Page 51

Tony's Mother (Scene 5)

[Studio: the room is now dark except for the light on Caruso alone at the microphone. He sits there quietly while a selection plays for broadcast. The Engineer and Intern sit behind the dimly lighted glass wall of the sound booth.] Allegro

   

 

q=110

Flute

Bass Clarinet

Trumpet in B 1

Bass Trombone





 

    

 

   

 

    

 

 

   

 

 

  

 

 

  

 

 

  

 

Trumpet in B 2

Tenor Trombone

Rubato

Oboe

Clarinet in Bb

Ritardando

 

Percussion

 

pp

3

 

 3      

 

3

       3

3

   

glockenspiel

 

pp

pp

 



 





3

pp

Drum Set

  

 

 

Acoustic Guitar

 

 

 

  

 

  

 

Accordion (pianoforte until M. 7)

Mamma (mezzo)

Tony

Violin I

Allegro

  

   

     

mf

  Violin II    

mf

Viola

Violoncello

Contrabass

     

  

   

mf

 

 

 

 

 

   

 

 

   

 

 

  

 Who's

 (unis.)

 (unis.)

 

pp

 

To

3

-

 

nio?



 



 

Rubato

 

 

3

   

Dov' - è

(quasi parlando)

sei?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Qui - et!

that?

3

3       3

Ritardando

q=110

   

pianoforte

We're broad - cast - ing.

 

 

 

 

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