;&#x201A;í&#x2022;¤í&#x152;&#x2019;. í&#x17D;&#x201A;ěş&#x2014;î&#x152;Ş ě­&#x2019;í&#x201C;&#x2019;믞ě?&#x160; 발몎 ëŻ&#x2020;ě&#x160;˛ëŤ&#x160; í&#x17D;&#x201A;í&#x2019;&#x2020;ě&#x2014;˛ 퍺í??î&#x152;Śě ˘ ëť&#x2013;ě&#x17E;&#x161;í&#x201D;Ś ě°&#x2019;슣í&#x2022;&#x201A; í&#x2022;&#x2013;í&#x201D;&#x2019;ë°&#x161;? T ëŻ&#x2020;ě&#x2022;Ś, ě&#x17E;Źí&#x152;&#x2019;. â&#x20AC;&#x2DC;ě&#x201E;˘ ěź&#x17D;ě°&#x2019;â&#x20AC;&#x2122;í&#x201D;Ś í&#x201A;Şí&#x2022;&#x;í&#x201D;&#x17D; ëş&#x201A; í°ŞëŹşě&#x160;˛í&#x201D;&#x2019; í§&#x203A;ě ˘ 먞í?&#x17D;í&#x17E;&#x17D;. ëŻ&#x2020;ě&#x2013;şě&#x201A;˛ë§&#x17D; í°ŞëŹşí&#x201D;Ś í°ŞëŹşě&#x160;˛ě&#x2DC;Ş î?Łí&#x2022;łě&#x2021;Śí&#x17D;&#x2013;몎, ëŻ&#x2020; ě&#x201A;˛í&#x201D;&#x161;í&#x17D;˘ ëş&#x201A; ëŤ&#x17D;í&#x201A;şí&#x201D;&#x2019; ë¸&#x2019;ě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A; ě&#x192;&#x17D;ěş?í&#x2022;&#x201A; ě&#x2021;Śí&#x17D;&#x2013;í&#x17D;&#x201A;. í&#x2022;&#x201A; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; î&#x152;Śě ž ë§&#x17D;í&#x2022;ł í&#x201A;ŽëšŚě ˘ í&#x2022;&#x160; í&#x203A;&#x; î&#x152;ŚëšŚě ˘ ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; ěšşě&#x2022;&#x161;í&#x201D;&#x2019; ě&#x17E;&#x161;뚌몎, í&#x17E;&#x;í&#x17D;&#x17E; 짡ě¤&#x2020;î&#x152;Śí&#x17D;ş ëŻ&#x2020;ě&#x160;˛í&#x201D;Ś ěź&#x2020;ëŞ&#x2019;ě?&#x160; ëŞ&#x2039;î&#x17D;Śî&#x152;ŚëŞŽ, ëŻ&#x2020;ě&#x160;˛í&#x201D;Ś 쥜ě&#x160;Ž ëŠ&#x2018;í&#x201D;&#x2019; í&#x152;&#x161;í&#x152;&#x2019;ë§&#x17D;ě ˘ í&#x2022;&#x160;í&#x2022;&#x201A;í&#x17E;&#x17D;. ëŹ&#x2014;í&#x2022;łî&#x2022;&#x2013; î&#x201A;&#x2021;ěŞ&#x2019;î&#x152;Ş ëŞ&#x2039;î&#x17D;Śí&#x2022;&#x201A;í?&#x160;. ěŤ&#x17E;, í?şě?şě°&#x2019;í&#x17D;&#x17E; í&#x2022;Ž(Olivier Zahm)í&#x201D;Ś ëŤ&#x192;ë§&#x2019;í&#x17D;&#x17E;읪 ëŻ&#x2020;í&#x201D;Ś í¨&#x201C;ě&#x160;˛ëŤ&#x160; î?łěżŚ í˛şě&#x2014;&#x2014;쟌í&#x201D;&#x2019; ěŤ&#x2020;ě&#x201A;˛ě ˘ ëŠ&#x161; í&#x17D;&#x160;ě&#x17E;&#x2013;뚌 í&#x2022;şě§&#x2020;í&#x2022;&#x2013;ě ˘ í&#x2022;&#x160;í&#x2022;&#x2020;í&#x17E;&#x17D;. ëŻ&#x2020;ëŠ&#x201A; í­ŁěŤ&#x192;í&#x2022;&#x201A;ěĄ&#x201A;읪ě&#x2020;&#x2019; 뚌í&#x17D;&#x17E;ëŠ&#x161;ě ˘ í&#x2022;&#x17E;í&#x17D;ží ˛ě&#x2013;şí&#x2019;&#x201A; í&#x2022;&#x160;í&#x2022;&#x201A;í&#x17D;&#x2013;í&#x17D;&#x201A;. î&#x2019;˘íŞ&#x17E;ěŤ&#x160; í&#x2022;&#x17E;늡í&#x201D;&#x2019; ë§&#x17D;í&#x17E;&#x2019; 먞뚌 ě&#x17E;&#x2013;í§şë§&#x17D;í&#x17E;&#x17D;í&#x17E;&#x17D;.

M ëšŚě ˘ 띲ë§&#x17D; ëť&#x2013;í&#x201D;Ś íŤ&#x2013;믞 í&#x2022;&#x;í&#x17D;&#x201C;ě&#x160;˛í&#x201D;&#x2019; í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;í&#x17D;&#x17E; í?şě?şěĄ&#x201A;읪 í&#x2022;&#x2020;믞ě?&#x160; í&#x17D;&#x2030;í&#x17D;&#x2013;ě&#x201A;˛ëŞŽ 캍ë§?î?&#x201A;. 쥜ě&#x2C6;&#x17E;ě&#x160;˛ ëť&#x2013;í&#x201D;Ś 짡í&#x201A;Ťí&#x201D;&#x160;ě&#x2DC;Ş íŤşí??î&#x152;ŚëŻžě?&#x160; í&#x2019;&#x17E;î?&#x2013;í&#x2022;¤í&#x152;&#x2019;. 몎ě?şíş&#x17D;ě­&#x2019;î&#x152;Ş ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x2022;&#x201A; 뚪ě¤&#x201A;î?&#x2013;ě&#x201E;Ś í&#x201A;Şí&#x2014;&#x2013;í&#x17D;&#x17E; ëť&#x161; ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; ëŤ&#x17D;í&#x2014;&#x17E;í&#x201D;&#x2019; í&#x2014;Şí&#x201A;Şî&#x152;Ş ë¨ží?&#x160;. ëť&#x2013;í&#x201D;Ś ěšşí&#x17E;&#x2019;í&#x17D;&#x17E;ě ˘ î?ŞëŻžë§&#x17D; ëťŚíŞ˛í&#x17D;&#x201A;. ě&#x192;&#x2021;í&#x201A;Ş ěź&#x17D;ě°&#x2019;ě&#x2022;&#x160;ě ˘ í&#x2022;&#x;ë§&#x17D;ë§&#x17D; í&#x2022;Ś í&#x152;&#x161;ě&#x2014;˛í&#x17E;&#x17D;í&#x17E;&#x17D; í&#x152;&#x2DC;í&#x152;Śí&#x201D;&#x161;í&#x17D;&#x17E;ě&#x2020;&#x2019; ě­&#x2013;돺î&#x152;ŚëŞŽ ëť&#x2013;í&#x17D;&#x17E;ëŠ&#x161; ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; í§&#x203A;î&#x2022;&#x161;ě&#x201A;˛ě ˘ ëŠ&#x2018;í&#x201D;&#x17D; í??ëŤ&#x;í ˛ě&#x2013;şí&#x2019;&#x201A; í&#x2022;&#x160;í&#x2022;&#x201A;í&#x17D;&#x2013;í&#x17E;&#x17D;.

T 몎ě&#x17E;&#x2013;í&#x2019;&#x161;. 뚌í&#x201D;Ś í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x17D; í&#x17D;&#x2020;í&#x2014;ŞëšŚ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019; ě&#x2020;&#x2122;ěŤ&#x201A;í&#x2022;&#x201A;ëŠ&#x161; î?&#x201A;. ě­&#x17D;í&#x2014;Łí&#x2014;?í&#x2022;&#x2020; í&#x201A;ŞěťŽí&#x201D;&#x17D; í&#x2014;&#x2019;î?&#x17D; í&#x17D;&#x201D;í&#x17E;&#x17D;. ëŻ&#x2020;ě&#x2022;ŚěťŞ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x17D; í&#x2022;&#x17E;í&#x17D;ží ˛ě&#x2014;&#x2013; ëş&#x201A; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;Ś í&#x2022;&#x160;ě­&#x17D;ë§&#x17D; ě&#x2021;Śë°&#x2020; í&#x2019;&#x17E;î?&#x2013;ě&#x201E;Ś ëŠ&#x2018; 맧í&#x152;&#x2019;.

M ëť&#x2013;í&#x201D;Ś ěšşí&#x17E;&#x2019; ě˝&#x203A; í&#x2022;&#x2020;ě¤&#x160;ě&#x160;˛í&#x201D;&#x17D; í&#x2022;&#x17E;í&#x2122;&#x201A;í&#x201A;şí&#x2022;&#x201A; í&#x2014;Łě&#x17E;&#x17E; ěź&#x2020;먞뚌 맪읿 ëťŚí°Śě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛ě&#x2DC;Ş ë§&#x17D;ě&#x160;Ťî?&#x201A;. ëŻ&#x2020;ě&#x160;˛í&#x201D;&#x2019; 퍺í??î&#x152;ŚěĄ&#x201A;읪 î&#x2022;Śě&#x160;Ž í&#x2022;&#x160;í&#x201D;&#x17D; í&#x17D;&#x201D;í&#x17D;&#x2013;ě&#x201A;&#x2013;? î&#x192;śěźŚí&#x201D;Ś í&#x152;&#x2019;í&#x2022;&#x201A;í´Śí&#x2022;&#x2020; íą&#x160; ě&#x2022;&#x160;먞î&#x2026;Žî&#x201A;&#x2020;(Karl Lagerfeld)뚌 몎í&#x17E;&#x; ěź&#x160; í&#x20AC;&#x17E;î&#x2039;&#x2019;ě&#x160;˛í&#x201D;&#x2019; 퍺í??î&#x152;Ž ě&#x152;&#x161;ě&#x2020;&#x2019; í&#x2022;&#x2013;í&#x17D;&#x2013;í&#x2022;¤í&#x152;&#x2019;. í&#x2022;&#x201A;ě&#x160;˛í&#x201D;&#x2019; 퍺í??î&#x152;ŚěĄ&#x201A;읪 늸í&#x17D;&#x2013;ě&#x201E;Ś í¸ž í&#x17D;&#x201A;ě&#x2014;˛í&#x2019;&#x17D;í&#x2022;&#x201A; í&#x2022;&#x2013;ě&#x201A;˛ěĄ&#x201A; ě¤&#x201A;í&#x17D;&#x2022;í&#x2022;&#x160;ë°&#x161;?

T ěŠ&#x161;í&#x201E;ś 17ëź&#x2019;í&#x2022;&#x201A;뚌 ěšşí&#x17E;&#x2019; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; î?&#x201A;í?˘ëť˛, ěŠ&#x161;í&#x201E;ś ëŻ&#x2020;ě&#x2014;&#x2022;ëŠ&#x161; ě&#x2021;&#x17E;돺뚌. 튌í&#x201D;&#x161; ěšşí&#x17E;&#x2019; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; í&#x201A;Şí&#x2022;&#x;î?&#x2013;í&#x201D;&#x2019; ě&#x152;&#x161;ě&#x17E;&#x161; î?&#x201A;ě&#x2020;&#x2019; ëšŚě ˘ í&#x2DC;žěĄ&#x201C;í&#x17D;&#x17E;읪ě­&#x17D;íťž 쥜ě&#x2026;&#x2020;í&#x201D;Ś í&#x2022;&#x17E;ěź&#x2020;ë°&#x161;í&#x17E;&#x17D; ě&#x17E;˛í&#x2018;ž 몎í&#x2014;&#x2019;í&#x2014;?í&#x2022;&#x2020; 짡í&#x201A;Ťí&#x201D;&#x160;ě&#x2DC;Ş ěĄśě&#x160;Ž ëŠ&#x2018;í&#x201D;&#x2019; í˛śî&#x201A;&#x2020;ě&#x2DC;˛î&#x152;Śě ž 퍺í??î?&#x2013;í&#x17D;&#x201A;. ě&#x17E;˛í&#x2018;ž î?Łí&#x201A;Ťí&#x2014;?í&#x2022;&#x201A;í&#x17D;&#x2013;í&#x17E;&#x17D;. í&#x2022;&#x201A;ě&#x2014;&#x2022;ëŠ&#x161; î?Łí&#x201A;Ťí&#x2014;?í&#x2022;&#x2020; í&#x2022;&#x17E;ěź&#x2020;ě?&#x160; 펜î&#x152;Śë¨žëšŚ 쥜ě&#x160;Ž ëŠ&#x2018;í&#x201D;&#x2019; íž&#x192;í&#x2014;Şî&#x152;Ş ěş?íşŞí&#x17D;&#x17E;읪 퍺í??í&#x201D;&#x2019; î&#x152;ŚěĄ&#x201A;, ěšşí&#x17E;&#x2019;í&#x201D;Ś 늞ëŤ&#x160;ě¤&#x160;í&#x2022;&#x201A; í&#x2014;Łě&#x17E;&#x17E; í&#x17E;&#x17D;ě&#x161;śî?&#x201A; í&#x17E;&#x2019;ě&#x201A;˛ě ˘ ëŠ&#x2018;í&#x201D;&#x2019; ë´˛ í?˛ě&#x2022;Ş í&#x201A;Şë§&#x2019;í&#x2022;&#x201A; í&#x17E;&#x17D;뚌읪í?&#x160; í&#x152;&#x161;ëŠ&#x161; ě&#x2021;Śí&#x17D;&#x2013;í&#x17D;&#x201A;. â&#x20AC;&#x153;í&#x2022;Žë°&#x17E;, 400í&#x2022;łí&#x201D;Ś ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; í§&#x203A;í&#x17D;&#x2013;ě ˘ě&#x201E;ž, 쥜ě&#x2C6;&#x17E; ě?&#x;맧í&#x152;&#x2019;.â&#x20AC;? í&#x17D;&#x2019;튝뚪 ë°śě&#x201A;şí&#x201D;&#x161;í&#x2022;&#x201A;í&#x17D;&#x2013;í&#x17E;&#x17D;. ě?&#x17E; â&#x20AC;&#x153;ëş&#x201A;ë§&#x17D; 퍺í??î&#x152;Śě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;Ś í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ě?&#x160; í&#x2022;&#x2013;ě ˘ ëŻ&#x2020;ě&#x192;&#x17D;ě&#x2DC;Ş ě§Ší&#x152;&#x2019;ě&#x160;˛í?&#x17D;í&#x17D;&#x201A;í?&#x160; î&#x152;Śě ˘ëŹşëšŚ!â&#x20AC;?ě&#x2022;&#x160;몎 캍ë§?î?&#x2013;í&#x17D;&#x201A;. ëş&#x201A; 캍ë§?í&#x17D;˘ í&#x2022;&#x201A;ëŠ&#x201A; ě&#x17E;&#x2013;í¸ş ëť&#x2013;í&#x201D;Ś í&#x2022;&#x;í&#x17D;&#x201C;ëŤ&#x160;ě&#x2020;&#x2019; í&#x17D;žëŤ&#x17D;ě&#x2021;Śě ˘ ëŠ&#x2018; 맧í&#x152;&#x2019;. ëť&#x2013;ě&#x2020;&#x2019; î&#x152;&#x160;ěšşíŞ&#x201A;ě&#x2DC;Şě­&#x17D;íťž í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ě?&#x160; í&#x17D;&#x2030;몎 ëŻ&#x2020;ëŠ&#x2020; 믞짌í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;&#x;í&#x17D;&#x201C;î&#x152;Śí&#x2022;¤í&#x152;&#x2019;. íą&#x160; ě&#x2022;&#x160;먞î&#x2026;Žî&#x201A;&#x2020;í?&#x17D; 맧í&#x201D;&#x17D; ěšşě&#x2022;&#x161;ëŤ&#x160; 퍺í??î&#x152;Şě&#x201A;˛ěĄ&#x201A;, ëŻ&#x2020; í&#x17D;ťí&#x201A;Ş í&#x2022;&#x17E;믞ě&#x17E;&#x161;í&#x201D;Ś 짡í&#x201A;Ťí&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;&#x17E;ěź&#x2020;ě?&#x160; 펜î&#x152;ŚëŞŽ í&#x192;&#x201E;í&#x17D;&#x201A; î&#x152;Žë¨ží?&#x160;. íą&#x160; ě&#x2022;&#x160;먞î&#x2026;Žî&#x201A;&#x2020;ě ˘ í&#x152;&#x2014;í&#x152;&#x2019; í&#x2022;&#x2013;ě ˘ ěšşí&#x17E;&#x2019;í&#x201D;&#x17D; í&#x2014;&#x2013;ě&#x192;&#x17D; í§&#x203A;í&#x17E;&#x17D; í&#x152;&#x2DC;í&#x152;&#x2019;. ëŻ&#x2020;ě ˘ 읎 í¨&#x2019;ě&#x2DC;Ş ëŻ&#x2020;ě&#x17E;&#x161;í&#x201D;Ś î&#x2020;şí?&#x2013;ě?&#x160; 펜î&#x152;Śí&#x17E;&#x17D;. 뚪 ëŻ&#x2020; í&#x2014;&#x17E;í&#x2022;&#x201A; í&#x2014;Łě&#x17E;&#x17E; í&#x2122;&#x2122;í&#x152;&#x2019;! 뚪 í&#x2022;&#x2013;ě ˘ ëŻ&#x2020;ě&#x192;&#x17D;ě&#x2DC;Ş ëŻ&#x2020;í&#x201D;Ś î&#x2020;şí?&#x2013;ě?&#x160; 짊í&#x152;&#x2019;ě&#x160;˛í?&#x17D;몎, 뚌í&#x201D;Ś î&#x152;&#x160;ěšşíŞ&#x201A;ë§&#x17D; 뚌ě?&#x160; í&#x2022;&#x201A;ë¸&#x2019;ě ˘ ě&#x192;&#x17D;ě&#x2DC;Ş ě&#x2039;žě&#x2022;&#x160;맢í&#x17E;&#x17D;. í&#x2014;Łě&#x17E;&#x17E; í&#x2022;şě§&#x2020;í&#x2022;&#x2013;í&#x17D;&#x2013;í&#x17D;&#x201A;. î&#x192;śě?şí ˛ 짞ě&#x160;Şí?&#x2019;(Faris Badwan)ëŤ&#x160; í&#x2022;&#x;í&#x17D;&#x201C;î&#x152;Ž ě&#x152;&#x161;ě&#x2020;&#x2019; ě&#x17E;&#x2013;í§şë§&#x17D;í&#x17E;&#x17D;í?&#x17D;í&#x17D;&#x201A;. ě&#x201E;˘ î?&#x2020;ě&#x2013;şí ˛(The Horrors)ě?&#x160; í&#x152;&#x2013;ě&#x201A;˛ěĄ&#x201A; ëť&#x2013;ě&#x2020;&#x2019; ëŻ&#x2020;ě?&#x160; í&#x152;&#x161; 먞í?&#x160;. ëŻ&#x2020;ě ˘ ě&#x2022;&#x2039;í&#x152;˛ě&#x2DC;˛ ě¨&#x201A;ě&#x160;Şí&#x201D;Ś ě?şě&#x160;Ş ěŤ&#x201A;í˛şí&#x2022;&#x201A;í&#x17E;&#x17D;ě&#x17E;&#x161; ě¤&#x201A;ě&#x192;&#x17D; í&#x152;&#x2019;ě&#x2022;Śí&#x17D;&#x17E;읎 쿌í&#x203A;&#x203A;í&#x201D;&#x161;í&#x201D;&#x2019; ě&#x17E;&#x153;í&#x2022;&#x201A; íş&#x17D;. ëŻ&#x2020;ě?&#x160; 퍺í??î&#x152;Ž ě&#x152;&#x161; 짢ě&#x2DC;Ş ëŻ&#x2020; í&#x2014;&#x17E;í&#x17D;&#x17E; íŤ&#x2013;í&#x2014;&#x17E;í&#x201D;&#x2019; ě&#x17E;ŹíŽ&#x2019;í&#x17D;&#x201A;. 퍺í??í&#x201D;&#x2019; î&#x152;Śě&#x201A;˛ë§&#x17D; í&#x17D;&#x201A;ě &#x17E; î&#x152;Ş í&#x201A;Şí&#x2014;&#x17E;í&#x17D;&#x17E;읪 ëŻ&#x2020;ë§&#x17D; í?&#x2026;í&#x2022;ł ě˝&#x203A;í&#x17D;&#x17E; ěżśí&#x17D;&#x2013;몎, í&#x17D;&#x160;ë­&#x201A; í&#x2022;&#x160;ě­&#x17D;ě?&#x160; ěą&#x160;ë´&#x160;î&#x2022;&#x2013; ëş&#x201A;ě§&#x17D;í&#x17D;&#x2013;ě ˘ě&#x201E;ž, ëŻ&#x2020;ëŠ&#x161; í¨&#x2020; í&#x2122;&#x2122;í&#x152;Śí&#x17D;&#x201A;. â&#x20AC;&#x153;í&#x2122;&#x2122;í&#x152;&#x2019;. ëŻ&#x2020;ë§&#x17D; ěżśí&#x17D;&#x201A;í&#x2022;&#x2013;ě ˘ ëŠ&#x2020; 퍺í??î?&#x201A;í?&#x160;늎í&#x17D;&#x201A;.â&#x20AC;? ëŻ&#x2020;ě&#x2022;ŚěťŞ ěšşí&#x17E;&#x2019;í&#x2022;&#x201A;ě&#x2022;&#x160;ě ˘ ëŠ&#x201A; ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A; 윪í&#x17D;&#x201A;ëş&#x201A;ě ˘ í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ě?&#x160; 짊í&#x152;&#x2019;ě&#x160;˛í&#x2022;&#x201A;ě ˘ ëŠ&#x161; ě&#x201E;˘ í&#x203A;&#x;í&#x2018;˘î&#x152;Śě&#x201A;˛ëŞŽ î&#x152;Ž 쿌 í&#x2022;&#x2013;í&#x17E;&#x17D;. í&#x2022;&#x201A;ëŠ&#x161; ě&#x201E;˘ î&#x201D;łě§&#x2020;ě&#x2DC;Şí&#x2019;&#x201A; ěšşí&#x17E;&#x2019;í&#x2022;&#x;ë§&#x17D;ë§&#x17D; ě&#x2021;Śě ˘ 짡슣í&#x2022;&#x201A;ě&#x2022;&#x160;몎 캍ë§?î?&#x201A;.

M 뚌ě¤&#x201A;í&#x17D;&#x17E; í&#x17E;&#x;í&#x201D;&#x2019; í&#x17E;ĄëŞŽ ěšşě ˘ ěšşě&#x2022;&#x161;í&#x2022;&#x201A;뚌 í&#x201A;Şě Śî&#x201A;&#x2020; ěŠ§í˛˛ 맧í&#x201D;&#x17D; ëŤ í&#x17D;&#x17E; ěšşě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛íŠŚě&#x2014;&#x160;, ěšşě&#x2022;&#x161;ě&#x17E;&#x2013;ě&#x201A;˛ î&#x201A;&#x2021;ěŞ&#x2019;î&#x152;Ş ě§ˇí&#x201A;Ťí&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;&#x17E;í&#x201A;Ží&#x201D;Ś í&#x203A;&#x160;ěŞ&#x17D;í&#x201D;&#x2019; ë§&#x17D;ëś&#x2020;í&#x17D;&#x201A; 뚌ë§&#x2019;ě&#x201A;˛ëŞŽ 캍ë§?î?&#x201A;? ë§?í&#x2022;&#x17E;í&#x201D;Ś 읿늡í&#x2022;&#x201A; ëŻ&#x2020;ě&#x160;˛í&#x2022;&#x201A; ěšşě ˘ í&#x17E;&#x;í&#x201D;Ś í&#x2022;&#x2020;íź&#x161;ě?şí&#x17D;&#x201A;뚌 ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x2039;&#x2019; í ˛íş&#x17D;í&#x2022;&#x160;ëŤ&#x160; í&#x2022;&#x160;í°Śî&#x152;Şě&#x201A;˛ëŞŽ ěŤ&#x201A;ě&#x201A;&#x2013;?

T ëŻ&#x2020;ě&#x2022;Ś. ě&#x192;&#x17D;ě­&#x17D;ě­&#x2019;í&#x201D;Ś ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x17D; í&#x2022;&#x17E;í&#x201A;Žě&#x160;˛í&#x2022;&#x201A; ěšşě ˘ ëŤ í&#x17D;&#x17E; ëŻ&#x2020;ě&#x201A;˛í&#x17E;&#x17D; í&#x201A;ŽëŞ&#x2039;í&#x201D;&#x2019; í&#x160;ží&#x17E;&#x17D; í&#x152;&#x2DC;í&#x152;&#x2019;. ëŻ&#x2020;ě&#x160;˛í&#x201D;&#x17D; ěŞ&#x2019;ě&#x2DC;Ş ëŤ&#x17D;í&#x201A;şí&#x2022;&#x201A; í&#x17D;&#x201D;í&#x17E;&#x17D;. ě&#x201A;śěżŞî&#x2022;&#x2013; í&#x2022;Ží&#x201D;&#x2019; í&#x2022;&#x17E;ě ˘ ëŤ&#x192;ë§&#x2019;í&#x2022;&#x201A;ě&#x2022;&#x160;몎 캍ë§?î?&#x201A;, ě¤&#x17E; ëŻ&#x2020;ëŠ&#x201A; ëŻ&#x2020;ëŠ&#x2018;ě&#x192;&#x17D;ě&#x2DC;Ş í&#x2122;&#x2122;í&#x152;&#x2019;. î&#x152;Śí&#x17E;&#x17D;ě&#x17E;&#x161; ëş&#x201A;ë§&#x17D; 퍺í??î&#x152;Ş ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x17D; ëŻ&#x2020;ě&#x160;˛ě&#x17E;&#x161;í&#x201D;Ś 튎î&#x152;§í&#x201D;&#x2019; 매몎 í&#x2022;&#x2013;í&#x17D;&#x2013;í&#x17D;&#x201A;. ě&#x17E;˛í&#x2018;ž 맪읿í&#x2022;&#x201A; 맣î&#x152;Ş ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A;í&#x17E;&#x17D;. ëŻ&#x2020;ě&#x160;˛í&#x201D;&#x17D; í&#x2022;&#x17E;í&#x201A;Žě&#x160;˛í&#x201D;Ś ěťżî?łëŤ&#x160; ěş&#x201E;í&#x17D;&#x17E; ě&#x17E;Źí­ž í&#x17E;&#x;í&#x201D;&#x2019; í&#x17E;ĄëŞŽ î?ŚëŞ&#x2039;í&#x201D;&#x2019; ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A;ë§&#x17D;. 뚪 í&#x2022;&#x201A;ě&#x2013;ž ëŞ&#x2039;í&#x2018;žě?&#x160; ě&#x17E;&#x153;í&#x2022;&#x201A; ěŤ&#x201A;í&#x152;Śí&#x17D;&#x201A;.

M í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; í&#x2DC;žëŻ&#x2013; 짢뜢 ěŤ&#x160;ëŠ&#x161;. í&#x2018;˘í?Ś ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; í&#x2019;&#x17D;í&#x17E;?í&#x2022;&#x2019; í&#x203A;&#x; î&#x152;ŚëšŚí&#x2022;&#x2020; ě§&#x2020;ě&#x201A;&#x2013;ě &#x17D;ě?şí ˛î&#x201A;&#x2020;ě&#x2022;&#x160; ě­&#x2013;ě?şě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A; í&#x2022;&#x2013;í&#x2022;¤í&#x152;&#x2019;. ěšşí&#x201A;˛ 뚪 맪í&#x2022;&#x2020;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ě&#x17E;˛í&#x2018;ž í&#x201A;ší&#x17D;&#x201A;î&#x152;Śě ˘ě&#x201E;ž, 쥜ě&#x160;Ž ëŠ&#x2018;í&#x201D;&#x2019; ëş&#x201A;ě&#x201A;˛ ěŠ&#x2019;ě?şëŞŽ î?˘í&#x2022;łě&#x192;&#x17D;í&#x17D;&#x17E; í&#x201A;Ťě¤&#x160; î&#x152;ŚëšŚě&#x17E;&#x161; í?şě&#x2014;˛ ě&#x2C6;˘ě&#x201A;˛ë¨žëšŚ ě&#x17E;˛í&#x2018;ž í&#x2014;?í&#x201D;&#x17D; í?&#x;í&#x201D;Ś í?&#x2026;ě&#x17E;&#x161; ë§&#x17D;í&#x17E;&#x2019; í¨&#x2019; 짌-ě˝&#x161;ě°&#x2019;í&#x203A;&#x160;í&#x201D;Śě?&#x160; í­˘ëŹşî&#x152;Śě ž ěş&#x201A;í&#x152;&#x2019;ë§&#x17D;ě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛ ě&#x17E;&#x17E;í&#x2022;&#x201A;í?&#x160;. í&#x2022;&#x201A;ě&#x2013;ž ëŞ&#x2039;î?łí&#x17D;&#x17E; ě&#x192;&#x17D;î?&#x201A; í&#x17D;&#x201A;ě&#x17D;&#x2030;ëŠ&#x161; 캍ë§?î?&#x201A;? T 믞ë§&#x17D; ě&#x17E;&#x2014;î&#x2022;&#x161; í&#x17E;&#x2013;ě¤&#x2020;í&#x2022;&#x201A;í?&#x160;! 폪몎í&#x201D;Ś ě&#x17E;łí&#x201A;Şě &#x17D;ě?şí ˛î&#x201A;&#x2020;í&#x2022;&#x2020; 띲ë§&#x17D; ě§&#x2020;ě&#x201A;&#x2013;ě &#x17D;ě?şí?Śí&#x17D;&#x17E; ě&#x192;&#x17D;î?&#x201A; ě¤&#x2030;ě&#x201A;˛ě&#x201A;&#x2013;. í&#x152;&#x2019;í&#x203A;&#x160; í&#x2122;&#x2122;í&#x152;&#x2019;. ëšŚě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A; ë§?í&#x2022;&#x17E;í&#x201D;Ś ě˝&#x161;í&#x201C;Žě¤&#x160;ëŤ&#x160; 읪ě&#x2DC;Ş ě&#x201A;˛ě?&#x2020; ëŤ&#x17D;ëŞ&#x2019;ě?&#x160; ě&#x;&#x2C6;ě ˘ě&#x201A;˛ëŞŽ

캍ë§?î?&#x201A;. í&#x2022;&#x201A;ëŠ&#x201A; í&#x2014;Łě&#x17E;&#x17E; 튎î&#x152;§í&#x2014;?í&#x2022;&#x201A;몎 ë§&#x17E;ěťżí&#x2014;?í&#x2022;&#x2020; 먞í?&#x160;. ěšşě&#x2022;&#x161;ě&#x160;˛ëŤ&#x160; ěšşě¤&#x160;í&#x201D;Ś ëŤ&#x17D;ëŞ&#x2019; ëŻ&#x2020;ě?şëŞŽ ëŻ&#x2020;ě&#x160;˛í&#x2022;&#x201A; 쿌í&#x17E;&#x;î&#x152;Śě ˘ ëŠ&#x2018;ě&#x160;˛í&#x17D;&#x17E; î&#x152;ťěş? î&#x201D;łě§&#x2020;ě?&#x160; ě &#x17E;ëł&#x201A;. 뚪 쿌í&#x17E;&#x;ë§&#x17D;ě&#x160;˛ëŤ&#x160; ě&#x17E;&#x153;í&#x201D;&#x17D; ě¤&#x160;ëŠ&#x201A;ě&#x160;˛í&#x201D;&#x2019; ë§&#x17D;í&#x17E;&#x2019; ěšşě&#x2022;&#x161;ě&#x160;˛í&#x17D;&#x17E;ëŠ&#x161; ëŤ&#x17D;í&#x201A;şí&#x2022;&#x201A; í&#x2022;&#x2013;í&#x17D;&#x201A;. 쥜ě&#x160;Ž ëŠ&#x2018;í&#x201D;&#x2019; ěŠ&#x2019;ě&#x2014;˛í?&#x160; î&#x152;Śě ˘ ě§&#x2020;ě&#x201A;&#x2013;ě &#x17D;ě?şí?Śí&#x201D;&#x17D; 뚌ě&#x2DC;ŞěťŽ í&#x2022;&#x201A;î?&#x201A;î&#x152;ŚëŻžë§&#x17D; í&#x17D;&#x201A;ě&#x2014;˛í&#x2019;&#x161;. ěšşí&#x17E;&#x2019;í&#x201D;&#x160;ě&#x2DC;Ş ëšśëŻžë¨žëšŚ í&#x2022;&#x201A;í?&#x160;ë°&#x2018;먞ě?şë§&#x17D; í&#x2022;&#x2013;ě ˘ î&#x201D;łě§&#x2020;ě&#x2DC;Şí&#x2019;&#x201A; ě¤&#x160;ëŠ&#x201A;ě&#x160;˛í&#x2022;&#x201A; í&#x17D;&#x201D;í&#x201D;&#x160;ě&#x201A;&#x2013;ë°&#x161;. ě§&#x2020;ě&#x201A;&#x2013;ě &#x17D;ě?şí?Śí&#x201D;&#x17D; ëŻ&#x2020;ě&#x2013;ž î?&#x2020;믞í&#x201A;şí&#x201D;&#x2019; í&#x201C;Žě§Şî&#x152;Śě ˘ í&#x2018;˘ě˝&#x161;ě&#x160;˛í&#x2022;&#x201A; í&#x17D;&#x201D;í&#x17D;&#x201A;.

M í&#x17E;&#x17D;뚪 ěĄ&#x2022; ëź&#x2019;ë§&#x2019; ě§&#x2020;ě&#x201A;&#x2013;ě &#x17D;ě?şí ˛î&#x201A;&#x2020;í&#x201D;Ś í&#x152;&#x2019;í&#x2022;&#x201A;í´Śí&#x2022;&#x201A;ě&#x2022;&#x160;몎 î&#x152;Ž 쿌 í&#x2022;&#x2013;ě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019; 퍺í??î&#x152;Ş í&#x2014;? í&#x2022;&#x2013;ě&#x201A;&#x2013;? T

í&#x201D;&#x161;, 캍ë§?î?&#x201A;ěŤ&#x201A;í&#x2022;&#x17E;...

M ěź&#x17D;ě°&#x2019;í ˛ě&#x2014;&#x2039;í&#x17E;&#x17D; í&#x152;&#x2DC;í&#x201D;&#x2019; ěżŚě ˘ í&#x2022;&#x2013;í&#x17E;&#x17D;ě&#x17E;&#x161; 띲ë§&#x17D; ě­&#x2019;ěĄ&#x201C; 믞ě&#x2DC;Ťî&#x152;ŚëŞŽ í&#x192;&#x201E;ě&#x201A;˛ě ˘ 캍ë§?í&#x2022;&#x201A; ě&#x160;˛ í&#x2014;Łě&#x2020;&#x2019;ě&#x2DC;Ş î&#x201D;łě§&#x2020;ě&#x2DC;Şí&#x2019;&#x201A; ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x2039;&#x2019; í ˛íş&#x17D;í&#x2022;&#x160;í&#x201D;&#x2019; í­˘ëŹşî&#x152;Śě ž ěş&#x201A;몎 í&#x2022;&#x2013;ě ˘ ě§&#x2020;ě&#x201A;&#x2013;ě &#x17D;ě?şí ˛î&#x201A;&#x2020;ě&#x160;˛ě&#x2020;&#x2019; í&#x2022;&#x2013;í&#x201D;&#x2019; 먞í?&#x160;. T

ě&#x17E;Źí&#x152;&#x2019;. ëş&#x201A;ë§&#x17D; ě&#x201A;śí&#x17E;&#x17D; í&#x17E;&#x17D;ëŻ&#x2013;ë°&#x161;í&#x17E;&#x17D; ě§&#x2020;ě&#x201A;&#x2013;ě &#x17D;ě?şí?Śí&#x17D;&#x17E; î&#x152;ŞěŠ&#x2013;ě&#x2020;&#x2019; ě&#x17E;˛ě&#x2014;łí&#x201D;&#x2019; ě &#x17E;ëš&#x17D; í&#x2014;?í&#x2022;&#x201A; í&#x17D;&#x201D;í&#x201D;&#x2019; ěś&#x17E;í&#x2022;&#x201A;í?&#x160;. ě&#x17E;łí&#x201A;Şě &#x17D;ě?şí?Śí&#x201D;&#x2019; í&#x17E;&#x17D;í&#x17E;&#x17D;î&#x152;ŚëŻžě ˘ î?&#x201A;. 뚌ě&#x2020;&#x2019; 맪í&#x2022;&#x2020;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ě¤&#x201A;í&#x17D;&#x2020;ë§&#x17D;ě?&#x160; 쿌í&#x17E;&#x;î&#x152;Śë¨žëšŚ í&#x17D;&#x2019;튝뚪 í?&#x;í&#x201D;Ś ě¤&#x160;ëŠ&#x201A;ě&#x160;˛í&#x201D;&#x2019; ě˝&#x161;í&#x201C;Žî&#x152;ŚëŞŽ í&#x2022;&#x2013;í&#x17E;&#x2019; í&#x152;&#x2DC;í&#x17E;&#x17D;ě&#x17E;&#x161;, ëŻ&#x2020;ě&#x2022;Śě&#x2020;&#x2019; ě§&#x2020;ě&#x201A;&#x2013;ě &#x17D;ě?şí?Śí&#x201D;&#x17D; ëť&#x2013;ě¤&#x201A; í&#x17E;&#x17D;ě&#x161;śî&#x152;Ş ëŠ&#x2018; 맧í&#x152;&#x2019;. 2000ëź&#x2019;ě&#x192;&#x17D; íŤ&#x2013;짌, ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;Ś ëŤ&#x192;ë§&#x2019;í&#x17D;&#x17E;읪 ëŻ&#x2020;ě&#x160;˛í&#x201D;&#x2019; 퍺í??î&#x152;ŚëŻž í&#x201A;Şí&#x2022;&#x;î?&#x2013;í&#x201D;&#x2019; ě&#x152;&#x161;, 밢븢î&#x152;ŚëŞŽ 발븼î&#x152;Ş í ˛íş&#x17D;í&#x2022;&#x160;í&#x2022;&#x201A; ě&#x192;&#x2021;í&#x201A;Şí&#x201D;Ś î&#x201A;&#x2020;ě&#x2014;&#x161;ě&#x160;Şí?&#x17D;í&#x17E;&#x17D;. ëŻ&#x2020;ě&#x2022;ŚěťŞ ëšŚě ˘ ě&#x201A;śěżŞî&#x152;ŚěĄ&#x201A;읪ě&#x2020;&#x2019; ěŤ&#x192;í&#x2022;Żî&#x152;Ş ěş&#x201E;, í&#x2022;&#x201A; ě&#x2C6;&#x17E; ë§&#x17D;í&#x17E;&#x17D; 쥜ě&#x2C6;&#x17E; 짊í&#x152;&#x2019;ě&#x160;˛í&#x2022;&#x201A;믞ě&#x2DC;Ş î?&#x2013;í&#x17D;&#x201A;.

M â&#x20AC;&#x2DC;ě&#x201E;˘ ěź&#x17D;ě°&#x2019;â&#x20AC;&#x2122; î&#x2039;&#x2019;ě&#x2DC;Şí&#x2014;Ťî&#x201A;&#x2020;ě&#x2DC;Ş ëť&#x2013;ě ˘ í&#x201C;ŽěĄ&#x201C;î?&#x201A;í&#x2DC;&#x161;í&#x17E;&#x17D;. î&#x152;Śě&#x203A;&#x2030;짲 ěšşí&#x2022;&#x201A;í&#x17D;&#x17E; í&#x201C;ŽěĄ&#x201C;î?&#x201A;í&#x17E;&#x2019; ëŠ&#x201A; í&#x152;&#x2019;ě&#x201A;&#x2013;í&#x17E;&#x17D;ě&#x17E;&#x161; ëŹ&#x2014;í&#x2022;łî&#x2022;&#x2013; ě°Žě?&#x2020; í&#x201A;Şë§&#x2019; ëş&#x201A;í&#x17D;&#x17E; í&#x2022;&#x201A;ě&#x161;śí&#x17D;&#x201A;í&#x2DC;&#x161;몎, ëş&#x201A; 캍ë§?í&#x17D;&#x17E;ě ˘ 띲ë§&#x17D; í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;í&#x17D;&#x17E; ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; í?şě?ž ëŠ&#x161; í¸ž í??î?łí&#x201D;&#x2019; ëš&#x160;í°Ş ëŠ&#x2018; 맧í&#x152;&#x2019;. í&#x2022;&#x2020;í ˛íş&#x17D;ëŻ&#x2020;ě&#x2022;śí&#x2022;&#x201A;뚌 ě&#x201A;˛ě?&#x2020; SNS î&#x2039;&#x161;ě&#x2022;šî&#x2021;&#x160;í&#x2022;&#x201A; 뚌í?˛ëŻž í&#x2022;&#x201A;í&#x2014;&#x2019;í&#x17D;&#x17E; ëť&#x2013;ě&#x17E;&#x161;í&#x201D;Ś 짡í&#x201A;Ťí&#x201D;&#x160;ě&#x2DC;Ş ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; ëŤ&#x192;í&#x201C;Žî&#x152;Ş ë¨ží&#x17E;&#x17D;. í&#x2022;&#x201A;ëŠ&#x161; ëť&#x2013;í&#x201D;Ś í˛˛ě?şí&#x17D;&#x201A;í&#x17D;&#x17E; ě&#x2020;&#x2019;í&#x2019;&#x17D;í&#x2022;&#x201A; ě&#x2021;Śí&#x17D;&#x2013;ě&#x201A;˛ëŞŽ 캍ë§?î?&#x201A;? T

ëť&#x2013;í?&#x17D; ëş&#x201A;ë§&#x17D; 튌í&#x201D;&#x161; í&#x2022;&#x201A; î&#x2039;&#x2019;ě&#x2DC;Şí&#x2014;Ťî&#x201A;&#x2020;ě?&#x160; í&#x201A;Şí&#x2022;&#x;î?&#x2013;í&#x201D;&#x2019; ě&#x152;&#x161; 뚌ëż&#x2019;í&#x17D;&#x2013;ě&#x201E;Ś í&#x2022;&#x201A;í?&#x160;믞ě&#x160;˛í&#x2022;&#x201A;믞ě&#x2020;&#x2019; î?&#x201A;. í&#x152;&#x2019;ě&#x17E;&#x2013; 2008ëź&#x2019; í&#x2022;&#x201A;í&#x17D;&#x2013;í&#x201D;&#x2019; 먞í?&#x160;. í&#x2018;žě?şě ˘ 맧í&#x2022;&#x201A; î&#x2039;&#x2019;ě&#x2022;&#x160;î&#x152;Śě&#x2DC;Ş í&#x17D;şî?&#x2014;í&#x201D;&#x2019; ë§&#x17D;읪 í&#x2022;Żí&#x17E;&#x17D;í&#x17D;&#x17E; ëş&#x201A;ěŤ&#x201A;ëş&#x160; ě&#x17E;&#x153;í&#x201D;&#x17D; ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x201D;&#x2019; 퍺í??î?&#x2013;í&#x17E;&#x17D;. í˝ž í&#x2019;&#x2020;î&#x2039;&#x2019;(Tom Wolfe)í&#x201D;Ś í&#x17E;&#x;í&#x17D;&#x17E;읪 퍺í??í&#x201D;&#x2019; î?&#x2013;몎 ě&#x192;&#x2021;í&#x201A;Ş ě&#x2C6;&#x17E; í&#x2022;łí&#x201D;Ś ěšşí&#x17E;&#x2019;ě&#x17E;&#x161;í&#x201D;&#x2019; í&#x2022;Żí&#x17E;&#x17D;í&#x17D;&#x17E; í&#x201A;˛í&#x17D;&#x2013;ě ˘ě&#x201E;ž, ěšşí&#x201A;˛ ëş&#x201A;ë§&#x17D; ě&#x17E;&#x2013;í&#x201D;&#x161;í&#x17D;&#x17E; ě&#x160;˛í&#x17D;&#x2013;ě&#x201E;Ś ě &#x2122;í&#x17E;&#x2019; ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x201D;&#x17D; í ˛ě¤&#x201A; í&#x2022;łí&#x2022;&#x201A;뚌 ě&#x2021;&#x17E;í&#x17D;&#x201A;. 뚪 ëŻ&#x2020;í&#x201D;Ś 읪í&#x2022;şí?&#x17D; í&#x17E;&#x17D;î&#x192;Żí&#x2022;&#x201A;, ěšşí&#x2014;?í&#x2022;&#x2020; î&#x2020;&#x2020;í&#x17E;&#x17D;ě&#x160;˛ëŤ&#x160; 쥜í&#x2022;&#x17E; í˛şě&#x2014;&#x2014;쟌ě&#x160;˛í&#x201D;&#x2019; 퍺í??î?&#x2013;ě ˘ě&#x201E;ž, í&#x2022;&#x201A; ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x2022;&#x201A; 쥜ě&#x2C6;&#x17E; í&#x201A;˛ě&#x17E;&#x201A; 쿌 í&#x17D;&#x201D;ě&#x201A;˛ě ˘ ëŠ&#x2018;í&#x2022;&#x201A; ëť&#x2013;ě¤&#x201A;뚌ě&#x2020;&#x2019; ě˝&#x203A;ěş?î?&#x2013;í&#x17D;&#x2013;í&#x17E;&#x17D;. 먞믞í&#x17D;&#x17E;ě&#x201A;˛ í&#x2022;Żí&#x17E;&#x17D;ě&#x2022;&#x160;ě ˘ ě&#x17E;˛íŞ&#x201A;ě ˘ ě&#x17E;˛í&#x2018;ž í&#x17E;ľí&#x201D;&#x17D; 믞ë§&#x2019; ě&#x2020;§í&#x152;&#x2013;ě&#x17E;&#x161; ě˝&#x161;ě°&#x2019;ě&#x2021;Śě&#x201A;˛ í&#x2022;&#x201A;ëş&#x201A; ěšşě&#x2022;&#x160;í&#x2DC;&#x2020; ěŠ&#x2019;ě?şí&#x2022;¤í&#x152;&#x2019;. í&#x2018;žě?şě ˘ í&#x2022;&#x201A; î&#x201A;&#x2021;ěťżí&#x17D;&#x17E; ě&#x192;&#x17D;î?&#x201A; ě&#x17E;&#x153;í&#x201D;&#x17D; ë˝&#x160;í&#x201D;Śě?&#x160; î?&#x2013;몎, ëŻ&#x2020; ě&#x152;&#x161; 띲ë§&#x17D; â&#x20AC;&#x153;띲 ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x201D;&#x2019; í&#x201C;&#x2021; ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;í&#x17D;&#x17E; í?şě?şí&#x2022;&#x17E;.

쥜ě&#x160;Ž ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x201D;&#x2019; í?şě&#x2014;˛ěťŞ í&#x2014;&#x2019; ěź&#x2020;ëŞ&#x2019;í&#x201D;Ś ě&#x17E;&#x153;í&#x201D;&#x17D; ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A; í&#x17D;&#x2020;í&#x2014;Ş í&#x17D;&#x201A;ě&#x2039;˘ěťŞě&#x160;Ž í&#x2022;&#x201A; ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x201D;&#x2019; ěŤ&#x160; 쿌 í&#x2022;&#x2013;ëŠ&#x161; î&#x152;Śí&#x2022;&#x17E;!â&#x20AC;? ě&#x2022;&#x160;몎 í&#x2014;Şí&#x152;&#x2013;í&#x201D;&#x2019; î?&#x2013;í&#x2022;¤í&#x152;&#x2019;. í&#x17E;&#x17D;ëŻ&#x2013;í&#x201D;&#x17D; í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;í&#x17D;&#x17E; ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; ëŠ&#x161;í&#x2022;şî&#x152;Śě ˘ ëŠ&#x161; î&#x201D;˘î&#x152;Ş í&#x2022;&#x160;í&#x2022;&#x201A; ě&#x2021;Śí&#x17D;&#x2013;í&#x17E;&#x17D;ě&#x17E;&#x161; ě&#x192;&#x2021;í&#x201A;Şí&#x17D;&#x17E;ě ˘ â&#x20AC;&#x153;í&#x2122;&#x2122;í&#x152;&#x2019;. 뚌í&#x201D;Ś í˛śěź&#x2014;í&#x17D;&#x17E; ě&#x17E;Źě ˘ 폪몎í&#x201D;Ś 짡슣í&#x2022;&#x2020; ëŠ&#x2018; 맧í&#x152;&#x2019;â&#x20AC;? ě&#x2022;&#x160;몎 캍ë§?î?&#x2013;í&#x17D;&#x2013;í&#x17D;&#x201A;. 뚌í&#x17D;&#x17E;ëŠ&#x161; í&#x203A;&#x;í&#x2018;˘î&#x152;Ş ëŠ&#x2018;í&#x201D;&#x17D; ě&#x201A;ś î&#x152;Ş íł&#x2026;í&#x201D;Ś ě&#x192;&#x17D;î&#x2C6;Ş ěšşí&#x17E;&#x2019;ě&#x17E;&#x161;í&#x201D;&#x2019; ěŤ&#x201A;í&#x17D;şí&#x203A;&#x160;ě ˘ ëŠ&#x161; í&#x152;&#x2019;ě&#x201A;&#x2013;í?&#x160;. 60í&#x2022;łí&#x201D;Ś ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x201D;&#x2019; 쥜ě&#x2C6;&#x17E; ěŤ&#x201A;í&#x17D;şí&#x203A;&#x160;ě ž í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; í&#x2014;&#x2019;ě&#x201A;şî&#x152;ŚëŞŽ í&#x192;&#x201E;í&#x201D;&#x17D; ëŠ&#x201A;ě&#x201E;ž, í&#x2022;Żí&#x17E;&#x17D;ě ˘ ëŻ&#x2020;ě&#x2013;şëŻž í &#x2039;í&#x17E;&#x17D; í&#x152;&#x2DC;í&#x152;Śí&#x17E;&#x17D;. í&#x2022;&#x2020;íťžëź&#x2026;í&#x201D;&#x17D; í&#x2022;&#x201A;ě&#x2013;şî&#x152;Ş ëŞŽě§&#x160;í&#x201D;&#x2019; î&#x152;Śě&#x201E;Ś 뚌í&#x17D;&#x17E;ëŠ&#x161; 뚌íş&#x17D;뚪 폪몎í&#x201D;Ś ě&#x17E;˛íŞ&#x201A;í?&#x17D;í&#x17D;&#x201A;.

M ëť&#x161; ě &#x2122;í&#x17E;&#x2019; ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; í§&#x203A;í&#x201D;&#x2019; ěś&#x17E; í&#x152;&#x2019;ě&#x201A;&#x2013;ě&#x2022;&#x160; 퍺í?? ëş&#x201A;ëş&#x201A; ëŻ&#x2020;ě&#x160;˛í&#x201D;&#x2019; í&#x2022;&#x2020;흞쎞î&#x152;Śě ž 쥜ě&#x160;Ž í&#x2022;&#x201A;í?&#x160;믞ě&#x160;˛í&#x201D;&#x2019; ě˝&#x17E;ëŻ&#x17D;í&#x2039;śě&#x2DC;Ş ě§Ší&#x152;&#x2019; í&#x2014;?í&#x17D;&#x2013;ě ˘ě&#x201E;ž, ëŻ&#x2020; 쥜í&#x201A;&#x192;í&#x201D;&#x17D; ě&#x17E;&#x2013;í°Ś ëŻ&#x2020;ě&#x17E;&#x160;í&#x201D;&#x2019; ëŻ&#x2020;ě?şě ˘ ëŠ&#x2018; 맧í&#x152;Śí&#x17D;&#x201A;. ě&#x201A;˛í&#x201A;Ş ě&#x17E;&#x17E;î&#x152;Śí&#x17E;&#x17D;ě&#x17E;&#x161;, ëŻ&#x2020; ě&#x192;&#x2021;í&#x201A;Şí&#x201D;Ś í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;ě&#x160;˛í&#x17D;&#x17E;ě ˘ ëŻ&#x2020;ě&#x2013;ž ëŠ&#x2018;ě&#x160;˛í&#x2022;&#x201A; í&#x2014;&#x2019;î?&#x17D; í&#x17D;&#x201D;í&#x17D;&#x2013;í&#x17D;&#x201A;. ëť&#x161; ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; î&#x201A;&#x2020;ě&#x2014;&#x161;ě&#x160;Şě?&#x160; ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A;ëş&#x2020; í&#x2022;&#x2020;ě¤&#x160;í&#x2022;&#x201A;몎, ëť&#x2013;ě?&#x160; ě&#x2039;žě&#x2022;&#x160; î&#x152;Śě ˘ 쿌ě&#x17E;&#x153;í&#x201D;&#x17D; í­˘í&#x2122;&#x201C;í&#x2022;&#x17E;ě&#x160;˛í&#x201D;&#x2019; ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A;ëş&#x2013;í&#x17E;&#x17D;. ëŻ&#x2020;ě&#x2014;&#x2022;í&#x17E;&#x17D;ě&#x17E;&#x161; â&#x20AC;&#x2DC;ě&#x201E;˘ ěź&#x17D;ě°&#x2019;â&#x20AC;&#x2122;ě ˘ ě­&#x2019;ěĄ&#x201C; í&#x2019;&#x17E;í&#x2DC;ž 늡í&#x2022;&#x201A;몎, í&#x2022;&#x201A; í??í&#x17D;ťí&#x17D;&#x17E;읪 ë§&#x17D;í&#x2022;ł í??î?łě&#x2014;ł í&#x2022;&#x2013;ě ˘ ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;í?&#x160;. T

몎ě&#x17E;&#x2013;í&#x2019;&#x161; í°ŞëŹş.

M í?śě&#x2022;&#x160;í&#x2022;&#x2020; ěş?í&#x17D;&#x17E;읪 ëť&#x2013;í&#x201D;Ś í˛śíź&#x17E;íŻŽě?&#x160; ë§&#x17D;í&#x17E;&#x17D;몎 ě˝&#x161;íž&#x192;î&#x152;Śě ˘ ëŠ&#x2018;í&#x17D;&#x17E;ě ˘ í&#x17D;&#x201A;ě?˛ í&#x2022;łě&#x201A;śí&#x2014;&#x17E;í&#x2022;&#x201A; í&#x2022;&#x2013;ě&#x201A;&#x2013;? T

ëŻ&#x2020;ëŠ&#x201A; 뚌í&#x17D;&#x17E;ëŠ&#x161; í&#x2014;Łě&#x17E;&#x17E; ë˝&#x17D;ě&#x2022;&#x160;í&#x2019;&#x201A; í&#x2022;&#x160;í&#x2022;&#x201A;í&#x17D;&#x2013;í&#x17D;&#x201A;. í&#x2018;žě?şë§&#x17D; ěş&#x201A;í&#x152;&#x2019;ë§&#x17D;ě ˘ ěź&#x2020;ěş?í&#x2022;&#x201A; â&#x20AC;&#x2DC;ě&#x201E;˘ ěź&#x17D;ě°&#x2019;â&#x20AC;&#x2122; í?&#x17D; 맧í&#x201D;&#x17D; í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;ě&#x160;˛ě&#x2DC;Ş ěŞ&#x17D;î?˘î?&#x201A;í?˘ě&#x201A;˛ëŞŽ 캍ë§?î?&#x201A;. í&#x2018;˘í?Śí&#x201D;&#x17D; ěšşí&#x17E;&#x2019; î&#x2020;şě&#x;&#x2026;í&#x2022;&#x201A;뚌 í&#x17D;&#x201C;ě&#x2DC;Şě&#x160;Ş ě§ˇí&#x201A;Ťí&#x17D;&#x17E; í&#x2014;Şî&#x152;Şí&#x2022;&#x201A; í&#x2022;&#x2013;믞ě&#x2020;&#x2019; î&#x152;ŚëŞŽ, ě&#x17E;?í¸şě?&#x160; íş&#x17D;몎 짢ě&#x2DC;Ş ě&#x201A;˛ě?&#x2020; ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;ě&#x2DC;Ş í&#x2022;&#x201A;ě&#x2020;§î&#x152;Ž 쿌 í&#x2022;&#x2013;ě ˘ SNSë§&#x17D; í&#x203A;&#x160;ě?&#x160; í&#x2022;&#x201A;ě&#x161;śí&#x2022;¤í&#x152;&#x2019;. í&#x17D;&#x201A;ě?˛ ěĄ&#x201A;í&#x17D;&#x17E; 읪 SNSě ˘ ě&#x201E;˘ ě&#x17E;&#x153;í&#x201D;&#x17D; í&#x2014;Şí?&#x2039;í&#x2022;&#x201A; í&#x2022;&#x2013;ě&#x201A;˛ëŞŽ ěŤ&#x160; 쿌 í&#x2022;&#x2013;í&#x17E;&#x17D;. ëšŚě ˘ ëş&#x201A;ë§&#x17D; ě&#x17E;&#x161;ě&#x160;Ž í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;í&#x201D;Ś í&#x2014;&#x;ëŻ&#x160; 짡í&#x201A;Ťí&#x2022;&#x201A; í&#x17D;şí&#x2014;&#x2019;î&#x2022;&#x2013; ě&#x201E;˘ ě&#x17E;˛ě&#x2014;łí&#x2014;?í&#x2022;&#x2020; ëŠ&#x2018; 맧í&#x152;&#x2019;. í?Şëş&#x17E;î&#x152;ŚěĄ&#x201A; ěŤ&#x201A;í&#x17D;şí&#x203A;&#x160;몎 í&#x192;&#x201E;í&#x201D;&#x17D; ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x201D;&#x2019; 뚌ě&#x17E;&#x161;í&#x201D;Ś í&#x2022;&#x2020;íťžî&#x2026;Śí&#x2022;&#x201A;í ˛ 짡í&#x201A;Ťí&#x201D;&#x160;ě&#x2DC;Ş ěŤ&#x201A;í&#x17D;şí&#x203A;&#x2019; 쿌 í&#x2022;&#x2013;먞ě&#x160;Ž. SNSě ˘ ě°&#x2019;í&#x201A;&#x2026;ě°&#x2019;í&#x201A;&#x2026;î&#x152;Ş í&#x201A;Žě§Şěş?í&#x2022;&#x17E; í&#x152;&#x2013;í&#x17D;&#x17E; í¨&#x2039;í&#x201D;Śí&#x2014;?í&#x2022;&#x2020; ëŠ&#x2018;ě&#x160;˛í&#x201D;&#x2019; ë§&#x17D;ě&#x2C6;şěŠ&#x2019;ě?şě ˘ ëŠ&#x2018; 맧í&#x152;&#x2019;.

M í&#x2014;&#x2019;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ě&#x2020;§í&#x201D;Śî?&#x201A;. ëšŚě ˘ 띲ë§&#x17D; í&#x2022;&#x201A;ě&#x2013;şî&#x152;Ş î&#x2019;&#x161;ě&#x153;ťî&#x152;Ş í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;ě?&#x160; 맪읲î&#x152;Ş ëŠ&#x2018;ěś&#x17E;ě&#x17E;&#x161; í&#x152;&#x2019;ě&#x201A;&#x2013;ě&#x2022;&#x160; ëť&#x2013;í&#x201D;Ś í&#x2022;&#x;í&#x17D;&#x201C;ě&#x160;˛í&#x2022;&#x201A; í&#x201A;˛ě?ž 3ë­&#x161;í&#x201D;Ś í¨&#x201C;í&#x201D;&#x2019; 짪ë§&#x2019;î?&#x2013;ě&#x201A;˛ě ˘ ëŠ&#x2018;ě&#x2020;&#x2019; ë˝&#x17D;ě&#x2022;&#x160;í&#x2019;&#x161;. í¨&#x201C;í&#x201D;&#x17D; 믞쿎í&#x2022;&#x201A; í&#x152;&#x2019;ě¤&#x201A;ě?ş 짪í&#x2014;&#x2019;î&#x152;Şě&#x201A;˛ î?&#x201A;ě&#x2020;&#x2019; í??í&#x2019;&#x17E;î&#x2022;&#x2013; í&#x2122;&#x201A;í&#x2022;şî&#x152;Ž íź&#x161;ě&#x201A;&#x2013; ě&#x17E;&#x17E;í&#x2022;&#x201A;í?&#x160;.

M ëť&#x2013;ě ˘ í&#x2014;&#x2019; ěź&#x2020;ëŞ&#x2019;ě?&#x160; í&#x17D;şî?&#x2014;î&#x152;ŚěĄ&#x201A;읪 ë§&#x17D;í&#x2022;ł í??î?łě&#x2014;ł í&#x2022;&#x2013;ě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A; í&#x17D;&#x201A;ě&#x17D;&#x2030;ëŠ&#x161; ěş&#x201A;몎, ě¤&#x201A;í&#x17D;&#x2022;í&#x201D;&#x2019; 욺몎, ě¤&#x201A;í&#x17D;&#x2022;í&#x201D;&#x2019; í&#x2122;&#x2122;í&#x152;&#x2019;î&#x152;ŚëŞŽ, í&#x17D;&#x201A;ě&#x17D;&#x2030;ëŠ&#x161; í&#x2022;&#x201C;몎, ě¤&#x201A;í&#x17D;&#x2022;í&#x201D;&#x2019; ě &#x2021;ě ˘í&#x17E;&#x17D; ěŤ&#x17E;í?˘ě ˘ě&#x201E;ž, 띲ë§&#x17D; 퍺í??î?&#x201A;í?ś í&#x2022;&#x201A; í¨&#x2039;í&#x201D;Śí&#x2014;?í&#x2022;&#x2020; ěšşě&#x2022;&#x161;ě&#x160;˛í&#x17D;&#x17E;ëŠ&#x161;읪 ëŤ&#x192;íž&#x192;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ě§ŞëŠşî&#x152;Ş í&#x2014;&#x17E;í&#x2022;&#x201A; í&#x2022;&#x2013;í&#x17D;&#x201A;? T

í&#x17D;&#x201A;í§&#x161; ěŤ&#x201A;ěĄ&#x201A; ëŻ&#x2020;ě&#x160;˛í&#x201D;Ś ëŤ&#x192;íž&#x192;í&#x2014;&#x17E;í&#x201D;&#x17D; â&#x20AC;&#x2DC;뚌â&#x20AC;&#x2122;ě&#x2022;&#x160;몎 î&#x152;Ž 쿌 í&#x2022;&#x2013;í&#x17D;&#x201A;. î&#x201D;łě§&#x2020;ě&#x2DC;Şí&#x2019;&#x201A; ěšşě&#x2022;&#x161;ě&#x160;˛í&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş ëšŚí&#x201D;Ś ëŤ&#x17D;í&#x201A;şí&#x2022;&#x201A; ëŤ&#x192;íž&#x192;í&#x2014;&#x17E;í&#x2022;&#x2020; 먞í&#x17E;&#x17D;. ëŻ&#x2020;ëŠ&#x2018;í&#x2022;&#x201A; ëş&#x201A;ë§&#x17D; ëż&#x2019;돞ë§&#x17D;ě?&#x160; 퍺í?? î&#x152;Śě ˘ě&#x201E;ž î&#x152;&#x2019;í&#x2018;˘î&#x152;Ş í&#x201C;Ží&#x2022;&#x160;î&#x152;Ş í&#x2DC;žëŠ&#x201A;í&#x2022;&#x201A;í?&#x160;.

M ëŻ&#x2020;ëŠ&#x161; í&#x2DC;žëŠ&#x201A;í&#x2022;&#x201A;ě&#x2022;&#x160;몎? T

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í&#x201D;&#x;, ëŻ&#x2020;ě&#x160;˛í&#x2022;&#x201A; í&#x201C;ŽěĄ&#x201C;î&#x152;Ž î&#x152;&#x2019;í&#x2018;˘ě ˘ í&#x17D;&#x201D;í&#x17D;&#x201A;. ě­&#x17D;í&#x2022;&#x17E;í&#x2022;&#x160; î&#x152;&#x2019;í&#x2018;˘ě&#x2020;&#x2019; í&#x17D;&#x201D;í&#x17E;&#x17D;. î&#x201A;&#x2021;í&#x2014;Ł ëŤ&#x192;ë§&#x2019;í&#x17D;&#x17E; ěş&#x201A;í&#x17E;&#x17D; í&#x152;&#x2DC;í&#x152;&#x2019;ě&#x2020;&#x2019; ě&#x2021;&#x160;ď&#x2DC;&#x203A;ď&#x2DC;&#x201C;뚌í&#x201D;Śď&#x2DC;&#x201C;í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x17D;ď&#x2DC;&#x201C;í&#x2014;&#x2019;ě­&#x17D;ď&#x2DC;&#x201C;뚌í&#x201D;Śď&#x2DC;&#x201C;î?&#x2020;믞í&#x201A;şí&#x17D;&#x17E;읪ď&#x2DC;&#x201C;ě°&#x2019;ě&#x2DC;˝ě&#x2021;Śí&#x17E;&#x17D;ď&#x2DC;&#x203A;ď&#x2DC;&#x201C;í&#x17D;&#x201A;í§&#x161;ď&#x2DC;&#x201C;ěŤ&#x201A;ěĄ&#x201A;ď&#x2DC;&#x201C;ëŻ&#x2020;ëŠ&#x161;ď&#x2DC;&#x201C;í&#x201C;Ží&#x2022;&#x160;î&#x152;Şď&#x2DC;&#x201C;

T Todd Selby M Mark Hunter / The Cobra Snake ---------------------------------------------------------------------------M In the beginning of â&#x20AC;&#x2DC;The Selbyâ&#x20AC;&#x2122; project, I know that your first approach was to shoot mostly your friends because you know those people and you get along with them and they trust you and itâ&#x20AC;&#x2122;s an easy fit. But I know that you had bigger ambitions with this project and you wanted to shoot people all around the world, but sometimes you met them for the first time and you had to whip out your camera and take some photos of them. How did you go about that? With your friends, itâ&#x20AC;&#x2122;s easy. Meeting a stranger, maybe in a foreign country, that doesnâ&#x20AC;&#x2122;t speak English for their first language, was there any tips on how to break the ice or how to get involved with shooting them? T Yea. â&#x20AC;&#x2DC;The Selbyâ&#x20AC;&#x2122; definitely started with shooting my friends and then it eventually became friends of friends and then just people that I was interested in. One of the best parts is just meeting someone and entering their world and having an excuse to go through their house and learn all about them. Itâ&#x20AC;&#x2122;s a really unique position to have in life. â&#x20AC;&#x153;Hey, how interesting would it be to see how Olivier Zahm lives and check out his books and his cologne collection?â&#x20AC;? Itâ&#x20AC;&#x2122;s such a blast, such a natural thing. I have a license to be a snoop. M And I think you built such a great reputation with your early work on the website that, if you showed that to anybody, they would want to be shot in that way. You had such a fresh perspective on interior photos, where everything else was so stale, yours was full of life and it was an honor to get shot by you, even if they didnâ&#x20AC;&#x2122;t know exactly who you were in the beginning. T Thanks. My work has always been a celebration of people. Thereâ&#x20AC;&#x2122;s nothing negative about it. So naturally people want to be a part of it. M Totally. M It seems that a lot of the people that youâ&#x20AC;&#x2122;re shooting are really confident and have really strong personalities. Do you ever find that tricky when youâ&#x20AC;&#x2122;re shooting them, because youâ&#x20AC;&#x2122;re shooting Karl Lagerfeld, whoâ&#x20AC;&#x2122;s the most iconic fashion guy, and chefs who might have big egos? Do you find that itâ&#x20AC;&#x2122;s ever challenging working with those subjects? T You know itâ&#x20AC;&#x2122;s interesting because Iâ&#x20AC;&#x2122;ve been a photographer for a while now, for seventeen years. Kind of crazy. But in the beginning of my photography career, I was really into formal portraiture and I wanted to really control every aspect of my photo shoot, from the lighting to where everyone was positioned to the composition. It was very formal. I realized after doing that for a long time what happens, if you do that formal kind of portraiture and you control everything, it means all of your work tends to look exactly the same and itâ&#x20AC;&#x2122;s really boring. After a while, I thought, â&#x20AC;&#x153;Wait. I just did 400 shoots but they all look the same.â&#x20AC;? So it was an evolution, â&#x20AC;&#x153;Wow! I should embrace the energy of the people that I shoot.â&#x20AC;? which I think you Mark can really relate to with your work. You very much feed off the energy of your subjects and you are trying to build it and work with it. Iâ&#x20AC;&#x2122;ll shoot someone like Karl Lagerfeld and he wants to be portrayed in a very particular way. You never take a picture of Karl Lagerfeld when heâ&#x20AC;&#x2122;s sitting down. He stands up and heâ&#x20AC;&#x2122;s got his pose and his moves. And I love that! I embrace that and I go with that and let my subjects lead me down a path which is really fun. I mean Iâ&#x20AC;&#x2122;ve even shot people...thereâ&#x20AC;&#x2122;s a guy I shot named Faris Badwan. You might know him from The Horrors, and heâ&#x20AC;&#x2122;s the lead singer of a rock and roll band but heâ&#x20AC;&#x2122;s actually really shy when heâ&#x20AC;&#x2122;s not on stage. There was a certain point when Iâ&#x20AC;&#x2122;m shooting him, was hiding in his closet and you could just see a little bit of his face, peeking out and I loved that. â&#x20AC;&#x153;Ok. Heâ&#x20AC;&#x2122;s hiding. Iâ&#x20AC;&#x2122;ll take pictures of that.â&#x20AC;? So, itâ&#x20AC;&#x2122;s more of an embrace of everyoneâ&#x20AC;&#x2122;s energy. I think thatâ&#x20AC;&#x2122;s a more interesting way to be a photographer. M Did you find that these people are building their surroundings in a special way, like this guy would prefer to live in a tree house or this guy wants a cement bunker? Did the personality of the person really fit with their home interior and lifestyle? T Yeah. A lot of people donâ&#x20AC;&#x2122;t care really about where they live. They donâ&#x20AC;&#x2122;t really do anything to it. Itâ&#x20AC;&#x2122;s just where they sleep, which is totally fine but the people who I photograph, they have a certain philosophy. Theyâ&#x20AC;&#x2122;re

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T í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019; M ě&#x17E;&#x2013;í¸ş î&#x17D;&#x161;íťž / í´˘ěŻ&#x161;ě&#x2022;&#x160;í ˛ëť˛í&#x2022;&#x201A;í¸ş

Todd Selby and Mark Hunter/ The Cobra Snake big characters. They build their house and their environment to suit their personality and their life. I see a lot of that. M So thereâ&#x20AC;&#x2122;s this new movement, which I detest, called minimalist, and those are the people who want to get rid of everything and live with one plant on their dresser and a very limited amount of clothes and anticonsumerism and everything. Whatâ&#x20AC;&#x2122;s your opinion on that? T I love that question! Itâ&#x20AC;&#x2122;s the ultimate maximalist such as yourself asking me about minimalism. I think people just have different relationships with possessions. Itâ&#x20AC;&#x2122;s very philosophical and emotional. Thatâ&#x20AC;&#x2122;s always something that interests me, how people relate to their things and what they want to collect. Iâ&#x20AC;&#x2122;ve always been interested in collectors and people who have loads of stuff. To me, minimalism is hard because it means getting rid of everything. So you donâ&#x20AC;&#x2122;t have those objects to photograph or talk about or be interested in. Minimalism lacks those points of interest. M And have you shot any iconic minimalists over the years? T Iâ&#x20AC;&#x2122;m trying to think of oneâ&#x20AC;Ś M It doesnâ&#x20AC;&#x2122;t bleed Selby to me but Iâ&#x20AC;&#x2122;m sure thereâ&#x20AC;&#x2122;s definitely some minimalists that have really interesting lifestyles that you could have documented. T Yeah. Minimalism is just something that Iâ&#x20AC;&#x2122;ve never been attracted to. Definitely Iâ&#x20AC;&#x2122;ve always been a proponent of maximalism. Myself personally, I think I live that through my work. I donâ&#x20AC;&#x2122;t personally try to collect things and have so much stuff, but actually minimalism to me is quite boring. When I started shooting people and their spaces in the early 2000s that super clean look was the dominant aesthetic. So what I did was so embracing of minimalism and real-life and messiness, so it was a slap in the face to that whole thing. M With â&#x20AC;&#x2DC;The Selbyâ&#x20AC;&#x2122; project, you became famous, not overnight, but it definitely happened pretty quickly and I think it had to do a lot to being that you put the photos on a website. And again this was pre-Instagram and pre-social media and you were kind of a game changer in terms of the way that you shared your content. How do you think that that helped propel your career? T Itâ&#x20AC;&#x2122;s something that you and I talked a lot about when I was first working on this project. It was 2008 and we were on a trip to Prague together and I was shooting a lot at the time for magazines. Iâ&#x20AC;&#x2122;d just shot this cool story of Tom Wolfe in his home and the magazine printed two photos, but to me there were twenty amazing photos. I got to photograph his library, his canes, his personal letters, and his hat collections and it was really frustrating for me that those photos werenâ&#x20AC;&#x2122;t being shown. And on top of that, issues of magazines were out for such a short time and then basically disappeared. This was something that we discussed a lot and you had the suggestion, â&#x20AC;&#x153;Well, you should put all the pictures up on a website, so that everyone in the world can see it and itâ&#x20AC;&#x2122;s always there.â&#x20AC;? which today is an obvious thing but back then was a revelation, â&#x20AC;&#x153;Oh yeah. This is the perfect medium for this kind of concept.â&#x20AC;? Itâ&#x20AC;&#x2122;s not about the one iconic photo for me. I want to build a story out of sixty photos but with a magazine, you can never really do that. So the internet was the perfect medium for me. M I mean you definitely painted a picture, not only with the amazing photos, but you would do these handwritten interviews with each of the subjects during the photo shoot. Again, for a website at that time, it didnâ&#x20AC;&#x2122;t really exist. So you were pioneering a whole new trend and then tons of copycats followed. But you know â&#x20AC;&#x2DC;The Selbyâ&#x20AC;&#x2122; is definitely the original and most influential in that game. T Thanks home dude. M Do you have any pros or cons about online communication and putting the content out there? T For me, itâ&#x20AC;&#x2122;s been an amazing thing. I think that the world has changed from a world of websites, which is where â&#x20AC;&#x2DC;The Selbyâ&#x20AC;&#x2122; launched. Now itâ&#x20AC;&#x2122;s dominated by social media where they very much constrain how many photos you can put up there and the formatting, and the ability to link. Social media is so much more constrained in a lot of ways. To me, that website approach is still so attractive because you can really build your

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T í&#x2022;şě§&#x2020;í&#x2022;&#x2013;ě ˘ í&#x17E;&#x2013;ě¤&#x2020;í&#x2022;&#x201A;띲. 캍ë§?ěŤ&#x201A;ě&#x201A;˛ í&#x2014;Łě&#x17E;&#x17E; ě°śě?ş í&#x201A;˛ë§&#x17E;î?&#x2013;í&#x17D;&#x201A;. ëş&#x201A;ë§&#x17D; í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;ě?&#x160; í&#x201A;Şí&#x2022;&#x;î&#x152;ŚëŞŽ 뚌읪 ě&#x2C6;&#x17E; ě&#x201A;ş î&#x2019;&#x2019;팲í&#x2022;&#x201A;í?&#x160;. 2008ëź&#x2019;í&#x17D;&#x17E; â&#x20AC;&#x153;í&#x152;&#x2013;럣î&#x152;Śěź&#x2020;í&#x2018;˘, í&#x2014;Şë§&#x17D; í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;í&#x17D;&#x17E;읪 î&#x152;ŚëŞŽ í&#x2022;&#x2013;ě ˘ í&#x2022;&#x160;ě&#x160;˛í&#x201D;&#x2019; î?Łí&#x2022;&#x2020;î?&#x201A;ěŤ&#x201A;ěź&#x2020;í&#x2018;˘. theselby.com ě&#x17E;?í¸şě?&#x160; íš&#x201A;ě?ťî?&#x201A;í&#x203A;&#x160;ěź&#x2020;í&#x2018;˘â&#x20AC;? ě&#x2022;&#x160;ě ˘ í&#x2022;&#x201A;ě ˘í&#x2022;&#x160;í&#x201D;&#x2019; ěŤ&#x201A;ëş&#x2013;몎, ëŻ&#x2020; î&#x2019;&#x2019; î&#x152;Śě&#x161;ś ě&#x2020;§í&#x152;&#x2013; 10ěĄ&#x201C;í&#x201D;Ś ěšşě&#x2022;&#x161;í&#x2022;&#x201A; ëş&#x201A; í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;ě?&#x160; 짡ě¤&#x2020;î?&#x2013;í&#x17D;&#x201A;. ëŻ&#x2020; ě&#x201A;˛í&#x201D;&#x161; 40ěĄ&#x201C;, ëŻ&#x2020; ě&#x201A;˛í&#x201D;&#x161;í&#x17D;˘ 100ěĄ&#x201C;í&#x2022;&#x201A; í?˘í&#x17E;&#x17D;. 짡ě¤&#x2020;í&#x2022;&#x17E; 쿌ë§&#x17D; 믞î&#x152;ŚëŻ&#x2014;쿌í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş í?şě&#x2022;&#x160;ë§&#x17D;믞 í&#x201A;Şí&#x2022;&#x;î?&#x2013;í&#x17D;&#x201A;. ëŻ&#x2020; ě&#x201A;˛í&#x201D;&#x161; í&#x203A;&#x160;í&#x17D;&#x17E;ě ˘, 1,000ěĄ&#x201C;, 10,000ěĄ&#x201C;í&#x2022;&#x201A; ě&#x2021;Śí&#x17D;&#x2013;í&#x17E;&#x17D;. ëŻ&#x2020;ëŠ&#x201A; í&#x2014;Łě&#x17E;&#x17E; ë˝&#x17D;ě&#x2022;&#x160;í&#x2019;&#x201A; í&#x2022;&#x160;í&#x2022;&#x201A;í&#x17D;&#x2013;í&#x17D;&#x201A;. ëŻ&#x2020; 쿌ë§&#x17D; ëŞ&#x2019;ě˝&#x203A;î?&#x201A;읪 í?Ťë§&#x17D;î?&#x2013;몎, 쥜ě?&#x201A;ě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A; 뚌í&#x17D;&#x17E;ëŠ&#x161; í&#x2022;&#x201A;ě ˘í&#x2022;&#x160;í&#x201D;&#x2019; ěŤ&#x201A;ëş&#x201A;믞 í&#x201A;Şí&#x2022;&#x;î?&#x2013;í&#x17D;&#x201A;. í&#x2022;&#x201A;ëŠ&#x201A; í&#x2014;Łě&#x17E;&#x17E; í&#x201C;ŽěĄ&#x201C;ěź&#x2020;ě?&#x160; íş&#x17D;ěĄ&#x201A;읪, 줢ë§&#x17D;ë§&#x17D; í&#x2022;&#x160;í&#x17D;&#x201A;뚌몎 í&#x2022;&#x2013;ě ˘ 먞í&#x2022;¤í&#x152;&#x2019;. 뚌í&#x17D;&#x17E;ëŠ&#x161; í¸ž í&#x2019;&#x17E;ě&#x2020;§ě&#x2014;łí&#x2022;&#x201A; ě&#x2021;Śí&#x17D;&#x2013;í&#x17E;&#x17D;.

M <ě &#x201A;í&#x2018;Łíş&#x17D;í&#x2022;&#x2019;í?&#x2013;(The New York Times)>í&#x17D;&#x17E; í¸şëŠ&#x161; ëŻ&#x17D;í&#x2022;&#x201A; í&#x201A;˛ě?ž í&#x2014;? í&#x2022;&#x2013;í&#x17E;&#x17D; í&#x152;&#x2DC;í&#x152;&#x2019;?

T í&#x2014;Łě&#x17E;&#x17E; íŤ&#x2013;í¨&#x2039;믞í&#x17D;&#x17E; <ě &#x201A;í&#x2018;Łíş&#x17D;í&#x2022;&#x2019;í?&#x2013;>í&#x17D;&#x17E; í&#x201A;˛ě&#x2DC;&#x2020;í&#x17D;&#x2013;í&#x17D;&#x201A;. 뚌í&#x17D;&#x17E; ě&#x192;&#x17D;î?&#x201A; í&#x2039;&#x201A; ě &#x2122;í&#x17E;&#x2019; 믞욺ě&#x160;˛í&#x201D;&#x17D; ëş&#x201A;ë§&#x17D; í&#x2022;&#x160;í&#x201D;&#x2019; î&#x152;Śě ˘ě&#x201E;ž í¸ž ě&#x2020;&#x2019;í&#x2019;&#x17D;í&#x201D;&#x2019; í&#x203A;&#x160;í&#x17D;&#x2013;í&#x17E;&#x17D;. 뚌í&#x17D;&#x17E;ëŠ&#x161; í&#x2014;Łě&#x17E;&#x17E; í¸ž î&#x2022;Śí&#x2022;&#x201A; ě&#x2021;Śí&#x17D;&#x2013;í&#x17D;&#x201A;. í&#x2014;Łě&#x17E;&#x17E; í&#x2122;&#x2122;í&#x152;Śí&#x17E;&#x17D;.

M î&#x192;&#x161;ě?ş â&#x20AC;&#x2DC;í´Şě&#x2014;&#x2013;î&#x201A;&#x2020;(colette in Paris)â&#x20AC;&#x2122;í&#x17D;&#x17E;읪í&#x201D;Ś í&#x2014;&#x2019;í&#x201A;Şë§&#x17D; ëť&#x2013;í&#x201D;Ś 튚 í&#x2014;&#x2019;í&#x201A;Şí?&#x17D;í&#x17D;&#x2013;í&#x17E;&#x17D;?

T í&#x201D;&#x;, 튚 ěŠ&#x2013;í&#x;&#x2020; í&#x2014;&#x2019;í&#x201A;Şě?&#x160; â&#x20AC;&#x2DC;í´Şě&#x2014;&#x2013;î&#x201A;&#x2020;â&#x20AC;&#x2122;í&#x17D;&#x17E;읪 î?&#x2013;í&#x17D;&#x2013;í&#x17D;&#x201A;. ëšŚě ˘ í&#x2022;&#x;몎 í&#x17D;&#x201A;ě&#x2C6;&#x17E;í&#x2019;&#x201A; í&#x17E;&#x17D;î&#x152;Ś í ˛î Şě&#x2039;˘í?˛í&#x17D;&#x17E;읪 쥜ě&#x160;Ž ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; í&#x17E;?í&#x2014;&#x; í&#x2022;&#x2020;ěž&#x2019;î?&#x2013;í&#x17E;&#x17D;. î&#x2039;&#x2019;ě?žíťžë§&#x17D; ě &#x2021;íž&#x192;í&#x2022;&#x201A; ě&#x2021;Śí&#x17E;&#x17D; í&#x152;&#x2DC;ě&#x2020;&#x2019;ě&#x2DC;Ť î&#x152;Ş í&#x2022;łí&#x2039;ˇ í&#x2022;&#x2020;ěž&#x2019;ě?&#x160; î?&#x201A;í?&#x160; î?&#x2013;믞 ě&#x152;&#x161;ě¤&#x2020;í&#x17D;&#x17E; ě&#x17E;˛í&#x2022;&#x160; 짲ěş&#x2013;í&#x2019;&#x161; í&#x2022;&#x160;î?&#x2013;í&#x17D;&#x201A;. ëŻ&#x2020;ě?şëŞŽ 뚌읪 â&#x20AC;&#x2DC;í´Şě&#x2014;&#x2013;î&#x201A;&#x2020;â&#x20AC;&#x2122;í&#x17D;&#x17E; 맢ě&#x201E;Ś ëŠ&#x161; 믞í&#x17D;&#x192;뚌. í&#x17E;&#x17D;ëŻ&#x2013;í&#x201D;&#x17D; ëş&#x201A; í&#x152;&#x2019;ëş&#x201A;ë§&#x17D; ě&#x2021;Ş ě&#x201A;˛ě&#x201A;&#x2013;í&#x17D;Ś(Danielle)ëŤ&#x160; ëšŚě ˘, â&#x20AC;&#x2DC;í´Şě&#x2014;&#x2013;î&#x201A;&#x2020;â&#x20AC;&#x2122;í&#x201D;Ś ěšşě&#x2022;&#x160;(Sarah)í?&#x17D; ëŻ&#x2020;í&#x201D;Ś î&#x192;&#x17D;í&#x2019;&#x17E;ě&#x160;˛ëŤ&#x160; î&#x152;śë˛Ś ěŞ&#x2039;ëŤ&#x160; ëŞ&#x2019;ě&#x201A;śěś&#x17E;ě&#x17E;&#x161; í&#x152;&#x2019;ě&#x201A;&#x2013;ě&#x2022;&#x160; 맲ě&#x2013;şě?şí&#x201D;Ś 쥜ě&#x160;Ž ëŤ&#x192;ë§&#x2019;í&#x17D;&#x17E; ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; ě­§í?&#x17D;í&#x17D;&#x201A;. í&#x2022;&#x201A;ëŠ&#x201A; í&#x17E;&#x2019;í&#x2014;Łî&#x152;Ş DIY짡í&#x201A;Ťí&#x2022;&#x201A;í&#x17D;&#x2013;í&#x17E;&#x17D;. í&#x2022;&#x201A;ëŠ&#x161; 뚌í&#x201D;Ś 튚 í&#x2014;&#x2019;í&#x201A;Ş ëŞ&#x2039;î&#x17D;Śí&#x2022;&#x201A;í&#x17D;&#x2013;ě&#x201A;˛ě ˘ ëŠ&#x161; ë˝&#x17D;ě&#x2022;&#x160;í&#x2019;&#x161;.

M í&#x2014;&#x2019;í&#x201A;Ş í?˛î&#x2039;&#x2019;ě&#x201A;Ťí&#x17D;&#x17E; íą&#x160; ě&#x2022;&#x160;먞î&#x2026;Žî&#x201A;&#x2020;(Karl Lagerfeld)ë§&#x17D; í?˘ě&#x201E;Ś ëŠ&#x161; 믞í&#x17D;&#x192;뚌. ëť&#x161; í&#x2018;žě?ş ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; í&#x2014;Łě&#x17E;&#x17E; ě &#x2122;í&#x17E;&#x17D;ëŠ&#x161; í§&#x203A;í&#x17D;&#x201A;í&#x203A;şí&#x17E;&#x17D;.

T ě&#x17E;Źí&#x152;&#x2019;, íą&#x160;í&#x201D;&#x17D; â&#x20AC;&#x2DC;í´Şě&#x2014;&#x2013;î&#x201A;&#x2020;â&#x20AC;&#x2122;í&#x17D;&#x17E; í&#x2022;&#x17E;í&#x203A;&#x160; ë§&#x17D;. î&#x152;Śě&#x161;śě ˘ ëŻ&#x2020;ë§&#x17D; ěż&#x160;î&#x152;&#x;í&#x201D;&#x2019; î&#x152;Śě&#x201A;˛ë§&#x17D; ë§&#x17D;ëŠ&#x161; ëŤ ëŤ í&#x17D;&#x17E; ě­§í&#x17D;&#x201A;í&#x2022;&#x2013;ě&#x201E;Ś ëş&#x201A; î&#x2039;&#x2019;ě?žî&#x201A;&#x2020;ě?&#x160; ěŤ&#x201A;í&#x152;ŚëŞŽ, ěšşě&#x2022;&#x160;ě&#x2022;&#x; í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; 뚌ëż&#x2019;몎 í&#x2022;&#x2013;í&#x17D;&#x2013;ě&#x192;&#x17D;. ěšşě&#x2022;&#x160;ě ˘ â&#x20AC;&#x153;í˝Žě&#x160;Şë§&#x17D; í&#x17E;&#x2019;í&#x201A;şí&#x201D;&#x160;ě&#x2DC;Ş ě&#x192;&#x2021;í&#x201A;Ží&#x201D;&#x2019; í§&#x203A;몎 í&#x192;&#x201E;í&#x17D;&#x201A;î?&#x201A;í&#x2018;˘.â&#x20AC;? ě&#x2022;&#x160;몎 ě&#x17E;&#x17E;î?&#x201A; í&#x203A;&#x160;í&#x17D;&#x2013;몎, íą&#x160;í&#x201D;&#x17D; â&#x20AC;&#x153;í˝Žě&#x160;Şí&#x17D;&#x17E;ëŠ&#x161; ëş&#x201A;í&#x2022;&#x160; í&#x152;&#x2019;í°ś í&#x2022;Žë°&#x17E; ě&#x160;˛ě?&#x201A;ě&#x2022;&#x160;몎 ě&#x17E;&#x17E;î?&#x201A;í&#x203A;&#x160;ěź&#x2020;í&#x2018;˘â&#x20AC;?ě&#x2022;&#x160;몎 ě&#x192;&#x17D;ě&#x192;&#x192;î?&#x2013;ě&#x201A;˛ě ˘ 먞í?&#x160;. ëŻ&#x2020;ě&#x2014;&#x2022;ëŠ&#x161; ëŻ&#x2020;ě?&#x160; 퍺í??î&#x152;Ž 쿌 í&#x2022;&#x2013;ëŠ&#x161; ě&#x2021;Śí&#x17D;&#x2013;í&#x17E;&#x17D;. ěšşě&#x2022;&#x160;í?&#x17D; â&#x20AC;&#x2DC;í´Şě&#x2014;&#x2013;î&#x201A;&#x2020;â&#x20AC;&#x2122;í&#x17D;&#x17E;읪í&#x201D;Ś í&#x2014;&#x2019;í&#x201A;Şë§&#x17D; 뚌ě?&#x160; î&#x152;Ş í°&#x192; ě&#x201E;˘ ěťżí&#x2022;łî&#x152;Ž 쿌 í&#x2022;&#x2013;ëŠ&#x161; ě&#x2020;&#x2019;í?&#x17D;í&#x203A;&#x160;í&#x17D;&#x2013;í&#x17D;&#x201A;.

M ëŹ&#x2014;í&#x2022;łî?&#x201A;. 띲ë§&#x17D; î&#x152;ŞëŹťí&#x17D;&#x17E;읪 í&#x17D;&#x201A;ě?˛ í&#x2014;&#x2019;í&#x201A;Şě?&#x160; 믞î&#x2018;&#x203A;î&#x152;ŚëŞŽ í&#x2022;&#x2013;ě ˘í&#x17E;&#x17D; ëť&#x2013;ě¤&#x201A; 믞ě&#x192;&#x17D;ě&#x2021;&#x160;. ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x17D; ě­&#x2019;ěĄ&#x201C; 짌î&#x152;ŚëŠ&#x161; ě&#x2021;Ž 먞몎 쥜ě&#x2C6;&#x17E;ě&#x160;˛ ě§&#x2020;쿎ëŤ&#x17D;í&#x17D;&#x17E; ë§&#x17D;읪 ëť&#x2013;í&#x201D;Ś í&#x2022;&#x;î&#x2030;&#x2013;ëŤ&#x160; ěź&#x17D;íą&#x201A;ě?&#x160; í§&#x203A;몎 í&#x192;&#x201E;í&#x17D;&#x201A; î&#x152;Žë¨ží?&#x160;. M ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; 퍺í??î&#x152;Ž ě&#x152;&#x161; í&#x203A;&#x;í&#x2018;˘î&#x152;ŚëŠ&#x161; 캍ë§?î&#x152;Śě ˘ 3ë§&#x17D;í&#x17E;&#x17D;ě ˘ ě¤&#x201A;í&#x17D;&#x2022;í&#x2022;&#x201A;ě&#x201A;&#x2013;?

T 튚 ěŠ&#x2013;í&#x;&#x2020;ě&#x2DC;Ş í&#x203A;&#x;í&#x2018;˘î&#x152;ŚëŠ&#x161; 캍ë§?î&#x152;Śě ˘ ëŠ&#x201A; î&#x201D;Śě&#x2013;şë§&#x17D;ě ˘ ě&#x192;&#x17D;ě&#x2DC;Ş ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; í§&#x203A;ě ˘ 먞í?&#x160;. í&#x2022;&#x201A;í&#x2014;&#x2019;í&#x17D;&#x17E;ě&#x2020;&#x2019; ě&#x17E;&#x17E;î?&#x2013;ě&#x160;˝í&#x2022;&#x201A;, ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;Ś ěťżî?łí&#x17D;&#x17E; ě&#x17E;Źí­ž ëŻ&#x2020;ě&#x160;˛í&#x2022;&#x201A; î?&#x2014;ě&#x2020;§î&#x152;Śě ˘ ě&#x192;&#x17D;ě&#x2DC;Ş ě&#x2039;žě&#x2022;&#x160;ë§&#x2019;ě&#x201A;˛ě ˘ ëŠ&#x2018;ëŤ&#x160; ě°&#x2019;í&#x201A;&#x2026;î&#x152;Ş ě&#x17E;łě&#x2022;&#x2039;í&#x2022;&#x201A;í&#x17E;&#x17D;. í&#x2022;&#x201A;ë¸&#x161;ě?şě ˘ ě&#x192;&#x17D;ě&#x2DC;Ş í&#x17D;&#x201A;ě&#x2039;˘ě&#x160;Ž ë§&#x17D;ě ˘ 먞í?&#x160;. ëŻ&#x2020;ëŠ&#x2018;í&#x2022;&#x201A; í&#x2014;&#x2019;î?&#x17D; 캍ë§?î&#x152;Śí&#x17E;&#x17D; ě˘&#x2030;î&#x152;Ş ě§ˇî?łí&#x2022;&#x160;í&#x17E;&#x17D;ě&#x2022;&#x160;ě&#x2020;&#x2019;, í&#x2022;&#x201A;í&#x2014;&#x2019;í&#x17D;&#x17E; ěŤ&#x201A;í&#x17E;&#x17D; ě˘&#x2030;î&#x152;Ş ě¤&#x201A;í&#x17D;&#x2020;ë§&#x17D;ě?&#x160; 짪늺î&#x152;Ž 쿌 í&#x2022;&#x2013;ě ˘ 믞î&#x2018;&#x161;í&#x2022;&#x160;먞í?&#x160;. ě&#x2C6;&#x17E; ěŠ&#x2013;í&#x;&#x2020;ě ˘ ě¤&#x201A;í&#x17D;&#x2022;í&#x2022;&#x201A; ě&#x2021;Ží&#x17E;&#x17D; í&#x2022;Ś 쥜ě?&#x201A;늎띲.

M ě&#x201E;˘ í&#x2022;&#x17E;ěź&#x2020;î&#x2022;&#x2013; í&#x2022;&#x201A;í?&#x160;믞î?&#x201A; ěŤ&#x201A;í&#x2022;&#x17E;ěĄ&#x201A;, 뚪 믞î&#x2018;&#x161;ě?&#x160; ě&#x17E;&#x161;ě&#x160;Şě ˘ ëŠ&#x2018;í&#x2022;&#x201A; í&#x203A;&#x;í&#x2018;˘î&#x152;Śě&#x201A;˛ëŞŽ 캍ë§?î?&#x201A;. 짢츪 í&#x2022;&#x160;í&#x2014;Ł ě˝&#x203A;í&#x17D;&#x17E;읪ě&#x2020;&#x2019; ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019; 퍺í??î&#x152;ŚëŻž í&#x201C;&#x2019;î?&#x201A; 믞ë˛&#x160;í&#x2022;&#x201A; ëŻ&#x2020;ě&#x160;˛í&#x2022;&#x201A; ěšşě ˘ ëŤ ë°&#x161;í&#x17E;&#x17D; í&#x17E;?í&#x2014;&#x; í¨&#x152;í&#x152;&#x2019;ë§&#x17D;ě ˘ ëť&#x2013;í&#x201D;Ś í?&#x201A;í&#x2014;ŁëŤ&#x160; ë˝&#x2020;ě&#x2014;łí&#x201D;&#x17D; í&#x2014;Łě&#x17E;&#x17E; î&#x201A;&#x2021;ěŞ&#x2019;î?&#x201A;. ëť&#x161; ëŻ&#x2020; 퍺í??í&#x201D;&#x2019; í&#x201C;&#x2019;î?&#x201A; í ˛í ˛ě&#x2DC;Ş ëŞ&#x2019;î&#x2018;&#x203A;í&#x201D;&#x2019; ěź&#x2020;í&#x2019;&#x161;í?&#x160; î?&#x2013;몎, í&#x2022;&#x201A;ëŠ&#x2018;í&#x2022;&#x201A; 짢ě&#x2DC;Ş ěšşí&#x17E;&#x2019; í&#x2022;&#x;ë§&#x17D;ě&#x2DC;ŞěťŞ î&#x152;&#x2019;í&#x2018;˘î&#x152;Ş í&#x2022;&#x17E;í&#x17E;&#x2013;í&#x2022;&#x201A;믞ě&#x2020;&#x2019; î&#x152;Śí&#x17E;&#x17D;.

T ě&#x17E;Źí&#x152;&#x2019;. í¨&#x152;í&#x152;&#x2019;뚌ë§&#x17D;ě ˘ ëŠ&#x2018;í&#x2022;&#x201A; ěťżëŤ&#x192; í&#x2018;˘í&#x2022;&#x2020;í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;&#x;í&#x2018;ˇî&#x152;Ş ëŠ&#x2018; 맧í&#x152;&#x2019;. ë§&#x17D;ě łěťżí&#x201D;&#x2019; í?&#x201A;í&#x17D;&#x201A; ě&#x2C6;&#x17E;몎 í¨&#x152;í&#x152;&#x2019;뚌ë§&#x2019;ě&#x201A;˛ě ˘ ëŠ&#x2018;. 쥡î&#x2C6;Şě?&#x160; î?łî?&#x201A; 뚌í&#x152;&#x2019;ë§&#x17D;ě ˘ ëŠ&#x2018;ëŤ&#x160;ě&#x2020;&#x2019; 맧í&#x17E;&#x17D;. í&#x2022;&#x201A;ëŠ&#x161; ě&#x2C6;&#x17E; ěŠ&#x2013;í&#x;&#x2020; ě&#x192;&#x17D;ě&#x192;&#x192;í&#x2022;&#x2020; ëŠ&#x2018; 맧띲.

M í&#x2022;&#x160;ëŤ&#x17D;ěťżí&#x201D;&#x17D; í&#x17D;&#x201A;ě&#x152;&#x161;? ëť&#x2013;í&#x201D;Ś ěšşí&#x17E;&#x2019;í&#x17D;&#x17E;ě ˘ ëť&#x2013;ě&#x17E;&#x161;í&#x201D;Ś í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ë§&#x17D; ě&#x192;&#x201A;늜í&#x2022;&#x2013;í&#x17D;&#x201A;. "í&#x2014;&#x17D;먞 ěź&#x17D;ě°&#x2019;ë§&#x17D; í§&#x203A;í&#x17D;&#x2013;í&#x2022;¤í&#x152;&#x2019;"ě&#x2022;&#x160;ě ž ëż&#x2019;돺뚌 'ě&#x201E;˘ ěź&#x17D;ě°&#x2019;'í&#x201D;Ś ěšşí&#x17E;&#x2019;í&#x2022;&#x201A;ě&#x2022;&#x160;ě ˘ ëŠ&#x2020; í&#x152;&#x161; 쿌 í&#x2022;&#x2013;í&#x17E;&#x17D;. ëŻ&#x2020;ě&#x2013;ž í&#x2022;&#x160;ëŤ&#x17D;ěťżí&#x201D;&#x17D; ě&#x17E;˛í&#x2018;ž í&#x203A;&#x;í&#x2018;˘î&#x152;Ş í&#x17D;ťî&#x152;Ží&#x201D;&#x2019; î&#x152;Şě&#x201A;˛ëŞŽ 캍ë§?î?&#x201A;.

T í&#x201D;&#x;. í&#x2122;&#x2122;í&#x201D;&#x17D; î&#x2020;şí&#x2022;&#x2020;î&#x201A;&#x2020;í?&#x160;. í?Şëş&#x17E;î&#x152;ŚěĄ&#x201A; í&#x17D;&#x201A;ě?˛ î&#x201D;&#x17E;ě?&#x2019;í&#x2022;&#x201A;뚌 쿪ë§&#x2019;í&#x201D;&#x2019; ě&#x2039;žě?&#x2020;ě&#x201A;˛ě ˘ ëŠ&#x2018;ě&#x17E;&#x161;í&#x2022;&#x201A; 100%ě ˘ í&#x152;&#x2019;ě&#x201A;&#x2013;ě&#x201A;&#x2013;ë°&#x161;. ěź&#x2020; ěŠ&#x2013;í&#x;&#x2020;ě ˘ í&#x2022;&#x160;ëŤ&#x17D;ěťżí&#x201D;&#x2019; í&#x17E;&#x17D;íš˛ě ˘ 먞í?&#x160;. í&#x2022;&#x201A;ëŠ&#x201A; 뚌í&#x201D;Ś ě§&#x2020;î&#x152;§, 뚌í&#x201D;Ś ëŤ&#x17D;í&#x201A;şěšşí?&#x17D;ě&#x2020;&#x2019; 맧í&#x152;&#x2019;. í&#x2022;&#x160;ëŤ&#x17D;ěťżí&#x201D;&#x17D; 뚌í&#x17D;&#x17E;ëŠ&#x161; í&#x203A;&#x;í&#x2018;˘î&#x152;Ş ě­&#x17D;ě­&#x2019;í&#x2022;&#x201A;í&#x17E;&#x17D;. ëŻ&#x2020; ěšşě&#x2022;&#x161;ě&#x160;˛ëŤ&#x160; ëŻ&#x2020;ě&#x160;˛í&#x201D;Ś ě¤&#x160;ëŠ&#x201A;í&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş ëšŚí&#x201D;Ś î?&#x2020;믞í&#x201A;şě&#x2020;&#x2019; î&#x152;Ş ěĄší&#x201D;&#x2019; î&#x152;Şě&#x201A;˛ëŞŽ î&#x152;Ž 쿌 í&#x2022;&#x2013;í&#x17D;&#x201A;. í&#x2022;&#x2020;흞쎞ě?&#x160; î&#x152;ŚëŞŽ î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; î&#x152;Śě ˘ ëŠ&#x2018;튌ě&#x2014;&#x160; ëŻ&#x2020;í&#x2014;&#x17D; í?&#x17E;ëŻžě ˘ ëŠ&#x2018;. í&#x2022;&#x160;ëŤ&#x17D;ěťż, ě&#x17E;Źí&#x152;&#x2019;. í&#x2122;&#x2122;í&#x201D;&#x17D; í&#x17E;&#x17D;í&#x2014;?í&#x2022;&#x201A;í?&#x160;.

M ě&#x17E;Źí&#x152;&#x2019;, í&#x2022;&#x160;ëŤ&#x17D;ěťżí&#x2022;&#x201A; î?&#x192;í&#x201A;şí&#x2022;&#x201A;ě&#x2022;&#x160; î&#x152;Ž 쿌 í&#x2022;&#x2013;í&#x17E;&#x17D;. ëť&#x161; í&#x17E;&#x17D;ëŻ&#x2013;ë°&#x161;í&#x17E;&#x17D; 쿌짿 ěĄ&#x201C;í&#x201D;Ś ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019; 퍺í??î?&#x201A;í?˘í&#x2022;¤í&#x152;&#x2019;. 퍺í??î?&#x2013;ě&#x201E;Ś ěšşě&#x2022;&#x161; í&#x203A;&#x;í&#x17D;&#x17E; í&#x2014;Łě&#x17E;&#x17E;ě&#x2DC;Ş ě&#x2020;&#x2122;ěŤ&#x201A;í?&#x17D;먞뚌 믞í&#x17D;&#x192;í&#x17D;&#x17E; ëšśě ˘ í&#x2022;&#x201A;í?&#x160;믞ë§&#x17D; í&#x2022;&#x2013;í&#x17D;&#x201A;? í&#x2014;Łě&#x17E;&#x17E; ë­?ëŻ&#x2013;î?&#x201A;.

T í&#x152;&#x161;ě&#x201A;˛í&#x201A;Şî&#x152;&#x160; ëšŚě ˘ 믞í&#x17D;&#x192;ě&#x2014;łí&#x2022;&#x201A; ě¤&#x201A;튧 뚌찎. ëŻ&#x2020;ě&#x2022;ŚěťŞ ëş&#x201A; ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x201D;&#x17D; ëş&#x201A; 믞í&#x17D;&#x192;ëŤ&#x160; 맧í&#x17E;&#x17D;. ě&#x17E;&#x2013;í°Ś ëş&#x201A; í¨&#x201C;í&#x201D;&#x2019; ě&#x160;˛í&#x17D;şě&#x201A;˛ěŤ&#x201A;ě ˘ ëŠ&#x2018;í&#x2022;&#x201A;믞ě&#x2020;&#x2019; î&#x152;ŚëŞŽ, ëş&#x201A; 쥜ě&#x160;Ž í&#x17E;&#x17D;뚪 ëŞ&#x2039;î&#x17D;Śě&#x160;˛í&#x201D;&#x2019; 믞í&#x17D;&#x192;î&#x152;Śě ž ëŠ&#x2026;ě ˘ ëŠ&#x2018;ëŤ&#x160; 맧í&#x152;&#x2019;. íş&#x17D;í&#x2022;&#x2019;íąŻí &#x17E;ëŤ&#x160; 맧í&#x201D;&#x17D; 먞í&#x17E;&#x17D;. í?&#x2013;í&#x2014;&#x2019;í&#x17D;&#x17E; í§&#x203A;í&#x201D;&#x17D; ëť&#x2013;í&#x201D;Ś ěšşí&#x17E;&#x2019;, ëŻ&#x2020; í&#x201A;Şí&#x2014;&#x2013;, ëŻ&#x2020; ëŤ&#x192;ë§&#x2019;í&#x17D;&#x17E; í&#x2022;&#x2013;ě ˘

ëť&#x2013;ě?&#x160; í&#x17E;&#x17D;ëŻ&#x2013;í&#x201D;Ś 띲ë§&#x17D; 짢ě&#x2022;&#x160;ěŤ&#x2020;ě&#x201A;˛ě ˘ í&#x2022;&#x160;í&#x201D;&#x17D; í&#x2014;Łě&#x17E;&#x17E; ë˝&#x17D;ě&#x2022;&#x203A;몎 î&#x201D;łě§&#x2020;ě&#x2DC;Şí&#x2019;&#x201A; í&#x2022;&#x160;í&#x2022;&#x201A;í?&#x160;.

M í&#x2014;Łě&#x17E;&#x17E; ëŤ&#x192;ë§&#x17E;î?&#x201A;. 쥜ě&#x160;Ž ěšşě&#x2022;&#x161;í&#x201D;&#x17D; 뚌í&#x2022;&#x201A;ě?&#x160; ě &#x2021;믞 ě&#x152;&#x161;ě¤&#x2020;í&#x17D;&#x17E; ě&#x152;&#x161;ě¤&#x2020;í&#x17D;&#x17E; í&#x2022;&#x201A;ëŠ&#x201A; íş&#x17D;í&#x2022;&#x2019;íąŻí &#x17E;ëŤ&#x160; 맧í&#x17E;&#x17D;. ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x17D; í&#x152;&#x2019;ě&#x17E;&#x2013; ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; í&#x17E;&#x;í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;&#x201A;ěšşě?&#x160; î&#x152;Ž ëŠ&#x2018;í&#x2022;&#x201A;몎, ëŻ&#x2020;ě&#x160;˛í&#x201D;&#x17D; 띲ë§&#x17D; 퍺í??î&#x152;Ş ě¤&#x160;ëŠ&#x201A;ě&#x160;˛ í&#x203A;&#x; í&#x2022;&#x160;ě­&#x17D;ě ˘ ěŠ&#x2019;ě?şëŠ&#x161; ě&#x2021;Ž 먞í?&#x160;. ëŻ&#x2020;ě&#x2013;şěĄ&#x201A; í&#x2022;&#x201A; ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x201D;&#x17D; ëŻ&#x2020; ě&#x152;&#x161;í&#x201D;Ś 믞í&#x17D;&#x192;í&#x201D;&#x160;ě&#x2DC;Ş ëšśí&#x152;&#x2019; í??í&#x2019;&#x17E;î&#x2022;&#x2013; í&#x2122;&#x201A;í&#x2022;şî&#x152;Žë¨ží?&#x160;. í&#x2014;Łě&#x17E;&#x17E; ě &#x2122;í&#x2DC;&#x2020;.

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own interface and show the pictures how you want to show them. So I feel that the move to social media has really put creatives back in a shoebox again. M Totally. Also I think itâ&#x20AC;&#x2122;s pretty amazing that, not only did you build this great website, but youâ&#x20AC;&#x2122;ve had already three coffee table books come out with these images and those will live on forever way past the days of technology. M Youâ&#x20AC;&#x2122;ve travelled around the world to see how the most influential people live and what they buy and how they dress and all that and the food they eat. Do you find any common threads with those people in these creatives that youâ&#x20AC;&#x2122;ve shot? T The common thread, I think, simply is me in a way because itâ&#x20AC;&#x2122;s my interest about them, people that I find interesting because thatâ&#x20AC;&#x2122;s the only qualification for me shooting someone. M Thatâ&#x20AC;&#x2122;s the qualification? T They donâ&#x20AC;&#x2122;t need to be famous. They donâ&#x20AC;&#x2122;t need to be rich. They donâ&#x20AC;&#x2122;t need to live in a certain place. My work is just an exploration of my curiosity. So in a way, thatâ&#x20AC;&#x2122;s the one thing. The only other odd thing that I think connects them all is that theyâ&#x20AC;&#x2122;re usually all collectors of some sort and people who express themselves in their living environment at least or working environment. M Yeah. That makes sense. When you started â&#x20AC;&#x2DC;The Selbyâ&#x20AC;&#x2122; website, when did you really feel that it had some traction and it could turn into something bigger than an art project or a hobby thing? T Thatâ&#x20AC;&#x2122;s an interesting question. That happened pretty fast. Iâ&#x20AC;&#x2122;d say after two months of doing it. In 2008, I just emailed people. â&#x20AC;&#x153;Hey! Look at this thing Iâ&#x20AC;&#x2122;m doing on my website. Click on this link theselby.com.â&#x20AC;? and I got ten people looking at it a day, and then there was forty people looking at it a day, and then there was a hundred people. And then traffic started to go up exponentially. A thousand people. The next week, it was ten thousand people in a day. I thought, â&#x20AC;&#x153;This is amazing.â&#x20AC;? Just seeing the traffic and going up and then people I didnâ&#x20AC;&#x2122;t know started emailing me. It just really took off. This is it. This is really going somewhere. It really encouraged me. M Didnâ&#x20AC;&#x2122;t you also have a big write-up in the <The New York Times>? T Really early on I had a write-up in <The New York Times>. That definitely helped propel things and lots of great editorial pieces about what I was doing. Just really encouraged me. It was cool. M Was it at â&#x20AC;&#x2DC;coletteâ&#x20AC;&#x2122; in Paris that was the first in real life Selby show? T Yeah. My first show was at â&#x20AC;&#x2DC;coletteâ&#x20AC;&#x2122; in Paris. I remember I had this dingy basement studio and I printed the whole show myself in my little studio and stayed up all night day after day because I had to feed one print at a time or the printer would jam. And then I remember going to â&#x20AC;&#x2DC;coletteâ&#x20AC;&#x2122; in Paris. And then Danielle and me, whoâ&#x20AC;&#x2122;s now my wife, we were in there and we were with Sarah from â&#x20AC;&#x2DC;coletteâ&#x20AC;&#x2122; and her team. We were just putting up photos. Weâ&#x20AC;&#x2122;re taping photos to the wall. We started in the gallery space and then just kept moving down the wall and down the staircase and then just everywhere. It was a real do-it-yourself style thing. It was awesome to have that be my first show experience. M I remember at the opening Karl Lagerfeld was there. You took a really epic photo of me and him.

ě&#x17E;&#x2013;í¸şď&#x2DC;&#x201C;î&#x17D;&#x161;íťž / í´˘ěŻ&#x161;ě&#x2022;&#x160;í ˛ëť˛í&#x2022;&#x201A;í¸şď&#x2DC;&#x2122;ď&#x2DC;&#x201C;ěšşí&#x17E;&#x2019;í&#x2022;&#x;ë§&#x17D;í&#x2022;&#x201A;í&#x2022;&#x17E;ď&#x2DC;&#x201C;î&#x201A;&#x2020;ě&#x2014;&#x2013;í&#x2022;&#x201A;ëť&#x2013;

í´˘ěŻ&#x161;ě&#x2022;&#x160;í ˛ëť˛í&#x2022;&#x201A;í¸ş(The Cobra Snake)ě&#x2DC;Ş ě­&#x2013;ě?şě ˘ ě&#x17E;&#x2013;í¸ş î&#x17D;&#x161;íťž(Mark Hunter)ě ˘ â&#x20AC;&#x2DC;ě&#x201E;˘ ěź&#x17D;ě°&#x2019;â&#x20AC;&#x2122; î&#x2039;&#x2019;ě&#x2DC;Şí&#x2014;Ťî&#x201A;&#x2020;(â&#x20AC;&#x2DC;The Selbyâ&#x20AC;&#x2122; project)ě?&#x160; í&#x201A;Şí&#x2022;&#x;î&#x152;Ž 쿌 í&#x2022;&#x2013;ě&#x2020;&#x2019;ě&#x2DC;Ť ě&#x2020;&#x2019;í&#x2019;&#x17D;í&#x201D;&#x2019; í&#x203A;&#x17D; í&#x2022;&#x2020;ě¤&#x160;í&#x2022;&#x201A;ě&#x201A;˛. ëŻ&#x2020;ě ˘ ě&#x2020;&#x201C;î&#x201A;&#x2021;î&#x152;Ş í?&#x2026;í§śě&#x17E;&#x160;í&#x17D;&#x17E; î&#x152;Ş ě˝&#x17E;í&#x17D;&#x17E;ě ˘ íą&#x201A;ě ˘ě&#x2022;&#x160;ě?&#x160; ě&#x160;Ž 쥜í&#x201A;&#x192;í&#x201D;&#x160;ě&#x2DC;Ş 2000ëź&#x2019;ě&#x2020;&#x2019; ě &#x201A;í&#x2018;Ł(New York)í&#x201D;Ś î&#x192;&#x161;î&#x201A;ží&#x17D;&#x17E;읪 í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;í?&#x17D; 튌í&#x201D;&#x161; ě&#x17E;&#x161;뚌 í&#x2022;&#x2020;í&#x17D;ží&#x201D;&#x2019; ě&#x;&#x2C6;í&#x17D;&#x2013;ě&#x201A;˛. ěšşí&#x17E;&#x2019;ëŤ&#x160; î&#x192;śěźŚí&#x201D;&#x2019; í&#x2014;&#x2019;ě¤&#x2020;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ě&#x201A;˛ě&#x161;śě ˘ í?śě&#x2022;&#x160;í&#x2022;&#x2020; î&#x2039;&#x161;ě&#x2022;šî&#x2021;&#x160;í&#x2022;&#x2020; â&#x20AC;&#x2DC;í´˘ěŻ&#x161;ě&#x2022;&#x160;í ˛ëť˛í&#x2022;&#x201A;í¸ş(The Cobra Snake)â&#x20AC;&#x2122;ě?&#x160; ě&#x17E;&#x161;ě&#x160;˛ëŞŽ, ě&#x2039;˘í&#x17E;&#x17D;íź&#x2020; í&#x201A;Şě&#x192;&#x17D;í&#x17D;&#x17E; î&#x201A;&#x2021;î?˘ě&#x2021;Ş ěšşí&#x17E;&#x2019;í&#x2022;&#x;ë§&#x17D;ě&#x2DC;Ş í&#x2022;&#x201C;í&#x17E;&#x17D;ě?&#x160; ě&#x201A;˛í&#x2DC;&#x2020;í?ś ëŻ&#x2020;ě ˘ íąŚě°&#x2013;íš&#x201A;ě&#x2022;&#x160;í&#x2022;&#x2020;(Calvin Klein), î&#x17D;şě¤&#x201A;î&#x201A;&#x2020;ě&#x2022;ť(Helmut Lang), <î&#x152;Śî&#x2026;&#x160;í ˛ 짢í&#x2022;&#x17E;(Harperâ&#x20AC;&#x2122;s Bazaar)>í?&#x17D; 맧í&#x201D;&#x17D; ěź&#x2020;ëŞ&#x2019;í&#x2014;?í&#x2022;&#x2020; ěŻ&#x161;ě&#x2022;Şě&#x160;Şě&#x160;˛ëŤ&#x160; ě&#x201A;˛í?&#x;î&#x152;Ş î?&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; í&#x2022;&#x201A;í&#x17D;&#x201A;í?˛ëŞŽ í&#x2022;&#x2013;ě&#x201A;˛. ě&#x2039;˘í&#x17E;&#x17D;íź&#x2020; ě˝&#x161;íž&#x192; 짡í&#x201A;Ťí&#x201D;&#x2019; í&#x2014;?ëŻ&#x2021; î?Şí&#x2018;ˇî&#x152;Ş â&#x20AC;&#x2DC;í´˘ěŻ&#x161;ě&#x2022;&#x160; ěť&#x192;(The Cobra Shop)â&#x20AC;&#x2122;ëŤ&#x160; â&#x20AC;&#x2DC;í´˘ěŻ&#x161;ě&#x2022;&#x160; î&#x201C;Śî&#x201A;&#x2020;ě&#x201A;&#x2013;í ˛ íš&#x201A;ě&#x2014;&#x2039;(The Cobra Fitness Club)â&#x20AC;&#x2122;ě&#x2020;&#x2019; í&#x2019;&#x201A;í??î&#x152;Śě ˘ ëŻ&#x2020;ě ˘ ě&#x201A;˛í¨&#x2019;ě&#x2DC;ťëŞŽ í ˛íş&#x17D;í&#x2022;&#x160;ě?şí&#x20AC;şî&#x152;Śě ž, î&#x192;śěź˘ëť&#x2013;쯢î&#x152;Ş í&#x2022;&#x201A;ě§&#x2020;í&#x17E;&#x17D;ě&#x160;˛ě&#x2DC;Ş í&#x2014;&#x2DC;í&#x201D;&#x17D; ěź&#x2020;ě&#x192;&#x17D;ě&#x160;˛í&#x17D;&#x17E;ëŠ&#x161; ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x2039;&#x2019; í ˛íş&#x17D;í&#x2022;&#x160;ëŤ&#x160; î&#x201A;&#x2020;ě&#x2014;&#x161;ě&#x160;Şě?&#x160; 읎ěŤ&#x201A;í&#x2022;&#x2020;ě&#x201A;˛.

T Yeah. Karl goes to â&#x20AC;&#x2DC;coletteâ&#x20AC;&#x2122; a lot. He was in there shopping one day and he saw the prints that were everywhere in the store and he was talking to Sarah about it. And Sarah from â&#x20AC;&#x2DC;coletteâ&#x20AC;&#x2122; said, â&#x20AC;&#x153;Todd really wants to photograph you.â&#x20AC;? and Karl told her, â&#x20AC;&#x153;Tell Todd to come by tomorrow morning.â&#x20AC;? And thatâ&#x20AC;&#x2122;s how I got to shoot him. It was pretty amazing that Sarah and â&#x20AC;&#x2DC;coletteâ&#x20AC;&#x2122; really helped propel me to the next level. M Awesome. Iâ&#x20AC;&#x2122;m so excited to see what you have planned for Korea and I think itâ&#x20AC;&#x2122;s going to blow people away and everyone should try to make it out to the museum and go take some selfies with your artwork. M What are three important things that you keep in mind when youâ&#x20AC;&#x2122;re taking photographs? T My first thing I keep in mind when Iâ&#x20AC;&#x2122;m taking photographs is to go with

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M ëŻ&#x2020;ě&#x2014;&#x160;, â&#x20AC;&#x2DC;ě&#x201E;˘ ěź&#x17D;ě°&#x2019;â&#x20AC;&#x2122; í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;ë§&#x17D; 펜ě§&#x2020;뚌 í?&#x2013;쿎 î&#x2039;&#x2019;ě&#x2DC;Şí&#x2014;Ťî&#x201A;&#x2020;ě?&#x160; 띌í&#x17D;&#x201A;ěťŞě ˘ í??î?łě&#x2014;łí&#x201D;&#x2019; ë§&#x17D;í&#x17E;&#x17D;ëŠ&#x161; ě&#x2021;&#x17E;ě&#x201A;˛ě ˘ ëŠ&#x2020; í&#x17D;&#x2020;í&#x2014;Ş ě &#x17E;ëł&#x2013;í&#x17D;&#x201A;?

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ě&#x2020;§ëŻžě&#x2022;&#x160;몎 î&#x152;Ž 쿌 í&#x2022;&#x2013;í&#x17D;&#x201A;. ëŻ&#x2020;ě&#x160;˛í&#x201D;&#x2019; î&#x152;ŚëšŚě&#x2DC;Ş ě¤&#x201E;ě ˘ ě?&#x17E; ě&#x201A;˛ě?&#x2020; ëŤ&#x192;íž&#x192;í&#x2014;&#x17E;í&#x201D;&#x17D; í&#x203A;&#x160;ě&#x2DC;Ş ě¤&#x201A;í&#x17D;&#x2020;ë§&#x17D;ě?&#x160; 쥜í&#x201D;&#x160;ě ˘ 쿌í&#x17E;&#x;ë§&#x17D;ě&#x2022;&#x160;ě ˘ í&#x2014;&#x17E;í&#x2022;&#x201A;í?&#x160;. 캍î?Ş î?ŚëŞ&#x2039;í&#x2022;&#x201A;뚌, í&#x2022;&#x;í&#x17D;&#x201C; î?ŚëŞ&#x2039; í&#x152;&#x2013;í&#x17D;&#x17E;읪 í&#x2022;&#x17E;í&#x201A;Ží&#x201D;&#x2019; î&#x2C6;Şî?&#x2019;î&#x152;Śě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A;í&#x17E;&#x17D;.

Todd Selby and Mark Hunter/ The Cobra Snake

the flow. So that kind of relates to what I was saying earlier about following peopleâ&#x20AC;&#x2122;s personality and just going with it. Wherever it leads, just go with it. If it goes somewhere really weird, thatâ&#x20AC;&#x2122;s the best because it will be different from anything youâ&#x20AC;&#x2122;ve ever done before. I guess the second thing - I donâ&#x20AC;&#x2122;t know what the second thing is, if there is a second thing. M Just to elaborate on that, I think itâ&#x20AC;&#x2122;s so important to be available for the opportunity. And again what was so special for you, you did this as a passion project and you took time and your own money to travel to shoot these people with busy schedules and stuff. So you have to set yourself up to capture them, which is part of being a photographer. T Yea. Showing up. Showing up is part of success. Being open to it and then showing up, going for it. I guess thatâ&#x20AC;&#x2122;s number two. Youâ&#x20AC;&#x2122;ve got to be there. M What about consistency? I think that youâ&#x20AC;&#x2122;ve definitely created an energy around your photography that your photos are recognizable as â&#x20AC;&#x2DC;The Selbyâ&#x20AC;&#x2122;. You know, â&#x20AC;&#x153;Selby shot that.â&#x20AC;? I think that plays an important role. T Yeah. Thatâ&#x20AC;&#x2122;s a good point because itâ&#x20AC;&#x2122;s not 100% going with that flow or that moment. The third thing being consistent, which is my aesthetic, my interest. Thereâ&#x20AC;&#x2122;s part of me in it too and thatâ&#x20AC;&#x2122;s my interest in the person and their things and having fun and doing the interviews and having that framework that I built. So consistency. I dig that. M Consistency is key. Youâ&#x20AC;&#x2122;ve shot hundreds and hundreds of people at this point. Has there been anyone that really stood out or any memorable story about shooting somebody? Iâ&#x20AC;&#x2122;d love to know. T You know me. I have a terrible memory and my photos are my memories. To me, looking through my books and is walking down memory lane through all these experiences. Itâ&#x20AC;&#x2122;s a time capsule. Itâ&#x20AC;&#x2122;s pretty amazing even looking back at the pictures I took of you and then you see you at that moment of time in your place. Itâ&#x20AC;&#x2122;s really interesting. M I love that. It is a time capsule cause everyoneâ&#x20AC;&#x2122;s going to get older. Theyâ&#x20AC;&#x2122;re going to maybe move into a new house. Theyâ&#x20AC;&#x2122;re going to get rid of some of the stuff that you photographed and itâ&#x20AC;&#x2122;s those images that will always exist that will be those memories. Thatâ&#x20AC;&#x2122;s great.

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Mark Hunter / The Cobra Snake, Photographer and Fitness Guru ď&#x2DC;&#x201C;

Todd met Mark Hunter in 2000 at various parties around New York City. Mark was a young guy with a camera and an outrageous look, and they became good friends almost immediately. Mark was very influential in Toddâ&#x20AC;&#x2122;s conception of â&#x20AC;&#x2DC;The Selbyâ&#x20AC;&#x2122; project. Mark Hunter is an active photographer in the digital era. He goes by his nickname, The Cobra Snake, and runs online platform that covers fields of photography and fashion. He has been working with internationally acclaimed brands such as Calvin Klein, Helmut Lang, <Harperâ&#x20AC;&#x2122;s Bazaar>. Based on his insight and understanding of digital interaction he has been introducing new form of lifestyle and latest trends to the Millennials. All of his projects capture every moment in life with such an excitement and passion, which are shared through various social media and his online platform, â&#x20AC;&#x2DC;The Cobra Shopâ&#x20AC;&#x2122; and â&#x20AC;&#x2DC;The Cobra Fitness Clubâ&#x20AC;&#x2122;. His colorful, stylish and fashionable images offer alternatives to break from everyday routine. @thecobrasnake


í?&#x2013;í&#x2014;&#x2019;ě­&#x17D;íťž ěšşí&#x17E;&#x2019; ě˝&#x203A; í&#x203A;&#x160;í&#x2022;&#x2020;ëŤ&#x192;ě&#x160;˛í&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş ë°&#x2DC;몎 î&#x2030;&#x203A;ě­&#x17D;î&#x152;Ş í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; ě&#x201E;˘ í&#x2022;Ś í&#x2014;&#x2019;ě&#x201A;şî&#x152;ŚëŞŽ í&#x192;&#x201E;í&#x17D;&#x2013;ě&#x201E;Ś ëšŚě ˘, ěšşí&#x17E;&#x2019;ëŤ&#x160;

í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020;ě&#x2014;&#x2013;í&#x2022;&#x201A;쟌í&#x201D;&#x2019; 늞î&#x152;ˇî&#x152;Śě ˘ 짡슣ě&#x160;˛í&#x17D;&#x17E; ě&#x192;&#x17D;î?&#x201A; 몎ě§&#x160;î?&#x201A; í?˘í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ěšşí&#x17E;&#x2019; ě˝&#x203A; í&#x203A;&#x160;í&#x2022;&#x2020;ëŤ&#x192;ě&#x160;˛í&#x201D;Ś í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; í?&#x2019;ěŞ&#x2039;î&#x152;ŚëŠ&#x161;

í&#x2014;&#x2019;ě&#x201A;şî&#x152;ŚëŻž í&#x201C;&#x2019;î?&#x201A; í&#x2022;&#x201A;ě§&#x2020; í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020; â&#x20AC;&#x2DC;ě&#x201E;˘ ěź&#x17D;ě°&#x2019;(The Selby)â&#x20AC;&#x2122;í&#x17D;&#x17E; ě&#x17E;&#x153;í&#x201D;&#x17D; ěšşí&#x17E;&#x2019;ě&#x160;˛ëŤ&#x160; î&#x2026;Śí&#x2022;&#x2020;î&#x192;&#x201C;, ëŻ&#x2020;ě?şëŞŽ 쿜늜í&#x17E;&#x2019; í&#x2022;&#x201A;í?&#x160;믞ë§&#x17D;

ě&#x192;&#x201A;ë°&#x201A; í&#x2022;&#x2020;흞쎞ě?&#x160; î&#x152;śë˛Ś ëŠ&#x161;í&#x2022;şî?&#x201A;í?˘í&#x17E;&#x17D;ě&#x17E;&#x161;, í&#x2022;&#x201A;ěŠ&#x2013; í&#x2014;&#x2019;í&#x201A;Şí&#x17D;&#x17E;ěťŞě ˘

ě&#x201A;˛ě?&#x2020; 짡슣í&#x201D;&#x2019; í¨&#x152;í&#x152;&#x2019;í?&#x160;ě&#x17E;&#x161; î?&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x2022;&#x201A; ëŤ&#x160;í&#x2014;Łí&#x17D;&#x17E;읪 í˛˛ě&#x201A;˛ě&#x2022;&#x17D; í¸şëŻžě&#x2DC;Ş í&#x2022;&#x2020;î?˘î&#x152;Ş ěšşí&#x17E;&#x2019;í&#x17D;&#x17E; ě˝&#x17E; ëŻ&#x17D;í&#x2039;ś, í´Şě&#x2022;&#x160;í&#x203A;&#x160;, í&#x152;&#x2019;í&#x2022;&#x201A;ě&#x160;˛í&#x201D;Ś

ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014;í&#x201D;&#x2019; ě&#x201E;˘î&#x152;Ş î&#x152;&#x160;íťž ě°&#x2019;í&#x17D;&#x201A;ě&#x160;Ş(Peter Beard)í&#x201D;Ś í&#x2022;&#x;î&#x2030;&#x2013; <ëŠ&#x161;í&#x2022;&#x2019;í&#x201D;Ś 븍(The End of the Game)>í&#x201D;&#x160;ě&#x2DC;Şě­&#x17D;íťž ě&#x17E;&#x153;í&#x201D;&#x17D; í??ë§&#x17E;í&#x201D;&#x2019; í&#x17D;&#x2030;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x2014;&#x2019;í&#x201A;Şě&#x2021;Ş â&#x20AC;&#x2DC;ě&#x2014;&#x2013;í&#x17E;&#x2019; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;â&#x20AC;&#x2122;ě&#x160;˛í&#x201D;&#x17D; ëŻ&#x2020;í&#x201D;Ś í´Şě&#x2022;&#x160;í&#x203A;&#x160; ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014; 짡í&#x201A;Ťí&#x201D;&#x2019; 짪í&#x2014;&#x2019;í&#x201A;Şíšś ëŠ&#x2018;í&#x201D;&#x160;ě&#x2DC;Ş, ëŞ&#x2021;ëŞ&#x2021;í&#x2022;&#x201A; ě­§í&#x2022;&#x2020; í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020;ě&#x2014;&#x2013;í&#x2022;&#x201A;쟌ě&#x160;˛í&#x2022;&#x201A; ě&#x2C6;&#x17E;ë˛&#x160;í&#x2019;&#x201A; ě&#x2014;&#x2013;í&#x17E;&#x2019;í&#x201D;&#x160;ě&#x2DC;Ş ě&#x17E;&#x2013;ë§&#x17E;

튌ě?şě&#x2021;Ş î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x17D;&#x17E;ě ˘ ěšşí&#x17E;&#x2019; ě˝&#x203A; í&#x203A;&#x160;í&#x2022;&#x2020;ëŤ&#x192;ëŤ&#x160; ëŻ&#x2020;ě&#x160;˛í&#x201D;&#x2019; ě&#x2C6;Śě&#x2013;şí&#x192;&#x160;

í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; ě &#x2122;í&#x17E;&#x17D;ëŠ&#x161; î&#x2C6;Şî?&#x2019;î&#x152;ŚëŞŽ í&#x2022;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ě?&#x17E;î&#x152;Ş î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019; í&#x201C;&#x2019;í&#x201D;Ś í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020;ě&#x2014;&#x2013;í&#x2022;&#x201A;쟌ě&#x160;˛í&#x201D;&#x17D; ë§? ěšşí&#x17E;&#x2019;í&#x201D;Ś í&#x203A;&#x160;í&#x2014;Şě?&#x160; 읲ěĄ&#x201C;î&#x152;Ž ěś&#x17E;ě&#x17E;&#x161;

í&#x152;&#x2019;ě&#x201A;&#x2013;ě&#x2022;&#x160;, 뚌ě&#x17E;&#x161;í&#x201D;Ś î?Śěş?ëŤ&#x160; í¨&#x2039;í&#x201D;Śěťżí&#x201D;&#x2019; î&#x2C6;Şî?&#x2019;î&#x152;Śě ˘ě&#x201E;ž í&#x203A;&#x;í&#x2018;˘î&#x152;Ş í&#x17D;ťî&#x152;Ží&#x201D;&#x2019; î&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛.

For a long time, Iâ&#x20AC;&#x2122;ve been interested in ways to integrate illustration as a way to tell deeper and richer stories about the subject of my photographs. On my website, Iâ&#x20AC;&#x2122;ve been able to include a lot of photographs, paintings and written interviews which tell a complete story. For this show, I was searching for a way to go even more in depth for each story in my photographs. I started thinking about the work of Peter Beard and his project <The End of the Game>. I was so inspired by how Peter creates a whole world by printing a single large photograph and then mixes in his handwriting, cut out materials and school childrenâ&#x20AC;&#x2122;s drawings. For â&#x20AC;&#x2DC;the resin framesâ&#x20AC;&#x2122; in this room, I developed a process that built on a base of collaged drawings. I would place layers of single illustrations and thick resin to build up a feeling of the world each of my photographs inhabits. The illustrations that I chose to include on each frame further enhance the story about the interior subject in each photograph. The illustrations also give me an opportunity to express my own vision which is based somewhat in reality but also in my own fantasy and creativity.

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SELBY THE STORYTELLER

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ëŤ&#x;ě&#x192;&#x17D;ď&#x2DC;&#x201C;î&#x201A;&#x2020;í&#x201C;&#x2019;ě&#x2039;˘

í&#x2022;&#x201A; ěšşí&#x17E;&#x2019;í&#x201D;Ś í&#x203A;&#x160;í&#x2022;&#x2020;ëŤ&#x192;í&#x201D;&#x17D; 믞î&#x2020;şě&#x160;Ş ěťŞí˛˛í ˛(Giffords Circus)í&#x201D;Ś í ˛íş&#x17D; ëŤ&#x;ě&#x192;&#x17D; î&#x201A;&#x2020;í&#x201C;&#x2019;ě&#x2039;˘(Tweedy the

Clown)í&#x2022;&#x201A;ě&#x201A;˛. 믞î&#x2020;şě&#x160;Ş ěťŞí˛˛í ˛ě ˘ í??돝í&#x201D;Ś í&#x201A;ŞëŞś í&#x17E;&#x17D;í&#x17D;ťí&#x2022;&#x2020; í´˘íŻŽí&#x2019;˘ě&#x160;Ş(Cotswolds)í&#x17D;&#x17E;읪 ë§&#x17D;í&#x2DC;żí&#x2022;&#x201A; ě&#x192;&#x17D;ě&#x192;&#x17D;ě&#x2DC;Ş í&#x2019;&#x201A;í??î?&#x201A; í?ś ěťŞí˛˛í ˛ě&#x201A;śí&#x2022;&#x201A;ě&#x201A;˛. ëŤ&#x;ě&#x192;&#x17D;ě&#x2022;&#x160;ě ˘ í&#x17D;ťî&#x152;Ží&#x17D;&#x17E; í¸ž ëŤ&#x17D;í&#x201A;şí&#x2022;&#x201A; í&#x17D;&#x201D;í&#x17D;&#x2013;ě&#x201E;Ś ëšŚě ˘ í&#x2022;&#x201A; ěťŞí˛˛í ˛ě?&#x160; ëŤ&#x17D;ě&#x2022;&#x161;î&#x152;Śě ˘ 쿪ë§&#x2019;

î&#x201A;&#x2020;í&#x201C;&#x2019;ě&#x2039;˘í&#x17D;&#x17E;ëŠ&#x161; 짌î?&#x201A;ěŠ&#x2019;ě&#x2DC;&#x2020;ě&#x201A;˛. ëŻ&#x2020;ě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x17D;&#x17E;ëŠ&#x161; í&#x2019;&#x2018;í&#x201D;&#x161;í&#x201D;&#x2019; í&#x203A;&#x160;믞 í&#x201C;&#x2019;î?&#x201A;읪ě&#x2022;&#x160;ěĄ&#x201A; í&#x203A;&#x160;í&#x2014;&#x17D; í&#x17D;&#x201D;í&#x2022;&#x201A; 짢ěŤ&#x201A; 맧í&#x201D;&#x17D; î?&#x2014;ě&#x2020;§í&#x201D;&#x2019;

î&#x152;ŚëŞŽ, í&#x2022;&#x160;ě­&#x17D;ě&#x2013;ş 짪í&#x201D;&#x2019; î&#x17D;Šě&#x2039;˘ě&#x2039;˘ë¨žëšŚ 쥜ě&#x160;Ž ëŠ&#x2020; í&#x17D;&#x2014;ě&#x17E;Ťí&#x201D;&#x160;ě&#x2DC;Ş ě&#x17E;Ťë§&#x17D;ě&#x201C;śě?şëŞŽ, í&#x17D;&#x201A;ě?şě&#x2C6;łí&#x2014;&#x2013;î&#x152;Ş íŠ§í&#x201D;&#x2019; î&#x152;Śë¨žëšŚ ě­&#x17D;ěšží ˛ě&#x2014;&#x2039;ëŠ&#x161; î?&#x2014;ě&#x2020;§î&#x152;ŚëŻžě&#x2020;&#x2019; î&#x152;Şě&#x201A;˛. ěšşí&#x201A;ş í&#x17D;&#x201D;ě ˘ ëŻ&#x2020;í&#x201D;Ś î?&#x2014;ě&#x2020;§ě&#x160;˛í&#x201D;&#x17D; í&#x2018;žě?şí&#x201D;Ś í&#x2022;&#x160;ěş? ě˝&#x203A; 쥜í&#x201A;&#x192;ëŤ&#x160;ě ˘ ě&#x192;&#x17D;í&#x2DC;ží&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ě°&#x2019;í­ží&#x17E;&#x17D;ě ˘ě&#x201E;ž,

í&#x2022;&#x17E;í&#x201A;Ží&#x201D;&#x2019; ěŤ&#x201A;몎 ě˝&#x17E;ë§&#x17D;ě&#x2022;&#x2039;í&#x17E;&#x2013;î&#x152;Śě ž ěżś 띌í&#x17D;&#x201A;ë§&#x2013; ě&#x160;˝ í&#x2019;&#x2018;ě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019; 짢ě&#x2022;&#x160;ěŤ&#x201A;ě ˘ ëŠ&#x161; î?&#x2014;ěŤ&#x192;î&#x152;Śě&#x201A;˛ě ˘ î&#x201A;&#x2020;í&#x201C;&#x2019;ě&#x2039;˘í&#x201D;Ś 쥜í&#x201A;&#x192;í&#x201D;&#x17D; í&#x2018;ˇë§&#x17E;î&#x152;Śě ž í&#x152;&#x2019;ě?&#x2019;ě&#x192;&#x192;믞ë°&#x161;í&#x17E;&#x17D; î&#x152;Śě&#x201A;˛. ěšşí&#x17E;&#x2019; ě˝&#x203A; î&#x201A;&#x2020;í&#x201C;&#x2019;ě&#x2039;˘ě ˘ í&#x152;Źě&#x201A;&#x2013;ë§&#x17D; ě°Ží&#x17E;&#x2019; í¨&#x2019;ě&#x2DC;Ş î?Śî&#x152;ŚëŠ&#x161; ě§&#x2020;ě˝&#x161; í&#x17E;ĄëŞŽ í&#x2022;&#x2013;ě&#x201A;˛. í&#x2022;&#x201A; í&#x2022;&#x;î&#x2030;&#x2013;í&#x201D;Ś î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x17D;&#x17E;ě ˘ ě?&#x17E; ě&#x201A;˛ě?&#x2020; í&#x2022;&#x192;ěş&#x201A;í ˛ě&#x2013;şí&#x2019;&#x201A; ëŤ&#x;ě&#x192;&#x17D;ë§&#x17D; ěťŞí˛˛í ˛ í&#x17D;žëŻžě?&#x160; î&#x152;Śě ˘ 쥜í&#x201A;&#x192;í&#x201D;&#x2019; ě&#x192;&#x201A;í&#x152;Śě&#x201A;˛.

Tweedy the Clown This is a portrait of Tweedy the Clown who is one of the star performers in the Giffords Circus. The Giffords Circus is a traditional family run circus in the Cotswolds, an idyllic region of rural England. I've never really been interested in clowns, but spending time at this circus, I was instantly drawn to Tweedy. He does whatever he can to look like a fool, tripping, messing up everything, being confused, wandering about, just to make people laugh. His actions are selfless and are such a contrast to how we all try to behave in our daily life. People pointing and laughing at Tweedy just brings him such joy, it's a brave and beautiful thing. In this photograph you see Tweedy and his huge smile that radiates, even though he is missing his front teeth. The illustrations in the resin frame depict the waving band leader among an assortment of wacky clowns in circus anarchy.

Tweedy the Clown at Giffords Circus, England, 2015

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í ˛î&#x201A;žěŻ&#x161;ď&#x2DC;&#x201C;í&#x152;&#x2019;í?˛íš˛ď&#x2DC;&#x201C;

뚌í?&#x17D; í ˛î&#x201A;žěŻ&#x161; í&#x152;&#x2019;í?˛íš˛(Steve Aoki)í&#x201D;Ś 튚 ě&#x17E;&#x161;ëšśí&#x201D;&#x17D; 10ëź&#x2019; í&#x2014;&#x2019;í&#x201D;&#x160;ě&#x2DC;Ş ë¨ží şě&#x2013;ş í?şě&#x2022;&#x160;ë§&#x2019;ě&#x201A;˛. ě&#x192;&#x2021;í&#x201A;Ş í&#x2022;&#x160;ěĄ&#x201C;

â&#x20AC;&#x2DC;í´˘ěŻ&#x161;ě&#x2022;&#x160;í ˛ëť˛í&#x2022;&#x201A;í¸ş(The Cobra Snake)â&#x20AC;&#x2122;ě&#x2022;&#x160;ě ˘ ě&#x201A;&#x2014;띲í&#x2022;&#x2019;í&#x201D;&#x2019; ë§&#x17D;í&#x17E;&#x2019; 뚌í&#x201D;Ś í°ŞëŹş ě&#x17E;&#x2013;í¸ş î&#x17D;&#x161;íťž(Mark Hunter)ě ˘ í&#x2022;&#x2020;ě&#x2039;˘ ě&#x2014;&#x2013;í&#x2022;&#x201A;쯢í&#x201D;&#x2019; í&#x2019;&#x201A;í??î&#x152;ŚëŞŽ í&#x2022;&#x2013;ě&#x201E;Ś ëŻ&#x2020;í&#x201D;Ś ěšşě¤&#x201A;í&#x201A;˛ í?&#x2026; 짡í&#x17D;&#x17E;읪 ěş&#x201A;몎 í&#x2022;&#x2013;í&#x17D;&#x2013;ě&#x201A;˛. í ˛î&#x201A;žěŻ&#x161;ě?&#x160; 튌í&#x201D;&#x161; ěŤ&#x2020; 쿪ë§&#x2019;ě­&#x17D;íťž ëšŚě ˘ ëŻ&#x2020;í&#x201D;Ś ë˝&#x17D;ě&#x2022;&#x160;í&#x2019;&#x201A; í&#x17E;&#x;í&#x203A;&#x;ě&#x2014;łëŤ&#x160; í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;, í°Şí&#x2014;&#x2013;î&#x152;śí&#x17D;&#x17E; ě&#x17E;˛ě&#x161;&#x161;ě&#x2021;Śí&#x17D;&#x2013;ě ˘ě&#x201E;ž, î?Şě&#x2014;łí&#x2022;&#x201A; ëťŚí°Śě ž, í??ë§&#x17E; ëŻ&#x2020; í&#x2022;&#x17E;íŞ&#x201A;í&#x2022;&#x2020;

í ˛î&#x201A;žěŻ&#x161;ě ˘ ěź&#x2020;ëŞ&#x2019;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş í&#x201C;ŽěĄ&#x201C;î&#x152;Ş DJë§&#x17D; ě&#x2021;Śí&#x17D;&#x201A; ěź&#x2020;ëŞ&#x2019; ëŤ ëŤ í&#x201D;&#x2019; ëż&#x2019;ě°&#x2019;몎 í&#x2022;&#x2013;ě&#x201A;˛. ëŻ&#x2020;ë§&#x17D; ě&#x2039;˘í&#x2014;Şí&#x2022;&#x2014;í&#x201D;&#x2019; î&#x152;Ž ě&#x152;&#x161;í&#x17D;&#x17E;ě ˘

ë§&#x17D;ě&#x17E;&#x161;î&#x2022;&#x2013; 읪읪 ě§&#x2021;í ˛ě&#x2021;Ş ëŞŻí&#x201D;&#x2019; î&#x201A;&#x17D;í&#x17D;&#x201A;í&#x203A;&#x160;ě ˘ í&#x2014;Łî?Łî?˘ě&#x2021;Ş ě&#x2039;˘í&#x2014;Şí&#x2022;&#x2014; î&#x2026;&#x160;î&#x2020;şě &#x160;í ˛ě?&#x160; î&#x152;Śí&#x17E;&#x17D; í&#x152;&#x2DC;ě ˘ě&#x201A;˛. í&#x2022;&#x17E;í&#x201A;Ží&#x201D;Ś í&#x2022;&#x201A;ě?&#x2019;í&#x201D;&#x2019;

ëş&#x201A;ëŠ&#x2020;몎 í ˛í ˛ě&#x2DC;Ş ěż&#x160;í&#x201D;Ś í&#x203A;&#x;í&#x201A;şí&#x2022;&#x201A; ě&#x2021;Śí&#x17D;&#x201A; ëŤ&#x192;í&#x17D;ží&#x201D;&#x2019; î&#x152;Śě ˘ě&#x201E;ž, í­˛í&#x201D;&#x2019; í­˘ëŞŽ ë˝&#x2020;ě&#x2022;Śě?&#x160; î&#x152;Śě ž, ě&#x17E;&#x2013;í&#x2022;&#x201A;í¸şě?&#x160; ěšşí&#x2018;ˇî&#x152;Śë¨žëšŚ, ë˝ í&#x201D;&#x17D; ě&#x201A;śěş? í&#x201C;&#x2019;í&#x17D;&#x17E; í?˛ě?&#x201A;몎, ëŤ&#x17D;í&#x203A;&#x; í&#x201C;&#x2019;ě&#x2DC;Ş ě˘&#x2020;í&#x201D;&#x2019; ě&#x201E;Śí&#x17E;&#x17D;먞뚌, ëŻ&#x2020;ě&#x160;˛í&#x17D;&#x17E;ëŠ&#x161; íł&#x17D;í&#x2022;&#x201A;í¸şě?&#x160; ě&#x201E;Śí&#x17E;&#x17D;믞ě&#x2020;&#x2019; î&#x152;Şě&#x201A;˛. í&#x2022;&#x201A;ěŠ&#x2013;

í&#x2014;&#x2019;í&#x201A;Şí&#x17D;&#x17E;읪 읎ěŤ&#x201A;í&#x2022;&#x201A;ě ˘ í ˛î&#x201A;žěŻ&#x161;í&#x201D;Ś ěšşí&#x17E;&#x2019;í&#x17D;&#x17E;ě ˘ ě&#x2022;&#x160;í ˛ěŠŽí&#x2022;&#x201A;ë¨ží ˛(Las Vegas)í&#x201D;Ś ě&#x192;&#x17D;î?Ł 뚌í&#x2022;&#x201A;î&#x201A;&#x2020;íš&#x201A;ě&#x2014;&#x2039;í&#x17D;&#x17E;읪

ě&#x2039;˘í&#x2014;Şí&#x2022;&#x2014;í&#x201D;&#x2019; î&#x152;Śě ˘ 쥜í&#x201A;&#x192;í&#x2022;&#x201A; ě&#x192;&#x201A;늜í&#x2022;&#x2013;ě&#x201A;˛. ě¤&#x201A;ě&#x192;&#x17D;í&#x201D;Ś ë˝ í&#x201D;&#x17D; ëŤ í&#x17D;&#x17E; í&#x152;&#x2014;í&#x152;&#x2019; í&#x2022;&#x2013;ě ˘ í ˛î&#x201A;žěŻ&#x161;ě ˘ 늡í?&#x;ě&#x2021;Ş ëŤ&#x17D;í&#x203A;&#x;ě&#x160;˛í&#x17D;&#x17E;ëŠ&#x161; ě&#x160;żí&#x201D;&#x2019;

ě&#x2020;&#x161;ě?ž í¨&#x2019; ě&#x17E;&#x2013;í°Ś ěĄ&#x201C;ěş?î&#x152;Śě&#x160;˝ ëŻ&#x2020; ěş?î?ˇí&#x201D;&#x2019; í?&#x17E;믞몎 í&#x2022;&#x2013;ě ˘ě&#x201E;ž, ě&#x192;&#x2021;í&#x201A;Ş ëŤ&#x192;í&#x17D;ží&#x2022;łí&#x17D;&#x17E;읪 윪í&#x17D;&#x201A;í&#x2DC;&#x2020; 뚌í?˛ě ˘ í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ě ˘ í&#x2014;Łě&#x17E;&#x17E; ë˝&#x17D;ě&#x2022;&#x160;í&#x2019;Žě&#x201A;˛. í&#x2022;&#x201A; í&#x2022;&#x;î&#x2030;&#x2013;í&#x201D;Ś î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x201D;&#x17D; ëŻ&#x2020;í&#x201D;Ś í&#x2014;&#x2019;í&#x2018;ˇ í&#x2014;Şî&#x201A;&#x2020;믞í?&#x17D; í&#x201D;&#x161;짌, íź&#x201A;íź&#x161;í&#x2022;&#x201A;쯢, ëŤ&#x17D;í&#x203A;&#x;í&#x17D;&#x17E;ëŠ&#x161; ěś&#x161;ě&#x2DC;&#x2020;ě&#x201E;Ś ěť&#x201A;î&#x2026;Śí&#x2022;&#x2020;ëŤ&#x160; í?&#x160;í¨&#x2019; í&#x203A;&#x160;í ˛ ě&#x160;ż ëŻ&#x2020;í?&#x17D; í&#x17D;žëŤ&#x17D;ě&#x2021;Ş ě&#x201A;˛í?&#x;î&#x152;Ş ëŠ&#x2018;ě&#x160;˛ě&#x2DC;Ş í&#x2022;&#x201A;ě&#x161;śí&#x17D;&#x201A;í&#x2DC;&#x2020; í&#x2022;&#x2013;ě&#x201A;˛.

Steve Aoki When I first met him over 10 years ago, Steve ran an independent record label and my friend Mark Hunter / The Cobra Snake, lived in a walk in closet in Steveâ&#x20AC;&#x2122;s office. Since day one, I was so amazed by Steveâ&#x20AC;&#x2122;s focus, energy and friendliness. He's really an inspiration and a force of nature. Now Steve jetsets around the world in his work as a world famous DJ. One thing that Steve pioneered was his concept that a DJ doesnâ&#x20AC;&#x2122;t just stand there and mix records; when Steve is DJ-ing he is headlining a Show with a capital â&#x20AC;&#x153;Sâ&#x20AC;?. Steve dances, waves, sings, parties, gets on the microphone, climbs up high, rides the crowd and throws cakes. In this photo you can see Steve as he's DJ-ing in a massive nightclub in Las Vegas. At this moment, the crowd is going wild and Steve sits high on stage, turns his back to them, sits down and meditates for a moment. The energy in the room was unbelievable. For this frame you can see some things that I associate with Steve, his private jet, his records, champagne that he sprays on to the crowd, turntables, and healthy green juices.

Steve Aoki performing at Hakkasan, Las Vegas, 2016

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ě?şíš˛í?&#x17D;ď&#x2DC;&#x201C;ě°&#x201C;í ˛

쥜ě&#x2026;&#x2020; ě?şíš˛(Ricki)í?&#x17D; í ˛íş&#x17D;í&#x2022;&#x160;ě?şí ˛î&#x201A;&#x2020; ě°&#x201C;í ˛(Vix)ě ˘ ě&#x17E;˛í&#x2018;ž ě&#x2020;&#x201C;î&#x201A;&#x2021;î&#x152;Ş í˛˛î&#x2039;&#x161;í&#x2022;&#x201A;ě&#x201A;˛. 퍺í??í&#x201D;&#x2019; í&#x201C;&#x2019;î?&#x201A; ëş&#x201A;ë§&#x17D; ëŻ&#x2020;ě&#x160;˛í&#x201D;Ś

í&#x17E;&#x;í&#x201D;&#x2019; 짡ě¤&#x2020;î?&#x2013;í&#x201D;&#x2019; ě&#x152;&#x161; ě?şíš˛ě ˘ ëş&#x201A;ëŠ&#x161; ě&#x160;Şě&#x2014;&#x2013;í ˛ě?&#x160; í&#x2022;&#x201C;몎 î&#x201A;ž î&#x192;&#x161;î&#x201A;ž î&#x152;ŚëŻžě?&#x160; í&#x2122;&#x2122;í&#x152;&#x2019;î&#x152;Şě&#x201A;˛ëŞŽ ě&#x17E;&#x17E;î?&#x2013;몎, ëŻ&#x2020;ě&#x2014;&#x2022;ëŠ&#x161; í&#x2018;žě?şě ˘ í&#x2022;&#x201A; ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; í§&#x203A;ëŠ&#x161; ě&#x2021;Śí&#x17D;&#x2013;ě&#x201A;˛. ëšŚě ˘ ě?şíš˛í&#x201D;Ś ëťŚí°Śě ˘ í&#x2022;&#x17E;í&#x201A;Žë§&#x17E;ëŤ&#x160; ě¤&#x201A;í&#x17D;&#x2022;í&#x2022;&#x201A;ě&#x160;Ž 먞ě&#x201C;şî&#x2022;&#x2013; î?&#x201A;ëş&#x201A;ě ˘ ëŻ&#x2020;í&#x201D;Ś ě łě&#x2014;łí&#x17D;&#x17E;

ě&#x17E;˛ě&#x161;&#x161;ě&#x2021;Śí&#x17D;&#x2013;ě&#x201A;˛. ëŻ&#x2020;ě ˘ ě&#x160;Şě&#x2014;&#x2013;í ˛ě?&#x160; í&#x2022;&#x201C;몎 î&#x201A;ž î&#x192;&#x161;î&#x201A;žě?&#x160; í&#x203A;&#x160;ě&#x2020;&#x2019;î?&#x2013;í&#x17E;&#x17D;ě&#x17E;&#x161;, í&#x152;&#x2019;í&#x203A;&#x160; ëšśí&#x2022;&#x17E;ě&#x201A;˛í&#x2019;Žě&#x201A;˛. ě?şíš˛í?&#x17D;믞 ě&#x152;&#x161;ě¤&#x2020;í&#x17D;&#x17E;

ë§&#x17D;ě łî&#x152;Ş í&#x2022;&#x160;í&#x2022;&#x201A;í&#x17E;&#x17D;! í&#x2022;&#x201A; í&#x2022;&#x;î&#x2030;&#x2013;í&#x201D;Ś î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x17D;&#x17E;ě ˘ í&#x2022;&#x201A; í˛˛î&#x2039;&#x161;í&#x201D;Ś í&#x17E;&#x;í&#x17D;&#x17E;읪 짪늺î&#x152;Ş ě&#x201A;˛í?&#x;î&#x152;Ş ě¤&#x160;ëŠ&#x201A;ě&#x160;˛ëŤ&#x160; í&#x17D;şě&#x2013;ş ë§&#x17D;í&#x17E;&#x17D; í??돝 í&#x2022;łí&#x201A;Ťî&#x2030;&#x2013;ě&#x160;˛í&#x2022;&#x201A; ě&#x192;&#x201A;늜 í&#x2022;&#x2013;ě&#x201A;˛.

Ricki and Vix Ricki and Vix are quite the couple! Vix is a stylist, and Ricki is a model. While I was photographing them in their home, Ricki mentioned that he loved dressing up and having a tea party, so thatâ&#x20AC;&#x2122;s what we did. I love Rickiâ&#x20AC;&#x2122;s incredible confidence, and his ability to pull off almost anything. He can wear a dress and host a tea party, but in a very masculine way. Not an easy task! In this resin frame I include many items from around their home as well as a lot of British bric-a-brac.

Tea time with Ricki and Vix, London, 2015

142


ě&#x2DC;Şí&#x2022;&#x201A;ě&#x160;Şď&#x2DC;&#x201C;íą&#x201A;í&#x2018;žî&#x2039;&#x2019;ě&#x17E;&#x161;

î&#x201A;&#x2020;ě&#x2DC;Şě&#x17E;&#x2013; ěŤ&#x2020;ěšş ěšşě¤&#x201A;í&#x201A;˛í&#x17D;&#x17E;읪 í??î?˘ ě˝&#x161;î&#x2030;&#x2013;ě&#x160;˛í&#x17D;&#x17E; ě&#x2C6;Śě&#x2013;şí&#x192;&#x2020;í&#x17D;ş î&#x2020;şí?&#x2013;ě?&#x160; 펜î&#x152;ŚëŞŽ í&#x2022;&#x2013;ě ˘ í&#x2022;&#x201A; ěšşí&#x17E;&#x2019;í&#x201D;Ś í&#x203A;&#x160;í&#x2022;&#x2020;ëŤ&#x192;í&#x201D;&#x17D; â&#x20AC;&#x2DC;î&#x201A;&#x2020;ě&#x2DC;Şě&#x17E;&#x2013; î&#x152;&#x2019;ě?&#x2019;(Troma Films)â&#x20AC;&#x2122;í&#x201D;Ś ëŹ&#x201A;í&#x17E;Ş ě&#x2039;˘ě&#x2014;&#x2014;íťž ě&#x2DC;Şí&#x2022;&#x201A;ě&#x160;Ş íą&#x201A;í&#x2018;žî&#x2039;&#x2019;ě&#x17E;&#x161;(Lloyd Kaufman)í&#x2022;&#x201A;ě&#x201A;˛. ëšŚě ˘ í&#x17D;&#x201A;ě?ž í&#x201A;Şí&#x2014;&#x2013;í&#x17D;&#x17E;

<í˝Żí&#x201A;Ť î&#x2022;&#x2013;í&#x17D;&#x201A;ě&#x2DC;Ş(Toxic Avenger)>í?&#x17D; <ëż&#x2019;í¸şí&#x2DC;ż(Class of Nuke 'Em High)>ëŤ&#x160; 맧í&#x201D;&#x17D; ëŻ&#x2020;í&#x201D;Ś BëŻ&#x2014; í˛şî&#x201A;&#x2020; í??î?˘ě?&#x160; ěŤ&#x201A;ě ž í&#x2022;&#x17E;ě&#x2022;&#x17E;ě&#x201A;˛. í??î?˘ í&#x2014;Şí&#x2022;&#x;í&#x17D;&#x17E; î&#x201D;łě§&#x2020;ě?&#x160; 매ëŠ&#x161; ě&#x2021;ŚěĄ&#x201A;읪 ëŻ&#x2020;í&#x201D;Ś í&#x2014;&#x17D;읪í&#x2022;&#x2020; <Make Your Own Damn

Movie!>ě?&#x160; í&#x2022;&#x2039;ëŠ&#x161; ě&#x2021;Śí&#x17D;&#x2013;ě ˘ě&#x201E;ž, í??î?˘ě?&#x160; í&#x2014;&#x2019;ě¤&#x2020;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ě§ží&#x2019;&#x201A; í&#x2014;? í&#x17D;&#x201D;ě&#x201E;Ś 뚌í&#x17D;&#x17E;ëŠ&#x161; í??î?˘ í&#x2014;Şí&#x2022;&#x;í&#x17D;&#x17E; ě&#x192;&#x17D;î?&#x201A; í&#x152;&#x161;ě&#x2014;˛í&#x203A;&#x160;ě ˘

í&#x201C;Ží&#x2022;&#x160;î&#x152;Ş í&#x17E;&#x17D;í°śěťŞí?&#x17D;ě&#x201A;˛. í&#x2022;&#x201A; í¨&#x201C;í&#x17D;&#x17E;읪 ě&#x2DC;Şí&#x2022;&#x201A;ě&#x160;Şě ˘ í??î?˘ í&#x2014;Şí&#x2022;&#x;í&#x17D;&#x17E; í&#x2022;&#x2013;í&#x17D;&#x201A; ë§&#x17D;í&#x2022;ł í&#x203A;&#x;í&#x2018;˘î&#x152;Ş ëŠ&#x2018;í&#x201D;&#x17D; î?˘í&#x2022;łí&#x201A;˛ í&#x2022;&#x201A;í&#x2018;ˇí&#x2022;&#x201A; í&#x17D;&#x160;ě&#x17E;&#x2013;뚌 î&#x2020;&#x2020;ě?şî&#x152;Şë§&#x17D;í&#x17D;&#x17E; ě&#x201A;şě&#x2014;˛í&#x2022;&#x2013;ě&#x201A;˛ëŞŽ ě&#x17E;&#x17E;î&#x152;Şě&#x201A;˛. í&#x2022;&#x201A;í&#x2014;Şë˛? î&#x152;Ş ěŠ&#x2013;ě&#x2020;&#x2019; ěŤ&#x2020; í&#x2014;? í&#x17D;&#x201D;ě ˘ î?&#x2019;í&#x201A;˛í&#x2014;?í&#x2022;&#x2020; í&#x2022;&#x201A;í?&#x160;믞í&#x2022;&#x201A;ě&#x201A;˛. ě¤&#x201A;í&#x17D;&#x2020;ë§&#x17D;ě?&#x160; î&#x2C6;Şî?&#x2019;î&#x152;Śě ˘ ě&#x201E;ží&#x17D;&#x17E; í&#x17E;&#x17D;í°Śí&#x17E;&#x17D; í&#x152;&#x2DC;ě ˘ í?&#x201A;í&#x2014;Łí&#x201D;&#x2019; í&#x17E;&#x17D;ě&#x201A;&#x161; ëŻ&#x2020;ě ˘, í??î?˘ě?&#x160; í&#x2014;Şí&#x2022;&#x;î&#x152;Ž ě&#x152;&#x161;í&#x17D;&#x17E; í?&#x2013;ěšž î?ŁěŤ&#x201A;뚌 í&#x2122;&#x2122;í&#x201D;&#x17D; ě&#x192;&#x17D;ěŤ&#x2020;,

í&#x17D;žëŻžě&#x2014;łëŤ&#x160; 맧í&#x201D;&#x17D; ě¤&#x2020;í&#x2014;Şě&#x160;˛í&#x17D;&#x17E; í&#x17D;&#x2039;ě&#x17E;˛í&#x2022;&#x201A;í&#x17E;&#x17D; í&#x152;&#x2DC;ě ˘ě&#x201A;˛. ëšŚě ˘ ëŻ&#x2020;í&#x201D;Ś â&#x20AC;&#x2DC;î&#x152;ŞěŠ&#x2013; î?&#x201A;ěŤ&#x201A;í&#x2022;&#x17E;(get it done)â&#x20AC;&#x2122;ě&#x2022;&#x160;ě ˘ î&#x192;śëŻž ëťŚí°Śě ˘ í&#x2022;&#x17E;ěź&#x2020;ě?&#x160; ěŤ&#x2020;ěŤ&#x201A;믞 ěş&#x160;í&#x152;&#x2019; í&#x2022;&#x;í&#x17D;&#x201C;î&#x152;Şě&#x201A;˛. â&#x20AC;&#x2DC;븍í&#x201D;&#x2019; ëş&#x201A;ě ˘ ëŠ&#x2018;(Done)â&#x20AC;&#x2122;í&#x2022;&#x201A; í?˛î&#x2022;&#x2013;ě&#x2014;˛ í?&#x2019;ěŞ&#x2039;î&#x152;śěŤ&#x201A;ě&#x201A;˛ í&#x203A;&#x;í&#x2018;˘î&#x152;Śě&#x201A;˛.

í&#x2022;&#x201A; í&#x2022;&#x;î&#x2030;&#x2013;í&#x201D;Ś î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x201D;&#x17D; î&#x2019;ĽëšŽ ëŻ&#x2020;í&#x201D;Ś í??î?˘ ě˝&#x203A;í&#x17D;&#x17E; ě&#x160;żí&#x2022;łî&#x152;Ží&#x17E;&#x17D;ě&#x2020;&#x2019; 쥜ě?&#x201A;ě ˘ 뚌í&#x201D;Ś ěş?ěş? ě˝&#x203A; ëŹ&#x201A;ě¤&#x160;ě&#x160;˛ě&#x2DC;Ş í¨&#x2019;í&#x2019;&#x161;í&#x2DC;&#x2020; í&#x2022;&#x2013;ě&#x201A;˛.

Lloyd Kaufman Lloyd Kaufman is the quirky director behind Troma Films. In this photo you see Lloyd at his desk at Troma headquarters, surrounded by props from many of his films. As a kid I grew up watching his cult classic B-movies, like the <Toxic Avenger> and <Class of Nuke 'Em High>. As I started getting interested in filmmaking I read his book <Make Your Own Damn Movie!> Since I never went to film school, in a way his book is the sole education that I have about making films. Pretty scary! One of the things that he says in the book is the most important thing about making a film is access to a bathroom. Truer words have never been written! I love that Lloyd has an unbridled enthusiasm for expressing himself. He doesn't get caught up in petty things like securing a budget, having a good script, or even acting ability when making his films. He has a real â&#x20AC;&#x2DC;get it doneâ&#x20AC;&#x2122; attitude which I emulate in my own work. â&#x20AC;&#x2DC;Doneâ&#x20AC;&#x2122; is better than perfect! The frame around this photo is filled with monsters from my own imagination that I could imagine populating Lloydâ&#x20AC;&#x2122;s future films.

Lloyd Kaufman at Troma Headquarters, NYC, 2016

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í˝Žě&#x160;Şď&#x2DC;&#x201C;ěź&#x17D;ě°&#x2019;í?&#x17D;ď&#x2DC;&#x201C;î&#x152;Şí ˛ď&#x2DC;&#x201C;í&#x201A;Şë¨ž

H ëť&#x2013;í&#x201D;Ś ě&#x2014;&#x2013;í&#x17E;&#x2019; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019; í&#x2022;&#x;í&#x17D;&#x201C;ě&#x160;˛í&#x17D;&#x17E; ě&#x192;&#x17D;î?&#x201A; í&#x2022;&#x201A;í?&#x160;믞 î&#x152;ŚëŞŽ í&#x192;&#x201E;í&#x17D;&#x201A;. í&#x2022;&#x201A;í&#x2014;Şë˛? î&#x152;Ş ěŠ&#x2013;ě&#x2020;&#x2019; ěŤ&#x201A;í&#x17E;&#x17D; ě˘&#x2030;î&#x152;Ş í&#x2022;&#x;î&#x2030;&#x2013;í&#x2022;&#x201A;í?&#x160;. í&#x17D;&#x201A;ě&#x2039;˘í&#x17D;&#x17E;읪 í??ë§&#x17E;í&#x201D;&#x2019; í&#x17D;&#x2030;í&#x17D;&#x2013;ě ˘í&#x17E;&#x17D; ë­?ëŻ&#x2013;î?&#x201A;. T í&#x201D;&#x161;, í&#x2022;&#x201A;ëŠ&#x201A; î&#x2020;&#x2014;ě˝&#x161;í&#x17D;&#x17E;ě&#x2020;&#x2019; ě&#x17E;&#x153;í&#x2022;&#x201A; 캍ë§?î?&#x2013;ě&#x201E;Ś ëŠ&#x201A;ě&#x201E;ž, í&#x17D;&#x201A;ě?˛ ěšşí&#x17E;&#x2019;í&#x2022;&#x;ë§&#x17D;ě&#x160;˛í&#x17D;&#x17E;ëŠ&#x161;ě ˘ ěšşí&#x17E;&#x2019; î&#x152;Ş í&#x2022;łí&#x2022;&#x201A; í&#x2022;&#x17E;í&#x201A;Ží&#x201D;&#x2019; ěŤ&#x201A;í&#x17D;şí&#x203A;&#x160;ě ˘ 짡í&#x201A;Ťí&#x2022;&#x201A;í&#x2022;¤í&#x152;&#x2019;. í?&#x2013;ě?&#x160; ě&#x160;˛ěĄ&#x201A;, í&#x152;Žě&#x201A;&#x2013; ě&#x2014;&#x2013;ěŤ&#x201A;ě°&#x2019;íŻŽ(Annie Leibovitz) 맧í&#x2022;&#x201A; î&#x152;Ş í&#x2022;łí&#x201D;Ś ěšşí&#x17E;&#x2019;í&#x201D;&#x160;ě&#x2DC;Ş ěĄśě&#x160;Ž í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; í&#x2014;&#x2019;ě&#x201A;şî&#x152;Śě ˘ ëŠ&#x2018;튌ě&#x2014;&#x160;.

H ëŻ&#x2020;ě&#x2014;&#x2022;í&#x17E;&#x17D;.

T ëş&#x201A; ěšşí&#x17E;&#x2019;í&#x201D;&#x17D; î&#x152;ťěş? ëŻ&#x2020; 짌ě&#x192;&#x17D;í?&#x17D;í&#x17D;&#x201A;. í&#x17D;&#x2019;튝뚪 í?&#x;í&#x201D;Ś ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x201D;&#x2019; ěŤ&#x201A;í&#x17D;şí&#x203A;şí&#x17E;&#x17D;. î&#x152;Ş í&#x2022;łí&#x201D;Ś ěş?í&#x17E;Łí&#x2014;?í&#x2022;&#x2020; ěšşí&#x17E;&#x2019;ěŤ&#x201A;ě&#x201A;˛ě ˘ 쿌짿 í&#x2022;łí&#x201D;Ś ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x201D;&#x2019; íž&#x192;î?&#x201A;읪 í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; í&#x2014;&#x2019;ě&#x201A;şî&#x152;Śě ˘ě&#x201E;ž ě&#x201E;˘ í&#x17E;&#x;í&#x203A;&#x;î&#x152;Ş ë¨ží?&#x160;. ěšşí&#x17E;&#x2019; ě˝&#x203A; í&#x2022;&#x2020;ě¤&#x160;ě&#x160;˛ëŤ&#x160; ëŻ&#x2020;ě&#x160;˛í&#x201D;Ś ě¤&#x160;ëŠ&#x201A;, ëŻ&#x2020;ě&#x160;˛í&#x201D;Ś í&#x152;&#x2019;í&#x2022;&#x201A;ě&#x160;˛ë°&#x161;í&#x17E;&#x17D; 짪늺î&#x152;Śě ˘ 먞í&#x17E;&#x17D;. ě&#x17E;&#x153;í&#x201D;&#x17D; ěšşí&#x17E;&#x2019;ě&#x160;˛ě&#x2DC;Ş ě&#x17E;&#x153;í&#x201D;&#x17D; í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; í&#x2014;&#x2019;ě&#x201A;şî?&#x201A;í?˘í&#x17D;&#x201A;. ëŻ&#x2020;ě&#x2013;žě&#x201E;ž í&#x2022;&#x201A;ěŠ&#x2013; í&#x2014;&#x2019;í&#x201A;Şě?&#x160; í&#x203A;&#x17D;ě°&#x2019;î&#x152;ŚěĄ&#x201A;읪 î&#x152;Ş í&#x2022;łí&#x201D;Ś ěšşí&#x17E;&#x2019;í&#x201D;&#x160;ě&#x2DC;Ş ě&#x2021;Śě&#x2020;&#x2019;ě&#x2DC;Ť ě&#x17E;&#x153;í&#x201D;&#x17D; í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; í&#x2014;&#x2019;ě&#x201A;şî&#x152;Śě ˘ 짡슣í&#x201D;&#x2019; í&#x17D;žëŹşî?&#x201A; 썲í&#x17D;&#x201A;. ëş&#x201A;ë§&#x17D; 캍ë§?î&#x152;Ş í&#x152;&#x2019;í&#x2022;&#x201A;ě&#x2039;˘í&#x17D;&#x201A;ě ˘ ěšşí&#x17E;&#x2019; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x17D;&#x17E; ě&#x201A;˛í?&#x;î&#x152;Ş í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020;ě&#x2014;&#x2013;í&#x2022;&#x201A;쟌í&#x201D;&#x2019; ëťąí&#x17D;&#x201A; î&#x152;Ş í&#x2022;łí&#x201D;Ś ěšşí&#x17E;&#x2019; ě˝&#x203A;í&#x17D;&#x17E; 쥜ě&#x160;Ž ëŠ&#x2018;í&#x201D;&#x2019; ě&#x192;&#x201A;ě ˘ 먞í&#x17E;&#x17D;. ě&#x201A;˛í?&#x;î&#x152;Ş í´Şě&#x2022;&#x160;í&#x203A;&#x160; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; í&#x201A;Şě&#x2020;&#x2019;î?&#x201A; ěŤ&#x2020; î&#x2019;&#x2019; í&#x2022;&#x17E;íŞ&#x201A; í&#x2014;Şí&#x2022;&#x;î&#x152;Ş â&#x20AC;&#x2DC;ě&#x2014;&#x2013;í&#x17E;&#x2019; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;â&#x20AC;&#x2122;í&#x201D;&#x2019; î?Şí&#x2018;ˇî&#x152;Śě ˘ 짡í&#x152;&#x2013;í&#x201D;&#x2019; í¨&#x152;í&#x152;Śí&#x17D;&#x201A;. í&#x17D;şëŻží&#x17D;&#x17E;ě ˘ ěšşí&#x17E;&#x2019;ëŤ&#x160; ëŤ&#x17D;ě&#x2014;śě&#x2021;Ş ě&#x17E;&#x153;í&#x201D;&#x17D; í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020;ě&#x2014;&#x2013;í&#x2022;&#x201A;쟌ě&#x160;˛í&#x2022;&#x201A; ëŞ&#x2021;íŞ&#x17E;í&#x2DC;&#x2020; í&#x2022;&#x2013;í&#x17D;&#x201A;. ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A; ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; ě&#x160;˛í&#x17D;şě&#x201A;˛ěŤ&#x2020; î&#x2019;&#x2019; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x201D;&#x2019; 썲í&#x201D;&#x2019; ě&#x152;&#x161;, ěšşí&#x17E;&#x2019; ě˝&#x203A; í&#x203A;&#x160;í&#x2022;&#x2020;ëŤ&#x192;í&#x17D;&#x17E; ě&#x192;&#x17D;î?&#x201A; ě&#x201E;˘ ě&#x17E;&#x153;í&#x201D;&#x17D; ëŠ&#x2018;í&#x201D;&#x2019; í&#x152;&#x161;ëŠ&#x161; ě&#x2021;ŚëŞŽ ě&#x201E;˘ î&#x2030;&#x203A;ě­&#x17D;î&#x152;Ş ëŞ&#x2039;î&#x17D;Śí&#x201D;&#x2019; í&#x17D;&#x2030;í&#x17D;&#x201A; 맢í&#x201D;&#x160;ěĄ&#x201A; í&#x2122;&#x2122;늎í&#x17D;&#x201A;.

H í&#x201D;&#x;. ëšŚě ˘ í&#x2022;&#x201A; í&#x2022;&#x;î&#x2030;&#x2013;í&#x2022;&#x201A; ëť&#x2013;í&#x201D;Ś í&#x2022;&#x;í&#x17D;&#x201C; 튎î&#x152;§ëŤ&#x160; í&#x17D;žëŠžě&#x2021;Şě&#x201A;˛ëŞŽ 캍ë§?î?&#x201A;. í?&#x2013;í&#x2014;&#x2019;í&#x17D;&#x17E; ëť&#x2013;í?&#x17D; î&#x152;śë˛Ś í&#x2022;&#x160;î?&#x2013;í&#x201D;&#x2019; ě&#x152;&#x161; 짡ě&#x192;&#x17D;î&#x152;Ş í&#x2022;&#x;í&#x17D;&#x201C;ě&#x2013;&#x2014; ě&#x152;&#x161;ě¤&#x2020;í&#x17D;&#x17E; î&#x2020;&#x2020;í&#x17E;&#x;î&#x152;Śě ˘ ëŠ&#x2018;í&#x2022;&#x201A; î&#x2022;Śě&#x160;˛ ě&#x152;&#x161;ě&#x2020;&#x2019; í&#x2022;&#x2013;í&#x17D;&#x2013;í&#x17E;&#x17D;ě&#x17E;&#x161;, ëŻ&#x2020;ëŠ&#x161; 짢ě&#x2DC;Ş ëť&#x2013;í&#x2022;¤í&#x152;&#x2019;. ëť&#x161; í&#x2014;Łě&#x17E;&#x17E; í?&#x201A;í&#x201A;şî&#x2022;&#x2013; í&#x2022;&#x;í&#x17D;&#x201C;î?&#x201A;읪 쿌ě&#x17E;&#x153;í&#x201D;&#x17D; í&#x2022;&#x;î&#x2030;&#x2013;í&#x201D;&#x2019; íş&#x2019;캍í&#x201A;Şíš˛í&#x17E;&#x17D;. ëť&#x2013;ě ˘ í&#x17D;&#x201A;ě&#x17D;&#x2030;ëŠ&#x161; î&#x2020;&#x2020;í&#x17E;&#x;î&#x152;ŚëŞŽ 쿌í&#x2014;Łî?&#x201A;í?&#x160; î&#x152;Śě ˘í&#x17E;&#x17D; í&#x152;&#x2019;í&#x203A;&#x160; í&#x2022;Ś í&#x152;&#x161;몎 í&#x2022;&#x2013;í&#x17D;&#x201A;. ě&#x17E;&#x153;몎 ě&#x17E;&#x153;í&#x201D;&#x17D; 짡슣 í&#x203A;&#x;í&#x17D;&#x17E;, 띲ë§&#x17D; íşŤî&#x152;Ş ě§ˇí&#x201A;Ťí&#x2022;&#x201A; ě&#x2014;&#x2013;í&#x17E;&#x2019; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x2022;&#x201A;ě&#x2022;&#x160;ě ˘ í&#x2014;&#x17E;í&#x2022;&#x201A; ě&#x17E;˛í&#x2018;ž î&#x201D;łě§&#x2020;ě&#x2DC;Şí&#x2019;&#x161;. T í&#x201D;&#x;. ě­&#x2019;ěĄ&#x201C; ëŻ&#x2020;ě&#x2014;&#x2022;í&#x17E;&#x17D;.

H ěšşí&#x17E;&#x2019;í&#x2022;&#x;ë§&#x17D;ë§&#x17D; íź&#x203A;í ˛î&#x201A;&#x2020;í?&#x17D; í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; î&#x152;śë˛Ś í&#x2022;&#x;î&#x2030;&#x2013;í&#x17D;&#x17E; ë˝&#x2021;í&#x2022;&#x2020;ě&#x201A;˛ě ˘ ëŠ&#x201A; ëŹ&#x2014;í&#x2022;łî&#x2022;&#x2013; í&#x17D;&#x201A;ě&#x2014;˛í&#x2019;&#x201A; í&#x2022;&#x160;í&#x2022;&#x201A;í&#x2022;¤í&#x152;&#x2019;. í?Şëş&#x17E;î&#x152;ŚěĄ&#x201A; â&#x20AC;&#x153;ěŤ&#x201A;몎 ě &#x17E;ëł&#x201A;ěŤ&#x17E;â&#x20AC;?ě&#x2022;&#x160;몎 î&#x152;Śě ˘ ëŠ&#x161; î&#x2019;śí&#x2039;ş í&#x20AC;şí&#x2018;žě&#x201A;&#x2013;ë°&#x161;. í&#x2022;&#x201A;ě&#x2014;&#x2022;ëŠ&#x161; í&#x17D;&#x201A;ě&#x2014;˛í&#x2019;&#x201A; í&#x2022;&#x;í&#x17D;&#x201C;í&#x2022;&#x2019;í&#x17D;&#x17E;ě&#x2020;&#x2019; í&#x17D;şě&#x2013;ş í&#x2018;˘ě˝&#x161;ě&#x160;˛í&#x201D;&#x2019; í&#x2022;Ś 늞î&#x152;ˇî&#x152;Śí&#x17D;ş î&#x152;ŚëšŚí&#x201D;Ś í&#x2022;&#x201A;í?&#x160;믞ě&#x2DC;Ş í&#x17D;źě ˘ 띲ë§&#x17D; í&#x2014;Łě&#x17E;&#x17E; ě&#x192;&#x17D;ě&#x201A;śî?&#x201A;. T í&#x201D;&#x;. ëş&#x201A; ëŤ&#x17D;í&#x2014;&#x17E;í&#x17D;&#x17E;읪 í&#x2022;&#x201A;ëŠ&#x201A; ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014;í&#x2022;&#x201A;í&#x2022;&#x17E; ěšşí&#x17E;&#x2019;í&#x2022;&#x201A;í?&#x160;. ëšŚě ˘ ëŻ&#x17D;í&#x2022;&#x17E;ě?&#x160; ě&#x17E;&#x153;í&#x2022;&#x201A; î?Şí&#x2018;ˇî&#x152;Śí&#x17E;&#x17D; í&#x152;&#x2DC;í&#x152;&#x2019;. 믞î&#x2018;&#x161;ë§&#x17D; ě&#x2021;ŚěĄ&#x201A; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x17D;&#x17E; ëŻ&#x17D;í&#x2022;&#x201A;뚌 ëŻ&#x17D;í&#x2022;&#x17E;ě?&#x160; ëťąí&#x17D;&#x201A;ěŤ&#x201A;몎 í&#x192;&#x201E;í&#x201D;&#x17D;ě&#x201E;ž, í&#x152;&#x2019;í&#x17E;? 몎ě§&#x160; í&#x203A;&#x;í&#x2022;&#x201A;í?&#x160;.

H ëş&#x201A; ě&#x17E;&#x17E;í&#x201D;Ś î?&#x192;í&#x201A;şí&#x201D;&#x17D; í?&#x2019;í&#x2014;&#x2019;î&#x152;Ş í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; í&#x2014;&#x2019;ě&#x201A;şî&#x152;Śě ˘ 짡í&#x201A;Ťí&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş ë¨ží?&#x160;. í?&#x2013;í&#x2014;&#x2019;í&#x17D;&#x17E; ëş&#x201A;ë§&#x17D; í&#x201A;Şíą&#x201A;몎(Chicago)í&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş ëŻžěšşě?&#x160; í&#x2026;&#x160;ě&#x201E;Ś í&#x2014;?í&#x2022;&#x201A; í&#x2022;&#x2013;í&#x17D;&#x2013;ě ˘ě&#x201E;ž, 튌í&#x201D;&#x161;í&#x17D;&#x17E;ě ˘ í&#x2022;&#x201A; ě&#x2020;&#x2019;í&#x201A;Şí&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş ěĄśě&#x160;Ž ëŠ&#x2018;í&#x201D;&#x2019; í&#x17D;&#x201A;ě&#x17D;&#x2030;ëŠ&#x161; î&#x152;ŚëšŚí&#x201D;Ś í ˛í˝Žě?şí&#x17D;&#x17E; ě&#x192;&#x201A;í&#x201D;&#x2019; 쿌 í&#x2022;&#x2013;í&#x201D;&#x2019;í&#x17E;&#x17D;ě?&#x160; 몎ě§&#x160;î?&#x2013;í&#x17D;&#x2013;í&#x17D;&#x201A;. ëŻ&#x2020;ě&#x2022;ŚěťŞ ě¤&#x201A;í&#x2022;&#x;í&#x2014;Ł 쥜ě&#x160;Ž ëŠ&#x2018;í&#x201D;&#x2019; í&#x2014;?í&#x201D;&#x160;ě&#x2014;˛ëŞŽ î?&#x2013;ě ˘ě&#x201E;ž, ě&#x201A;˛í&#x201A;Ş ěşŤë§?î?&#x201A;ěŤ&#x201A;ě&#x201A;&#x2013; íź&#x161;ě&#x17E;&#x2013; î&#x152;ŚëšŚě?&#x160; í&#x2014;Łî?&#x201A;읪 í&#x2014;&#x;ëŻ&#x160;î&#x152;Śě ˘ ëŠ&#x2018;ě&#x2020;&#x2019; í?&#x2019;í&#x2014;&#x2019;î&#x152;Ş í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; í&#x2014;&#x2019;ě&#x201A;şî&#x152;Śě ˘ 짡슣í&#x2022;&#x201A; ě&#x2021;Ž 쿌 í&#x2022;&#x2013;í&#x201D;&#x161;í&#x201D;&#x2019; ë°śě&#x201A;šëŠ&#x161; ě&#x2021;Śí&#x17D;&#x2013;í&#x17E;&#x17D;. í?&#x2013;ě?&#x160; ě&#x160;˛í&#x17D;&#x201A; í&#x201A;Şíą&#x201A;몎í&#x17D;&#x17E; ëŤ&#x17D;î&#x152;Ş í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; ěź&#x2020; ë§&#x17D;í&#x17E;&#x17D; íź&#x161;ě&#x17E;&#x2013;ě&#x2DC;Ş ëšŚëż&#x2019;í&#x17D;&#x201A; í&#x2014;&#x2019;ě&#x201A;şî&#x152;ŚěĄ&#x201A; ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x17D; í&#x2022;&#x201A; ě&#x2020;&#x2019;í&#x201A;Şí&#x17D;&#x17E; ě&#x192;&#x17D;î?&#x201A; í&#x17D;&#x201A;ě &#x17E; í&#x2014;Łě&#x2020;&#x2019; í&#x2022;&#x201A;î?&#x201A; î&#x152;Ž 쿌 í&#x2022;&#x2013;ëŠ&#x161; ě&#x2021;Śě ˘ 먞í?&#x160;. ëŻ&#x2020;ě&#x2013;žě&#x201E;ž ëť&#x161; ëŻ&#x2020;ě&#x2014;&#x2022;í&#x17E;&#x17D; í&#x152;&#x2DC;í&#x152;&#x2019;. 쥜ě&#x2C6;&#x17E; ě&#x201A;˛ ě&#x192;&#x201A;í&#x152;&#x2019;í?&#x160; î&#x152;ŚëŞŽ, 쥜ě&#x2C6;&#x17E; ě&#x201A;˛ ě&#x201A;˛ě&#x161;śí&#x17D;&#x201A;í?&#x160; î&#x152;ŚëŞŽ. 짢ě&#x2DC;Ş ëŻ&#x2020; í&#x2014;&#x17E;í&#x2022;&#x201A; ëšŚě ˘ î&#x201D;łě§&#x2020;ě&#x2DC;Şí&#x2019;&#x161;. T í&#x201D;&#x;. ëšŚě ˘ í&#x2022;&#x17E;í&#x201A;Ží&#x201D;Ś ëŤ&#x192;ë§&#x2019; í&#x152;&#x2013;í&#x17D;&#x17E; í&#x2022;&#x2013;ě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019; ěšşí&#x17E;&#x2019;í&#x17D;&#x17E; ě&#x192;&#x201A;í&#x152;&#x2019;. ëŻ&#x2020;ě&#x2022;ŚěťŞ í&#x17D;&#x201A;ě?˛ ě&#x2020;&#x2019;í&#x201A;ŞëšŚ 뚌ě&#x2022;&#x160; í&#x2014;&#x2019;íŞ&#x201A;ě?&#x160; 믞ě&#x2DC;Ťî&#x152;Śě ˘ ëŠ&#x2018;ěŤ&#x201A;ě&#x201A;˛ î&#x2019;śí&#x2039;ş ë°&#x2DC;í&#x2022;&#x201A; í&#x2022;&#x2013;ëŠ&#x161; ëŻ&#x2020;ě&#x160;˛í&#x201D;&#x2019; 믞ě&#x2DC;Ťî&#x152;Ž 쿌 í&#x2022;&#x2013;í&#x17D;&#x201A;. ě&#x2020;&#x2019;í&#x201A;ŞëšŚ 돝ë§&#x17D; í&#x2014;&#x2019;íŞ&#x201A;ě?&#x160; 믞ě&#x2DC;Ťî&#x152;Śě ˘ ëŠ&#x201A; ě­&#x2013;ë§&#x17D;ě ł î&#x152;Śí&#x17E;&#x17D;ě&#x17E;&#x161; 뚌í&#x201D;Ś î&#x152;&#x160;ěšşíŞ&#x201A;ě?&#x160; í?śí&#x2014;&#x2019;î&#x2022;&#x2013; 믞ě&#x2DC;Ťî&#x152;Ž ěżŚě ˘ í&#x2022;&#x2013;í&#x17E;&#x17D;.

H í&#x2122;&#x2122;í&#x201D;&#x17D; ě&#x17E;&#x17E;í&#x2022;&#x201A;í?&#x160;, ě &#x2122;í&#x2DC;&#x2020;. ëŻ&#x2020;ě&#x2014;&#x160; ě&#x201A;˛í&#x201D;&#x161; í&#x17E;&#x2013;ě¤&#x2020;í&#x201D;&#x160;ě&#x2DC;Ş ëťŚí&#x17D;&#x201A;ë§&#x2013;ëŠ&#x161;. ě&#x2014;&#x2013;í&#x17E;&#x2019; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; î&#x152;Ž ě&#x192;&#x17D;ěş?í&#x201D;&#x17D; í&#x17D;&#x201A;ě&#x17D;&#x2030;ëŠ&#x161; í&#x2014;Łî?&#x201A;? ě§&#x2020;ě?ş í&#x2014;Łî&#x152;Śě ˘ 먞í?&#x160;? í&#x152;&#x2019;ě&#x201A;&#x2013;ěĄ&#x201A; 뚌í&#x203A;&#x;í&#x17D;&#x17E; 늞í&#x2014;Łě&#x2021;Śě ˘ 먞í?&#x160;? T ëş&#x201A;ë§&#x17D; 퍺í??î&#x152;Śě ˘ 쥜ě&#x160;Ž ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x17D; í&#x2022;&#x201A; í&#x2022;&#x;í&#x17D;&#x201C;í&#x17D;&#x17E; í&#x2022;Ś í&#x17D;&#x201A;í&#x2019;&#x2020;ě&#x2014;˛. í?Şëş&#x17E;î&#x152;ŚěĄ&#x201A; 쥜ě&#x2C6;&#x17E;ë§&#x17D; î&#x2030;&#x203A;ě­&#x17D;î&#x152;Ş í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; ë§&#x17D;í&#x17E;&#x17D;몎 í&#x2022;&#x2013;먞ě&#x160;Ž. í?&#x2013;ě?&#x160; ě&#x160;˛í&#x17D;&#x201A;, â&#x20AC;&#x2DC;î&#x201A;&#x2020;ě&#x2DC;Şě&#x17E;&#x2013; î&#x152;&#x2019;ě?&#x2019;(Troma Films)â&#x20AC;&#x2122;í&#x201D;Ś ě&#x2DC;Şí&#x2022;&#x201A;ě&#x160;Ş íą&#x201A;í&#x2018;žî&#x2039;&#x2019;ě&#x17E;&#x161;(Lloyd Kaufman) ě&#x2014;&#x2013;í&#x17E;&#x2019; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019; í&#x2022;&#x;î&#x2030;&#x2013;í&#x201D;&#x2019; ěŤ&#x17E;. í&#x2022;&#x201A; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x17D;&#x17E;ě ˘ ë§?í&#x2122;&#x201C; ëŹ&#x201A;ě¤&#x160;ě&#x160;˛í&#x2022;&#x201A; ëŻ&#x2020;ě&#x2014;˛í&#x2DC;&#x2020; í&#x2022;&#x2013;ě ˘ě&#x201E;ž, ëŻ&#x2020;í&#x201D;Ś ěšşě¤&#x201A;í&#x201A;˛ ě?&#x17E;î&#x152;Ş ëŹ&#x201A;ě¤&#x160;ě&#x160;˛ě&#x2DC;Ş ë§&#x17D;ě&#x160;Ť í¨&#x2019;í&#x2019;&#x161;í&#x2DC;&#x2020; í&#x2022;&#x2013;í&#x17E;&#x17D;.

H í?˛, ëŻ&#x2020;먞 í¨&#x2020; ě &#x2122;í&#x17E;&#x17D;ě&#x201A;˛. T ëŻ&#x2020;ě&#x2022;Ś.

H í&#x2022;&#x201A; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x17D;&#x17E; í&#x2022;&#x2013;ě ˘ í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020;ě ˘ 먞ě&#x192;&#x17D;î&#x152;Ş í &#x2013;ě&#x17E;?횲 ě&#x2039;ˇí¸şě&#x160;˛(Shrinky Dinks)í&#x2022;&#x201A;ě&#x201A;&#x2013;?

T î&#x152;Śî&#x152;Ś, í&#x201D;&#x; ě&#x17E;Źí&#x152;&#x2019;. í&#x2022;&#x201A; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x17D;&#x17E; î&#x152;&#x2019;í&#x2018;˘î&#x152;Ş ëŻžěżŽ 맪짪í&#x201D;&#x2019; í&#x201C;&#x2019;î?&#x201A; í &#x2013;ě&#x17E;?횲 ě&#x2039;ˇí¸şě?&#x160; 욺읪 í&#x201A;˛î&#x17D;Śî?&#x201A; ěŤ&#x201A;믞ě&#x2020;&#x2019; î?&#x2013;í&#x17D;&#x2013;í&#x17D;&#x201A;.

H í?&#x17D;í&#x2018;ž. ëŻ&#x2020;ëŠ&#x2018;ě&#x160;˛í&#x201D;&#x17D; í&#x17D;&#x160;ě&#x17E;&#x2013;뚌 íł&#x2020;í&#x17D;&#x201A;?

T î&#x2020;ťí&#x2022;&#x201A; 90í&#x2022;&#x2020;í°Ś(228ěź&#x160;í°Śě§&#x2020;íťž)뚌 ě&#x2021;&#x160;.

H í&#x2018;ží?&#x17D;. ëŻ&#x2020;ě&#x2014;&#x2022;돺뚌. í&#x2022;&#x201A; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x17D; í&#x152;Źí&#x201D;&#x160;ě&#x2DC;Şě&#x2020;&#x2019; ëŞ&#x2019;ě˝&#x203A; í&#x17E;&#x2019;î?&#x2014;î&#x152;Žë¨ží?&#x160;? î?&#x2021;í&#x201A;Ş î?Łí&#x2022;ł í&#x201A;Şíšş 캍ë§? í&#x2022;&#x2013;í&#x17D;&#x201A;? î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x201D;&#x160;ě&#x2DC;Ş í&#x201A;Şí&#x2022;&#x;î&#x152;Ş í&#x2022;&#x201A; í˛śěź&#x2014;í&#x2022;&#x201A; ěŞ&#x2039;í&#x2022;&#x201A; ě&#x2021;ŚëŞŽ ëŤ&#x192;ë§&#x2019;í&#x2022;&#x201A; ě&#x2021;Ž 쿌ě&#x2020;&#x2019; í&#x2022;&#x2013;í&#x2022;¤í&#x152;&#x2019;. 띲ë§&#x17D; ëŠ&#x201A;í­Ł í&#x152;Žî?&#x2020;ë§&#x17D;í&#x2022;&#x2020; ëŠ&#x2020; 뚪 í&#x152;&#x161;몎 í&#x2022;&#x2013;í&#x17D;&#x201A;. T ě&#x2014;&#x2013;í&#x17E;&#x2019; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x201D;Ś í&#x2022;şě&#x161;&#x161;í?&#x17D; í˛śěź&#x2014;í&#x201D;&#x2019; 짪í&#x2014;&#x2019;í&#x201A;ŞíłŞ ë§&#x17D;돺ě?&#x160; ě&#x17E;&#x161;ě&#x160;˛ě&#x2014;˛ëŞŽ í&#x201A;Şě&#x2020;&#x2019; í&#x203A;&#x;í&#x2022;&#x201A;í?&#x160;.

H í&#x201D;&#x161;, î&#x201D;łě§&#x2020;ě&#x2DC;Şí&#x2019;&#x161;. 뚪 ëť&#x2013;í&#x201D;Ś 쥜ě&#x160;Ž í&#x2022;&#x;í&#x17D;&#x201C;ě&#x160;˛í&#x2022;&#x201A; î&#x152;ŚëšŚě&#x2DC;Ş í&#x17D;žëŠžě&#x2021;Śí&#x17D;&#x201A; í&#x2022;&#x2013;ě&#x201A;˛ëŞŽ 캍ë§?î?&#x201A;. ëť&#x2013;í&#x201D;Ś

T

í&#x201C;&#x2021;ěšşí&#x2022;&#x201A;î&#x201A;&#x2020;ě?&#x160; ěŤ&#x201A;ěĄ&#x201A; ě&#x17E;&#x2013;í°Ś 띲ë§&#x17D; ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A;ëş&#x2020; î&#x152;ŚëšŚí&#x201D;Ś ě&#x2020;§ëť˛ 맧í&#x152;&#x2019;. 읪ě&#x2DC;Ş ě&#x17E;&#x161;뚪 í&#x2014;? í&#x17D;&#x201D;í&#x17E;&#x17D;ě&#x17E;&#x161; í&#x2022;&#x201A;ě§&#x2020; í&#x152;&#x161;몎 í&#x17E;&#x17D;ëş&#x201A;ě ˘ í&#x2022;&#x201A;í&#x2019;&#x2018;튌ě&#x2014;&#x160; â&#x20AC;&#x2DC;í˝Žě&#x160;Şí&#x201D;Ś í&#x2022;&#x201A;í&#x2019;&#x2018;ě&#x160;˛â&#x20AC;&#x2122;ě&#x2DC;Ş í&#x17D;žëŠžě&#x2021;Śí&#x17D;&#x201A; í&#x2022;&#x2013;í&#x17D;&#x201A;. ëť&#x2013;í&#x201D;Ś ěšşí&#x17E;&#x2019; í&#x2022;&#x;î&#x2030;&#x2013;ě&#x160;˛í&#x2022;&#x201A; ě&#x17E;&#x2013;í°śëş&#x201A; ěŞ&#x2039;í&#x201D;&#x2019; 슼í&#x17D;&#x201A;뚌 í&#x201A;˛í&#x2014;Şě&#x2DC;Ş ě&#x17E;&#x161;í&#x17E;&#x2013; 쿌 í&#x2022;&#x2013;ě ˘ 짡, í&#x17E;&#x;, ëŻ&#x2020;ě?şëŞŽ ëŤ&#x192;ë§&#x2019;í&#x201D;&#x160;ě&#x2DC;Ş î?Łí&#x2022;łě&#x2021;Ž 쿌 í&#x2022;&#x2013;ě&#x201A;˛ëŞŽ 캍ë§?î?&#x201A;. í&#x2022;&#x201A; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;ě&#x160;˛í&#x2022;&#x201A; í&#x201C;Žě&#x2020;&#x201C; î&#x201D;łě§&#x2020;ě&#x2DC;Şí&#x2019;&#x201A; í&#x2022;&#x201A;í&#x201C;Ž í&#x203A;&#x; î&#x152;ŚëšŚě ˘ 띲ë§&#x17D; í&#x2019;&#x17E;ě&#x2022;Ś î&#x152;Śě&#x201E;Ś í&#x2022;&#x;í&#x17D;&#x201C;ě&#x160;˛ëŤ&#x160; ě&#x201A;˛ě?&#x201A;믞 ě&#x152;&#x161;ě¤&#x2020; í&#x2022;&#x160;먞í?&#x160;. í&#x2022;&#x201A;ëŠ&#x2018;ě&#x160;˛í&#x201D;&#x17D; í&#x17E;?í&#x2014;&#x; ěŤ&#x201A;í&#x17E;&#x17D; í&#x152;&#x2DC;í&#x201D;&#x160;ěĄ&#x201A; ě &#x17E;ëš&#x160;몎 í&#x2022;&#x201A;î?&#x201A;î&#x152;ŚëŻž í&#x17D;&#x201A;ě&#x2DC;&#x192;í&#x17E;&#x17D;. ëť&#x2013;í&#x201D;Ś í&#x2022;&#x201A;í&#x2014;&#x2019; í&#x2022;&#x;í&#x17D;&#x201C;ě&#x160;˛í&#x2022;&#x201A; í&#x17E;&#x2019;î?˘î&#x152;Ş ëŠ&#x2018; 맧í&#x152;&#x2019;. ěšşí&#x201A;˛í&#x2022;&#x201A;í?&#x160;. í&#x2022;&#x201A;ëŠ&#x201A; í&#x2022;&#x2020;íťžëź&#x2026;ěŤ&#x201A;ě&#x201A;˛ě ˘ í&#x2014;&#x2019;í&#x201A;Ş ëŤ&#x192;ë§&#x2019;í&#x17D;&#x17E; ě&#x17E;Źí­ží&#x2DC;&#x2020; í&#x2022;&#x2013;í&#x17E;&#x17D;.

í&#x2022;&#x201A; ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A; î&#x201A;&#x2021;ěŞ&#x2019;î&#x2022;&#x2013; ě&#x201E;˘ î&#x2030;&#x203A;ě­&#x17D;î&#x152;Ş í&#x2022;&#x201A;í?&#x160;믞ě?&#x160; ë§&#x17D;í&#x17E;&#x17D;몎 í&#x2022;&#x2013;ě&#x201A;˛ëŞŽ 캍ë§?î?&#x2013;í&#x17D;&#x201A;.

H Mm hmm.

H ě &#x2122;í&#x17E;&#x2019; 캍ë§?í&#x2022;&#x201A;í?&#x160;. T

ě&#x2DC;Şí&#x2022;&#x201A;ě&#x160;Ş íą&#x201A;í&#x2018;žî&#x2039;&#x2019;ě&#x17E;&#x161;í&#x201D;Ś í&#x2014;&#x17D;읪í&#x17D;&#x17E; í&#x2022;şě§&#x2020;í&#x2022;&#x2013;ě ˘ ëŻ&#x17D;ëŽ&#x17D;ë§&#x17D; í&#x2022;&#x2013;ě ˘ě&#x201E;ž, â&#x20AC;&#x153;í??î?˘ í&#x2014;Şí&#x2022;&#x;í&#x17D;&#x17E; í&#x2022;&#x2013;í&#x17D;&#x201A; ë§&#x17D;í&#x2022;ł í&#x203A;&#x;í&#x2018;˘î&#x152;Ş ëŠ&#x2018;í&#x201D;&#x17D; î?˘í&#x2022;łí&#x201A;˛ í&#x2022;&#x201A;í&#x2018;ˇí&#x2022;&#x201A; í&#x17D;&#x160;ě&#x17E;&#x2013;뚌 î&#x2020;&#x2020;ě?şî&#x152;Ş ë§&#x17D;í&#x17D;&#x17E; ě&#x201A;şě&#x2014;˛í&#x2022;&#x2013;ě&#x201A;˛.â&#x20AC;?ě&#x2022;&#x160;몎 í&#x160;ží&#x17D;ş í&#x2022;&#x2013;í&#x17D;&#x201A;. ëšŚě ˘ í&#x2022;&#x201A;ě&#x2013;ž ëŠ&#x161; í&#x2014;Łě&#x17E;&#x17E; í&#x2122;&#x2122;í&#x152;&#x2019;. ëť&#x2013;ě¤&#x201A; î?&#x2019;í&#x201A;˛í&#x2014;?í&#x2022;&#x201A;í&#x2022;¤í&#x152;&#x2019;.

H í&#x2022;&#x201A;ě&#x2013;ž 믞ěŤ&#x2020;í&#x2014;?í&#x2022;&#x2020; 캍ě?şî?&#x2019;ěş?í&#x201D;Ś î?&#x201A;ě˝&#x161;ě&#x2DC;Şě­&#x17D;íťž í&#x2022;&#x17E;í&#x201C;Žë§&#x17D; ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A;í&#x17E;&#x17D;ě ˘ 먞í&#x17E;&#x17D;. í&#x2022;&#x17E;í&#x201C;Žě ˘ ěšşě&#x2022;&#x161;í&#x201D;&#x2019; í¨&#x2039;í&#x201D;Śí&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ěšşëŞŽî&#x152;ŚëŞŽ î?&#x2014;ě&#x2020;§î&#x152;Ž 쿌 í&#x2022;&#x2013;ě&#x2020;&#x2019;ě&#x2DC;Ť ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A;. í??î?˘ í&#x2014;Şí&#x2022;&#x;í&#x2022;&#x17E;ě&#x160;˛í&#x2022;&#x201A; 믞ěŤ&#x2020;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ë§¤í­˘í&#x17D;&#x201A;í?&#x160; î&#x152;Ž íşŞě&#x2020;&#x2019;í?&#x160;. ě¤&#x201A;í ś í&#x2022;&#x160;í&#x2022;&#x201A;ě&#x160;Ž í&#x2022;&#x160;í&#x17D;&#x201A;뚎 쿌 í&#x2022;&#x2013;í&#x201D;&#x160;ě&#x201A;&#x2013; î&#x152;ťěş? ě&#x192;&#x17D;ě°&#x2019;î&#x152;Śě ˘ ëŠ&#x2018;. T

í&#x201D;&#x;. ëŻ&#x2020;ě&#x2013;ž í&#x2014;&#x17E;í&#x2022;&#x201A; íą&#x201A;í&#x2018;žî&#x2039;&#x2019;ě&#x17E;&#x161;í&#x201D;&#x2019; ě&#x2014;&#x2013;í&#x17E;&#x2019; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x201D;Ś í&#x203A;&#x160;í&#x2022;&#x2020;ëŤ&#x192;í&#x201D;&#x160;ě&#x2DC;Ş í¨&#x2019;íşŤî&#x152;Śě&#x2020;&#x2019;ě&#x2DC;Ť ě­&#x17D;í­˘ëŞ&#x160;í&#x17E;&#x17D;.

100î&#x2020;&#x2020; í&#x2022;&#x201A;ěş?í&#x201D;Ś í??î?˘ě?&#x160; ě&#x17E;&#x161;ě&#x160;˛ěĄ&#x201A;읪 ëŻ&#x2020;ě&#x17E;&#x161;í&#x201D;Ś ěź&#x2020;ëŞ&#x2019;ě?&#x160; í¨&#x2039;í&#x2DC;žî&#x152;ŚëŻžě&#x2020;&#x2019; î?&#x2013;í&#x2022;¤í&#x152;&#x2019;. ëŻ&#x2020;ě?şëŞŽ ě&#x2022;&#x160;í ˛ěŠŽí&#x2022;&#x201A;ë¨ží ˛(Las Vegas)í&#x17D;&#x17E; ěšşě ˘ ě&#x2039;˘í&#x2014;Şí&#x2022;&#x201A;í&#x2022;&#x201A;í&#x2022;&#x17E; í&#x2014;Şî&#x201A;&#x2020;í&#x2DC;żí&#x2022;&#x2020; í ˛î&#x201A;žěŻ&#x161; í&#x152;&#x2019;í?˛íš˛(Steve Aoki)ě&#x2020;&#x2019; í&#x2022;&#x2013;í&#x17D;&#x201A;. ëŻ&#x2020;í&#x201D;Ś î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x201D;&#x17D; í?&#x160;í¨&#x2019; í&#x203A;&#x160;í ˛, 맪í&#x2022;&#x2020; í&#x2014;Şî&#x201A;&#x2020;믞, î&#x2020;şí˛˛ íą&#x201A;ě&#x160;Ş ě&#x160;ż ëŻ&#x2020;í&#x201D;Ś í&#x2022;&#x160;ěş?ëŤ&#x160; ëŤ&#x17D;ě&#x2014;śě&#x2021;Ş ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014;ě&#x160;˛ě&#x2DC;Ş í¨&#x2019;í&#x2019;&#x161;í&#x2DC;&#x2020; í&#x2022;&#x2013;í&#x17E;&#x17D;. 읎í&#x2022;&#x2020;í&#x2022;ł ë§&#x17D;ëŠ&#x161; í&#x203A;&#x160;í&#x2022;&#x2020; í&#x2DC;žě&#x201A;&#x2013;(Johnny)í&#x201D;Ś î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x17D;&#x17E; ě&#x192;&#x201A;ë°&#x201A; ěšşě&#x17E;&#x2014; î&#x2030;&#x203A;ëŞ&#x2039;í&#x201D;&#x17D; ěŞ&#x2019;뚪 읎í&#x2022;&#x2020;í&#x2022;łě&#x160;˛í&#x201D;&#x2019; í¨&#x152;í&#x152;&#x2019; î&#x17D;˛ě&#x17E;˛ě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;Ś 쥜í&#x201A;&#x192;í&#x201D;&#x2019; ěş?ěş?í&#x201D;&#x160;ě&#x2DC;Ş ëŻ&#x2020;ě&#x2014;˛ëş&#x2013;í&#x17D;&#x201A;.

H ëŻ&#x2020;ě&#x2022;Ś, í&#x2014;Łě&#x17E;&#x17E;ě&#x2DC;Ş ěšşí&#x17E;&#x2019;í&#x17D;&#x17E; í&#x2022;&#x201A;í?&#x160;믞ë§&#x17D; ě&#x201E;˘î?&#x201A;í&#x2DC;&#x2020; í&#x2022;&#x2013;띲. ëšŚě ˘ 띲ë§&#x17D; ëŻ&#x2020; ě&#x17E;&#x153;í&#x201D;&#x17D; í&#x2022;&#x201A;í?&#x160;믞ě&#x160;˛í&#x201D;&#x2019; î&#x152;ŚëšŚí&#x201D;Ś î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;í&#x17D;&#x17E; ě&#x192;&#x201A;í&#x152;&#x2019;ëş&#x201A;ě ˘ě&#x201E;ž ěťżëŤ&#x192;î?&#x2013;ě&#x201A;˛ëŞŽ 캍ë§?î?&#x201A;. ěšşí&#x201A;˛ í&#x2022;&#x201A;ëŠ&#x201A; í&#x2014;Łě&#x17E;&#x17E; í&#x17D;&#x201A;ě&#x2014;˛í&#x2019;&#x201A; í&#x2022;&#x160;í&#x2022;&#x201A;í&#x2022;¤í&#x152;&#x2019;. ě¤&#x17E;ě&#x2022;&#x2019;ë°&#x161;, í&#x2022;łí&#x201A;Ťí&#x2022;&#x201A;ě&#x2022;&#x160;몎 ě­&#x17D;ě?&#x201A;ëŻžě ˘ í&#x2122;&#x17D; ëŻ&#x2020;ě&#x2014;&#x2022;몎â&#x20AC;Śâ&#x20AC;Ś 쥜ě&#x160;Ž ëŠ&#x2018;í&#x201D;Ś í??î?&#x160;ë°&#x161;í&#x17E;&#x17D; ě&#x192;&#x201A;늜í&#x2022;&#x2013;ě ˘ ě&#x160;˝ î?&#x201A;. T

ëšŚě ˘ ëş&#x201A; í&#x2022;&#x;í&#x17D;&#x201C;í&#x2022;&#x201A; í&#x17D;&#x201A;ě&#x2039;˘ë°&#x161;í&#x17E;&#x17D; î?Łí&#x2022;łě&#x2021;Ž 쿌 í&#x2022;&#x2013;ě ˘í&#x17E;&#x17D; í&#x201A;Şî&#x17D;Śî?&#x201A;ěŤ&#x201A;몎 í&#x192;&#x201E;í&#x17D;&#x201A;. ëšŚě ˘ í¨&#x2039;í&#x201D;Śí&#x2014;?í&#x2022;&#x2020; 믞ě&#x2DC;Ťë§&#x17D;í&#x2022;&#x201A;믞 ě&#x152;&#x161;ě¤&#x2020;í&#x17D;&#x17E; í&#x2022;&#x201A;ě&#x2013;şî&#x152;Ş íŻŻěĄ&#x201A;í&#x201D;&#x2019; ě­&#x17D;ë§?í&#x201A;Şíš˛ě&#x2014;˛ ë˝&#x2020;ě&#x2014;łî?&#x201A;. 믞ě&#x2DC;Ťí&#x17D;&#x17E; 믞짌î&#x152;Śí&#x17D;ş 뚌í&#x201D;Ś ěş?ěş?ě&#x2014;łëŤ&#x160; í¨&#x2039;í&#x201D;Śě&#x2014;łí&#x201D;&#x2019; î?Łí&#x2022;łî&#x152;Śě&#x2014;˛ î&#x152;Śí&#x17E;&#x17D;. í?Şëş&#x17E;î&#x152;ŚěĄ&#x201A; ëšŚě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019; ěŤ&#x201A;í&#x2022;&#x201A;ě ˘ ëŻ&#x2020;ě&#x192;&#x17D;ě&#x2DC;Ş ëŻžě&#x2DC;Ťî&#x152;ŚěĄ&#x201A;읪ě&#x2020;&#x2019; ěş?ěş? ě˝&#x203A; ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; ëŠ&#x2018;ě&#x160;˛í&#x201D;&#x2019; 죌î&#x152;ŚëŠ&#x161; 읏믞 ě&#x152;&#x161;ě¤&#x2020;í&#x2022;&#x201A;í?&#x160;. ëŻ&#x2020;ě?şëŞŽ î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019; ě&#x17E;&#x161;ě&#x160;Şě ˘ 슣í&#x201D;&#x2019; 몎ě§&#x160;î&#x152;ŚëŞŽ ě˝&#x17E;쿌 í&#x2014;Şí&#x2022;&#x;î&#x152;Śě ˘ ëŤ&#x160;í&#x2014;Łí&#x201D;&#x17D; ě?&#x17E; ě&#x201A;˛ě?&#x2020; í&#x2022;şě§&#x2020; í&#x2018;˘ě˝&#x161;í&#x2022;&#x201A;í&#x17E;&#x17D;. ëšŚě ˘ 쿌í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;Ś ě &#x17E;ëš&#x161;í&#x201D;&#x2019; í&#x2122;&#x2122;í&#x152;&#x2019;î&#x152;Śë¨žě&#x160;Ž. 뚪 ě&#x17E;˛í&#x2018;ž ě&#x2039;˘í&#x17E;&#x17D;íź&#x2020;í&#x2014;?í&#x2022;&#x2020; ěšşě&#x2022;&#x161;í&#x2022;&#x201A;믞 ě&#x152;&#x161;ě¤&#x2020;í&#x17D;&#x17E; ě˝&#x17E;í&#x201D;&#x160;ě&#x2DC;Ş í&#x17E;?í&#x2014;&#x; í&#x2014;Şí&#x2022;&#x;î&#x152;Śě ˘ í&#x2014;&#x17E;ě&#x160;˛í&#x2022;&#x201A; ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x161;. í&#x2022;&#x;í&#x17D;&#x201C; ëŤ&#x160;í&#x2014;Łí&#x2022;&#x201A; í&#x17E;&#x2019;í&#x17E;Ş í&#x2022;şě§&#x2020;í&#x2022;&#x2013;í&#x17D;&#x201A;.

H ě &#x2122;í&#x17E;&#x17D;ě&#x201A;˛. í&#x2022;&#x201A; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;ě&#x160;˛í&#x201D;&#x17D; í&#x17E;?í&#x2014;&#x; ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A;? ě&#x17E;&#x2013;í°Ś 쿪쿌 í?&#x2013;쿎 í&#x2022;&#x;î&#x2030;&#x2013; 맧í&#x201D;&#x17D; ëŠ&#x201A;ë§&#x17D;? T

146

T My photography has always been the opposite of that. Itâ&#x20AC;&#x2122;s an onslaught. A tidal wave of photos. You can tell a story, itâ&#x20AC;&#x2122;s not really about one iconic photo. Itâ&#x20AC;&#x2122;s about a hundred photos. You see pictures of the people, you see their stuff. You see them with their kids. Telling a lot of stories through a lot of photos. When I was working on this show, I was trying to figure out how I could do something that relates to my work but with a single photograph. The idea that I came up with was to integrate my illustrations within the frame as a way to give context to the main image. I played around with a lot of different collage type effects and settled on these custom layered resin frames, you see these many levels of illustrations that relate to the photo. Hopefully people see the photo and then they look around the frame and they learn more about the subject and itâ&#x20AC;&#x2122;s a richer experience. H Yeah. I think this relates to your work ethic. I have worked with you and yes, editing your work is a chore, because thereâ&#x20AC;&#x2122;s so much. Thatâ&#x20AC;&#x2122;s your thing. You just work hard and you hammer and hammer and just create a lot of work. You know how to edit and boil things down. You could go in so many different directions. Itâ&#x20AC;&#x2122;s just really interesting to me thatâ&#x20AC;&#x201D;these frames are kind of your take on doing that. T Yeah. Definitely. H For a photographer, incorporating text and story and things is really hard. Because itâ&#x20AC;&#x2122;s easy to go â&#x20AC;&#x153;see and say.â&#x20AC;? what I admire about is you, just the incorporation of those elements to tell a story really kind of difficult to do. T Yeah. In my case itâ&#x20AC;&#x2122;s drawing and photo. I havenâ&#x20AC;&#x2122;t messed around so much with type or lettering. Something I want to do more as I am trying to figure out a way to put in some written stuff into the frames but I havenâ&#x20AC;&#x2122;t really wrapped my head around that.

í&#x2022;&#x201A; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;ě&#x160;˛í&#x201D;&#x17D; 쿌맪í&#x2019;˘ ě&#x2020;§í&#x152;&#x2013;í&#x201D;Ś í&#x201A;˛î&#x17D;Śí&#x201D;&#x2019; 먞íŞ&#x17E; í§śëŞŽí&#x17D;&#x17E;읪 뚌í&#x201D;Ś í&#x2DC;žěżŚí?&#x17D; î&#x152;śë˛Ś ě&#x17E;&#x161;ě&#x160;Ž í?˛ě?şí&#x17E;&#x17D;ëť&#x17E; í&#x2022;&#x;î&#x2030;&#x2013;ě&#x160;˛í&#x2022;&#x201A;í?&#x160;. 쥜ě&#x2C6;&#x17E; ě˝&#x17E;í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;&#x17E;ě?&#x2020; 쥡í&#x2022;şě&#x2022;&#x160; í&#x2DC;žëŻ&#x2013; í&#x2019;&#x2020;î&#x20AC;?ě­&#x2013;î&#x20AC;?î&#x152;ŚëŞŽ, ě&#x2014;&#x2013;í&#x17E;&#x2019; í&#x2022;şě&#x161;&#x161;ě ˘ í&#x17D;şě&#x2013;ş í°&#x192;í&#x201D;&#x160;ě&#x2DC;Ş í&#x192;Ąí&#x152;&#x2019; í?şě&#x2014;˛ěťŞ ě&#x201E;˘ í&#x2022;şě§&#x2020;í&#x2022;&#x2013;í&#x17E;&#x17D;. ëş&#x201A; í§śëŞŽ í&#x201C;&#x2019;ě&#x2DC;Ş ëšŚě¤&#x201A;ë§&#x17D; ě&#x160;Şě?şí&#x2019;&#x161;í&#x2DC;&#x2020; í&#x2022;&#x2013;í&#x17D;&#x201A; 뚌ě¤&#x2022;í&#x2022;&#x153;ě&#x160;˛í&#x2022;&#x201A; ě&#x2014;&#x2013;í&#x17E;&#x2019; í&#x201C;&#x2019;ě&#x2DC;Ş ě?śí&#x17D;&#x201A;í&#x2DC;&#x2020; ě&#x201A;şě&#x2022;&#x160;쭧믞ě&#x2020;&#x2019; î&#x152;Śě ˘ě&#x201E;ž, ëŻ&#x2020;ëŠ&#x2018;ě&#x2020;&#x2019; ëť&#x2013;ě¤&#x201A; ě&#x17E;&#x2013;í&#x201D;&#x161;í&#x17D;&#x17E; ě&#x160;˛í&#x17D;&#x201A;. í&#x2014;Łě&#x17E;&#x17E; ě&#x17E;&#x153;í&#x201D;&#x17D; ëŠ&#x2018;ě&#x160;˛í&#x2022;&#x201A; ëŞ&#x2021;ëŞ&#x2021;í&#x2022;&#x201A; í&#x192;Ąí&#x17D;ş í&#x2022;&#x2013;í&#x17D;&#x201A;.

H I guess what I am getting at is the need to tell a complete story. I worked on some editorial once about Chicago and you just feel like, oh my god we got to incorporate this whole story. This whole city. We got to do everything and then you realize then maybe we can just pick a part, and that tells a complete story. If we told three stories about Chicago you get the idea of the whole city. But whatâ&#x20AC;&#x2122;s interesting to me is you are one of those kinds of people I know that still says, screw that. We got to do it all. We got to cover it all. And get it all. Thatâ&#x20AC;&#x2122;s the interesting thing.

ě&#x17E;˛í&#x2018;ž î&#x201A;&#x2021;ěŞ&#x2019;î&#x152;Śí&#x17E;&#x17D;.

T Yeah, I mean my subjects are people in their spaces so itâ&#x20AC;&#x2122;s easier to fully deeply document that than to do the whole city or country. Thatâ&#x20AC;&#x2122;s kind of impossible, so I try to fully document my subjects.

H í&#x2018;ží?&#x17D;, î&#x2019;&#x161;ě&#x153;ťî?&#x201A;. í&#x17D;şě&#x2013;ş 맪ë§&#x17D; í&#x152;&#x2019;ě&#x201A;&#x161; ě&#x201A;ś î&#x152;ŚëšŚě&#x17E;&#x161; í&#x2122;&#x201A;í&#x2022;şî&#x152;Śě ˘ ëŠ&#x2018;í&#x2022;&#x201A;ě&#x2022;&#x160;ě&#x201A;&#x2013;. ěŤ&#x192;í&#x2014;Şě&#x2021;Ž 쿌 í&#x17D;&#x201D;ě ˘ í&#x201C;Ží&#x2022;&#x160;ě¤&#x201A;í&#x2022;&#x201A;î&#x152;Ş í&#x2022;&#x;î&#x2030;&#x2013;í&#x2022;&#x201A;띲. T

H I want to talk about your Resin Frame work. Iâ&#x20AC;&#x2122;ve never seen it before. But I was curious about what inspired you to do this? T Yeah. Well, itâ&#x20AC;&#x2122;s something I think about a lot is thereâ&#x20AC;&#x2122;s certain photographers that make one photo and thatâ&#x20AC;&#x2122;s their thing. Similar to the Annie Leibovitz school Iâ&#x20AC;&#x2122;d say. They tell the whole story in one photo.

H ě&#x2014;&#x2013;í&#x17E;&#x2019; î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x160;ě&#x2DC;Ş í?Ş í&#x2022;&#x201A; ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019; ěťŽíşŤî?&#x2013;í&#x17D;&#x201A;? T

T Todd Selby H Hans Seeger ----------------------------------------------------------------------------

H Thatâ&#x20AC;&#x2122;s a good way of saying it. Cool. Okay. Hereâ&#x20AC;&#x2122;s another question. How do you decide who gets the Resin Frame treatment? Do you know in advance or hindsight? T Everyone that I shoot is good for this work because itâ&#x20AC;&#x2122;s people who have rich stories and also have a lot of things. For instance you can see that with the Resin Frame of Lloyd Kaufman from Troma Films. The frame has all these monsters and then you see his picture his whole office is filled with monsters. H Oh, thatâ&#x20AC;&#x2122;s cool. î&#x152;Şí ˛ď&#x2DC;&#x201C;í&#x201A;Şë¨žď&#x2DC;&#x2122;ď&#x2DC;&#x201C;í&#x152;&#x2019;î&#x201A;&#x2020;ď&#x2DC;&#x201C;ě&#x2039;˘ě&#x2014;&#x2014;íťžď&#x2DC;&#x201C;ď&#x2DC;&#x201C;

ě§&#x2020;돝í&#x17D;&#x17E;읪 î?Şě&#x2020;§î&#x152;Śě ˘ í&#x152;&#x2019;î&#x201A;&#x2020; ě&#x2039;˘ě&#x2014;&#x2014;íťží&#x2022;&#x201A;í&#x2022;&#x17E; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013; î&#x152;Şí ˛ í&#x201A;Şë¨ž(Hans Seeger)ě ˘ í&#x2018;ží&#x17D;žî&#x152;Ş ëŞ&#x2019;믞ě&#x2DC;Ş

í˝Žě&#x160;Şí?&#x17D; í&#x2022;&#x2020;í&#x17D;ží&#x201D;&#x2019; ě&#x;&#x2C6;í&#x201D;&#x17D; í&#x2022;&#x2020;ě¤&#x160;ě&#x2DC;Ş, í?&#x2013;쿎ëŤ&#x160; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020; ě­&#x2019;í?&#x160;í&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş î?&#x201A;짣î&#x152;Ş í&#x17E;&#x17D;í&#x201A;ŤëŤ&#x160; î&#x2020;ťëťĄí&#x201D;&#x17D; í&#x2022;&#x201A;î?&#x201A;ě?&#x160; í&#x17E;&#x17D;ëź&#x17D; í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;í&#x17D;&#x17E;ëŠ&#x161; í&#x17D;&#x2019;튝뚪 í??ë§&#x17E;í&#x201D;&#x2019; í&#x2014;ŞëŤ&#x192;î&#x152;Śí?&#x17D;ě&#x201A;˛. í&#x203A;&#x160;ě&#x2DC;Ş í&#x2014;Şî&#x2030;&#x2013; ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020;ëŤ&#x160; ëŤ&#x;몎 믞î&#x2018;&#x203A;í&#x201D;&#x2019; î?&#x201A; í?ś ëŻ&#x2020;ě ˘ í&#x152;&#x2019;î&#x192;&#x161;튌(Aperture), í&#x152;Žî&#x2039;&#x161;(Apple), ě&#x192;&#x17D;í&#x201A;Şí&#x2018;žě&#x160;Şě­?(Dashwood Books), î&#x2026;Śí&#x2022;&#x201A;í ˛ě­?(Facebook), í&#x2022;ťí ˛î&#x2026;Śí&#x2022;&#x201A;ě&#x160;Ş(Jack Spade), ě?şî&#x201A;&#x17D;ěŻ&#x161;ě&#x2022;&#x160;í&#x2019;&#x201A;ě &#x2020;í&#x20AC;şě&#x203A;&#x2020;(Little Brown Mushroom), ě&#x161;śí&#x2022;&#x201A;ě°&#x2019;íž&#x192;쥜í&#x17D;&#x17E;î&#x17D;˛ëť˛í&#x201A;Ş(LVMH), î&#x192;&#x161;î&#x201A;&#x2020;ëť&#x2013;í?&#x2013;í&#x17D;˘í ˛î&#x2026;Śí&#x2022;&#x201A;ě&#x160;Ş(Partners&Spade), íş&#x17D;늭(Target), ě&#x201E;˘í&#x17D;&#x201C;ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x201A;&#x2020;í&#x201A;Şî&#x201A;ží?&#x161;í?&#x2013;ěŻ&#x161;ě?şëŠ&#x161;í&#x2022;&#x201A;ě&#x160;Ş(The Upright Citizens Brigade), í?&#x17D;ě°&#x2019;î&#x192;&#x161;í˛˛(Warby Parker) ě&#x160;ż ě&#x201A;˛ěżŚí&#x201D;Ś ěź&#x2020;ëŞ&#x2019; í&#x201C;ŽěĄ&#x201C; ěŻ&#x161;ě&#x2022;Şě&#x160;Şí?&#x17D; î?&#x;í&#x17D;&#x201C;î?&#x201A; í?˛ëŞŽ í&#x2022;&#x2013;ě&#x201A;˛.

T Yeah. H Are these frames similar to giant Shrinky Dinks? T Haha yes they are. I purchased Shrinky Dinks to experiment with when I was trying to develop the technique to make these frames. H Wow. How big are these? T They are 228 cm wide. H Wow. Okay. Where is this idea going? Do you see it expanding? This

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T í˝Žě&#x160;Şď&#x2DC;&#x201C;ěź&#x17D;ě°&#x2019;ď&#x2DC;&#x201C; H î&#x152;Şí ˛ď&#x2DC;&#x201C;í&#x201A;Şë¨ž

Todd Selby and Hans Seeger concept could go from a frame to the taking over the walls to making rooms. Knowing you are an architecture buff. T I am trying to develop a way to use this same materials and kind of concept to make furniture. H Well, because itâ&#x20AC;&#x2122;s interesting to me as I kind of see the work coming full circle. If you go through your website itâ&#x20AC;&#x2122;s essentially a neighborhood. Itâ&#x20AC;&#x2122;s kind of Mr. Toddâ&#x20AC;&#x2122;s neighborhood. But in this neighborhood where everybody knows everybody but they never met. The fact that your work escapes the walls and you could start building rooms of it, physically manifest rooms, homes, spaces. Itâ&#x20AC;&#x2122;s interesting because with these frames, itâ&#x20AC;&#x2122;s not something thatâ&#x20AC;&#x2122;s really in your wheelhouse in the sense that itâ&#x20AC;&#x2122;s hard to convey unless youâ&#x20AC;&#x2122;re physically with it. Itâ&#x20AC;&#x2122;s feels like an evolution. T Thatâ&#x20AC;&#x2122;s true. Itâ&#x20AC;&#x2122;s very specific to a gallery show space rather than the internet. H Why did you choose these subjects for the resin frames? T I think that these people have particularly rich stories. H Thatâ&#x20AC;&#x2122;s great. T Lloyd Kaufman has a really funny line in one of his books that goes along the lines of â&#x20AC;&#x153;the most important thing about making a film is access to a bathroom.â&#x20AC;? I love it. Just the practicality of it. H By covering those basics it creates freedom. It gives you freedom to be creative and do your thing. Itâ&#x20AC;&#x2122;s just kind of as a producer itâ&#x20AC;&#x2122;s elementary. Just create an environment for which anything can happen. T Yeah and I thought that Lloyd as a subject would be great for the resin frames, because he has built all these worlds. I think he has made over 100 films. Then we have Steve Aoki, who is a DJ-jetsetter who lives in Las Vegas, so his frame has drawings relating to his lifestyle. His green juices, private jet and his poker stuff. The desert scene around Johnny at the Cactus Store is more of a fantasy world relating to the desert where these guys go out to the find all these strange cactus. H Yeah. They really add to the pictures too. I think you succeeded in the sense you learn so much about him in one frame. Thatâ&#x20AC;&#x2122;s really hard. I wouldnâ&#x20AC;&#x2122;t even call it embellishment, itâ&#x20AC;&#x2122;s almost an homage to the spirit of everything. T What I am trying to do is really push my workâ&#x20AC;&#x201D;I am a creative documentarian so I am just trying to push the creative side of that. Stay based in documentary but then let loose my imagination and creativity somehow at the same time. Because I am not just straight up documenting these people, itâ&#x20AC;&#x2122;s kind of a weird hybrid between documentation and creation. I think that another fun aspect of doing these frames is the physicality and process of figuring out how to make them. I love that they are hand made and gritty. Itâ&#x20AC;&#x2122;s something new for me because I am much more of a digital person. That whole process was really fun. H Thatâ&#x20AC;&#x2122;s cool. H Do you make these frames yourself? Are these original artwork? T The frames are original artworks made in my garage with myself and my art assistants over many months of experimentation. They are all hand cut wood so they are a bit wonky and all of the resin stuff is all done in layers and layers so itâ&#x20AC;&#x2122;s all very funky. My tree is above the garage and little leaves fall into the resin and get stuck there, I love that. Itâ&#x20AC;&#x2122;s very layered on many levels. H Wow thatâ&#x20AC;&#x2122;s great. These arenâ&#x20AC;&#x2122;t multiples, they are one of a kind. T One of a kind dude.

147

Hans Seeger, Art Director Todd has no idea how or when he met Hans Seeger, but somehow he just appeared in his life! Todd has a deep respect for Hans' knowledge of art, design and books of all kinds. Hans Seeger is a freelance art director and designer. Clients & collaborators include Aperture, Apple, Dashwood Books, Facebook, Jack Spade, Little Brown Mushroom, LVMH, Partners & Spade, Target, The Upright Citizens Brigade & Warby Parker. @hansseeger


î&#x2026;Śí&#x2022;&#x2020;î&#x192;&#x201C;ëŤ&#x160; ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014;í&#x201D;&#x17D; í&#x2014;&#x17E;í§ś ëş&#x201A; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;Ś í&#x203A;&#x;í&#x2018;˘î&#x152;Ş ě­&#x17D;ě­&#x2019;í&#x2022;&#x201A; ě&#x2021;Śí&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. 튚 ěŠ&#x2013;í&#x;&#x2020; í¨&#x201C; <The Selby is in Your

Place>ě?&#x160; í&#x2014;&#x17D;쿎î&#x152;ŚěĄ&#x201A;읪, ëšŚě ˘ 뚌í&#x201D;Ś ěšşí&#x17E;&#x2019;ě&#x160;˛í&#x2022;&#x201A; ěŤ&#x201A;ě&#x201A;˛

í°ŞëŻ&#x160;î&#x152;ŚëŞŽ í&#x2022;&#x2020;ë§&#x2019;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ě &#x17E;ëł&#x201A;í&#x17E;&#x2013; 쿌 í&#x2022;&#x2013;ě&#x2020;&#x2019;ě&#x2DC;Ť 쿌í¨&#x2019;î?˘ě?&#x160;

í&#x201A;Şí&#x2022;&#x;î?&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ě?&#x17E;î&#x152;Ş î&#x2026;Śí&#x2022;&#x2020;î&#x192;&#x201C;í&#x201D;&#x17D; í&#x2022;&#x201A;í&#x2014;Şë°&#x161;í&#x17E;&#x17D; ëş&#x201A;ë§&#x17D; î?&#x201A;í?˛ě&#x201E;Ś 믞ě&#x2DC;Ťí&#x2022;&#x201A;ě&#x2022;&#x160;ě ˘ 짡í&#x201A;Ťí&#x201D;&#x2019; 띌í&#x17D;&#x201A; 쿪쿌î&#x152;Ş í¨&#x2039;í&#x2022;&#x;í&#x201D;&#x160;ě&#x2DC;Ş í&#x2022;&#x;í&#x17D;&#x201C;

í??í&#x17D;ťí&#x201D;&#x2019; î?Łí&#x2022;łî&#x152;Śě ˘ î&#x2019;&#x161;ě&#x153;ťî&#x152;Ş ěżŚě&#x201A;śí&#x2022;&#x201A; ě&#x2021;Śí&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ëş&#x201A;ë§&#x17D;

ëŻ&#x2020;ě&#x17E;&#x160;í&#x201D;&#x2019; ëŻ&#x2020;ě?şě ˘ ë§&#x17D;í&#x2022;ł í¸ž í&#x2022;&#x201A;í&#x201C;Žě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019; ë§&#x17E;ě&#x2020;§í&#x201A;Şíš˛ëŞŽ ëŤ&#x192;ë§&#x17E;í&#x201D;&#x2019; í&#x17D;&#x2030;믞 í&#x201C;&#x2019;î?&#x201A;읪í&#x2022;&#x2020;ě&#x201E;ž, ëŻ&#x2020;ě&#x2013;şî&#x152;Ş ě­&#x17D;ě­&#x2019;í&#x17D;&#x17E;읪 뚌í&#x201D;Ś

î&#x2026;Śí&#x2022;&#x2020;î&#x192;&#x201C; í&#x2022;&#x;í&#x17D;&#x201C;ě&#x160;˛í&#x201D;&#x17D; ě&#x2020;§ě¤&#x160;, ěšşě&#x2022;&#x161;, í&#x201A;Ťě¤&#x160;, 뚧읪 ě&#x160;żëŤ&#x160; 맧í&#x201D;&#x17D;

ě&#x201A;śěżŞî&#x152;ŚëŞŽ í&#x2022;&#x160;ěş?í&#x2014;?í&#x2022;&#x2020; ëŠ&#x2018;ě&#x160;˛í&#x201D;&#x2019; ě˝&#x161;í&#x2022;şě&#x2DC;Ş î&#x152;ŚěĄ&#x201A;읪ě&#x2020;&#x2019; ë§?í&#x2022;&#x17E;í&#x201D;Ś

맪읿í&#x201D;&#x2019; í&#x2022;Ś î&#x2020;şí§ˇî&#x152;Śí&#x17D;ş í?&#x17E;먞í&#x2019;&#x17D;ëŤ&#x160; ëŻ&#x203A;í&#x2014;Łí&#x2014;?í&#x2022;&#x2020; í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ě?&#x160; ë§&#x17D;ě&#x160;Ť î&#x2030;&#x2013;몎 í&#x2022;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ě&#x201A;˛í&#x201A;Ş ě&#x17E;&#x17E;î?&#x201A;, ëŻ&#x2020;ě&#x17E;&#x160;í&#x201D;&#x160;ě&#x2DC;Ş ě&#x192;&#x17D;ěş?í&#x201D;&#x2019; ě?&#x;맧í&#x2022;&#x201A;

í&#x2022;şî?&#x2019;î&#x152;Śě ˘ ëŠ&#x161; í&#x152;&#x2019;ě&#x201A;&#x2013;ě&#x2022;&#x160;, ëş&#x201A;ë§&#x17D; ëŻ&#x2020;ě?şě ˘ 쥜ě&#x160;Ž ëŠ&#x2018;ě&#x160;˛í&#x17D;&#x17E; 뚌ě&#x17E;&#x161;í&#x201D;Ś ěş&#x2014;ë°˘ëŤ&#x160; 맪읿, ě§&#x2020;î&#x152;§, í?&#x17E;먞í&#x2019;&#x17D;, ëŻ&#x2020;ě?şëŞŽ 쿪쿌î&#x152;Ş í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ě?&#x160; ě&#x192;&#x201A;í&#x152;&#x2019;ëş&#x201A;ě ˘ ëŠ&#x2018;í&#x2022;&#x201A; 뚌í&#x201D;Ś ë­?ëŻ&#x2021;í&#x2014;?í&#x2022;&#x2020; 쥡î&#x2C6;Şí&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛.

Painting and drawing have become a larger part of my creative output. I started doing watercolors seriously while working on my first book, <The Selby is in Your Place>, in order to humanize my photographs and make them feel more relatable and intimate. Painting also became a great way for me to move away from documentation and move towards pure creation. Through my paintings, I aim to inspire people and share my interests. My subjects often include animals, people, plants and silly doodles. They are very simple, yet I try to impart a cheerful and vibrant vibe. Rather than technically reproducing my subjects, I strive to bring my personality in terms of colors, aesthetic, fun, energy to everything I paint.

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SELBY THE ILLUSTRATOR

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í˝Žě&#x160;Şď&#x2DC;&#x201C;ěź&#x17D;ě°&#x2019;í?&#x17D;ď&#x2DC;&#x201C;í&#x2014;Şí&#x2022;&#x201A;í śď&#x2DC;&#x201C;î&#x2021;&#x201A;ě&#x2022;&#x17D;

J í˝Žě&#x160;Ş, í&#x17D;&#x201A;ě&#x17E;&#x201A; ě&#x152;&#x161; ë§&#x17D;í&#x2022;ł í&#x2122;&#x2122;í&#x152;&#x2019;î&#x152;Śě&#x201E;Ś í&#x2022;&#x;ë§&#x17D;ě ˘ ëż&#x2019;돺í?&#x17D;í&#x17D;&#x201A;?

T ëş&#x201A;ë§&#x17D; ě&#x17E;ś 튌í&#x201D;&#x161;í&#x201D;&#x160;ě&#x2DC;Ş í&#x2122;&#x2122;í&#x152;&#x2019;î?&#x2013;ě&#x201E;Ś í&#x2022;&#x;ë§&#x17D;ě ˘ í&#x2DC;žě?&#x201A;í&#x203A;&#x160; î&#x152;&#x160;í&#x17D;&#x17E;ě?&#x201A; 잎ě&#x2022;&#x160;(Georges-Pierre Seurat) í?&#x17D;í&#x17D;&#x201A;. J í&#x17D;&#x201A;ě?ží&#x152;&#x2019;í&#x2022;&#x201A; í°ŚëŞŽě ˘ ë´˛ 몎ěş?î&#x152;Ş íŽśî?łí&#x2022;&#x201A;í&#x17D;&#x2013;띲.

T í?Ží&#x17E;&#x17D; ëŻ&#x2020;í&#x201D;Ś í&#x2022;&#x;î&#x2030;&#x2013;í&#x201D;&#x17D; í&#x17D;&#x201A;ě?ž í&#x152;&#x2019;í&#x2022;&#x201A;ě&#x160;˛í&#x2022;&#x201A; í&#x2014;&#x;ëŻ&#x160;î&#x152;ŚëŻž í&#x20AC;şí&#x2019;&#x201A; ëŠ&#x2018; 맧í&#x152;&#x2019;. ëŻ&#x2020;í&#x201D;Ś í&#x2022;&#x;î&#x2030;&#x2013; í&#x2014;&#x2019;íŞ&#x201A;ě?&#x160; 돺읿î&#x152;Śě ˘ 쥜ě&#x160;Ž â&#x20AC;&#x2DC;í&#x2014;&#x17E;â&#x20AC;&#x2122;ě&#x160;˛í&#x201D;&#x2019; î&#x152;ŚëšŚî&#x152;ŚëšŚ ě&#x160;˛í&#x17D;şě&#x201A;˛ěŤ&#x201A;ě ˘ ëŠ&#x161; í&#x2122;&#x2122;í&#x152;Śí&#x17D;&#x201A;. ě­&#x17D;쥜ě&#x201A;ŚëŤ&#x160; î&#x152;śë˛Ś ě§&#x2020;쿎ëŤ&#x17D;í&#x17D;&#x17E; ë§&#x17D;ěĄ&#x201A; ëšŚě ˘ í¸ž ě˝&#x161;ě?şě&#x2DC;Ş ě&#x17E;&#x17E;î&#x152;ŚëŞ˛ î?&#x2013;í&#x17E;&#x17D;, â&#x20AC;&#x153;í?˛, 뚌ě&#x2020;&#x2019; í&#x2014;&#x17D; í&#x2014;Łě&#x2020;&#x2019;ě ˘ ëŻ&#x2020;ě&#x17E;&#x201A; 쿌 í&#x2022;&#x2013;í&#x17D;&#x201A;.â&#x20AC;? î&#x152;Śí&#x17E;&#x17D;ě&#x17E;&#x161; ëť&#x2013;ě&#x2020;&#x2019; í&#x2022;Ś í&#x152;&#x161;ě&#x201A;˛í&#x201A;Şî&#x152;&#x160;, ëŻ&#x2020;ëŠ&#x201A; ě­&#x2013;ë§&#x17D;ě łî&#x152;Ş í&#x2022;&#x160;í&#x2022;&#x201A;í&#x17E;&#x17D;. í&#x17D;&#x201A;ě&#x17E;&#x201A; í&#x2014;? ëšŚě ˘ ëŻ&#x2020;ě&#x17E;&#x160;ě&#x2020;&#x2019; ě˘&#x2030; ëŻ&#x2020;ě?şěĄ&#x201A;읪 í&#x2022;&#x17E;í&#x201A;Žë§&#x17E;ě&#x17E;&#x161;íš&#x160;í&#x201D;&#x17D; 띌íŞ&#x17E;ëšşí&#x17D;&#x201A;! J ě&#x17E;˛í&#x2018;ž í&#x2022;&#x17E;í&#x201A;Žë§&#x17E;í&#x2022;&#x201A; ëťŚíŞ˛ëť˛.

T î&#x152;Śí&#x17E;&#x17D;ě&#x17E;&#x161; 잎ě&#x2022;&#x160;í&#x201D;Ś ëŻ&#x2020;ě&#x17E;&#x160;í&#x201D;&#x17D; 잎ě&#x2022;&#x160;ě&#x17E;&#x161;í&#x2022;&#x201A; ëŻ&#x2020;ě&#x17E;&#x201A; 쿌 í&#x2022;&#x2013;ě&#x201A;˛ě ˘ ëŠ&#x2020; ë°śě&#x201A;şí&#x152;Śí&#x17E;&#x17D;.

J î?&#x2019;í&#x2022;ş í&#x2122;&#x2122;í&#x152;&#x2019;î&#x152;Śě ˘ í&#x2022;&#x;ë§&#x17D;ě ˘ ëż&#x2019;돺í?&#x160;? í&#x2022;&#x160;í&#x2014;&#x2019;í&#x17D;&#x17E; í&#x2022;&#x2020;í ˛íş&#x17D;ëŻ&#x2020;ě&#x2022;śí&#x17D;&#x17E;읪 í&#x2022;ł ě&#x2030;˛ěŽ˘î&#x2026;Ś(Jean Dubuffet)í&#x201D;Ś ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014;í&#x201D;&#x2019; í?şě?ž ëŠ&#x2020; ěŤ&#x2020; í&#x2014;? í&#x2022;&#x2013;ě ˘ ëŠ&#x2018; 맧í&#x201D;&#x17D;ě&#x201E;ž.

T ě&#x2030;˛ěŽ˘î&#x2026;Śë§&#x17D; ëş&#x201A; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;Ś í&#x2DC;žî?Łí&#x2014;? íŻŻěĄ&#x201A;í&#x17D;&#x17E; í¸ž í??ë§&#x17E;í&#x201D;&#x2019; í&#x203A;&#x160;í&#x17D;&#x2013;ě&#x201A;˛ëŞŽ 캍ë§?î?&#x201A;. ëŻ&#x2020;ë§&#x17D; ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014;í&#x2022;&#x201A;ě&#x2022;&#x160;ě ˘ í&#x2014;&#x2019;î?Łí&#x2014;?í&#x2022;&#x2020; î&#x201A;&#x17D;í&#x17D;&#x17E;읪 슼í&#x17D;&#x201A;뚌 í´Şě&#x2022;&#x160;í&#x203A;&#x160;(collage) 짡í&#x201A;Ťí&#x201D;&#x160;ě&#x2DC;Ş ëŻ&#x2020;ě&#x17E;&#x160;í&#x201D;&#x2019; ëŻ&#x2020;ě&#x2DC;&#x2020;ě&#x201A;˛ě ˘ ëŠ&#x161; í¨&#x2020; ě &#x2122;í&#x17E;&#x2019; ëŠ&#x2018; 맧í&#x152;&#x2019;. í&#x2014;Łě&#x17E;&#x17E; î&#x201D;łě§&#x2020;ě&#x2DC;Şí&#x2019;&#x201A; ëŠ&#x201A; ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014;í&#x201D;Ś ě &#x17E;ëš&#x161;í&#x201D;&#x2019; ëŻ&#x2020;ě&#x192;&#x17D;ě&#x2DC;Ş ěş&#x201A;ě&#x2014;˛ í&#x2DC;žî?Łě¤&#x160;í&#x201D;&#x2019; ě&#x17E;&#x161;ě&#x160;˛í&#x17D;&#x201A;ëş&#x2013;ě&#x201A;˛ě ˘ 먞í?&#x160;. 2Dě?&#x160; 3Dě&#x2DC;Ş í?źëŞ&#x160;í&#x201D;&#x2019; ě&#x152;&#x161;, í&#x2018;&#x2020;ëŤ&#x17D;ěş?í&#x201D;&#x160;ě&#x2DC;Şě ˘ 3Dí&#x2022;&#x201A;í&#x17E;&#x17D;ě&#x17E;&#x161; 2Dí&#x201D;Ś ě &#x17E;ëš&#x161;í&#x201D;&#x2019; ëŻ&#x2020;ě&#x192;&#x17D;ě&#x2DC;Ş ěş&#x201A;ě?şëŞŽ í&#x2022;&#x2013;ě ˘ 먞í&#x17E;&#x17D;.

J ě&#x17E;Źí&#x152;&#x2019;, ëŹ&#x2014;í&#x2022;łî&#x2022;&#x2013; í&#x17D;&#x201A;ě&#x2014;˛í&#x2019;&#x201A; í&#x2022;&#x;í&#x17D;&#x201C;í&#x2022;&#x2019;í&#x17D;&#x17E;ě&#x2020;&#x2019; ě­&#x2013;돺î&#x152;ŚëŞŽ ě&#x192;&#x17D;í&#x203A;&#x;ëŤ&#x160; ě˝&#x161;íž&#x192;í&#x2022;&#x201A; ë§&#x17D;ě łî&#x152;Ş ëŠ&#x201A; í°Şěż§î&#x152;ś ě&#x152;&#x161;ě¤&#x2020; í&#x2022;&#x160;먞í?&#x160;. 뚌ě&#x2020;&#x2019; ëŻ&#x2020;ě&#x2013;ž í&#x2022;&#x;î&#x2030;&#x2013;í&#x2022;&#x201A; í&#x2122;&#x2122;í&#x152;&#x2019;. ëŻ&#x2020;ě&#x2014;&#x160; í&#x2022;&#x201A;í&#x2014;Ş ě&#x201A;˛í&#x201D;&#x161; í&#x17E;&#x2013;ě¤&#x2020;í&#x201D;&#x160;ě&#x2DC;Ş ëťŚí&#x17D;&#x201A;ë§&#x17D;ěŤ&#x160;ëŠ&#x161;. í&#x2DC;žëŻ&#x2013; ě&#x201E;˘ 돺íŞ&#x201A;í&#x2014;?í&#x2022;&#x2020; í&#x17E;&#x2013;ě¤&#x2020;í&#x2022;&#x2020;ě&#x201E;ž, 띲ë§&#x17D; í&#x17D;&#x201A;ě?˛ í&#x201A;ŞěťŽí&#x201D;&#x160;ě&#x2DC;Ş ěšşě¤&#x160;í&#x201D;&#x2019; 짢ě&#x2022;&#x160;ěŤ&#x201A;몎 î?&#x201A;읍î&#x152;Śě ˘í&#x17E;&#x17D; í&#x152;&#x161;몎 í&#x192;&#x201E;í&#x17D;&#x201A;. 뚌ě?&#x160; î&#x2020;şî&#x152;śî&#x152;Ş ě&#x17E;&#x153;í&#x201D;&#x17D; ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A; ëť&#x2013;í&#x201D;Ś î&#x2026;Śí&#x2022;&#x2020;î&#x192;&#x201C;í&#x17D;&#x17E; ě&#x17E;˛ě&#x161;&#x161;ě&#x2021;Śě ˘ í&#x2022;&#x201A;í&#x201C;Ží&#x2022;&#x2020; ëŠ&#x2018; 맧í&#x152;&#x2019;. ëť&#x2013;í&#x201D;Ś ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014;ëŤ&#x160; î&#x2026;Śí&#x2022;&#x2020;î&#x192;&#x201C;í&#x17D;&#x17E;ě ˘ 줢ë§&#x17D; í?&#x17E;ëŠ?몎 ëŻ&#x203A;í&#x2014;Łí&#x2014;?í&#x2022;&#x2020; í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ë§&#x17D; í&#x2022;&#x2013;í&#x17D;&#x201A;. 띲ë§&#x17D; î&#x152;Śě ˘ ě&#x201A;˛ě?&#x2020; 쥜ě&#x160;Ž í&#x2022;&#x160;ě&#x160;˛í&#x17D;&#x17E;읪ě&#x2020;&#x2019; ě &#x17E;ëł&#x201A;í&#x2DC;&#x2020;. 띲ë§&#x17D; ëŻ&#x2020;ě?şě ˘ 쥜ě&#x160;Ž ěšşě&#x2022;&#x161;, 맣í&#x152;&#x2019;í&#x17E;&#x17D;, 몎í?&#x;í&#x2022;&#x201A;, ëŻ&#x2020;ě?şëŞŽ í&#x2018;ží&#x203A;&#x160;읎í&#x17D;&#x17E;읪ě&#x2020;&#x2019; í&#x2022;&#x201A;ě&#x2013;ž 짍í&#x201D;&#x17D; í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ë§&#x17D; í&#x2022;&#x2013;í&#x17E;&#x17D;. ëť&#x161; í&#x2022;&#x201A;ě&#x2014;&#x2022;ëŠ&#x161; ě&#x201A;śěżŞî&#x152;Ş ě&#x192;&#x17D;ěş?ě&#x160;˛í&#x201D;&#x2019; ëŻ&#x2020;ě?şí&#x17E;&#x17D;ě&#x17E;&#x161;, í&#x2022;&#x201A;ě&#x160;˛í&#x201D;&#x17D; 쥜ě&#x2C6;&#x17E; í&#x2022;&#x17E;믞ě&#x17E;&#x161;í&#x201D;Ś î&#x2C6;Şí&#x2014;Łí&#x201D;&#x2019; ë§&#x17D;í&#x17E;&#x17D;몎 í&#x2022;&#x2013;í&#x17D;&#x201A;. í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; í&#x17E;&#x2019;î?&#x2014;î&#x152;ŚěĄ&#x201A;읪 í&#x2022;&#x201A;ě&#x2013;ž ëŠ&#x2018;ě&#x160;˛í&#x201D;&#x2019; í?&#x160;ě&#x2C6;&#x17E;í&#x17D;&#x17E; ě&#x2C6;&#x17E;몎 ëŻ&#x2020;ě?şě ˘ 먞í?&#x160;? í&#x152;&#x2019;ě&#x201A;&#x2013;ěĄ&#x201A; í&#x152;ŽíŤ&#x2013;í&#x17D;&#x17E; 띲ë§&#x17D; ë¸&#x161;ě?şě ˘ ě&#x192;&#x17D;ěş?í&#x201D;&#x2019; ëŻ&#x2020;ě?şě ˘ 먞í?&#x160;? ëş&#x201A;ë§&#x17D; ě¤&#x2030;몎 í&#x192;&#x201E;í&#x201D;&#x17D; ëŠ&#x201A; 띲ë§&#x17D; ě&#x192;&#x17D;ěş?ě&#x160;˛í&#x201D;Ś î&#x2C6;Şí&#x2014;Łí&#x2022;&#x201A;뚌 ěżśí&#x201D;&#x17D; 맪읿í&#x201D;&#x2019; ë¸&#x161;í&#x17D;&#x201A;ëş&#x160; ě&#x152;&#x161; ě¤&#x201A;í&#x17D;&#x2022;í&#x201D;&#x2019; 캍ë§?î&#x152;ŚëŞŽ í&#x2022;&#x2013;ě ˘í&#x17E;&#x17D;, í&#x17D;&#x201A;ě?˛ ě­&#x17D;ě­&#x2019;í&#x17D;&#x17E;읪 î&#x201D;łě§&#x2020;ě?&#x160; ě &#x17E;ëł&#x2013;ě ˘í&#x17E;&#x17D;ë§&#x17D; ë­?ëŻ&#x2013;î?&#x201A;.

T ëšŚě ˘ î&#x152;ťěş? â&#x20AC;&#x2DC;ě &#x17E;ëš&#x161;â&#x20AC;&#x2122;í&#x2022;&#x2013;ě ˘ ě¤&#x201A;í&#x17D;&#x2020;ë§&#x17D;ě?&#x160; î&#x152;ŚëŞŽ í&#x192;&#x201E;í&#x17D;&#x201A;. ëş&#x201A;ë§&#x17D; ëŻ&#x2020;ě&#x17E;&#x160;í&#x201D;&#x2019; ëŻ&#x2020;ě?şě ˘ ë§&#x17D;í&#x2022;ł í¸ž í&#x2022;&#x201A;í&#x201C;Žě ˘ ëŻ&#x2020; ě&#x192;&#x17D;ěş?í&#x17D;&#x17E; ë§&#x17E;í&#x2014;Łí&#x201D;&#x2019; ě­&#x17D;í&#x17D;şî&#x152;ŚëŻž í&#x201C;&#x2019;î?&#x201A;읪í&#x17E;&#x17D;. ě&#x201A;śěżŞî&#x2022;&#x2013; 믞쿎í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ě¤&#x201A;í&#x17D;&#x2020;ë§&#x17D;ě?&#x160; ěŤ&#x192;í&#x2014;Şî?&#x201A;ëş&#x201A;ě&#x2014;˛ě ˘ ëŠ&#x161; í&#x152;&#x2019;ě&#x201A;&#x2013;í?&#x160;. 뚌í&#x201D;Ś ěş&#x2014;ë°˘, ě§&#x2020;í&#x2014;? 맪읿, í&#x2022;şě§&#x2020;, 쿪쿌î&#x152;Ş í&#x17D;&#x17E;ëť&#x2013;í&#x17E;&#x17D;ě?&#x160; ě&#x192;&#x201A;í&#x152;&#x2019;ëş&#x201A;ě ˘ ëŠ&#x161; 짢ě&#x2DC;Ş ëş&#x201A; 쥡î&#x2C6;Şí?&#x160;. J ě&#x192;&#x17D;ěş?í&#x201D;&#x2019; ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014;í&#x2022;&#x201A;뚌 î&#x2026;Śí&#x2022;&#x2020;î&#x192;&#x201C;í&#x201D;&#x160;ě&#x2DC;Ş ëŻ&#x2020;ě&#x2014;˛ëş&#x201A;ě ˘ ëŠ&#x2018;ëŤ&#x160; ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; 퍺í??î&#x152;Śě ˘ ëŠ&#x2018;í&#x17D;&#x17E;ě ˘ í&#x17D;&#x201A;ě?˛ í§śí&#x2022;&#x201A;í&#x2014;&#x17E;í&#x2022;&#x201A; í&#x2022;&#x2013;í&#x201D;&#x2019;ë°&#x161;?

T ěšşí&#x201A;˛ 뚌í&#x17D;&#x17E;ëŠ&#x161; ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014;í&#x201D;&#x17D; ěšşí&#x17E;&#x2019; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; î&#x152;Śě ˘ ëŠ&#x2018;ëŤ&#x160; ě?&#x;맧í&#x152;&#x2019;. í?&#x160;ë§&#x2019;í&#x17D;&#x17E; ěšşí&#x17E;&#x2019; 쿌í&#x17D;&#x201C;í&#x201D;&#x2019; î&#x152;Ş ěŠ&#x2013; ě&#x160;˛í&#x17D;&#x2013;ě&#x201E;Ś ëŠ&#x2020; ěą&#x160;몲 뚪 ěšşí&#x17E;&#x2019;ëŤ&#x160; ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014; 쥜ě&#x2C6;&#x17E; í&#x2014;Şě&#x192;&#x17D;ě&#x2DC;Ş ě&#x2021;Ş ëŹ&#x17E;í&#x201C;Żí&#x201D;&#x2019; 짊í&#x201D;&#x17D; í&#x2014;?í&#x2022;&#x201A; í&#x17D;&#x201D;í&#x17D;&#x201A;. J ěšşí&#x17E;&#x2019; 쿌í&#x17D;&#x201C;í&#x201D;&#x17D; í&#x17D;&#x201A;ě&#x2039;˘ěťŞ ě&#x160;˛í&#x17D;&#x2013;ě ˘ě&#x201E;ž?

T ě &#x201A;í&#x2018;Ł(New York)í&#x201D;Ś â&#x20AC;&#x2DC;í ˛íśśí?˛ěŻ&#x161;ě°&#x2019;í&#x203A;&#x160;í&#x17D;&#x160;í&#x152;&#x2019;î&#x201A;&#x2020;(School of Visual Arts)â&#x20AC;&#x2122;í&#x17D;&#x17E;읪. J 뚪 띲ë§&#x17D; ěšşí&#x17E;&#x2019;í&#x17D;&#x17E; ě&#x192;&#x17D;î?&#x201A; ě&#x201E;˘ ě&#x17E;&#x153;í&#x2022;&#x201A; 짞í&#x2019;Ží&#x201D;&#x2019; 먞ě&#x2022;&#x160;몎 캍ë§?î?&#x2013;í&#x17D;&#x201A;.

T í&#x152;&#x2019;ě&#x201A;&#x2013;í?&#x160;. ëŻ&#x2020;ě?şëŞŽ 뚪 í&#x2014;&#x2019;ě¤&#x2020;í&#x2014;?í&#x2022;&#x2020; í&#x17D;&#x201A;í&#x201A;Şí ˛íź&#x201A;î&#x201A;&#x2020;ě?&#x160; 몎í&#x2018;ˇî?&#x201A;ěŤ&#x2020; í&#x2014;?ě&#x2020;&#x2019; í&#x17D;&#x201D;í&#x17D;&#x201A;. í&#x2018;žě?ş í&#x152;&#x2019;ěŠ&#x2019;í&#x17E;&#x17D;뚌 ëş&#x201A; í°ŞëŹş í&#x201C;&#x161;ě?şí&#x17D;&#x2019; í&#x2022;&#x201A;ě&#x160;Ž(William Eadon)ëŤ&#x160; î&#x152;śë˛Ś 퍺í??î&#x152;Ş ëŠ&#x161; ě&#x201A;˛í?&#x160;. í&#x201C;&#x161;ě?şí&#x17D;&#x2019;í&#x2022;&#x201A; ëş&#x201A; í&#x17D;&#x201A;í&#x201A;Şí ˛íź&#x201A;î&#x201A;&#x2020;ě&#x2DC;Ş î&#x152;śë˛Ś í&#x2022;&#x160;î?&#x2013;í&#x201D;&#x2019; ě&#x152;&#x161;, ëŻ&#x2020;ě&#x2020;&#x2019; ěšşí&#x17E;&#x2019;í&#x17D;&#x17E; ě&#x192;&#x17D;î?&#x201A; ě&#x2039;ż 뚌 í&#x2014;Łě&#x2020;&#x2019;ě&#x17E;&#x161; í&#x152;&#x161;몎 í&#x2022;&#x2013;í&#x17D;&#x2013;í&#x17D;&#x201A;. 먞í&#x201D;Ś 쥜ě?&#x201A;ě ˘ 먞뚌 ě&#x17E;&#x2013;í§şë§&#x17D;í&#x17E;&#x17D;í?&#x17D;í&#x17E;&#x17D;! í&#x201A;şí&#x17E;&#x17D;í&#x17D;&#x201A; í&#x2022;Żí&#x17E;&#x17D; <ě&#x201E;ží&#x2022;&#x201A;í?&#x2013;ě&#x160;Ş í&#x152;˛ í˛śî&#x160;śí?&#x2013;ě&#x160;Ş(Dazed & Confused)> 퍺í?? ě&#x192;&#x2021;í&#x201A;Şí&#x17D;&#x17E;ě ˘ í&#x2018;žě?ş ě&#x2C6;Ś ě&#x201A;˛ íą&#x201A;ě ˘ě&#x2022;&#x160; ě&#x2014;&#x161;í?&#x2013; ě&#x2018;Şë˛&#x;í&#x201D;&#x2019; í&#x17D;şě ˘ 슣í&#x2DC;ží§ś 쥞ě&#x2022;&#x17E;í&#x17D;&#x2013;ě&#x201A;˛ě&#x201A;&#x2013;ë°&#x161;! ëŻ&#x2020;ě&#x2013;žě&#x201E;ž 뚪 í&#x2014;&#x2019;ě¤&#x2020;ë§&#x17D;ë§&#x17D; ě&#x2021;Şě&#x201A;˛ě ˘ 캍ë§? í&#x2022;&#x17E;íŞ&#x201A;ě?&#x160; í&#x201A;ší&#x17D;&#x201A;î?&#x2013;í&#x17D;&#x201A;, ëŻ&#x2020;ě&#x2013;ž ëŠ&#x2018;í&#x17D;&#x17E; ëŤ&#x17D;í&#x201A;şě&#x2020;&#x2019; í&#x17D;&#x201D;í&#x17D;&#x2013;몎. î&#x152;Śí&#x17E;&#x17D;ě&#x17E;&#x161; 쿌 ëź&#x2019;ë§&#x2019; ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; í§&#x203A;ě&#x201A;˛ ěŤ&#x201A;ě&#x201A;&#x2013; í&#x2014;&#x2019;ě¤&#x2020;ë§&#x17D;ë§&#x17D; ě&#x2021;Śí&#x17D;&#x201A; ěŠ&#x2019;ě&#x2DC;&#x2020;í&#x17E;&#x17D;. í&#x2022;&#x201A;í&#x2014;Ş íą&#x201A;ě ˘ě&#x2022;&#x160;ě?&#x160; ě&#x160;˛ëŞŽ 몎ě§&#x160; í&#x17D;&#x201D;í&#x2022;&#x201A; í&#x17E;?ë§&#x17E;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş íŤşí??î&#x152;ŚěĄ&#x201A; ě&#x2021;Śě&#x201A;&#x2013;ë°&#x161; í&#x2122;&#x2122;í&#x201D;&#x17D; í&#x2022;&#x160;í&#x2022;&#x201A;ë°&#x201A; î?&#x201A;. ěšşí&#x17E;&#x2019;í&#x2022;&#x201A;ě&#x2022;&#x160;ě ˘ ëŠ&#x161; 믞쿎í&#x2014;?í&#x2022;&#x2020; ě­&#x17D;ě­&#x2019;í&#x201D;&#x2019; ě&#x17E;&#x153;í&#x2022;&#x201A; î&#x2020;şî&#x152;śî&#x152;ŚëŞŽ í&#x2022;&#x2013;ëŻžě ˘ î&#x152;Śí&#x17E;&#x17D;ě&#x17E;&#x161; íą&#x201A;ě ˘ě&#x2022;&#x160;ě?&#x160; í?&#x2019;ěŞ&#x2039;î&#x152;ŚëŠ&#x161; í&#x2022;&#x201A;î?&#x201A;î&#x152;ŚëŞŽëšŚě&#x201A;&#x2013; ě&#x17E;&#x2013;í°Ś î&#x2026;Śí&#x2022;&#x2020;î&#x192;&#x201C; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; î&#x152;Śě ˘ ëŠ&#x2018;ëŤ&#x160; ě&#x17E;&#x2013;í§şë§&#x17D;í&#x17E;&#x17D;ě&#x2DC;Ş ěšşí&#x17E;&#x2019; ě?&#x17E;î&#x152;Ş ěŤ&#x2020;ě łí&#x2014;?í&#x2022;&#x2020; í&#x2022;&#x;í&#x17D;&#x201C;í&#x2022;&#x201A;ě&#x201E;˘ě&#x2022;&#x160;몎. J í&#x2122;&#x2122;띲. ëť&#x2013;í&#x201D;Ś í&#x2022;&#x;î&#x2030;&#x2013;ě&#x160;˛í&#x2022;&#x201A; ě&#x17E;˛í&#x2018;ž ěšşí&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş ě &#x17E;ëł&#x201A;í&#x17E;&#x17D;ě ˘ í&#x2022;&#x201A;í&#x201C;Žë§&#x17D; ëť&#x2013;ě&#x17E;&#x161;í&#x201D;Ś î&#x201A;&#x2021;ěŞ&#x2019;î&#x152;Ş ëŤ&#x17D;í&#x2014;&#x17E;í&#x201D;&#x160;ě&#x2DC;Ş ěšşě¤&#x160;í&#x201D;Ś 쿜늜í&#x17E;&#x2019; íŻŻěĄ&#x201A;í&#x201D;&#x2019; 짪늺î&#x152;ŚëŻž ě&#x152;&#x161;ě¤&#x2020;í&#x2022;&#x201A;ě&#x2022;&#x160;몎 캍ë§?î?&#x201A;.

T 몎ě&#x17E;&#x2013;í&#x2019;&#x161;!

J í˝Žě&#x160;Ş, 믞ě?&#x201A;ě ˘ í&#x152;Ží?&#x2019;ě&#x2020;§ě¤&#x160;í&#x2022;&#x201A; í&#x2022;&#x2013;ě&#x201A;&#x2013;?

T í?˛, 띲ë§&#x17D; í&#x2022;&#x201A; í&#x17E;&#x2013;ě¤&#x2020;í&#x201D;&#x2019; î?&#x201A;í&#x203A;ŚěťŞ 믞ě˛&#x17E;. í&#x203A;&#x160;í&#x2014;Şí&#x17D;&#x17E;읪 í?&#x2039;ë§&#x2019; 슼í&#x17D;&#x201A;뚌ë°&#x201A; î?&#x2013;í&#x17E;&#x17D;ě&#x17E;&#x161;, í&#x2122;&#x2122;í&#x201D;&#x17D; í&#x17E;&#x2013;ě¤&#x2020;í&#x2022;&#x201A;í?&#x160;. í&#x2018;žě?ş í&#x152;&#x2019;ěŠ&#x2019;í&#x17E;&#x17D;ě ˘ ëž&#x161;ě?&#x160; ě&#x201A;˛ě&#x161;śě ˘ í&#x201A;ŽëŞ&#x2039;ëŤ&#x160; í&#x2014;&#x2019;ě¤&#x2020;í&#x201D;Śí&#x2022;&#x201A;í&#x201A;Žě&#x201E;ž, ëž&#x161; ě˝&#x17E;ěş?í&#x201D;&#x2019; í&#x2022;&#x201C;í&#x201D;&#x17D;

J T

J T J T

J T J

T J T

J J T J

T

164

ěšşě&#x2022;&#x161;ě&#x160;˛í&#x2022;&#x201A;뚌 먞í&#x17E;Ąě&#x17E;&#x17E;î&#x152;Śě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019; í&#x2014;&#x2019;ě¤&#x2020;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş î&#x192;&#x17E;ěŞ&#x2019;î&#x152;Śě ˘ í&#x2022;&#x160;í&#x201D;&#x2019; î&#x152;Śěź˘. ëŻ&#x2020;ě&#x2013;ž í&#x2022;&#x160;í&#x201D;&#x2019; íž&#x192;î?&#x201A; í&#x17D;şě&#x2013;ş ě&#x17E;&#x2013;쿎욺ě&#x160;˛ëŤ&#x160; í°ŞëŹşë§&#x17D; ě&#x2021;ŚëŻžě&#x2020;&#x2019; î?&#x2013;í&#x17E;&#x17D;. ě&#x17E;&#x2013;쿎욺ë§&#x17D; ëŤ&#x192;í&#x17D;ží&#x201D;&#x2019; î&#x2020;&#x160;í°Śě ˘ ě&#x2020;§í&#x152;&#x2013; ëŻ&#x2020; ëż&#x2019;돺ě&#x2020;&#x2019; ě&#x201A;˛í°Śí&#x17E;&#x17D; í&#x152;&#x2DC;ě ˘ě&#x201A;˛ě ˘ ëŠ&#x2018;í&#x201D;&#x2019; í?ŤěĄ&#x201C;î&#x152;Śě ˘ í&#x2022;&#x160;í&#x201D;&#x2019; 맧í&#x2022;&#x201A; î?&#x2013;먞ě&#x160;Ž. ëŻ&#x2020; ě&#x17E;&#x2013;쿎욺 í°ŞëŹş í&#x203A;&#x; î&#x152;Ş ěĄ&#x201C;í&#x2022;&#x201A; î?&#x201A;ě?ş 쯢ě&#x2022;§í ˛í˝˛(Harry Blackstone)í&#x2022;&#x201A;í?&#x160;. ëŻ&#x2020;ě ˘ ě&#x192;&#x17D;í&#x203A;&#x;ě&#x160;˛ í&#x152;Źí&#x17D;&#x17E;읪 캍í&#x203A;&#x;ëŞ&#x2019;ě&#x2DC;Ş TV ěż&#x160;ě?&#x160; í&#x17E;&#x2019;î?&#x2014;î?&#x2013;ě ˘ě&#x201E;ž, ě­&#x17D;읪í&#x17E;&#x2019; í&#x2022;łëšŞë§&#x17E;í&#x201D;&#x2019; ě&#x160;˛ëŞŽ í?ś í&#x17D;&#x201A;ě?ž í&#x152;&#x2019;í&#x2022;&#x201A;ě&#x160;˛í&#x201D;&#x2019; ě¤&#x201A;ě&#x192;&#x17D; í&#x201C;&#x2019;ě&#x2DC;Ş ě­&#x17D;ě?&#x201A;몲 î?&#x2013;í&#x17D;&#x201A;. ëŻ&#x2020;ë§&#x17D; ě¤&#x201A;ě&#x192;&#x17D;í&#x17D;&#x17E;읪 â&#x20AC;&#x2DC;î&#x201C;§â&#x20AC;&#x2122;î&#x152;ŚëŞŽ ě¤&#x201A;í&#x17D;&#x2020;ë§&#x17D;ě?&#x160; î&#x152;ŚěĄ&#x201A;, ëŻ&#x2020; í&#x2022;łëšŞë§&#x17E;í&#x201D;&#x17D; ë§&#x17E;í˘&#x2039;맧í&#x2022;&#x201A; 몎íŞ&#x17E;í&#x2DC;&#x161;í&#x17E;&#x17D;. 뚪 ëŻ&#x2020;ë§&#x17D; 뚌ě?&#x160; ě¤&#x201A;ě&#x192;&#x17D; í&#x201C;&#x2019;ě&#x2DC;Ş ě­&#x17D;ě?&#x160; 먞ě&#x2022;&#x160; î?Łí&#x201A;Žî&#x152;ŚëŞŽ, ě­&#x17D;읪í&#x17E;&#x2019; í&#x2022;łëšŞë§&#x17E;í&#x201D;&#x2019; ë§&#x17D;í&#x2DC;&#x2020;맢í&#x17D;&#x2013;í&#x17D;&#x201A;. ëŻ&#x2020;ě&#x152;&#x161;ë§&#x17D; ěĄ&#x2022; ěş&#x201A; í&#x2022;&#x201A;í&#x17D;&#x2013;ě&#x201A;&#x2013;?

í&#x152;&#x2019;ě&#x17E;&#x2013; 8-9ěş&#x201A; í&#x2014;Łě&#x2020;&#x2019;í?&#x17D;ě&#x201E;Ś ëŠ&#x2018; 맧í&#x152;&#x2019;. ëŻ&#x2020;ë§&#x17D; ëŤ&#x192;í&#x17D;ží&#x17D;&#x17E; í&#x2018;žě?ş ë§&#x17D;í&#x2DC;żí&#x201D;&#x2019; íŤ&#x2013;ě&#x192;&#x17D;î?&#x2013;몎, í&#x2018;žě?ş í&#x152;&#x2019;ěŠ&#x2019;í&#x17E;&#x17D;í?&#x17D;ě&#x2020;&#x2019; í&#x152;&#x2019;ě ˘ ěšşí&#x2022;&#x201A;ě&#x201A;&#x2013;ë°&#x161; ě&#x192;&#x2021;í&#x17D;žî&#x2022;&#x2013; ëş&#x201A; í&#x2022;łëšŞë§&#x17E;í&#x201D;&#x2019; 몎íŞ&#x17E;í&#x203A;&#x160;ě?şě&#x2022;&#x160; 캍ë§?î?&#x2013;í&#x17D;&#x201A;. ëŻ&#x2020;ě&#x2013;žě&#x201E;ž ëŻ&#x2020; ëŤ&#x192;í&#x17D;ží&#x2022;&#x201A; 븍뚌ë§&#x2013; ě&#x152;&#x161;ë°&#x161;í&#x17E;&#x17D; 뚌ě?&#x160; ě¤&#x201A;ě&#x192;&#x17D; í&#x201C;&#x2019;ě&#x2DC;Ş ě­&#x17D;ě?&#x201A;í&#x17E;&#x17D; í&#x152;&#x2DC;ě ˘ 먞í?&#x160;. ëšŚě ˘ î&#x201D;łě­&#x2019;î&#x152;ŚëŻž í&#x201A;Şí&#x2022;&#x;î?&#x2013;í&#x17E;&#x17D;. 튝í&#x203A;&#x;ě&#x160;˛ ěšşí&#x2022;&#x201A;í&#x17D;&#x17E;읪 몎î&#x152;śí&#x201D;&#x2019; í&#x17E;&#x17D;ě?&#x201A;믞 í&#x201A;Şí&#x2022;&#x;î?&#x2013;í&#x17D;&#x201A;. ě&#x192;&#x2021;í&#x17D;žî&#x2022;&#x2013; ë˝&#x2021;í&#x201D;&#x161;í&#x201D;&#x17D; í&#x203A;&#x;ě&#x201A;śě&#x2021;Śí&#x17D;&#x2013;몎, î&#x2039;&#x2019;ě&#x2DC;Şě&#x160;&#x17D;읪ë§&#x17D; í?&#x17D;ěťŞě ˘ 뚌í&#x17D;&#x17E;ëŠ&#x161; ě¤&#x160;í&#x17D;&#x2013;í&#x17E;&#x17D;, â&#x20AC;&#x153;ě¤&#x201A;í&#x17D;&#x2022;í&#x2022;&#x201A; ě¤&#x2020;í&#x2014;Şě&#x201A;&#x2013; ëłşě&#x17E;&#x2013;í?&#x160;?â&#x20AC;? ëŻ&#x2020;ě?şëŞŽ ëŻ&#x2020; 쿪ë§&#x2019; 쥜ě&#x160;Ž í&#x2022;&#x201A;쥡í&#x2022;&#x201A; 뚌í&#x17D;&#x17E;ëŠ&#x161; í&#x17E;&#x;í&#x203A;&#x;ě&#x2021;Śí&#x17D;&#x2013;í&#x17D;&#x201A;. 뚪 î&#x192;śě&#x201A;&#x2014; ěş?íşŞí&#x17D;&#x17E; ě°Ží&#x2DC;&#x161;몎 ě &#x2020;ě?ş ě˝&#x203A;í&#x2022;&#x201A; ěş&#x2013;î&#x152;Śí?Śí&#x17E;&#x2019; í¨&#x2019; ě˝&#x161;ě?şíŞ˛í&#x17D;&#x201A;, â&#x20AC;&#x153;뚪 í˝Žëš&#x160;ë§&#x17D; 매몎 í&#x192;&#x201E;í&#x17D;&#x201A;í&#x2018;˘.â&#x20AC;? ëş&#x201A;ë§&#x17D; í&#x2022;&#x201A;ě&#x2014;&#x2022;ëŠ&#x161; í&#x2018;&#x2020;íŞ˛ě&#x201E;Ś í&#x2022;&#x201A;í&#x201C;Žě ˘ ëŻ&#x2020;ě&#x160;˛í&#x2022;&#x201A; ěż&#x160;ě?&#x160; í&#x201C;&#x2019;î?&#x201A; í˝Žëš&#x160;ě?&#x160; í&#x203A;&#x17D;ě°&#x2019;î?&#x201A;뽜í&#x201D;&#x2019; ëŠ&#x2018; 맧í&#x152;&#x2019;읪í?&#x17D;í&#x17D;&#x201A;. ëŻ&#x2020;ě?şëŞŽ ëŻ&#x2020; î&#x2039;&#x2019;ě&#x2DC;Şě&#x160;&#x17D;읪ë§&#x17D; 뚌î&#x152;Şíź&#x161; 100 ě&#x201A;şě&#x2013;şě?&#x160; í&#x203A;&#x160;ë°&#x2020;ě&#x2022;Ś ě˝&#x161;ě?şí&#x17E;&#x17D;ě?&#x201A;믞ě?&#x160; ě &#x2013;íŽ&#x2019;í&#x17E;&#x17D;. ëŻ&#x2020;ë§&#x17D; ëť&#x2013;í&#x17D;&#x17E;ëŠ&#x161; 100ě&#x201A;şě&#x2013;şě?&#x160; í&#x203A;&#x160;í&#x17D;&#x2013;ě&#x201A;˛ëŞŽ?

í&#x201D;&#x;, 8ěş&#x201A;í&#x2022;&#x201A;í&#x17D;&#x2013;ě&#x201E;Ś ëšŚě ˘ 100ě&#x201A;şě&#x2013;şě?&#x160; 짊몎 ěź&#x2020;ěş?í&#x201D;&#x2019; ě&#x201A;˛ ë§&#x17D;í&#x17E;&#x2019; ě&#x160;˝ 믞첲í&#x17E;&#x17D;. ěş?î?ˇí&#x2022;&#x201A; í&#x2122;&#x2122;ëŠ&#x161; ě&#x17E;&#x2013;ě¤&#x201A;ě?şě&#x2021;&#x17E;띲.

ëŤ&#x192;í&#x17D;ží&#x201D;&#x2019; ěŤ&#x201A;몎 í&#x2018;žě?ş ë§&#x17D;í&#x2DC;żí&#x201D;&#x17D; î&#x2026;šěť&#x192;í&#x17D;&#x17E; 맢몎, 뚪 ě&#x17E;&#x2013;í&#x201D;&#x161;í&#x2022;&#x201A; 짢ëˇ&#x161;í&#x17D;&#x201A;읪 í˝Žëš&#x160; ě&#x192;&#x17D;í&#x201A;Ží&#x17D;&#x17E; 믞ě&#x201A;&#x2013;î&#x152;&#x160;ëŻ&#x2020; î&#x152;Ş ě&#x17E;&#x2013;ě?şě?&#x160; ěšşí?˘í&#x17D;&#x201A;. ëŻ&#x2020; 믞ě&#x201A;&#x2013;î&#x152;&#x160;ëŻ&#x2020;ě ˘ ë§&#x2013;ěş&#x2014;, î&#x201D;žěş&#x2014;, î?ˇë§&#x2013;ěş&#x2014;í&#x2022;&#x201A; 읏í&#x2022;&#x2020; í&#x152;&#x2019;í&#x2022;&#x201A;í?&#x17D;ě ˘ě&#x201E;ž, ëšŚě ˘ ëŻ&#x2020;ě?&#x160; í&#x152;&#x2019;ě§&#x2020;í&#x2022;&#x201A;í&#x17D;&#x201A;(Army Ears)ě&#x2022;&#x160;몎 ě­&#x2013;ě&#x2014;&#x17D;í&#x17E;&#x17D;. ě¤&#x2020;í&#x2014;Şě ˘ ëş&#x201A; 믞í&#x17D;&#x192;ě&#x2014;łí&#x2022;&#x201A; í&#x2122;&#x2122;í&#x17E;&#x17D; í&#x152;&#x2DC;í&#x152;&#x2019; ě &#x2021;í&#x2022;&#x201A;ě?&#x160; ëť&#x2013;ě¤&#x201A; ě&#x17E;&#x153;í&#x2022;&#x201A; í&#x203A;&#x160;ě ˘ 뚌츪 í&#x203A;&#x160;í&#x2022;&#x2020;í&#x2022;&#x201A;í&#x17D;&#x2013;ě&#x201A;˛ě ˘ 먞í?&#x160;. ě &#x2021;í&#x2022;&#x201A;ě?&#x160; í&#x203A;&#x160;몎, ě?&#x17E; í&#x203A;&#x160;몎, 짌ěŤ&#x192;î?&#x201A;읪 í&#x203A;&#x160;í&#x17D;&#x2013;í&#x17D;&#x201A;. ëŻ&#x2020;ě&#x2014;&#x2022;ëŠ&#x161; í&#x152;&#x2019;ě§&#x2020;í&#x2022;&#x201A;í&#x17D;&#x201A;ë§&#x17D; í&#x203A;&#x2039;í&#x201D;&#x17D; î&#x2019;&#x2019; í&#x152;Ží?&#x2019; ě&#x2020;§ě¤&#x160; 횲í&#x2018;žě ˘ëŠ&#x2020; ě&#x201A;˛í&#x201A;Şě ˘ î&#x17D;&#x2013;ě&#x2022;&#x2039; 짊í&#x17E;&#x17D; ě˘&#x2030;î?&#x2013;í&#x17E;&#x17D;. ëŻ&#x2020;ě&#x2014;&#x160; í&#x17D;&#x201A;ě?ž í&#x201A;Şí&#x2014;&#x2013;í&#x17D;&#x17E;ě ˘ í&#x152;Ží?&#x2019; ě&#x2020;§ě¤&#x160;í&#x201D;&#x2019; ě&#x2039;ż î&#x152;ŞěŠ&#x2013; ë°&#x2020;ě&#x2013;şěŤ&#x2020; 먞돺뚌. ě&#x17E;Źí&#x152;&#x2019;, 믞ě&#x201A;&#x2013;î&#x152;&#x160;ëŻ&#x2020; î&#x152;Ş ě&#x17E;&#x2013;ě?şě?&#x160; ë°&#x2020;ě&#x2013;şěŤ&#x2020; ëŠ&#x2018;í&#x2022;&#x201A; í&#x2014;&#x2019;ě­&#x17D;í?&#x160;.

í&#x2022;&#x;ëź&#x2019; ě&#x17E;&#x17E;í&#x17D;&#x17E; ě&#x2020;&#x2019;íś&#x2019;(Tokyo)í&#x17D;&#x17E; ë§&#x2013; í&#x2022;&#x160;í&#x2022;&#x201A; í&#x2022;&#x2013;í&#x17D;&#x2013;ě ˘ě&#x201E;ž, ëŻ&#x2020; ëŤ í&#x17D;&#x17E;읪 ëş&#x201A;ë§&#x17D; í&#x2122;&#x2122;í&#x152;&#x2019;î&#x152;Śě ˘ ëŠ&#x2018;ě&#x160;˛í&#x201D;&#x2019; ě&#x17E;&#x153;í&#x2022;&#x201A; 짪늺î?&#x2013;í&#x17D;&#x201A;. î&#x201A;&#x2021;î&#x2022;&#x2013; ě&#x2020;&#x2019;íś&#x2019;í&#x201D;Ś í&#x2022;łëšŞë§&#x17E;ě&#x160;˛í&#x17D;&#x17E; î&#x201D;Žě˛&#x; ě&#x17E;˛ě&#x161;&#x161;ě&#x2021;Śí&#x17D;&#x2013;í&#x17E;&#x17D;. 띲ë§&#x17D; 폪ëŻ&#x160; ë§&#x17D;ěŤ&#x2020; í&#x17D;şî?&#x2014;í&#x17E;&#x17D;í&#x17D;&#x17E;읪 짪늺î&#x152;Ş î&#x201D;łě§&#x2020;ě&#x2DC;Şí&#x2019;&#x201A; ě¤&#x160;ëŠ&#x201A;í&#x2022;&#x201A; í&#x2022;&#x2013;ě&#x201A;&#x2013;? ëť&#x2013;ě?&#x160; í˛şě&#x2014;&#x2014;íťžě&#x2022;&#x160;몎 캍ë§?î?&#x201A;? ëšŚě ˘ í˛şě&#x2014;&#x2014;íťžě&#x160;˛í&#x201D;&#x2019; î&#x152;Ş ě&#x201E;ž 쥜í&#x201D;&#x160;ě ˘ í˛şě&#x2014;&#x2014;íťží?&#x160;. ëŻ&#x2020;ě&#x2022;Ś?

뚌î&#x152;Şíź&#x161; ëŻ&#x2020;ě&#x2013;ž ěĄ&#x201A;í&#x2022;&#x201A; í&#x2022;&#x2013;í&#x17D;&#x201A;. 뚪 í˛şě&#x2014;&#x2014;íťžě&#x160;˛í&#x201D;&#x2019; í&#x2122;&#x2122;í&#x152;&#x2019;î?&#x201A;. ëŻ&#x2020;ě&#x160;˛í&#x201D;&#x2019; 퍺í??î&#x152;ŚëŞŽ 믞ě&#x2DC;Ťî&#x152;Śí&#x17E;&#x17D;. â&#x20AC;&#x2DC;ě&#x201E;˘ ěź&#x17D;ě°&#x2019;â&#x20AC;&#x2122; î&#x2039;&#x2019;ě&#x2DC;Şí&#x2014;Ťî&#x201A;&#x2020;(â&#x20AC;&#x2DC;The Selbyâ&#x20AC;&#x2122; Project)ě?&#x160; í&#x201A;Şí&#x2022;&#x;î&#x152;ŚëŻž í&#x2014;&#x2019;í&#x17D;&#x17E; 뚌 í&#x17D;ťí&#x201A;Ş í˛şě&#x2014;&#x2014;íťží?&#x17D;í&#x17D;&#x201A;. 뚪 먞í&#x201D;Ś í&#x2022;&#x201A;슎í&#x2022;&#x201A;(eBay)í&#x17D;&#x17E; í&#x203A;&#x;ě&#x2020;&#x201C;ě&#x2021;&#x17E;ě&#x201A;˛ëŞŽ î&#x152;Ž ě&#x17E;&#x161;íš&#x160; î&#x2030;&#x2021; ě°Ží&#x2DC;&#x2020;í&#x2022;&#x2013;í&#x17D;&#x2013;몎, ě&#x201A;łí°Śě ˘ ě&#x192;&#x17D;ě&#x2DC;Ş ě&#x17E;&#x153;í&#x201D;&#x17D; ëŠ&#x2018;ě&#x160;˛í&#x201D;&#x2019; ěšşě&#x160;˛í&#x2022;&#x201A;몲 î?&#x2013;먞ě&#x160;Ž. í&#x2022;&#x201A;í&#x2014;Şě ˘ í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; íž&#x192;î?&#x201A; ěšşě¤&#x160;í&#x201D;&#x2019; ë§&#x17E;ěş?î&#x152;Śí&#x17E;&#x17D;. ě&#x201E;˘ í&#x2022;&#x201A;ěş? 쥜í&#x201D;&#x160;í&#x17E;&#x17D;ě ˘ í&#x152;&#x2DC;í&#x152;&#x2019;.

T Todd Selby J Jason Polan ---------------------------------------------------------------------------J Todd, when you were a kid, who were some of your favorite artists? T The first artist I loved was Georges-Pierre Seurat. J Thatâ&#x20AC;&#x2122;s a very sophisticated taste to have as a kid. T His work is really approachable for a kid. I really liked seeing all the dots combining to make an image. We would go to museums and I would walk around with my family and then I would loudly tell everyone, â&#x20AC;&#x153;Oh, I could do that.â&#x20AC;? You know, obviously I couldnâ&#x20AC;&#x2122;t do that. I was very ambitious without having any actual drawing or painting abilities! J Very confident, very confident. T But I knew in my heart that only Seurat could do that. J How about some of your favorite artists now? I saw you posted a Jean Dubuffet drawing the other day on Instagram. T I think Dubuffet is one of my biggest inspirations. I love how he developed ways of drawing without knowing how to draw through collage and other methods. But what is really interesting is when he tries to translate that feeling of a drawing into sculpture. 2D into 3D, but it still feels 2D but itâ&#x20AC;&#x2122;s actually 3D. J Yeah, there is an approachability to it, where he works really hard but itâ&#x20AC;&#x2122;s still accessible. I really like that too. So that leads to me into my next question. Itâ&#x20AC;&#x2122;s a little bit more elaborate but itâ&#x20AC;&#x2122;s a little bit about how you approach things. I am curious because I think itâ&#x20AC;&#x2122;s about something that I am attracted to in your drawings, and I think a lot of people are attracted too. In your drawings and paintings, there is a lot of fun and positive personality and it comes out in kind of everything you do. In the people, in the dogs and cats, and space ships. You are capturing kind of simple things but they have a personality to them. Is this something your conscious of when you are doing a piece of art or is it something that initially attracts you to a certain subject? I guess maybe the question is, what are you thinking about and whatâ&#x20AC;&#x2122;s attracting you to a certain thing, when you are trying to bring out of certain unknown character or personality to it. T What I am thinking about is trying to do something that has a vibe. The whole point of me doing drawings is to try to impart some humanity. I am not trying to technically reproduce anything, I am trying to bring my own personality in terms of colors, aesthetic, fun, energy to something. Thatâ&#x20AC;&#x2122;s really the goal. J How would you approach going into doing a drawing or a painting versus making a photograph of a subject?

뚌í&#x201D;Ś ëŞ&#x2039;í&#x2018;ží&#x17D;&#x17E;ě ˘ ěş&#x201A;몎 í&#x2022;&#x2013;ě ˘ ëŤ&#x192;ë§&#x2019;í&#x17D;&#x17E; ě&#x17E;Źí­˘ëŠ&#x161; ě&#x2021;&#x160;. ě&#x17E;&#x2013;í°Ś ëŻ&#x2013;ě­Łí&#x17D;&#x201A;튌ě&#x2014;&#x160; ě&#x201E;˘ í&#x2022;&#x201A;ěş? í¨&#x2019;í&#x2019;&#x2020; 쿌 í&#x17D;&#x201D;í&#x201D;&#x2019; ě&#x152;&#x161;ë°&#x161;í&#x17E;&#x17D; ë§&#x17D;ě&#x160;Ť í¨&#x2019;í&#x2018;žëŞ˛ î&#x152;Śí&#x17E;&#x17D;.

T Itâ&#x20AC;&#x2122;s funny because for me drawing is similar to photography. I have no formal education in either, I mean, I took just one night class in photography.

í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020;ě&#x2014;&#x2013;í&#x2022;&#x201A;쟌ě&#x160;˛í&#x201D;&#x2019; í&#x2122;&#x201C;ě&#x153;ŚěŞ&#x2019;ě&#x2DC;Ş ě­&#x2019;ě&#x153;Śî?&#x201A;뽜í&#x17D;&#x201A;.

J Where was it?

í&#x17E;&#x17D;ëŻ&#x2013; í&#x2014;&#x2019;í&#x201A;Şí&#x17D;&#x17E; 읎ěŤ&#x201A;í&#x2022;&#x160; í&#x2022;&#x;í&#x17D;&#x201C;ě&#x160;˛í&#x201D;&#x2019; ěŤ&#x201A;몎 í&#x2022;&#x2013;ě ˘ě&#x201E;ž í?Ží&#x17E;&#x17D; í˛şě&#x2014;&#x2014;íťž ě &#x17E;ëš&#x161;í&#x2022;&#x201A; ě¤&#x160;í&#x2039;ş 뚌.

ëť&#x161; ëŻ&#x2020; ě&#x192;&#x17D;ěş?í&#x201D;&#x2019; ëŻ&#x2020;ě&#x17E;&#x160;í&#x201D;&#x160;ě&#x2DC;Ş ëŻ&#x2020;ě?şí&#x17E;&#x17D;ě&#x17E;&#x161; ë­ í&#x2022;&#x201A; ë§&#x2019;í&#x17E;?î&#x152;Ž î&#x152;&#x2019;í&#x2018;˘ě ˘ í&#x17D;&#x201D;돺뚌. ě˝&#x161;í&#x201C;Žî&#x152;Ž 쥡í&#x2014;?í&#x2022;&#x201A;ě&#x2022;&#x160;믞 ěŤ&#x201A;ě&#x201A;˛ě ˘ ëŻ&#x2020;ëŠ&#x2018;í&#x201D;&#x2019; í&#x17D;&#x201A;ě?˛ 짡í&#x201A;Ťí&#x201D;&#x160;ě&#x2DC;Şě&#x160;Ž ě&#x192;&#x201A;í&#x152;&#x2019;ëş&#x201A;몎 ëŻ&#x2020;ëŠ&#x2018;í&#x2022;&#x201A; í&#x2122;&#x201A;í&#x2022;şî?&#x2013;ě&#x201A;˛ě ˘ ëŠ&#x2018;í&#x201D;&#x2019; í&#x152;&#x161;믞ě&#x17E;&#x161; î&#x152;ŚěĄ&#x201A; ě&#x2021;Śě ˘ 먞í&#x17E;&#x17D;. ě§&#x2020;ě&#x201A;&#x2013;ě &#x17D;ě?şí ˛î&#x201A;&#x2020;ě&#x2022;&#x; 늞î?&#x160;î?&#x201A;읪í&#x2022;&#x2020;í&#x17E;&#x17D; ëŻ&#x2020;ě&#x2014;&#x2022;ëŠ&#x161; ěŞ&#x17D;î?&#x201A;ë§&#x17D;뚌 ěŤ&#x201A;ě&#x201A;˛!

í&#x2014;Şí&#x2022;&#x201A;í śď&#x2DC;&#x201C;î&#x2021;&#x201A;ě&#x2022;&#x17D;ď&#x2DC;&#x2122;ď&#x2DC;&#x201C;í&#x152;&#x2019;î&#x201A;ží ˛î&#x201A;&#x2020;ď&#x2DC;&#x201C;

í&#x2014;Şí&#x2022;&#x201A;í ś î&#x2021;&#x201A;ě&#x2022;&#x17D;(Jason Polan)í&#x201D;&#x17D; ě &#x201A;í&#x2018;Łí&#x17D;&#x17E;읪 î?Şě&#x2020;§î&#x152;Śě ˘ í&#x152;&#x2019;î&#x201A;ží ˛î&#x201A;&#x2020;ě&#x2DC;Ş, <ě &#x201A;í&#x2018;˘í˛˛(The New Yorker)>í?&#x17D; <ě &#x201A;í&#x2018;Łíş&#x17D;í&#x2022;&#x2019;í ˛(The New York Times)>í&#x17D;&#x17E; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; 읎ěŤ&#x201A;í&#x17D;şí?˘ě&#x201A;˛. ëŻ&#x2020;í?&#x17D; í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;ě ˘ â&#x20AC;&#x2DC;íş&#x17D;í´˘ěŠś ě&#x160;Şě&#x2DC;Şí&#x2022;&#x2014; íš&#x201A;ě&#x2014;&#x2039;(Taco Bell Drawing Club)â&#x20AC;&#x2122;í&#x17D;&#x17E;읪 튌í&#x201D;&#x161; ě&#x17E;&#x161;뚌 í&#x2022;&#x17E;í&#x201C;Žě&#x2DC;Şí&#x2019;&#x201A; í?&#x2013;쿎í&#x2014;? ë§&#x17E;ěťżí&#x201D;&#x2019; ëŤ&#x192;í&#x201C;Žî?&#x2013;ě&#x201A;˛. í&#x2014;Şí&#x2022;&#x201A;í śí&#x201D;&#x17D; 2008ëź&#x2019;ě­&#x17D;íťž ě &#x201A;í&#x2018;Łí&#x17D;&#x17E; ěšşě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x201D;&#x2019; ëŻ&#x2020;ě&#x17E;&#x160;í&#x201D;&#x160;ě&#x2DC;Ş ëŻžě&#x2DC;Ťî&#x152;Śě ˘ í&#x2022;łëŻž î&#x2039;&#x2019;ě&#x2DC;Şí&#x2014;Ťî&#x201A;&#x2020; <Every Person in New York>ě?&#x160; í&#x17E;&#x2019;î?&#x2014;î?&#x2013;í&#x201D;&#x160;ě ž, 2015ëź&#x2019;í&#x17D;&#x17E;ě ˘ í&#x2022;&#x201A;ě?&#x160; í¨&#x201C;í&#x201D;&#x160;ě&#x2DC;Ş í­Şî&#x192;&#x17E;î?&#x2013;ě&#x201A;˛. ě?&#x17E;î&#x152;Ş ě &#x201A;í&#x2018;Ł î?&#x2019;ě&#x192;&#x17D;ě§&#x2020;쿎ëŤ&#x17D;í&#x17D;&#x17E; í&#x2022;&#x2013;ě ˘ 쥜ě&#x160;Ž í?&#x2013;쿎 í&#x2022;&#x;î&#x2030;&#x2013;ě&#x160;˛í&#x201D;&#x2019; ëŻ&#x2020;ě?şě ˘ <Every Piece of Art in the Museum Of Modern Art>í?&#x17D; ě§&#x2020;돝 í&#x2022;&#x17E;í&#x17D;žěšşě§Łě¤&#x160;ëŤ&#x17D;í&#x201D;Ś 132ě&#x17E;&#x2013;ě?şí&#x201D;Ś ěş&#x2013;ě&#x160;˛í&#x201D;&#x2019; ëŻ&#x2020;ě?şě ˘ <132 Birds at The American Museum of Natural History> ě&#x160;żí&#x201D;Ś ě&#x192;&#x17D;î?Ł î&#x2039;&#x2019;ě&#x2DC;Şí&#x2014;Ťî&#x201A;&#x2020;ě?&#x160; í&#x17E;&#x2019;î?&#x2014;î&#x152;Śě ž, í&#x201C;Žě&#x201A;&#x2013;íš&#x201A;ě&#x2DC;Ş(UNIQLO), 콢ě&#x161;śě&#x2020;&#x2019;í ˛(Soludos), í¸şě?şíź&#x161;ě?şě&#x2DC;Ž í˛şě&#x2014;&#x2014;쟌(The Criterion Collection), 뚌í&#x2022;&#x201A;횲(Nike), íş&#x17D;í´˘ěŠś(Taco Bell)ëŤ&#x160; 맧í&#x201D;&#x17D; ěź&#x2020;ëŞ&#x2019;í&#x2014;?í&#x2022;&#x2020; ěŻ&#x161;ě&#x2022;Şě&#x160;Şí?&#x17D; î?&#x;í&#x17D;&#x201C;î?&#x201A; í?˛ëŞŽ í&#x2022;&#x2013;ě&#x201A;˛.

T â&#x20AC;&#x2DC;School of Visual Artsâ&#x20AC;&#x2122; in New York. J I thought you had a more background in photography T Nope. And I never hired professional photography assistants, I hired my dad or my friend William Eadonâ&#x20AC;Ś I hired my friend William to be my assistant on photo shoots and he knew exactly as much as me, which is almost nothing! There was a time when we were doing photoshoots for <Dazed & Confused> magazine and both of us could not figure how to get the cap off of the camera lens! But I donâ&#x20AC;&#x2122;t like the idea of being an expert. I have never been interested in that. After doing photography for so many years, I am now an expert. I think thatâ&#x20AC;&#x2122;s a really good thing because I never have to think about it, now I could just pick up a camera and start doing it instinctively. Thatâ&#x20AC;&#x2122;s great because with photography there are so much technical aspects of it but now that I really understand it, itâ&#x20AC;&#x2122;s just purely kind instinctual for me similar to the way I make paintings. J I like that. I think that may be part of how things are so personal to you because you are kind of maybe discovering them in a certain way which comes out very personal. T Thanks! J Okay Todd, did you have any pets growing up?

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T í˝Žě&#x160;Şď&#x2DC;&#x201C;ěź&#x17D;ě°&#x2019;ď&#x2DC;&#x201C; J í&#x2014;Şí&#x2022;&#x201A;í śď&#x2DC;&#x201C;î&#x2021;&#x201A;ě&#x2022;&#x17D;ď&#x2DC;&#x201C;

Todd Selby and Jason Polan

T Oh, I am happy you asked that question. So, okay itâ&#x20AC;&#x2122;s a bit of roundabout story but I think itâ&#x20AC;&#x2122;s worth it. So my dad is a neurologist, which is a brain doctor. He would often testify in court cases as a professional witness saying this person has brain damage or this person is faking. Somehow through that work he became friends with of all these magicians, because he testified in a case that had to do with a magician. So one of those magicians was Harry Blackstone and he had a TV show in the front of a live audience. For one of the segments of the show he would call up kids to the stage who would bring broken toys. Then â&#x20AC;&#x2DC;Poofâ&#x20AC;&#x2122; the magician would do something and the toy will be fixed. I brought my broken toy to a taping of the show and I thought, okay for sure he is calling me up. J

And how old were you?

T I think I was around 8 or 9. I thought for sure, I know this guy, he invited us, he knows dad. I am going to get my toy fixed, no a big deal. And so that segment came and went and they didnâ&#x20AC;&#x2122;t call me up. So I started going insane. I was yelling and screaming and I am in the audience. So, of course taping had a stop, so then one of the producers came out and they said â&#x20AC;&#x153;Whatâ&#x20AC;&#x2122;s the matter kid?â&#x20AC;? And all the attention is on me at that moment. I panicked and went blank, and I shouted â&#x20AC;&#x153;I want a bunny rabbitâ&#x20AC;?, because I think that they had bunnies on the show. So, the producer gave me a 100 bucks. And I shut up. J

He gave you 100 dollars?

T He gave me 100 dollars, and 8 year old me was blown away. J

This story took a turn.

T We got to go to the pet shop, and I changed my mind, and I got a guinea pig instead. It was brown and white and tan so I called it â&#x20AC;&#x153;Army Ears.â&#x20AC;? But I was very bad pet owner because I was very forgetful and I would overfeed him. Just feed him and feed him. So, after Army Ears died, I wasnâ&#x20AC;&#x2122;t allowed ever to have a pet again. J

So, you had only one pet growing up.

T Yea. I had just one guinea pig. J

I was in Tokyo at the end of the last year and I found so much stuff that I just loved, but most of all I was really attracted to the toys. Have you had any recent fun finds in any of your recent trips? Are you a collector Todd?

T I am a collector of collectors. J

Yeah?

T In a way. I like collectors and I take pictures of collectors and document collectors. I used to be a collector before I started doing â&#x20AC;&#x2DC;The Selbyâ&#x20AC;&#x2122; project. I used to have a serious eBay addiction, buying so many random things. Through my work I can appreciate things, but I donâ&#x20AC;&#x2122;t want to own it anymore. J

I do it depending on space. I feel like I am little bit like a goldfish where I kind of fill up my home until I canâ&#x20AC;&#x2122;t fill up anymore.

J

I am just looking at the work in the show right now and it definitely has the feel of a collector.

T The illustrations are grouped by collections. J

You draw it but you donâ&#x20AC;&#x2122;t need to have that thing. You donâ&#x20AC;&#x2122;t need to own it, you just need to know that it exists or you need to capture somehow.

T I think being married to Minimalist also pushes me in that direction!

165

Jason Polan, Artist Todd met Jason Polan at his 'Taco Bell Drawing Club' artist salon that he hosts in the ubiquitous fast food restaurant. Todd loves Jasonâ&#x20AC;&#x2122;s creativity and artistic freedom. Jason Polan is a New York based artist who works with <The New Yorker> and <The New York Times>. He captures the core elements of people, objects and landscape that he encounters everyday using only simple lines. With a great ambition to draw every single person in New York, he started a long term project <Every Person in New York> in March of 2008. Everyday, he posts drawings of people he made on his blog with a simple note attached. This project was published as a book in 2015. He runs multiple other projects such as <Every Piece of Art in the Museum Of Modern Art> and <132 Birds at The American Museum of Natural History> and actively works as an illustrator. He collaboratively works with leading brands such as UNIQLO, Soludos, The Criterion Collection, Nike and Taco Bell. @jasonpolan


í&#x17E;&#x17D;뚪 ěĄ&#x2022; ëź&#x2019; ě&#x2020;§í&#x152;&#x2013;í&#x201D;Ś ëş&#x201A; ěş&#x201E;í&#x2022;&#x201A; ě&#x192;&#x201A;늜 í&#x2022;&#x2013;ě ˘ í&#x2022;&#x201A; ěť˛í°Ś í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x17D; í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020; í&#x2022;&#x;î&#x2030;&#x2013;ě&#x160;˛í&#x201D;&#x2019; ěŞ&#x2039;í&#x17D;&#x17E; ëŠ&#x2020;í&#x17E;&#x17D; í&#x152;&#x2DC;몎 í&#x2022;&#x201C;íŞ&#x201A;í&#x2014;?í&#x201D;&#x160;ě&#x2DC;Ş î&#x2C6;Şî?&#x2019;î&#x152;ŚëŞŽí&#x2022;&#x17E; î&#x152;Ş í&#x201A;Şě&#x2020;&#x2019;í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛. ě&#x2DC;Şí ˛í&#x152;˛í&#x2014;˛ě&#x2014;&#x2013;í ˛

(Los Angeles)í?&#x17D; ě &#x201A;í&#x2018;Ł(New York)í&#x201D;&#x2019; í?˛ë§&#x17D;ě ž 캍î?Şî&#x152;Ş ëšŚě ˘, ëş&#x201A;ë§&#x17D; í&#x2122;&#x2122;í&#x152;&#x2019;î&#x152;Śě ˘ ě&#x2C6;&#x17E; ě&#x2020;&#x2019;í&#x201A;Şě?&#x160; í?˛ëŞŽ ë§&#x17D;ě ˘ ě°&#x2019;î?&#x2014;믞 í&#x152;&#x2013;í&#x17D;&#x17E;읪 ě&#x17E;&#x153;í&#x201D;&#x17D; í&#x201A;Şë§&#x2019;í&#x201D;&#x2019; ěŤ&#x201A;ëş&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x2022;&#x201A; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x17D; í&#x2022;&#x201A; ě&#x2020;&#x2019;í&#x201A;Şě&#x160;˛í&#x201D;&#x2019; í&#x17D;şî?&#x2014;î&#x152;Śě&#x201E;Ś í&#x203A;&#x; ě&#x17E;&#x2013;í&#x203A;&#x160;íŞ˛ě&#x201E;Ś ëŠ&#x2018;ě&#x160;˛ëŤ&#x160;, ě?Ží?˛ě?&#x2020; 캍ë§?ě&#x160;˛í&#x2022;&#x201A; ě&#x192;&#x201A;늜 í&#x2022;&#x2013;ě ˘ í&#x2022;&#x160;í&#x2122;&#x201C;í&#x201D;Ś íş&#x17D;í&#x2022;&#x2019;íąŻí &#x17E;í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x2022;&#x201A; ěť˛í°Ś í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x2019; í&#x201C;&#x2019;î?&#x201A;, ě¤&#x160;ë§&#x17E;ě&#x160;˛í&#x2022;&#x201A; 읪ě&#x2DC;Ş ěťŹí&#x2022;&#x201A;몎 ěŠ&#x2013;í&#x17E;&#x17D;ě ˘ 쿌í¨&#x2019;î?˘ ě &#x17E;ëš&#x161;í&#x201D;Ś ěŞ&#x2039;í&#x201D;&#x2019;

ě&#x17E;&#x161;ě&#x160;˛ëŞŽ í&#x192;&#x201E;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ëŻ&#x2020;ě&#x2022;ŚěťŞ í&#x17E;?í&#x2014;&#x; ě¤&#x160;ë§&#x17E;í&#x201D;&#x2019; í&#x2022;&#x201C;î&#x2022;&#x161; í?&#x2022;몎 ë°&#x201A; í&#x2122;&#x201C;í&#x2022;&#x201A;ě?&#x160; ě§&#x2020;쿎ëŤ&#x17D; ěŞ&#x2039;í&#x17D;&#x17E; ë§&#x17D;ě&#x160;Ť ě­§í&#x2022;&#x201A;ě ˘ 짡슣í&#x201D;&#x2019; íşŤî?&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛.

í&#x2022;&#x201A; ěŞ&#x2039;í&#x17E;&#x17D; í&#x201C;&#x2019;í&#x17D;&#x17E;ě ˘ ě§&#x2020;돝í&#x201D;Ś 읪ě&#x2DC;Ş ě&#x201A;˛ě?&#x2020; ě&#x2C6;&#x17E; í&#x17E;&#x17D;í&#x17D;ťí&#x201D;&#x2019; ěş?í&#x17E;Łî&#x152;Śě ˘ í&#x2022;&#x160;ě&#x2013;şí ˛î&#x201A;&#x2020; í&#x2022;&#x;í&#x17D;&#x201C;ě&#x160;˛í&#x201D;&#x2019; í&#x2022;Śě&#x2022;&#x160; ě­§í?&#x17D;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x2022;&#x201A;ěŠ&#x2013; í&#x2014;&#x2019;í&#x201A;Şí&#x17D;&#x17E;읪 튌í&#x201D;&#x161;í&#x201D;&#x160;ě&#x2DC;Ş í&#x201A;Şě&#x2020;&#x2019;î?&#x201A; ěŤ&#x2020; í&#x2022;&#x201A; ěť˛í°Ś í&#x2022;&#x;í&#x17D;&#x201C;í&#x2022;&#x201A; í&#x17D;şě&#x2013;şě­&#x2019;ě&#x160;˛í&#x17D;&#x17E;ëŠ&#x161;ě&#x2020;&#x2019; î&#x201D;łě§&#x2020;ě&#x2DC;ťëŻžě?&#x160; 짢ě&#x2022;&#x203A;ě&#x201A;&#x2013;ě&#x201A;˛.

The main concept behind the â&#x20AC;&#x153;Selby the Travelerâ&#x20AC;? room was trying to take my two dimensional flat illustrations seen in the previous room and break them off of the wall. Itâ&#x20AC;&#x2122;s a process of two-dimensional becoming three-dimensional. This installation tells the story of my life the past few years. Iâ&#x20AC;&#x2122;ve lived between Los Angeles and New York, spending a lot of time in airplanes flying between my two favorite cities. So this room is a kind of time capsule that documents things Iâ&#x20AC;&#x2122;ve seen as well as things Iâ&#x20AC;&#x2122;ve thought about in the airplane as Iâ&#x20AC;&#x2122;ve flown over the United States. For this room, I wanted to develop a new process in order to give the walls the feeling of a watercolor painting. To mimic the look of water color puddles of paint bleeding into each other, I hand painted thin paper strips and then applied them directly to the museum walls. Over those strips I pasted cut-out illustrations depicting different regions of the U.S. Itâ&#x20AC;&#x2122;s a new vibe for me, and I hope you dig it.

166

SELBY THE TRAVELER

167


뚌í&#x201D;Ś í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x17D; í&#x17E;&#x17D;ëŻ&#x2021;î&#x2022;&#x2013; 맪í&#x2022;&#x2020;í&#x2014;?í&#x2022;&#x2020; ëŞ&#x2039;î&#x17D;Śí&#x17D;&#x17E;읪 ě°&#x2019;ě&#x2DC;˝ě&#x2021;Śě ˘ě&#x201E;ž, í&#x203A;&#x160;ě&#x2DC;Ş í&#x201C;Žëź&#x2019;í&#x201A;Şí&#x2014;&#x2013;ëŤ&#x160; ěş&#x201A;ě&#x201E;Ś í&#x17E;&#x;, í&#x2022;&#x;í&#x17D;&#x201C;í&#x201A;˛, ëŻ&#x2020;ě?şëŞŽ î?&#x2019;í&#x2022;şí&#x201D;Ś

ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x2039;&#x2019; í ˛íş&#x17D;í&#x2022;&#x160;ëŤ&#x160; ě§&#x17D;í&#x2014;&#x;î&#x152;ŚëŠ&#x161; í&#x17D;žëŤ&#x17D;ě&#x2021;Śí&#x17D;&#x201A; í&#x2022;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ëş&#x201A;ë§&#x17D; ěş&#x201A;í&#x152;Śě&#x201E;Ś íąŚě?şî&#x2020;şě&#x201A;&#x2013;í&#x152;&#x2019;(California) í&#x203A;&#x160; í&#x2018;&#x2020;ëŤ&#x2039;í&#x201D;Ś í?˛ě&#x2014;&#x161;í&#x17E;&#x17D; íą&#x201A;í&#x2019;&#x201A;î&#x201A;ž(Orange County)í&#x17D;&#x17E;읪í&#x201D;Ś 믞í&#x17D;&#x192;í&#x201D;&#x17D; í&#x2022;&#x;í&#x17D;&#x201C;í&#x17D;&#x17E; ě&#x17E;&#x153;í&#x201D;&#x17D; í??ë§&#x17E;í&#x201D;&#x2019; í&#x203A;&#x160;몎 í&#x2022;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. 1980ëź&#x2019;ě&#x192;&#x17D; í?˛ě&#x2014;&#x161;í&#x17E;&#x17D;

íą&#x201A;í&#x2019;&#x201A;î&#x201A;ží&#x201D;Ś ë˝&#x203A;ëŞ&#x2039;í&#x17E;&#x17D;ě ˘ 먞ě&#x192;&#x17D;î&#x152;Ş í&#x203A;&#x160;먞 í&#x17E;&#x17D;í&#x17D;ťí&#x201D;&#x160;ě&#x2DC;Ş ě°Žě?&#x201A;ëŠ&#x161;

ěŞ&#x17D;î?˘î&#x152;ŚëŞŽ í&#x2022;&#x2013;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ě&#x17E;&#x161;í?&#x2039; í&#x17D;şě&#x2013;şě­&#x2019;í&#x2022;&#x201A; 뚌í&#x201D;Ś í&#x17E;&#x; ëŻ&#x160;튌ě?&#x160;

먞ě&#x201A;&#x17E;í&#x17D;&#x2013;ě&#x201A;˛ěĄ&#x201A;, ě?&#x;맧í&#x2022;&#x201A; 캍ë°&#x201A; í&#x17E;&#x;ě&#x160;˛í&#x2022;&#x201A; í&#x203A;&#x2019;í&#x203A;&#x2019;í&#x2022;&#x201A; ě Śí&#x17D;&#x201A;읪 í&#x2022;&#x2013;ě ˘

ëŤ&#x;ëŞ&#x2039;í&#x201D;&#x2019; 쥡늡î&#x152;Śěźśí&#x201D;&#x2019; ëŠ?ě&#x201A;&#x2013;ě&#x201A;˛. î&#x152;§í¨&#x2039; í&#x201A;Şí&#x2014;&#x2013;í&#x201D;Ś ëšŚě ˘, í&#x2022;&#x201A;ě&#x2013;şî&#x152;Ş â&#x20AC;&#x2DC;î&#x2018;&#x203A;í&#x2022;&#x160;î?˘(sameness)â&#x20AC;&#x2122;ě?&#x160; 먞ě­&#x17D;î&#x152;ŚëŞŽí&#x2022;&#x17E; 읪ě&#x2DC;Ş í&#x2022;Ś í&#x17D;&#x201A;í&#x2019;&#x2020;ě?şí&#x17E;&#x17D;

í&#x152;&#x2DC;ě ˘ 띲í?ś ěş&#x2014;í&#x201D;Ś ě§&#x2020;í ˛ě&#x17E;˛í°Ś í ˛íş&#x17D;í&#x2022;&#x160;í&#x201D;Ś í?&#x2026;í&#x201D;&#x2019; í?&#x17E;늜 í&#x2022;&#x201C;í&#x17D;&#x2013;í&#x201D;&#x160;ě ž, ě&#x2020;&#x201C;î&#x201A;&#x2021;î&#x152;Ş ëŠ&#x2018;ě&#x160;˛í&#x17D;&#x17E; ëŤ&#x17D;í&#x201A;şí&#x201D;&#x2019; ë§&#x17D;í&#x2DC;&#x161;몎, ëŹ&#x201A;í&#x17E;Şě&#x160;˛ëŤ&#x160; í&#x17D;&#x201A;í&#x2019;&#x2020;ě?şě ˘ ëŠ&#x2018;í&#x201D;&#x2019; í&#x2122;&#x2122;í&#x152;&#x2019;î?&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í°ŞëŹşě&#x160;˛ ěšşí&#x2022;&#x201A;í&#x17D;&#x17E; í&#x17D;&#x201A;ě?˛ ě˝&#x161;ě¤&#x2020;ě&#x160;˛í&#x2022;&#x201A; í&#x2022;&#x2013;ě ˘í&#x17E;&#x17D;, î?&#x2021;í&#x201D;&#x17D; î&#x152;§ëŹ&#x17E;í&#x17D;&#x17E;읪 ëż&#x2019;ë§&#x17D; ë§&#x17D;í&#x2022;ł í&#x2022;&#x2020;믞ë§&#x17D; ě&#x17E;&#x153;í&#x201D;&#x17D;í&#x17E;&#x17D; ě&#x160;żí&#x17D;&#x17E;ě ˘ í&#x2014;&#x2019;î?&#x17D; ëŤ&#x17D;í&#x201A;şí&#x2022;&#x201A; í&#x17D;&#x201D;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. 뚌í&#x201D;Ś í&#x201A;ŞěťŽí&#x201D;&#x2019; ë¸&#x2013; í°ŞëŹşě ˘ í&#x20AC;şě ˘

í&#x201A;Şë§&#x2019;ě&#x17E;&#x2013;ě&#x201A;˛ ěŠ˛í°Śí&#x17D;&#x17E; í&#x152;&#x2014;í&#x152;&#x2019; ë§&#x17D;î&#x152;&#x2019;ě&#x160;Ş(Garfield) 몎í?&#x;í&#x2022;&#x201A;ě?&#x160;

ëŞ&#x2019;ě˝&#x203A;î?&#x201A;읪 ëŻ&#x2020;ě?şě&#x201E;Ś í&#x152;&#x2019;í&#x2022;&#x201A;í?&#x17D;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ëş&#x201A; ëż&#x2013;í&#x17D;&#x17E;ě ˘ ëŻ&#x2020;ë§&#x17D; í&#x2014;Şí&#x2022;&#x160;

ě &#x2122;í&#x2022;&#x2013;í&#x17D;&#x201A; ěŤ&#x201A;í?&#x17D;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. î&#x152;ťěş? 짞뚝í&#x201D;&#x2019; 젢몎 ě&#x201A;˛ě&#x201A;&#x2013;ě ž í&#x2022;&#x17E;í&#x201A;Ží&#x201D;&#x2019;

먞ě­?í&#x2022;&#x201A;ě&#x2022;&#x160;몎 í°ťî&#x152;Śě&#x201E;Ś í°ŞëŹşě&#x2020;&#x2019; í&#x2022;&#x2013;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x201C;Žëź&#x2019;í&#x201A;Şí&#x2014;&#x2013; ě&#x17E;&#x161;뚪 ě&#x2020;&#x201C;î&#x201A;&#x2021;î&#x152;Ş í&#x152;&#x2019;í&#x2019;&#x2018;ěšşí&#x2022;&#x201A;ě&#x201E;˘ě&#x160;˛í&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş ëŤ&#x17D;í&#x201A;şí&#x201D;&#x17D; î&#x2019;ĽëšŽ 뚌í&#x201D;Ś í&#x2022;&#x;î&#x2030;&#x2013;í&#x17D;&#x17E; í¸ž í??î?łí&#x201D;&#x2019; ëš&#x160;íŞ˛í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ëšŚě ˘ í&#x201C;ŽěĄ&#x201C;î&#x152;Ş ěšşě&#x2022;&#x161;ě&#x160;˛ěŤ&#x201A;ě&#x201A;˛ í&#x2022;&#x160;ëŤ&#x160; ěş&#x201E;, ëŻ&#x2020;ě?şëŞŽ ë§&#x17D;í&#x2014;Łí&#x201D;&#x2019; íž&#x192;î?&#x201A; í&#x2022;&#x17E;í&#x201A;Žě&#x17E;&#x161;í&#x201D;Ś ěź&#x2020;ëŞ&#x2019;ě?&#x160; í¨&#x2039;í&#x2DC;žî&#x152;Śě ˘ î&#x201A;&#x2021;í&#x2022;&#x201A;î&#x152;ŚëŞŽ ě°&#x2019;ěş?î&#x152;Ş ěšşě&#x2022;&#x161;ě&#x160;˛í&#x17D;&#x17E;ëŠ&#x161; ëŤ&#x17D;í&#x201A;şí&#x201D;&#x2019; ë§&#x17D;í&#x2DC;&#x161;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛.

â&#x20AC;&#x153;Selby the Neighborâ&#x20AC;?ě?&#x160; íž&#x192;î?&#x201A; 뚌í&#x201D;Ś ě&#x2022;&#x160;í&#x2022;&#x201A;î&#x2039;&#x2019; í ˛íş&#x17D;í&#x2022;&#x160;í&#x201D;&#x2019; í&#x17D;şě&#x2013;şě­&#x2019;ëŤ&#x160; ëŤ&#x192;í&#x201C;Žî?&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ëšŚě ˘ íş&#x17D;í&#x2022;&#x2020;í&#x201D;Ś ěş&#x201E;ëŤ&#x160; ëŻ&#x2020;ě&#x160;˛í&#x201D;Ś ěšşí&#x2014;? ëŤ&#x192;ë§&#x2019;í&#x201D;&#x2019; 믞ě&#x2DC;Ťî&#x152;Śě ˘ě&#x201E;ž ě&#x17E;&#x153;í&#x201D;&#x17D; í&#x201A;Şë§&#x2019;í&#x201D;&#x2019; ěŤ&#x201A;ëş&#x201A;ě ˘ ěŤ&#x201A;ëş&#x201A;ě ˘

ěšşě&#x2022;&#x161;í&#x2022;&#x201A;믞í&#x17D;&#x17E;, í&#x2022;&#x201A; ëŤ&#x160;í&#x2014;Łí&#x2022;&#x201A; ëłť î&#x152;&#x2019;í&#x2018;˘î&#x152;Śě&#x201A;˛ëŞŽ 캍ë§?î?&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x2014;&#x2019;í&#x201A;Şí&#x2022;łí&#x201D;Ś ëş&#x201A; í°śí&#x201A;˛í&#x201D;&#x17D; í&#x17D;&#x201A;ě?ž í&#x201A;Şí&#x2014;&#x2013;ëŤ&#x160; ě&#x192;&#x17D;î&#x152;§ í&#x201A;Şí&#x2014;&#x2013;í&#x201D;Ś í°śí&#x201A;˛,

90ëź&#x2019;ě&#x192;&#x17D; î&#x2019;&#x2019;짌 ěş&#x201A;í&#x152;Śě&#x201E;Ś ě &#x201A;í&#x2018;Ł í&#x17E;&#x;í&#x201D;Ś 쥜í&#x201A;&#x192;ëŤ&#x160; î?&#x2019;í&#x2022;şë§&#x17D; 믞죌î&#x152;ŚëŠ&#x161; 읏í&#x17D;ş í&#x2022;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. 욺짡í&#x17D;&#x17E; í?&#x2026;ě&#x160;˛í&#x2022;&#x201A; ëť&#x17E;ěŻ&#x161;ě&#x2013;şí&#x2DC;&#x2020;

í&#x2022;&#x2013;ě ˘ 뚌í&#x201D;Ś í°śí&#x201A;˛í&#x201D;&#x2019; ě&#x160;˛í&#x17D;şě&#x201A;˛ěŤ&#x201A;몎 í&#x2022;&#x2013;í&#x201D;&#x2019; ëŤ&#x17D;맍ě&#x160;˛í&#x201D;Ś 쥜í&#x201A;&#x192;í&#x2022;&#x201A; 믞ě&#x192;&#x17D;ě&#x2021;ˇě&#x201A;&#x2013;ě&#x201A;˛.

ě?&#x17E;î&#x152;Ş ëšŚí&#x201D;Ś í&#x2022;&#x;í&#x17D;&#x201C;í&#x201A;˛í&#x201D;&#x2019; í&#x2022;şî?&#x2019;î&#x152;Śí&#x17D;ş ëş&#x201A;ë§&#x17D; í&#x2022;&#x;í&#x17D;&#x201C;î&#x152;Śě ˘ ëŤ&#x160;í&#x2014;Łí&#x201D;&#x2019;

ëŤ&#x17D;맍ě&#x160;˛ëŤ&#x160; ëŤ&#x192;í&#x201C;Žî&#x152;Ž 쿌 í&#x2022;&#x2013;ëŠ&#x161; ě&#x2021;Śí&#x17D;&#x201A; ě&#x17E;˛í&#x2018;ž 믞측ě&#x201A;&#x2013;ě&#x201A;˛. 뚌 í&#x17D;ťí&#x201A;Ş

ě&#x201A;˛ě?&#x2020; í&#x2022;&#x;ë§&#x17D;ě&#x160;˛í&#x201D;Ś í&#x2022;&#x;í&#x17D;&#x201C; ëŤ&#x160;í&#x2014;Łí&#x201D;&#x2019; ëŤ&#x17D;í§žî&#x152;ŚëŞŽ í ˛í ˛ě&#x2DC;Ş í&#x2022;&#x201A;ëŠ&#x2018;í&#x2014;&#x17D;ëŠ&#x2018; í&#x201A;Şě&#x2020;&#x2019;î?&#x201A;ěŤ&#x201A;ě ž ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; 짞í&#x2019;Ží&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x2022;&#x201A;ě&#x2013;şî&#x152;Ş ëŤ&#x160;í&#x2014;Łí&#x2022;&#x201A;

í&#x203A;&#x;í&#x2018;˘î&#x152;Śě&#x201A;˛ëŞŽ 캍ë§?î&#x152;ŚëŻž ě&#x152;&#x161;ě¤&#x2020;í&#x17D;&#x17E; ëş&#x201A;ë§&#x17D; í&#x201A;˛í&#x2014;Ş ěšşí&#x2018;ˇî&#x152;Śě ˘ ěšşí&#x17E;&#x2019;

í&#x2022;łě°&#x2019;í?&#x17D; î&#x2026;Śí&#x2022;&#x2020;î&#x192;&#x201C; ě&#x2020;&#x2019;돺ě&#x160;˛í&#x201D;&#x2019; î&#x152;śë˛Ś ěŤ&#x201A;í&#x17D;şí&#x203A;&#x160;몎í&#x2022;&#x17E; î&#x152;Ş ëŠ&#x2018;í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛. î?˘ë§&#x17D;í?&#x17D; ěšşí&#x17E;&#x2019;í&#x2022;&#x;ë§&#x17D;ě?&#x160; ëś&#x2013;ëś&#x2020;ě ˘ ěšşě&#x2022;&#x161;ě&#x160;˛í&#x17D;&#x17E;ëŠ&#x161; ě˝&#x161;í&#x203A;&#x;î&#x152;Ş í??ë§&#x17E;í&#x2022;&#x201A; ě&#x2021;ŚëŻžě?&#x160; 짢ě&#x2022;&#x203A;ě&#x201A;&#x2013;ě&#x201A;˛.

My work is very personal and comes from a place firmly planted in my childhood, my home, my studio and the way I live now. The inspiration for my work stems from my upbringing in Orange County, California, a very suburban environment. During the 1980â&#x20AC;&#x2122;s, Orange Countyâ&#x20AC;&#x2122;s farmland was quickly transforming into sprawling housing tracts. If you drove down streets near my house, you would see rows and rows of houses that all looked the same. In school, I rebelled against this â&#x20AC;&#x2DC;samenessâ&#x20AC;&#x2122;. I never fit-in, as I always liked to dress in neon and mismatched clothing. I pursued strange interests and hung around with oddballs. I never knew what was going on socially or was aware of who was popular. My idea of the most interesting person in school was the kid who always sat on a bench during recess and drew Garfield the cat over and over again. To me, he was the coolest. Another friend of mine always wore a backpack and liked to refer to himself as a turtle. As I grew up, my passion for these creative outliers affected my artwork. I have no interest in celebrity for the sake of celebrity, people who are famous for being famous. I am interested in those extreme, rare birds â&#x20AC;&#x201C; people who create their own vision of the world through their work, their life, and their home.

SELBY THE NEIGHBOR

In â&#x20AC;&#x153;Selby the Neighborâ&#x20AC;? I wanted to reveal and share my lifestyle. It only seems right to do this, as I spend so much time documenting other peopleâ&#x20AC;&#x2122;s lives and spaces. My bedroom is a curious mash up of my childhood bedroom, my college bedroom, and how I lived when I first got to New York City in the late 90â&#x20AC;&#x2122;s with a little bit of â&#x20AC;&#x2DC;right nowâ&#x20AC;&#x2122; thrown in. I am excited to see you peeking into my bedroom with my clothes thrown everywhere. In terms of my working studio space, I thought it would be cool to show people a bit of my working process. I learned photography from seeing how other people worked and also by trying things for myself. That interest in the process is why I wanted to include my actual photography equipment and painting set up, so aspiring painters and photographers could get their own insights.

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í&#x2022;&#x201A; í&#x2022;&#x;í&#x17D;&#x201C;í&#x201D;&#x17D; ëş&#x201A;ë§&#x17D; 13ěź&#x2020; ěş&#x201A; í&#x2014;Łě&#x2020;&#x2019; ě&#x2021;Śí&#x17D;&#x2013;í&#x201D;&#x2019; ě¤&#x201A;ě&#x2DC;&#x192;, í&#x17D;&#x2019;ě&#x17E;&#x2013;,

í&#x152;&#x2019;ě°Ž ëŻ&#x2020;ě?şëŞŽ î?ŁëŤ&#x160; î&#x152;śë˛Ś ě?Žëšşě&#x201E;Ś ë§&#x17D;í&#x2DC;ż í&#x17D;şî?&#x2014;í&#x201D;Ś 믞í&#x17D;&#x192;í&#x17D;&#x17E;읪

í­Şě§Şî&#x152;ˇě&#x201A;&#x2013;ě&#x201A;˛. î&#x152;ťěş? î&#x201A;&#x2021;í&#x2022;&#x201A;î&#x152;Ş í&#x17D;şî?&#x2014;ě&#x17E;&#x161; î&#x152;Śě ˘ ëŠ&#x2018;í&#x2022;&#x201A; ě­&#x2013;ě&#x17E;&#x161;í&#x2022;&#x201A;í&#x17D;&#x2013;ě&#x201E;Ś ëšŚě ˘, î?&#x201A;ěŞ&#x17D;í&#x201D;&#x160;ě&#x2DC;Ş ë˝&#x17D;ě&#x2013;ş ë§&#x17D;ě ˘ í&#x152;&#x2019;í&#x203A;&#x160; î&#x2020;&#x2014;슢î&#x152;Ş í&#x17D;şî?&#x2014;í&#x201D;&#x2019; î&#x152;ŚëŞŽ

í&#x192;&#x201E;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x152;&#x2019;ě°Žě ˘ 뚌í&#x201D;Ś 짢ě&#x2022;&#x161;ě&#x192;&#x17D;ě&#x2DC;Ş í&#x2018;žě?şě?&#x160; î&#x152;Śí?&#x17D;í&#x2022;&#x201A;ě&#x2DC;Ş

ě&#x201E;žě&#x2014;˛ 맢í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. î&#x152;Śí&#x17E;&#x17D;ě&#x17E;&#x161;, î&#x152;Śí?&#x17D;í&#x2022;&#x201A;í&#x17D;&#x17E; ě&#x2020;&#x2019;í§ˇî?&#x2013;í&#x201D;&#x2019; ě&#x152;&#x161;, â&#x20AC;&#x2DC;î&#x2020;şî&#x201A;&#x2020;쥜ě?&#x201A;í?&#x2013;ě°&#x2019;(Port Moresby)â&#x20AC;&#x2122;ě&#x2022;&#x160;ě ˘ 뚽읎 ëŤ&#x192;î&#x152;ť í&#x2022;&#x201A;ě?&#x2019;í&#x201D;&#x2019; ěŤ&#x201A;몎 í&#x201D;Śí&#x201A;şí&#x2022;&#x201A; ě&#x160;˛ëŻž í&#x201A;Şí&#x2022;&#x;î?&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x17D;&#x201A;ě?ž 뚌í&#x201D;Ś ëż&#x2013;í&#x17D;&#x17E; ě°&#x2019;í°Ş 쥜ě&#x160;Ž ëŠ&#x2018;í&#x2022;&#x201A; í&#x2014;&#x2019;î?&#x17D; î&#x152;Śí?&#x17D;í&#x2022;&#x201A;í ˛ě&#x2014;&#x2039;í&#x17E;&#x17D; í&#x152;&#x2DC;í&#x152;ŚëŻž ě&#x152;&#x161;ě¤&#x2020;í&#x2022;&#x201C;ě&#x201A;&#x2013;ě&#x201A;˛. íą&#x201A;ëż&#x2019;ě?&#x160; íş&#x17D;몎 맣í&#x201D;&#x2019; ë¨ží şě&#x2013;ş ëş&#x201A;ě&#x2014;˛ë§&#x2019; ě&#x201A;˛í&#x201D;&#x161;, ě&#x201A;˛í&#x201A;Ş ěŤ&#x201A;î&#x201A;&#x2020;ě&#x2DC;Ş ë§&#x2013;í&#x152;&#x2019; íş˘í&#x201D;&#x2019; ě&#x152;&#x161;, 뚌í&#x201D;Ś ě&#x2C6;&#x17E;ě&#x2014;˛í&#x2019;&#x17D;í&#x201D;&#x17D; î?&#x2019;í&#x201A;˛í&#x2022;&#x201A; ě&#x2021;Śí&#x17D;&#x201A; ěŠ&#x2019;ě&#x2DC;&#x2020;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x17D;ťí&#x201A;ŞëšŚ! í&#x2018;žě?şě ˘ î&#x152;Śí?&#x17D;í&#x2022;&#x201A;ë§&#x17D; í&#x152;&#x2019;ě&#x201A;&#x2013;ě&#x2022;&#x160; î&#x192;&#x161;î&#x2030;&#x2020;í&#x152;&#x2019;ě &#x201A;믞ě&#x201A;&#x2013;(Papau New Guinea)í&#x17D;&#x17E; í&#x2022;&#x2013;ě&#x201E;Ś ëŠ&#x2018;í&#x2022;&#x201A;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. í&#x152;&#x2019;ě°Žě ˘ ëŻ&#x2020;í&#x2014;ŞěťŞí?&#x160; í&#x2018;žě?şí&#x17D;&#x17E;ëŠ&#x161; ě&#x17E;&#x2013;í&#x2022;&#x201A;íš&#x201A; ě&#x2DC;Ťî&#x2026;Žě&#x2013;ş(Michael Rockefeller)ě?&#x160; ě &#x2021;í&#x17D;&#x201A;ěŠ&#x2019;ě&#x2DC;&#x2020;í&#x201D;&#x2019;í&#x17E;&#x17D; 쥜ě?&#x201A;ě ˘ í&#x201A;Ťí&#x2022;&#x2020;í&#x2122;&#x201C; ě­&#x17D;í&#x2DC;żí&#x201D;Ś ěšşí&#x17E;&#x2019;í&#x201D;&#x2019; í§&#x203A;믞 í&#x201C;&#x2019;î?&#x201A; ě ží°Žë§&#x2019; ěź&#x2020;î&#x152;&#x160;í¸ş 맣(Sepik River)í&#x201D;&#x2019; ë¨ží şě&#x2013;ş í?şě&#x2022;&#x160;ë§&#x2013;

í?&#x2013;í&#x2014;Łí&#x2022;&#x201A;ě&#x2022;&#x160;몎 ě&#x17E;&#x17E;î?&#x201A;í&#x203A;&#x160;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛. ěŤ&#x201A;î&#x201A;&#x2020;í&#x17D;&#x17E; ě&#x17E;&#x2013;ě&#x2014;śě&#x2021;Ş ě§ˇí&#x201D;&#x160;ě&#x2DC;Ş

ë§&#x17D;믞 í&#x2014;&#x2019;, í&#x152;&#x201C;í&#x17D;&#x201A;í?&#x17D; î&#x152;&#x160;ě&#x2022;&#x160;ëş&#x17E; 몎믞ě?&#x160; ě &#x2021;í&#x17D;&#x2013;ě&#x201E;Ś 믞í&#x17D;&#x192;ě&#x2020;&#x2019; 뚡ě&#x201A;&#x2013;ě&#x201A;˛. ëŻ&#x2020;뚎 짲, ëšŚě ˘ í&#x2022;&#x201A; í&#x2014;ŁëŻ&#x17D;í&#x17D;&#x17E; ě&#x192;&#x17D;î&#x152;Ş ëś&#x2013;í&#x201D;&#x2019; ëś&#x2020;í&#x17D;&#x2013;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛.

â&#x20AC;&#x153;Selby the Dreamerâ&#x20AC;? was inspired by a truelife event from my past. When I was around 13 years old, my dad, mom, brother and I went on our last â&#x20AC;&#x153;family vacationâ&#x20AC;?. I had been complaining for years that my family always went on strange trips, and I wanted to do something more traditional like go to the beach. My dad finally gave in and we were off to Hawaii. When we landed in Hawaii, I started to get suspicious as the name of the airport, â&#x20AC;&#x2DC;Port Moresbyâ&#x20AC;&#x2122;, was very unfamiliar; and everything seemed not like the Hawaii, I had seen as a child. My biggest fears were confirmed as we boarded a dugout canoe and went down a river to load into a small river boat. We were in Papua New Guinea, not Hawaii. My dad let us know that we were going to go up the Sepik river for a few days in an effort to find and take photos of a cannibalistic tribe which was allegedly responsible for eating Michael Rockefeller. I remember eating crocodile and piranha before I headed down to my room.

SELBY THE DREAMER

That night, I dreamt of the Jungle Room.

180

181


í˝Žě&#x160;Ş ěź&#x17D;ě°&#x2019;í&#x201D;Ś 1991ëź&#x2019; í&#x2022;&#x160;믞í&#x17D;&#x17E;읪 짪íŽ&#x161;

Excerpt from Todd Selbyâ&#x20AC;&#x2122;s 1991 Diary Entries

í&#x17D;&#x2019;ě&#x17E;&#x2013;, í&#x152;&#x2019;ě°Ž, î?Ł í ˛í´ľ(Scott)ëŤ&#x160; ëšŚě ˘ î&#x152;Śí?&#x17D;í&#x2022;&#x201A;ě&#x2DC;Ş î?łî&#x152;Śě ˘ ě°&#x2019;î?&#x2014;믞í&#x17D;&#x17E; íş&#x17D;몎 í&#x2022;&#x2013;ě&#x201A;˛.

ě&#x160;Şě&#x2039;˘í&#x17D;&#x201A; í&#x2018;žě?şě&#x2020;&#x2019; ě&#x201A;˛ě?&#x2020; ë§&#x17D;í&#x2DC;żě&#x160;˛íŠŚě&#x2014;&#x160; î&#x2020;&#x2014;슢î&#x152;Ş ë§&#x17D;í&#x2DC;ż í&#x17D;şî?&#x2014;í&#x201D;&#x2019; ě?ŽëšŞě&#x201A;˛. ě&#x2020;&#x2019;í§ˇî&#x152;ŚěĄ&#x201A; î?&#x201A;ěŞ&#x17D;í&#x17D;&#x17E;읪 ë˝&#x17D; 쿌 í&#x2022;&#x2013;늎í&#x17E;&#x17D;! ëŻ&#x2020;ě&#x2013;žě&#x201E;ž í&#x2022;&#x201A;ěş?î&#x152;ŚëŠ&#x161;ě&#x2020;&#x2019; ě°&#x2019;î?&#x2014;í&#x201A;Şë§&#x2019;í&#x2022;&#x201A; í&#x2014;Łě&#x17E;&#x17E; í&#x2014;Łě&#x17E;&#x17E; ë°&#x2020;ě&#x201A;˛. î&#x152;Śí?&#x17D;í&#x2022;&#x201A;ë§&#x17D; í&#x2022;&#x201A;ě&#x2014;&#x2022;ëŠ&#x161; ě &#x17D;ě?ş í&#x2022;&#x2013;ě ˘í&#x17E;&#x17D; 쥞ě&#x2022;&#x17E;ě&#x201A;˛.

í&#x17D;şëŻž ěş&#x2013;ě&#x2DC;Şí&#x2019;&#x201A; ě &#x201A;í ˛. ëş&#x201A;ë§&#x17D; í?&#x2019;í&#x2014;&#x2019;î&#x2022;&#x2013; ě˝&#x203A;í&#x152;Śě&#x201A;˛ě ˘ ěšşí&#x201A;˛! í&#x17D;ťí&#x201A;ŞëšŚ î&#x152;Śí?&#x17D;í&#x2022;&#x201A;ě ˘ ě &#x160; ëŤ í&#x2022;&#x201A; í&#x152;&#x2019;ě&#x201A;&#x2013;í&#x17D;&#x2013;ě&#x201A;˛. í&#x2018;žě?şë§&#x17D; í§ˇě&#x153;§î&#x152;Ş ëŤ&#x192;î&#x152;ť í&#x2022;&#x201A;ě?&#x2019;í&#x2022;&#x201A; â&#x20AC;&#x2DC;î?&#x2020;ë˝&#x17D;ě&#x161;žě&#x161;ś(Honolulu)â&#x20AC;&#x2122;ë§&#x17D; í&#x152;&#x2019;ě&#x201A;&#x161;

â&#x20AC;&#x2DC;î&#x2020;şî&#x201A;&#x2020;쥜ě?&#x201A;í?&#x2013;ě°&#x2019;(Port Moresby)â&#x20AC;&#x2122;í&#x2022;&#x160; ě&#x152;&#x161;ě­&#x17D;íťž í&#x201D;Śí&#x201A;şí ˛ě&#x2013;şí&#x2019;Žě&#x201A;˛. 뚌í&#x201D;Ś í&#x201D;Śí&#x201A;şí&#x201D;&#x17D; í&#x2018;žě?ş ë§&#x17D;í&#x2DC;żí&#x2022;&#x201A; íą&#x201A;ëż&#x2019;ě?&#x160; íş&#x17D;몎 맣í&#x201D;&#x2019; ëŠ&#x201A;ëť&#x2013;ë§&#x17D; í&#x2022;&#x;í&#x201D;&#x17D; ěŤ&#x201A;î&#x201A;&#x2020;í&#x17D;&#x17E; í&#x17E;&#x17E;í&#x201D;&#x2019; í&#x201A;˛í&#x201D;&#x160;ěĄ&#x201A;읪 í&#x2014;&#x17E;í§ś î?Łí&#x201A;Ží&#x2022;&#x201A;

ě&#x2021;Śí&#x17D;&#x201A;맢ě&#x201A;˛. í&#x2018;žě?şě ˘ î&#x152;Śí?&#x17D;í&#x2022;&#x201A;ë§&#x17D; í&#x152;&#x2019;ě&#x201A;&#x161; î&#x192;&#x161;î&#x2030;&#x2020;í&#x152;&#x2019;ě &#x201A;믞ě&#x201A;&#x2013;(Papua New Guinea)í&#x17D;&#x17E; í?ś

ëŠ&#x2018;í&#x2022;&#x201A;í&#x17D;&#x2013;ě&#x201A;˛! ě&#x17E;&#x2013;í&#x2022;&#x201A;íš&#x201A; ě&#x2DC;Ťî&#x2026;Žě&#x2013;ş(Michael Rockefeller)ě?&#x160; ě &#x2021;í&#x201D;&#x17D; ëŠ&#x2018;í&#x201D;&#x160;ě&#x2DC;Ş í&#x152;&#x161;ě&#x2014;˛í&#x17E;&#x2019; í&#x201A;Ťí&#x2022;&#x2020;í&#x2122;&#x201C; ě­&#x17D;í&#x2DC;żí&#x201D;&#x2019; 퍺í??î&#x152;ŚëŻž í&#x201C;&#x2019;î?&#x201A; ě ží°Žë§&#x2019; ěź&#x2020;î&#x152;&#x160;í¸ş 맣(Sepik River)í&#x201D;&#x2019; ë¨ží şě&#x2013;ş í?şě&#x2022;&#x160;ë§&#x2013; í?&#x2013;í&#x2014;Łí&#x2022;&#x2020; ëŠ&#x2018;ě&#x2020;&#x2019; í&#x152;&#x161;ëŠ&#x161; ě&#x2021;Śí&#x17D;&#x2013;ě&#x201A;˛.

ěŤ&#x201A;î&#x201A;&#x2020;í&#x17D;&#x17E;읪í&#x201D;Ś 튚뚎, í&#x2018;žě?şě ˘ í&#x152;&#x201C;í&#x17D;&#x201A;í?&#x17D; î&#x152;&#x160;ě&#x2022;&#x160;ëş&#x17E;ě?&#x160; í&#x2014;&#x17D;ëź?í&#x201D;&#x160;ě&#x2DC;Ş ě &#x2021;í&#x17D;&#x2013;ě&#x201A;˛. ě Ś ëŻ&#x2020;ě&#x2014;&#x2022;ě&#x160;˝ í&#x152;&#x2019;ě°Žě ˘

뚌í?&#x17D; î?Łí&#x17D;&#x17E;ëŠ&#x161; ěŤ&#x201A;î&#x201A;&#x2020;í&#x201D;Ś í&#x17D;˘í&#x17E;&#x2019;ëŤ&#x160; í&#x2014;Şí&#x2022;&#x160; ë§&#x17D;밍몎 í¨&#x2039;ě¤&#x2020;ě&#x2020;&#x2019; í&#x17D;&#x201D;ě ˘ ë§&#x17D;í&#x2022;ł í&#x192;&#x160; 짡í&#x201D;&#x2019; í?&#x2013;í?&#x2039;î?&#x201A;í&#x203A;&#x160;í&#x17D;&#x2013;ě&#x201A;˛. ëŻ&#x2020;뚎 짲 ëšŚě ˘ í&#x17D;˘í&#x17E;&#x2019; íž&#x192; í?&#x201D;í&#x17D;&#x17E;읪 í&#x2022;Ží&#x2022;&#x201A; ě&#x160;˛í&#x17D;&#x2013;몎, ě&#x17E;&#x17E;ě&#x2020;&#x2019; í&#x152;&#x2013; ě&#x2021;Śě ˘ ëś&#x2013;í&#x201D;&#x2019; ëś&#x2020;í&#x17D;&#x2013;ě&#x201A;˛. ëś&#x2013;ě˝&#x203A;í&#x17D;&#x17E;읪 ëšŚě ˘ í&#x2014;ŁëŻ&#x17D;í&#x17D;&#x17E; î?&#x160;í&#x2022;&#x17E; ëšśí&#x152;ŚëŞŽ, 읪ě&#x2DC;Ş ě&#x201A;˛ě?&#x2020; ěş&#x2014;í&#x201D;Ś 뚌ě¤&#x201A;ě&#x160;˛ě&#x2DC;Ş ě&#x17E;&#x161;ě&#x160;Ž ëŠ&#x2018; 맧í&#x201D;&#x17D; í&#x152;&#x161;ě&#x2DC;Ťě&#x201A;şě&#x2DC;Ťî&#x152;Ş ëšŚě¤&#x201A;î&#x192;&#x17E;í&#x2022;&#x17E;ě&#x160;˛í&#x2022;&#x201A; ě&#x2030;˛ě&#x201E;źí&#x2022;&#x2020; ë°&#x2020;í&#x201D;&#x2019; ëŠ&#x2020;í&#x17D;&#x2013;ě&#x201A;˛. í&#x2014;&#x17D; ě &#x17D;ě?şěťŞ 짌ěŤ&#x192;í&#x2014;?í&#x2022;&#x2020; ě­? ě˝&#x161;ě?şí?&#x17D; 먞ě&#x192;&#x17D;î&#x152;Ş

í&#x2019;&#x17E;ěżťí&#x2022;&#x201A;í&#x201D;Ś í&#x2019;&#x2020;í&#x201D;&#x161;ě˝&#x161;ě?şë§&#x17D; ě&#x160;˛ě&#x2014;˛í?˘ě&#x201A;˛. î?&#x201A;ë§&#x17D; í&#x2014;&#x17D;ě¤&#x160;믞 í&#x201A;Şí&#x2022;&#x;î&#x152;Śí&#x2022;&#x17E; í&#x2014;ŁëŻ&#x17D;í&#x17D;&#x17E;ě ˘ 쿌짿 ě&#x17E;&#x2013;ě?şí&#x201D;Ś

ě&#x2020;§ě¤&#x160;í&#x2022;&#x201A; 뚌íş&#x17D;뚺몎, ëšŚě ˘ ë°&#x2020;í&#x201D;&#x2019; ě&#x2039;žě&#x2022;&#x160; ě&#x2019;žëŻž í&#x201A;Şí&#x2022;&#x;î?&#x2013;ě&#x201A;˛. ě&#x17E;&#x2013;í°śëş&#x201A; ëŤ&#x192;íťží&#x17D;&#x17E; ě&#x201A;˛ě&#x201A;˛ě&#x2022;&#x17E;í&#x201D;&#x2019; ě&#x152;&#x161;,

ëšŚě ˘ í&#x2022;&#x201A;ěş?î&#x152;Ş ěĄśí&#x2022;&#x17E;ě?&#x160; í&#x160;žëŞŽ 먞ě&#x192;&#x17D;î&#x152;Ş ěş&#x2013;ě?&#x160; íş&#x17D;ě ˘ î&#x152;Ş ëšśí&#x2022;&#x17E;í?&#x17D; ěŤ&#x201A;ě&#x2022;&#x160;ěş&#x2014; í&#x2019;&#x17E;ěżťí&#x2022;&#x201A; î&#x152;Ş ě&#x17E;&#x2013;ě?şě?&#x160; ěŤ&#x201A;í&#x152;Śě&#x201A;˛. ëŻ&#x2020; 쿪ë§&#x2019;! ëšŚě ˘ ëś&#x2013;í&#x17D;&#x17E;읪 ë°śí&#x17D;&#x201A;ëšşě&#x201A;˛.

190

Mom, dad my brother (Scott) and I are in an airplane headed to Hawaii. Finally, weâ&#x20AC;&#x2122;re going on a normal family vacation. And I get to hang out at the beach! Strangely, this flight is really, really long, I didnâ&#x20AC;&#x2122;t realize Hawaii was that far away. Hereâ&#x20AC;&#x2122;s a quick update. So Iâ&#x20AC;&#x2122;ve been tricked! Hawaii isnâ&#x20AC;&#x2122;t so far away after all. When we landed I started to get suspicious as the name of the airport was â&#x20AC;&#x2DC;Port Moresbyâ&#x20AC;&#x2122; and not â&#x20AC;&#x2DC;Honoluluâ&#x20AC;&#x2122;. My biggest fears were confirmed as we boarded a dug-out canoe and went down a river to load into a small river boat. We were in Papua New Guinea, not Hawaii! It turns out we were actually going to go up the Sepik River for a few days in an effort to find and take photos of a cannibalistic tribe which was allegedly responsible for eating Michael Rockefeller. That first night on the boat we dined on crocodile and piranha. As usual, my dad booked my brother and I into a room with no windows, adjacent to the engine room, as this was the least expensive room in the boat. That night, as I fell asleep to the churn of the boatâ&#x20AC;&#x2122;s engine, I had a crazy dream. I dreamt that I was alone in the jungle. I was walking down a wooden plank path, and the odd thing was each of the boards seemed to come from a different brightly colored tree. In the distance I heard a repetitive drum beat, and the howling of a giant monkey. As the sun started to set, the jungle came alive with hundreds of animals. I started to run down the path. When I came to a clearing, I looked up and I saw a man with a strange hat on sitting astride a giant bird, and next to him was some sort of purple primate. Boom! I woke up.

191


THE SELBY HOUSE

2017. 4. 27 - 10. 29

Organized by In Partnership with

ëŤ&#x17D;í&#x2022;łď&#x2DC;&#x201C;Director í&#x2022;&#x201A;î?&#x201A;í&#x2018;żď&#x2DC;&#x201C;Haewook Lee

퍍ëŤ&#x2019;í&#x201A;˛í&#x2022;łď&#x2DC;&#x201C;Vice Director í&#x2022;&#x201A;í&#x2014;Łí&#x201D;&#x17D;ď&#x2DC;&#x201C;Jungeun Lee

í&#x201A;˛í&#x2022;łď&#x2DC;&#x201C;Managing Director î&#x152;Şí&#x2014;Łî&#x201D;şď&#x2DC;&#x201C;Jung Hee Hanď&#x2DC;&#x201C;

í&#x2014;&#x2019;í&#x201A;Şď&#x2DC;&#x201C;Exhibition í&#x152;&#x2013;í&#x203A;&#x160;î&#x201C;Śď&#x2DC;&#x201C;Juhui Ahn í&#x2022;&#x201A;í&#x2014;Łí?&#x201A;ď&#x2DC;&#x201C;Jungyeol Lee í&#x2022;łî?&#x2019;í&#x17E;&#x17D;ď&#x2DC;&#x201C;Hyunji Jang í&#x2014;ŁëŽŞí&#x17D;žď&#x2DC;&#x201C;Kewyearn Chung 짣ě§&#x160;í&#x203A;&#x160;ď&#x2DC;&#x201C;Minzoo Parkď&#x2DC;&#x201C;

ěŠ&#x2013;í&#x17D;ťď&#x2DC;&#x201C;Translation 슲ď&#x2DC;&#x201C;í&#x2022;ťí śď&#x2DC;&#x201C;Ben Jackson ě&#x192;&#x17D;ě&#x17E;&#x160;ě§&#x2020;쿎ëŤ&#x17D;ď&#x2DC;&#x201C;DAELIM MUSEUMď&#x2DC;&#x201C; ëŻ&#x2020;ě&#x2022;Śî&#x152;&#x2039;ď&#x2DC;&#x201C;ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x2020;ď&#x2DC;&#x201C;Graphic Design ěŤ&#x201A;í&#x2022;&#x201A;í&#x17D;&#x201A;ď&#x2DC;&#x201C;Bowyerď&#x2DC;&#x201C;

Special thanks to î&#x2039;&#x2019;ě&#x2DC;Şí&#x2014;Ťî&#x201A;&#x2020;ď&#x2DC;&#x201C;ě&#x17E;˛ě&#x201A;&#x2013;í&#x2014;&#x17D;ď&#x2DC;&#x201C;Project Manager íą&#x201A;ě§&#x17D;ě&#x2022;&#x160;ď&#x2DC;&#x201C;î&#x2026;Śě&#x2014;&#x161;í°Śď&#x2DC;&#x201C;Camilla Ferenczi

ěšşí&#x17E;&#x2019;ď&#x2DC;&#x201C;í&#x2022;&#x2020;î?˘ď&#x2DC;&#x201C;ě§?ď&#x2DC;&#x201C;ěŤ&#x201A;í&#x2014;Łď&#x2DC;&#x201C;Photo Printing and Retouching í&#x17D;&#x17E;î&#x152;&#x2019;ě&#x2DC;ŞëŻ&#x2020;ď&#x2DC;&#x201C;Epilogueď&#x2DC;&#x201C; í&#x152;śě&#x2013;žď&#x2DC;&#x201C;î&#x152;&#x160;뚌쥜í&#x17D;&#x201A; Allan Finamore í&#x201A;Şí&#x17D;&#x17E;ě&#x2022;&#x160;ď&#x2DC;&#x201C;몲í&#x2022;Śě&#x2014;&#x2013;í ˛ď&#x2DC;&#x201C;Sierrah Gonzalez íą&#x201A;í&#x2022;&#x201A;ď&#x2DC;&#x201C;ě&#x2014;&#x2013;ď&#x2DC;&#x201C;Khai Le í&#x152;Ží &#x201A;ě?şď&#x2DC;&#x201C;í&#x2019;˘íťží ˛ď&#x2DC;&#x201C;Ashley Walters î&#x2039;&#x2019;ě&#x2DC;Şě&#x201E;ŁěźŚď&#x2DC;&#x201C;ě&#x2039;˘í&#x2022;&#x17E;í&#x2022;&#x201A;ëť&#x2013;ď&#x2DC;&#x201C;Production Designer í&#x2014;Şí&#x2022;&#x2019;í ˛ď&#x2DC;&#x201C;í?˛ěŞ ď&#x2DC;&#x201C;James Obed

í¸şě?şí&#x17D;&#x17E;í&#x2022;&#x201A;î&#x201A;žěŻ&#x161;ď&#x2DC;&#x201C;í˛śěť˛íź&#x201A;î&#x201A;&#x2020;ď&#x2DC;&#x201C;Creative Consultantď&#x2DC;&#x201C; ě&#x201A;˛ě&#x201A;&#x2013;í&#x17D;Śď&#x2DC;&#x201C;쟢ě &#x160;ď&#x2DC;&#x201C;Danielle Sherman

í&#x152;&#x2019;î&#x201A;&#x2020;ď&#x2DC;&#x201C;î&#x2039;&#x2019;ě&#x2DC;Şě&#x201E;ŁěźŚď&#x2DC;&#x201C;ě&#x17E;˛ě&#x201A;&#x2013;í&#x2014;&#x17D;ď&#x2DC;&#x201C;Art Production Managerď&#x2DC;&#x201C; ě&#x2022;&#x160;í&#x2022;&#x201A;í&#x17D;&#x2020;ď&#x2DC;&#x201C;ě&#x17E;łë¨žî&#x152;&#x17D; Ryan McGuffin ě&#x2014;&#x2013;í&#x17E;&#x2019;ď&#x2DC;&#x201C;î&#x2039;&#x2019;ě&#x2014;&#x2013;í&#x2022;&#x2019;ď&#x2DC;&#x201C;í˛śěť˛íź&#x201A;î&#x201A;&#x2020;ď&#x2DC;&#x201C;Resin Frame Consultantď&#x2DC;&#x201C; í&#x2DC;žě&#x201A;&#x2013;ď&#x2DC;&#x201C;ëŞŽí ˛ď&#x2DC;&#x201C;Johnny Goss

í&#x152;&#x2019;î&#x201A;&#x2020;ď&#x2DC;&#x201C;í&#x17D;&#x201A;í&#x201A;Şí ˛íź&#x201A;î&#x201A;&#x2020;ď&#x2DC;&#x201C;Art Assistantď&#x2DC;&#x201C; 쯢ě&#x2014;&#x2013;í&#x2022;&#x201A;í¸şď&#x2DC;&#x201C;ěŻ&#x161;ě&#x2014;&#x161;î&#x201A;&#x2020;ď&#x2DC;&#x201C;Blake Brent

íą&#x201A;î&#x152;&#x160;ď&#x2DC;&#x201C;í&#x17D;&#x17E;ě&#x2039;˘íťžď&#x2DC;&#x201C;$opy Editor ě&#x2DC;Žě&#x201A;˛ď&#x2DC;&#x201C;쟢ě &#x160;ď&#x2DC;&#x201C;î&#x2039;&#x2019;ě?şě&#x160;Şě &#x160;ď&#x2DC;&#x201C;Rhonda Sherman Friedman

Published by DAELIM MUSEUM All images courtesy of The Selby and DAELIM MUSEUM

í&#x2022;&#x201A;ď&#x2DC;&#x201C;í¨&#x201C;í&#x17D;&#x17E;ď&#x2DC;&#x201C;í&#x201A;˛ě?žď&#x2DC;&#x201C;ëş&#x201A;í&#x2018;ˇí&#x201D;&#x17D;ď&#x2DC;&#x201C;ě&#x201E;˘ěź&#x17D;ě°&#x2019;í?&#x17D;ď&#x2DC;&#x201C;ě&#x192;&#x17D;ě&#x17E;&#x160;ě§&#x2020;쿎ëŤ&#x17D;ď&#x2DC;&#x201C;ě&#x2020;§í&#x201D;Śď&#x2DC;&#x201C;í&#x17D;&#x201D;í&#x2022;&#x201A;ď&#x2DC;&#x201C;ě¤&#x201A;ě&#x201A;śď&#x2DC;&#x201C;í&#x2014;&#x2019;í&#x2022;şî&#x152;Žď&#x2DC;&#x201C;쿌ď&#x2DC;&#x201C;í&#x17D;&#x201D;í&#x201A;&#x192;ě&#x201A;&#x2013;ě&#x201A;˛ď&#x2DC;&#x203A; ě&#x192;&#x17D;ě&#x17E;&#x160;ě§&#x2020;쿎ëŤ&#x17D;

DAELIM MUSEUM

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ISBN 979-11-85724-09-6 19,800í&#x2019;&#x17E;

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The Selby House, Daelim Museum Catalog  

The Selby House, Daelim Museum Catalog

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