Page 54

50

41

accel.

 3              Ob.     3 249

p

3

mp p

f

            3

Cl.

p

Bsn.

mp p

mp p mp p

    3   3         p

mp p

mp p

mp p

Perc. I

Perc. II

Fl.

  

mp p

  

        p

 

Vib.

Cb. I

 

  Sop. Sax.  

Pno.

Cb. II

Vln. 1

Vln. 2

   

mp p

  

 

 

f

 

 

pp f

3

3

mp

pp f

    

  

pp 3 f

3

  

p

     

   



p

f

Vla.

Vc.

  

446-41220

 

   

3





f



3

 

3

mf

p

sub. p

sub. p

  

p

3

 



3

    

3

     

drums

3

pp 3

   

pp

 

mp



mp

3

3

    mf



   3

mf

 

p

3

p

p

mf

 

 

p

mf

 

p

   mp 3

pp

pp



   



 

p



p

mf

p

mf

 

3       3       p mf p

    

 3 

   

pp 3

3

p



    3  

ppp

 

ppp

p

mf

3

mf

pp

pp

    3  

p

3

mf

pp

42

 

ppp



   



mf

           mp

f

mp

f

            

  mf

p



     



f

    



3

ff

 

p

mf



     

mf

  

mf

 

3

 

 

3



 

    p

mf

3

p

f

mp

mf

   

f

3



3

ppp

f

3

drums

p

  

div.

   

3

div.

3        

mf pp

    



3

mf





   

3    p

temple blocks

mf

f

mf

   

 

pp

3

3    3         

mp

pp

    

    

     f

3

p

  

  

       mp mf

mf

3

mp

  

3

mp

  

p

p

mp

mp

p

 

p

3

 

mp

mp

mp

p



sub. p

 

 

mf

3       

harmon mute

mp

 3    3       

3

f

3

3         sub.

3

mute

    

3

f

 

 

3 3        

f

p

 

    

 

mp

 

6

mf

42

         3

3

mp

p

3

 

f

3

 

 

3

           

    

mp

 

3

 

p

pp

          

mp

p



3

mp

3

 

mp

 

   

3

timpani sticks

mp

p

 

     

       

mp

 

3

 3 3 3           

harmon mute

mf

  

3

mp

3

f

3

   

 

  

 

medium mallets

  mp

    

mp p

3

 

3

 3    3   Tbn.         p

p

3

p

3          

p

  

3

Hn.

mp p

  3              p

Tpt.

3

q = 104

 mp

mp

  









mp

mp

Daniel Asia: Rivalries  

Rivalries - Daniel Asia