Page 1

SYDNEY HODKINSON

POTPOURRI Eleven very short Pieces

for

SYMPHONY ORCHESTRA

September 2008


Commissioned by the

STETSON UNIVERSITY SCHOOL OF MUSIC Jean West, Dean

for its SYMPHONY ORCHESTRA Anthony Hose, conductor INSTRUMENTATION: • 4 F Horns

• 2 flutes (2º doubles piccolo)

• 3 B-flat Trumpets

• 2 oboes

*

• 2 Tenor Trombones

• 2 B-flat clarinets (2º doubles bass clarinet)

• Bass Trombone

• 2 bassoons (2º doubles Contrabassoon)

• Tuba

• Keyboard / Sampler, doubling Celesta [ see note, pg. iii ]

(one player)

• Timpani • Percussion (4 players)

(see complete instrument list and key below)

• Strings [ minimum 7 • 6 • 4 • 4 • 2 ]

*

In movement 5, Clarinet 1º should ideally double on B-flat Soprano Saxophone, if an additional player is not available.

THE SCORE IS TRANSPOSED

PERCUSSION LEGEND: Timpani (4) requires light drum sticks, wire brushes, large maracas, and a large suspended cymbal. PERCUSSION 1º Small CLAVES (CL)

!

A

$

XYLOPHONE (XYL.)

SANDPAPER BLOCKS (S-B.)

PERCUSSION 2º

!

SNARE DRUM (SD.)

A

A

(shared with Perc. 4º)

A

A

A

3 TOM-TOMS (T-T)

SLAPSTICK (S-S.)

A

A

A

SUSPENDED CYMBAL (SC.)

A

A

(sm.) (med.)

(lg.)

(medium) (bow required)

PERCUSSION 3º

2 WOOD BLOCKS (W-BL.) RATCHET (R.) (med.)

XYLOPHONE (XYL.)

!

(shared w. perc 1º in movement 2º only)

A

$

VIBRAPHONE (V.) CROTALI (CR.)

A

RECO-RECO

RAINSTICK

$

A

FLEXATONE (F-T.) Small GONG (G.)

(longest available) (preferably metal)

GLOCKENSPIEL (GL.) CHIMES (CH.)

2 CONGAS (CGs)

A

TAMBOURINE (TAMB.)

(small) X

(lg.)

A

VIBRASLAP (V-S.)

(small)

A

A

A

A

A

large GONG (G.)

large BASS DRUM (B.D.)

(mounted @ vibes)

POLICE WHISTLE

PERCUSSION 4º (P.W.)

!

CHIMES (CH.) (shared w. Perc. 2º)

$

A

large TAMBOURINE shallow - (jazz) (TAMB.) SNARE DRUM medium WOODBLOCK (W-BL.) (mounted) (sizzle) (med.) (large) GONG (G.) (SD.) (smallest)

C

X

A

HIGH-HAT (H-H.)

A

A

A

A

3 SUSPENDED CYMBALS : (SC.)

A

A

A

SLIDE WHISTLE (S-W.)

Mallets -Beater: - wire brushes br - brass

More detailed sticking instructions are given in each separate part.

sy - my - hy - soft, medium and hard yarn, respectively. sb / hb - soft / hard beaters sh / hh - soft / hard hammers [CH.]

- ii -

BELL TREE (B-T.)

x


PERFORMANCE NOTES : All accidentals hold for the full measure, but not at the octave, as in customary practice. Square brackets indicate leading melodic lines to be brought to the foreground of the prevailing texture. niente : used as a dynamic indication beneath the range of pianississimo ( ppp ).

n [

?

?

]

MV / NV flt.

C

S

Bracketed fermatas indicate a substantial broadening of the pertinent beat, but not as long as the conventional pause. molto vibrato and non vibrato, respectively; cancelled by ‘ord.’ (ordinario). (WW's & Brass) - fluttertongued : notated as a tremolo. (Strings) - "scratch" : an arco stroke with maximum pressure and only minimum bow movement [ as a “Jr. Hi error” ].

TK / TKT

(WW's & Brass) - the use of double - or triple-tonguing, respectively.

pont. ord. (tasto)

(Strings) - indicates a gradual transition from one bow position to another.

Ì

Double Bass harmonics are notated an octave higher than the sounding pitch. The Piccolo, Contrabassoon, Double Bass and Keyboard Percussion are notated in their conventional octave transpositions.

&

(Percussion) - Completely dampen all vibrations. Suggested subdivisions for conductor beat patterns of the asymmetric meters are given in brackets above the signature. [3•3]

[2•3]

46

58

Concerning BRASS MUTES : French Horns and Tuba require mutes. Trumpets : 1º - metal straight, Harmon 2º - metal straight, Harmon, Cup 3º - fiber and metal straight Trombones : All require fiber and metal straight mutes and plunger. Plus - 1º - Harmon; 2º - Cup

The Keyboard/Sampler part is derived from the ROLAND RD-660 ‘digital Piano’ system with eight basic "voices" : 2 Piano B 4 Organ 3 Electric Piano 1 Piano A 5 Strings

MW :

6 PAD : new age

7 Bass-Lead and 8 Clavichord - mallet.

Use of the (LH) modulation wheel to bend pitches as indicated. The performer is free to alter these sound settings at one's discretion, according to the available instrument and the notated articulation.

Note to the CONDUCTOR: This is a set of stylistically-bound movements of widely-contrasting characters, not a collection of eleven separate pieces. Accordingly, while there are conventional pauses to "clear the air" following movements 5 and 8, all other sections are to be performed as ATTACCA as humanly possible. In particular, movements 1 & 2 and 7 & 8 should follow each other without interruption. Further clarifications for both players and conductor are given in numbered asterisks as they occur within the score context.

- iii -


POTPOURRI

Sydney Hodkinson

(2008 - 09) • Eleven Very Short Pieces for Orchestra •

(b. 1934)

Duration

Page

1. GRINDER

- Vigoroso

1:20

1

2. STUCK

- Leisurely

1:20

7

3. GRUFF

- Coarsely

1:00

14

4. SPASM

- Nervous, twitching

1:20

18

5. BLUE

- Lazily, with melancholy

2:00

28

6. NIGHTWALK

- Misterioso

2:40

33

7. SHOUT

- Strepitoso

0:45

40

8. LINE

- Calmo

1:30

43

9. HOPSCOTCH

- Slightly silly

1:15

45

10. CIRRUS

- Molto placido

1:30

54

11. SCOOT

- Vivacissimo

1:30

60

PERFORMANCE TIME : Approximately 17 minutes.

Program Note : This composition is a series of brief single ‘pictures’ for orchestra. The sub-titles offer only gentle hints to the impetus for each of the individual images, which range from the very static, serious, nostalgic, and rapid to the downright goofy. I did try to write solos for almost everyone in the ensemble; some fared better than others.

POTPOURRI is approximately 17 minutes in duration and was commissioned by Stetson University for its symphony orchestra, Anthony Hose, conductor. The score is dedicated to Manuel deMurga, my teaching colleague and head of the Composition Division at the School of Music in Deland, Florida. The work was composed September 16 - 24, 2008 and the orchestration completed in Ormond-by-the Sea, FL. in February of 2009.

S.H.

Score engraved by: Eric Benson March 2009

- iv -


Duration: No. 1 - c. 1:20

1

to Manuel DeMurga, in friendship

• POTPOURRI • Eleven Very Short Pieces for Orchestra SYDNEY HODKINSON

1. - GRINDER Vigoroso [ C = c. 96 ~ 100 ]

[

3 4 !

Flute 1

> Y .C YC Y C - YC C S T UT Y C C h T S jh 5 ff sfz f >. C X C WC C Piccolo C WCWC S S h T S 6 ffsfz f 3 X >B S T C C YC C XC WC ffsfz - mf f stacc. 3 W >B W C Y C S XC C YC YC ffsfz - mf 3 f stacc. Y >.C Y C X C S YC YC XC XC C h T S ffsfz f stacc. .C> X Y C X C S T YC XC C h T S ffsfz f stacc. [ Bassoons Tacet No. 1 ] Q Q

Flute 2 (Piccolo)

! !

Oboe 1

!

Oboe 2

B ∫ Clarinet 1

!

B ∫ Clarinet 2

! #

Bassoons 1, 2

]

S

S Q

S .C ^

CO

S Q

S

sub.

ff

sub.

F Horns 2, 4

!

B ∫ Trumpet 1

!

B ∫ Trumpets 2, 3

!

Trombones 1, 2

#

Bass Trombone Tuba

#

Celesta

# [ # [

T

TU

-C Y C X C WC C WC X C Y .C

3

p poss. S

Q

S Q

Q

Q

Q

S

Q

Q

Q

S

Q

Q

Q Q

Q

S

T

T U hj S fffsffz .gi> U Y C T T C S T T U .jh S > fffsffz Q

S

mute out

S

S

S

2 4

6

Q

.C>

5

mutes out

24

Q

Q

Q

Q Q

Q

Q

5

Q !

! !

Percussion 2

ff Y B B OO >

34

S

gl.

T

C mf

Y .C > h T ffsfz

Q

S

Q

Cello

# Q

S

3

S

YC C ff poss. 3 pizz. S C T Y C T hC ff poss.

3

[ Double Bass Tacet No. 1 ]

Q

T

Q

Q

Q

Q

Q

C. S > sfz Q Q

Q

Q Q

Q

XC T

S Q

T U CC > ff > T U C jh C ff

gi

sim.

BO BO B B OO

C

. gl

l.v.

l.v.

Q

)

Ì

"

#

Cr. (br.)

(

Viola

!

Violin II

S

T

S

Y .C> h T sfz >.C h T sfz S

34

Gl. (br.)

l.v.

ì ff

Vigoroso [ C = c. 96 ~ 100 ] pizz.

!

Q

S

S S

[ Weight down Chime damper ]

[

S

S

Bell Tree B-T (metal)

S

$

Q Q

Q

]

Q

l.v.

Q

S

!

Percussion 3

Q

24

Q

Ped.

Xylo. (hard)

]

S

mp

Q

Y B >B OO

Q

A Y AA Y A

]

Violin I

S

S

Q

Q

Vigoroso C = c. 96 ~ 100 ]

34 !

Percussion 4

S

Q

S

Q [

Percussion 1

S

W -C W C W C C C

[ Bs. Trombone & Tuba Tacet No. 1 ]

]

Timpani (4)

5

^

Q

à2

34 !

C

Q S

Y >C. S S h T S C C rip fsfz mf 3 >.C à2 S S T C rip h T S fsfz mf Y >C C >C . metal str. mute . W C . C S S T C TU ff mp 3 >g T S mp . . metal str. mutes XCC C C 2º S S T XC YC TU > Q 3º mp ff [ Trombones 1 & 2 Tacet No. 1 ] Q Q

[

g

h fff ^ g X C C T h fff ^C T h fff ^ T C h fff

Q

ff C O X .C^

YC

T

S Q

(2º - take Contrabassoon)

F Horns 1, 3

Double Bass

(2008-09)

(free bow)

S

Q

arco

S S T S

T

S

Q

Q

arco

S C T U jh p = T U j ÇC ph

ÇB OO ÇB OO

BO

5

BO

pp (free bow) BO pp ÇC ÇC >ÇC TU S sub. f ÇC ÇC >ÇC T U S sub.

Q

Q

24

f Q

BO

24 Q

Q

Q


2

[

2 4 !

Flt. 1

X C X .C T U T p

!

Picc.

S

3 4

Q

Y C Y -C C C YC YC T

3

p

TU

YC p

!

Q

Q

S

C C C

Q T

] !

Q

YC TU X C Y C p

[ !

Perc. 2

Q

(Gl.)

34 Q

(Cr.)

[ !

Vln. II

mp X C C WC WC XC mp 5 C-

S

gliss.

mp

34 B

BO

Q

Q

# Q

Q

]

[

BO

BO

C

O ! B

BO C

!

Picc.

!

Q

Q

] !

Q Q

Ob. 1

Clt. 1

solo

! T

Cel.

!

Y >C Y C Y C 3

f

CWC C

C C

6

C

WCXC

6

-C O

fff >C 1 *

-C O

fff >C 1* fff

3

WC T

S

C mp , static (non p )

S

S

C mp , static (non p )

Q

Q Q

Q (X ) -C

Q

Q

S

>C jh T U T p sub. ffsffz W -C

S

Q

34

Q

S

T S

T

g

Ci

TU

C> ff >C T U C jh ff

B B

l.v.

BB

34 B

Ç<C

ÇC OO C f ÇC OO

S

>Ç C

f Q

g C. C > T

Q

[ to Vibes ]

B B

S

l.v.

B

>C

jh T U T sub. ffsffz

p

not tongued.

B h

C T

n

B

C hn

Q

Q Q

Q

T

f

-C C C Y C C X C C Y C X C WC . C TU C C X jh C T U T 6 p 5 n -C C C 5 WC XC C TU YC C W C TU T S . 5 p n Q S S

S

Q S

Q solo

YC p Q

3

6

p

pp

Q

Q

Q

Q

Q

Q

S

ord.

(timbral trill)

YB T -C C mp p -X C C W C C C C W C W .C T U T

solo

S

S

XCWC

Q

Q

13

S

S

3 4 Q

Q

Q

CYC C

6

WC

Ped.

very soft mallets (all pitches need not speak

[

(a faint echo). X C clearly _ Y Ct C _ C_ C _ _C C ( ) YC C _ _ pp 3 p (soft mallets) C C C WC XC S T C C C C YC h pp , delicato 3 3

(Xyl.)

!

Perc. 1

Q

!

S ] ! (hy)

Vln. I

[

Q

Y -C pp

C 3

C YC C

C

YC

X C Y C C Y -C B XC 5

mf

S

Q

Q

S

!

Q

Q

BO pp

Q

C

S

S C

h

&

Q

Q

T

S

Q

13

Q

"

T C

h

l.v.

!

Vln. II

]

S

Q

(take soft mallets)

Vibes

Perc. 3

Q

(take very soft mallets) (Gl.)

Perc. 2

Vla.

YCYC C

YC CYC

-C O

fff >C 1 *

1 *

1 Flts., Obs. - Strongest breath accent:

pp <Ç C pp 13

Flt. 1

>C

*

24

BO

-C O

f

24

TU ( C ) pp

Q

"

Vla.

C W C W .C U U T T 5 ppp ! Y C .C C WC ppp !

f f

Q

B

24 !

5

Q

! ]

p

3

Y -C Y C Y C X C WC

(no accent)

(Xylo.)

24 !

Vlc.

S S

!

Vln. I

T

Q

Clt. 1

Perc. 3

TU

f

Q

Ob. 2

Perc. 1

C C Y C X C WC . WC j 6 mp pph

2 4

S

!

Ob. 1

Clt. 2

C X C .C U T T pp3

6

mp -C

C C

C YC

C

T h pp

C

BO

ten.

C

C

p B h

C T

Q

solo MV

S

S !

p

C-

-C

0

S BO

p

-

= S


3

20 solo

Flt. 1

[

Q !

Q

Picc.

! > (Y) C gl.Y C !

Ob. 1

S

mf

Q

S

BO

pp , espr.

S

T

C

2 4

p3

5

Q

Q

Q

Q

Q

Q Q

Q

p

S

S

Q S -C

S !

Ob. 2

Q

>C Y .C h mf

C CWC C

S

C X -C

C h ppp

BO

T

S C

S ppp

S

Q

! ] !

Q

Q

Q

Q

Q

!

Q

Q

Q

Q

Q

Hns. 2, 4

!

Q

Q

Q

Q

Tpt. 1

!

Q Q

Q

Q

Q

] !

Q Q

Q

Q

Q

!

Q !

Q

Clt. 2

[

Hns. 1, 3

Tpts. 2, 3

Q

[ # (Xyl.)

[

T WC mf

!

gt

( C )

g C

S

!

Perc. 3

[

C

(hy)

T

g

h

C

! ! (solo)

Q

Q

Q

g

S YC YC > XC C C molto pp Q

Q

3

YC

ÇC

= -

#

XC

44 Q

espr!

. .C Y C

.C

T

g

S

. X .C X C .C S

C-

S

ÇC

= -

C

S

Q

C T h mp

ÇB

Q C

(sy)

C hpp =

S Q

S

5

S

T

MV (sul A) 4

(sul E) 0

-C

p

C

S

C

CÇ pp

T

4

0

C

3

g

3

S

C pp B

44

S

h

C

h

0

C

C

3

C pp

4

B

Q

24

>B

_ p

XC YC

44

B __

20

sim.

3

(still soft)

S

T _ 3 pp Ped. Q

4

Q

C

Q

0

C

T

f ig YC UT C Y C >

24

(to congas)

S

(take sy)

3

3

0

24

Q

C

YC

. Y .C . Y C C

. T Yh C C

!

C C C S

g

Q

BO pp

!

Vla.

]

S

p , senza ped., secco

C-

0

Vln. II

Vlc.

Q

Q

]

Vln. I

Q

Q

$

Perc. 4

S

YC

Q

Q

Q

! (Vibe)

Y .C . .C XC mp

TU T

(GL.) Perc. 2

Q

Q

]

Perc. 1

24 20

Cel.

Timp.

p

4 4

Q

Q

Clt. 1

T

__

Y -C h mp -C h mp

gl.

C C

Q

Q

Q

Q

Q

Q

(

)

(

)

T

T

44


4

[

!

Picc.

T T

!

S

T

ph

C

44 ! !

Tpt. 1

!

Q

XC

[ #

delicato

C T

XC YC

WC

[

3

C

p

5

S

T

T

YC

!

44

!

XC

44 ! !

Vln. II

YC

YC X C> Y C

YC

S

T

#

6

WC XC WC

S

T

C

WC

XC

WC

C

C Y C YC

C

5

p à2

T Q

XC h mfsfzp

Q

C WC XC C

S

5

S

mp

5

C YC XC

C YC

S

TU

Q

34

B

Q (to Toms)

S

Q

(to BD)

Q

Q B

__

34

__

B tutti

Q !

Vla.

C

XC

l.v.

B

h_ mf sul A > C _ h mf

3

C WC

Q

XC C X C> mpsfz

>C

C. W C X .C . > mfsfz .C Y C .C C

S

34

dim.

B mp

$ [

YC

B

C

C __

]

C

(GL.)

(Vibe) Perc. 3

XC YC

Q C

Y .C

-C

Q !

Perc. 2

C XC 6

]

]

6

Q

3

6

C X C W .C C

p

34 Q

44

!

Vln. I

S

Q

YC

Cel.

Perc. 4

TU

C

Q

!

Perc. 1

>C

S

C W C>

-C

TU

flt. _ T Y C C . XB p mp X C WC C XC . . . Y C X C C Y .C 5 p cresc. poco a poco C WC X C C C XC WC p cresc. poco a poco C WC XC C S

6

TU

X .C

S

] !

Timp.

3 4

C WC WC XC YC

3

mf

! [

mf

-C

Q

]

mp >C C

Q

Hns. 2, 4

Vlc.

h p

mp X -C C X C W C

-C

!

Clt. 1

Tpts. 2, 3

R S

Ob. 2

Hns. 1, 3

T

!

Ob. 1

Clt. 2

R

4 4 !

Flt. 1

W -C X C C Y C C C C WC C C C WC

Q

"

C

_ h p

__

gliss.

_

C

_ <Ç B

pp <Ç B pp

C _

T _

T C p ÇC ÇC

g

=g X Cf ten. T ÇC mf ÇC mf

TU TU


5

!

Flt. 1

Picc.

!

Ob. 1

!

Ob. 2

!

Clt. 1

!

Clt. 2

] !

BO ! T

Hns. 2, 4

TU Yj C B h mfsfz p

! S

S

!

Tpt. 1

Tpts. 2, 3

BO

S

T

! ]

open (2º)

S

Q

[

TU

Y C-

=gi

Q

S

T

Vla.

"

S

S

= X -C h f ten.

#

Tpts. 2, 3

YC YC 3

YC X CC

T > C C O gl. Y C O Y C O h f p , cresc.

[

]

(CGA.)

44

$ !

Perc. 2

]

$

T

Q

Q

Q

Q

Q

Q

Q

Q

Q

CH (hh)

>

TU

flt.

C TU >

C TU molto ff flt. _ C C TU > molto ff > U flt. T _C C C C TU _ > molto ff g > 5 C .C U YC C C TU C> Y C T _C

f , wildly 3 CC C. T ff >

$ T T U gi C f >

ff

molto

(w. hands)

$ S

BD (hb)

B

R

Q

Q

Q Q

Q

Q Q S

Q S Q

YC h

T

3

C C

>.C

S

Y C. Y C > C mf

3

C

T C C

YC T C Y C C.> & ff

(CGA.)

Q

24 Q

T

C pp

g C. > f

__ Q

[ take sm. Tamb. ]

l.v.

Q)

(

44 44

f (only) f Y Cg (only) T h T f (only)

(cross-hand gliss.)

gi B Y C T U T ! C> Y B fff poss.

Q

24

3º - take mute

S

44

Q

[ to Tamb.; take drum sticks ]

l.v.

Q

C

W Cf ten. T

Q

Q

Q

Q

Q

Q Q

Q

Y =-C T h f ten. S

C

34

YC CYC

C

.> C TU C C TU

C

S

>C C C Y C

C

>C

C C

T

C Y (X ) C C C C C C

Y C. f secco>

T

Q Q Q Q

.C^ 31

Q Q T U jh cresc. molto fff (take metal str. mute) sfz sfz > > 3 fff .gi^ XC C C C C X Y C C Y C C CC Y C C X C C Y C C C C XY C C Q Q T T U jh C .Ò > > 3 cresc. molto sfz fff (take metal str. mutes) (as an echo) . 5 .C> (with hands) C C .C UT Y C T Q S S T h YC YC C C C Y C. jh mf , chiaro, stacc. p 3

YC

44

24

Q

S

24

34

31

(CGA.)

g S C C .> sfz g

1º - take mute

Q =g

3

[ #

Perc. 1

YC 3

(Y)Y B

] !

Timp.

Perc. 3

Q

44

(hy) solo

(CGA)

Congas

S

S

!

Q

4 4

25

T

!

(Y) B

S

Q

Vln. II

Tpt. 1

p)

(

Q

g C

Q

_C

Q

2 4

Ì

T !

[

BB

Q

$ [

p)

(p)

YB open (3º) > mf sfz p

Q

]

]

BO S

B

Q !

Perc. 3

Vln. I

W C> mf sfz p

Q !

Perc. 4

BO

Q

]

Perc. 1

p)

(to ms. 30)

[ #

Timp.

mfsfz> p WC

B (

g

open

Q

B (

>

Q

flt.

BO à2

Q

Ì

Hns. 1, 3

Q

25

(à2)

[

Vlc.

25

5 TKT C. X .C . . . .C (W ) C 3 6 3 XC WC C . W .C C. X .C W C T C C C C W C X C> C C C C C C> T . 6 molto poss. fff molto stacc.5 __ g T S Q C C> f poss. 5 C C stacc. . . C C Y C X C . C WC WC XC T T WC XC C C W .C C Y C C X C C C Y C Y C.> mf 3 (cresc.) 5 ff 3 C C .C X C T C W C W .C X C Y C . Y C WC C YC YC T XC XC C C .> stacc. 3 mf 3 (cresc.) ff 5 5 5 > 3 YC C C C C C W C C X C Y C C C Y C Y C C (W ) C C. T W C C X C C. W C. C. W C. C YC > > mf molto stacc. sfz 5 sfz fff 3 3 3 XC C > C C . T C X C T Y C Y C X C C C Y C. . XC XC C Y C X C W .C> > molto stacc. fff sfz mf sfz

.C W C C C WC

[

34 Q

Q Q Q

Q S

*3 *3

T

g

mp -

Tom-Toms (my)

$ T

small Tamb.

S

C_

(fist)

T

.> T U jh C ff

f

C>

Perc. soli : ms. 31 thru 38.

__

_

g

T

C.> C O C fsfz sub. p 3 _ C C_ C_ C C C.> p mp molto Q

24

T

C_

g

-

pp ten.

(to GL.)

Q Q

S

34


6

[ #

Timp.

Perc. 1

]

(take sticks)

[

3 4

$ $

Perc. 2

Perc. 3

Perc. 4

(CGA.)

S

(T-T.)

S

Q

3

C. >

C C

f

g T CC mf.

_ T U C- _ C. f TU C C C >

S C. mf Q

S

S Q

solo

S Q

4 4

BD (sb)

_ B- O lg. Tamb. (drum sticks) (mounted) >C .C .C .C C C U >.C f C C T S ] ! pp f sub. mf $

(w. SD sticks)

Q

Q

3 4 Q

3

C

molto

C

Q

_ C_ pp S

C. p & Q

S

S

T YC _ mph __

S w. fingers

(an echo)

S

C pp

S

_ CO

C- B > mf

S

_

Y C- _ B

__

T U C. C. C. p

2 4

T U C. T U C. pp g T C.

S

3 4 T

C

( C ) pp. &

g C. S

g

p>

S

[ to Glock. ]

Q Q

[ to Crotale ]

p secco C _ T h

C _

_C pph T

C.

C mp.

C C T > .

l.v.

S

3

__ C

gliss. trem.

Q (take dowel)

40

Flt. 1

[

S

T Y -C C p

! S

S

T

Picc.

! S

W C- W C p

!

Ob. 1

> Y .C Y C Y C YC C T h mp .C> X C T C C WC h mp XB S S

! S

S

T W -C C p

XC C XC

S ] !

S

T

YC YC XC

Clt. 1

Clt. 2

[

Q

Hns. 2, 4

!

Q

Tpt. 1

!

Q

] !

Q !

Q !

Q

1º mute

!

Hns. 1, 3

C- C p

p C

C

mp >. Y C C T h mp >. C XC T h mp mp .g > YC Q> .g C

3º mute

Tpts. 2, 3

Q mp Q

B

ph

C T

T

S

[ take flute ]

Q

Q

34

Q

Q

Q

S

Q

Q

Q Q

Q

S

Q

Q

Q

Q

Q

Q

Q

(1º: mute out)

S

(3º: mute out)

44

S

Q

Q

Q

YBB > mf Q

Q

Q

l.v.

Q Q GL. (br.)

CR. (br.)

! S

Vln. II

T Y .C ph pizz. T Cg . p

S S Q

"

Vla.

#

S

!

Q pizz.

! S

S

!

Q

] ! [

[ to Elec. Kybrd. ]

Q

40

.C

Y .C

X .C

.C

Y C.> h mp .C> h mp Q Q

B B pB -B p

44 44

? Q

metal str. mutes

Q

A

l.v.

AA

l.v.

A

Q

S

Q

S ÇB S

S

pp ÇB pp

p

Q

44

R

[ C] pp

(from Flt.)

R ÇB

mf ÇB mf

34

Ç

S

arco

ÇB

0

C pp

C

g C.

g

Q

pp

S

BO

.C

S

Q

C

.C > g

? ?

S &

.C

5

.C

? S

&

S

pp

ÀB

?

abruptly off

?

S

abruptly off

?

? Q

S

Q

B

Q n

C C

¯

?

S

S .C >

? S

S S

mp

ÀB O

T

S

Q

n

ÇB

? ?

Q

C

5

Q

Q

ÀB

C

Q

(w. dowel sticks)

Q

C

p p CC YC C

(Lg. Tamb.)

arco

T

C

Q

5 mp mp 5 Y C C C YX C C

(CGA.)

Q

(from picc.)

T

YC

mp

34 34

Q

Q

Q

metal str. mute

Q

?

?

34

Q

Q

?

Q

Q

Q

?

Q

Q

$

?

Q

[ take Bass Clar. quickly ]

ATTACCA No. 2

?

S

Q

Q

?

Q

S

T

T

44

C h p

Q

Q

Perc. 3

]

p

C

S

$

Perc. 2

Vlc.

T

$

Vln. I

B mp g >. C C WC T h mf sub. C W C g >.C T h mf sub.

Ped.

[

Perc. 4

S

BO

40

Cel.

Perc. 1

S

mp WB

!

Ob. 2

S

B mp

S

S

Q

Q ? ATTACCA No. 2

9/ 20/08


Duration: No. 2 - c. 1:20

7

2. - STUCK

C = 63 ~ 66 ] YC YC C XC YC C YC YC

Leisurely [

[

4 4

!

Flute 1

mf Flute -C !

Flute 2

C YC

! !

Clarinet 1

6 6

YC

mp

Bass Clarinet

YC

YC

#

Y -C W C

C

C

—#

44 ! #

Horn 2

-C

!

Horn 3

!

Trumpets 1, 2, 3

!

T -C Y C

TU

mute

#

Tuba

C

44

!

Keyboard

# [ #

p

[ $

Percussion 2

$

Percussion 3

$

Percussion 4

$

44

[

" #

Cello

] Õ!

mute

R !

(tightly stopped)

à BO mp ( poco sfz )

Q R Q R

S

T

mp

S

R

-C

B

p

C p Q

Q

C C >C T U R ( pp ) sub. f A p R

T

Q Q

[ take harmon mute ] gl.

C C S Q

pp

R

(

C) S

R -C

B p

S Q

Q

Q Q

Q Q

Q Q

Q

Q Q

Q

Q

Q

Q

[ take brushes : 1/2 slosed ]

Q

Q

î-

C

[

Q

Q Q

Q Q

Q Q

Q Q

Q

Q

= 63 ~ 66 ]

gl.

sub.

sul D

T

WC) mf h

gl.

(

( C p

sub.

gl.

mf C-

sub.

sul D

-C

mf

gl. sub.

î

sul G

DoubleBass

S

Q

Q

[ take bow ]

sul C

Viola

(take mute)

S

Q Q

R

cup mute

h

S

Q

C TU S C

5

C- Y C Y C X C Y C. p W C X C X C WC . C T U jh p

Q R

Q

mf

!

pp

T

C C Y C C. W C Y C X C Y -C C mp

S

5

Q

44

Violin II

B S

3

(Timpani TACET # 2)

sul D

!

S

C YC C C T TU Y C C W C W C C W C W C. pp XC CYC C WCWC XC . T C 6 pp C C W C Y C Y C C Y .C T

Q

12 8Leisurely

]

R

R

T

T

6

3

3

= 63 ~ 66 ]

]

Percussion 1

Violin I

î

3

C

R

R

BO pp

C mp

Leisurely [

R

WC

X C. W C- C W C p mp

]

Timpani

C

free gliss.

fiber str. mute

#

T

.C

h p

R

Bass Trombone

Q

R

6

S "

Q

R

g W C C. p

(Trumpets TACET # 2)

Trombone 2

Q

T

-C pp 6 C Y .C C C -X C Y C T 3 p mp 3 g C 6X C W C T C XC p 3 Y C C C C. C C C- W C p mp Q

mp

"

Trombone 1

Q

gi U C X C. T pp S

WC

WC

YC

mp T

Horn 4

Q

Y .C WC WC C T 3 p . YC X C C T h p

WC

C

open

Q

5

C

open

[

C CWC C R p.

C

6

mp

YC mp -

]

C

6

Y C- Y C mp

C.Bsn.

W C. p

7

!

Bassoon 1

Horn 1

C

5

Bass Clar.

Contrabassoon

YC

Y C- Y C C C mp W -C W C X C C Y C

Oboe 2

Q

3

C YC

mf

!

Q

3

Y C- C Y C mp

Oboe 1

3

C C C R . p

mf

C

gl. sub.

p

h

g )

T

R R

C p ( C ) R p C R p T R

Ãg T


8

5

[

Flt. 1

S

!

R

S

Flt.2

!

R

Ob. 1

!

Q

Ob. 2

!

Q

Clt. 1

!

g

>

C

mp

6

C C C C YC

S YC C C> C W C C. p mf

R

R

S

YC YC C S W C C C> p mf

R

R

S

(

T

C YC C C WC

Q Q

Q T C

>g

CO

p ( poco sfz ) C C hp mp

>C )O B

p ( poco sfz )

T

—# Q

Q

R

!

Q

Q g

(mute)

!

C

mp !

Hn. 3

Bs. Trb.

(mute)

]

R Q

à CO

(slow)

Ì

X C> O T

p

0

CO pp

poco

sfz

Q

Ì

C

C

h mp

p Q

Q

(mute)

#

T

Ã

Ì

C

0

T

# Q

C

p3 R

T

3

W Cp

C

3

#

Q

R

T WC W C pp 3 T C-

7

Kbd.

C

T Y -C R

5

!

Ã

Ì

C

Q

Q Q

Q

R

CC C

Ped. 8ba

sm. Gong

[

( w. 2

Q $

Perc. 1

$

Q Q

Perc. 3

$

Q

Q

$

Perc. 4

Vln. I

]

C C C

mp [

* C-

S , jazzy

h

C. T C

>

C. R O

R

S

! R !

Vln. II

Vla.

"

Q

Vlc.

# Q

S

Y Cpp tasto _ Cpp

T

_

_

slow gliss.

] Õ!

C

> C

C

C

C C

> C

C

C C

T

C

stir

C-

C

C-

SO

S

S

h

_

slow gliss.

1 Treat this as a solo part. It may be freely improvised (with hi-hat and cymbal if desired), varying each sixPerc. 4º measure repeat. Observe rests and dynamics:as if playing - alone - a pop tune that others cannot hear.

R

Q

S

R

Q

n

_

Q *

C C

S _

C_

_

Y C_ n

(

D.B.

Q

5

tasto

_

l.v.

Q

RO (sul D)

BO

C C C C C> C mp

Perc. 2

SD. (H-H) 1

5

beaters)

Q

T p

ÀC > )O

Q

Q Q

Q À C

C

À-

C

3

Q

harmon mute

Q

YC Y C C C YC ppp poss., mumbling

T WC C C YC YC ppp poss., mumbling T C WC X C C YC YC ppp poss., mumbling

Q

(cup)

#

T

Q R

Cmp morendo

B

Q Q "

g

Q

"

Trb. 2

C

Q

!

Trb. 1

pp

g

Q

(take mute)

Hn. 4

C

A

WC

NV

3

R

Hn. 2

Cmp morendo

R

Q

[

>

CO

Q

]

Tba.

Q

#

Bsn. 1

NV

6

5

R

R !

Hn. 1

mp

5

Q

Bs. Clt.

CBsn.

YC

>g

À-

C mp S

#

T

3

Cp

C


9

[

g

! A

C

C pp

Flt.2

! A

C

Ob. 1

!

R

g C pp

Flt. 1

(

!

Clt. 1

!

g

C pp C

!

Bs. Clt.

YC Y C

—#

XC YC YC

[

C

g

R

T

BO pp

S

T

"

Trb. 1

h pp

(cup)

T

-B

S

Ãg C

B

C

#

(W ) C #

Kbd.

#

[

Ã

Ãg C

>

C

>

Ã

3

C

Ã

g C

>

sim.

S

XB pp

T

R

S

BO pp

C

g

BO

(

g

T

S T

S

C

C

C

XC

SO

] [

C

g

C

C

T

SO

g C

C

C

g

C

g

C

h

h

C

Q

Q Q

Q

LH (hy)

S

mp C C C .C T -C S h mf sub.

.C C

S

C

C C -C

A

S

h

l.v.

.C

C C C

p

Q

Q

Q

Vln. II

!

Q

Q

Q

Vla.

"

Q

Q

Q

Vlc.

# Q

Q

Q

D.B.

# ]

C

C

g pp

T

R

S

S

RH (sb) (edge)

!

Vln. I

T C

WC A

C

T

C

C h

.C U Y >C S T mf T S

C WC C BO

p

3

g

gl.

C Y -C X -C

Ì

R C

gl.

mp

-B

S

Lg. Gong

C C C

g YC TU C

p

(center)

(SD - HH)

R

p Y -B

>g)

loco Ped.

Q

$ $

S [take mute]

gl.

C

3

[ LH:hard yarn, RH: soft, large beater]

Perc. 4

T

S

Q $

Perc. 3

C

Q

Q

Q

Perc. 2

Ãg

R

Q

R

CC

$

Perc. 1

R

T

pp

Q

T

(W (W) ) BB OO

(8) (ped.)

T

g C

Q

C hpp g C pp

(Y) C

]

C

solo

(mute) Tba.

pp C h

>

(mute)

#

BO

C >

Ã

pp

Q

Q

Bs. Trb.

Q

3

> psempre rfz

R

"

Trb. 2

A p

W -C p

S

pp

Ãg C

(harmon)

g

C

mp

C C > > p poco sfz

R !

WC

(mute)

(tightly stopped) Hn. 4

>

Q

p

Q

Q Q

S

S

p ( poco sfz ) flt. _ C_ p ( poco sfz ) S

S

C-

R

R

YC X C C

T

Q

T

!

Hn. 3

g C pp Q

__

C

R

R

3

!

Hn. 2

)

flt.

S

R

Q

T

Q

T

R

R

T

WC

S !

Hn. 1

3

C WC

]

C C C C

#

Bsn. 1

T

R

B

p ( pocosfz ) Q

Ob. 2

CBsn.

B>

T

<

BO p

MV

W Bmp

Ì

ord.

C

g

T

S


10

10

[

,

( ) (ord.)

__

!

BO

Flt.2

!

_

Ob. 1

!

Q

Ob. 2

!

Q

Clt. 1

!

Flt. 1

B

(ord.)

!

C-

(

#

h p

Bsn. 1

g C pp C

g C

mp

T

S

(stopped)

[

C mp !

Ã

C

Ãg T

R

T

(mute)

!

R

Hn. 3

!

R

Hn. 4

!

R

Hn. 2

Trb. 2

"

Bs. Trb.

#

mute

mute

S

p

C YC C

(mute)

R

C

CWC C C

WC p

3

g

C C

C

CÃ h

h

pp

(G.) Perc. 3

$

Perc. 4

$

C XC mph

T

R C

]

S

C

>

S

>B

T

S

T

Q

S Q

0

C

S

C

Ì

B mp

p

à B

p Q

T

S

R

R

S

g

T

S

R

R

S

YC XCW C W C

C

B

C

3

5

C

CC

TU S

R

S

U S CC T

R

S

]

[

BB

CC

l.v.

Q Q

Q T

C C

C

> C

C

C

C C

C

YC YC pp C

molto legato 3

WC

WC p

WC

BO

Q

RO

YC YC pp 3

5

C C C C C C > mp

Q !

R

Vla.

"

R # R # R

ord.

Vln. II

Vlc.

]

C

C- O

n

.C R O

!

C

pp

> C

C

C C

T

C

-C

C

S

-C

SO

pont.

t

S

h

10

[

Vln. I

D.B.

h

.C T

S

Y -C Y C

Q

S

mf Q

(SD - HH)

T

R

T

g Y Cmp

3

C YC

S

sim.

<B

-C

C

0

T

med. SC arco

__ p

R

n

h

Q

(w. maximum harmonics)

$

S

n

C

Q

Perc. 2

T C

h

(Gong)

$

Perc. 1

n

A

mp ( poco sfz)

g Y Cmp

T

C

WC

WC

(ped.)

R T

n

C

(W ) B

g

molto legato

B #

C

Q

Y Bpp

10

Kbd.

S

C YC

3

5

3

T WC p 3 T T

X -B pp

R

#

X >C

C Y C Y C Y C X -C h

3

C YC

à Y -B pp

(mute)

]

C

Ì

Q

#

[

T S

R

Trb. 1

B-

X -B p Y -B p

YC YC pp

3

S

(harmon)

"

Tba.

Q

R

Ã

Q

Q

R

R

Q

Q

)

T

T

Q

R

]

Hn. 1

R

p

p

Q

T

R

—#

CBsn.

g C ( > ) mp

BO

B

BO

Bs. Clt.

C-

Q <

Y Bpp

C

X Bpp

B

Y Bpp ! S

C

gl.

<

C p

=

Q C MV

XB p

MV

ÀC>

ÀC< O pp

f

C

YB p

gl.

Q

C

g

T pp

Q g

C pp g C pp T

T

S

S S

S Q

W C- (W C ) pp pont. t W -C ( W C ) pp

WC


11

molto legato

15

Flt. 1

[ !

Q !

Q

WC C C C C C C C C TU Wj C C C C h pp C C C C C WC C C C C C C C WC C

Q molto legato

Flt.2

R

!

Clt. 1

!

R S

-C )

(

C !

T

R

ph

# YC YC —# ]

C

C h

[

3

T

WC pp

B pp S

C C

ppp C C

(

C

C C WC C

C

g T

, B

)

C T h mp S

C

T

C

Q

C

h pp

R

Hn. 3

!

Q

Q

Q

(mute)

Y -C O p T

(harmon)

Trb. 2

T

S

R

(mute)

#

YC YC C

Bs. Trb.

h

(mute)

#

Tba.

YC YC C

] #

C

# [

WC

WC

p

g T

S

C C

g C

T

S

(G.) Perc. 3

$

Perc. 4

$

T

YCO p

]

SO

[

C C

> C C T SO

!

Q !

Q

C C C C

S

h

.C C

C C C

S

h

t)

"

(

C

Vla.

XB

CC

Q

S

h

S

mf

#

(W ) B

Vlc.

] !

(

t)

(W ) B R

Ì

T

>C )

(

C

ord.

S

B

YC

Y C- O p

B

YC

Q

>B

S

S T

R

h p

ÀC

ÀC

T ÀC mf sub.

ÀC p

ÀC

h pp

T

n

-C

S

h

.C T >C .C R O sul G MV 4

C p-

C

C pp

C

S

C pp

YC C

YC mp

g C pp

T

S Q

(w. snare drum)

#

pizz. >g YC

C

C

MV 4

C

poco

poco marc.

T X -C ph

heaving

S solo

03

Q

3

3

C

mf Q

=

Q

T

l.v.

ord.

WC WC C C mp> poco sfz

C

Q

C C C

<

C

h

p

<

Q Y C- O p

>C )

(

C

T

Q. 15

g gl.

Q

__ B p

.C p

T T C p

Q

3

R

S

A -C

3

(solo)

sloppily

g CC

Q

-C

#

Q

Q

.C T

T

Q

p3

BB OO

C C C-

g C

Q

ord.

S

R

Q

R

Q W C> W C C C mp poco sfz

B p

C T hmp

g T C pp

15

Q

Ì

T

>)

(

n!

Vln. II

C

R

Q

T

-C

h

R

C TU pp

sim.

R

C

pp

C

WC WC ! T X C- C C C XCYC mp p R T YC YC Ped.

Q

(SD - HH)

>) C mp R

Q

$

C

S T

C

C

(

Q R

g

C- O pp

BO

C

R

C C

(SC)

D.B.

mp ( poco sfz )

R

n

Q

Q

Perc. 2

Vln. I

A

3

$

Perc. 1

R T

C

5

Kbd.

g C

WC

WC

T C

CO

C

>g

T

Q

Q

C h

C

C C

T Q

Trb. 1

C

Q

Q

Q

à C " h pp (cup) B " pp

C

g

n

Q

R

C

n

n

#

C

Q

S

Q

T U C gi O p( > ) B ( poco sfz ) T

C

>g

!

!

S

3

XB

Hn. 2

Hn. 4

WCWC C

p

Q

C

Bp R

3

C

XC

3

C ppp t T g YC (C) A pp -t

T

S

R

B !

g

R

WC

g

T

S

3

g

C

"

Q

Bsn. 1

C C

S

> T g g B C C p ( poco sfz )

R

Bs. Clt.

Hn. 1

pp

C C C C C

Q Q

Ob. 2

CBsn.

T

Q !

Ob. 1

WCWC C

T

3

Y .C T X C C R - . 3 h

p , jazzy, relaxed


12

[

Flt. 1

g

B

C pp

!

R

S

Flt.2

!

g C pp ! R T

!

Ob. 1

Ob. 2

S

R

C

S

g

3

3

WC

WC C C

3

3

â&#x20AC;&#x201D;#

C

C

C

C

C

C

T

h

g

! #

T

R

Q 5

C- Y C X C

pp

" YC

Trb. 2

"

YC

5

XC YC

YC

#

[

Q

R

# Q

T

Q

Perc. 3

$

Q

Perc. 4

$

>

(S.D - HH)

RO

!

C mp ! R

Vln. II

C #

gi

#

(solo) (pizz.)

R

B

)

TU g O C mp

t Y C (Y C ) mp Q

gliss. sempre 3

C XC X C

C YC YC p poss. S

TU TU

C

C

T

Q

C YC Cpp

g

BO #

p C

C

XC

TU

C

n

C

CC

CC

BB

TU ]

C

[

BB OO CC

TU CC

MV 4

C C

C

C C C

C C

Q

BO

> C

C C C T C

Q

Q Q

Q >

-C

C

C

SO

S

S

h

0

3

C

C

C

C

g p

sul G molto pont.

__

pp ( B > ) h

-C O C

__ A

-C O h

-C

p

T

T mp

3

C W C WC WC

, C

3

3

T

YC

3

YC T C XC 3

X Cmf

C

C>

__ B

0

C

Q >C

SO

g

>

C C

T

SO

C C C

C

sul G (vib.)

Q T

Q

Vlc.

]

T

-C

"

Vla.

(W C

TU g YCO

Q

S

C C C C C> C mp

$

Vln. I

TU g YCO

5

Perc. 2

0

TU

R

Q

[

XC p

t

mp

C mp

(free lip gliss.) sim.

YCO p

g C-

Y C-

Y C-

Y -C p

g

Q

(G.)

]

BO

WC ph T

Q

S

Q

$

Perc. 1

T

S

Q

!

Kbd.

h

lip gliss.

Q

(mute)

]

T

Q

(mute)

Tba.

Q

C WC WC XC mute

R

[ mute out; take plunger ]

Bs. Trb.

Q

YC C

C

C

R

mp #

B

T Yh C pp

Q

C

3

C WC C

3

C-

Q

Q

(mute)

Trb. 1

5

C XC XC

5

R

Q

(harmon)

Q

C C YC Y C YC C C pp -

(mute)

S

! #

S

Q

(mute)

Hn. 4

Q

Q

Q

R

Hn. 3

S

R

R

[take mute]

Hn. 2

T

C

R

Q

[

Q

T

pp

Hn. 1

S

3

C h

C C

T 3

3

C

T

h

C C

#

Q

]

C C C

WC

ppp

C ( ppp ) (echo) t T g YC (C) pp S

"

g

T

Q

Bsn. 1

D.B.

C

WC

(echo)

!

Bs. Clt.

CBsn.

3

XC C C ppp (echo)

R !

Clt. 1

WC T T WC h 3 ppp (echo) T

gl.

WC

g C

4

BO p pocosfz

C mp R S

g

morendo

_ C

C

C

C

S 0 (free bow)

C

p

S WC WC p 3

T n

4

0

g

T

solo pont. 3

T

S

3

YCXCXC mp

p

C

_ C

g


13

senza rit. al fine

20

[

ATTACCA No. 3

!

Q

Q

!

Q

Q

Ob. 1

!

Q

Ob. 2

!

Clt. 1

?

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

!

Q Q

Q

Q

!

Q

Q

Bsn. 1

# Q

R

CBsn.

—# Q

S

Flt. 1

Flt.2

Bs. Clt.

Y C X .C T U T U C C C- W C C. . .C 5 pp mp molto . T soliT U gi W C W C. W C. X C C T Y C> X C . pp mp molto 5

[ !

Q Q

(mute out)

Hn. 2

h

C T

R Q

!

Hn. 3

" Q

Trb. 2

"

Bs. Trb.

# ]

Q

Q

Q ?

Q

Q

Q ? Q ? Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

(G.)

(scrape)

Q $ (SC)

R

R

T

(S.D.- H-H)

-C

h

S

20

.C C

S

C C C

h

C C C-

.C T -C

S

S

mf

h

.C

RO

Q

? Q ? Q

SO

T

C

>. g

p

C

34

B

>

C

( ) (echo previous entries)

<

__ C pp

g &

B

Q ?

C T h & Q

?

g T S C & C

T .C T S O

?

? Q

mp

98

Q Q

T

B BO

.C

?

Q

? Q.

Q.

SO

senza rit. al fine

! A

Vln. II

!

R

Vla.

"

A

NV

solo 3

g __ W C W C_ C __

(pizz.) (solo) 3

WC WC

g C

3

3

C C XC _h h_ __ mp3 3 C T À h ! C f

morendo al fine

ord. 0 bow)

C p

A A

C C _h 3 pp __ C

À>

34

A

(free

S morendo al fine

#

C-

(arco)

p Ì

Vlc.

pp

A -C

g

S

Q

(G.)

#

T

Q

$ $

S

34

?

?

senza rit. al fine

Q

[

Q Q

Q

]

?Q

Q

#

$

Q

S

Q

Q

Perc. 3

S

Q

Q

Perc. 2

T

Q

# Kbd.

g

Q

(mute still in)

]

?

n

[ mute out; take plunger]

20

D.B.

Q

? Q

Q

#

Vln. I

?

S

Q

Q

(mute out)

C

WA p poss.

Trb. 1

Perc. 4

?

[ take Bsn.: ASAP ]

[ opt.: open ]

Q

[ optional: mute out ]

[

Q

Q

Q

#

Perc. 1

?

(mute out)

Hn. 4

Tba.

Q

?

Q

Q

34

(mute)

# (W ) C

Q

?

6 T soloT U -C C 7 S WC C CYCXCXC C X C Y C Y C 5 C C Y C. mf molto p Q Q

S

soli

]

Hn. 1

3 4

T

À

C mp

? Q

S

BO

BO

C

BO

BO

C

ÇB OO ÇC

CÇ p À T C

g

tutti

T

3

S

C

(ord.)

Q R

g T C ppp

p3

ÇB

morendo

ÀB

l.v.

Q

Q

g T C ppp C T hppp g ÇC T ppp Q

?S ? ?

S S

?

ATTACCA No. 3

9/18/08


14

3. - GRUFF

Duration: No. 3 - c. 1:00

Coarsely [

Flutes 1, 2

[

6 8 !

Oboes 1, 2

!

Clarinet 1

!

Q

C O = 84 ~ 88 ] Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Flutes, Oboes TACET No. 3

Q (flt.)

g SO Y C.> fsfz

C-

mf

(flt.)

SO

T T

g g

g SO Q Y C. [ take B∫ Clar.] C> fsfz mf # W C g .C T T T T >.C X .C T .C Y >C Y .C h h mf sfz f BSN. g . # WC C T T T T g g T T W C ] C Y C> X C. h . .> f sfz mf

Bassoon 1

Bassoon 2

[

C

68 !

T

g T T T T

W .C mp

Q

Q Q

Q

SO

WC

Q

Q

SO

WC

> X .C fsfz Y C>. fsfz

W -C > mp

Q g

p

p

g

g

Y C- Y C. mf Q

SO

SO

Y C- Y C. mp Q

Q

Q

T

p.g .g C T T C T T

Q

Q

Trombone 1

# Q

Q

Q

Q

Trombone 2

#

Q

Q

Q

Bass Trombone

# Q

Q

Q

Tuba

# Q

Q

Q

SO

G.P.

4

take plungers

]

Coarsely [

68 !

Keyboard

# [ #

Timpani

Q

[

T T C g -C Y .C T T h h T T

Q

C O = 84 ~ 88 ]

Ì

C .h T > 0 mp

SO

WC

g

> X .C W -C W .C

g g T T Y C- C. (à2)

Q T SO

Q Ã 0 T gl. Y C- C mp . à2 g S O WC Ì

SO Ã. C h T T Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

open

Q

T Y -C Y .C pp

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Keyboard TACET No. 3

Q

Timpani TACET No. 3

Q

]

$

Percussion 1

Q

Q

Q

Q

Trumpets TACET No. 3 Trumpets 1, 2, 3

X .C C. C.

Q

Q

open 2º

Q

Q

g C. T T

!

Horns 2, 4

C.

g C. T T

.g SO XC T T C C C gl. SO .Ã . (open) 4º p Q

#

g T T

G.P.

à2 open

Horns 1, 3

g

C.> C

!

Bass Clarinet

4

G.P.

Q

68

Percussion 2

$

Percussion 3

$

Q

Q

Q

Q

Q

Q

Q

$

Q

Q

Q

Q

Q

Q

Q

Percussion 4

]

Coarsely [

[

68 !

Violin I

!

Violin II

#

Cello

]

#

4

G.P.

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Violins TACET No. 3

Q pizz.

g T T Y C. mf , secco pizz. g T T W C. T T mf , secco pizz. . T T WC T T h mf , secco T "

Viola

Double Bass

Q

C O = 84 ~ 88 ]

T

pont.

g X C.

h

SO

g C.

SO

.C

SO

T T f

arco

g C. >

T T Y Cg .> f g T T X C. > f

Q Q

arco

= = T YC Y C T C C - . - . mp (scratch) -C T T -C T T S S h h mp

Q

, rasping

Q

ord.

SO

pizz.

SO

T Y C YC C.> Y .C X .C - . mf> ord. g >. T T .C .C C gl. .C T -C Y .C .C .C XC X C h mf arco

SO

(scratch)

T -C T S mph

SO

pizz.

T T .C h

SO

arco

C. W C> W C.

poco

SO SO

pizz.

X .C T T mph W .C T T h


15

[ !

Clt. 1

!

W Cmf

Clt. 2

g

T __ C. Cmp Q

Bsn. 2

Hns. 1, 3

Q

Q Q

Q

X C>. fsfz

X C- Y .C >. YC mf fsfz # T T g C T g . C C ] C. .> mf fsfz [ (1º) mp g Ã.g ! S O WC C T T Q # Q #

Bsn. 1

10

G.P.

(flt.)

SO

Q

_

C- _

T C- X C. mf

Clt.

T T g T C. C. C.> mf > . >. . __ . W C T C T S O Y C YC T W C C T W C C . > mf mf (f) Q SO T __ C.> X C. Y C> Y .C T mf ( f)

Q Q

10

G.P.

Q

SO

T

g

>

. C YC T

0

T

Ì

Q Q

Q

C. W .C>

mp

SO

Q

g T T

Q

Q

SO

T

à Q

Q Q

Q Q

Q

gl.

Q

Trb. 2

# Q

Q

Q

Q

Q

Q

Q

Bs. Trb.

# Q

Q

Q

Q

Q

Q

Q

Tba.

# Q

Q

Q

Q

Q

$

Q

Q

Q

Q

Q

Q

Perc. 3

$

Q

Q

Q

Q

Q

Q

SO C. T X C. > Toms mf (my) SO T C C p Q

Perc. 4

$

Q

Q

Q

Q

Q

Q

]

g T T C. X C X C Y C.> f fsfz arco gl. . (scratch) T # C C C T T S h mf f (pizz.) > # T T .C S O

Vlc.

D.B.

]

__

SO !

! T mf

Q

SO

(ord.)

arco

T

Q

C- C. Q

Q

]

g C. X C. C>. mp Q

SO "

#

Bsn. 2

T T

T Y C. mf CSO

__

#

Bsn. 1

T T

T Y .C .C p , giocoso

> T Y -C S fh

arco

SO g T T Y C- C C. C. C- Y C. C. . sub. mf pont. ord. > . . T W C- C W C T T X C C _ C W C _ W C _ C _ X C. T C. _ . h mf mf f > SO T T -C S O Q S h

SO

!

Q

# Q

Q

(w. plunger)

Trb. 1

Ã0 # >-C T T S O f ,h rudely à (w. plunger) 0 > -C T T # SO f ,h rudely (w. plunger) # Q

Trb. 2

Bs. Trb.

#

Tba.

[

]

Q 16 = -

" T Y C Y .C f pizz. # T Y -C mf pizz. # T -C ] mf

T

= Y -C

T Y -C T Y -C

Y C.

C

Q g>

-C Y .C T T T -C h

h

C.

-C Y .C T -C .C X -C

(à2)

Q

Hns. 2, 4

Q T

mf > T T C g X .C mf h

16

[

Hns. 1, 3

D.B.

SO

C

C. C. C C C . - . >

C CC CC CC CC CC. > & mp f BD (sb) SO T T g mf C.> (alter pitch w. elbow) > (desc.) secco (asc.) SD T T C C C C (C ) C C C C C [ snares off; my ] p h p mf < = SO SO Q T C. C.> fsfz = < >. SO Q X C T T C. CC. h > fsfz < = T X C W .C C. T SO Q X C.> mf fsfz Ì

g Y C. T

T C. C.

C > SO

16

[

Clt. 2

Vlc.

f

g T T SO C. >

mf

Clt. 1

Vla.

pizz.

Q

"

Vla.

Q

SO

10

G.P.

[

Q

Ì

Q

[

Q

à -C glW. .C T mf 0

#

Perc. 2

Q

Y -C X C. mp

Q

C- C. X C. C. C.> S O fsfz

Trb. 1

]

T

T Q

Q

T YC SO .> mf Q

Hns. 2, 4

Q

Q

Ãg

(à2)

C.

à2

Q

Q T

0

-C C. T S O mp (à2) Y -C .C T SO mp à 0 -C gl. Q Ì

SO

T T

à 0> T T X -C S O h

Q 0> .C -Y C SO __ fh pp , rudely Q

Ã

Ì

=

T Y C. X .C T Y Ch mp T XC T Y -C p

X C. X C. p SO

g Q SO T C- W C C T T S O . .> mf sfz SO g T T T g T C W C . . C . C. W C. C. -C W C C. mp >. mf . sfz> f >> XC XC T SO # T T g C. W C. C. X .C C C W C . C - . fh fsfz mp . >. wildly MV -C WC C T SO SO Q fsfz f .g . . . . . . . . SO T T W CC CC Y CC W X CC W CC CC CC C X Y CC W CC T C .h . . . . . . . . mp molto mf f -C Y .C T Q Q SO mp Q Q Q

Q

SO Q

Q

à mp Q

Ì

__ C

gl.

23

Q

T T

T T "

Y >.C h ff (à2) Ã.g T XC h mf.

0

C

>. T

Q

T C W C. W -C . Y Cpg SO T T g T T T C. X C. W Cp wildly .C> MV -Y C # SO X C. W C h SO mp ff f g g SO T T Y C Y C. X C C. T X C. mp. 23 à à à Q S O W C. C. X C.> fsfz Ã.C .à Ã.> C WC SO Q fsfz mf à 0> Q T -C T S O mf Q Q

Q

g T T C. C. C- C Y C g T T S O Q . . p mf pont. (scratch) > T -C gl. .C S O SO SO T T -C Q S C.S SC.- T hmf mp f g >- >arco . . . . T T C T T C C T T T W -C C. C T T X -C Y C T T XC YC T T SC. S S h > h h mf mph mf arco Q T T XC SO Q -C Y .C T S O S mf h Q

T T

Ì

Q

Q Q

Q soli

T

C-

C. C. T

. T T T Y .C Y C .C -C Y .C X -C .C mfh >. pizz. X .C T T h T T .C T SC S O h h p sfz > X .C T T T pizz.T .C Q S h p mfsfz ord.

S

23

X C.


16

28

[

(flt.)

!

Clt. 1

C. C C. > fsfz

SO

SO ! Y C. C X C. > fsfz # YC SO . X C X C. > fsfz # Q

Clt. 2

Bsn. 1

Bsn. 2

]

(à2)

Hns. 1, 3

X C. C- Y C X -C Y C. T

Q

Q

Q

Q

.C -C Y .C X .C T T h Q

-C Y .C . YC Q

!

0

f

T C g Y .C Y C C W C. X .C > > . ff

#

Ì

Trb. 1

#

Trb. 2

#

Q Q

SO

mf Ã

Ã

Ì

Q

Hns. 2, 4

T g T X C.

T g C. T

Bs. Trb.

Q

Tba.

# Q

[

]

$

Perc. 3

$ $

Perc. 4

]

SO

Y C. X C. Y C. p

Ã

à CC OO

0g à CC XY CC h Ãp 0 ( ) sub. f Q

Y C- X C. Y C. mp

Ì

Q

Ì

à C. U T T hj T

0 T YC h mf à 0 Y C- C. U T T mf

Ì

T

Y Cmf

>Ã T T C. h mf >. C à2 WC h mp

Y .C T h

SO

W .C h T mf

Q

Q

.CÃ

.

gg l

à à Ã> g .> Y .C T T C C T T Y .C T T h T T h h mf ph solo g . .C T Y .C W C C T X .C X C. Y C. Y C- Y C. Y C. C . mp p , molto stacc.

Q

Q

Q

C

Q

Q

Q

Q

Q

Q

Q

Q

Q

T CC CC CC CC CC .> mp f SO T T g C.> f C C C C C C p Q

Q Q

Q

Ì

.C h T T SO

Q

Q

> C C C C C mp mf

g >. T X C C T .C

Q

SO

Q

C

Q

Q

Q

> T .C h mf

SO

Q

Q

T

T

.C X C W -C X C Y C C. . .

Q

Q

SO

Ã>

T C. T W C W C. X C.> >

Ì

Ì

(alter pitch w. elbow)

W C. T W C.> C. T C. f > W .C W C. .C .C Y .C X C. f

g T T C.

Q

Q

T C T YC YC . . - Y .C

(flt.) g C. C. C Y C- _ Y C. X C. C W C W C. X C C X C W C. > - . . . . sfz f .

g T T C g X -C .C .C C. mf . X .C C- Y .C C h T T

0

SO

__

SO

28

Q

(flt.)

(flt.) g _ T C. W C. W C- _ Y C. X C. T > sfz f

Q

Y C- Y C Y .C g T T . Y C. p

g

__

Y -C mf

Q

(BD)

(SD)

C. Y C. p

SO

Q

(T-T) Perc. 2

WC p

SO

Q

Q $

Perc. 1

SO

T

Ã

gà SO X C T TW C Q SO T T Ãh mfsfzp .C à 0.C T Q SO ( mf ) 0 .à Q T T W .C h C T T h mf à - 0. à 0 C YC T T S O C- W C. mf Ì

#

T T g X C.> Y Cmf

T g YC T C >. Y C. C- W C. ( f)

à à 0 0 S O g C gl. gl. T T WC W C. W CY .C .C > mf

[

SO

Q

Q

g g C. T T C. pp Q

T T

come prima

Ì

Ì

C hpp

T T

C C C

T T Cg T T Cg . . Q (

>)

C C C C C C mp

28 Vla.

Vlc.

D.B.

g " W .C T T X C gl. C. C- gl. X C. > h f > (pizz.) # T T .C T T Y .C T h h mf (pizz.) . # T T C T T Y >.C T ] h h mf [

T T

S

T Y Cg T . g T C. T

-C>

T T g C.

T

T X Cg .

(scratch)

g T X C. C- Y .C C . mp mf

T

T g T Y C. T

T

T Y Cg T .

T g C mp.

g SO Y C. mp Q

Q

Y Cmf >. Y .C T TYC h mf

-> g T T T X .C T C Y C. Y C S C . .C . h f sub. mp g arco T Y .C Y .C T Y .C C. T T X C g C C .C p mf arco > Q T T -C S O S h f T

W C>. W f > W .C h f T

C. C-

gl.

T

T

T

g T T C .C C. W C- .>

.C Y .C .C

.C T T X C. C. Y C. h

C. X C.

X .C .C T h T T h mf

gl.

T T .C T T Y .C h ph

Ì


17

35

[

g ! Y C. T T mp

Clt. 1

T

! W C XC . . W C. mp

Clt. 2

#

Bsn. 1

C X C> . mf T T g

g T W C. p g T C. p X .C h T p

C.>

mf . > .C C

g T T Y .C mp

Bsn. 2

C sfz # YC XC . . Y C. S O ] mp [

Hns. 1, 3

Hns. 2, 4

Trb. 1

# #

.CÃ

SO

Bs. Trb.

h mf

]

(flexatone)

$

Perc. 1

(T-T)

$

Perc. 2

(BD)

$

Perc. 3

(SD)

$

Perc. 4

]

Q

Q

Q

C C . ff > T T >g g S O

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

C C . ff >

SO

T T

Q

Q

SO

T T

98 Q Q

SO SO

à T T g> T T CC mf >Ãh sfz - mp

SO SO Q

0 Y .C> h SO sfz

g C.>

YC

ff>

g .C>

g

C

ff

35

68

>g

Ã

sub.

f >g

Ã

Ã

CC OO

Y CC gl. h > Ã 0 sub. f

Ì

gl.

CC

SO Q

f

__

Ã

Q Q

.C>

Q

h sfz

(lightly tongue each

TYC p

Ã

C

Ì

g

) 0

gl.

mp

Q

Q (

T T _C _C O h _ mf f

SO

Q

Q

>)

98

sub.

CO _

C _

p

T SO

Q

Ì

"

Q

T

Vlc.

D.B.

.C

]

#

arco

T T Y Cg f > sub.

g T T gl. C.

T

Q

Q

Q

Q

Q

Q

g g C. C. Cp Q

SO

68

T T

g C>. mf

Q

[ to Gong ]

Q

Q

Q

Q

98

Q

= (sul G) Y -C T mf

gliss.

molto

68

SO

Y C. ff Y C. ff

SO .C

h p

T

T

C C

C C C C C >

mp , giocoso Q

Q

Q

? Q

(plunger down)

? Q

(plunger down)

? Q

? Q

? Q

solo (with hands)

Q Q

T SO

Q

?

(plunger down)

(w. fingers)

[ discard mallet; snares on ]

T C.> C. h W C C. mf p f # Y C T gl. X C C. . Y C C. . > p f sub. mp

Vla.

Q

Q

35

[

soli (flt.) 0

Q

Q

Ì

Q Q

Q

Q

[ take heavy drumsticks ]

Q

?

Q Ã

C) pp

(

?

à T T Y _ -C S O _h f (flt.) soli à 0 # T T Y -C S O __ h f Q #

0

gl.

Q

Ì

Q Ì

-C

?

?

0

Ì

gl.

solo

C C C C. C. . > p mf T T g SO .C> mfsfz C C T SO pp

Q

?

g SO g

Q

T T

Q

68 Q

>

T T

T SO

T T __ g g T T Y C> X C. mf #

[

"

Q

Trb. 2

Tba.

Ì

Q

98

T SO

Ã

g g ! T T Y C _ gl. C T T - . ( mf ) Ã Ã (à2) > . T W # _C C SO _ ( mf ) Ã# " Q __ C f 0

(à2)

T SO

ATTACCA No. 4

C.

T

C

g

mp

.C T C

g

C-

g

SO

Q

Q

?

Q

Q

T T g X C. Y C T . C. > p Q

Q

Q

Q

Q

Q

Q

? Q

solo pizz.

C.

!

?

(w. sticks)

Q

? Q

T T C C C . pp .C T .C .C T T S O ph

C> fff

C> fff snap pizz. T T T g C> f

C

? ?

Q Q

ATTACCA No. 4

9/17/08


18

4. - SPASM

Duration: No. 4 - c. 1:20

C

Nervous, twitching [

[

Q

2 4 !

Flute 1

!

Flute 2

= 112 - 116 ]

5

Q

Q Q

Q

Q

Q

Q

Clarinet 1

!

Q Q

Q

Clarinet 2

!

Q Q

Q

Bassoon 1

# Q

Q

Q

Bassoon 2

# Q

Q

Q

]

Horns 1, 3

[

24 ! #

Horns 2, 4

[TK]

à2

S

Q

Q

!

Oboes 1, 2

T

WC W C> C. X C. . f (open) . . à2 [TK] > Y .C C C S T XC f Q

!

Trumpet 1

g .C> T ffsfz X .>C h T ffsfz S

Q

]

Q

(open)

BB

C

Nervous, twitching [ Keyboard

# [ # [

AA

B Q

Q Q

Q

C

__

Ã

sub.

(flt.)

__

ÃC

sub.

C f ÃC h f

Ãg T

S T

Q

34 S

Q !

24

S

Y .C T Y .C

C p S

Ã

Ã

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

C p

Q

$ !

Percussion 3

$ $ ]

scrape w. heavy beater

24

Q

f Q

!

Violin II

C

Q

24 Q

Q

Q

Q

C TU &

Q

Q

34

(to S.D.)

24

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

C

= 112 - 116 ]

5

Q

Q

Q

S

Q

34

Q

Q Q

pizz. solo

Q Q

> T Yh C ff

î h

T

S

Q

pizz. solo

Q

pizz. (sul G) l. g solo

C> ff

Q Q

#

5

Q

Q

#

S

Q

"

Cello

T

damp!

C-

Q

Viola

g

Q

24 !

CC

Q

S

Nervous, twitching [

[

h

Q

sm. G.

]

BO p

Q

Q

XY AA

]

Percussion 2

Double Bass

Bmp

(flt.)

S

3

B

Q

S

S

BO p

Q

Ã

sfz

Bmp

= 112 - 116 ]

Q

24

!

Violin I

f , spitting à2 . .C . T YC X C .C T S 3 3 mf , stacc.

sfz X .C .C X .C .>C

Q

> fsfzpp

(open)

#

Percussion 4

Q

p

>

fiber str. mutes

"

Trombones 1, 2

Percussion 1

C > p Ã> C S

Q !

Timpani

Q

f , spitting > Y >C Y .C >. . U C W C X .C C WC XC YC T T

2 4

.> X .C .C X .C X C

metal str. mutes

Trumpets 2, 3

Bass Trombone Tuba

3 4

> Y >C Y .C .C U C W C X C. >. T WC XC YC T

( C ) .

gl.

solo

Q

(sul D)

> C

gl.

Q

ff

(

Q

.C )

Q

Y >C h f

solo pizz.

34

T S

pizz.

W >C h f

Y .C h mf

S

T W C> h f

(pizz.)

T

gl.

T

S

gl.

S S

Q

gl.

24

Q g

S

T

C> S

Q

Q Q

Q

C>

g T


19

[

S

.C >.C W .C W .C .C TU TU TU

S

>. UT Y C .C Y .C T U Y .C U . T YC T

tY C

>.C

. .C T Y C

.C

!

Flt. 1

!

Flt. 2

YC

!

XC

Ob. 1

3

YC

!

XC

Ob. 2

!

S # S Ã

(à2)

Ã

Ì

Hns. 2, 4

!

Tpt. 1

!

Q

Tpts. 2, 3

!

Q

C

"

S

#

Bs. Trb. Tba.

Q

]

3

3

solo

S

T T h 3 f

C.

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

.C . Y .C > Y C Y C YC YC C TU C Y C X C X .C S 3 5 molto p Q Q S

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

0

slow gl.

BB

CC

CC

Q

Q

f

g

slow gl.

T

ph

molto

Q

T

!

Q

Q

Q

# Q

Q

Q

Q

[ $

CO

Q

3

f . T C g W .C C

C.

C.

S

C.

C.

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

!

Q

Q

Q

Q

Q

Q

Q

Perc. 3

$

Q

Q

Q

Q

Q

Q

Q

$

Q

Q

Q

Q

Q

Q

Q

] [

(solo)

S

!

Vln. I

(sul G)

(solo)

T

!

Vln. II

"

(solo)

Vla.

]

(solo)

Q

T

>

YC h ff

T

. S C> >C

gl.

h . h Q

T

g

gl.

S

S

#

(ord. pizz.)

Q

(solo)

#

Vlc.

D.B.

Q

Y C> ff

g

g

h f

.C

T

>C

11

. TU Y C Q

Q

S

mf

Q

Q Q

(ord. pizz.) W >C S h f

Q

T

T h

S

S

S

(pizz.) (sul G)

T

f

h

C>

slow gl.

>.C mf

.C T

T Y .C h p

S

1 soli arco MV moaning

*

T

* T

T

3

X .C

C

CO

C

C S

T

pp

.C

S p

3

Q 1

*

g T C. > cresc. C

CO pp

soli moaning 1 MV tutti arco

Q

>C

h

tutti

Q

T T "

> W .C

.C

!

3

Perc. 2

Perc. 4

X C>

. .C T U CC

W .C W .C .C

Q

]

Perc. 1

.C T X C.> Y C. 1 ff quirky S

Q

[ #

Timp.

g

Q

11

Kbd.

WC

0

-g Y C T Y C -h mfsfzpp

(mutes)

S

Q

Q

C. mf

gl.

T W .C T

Q

Q

Y C. mf

gl.

. Y .C C T

11

Q T

Ì

C !

Trbs. 1, 2

T g

3

3

3

Y C.> T h ff sfz >. T Yh C ffsfz

(à2)

Hns. 1, 3

W .C T Y .C T C. X C. S

3

3

3

T

g

h

3

XC

C

# ]

S

3

YC

C

Bsn. 1

T

XC

C

!

[

YC

YC

C

Clt. 2

Bsn. 2

YC

3

Clt. 1

^. .C X .C Y .C U X C T U j T T h ffsfz ^.C . Y .C Y .C U U . W .C . U TU X C T T WC X C X .C T T U jh T ffsfz .C .C . X C T T S T T .C

tY YU >.C . Y .C . Y C C T T U Y C T U Y .C T h

T Y .C

cresc. poco a poco ( al

h

.C f)

Q

Vln. 2º/Vla. - ms. 12-20 (only): play sloppily and inexact; NOT rhythmically precise, drunkenly.


20

a flurry

.C ^ X Y C C >C Y C _ _ _ _ _ S ff 5 a flurry ^ (flt.) W .C C C X C> Y _ C _ _ _ S _

18

(flt.)

Flt. 1

[

Q

Q

Q

!

Q

Q

Q

Flt. 2

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

3

!

. 3 T Y C X C. C. W C X C T Y .C . C . mpmf 3 Q Q

Ob. 2

!

S

Ob. 1

>

g C.

5

T

ff

S

(change to Picc.)

Clt. 1

!

Clt. 2

!

.C T CYCYC XCYC mf Q # Q Q

Q

Q

T

# Q

Q

Q

Q

T

!

Q

Q

Q

Q

Q

Q

Q

!

Q

Q

Q

Q

Q

Q

Q

!

Q !

Q

Trbs. 1, 2

" Q

Bs. Trb. Tba.

#

Bsn. 1

Bsn. 2

] [

Hns. 1, 3

Hns. 2, 4

Tpt. 1

Tpts. 2, 3

!

S !

S

Q

$

p , pecking Q C C WC WC T . . . .> p , pecking Q

Q

T

TU T

TU

T U Y j .C h

>. T U Y jh C T

TU Xj C .h

C T U .jh >

S

> T X .C mf h T mf .g> T CC mf .>h

T

.C C h

g

W CC .

T T

T

S

T

fist clusters

>

f

sfz

T

T

18

.

Y CC S S

T S Q Q

.gi T U YY CC S T U .jh S mp , pecking . X W CC T U S

. 3 . CY C T Y C S TYC S . 3 .

>. . Y .C CYC T h >. . .g T C C WC

T Q

.g T S YY C C T S .h mp cresc. ( al ff ) Q

Q

Q

Q

Q

Ped.

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Perc. 2

!

Q

Q

Q

Q

Q

Q

Q

Perc. 3

$

Q

Q

Q

Q

Q

Q

Q

Perc. 4

$

Q

Q

Q

Q

Q

Q

Q

] [

(solo)

Q

! YCO mp YCO

Vln. II

"

Vla.

mp

(solo)

" T

Vlc.

h

.C h

.C >

C p C h p T

g

(w. drum sticks)

C C C pp >

(pizz.)

S

!

Vln. I

(med.) G.

C

T

C C C C C

C B

C

3

B

WC mf WC

]

#

Q

T

C

f

h

C> mf &

S

X .C T

W .C

18

>C S

3

S

T

Q

Q 3

XC

C

YC

YC

XC

C

YC

YC h

3

S Q

X >C h f

(to Tambourine)

damp!

3

mf W C> h

(solo) D.B.

C

T W Cg >

S

h (cresc.) poco a poco (al f )

C

T U j .C h T U .gi XC

T

[ + full volume ] to 3

S

YY CC

&

Q

T

Q Q

. T U X CC T jh g T U X W CC i T .

3

Y C. T C. S >

Q

(open)

Q

3

Q

Q

Q

W .CC> jh gi CC .>

X .C T Y >C. S

Q

] [

Q

W .C TU j C T h mf g TU W C i T C.

[ #

Perc. 1

metal str. mute(s)

Q

Kbd.

Timp.

Q

3ยบ

]

> .C .C .C Y .C T

metal str. mute

Y .C T U jh S mp , pecking . T U Y jh C S mp , pecking

T

g

CO p CO

XC h

p

S Q

XC

g

C mp C mp C C

Q arco

T

T U Y j .C S h mp

C

C

gl.

C

C

gl.

Q 3

Y C. T Y C. S >

Q

Q


21

24

Flt. 1

[

!

Q

Picc.

!

Q Q

! !

Q

Ob. 1

Ob. 2

!

XC WC XC C YC ppp

g T YC YC

YC

C p

3

3

C

C

C

Bsn. 1

Bsn. 2

Hns. 1, 3

Tpt. 1

Tpts. 2, 3

Trbs. 1, 2

Bs. Trb. Tba.

!

Q !

Q

Q

B

B?

B? long

?

Q

?

Q

]

T

Q

Q

Q

Q

$

Q

Q

Q

Perc. 4

D.B.

_

C C pp

$

Perc. 3

Vlc.

_C Q

!

Vla.

__

_ ppp

C

]

S

C WC C C

f YC

C C C WC

5

5

f Q

Q

Q

Q Q

34

Q

24

Q

Q

Q

Q

Q

Q

Q

Q

?

?

Q

long

Q ? Q

B?

long

?

Q Q

Q BD (sy)

Q Q

Q ?

S

T

Q

C_

Q

S

-

-

Q

gl. gl.

CC )

( (

mf

)

Q

asap: MV (ad lib.)

34

24

O O Q

g

Q Q

34

_

C_

Q

24

Q

pp Q

Y CC p

. >. ^ C T Y C Y CC C g T . .> C Òh ^ # S CC C (2-forearm cluster) fff ^ # S

Q ?

?

S

^ _ C Y C C. g T h . C. & f

__ B (p)

Q Q

S

S

T

Q

Q

#

Q

Q ?

Q

MV!

? Q

C T U _j __ pph > C C C C C .C mfsfz Q

Q

Perc. 2

Vln. II

_C O

$

(sy)

S

5

f YC

Q

Q T

light sticks SD (snares on)

[

Perc. 1

Vln. I

S

YC C XC C YC

S Q

long

Q

5

Q

Q

Q

YC C XC C YC

Q

3

[ #

6

f

Q

Kbd.

Timp.

S

Q ?

Q Q

YC XC C Y -C C

Piccolo

S

Q

U S B C C> T ff TU S B C C> ff ^g T C C T # T C Y C . h > C ff ff poss. ^g T C C T # T Y C h . C> X C ff ff poss. Q Q

molto

24

7

f

Q

Q

?

Ì

Hns. 2, 4

Q

Q

B

Ì

Q

__ B> ( ) mf Q

Q

p

__

_

C_

C

Q

C> sub. fsfz

24

[

long

arco tutti div.

S

YC C CB Y C O h pp div. ord. vib. g ! C T S BC C C YC p pp 3 g ord. vib. div. C BB " B CO pp g3 arco div. tutti C " C WC S Q pp 3 tutti pp ÇC (solo) div. # T g S S C. ] Q mf> !

?

BB BB BB XBB

S

ÇB ÇC

pp

BB p , cresc. molto ? BB p , cresc. molto ? BB p , cresc. molto ? BB p , cresc. molto ? ÇB Ç B p , cresc. molto

<

(

BB (

BB (

BB BB ÇB Ç B

(

>

)

< <

)

)

<)

C C C C TU > fff> CC CC T U > fff> CC CC U T > fff > C C C C TU > fff

S S

Q

Q

24

34 Q

Q

S

Q

Q

S

Q

Q

non div. pont.

unis.

T Y .C .C ff f X C> sfz p C

_

sub.

BB _

> ff

molto

C

C WC C WC CWC S

f

cresc. molto

XC WC XC C YC YC C C C n p ppp cresc. > C # T X .C S " XC WC Q h 3 cresc. mfh pp C # T Y Cg S " XC WC Q . h ] > cresc. mf pp 3 0> (0) Ã gi >C [ (à2) S U T gl. Y C C T C S Y C ! S T TU j h mp f ff > 0> gi (0) Ã Ã (à2) gl. Q U X C C Y C C X C Y C T ! j h h ff > > mf f (mute) . . U U X C S T T U Y .C Q ! XC T T S jh ff (mute) (2º) . . S T T U >.gi U S Q U Y C T T C ! T T U CC S Q ff .jh > > .g >. >. . . . .g > i (mutes) CC YY CC X CC T UU T T U XW CC CY C X CC T S " T XY CC S T T T U jh T .> >. .>h (cresc.) ff .> > . . . > > .gi . . . . . >.g C Y C WX CC T S # T YC S CC C C W W C C T U U T T T U U j C W C Y T T .h T C ] .> . > f > . mf .>h cresc. f ) . . ( al !

Clt. 2

Q Q

?

3

2 4 Q

3 4

Q

Q ?

Q

Q

?

? Q

3

n

Q Q

Q C

Q

Q Q

T Y Cg Y C

Clt. 1

?

Q Q

Q

long

_

CC _

g _ CC mp T

C


22

29

33

Flt. 1

X .C> [ ! h T ffsfz >.C ! h T ffsfz >B !

Picc.

Ob. 1

Q

Q

S Q

Q

mf mf

!

W >B B

!

Clt. 2

t W C O(

mf

W >B B

>.C

)

t W C O( C

C

)

)

mf # Q

]

3 4 Q

Q

Q

S

Q

Q

Q

Q

Q

B

B

pp

cresc. poco a poco ( al

C pp

Q

S

B

ff )

B

B cresc. poco a poco

( al

B C-

ff )

Q

Q

Q

Q

S

Q

Q

Q

Q

S

Q

Q

Q

Q

Q

Q

!

Q

Q

Q

34

Q

. T WC S X .C T h h f , precise .g .g S YY CC T T CC T .h S .h T f , precise Q Q

(mute)

S

!

Tpt. 1

(mutes)

!

Trbs. 1, 2

#

Bs. Trb. Tba.

#

S

Tpts. 2, 3

S

W .C .C> T T

. >. Y C YY CC T C T . .> Q

(mutes out)

Q

p

W -C p Q

.> . . > CYC YCO T .> . C > . sfzp f > > . à2 T C . . CO C C T .> . . > sfzp f >X C .C .C .C T T f > . . . T W CC C C Y C T CYCX C T T > . . . f Q

#

Q

#

g

S

Q

Q

T

S

Q

Q Q

Q

Q

] [

[ 30": E (SD)

$

Perc. 1

Q

YC

Q

h sfz .g^ X C T Y C T Ò .h sfz

T

.C .C .C .C >.C T U mp p

Q

B

! $

l.v.

B

B> ff

Perc. 3

Perc. 4

Q

Q

S

]

Q

B

TAMB. (heavy sticks)

$

T

h mf

.C

S h

.C

Q

]

T

.> T U W .C T U W C S mf mf.g T S C

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

> . . . C C C C T mp Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

24 Q

24

34 Q

T

.C .C .C .C >.C T U p mp T

Q

S

unis.

C

(free bow)

h p

unis.

C

34

(free bow)

BO

"

Q

Q

Q

Q

" Q

Q

Q

Q

Q

Q

T

NV 0

!

Q

S

T

BO

Q

#

T

C. . T U jh Y h C

Q

Q

Vlc.

g

Q

Q

NV

!

Vln. I

Q

mp 3 3 . T T Cg C Y C T T X Cg W C T Yh C Y C X C Q 3 mp Q Q

S

Q

29

[

Q

Q Q

F∏ ]

Ì

GL. (br.) Perc. 2

Q Y >.C .C S T mp

^.C

34

T

[ #

Timp.

Q

33

g

Kybrd.

Q

T

Q

24

Q

Q

]

Q

29

D.B.

Q

C

Q

Q

!

Hns. 2, 4

Vla.

Q

à2

[

Hns. 1, 3

Vln. II

Q

2 4

h ffsfz >. C h ffsfz W .C> h ffsfz > W .C h ffsfz

t C O( Y C )

B

!

Clt. 1

t C O( Y C

B

>B

Ob. 2

Bsns. 1, 2

S

h p

(to Toms)

33

B

ord. vib.

B

24

unis.

B

B

(p)

(sul A)

ord. vib.

B ÇB

B (free bow)

B

Q

S Q

ÇB

B (p ) ÇB

ÇB

ÇB

ÇB

pp

Q

T

unis.

(free bow)

ÇC

pp Q

Q

Q


23

38

[

Q !

Flt. 1

>C O T

!

Ob. 1

S

B !

>

Tpt. 1

Tpts. 2, 3

Trbs. 1, 2

C C OO

#

Bs. Trb. Tba.

BO

BO

T

Q

Q Q

Q Q

Q

Q

Q

Q

Q

S

T

S S

T

3 4

34

Q

Q

Q

Q

T

S

Q

Q

Q

Q

Q

Q Q

WBO p S S Q

Q

>

WC h sub. f (à2)

p

Q

>g

YC C T >h f

B sub.

Q

Q

T

S T S

Q

Q Q

Q

34

mute out

pp T Y Cg S

open

Q

S

Q

mutes out

Q

Q

Q

Q

Q

Q # Q

[ #

Timp.

[

(SD)

T

$

Perc. 1

> T U j C C C C .C h mfsfz

!

Perc. 3

$

Q

Perc. 2

$

Q Q

Q Q

Q

34

Q

Q

[ snares off ] 3 Toms (heavy sticks)

S

S

T

Q Q

Q

38

[

C

__ ff C __ ff

!

Vln. I

C !

Vln. II

ÇB "

Vla.

]

#

3

T U CC T C C. C. C C C. > .. >.

34

__

Q

BO

__ pp

Q

Q

Q

Q

Q

Q

Q

Q

T U C. C.> T U T

C U C C C T T C> . T C C C C

Q

Q

BO

MV (non trem.) (

BO

BO

sost.

ÇB OO

ÇB OO f , molto sost. f , molto sost. Q

T

h fsfz <

)

sost.

__

Q

C

MV (non trem.)(

BO

ÇB OO ÇB

"

Vlc.

D.B.

C

Q

Q

(light sticks)

$ ]

solo (to ms. 46)

g T U C.i C C. . f , feroce!

24

ÇB OO Q

<)

24

>C

Q

2 + decay (reverb)

S

3

C

XB pp BXC pp

-

B

3

"

Q

!

34

3

T WC C C YC p , legato Q

Q

C

Ped.

Q

g S C C C .> ff

BD (hb)

34

(not letting up!)

g T C>.

S

T

C. C.>

C C

S

gi T U C.C >

T U C gi S .> ff

T

f molto secco Q

S

-

C

Q

Q

24

Q

(Tamb.) Perc. 4

Q

Q

]

3

YC

43

34

Kbd.

p

Q Q

S

38

#

S open

Q

Q

p - T WC WC B

Q

Q

"

Q

Q

24

Q

Q

S

Q

Q

Q

T

Q

Q

]

S

>.

CC ! .> > ffsfz .> > C CO YC CO X C ! > >. ffsfz ^C (mute) W C C C >C T T U jh ! sfz > gi^ (mutes) CW C X W CC W CC CC T T U Y CC ! T T U Òjh > sfz # Q

Hns. 2, 4

BO

Q

(Y) C O

Hns. 1, 3

BO

Q

] [

BO BO

h T ffsfz >C

h ffsfz >C h ffsfz >C h ffsfz C> h ffsfz W C> h ffsfz

f #

Bsns. 1, 2

mf

43

>C

2 4

BO

BO

f

(W ) B !

Clt. 2

C

S

f

(cresc.)

Clt. 1

mp

f

>C O T

BO

BO

(cresc.)

!

Ob. 2

S

3 4

Q !

Picc.

-B

Q

[ to lg. S. Cym. ]

43

gl .

h T sfz >C gl. T h sfz >Ç C T h ff >Ç C T h ff

S

Q

Q Q

Q

S

Q

Q

Q

S

Q

Q

Q

Q

S

Q

Q

Q

34 S

Q

(from Bass Drum) ord. gl.

T

TU

gi

W C> ff sfz

ì


24

51 wacky, maniacal

accel. poco a 47 poco

[

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

!

Q

Q

Q

Q

Q

Clt. 1

!

Q

Q

Q

S

Clt. 2

!

Q

Q

Q

S

!

Q

Picc.

!

Q

Ob. 1

!

Ob. 2

Flt. 1

W -C

W -C

XC T h p cresc. molto( al ff ) W -C XC W -C T h p cresc. molto( al ff ) "

Bsn. 1

"

Bsn. 2

] [

(W ) B O W C B ! T h (3º) p BO ! T S

Hns. 1, 3

2 4

Hns. 2, 4

BO !

Tpt. 1

!

S "

Trbs. 1, 2

S

#

$ $

C T

WC

g

p

Q 3

C

C C

(dead stick)

g

T T ìì .

24

mf

YC C XC Q

T

CO B

C B

C T p WC C B C CC

B

WC

CC

C

C T h pp S S

B XC O T p h

CB T B

S C

p

p

g CC T

molto

BB

CC

p

p

S

h T pp S

C Q

g

T

C TU > ff C >C U T ff > C C U T ff > CC CC T U U > T ff CC CC T U TU ff Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

C __ pp C. C. C. T > fsfz

C. Q

__ C

__ B

Q

Q

3 sub.

S

Q

mf 3 S C C C (f) > Q

opt.: omit

SC (sy)

Q

C _ ppp Q

S

Q Lg. SC (sy)

Q

Vln. II

!

Q

Vla.

"

Vlc.

24 Q

]

Y .C > T h Y > C. T h

Q

Q Q

Q Q

f > . T Y Cg YC T S .h > f

Q

Q

1º- (open) gl.

S

wacky, maniacal [ C = c. 138 ]

Q

Q

Q

Q

Q

Q

Q Q

Q Q

Q Q

Q Q

Q

rs

Q

!

Vln. I

T

[ to max. volume ]

Q

Ì

> T C C C C C C C C C C C C Ç pp fsfz B C_ C >C T U __ _ _ ff & molto Q Q

(@ edge)

__

B ppp

B

__ (

p)

C

__

molto

g _ T C> ff &

accel. poco a 47 poco

[

T

Q

Q 51

T

Q

str. mute

Q

T

Q

[ take str. mutes ]

Q

T

Q

Q

Q

Q

TU

[ 2º-to str. mute ]

Q

C

TU

C

Q

( snares off )

Q $

C

accel. poco a 47 poco

S T

B

BB

Q

C XC

ord. g C

C

C > ff > C C ff

3

p

f molto f sub. B B

3

24

C XC

Q

]

BB

Q

$

Perc. 3

f

YC C

(med. sticks)

C C C C T

Perc. 2

D.B.

p

Q

(toms)

Perc. 4

p

Q

]

(SD)

BB

f BB

mp

B

C TU

C

C WC XC YC

sub.

B

BB

T p CO

Q

[ #

Perc. 1

BB

C

mp C T h C YC mp

f molto BC O XC h f sub. B

mp

ff

C

BB

open 3 (ord. vib.)

g C WC

Kbd.

ff BB

B

Q

!

B

C

T CO mf

3

>

C

C WC XC YC

ff sub. B

BB

g C

T

#

[

3

BB open (ord. vib.)

B

C CO

C

T Cg p

B

Y C C X -C

B

Q

]

Timp.

C XC

24

WCO (4º) p

Y C C X -C

3

(Y) BB OO

Tpts. 2, 3

Bs. Trb. Tba.

C C

T Cg p

g T C mf

X >C [ C >= c. 138 ] >C C T ff X >C > C Q ff >C > -C C T fff >C > -C C T fff -C Q T fff -C T Q fff . Q # Yh C T fff g Q # YC T . fff

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

" Q

Q

Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

Q

Q

51 wacky, maniacal

>C [ C > = c. 138-C ] C T T ff >C > C T CT ff g > Q Y C. T T Y .C h ff Q # Y Cg T S . ff Q Q


25

56

[ !

Q

Q

!

Q

Q

!

Q

Clts. 1, 2

!

Q

Bsns. 1, 2

# S

Flt. 1

Picc.

Obs. 1, 2

à2

à2

à2

]

Hns. 1, 3

[

X C( fff ) Q

Q

!

Q

Q

!

Q

Q

!

Q Q

à2

!

à2 Hns. 2, 4

Tpt. 1

Tpts. 2, 3

Y -C T __ ( ff ) (flt.) Y -C T __ ( ff ) . XC T T h W .C W C h

Q

3 8

g T T .C Y C. h ( fff ) X >.C T h Y C( fff ) T W -C T

2 4 Q

C- O C- O Q (flt.)

CO __ sfzp (flt.) CO __ sfzp

38

" Q

Trbs. 1, 2

S

Q

>. T WC S h

T

Q

Q

g C. T

(open)

Q

.C>

>

C T T h h ff > C T S h ff W C. T S h f > (à2) str. mutes T .g S T C S f .>h

24 Q

f.g ) YC T T Y_ C _-

T

Q

( gl.

(flt.)

Q Q

Q

T

Q

(flt.)

Bs. Trb. Tba.

# S S ] C

-

g T C

C

C

h

f-

T

S S

!

38

# Q

Q Q

Kbd.

[ #

Timp.

[

Q

Q Q Q

scrape w. lg. lg. G S

$ S

Perc. 3

C-

beater S

]

3

g

Q

24 Q

!

Vln. I

Q !

Vln. II

h

.C >

Q

38 (

Q

Vla.

"

Vlc.

# S

pont.

( D.B.

]

# S

__

T YC ( ff ) g T S

C ff )

pont.

C ff

_ C

C

g T S

T

.g T

YC

molto pont.

__

C> O ff ) .C> T h T

S

T

W .C S h

C

.g> T S S S

S

T WC h.> -g T C T C

f ) -h

(

T Wh C T

S

C

Ì

π]

_

Q

Q

Q

Q

Q

Q Q

Q Q

Q

h

-C

Y .C

34

Y C. h T S

g C. T

ord.

S

S T h

.C

Y .C h T ( ff )

C>

Q Q

Q

ord.

Q

pont.

S T

W C-

g

ord.

T W -C h

g T C

h

C

CS

S >.C

S

h T sfz

S

S

.g T C T C .h S WC C

S

.C>

C T h sfz

S

2 4 Q Q T

24

g X .C T Y C h . ( ff ) S T g Y C. (f) S T

T

T XC > .h

24

.g> S

C-

X .C T h

ord.

g W C. ( ff ) g T g T

S

C

Ì

g Y Cg X C.> .

S

S

Q

Q ancora accel.

S

g T C. > S

T Y .C h

24

S g C. h

g T C. >

T

Q

Q

g T Y C. S

S

YC

Q

S

(f )

YC

Q

h T sfz C.> T h sfz

h

>.C

ancora accel.

24

. T Wh C S

T

g T Y C. f .g T YC Q

C ( ff )

T

.C>

T

Q

Y C. C. S >

Q

C.

Y C. X C Y C. ( fff ) . T g Y .C C. h ( fff )

Ped.

Q

> T W .C h

g C.

S

> Y .C S . XC S

S

34

T

S T

g C. Y .C

T

ancora accel.

[ take ratchet ]

g C T

_

Y .C

34

. T Yh C S S

T Y .C h

.C

T

. T Yh C S S

Y .C

h T sfz X .C T h sfz Y .C h T sfz

T X Cg S .> . >.C YC Y T h S h T sfz W >.C T W .C T S h h sfz g .g> (1º)T T # S _ YC C Q (2º- mute out)

l.v.

X .C T h

h T sfz .C>

W .C T h

34

WC

S

g C S W C. [ F∏ f with abandon

(snares on)

g W C.

T

Q

S

(take police whistle)

24

>.

S

T

Q

Q

S

g C. f T

S f S (flt.) _ T W C SC f h> (Bs. Trb.) T f -g g T WC C Q

T

B Q

T

C h.

W C. C-

C

S

. .C W C S Y .C

T WC h

_ X C >_ sfzp Q S

3 4

. T WC T g h W C. Y C. g T h T YC . S

Q

(take slapstick: hide from view)

Q

g T Y > C. ( ff ) Q

g T X C. . T g hC T W C. ( fff )

(hy)

56

[

S

ff unrelenting, stacc. XC Q YC h Q

CO

B

ff poss. Q $

Perc. 4

Q

38

Q $

Perc. 2

24

XC

Q

Q $

Q

Q

]

Perc. 1

56 Y C YC T

Y C. h T X .C h T

>.

. .C W C

.C

T

S T

g W C.

g S X C. ( ff ) pizz. > T CO T

( ff )

T


26

(accel.)

[ !

Flt. 1

f S

T

g ! W C. T

X .C h T

X .C h

!

Picc.

Ob. 1

g ! W C.

Ob. 2

. ! YC h ( fff ) (à2) # T

Bsns. 1, 2

]

T

Y .C ! h

Hns. 1, 3

h

T

S T T

.C h

WC

S

T S

S

T

T

T

WC

4 4

3

W C-

g

T

!

T !

S

Tpt. 1

g Y .C

(à2) (mutes)

! Y C.

Tpts. 2, 3

(1º)

(

T

#

Trbs. 1, 2

(Bs. Trb.) (

#

Bs. Trb. Tba.

]

f) YC

T

g X C.

C.

X -C h sfzp

C

h f sfz > W .C h fsfz > Y .C h fsfz> .g CY C .h > ffsfz .g> W X CC >.h fsfz

S

"

Q

f ) .g YC

(2º) open

S Q

[

T

T

T3

CC

T

WC WC h

g

g C

T

C

h

T3

g

gl.

gl.

h mf

C C

h

[ Fπ

(SD)

snares on

∏]

>

_C h mfsfzpp

S

T

$

Ì

B T

B

S

R

mf

T

S

Q R

S

R

T

S

R

24

T

T

S

34 Q Q Q

R

Q (mutes out)

T

S

R

Q Q

63 [ C = c. 144 ]

B

S

B

3

Q Y CC>

damp!

ff

Q

34

24 Q

>C

W C>

Q

Q

Q

&

B __

Q

44

3

T

Q

Q

B C

sfz

.C

R

T T

Ì

]

Perc. 1

Y_ C _h (f) T T

-C

YC

[ #

Timp.

g

3

! YC (Ped.)

_

(à2)

C

#

C C

flt.

.g

rip

B

>.C

44

rip

Q

(accel.)

Kbd.

C

T

2 4

S

3 4 Q

Q

-C O

T

T

R

T

-C O

S

S

ff A

(à2) Hns. 2, 4

T

ff X .C > h ffsfz

3

g C

*

3

3

3

YC T

*

3

3

>.C

h ffsfz >. C h ffsfz A

B

W -C

g W C. > ( fff )

(à2)

[

X -C h f

.C

(à2) Clts. 1, 2

B

.C S

63 [ C = c. 144 ]

-C

44

C h fsfz

T

S

R

Q

24

[ take claves ]

$

Q

Perc. 3

$

Q

Q

Q

Q

$

Q

Q

Q

Q

]

S (

g ! Y C.> ( ff ) " T

Vln. II

Vla.

# T

Vlc.

D.B.

>.C

!

Vln. I

]

#

h ff )

T

S

T

S

W <C T

gl.

44

3

S

W <C T

gl.

3

g W C.> ( ff ) > Y .C h ( ff )

Q

63 [ C = c. 144 ]

(accel.)

[

Q

34

Perc. 2

Perc. 4

Q

>.

S

W CS

Q

S

Y -C

!

T

T

arco

g

W C( ff )

C

g T

3

fff =-A

fff Ç XA fff ÇB

S 3

=-A

(free bow)

24

(free bow)

T

B

WWs: Improvise varying quick ascending ‘rips’ .

fff -Ç

Ç C -Ç C

C

C

ten.

-Ç C

C

ten.

Q 3

( maintain

(free bow)

fff *

slow gl.

C

Q

)

34


27

stringendo

[

3 4 !

Flt. 1

!

Picc.

!

Ob. 1

*

BO f C h

*

C

T

S T

S

S 3

!

* S

f B

!

3

* S

#

Bsn. 2

# ] [

Hns. 2, 4

!

__

fff >C >C >C >C >C

ff >B

fff

ff >B

fff

ff W >B

fff

W >C

>C

ff W >B

fff W >C

C>

>C >C (flt.)

__ __

[

Perc. 1

Q WB

C>

p poss. 2º- open

Q

(flt.)

mf __ (flt.) B O S

(flt.)

T

__

CO

Q

mf

Q Q

24

Q

Q

Q

Q

24

Q

Q (sm.) Ratchet

Police whistle

BO

$

f

fff

34 ! !

Vln. II

C

fff ) -

-Ç #

C

Vlc.

#

T

24

S

S

T

S

S

T

S

S

T

S

S

C

C

Q

C

= c. 152+ ]

Q

Q ^.C

Claves

Slapstick

Q ÉO

h fff ^. C h fff

fff

W.Blk. (hard rubber)

BO

X -B

Q

Q

Q

34

S

T

Q

S

Ç

C

!

]

(maintain

-Ç C

Vla.

D.B.

slow gliss.

C

S

Q

Q

__ f

X -B

(slow gliss.)

[

>C h

stringendo Vln. I

34

Q

Q

]

Q

Q

34 $

Perc. 4

34 Q

Q

Perc. 3

T

Q [

34 $

S

W >.C h ff >.g XY C C .>h ff

WBO __

Q

Perc. 2

S

Q

34

#

$

T

Q

Q

]

S

Q

Q

Q

[ #

S

h sffz W ^.C h sffz

stringendo

Timp.

T

Q

24 Q

Q

#

h sffz W ^.C h sffz W ^.C h sffz X ^.C

Q

Q

Kbd.

S

Q

"

!

h sffz ^.C

S

Q

3º - open

]

>C

(flt.)

fff

Q

Trbs. 1, 2

>C

__

ATTACCA #5

T

Q

!

Bs. Trb. Tba.

(flt.)

>C

^.C

Q

Q

Tpts. 2, 3

C

= c. 152+ ]

Q

!

Tpt. 1

B>

C

[

(flt.)

>C

Q

34 !

3 4

ff

f

Bsn. 1

3

C>

ff

S

B

Clt. 2

2 4

f

h

Clt. 1

Hns. 1, 3

3

BO

!

Ob. 2

>B

T

S T

S S

S

Q

C.^

T S h fff [ C = c. 152+ ] > C h

T

S

S

T

S

S

>

BO

S

h

C

Q

Q

Q

Q

Q

Q

Q

Q

Q

(abruptly off)

C Q *3

See note #3, pg. 26

ATTACCA # 5

9/23/08


28

5. - BLUE

Duration: No. 5 - c. 2:00

Lazily; with melancholy poco rit. [

[

4 4 !

Flute 1

!

Flute 2

Oboe 1

!

Oboe 2

!

Bass Clarinet in B∫

!

Q

3 4 Q

Q

Q

Q

Q Q

Q

2 4

[ take flute ]

Q Q

S

C C YC

p

Q

4 4 Q Q

Q

Q Q

Q

limpid, with jazz inflection (to meas. 14) 3 solo g C

R

Q

CO

WC

>

g

Q C XC CYC C

YB

YC C

YCO

3

Q

Q

Q

Q

# Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

Q

Q

Q

Q

[ take Bass Clar. ]

] [

Q

44 ! #

34

24 Q

Q Q

# Q

Q

Q

Q

Q

!

Q

Q

Q

Q

Q

(in F)

!

Horn 3

Horn 4

Trumpet 1 B∫

Q

44

Q

Horn 2

Q

Q Q

TU C W C W C

XCWC C

Q

Bassoon 1

Horn 1

Q

Q

!

5

= c. 63 ]

(optional: B∫ Clar.)

Soprano Saxophone in B ∫

Bassoon 2

C

a tempo

Q Q

(TACET #5)

!

Q

Q

Q

Q

Q

Trombones 1, 2

# Q

Q

Q

Q

Q

Bass Trombone

# Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

Trumpets 2, 3

(TACET #5)

Tuba

]

Lazily; with melancholy poco rit. [ C = c. 63 ]

44

!

Keyboard

# [ #

Timpani

Q

Q

Q (TACET #5)

Q

[ $

Percussion 2

$

Percussion 3

! $

Percussion 4

]

44 ! !

Q Q

Q

(Vibraphone)

Q

Q

Q

Q

NV

R R

B

Q

Q Q

Q

34 Q Q

Q

Q

44 Q Q

Q

p

Q

S

BO

Q Q

Q

Q

YBO p # YBO div. p pizz. # YBO ] YBO p

a tempo

S

5

24

non-div.

Y BB OO

p

C

S

C

S XB C mppoco ( > ) sfz YBO C h mp

#

Double Bass

Q

24

(TACET #5)

"

Viola

(div.)

Q

Q

44

Q

Lazily; with melancholy poco rit. [ C = c. 63 ]

Violin II

Cello

Q

(TACET #5)

[

Violin I

5

34

Q

Q

44

Q

24

Q

]

Percussion 1

a tempo

C

C

C

C

YBO mp Y -B O YBO mp

C YC YC p

g

T T

Q XB

34

44

W C- W B p WB

XB p YB p

Y C-

YB p YB YB

YC

gl.

(W ) C g C YCO

YB

YC C

h

>

g O C XC Q

C

T

XC -

espr.

XC C

YC g C XCO

XB Y B-

T XCO

XC C

>

YB

X B-

h

C T

Q

XB

WC


29

Sop. Sax.

[

W C-

WC

3 4

8

,

WCO

g

C

g

mp Q

# Q

Q

# Q

Q

] [ !

g

!

YB

Vln. II

Vlc. (div.)

(W ) C

C

Y -C

YC C

g C

T

XC C

h pp C h

WC p

S

C W -C h

C

g

C

C WCO C

g C WCO

arco

S

T

44

g

Bmp C

B- O mp T WC mp WC WB mp

T C

C

g C

WC

WC

Sop. Sax.

!

h

mf

,

Cgl.X C ,

!

Bs. Clt.

B Y " C mp # S

Bsn. 1

Bsn. 2

] [

Hn. 1

h

C C

C

XC B

YC C

C

WB mp

C XC C CO

WC

g

C C B

g T

WC

3

B

WCO

WB

C

X B- O mp

S

YC

BO

YC B

g C

-C O

CO

p

T

S Q

h

B S

T

p

g C

Q

# Q

Q

Q

Q

Vln. II

!

T

YC pp

YC XCO pp ( > ) ( > ) " YCO CYCO C C mp C # YC C h T

Vla.

S

XB C

mp C

XBO mp

pizz.

YC p

YC

C

C

X B-

3

S

C- O mp B

C

WC

ph XC

T

Q

B mp

g C

X -B

WC WB

B C XB

24

24

Q

( clear bass)

-C O T

mp

34 34

Q

S

Y Cmp Q

YC C X -C Y C Q

(

>)

YC YCXC

C C -C

C B

C

C

g T pp

C C

WCO

B

p

C = 69~72 ] YCO YC C

[

>) XC C C

C Y C O C> X C ( ) g C T pp = g g TU WC C O XCO C C C ( > ) p C O TU C C CO h XC C WC T C p

-C

YB

pi첫 mosso, 15 Poco lilting

C

WC

CO S

arco

g

XC

YC h

YB mp

(

pW C Y -B O

XCO CXC ( > )

WC

port.

YC

YB #

XC

arco

(pizz.)

#

YC YC

XC

accel.

YC YC

YCO

mp B WB mp

XB

Q

R

C

B

pp

WC

Q

!

XB

Q

B

Q

> X -C O ( C )W C mp

C

g T

Poco pi첫 mosso, lilting 15 [ C = 69~72 ]

-C

!

others

p

S C

S

Q

Q

g T

pizz.

Q T Yh C p

R

Q

(others)

p

WC

Q

Vln. I

C

XCO CWB ( > )

S

pp

Q

C YC

pp

WB C

Q

!

]

mph Q

12

D.B.

(

Q

(solo)

Vlc. (div.)

-C

g

T

pp XC h T # pp S

YB

S

>)

Q

[

X B-

TU

C C

#

]

Y B> mp

C C C C

mp

CO

YC mp R pp YB

XB

W C WC C

Q

Q

Hn. 3

solo

B p

CO

p

YBO mp

p YC p

C C

accel.

Y -C

XC

h

!

Hn. 2

Hn. 4

C-

YC

g

port.

CO

W B-

C

12

[

g T

Y -C

YC

p

C

g undulating

XB

p pp -C port.Y C O h TU R

S

C

3

mf

C

p

8

g C

C

S

WBO # R

XC

pp

C

S

WBO S

g

T YCO p

"

Q

C X Cg C X C-

XC

Bs. Cl.

Q

,

XC B YCO

(Y) C X C Y -C

YCYCYC

XCO

4 4

XC YC YC

g

S

# ]

34

YC

WC

" (Y) C g T Y C #

T

C

XB

Vla.

D.B.

g

Q

Bsn. 1

Vln. I

C

>g

!

Bs. Clt.

Bsn. 2

CWC C

WCO !

g

R

24

mp , sedately Q

YCO mp YCO

YC C

mp WCO

YC C

WCO

pp Q

pp

T

T

34


30

rit.

20 Tempo 1º

C

[

Q

3 4 !

Flt. 1

!

Flt. 2

Q Q

!

Ob. 1

!

Bs. Clt.

! #

Bsn. 1

# ] [

34 !

YC C

YB

YC

#

> ( poco sfz )

Hn. 2

!

Hn. 3

C C

# S

W -C O p TU T W C O

XC

WC h

p

>

p

S

mp XCO mp

XC h

T

CO

W Bmp R

Y -C

C

W -C B

h

C

S

YC

XC h

XCO p C

YB p

XC

XBO mp

YB

[

Q

W -B

C

=

C C C

YC

C

gl.

g C T

W -B

g

X -C T h

YC

C

# !

43

Kbd.

[

Perc. 3

]

[

34 !

solo Vln. I

!

others

Q Q

XCO S

!

XCO

Vln. II

"

XCO

Vla.

]

C

W -C W C h C

p (only)

YC C

XC

C mp CO

WC

YC

p , espr.

WC h

B

YC

YB

XCO

(W ) C mp

CO

YC h C

C

Q

Q

Q

44 Q

Q

Q

Q

rit.

WCO

C C C

C

C XC C CO

WC h

h

WC C

W -C

C

WCO

C C C

TU C W C C W C

W -C W C h

C

WCO

C C C

TU C W C C W C O

Q

WC h

Q

[

C

C

h mp molto espr. port. CO X C WC C WC C WC C h mp O C W -B X C T C WC mp C C C WC XC C C h mp

R Q

S

C

W -C h

-C

XC

C C C C

C WC WC mp

BC p

Q

C

YB

C

C

= c. 63 ]

C W -C

C WC WC WC

unis.

C p

p XC

20 Tempo 1º

-C O

XC h

T

= c. 63 ]

Q

TU C W C W C p

T

20 Tempo 1º

Q

-C O

C

B

Q

g W C- W C

Q

XC

h

Q

Q

Q #

g C XC

g

44 44

WC WC

#

Vlc.

D.B.

Q

C

YC

YC h

mp

[

34

C

T

CO

rit.

!

C C

WCO

espr.

S

WC

WC T WC mp

WC

WB

S

X B- O mp

YC

Ì

C

CO

WB

XC

C C

g T T C C 12 8 p

WC

S

C

C

molto espr.

WC

WC

C O]

WC S

B p espr.

TU S

Q

pp C

WCO mp CO

WC

WC p C CO h h

Q

p , sonoramente S WC B

CO

C C

espr.

C

C p

WCO

p

T

CO

WB S

WC XC h

Q

XC C

XBO

S

S

Q

"

YBO

Q

]

Q

CO

( poco sfz)

#

Hn. 4

Tba.

44

Y -B

Q

WC WC O pp Q

XCO

Q

Q

g

WB

g T C

Q

XB

C XC

B

Q

WC pp R

B- O mf B

Q

C

Q

Sop. Sax.

Hn. 1

S

Q !

Ob. 2

Bsn. 2

4 4

= c. 63 ]

Q

Ì

[

h

W -C O mf W -C O mf -C O mf h

C WC

YB mp

C

C CO

O CYC XC

C W C X -C

-C

C

C C

Y -C

WC

C -C

X -C -C

YC

WC h

f

molto

CO C

g


31

23

[

Q Q

h

3

C T h p solo (to ms. 25) C O C ! C h mp ! R

Sop. Sax.

Bs. Clt.

R

p

C

!

Ob. 2

R

Hn. 1

C T

Tba.

# ]

TU

C C C

W -C

WB

C C p

S

YBO mf

S

C

WC

C

! # Q

[

2

, C mp S

C

B

C

Q

B

B

YCO h

C

p Q

!

X Amp

WC

B

S

C

g

C

T

pp

YC R

Q C

YC C

C

(X ) C C

C

espr.

Q

pp

poss.

(molto rit.) solo (al fine)

R

T

Q

TU

S

pp

p C

X Bp

Q

2

g

CC

C p , cresc.

R

S

(as a faded dance tune)

g C

YC YC

S

B

g C YY CC

C

C

CC C

Vibes (sy Ă 4)

Q

] !

Perc. 3

[ !

Vln. I

! !

3

h

Vla.

#

CO # YB mf

C C

C

C h

YC

C WC C XC

h

C C

WC

molto

C C C

T XC

molto

h X C YC h C

C 3

g

C T

<

XC mp

C

g

WC WC

p

WC

XC

YC

YC

C

WC

WC

C

mf B

C

BB

XC B

C

YC (molto rit.)

YCO WC

WB

(end solo)

Q

Q

(free bow)

gl.

molto

mp XC

T

C

WC C

S

YCO pp (l.v. sempre)

23

3

C C YC

mp

T

quickly dissipating

C Cg X C

mf C C

B "

]

3

h

C

Vln. II

Vlc.

3

h

XC

others

R

XC C

XC

solo

D.B.

, C O Cg Y C O C O Y C O

C C C h h mp

Q

2

Kbd.

g

p

23

Q

C

Q

Q

Y Bpp

p

C

X -C

T

Q

R

C BO

(emerge)

YC

mp

pp

p

Cmf

Cp

C

Q

ppp

mf W -B O S

C

C

B B

WCO

C

C

XC

(molto rit.)

YC

R

pp

WCO

C

R

pp

X B-C

S WC

XB

XC

, C p,

mf

B mp

XC

C

B

C W C WC C C h

XC p

pp

h

-C

mp

C-

R

C

XC

C C mp , espr. # BO -

Hn. 4

CO

S

p

!

Hn. 3

S

YB

# X -B O

Hn. 2

h

g g TU T W C W C O

CO

W -C

C XC

C

p

h

! XC

WC

S

mf [

C

g

WC B

WC

T

X -B O

espr.

# ]

S CO

" XBO mf B

Bsn. 1

T

C pp T WC h

C C

C !

Ob. 1

g

FLUTE

!

Flt. 2

Bsn. 2

S

Q !

Flt. 1

g

A p

C

XA p XB p

C B

B

S

YC h

div.

XB X -B

pp

solo pizz.

C mp ( )

solo

gl.

C g

C T h pp

C pp S

T

YCO

T

pp

R R

XC mp

YC

C

YC

XC

C

C

YC

C

C YC


32

!

Flt. 1

!

Flt. 2

h

C

CO

!

Q !

Q

Ob. 2

YCO

Sop. Sax.

! ! "

X -C O

Bs. Clt.

R

Bsn. 1

WC mp S

S

WBO mf

Ob. 1

h

-C O

C XC

C

C

C mp

S

YCO

YC h

molto

WC h

WC

XC

(

? Q

YC mp

WB

C

pp C

WC

C

WC C

? Q

Hn. 1

!

S

!

Hn. 2

X C- O mp

YC

g

C

YC

pp

# ]

R

S

XC

YC h p , espr. T

WC

-

Ì

YCO XCO mf XY BB YB

! Kbd.

#

[

Y C YC XX CC C h

C

C YC YC

YC

YC

CO YCO

X CO W W CC W W CC

T

? Q

YC h

S

] !

WC

C

C

C

WC

Ì

C

C

Vln. I

WB

C

[

!

Q !

Q "

Q

Vln. II

?

Vla.

#

YC

(solo) arco

YB

# ]

C h pp

?

)

XC

(

T

S

Q Q

Q C p

YC

YC

S Q YC

>)

g C

T

Q

pp Q

Q

Q

S pp

] !

S

YB

Q

pp

= c. 63 ]

(

XB

43

S (Ped.)

S

Y Y CC

>)

S

Y B CC OO

YY CC h

BO YBO

YC h T

WB X Y BBB mf S

! Kbd.

Y Y BBB #

(

XB

YC YB

(Ped.)

>)

D

Y Y CC

S

S

C

[

(

S

?

Y B CC OO

dim.

T Yh C

BO YBO

(

S Y Y BBB YC YB

(

XB

(sim.)

>)

Y Y CC T YC h

[

] !

S

(ped. sim.)

WB X Y BBB

dim. poco a poco

S

YY BB BB

S

WB Y X BBB

CC

BB

Q Q

Q Q

Q Q

Q Q

Q

. Q Q

S

Y B CC OO

YY CC h

BO YBO

C

CC

C

Y Y BBB p YC YB Ped.

S

YY BB BB

. BB OO

>)

(

g

>)

(

XB

Y Y CC T YC Y C> (

Ì

( non arpegg.) (vibe)

C

YY BB

Q

Q

>)

C C YY CC CC poco h a poco

C

= c. 63 ]

)

Q

g

>)

(

g

27 Tempo 1º Rit. poco a poco

9

( ∫ 5) e ∫ m9 (opt.: light fill)

S

Q S

rit. al fine

[

Bs. Clt.

Perc. 3

C

(fast arpegg.)

)

C pp ? ) Q

(

C

34 T

XB

Y Y BBB mf YC YB

)

g

YB C

C

)

Q

YC

Y -C

?

c.40! ]

(solo) Vlc.

34

)

?

(

Q

S pp

[

Q Q

Q

27 Tempo 1º Rit. poco a poco

)

XC

(

p

Q

Q

T

WC

C

X YX CCC

?

T

C

)

?

X CC

(

D.B.

WC

B

(

[

g

g

YC

Ì

34

)

(

CO

molto rit.

C p

YC

c.40! ]

(

XB B mp Wped.

]

)

?

(

(Vibe)

Perc. 3

3 4

)

W W CCC

WC

WC

S

WC

C C

Y B-

YCO

?

(

[

-

C O= C

YCO

YC

)

C

molto rit.

XB

Q

g

(

Q

p

)

?

YB

YB

YB

!

Hn. 3

Hn. 4

YC p

C

[

)

?

(

(

R

? C

YC

= c. 63 ]

)

(

(

[

)

? ) RO

(

T

3 4

)

? Q

C

[

)

?

(

WC

Q

]

YC

(

#

Bsn. 2

T

?

(

Ì

YCO mf

27 Tempo 1º Rit. poco a poco

c.40! ]

Ì

[

C

[

Ì

molto rit.

YY CC YY CC p

C

XC

YC YC

g )

BO BO . BO BO

(to Gong) 9/22/08


33

6. - NIGHTWALK Duration: No. 6 - c. 2:40

Misterioso C = 54 ~ 58 [ not too slow ]

[

3 4 !

Flute 1

Flute 2 (Piccolo)

!

6

Q

Q

Q

Q

Q

Q *S

2

Piccolo

É

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

n

Oboe 1

!

Oboe 2

!

Clarinets 1, 2

!

Q

Q

Q

Q

Q

Q

Bassoon 1

# Q

Q

Q

Q

Q

Q

Bassoon 2

#

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Oboe 2º TACET #6

Q

Clarinets TACET # 6

Bassoon 2º TACET #6

Q

] [

Horns 1, 3

34 !

Horns 2, 4

!

Trumpet 1

!

Q

Brass: TACET # 6

!

Q Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

Q

Trumpets 2, 3

Trombones 1, 2

Bass Trombone Tuba

]

Misterioso C = 54 ~ 58 [ not too slow] Keyboard

!

$

Percussion 1

$

Percussion 2

*1

34

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

$

_

_

gliss.

(lg.) G

C mp

(slow scrape w. wood ) S

T

CO pp-

l.v. sempre (L) siz.

CO

Rainstick

C

g

Q S

[ retune to A ∫ ]

CL. (sm.)

S !

3

O C C C _C

S -B O

p

CR (br)

C p

C C

BO 3

g

C p

T slow

.C

h pp

S

.C >.C T S

CH (hy)

Q [ to Chimes: yarn mallet ]

l.v. sempre

T

TU j C C h h

C C

BO

TU C O h mp

CO YC

C

l.v. sempre

BO

mf ( poco) rfz T C C C CO S

BO

3

3

C

C

3

on dome

>

S !

C

g

g

edge

3

C C

T B

ph

-C>

BB

C

6

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

34 !

Violin I

_ C ( ) & p

S

Misterioso C = 54 ~ 58 [ not too slow ]

[

_

Q

Q

S

]

Q

[ Weight down CH ped. ]

3 Cyms. (my) @ edge (M) Percussion 4

Q

Q

$

Percussion 3

g T Y C_ pp

Q

] [

Q

Q

Q

30" (on cym.) [ Invert lg. cym. on 30" head ] (sy)

[ #

Timpani

Q

34 !

6

Violin II

!

Viola

"

Q

Q

Q

Q

Q

Q

Cello

# Q

Q

Q

Q

Q

Q

Double Bass

# Q

Q

Q

Q

Q

Q

]

*1

Perc. : Spectral, foggy; molto lontano.

*

2 Piccolo : Finger D-flat. Enter very flat and ‘roll sharp’ to normal pitch in ms. 7.


34

11

[

Q !

Flt. 1

ì !

Picc.

!

mp Q # Q

Ob. 1

Bsn. 1

YC

gl.

]

3 4 Q

4 4 S

Q

44

!

Kbd.

Q !

Timp.

[ #

Q

Q

[

(CL.)

S $

Perc. 1

!

(CR.) w.

S

!

(SC's)

$

Perc. 4

]

Q

ppp

C) poco

C)

(

34

beater

TU C O mph Q

TU C C

> S

C

Q ì

C

34 B

(

C

)

p

free bows

S !

Vln. I (div. à3)

!

free bows

S

S

!

[ to Xyl. ]

Q

44 44

Q S Q

C

free bows

Y ÇA pp seamless, senza espr. Ç A

pp seamless, senza espr. T W ÇC OO ÇA pp seamless, senza espr. Q S

S !

free bows

"

T

S

T Q

"

h pp

ÇC

sim. [ on cym. ]

(br)

p

Q (hh)

TU C Y C pp

C

D.B. (div.)

]

Q

# Q

ÇO BO

_

gliss.

_ _

T YC ph

R 3

C S

S G

C

C C C C 3 p

44

Q !

B

h

solo

S CÇ OO

C

A

ÇB OO

ÇA

ÇB OO

ÇB OO ÇB OO

ÇA

ÇB OO ÇB OO

ÇB OO ÇB OO ÇA

ÇA

ÇB OO ÇB OO ÇA

ÇB ÀA

ÀB O ÀA

ÀB O

ÇA

S

. . p nervously CWC T T S

ÇB OO

seamless, senza espr.

ÇA

! !

YÇ TY C

ÇB OO

ÇB pp

seamless, senza espr.

pp 3 seamless, senza espr. Ç ÇB OO free bows YY ÇC R T T h C 3 pp seamless, senza espr. À ÀB O R S free bowsT h C pp seamless, senza espr. tutti ÀB O free bows À R S T C h pp seamless, senza espr.

44

CO

ÇB OO ÇO BO

Ç

)

l.v.

3

34 ÇA

S

C C C B

11

ÇA

_ (S Cmp

44

pecking

Q

34

BB OO

B

7

free bows

R

Vlc. (div.)

Q

ÇB OO

_

S

seamless, senza espr.

"

#

BÇ OO

_ YC pp

Y .C T h p stacc.,

loco

S

34

Q

ÇB OO

A

Q #

h pp

ÇB

Q

free bows

free bows

#

ÇC

T T W Çg Ç O C BO Ç pp seamless, senza espr.

Q S

free bows

3

! Vla. (div,)

34

free bows

! Vln. II (div. à3)

Ç

44

Q

11

S

Q

S

ÇA

4 4 Q

R

3

T W CÇ OO pp seamless, senza espr. Q

R Q

pp [

S

Q

3 4

)

Q

Q

ì

(

Q

> . . TU C C C R p Q S

44

(take hard hammers)

Perc. 3

(w. MW switch) 4

(

pp

roll flat

4 4

Q

Q

.C .C S pp Q

T

(CH.) Perc. 2

C

R

-C S

Q

Q

]

S

Q

8va

Q

Q

h

ÇC T

44


35

[

Q

Q

Picc.

!

Q Q

Q

Ob. 1

!

Q

Q

Q

Q Q

Q

#

Bsn. 1

]

8va

44 !

Kbd.

!

S

h

!

Perc. 1

Perc. 2

!

Perc. 3

!

44

S

S

T U jh

S (CH)

A mp

$ ]

(CR)

. .C C W T

44 !

Vln. I

X .C T U jh T

TU

X .C S

WC

g

>C

.C .C .C

p

5

YC

g

t .C U .C X -C ( X C ) T

Q

Q

S

3

pp

!

ÇC h

T

(as solo) (still my) RH

g

" ÇC

ÇC

T

S

D.B. (div.)

!

ÇC

S

ÀB

Q R

W .C

(l.v. sempre)

C p t

W .C . Y C .C TU pp

R

Ç h

3

h

ÇC

ÇC

T

W W C .C

X .C T U W .C X C C .C

$

ppp

3

Q

C

C

(W

C

)

> TU h C O C 3

C

C

C

. .C Y C .C T h p Q

T

C .C W C- O

Q

ÇA

ÇB OO

ÇA

ÇA Q

Q Q

Q Q

Q Q

Q

S

g

C

34

gi

34

pp

Q

R

T

h

.C

Q

( p ) senza dim.

R

(Y) Ç O " (Y) B O ÀB O !

.C -Ç h C

( p ) senza dim.

"

(div.)

T

p

T

X .C .C Y .C Y T U jh

W C. W .C T p dim! g

Q

ÇA

Vlc.

3

34

R

Q

R

(W ) ÇA

Vla. (div,)

g

A

! !

T

ÇO BO

ÇA

Vln. II (div. à3)

T CÇ

Ç

(W ) ÇC !

Y .C U T C.

XC

pp

Q .C>

T

Q

TU S

Q

(X C )

W .C h

Q

Q

t C

(Y) ÇA

!

div. à2

]

Y .C

T

h

C.

. T U C X .C T U R

.C

[ LH: take triangle beater ]

[

solo

T

T

3

(SC's) Perc. 4

.C

twittering g C

> X .C T T Y .C pp

solo

Y .C

3 (loco)

.C

XYL. (hy à4)

[

T

(p )

T

Y .C Y .C

3 4

Q

4 4 !

Flt. 1

T


36

17 solo

[

3 4 !

Flt. 1

Picc.

!

Ob. 1

!

Q

Q

Q

Q

Q

Q

Q

ppp Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

#

Bsn. 1

]

S

T

CO

Q

17

!

Kbd.

! [ #

Timp.

34

Q

34

Q

Q Q

] [

$

Perc. 1

!

Perc. 2

(take Sand Blocks) (CH.)

!

Perc. 3

(SC's)

$

Perc. 4

C

]

Q Q

Q

mp g g S C C

Q

(

34 ! !

Vln. I (div. à2)

gl.

p

ppp

TU S

!

Q

Q

!

Q

Q

!

Q

Q

Vla. (div,)

T

S

Q

pp

Q

(sb)

$ T

R

C >C C p

R

BO

ÇB OO

ÇB OO

Y ÇB OO p molto ten., chiaro Ç O (free bow) BO p molto ten., chiaro (free bow) W ÇB OO p molto ten., chiaro ÇB OO (free bow) p molto ten., chiaro

ÇB OO

ÇB OO

ÇB OO

ÇB OO

ÇB OO

ÇB OO

W ÇB OO p molto ten., chiaro ÇB OO (free bow)

ÇB OO

ÇB OO

ÇB OO

ÇB OO

ÇO BO

mp

C-

(

g

slow g

B

liss.

C)

l.v.

l.v.

l.v.

ÇO BO

3

* sul C ÇC gliss. pp , dim. 3 sul A * ÇC gliss.

" Q

Q

(free bow)

Q

Q

ÇB OO p molto ten., chiaro YY ÇB OO (free bow) p molto ten., chiaro YY ÇB OO (free bow)

Q Q

Q

!

Q

Q

p

!

D.B. (div.)

T

>C O

G.

pp ! C

p molto ten., chiaro

Q

#

LH

C

g

(free bow)

"

Vlc. (div.)

h

T

(free bow)

Q

h

C

X -C O

p molto ten., chiaro div. à3

Q

"

W ÇB OO(free bow) S

Q

ÇC

YC ph

17

YC

Q

ÇC

T

Q &

!

Vln. II (div. à3)

]

>)

S Q

BO C

. . -C (W ) C W .C W C C

[

solo

C

S

ÇB OO ÇC

ÇB OO

ÇB

ÇB OO

ÇB OO

BO

BO

BO

BO

pp , dim.

molto ten., chiaro

ÀB O

(free bow)

p molto ten., chiaro À O (free bow) B p molto ten., chiaro

*

3

A slow, ‘light harmonic’ gliss. on the indicated string to as high as possible.


37

rit.

al

21

[

C !

Flt. 1

] [

p

(on Cym.)

] [ !

Perc. 2

C pp Q

[ to GL.]

_

g

_ _

_ YC ( p

S

)

S

l.v.

Q

S

C. .C T

S

p! Q

Q $

T _C h

T

[

al

C. CT U hj _h

!

3 sul D

!

sempre colla parte [ to ms. 33 ]

î ÇO BO

S

ÇB

n

S

Q Ç

(W ) BÇ OO !

î

sul E

pp , dim. !

ÇB OO

"

î "

T

h

n

Vlc. (div.)

î

D.B. (div.)

î

* C

pp , dim.

3 sul D

3

>Ç )

C h mf

5

mf

Q Q

S _

-C _

-C

T U _ C. .C T U R S

!

[ to Vibes: my ]

Q

T

h

n

*

See perf. note @ meas. 19.

S

S

!

WC

g

C

,

C XC

T C

S

C f

[2•2•2]

S $

T

R

_

h

T

p , chiaro R

_ h

C

Q Q î S

R

Q T

h

Q

Q

Q Q

Q Q

Q Q

Q Q

Q

_

C

C sub.

CYC C C CWC C W C X C. p

accel.

Q

34

_

C

poco

-C

_

_ mp

Vibes (my)

pp

h

C

__ B

Ped.

T

S

Q

* 4 poco solo ( ? ) molto rubato C T hC pp , molto espr.

25

C

n

S

25

-C>

Q

] ! Sand Block (med.)

T

h

4 Re.: measures 21 - 31 : The 3 solo lines for flute, oboe, and keyboard are to be played extremely freely, without any sense of pulse or meter and somewhat rapidly = cadenza like. Back in time @ ms. 33.

C h

T

n

T

flt.

>g

64

S î

[2•2•2]

C (X ) C

î

Q

S

n

î

* C slow gliss. pp , dim. !

*

]

p

molto

Q

!

(

ÇB

î n

Q

cresc. 3 sul G

ÀB !

T

h

n

(Y) Ç O # (Y) B O

!

C YC C YC C C

XC

n

gl.

pp , dim. Q S

"

n

* 3 sul D ÇC pp , dim. 3 sul A ÇC * ÇC

(W ) ÇB OO

Vla. (div,)

Perc. 3

WC

WC

[3•3]

gl.

C h mf

* sul A ÇC pp , dim.

BÇ OO

3

* ÇC ÇB

Vln. II (div. à3)

Perc. 1

-C

rit. sul E

Ç

B cresc.

!

[

-C

T h f

-C

3

pp , dim.

3

Ob. 1

T

* ÇC

BÇ OO

(Y) ÇC * ÇC Ç O pp , dim. BO !

Flt. 1

6 4

Q

Quasi senza misura 21 [ C = 58 ~ 72 ]

(W ) BÇ OO

Vln. I (div. à3)

[

6 4

C X -C O

[ to Tambourine]

rit.

]

[3•3]

[ 3•3]

Q attempt to produce these

[ take small ratchet]

]

Q

Sm. ratchet rhythms; turn extremely slowly

Q

$

Perc. 3

Perc. 4

T

rit.

- C -C Y -C C Y C C Y -C O Y C C C X C g X C C W C X C CYC YC WC C Y C WC mf , cresc. 5 espr. 6 mp , agitato 3

pp S

sempre colla parte [ to ms. 33 ]

*C 4O

-C O

C

#

Timp.

-C

Quasi senza misura [ C = 58 ~ 72 ]

34

?

S

.C T U jh pp

poco

mp

3

h

C C

C C

_

>C _

WC

C

C

p

C C

CO

Y C(

-C S l.v.

C

WC

cresc. e agitato

(S. Bl.)

T

?C

3

C

T Q

_h p

-C> )

C YC

S [ to Xyl.]

44 44


38

29

(accel.)

[

XCO

4 4 4 4

] !

Ob. 1

! Kbd.

!

C

CWCO

mf

3

!

Timp.

44

-C _h mp

__ C

WC C C

5

C

!

Perc. 2

44

YC

Q

$ [

2

? C -C

Q

34 34

?

(Gl.)

Q

?

(Vibes)

Q

S

mp C

7

p

p

WB S

pp T

WC XC

WC

-

XC C C CC

CC CC CC

C WC C

CC

CC

Q

C C C

C

S

?

44

S ?

WC

>g

S

? S

4 4 4 4

C- C

CC

WC

WC

C

l.v.

C

ppp ? S

Ì

S

pp

8va

C- C

3

44

?

?

ppp YC

C C

WC

S

C

CC

C

C

_ ï ppp

C

S

5

C

C

34

C _ h p

YC

to as low as possible

_

rit. molto

C C

C

XC

29

XC pp WC

CYC

Y C YC

? T

Ped. sempre

_ _

GL.(br)

B

C- Y C

YC h ppp

CC

W C XC

WC 7

CC

CC (ped.)

C C

WCWC C C

34

6

C C

Ì

Q

Vla.

Vlc.

# Q

D.B.

# Q

Q

"

? Q

C

l.v.

h

p

[ take triangle beaters ]

WCO S

T h

C

S

C C

44

Q

C?

__ ppp h

C T n

S

(to Cyms.)

C XC YC

34

C

34

molto delicato

(With beaters )

WC

R C

pp

BO

Ped.

Q

34 ?

!

( @ edge )

Q

3

C WC WC C

5

Ì

S

Q

rit. molto

? Q

Vln. II

]

XC

YC

YC C YC

_

S

C p

pp YC C C

3 4 3 4

gl.

C C

(take maracas)

?

44 !

Vln. I

WBO p

R

?

R

]

S

C C CC CC CC

(Tamb.) Perc. 4

_

7

!

Perc. 3

_C

Ì

[ 30" : return to Dπ ]

$

_ pp

C

3

YC

W_ C h pp

T

T

(Ped.)

[

C WC XC C

XBO

R CO

8va

See perf. note @ meas. 19.

gl.

YC pp

S

(sy)

S

]

Perc. 1

_

Xyl. (mr)

solo

*

S R

Q

$

[ #

3

molto

R

rit.

Tamb. (w. dowel sticks)

!

3

S

Q

!

Kbd.

C

*4

R

!

C

R

Q

(Vibe) Perc. 3

C

C

C WC

[ still 7 ]

44

Perc. 2

h

mp

Q

$

]

C

C

4

(accel.)

[

C (X ) C

W -C

Q

]

Perc. 1

Perc. 4

C W C (W ) C C

f

[ #

Timp.

rit.

-C

WC

relaxing

?

Q

Q

44

?

Q unis.

S

B

port.

p

n

Q Q

Q

Q

Q

" !


39

33 a tempo, ma poco meno mosso [

Bsn. 1

[ #

C

= c. 52 ]

Q

(W ) B O (W ) B O

!

BB B OOO

! (Ped.)

[

Ì

#

(

[ $ !

Perc. 2

34

> UT _j ì __ ì mph

T

Q

(Ped.)

T CCh p

(GL.)

g

C

T C 3

R 30" (on cym.)

S

> .C T U Y >.C X .C T U T U W C g .C .C .C .C mp Q

(to Chimes) 3

g gYC XC C

B

!

S

Q

unis.

S

unis.

S

BO

"

Vla.

WB p

<

T WC p3

Vlc.

] !

[ "

S

C

mp 4C

C

0

T

CO W C C T U jh p (echo)

Q .C .C T

R-R

$

Perc. 2

3

p !

Perc. 3

C

C

[3•2]

54

( gl.

ì

T

.C .C .C >C T mp Q

]

A A

(last desk - div.)

A (Y) A

[ !

p) W =-C W =-C

A

! (Y) A

Vln. II

S

S

-C=

Q

S

C-

S

p

S

R (stir)

-C

T

p S

CC p

C

C_

g

ph

S

À _C mph

pont.

T

3

gi

.C .C .C T U S

pp (echo)

[ take Reco-Reco]

R

(take sy)

l.v.

-A Y A R mf last desk: div. à2 R T Y CC mfh

T

T

g TU Y C C O > O mf

T S T S

p

BO BO

p

R

T S

Q

R ÀC T

Q R

Q

À

__ C

S

S

34

R C C T > mf mf > C C T S

Q T

3

Y C. C

C. C

mp

>.C .C .C T 3 ,chiaro

C

g

h

.C>

ATTACCA No. 7

?

Q

34 B

C (p ) (p) C R ÀC T h ppp

C C ppp

last desk: div. à2

T S

h

$

(sy)

S

37

XYL. (hr) solo

R

R

BO BO BO BO

T

.C

(non trem.)

O >) B g mp CC T S & (

( ppp )

h

S

S

G (sb)

S

$

> . T C C S mf

T T U C AA W C> (Ped.) mp ( sfz ) > T TU C A j mfh ( sfz )

T C C S

A

h pp C hpp C h pp C h pp ÀC

= -B

slow

S

CH (hh)

(long scrape)

p

S

R

non dim.

] !

37 CL

)

S

54

(last desk - div.)

[ remove cymbal,; take mar. ]

TU C O ph

W =-B

A

R

[3•2]

non dim.

C

h

C T R C Q

l.v.

C

MAR.

54 !

C

CR (br)

C O C _ C mp

ÀA

(SC)

$

Perc. 4

D.B.

C

p =-C

C

Ì

poco

Q $

YBO YBO

C T R

Q

g XCO C

h

]

R

W C-

C

C

Q

Ì

C

C [

CC C

C O ( ì )( ì ) gl. h T

mf

B C

Q

3

C

[3•2]

[

_ YC) mp

(

mp

À À ÀB O T T C C h 3 p (free bow)

(

A

]

unis.

]

Perc. 1

gliss.

B

B OO C

Q

=-C B

[ #

Timp.

0

poco

R

]

C 4C

C

l.

p

44

W =-C B

C C B g

unis.

_ _ _ _

_

(to Claves)

p

BO

MV 4 0

[

"

Cp

C T U Y jh C mp Ped. sempre T

Q

34

Vln. II

Vln. I

44

5

mf

a tempo, ma poco meno mosso 33 [ C = c. 52 ] (free bow)

!

T

(w. sticks) 3 SC/G

$

Bsn. 1

W >C UT W C jh mpg i TU C C C>

T S

S

Ì

(SC)

D.B.

3

S

S

XC CO ì C gl. T U j h T h pp 3 mp, sighing

WC

pp , mournful

R

)

ì T _ h pp

Q

C C YC ppp

!

Vln. I

C

Ped.

Mar.

S

(Vibe) Perc. 3

[

B

(do not dampen)

(Xyl.)

]

3

a tempo, ma poco meno mosso [ C = c. 52 ]

33

Perc. 4

C

WC S

4 4

)

(

S

]

Perc. 1

Q

S

1

Kyd.

Timp.

"

Q

3 4

]

37

solo

? S

S

?

5

Q

CC CC CC CC CC CC CC CC pp (faster than ms. 3) Rainstick Ç ? Q S p ? Q U T C C ? Q Q ?

34

Q

Q ?

Q

Q

?

Q Q ATTACCA No. 7

9/20/08


40

7. - SHOUT

Duration : No. 7 - c. 0:40

Strepitoso * 1 [ C = 96 ~ 100 ]

[

Flutes 1, 2

2 4 !

Oboes 1, 2

!

Clarinets 1, 2

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Woodwinds TACET No. 7

#

Bassoons 1, 2

]

2 4 !

Horn 1

#

Horn 2

!

Horn 3

Q

Q !

Q

Trumpet 2

!

Q

Trumpet 3

!

Q " Q

Horn 4

Trumpet 1

Trombone 1

Q

Y .C .C .C .C .C .C >C .C f Q

#

.C .C .C .C .C jh T U T Q

Tuba

Timpani

S

[ $

Percussion

]

S

Q

Keyboard

# [

24 !

Strings

] !

f

Hn. 2

hj

! !

Tpt. 3

Q

Tba.

#

T

Q Q

Q

Q

g

f Q

Q 6

[2•3]

Q

Q

Q Q

Q

S

T X .C .C mf

.C .C .C .C .C .C .C .C Q

Q

Q

C T h fsfz

gl.

Q

X .>C T h fsfz >.

.C .C .C Y .C .C

mf

> Y .C C l. T

Q

S

Q

Q

!

Q

Y .C .C .C .C .C .C .C .C Y .C f Y C. C. C. C. C. C. C. C. S f Q >. C S jh T U T S f Q C> Q X .C mf

>. .C .C .C .C Y C T sfz Y C. Y C.> T sfz Q

gi U T T Y C ... . gi U T C. C. C. C. T gl.

Q Q

Q

Q

Q

Q

Q

Q

Q Q

Q Q

Q

24 Q

CYC T

Q

58

Q

Q

Q

Q

Q

Q

.C .C

S

T

mf

T

C. C. mf

> Y .C> Y C . . . X C C C gl. U T hj T fsfz S W C. C. C. C. mf gi U T Y C Y C C. C. C. .> .> T fsfz > -C X .C W T S l.

Q

T

58

W C. C. S

> . T W gC l. C

>

h

T

TU

> W C l. .C T g

S gi X C.> fsfz

> gl. W C .C S T

(

C. U T j T

C. C.

gi Y C. C. C. C. Y C. T U T X .C .C >

T YC C mf . .

S

gl.

T ! > T U W .C

>. . UT j .C X C C .C T U .C .C h T

Q TU W C

Y .C .C

Q

S

gi

.C> W .C U .C X >.C T

>g

f .C .C Y .C jh T U T g >. .U C. T U C C W C T f T X C. C.

mf

Q

f)

YC

S

g

gl. T U X >C C. T U

S

[2•3]

Q

S

(

#

> YC C C C C

58

even in trombone glissandi; with utmost rhythmic precision.

. gl. # Y C . . .C S

Bs. Trb.

Q

S

2 4

Q

C.

gl.

Q

Q

S

Trb. 2

Q

6

.C T U T

"

Trb. 1

gl.

>C Y .C T

C> gl.C. T

S

Q

>. UT X jh C W .C T U T jh ( f )sfz Q > g T T U Y j .C X C.i T U T h sfz

Tpt. 2

Q

TACET No. 7

T

!

W C>

Q

Q

S

Tpt. 1

T

S

.C .C .C .C .C

Q

* 1 Punching, undulating. Sempre molto staccato

!

Hn. 4

S

T

Q

Q

Q

Q

! X C> C. C. C. C. C. T

Hn. 3

S

>C .C .C jh T U T f > g T W C j .C T U S h fsfz Q T

Q

6

5 8 S

Q

Q

24 !

#

Q

g TU W C i T S .> ffsffz Y >C S mf UT gi T S Y C.> ffsffz Y >C S mf Q

Q

Q

.C .C Y .C .C .C .C .C >.C Y T T mf Q Q >. T Y .C X C Q f sfz Q Q >C Y .C gl. Q S T f > Y .C Q C gl. T

S

24

]

!

Q

Q

Q

>. .C .C Y .C C. Y j C h TU T

Y .C .C .C .C .C .C .C .C Y .C T U T jh f gi # C g gl.Y >.C T S S C. C . C. C. C. T U T mf f h g # T g g S Q TU Y C i T ] . Y C Y .C 1 f > Strepitoso * [ # [ C = 96 ~ 100 ] Q Q

Bass Trombone

]

Q

#

Trombone 2

Hn. 1

2 4 Q

5 8 [2•3]

[

[

6

[2•3]

.C U T jh T

f)

T S

S

24

T X C. C. C. C. W C T U > >. mfU U . . . . . XC T T C C C C C sfz g mf sub. i C. T U T T W C W C. > > fsfz mf > W .C T U T S j sfzh Q > W .C .C .C T U S > gl. UT Y C .C T U S

T

S S

> W .C T U T j sfzh

T

T

g T X C.i > sfz T gi Y C.> sfz

Q TU

Q

TU

Q

Q

24 Q

12

34

Q Q .C .C .C T U S mp gi U T S X C. T mp S

S

Q Q

T

. U C C .C T U Y .C C T WC . . mf >. Y .C T U T C. .C (Y) .C T U T U X j .C jh mfh . . U W C. W C. C. T U C. C C T mf

W C. X C.> S mp Y .C S S .C Y .C mp . X .C T C Y C. j C. T U T T Y C h mf mp. Y. .C T C T U C C. T U S mf mp. .C T U T T T X C . j W .C> h Y C. X C. mf mp S

Q

S Q

S

Q

24

T

Q Q S T

T T U Y C gi S .> mf

> gl Y .C . . mf


41

WC

.C>

X >C .C T

h fsfz

ff

S !

T !

S

Hn. 3

Hn. 4

C

>g

> C.

ff T

fsfzh

Tpt. 2

Tpt. 3

Trb. 1

Trb. 2

Bs. Trb.

#

T

T

Tpt. 1

. ! WC

à .C> Y XC S h sfz Ã> .C S h sfz à g .> C Y C S h sfz Ãg X C. T > sfz .C T X .C

Tpt. 2

W .C .C T !

]

sffz C C ^C T U

C.

sffz .C .C ^C T U

ff

S

Tba.

.C

> .C C

ff > . . Y C Y C. C C T Y >C ! ff molto fsfz >C > . U .C C Y C T T ! ff molto fsfz > U .C .C X C T W >C T ! ff molto fsfz .C> > " T T C h ff >. C >C # T T h ff # . . Y .C T U T

Tpt. 1

.C

> . C C

T

!

Hn. 2

.C .C ^C U T sffz .C .C ^C T U sffz .C .C ^C TU sffz ^ C. C. C T U sffz Y C C ^C T U

C C. >

.C

.C

.C

.C

C C. > ff

C.

Y C> C. Y .C ff

Hn. 1

T !

T

Hn. 2

!

T !

Hn. 3

T !

Hn. 4

T

Trb. 1

"

Trb. 2

#

Y .C .C .C

.C>

X .C .C f T

sfz

Bs. Trb.

Tba.

#

.C .C .C

T T

Ì

g T U Y C.i > fsfz gi T U gi W .C T U T X C. fsfz

> W .C

Q

TO

f

T

g Ci >. . C WC

[

> T U X C Y .C T U T j sfz h > T U X .C T X C Y C > . gi g TU C C i TU T > . sfz .C T U S

>. . UT j C C W .C T h sfz >C . T WC sfz g S T Y C.i T U > fsfz >.C U U >.C T T S

Q T S

> T U Y j .C h sfz

gi C. T U T T X C gi T U .> fsfz

TU TU

g

]

9 16

Ì

0 > W C .C T sfz

S 0

gl.

T

Q

f .C S

>. C TU hj fsfz > T C g Y .C T U j fsfzh . C l. C T Q Q Q Q T S

T

>.C U Y .C . T Y j C T U T U C C. Y C. h >

W .C> C. C. C. T U (W ) .C C. T U X C. >. U . gi C T Y C C. T U T U C C W C > . .

jh

C

C.

> Y C C gl.. . . Y C . mp sfz > Y C .C .C .C .C .C mp sfz

. Y .C T U T U Y j .C T U T U .C Y C h g UT W C C i T U T U C. T U C . . . >.

gi U U YC C U U C. T T C. C. . jh T T

g C. T U C. W .C i T U T U T O >

C. T U W .C Y C gi T U T U .C Y .C .C .

.C> W .C . . U U T O C YC T T jh g T O Y C. Y C. C C.i . > .C T U T U T O gi C .> hj >. .C T U T U C. T U .C Y C j

> .C .C TU C

. X .C T U T U j C T U jh h > X .C W .C TU TU T O ig T U T U C. Y C. Y C. X .C T U > T U .C Y .C T U C. .C U jh T h .C Y .C W >.C T U .C X j .C T U T U T O j h T U T U jh T U h TO

(

Q

.C .C U U jh T T TU T O . T U .C T U C . T U Y jh C T U T U

.C>

TO

gi . X .C jh T U T U jh T U T U j C T U T U C. T U T U h > f )

TO

S

T U W .C .C W .C (f) UT W .C .C .C S (f ) T T C. .C C. C. mf >C .C S T gl. mf >C Y .C T S gl. mf

25

>.

C h sfz

S

g

Q

>.Ã

T

Q C

S

h sfz

C. C. C. T U S

(W ) C. C. ( f)

T

à .C>

S

Q

gi T U T X C.

Ci

f)

(

f

TU TU

=

C

Q

C. C. W C C C T U S . . .

T

T

S

g

T gi Y C. f gi YC f.

TO

T

0

S Q

W >C .C T sfz

S

S

Y C. T U C C T U . .> W C. >

Q

S

gi C. >

>.C

> U W .C

0

2 4

ig W C. >

sfz S Y C. C. C T U T .> sfz .> S Y .C .C .C Y C S f

g C O = c. 126 ) 17 cuivrè Ã> .C Q T U jh T sffz cuivrè à à g UT T U C i T U T U C. C. T .> > sffz cuivrè .> Q TU j C T h sffz cuivrèà à UT T U gi T U T U W C. W C. T X C.> > sffz .C T U C. U > C. T S T U W .C X C T U C. .>

] (

W C. C. C. C. f .C W .C T f. . C WC T f W .C C. X .C T U

Q

S S

W C. C. C. C. f S

Y C .C .C .C Y .C T U f 0 .C .C .C T U T f > .C .C .C Y .C T U Y .C> T U sfz .C .C .C X >.C T U T sfz X >.C .C Q

Q #

]

0

XC T C. C. W C. .> sfz Q

!

Tpt. 3

S

S

f

g

Ci

6 16

0

S

0

=

sffz mf sub. .C ^C W .C .C Y .C Y .C T U mf sffz sub. .C ^C T U S sffz ^ C. X C T U S sffz ^ S U T .C C sffz

g

[

S

g

Ci

Ì

T !

Hn. 1

>g

Ì

[

[

C. T U Y C

gi U U C. T T >

Q Q

>C .C .C ^C S sffz ff > . . ^ XC C C C S

24

sffz ff >X C .C .C ^C S sffz ff ^ C C. C. C S > sffz ff Y >C .C .C ^C S ff sffz >X C .C .C ^C S

ff > WC ff > XC ff >C

sffz .C .C ^C S sffz .C .C ^C T

. Y .C Y C sffz mfsub. C C ^C T U Y .C Y .C T U " ff sffz mf sub. ^ C C X C C C gi T U T > mf. sffz sub. ff ^ g U T i T Y C> C C C X mfC. sffz sub. ff


42

29

[ !

S

Hn. 3

!

T

Hn. 4

! Y C C C C C C C TU . . . . . . . f Q !

Hn. 2

Tpt. 1

T

W C. f X C. C. C. Y C. C. f

solo

!

S !

T

Tpt. 2

Tpt. 3

Trb. 1

Trb. 2

"

Bs. Trb.

Tba.

#

T #

[

! !

Tpt. 1

T

T U jh fsfz h T S

W ^C h ff

. TU W C

!

Tpt. 3

" S

T

S

gi T U C> Y C. fsfz Q

X >C gl. W .C T U hj hj T U T fsfz . T U >C gl. C T U

T U W > C gl. C. T U S Q

fsfz

.C C.

W C. C. W C. C. C. C. Y C. C. ff C. ff .C W .C .C X .C

gi

T

gi C. mf

T T

34

sfz

sfz

C.

.C .C .C

.C

C. X C. C. W C> C> sfz . .C W .C .C C .C

S

S

gl.

C. C. mp .C .C mp

Ã> X C C T mp sfz sub. Ã cuivrè > T T C C mp sfz sub. Ã cuivrè > C C T T mp sfz sub. cuivrè Ã T T C C > mp sfz sub. .C .C .C .C .C .C ^ cuivrè

Ì

Ì

Ì

Ì

ff cresc. molto poss. .C .C .C .C .C .C W .C .C .C .C .C .C

sfffz ^ . . . Y .C .C .C .C W C. .C C C C .C

" X .C .C .C .C .C .C # T Y >.C .C .C ff # X C TU Y C C Y C .> . . ] >. ff

.C

ff cresc. molto .C .C .C .C .C .C X .C T U W .C .C ff cresc. .C .C Y .C .C .C T U X .C .C Y .C .C

ff cresc. molto C. C. C. X C. C. Y C. C. C. C. T

.C molto

.C

sfffz ^ . . . . . . . .C T C C Y C C C C X C .C sfffz . .C .C C. C. C .C^ .C W .C .C T sfffz ^

C. C X C C C C C C . . . . . . . C. .C C. C. ( ff ) sfffz cresc. molto

mf T

X C. f . . . . U U Y C T Y C C C T Y .C g TU Y C i C .> . (f) . T W C. C. X C mf Y .C T U T U Y .C X .C T

> .C .C X .C h T T

S

.C W .C U X >C C. T

T

f

W .C .C .C Y .C Y .C .C . T U YC S

Q T

sfffz >C .C .C .C . . . . .C .C^ . W C TU XC C WC C sfffz C. C. X .C .C .C .C . . .C .C Y .C ^.C C C

.C .C .C . . XC C

f Q

C X C. Y C. . T U > f Y C. C. ( mf )

jh Y C. C. ( f ) molto > . . T U X jh C C C f molto

W C. C. W C. C. C> C> sfz > > C. C. W C. C. C C

> > W .C .C W .C .C

> > Y .C .C .C .C .C .C .C .C

S

>C

TU

> > WC C C C C C T sfz

C. C. C.

T

solo

Q

Q

C.

T

TU

Q

T

T

TU

S

X C. C. C. T U

f

C. C. C. C. X C. f .C X .C .C .C .C

>

gi U X C. T

S

S

.C T U j

C

ff cresc. molto poss. > . > > . W .C W C .C T U C C X .C .C W .C T U C ! ff cresc. molto poss. .C> U >C C. C. C. X .C . . . . W C W C T C WC

Tpt. 2

Tba.

C. .C

W C-

C. T

T

>.

> . X .C .C .C gl. . .C

C. C. C. >C U >C T

Y C. C. C W C . .

Q

S

! W C. C. C. T U C. C. W C. T U f

S

S

. . . . . . . ! Y C C C C C. T U W C> C. W C. C. C. C. Y C C X C ff f ! W C C C C C C C C. T .C C. .C C. X C. . . . . . . . ff

Hn. 4

Bs. Trb.

T

C. T

X C>

Q

]

Hn. 3

Trb. 2

Y C.

W C. C. C. C. C. C. mf

Q

Hn. 2

Trb. 1

.C T U

C.

f

. " Yj C TU h

Hn. 1

Y .C T U T jh U T W C. C. .C .C .C T T

Q !

Hn. 1

> UT X j .C h fsfz

T .C

mph ! Q

T T U Y j .C mfh Y .C Y .C f W C. h mp ! T

T > X .C h f T

^ C C >C C C C >C C C 0C T fff molto ^ 0 C C C C C C C C C C T > > fff molto ^ >C C >C C C C C C C 0C T

C. mf X .C

T U X .C

mf Ì

S T

S

.> . . UT Y jh C Y C C Y .C T U fsfz T YC C f

S Q

TU

.C

. U Y .C .C Y C T

T X C. C. W >C h f

T

C. C. U X .C

C.

ATTACCA SUBITO No. 8

? Q

24

? Q

? Q

fff ^ 0 C C C C C C C C C C T > > fff molto molto

? Q

?

Q

Q ? Q

Q ?

Q

Q

? Q

Q Q

?

Q ? Q

Q ?

Q Q

ATTACCA SUBITO No. 8

9/24/08


Calmo [

[

4 4 !

Flute 1

Q

Piccolo

!

Oboe 1

!

C

Q

Q

Q

Q Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

3 4

Q

Oboe 2º TACET No. 8 Oboe 2

!

Q

Clarinet 1

!

Q

B∫

5

= 46 ~ 48 ]

Q

43

8. - LINE

Duration: No. 8 - c. 1:30

Clarinet 2º TACET No. 8

Q

2 4

Q

4 4 Q Q

Q Q

!

Q

[take Bass Clar.]

Q

Q

Q

Q

Bassoon 1

" Q

Q

Q

Q

Q

Bassoon 2

#

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Clarinet 2

Bassoon 2º TACET No. 8

]

Q

[

Horns 1, 2, 3, 4

!

Trumpets 1, 2, 3

! #

Trombones 1, 2

Q

44

34 Q

Brass TACET No. 8

Q

#

Bass Trombone Tuba

Q

]

C

Calmo [

!

Keyboard

# [ #

Timpani

] [

Percussion 1, 2, 3, 4

] !

44

Q

44

Q Q

44 !

Violin I

Violin II

!

Viola

" #

Cello

Q WA p WA p

Q

Q Q

Q

34

Q

Q Q

Q

# ]

Q

24

Q

24

Q

Q

WBO

BO BO

C hj T U T

Q

44

Q

S

S

Q B Q

[

44 !

Flt. 1

!

Picc.

!

Ob. 1

S

]

p

Q WC

À

À

WBO p

h

44 !

Vln. I

!

Vln. II

"

Vla.

#

Vlc.

]

!

mf Q

Q Q

S

WB

C C C

h T S pp W ÇB OO S ÀC pp S pp

C

T

C

p

B

h

-C

S

h

C T

Q

Q

Q Q

Q Q

Q Q

Q

34

Q

Q Q

Q

34

Q

Q Q

Q

W -C OW C B O

mp

mf

pp

molto

TU S

Q Q ÇB Q

h

ÇC

34

?

44

Q

?

>Ç )

C h T mp S

Q

S

44

S

Q

S

Q

Q S

T

ÇB p À sul G B O

g

h p

BO C T

Q ÀB ÀC

mp Q

]

R

S C

C T R h mp B

44

B S

p Q

S

]

Q

h T pp

44

p

Q

Q

C p C- O T U hmp

34

BO

pp

mp Q Q Q

12 a tempo [

-Ç O BO Ç

-B O C

p Q

*

Q

Q

MV

]

BO mp

C T[ h pp C [ h T pp [ ? ] Q [

Q

?

Ç

C

T S

(

]

?

[

C h T pp

Q

p

Q

ÀC

44

12 a tempo

]

? Q

[

p

Q

Q

[

Q

34

mp

S

Q

Y -B

R

R

ÀA

pp

Q

rit. poco a poco

W <C

p

Q

B

[

34

jh T U T S

Q

R

mp

C

h T R

8

[

W -C OW C C

C

!

Clt. 1

D.B.

R

WC

Q

<Ç Q

ord.

!

44

rit. poco a poco

8

Q

5

Q

Q

Q

44 Q

24

Q

Q Q

CO

34 Q

sul A

sul A

Double Bass

S

Q

= 46 ~ 48 ]

Q

Q

4 4

5

34

34

Q

mp , espr. Q

Q

Keyboard, Timpani, Percussion TACET No. 8

C

Q

= 46 ~ 48 ]

Q

Calmo [

[

Q

Q

S

44

24

Q

3 4

Q

?

]

? ?

S

]

S

]

* S

1

C

gl. (

C

pp

p Q

)

C

lon g po rt.

S

B

ord.

* 1 vib. gl. T S C h mp mf

44

-C

port

mp R

S

.

-C

mf C

34

C (Y C ) S pp

B

C

ph

p

Q

Q

Q

Q

Q

Q

Ms. 12-20: Violins should make a determined effort to 1 greatly vary the speed of their glissandi. Do not remain together.

S

C T S C

gl.


44

18

Flt. 1

[ !

Q !

Q

Picc.

!

Q

Ob. 1

2 4 Q

] [

S

sul D

C gl. mp

Vln. I

! XC p !

(p)

C

h T mf

"

Vla.

S

(

C

34

>)

C

p

h

Q WA Q

S sul A

T

BO

h p

C

gl. (

p

h

ÀC

pp

T

S

CO mp R

B pp

C mp

Q

Q

18

gl.

T Wh C p

C S

C

sul E

T

h

(

44

W -C ) S

WC) h T mp W -B O

S

h p

mp

pp h p

mp

ÀC

ÀB O

T

gl.

YC

S

Q T

R

mp

h T pp

3 4

Q

C CO

TU

B

R R

Q

S

C mp

Q

mp

sul G

S

Q

p , espr.

B

Q Q

] !

-C

h mp

C C TU S mf S T

Q

S Q

Q

S

#

Vlc.

D.B.

T

24

WC) pp

(

BO

Vln. II

S

> C ( C ) TU S mf

4 4 Q

Q

"

Bsn. 1

Q

3 4 Q

YB p S

!

Clt. 1

Q

S

34

C pp S

A mf , ten. ÀA R

Ç

X <C T h mp

p

mf , ten.

21

-B

[

34 !

Flt. 1

!

Picc.

Q

mf

B

T C

h p

! C !

Clt. 1

h

C

"

pp

T

p poss.

44 Q

Q

Q C

p

C

C

. Q

-B O

C

mp Y -B O h

. T

h C

Q

. T

Q

.

S

Q

(time) non-attacca

Q

mp

TU S

mp

Q

]

Q

Q

-B S

T

h

Q

Ob. 1

Bsn. 1

C

Q

Q

.

Q

Q

Q

21

Vln. I

[

34 ! !

Vln. II

BO

"

ÇO BO

#

ÇB

Vla.

Vlc.

D.B.

T

] !

mp ÀC h p

p

h

C<

=B O

slow gliss.

mf Y -B O

C C

T

pph S

S

mp C mp

mf

ÇC

C TU S TU S

S

Q Q

Q

mp

Q

S

T

44

. Q

(

YA

Q

>)

mf ÇA> )

C

(

mf

ÇC

C

Q

h pp ÇC h pp

?

T

R T

R

?

lay down bows

. Q

Q

. Q

Q

Q

(time) non-attacca 9/21/08


Slightly silly[ C O = 80~84/ C = 120~126 ] sempre g g [ C = C ]

[

Ì

!

Piccolo

Q

Q

Q

2 4

Q

Q

Q

6 8

Q Q

SO

Oboe 1

!

Q

Q

Q

Q

SO

Oboe 2

!

Q

Q

Q

Q

SO

Q

Q

^ T g C C C C C C . . . . . sfz Bs. Cl. f,g ruvido ^ T C X .C . X C ! C . Y C. Y .C f , ruvido sfz ^ . . . Y C C # C X C. Y C . Y C. f ,ruvido sfz C-Bsn. ^ # SO T YC .Y C ] . f sfz !

Clarinet 1

Bass Clarinet

Bassoon 1

Contrabassoon

Horns 1, 3

68 !

Horns 2, 4

!

Trumpet 1

!

^ C W C. C. X C. C. C. . mfsfz mp tightly stopped throughout à ^ T à2T g C. .C .C .C mfsfz mp Q Ã

Ì

!

Bass Trombone Tuba

#

Q Q

Q

Q

Q

Q

Q

[ !

Percussion 2

68

$

Q

Q

Glock.

(brass)

Q

>

l.v.

BO

!

SO

Q

f

g C p .

2 4

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q

Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q

Q

Q Q

Q Q

Q

24

Q

7

24

Q

24

Q

3

Q

Q Q

Q Q

Q

l.v. sempre

C

C mf

Q

C

Q

Q Q

Q

C

68

SO

Y C. X C. mf

SO

1 sempre pizz.

SO

T C . C. C

.

SO

Q

Q

fsfz C. Y C Y C . .Y C T .> Q

Q

Q

Q

68

C. Y .C Y .C >.C Q

[ take light

Q

(w.

Q

Q

beaters)

Q

Q

Q

Q

Q

[ to Wood Blocks ]

24

C

C C

24

Q

> >Ç * ÇO SO S Q CO C ! f sempre pizz. *1 Ç O SO S " Ç ! B>Ç C O C> f > >Ç > sempre pizz. 1 ÇB B # * SO Ç OO f C> sempre > O pizz. >Ç 1 Ç * C O C # SO S S ÇC ] f > 1 * STRINGS: All natural harmonics; l.v. sempre: sonorously.

mf , chiaro C g( C) g C C C Q

Q

Q

7

Ì

S

C. C. C. C.

S-B

Q

p , delicato Q

beaters ]

Q

Slightly silly[ C O = 80~84/ C = 120~126 ] sempre g g >Ç O >Ç C C [ = ] * CO C

68

T T

p

g C.

7

Ì

Slide Whistle

sempre pizz. 1

[

str. mute

T T

T C. T WC ffsfz f . ^ >C. C. T C. C. C. ffsfz ^ C. T C. C. C. W C. fsfz ^ W C. C. C. C. C. T fsfz .^ .C C T C. W C. W C. fsfz ^ Y C. C. T Y C. C. Y C . fsfz .C .C Y .C C ^ T . Y C. fsfz Y .C . ^ Y C Y .C C .Y C T . fsfz ^ C C. C. C. C. . T mfsfz ^ T C . C. C. C. C.mfsfz X .C ^.C T C W C. W C. mfsfz p. X .C ^ T . C. W C. W C. C mfsfz ^ T W C W C . C. C. C. .mfsfz Q

Q

Ì

]

Ã)

SO

Q

S

$

W C. .C .C

Y .C T T h

str. mute

Q

Q

f

Q

Q

V.Slap

Percussion 3

C.

C W C. C. X C. C. C. . mp stacc. ( Ã ) T T g C CWC C stacc. . . . . mp str. mute Q

Q

Sand Blocks

!

Percussion 4

68 Q

XA A Q Y A Y A (take brushes)

]

Percussion 1

Double Bass

Q

(

Q

Q

Ì

[ #

g

C. C. C. .C . . C XC

SO

Y C T C. h .

Q

68

#

Cello

Q

Slightly silly[ C O = 80~84/ C = 120~126 ] sempre g g [ C = C ]

Keyboard

g C.

g C. mf T T g W C. mf g

C

f

T T

C

T

C. C.

.C

Q

24

T

C. C.

T T

.C .C .C . Y .C .C .C .C .C . C C h

Q

mute

!

Timpani

g

T T C mf g T T C mf Q

[Trbs.: metal str. mutes]

]

g

Q

[ metal str. mute ]

#

Viola

Q

[ metal str. mute ]

Trombones 1, 2

Violin II

Q

Q

!

Trumpet 3

Violin I

Q

[ metal str. mute ]

Trumpet 2

C. X C. Y C. Y C. mf >> g . . C C C .C Y C. Y mf C

Q

tightly stopped throughout Ì à2

[

^ >.C X .C

Ì

Q

6 8 !

Flute 1

45

9. - HOPSCOTCH

Duration : No. 9 - c. 1:15

Q

68

Q Q

Q Q

24

Q

mf

ÇO T CO ÇC

S

mf ÇB

Q

Q

Q

S

Q

Q

Q

Q

Q

Q

Q

ÇO T CO mf

T ÇC mf

g

T ÇO CO ÇC OO Ç

h

B mf Q

ÇC


46

12

[

Q

Q

>. Y .C .C Y .C X C Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q Q

Q

!

Q

Q

Ob. 1

!

Q

Q

S

T

Ob. 2

!

Q Q

S

T

Clt. 1

!

Q Q

S

T

Bs. Clt.

!

Q

Q

Q

# Q

Q

Q

Q

Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

Q

Q

Q

Q

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Hns. 2, 4

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Tpt. 1

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Tpts. 2, 3

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Trbs. 1, 2

# Q

Q

Q

Q

Q

Q

Q

Q

Q

Bs. Trb.

# Q

Q

Q

Q

Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

.C > .C .C T h Q

Q

] [

Hns. 1, 3

Tba.

]

T

Q

Picc.

Bsn. 2

S

.> Y C. .C X .C C

Q

Bsn. 1

Q

.C C. W .C W .C

!

Flt. 1

Q

.C >

Q

mph , molto stacc. . .C > S T .C W .C .C C mph , molto stacc. >W .C C. .C X .C .C Y .C .C T . C h h mf , molto stacc.. mp .C C X .C . W >.C C Y .C .C S h mf , molto stacc. X .C T .C T W .C T X .C T .C h h h h h mp Q Q

12

Q # Q

Kbd.

!

Timp.

[ # C

!

Perc. 1

Q

C

T h

(GL.)

C C

!

Perc. 2

C

$

Perc. 3

]

.C >C

.C

C C

h

-C

Q Q

Q

S

T C

T

g YC

g C. >

g T Y C.

YC

g

>

p , chairo -C

h C

C

Q

$

Perc. 4

>C C

Q T

Q C

YC

C.

T

YC

YC

S

C

g

h

C

> h

.C T

S

XC C C

g

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

B

C

C

g C. S p Q T

Q

C XC

YC C

g g C. T Y C. T

C

WC

mp , stacc. T W Cg C

! S

Q

>.

(S-B)

[

XC

Q

Q

]

C

Q

g T Y .C T C. h p Q

[take brass mallets à4]

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

12

[

ÇB !

Vln. I

"

Vlc.

# ]

C

ÇC S

#

Ç

S

ÇC

Vla.

D.B.

ÇC OO T

!

Vln. II

S ÇB

Q

ÇO CO

ÇC S

T

T

g ÇC

Q

Q

ÇB Q

Q Q

Q

Q Q

T

.C

. T Xh C

Q

p , delicato .C Y .C h T h T pp , secco .C Y .C T h T h pp , secco

S

(sul G)

Q

Q

Q

Q

.C h T î

h

h

Y .C h T T .C

gl.

.

p stacc!

T

Y .C .C .C T h C S

.C

T Y .C T h WC C

h p ,secco C WC

Q

ÇB C

ÇB

ÇB

ÇO CO T

Ç

>

h

C>Ç >Ç C

g

h

h .C

. .

C. T W .C W .C . T Y h C .C .C . .

.

C) pp (


47

Flt. 1

[

!

Q

Picc.

Q

!

Ob. 2

!

Clt. 1

!

T g W C.> f T g X .C> f T g W C.> f g > T C .C h mf g .> C C T h mf

Ob. 1

!

Bs. Clt.

#

Bsn. 1

#

CBsn.

] [

Hns. 1, 3

3 4

!

C. C.

C. .C mf

Q Q

! (mute)

! S

Tpt. 2

T

(mute)

ph

Q

!

Tpt.3

.C .C .C

34

(mute)

.C

metal str. mutes

#

Q

Trbs. 1, 2

#

metal str. mute

Q

Bs. Trb.

#

Tba.

Q

]

Q Q !

Timp.

[ #

(GL.)

Q

!

Perc. 2

W-Blks.

.> . .C $ T CC C C h mf p sub. Q $

Perc. 3

Perc. 4

]

ffsfz .^ .> C C

Q W C. C. C. C. C. C.> p mfsfz > (flt.) -C . C W .C __ C mfsfz g T WC C C C WC . . . . .> p mfsfz . . . >. C C C C S T XC C C .h . .> p mfsfz S S Y C. C> mp mfsfz mute S S Y C. Y C> mp mfsfz Q

>.

! T hC f sfz sub. g ! T W C. > f sfz sub. > " T X .C h f sfz sub. > # T X .C h f sfz sub.

Vln. I

Vln. II

Vla.

Vlc.

D.B.

]

#

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

Q

24

Q

(stopped)

Q

Q

Q

Q

Q

Q

Q

Q

34

(brass)

Q . T .C h C T h Q

.C .C >

S

Q

S

3 4 S

Q Q

Q

S

Q g T g W C. W .C p T

Q

Q

Q

Q

Q

Q

Q

Q

Q

mp

stacc.

Q g

C

C

YC

.C> .C T

>. C

C

>.C CC

Q

Q

Q

Q Q

Q

f

mp

C

h

.C T C

g

Q

as solo: (grad. ascending) (1/4)

ï

mpcresc.

T

C

S

S ï

h Q

C B W .C > mf sfzp > T YC B h mf sfzp Q

p. . C C S

#

Q

34

#

Q Q

34 Q Q

g ì. T >

(3/4)

ï

.ì> T mfh S

Q

Q

Q

>Ç O CO Q

Q

Q

Q

ÇO C> O Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

34

Q

S

Q

ÇC OO f > >Ç O T CO f

T C

Q

(1/2)

g ì. T >

mf

g

beaters ]

Q S

h

dim. molto

[ retake

S-W.

g

>. . C C

WC

C

sfz

C C OO C>C OO mf Q

C

.C

C

Q

Q

Q

S

>.

g

Q

Q

)

(

C

Q

C

WC

XC C

mf

> XB mf sfzp

S

Q

(come prima)

g C.

g T C. T

Q

YC

34

Q

Q

f

T

Q

Q

nat. harms. (come prima)

.C> Y .C . . XC C g

T W Cg T X Cg . . g C. T S p

Q

T T

g C.

. X .C W .C .C W C

>. . C C T hpp h Q

f

!

h

C

Q

>Ç O CO T

g C. T

>.

g

Q

Q

2 4

WC

Q

Q

mfsfz

C

h p T

T

.C> . XC

g C

Q

Q

Q

T

X .C h W .C mph

T

W C. C. mf

S S

Q

20

24

.C

W .C

Ì

Q

Q Q

Ì

.C .C .C mp (à2) Ã T W .C T ph S T

Q

24 Q

Ã>

S

S

Q

(à2) g C

Q S

Q

(stopped)

Q

3 4

Q

Q

20

[

Q

Q Q

!

Perc. 1

2 4

Q

Q

] [

.C .C

34

!

Kbd.

T

mf W C. .C . X C C.

T h mf

20

ffsfz g . .C^ C. C fsfz ^ g W C C. C. . fsfz .^ .C C W C. fsfz ^ Y C. Y C. Y C . fsfz ^ X .C Y C. Y C. fsfz X .C Y C ^ . Y C. fsfz

C. W C.

Q

!

Tpt. 1

C. C.

.C .C

!

C.

C. C. C.

f T W C. C. mf

C. C. .C .C

Q

Hns. 2, 4

C W C. . f S

^ >.C X .C

Q


48

[

C W C. . f S

!

Flt. 1

27

^ >.C X .C ff sfz >. ^.C C

C C. C. C. . ffsfz f >. ^. C C ! W C. C. C. . C ffsfz ^ S ! W C X .C C. C>. . ffsfz mf ^. .C C ! C W .C W C. ffsfz mf W C. . ^ ! Y C. Y C. Y .C C. Y C C . . ffsfz ^ . . . . # XC C YC C Y C. C. ffsfz Y .C . ^ # YC YC C . .YC C ] . . mf ffsfz !

Picc.

Ob. 1

Ob. 2

Clt. 1

Bs. Clt.

Bsn. 1

CBsn.

[

Hns. 1, 3

Q !

Q

Hns. 2, 4

!

C

!

Tpt. 1

(mute) Tpt. 2

!

Tpt.3

!

T

(mute)

T

(mutes)

#

Trbs. 1, 2

p

(mute)

#

]

S

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

T h S mfsfz > T .C S h mfsfz > T .C S h mfsfz

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

.C>

.C .C .C . . C C . . C C C C . .

T Y .C Y C C . . ph

#

Tba.

ph

Q

.C .C .C W .C .C

. . C C C C . .

(mute) Bs. Trb.

ph

Q

24

.C> W .C .C W .C .C

(mute)

Q

2 4

Y C. C. p

>. .^ C C C C >. Ò. mfsfz ^ C. C. mfsfz ^ Y C. C. mfsfz

Timp.

C

g

Perc. 2

Perc. 3

Perc. 4

Vln. I

!

Q

Vln. II

!

Q

!

Q

24

Vla.

Vlc.

# Q

D.B.

# Q

"

]

S

C

__

Q

Q

Q

S

S

Q

Q

Q

Q

S

S

_

W C_ p C

p

ÇC OO T

mp only g S T Ç C mp

>C

mp only

ÇC

Ç C mp only Q

C

Ç

g

-C

.C h

-C

-

T hC T

C

Q

Q

Ç

S C>

Ç

B

T

T T

B ÇC OO

f sub. S

Q

ÇC

T

mph

T

>Ç O CO f sub.

-C

24

__ C

C

C

C

Q

Q

Q

S

34 ÇC

T

g

mp Ç C Ç C

T g

ÇO BO mp

ÇO CO

34

Q W .C T h mp g .C T mp g T C. mp S S

h

.C>

S

h

C

T

S C h

C

34

Q Q

ÇC

S

S

ÇC OO >

ÇC OO

C

S

__

3 4

Q

f sub.

f sub. Ç

g

>Ç O CO T

.

T hC

34

C Q

S

T

C

Q

ÇB

ÇB T

C

h

.C >C C

ÇC

ÇB

mp only Ç

T S

ÇB

Q

S

ÇB

only

S

(flt.)

S

(flt.)

ÇC OO

T

Q

24

(flt.)

27

[

Q

Q

24

Perc. 1

Q

34

Q

2 4

p

27 .C .C Q Q Q C. Y C . Y C. C.> & [ take light med. yarn ] ] mp sfz [ (S-B.) .C .C .C .C .C .C> . Q Q T hC ! mf (come prima) (GL.) ( beaters) C C C Q C C C ! h C C C h C C p , come prima Q Q Q Q $ > .î (S-W) g S T Q Q Q $ ï ] ff

[ #

Q

3 4

ÇC OO mp

ÇC OO

24

T ÇB

Ç

T hC

S

S T

CÇ OO Q

34


49

35 Bumptious[ C O = c. 84 ]

[

3 4 !

Flt. 1

!

Picc.

Q Q

Q # Q

[

34 !

68

Q

!

Tpt. 1

!

Q

Tpts. 2, 3

!

Q

Trbs. 1, 2

#

Bs. Trb.

# (mute)S

Tba.

# (mute)S ]

S

p

C C CC T gl. ph S

T

Kybrd.

#

g C

p S S

[ #

C. C .

68

]

34

!

Q

68

! $

Perc. 3

C C

Q

(S-W)

T g ï p

S

$ ] [ !

Vln. II

C T WC C

g T

mp , stacc. Y C. Y C .

T

T

S S

Vla.

"

Vlc.

# ÇB

D.B.

# S

ÇC OO

T ÇO CO ÇO CO S

g

T Ç C> T Çg C>

Y >.C C

T

T

C C C XC

Q

Q

Q

Q

Q

Q

Q

Q

SO

Q (my) @ edge C C

.

ph

.C T T

C

g

. X .C X C

SO

Y C. Y C T .

C C

Q

Q

Q

Q

(W.-Blks.)

Q

SO

T

Q

Q

T

C C

.C>

h mf

!

98

T .C T p

SO Q

^ C. Y .C

Y >C

fsfz .C .C ^

2 4

fsfz .C .C^

>C C

]

fsfz ^

24

Q

mp

stacc.

24

C YC C YC C

98

>C

g C

> C Y C C C C. C^ T T hC C C C .> f Ò sfz mp g stacc. T C C C T T C Y C C^ mp stacc. mf .> fsfz ^ g T T C T Y .C Y C Y C XC C mf > fsfz mp stacc. g g [ C = C ] .CC^ g . Y Y C T T Y C T C T Y C T YY CC YC Y C. X C. f sfz^ mf .CC Y .C C T T T X C T X CC. T YY CC h Y C.

T C YC T C C

Q

T T

.C

X .C

Q

C

=

XC WC X C> W C C C C. Y C .> X C. ffsfz ^ C X C X C Y C X C X C. Y C. Y C > . W C> ffsfz . >. X .C .C YC ^ YC T T X C. Y .C > Y C. ffsfz .> ^ WC C Y C C T X X C C C C X W CC CC W C C .> Òsfz f mf .> ^ T Y C C X C C Y C C (Y) X CC CC .> f Ò sfz mf Q

98

Y C. Y C .

g Y C. T T T

g Y C> C Y C>

SO SO

Q

.C

C

> > > YC C C C WC

C C C YC

Q

C Y C> C Y C> C T T

T XC C WC C C

> T W .C

>

Y C Y C Y C XC

Q

.C . . XC XC

Q

C C YC YC T C g .> X .C T T C Y h C Y .C X .C

XC C C

g C.

9 8

C C YC C >

Q

Q

C

C C

Y C.> & mf

Q

C

Q g

.C T .C T .C

.C .C>

T .C

24

mfsfz

Q

[ to Tambourine ]

68

ÇB

C mf> g T C X C>

SO

WC C C

XC C

(1/2)

ì. > mf

T

Q

T SO

Q

[ take Flexatone ]

Q

C. C.

Q

Q

C

g C>.

T T T

Q

SO

g

C. C.

C C C T WC

C XC C

> T T W .C h

> C . X .C XC W .C

CO

T

g C.>

sim.

35 Bumptious [ C O = c. 84 ]

34 !

C C C

T

T C C C C C. C. mp molto stacc. g > C X C C XC T Y C Y C Y C XC T Cg Y .C> C C C Y C T YC h g .> . . X .C T SO C Y C YC XC h

Q

Q

(GL.)

Perc. 2

SO

Ì

Q

T

sim.

Ì

SO

T

SO

C.> C. C.

[ C O = c. 84 ] 35 Bumptious .

.C . C

34

Ã

SO

C C. .C> .

SO

YY CC T T S O mf h >. g Y .C> T T S O mf g T T SO Y .C> mf

gl.

XC p S

S

T T

.C X C

.g>

gl.

p #

.C>

SO sim.

WC C XC C C C mp , stacc. (stopped) ( Ã ) T T g C C WC C mp , stacc. Q

(à2)

S

g

(stopped) ( )

Q

Hns. 2, 4

(mutes)

C

T T

XC YC f , molto stacc. Y C Y C g .> g .C .C C C Y C T TC YC YC f , molto stacc. . g > T C Y .C Y .C X .C C SO f

(à2)

]

Q

# ]

Vln. I

Q

!

Bsn. 1

Perc. 4

Q

T

Bs. Clt.

[

Q

Q

Clt. 1

Perc. 1

Q

!

Q !

Ob. 2

Timp.

Q

Q

Q

!

Hns. 1, 3

Q

g T C C. C. .> mf g T C C>. C. . mf Q

Ob. 1

CBsn.

6 8

Q

g C

[

ÇO CO ÇC OO

[

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

SO

Q

Q

Q

Q

SO

Q

Q

Q

Q

98

Q

Q

Q

C

g

=

C

g

]

24


50

=

C

g

]

Ì

Ì

40 ( C = c. 126)

[

Q

2 4 !

Flt. 1

g C

[

Picc.

!

Ob. 1

!

Ob. 2

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

(Ob. down: take extra reed)

Q

3 4 Q Q Q

!

Q

Q

Q

Q

Q

Q

Bs. Clt.

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

$

Clt. 1

Bsn. 1

#

CBsn.

#

(Bs. Clt. down)

(Bsn. down: take extra reed)

] [

Hns. 1, 3

[Cl. 2º- take Cl. mpc. and tuning barrel only ]

Q

24 !

Q

Q

Q

Q

Q

Q

Q

!

Q Q

Q

!

Q

Q

Trbs. 1, 2

# Q

Bs. Trb.

#

Tpt.3

$

S

S

T

Q

Q

Q $

S

S

T

Q

Q

Q

Q

$

S

Q

Q

Q

Q

Q

$

Q

Q

Q

Q

Q

Q $

S

Q Q

Q

Q

Q

Q $

S

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Ì

# [ # ]

Perc. 2

!

Perc. 3

$

T

]

D.B.

C

g

T

.C>

mph g

S

C C

h

>.C

T

T

T

C

T

g

.C h

C

S

dim. poco a poco

g

h

.C

T

C

T

.C>

g

ph

h

.C T

g T

C

.C>

.C

>

ìì

ìì ìì

ìì

g

C

T

.C >

g

pph

h

.C T

T

g ìì .

f

h

>.ì .ì>

h

f h

68

>. ì

f g ì. f > .> g T ìì f .h > g T ì. > f g T .ì> f S

S

h f

T

S S S

Q

68

34 34

Q

S

Q

Q

68 Q

= C ] 40 ( C = c. 126 ) [

Ì

Vlc.

Q

(take Vibraslap) (dowel sticks) TAMB. C C

$

Perc. 4

Vla.

Q

24

!

S

Ì

(retake brushes)

[

Perc. 1

Vln. II

g

24

Kybrd.

Vln. I

g

= C ] 40 ( C = c. 126 )

!

Timp.

C

[

open mpc. "kiss" thru instr.

S

open (à2)

Q

mutes out

]

T

Q

#

Tba.

S

34 $

>.ì

open (à2)

S

$

mutes out Tpt. 2

$

Q

!

Tpt. 1

$

Q

mpc. "kiss" thru instr.

Q

!

Q

Q

Q

Hns. 2, 4

6 8

Ì

2 L.H. only

[ !

* T

24

(sul G)

g ì f ì sfz .>

S

2 L.H. only

*T

(sul G)

g ì ì. >

sim.

g

ìì

S

.

g S g T T g S ì ì ì f ì ì.> ì. sfz .> sim. L.H. only (sul C) g T " Y C.> C W C XC C C YC Y C YC ff poss. L.H. only (sul C) # T g XC XC C.> C. Y C Y C Y C C WC ff poss. L.H. only (sul E) g # g T T WC WC XC C.> C W C XC YC ] ff poss. 2 Violins: with all four fingers: slapping. * !

g ìì . T

g ìì . T

T

g

ìì

>.

T

g

ìì

C XC

.>

C

C YC

. g

ìì

.

T

T

C C YC

g C XC WC

WC WC

g

XC

C

C YC

YC YC

g ìì . S

.

> C

g ìì . T

.

T

C WC

XC

C

ìì

T

C

Q

34 Q

Q

68

g

Y C Y C X C X .>C sfz

XC T

g ìì .> sfz g T T ìì .> sfz T

g

C Y C Y C X C. > sfz W C X C X C X C. > sfz

Q

Q


51

47 [ C O = c. 80 ]

[

Picc.

!

Ob. 1

!

Q

Q

Q Q

Q

à * T T .ì S O h p Q

$

Ob. 2

!

Clt. 1

$

Bsn. 1

$

CBsn.

#

solo (to ms. 53) g C

]

g T T

[

mp Y C.> *3

T

X C.

.ì Ã

T T

0> . T ì

Ì

Ã

0> Ã T ì Ç

T

Ì

T T 0

.ì> T mp

X C- W C.

T T

g C p.

h p Q

SO

. -ì .ì T ì T T _ h mp Q

T T

.ìà T T 0.ì> T T h h .à T T ì SO h p

.ìÃ

T

(jet whistle)

Q Q

0

T T h mp

mf Q

Q

T T T h

.ìÃ

Q

-ìÃ

0> T .ì T T h mp 0> .ì T T SO h mp g T T C C T T g T T XC . .> C. - Y C. C. mf

WA

SO

T

mf > . T ì T T T .ìà h 0

T T h p

.ì Ã .ì .ì .ì

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

$

Q

Q

Q

Q

Q

Q

Tpt. 2

$

Q

Q

Q

Q

Q

Q

Tpt.3

$

Q

Q

Q

Q

Q

Q

Trbs. 1, 2

$

Q Q

Q

Q

Q

Q

Bs. Trb.

$

Q

Q

Q

Q

Q

Q

$

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

[ #

Timp.

Q Q

] [

Q

68 #

F-T.

Q

!

Perc. 2

T C p

Q

68

!

Perc. 1

$

Perc. 4

$

CO mf Q

0

SO SO T T X Cg .> mf

> T T .ì S O mf > (à2) (kiss) T T .ì S O SO mf > (kiss) T T .ì S O SO mf >.ì (kiss) T T SO SO mf > (kiss) .ì T T SO SO mf >. S O (kiss) T T ì S O T T ì SO .> mf (kiss) SO T T ì SO .> mf (kiss) SO SO T T ì.> mf (à2)

SO

(kiss)

Q

24

Q

24

l.v.

Q

[ to Sand Blocks ]

98

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

24 Q

47 [ C O = c. 80 ]

[

68 !

Vln. I

Vln. II

!

Vla.

"

Vlc.

#

D.B.

Q

Q

Q

[ take slide whistle ]

]

SO

98

Q

[ take nylon mallets ]

Perc. 3

fsffz

SO

Ì

47 [ C O = c. 80 ] Kbd.

.ì .ì .ì^

0

.ì .ì .ì^ S O molto fsffz 0. . .^ ì ì ì SO molto fsffz SO SO Ì

98

Tpt. 1

!

Q

2 4

Ã

$

]

.ì .ì

T CT WC C Y C. W C. W C. . W C . Y C. C- XC > f .

Hns. 2, 4

Tba.

Ì

Q .ì .ì

SO

Q

molto

à T T .ì .ì h p à T T .ì .ì h p

.î^

T T h SO ffsffz

9 8

Q

0

Q

à ì T .ì 0.ì h à T .ì T T

Q

Q

OB./BSN. : ‘crow’ with extra reed. CLAR. : barrel only. covered 0 open

68 $

X C.

Ã. ì h

mpc. only 3 * T .ì à T T 0-ì p reed only 3 .ìà T T * SO ph

Clt. 2

-ì O _ mf

Q

Q reed only

3

Hns. 1, 3

Q

6 8 !

Flt. 1

Q

(flt.) (air only thru instr.)

]

#

Q

[ lower instrs. onto lap: ala ‘banjo’ ]

4 pizz. > gliss. *S O (sul G)( C ) . . mp

4

*

Q

98

. . . . . .î pp

D.B.: RH behind LH: Keep plucking string during ascent.

Q

Q

Q

Q

24


52

C

[

g

C

=

Ì

54

[ !

Picc.

Ì

ord.

mf $

(reed)

Ob. 2

!

Clt. 1

Y -C

mf Q . Y- C Y C C h

T

!

Ob. 1

]

S

2 4 !

Flt. 1

g

X -C Y C . YC

C . XC S

Q

T

C. Y -C Y C

X .C

mf C-

3 4

S Q . -XCWC

S

XC mp

C. T

(Mpc.)

C- X C

g Y C.

W .C

X .C

T

2 4

>C

h

.C Q

>. C

S

Q

. -C X C C W C W .C S

T

W .C T

p

Q Q

WC

W .C

S

W -C X C X C . C mp

T

mp

C.>

p

S

C.

f sub. Q .C ^ f

S

f

C.>

Q

S

h

. . C T WC .C T hp sub. S S C- W C T . mp (non cresc.) Q

W .C T

C.^

sub.. (closed)

Q .C Y -C C X C .C

h

S

X .C

59

>C

.C

-ìÃ

^ C. Y C. f Y sub. (closed) Ã ì h f g ^g S

T

W .C

X .C h

W C- W C T . Q

Q

Q Q

Q Q

Q Q

Q

Q

Q

^ C.

Clt. 2

$

Q

Q

Q

Bsn. 1

$

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Bsn. [ take Bsn. ]

#

CBsn.

h

] [

T

S

34

Q

24 $

Hns. 1, 3

.C

Q

24

T C ff g T C ff

[ take extra reed ]

S

[ take bassoon ]

Q

Q Q

Q

$

Q Q

Q

Q

Q

Q

Q

Tpt.3

$

Q

Q

Q

Q

Q

Q

Q

Trbs. 1, 2

$

Q

Q

Q

Q

Q

Q

Q

Bs. Trb.

$

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Hns. 2, 4

$

Tpt. 1

$

Tpt. 2

$

Tba.

[

Ì

]

54 Kbd.

# [ #

C

=

g

]

stacc.

24

Perc. 2

!

Perc. 3

$ $

Perc. 4

[

Ì

]

C

g

54

[

24 !

Vln. I

WC

Q !

Perc. 1

YC

XC

XC

YC

] [

YC

C

mp C

!

Vln. II

C

S

S-B

.C>

.C T

h

.C>

34

Q Q

Q Q

Q

]

V-SLAP

h

.C T

>.

.C

C

sim.

T h

>. C

24

Q >

[ to 8 ]

8

Q

Q !

BO

h

.C

f

p

T

>.C

.C

S

T

Q

Q

Q

Q

Q

Q

Q

(‘set’ ms. 57 quadruple stop)

34

Q

Q

Q

24

Q

Q

Q

Vlc.

# Q

Q

# Q

Q

Q

S

C mp

X C YC C mp Y C YC C S WC

X C YC

C

S WC

C

YC gl.

C

gl.

YC

* Ì

CO

C

g

Q

(

)

S

YC

WC

) (

( ) dim. poco a poco

5

C

(

)

S

(Y C

) dim. poco a poco

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

5

g

5

Q

*

C. Y C.

>

Q

* (C (

S

C p

Ì

S

g C.

YC

p , delicato Q

with nylon (soft)

59

Q

T

Q Q

S

WC

X C-

brushes: 1/2 closed g

Q

Ì

Q

S C

Y C-

Q

pp Q

X .C S S

Q

S

"

]

Q

Q

Vla.

D.B.

24

XC

XC

Y .C

Q

Q

mf dim. molto ( al pp ) Q

(GL.)

=

34

59

YC

XC S

Q Q

g

Q

Ì

(still 3 )

24 !

Timp.

C

g

Q

Y C. ^g Y C.

T

.C

(

C

) pizz.

)

S

g Y C. C. W C. p pizz. , delicato T g C. C. Y C. pizz. p , delicato g T C. C. W C. p , delicato T

VLNS. : Hold LH in position; strum a free glissando as rhythmically precise as possible. All pitches approximate.

C

XC

)


53

Flt. 1

[

!

S

Picc.

!

T

W .C W .C h

T hC

h

S

X -C C Y .C

.C

W -C . T WC

T

.C

Y C. h h T

-C S

T

S

Q

Ob. 2

$

Q

Q

Q

Q

Clt. 1

!

Q Q

Q

Q

Clt. 2

$

Q Q

Q

Q

Bsn. 1

$

Q Q

Q

Q

CBsn.

# Q

Q

Q

Q

(Mpc.)

(reed)

] [

Q

Q

$

Hns. 1, 3

T

sim.

Q

Q

> X C.

g

Y .C Y C T h h T f >. Y C C C S h T f sub. g .> XC C S h T f 0>. ì S h T g .> YC C S h T f WA -ì S mf 0. T ì S h ff Q

X -C W C . C

W C X .C

Q

(reed)

65

.C

X C. h h T

Q !

Ob. 1

.

.C

Q

Q

ATTACCA #10

short

3 4

Q

2 4

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

[ take flute ]

Q

34

24

Q

(à2)

$

Q Q

Q

Q

Q

Tpt. 1

$

Q

Q

Q

Q

Q

Q

Q

Tpts. 2, 3

$

Q

Q

Q

Q

Q

Q

Q

Trbs. 1, 2

$

Q

Q

Q

Q

Q

Q

Q

Bs. Trb.

$

Q

Q

Q

Q

Q

Q

Q

$

Q Q

Q

Q

Q

Q

Q

!

Y .C S

X .C S

(à2)

Hns. 2, 4

Tba.

]

Kbd.

! YC [ #

Timp.

T

g

] [

S

YC

YC

YC C

C C >. . h

Q !

Perc. 1

C. Y C.

S

XC

XC

g Y .C

CO !

YC

(stir)

.C T

Y .C

-C

h

C WC pp

C

C

C

XC

C

T

h

Q

Q

$

Q

Q

Q S

Q

]

(

[

S !

Vln. I

!

(W C )

T

Vlc.

# T

D.B.

# T

g X C.

"

Vla.

]

C

XC)

h

Q

CO C

h

Q

Q Q

Q

p (Y C )

S

(

p C.

g Y C. Y C. C. g W C. W C. X C.

C)

C

C

C

S

Y C. Y .C T Y C. h C. .C T W .C pph g T S X C. pp

( (X C

(

.C

>C

S

C)

)

S

YC)

(sul G)

Q

XC ) pp

(

gl.

S

Q ? Q

?

> T T .ì

Q

short

?

Q

3

mf >.ì ? T T S Q 3 mf short 6 mpc. * Q ‘pop’ .í > T ? S h 6 mpc. mp > * ‘pop’ Q à2 .í T ? S h 6 mpc. mp ? à2 .> * ‘pop’ Q í T S h 6 mpc. mp ‘pop’ *Q .í > T ? S h 6 mpc. mp ‘pop’ *Q .í > T ? S mph (kiss)

Q

Q Q

Q

?

Q ? Q

? Q

pp ( C ) S

65

)

-C

(

WC

Q

Q

Q ?

.î>

h T

C

)

f sub.

)

S

Q

? Q ?Q Q

ï

(senza dim.)

sul E

(

Q

slow

f

S

C)

Q Q

(pizz.) (

Q

24

Q

?

Q

short

34

Q Q pick up bows

Q

Q

24

Q

?

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

*

Q ?

Q

6

Q

?

Q

mf sfz

Q

?

solo

S C

Q

34 S

& Q

(

)

S

YC)

?

Q

Q

Q

(

(

Q

short

CO

)

S

)

C.

C

(

) (

(

Vln. II

WC

Q

?

(kiss)

S

Q ?

Q

24

Q

S-W. Perc. 4

Q

34

Q

S

S

Q

?

short

S

WC

Q

$

Perc. 3

S C

Q

65

X .C S

Q

(GL.) Perc. 2

Y .C

Q?

Q

Q ?

?

Q Q

ATTACCA #10

Brass: Lightly tap mouthpiece with palm.

9/23/08


54

10. - CIRRUS

Duration: No. 10 - c. 1:30

[ * !

Flute 1

!

Flute 2

1

Molto Placido, ecstatic [ NV

4 4 FL.

!

Oboe 1

A pp

Y A (YC pp R !

Clarinet 2

Bassoon 1

#

Bassoon 2

#

Horns 1, 3

44 ! #

Trumpets 1, 2, 3

!

S g C

C YC pp T S C

C pp

B

S

C C T Q

n

44

[ #

C

g C

C C- O

A AA A

] [

!

Percussion 1

!

Percussion 2

44

Q

C U S T

n

Q

T

S

Q Q

S

T

solo Violin II

Q T

BB

solo Viola

S

"

(senza sord.)

#

solo Cello others

#

solo

#

Double Bass

con sord. ord. arco

]

(senza sord.)

1

*

S

pp S

"

(sul C) tasto

R

#

B

arco

con sord.

Q

5

Q

B pp

(free bow)

BO pp , ten.

Conductor : The prevailing dynamic is pp . Those instruments marked mp are to be clearly brought out from the texture.

B

arco

R Ì

tasto

C

g ì( ì

Ì

)

Q

Q

Q Q

Q Q

(take my) (hh)

S

C XC WC

WBO pp

C WC

C WC WC X C

g

WC

C

C T WBO

C hn C

C

g

XC pp B

A

pp

T YY ÇB OO pp

g C pp

C

pont.

C

C

__

A C

non trem.

C

C p

B

B- O

A Y ÇC

Ì

Ì

g

CO

poco

C C C C C

RO

C > C W C W C. poco p

3

WC

arco

Q

Y Y C C OO pp

(with MW)

trem. slowing

= T U C gi p-

arco

-A pp ten.

C

T

n

R

arco solo

T

g

Ì

CO

con sord.

others

Q

BO

Q

(take hammer)

!

A pp- ten. (senza sord.) R "

C pp poss.

gi T U W W CC BB CC BB

S

con sord.

others

g

mute

Q

CC

Q

[ 4º - take mute ]

Q

Ì

others

pp

Q

44

Violin I

"

XBO S

Q

C ] * 1 Molto Placido, ecstatic [ = 52 ~[ 54 C = C O] arco C XC Y C (senza sord.) [ solo Y C R S 12 ! ppp , like liquid 8 arco t con sord. A (WC ) ! App ( ) pp ten. (non arco (senza sord.) __ _ trem.) ! YBO C Y CB pp p arco

solo

n

S

Q

Q

Q

Y Y CC p Ped.

B

Q

Q

A- A mp Ped. sempre

] !

C-

Q

R

Chimes (w. yarn mallets) Percussion 4

C-

n

W W AA

!

C-

R

T

Vibes (syà4)

Percussion 3

Q

Q

* 1 Molto Placido, ecstatic [ C = 52 ~ 54 ] Q ! # Q

Timp.

others

g

(Tuba) (muted)

Keyboard

pp

A

Cpp

C

Q

]

B

Q

C-

non legato

Y -C O

Y -B O pp

pp poss.

S

(Bs. Trb. - fibre str. mute)

#

Bass Trombone Tuba

C R

Q Q

C- C

T

T

S

YC

p

Q

CO

g

n

n

cup mute

pp

T

n

(2º - mute)

#

Q C

S g

C

)

Q

Trombone 2

T

Q R

#

Trombone 1

C

Y -B O pp

TU

Q

A (4º) pp

Horns 2, 4

C n

BSN.

[

T

n

C

B pp R

]

h

g C

YA pp YBO

t

!

BO

(ord. vib.)

!

Clarinet 1

= 52 ~ 54 ]

n

pp poss.

Oboe 2

C

ord.

C p ( CÀ ) ÇB pp p

Ì

pont.

C

__

C

Y ÇC h n

#

S

ord.

__

ÇB OO p C h

T

B pp

C ppg C

n

ÇC T n

S

poco

T

R

ÇC T U

n


55

5 (NV)

R !

Flt. 1

3

! (Y) C (Y) C ! h

Flt. 2

Ob. 1

S

n

YC pp

T

!

Bsn. 1

"

Bsn. 2

#

g

C

C pp

]

B

T

R

!

Q #

à B

like a small bell, poco rfz

2º- cup

# ]

Q

!

Perc. 2

(CH)

3

S

R

5

h

C

!

RO

Vln. I

C

Vln. II

! (W ) C

others

C> C

ord.

__ CO

Y Bg

T

g g C- C C

C

R

C

g

"

others

g T

n

Vla.

C

#

T

S

B p

Vlc.

C p-

C-

#

C pp # B pp

X Y ÇB p , chiaro R

solo D.B. others

]

# S

0

T

p S T T

R

pp

p

sim.

0

2

S

C

C

C

poco

ÇB OO pp

C

À

)

p

div.

_ W CC pp WB

2

C

poco

B

(

C>

g

(to Celesta)

Q

S

__

S

T

YCO ppp Q Q

C C

C

YC

C WC

p

(pont.)

S

CO _ pp

_ C _C

S

)

WB

ÇB OO

T

S

C CO _ _

_C _

poco

(non div.)

W_ C

[

C O= C

]

&

Ì

(43 ) C

C

WC

pont.

_

W C_

ÇC

g

n

T

S

pizz. 0 non div. 0

T

-C OO

C mp

_

WCWC C C CO C p pp _ BB OO _

24 _

C T

C n

WCO _C _

WC _ C ÇC

ÇC h T

-C 3

l.v.

S

C _

poco

T

ord.

__ C C

S

_ C ppg _ CC n

Q

WC _

pizz.

X Cmp

C C 3 C C pp S

Q l.v.

_

WC

BB _

C C

S

damp!

Ì

pizz.

)

sim.

24 24

Q

C C C C WC C C WC pp

_ CO p

T

l.v.

C WC T

pont.

Q

(

_ BB _ OO

g

C

Q

n

-g CY C -h g

C

n

Xylo. (mr)

C B ppp

Ì

YC

24

Q

Q

B ÇB

T

Q

__ W B W B OO pp YC T h

g> C

S S

XC C WC

34

T YY ÇC OO pp , chiaro

C

B

98

T CO >

n

C

B

S C

S

C Q

C

C

C

T

g

T

-

C Q Ã

Ì

pp poss.

(Bs. Trb.) fibre str.

n

0

g

C

Q

C>

C

g

0

T

C

div.

B

2

CO

Q -

T

(ord.)

C

S

g

pp W -C

C pp C hn

S

C

Ì

B

BO

n

XB

pp C Ãg C

Ì

C

T

n

B

sim.

(

C

WC WC

S

ÇC OO

B-

C

]

U S C T

C

sim.

sul C MV 2

others

Q

C

sim.

CC h

C

CO

n solo

2º - mute

0

S

WC ( pp )

n

"

Q S

S

34 34

C

C

pont. solo

C

C

3

g WC X Cpp

B p R

T

C

C

C

5

arco

RO

W C> h n

g _

!

solo

5

3

mp C>

! (W ) B O

others

C

T

B

S

X Cp molto dim. S

B pizz.

[

solo

Q

g C WC [ C C

3

S R

XC WC ( pp )

] !

C- O >)

Q

Y -C O

T C WC XCYC p pp

S

!

Ã

Ì

Q Q

3

(Vibes)

Perc. 3

34

S

pp T pp poss. -g C C ppp (1º) pp 0 XC

Q !

Perc. 4

T

S

S n

S

#

5 7

S

Q

0

R

Ped.

Perc. 1

S

( S p S

R

WCO p CO

S

BO

T

2º- cup

C

R

# [

T

Q

Q

ì ì Y Y C C OO

Kybrd.

Q

Q

1º- harmon

C CO jh U T

g

!

Q

Ãg n C

R

R

Q

XC pp-

S

Q

B pp

3º - fibre str.

Trbs. 1, 2

Q

n

harmon

Q

Tpts. 2, 3

Ã

Q

!

Tpt. 1

R

B

Q

!

Hns. 2, 4

Q

C h

5

pà WC

S

!

Q

n

3

S

Q

n

B

pp poss. B

n

[

Q

C

BO S

C

pp

CO

Q

TU S

WBO

S

Q

2 4 Q

T

n

C

3 4 Q

C TU S

-)

Ì

T !

Clt. 2

C h

n (timbral trill)

TU

Q

C

pp

B

C n

R

B

Clt. 1

C

__

(

BO

!

Ob. 2

Bs. Trb. Tba.

BO

pp

B

S

n

Hns. 1, 3

T

YCO

Ì

[


56

2 4 !

Flt. 1

!

Flt. 2

!

Ob. 1

g

YC

p

!

Clt. 2

!

YC

Clt. 1

3

T

B pp> g .C XC ph

!

Ob. 2

Y >.C h

3 4 S

T

S

Q Y C- 3C Y C Y .C T U p

Q

> Y .C ph g

T

"

S

(tightly stopped)

Ã

24 ! !

Hn. 2

Q Q

!

Hn. 3

# Q

Hn. 4

Tpt. 1

Tpts. 2, 3

T T

T S

YC pp

S

(Bs. - str.)

24

Cel.

# Timp.

[ # [

mp W W W B BB Ped.

24

!

Perc. 1

!

Perc. 2

!

Perc. 3

S

GL. (hm) (celesta-like)

p Y BB (Vibes)

]

l.v.

Q

34

ord. non-trem.

24 !

solo Vln. I others

!

solo

!

unis.

B

YY ÇB p

__

C

Vln. II

unis.

!

solo

"

S

others

ord.

Vla.

(pizz.)

"

others

à C

CO Q C

C

g

T

Q

ÇC

p >

WB

#

S

44

Vlc.

B> mp >B mp > B mp

(pizz.) sul D

others

#

solo

#

D.B.

pizz.

]

#

(pizz.)

l.v.

l.v.

S

g

Y .C C Y C YCYC

T

S

ppp

TU

n

C T

h arco

pp

5

C WC

C

p B

C-

g T

S W .C h pp

3

5

p WC C- W C W C .

C T

R

n

TU

n

Ãg

Ì

C

gl.

B

ÃC C p > ( ) S C h

T

C ppB B h C

C

T

n

ppp

R

T

YCXC

R

p T

12 8

YCX C 5

Ped.

W C W C W .C T U T

12 8

S

BO

BO pp

S

(mute out)

C

W Cp ( poco rfz)

n (mute out)

Q

0

S

C

T

n

Q Q

W CC p

CC

g

CC

S

CC OO pp

pizz.(w. 2º)

R

g TU W C i C. mf

44

S Q

T

pizz.(w. 1º)

R

g TU W C i T C. mf

S C hn

T

R Q

B

(trem. slowing)

WA A

p

5

T U C- C C C C C C C C - pp mp g arco B C n pp MV arco 0 2 0 2 T C C C C hpp Q

g

W .C h 3 T

T C

g C

T n

S

-C C W C W C T

g

h

Y ÃB ppp

C

C

CQ

C h

C

BO

T Q

solo

ÇC

_

C

T

Y -C

44

n

WC pp

XB

h

__

_

g

CO

Y -C

YC h YC h

R C

T B

g

S

CC

Q

34

C

S

Ì

3

B

C

R

Q

arco

others

C

C-

C

S

Q

ppp

C C C

R

Q

g

C C

WC

C

Q

_

C

Ì

B

8

[

C 3

p C

T

Y CC T p ( .> )

C

C

3

(as solo) molto legato

(softest yarn)

g

(Xylo.)

YC

34 Q

Q

]

C 3

C

T pp

S

C

Q

12 8 ppW C

44 C

C C

3

S

8 Celesta

p

YC

YC

C

Q

S

Ã

pp B

(Tba. - mute)

!

g

mute

T

(2º - cup)

Q

]

(open)

S

p

C

S

T

YC

C C C

X C- W C pp

Q

(1º- harmon)

Q #

Bs. Trb. Tba.

(mute)

S

3

C C

C

à C

h

C O]

ord.

WC

B

n

S

#

Trbs. 1, 2

C

!

(harmon) 0

> Y .C ! mp h > (cup) mp .g YC ! mp Y h C (fibre str.) > .

Ã

34

YB pp

=

pp

C

poss.

pp poss. C. T U S

C C pC

pp poss.

8

Hn. 1

T

C- O

[

C

T

p

WB 3

]

[

Q

BO

#

Bsn. 2

S

TU

Q

B

Bsn. 1

__ C O h S

S

(W ) B #

4 4

flt.

B

Ì

8

[

pp

BO

g C

T

T n

Q

0

C

2

R

C

0

C

2

C

0

C

S

2

C

h

C

n (non div.) arco

CC

pp

T


57

12

5

[

WC C C C !

Flt. 1

5

.C .C X .C

C C C C .C .C 6

Q

!

Ob. 1

C. .C C.

6

C CWC p

C WC C C !

Flt. 2

C C C C C. .C

C WC C p

. T XC pp 3 T .C 3 pp

3 4

X -C [ h pp Ì

!

Ob. 2

T

(W ) C

SO

SO

-C O Y -C O TU h TU h p sim. pp T UT Y -C C jh non legato pp .C W .C W .C C. C. !

Clt. 1

!

Clt. 2

Bsn. 1

"

Bsn. 2

#

C

!

pp -Ã g WC

!

(W ) C O (2º) R

Hns. 2, 4

Ì

!

Tpt. 1

CO pp

Tpts. 2, 3

!

Trbs. 1, 2

#

Bs. Trb.

#

Tba.

#

S

C

pp h

(3º - fibre str.)

C

C

Ì

12 8 12 8

Cel.

# [ # ]

C

C O]

=

C C

g YC Y > C.

Vln. I

g

(pizz.)

C W C.> !

solo Vln. II

C- (Y) C pp 3

arco

T

S

T

arco

S

!

Q

solo

"

Q

Vla.

"

solo

#

(non trem.)

others

B

C

C C

C

others

#

pp

solo

g

C C

T

C

0

C

X BB OO

R

C

T BB OO

T Q

TU

C jh

T

S

C h

T

C pp Q

.C

h

-C O 3 p

CC n

TU !

-C

sim.

pp à YW B C pp -h

S

T

C

-h

h

-C T #

Q C

C

n

TU C

TU

C

S

Q

n

12

SO

Q.

SO

Q.

BB OO

B B OO (ped.)

S (hr)

B pp

S

X C. f > S

S

B Y .C>

Y C. >

g W C. >

T

g

Y Cf Q

T

f secco poss.

t> ) X B O( W C ) p S

.> pizz. Y C S

> Y .C

pizz.

S

T

pizz.

g Y C. > ff , ruvido

pizz.

&

S S

S

ff , ruvido g T C. > , ruvido pizz. ff g T C. > ff , ruvido

T

>.

WC h

molto Ped. legato

> Y .C

arco pont.

Y_ B _ pp

S

C

C

C

> Y .C

pp

S

C C

C

arco

S 3

C

C

p

T

C-

#

S

g

T

n

YC pp C

YC

Q "

(as ‘solo’)

TU

espr!

CO C

C Q

S

g

t W B O( WC )

S S

YC ppp

Q

CC OO

pizz.

44

(as ‘solo’)

S

g

>. >.C W C

n

Q

ff , ruvido X >.C h

S

T

)

Y .C>

C _

12 8 12 8

Q

ff , ruvido (slowing)

t C

C C

(

n

CC

W -C

S

C

BO p B- O S !

T

n

C h

CC

(cover w. plunger 2º - deep in stand ( ) over mute)

pp

B- O pp S

C

WC ph

Q

B

BO( ( > ) p S

!

0

T

44

ng

BB

S

#

S

S

S

BO

34

S

0

C

3

D.B.

#

(sul D) 2

Y -C

Q

12

3

n

C

BO

n

g

C

BO

98 98

C.

C C

C

YC pp

C

0

#

]

g

Q

Vlc.

S

S

S

others

others

T X Y CC -> >W C XW C C

Q !

others

C

Q

(pizz.)

!

T

Q

] !

solo

C

T

Q

(CH)

S

C

Ã

TU

C

34

!

[

C

C

Q

(Vibes)

pp poss. C

-C

CO

ppp S

S

T (W ) C W C W C

(GL.)

Perc. 4

g T ppp X C #

T

C

!

Perc. 3

34

Q

!

Perc. 2

(ped.)

(Xylo.)

Perc. 1

open

T

molto

SO C

C h

n

Ì

WC

Y -C

C

Q Q

XC

TU

C

4 4

[ take picc. ]

> Y .C

BO

C

C

RO WC

.C>

n

TU Y C C

pp poss. .>g S (1º - harmon) T mp Y Y CC " T mp .> h S g (2º - cup) C O TU C pp poss. 3 S T T g C pp poss.

R

[

Ã

h

gl.

C

BO

C

n

(mute)

!

[

R

(str.)

]

Timp.

R

Ì

Q

open

h

p( > ) YB T sim. C ( > )

(2º - cup)

]

3 4

(W ) -C TU

S Ì

S

^ Y .C

f poss. .C^ Y ^.C

g T Y C. > f poss. g T Y C. > ff

S

-C O

Ã

Q Q

C O= C

Y .C ^ S

Q C

(harmon)

(Y) 0C h p

-C C

sim.

Ã

(1º)

T

C

TU

-C O

ph Q

[

Hns. 1, 3

-C

-C

5

]

T

S

T

arco

ÇC OO pp Q

(

ÀC

)

C

44


58

[

4 4 !

Flt. 1

Picc.

!

Ob. 1

!

Ob. 2

!

Q

Q C h

!

Clt. 1

T C T

n

Y -C pp R

! # S #

A

Bsn. 1

]

g

Y -C

g

T

BO Q

B

T R

h

(tightly stopped)

[

44 ! !

Hn. 2

mute

(take mute)

R

S

TU

Q !

Hn. 3

(take mute)

R

!

Hn. 4

(harmon)

(W ) C h

!

Tpt. 1

(cup)

Ì

!

(str.)

] !

S

0

W -C h

à C

S

Ì

Timp.

] [

] !

Perc. 3

T

Vln. I

! !

solo Vln. II

44

Y -C S

Y -C

3

(Y) _ B _

ord. t XB

arco

C

Vlc. arco pont.

#

BB pp

solo

!

TU C O

t. por

C poco

-C C

p3

W_ C

WB pp WC

Ã

g CO

C pp

à U T C C pp

g

n

C O

n

W_ C

TU R

T

Q

n

Q Q

Q Q.

Q.

>

CC OO

SO

( mf )

W -C

C WC

WC h

3

h

C

C C

T

YC

Ì

C

3

Ì

BB p

C p

T

pizz.

C> mf

tasto

ÇC

T

_ C

3

g

pizz.

C

T

3

mf

h

>C C

3

Q

g

p

C

C

T

W Cmp

X -C

g

C

S arco

X -C h

h

pizz.

T

>C

C

U C T

n

3

Cmp C-

g

CC

g T

S

C

C TU

BO CC

T

pizz. MV 3

g Cmp

T

n

C

arco

#

S S

B pp arcoC pp

TU

W CC

MV

C TU

n

espr. pizz. MV

T

n

BO

CC S

__

n

BB ÇC T U

pont.

h

3

T

S

C_ Q

Y -B

B p-

t W B ( WC ) p

_

S n

g

B-

C

S

_ Y B_O pp

WC

S

54 54

CO

BO

R (non tr.)

C

C

Q

T

B

_C

54

Q

Q

CC

n

TU R

Ãg

Ã

n

(slowing)

ord.

Q

n

Ã

Q

W CC h

C TU

pont.

C h

molto

(WC )

W_ C

Ì

C T

Ã

TU

Q

mf > T W W CC h

n

Q

g 3 CY C YC YC YC C YC YC YC C XC pp 5

YC YC

mp

C

Ã

C

Q

ÇB OO

D.B.

]

C _h pp

BO

U C T

C

T

g

TU C g

5 4

Q

C C

n

T

Q

BO

Ã

g CO

CO

sim.

T

C YC

YA

R

#

C

Q

"

others

YC

-C C

pp )

Vla.

solo

g

Ã

C hn

Q

C YC C CYCYC C C CYC Y C C XC

C YC

S

#

C C ( > ) p C TU C C

TU

Ã

S

7 3

"

others

Ã

SO

(Vibes)

YA

solo

Ã

Q

!

others

TU

TU C C

Ped.

(pont.) (

others

C O

sim.

tightly stopped

Q.

44 !

solo

C

n

R

S

TU

C TU

Q

YC ppg C

Ãg

Ã

TU C

Q.

(Ped.)

[

Ã

R

# 12 8 [ #

0

C

! 12 8

Cel.

C

TU C O p

Ì

T

g CO p g

R

YCO

C ( > ) p

mute

S

T pp

(Y) C h

Tpt. 2

Tpt.3

Ã

Q

T

S

n

C

C

C

YCO pp S

BO pp B

BO

T

n

R

B

C ppp

g C

n

Hn. 1

others

T Y -C ph

Q

Clt. 2

Bsn. 2

T

Piccolo

Q

R

YCO pp

R

g C

n

-C O

-C

C C

C TU

C

n

C TU

n

54


59

17 Poco meno mosso[ C = 48 - 50 ]

[

[3•2]

S

5 4

!

Flt. 1

!

Picc.

YB

YB pp g

R S !

Hns. 1, 3

54

#

Hns. 2, 4

!

(str.)

# ]

R

h

S n n

T T

à2

S !

WC pp

C p-

T

T

R

p3

T

C

CC p h- C 3

S S

pg C

C C

pp

pp

BB

p-

Ì

# Timp.

[ # [

]

Ped.

pp

B

(Xylo.) (mr)

S

54

!

Perc. 1

Perc. 3

Perc. 4

Q

34

BO

S C

g

pp

[

B

C

__

C C pppg CC _ T

__ CC

n

l.v.

pp T T3 g g T T C CB h pp 3 pp BO B n

CC

YC

C

CC

C

nh

C T

S

C TU S

?

0

B

54 !

Vln. I

!

others

S

p

tasto

S

!

solo Vln. II

S

!

XC _ p_

"

Vla.

S

A pS S

#

arco

solo

#

Vlc.

S

others

#

pizz.

S

solo D.B.

]

# S

pp _ Y C_

Y_ C _

WC WC _ C_ C

__ C

W_ C h

arco

"

others

C

YC __

Bp tasto W C O S __

solo

C , Ct WC ( ) pp

W -A

arco (ord.)

others

S

T

pp

t

C(C) B h pp

B p-B B mpB p

C

0

l.v.

C

Q

(

Q

h

S

Q ? Q

C C

S

34

24

?

Q ?

Q

S

pp S

_

YC

_

XC

T

T

S

? ?

(mutes out)

Ã

? Q

to metal str. mutes

?

Q

short

?S

? Q

Q

? Q

C

Tempo 1º [

24

S S

mp

Q

n

__

CO C

X B- O

n

n

C T

4

0 3

4

C

C

C Q

= 54 ]

YC YC YC C

? Q

7

Y C- Y C Y C Q

Q

? Q ?

24

?

)

Q

?

Q

YB

S

S

pp (

S n

?

WB

? Q

S

B?

Q

Tempo 1º [

B

? Q

mutes off

Q

(section only )

B

Q

B Q B Q B Q

mutes off

B

?

= 54 ]

Q B

)

Q

C

B

Q

pp senza dim. ( ? ) Q (

?

Q

24

)

Q

Q

)

)

Q ?

Q

pp ? ( ) S WB pp ( ? ) S ord. W B pp ( ? ) YB S pp ( ? ) WB

S

__

?

ord. (

n

C C

h

Ì

¯

)

)

XB

(

pp

n

g

?

(

S

BO

C

?

Q

Q

)

?

Q

(

n

_

Q

short

B

C_

Ã

n

short

(

S

g

? Q

Q

sub.

senza dim. short

WC

?

à BB

?S

)

)

Q

(

Q

WC

? Q Q

short

!

(

Q

YC

pp

Q

B

short

_

? Q

short

niente!

Q

34

Y .C

Q

)

?

(

S

Q T

?

short

R C

)

) (slowly)

(

n

MV sul C 4

S

short

Q

B

?

Q

YC

? Q

.C UT Y -C Y C 5 C pp mp C C Y .C TU pp p

)

Q

p

ATTACCA No. 11

n

l.v.

YB p

S

Q

pp poss. ng T CC T nh ng C T Q short ( ? ) Q

3

S

U C T C

(

S

l.v.

ord.

[3•2]

S

)

short

n

17 Poco meno mosso [ C = 48 - 50 ]

solo

others

C

XX BB (GL.) pp S ! p Y A(Vibes) S W W AA ! mp A A (CH.) S YA ] ! pY A

Perc. 2

?

short

34

X YY AAA p WS WWX A AAA S

(

pp à ( ? ) W B senza dim. W B pp à senza dim. short ( ? ) T S S

Ì

S

54 !

S

)

Q

pp

[3•2]

Cel.

?

(

17 Poco meno mosso [ C = 48 - 50 ] ]

)

short

S

Q

T

S

S

S

Q

R

C O= C

T

?

(

n

n

S

(mute)

[

?

short

C

(

g C

C

Q

(cup)

T

n

C

Q

C C OO

R

R

C

YC

S

T

C h

(mute)

(harmon)

#

C

(

g

n

ng

(str.)

Trbs. 1, 2

2 4

short

B pp

C

(cup) Tpts. 2, 3

Q

YC YC S XC C mp 6 C S -Y C Y C Y C p Q >

short

(harmon)

Bs. Trb. Tba.

T

n

!

Tpt. 1

)

short

C

XA pp S pp A # S ] pp B 0pp [ [3•2] S W B Y B ! S pp 0-

Bsns. 1, 2

S

S

Clt. 2

S

n

?

(

T

B

h

pp

C h

T YC B pp poss. B

!

Clt. 1

3 4

Q

!

Ob. 1

C

C = 54 ] Y 5C Y C Y .C

Tempo 1º [

short

)

(section only)

Q

Q Q

Q ATTACCA No. 11

9/16/08


60

11. - SCOOT

Duration: No. 11 - c. 1:30

Vivacissimo [ C = 152 ~ 160 ]

[

Q

Q

Q

!

Piccolo

Q

Q

Q

Q

Oboes 1, 2

Q

Q

Q

Q

!

Clarinets 1, 2 B ∫

!

g T C C C C C. > ff g Y C C C C C. T > ff à2 g T C C C C C. > f à2 g C C C C C. T > f Q

Q

Q

Q

Bassoons 1, 2

#

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

>

Q

2 4 !

Flute 1

G.P.

] [

Horns 1, 3

24 !

F Horns 2, 4

!

Trumpet 1

!

metal str. mute

Trumpet 2

Q

!

B∫

metal str. mute

Q

Trumpet 3

! #

Bass Trombone

#

Tuba

#

str. mutes

Trombones 1, 2

Q

str. mute

]

mute

Vivacissimo [ C = 152 ~ 160 ]

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

. C C C hC T Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

à2

Keyboard

#

] [

$

Percussion 1

Percussion 2

$

Percussion 3

$

Percussion 4

$

24

!

Violin II

Viola

"

Cello

#

Double Bass

]

#

8

G.P.

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

WA A Q A A Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

[ @ Congas/SD: snares off ]

Q (Wood Blocks)

Q

senza sord.

g Y C C C C C. > ff senza sord. g Y C C C C C. ff > senza sord. g Y C C C C C. > ff senza sord. g Y C C C C C. > ff senza sord. g Y C C C C C. > ff

24 !

. C C C C C T h f Q

Q

Vivacissimo [ C = 152 ~ 160 ]

Violin I

>

Q

Q

[

Q

Q

(Wood Block)

]

metal str. mute

tuning:

[ #

Timpani

>C

G.P.

Q

24 !

8

G.P.

Q

à2

à2

C C C Y C .C h T ff > . C C CYC C h T ff > C C C Y C .C h T ff > . C C C C C h T ff

T

G.P.

Q T

Q Q

Q

>

Q

Q

Q

Q

Q

Q

Q

Q

> Q

C C C Y C .C h T

Q

soli

>

Q

Q

Q

T

Q

Q

Q

T

Q

Q

Q

C C C Y C .C T h

T

8

G.P.

. C C CYC C h T

Q

Q

Q

Q

Q

Q

Q

g Y C C C C C. T > f Q

Q

Q

. C C CYC C T > h

Q

Q


61

17

12 pizz.

[

S !

Vln. I

mf Q

g T C. p

C. C. >

S

Q

Q

S

C. C. >

sim.

soli

T

C.

S

Q

Q

g g T T C C C C C C C C C C. C C C C . > > f > > . . " YC C C C C C C C C CYC C C C C C CYC C CYC C C C C CYC C C C C C YC C C C > > > . > . > . > mf # Q Q Q Q Q !

Vln. II

Vla.

Vlc.

#

D.B.

Q

Q Q

]

Q

C C C C C C C C C C C C C C C C C> C C C > C C. > . > . > . mf T Y C C C .C C C C Y C C. C C Y C C C C .C C mp soli Q Q C C > f Q Q Q

Q

23

S

!

Vln. I

C. C. mf ! T C C C C C. mp " YC C C CXC C C

Vln. II

Vla.

Vlc.

#

D.B.

#

gl.

C>

Q

C C C C C. C C (X ) C.

C C

C C C C

C C C.

C.

Q

34

C C

C C C C C C C C C C C C

>.

C C C C C. >

C.

C

C C C C C > C. C > C. C> C C C. C C C C C C C C C> C C. C > mf Q Q Q

]

[

Hns. 1, 3

S

!

S

1º (3º)

mf , jazzy > > C TU C T

f> g C

Q

mf .> . g T " C TU C T (2º) Q 1º

#

(str. mute)

Q

Trbs. 1, 2

C C. >C C C. >C C C. C> C C C Q

C.

T

C C C C C.

T

C C C.

C C mp

Q

>

p .g C T

S

Q

Q

Q mf> . C S Q

S Q

(str. mute) 2º

# Q

Q

Q

Tba.

# Q

Q

Q

Q

CO

p

C- O

C .> S mf Q

p

Q

]

>

Vln. I

[

>

Q

! C C C C C C .C C molto dim. mf ! C C C C C C C C " C C C C C C C C .

C C C. S pp

Vla.

Vlc.

#

D.B.

#

C C C C C C C C

C.

Q

S

C C C C C. arco pont.

Q C C C C C. p

C. C. X C. .C C. mp , molto stacc., rasping

T

p

Q

C (X ) .C C C .C C > > >C sfz sfz f sub. C C C C >C. C. .C .C>

T C>

g

C.

C.

C> C W C sfzsub. f C C C C mp g T C pp. h

.C T

Q

T

> > > C C C C C .C C .C C C C C C C C C

C C C C C.

C C C C C.>

C C C C C C C C C C C. >

C. >

C C C C C C C. C

C C

molto dim.

C C C C

molto dim.

C C C.

-C O

C C C C C.

C C C C C. Q S

pizz.

C. C. mf

.C> mf

C

>

C.

C C C C C C

C.

C C C C C C ì

gl.

>

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

p

(mute)

Q

C- O

C. > mf Q

S

Q hy

Wood Blks. (med.)

S

> C C C W C. C C W .C C C C C C W C C C > f sfz> sfz mp sub. C C C W C C C C. C C C C C C W C C C C C C W C C C >C . C> p sfz mp g C C C WC C C C C C C C C C C C .C T CWC C CWC p p f sub. S Q C> C C. C> C C. C> C C W C C sfz sub. p f >. W .C .C g . . C. .C .C .C W C C T C T W .C h mf

. C C C C C T h pp

C C C C .C

g C C C C C . > Q

Q

Q

30

>

C .C C C C. C C C. C C C C C C .C > pp C C C C C C C C C C C. S pp

Vln. II

]

>

Q

g T C C .C

Q

Q

Q

$

Perc. 3

C C C C CYC C C

T

p [

C. C. C C

. C C C C C h

à2

Q

Bs. Trb.

]

f

C X C C C .C h

C C C C C C C C

Q

Q

!

C C C C C C C C C. C

Q

Q Q

Hns. 2, 4

24

>

30

S

C C C C C C. C> C C C C C C. > .>

soli

arco

[

Q

S

p

C C C C

p

S

C C C C- C C C.

C- C

C C C C C > T W .C h


62

37

[

Picc.

!

Q

Obs. 1, 2

!

Q

3 4

!

Q

Flt. 1

Q

fff with abandon > C C C C YC C C C fff with abandon Q

Q Q Q

# Q

Q

!

Q

Hns. 2, 4

!

Q

Tpt. 1

!

Q

Tpt.2

!

Tpt. 3

à2

Q

Bsns. 1, 2

] [

C C CYC C C C

2 4

!

Clts. 1, 2

>C

C C.

>C

WC C C C C C C. T ff with abandon à2 Q T

> C.

C CYC C

T

YCXC C C YC C g C C C T . YC C C YC C C

Y> ff with abandon Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

!

Q Q

Q

Q

Q

Q

Q

Trbs. 1, 2

" Q

Q

Q

Q

Q

Q

Q

Bs. Trb.

# Q

Q

Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

Q

Q

Tba.

]

24

34 Q

CYC T

Q

Hns. 1, 3

Q

C .C

> > C C CYC C C Y .C Y C C C Y C X C C CYC C C T T YC C >C . YC C C C . YC C C C C C Y C Y C C S T T h > C> C à2 Y C C C C Y C C C YC C C g T Q T C. ff with abandon X >C C C X C C C .C X C C C C C C T C C C C W C C C C> . S C YC C C C C Y C Y C> C C Y C C C C C X C C C C

37

!

Kbd.

# Q

[ #

Timp.

[

Q $ Q

$

Perc. 2

(W.Blk.)

C

$ _

Perc. 3

$

Perc. 4

]

Q

24 Q

(sm.)

C _ (p) W-Blk. (sm.) Q

34 C

_ S

w. sticks

f , molto stacc. Q

8

X .C T h T

(Y

C

g

)

.C

Y C. C.

loco

.C

C.

.C

C.

Y .CC

.C Y .C

C. Y .C

.C

h

.C S

> . Y .C C T C Y C.

C.

. T Y CC h .C .C T

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

C C C >C C

mfsfz C C C C C C C >C

p

mfsfz

24

[ move to station 1º @ Xyl.; take ratchet ]

[ to shallow (jazz) snare drum ]

Q

37 Vln. I

[

S !

CWCWC C C WC C C

Vln. II

CWCWC C C WCWC C #

C CWCWC C C WCWC .C .C W .C h T !

Vlc.

]

(p)

"

Vla.

D.B.

C CWCWC

!

#

34

CWCWC C

WCWC C C C C C C molto

CWC C C

WC C C CWCWC C WC

CWCWCWC

WCWC C CWCWC C C

molto

molto

WC CWCWC C " C C CWCWC C WC molto

sul G ord.

T

g Y C.

..

w gliss very slo

.

stacc!

.

. molto

24

X >C h ff >C h ff X >C

h ff >C h ff >î h ff

T

S T T

S S

h

.C C

C. Y .C

Q

Q _

C. Y .C .C

Q Q

]

Perc. 1

8

34 Q

.C

T

S

Q

Q

Q

Q

T

S

Q

Q

Q

Q


63

pp

42

Y C C C YC . C T ! h >C C YC XC C YC YC C

Flt. 1

[

>C Y C YC C YC YC C C

!

C Y C Y .C

T

!

C Y C Y .C

T

Ob. 1

Ob. 2

! #

Bsn. 1

#

Bsn. 2

.C

]

h

X C> Y C X C> Y C

[

à2

T

!

C C Y C.

T

C YC

.C

C Y -C C C X C C

C C Y C.

T

C YC

.C

C Y -C C C X C C

Y C. h

>

g Y C.> sfz g Y C.> sfz

T

YC C YC YC C XC Y C C .C YC YC C XC T

C> C

C .C YC YC C XC YC

> Y C .C YC YC C C YC

C XC YC C

ff ) > Y C .C YC YC C C YC

S

(

T

S (

Hns. 1, 3

C> C

S

C C C YC YC .

XC C C> Y C C C ( ff ) T XC C C> Y C C C .C ( ff ) T S h

Clt. 2

C C C YC YC .

C Y C Y .C

T

!

Clt. 1

Y -C Y C

YC C YC YC C YC ppp >. YC T S h sfz YC C YC YC g C. > f YC C YC YC g C. > f Y .C T S h

Y C X C .C

molto

!

Picc.

sub.

cuivré

g X C.> f sfz

S

>

C XC YC C S

ff ) S

>.

T

S

Q

S

Q Y .C h

C YC YC C

T pp

T

S

S

poss.

T S

Q

C

34

C

CB h

Y CB O

WCO -

Q

X >.C h sfz Q

Q Q

Q

Q

Q

!

Q Q

Q

Q

Q

Trbs. 1, 2

" Q

Q

Q

Q

Q

Bs. Trb.

# Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

à2

#

Q

Hns. 2, 4

!

Tpt. 1

!

Q

Tpt.2

!

Tpt. 3

Tba.

]

T

S

S

T

S

Kbd.

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Y .C

to 1

Congas

T

Q

Q

Q

Q

$

Q Q

Q

Q

Perc. 3

SD (on rim with rattan)

T $

Perc. 4

S

$

Perc. 2

]

> . . . ì ì ì ì T p mf

molto dim., flashing

> . . . ì ì ì ì T

> . ì ì

> . . ì ì ì

.ì .ì T

> . . ì ì ì

[

g

pp

g C.

W_ C

34

C _ S

g C

Reco-Reco

S

p

C _ C.

>C. -C

S sost. (long strokes)

mp S -C

S

mf

Q Q

pp

sub. solo pizz.

Q

Q

Q

T

!

Q

Q

Q

S

W .C ph

!

Vln. II

C

Q

S

sempre sim.

42

Vla.

"

Q

Vlc.

" Q

Q

] !

Q

Q

D.B.

WC C C C pp

S

Q

34

w. fingers

$

Perc. 1

Q

pp

Q

] [

g Y C. .C

B

sub.

Q

T

[ #

Timp.

Vln. I

p Q

42

Y .C > Y C .C ! C. # h T

S

YC YC C YC YC C C Y C X C C ppp ! T

YC X C p ord. Y Y CC S

3 4

YC YC YC YC YC YC C YC ppp ! S

Y C .C Y C C Y C Y C YC pp poss. Q

T

ord.

Q

h sfz

cuivré

Y >.C h fsfz

S

C

T

T

Y .C

Q

Q #

Q Q

S

T solo pizz.

g X C. p Q

solo pizz.

p Q

C.

g W C. T

Y .C

34

S

X .C h T

g W C.

solo

S

T

T pizz.

Y .C h p

S Y C. h Y .C h

T

Q

T

X .C h T

W .C h .C h S

T T


64

47

. XC C XC XC X C [ h ! f sub. . > XC C XC C C h ! f C> Y C à2 ! S f >C .C X X C (1º) à2 T ! h S f sub.

>C

>

Flt. 1

Picc.

Obs. 1, 2

Clts. 1, 2

Bsns. 1, 2

# [

g

CC

#

Hns. 2, 4

T

C C .C h

pph

X C C C WC C C

g T

h pp S S T

T

.C h

T

C C Y .C

> C C C YC f

CC

T

>C C T

S

! X CC

Hns. 1, 3

S

à2

S

]

T

YC C C YC Y C C C Y .C T h . Y -C C C (Y) C YC C C YC C T h >C YC > Y C C C Y C Y C. C C T

.C

S

S

C C Y C.

C C C >C

S

C Y -C C C X C C

24

C> C C Y C

mf sub.

Y >C C C Y C Y C C YC YC

C C C YC C C YC . T

. C C XC

Y .C h f

34

-C C T

T

T

S

S

YC YC C C YC C C. > f (str. mute) g T S C. p str. mute g S T Y C. p str. mute g T S C. p

Q

Q

Q

Q

Q

!

Q

Q

Q

Trbs. 1, 2

" Q

Q

Q

Q

Bs. Trb.

# Q

Q

Q

Q

Tba.

# Q

Q

Q

Q

Tpt. 1

!

Q

Tpt.2

!

Tpt. 3

]

Y .C h

47

Q Q

!

Kbd.

# Q

[ #

Timp.

]

$

Perc. 1

(congas) g C

C. C. C. >

mf sub. (R-R.) $ S

Perc. 2

Perc. 4

]

mp. XC

1

S

Q

S

T

C C

short strokes

.C

.C

T

mp , stacc. Xyl. (mr) g g T $ T C . C. pp , leggero Q $

Perc. 3

!

Q

[ take med. yarn ]

[

Q

Q

24

h

g C. S

.C

.C h T

34

.C

T

g C.

C C

S

.C

g Y C.

.C

T

T

h

h

C

.C

g C.

g

p

T

S >.

T

C hmp g C.> mpg C. mp> T T

S

S

. YY CC h T

YC

.

24

Q S

T

34

-C

T

S

g CC.

C.

C.

Q

24

T

24

.C

Q

.C T

g Y C.

C.

C.

T

2 4

Y >C Y C C Y C Y C S C .C mf C YC C C YC C C C YC C C YC

T

T

T

> C C YC YC YC C YC YC

Y .C h

>C C

C C X C.

C C XC C X C> C C Y C >C YC S T

3 4

-C C Y C C C C

X C C C Y C X .C h

. C C YC Y C C C C> mf

S

à2

!

2 4

à2

S T

XC YC C C C YC C C >

Y >C C C Y C YC C

Y C Y C .C

T Q

g CC. > mp .C ( .C ) .C ( .C ) >.C

S

T

S

T

.> XY CC h mf sfz

g C.

g C.

C C

T

g C. p T

.C

mfsfz Y .C

24

Q

47 (solo) Vln. I

[

C. h

!

T

T

h

Vln. II

!

Vla.

"

S

C.

#

Vlc.

D.B.

] !

.C

S

S

h mf , molto secco tutti . (pizz.) C T S h mf , molto secco S

S

mf , molto secco

tutti (pizz.)

T

.C

tutti (pizz.)

S

tutti (pizz.)

T h

.C

.C h

.C

T

h mf , molto secco Q

Y .C h T

S

T

h

T

T

h

Y .C h S

S

.C h

T Q

h

.C

.C

S

p sub.

T

T

24

S

Y .C h

X .C T h p sub. .C T h p! .C T h p sub.

S

YC fsfz (Y C ) C.> fsfz > Y .C

.C

fsfz > Y .C

.C h

h

34 T

T

T pizz.

Q

.C>

#

fsfz .C> f sfz

arco

T

C C C C YC C

mp S

S

S S

S S

S S

24


65

51

[

2 4 !

Flt. 1

X .C h mf X .C h mf

Picc.

!

Obs. 1, 2

!

55

T

S T

Q Q

Q Q Q

S

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

Q

3 4

(à2) Clts. 1, 2

(à2)

# ]

Hns. 1, 3

[

24 !

Hns. 2, 4

!

Tpt. 1

!

T

S T

S

Q

Q

Tpt. 3

"

Bs. Trb.

#

Tba.

#

(mutes)

Trbs. 1, 2

51

Kbd.

!

$

24

8

S

T Q

X .C

.C

p

g C.

24 ! !

Vln. II

C C

Q

g C. mp

C. T h W .C T h sim.

Vla.

Vlc.

#

T Q T

C C C C C CWC C C

_

S

C.

C.

X .C mp

C.

T W .C h p

g C. > mf h

>.C

T

34

_

_

arco pont.

T

>C _ T h sfz _

_

C WC C

_

Q

T T T

Q

Q Q

Q

g CC .> mfsfz

C.

C> f sfz

X C.

X C.

g CY C .> fsfz T

C

_ C>

_ _ C W C X C> _

C C W C C C WC _ _ _ _

mp , agitato

_

34

Ì

ord.

C

Ì

ord.

WC CXC C C

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q Q

Q

Q

[ str. out; take harmon ]

[ mute out ]

C C X >C

C T U -C

molto

Q

55

[ 25": E

T

C C

g C.

24

E∫ ]

Ì

Q

g C. T

p sub.

T

g C.

Q

S

24

T

C C

g C. T

g C. T

g C.

. C C CWC C h T

Q

Q

Q

Q

Q

Q

Q

Q

[ Remain @ station 1º: Xyl. ] (left side)

55

Q C fsfz T _ . ( W >CC ) T C C C > C W C W C. C> C C C. C> C fsfz mp dim. molto Q C X C C C C Y C> fsfz ord. >C C Q C C T . h fsfz .C T arcoW C g Q > fsfz _

_ _ C WC

_

C

C T U W -C

Q

Q T

Q

U C T C. p (à2) T C h mf

24

Q C.

C WC _ _ W_ C

U C TXC -

molto

Q

Q

Q

Y .C

U C T Y CS

Q

Q

WC C _ _ _

T

.^ g XC C hÒ. fsfz .^ g W C (W ) C Ò.h fsfz ^.C h mfsfz W ^.C h mfsfz ^. C h mfsfz .^ g X CC Ò.h mfsfz ^g C. mfsfz ^ g Y C. mfsfz

C C C C C C C C

p X .C

T

T

C.

.g CX C T h T mp.

.C mph

24

W C C C C .C h p T

Q

W C W C. C C C C C. pp> Q

g C

S

WC C C C p

Ì

WC _

C _

(pizz.)

Q

W C.

34

T

C C C

W .C W .C mp

Q

>C C _ T h _ W_ C sfz

WC _

arco pont.

Q #

S

S

C> C C mp , agitato arco > pont. S T C C _ C W_ C _ C W_ C mp , agitato

"

W .C T .C h h pp

T

T

S

h sfz >.C T C h

C.

T

g W C. mp mp .g T WC

S

T

C.

T

T

T

>.C

.C

.C

T W C g W C X C. . . mp

T

Q

Q

X >C X C W C _ _ _ mfsfz

S

T

S

T

sim.

g T WC . mp

Q

S

S

Q

[

]

g

S

$ ]

Vln. I

C

U C T Y -C Q

(à2)

T

8

.C>

Q

S

34

g T g T W C. C. .g .g C CC W C # h T h T . . p , pecking

T h S sfz >.C W T W hC S

S

mfsfz

51

D.B.

Q

X >.C h T mfsfz X >.C W C T h

h

.C

g T C. mp

(à2)

str. mute

(my)

$

Perc. 4

g W C. W C. W C.

8

(Xyl.) Perc. 3

g T g W C. W C.

Q $

Perc. 2

g W C. C. W C.

Q

(congas)

[

T

g W C. T

Q

]

Perc. 1

T

mute

g W C. C. W C.

Q

[ #

Timp.

Q

Q

24 !

T

Q

(mute)

]

Q

mute

Q

Q

g X -C mf

Q

Q

(take mutes)

g W C. T W C. (W ) C. pp sub. , pecking (mute) g T ! W C. C. X .C pp sub., pecking (mute) g T ! W C. W C. (W ) C. pp sub., pecking

T

Q

(take mutes)

(mute)

Tpt.2

Q

(à2)

g C. mf g C. mf

!

Bsns. 1, 2

Q

2 4

T

mf

h

C

.C (X ) .C

S

T

C> C C W C. C> C C C. C> C

mp dim. molto T C T C h mp

S

pizz.

p

h

.C &

(damp)


66

60

[

Q

Q

!

Flt. 1

Q

S Q

!

Picc.

> W C W C C C W .C h mf giocoso p T

S

S

>

!

Q Q

!

Q

Q

Ob. 1

Ob. 2

Q

! C T U -C #

Bsn. 1

C T U -C #

Bsn. 2

] [

(mute)

Hns. 1, 3

Q

(mute) Hns. 2, 4

!

Q

Tpt. 1

!

Q

S

> W C C C W C .C S

sim.

Q

g W C WC CWC . Q > C mfgiocoso p T

f X >C C C Y C

S (1º)

S Q

Q

W C C C W C .C h Q

Q

(stem in)

S

Y -C O

> Y C. f

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

(quasi-solo)

à Y C.

Q Q

Q

À Y C.

W ÃC

à X .C h

À

Ì

!

Trbs. 1, 2

# Q

Q

Q

Q

Q

Q

Q

Bs. Trb.

# Q

Q

Q

Q

Q

Q

Q

Tba.

# Q

Q

Q

Q

Q

Q

Q

Q Q

! [ #

Timp.

Q

Q

Q Q

Q

Q

Q

]

Q

[ 28": B

C S

Q

#

.C

mp. . C C C C

.C h

C

T

C

.C

.C h

C T

h

T

T

.C

.C

C

C h

.C C

Q

(à2)

(mute)

(à2)

(mute)

T T

(mute)

mf Q (mute)

S

Q

T

C hmf

g X .C > mf

Y -C h f

gl.

.C C

S Q

C

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

A]

>.

C C C C

S

Q

Ì

T

Q

Q

.C

C

T

sfz

f

S

f

Q

.C

60

T

WA

Q

Kbd.

T

Q

Tpt. 3

(mutes out)

Q

Ãg À T Y C. Y C g T .> mp cresc. Q

sfz

C C> X C X C C W C f Q > >C C C Y C C .C

S

mf Q

!

T

S

!

]

T

Q

Q

ff

>C X C X C C .C h

Q Q

T

sfz > Y C C C .C

>C X C X C C .C h

f

>

Q

Tpt.2

ff .C h

f X >C C C Y C

Q

Q

harmon mute

S

Q

>. > Y .C Y .C Y .C C mf Q

S

!

Q

>C X C C C

giocoso

(à2) (TK)

Q

Q

>C C C W C .C T p mf Q

Q

Q T

C C C .C Y C C C C.>

S

S Q

Q

. CWC C

C C

sim.

Q

Q Q

C T U W C. p C T U W C. p

T

Q

Q

Clts. 1, 2

T

> . T WC C C CWC mfgiososo p

Q W C C C C .C h p mfgiocoso

S

>

(congas)

[

Perc. 1

$

g T .C mp

C C

>

C.

S

C.

C C C .C> f mf sfz Q

Perc. 2

$

Q

Perc. 3

$

Q

Q

$

Q

Q

Perc. 4

]

! WC C C C !

Vln. II

Vla.

. " Wh C

Vlc.

#

D.B.

# ]

[ to Xylophone: right side ]

[ take ratchet ]

[ take slide whistle ]

[

Vln. I

Q

T

C W C. C pp>

>C

> C C C

.C

T

60 >C W .C W .C W >.C

Q

S

T WC WC > C C C . p , marc. > . C C C C C WC C C C

C> C C C W C. W C C C C C.> f sfz sub. > >.C > > . . . . C C . C C Q T C CWCWC XC C C WC T WC C C C WC h C CWCWC sfz p pp , marc. . >. >. C C C C WC T S Q T C W C W C C C C C C . C C C C C h . . > C C > XC . > C p , marc. sfz > >.C .C > . . . C X C (W ) C C C C -C C W C W C .C T W C C W C Q C C C C T C C C C C C . h h sfz p , marc. Q Q Q Q Q Q h

> C W C W C C Y C C X C X C C C C C C C C >C sfz ff , scrubbing sub. (stacc. poss.) >C > CYC C YC C C C C C C C C. C. ff , scrubbing sfz sub. (stacc. poss.) > . .C C. Y C >C C X C X C C W C W .C T _ _ ffsfz f >.C >. .C X .C X .C S T C h ffsfz fsfz > >. . arco . . C Y .C C C S T C h ffsfz fsfz


67

66

[

Q Q !

Picc.

WC C C C mf WC C C C ! S mf . ! W C W C C W C Wh C T mf

Ob. 2

Clt. 1

Q !

Clt. 2

# Q

Bsn. 1

f

#

Bsn. 2

Q

]

T

(mute) (à2)

.C W .C

Hns. 1, 3

[ !

T

Hns. 2, 4

(mute) (à2)

T

C.

! W C.

(str. mute)

S

!

mf

(str. mute)

! XCWCWC

Tpt. 3

#

W .C h

T

T h fsfz > T C g .C T h fsfz > C W C C .C T h f T S

W .C h

S

Q S

WC

> .C T

g

h mf

T

S

T

g

WC

h mf WC

g

h

Q

> .C S

.C>

g C

C

S

g

> Y .C h T > Y .C h T

Q

h C

g

h

C.

#

WC h p

dim. molto

Q

]

T

mf

66

! WCWC C C S mf , scorrevole W C C C C # S

Kbd.

[ #

Timp.

[ 30": A

Q $

Perc. 2

[ to Tom-toms ]

Q $

Perc. 3

$

34

Q

]

Q

Q

Q

Q

Q Q

Q

C C C

h p p

24 S S

h

.C T

S

.C

S

T

WC

g

h

> .C T

S

g

h

.C> T

S

S

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

(mutes out)

(mutes out)

(mute out)

S

WC

(harmon out)

"

Q

T

(2º - open)

mf

h

Q

Q C

.C

Q

CWCWC C

g C.

T

g .C

T

Q

Q 72

C C XC WC S

f

S

XC CXC C S

24

Q Y .C T h

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

to 8

S Q

Q Q Ratchet

S

__ ì h

> T

S

W .C T h mf , jazzy Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

24

[ at Xylophone ]

Q

Q

Xyl. (hr) g C

!

S

24

34

Q

.> CYC C C YC C C C

C C CYC

>

>

.C W .C W .C . XC

C Y .C T

C CYC C C C C C

Q

Q

Q

mp , spicc. > T C X C W C W C X .C C > mp Q

C CYC C C C C C

C CYC C

. C Y C C C Yh C T

Q

Vla.

"

Q

Vlc.

# Q

Q

Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

Q

Q

Q

Q

C CYC C

C C CYC

YC C C C C C C C pp YC C C C C C C C pp Q

!

]

g

gl.

Vln. II

D.B.

WC

h mp .C T h mp

Q

C XC C

T

72

!

Vln. I

T

Q

66

[

T

Q

S

g C.

f

$

Perc. 4

h

h mp

D]

Q $

Perc. 1

T

h

g

.C

XC

X .C T g g T W C C. > ph mf X C. T S ph

Q

Ì

XC

W .C h

C XC C

(mute out)

Q

] [

34

h

g

T

Q

S

S

.C

g

WC

(mute out)

open

#

Tba.

T

T

XC

g

Q

(mute) Bs. Trb.

C

g

W .C T

Q

Q

(gl.)

Y .C T h T g . C Y C

.C

g C

S

Q

Q

Q

Trbs. 1, 2

T

X .C

>

.C

h mf

S

molto

g

72

.C>

g

Q

X .C

C C C WC C C C C XC

WC

S

2 4

molto

CWC

f

WC mf W .C h

> WC C CWC

(harmon) Tpt.2

g C.

34

Q

!

Tpt. 1

h

.C

XC

T S h h sfz ( ff ) > g . g XC C T T S C. h sfz> ( ff ) C C .C CWCWC T h f> mf C C .C CWCWC T h f mf W -C C X C W C WC S f molto W C- C X C W C W C S f molto CWC C C C WC C T

S

!

Ob. 1

.C

T

3 4

!

Flt. 1

> C.

g

WC

g


68

.C [ !

Flt. 1

.C !

Picc.

Obs. 1, 2

mp (à2) . C !

T

77

W .C

T U W .C T

h

T U X .C T

W .C h

. TU C T

W .C h

!

S

Clt. 2

!

S

Bsns. 1, 2

# [

Q S

T

C.> Y C. mf p

Q

Q

Q

Q

T U Y C. T

Y C. Y C .

T U Y .C T

Y C. Y C . à2

Q

sim.

g Y C.

g C.>

g T T C. mf g T T C. mf Y .C T U X .C T f , spiky À

Q

S

-C

g C.

T

h

g C. .C

gl.

mf

g X C. T mp g T X C. mp .C T hmp

g T Y C. g T g T Y C. X C. . .C T U C T W .C T

Ì

open à2

Ã

.C T S hp À Ã -C gl. W .C h pp mp Q

Q

3 4 Q

mf> p .g g. Y C C Q T

.>

sim.

C

.

YC

S Q

S

Q

Q

S

Q

Q

S

Q

Q

(stopped)

Q T

(stopped)

Ì

S Q

Q g X C.

T

Q

Q

open à2

Q !

T

Q

]

> Y .C h f

X .C W .C Q

. T YC h mp T Y .C h mp

Clt. 1

Hns. 1, 3

TU

.C

gà T C. T p g C. C. T pp , molto stacc. g T C. C. pp , molto stacc. g T C. C. pp , molto stacc.

gà C.

ph

Ã. C

S h

Ãg C.

T

T

!

Q Q

Q

!

Q

Q

Q

Tpt.2

!

Q Q

Q

Q

Tpt. 3

!

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q Q

Q

Hns. 2, 4

Tpt. 1

mp wobbling gl. " YW CC T S hp # Q

mf

1º open Trbs. 1, 2

Bs. Trb.

#

Tba.

TU Q

!

8

Kbd.

# Q

!

[ # (Xyl.) 8va

!

Perc. 1

.C

T U .C T

$

Q $

Q

Perc. 2

Perc. 3

W .C

.> TU C T Q

.C W .C Q

Q

T U C. T >

open

open

loco g C

Q

Y .C

W C.

X .C h

Q S

h

.C

î-

! !

Vln. II

Vla.

"

Vlc.

#

D.B.

# Q

Q

T

C.

C.

g C. T

S

C.

g C. T

S

C.

S

S

CYC T

CYC T

C.

34

C.

C. X .C C.

C.

p

( only ) (tickling)

S

Q Xyl. (hc)

!

34

C

C C p ( only )

C S

Q

C S

C C

S

Q T C

C C

C C

C

YC T

YC

C

34

tickling

gliss.

g ï p.

mf

Q

S

C.

C.

#

to 1

g X C.C

C.

Q

Q

S-W

T

C.

S T

Q

Q

.C

C.

h

C

Q

C.

Q

Q

Q

.C

Q

. TU C T

T

h

Ã.

77

W .C

Q

W .C h

open

T

S

77 ord. C. W .C W .C .C .C .C .C .C W .C W .C .C .C .C .C . W C .C Y .C T S Q C CWC CWC C C C ( > ) mfh p mp ord. stacc. g . . . T S T S Q C W C W C C .C .C .C C h C Y C C C C C C X C C C. T > pp p mp mf spicc. > YC C C C > sim. Q Q Q Q C C C C Y_ C p w. discreet accents Q Q Q Q Q

[

]

mf > T U W .C T

Q

]

Vln. I

.C T

Q

$

Perc. 4

W .C>

Q

] [

Q

Q

]

Timp.

p XC

T

S

à C.

Q

Q

Q

Q

Q

Q sim.

C CYC C C C >

C >

w. discreet accents

_C

_C

>

_C

_C

_ Y C_

_C

_C

_C

Q

Q Q

Q

>

>

_C Y_ C

34


69

cresc. poco a poco Q

81

[

3 4 !

Flt. 1

!

Picc.

!

Ob. 1

Q Q

Q Q

Q Q

Q

S

Q

Q

S

Q !

Ob. 2

Q Q

Bsn. 1

# Q

Bsn. 2

#

mf

!

Clt. 2

]

S mf

[

34 !

Hns. 2, 4

#

Tpt. 1

!

C.

C.>

T

g C.

g C.

sim.

p

h S

.CÃ

T

T h

!

T

Tpt. 3

!

T

C. X C.

>

C.

g C.

Ã.

24

C

>

p

g C.

T

C.

g C.

g .C p>

Ã. C

T

T

gà C.

h

T

.C Ã

g C.

g C. T

g .C

Q

Q

Q

Q

C.

(open)

CC h ( p ) .À T

g C.

C.

Q

Q

Q

Bs. Trb.

# Q

Q

Q

Q

Tba.

# Q

Q

Q

cresc. poco a poco Q Q

34

!

Kbd.

! [ #

Timp.

]

(Xyl.)

[

!

Perc. 1

Perc. 2

$

Perc. 3

!

Q

XC YC C C C C T (p) Q

$ [

34 ! !

Vln. II

Y C X >C _ _ > _ C _ C Y_ C _C

Y_ C _C

"

Vla.

S

]

#

_

C _

S

C> C C C Y C

_

C> p w. discreet accents pizz. g S T C. > mp , stacc. h

C YC .C T

T

S

T

S

.C

.C

h

h

.>g

CC mf .h> T C.

Q

T Q

C.

C.

T

C. W C.

g C.

T

>.

.g C

T YC Q open T X .C .C h p h Q

S

T

g C.

C.

S

C.

CC .h> mf

.>g

T

. C T

g C.

T

.C

86

Q

Q

Q

Q

Q

Q

Q

C

YC C C C T

T

T

C T YC

YC

YC

YC

T

C>

_

h

C

_

.C

T C

XC

C C

h

CYC C C C C

mp

Q

. T Yh C

T

YC T YC mp

XC C

C

XC

T

T *

1

h

C

C YC

YC

Q 1

.C Y >C

sfz

YC _

C _

Y C_

C_

_ C

cresc.

C

cresc.

_ _

C_ Y C .C

Strings: ms. 83-86: Each sfz increasingly marked.

.C

C C YC C C C C C T

C

mf

Q

[ to SD ]

_

C T XC C

Q

*g T C_ > sfz _ _ _ _ C YC C C > mp> sfz sfz _ _ _ _ C> C Y C C> sfz sfz _C C _ Y C _ C _ mp> cresc. sfz> sfz .C

_

C C p

poco _ _ _ C> Y C C

_ _ C> C C Y C mp _ _ Cg T YC C . .C

C

C C YC

S

T

_

C

T-T (sticks)

Q

.C

mf , driving T g C. C. W C. mf , driving T g C. C. C. mf , driving T mp .g S Y C CC S mp . . (2º) T X .C C C hmp . . Q

Q

Q _

C.

S

Q

cresc. poco a sim. T _ _ _ C C C> C Y C C C> Y C C mp w. discreet accents cresc. XC C YC C X C C Y .C S _ _ _ _

_

C.>

T

Q

C

C

.C

S

Q

sim.

#

Vlc.

_C

_C

Y .C>

T

Q

[ to SC; place whistle in mouth. ]

24

S S

T Cg . C. mp g T C .> p .g> T C Q Q

C.

C.

.C

S

Q

Q

Q

S

C

>. S

T

Q

YC C C C

C

C.

.C

S

Q

Q C

À.g

T

.C> S

S

X CC h mp. .g S ! XCC mp .h C. X C. T mp

C.

Y C.

.C

.g

C. Y C. >

S

Q

C T

24 81

Vln. I

D.B.

C

T

C

YC C S YC C (p) Q

S

]

C

34

(Xyl.)

Perc. 4

24

Q

ph

T

T

>. C h fsfzg C. > fsfz W .C> h fsfz > X .C h fsfz >. C h fsfz g C. > fsfz

.C

C

p mf >. . XC XC p mf T S

(1º)

Q

.C

> W .C

S

Q

T

S

p

S

Q

"

Q

À .g

C.

C.

g C. T

S

g C.

>

p

T

T

p

S

g C.

g C. T

CC h . (p)À

T T

p

T

.C Ã

T

g C. T

S

81

S

g C. > T

Trbs. 1, 2

]

g Y C.

S

>.

T

S

(open)

h

g C.

C.

S

S

T

g C.

g Y C.

g C. > mf g T C. > mf T

C. > mf C.> mf

T

T g C.

T T

Q

Q

Q

S

T

Q

Q

gà C.

h

Q

Q

C.

C.

86

Q

S

S

S

T

g C. >

T

Ãg T X C.

g C. > pg T C. p>

S

Tpt.2

T

Q

(stopped) (à2)

(stopped)

S

Q

sim.

Q

Q (à2)

g g C.> X C.

T

!

Clt. 1

Hns. 1, 3

2 4 Q

C

_

_ C> mp C YC C XC C C C C> f Q

C>

_ C>

_

Q

[ to Tambourine ]

Q

86 0 >C C (X ) C C C C >C C X C> _ C T _ _ _ _ _ _ _ sfz sfz sfz mf > _ _ C Y_ C C _ Y C T YC C C XC C_ Y C _ _ _ > > sfz mfsfz sfz mf >C C C _ _ C_ _ _ C_ Y C C T YC _ X_ C C > > mfsfz sfz sfz mf _ C_ Y C_ C_ _ C_ X C_ C_ _ _ C C C> C> > cresc. sfz mf sfz sfz > (not glslurred) >. . . sul G C C C . . . . ( W .C ) arco C T h T h molto stacc. cresc. mf (stacc.)


70

Flt. 1

(cresc.) [ (TK) . . C. C. X .C .C WC C ! T f Q !

Picc.

>. ! XC h sfz g ! C. > sfz >.C ! h sfz > Y .C ! h sfz

Ob. 1

Ob. 2

Clt. 1

Clt. 2

T

g T C . mf .C T h mf . T YC h mf

T

T

# Q

[

à2

Hns. 1, 3

T

Q

]

T

!

à2

S

Hns. 2, 4

!

Tpt. 1

. ! XC

Tpt.2

g C.

h mf

g C. W C. C. C. > mf , molto stacc. T g X C. Y C. mf , molto stacc. .C W .C .C Y .C h T W .C X .C T

C.

C.

X .C h

" X CC W CC CC T T . . .>h # Y .C T Y .C Y .C h

. CC . mf g X C.

!

! Y C X .C .

Tpt. 3

.

Trbs. 1, 2

Bs. Trb.

g >.

.

#

Tba.

S

]

(cresc.) Q !

Kbd.

.

.

C YC . . . . C C . . X >.C T h f > X .C T h f g X C. T > f . . CX C Y CC . .

C. C.

C. X C. T Y .C Y .C

g Y C. Y .C h T

T WC WC . .

. .g T C C W CC T . .h T X .C Y .C Y .C h mf , molto stacc. g C Y C . C. . mf , molto stacc.

W .C

W .C X .C

.C

ffsfz > W .C

W .C

X .C Y .C

C.

ffsfz .C >

Y .C X .C

ffsfz > .C Y .C

T

_

Y ..C _

.C Y .C

Y .C Y .C X .C

Y C.

X C. Y C. Y C .

>.

.

X C W W CC . .> f . >. W C X CC . .> f . Y C C.

Y .C

Y .C Y .C

Y .C

S S

C.> ffsfz Ã> à2 (cuivré) Y C T h ff sfz - mf à à2 (cuivré) T X Cg ffsfz -> mf .> X .C .C Y C ffsfz molto > . X .C X C Y .C

Y C. Y C.

X .C

. . XY C C WY C C . . T X .C .C

. CX C . W .C

Y C. Y C .

X C.

Q

S 1

Q

ffsfz >. Y .C .C X C ffsfz molto .> . . YC Y CC Y CC Y C .> . . fsfz molto W C. X C. X >.C molto fsfz Y C. Y C . C.> molto fsfz g T W X CC > mf Q

>

(T-T)

$

Perc. 2

>

C _

Q $

Q

C C C C mfsfz

!

Perc. 3

Perc. 4

$

Q

Vln. II

" X_ C W_ C

Vlc.

#

C_

C_

.C T

(cresc.)

]

h

(cresc.)

X_ C

_ X C_ W C

Vla.

#

C

_C

f

_C

_C

.C

.C

C

T

C _ hsfz WC XC XC _ _ _ f W W C _ C W_ C _ f WC _ C W_ C _ h

.C T

X .C f

W_ C W _ C

W_ C

X C Y_ C _

X_ C

XC _

W C W_ C _ _

"

.C

T Y .C h

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q T

Q

Q

T

BO

C

_

_

_C C

>C C W C C _ _ Y .C Y .C T

C _

ffsfz >C .C >C W W C WC _ _ ffsfz >C .C Y >C X C Y C _ _ > ffsfz W C W C C C. >C _ _ ffsfz X .C Y .C Y >C .C > C ffsfz

C

24

Ã

BO

à C S

Q

34 34

BB OO

S S S Q S Q

S

ÃC

start ‘sharp’; go flat.

Q

g

Q

C T p X ^C T h più ffsffz X ^C T h più ffsffz W ^C T h più ffsffz g^ Y CC T Òh ffsffz Y ^C T h ff sffz ^ C T h ffsffz

Q

Ãg

C.

C.

C.

C.

Q Q Q #

Q Q T

g f .C>

C.

C.

^C

C _

h mf sub. ff & Q C

Q Q

Q

24

Q as solo (hy)

. Y .C Y C .C

Q

^g

_

C mf sub. ff &

34 Q

Q

24

[ snares on ]

_

mf C>

g

T

ph

(snares on)

Q

C _

mf C>

93 Ì

Q

C C Y >C .C Y >C

Ã

Q

_ B

X_ C W_ C

_C

34

Ã

Q

_

C _

B

__ p

(my)

p

C C C C mf

SC (my)

Q B

Q

Q

LH: MW

>

_C

Q

Q

(cresc.) >C [ WC ! C T _ f sfzh YC ! _ _C _C

_C

Q

Q

2 4

Q

Q

_C

SC

]

Vln. I

C C C C C C C C p Q

Q

Q

Ped.

Q

Q !

Perc. 1

3 4

Q

ffsfz >. C ffsfz

SD (snares off)

[

93

Q

molto

Q

Q

]

W .C

> > W ..C W ..C W C .C .C _ _ ffsfz >. > .. . X ..C C Y C C Y C _ _ ffsfz .C Y .C Y .C X .C>

..C

sim.

Q

[ #

Timp.

C. W .C

Q !

D.B.

.C

T

#

Bsn. 1

Bsn. 2

X ..C W ..C T _h _ T più f sim. (TK) . . . . .. .. Y ..C T X .C C. C C C C _ C Y _ C _ più f f . .C . . T .C C T WC C h h f g g T C .C W .C T W C .C . . f > . X >.C W .C X .C W .C W C T T h h f >.C >. .C X .C Y .C T T X C Y h fh . C X .C T Y .C T W .C W .C h h (f ) g T YC T W .C C C Y C . . . . h (f) .C .C .C .C W .C .C

T

Q

[ take slapstick ] (sm.) Tamb. (fist)

>C

S $

h ff Q

T

f , ruvido (secco poss.) C C C C C C C C mp , chiaro Q Q

[ to Bass Drum ]

Q 93

Q Q

Q

Q Q

Q Q

Q

Q Q

g X C.

[ to Tamb. ]

24 Q

T

T

(non-div.)

S

X ^C

C T h ffsffz

#

T U C C C C. C > C C f > Q


71

[

Q Q

Obs. 1, 2

!

Q

Q

!

à2

T

mf

à2

S

Clts. 1, 2

!

]

T

[

C

C

C

.C

C

C C

C

f

C WC

C.

C>

f

(à2)

#

T Q

! (à2)

g TU X C i > mf rfz

S

Hns. 2, 4

T

!

Q g C.

g C.> TU .C

T

T f

T

C

WC C YC WC

C

C WC

h

CO

CO

C

h

rinforzando, bell-like

T

T

> Y .C h

T

C

TU Y C . g Y C. T

C>

C YC

YC

C YC

Y C.

C.

C.

Y C.

C WC

C

C YC

C XC

WC

C YC YC

C XC

XC WC X C .

Y .C

W .C

W .C

X .C

C

Q

Q

Q

S

Tpt.2

!

Q

Q

Q

Q

S

Tpt. 3

!

Q

Q

Q

Q

S

C WC

Q

#

Trbs. 1, 2

Bs. Trb.

#

Tba.

#

T

mf h > rfz

]

T

> CO CC

Q Q

Q

(SD)

[

$

Perc. 1

.C . .C YC T

>

_C

. C. Y C C g .

Y .C >

_C

_

T

_C

$

Q

Q

Perc. 3

$

Q

Q

Perc. 4

$

Q

!

Vln. I

S "

T

Vla.

Vlc.

D.B.

#

C

C

C

C

C.

C

C

C

> C. C

>C

C. T U

Q

C. C

C C

C>

f f

# ]

=

!

Vln. II

<

Y .C

TU

C

C

C

C

C

>C

S

C

Y .C

Y .C

Y .C

.C > C

C

C

.C > C C

C

.C Q

T

molto

C WC WC

C

C

>C _

C

C

C

h

.C

.C

^

C

C ff

C YC C

C

Q

C WC C

C WC WC

C

C .C

C

T

T

^C

C

T T T T T T T T T

T T

S &

ff

C YC YC

C

C

C

YC

C

C

>

WC

C

h fff ^CC h

S

C

.C >C W C .C >

>

C

C

T

XC fffsffz

(lg.) Slapstick

>C

C

C WC

> _

_

_

C

.C > C Q

C

T

Y C.

Q

C

.C > C

C

g C

.C

T T

g

Q

C

C

C

.C

Y .C

T

C

!

>

_

C. C>

C

>

C

h

C WC C

C WC WC

_C

C

C

C

X C-

Y .C

(X ) .C

C. C >

C

C =

.C

Y .C

C

C. C >

f

CO

g

CC h

Q

C

C. C

=> T

p

C

C

C>

Y -C h

YC C

C C

C

mf sub. , cresc. molto > > _C _C mf , cresc. molto Q

T

T

CO

Y CC mf - h sfzp Y -C h mfsfzp g W Cmfsfzp

Y CC -h

-g

CC OO

Q

S

Q

g-

Q

T

Tamb. (sticks)

[

C C

C

C

_C

Perc. 2

]

T

C

f , marc. poss. C C C C T U hj

#

T

T

T

Q

Kybrd.

[ # Y .C h ]

TU

TU " T

S

Q !

Timp.

jh

C

S

S

!

CC

Q

g C

C

>

(bell-like)

>

CC

T

^g

C W ^C h ffsffz C ^C h ffsffz W ^C h ffsffz W ^C h ffsffz ^C h ffsffz ^g WX CC Òh ffsffz ^ XC h ffsffz ^g XC ffsffz W C X ^C

C WC

WC

!

mf (bell-like) rfz > X CC O C C

T

h fffsffz ^ C C X C Cg fffsffz C W ^C C XC h fffsffz

Tpt. 1

S

C W C X ^C h fffsffz C W C X ^C

C WC

C WC YC

C C

ff

C >

ff Y .C

C YC T

CO C>

YC ff YC C WC

.C

C.

.C

.C> h

>

C C

C WC C

C> W C

g C.

g C C C > > mfrfz rinforzando, bell-like

(à2)

Hns. 1, 3

C WC

ff

Picc.

Bsns. 1, 2

T

C WC

YC

C YC

S

Q !

Flt. 1

C WC

S ^C

T h ffsffz BD (hb) g^ S T C & ff PW ^ > C T h _C _C fff ^ C WC C WC C T h fffsffz ^ X C C X C C CC T h fffsffz C C C C ^C C T h fffsffz g^ T C X C. C C. fff g^ S T C fff

9/18/08

Sydney Hodkinson: Potpourri  

Potpourri - Sydney Hodkinson

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