Behzad Ranjbaran: Songs of Eternity

Page 1

Behzad Ranjbaran

Songs of Eternity for Soprano and Orchestra

First Performance: September 14, 2002 Benaroya Hall, Seattle RenĂŠe Fleming, Soprano Seattle Symphony Orchestra Gerard Schwarz, Conductor



THE RUBA’IYAT OF OMAR KHAYYAM Although I have a handsome face and colour, Cheek like the tulips, form like the cypress, It is not clear why the Eternal Painter Thus tricked me out for the dusty show-booth of earth. He began my creation with constraint, By giving me life he added only confusion; We depart reluctantly still not knowing The aim of birth, existence, departure. Neither you nor I know the mysteries of eternity, Neither you nor I read this enigma; You and I only talk this side of the veil; When the veil falls, neither you nor I will be here. *

*

*

*

Oh heart since time’s passing grieves you And your pure spirit so unseasonably leaves the body, Sit on the green, spend a few days in happiness Before the green grass springs from your dust. Look, the morning breeze has torn the rose’s dress, The nightingale is in ecstasy at the rose’s beauty; Sit in the rose’s shade, for many such Have come from earth and to it returned. Get up my sweetest, it is dawn, Gently, gently sip the wine and twang the harp, For not a soul will remain of those here, And of those gone, none will return. *

*

*

*

It is we who are the source of our own happiness, the mine of our sorrow, The repository of justice and foundation of iniquity; We who are cast down and exalted, perfect and defective, At once the rusted mirror and Jamshid’s all-seeing cup. Come friend, let us loose tomorrow’s grief And seize this moment of life: Tomorrow, this ancient inn abandoned We shall be equal with those born seven thousand years ago! When the drunken nightingale found his way into the garden He discovered the face of the rose and the wine-cup laughing; He came to whisper in my ear excitedly, ‘Seek out these, life once gone cannot be sought again.’

Text used by permission of the publisher. THE RUBA’IYAT OF OMAR KHAYYAM translation by Peter Avery & John Heath-Stubbs (Allen Lane, THE PENGUIN PRESS, 1979


Instrumentation

2 Flutes 2 Oboes (2nd doubling English Horn) 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in C Trombone Tuba Timpani Percussion (Triangle, Cymbals, Tambourine, Tubular Bells, Glockenspiel, Tam Tam, Bass Drum) Harp Strings

Duration: 17 minutes


for Renée Fleming

Full Score

SONGS OF ETERNITY for Soprano and Orchestra Behzad Ranjbaran

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