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Sydney Hodkinson

SYMPHONY No. 10 A DIVERTIMENTO

SIX REFLECTIONS for WIND ENSEMBLE

MAY 2011


commissioned by the SCHOOL OF MUSIC / STETSON UNIVERSITY in commemoration of the 25 th Anniversary of the appointment of BOBBY ADAMS, Conductor of their Symphonic Band. - Deland Florida, Fall 2012 -

special thanks is expressed to Stetson faculty Professors Kang, Kerney and Schmidt for their expertise.

- ii -


INSTRUMENTATION: - Trumpets in B-flat 1, 2 & 3 (1º doubles Flügelhorn in B-flat)

- Flute 1 [ opt.: solo doubling Piccolo ] - Flute 2 [ doubling Alto Flute ] [ opt.: solo doubling Piccolo ]

- 4 Horns in F

- Flute 3 [ doubling Piccolo ]

- Tenor Trombones 1 & 2 - Bass Trombone - Euphonium (Baritone Horn)

- Oboe 1 & 2 - English Horn (in F)

- Tuba - E-flat Soprano Clarinet - B-flat Clarinets 1, 2 & 3

- Double Bass

- B-flat Bass Clarinet - B-flat Contrabass Clarinet

- Piano (doubling Celesta)

- Bassoons 1 & 2

- Soprano Voice ‡

- Contrabassoon - Timpani (4)

- Soprano Saxophone in B-flat - Alto Saxophone in E-flat

- 6 Percussion (see percussion key on pg. 70)

- Tenor Saxophone in B-flat - Baritone Saxophone in E-flat

The piano and double bass may be lightly amplified if desired, especially in Mvts. 1, 2 and 6.

‡ See Performance notes.

THE SCORE IS TRANSPOSED

Notes to the Conductor: 1) The soprano voice should be seated within the woodwind section as unobtrusively as possible. Her part in movements 3, 4, and 5 - is not soloistic and should be treated simply as an additional orchestrational resource. Slight amplification of this part is perfectly acceptable. 2) Movement 4 - pgs. 36 - 44: (a) Although imagined for the full wind section, at the conductor's discretion this movement may be performed by 20 solo players: one on a part. (b) The voice part in this movement is improvised. All pitch is indefinite, but the general contour should be followed. It is a ‘strangely-coloured percussion instrument’ using "scat" syllables. Textural hints (e.g., shoo-bee, bop, etc.) are sometimes given. The singer should be somewhat familiar with the jazz work of Sarah and Ella. 3) Movement 5 - (pgs. 48 - 51) : All ensemble humming/singing is notated at CONCERT PITCH. Stagger breathing; choose either pitch if two are notated. (The required notes may be quietly played on one's instrument before vocalization commences.) Further clarifications to conductor and performers are given using numbered asterisks within the score context.

- iii -


SYMPHONY No. 10

(2011)

Sydney Hodkinson (b. 1934)

A Divertimento for Wind Ensemble

DURATION

PAGE

- 1. - HULLABALOO

3:15

1

- 2. - BUMPY TREK

2:00

19

- 3. - STROPHE

3:30

32

- 4. - GOSSAMER

2:00

36

- 5. - CANTICLE

4:00

45

3:30

52

[ in memoriam: Henryk Gorecki ]

[ in memoriam: Vincent Persichetti ]

- 6. - SHINDIG

PERFORMANCE TIME: approximately 20 minutes.

PROGRAM NOTE: This work was commissioned by the School of Music of Stetson University, Jean O. West, dean, to honour the 25 th anniversary of the appointment of Professor Bobby Adams, revered conductor of the School's Symphonic Band. The term ‘divertimento’ has been with us since the 18th Century, denoting an enormous range of instrumental compositions consisting of relatively short sections written primarily "for entertainment." Although the segments of SYMPHONY No. 10 vary greatly in style and tempo, they can be roughly paired: No. 2: a pecking, often cackling, scherzo, the journey bouncing through the entire ensemble; paired with No. 4: a light perpetual-motion study, scored for woodwinds, celesta and percussion which is largely fluid and

soft, but demands considerable ensemble alacrity from the players. An historic strophe is a designation for a song in which all of the stanzas are sung to the same music. The two slow movements are also paired: No. 3: is a four-phrase stanza which is repeated five times with altering harmonies and registers. Scored

for brass, saxophones and percussion only, the piece was composed as a memorial to a friend, the great Polish composer Henryk Gorecki (1933-2010) who died during the time of writing. This hymn is paired with No. 5: a gentle, plaintive arioso written in memory of the American composer Vincent Persichetti (1915-1987), a long-time personal mentor. No. 1 and No. 6: are joyous - the former often employing stomping and shouting rhythms, the latter reminiscent of a 19th Century barn dance, sometimes stumbling and one-legged (almost everyone gets to ‘doh-si-doh’). Hopefully, both of these movements give more than a nod, and serve as a testament, to the ebullient nature of the dedicatee, a man who has given me many memorable musical moments. SYMPHONY No. 10 is approximately 20 minutes in duration. The score, dedicated to Bobby Adams, was

composed in the fall of 2010 and the orchestration completed in May of 2011 in Ormond-by-the-Sea, Florida. S.H.

NOTATION: . . . All accidentals hold for the full measure, but not at the octave, as in customary practice.

?

. . . Square brackets indicate leading melodic lines to be brought to the foreground of the prevailing texture.

?

. . . Bracketed fermatas indicate a substantial broadening of the pertinent beat, but not as long as the conventional pause.

MV . . . (double bass) molto vibrato.

&

n

. . . (percussion) Completely dampen all vibrations. . . . niente - used as a dynamic beneath the level of

ppp

(pianississimo).

Suggested subdivisions for asymmetric conductor beat patterns are given in brackets above the signature : e.g., [ 2•3 ]

45 - iv -


Dur. - ca. 3:15

1

•to BOBBY ADAMS, with thanks•

• SYMPHONY No. 10 •

Transposed Score

A DIVERTIMENTO

Six Reflections for Wind Ensemble

1. HULLABALOO > C W .C > ^ W C .C .C Y >C Y .C

C = 126 / C O 84 ] -C C C S S h T S f -B C T Q h f -B C S S h T S p fà2 C S h T -C T C g T Y B C T T h C T h f -h h

Con brio[

[

34 !

Flute 1

!

Flute 2

Piccolo

!

Oboes 1, 2

!

English Horn

!

Q

E- flat Clarinet

!

Q Q

!

Q

Q

Clarinet 1 B∫

!

Bass Clarinet B∫

!

Contrabass Clarinet B∫

!

Bassoons 1, 2

#

Contrabassoon

# ] [

34 !

Alto E∫ Saxophone

!

Tenor B∫ Saxophone

!

Baritone E∫ Saxophone

Trumpets 2, 3 B∫

!

Horns 1, 3 F

!

Horns 2, 4 F

!

Q

S

S

W .C h f

T

à2

Y C > Y C. S sfz > W C W .C S fsfz S S

C mf

S S

Y >C Y .C

T

Y .C >C >

Y .C >C

T YC h mf

S

T

S YC mf

>g

Q

Q

W .C h S T

>C

h mf

Q

h mf f sfz W >C .C >C W .C ^. WC T h mf f sfz > .C^ > g . g . C W C WC C T h T h T h sfz Q

WC

C. h T g

.C Y >C .C T T

. > YC YC

> T Y C g Y .C Y C > mf S

Q > . C W C C WC T S T S

C WC h> .h T

> W .C C T h h T

R R T T S

.g

S

à2

Q

S

Q

T

Q

S

Q

R

44

Q

Q

Q Q

Q R Q

S

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

> T Y h C Y .C T h f

^g

T

YC sfz T sfz ^ S g WC T W C W C T T W Y CC h f >h sfz Òh Y -C Y .C - .h ^ Y C h Y C. Y C > X C . XC f brusquely sfz . T Y C T g T ^g h Y .C C f sfz W >C .C ^ > h h T W C W .C (W ) CC CC f Ò sfz . g T h C T W C T ^g . WC f sfz Q

Q

C = 126 / C O 84 ] Q

Q

R

Q

Q

Q

34 R

^ T Y .C S h ff sfz

Q

>g

T

S

h S ff sfz >. T Wh C S ff sfz > g T W C .C S h ff sfz

4 4

>C Y .C Y >C .C Y ^C. h h fsfz >C . >C . Y >C Y .C Y ^.C . Y Y YC T YC T YC h h f sfz . > . .^ > . > g .g C Y C Y C YX CC C C T Y C T Y h C YY CC Y C Y C . > . > . Ò Q f sfz mf > . . C YC T YC Q h

>.C

T

Q

3 4 !

S

T

Q

Con brio [

[

Q

(2011)

7

Q

! ]

Trumpet 1 B∫

S

S

sfz Y >C Y .C S sfz

fsfz > . YC S Y C Q Q Y C YC S > . fsfz Q Q S Y C> Y C. fsfz Q Q S Y C> Y C. fsfz > . C-Y C à2 WC C S Q h T h T -C T W C W C S h > . f sfz W >C C. Q Q S fsfz Con brio [ C = 126 / C O 84 ] Q Q Q

Clarinets 2, 3 B∫

Soprano Saxophone B∫

S

S

SYDNEY HODKINSON

Q Q

T

>g .g T > . Y T C C YY CC T Y C C Y CC > . f >h .h Q Q

Q Q 7

34

T Wh C mf

S

7

Q

3 4

4 4

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

"

Bass Trombone

# Q

Q

Q

Q

Q

Q

Q

Euphonium

# Q

Q

Q

Q

Q

Q

Q

Tuba

# Q

Q

Q

Q

Q

Q

Q

Double Bass

# ]

3 4 !

Piano

!

S

T

f

S

C C

Ch

h

8va

T C d

h

-C

YC mf

h

C C

C h

YC C

pizz. (sul E)

S

S

T

g C

Àg

C> mfsfz

C jh T U T S

C

À C

Àg

S

gi T U T S

C = 126 / C O 84 ] Q Q

3XA 4 X YY AA A

]

Vibes (hy)

[

3 4 !

Percussion 1

-C

!

S

sim.

T S

T

À

S

C> O Q

Q

Q

#

Q

S

À h

À À

À

C C

44

Q Q

h

C

T

43 Q

34 Q

C C

f d C C C

C

YC

C mf

7

. CYC T h

g T C C C. mf

Q

44 Q

43 Q

Q

Q

Q

44

Q

34

Q

!

Q

Q

Percussion 4

$

Q

Q

Percussion 5

$

Q

Q

Q

Q

$

Q

Q

Q

Q

Q

S

Percussion 3

(hy)

f

h T

C C

C

C C .C h T h T

YC

XYL (hy)

Q

Q

W .C C. C. f g Y C .C Y .C S f Q

!

Percussion 2

]

T WC > f

Q

> >.C . W C T T W .CC h h h fsfz X C W .C W -C .C . C _ T h_ fsfz> TAMB. . S S T C h mf sfz Q

MBA

Percussion 6

44

Con brio [

[ #

Timpani

Q

8va

T

Q

Q

Q

-C

Q

Trombones 1, 2

43

h

Q

Q

(1º - take cup mute)

>C . C

T

WC

S

g

S

mf

.C > W .C h h T T

YC

g

mf

WC

S

g

>. . C WC T

g g .C Y C. T S Q

WC

g

> T W .CC S h R

T

g

C. .C T h mf XC

h

dim.

Q

Q Q

Q Q

Q Q

Q

C C

C. .C


2

>

[

C C. W -C W C . W -C X C . WC WC T T h h mp f . > . T W C C -C W C C. W -C W C W h C T h mp f -C W -C O S T WCO h mp f mf Q Q !

Flt. 1

!

Flt. 2

!

Picc.

Obs. 1, 2

!

E.H.

!

Q

S

Q

S

S

Q

S

C h T Q

S

f sfz

Q

Q

-C Y C .C T S T h h mp f .C Y -C .C C.C Y >C Y -C T h Y .C h h h h mf . . T >g . Y C Y C C Y C Y C Y C Y C . C Y C Y TC Y C Y C Y CT T Y C C YY CC Y C Y C Y C -h .h h> . . - . mf T -C S T S C W C- O h mf Q Q ! !

Clt. 1

Clts. 2, 3

!

Bs. Clt.

!

C.B. Clt.

! #

W C .C W C C . -

S

YC S

-

Y T C CC -h

> . X -C C T C W C W .C h

Q

Q

-

> Y .C

Q

g

g Y -C Y .C T

f sfz> -C X .C W -C . W C C T h fsfz> . - Y Cg T S Y C Y C C YY CC .h T S - > fsfz C T S S h f Q Q

Bsn. 2

# Q

Q

Q

Q

C.Bsn.

# Q

Q

Q

Q

Sop. Sax.

[

]

T Wh C T Wh C S !

as 6 8:

W .C W -C h

X .C h

W -C

X .C W -C h

S

T W -C mf

W .C h S

-C

! WC mf

Alt. Sax.

Ten. Sax.

Bar. Sax.

!

W -C T T -C S h h

Q S

] !

W >C .C W C C . Y .C h T S S

X .C W -C h

W .C C

W .C C Y -C T h mf S

C

Y C> Y .C >C h

C Y -C h

> W .C X C

>. -W C W C W .C T C h T h fsfz mp Q >. YC Y .C Y -C h T S fsfz Y .C Y -C C h T S f

Q

Q

Q

Q

Q

Q

Q

T Q

Q

Q

Bsn. 1

>

S

C

S Q

S

12

W -C W .C T h fsfz> g . WC C C- g T W C. fsfz> g . WC C g W -C C T

Q

> . C Y C Y -C Y C Y .C

E-flt. Clt.

> X C.

g

WC

> >g .g T Y C Y C T YCC C T C >h .h > mf g T T g C> Y .C (Y) C> mf Q

Q

XC YC .

.

C.

> >g . Y C Y C T YCC C C h > . > T g C> Y .C C> T

> . . . C Y CC Y C Y C YC C C > . . . .C Y .C C> C. S

Q

S S

S

Q g T Y C.

S

Y Y

g T C.

>C .C . YC T h > Y .C g S YC T YC . mf . T .C S Y C T h mfh

g T g S C. Y C. T g T g S C. Y C. > >C . Y C .C T YC h T h > . S Y .C Y C Y h C T . T .C T Y h C S h T

Hns. 1, 3

Q ! !

cup mute

"

>C O

Trb. 1

mf , stinging (pizz.)À >B O ! ] f

Dbl. Bass

(Mba.)

[

!

Perc. 3

$

Perc. 5

]

$

W >C C h

>C O

Q

W >C C h

W >C >C

À>

> W .C C

S S

S

S S

S

S

> . Y .C C C

C W .C

S

Q

Q

Q

Q

Q

Q

Q

Q S

S

. C> .C >C C R p > .C C> .C C R

> . X .C C

f

molto

f

molto

> . C Y CC C > . >C >C

Q

h T S fsfz

Q

Q Q

Q

à2

(mute out)

Q

S

S

44

C> sfz Q

Q #

44

Q

C

W -C g

Q

W .C T h

-C

WC

ph

C. C. h T T h S mp p Q

.C T S

Q C C

h

S

.C T S Q

S

g

>C

Q

W -C . _ WC T h f >.C C T S h fsfz (hy) Q

[ to Toms ]

Q Q

C- C. f

0

C C B p

X C- C.

C YC B p

X C- C.

Ì

molto

Q

-C Y .C

T -C B h mf sfzp

43

molto

Q

Q

Q

Q

Q

Q

Q

Q

g . >C . C C T > h

>. .C . . g C C C C. T > mf Q

T C

34

molto

0

Q

4 4

34

C- .C f

Q

> g T C. C. T C C. > h mp

3 TBLs

f

arco

12

g

f C- Y .C

C. X C> B sfzp

Ì

WC > sfzà S

f -C Y .C

C. C B > sfzp

Ã

S

C- Y C. f -C X .C

C. C> B sfzp

44

-C C. f

sfzp > T C B h sfzp

> . X .C C

à2

Q

p > . R CC CC > . R p B

sfz p T g C B p C Y >C B

mf

Q

BO

Q

C >. C. mf

S

R

Q

.C T

mf

Q

Q

À>

BO

p

molto

. . Y C .C h C T Y h C T > f> S S Y .C C.

Q

Q

>.C

h

. Y >C Y .C .C Y C

12

Q

Q

> T .C .C T S h mp h W -C (Xyl.) S T h W .C T h f 2 WBLS. . (hy) . T C T hC S h mf Q C

!

Perc. 2

Q

Q

Hns. 2, 4

Perc. 6

Q

f S

34

Q

>. . YC Y CC C >. . f molto Y C. C. > f .C> C. f . Y . Y C C -C

12

[

> . X .C X C

Q

> . Y .C C

S S

Q g C. mf T g C. mf > T C h mf

.g C T C T .h g Y .C T

S

Q

Q

T

S

44

Q Q

#

3 4


3 16 Raw, pesante

[

Q

Q

Q

Q Q

Q

Q

Q

Q

34 !

Flt. 1

Flt. 2

!

Picc.

!

Obs. 1, 2

!

-g

Y CC T T CC -h T T -h f molto -C ten. -C h T T h f molto ten. -C T T -C hf molto ten. h Q S

S !

S

E-flt. Clt.

!

S

Clt. 1

!

Clts. 2, 3

!

Q

Bs. Clt.

! #

E.H.

Bsns. 1, 2

]

-g

-g

-g

S Y CC T T CC -h T T -h S sempre sim. -C -C S h T T h

T

T .Òh ^.C T h ^. T hC

sempre sim.

-C T T -C h h sempre sim. Q S

.g ^ CC

.g . CC C g Y T C T .h .h .C . YC T h h C. . T h hC T

Sop. Sax.

Alt. Sax.

!

Ten. Sax.

Bar. Sax.

!

f

Q T

f

Q

S

34

Tpts. 2, 3

!

S

(à2) as 6 8:

Hns. 1, 3

!

f

! "

Trb. 2

#

Bs. Trb.

#

Euph.

#

Tuba

#

Dbl. Bass

#

3 4 !

34

]

Pno.

#

]

!

Perc. 1

Q

S

S

Q

Q

Q

Q

Q

S

S

#

Perc. 4

$

Perc. 5

$ ]

S

S

g g T C- C T C-

g g C- C T C-

>C O

T

g g C- C T T

T h

C

sfzp

C C-

Q

-C h T mf ten. -g CC T -h T mf ten. C. C -

T h

-C

S -g

T CC T -h .C C

h

-C

T T h

-C

-g

-g

CC T T CC -h T T -h sempre sim. . C. C C C S

C-

C-

T Cg >

78

. . T hC T hC T .g T .g T CC T CC .h .h C C. - C

C

T -C h

Y C- C C C- C C T T C S hsempre sim.h

T -C h

S

T Cg S

sfz> C -C .C C C C. h sfz> . -C C S C C f sfz

S S

C. C -

78

Q Q C C . C-

>. C C YC sfz

C Y C. C-

C C

C Y C CC. C. . T YC T C S h h

C T T C hsempre sim.h g g YC T T C

. . T Yh C T h C S T Y Cg T Cg S . .

YC T T C h h sempre sim.

T Y .C T .C S h h

sempre sim.

T -C h S

Q

Y =-C T T =-C h h f ten. -C CC Y CCC S Y C T T C h h f-C CC S Y Y C C T T C CC h h S

S

sempre sim.

T Y .C T C. S h h . Y CC T Y CC T h C. T Y Y C CC T h

C CC YY CCC T T CC h h sempre sim. CC C S Y Y C C T T C CC h h S

.C C h

CC S

.C C CC S h

Q

Q

34

Q

Q

Q

YC

-C

T C S h mf sonorously Q Q

34

sempre ten.

C

YC

C T C S h Q Q

X CC h

C C T C T T C h h

Q

Q

C-

T -C ph T Yh C p

YC C C C . C Y C C .C Y C YC

C-

Q Q

Q

78

Q

78 Q

78

Q

34 Q

C S

Q

SO (tamb.)

Tom-Toms

S

C C C C C C C C . .> p poco mp sfz

h

S

3 4

-C

C-

g g C- C T T

C-

S

-C

Q

-g

T T h

-C

CC T T CC -h T T -h

S -g

h S S

C. C C C. -

Y C- C C Y C-C T S h ( mf ) -C T S h ( mf ) S Y Cg T ( mf ) S Y -C T h ( mf ) Q

Q

7 8

S

58

g g T C- C T

g g C- C T T

C-

C.> sfz

[2•2•3]

Q

g g T C- C T

Q

Q

43 -C

Q

Q

Y -C T T Ch h

34

[2•2•3]

S

Q

Q

Q

-C -g

CC T T CC -h T T -h

C

Y C- C C C-C T T -C S h h -C T T -C S h h T Cg S Y Cg T -

( = ) Y -C T T Ch h f -C CC Y CC S Y CC T T C h h f-C CC S Y Y C C T T C CC h h

C

S S

58

23

Q

Q

58 Q

34

Q

Q

C

YC S

C T C S h .C T T .C h h mf Q

C

C T C S h . C T T .C S h h (TT's) g g S C T T C ( mp )

YC

58

fWC

T h

T

. T hC T

> . CC C C > . > .C C h h > . C C .C T h .g T CC T .h g T C. .g T C T C .h

->

->

CC T >C T T

g CC

-h

C

T hC T hC

S

h

C. -C .C C .C T S

h

.C T

sim.

h

.C T S sim. .C T h f X .C T T .C T -C h h h f. XC T S S h f g g g X .C T T .C T -C f g g g CX C T T CC T CC . . f -C -C C C C C CC S h T h T h

3 4

SC

$

.C

f

.C

. CC T T CCC T CCC h h h

23

(hy)

43

-C mp

(small)

T C C C C C C

-g

.C T .C T h f .g now stacc. .g S CC T CC T S T h T . f .h .C - .C -X C C C

34

. Y .C X C T CC -C f T .C T >C __

T

now stacc.

f

Q

Q

T

.C

crisply

T Y -C T -C T h

58

f W >C

crisply

Y C C .C Y C Y C.

Q

T h

T hC T hC C. >C C. C

X -C

T Y C T Cg T > C YC T C

5 8

W -C

34

[3•2]

43

>

.C

g g g W C. T T C. T Cf

T -C T S

T Cg -

-C CYY CCC T T CCC h h -C C-C S Y Y C C T T C CC h h

S

f

C. Y C- C C Y C T -C T S

T -C h

S

34

T -C T -C T h T T g T T CC T CC T -h C. C- C C Y C

T -C h

Y -C T T -C h h (as solo) Y -C S T h mf Y C- T T Ch h

S

S

-g

23

C X .C C. C C p > C .C T C p C C C C- Y C. p. - . T -C .C C C.

[3•2]

C. C C C. C-

T -C h

-C

T T h

S

> f -) C T T h (f) > .C WC .C (f ) S h f .g S CC S f .h g T T XC f .. g T T XC T T f X .h C

Q

Q

h ff .C h ff . C h ff . CC .

(

Q

à2

S

CC

Q

[3•2]

C C C.> sfz C C >.C

C .C CC C C

Q

sempre sim.

S

.C f T

g

Q

Q

[2•2•3]

Q

Q

-C T T -C h h Q S

Q

[ to small SC ] (Mba)

Perc. 2

T -C h

Q

16 Raw, pesante

[ #

S

T h

Q

Y C- C C Cf openC T S h mf ten. -C T S h mf ten. S Y Cg T mf ten. S Y -C T h mf ten. Q

Trb. 1

[

C-

S S

-C

34 Q

58

-g -g Y CC T T CC -h T T -h -C -C h T T h

Q

(à2) as 6 8:

Hns. 2, 4

Timp.

S

S

-g

T CC T -h

Q

Q

!

Q

Q

16 Raw, pesante Tpt. 1

Q

Q

] ! [

S

T

Q

-g Y CC T -h T f ( -) C h T (f) -C T h (f ) Q

S

Q

Q

Q

T C-

S

Q

Q

g g T C- C T C-

Q

Q

Q

Q

34

!

Q

T

16 Raw, pesante

[

34 Q

78

.C

23

[3•2]

[2•2•3]

C.

C T C T h

w. stick

34

S

C C- . -C

h mf Q Q

[ to Snare Drum ] BD

C

g T S

mf only

S


4

Flts. 1, 2

!

S

!

S

!

> . -g g CC T C C T C C T C T h > . -h >C .C S S

Picc.

Obs. 1, 2

!

E.H.

g CC T CC h T -

.g C T C T .h

C T -C h

.C

g C T C T h

Clt. 1

Clts. 2, 3

!

Bs. Clt.

!

C.B. Clt.

!

S

g T g T S C C. Q #

C.Bsn.

# ]

-

-C S

S

XCC S

X -C T W Cg . X -C

. T hC

. T C h

> T W .C S h h

>.

C T

T W .C -C h

T >.g S TWC S .>h T g S W .C>

.g> T C T .>h g T .>C

T .g T WC .h T W Cg .>

Q

>.g

Q

C T C .>h T

S

S

S S S

T .g T CC .h S

-

CC S

S S

T C S C T .h S >

S S

S

Q

S

-g

-g

-C

C h T T h

T hC S

-C -C h T T h

-C T h S

-C -C h T T h

-C T h S

-g -g CX C T T CC T T h -h -

-g T CC S T -h S

-

g T g T CCQ

g T T g CCQ

-g T -g T CC T CC T -h -h Q

-g T T -g CC T T CC -h -h Q Ì

>C W .C (W ) C T hC ! h T

C W -C h T

Sop. Sax.

(W ) C T W >C .C T -C h h

-C

[

Alt. Sax.

!

C T h

(W ) C ! h T C> C. S g g ! (W ) C T W C. T S ]

> T W .C S h > T W C. S h

[

C T -C

Ten. Sax. Bar. Sax.

S !

Tpt. 1

S

Tpts. 2, 3

! S (à2)

Hns. 1, 3

C T

! h

(à2) Hns. 2, 4

!

C T

Trb. 1

"

Trb. 2

#

Bs. Trb.

#

Euph.

#

Tuba

#

Dbl. Bass

#

h

T .C h T .C h C T h

h

T C .g T C -g T hC T hC . -

g CC T CC h T -

C C. T -C > h T g C C. C> C. T S h .C T S h .C T S Q

]

g g C T C. T S g g CC T C C T S . .> C CCC S T h T !

Pno.

h C h

g T C. T

h

.C T

> T X .C h ( f)

C CCC h

C CCC h T >C T CC h

. T C WC h

.C -C C .C

> .C > .C T Wh C h T C

> T W .C S h > T W C. S h

>.

C T T .C h

-

S

à2

T .C CC h T g CC. . C T S h T .C S h Q >. S C T h Q

S

S

. T C S h T .g S T CC S .h

CC -

-C

T .C T h S T .C T h (ten.) -C T -C T S h > h T C. S S h g g C. T C. T S g g CC T C C T S . . .C -C CC C CC T hC S T >C >C CC T T CC S S h h

C CCC S

-C T T -C h h -g T T -g CC T T CC -h -h g g T C C. T C C. > > g g T T C C. C C. > > C T S S

.C C C .C .C C C .C

-C

g 29g C [ = C ]

S

. W >C C S

C-

S

h

h

h

-C

C T S h

S S

-C T -C T h- hXC T C T h h g g C- T C- T g g CC T CC T . . -C C CC C CCC h T T h

S S . C CCC h

S

S

ten.

S

-C T -C T CC CC h h

ff

[

]

(sm. SC)

S

$

Perc. 1

Perc. 4

g T g T S C C.

]

$

. T hC T hC Q

Q -C .C .C C TU T h h T Q

Cmf S

C. T .C Ch S

.> T Wh C sfz> .g T CC T .h > sfz T .C -C .C S h

T -C S h T g S C T C S -h

C. C C C. C> C. T C- T C. sfzT h h h .C T -C T .C T h h h -C T T -C S hh C T T -C S h h g T T g S CCg g C-C T T C-C S >. C CCC C CCC T h S T h sffz -C T T -C S CC CC h h

-C

S

Q

T hC

C-

C-C

C.

g T CS CC-

-

T hC S

C h T T h Q

Q

-C

>. T hC f sfz

C. -C h

ff

Ì

[ #

Timp.

CO 84 ] -C =X c. C. -C C. h h

68

> T C W .C -C C .C h

[2•2•3]

Q

78

T Y -C

S C-

mf

Q

34

cresc.

T -C C T Y -C h h

Q S

C. h

.C X .C -C h h ff g g T T C T T C . .

Q Q

Q

g T C. S T

SO SO SO

g S Y .C

Q

g T C- S ten. T g S Cten. T -g S T YY CC S -h

SO

ten.

SO

T

g S

Y -C ten.

-C T

g sim. g C CC. Cmp ( > ) g SO C Cmp ( > )

Q

g S C. T .g S YC TY C S .h

T C

Q

. > .C C C h T sfz> . .C C C h T sfz >.C C. T C h sfz T Cg S .

[2•2•3]

78

-C

-

T T hC

C- C. g C- T - . YC Y CC T -h g T C-

T T -C C T Ch T C T C-g -g Y C C YC C T C T C

C. -C

C C. -C C C. -C

C .C T -C C C

34

T C-

C C. -C

-C C mf cresc. .C -C C .C -C S

T

Q

Q

34

78

68 Q -C

Y .C -C h g Y C C. C-C Y .C -C h (f) -C .C -C h (f ) T T .C T h T T Y .C T h T T Y Cg T . pizz. g 6 T T Y C. T 8

h

.C

.C

C Y C CC Y C -C

.C

C Y C -C

T .C h T C. h T Cg . T Cg .

T .C S h T Y .C S h T Y Cg S . T Y Cg S .

h h

Ì

[ to Vibes ]

Q

T T -C h T T Cg T T -C h T T -C h SO -C Y .C h

C Y C -C

g C.

. . T T CCC T T CCC h h .C . Y T T Y Y CC T T CCC h h g g [ C = C ] 29 [ C O = c.g 84 ] g T T C 68 . Y C- Y C. mf Q

68

Q

7 8

78

S

T C-

3 4

SO

S

T C-

SO

.C -C h

C T Y C g -C T . h Y C YC

C-

78

Q S

SD

(snares off)

S

as 3 8:

T T C C mf

Ì

34

g T T

68

.C -C

C-

h

g T T

h

.C -C

.g g CC C CC T (3º) .h mf - cresc. C Y .C -C C -

CC

-

.C -C

C Y C. CC Y .C -C

C. C .C -C

C Y C. C- C C. C> C Y .C -C C .C C

C .C -C

.C -C

> C .C -C C .C C

T

g T

g S

T Yh C S (f)

arco

3 4

h

C .C -C C .C -C

. T CCC S h . Y T YY CCC S h

C . YC C-

g Y C- T Y -C T h . Y CCC T h Y .CC T YC h

Y -C

T

-C

T -C T

6 8 68

Q

68

C C C. C C C C C. C C

T C-

g YY CCC T T Y CCC C T T hg g Y CC T T CC T T CC-

Y C- C Y C. C-

g

T C-

6 8

.C -C

g Y C. T CY -C C C h h C-

[2•2•3]

78

.C -C

C Y .C -C

34

SO

-C

mf cresc. mf cresc.C C Q

(2º)

68

g T C-

S

YC T Y -C S h T Y Cg S

SO

. T CCC S h . Y T YY CCC S h

g S

X C-

[2•2•3]

6 8

T Q

T -C C T C h h

T Y -C

-C

T C

Q

Cmf cresc. Q

T

Q

68

Ì

[

g g T -C C T T C C T C C. -C > . > h h g T g T g T T g S S W CCW CCS

-C S

. T Cg T hC .

Q

CC T .CC T S C C h h #

C T

> . > . T C Wh C T C C h

C T h

h

T hC hC T

>. h

. T C T C h h

. T hC W C

Ì

68

T h S T CC S T h- S

S

S

T -h S

CC T T CC h- T T h -

Q

.g>

CC -C

h T T h S

T

-C

g-

.C

T h

-C

S

-g

CC T T -h T T -h

S

.C

.g T CC T .h

-g

CC S

T .h T h

-

g C>. T

.g> T C S T hC S .>

T

-

. T C h

g T .g T S C T C T S C C h .h Q

Bsns. 1, 2

CC

S

C T -C h

.g> T C C T CgC T .h T -h > S

. T Cg C T .h -

T W Cg S >.

W >C .C T -C ! (W ) h C T h >.C -C S T T h h !

E-flt. Clt.

T h

CC S

-g

.g CC

-

Ì

S

[

.g> -g C T C T CC T .>h T -h .> T hC T hC

g g >.g [ C = C ] C C 29 [ C O = c. 84 ] T Q T .>h sfz> .C T h Q sfz> .g T CC Q T .>h sfz> .C T h Q sfz> X .C Q T h sfz X ^.C T h Q sfz .g^ C T C Q T Ò.h sfz g g T ^g T T T T X C C . . W .C sfz T T g T T g X .C C. ^.g T C T T .g T T .g T hC T T YY CC T T CC .Ò .h .h sfz T T g T T g Y .C C.

h

-C T g -C T g Y C. h Y C. > > Q > > C C C. C C C C C C C sfz sfz


5

Flts. 1, 2

[ !

Y -C

!

T !

SO SO !

T

Picc.

Obs. 1, 2

E.H.

T

! !

Clt. 1

ff T YCC -C mp

T Y -C T

g C. Cg C. C

E-flt. Clt.

-C

h h

Q

34

ff -

g ! C. T ! C. T .g # YC T

Bs. Clt. C.B. Clt.

Bsns. 1, 2

C

.C -C C

] [

Sop. Sax.

!

Ten. Sax.

!

Bar. Sax.

] !

CC C C

C

.C -C

C

C

.C -C .C

T .C T

YC f -W X CC ff

> C

.C

C

W Cf

C-

-C

35

C. C

C

p sub. -C -C C-

C. T C C-

34

-C

S YC f -

35

34

Tpt. 1

Tpts. 2, 3

Hns. 1, 3

Hns. 2, 4

Trb. 1

Trb. 2

Bs. Trb.

Euph.

Tuba

Dbl. Bass

T CC C

# Y CC C

T Y CC YC

Pno.

! Y CC YC

Timp.

[ # C

[

]

YC C

T Y CC C T YC mp T CC T C

34

C

3 4& (take sy) Q

34

Q

#

(Mba.)

Perc. 2

C YC f

Q Q

!

Perc. 3

molto

YC Y C-C

Y CC

h

S

(Y) C> h

C h

>g

C

g

C h

S

f g T S

Y -C

C T

h

Y -C

C T

h C

-C T

h

Y .C T h sfz> .C T h sfz (X ) >.C T h sfz

S

T Y .C S h f T .g S T W CC S .h f

Q .C T

h

CC h.

T Y .C S h

.g T T

h

.g S

T

.C T

.g T CC T .h

T W CC S .h

Perc. 5

$

> > > C C C. C C C C C C C C f sfz Q

Perc. 6

$

Q

(BD)

pp

C

C Q

C mf

> T CO

WC

BD (mb)

-B mf

T

gl.

-C

Q

Q

Q

Q

5 8 S

5 8

Eπ ]

Q

T

C> O

.C h

C

W .C T hC S -C O C

h

T -C

.C

C h T

S B-

T

Q (à2)

Q

(à2)

>.C

5 8

W -CC h

C> O S

BB OO BO BO BB OO

38

43 CC

Q

T

T CC f

_

34

g CC mp

CC OO T C -CC OOO f __ C

C CC

C

_ CC _ OO Q

C_ C-

g

g CC T h

T WCO mf - sfz T W -C O mf -> sfz T .C S h mf> T W .C S mfh "

C T h

-B

S

sim.

-

B B -

[ take str. mutes ]

S

C-

C W -C C C. S p C-

C W -C C C. p Q S

S

Q

Q

Q

>O T C mf Q

Q S

S

Q

)

S

(

Q

)

S

T

(

g CC T S &

T hC C-

C

= CC OO mf T CC OO C- O T W CC OO C- O

S

Q [ 30": E

-O C CC T T C CC OO h mf g CC T S S p Q

C CC S

D]

Ì

C CC T T C CC h ph mf _ T CC OO mf Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

[ to WBLs ]

Q

T CC ->h >T Wh C

[ take str. mute ]

sim.

S

g CC T S p

BB OO

3 4 !

T

[ to TBLs ]

g

T CC Cfg T W CC C-

T -C O ppT CC OO pp-

S

(sy: à3) Vibes

Q

h fsfz & Q

S

Q

34

43

T Cg X Cmf

T

S

Q

Q

(sy)

S

S

T CO -C O mf T C- O mf

S

>-g

C- O mf

Q

Q

= T Cg Cf

T

T

Q

Q

T

S

Q

T

S

S

g T S C

-C C

Q

Q

Q

g T S

CC

T

Q

Q

Q

C

38

T

[2•3]

Ì

> T X .C sfz .> T C T WC .> sfz

W C-

T

W >C O T T C mf g T S S g

S

S

Q

Q

S

S

S

Q

Q

58

S

S

S

Q

34

Q

Q

g T S CC T S h

> T -C h

S

Q

Q

S

h

S

Q

Q

S

C T S

>T C h

S

Q

Q

gl.

S

>

38

T T

Q S

W .C T hC S f (stick) -C O S mf Q S

W CC T .h

-C

g C C C C OO C C h g g C T W C- O Cg T g C C- O Cg g CC T CC OO CC g T g C C- O C-

T T

T

C -C O h

T T

T

.g T

W -C

(my)

Q

X -C h

Q

S

g

Y C-

Q

Q

[ to tambourine ]

Q

Q

W -C f g T S W Cf

$

Q

Q

C-

Q

Q

Q

g T S Y Cf Y -C T S fh g T S

SC (med.)

Q

Y .C T h

> T CO

S

Q

W >.C T W -C h h Q

C

.C T S

Q

Y >.C h T

> T CO

h

Q

S

-C

mf

>C C> .C T h

Q

.C

> T CO

X -C f W -C f

#

58

S

h

T hC

Q

[2•3]

[2•3]

Q

mf

.C T S

Q

. -C W -C W C f pulsing > . - . W X CC W W C C W C W C C X C C > . W -C . f pulsing S T T WC f S T T Cf S T T C Cf S T T Cf

58

S

Q

Q

g YY CC C ff

Q

>

Q

34 Q

WC

Q

>C C> .C T h

à2

Q

58

T CC CC T h h -

W CC

T

> (Y) -C T h (Y) -C > T h >-C T h

X -C

38 [2•3]

Q

S

Y -C

[ 30" E∫

(SD.)

$

Perc. 4

]

S

C YY CC-

>C.

g

.g> g T T CC WC W C C C T T .>h h sfz >.h Q g .> Y .C> YC C T T h h sfz> Y C- O C. T h sfz >.g Y C T XCO C >.h sfz Q

35

Q $

Perc. 1

T C C-C

S

S

Y -C

f

S

C

>h

>h

g T S

f

C-

. C> .C >C Q ! hC h sfzf sfz .g > .g > Q C ! CC CC CC C h. > > .h sfzf sfz (à2) > .C . Q ! C YC C C C ff (à2) Q ! C C. C- C Y C> C. ff -C g . . " C YC C C C C C C XC h ff p sub. C # C Y .C -C C .C T C YC ff p sub. g # Y .C C Y .C CC T YC XC h h ff p sub. . . T # YC T C C C C C YC p sub. ff # g T T T C. Y .C CC YC C ff p sub. g # .C T Y .C T C 3 C T YC C 4 ] p sub. ff [

C

XCO -

g T S

S

C-

h

C

Q

>. g

g> C

-

g T S

S

p sub. -C -C p sub. g C T Cmp

g C

T CC CC h h

g C T YC C-

.C C>

YC f-

Q

C

(à2)

S

C

SO Q

S

molto

g T

g

f

molto

C

WC XC h

S

CC CC

C-

C h

C molto

C-

T Y .C T

!

Alt. Sax.

T

C C

g>

X >C. X C h sfz

W -C O C T WCO h C

Q

WC T T C T T S ff >h Q g >. S YC C T T h ff Y C- O S

molto

T

C.

molto

.g

Q C

C. C

T

.C #

C.Bsn.

T

YC C

Y CC .h

h

ff

Q

mpg g ! C C CC CCSO mp .

Clts. 2, 3

S

g C C Y CC h

C> C

W -C O WCO

35


6

> C C .C h T

[ !

Flt. 1

S

C >C g C. T S molto dim. >C . C T h h T S ! !

Picc.

C .C S

S

molto dim.

Flt. 2

>

S

Q S

molto dim.

> C .C S

p

>C

C. S S

44

>C . C T h h T p

Q

S

Q

S

p

Q

Q

T g T Y CC f h

!

Q

Q

Q

T

soli

> C C W .C h .C C h .g CC CC .h ! !

Clt. 1

Clts. 2, 3

! (W ) C

Bs. Clt.

!

C.B. Clt.

Bsn. 2

#

Hns. 1, 3

[

C

C C

C

Dbl. Bass

#

Pno.

S

S

T -C O B

Q

W W C CC W W C CC mp d molto dim. g CC T p

B BB

(Mba.) Perc. 2

#

Perc. 6

$ ]

BB

-C T -C T

mf . . mf g YC C T g X C OY C C CC Y C C T YC T h .h . X .C T .C T .C T S h h h Q

h

C. C. h mp Q

Q Q

__ Q

Q Q

Q Q

Q

Q

Q

S Q

S

S S

S

g C. T S

C mf

-B Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

[ 28": A

Q Q

Q

Ì

F]

44

g

CC C T

!

Q

R

44

Q

CC C

R

Q Q

Q

Q

W CC C

S

Q

Q

Q

W W CC C p

C

p pS

p

p

mf

YC h

S

-C T

mf

C CC

mf BO B

Q

B

C mp BO mp

S

. T Y -C C T S h h mf Q

T

Q

Q

T

Q

.C

Q

Q

Q

h

.C

Q

44

Q

Q >C C . T h Y C .C .C Y C f solig S T YC C f . . C. Y -C Q

Q

mp p. YC

. .Y C C C Q

Q

Q

Q

!

T

l.v.

(Vibes)

Perc. 1

Y C .C C. Y C h mp . .C Y -C Y C h mp. C Y C C. Y C -C

Q

g CC T p BB

g T Y C.

Q

Q

soli

à à à T W Cg T Cg T Cg . . p. à à à T g T g T g W .C C. .C p Q

(à2)

g C>

Q

g C T p C T ph

g T

WC

g

fg Cf T

g T

C p Q

B

C

] [

B

à T WCO T Cg - molto dim. . à (à2) mf T T g W -C Omolto dim. .C mf C T S S h p g T T = CC CC OO mp

>C

g T S C T C C C h . . C C. C C. . g T S C

Q

W C- O Q

# (W ) B O BB OO

[ #

Timp.

T

S

C- O

BB OO BO !

S

S

BB OO

]

S

T

Q C

TU h C O TU TU g O TU CU C O U T T -h

S

! "

C T h

S

TU h C O -g TU C C O T U -h O

S

Q

Euph.

T (X ) Y C C -

Y -C O h -g X Y C C OO -h

>C . W C T Cg g T > W C. YC T C T C T h h h p g T g T g T (X ) Y C C T C C T C C T h h hp

g T

!

Hns. 2, 4

-

g C T C

]

T

g T C

#

C.Bsn.

Q

YC

C #

S T YC

C

!

Bsn. 1

T

T

Q

Q

E-flt. Clt.

f f

C C.

!

E.H.

T

S

>

soli

Obs. 1, 2

S

>C Y C .C h T

TBLs

g T YC B X C- B f sub. g _ T Y C_ B C> B mfsfz (my) g g T C C. S mf

C

C C

C

g

Q

S

S

T d

Q

T

g CY C T S . C. C.

!

S

Q

S g > T C .C mph

T

C C

g .C C. T .C C C h p

Q

44 Q

Q Q

44 h

C h

C C h

CYC mf molto d S g T YC C C T C C C h mf Q

4 4

CO

8va

C C

h

C h

C

4 4 Q

S

Q g C. T

YC h C-

44

h

pO C C

Q B C

C

C g

h

C

g

C T h

C

C

g

p

.C

Q

T h T S p

p


7

49

[

Flt. 1

!

Q !

Q !

Q

Flt. 2

Picc.

W >C

W .C h f. C h f W C. h f .g WW CC .h f. WC h f

[2•2•2•3]

S

98 S S

T

.C

W >C T

SO

44

.C . WC T h .C SO >C

T

W >C

T

!

Q

E.H.

!

Q

E-flt. Clt.

!

Q

Clt. 1

!

Q

Clts. 2, 3

!

Q

Bs. Clt.

!

Q

. SO C T C C SO S > . S T S SO >C . YC . YC T T R h f. > WC S W .C T h T W C W .C .C h f. > . > > . S W Cg T C W C W C S T W C W C T W W CC W C WC > . > . .h f Q

!

Q S

Bsn. 1

# Q

Bsn. 2

# Q # Q

C.B. Clt.

C.Bsn.

]

Sop. Sax.

Q Q

Ten. Sax.

!

Q

Bar. Sax.

] !

Q

Hns. 1, 3

!

Hns. 2, 4

!

Trbs. 1, 2

" Q

Euph.

" Q

!

Tpt. 2

!

Tpt. 3

]

str. mute

[ 25": B ∫

[ !

Perc. 2

$ S

(hy)

]

$ T

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

g g T S C- W C pg . T YC g T XC - YC - Y .C p . p - . S S X C Q WC Q

Q

Q

Q

Q

Q

Q

Q

Q

g W C. C- O mf Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

T XC p

g

g T C.

>g .g C WC T

Y .C T

g g C> Y C T S . g g T C W C. T > W C- W .C S R S R

mf . WC h T .g T W W CC T .h

g . T YC YC T X Ch f > Y C. mf Q > W C .C W C. T h T hC f mf Q

X Cp

C. S

T

g W C. T T

W .C T h

g C. > poco ( )

34 Q Q Q

S Y .C T h

Q

98

SO

[ keep mute ]

Q

Q Q

Q Q

Q

S Y .C T X -C h h T

SO

[ mute out ]

S Y .C T g T Y Ch S

S

SO

0 S W Cg T W Cg T .> . mf Q

(à2)

Q Q

[ mute out ]

. C. C T h

W C>

44

Q

SO

S

>C W C

g T W C.

Q

Q Q

Q Q

Q

R

Q #

h f

T

>.C C S

C C

h mf

>. C S h mf

C C

C

.C T

h

h

> C. .C T

T

4 4

9 8

R

f

C C

h

.C> T

C.

SO

Q C.> T

C C

R S

W >C

h

h

.C T

SO C

g

Q

Q g T S

S

g T S

S

CC-

Q

Q

#

T

Q

Q

non-stacc.

T

C

-g S

S

C S -mph

Q

Q

S

-h

C C

-g T

Q T

S S

S

S

Q

54

Q (hy)

BO

T

Q

T X h C W .C T h

BO

-C non-stacc. S S h mp open non-stacc. -C S S T hmp

Q

Q

BO

open

Q

R

BO

54 l'istesso tempo, quasi calmo

Q

T W Cg W C W C R . > . T

T

G.P.

34 Q

C B hp soli g relaxed swing T W C Wh C B p swing soli relaxed g T XC B p swing soli relaxed T W Cg B p

Q

Q

S

soli g relaxed swing WC

G.P.

[2•2•2•3]

(MBA.)

Q

TAMB.

WBLKS

Perc. 5

Q

9 8

D]

Q

(w. sticks) Perc. 4

Ì

[ take hy ]

$

Perc. 3

S

Q

[2•2•2•3]

Q

]

>C

44 Q

> S W C C. C W .C T > mf crisply

49

[ #

Timp.

T

C.

G.P.

S

Q

Q

> Y >C . Y >C . YC T Y C. T h Y h C T h mf str. mute > > > T W .C T X C .C T C .C h h mfh str. mute g g g > T Y .C T (Y) C Y C. T C Y .C > > mf > à2 0 T g T g W C g T C W .C W C W .C > . > mf crisply Q

!

C>

34

S

54

98

!

[

T

T

C.

54 l'istesso tempo, quasi calmo

l'istesso tempo, quasi calmo

Alt. Sax.

Tpt. 1

W >C

T WC >

Q

[2•2•2•3]

!

49

>C

> . > T X C W .C T W C W C W C. >C .C T S C> W .C . . W C T WC T h . T C W C. W C T T h >

g Y C. f S W .C h f S Cg . fg S W .C f

49

[

C

T

W >C . T h C h g g W .C T C WC > . .C > T W h C .C h > . .g WC WC C T Q

>

Obs. 1, 2

S

.C

.C> . T C

C C C C

44

Q W >C

C.

>.C

> T W h C .C T W C h > C. mp Q

T mph g . T C hC p h

T

ph

C. R

.C T R

3 4 Q

34

Q

G.P.

l'istesso tempo, quasi calmo

Q

Q

Q Q

Q

[ take my ]

Q

(scrape w. coin)

(SC)

Q

Q Q

Q Q

Q

T

-C B hmp S

BO

l.v.

Q

Q Q

Q

"


8 60 Flt. 1

[

Q

Q

Q

Q

Q

!

Q Q

Q

Q

Q

!

Q Q

Q

Flt. 2

!

Picc.

(1º)

S

T Cg mf

(w. saxes)

S

C

g C

-g . g C T C

S Q

Obs. 1, 2

!

E.H.

!

Q Q

Q

E-flt. Clt.

!

Q Q

Q

Clt. 1

!

Q Q

Q

Q

Q

g T -C T Ch mf > - . g T C T CC C C C -h - .> sfz mf C C. C. C- .> sfz mf Q

S S S

T Cg T C -h f T W -C h f > T hC f Y >C T h f >g T YY CC T h > f g T YC > >. f W -C X C T g C. sfz f Y C> > C. > .C -C T WC h sfz> f . C. -C C sfz .C C. h T

Q

!

Q Q

Q

Q

Bs. Clt.

!

Q

Q

Q

Q

C.B. Clt.

!

Q

Q

Q

Clts. 2, 3

# #

C.Bsn.

#

Q Q

T

h f

Q

Q

]

T

f

Q

Q

Bsn. 2

Q

T

[

-C

C- O

W -C

h

W -C O h

W -C

-C O

W -C

-C O

!

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

! ] [ !

Tpt. 1

-C C-C h

(W ) Ch h

Q

Hns. 2, 4

! sim.

"

Trbs. 1, 2

Euph.

#

Dbl. Bass

#

C W -C

-C C

W -C . T h C h W C- .C T h h -C W .C T h h

W -C C

h

YC

W -C

XC

g

W Cmf Cmf W Cmf C

g

T C g T -C S h T g T -C S C h Q

g g CC T CC T T CC h T h T T h

g

-C

YC

C-

g

.C

g

C. .C

C

Q T C g T -g S T C T CC S h -h Q

#

-g

Q

Q

Q

Q

Q

Q

Q

Q

S

Q

Q

Q

S

Q

Q

Q Q

Q

S -g S

C. W C Q

Y >C Y .C X .C X C Y C Y .C T h >W C . W .C C WC XC C . W C.

> .C

h sfz > > Y .C Y C C. h sfz> . > .g Y C (Y) C YY CC C Y C . > .>h sfz > Y .C Y C X .C h sfz Y .C h T S

T T T

Y >C Y .C Y .C Y C Y C Y Cg T .

T

Q Q

Q

S S

Q

>. C

h T sfz

S

S

S

S S

S

C

C C

C

mp mp

> Y C Y .C Y h C T mf . Y >C Y C -C T h mf S S

Q

C. > sfz C. > sfz

S

W >C .C W .C C W C . T C h f

Q

Q

g T Y C Y Cg > . ff T >g .g T WC C Y C YC ff h> .h T g g Y > C Y .C ff T g g Y C> Y C. f C W C > .C ff h C > g C W .C ff g T Cg W C . > f

S

à2

T

Q

Q

S

S

Y -C T h S

Y -C T h S

C mp WC

C C

mp

60

T

> . T p>g . T g C C WC WC S S > . mp T W Cg Cg T W C > . W C> . p mp Q Q Q

Q

T

Q

Q

T

Q

Q

T

Q T

Q T

Q

T

Q

T W Cg W Cg T > . f > T Y C X .C T h h f> C WC S fsfz C > S WC fsfz

T

> . > W C W .C T C W h C T h p mp Q Q 64

g g CC. W C. p g g T Y C- T C. Y .C h p . W T C T W C. h C h h mf C. W .C W C T h T h h mf T

g T

!

Q

Q

$

Q

Q

$

Q

Q

$

Q

Q

Perc. 4

Perc. 5

]

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q Q

Q

[ mute in ]

(à2)

S

(à2)

S

S S

C mp-

C

C W C.> fsfz

C-

C

C W .C > f sfz Q

mp Q

Q

- .> _C C

S

C __ pp Q

Q

_

Q

Q

Q

S

S

Ãg gà à T C- T C. .C T h mf à Ãg Ãg g T WC T C WC T . . mf Q S

mf

Q Q

as 6 8:

WC C W C mp espr. S Q

Q Ì

C. W -C C W .C l.v. sempre

À> WC

À T WCO > f rfz

pizz.

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q .C T .C T h h mf Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q S

64

Q

C T C T S C T C T S -h -h p Q

(tamb.)

Q T

Q

[ mute in ]

Q

$

Perc. 3

Q

Q

Q Q

T

Q

Q Q

Q

Q

Q

!

Perc. 2

T

Q

Q

Q

Q

Q

60

[

Perc. 1

T

Q

Q Q

T W -C h > Y .C Y C

Q

Q

-g

T WC T W hC -

Q

60

C. > sfz

-C T C T S h hg pC T C T S hp Q

T h

Q

Q

Q

]

-C

C.

W C- W C .> mf sfz

Q

C T g T T C C h h sim. g T T T C ! C C h h Q !

Hns. 1, 3

C -C h

g C. T

Q

sim.

Tpt. 3

C C h

!

Tpt. 2

C C -

h

-C

g

C-C

h f f

Sop. Sax.

Perc. 6

Q Q

Bsn. 1

T

W -C T h f

-C

64

W >C .C .C C W C W C. W C. f >C . . WC WC C W C W Cg T . f Q

S

> T .C h sfz Q

Q

!

64

Q .> . T C T .C C T h h h f Q Q

Q

S

[ to Glock. ]


9 69

Q

Q

>

Obs. 1, 2

!

CC

E.H.

!

WC

E-flt. Clt.

!

S

Clt. 1

!

S

Clts. 2, 3

!

Bs. Clt.

!

S !

S #

WC

S

C.B. Clt.

] [

Sop. Sax.

S

. CW C .> mfsfz W >.C C. T h > mfsfz C> T h f Y >C T h f > g T C T YC >h f > T C h f > T C >. f h C S mf sfz

Q

Q Q

Q Q

S .C .C

Y C. C S .

C. .C

S

Y .C Y -C .C T Y -C Y .C T -C C C h - . h . . . - . - . S YC C YC . S C C YC C S C T CC Y C C CC Y CC YC . . .h . . - . . g C g . YC T YC YC g T T C - . . Y C- Y C Y -C C. (f) g Y .C Y .C T YC C g T S - . Y CY C- C. S Q Q

as 6 8:

Alt. Sax.

Y -C

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

g C. T Q

Q

Q

Q

Q

S YC T .h Q

Q

Q

Q

Q

C. C C-

Q

Q

Q

Q

g T C C C T Cg mp Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

34 Q Q

(Y) -C

C. g T C.

Q

Ì

Y .C C- C .C -C

h

mpespr.

-C .C -C Y -C f C C- C C C f Q

.C

-C

.C

Y .C -C C

T S

24

Q C C C -

34

-C X .C S p C

Q

Q

!

Q

Q

Q

Q

Q

S

S

] !

Q

Q

Q

Q

Q

Q

S

T CO mp-

Bar. Sax.

as clear 68 :

69

[

Hns. 1, 3

Q Q

!

Q

Q

Q

Q

Trbs. 1, 2

# Q

Q

Q

Bs. Trb.

# Q

Q

Q

Euph.

# Q

Tuba

# Q

Y .C -C C .C

( mp )

À À>

! (W ) h C C O ]

Dbl. Bass

S

[ #

S #

S

X .C mf

T .C S h

Y .C T h

Q

Q

Q

Q

Q

!

Q

Q

Q

Perc. 3

$

Q

Q

Q

Perc. 4

$

[

]

!

Perc. 1

Perc. 2

$ $

Q

!

Q

Perc. 5

]

GL.

Q

C C C C C- C

C h

(soft mallet) l.v. sempre

S

Q Q

S

as clear 68 :

S

T

Q

Cmp

. Y .C C C C

Ì

g Y Cmp

S

C. C-

C C. C-

poco marc.

C mp

(pizz.)

C. X -C

Q

Q Q

Q C

g C YCO > Q

C

C Y >C O C

C Y >C O

(w. Euph.)

YC

YC

YB p Q

Q

g

C C- O

34 C

h

dim.

34

-C C C -C

C W .C C h

C- C C

C h

C h C h

44

C-

dim.

C.

C C. C

dim.

34

C- C .C C g g C C C C . Q Q

g C YCO > Q

Q

C

C C. C -

C

YC

C- C mp dim. - C C .C T Wh C mp dim. C C .C C C h dim.

.C C- C .C -C

.C -C

. -C C C h

C

Ì

Q (w. D. Bass)

C C mp-

C h

Q

C T U Y C C C. C g T p. Q C > >C O

Y -C C .C .C T h h p

C T Y -C

3 4

2 4 Q

3 4 Q

Q

Q

4 4 Q

3 4

2 4

Q

34

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

44

34

2 4 h

S

mp

h

h

4 4

69

Q

Timp.

34

Y .C h T S p Q

Q .C

Q

Q

Y .C Y -C

Y -C

Q

[ take mute ] (pizz.)

Ì

Y -C

Q

24

!

Hns. 2, 4

44

44

Q

Ten. Sax.

Perc. 6

Q

T g Y C- C. Y C mp Q S

69

Q !

Q

Ì

Bsn. 1

Q

>.g T WX C C S T .h S >

Q

24

Q

Q

!

Flt. 2

. Y -C C hC

C C C C C. T Cg C . YC C C mf Q

Q

Ì

!

Flt. 1

Ì

[

Q T

Q

Q

YCO Q

Q

Q

S

T

Q

Q

CO

XC C

Q

Q

C

C

Q

B

C

Q

g XC YCO

C

Q

Q Q

Q

3 4 !

&


10

73

[

34 !

Flt. 1

Flt. 2

!

Picc.

!

Y -C h T S p Y -C h T S p

W -C Q

S S

mp Q

Q

non stacc.

Obs. 1, 2

!

E.H.

!

-g W C W C T S W CC g T -h T S h T non stacc. g T -C T S W C h Y -B YC mf espr. Y -B YC

E-flt. Clt.

! !

Clt. 1

Clts. 2, 3

mf espr. YB YC WB W C mf espr. Q !

Q g S WW CC T C g T TWC T S h h sim. S C T W Cg T h Y -C C YC sim.

C YC YC C WC C -

Q

-C S

Q S

Q

C-

C T S

Y -C T h

g T S C T S C

T Y Y CC T -h

S

Y -C C T h h YC mp

h

h

Q

S S

S

!

C.B. Clt.

!

Q Q

Q

# Q

Q

# Q

C.Bsn.

]

73 Sop. Sax.

[

34

!

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

! ]

Hns. 1, 3

[

73

34 !

Hns. 2, 4

!

Y -C h T p -C h T p Y -C h T p W -C h T p

S S

Dbl. Bass

!

g

XC T S

Timp.

!

Perc. 2

Perc. 5

]

Y -C

C

>

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Wsim. C W S h C T W CC T h S

g

S WC T g T C CC

Q Q

g T T pX C Y BB T p S

T hC

S

S S

T WC

g

78

C.>

h

Q

Q

[ hy: à4 ]

Q

W W CC p d

BB

Q S

W -C T W h C CC mp

Q

Q

Q

Q

Q

Q

Q

Q

Q

W CC p

.C W -CC W -CC C

g W C. W C-

58

W C-C

8va .C -CC W W C W C W .CC WW .CC W C

-

W C W C W C. W W CC . C

[2•3]

5 8 Q

YC XC YCYCYC h cresc. CC

(Mba.) (hy)

S

_

T W C __ W C _ mp Q Q

5 8

Q Y >.C C X .C Y C Y C f . W .C W .C W C

Y .C . YY YY CC W .C W .C

(SC.)(sy)

.C

T _C _C O pph (WBLs) Q

44 4 4

S

34 Q Q Q Q Q Q Q Q

Q Q 80

Y -C . YC mp Y -C . Y .C Y -C XC S

R

mp YC S T h Y .C T S mp h CC. S T h S Y -C mp

S

Q

34

R R S

Q

R

S

R À C

h &

Q

T

À> T CO R

^C CC

T S h fsfz ^g T S CC WC

l.v.

R

R

Q

R

Q 80

> Y Y CC CC T YC C h fsfz d . . YY CC X X CC h T T h S f >.C T S R h mfsfz g > .C T C g >.C .C C .C h h f

3 4

44

Q Y >C Y Y CC mf YY >.CC h T C CC

C

CC T R h & [ take my ] Q Q

[ to Xyl. ]

. T C .C p

43

34

Q S

34

80

R

S

T -C h

C S Y -C . mp Q

R Q

44

58

7 8

7 8

CC

g

Q

>.g WY C C T CC OO >.h T mf > .g T CC OO C T WC mf .h > g W C W .C .C W C. T > mfsfz (nat. harms.) À> (pizz.) Q 44 X C f

C

Q

suddenly relaxed > >. W W -CC . W W CC C T W C T h CC T h h mf g g g T T T W C -C CC C- W C.C .> >

>.C

-C

T WC p

78 Q

WW

Q S

58

Y C. T

44 Q

[2•3]

p S (2º) C

SO

"

Q

58 Q

78

à2

[2•3]

Q

78

Q

[ take sy ]

Q

> . Y C C C Y CC> Y C. . f sfz . g W C. X .C Y >C Y C T C W C- . W C> f sfz . W C. T g W .C X .C Y >C Y C W C> W Cf sfz

Q

Q

mf

T

Q

S

CC

T

Q

Q

g T

-g

Q

S

WC T h

YC XC -h f Y -C h f

Q

S

>C

. . CC Y CC YY CC . . C Y .C Y .C

. Y CC Y CC .

Y .C Y C (Y) C h

f

Q

S

$

Y -C .C h h T

-

Y CC -

C Y .C C.

f Y -C Y .C

Q

BO

$

- . YY CC Y C g Y C Y C YC .h

Y -C X .C

Q

scrape (SC.) (come prima) l.v. Perc. 3

g

.C Y .C C

Y .C Y C S

.

Q

S

Q

3 4

!

h

CC

S

X CC Y C W C - . f

Q

Q (vibes)

Perc. 1

-g

Y .C h

[3•2•2]

3 4

] [

> W W CC T S h f incisive g WC T S C>

73

[ #

h

Y -C

Y .C Y C

-

Q

Q

34

Pno.

C

. . . C C W C WW CC W W CC W C C W .C . . Q

[3•2•2]

43 !

h

Y -C

S

Q

-

.g C W C W CC (W ) C C .h . Y C (Y) C -C h Y -C Y .C Y C h

S

Q

Q

] !

C

S

Q

Q

S S

#

Euph.

T

-

Q

S

44

Q

S

g T S

(à2)

T

Q

W W CC -

Q

58

[3•2•2]

S

(à2)

XC

T

[2•3]

Q

78

-g .g W C .g T T W CC T W - h C CC T .h .h W C. S S h Y -C . Y -C h hC T Y -C . C Y Ch h T - Y C -g .g YY C C Y C C C T -h .h T -

C T S

S

S

Bs. Clt.

Bsns. 1, 2

-g

T W W CC T -h T -C h Y -C T h

h C

S

C mpW -C mf S S

YC YC

[3•2•2]

W -C

80 Y >C Y .C >C . Y . Y C YC T h ffsfz Y >C Y .C > T h Y .C Y C Y .C ffsfz Y >C . T h Y C Y .C S ffsfz R S S R Q >C . C . > . YC C XC T h sfz Y >C Y .C . > C Y C .C T h sfz >g Y CC Y C .C Y C . > . T C C h . . Y C YY C C > > . sfz S R S

Q

3 4


11

86

[

[2•2•3]

34 !

Flt. 1

!

Flt. 2

Q

34 Q

78 Q

Q

Q

Q

54

Q

Q

Q

Q

Q !

Picc.

[2•3]

Q

44

BO R

p

Q

Q

R (à2)

S

!

Q Q

Q

Q

Q

E.H.

!

Q Q

Q

Q

Q

S

!

Q Q

Q

Q

Q

R

Clt. 1

!

Q

Q

Q R

Clts. 2, 3

!

Q

Q

Q Q

Q

S

Q

Q

S

S

Y C- Y C Y C. mp mp g Y C Y C Y C C C C YY CC h h S

YC mp h

Y .C h T S S

Y -C C Y .C X C- Y C Y .C mf . . Y C C Y C Y C YY CC Y C (Y) C .h YY CC Y C .h mf -C Y C Y .C Y YC YC poco mf

S

Y C Y -C

g Y C.

Bs. Clt.

!

C.B. Clt.

!

Q

Q

Q

# Q

Q

Q

S

# Q

Q

Q

S

Bsn. 1

Bsn. 2

#

C.Bsn.

[

34

!

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

Y C-

Q

]

Sop. Sax.

YC mp

Y -C

.C

Q [2•2•3]

S S

S

. YCYC

S

Y -C Y .C S

T g Y -C ( mp ) T Y -C h ( mp )

Y .C h T S !

] [

78

Y C- Y C C Y C Y C- Y C ( mp ) T Y -C C Y C W C h h ( mp ) Y C Y -C Y C C Y C Y C YC YC

34 !

Tpt. 1

34

X -B O

fh

W C W C- B

S

S

mf

W -B O

S

XC mf

mf

B mf

S

54

S

R S

S

R

S

S

S

R

S

S

S

R

S

S

mp

B

sub.

R

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

] !

À

W C> O

>À À WC C h h

>C À

3 4

W >B

À

À> WC

(damp)

!

Pno.

!

[

]

!

Perc. 1

43 Q

34 Q

Q

78

Q Q

34

S Q

S

43 Q

34

Q

T C mf

Q

T

(

d

C-

Y -C h

>)

[2•2•3]

[ #

Timp.

34

Q

Y -C h

-> )

(

!

Perc. 2

Q

Q

h

54

8va

C C

h

Q

C-

78

Q Q

(V.)

Q

Q

Q

(mba.)

(my)

S d

(

f

C-

>)

Y C-

g T C C Y .C T S C C C C. h f Q

54

R R

> Y C> .C T hC Y >C Y C. Y >C T h > . YC C R C YC R > . >C . YC S

S S

YCY C . . Y .C T h

4 4

C

> Y .C Y C Y .C

Y >C

g

T WC > mf

> T WC WC h . W C> mf W >C .C > W .C W >C .C C T h h T >C . C W >C R T h R

>C . > T h WC WC R Q

Q

Q Q

Q Q

Q -C Y .C T Y -C T C h h - . -g -g YC Y C Y CC T Y CC T Y CC T T - . -h -h . . W T W C T T C T hC h h T Y .C T T X .C T W -C h h h > T WC WC h . C> Q

h

T R Q

h

C T R Q

C

W .>C h

R

g W C. T S S

>C

86

45 Q

.g WCC T S .h T S

S

C

p -C B C

44 Q

-C

C

Cg

g

-B O mp g C .C

C. T h T h T S h p Q .C

C

S

$

Q

Q

Q

Q

Q

Perc. 6

$

Q

Q

Q

Q

Q

(WBLs)

Perc. 5

]

-C B C

8va

CC

h

h

-C

g

WC

4

[2•3]

78

Q $

Perc. 3

Q

5 4 Q

&

S

(still muted) (non stacc.)

44

!

7 8

R

-C -C Y -C T T T S h h h mf str. mutes - (non stacc.) S Y Cg T T Cg T Cg S S S Y hC T T hC T hC g g à2 mf S g T T W Cg T W C C. . W .C > mf à2 S g T T g T g Y Cg . Y C. Y C> Y C. mute mf S T g R C W C> C. W C> W C. . mf Q 4

54

T h mf W >C .C T h mf g .C g .C> C C h T h T T

Q

S

Q

Hns. 2, 4

(l.v.)

S

. . T Wh C T h C mf -g > . S T W W CC YC YC S T -h > . mf fsfz> . WC WC S T W Cg fsfz mf >C Y .C T h T h mf Y >C Y .C T h h T mf mf > .g T g T YC YC YC YC R > . fsfz > T X C g Y .C X C > Y C> Y .C f sfz R Y C> Y C. fsfz > W >C .C S T hC mf fsfz > W .C > W .C WC T WC T h h fsfz . mf W >C C > T W C W .C T h fsfz mfh

44 86

Q

À W >B O

S

[2•3]

!

3 4

R

S pp C

Hns. 1, 3

(pizz.)

S pp

pp

sub.

!

Dbl. Bass

S pp C

Tpts. 2, 3

Tuba

86

C

XB mp B

Q

Q

Q

[2•3]

Q

mf

h T p C h T p

-C T Y C T h

mf

WB C WC

h T p C

-C T Y C T h h

f S

34 Q

78 Q

g

C T h X C- W C. W C.

[2•2•3]

Q

fh

Q

C

-C T Y -C T h

R

fsfz

Obs. 1, 2

E-flt. Clt.

>C . W C W >C

Y >C Y .C S R fsfz Y >C Y .C S R

(TBL.)

44

Q C h

Q

C T R Q

Q

Q

Q

Q

#

[ take my: à2 ]

S .C T T .C S h h mf > g S .C .C T C. .C T > h mf

R S

>. T h C .C C

C

g

>.C

.C R

g

.C

!


12 93

[

.C X .^C !

Flt. 1

S

R

fsfz W .C W .C^ S ! fsfz g ^ WC C ! T h S fsfz

Q

Flt. 2

Picc.

Obs. 1, 2

!

S S S

!

E.H.

.C

E-flt. Clt.

!

Clt. 1

!

Clts. 2, 3

!

R

C.B. Clt.

Bsn. 1

Bsn. 2

C.Bsn.

[

Sop. Sax.

Q

T >g T YCC >h T g YC > R

Q

. > .g T Y C Y CC CC T C . > .h g T C (Y) C C. > .

S

>C Y .C

C. .C

Q

C .

.

Dbl. Bass

] !

(Vibes)

S

! #

(Mba.)

S

Perc. 2

XYL. (sy)

S

!

Perc. 3

!

Perc. 4

(WBLS.)

Perc. 5

Perc. 6

T

p

Q

Q

Q

g T

Q

g T

-C

g T C>.

S

S

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

> .C Y C. Y C C C . sfz mp .C X .C .C> T YC C h sfz> .C Y C .C C. .C C sfz> .C . . C YC C C T h sfz > g . . Y .C C X C- Y C C h fsfz > . T .g . . C CC CC T Y CC X C . > .h . f sfz .

T T Cg .

g Y .C C- C mp g -C . . T C YC T C h . mp

R

C

R

CO S

T

g

YC B S

g

C

(à2)

S

34 S

S S

S S

34

[ mute out ]

[ mutes out ]

non stacc.

T YCO > fsfzp

Ã-

C Y -C C

Q

Q R

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

(mute out)

Q

B

T CO > fsfzp

C T T

Ã-

C S

S

B

h h mp sub. non Ã- stacc. ÃC T T C S Y C C - C h h mp sub. solo (w. E-flt. Cl.) C> C O C C h mf ( poco p sfz ) Q

43 Q

>C

h mf

Q > .C . X >C Y .C Y C Y .C S YC p mp g Y .C T .C C. S T Y C_ h p sub. .C T S h [ take hy ]

[ to

s]

R .C >C Y .C T _ h

Q Q

Q Q

> T Y_ C O _ mfsfz> pp > Y .C .C Y C S

R

g _ YC Y C Y C. . mfsfz p. (Xyl.) (hy) R T _ YCO mfsfzpp Q T !

Q

Q

R R

Q

Q

R Q

> T _C O _ sfzpp

34

Q O

__ B

(my)

Q

#

_

BO Q __ B S

s

(GL.)

__ C ( pp ) T _C O _ p

Ã

Ã

C T T C h h sim.

CO

C C

À BO

BO mp rfz sempre >

(my)

-C

(dampen after striking)

g T

43

Q

à T T C h

Q

À>

!

ÃC h

S

(pizz.) (sul D)

Q

C- C.

93

S

R

(à2)

C- C.

93

g

T

T Y C- .C h h mp T

Q

R

> > T _ C .C _ C h > > T Y _ C .C Y _ C h g > T Y C _ Y .C Y _ C >

WC WC Q

Q

T _ C .C T _ C Y .C h mf h - . T _ -C Y .C T Y _ C Y C h h mf g g T Y C- _ Y C. T Y _ -C .C mf Q

WCO

Q

Q

>.C

C S h fsfz (TBLS.) .C > $ T C S h ] fsfz $

h mfsfz

Q

T Y -C T h C R ph T -g T g R Y T X CC T C C R -h h p-

R

>C

WC C

Q

R

S

Q

Q

Q

] [

sub.

X >C W C O h mfsfz

93

[ #

Timp.

Perc. 1

Y C. X C . fsfz

S

Q

solo (w. Euph.)

)

. . C C

g

S

Q

Q ^

T

C

Q

S

#

C .h

S

Q

Q

Tuba

S

giocoso

sfzmp

.C Y .>C S fsfz . >. S CC CC S . >. fsfz> .C . C . T Y -C Y C. C S h f sfz T Y .C S R h

Y .C h T -g . . T Y CC CC Y CC . -h

>C X .C . C S h

Q

Q

"

YC

T

g

Q

] !

Euph.

(

WC

Q

Bar. Sax.

Hns. 2, 4

t BO

)

Q

Q

R

Hns. 1, 3

(

mf giocoso

Q

Q

R

BB Y C ( Y C ) t (p) Q

>C .C . C h T

g

Q

Q

R

mp

S

Q

!

Tpts. 2, 3

)

WC

S

h f X .C YC C S h T S f sub. g as solo > W C X C X .C C. h T S mf giocoso mp > giocoso .g .g .g g XC T T C C C T X C C T .h .h T S mp sub. f

sub.

t

CC

T S

Q

Ten. Sax.

fsfz . ^. X C YY C C S ! Y C Ò. S . f sfz > . WC ! h T S fsfz .> ! Wh C T S fsfz

T

X .C

Q

S

!

mp Y C tO Y C

)

YC C

C C C C mp g T g T C C C mp X C Q

Q

Tpt. 1

S

T YCO Y CO T R > f sfzmp g .> T Y C- Y .C .C .C C S fsfz g C. C

g

YC

(

>

Q

Q

C

T

(

Q

R

Y C> C. C C. Y .C > . R S C Y CC C T C T C T C > . .h .h .h g T X .C S T g C C> . Y C. ( mf ) g g S T g C T T C. C> . ( mp ) Q

Q

R

R

T

!

S

S

X >C .C S >C Y .C

Alt. Sax.

Y .C X .C^

R Q

> . YC C

S

Q

S

g > T C XC . mp > R T .C C h mp R T mp .g > C C S C R > mp T g T g R .C Y C. g T C T Y .C R . h

Q

[

Q

Q

> T >g .g T Y C X C . T Y C C Y CC T C Y C mp >h .h > . T g g T C> C. C> Y C. Y .C ^ mp S R fsfz Q

34

Q

R

!

Q

Q

^ T g S g T ! WC . X C. X .C Y C. fsfz mf sub. ^ T g S Y .C T ! C X C. X C mp .sub. h . fsfz . # W C W ^.C S R fsfz # WC ^ S R . X C. fsfz ^ S # R X C . WC ] . fsfz

Bs. Clt.

Q

Y tC O

g T

XC C mp (non stacc.) X C C XC mf senza ped. g -C C T CC- T h mf g .> C C X -C T _ _C mf( poco h sfz ) (br.) C C S h mf C. T S h poco mf > S T CO mf

C C C

S

__ C

h

C

C

.C>

g

C C

C C C h h T

_ C C C.

C T h

h

.C T C _ C C. h

-C C T S _ _h sfz C C CO h

S Q

[ to Bass Drum ]

S

C

S

C>


13

[

WC

S !

Flt. 1

.C X .C g

Q !

Flt. 2

.C C. !

Picc.

.C

T h

S

S C C ! . . S

Obs. 1, 2

Q

!

E.H.

>C

102

X >C. 97>C . W .C g > .C W C C X .C C W .C S S T h h T fsfz p sub. >. g .C >C .C Y C T C S W C W C C- C. . fsfz > mf p. . >.C .C . .C .C C. X C C .C Q fsffz . g .g > . . . T Cg C S S C TC S C C C WC C T .h .h T S S S S W C T -h p Q Q ^ C C YC C W C W C- W C Q h h fsfz

WC C

T h

>C .C . W C- . WC XC

[2•2•3]

78

g . C. -C W C

S

T

g X .C T T Y C C Y C Y C. h

. T X C C W C T .C .C W .C W h C T .

C- C. S

Q

Q

W -C p

C. W -C Q

T

S

> . C WC

T W Cg .

g

Q

. . . S WC X C W C W C C C W CT W C . > h . . . W -C W C. T W C W C C Q T

.g > . WC C S WX C C C > . . W C .C S T

Q

E-flt. Clt.

!

Clt. 1

!

Q Q

Q

Q

Q

Q

Q

Clts. 2, 3

!

Q Q

Q

Q

Q

Q

Q

Bs. Clt.

!

C.B. Clt.

!

g g T W C C C> . > C. Q # Q

sfz

Ì

T

Bsn. 1

#

Bsn. 2

^ C C. X C. fsfz S

as 6 8:

g

T C. W C.> S

C. C.

Q

soli

C-

p

Q

C. W .C W .C -C h T

soli g T W -C C T C T . hp h

Q

Ì

g T Y C- C Y C. Cmp Q X >C W .C Y -C .C T h h T

Q

"

Q

]

W C-

g T T

W C>

g

!

Q

Q

!

Q Q

Q

Q

Ten. Sax.

!

Q

Q

Q

Q

!

Q Q

Q

Q

]

.C h

T C

Y .C Y -C

Q > C. T W C C.

C T T W -C h h

h

S

T

Q Q

Q

S

W -C

W C-

W -C p T T -C p Q

Q

T Y h C X .C T h [2•2•3]

[3•2•2]

Q

.C .C

Q

> X .C T T Cg g T C - W C.

W -C X .C W .C

78

Alt. Sax.

Bar. Sax.

. -C W C S [2•2•3]

Q Q

Y .C Y -C Y C. Y C- C C. T Y C h mf Q . . -C W .C W -C -C W C W C X C W C S

g T C.

97

[

Sop. Sax.

Y -C h h

C Y -C

W .C^ h mfsfz .C .C ^ C-

W -C

h

-C Y C

mfsfz Q

102 Ancora pesante [ as ms. 16 ]

Q

34 Q Q

Q

Q 102 Ancora pesante

!

Q

Q

Tpts. 2, 3

(à2)

S

!

à S

C h

T

78

open

Q

Q

Q

Q

Q Q

Q Q

Q

Q

Q

(à2)

S

S

g Y C. Y C-

T Y Cmp

6 (à2) as clear 8 :

S

S

T T

Y -C mp

g

Q

g C. T C-

Y C. Y C-

C Y C. Y -C C C. C-

Y C. Y -C

> Y -C Y .C X .C C C. . mfsfz

Ì

C C. X C- W C. W C.> mfsfz " Q

Trb. 1

# Q

Q

Trb. 2

# Q

Q

Q

Q

Q

Q

Q

Bs. Trb.

# Q

Q

Q

Q

Q

Q

Q Q

Q Q

Q

"

Tuba

#

C

C C

C

(pizz.) (sempre nat. harms.) Dbl. Bass

! ]

Q À>

À

CO

CO

Ì

Q #

Q

>

(sul E)

CO >

!

Q

Q

!

Q

Q

Pno.

as clear 6 8:

À>

(sul G)

À

CO

C C h

Q

À>

^ C .C Y .C h mfsfz

>

l.v. sempre

À

W B> mf rfz

C

. T WC C WC C mph Q

W .C W -C C .C S

À W >B

>CÀ Q

Q

Q

Timp.

C C T C C h h ] C C C [ (Vibes) C !

Perc. 1

T

C C C

(Mba.)

Perc. 2

# .C .C T .C -C h (Xyl.) g _ _ ! .C> C- C T S

Perc. 3

(Gl.)

]

$

(

S

's)

S

T

C. C- _ > C h C C

C

B

!

Perc. 4

__ C C .C

h

C

C

g C >C C mfsfz> & C .C Y .C T h Y C sfz > . T _ C _ C W .C h sfz __ >. Y Y CC CO h sfz >. > C C C h sfz & S S &

Q

[ 30" D

p

Ì

E∫ ]

cresc. poco a poco

C Q

CO

78

Q

>C .C T h h WCO

X -C C W B p sub. W -C W C W C p sub.

[damp!]

7 8

À W C> O

T WCO p cresc. CO

S _

T C_ > p

g

W .C T W _ -C W C h g C. T S

. T hC S f .g T CC S T .h S f

h

.C T

.g CC T .h T Q

CO

À

W >C S Q

Q

Q

Q Y -C fC

f Y Cf Y -C f

>B À

open

SO

arco

Q

#

Q #

T -C C T h h T -C C T h h T Cg Cg T -

T -C C h h T g g Y CC- C f 3 Y -C T -C C 4f h h C T ChC C T C C ff h g g C T CC CC YY CCC- C

3 4

T T T C C T

102 Ancora pesante

A∫]

-C .C T h h XC S

78

Q

Ì

CO S

Q [ 25" D

C

Ì

S

T CO

C S

- W .C T W_ C W C mph _ S C C. mp C

cresc. poco a poco

T W -C T C

-C> C

WC C h

. W _ -C W C W C _ C- _ C O _ h cresc. poco a poco g g T C _ C. T T SO >

T C C WC h h T C C C h h

Q

B∫ ]

cresc. poco a poco

WC

[ as ms. 16 ]

[2•2•3]

[3•2•2]

[ 28" F

T CO

poco a poco

À>

Q

[2•2•3]

T

S

>B À

78

97

[ #

T

Q

(sul D)

Q

Q

Ì

Euph.

>C

34

open

Q

mf

[ as ms. 16 ]

[2•2•3]

[3•2•2]

Q

Q .CÃ Y 0C.> mf Ã. 0>. C YC

à T C S h à T C S h T

h

S

!

ÃC

S

(à2) Hns. 2, 4

Q

Q

!

Hns. 1, 3

[2•2•3]

Q Q

Ì

97

[

Tpt. 1

Perc. 6

.^ pesante . C Ancora [ as ms. 16 ] C C Q fsfz W .C ^ . C WC Q fsfz >. .C> C C C T h h T ^ f . . C CC WX C C W C Q . Ò. fsfz W C .C W ^.C Q >. > .C fsfz C C C T T h h f > >. . C C C C T h h T f > >. .g T Cg C T C C T C hC T C C h . .> f > Y -C Y .C X ^.C Q fsfz Q ^ . W -C C. C # Q fsfz X ^.C Y -C Q h fsfz

34

Q

. X CW C W C W C C TC W TC X W C C C . . W C. T C W C. T T W C- W C Q

g . . .g T C W CC W C C W C W C C T h . . T

S

> .C W C .C -C Y .C Y .C Y .C X >C .C [2•2•3] W T T h h

[3•2•2]

C

C

C

C WC

C C

C X C W >.C

43 Y -C mf

C. T g .C T -C h

Q $ mfsfz & [ to Snare Drum ] ^ C. Y -C X .C Y -C Q _ ! Y .C X C. X C. _ mfsfz (take hy) >. S T C C. W .C W C Q $ _ h [ take SC ] mfsfz C . X >.C WC Q C XC $ & [ to Snare Drum ] mf > T C C S T Q h [ to Bass Drum ](med. beaters) f

34


14 105

[

Flt. 1

!

Q

Q

!

Q

Q

Flt. 2

.C >

T hC h !

Picc.

T h

!

Q !

Q

Obs. 1, 2

E.H.

T

E-flt. Clt.

!

C

h

h

C

T

.C h

C

T h

.C

>C

.C

T h

> C.

T

C.

h

C.

T h

.C C.

T

>C

C. >C

X .C

f W >C . T h C h f

Clts. 2, 3

!

.g .g T C g CC T CC T T C .h T .h T h

> . .g .g XCC T CC T CC C C .h T .h T > .

Bs. Clt.

!

Q

Q

!

Q Q

W Cf

# Q

Q CC

C.B. Clt.

Bsns. 1, 2

h

C.Bsn.

#

h

T h

T

f

]

Q Q

Sop. Sax.

Q

! !

Q

Q

Ten. Sax.

!

Q

Q

Bar. Sax.

] !

Q

Q

Alt. Sax.

.

[ !

Tpt. 1

.

T hC

T hC

.g .g CC T CC S T .h T .h S T

Tpts. 2, 3

!

Hns. 1, 3

!

Q !

Q

Hns. 2, 4

Trb. 1

" Y -C T

Trb. 2

#

-C T

Bs. Trb.

#

Y -C

T

Euph.

# Y -C T

Tuba

#

T

]

Pno.

#

Perc. 3

]

[

]

$

Y -C

C. T .C> g

h

g .C .C h

h

C

g C.

g

<C O

T Y .C T h >C

T

C CC h

>C

C T CC h g

T

C C.C

T Y CC T Y C.

CO C-C OO

g T Y C.

g C.

T

__ CO

Q

C>

g T Y C. Q

C-

mf sub.

g

g

g

g C T

-g

CC

-h

C.

C

C.

-

Q .g -g T T CC T CC .h -h . T C T C h> h W C . C T h T h

-C T

g CC T h T C

>

C

.g T T

CC

C. T Q

C. >C

T h

Q

T C

g C

-C

.C

T h

h

.g T

T

CC .h

T

.C T

-C

.C T h

g W C. T

-

-

g C. T

h

T

>C

T h

-h

h

h

C h

h

T

> C

Q

C.

T

C. div.

Q Q

.g X CC T T .h stacc. .C T hstacc. g T W C. stacc. T

T

.g CC S S .h .C S h g S C.

T T

W W CC> mf marc. > . W CC CC > . mf

g C

C.

S S S

B

. > . . CC CC CC CC . > . .

C. h

C >C

T W W CC h

g C mf g C> sfzp >g W CC >h sfzp g C> sfzp

CC

CC

C C

marc.

f f

g

T T T

f T

f

.g> CC >.h sfz >. C h sfzg W C.> sfz g C C. C > sfz >g CC >h sfzg C > sfz

C. C

C.

Q

T WC mf Q

T

Q

S

S

Q

S

S

C.

S

>

Q

Q

Q

Q

Q

Q

Q

C.

g

C. C > C>

C. C >

T

C.

Q Q

Q Q

Q

g C. T

T C-

g g T C> C.

Q

g C. T C-

-C

.C

-C

C CC

C CC h CC

C-C

CC

g C-

g C. T T

g

T

CC.

Q

C-

.C

T C CC CC

T

C.

g

C

C

g T

T

C T C CC C CC T h h g g g CCC T CCC CCC T C. C- C

Q

B f W B> f

oozing

S S

B mpsfz oozing B mpsfz

C

p

mf

Q

f

g X CC CC T Cf> B W BBB

T CC BB h g T C B CC BB

S

mf

109

BB

g T

mf

B> O f sfzp

CC

S

>C

BO mpsfzp

B

T C

ph

WBO f sfzp> B>O f sfz p Q

g

XC

>

"

g C B mp T g C B mp

g T

-C

T C CC h C-C

C. C C > sfz Q C>

T

Q

C-

C.

Q

Q T

C. C>

g C. T T

C-

C. C C C . > sfz >

T

g CC CC S C T -

C 8

Q

C-

-C

T

>

CO mfsfz

h f sim. > > C T CO hf sim. g T WC B sfzp>> T C B sfz ph T g C> B sfz p T g C> B sfzp

T W CCCC OOOO

g

T

T WCO > mfsfz sim. > T CO

S

g C-

W Cmf T g Y Cmf

Q

C

T

h

W Cmf

Q

C. C-

T

C-

Q

C

T

B

Q

C. C-

T

BB

Q

C. C-

T

B

Q

C. C>

T

109

>

T

T

T

B> O mfsfzp

Q

g CC CC C T

CC. C.C

B> O mfsfzp

BB

Q .g T CC h. T .C T h g T C.

S

marc.

CC. CC. W C>C

g C. T

>C

T h

Q

B> O mfsfz> p W BB OO > mfsfzp

T WC h

C.

T

B

>

C.

>C T

C

C

T W Cg > sfzp T >g T CC >h sfzp> T C sfzph

C

h>

Q

109

-C C CC C T C CC C CC T mf sub. h h g g CC T CC CC T X C-C C-C CC f &

h -C

g T

CC

g C. T

T WC h

.C

-g

CC

-C

Q T

g

T C-

g C T

CT

>

.C

g

C h

-g

> T W h C C. T h

C.

T

T CC CC T T -h h T

CC -C T

-C

Q

C h

T h -

C

h>

g C. S T

T

.C T h

WC

g C. T

g C. T CC .h

-C

C. >C

T

CC

T

>

Q

T

C h

g C. T

W C-

g T

CC h

-C h

g C. T T

C

105

C> C C C

T hC hC

-C

T h

Q

g C. T

h

Q .g CC CC T CC .h T .C -C T -C h W >C .C T .C T .C h h -

T

h

Q

C. T C- T >C .C 105 Q h h sfz .g -g > . CC T CC T C C C Q C .h T -h T > . sfz à2 strong accents Q C. C- C C > mf strong accents à2 Q C. C C C> mf -C T Y .C T C gl. S S h h CT .C T C gl. S S h h T Y C g T C g gl. S S . X -C g g T Y .C T -C O T C C C YC Ch mf sub. Q T g T Y C. CO

C. h

T h f

C T C.C T

C. T

.C

g T C.

C C C

C

[ #

Timp.

h

.C>

YY CC-

h

g T .C .C T

h

T ChC

.C

.C T h

T

!

.C T h

Y C# sim.Y -C

Dbl. Bass

S

>

.C

T h

-C

Q

T

T WC h f

Q

-C T

T h

C

Q

T

105

[

.C h

T h

-C

Q

C-

f X -C f

T

.C

Q

C-

T

T

-C

Q

T -

h -C

C h

.C

Q

T C-

T

g CC CC T T -h h -C C T h h> T C C.

T

!

T

-C

-g

T

-C

T h

Clt. 1

T h

.C

T

CC -

f Q

-C

Q -

C h

T h

f

.C

T

-C

T h

f-

Q

>.

C

.C

109

-C

h > C h

g CC CC T C-

g CC CC T C CC CC

(loco)

8

Q

>C

C>

C

Q

SC

Q

(med.) (w. sticks)

Q

Q

T _C B h _ p

.C T

(choked)

h mf

T h

.C S S

S

f

h

.C T


15 118

112 Flts. 1, 2

[

Q !

!

E.H.

!

E-flt. Clt.

!

>. .g T .g T . C CC T CC T CC C . .> .h .h sfz .C T .C T C. >.C h h sfz g > C. C. C. T W .C .C sfz unis. (div.). . . -C . > CC CC CC T W CC .CC h sfz mf sub. . . .g T . .> X CC C W CC CC CC T C C C . .> mf- sub. . . .h sfz . .> W .C .C .C T W C C h X Cf S CC C f S CC S W CC YY CC f S Y CC C f

Obs. 1, 2

!

Clt. 1

Clts. 2, 3

!

Bs. Clt.

!

C.B. Clt.

! #

Bsns. 1, 2

# ] [

Sop. Sax.

Alt. Sax.

h

!

C W C! (W ) C g W C-

Ten. Sax.

h h

W -C h Y -C h C-

Y -C

g ! (Y) C Y C]

!

Tpt. 1

! (à2) sim.

>

>

C

Hns. 1, 3

C

!

h f

(à2) sim. Hns. 2, 4

!

Trb. 1

"

Trb. 2

"

W C>

C C-

h

Euph.

#

Tuba

#

!

Pno.

# (8)

C-

WC

C

C

C

C

C

C

C

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

. T hC hC T hC T -g g .g T CC CC T CC T T -h h T .h T

. T hC hC T hC T cresc. f -g g .g T CC CC T CC T T -h h T .h T cresc. f Q

Perc. 3

g

T T T

CC -

S

C

C

C

T Cg C -

gl.

CC C.C C

YC

g T C. T

g T

C- O

C.

C.

g T C.

T YCO Y -C O T YCO -

g T CC T . g C. T

T

C- O

T

S T Y Cg S Y .C T Y Cg S .

g T C T .C g C. T

.C C

.C

.C CC

.C >C C

.C

.C

C

C. -C

>C

C. >C C

C.

C

C C-

>. C

as 6 8:

h T T hC C sfz> ff .C T T Y -C C h h h ff sfz T g Y CC- C f only .C >C C X >C ff Q T Cg C T C CCC C CCC h g T C C CC CC -

Y C -CC C ff Y YY CCC YC C

mf

T

.C

Y -C

g T

Y C CC C YYY CCC -

g T C.

T

C Y C. -C

.C C>

g T C. .C >C

S

#

as 6 8:

-C

ff g S Y C. C .C -C T

S

S

T YCO -

g C. T

T Y Cg S .

> C CC T C .CC T C C h h g g CC T CC T C C.>

-O T Y C CCC OOO

C .CC T C h g CC T C.

. T Y C CCC S h g T YC S YY CC .

Y B-

g T Y .C

Q

Q Q

Q Q

Q

[ take my ]

T

T YCO Y Y CC OO (sim.) (l.v.)

T YCO -

Perc. 5

$

Q

Q

Q

$

Q

Q

Q

(sm.) BD

(stacc.)

g T Y .C

T

(sim.)

g S Y .C

SD (sticks) (clear accents) (snares on)

T

.C T C h

T -C

(à2)

f

h

T h

g Y C. T

C .CC T C h g CC T C. g T .C

.g CC .h .C

S

T

T

-C h

T

T

Y C. >C

C

h f

.C >C C

>C

.C >C C

. C. C molto

Y .C >C

.C .C

CC

.C -C

.C >C

T

g S C. Y .C -C

g T T Y Cg C Y C. C C Y .C C

T

g S .C

g T Y .C

T YC

T

g C. S

g Y C. T T

-

. T C CCC S h g T C S CC .

Y C .CC T C h g T YYY CCC .

Y >C O T Y CCC OOO sfz> Y C T YY C CC OOOO

Y C- O

g S Y .C

g T Y .C

T Y C_O

C

-C

-g . C C C C CC -h . .C -C T

>C

118

C. C

Y C-

C Y .C -C

YC Y CY C -CC C YYY CCC

C C T

C

>

h

.C >C C

>

.C >C C C h

C C C .C S

> C C C C .C C C Q g S C.

__

B

.C .C

C

g

"

C g C

Ch T T h S ff ten. CC- T T Y -CC S h T T h S ff ten.YC C YC T h T h but fff Heroically, precisely in time Y -C C YC T h T h fff Y -C T Y -C C T h h ff- ten. YC T hC hC T ff ten. Y -C T -C C T h h ff ten. X -C T hC hC T ff molto ten. g g T YC C T Y Cff molto ten. T Y Cg Cg T YC fff molto ten. Q Q 118

Y Cf C

g T S

>

CO sfz p __

.C

C Y -C O

h

ff> marc. -C C -C O h ff marc. g C C- O >Cff marc. g C C- O -C> ff marc.

.C . C

T

T

>-C

molto

(à2)

S

.C -C

g T Y .C mf

.C

118

.C .C

.C >C

h

.C >C

C

.C >C C

S

.C S C

T

S

g T C. . Y C -C

.C

T h

sempre sim. > > > > > T C C C C C C C C C C C C C C C mf (my) .C T .C T S S T -C C T .C T h h h h h mf (sticks) sempre sim. > > (snares off) SD Q S C C C C .C C C C C .C p mf (mb) g T g T T T g S C- O C. C. C. mf (lg.) BD (mb) Q Q C- O mf

S

Perc. 4

h

T

> C. C

g g C T C. T >

(hy)

C- O

> C. C

Q

(l.v.)

C- O

>C

Y C- O

.C

stacc.

(my)

.C T C T h T

. T Yh C h C T h C T

Q Y C-

T -C C T hC hC

T

.C >C

Q

Y C. -C

C.

C .C >C C >C

-C

C. h T S

Y C-

T h

Q

-C Y .C -C C

Y .C

-C C T h h

Q

Q

C

C

.C C- C .C .C -C .C C- C .C C-

Q

g

C-

C. C

.C .C C-

Q

T

>C

C

>

Q

CC

-

C.

f > strong accents .C >C C .C XC f > strong accents C. >C C C. XC f

h

g CC

C

.C C

.C >C

T T

> C. C

.C C

S

g T T YY .CC g Y C. T

g S CC S . g C. S

g C C- O Cff marc. g Y CC C- O ff marc. g YC C Y CC OO Y -C C ff marc. g Y CC Y C- O ff marc.

C. C

C

C

Q

ff marc. CC CC Y CC CC ff marc.

C.

.C > C

.C T C T

Q

C C OO -

C. C

.C C

S

Q

T

Y C-

T

Q

T

YY CC -

T

C

>C

-C C .C T h h T h T . T Cg Cg T Cg T C C T h h T hC T .

T

T

.g CC T .h T

T

C. -C

.C

-C

.g T XC C S T .h S T

molto

h

ff marc. CO

C. >C

.C > C C

C- C T T C C T h h

T

S

h Y -C C h -C C h

-C O

C

>C

S

CC h.

.g

T h

-C C

CO ffC marc. O

.C >C

> . > strong .C accents C C C

C. h T

T

C.

h ff marc. YCO Y C- C h ff marc. -g CC OO Y CC CC ff marc. -h

>C

.C C

C-

h

molto

C.

-C C

CO

à2

C. h T

.C -C

T hC hC T

.C

Q

C

Q

]

T

g T

$

Perc. 6

g T

g T g T CC T CC T . g T g T C Y C.

YY CC

-

CC

.g

g T C

T

CC T h. T

S

C

g CC

-

h

C g

C-

S

.C

.C >C

Y Cff

> T .C h sfz

S

C T h

C-

Q S

-C

.C -C

112

(SC)

$

C-

Q $

-C

>C

f

g g CC CC T CC CC T CC CC C. C. C. C-C W CCC C C C loco

] [

più

h

S

[ #

Perc. 1

gl.

più

C

]

Timp.

Q

Q C-

h

S

#

Dbl. Bass

Q

C.

C

T

Q

T

T

T

Q

C. >C C

-C

h

molto

T

Q

g T C

f C-

C C-

h # (W ) C

Bs. Trb.

C>

cresc.

>C

C

CC . T

T

Q

C. >C

f

C T

T

.C C T T h T

T Y -CC CC T h h

C C.

f Q

Tpts. 2, 3

h S

. T Y CC CC T CC T T h h T h T

Y CC OO

Q

-g g T CC CC T T -h h T

C-

Q

.C T C

S

YY .CC T h T

Q

T h

112

[

Y -CC

strong accents

>C

f C-

W -C

g

112

-C

W -C

X -C C

!

Bar. Sax.

f

Q

!

Picc.

C.Bsn.

T CC - CC T T h h T

Y -C-C

Y .C TY C S T h S

Q _

_C

p sub. > C C .C C C C C _ C S T _g __ C C pg g T T _ _ C. C C p

>C f TU ! f & >. C TU f f & f &

Q

(to Xyl.)

Q Q

(to tom-toms)

Q

(to Tam-Tam)


16

(à2) Flts. 1, 2

[ !

Y -C O

C XC

sim.

WC h

C XC

sim.

XC h

Y -C O !

Picc.

-

YC YC h

YCO ! YCO sim. -C O X ! sim. Y -C O

Obs. 1, 2

E.H.

E-flt. Clt.

! !

sim.

Clts. 2, 3

-

! !

C.B. Clt.

!

#

C.Bsn.

sim.

WC

W C- O

WC

sim.

WC C h

C

W -C O

C

C

C- O

CC C

XC

g

C

C YC C

C

C

g

XC C YC g

[ !

Y -C O

C

Alt. Sax.

sim.

!

Y -C O

sim.

Ten. Sax.

C

XC

C

W -C O

C

C

C

C

-C O

Y C- O

Bar. Sax.

! !

C

C

sim.

C

!

Tpt. 1

h

-C T

sim.

! YY CC -h

Tpts. 2, 3

-g

sim. (à2)

T

Y Ch T

T T

T

(Y) C Y C

Hns. 1, 3

!

T

-g

Y CC -h

T

C

h

T

X Ch

X CC -h

S

-g S

S

W CC -h

C C

C

-C C

XC

C C

C

-C C

XC

YC h T WC h

C YC

(Y) C Y C !

Y -C "

Trb. 1

sim.

T

Trb. 2

#

X -C

Bs. Trb.

#

Y -C

sim.

"

T T

YC h g XC T

XC

sim.

#

Tuba

X C-

XC C

T

C T

-C T

C

T C-

C T

h

C YC

h

W -C

XC

C

T

sim.

Euph.

C

-C

h h

C YC C

C YC C

g

sim.

# ]

X -C

g

sim.

[ #

Timp.

[ $

T

-g h

>C

C> C

C

X CC > C

g C

-g C C

T

C YC C YY CC C YC

W >C C >C C >C C

>C C C>

C

h C T (Y) C -h

C h

-g h

CC

T g

X C> C> >C

W >C

> T XC C T >

CC

C

T

-C Y C

C YC YC T

X -C h C

C

g

g

-C

T W -C O C

h

g T

Y -C

g

C C h

T g

T

C C

W -C h W -C h

X -C O T

C

g T

X C- O W -C O X -C O

W C-

X C- O

WC

g

C

g

CC OO

W CC

CO CO C

CC O O

Y CC

CO

YC

C

CO

WC

C

CO

C

C

CO

C

CO

C

CC g C

T YC T Y C

C

g

h

g C g

YC

C

C

C

T

YC

C

T

YC

T

h h h

g

YC

C

124

>

T C T

X -C

C T

X -C

h h

C

T T

h h

CC

C

X C> X >C

C

C YC C>

h

T

g

g T

CC h

C YCO

C

g CC h

CC

C T YC C

h

-C O f

T

YC

C T

YC

C

T

YC

C T

YC

h C

h h

C>

C YC

C

C>

C YC C

C-

C h

C

CC OO

C-

YB C YC

>

C

YB

>C

Y C>

C

YC

XC

C

X >C

C

T

g

C

C

Y C>

C YCO

C

T

h

C YC

C

WC

h

C h

C

X >C

g

CO

YC

g

h

YC

C

C

124

XC

C

g

W CW -C h

>

C YCO

h CC

g

C

C

>

C

h

CC

g

C

C

T

CC

CC OO

h

T

g C

C

X >C

C

T

C

X C> > X CC >

C

T g

C

X C>

C

CC h

C

Y C>

g

C

h

T

h

CO

h

T C

C CC

C T

C h

C

h

T YC T C

C h

X C> >

g

CC

X CC

C

-C

-C

CC

C>

(Y) -C h Y -C h T

W CC >

C T

h

C>

Y CC >

g

h

-

T YC T YC -

C

X -C h

T Y Cg C-

g

CC

C

>

C

CO

h

C

g T g T

YC

CO C

C

CO

YC

C

CO

XC

CO

YC

CO

YC

h

g C C

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

[ take Crash Cyms.]

Perc. 2

!

Q

Q

Q

Q

Q

Q

Perc. 3

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

$

Q

Q

Q

Q

Q

$

Q

Q

Q

Q

Q

$

Perc. 4

[ take Tambourine ]

Perc. 5

Perc. 6

]

g

YC

C h

h

f

C

CO

h

YC

-C O

C h

C h

124

(my: à2)

]

Perc. 1

g

h

C

X -C h

Y -C T

W >C

CC

W -C

T WCO -

C

X >C

g

YC WC -h

T Y -C O g

C

T

h

T C-

-C O

C

T Y Cg T -C h

T

T

C

C Y -C Y C

C-

X -C

C

C

>

T

h

C

-g

Y -C

>

C

>C

>

YC

h

CC

C

Y C-

C

C

X CC >

-C Y C

C

T

-C O

-h

C

CC

g

CC

>

T

C h

T

C

-C

h

-

g

g

CC

(X ) -C O

C h

g

-h

C h

C

C

T

h

g

h

h

T

(à2)

Hns. 2, 4

Dbl. Bass

T

T

C

h

C

-g

g

C

C

T

g C

C

C-

h

124

C >C

X CC > CC

Y -C

T YY CC OO T T Y -C O T Y C- O T YX CC OO T XCO -

C

g

h

T

g g

-g

h

C-

T

CC h

Y C-

C- O

-C

h

g

YC -h

Y -C O

C

-g

C

Y CC -h

-g

T WCO O T Y C T Y -C O T

C

X >C

C-

h

-

C

g

C- O

XC

sim.

[

C

C h

-C

-h

C

h

CC

g

C

h

h

C- O

C

g

WC

W C- O

]

g

h

X C-

C h

C-

h

C- O CO XCO C

h

-C

C-

C YC

h

YC -h

T

X >C

>C

C

Y -C h

Y -C O

C

-g

C

C- O

sim.

Sop. Sax.

h

W X CC OO CC

T

h C-

-

X CC

g

XC

X C- O

]

C XC

g

W C- O XX CC OO #

Bsns. 1, 2

C

C

Y CC h

sim.

C

W -C O

C

h

-

CC

C

Y CC OO -

sim.

Bs. Clt.

C

Y CC C

C-

-C O X CC OO X -C O

C

YC h YC h C h

sim. Y -C O

Clt. 1

g

-C O C

T-T (my) soloistically

S

C> C C C C. p mf Q

C- C


17

h

!

h ! C-CC

Obs. 1, 2

! !

E-flt. Clt.

C-

Bs. Clt.

!

sfz> C

C W -C O

>C O

>C O

sfz X >C

-C O

X >C O

>C O

sfz C>

> C OO C

sfz > X CC

h C

Y C# YY CC

C

g

Y C-

C.B. Clt.

#

C.Bsn.

-C

[

Sop. Sax.

!

Alt. Sax.

h

!

Bar. Sax.

! [

g

h

Hns. 1, 3

!

[

g g C = C ]

C h

h

! C

C

" YC

Trb. 1

#

Bs. Trb.

h

C- O C

-C O g

YC

C

Euph.

" Y -C

Y .C

Tuba

# #

Dbl. Bass

]

-C

C

YC

C

YC

g

6 8

CO

Pno.

#

#

Q Ì

[ # [ $

Perc. 1

(C-Cym.)

!

Q

!

Q

Perc. 2

Perc. 3

T

>C

Perc. 5

Perc. 6

]

$

C.

C- C C. Q

C> C C C C > cresc.

C

.C >C C C

.C

h >C

h

T C

>C

C. h

-C

C

T

T >C

h sfz> .C h sfz .C h

C>

h

T C

C h

-C

C T T

YYC CCC

Y T YC

CO CC OOO

C C CC T

Y C> mf

T YCO Y Y CC OO

(in two)

cresc.

Y C> sfz > C

C

__

T YCO Q

C C C C C. >

_

C

.C C

CC

sfz CC X ^CC

C

C C

C C

>C

.C

T

CC -

>C

>C

.C Y .C C

C T C

> > CC >C

YC Y >C >C

Y C> sfz C -C

C T C

C> sfz T

C> sfz >C T C CC T

CC

CC

C

C. C

.C

C>

C C C

7 8

7 8

S S S

S

C sfz ^ C sfz ^ Y CC sfz ^ YC sfz ^C

S

C C

C CC CC C

Y Csfz

C

T

Q

Q

Q

SO C C C C C.> fsfz (take hy) Q

Csfz

78

S

78

S

> C>

C>

fff X >C >C

>C

fff W CC >

>C

>C

C

C

C

C

S S

S

34

S

ff> XC >C

>C

ff> XC >C

>C

ff

S

BO fff

C = c. 132 ] >C

Poco pìu mosso[ >C 129 W >C

S

34

fff > X CC > fff -B O

S S S S

> CC

>

> CC

>

ff W -B O ff W >C >C

>C

fff > C

>C

>C

fff > XC >C

>C >C

>C

S S

fff S

>C #

fff BO fff S

3 4 S

S !

S

XBO fff > W BBB OOO BO

34

X X BB OOO X B>

3 4

__

C = c. 132 ]

Poco pìu mosso [ 129

S

XYL.

(hy)

Q

34 (hy)

Q __

C = c. 132 ] >C

Poco pìu mosso[ >C 129 W >C

(MBA.) (hy)

p

>

BO ff

S

sfz ^ C CC C S Ò . sfz .C ^C S sfz C. ^C S sfz .C ^C S sfz .C Y ^C S sfz ^ S T YC sfz C. ^C S sfz T ^ S YC sfz T YC S sfz Y ^C T Y C CC S sffz ^ T YC S YY CC

C

CC >

S

.

SO

CC >

S

S

Tam-Tam (hb) solo

X >C

BO ff BB OO ff

S

Q

C>

S

T YC S > sfz Q C

fff >C

S

[3•2•2]

T

>C

BO ff

S

^C

W >C

fff S

sfz ^C S sfz ^ T C S sfz

>

C.

S

S

fff X >C

fff CC > fff> WC fff> XC S

S

.C

>C

>

S

sfz C. ^C

C

78 -

C

C> sfz

.C >C

[3•2•2]

sfz C.

-C

T

[3•2•2]

78

T T

C> sfz

C C

T

S

S

sfz ^ T

C> sfz C. .C

T

T

h

Q

Q

.C

CC

> . CC CC > .

Q

C C C C C. >

C

CC > sfz

YC YY CC>

C

.C

C

T

S

YC

C> sfz

Y C> C sfz > YYC CCC C CCC sfz

CC C_

T

S

.C

h h

S

C.C

h

T

Y C> sfz

T

C

sfz C C^

34

S

Y CC

h

C

>C

YC

S

sfz ^ CC YY CC S sfz S C ^C S sfz C C^ S sfz ^ C C

X >C C. C-

T

78

sfz C ^C

C

h

T

[3•2•2]

C = c.> 132 ] YC

Poco pìu mosso[ >C 129 X >C

C^ C

T h

CC

>C

C

C> sfz

YC -C

C

__

C

Y .C C

T (Y) C O

Ì

C> sfz Y CC> sfz

sfz C

YC

(my)

C

T

g

C

fff

C> sfz

C> sfz

> . CC CC CC . C .C

T

h sfz . C> YY CC Y C h sfz >C .C h sfz >C .C h sfz .C C> h sfz .C >CC C h sfz

>C .C C T

(T-T)

$

T

C h

> . CC CC CC sim. . C

T

T

YYY CCC

68

T

(Y) C O

C = C ]

Q

(MBA.)

g

68

Q

]

[

g

68

T

> h

T

YC

T

h

sfz >C C

sim.

h

YC

Q !

Timp.

-C

.C

CO

C

h sfz > C C h sfz Y .C -C h Y .C -C h h T (Y) C O

-C

C

-C O

> . C C C T

. CC CC . -

X -C

T

T

CO

C. C-

C

C.

C- O

g

YC

C >

C h

# YC

Trb. 2

C C

CC

C

(in two)

Ì

(à2) Hns. 2, 4

-

CC OO

C

T

68

CO

C

C

>C h

C > sfz > CC sfz > C

>C

-C O

>C

C

YC

C

>C h

C- O

- O C C C C- O h

(à2)

(in two)

C

C

T

C- O

T T

Ì

T

sfz

T

C

g

CC !

>C

C W -C O

C

Tpts. 2, 3

g C = C ] XC

f

C

!

Tpt. 1

[

68

.C

C-

]

-C O

C

h sfz> CC OO

T

YC g >

C W -C O

-C

Ten. Sax.

Y CC>

C h

X -C

!

-

g C XCO -

Y C-

]

C- O

C>

CC OO

h

YC C

T

T C>

CC

T

CC > OO

C- O g

!

Bsns. 1, 2

C

C

CC W CC OO

C !

>C O

C

-C

Clts. 2, 3

>C O

h

!

Clt. 1

>C

-C O

>

Y .C h Y .C

sfz> C. C h

sfz Y >C h sfz CC>

C h

!

>C O

CC h

C-

Y >C O

h

sfz >C

-CC OO

h C-

E.H.

68

.C Y >C

Y >C

>C O

Ì

Y >C h sfz> Y CC OO

h

!

Picc.

-C O C

Ì

Flt. 2

g g C = C ] > (in two) CO

C X -C O

C-

Ì

[

Flt. 1

Ì

C X -C O -C

[

C

__ molto

f

BO

p >

(choke)

B h

C

f > C

W >C

f > C WC f

C

WC >C

>C

C

C> ff

g f .> &

CC

>C C

C T

&

distinctly

T S

C

g

mf h

C

>.

C C C S

T


18

[

Flt. 1

S !

S

Flt. 2

!

!

E.H.

!

E-flt. Clt.

!

Clt. 1

Clts. 2, 3

!

Bs. Clt.

!

C.B. Clt.

! #

Bsns. 1, 2

# ] [

Sop. Sax.

!

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

] ! C> !

Tpts. 2, 3

!

(à2)

Hns. 1, 3

C

! (à2)

Hns. 2, 4

! (W ) C

Trb. 1

" S # S # S

Trb. 2 Bs. Trb.

Euph.

#

Tuba

#

Dbl. Bass

!

CC

> CC #

C>

[

>C

h f

]

$

T S

Y CC> T T h T T fff S S

B

C C

C .C C

> T hC T

>C

T h

T

T h T

T h

BO

S

g T .C -C .C

C> .C

h

T

W .CC T h T

-C .CC C

> T hC S h

>C

>

T

>

h

C>

>C

C. C > CC

CC C>

C

h

S T C>

g

h g

T

S Q

$ (T-T)

Perc. 5

$

Perc. 6

$

S

T

g X C. mf

Q (w. hand)

Q

Q

C C C T C C C C > . . > f Q

g C. C. C. T C C C. T > > sfz sfz Q

(take wood beater)

S S

S

.C C> C

.C C>

h f

>C

h

.C>

C h

cresc. molto

C. >C

h

CC

C Y .C -C

.C -C

>

h

T

.C> h

C

>.C

C

>.C C

>.C

C

>.C C

>.C C

>.C

.C> C

T

Y C> sfz mp > YC sfz mf

>C T C T h g T CC T >

à2

_

>C T

g > C. h C T

C.

.C

C T

T

.C T T

T C S Y .C T .C S h S

as 3 8:

.C

Q

g

S

CC T >.C

mf cresc. molto

(take claves)

S

>C h

h Ì

h

YC T > >C YC S h .C> S h

S

>C

Y T YC

CC T h

>C

T h

> CCC T C CCCC S h> h> CC CC T CC T CC S h h

>C C

> C. g T h Y C.

T

cresc.

g C T T Y CC . C f .. C T T .C h h f Q

BO

> T YC CCC S h >C T Y CC S h

>C

T h

BO

Q

.C

h

T

BO

CC CC T h

_ BB OO

>C

BO

133

S g

h>

BO

> T Yh C S

CC T

S Q

Q Q

Q

S

Q

Q

S Q

Q

S

Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q

S

Q

Q

S

Q

Q

S

Q

Q Q

Q

>.C

T

>C

. h YC

f

g C. T

C C C C C C C C C C C C C C C C C > mp cresc. molto Q Q

h

T

h ff

^.C

.C

S S S S S

S BO

C

C h T S fff C C h T S fff Q

BO

S

BD (wb)

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q

S Q

Y >C

Q S

Q

[ to SD ]

^g S C & ff T ^g S C ff &

S

S

S

SD

Q

Q

WBLS.

BD

Q

S

S

(w. wood)

T

C^ h ff 8va Y ^C S YC fff h Y8va^C S YC h fff R.S. > S C ffh ^ S CC h fff A. S ^C h ff

CL.

Q

ff ^C C T h S ff

C C C C C C C C C > > > Q

S

T Y Cg S YC ff > &

> Y >C Y CC C T h T h S >.C

S

cresc. molto

> Y >C . Y C . S C YC

T

S

BO

Q

g >C C. h T >C C T h >.C T h

S

f cresc. molto T C^ S S T C S S h ff T ^C S S T C S S ff h .C T ^ S S YC fff h .C T ^C S S fff h g^ T YC S S fff ^.C T h S S fff ^ T g S S YC fff . T Y ^.C S S fff h Y C ^C T CC S S fff h ^g T C S S YY CC

T

BO

>C

S sffz ^g TY CC S T hÒ S sffz ^C T h S sffz C ^C S sffz C ^C S sffz ^ CC Y C C S Ò S sffz T ^g S YC sffz ^ S

^g S C sffz ^ T Cg S sffz ^ T Cg S sffz ^ T C S sffzh BO

Q

> > Y .C C .C C C

cresc. molto

> T CCC S h YT CC >CC S h

S

> T .C Y C

Q

BO

Q

S

.C >C

cresc. molto

Q

S

C Y .C -C

free bow

S

YY CC> f sfz pp T S

C

BO

S

S

> C. C

cresc. molto >C .C Y >C .C T h h T

S

T

str. mute

g S T Y CC> S

BO

Q

S

C. C C. C

h

T

Q

C sffz T ^g S T Y CC S sffz ^ S C YC sffz

S

>C T >C S Y T hC T hC S T Cg T Cg S T C > T C> S .C >C C >C C

T

S

C

Q

>C S C S

T

S

str. mute

Q

C C. > .C -C

T

>

Q

> .C C

CC

g S

>.C

T

>. C

cresc. molto

> T C .C T h h g T C g Y C. T > C .C -C

C>

g T

T

C T

> C.

>. C T C h cresc. molto > C .C T C h cresc. .C> moltoC C T h C

Q

C. C

(hy)

S

h

T

g S

BO

Q

Y C> >C sfzC. mp h h T

T

S

C

Tamb.

Perc. 4

C C.

CC T >

>. C T

C

C>

BO

g T

>

g T

T

cresc. molto

S

S

Q

!

ff

-

g T C>

BB OO

133

Y .C -C

g g CC C T T YY CCC C> molto Y C> > >C Y C CC marc. T T YC C h h

BO

ff

-C

BO

g S CC S

T T

BO

g .C T

g

cresc. molto as 6 8: soli

>

Q

B

> C. C

C C. >C

.C T h

C>

C C. -C

S

T CCCC h g C T .C

h

>

S

g T C.

C

C C. T

g T C.

T C C. > >.C CC T C h g C T C > .C

>

T

BO

> C. C C

Q

g C T >C

133

take metal str. mutes

> .C C T

>g >g Y CC CC T h T h S > > > >C YC T h T h S

BO

BO

B O cresc. molto

Q

T

>

X Csfz mp

h

>g CC T >h T >C

, BB OO g T T g S C> C>

B O cresc. molto > T Y CC > S CC T S T h h T

C. >C

take metal str. mute

.C C

g C S

T g

S

Y C> sfz mp >C

S

T

ff >

sfz XmpC> >C S C h S

BO

sffz C ^C

-

T Cg S >

S

-C

S

as 6 8 : soli

S >C

T h

h

g C>

BO

sffz C ^C

, BO

cresc. molto

C>

T

T >C

S

>C

T h

>C

h

>C

T

>

(c- cym.)

g

T

C.

C

C

T

h

BB OO

C

h

C>

> T C h

g

C

BO

>C

T C

g

C>

S

(Xyl.)

]

C. .g T CC T .h g T C.

T

C>

g T C. C. g T C g T C. > C. > .C> CC T T CCC C C h h g g C T C C T C. > C. C>

!

Perc. 3

C > .. T >g C C C C T CC >h > . T g C. >C >C

C>

[ take hy ]

(Mba.) Perc. 2

T

g

>C

cresc. molto

-

C T T > fff S S

C>

h

>h

BO

, B B -

CC C.

CC S >h > C S

>g T CC S T h S > >C T h S -B O

>g CC T

cresc. molto

g T C. g T

-C

T

>

T

C

[ #

T

C

g

>g C T C S >h > T C S h BO

S

, -B

BB OO

-C .CC C T

C C TT TT >h fff > XC T T h fff C , B-

BO

T

>g

>g

C

, BO

BO

^C

BO

BO

cresc. molto

. >g .g CC CC T CC CC T T h .h T > . > > . > .C C T C hC T h BO

W -C

T

C T

#

BO

BO

>

g T .C -C .C

g

C>

Pno.

Perc. 1

.C

S

]

Timp.

C>

W .CC h >C h fff >C fffh > C h >C h >C h C

g

T h

-C

BO

cresc. molto

, X -B C

BO

C.

W -C

[

Tpt. 1

-B

. >g .g CC CC T CC CC T T h .h T > . > > . > .C C T C hC T h BS -B S W BB S S T g g T C C> . C> C. T g g T C> C C> C > .. > . T g .g T CC C C T C C C C T h > .h > . T g g T C . C C. >C > -B S Y -B S X -B S

!

BO

cresc. molto

>

Obs. 1, 2

C

BO

S !

Picc.

C.Bsn.

X -B

133

, Y -B

BO

Ì

X -B

(w. metal)

Q

T S T S T S T S T S T S


19

DUR. - ca. 2:00

2. BUMPY TREK C = 88 ~ 92 ] X ^C C S

Energico[

[

34 !

Flute 1

!

Flute 2

!

Piccolo

C WC 3

f

^ C WC XC

C

!

Oboe 2

!

C WC

3

f

!

3

f !

Clarinet 1

f

>C

WC

C WC

3

Clarinets 2, 3

!

Bass Clarinet

!

Contrabass Clarinet

!

X .C

C

S

Y C X .C> YC YC S

Y .C

> Y C.

#

34

Alto Saxophone

!

Tenor Saxophone

!

Baritone Saxophone

] !

34 !

Trumpets 2, 3

!

Horns 1, 3

Trombones 1, 2 Bass Trombone

#

Tuba

# #

Q

T

S

S

Q

T

S

S

Q

T

S

T

Q S

S

S

T

Q

S

T

S

S

Q Q

S

Q

Q

Q

Q

Q

C = 88 ~ 92 ] Q

34 Q

24 Q Q

S S

S

.C

S

C = 88 ~ 92 ] Q

(2º - take cup mute)

Q

(3º - take metal str. mute)

Q

24

Q

Q

24

Q

T

h mf crisp Y .C T h mf crisp

Q

(take harmon mute)

43

]

3

S

Q

Q à2

Q

à2

34

harmon- (stem in)

Q

(2º - cup mute)

Q

soli

f

soli

(3º - metal str.)

C C C C C _ _

C C C C C _ _

C

W .C h Y .C h W .C h mf .crisp WC h mf crisp

T T T

W >.C T h stinging mf > .g T W C Y C T mf .>h stinging W >C C .C sfz W >C C C.

24

C

X .C h .C h .C h W .C h T

.g> Y CC .>h .C X >C C sfz> C. X C C

Q Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

f

24

Q

C = 88 ~ 92 ] .^ C W C XX CC S 3 .CC S

43 Q

Q

T T T

T T T .C .C C. C.

sfz

sfz

Q

T

>.C h

Q

[ TUBA : TACET MVT. II ]

Double Bass

S

Q

(mute)

#

h ffsfz Y ^C h ffsfz Y ^C h ffsfz

3

g Y C.

T

Q

Q

(2º - harmon mute)

Euphonium

YC YC XC

S

Q

(1º - cup mute)

#

T

S

Q

Q

!

YC YC X C

T

Q

!

Horns 2, 4

h ffsfz W ^C

Q

Q

Q

Energico [

T

S

Q

Q

[

X .C h

T

#

!

C

S

24

T

h ffsfz W ^C

h ffsfz ^g C ffsfz ^g C ffsfz W ^C h ffsfz X ^C

T

3

3

C

C C C

W >.C

W .C

3

C

C

Q

Energico[

Trumpet 1

C

C

XC

3

C C C

Q

] [

3

C

W ^C

34

3

C WC T

Q

Bassoons 1, 2

Soprano Saxophone

C WC

S

S

f

T

WC

W >.C

> Y C Y .C Y C XC

S >C.

à2 unis.

3

C

S

WC

>. C WC

C WC

C

XC

T

3

S

>C

YC Y C Y C

E-flat Clarinet

Contrabassoon

S

C C C C C C C C ff C C C C C C C h ff X >C S S

T

.C !

S

^ C XC

T

English Horn

S

3

f f

Oboe 1

24 S

> C W .C C

WC

Q

24 Q

24

Q

Energico [ 8va

3 4 !

Piano

! [ #

Timpani

3 4

[

]

ff .C

XA YY A A A

34

! !

Percussion 2

Mba. (hy)

T

C) mf T (

TBL

$

Percussion 4

$

Percussion 5

$

S

Q

senza ped.

gl.

!

]

T

XYL. (hy)

Percussion 3

S

tune

Vibes (hy)

Percussion 1

Percussion 6

C

f

h

>.C T

h

>.C T

C C C C C C _C

h

f X >.C h fsfz (hy) .C h mf

S S

S

Q

Q

S

C.>

2 4

WC

24

T

C 3

W .C

C W .^C WC W .CC

2 4

C

WC X C T

3

g W C. T

mp

_C

(sim.)

.

gl ( C )

T

C C

h

C

34

_C

W >.C .C

T

Q

Q

T

gl.

C

(

h

)

.C

3 4 3 4

Q C C C C C

W .^C WC h W C .C C h

C C C

T

S

S

T

S

S

2 4

Q C

g

g

f

C

T

>

C

^g C ff W ^C h ff .C> h f

g

g

C >

T

T C

g

g

C >

S

T

T

S S S

S

Q

T

24

Q C C. C. C. X C > > mf Q Q

S

Q (lg.) WBLs

.C

Q

Q

C. C. C.

mph

T Q

h

.C T


20

6

[

34 Q

!

Picc.

WC

T

.C> .C W .C

g

.C .C>

S

24

h sfz ( ff ) >C C C W C > C >C WC

> . T U C C W .C f

g .C T S

g C. T S

38

>C . W .C >.C W .C >C W .C .C WC sfz sfz sfz Q Q

!

Q !

Q !

Q

E-flt. Clt.

!

Q

Clts. 2, 3

!

Q

Q

Q

!

Q Q

Q

Q

Q

Q

Q

Q Q

Q Q

Q Q

Q Q

Q

Ob. 1

Ob. 2

E.H.

Bs. Clt.

] [

Alt. Sax.

!

S

Ten. Sax.

!

S

Bar. Sax.

] !

S

C

g

(harmon)

[

S !

Tpt. 1

(cup)

!

Tpt. 3

!

S

Tpt. 2

(mute)

S

(à2) Hns. 1, 3

! _

Hns. 2, 4

! _

C

(à2)

C

T

T

h

T

T

T T

T 6

T

34 T T C

sfz W >C W .C .C .C

>.C

C C >C .C >.C

f X >.C h f> .C h f> .C h f g >. C C h f > X .C h f > X .C h f C T

S

S

S S

S S

!

Q

Pno.

[ #

Timp.

]

(vibes) >. ! C C C C Wh C T $ fsfz (Mba.) Q !

[

Perc. 1

Perc. 2

(Xyl.)

Q

!

Perc. 3

(TBL.)

S S

S S

S

(

S

S S

S

(WBLs) (lg.)

$

Perc. 6

$

S

Perc. 5

]

[ to SD ]

S

Q

h

.C T

(sm.)

T

Q

Q

Q >.

S

>.

WC T T C h h f stinging g T T g S W C. X .C > > f > stinging > .C . S T T C h h f stinging C CYCYC g T S YC

T h

>.C

T W Cg .> .> T Xh C

Q >. T W C W Cg h . > g T .C C . h >. . C T Wh C h

S S S

T

S

T

T W Cg . S

T

T W Cg S . Q Q T WC C WC C .h . f > . C W C W C. T WCWC f

Q

Q Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

S

38

g T .C

Q (3º)

S

34

!

Q

Q

Q

Q

Q

Q

Q

Q

S

. C C CWC C C C WC

f)

>C C C C W C > C >C C WC C sfz sfz f> C C C C W C W >C C C >C C sfz sfz f .C T U T U .C T .C h g > mp C .C S h S fsfz Q

sul D

À> O C U 24 T h mf ( poco sfz) (w. strong 8va> accents) T U C C W .C S sfz f X C C C WC C C C C . > (w. lite sticks) U > T C C C 24 S mp sfz S

24

Q g C. T

S (sm.)

S Q

T U .C T

S

g

38

38 38

C CWC C CWC >. > T .C C

ÀC

ÀC

W .C C. >C W .C C. T U

loco

sfz W C. C. C W C. C. C. > C C >C C C C sfz

sfz C W C. W C. C. C. C. > > >C C C C >C C sfz sfz

sim.

T

>C . W .C C. >.C . WC C

Q Q

Q Q

Q .C

T T

>C

.C T >C

10

34

g C C C C C. T S > sfz T S C C C C >C. h sfz

43

.C T h

C

C

T

C

g

h

>.C (lg.)

mf

h

C C C

Q

S S

Q

S

38

Q

Q

T S

#

> T C C C C C C mp sfz S

Q (Mba.)

Q Q

Q Q

Q

Q Q

Q Q

Q

T S

S

T C C C C > mf Q

Q

>B ( to Anvil )

38

S

Q

Q

.C

C C C C

[ to Celesta ]

Q

34

Q

(to Glock)

ÀB O

43

Q

38 l.v. sempre

ÀC h

Q

>.

C T h mfsfz O C TU h mf > CO TU h mp C

WC C C C C C f W C C. T >

34

38

> C C C C W C T U C W .C f >C W C S W C C C. > >W C g C W C W C C C C. T à à à W >.C C. T T W >.C h h h mpà fsfzà > Ã. stopped W .C S T h W C T T W Cg >. mp h f sfz À> O C Q S T

Q

Q

2 4

38

> S C C C C C C C C C C W .C sfz f .C T S S T h S W C W C C. C. C C W C C W C >

T C C C mf X >C W C C C C C C sfz> T CXC S sfz stopped S S T

(nat. harms.) pizz.

Q

T

Q

24

[ 23": mute w. felt ]

T

Q

.C .C Y >C Y .C C C Y >C Y .C C C >C C sfz sfz sfz Q Q

10

S

Q

Q

$

Perc. 4

34

Q

Q

Q

43

Q

Q

38

S

Q

34

> . T U Y C Y C X .C f

24

6

!

Q

S

Q

34

10

43 Q

.C T h S

S

C C T

sfz Q

]

>C C C W C h ( ff ) g >. . . T WC C C W C h f Q T

34 T

W >.C T h > Y .C T h > Y .C T h W >C W .C C. C.

#

Dbl. Bass

( ff )

6

Y .C> h g >. C YC h g >. WC C h g >. C XC h

! S

Sop. Sax.

T

10

WC

WC

38 38

38


21

!

Flt. 2

Q

24 Q Q

!

Picc.

Q

WC

>. g

.C

Q

C

!

Q !

Q !

Q

E-flt. Clt.

!

Q

Q

Clt. 1

!

Q Q

Clts. 2, 3

!

Ob. 2

E.H.

ff

!

C.B. Clt.

!

Q # #

C.Bsn.

]

C

C W >C C sfz

C C >C

C WC C

ff

C . .C

T

C C

X >.C h ff

Q Q

S

Q S S

Y .C h

Q

T

38 !

T

Alt. Sax.

Q

Q

Q

Q

Q

Q

T

Q

Q

Q

T

! !

Q

!

Q

Ten. Sax.

Bar. Sax.

] [

38 !

Tpt. 1

Q

!

Tpt. 3

!

Q

Hns. 2, 4

!

Q Q

T T

# Q

Bs. Trb.

# Q

Euph.

# Q

3 8

Cel.

! [ # $ !

Perc. 2

sfz

3 8

Q (Mba.)

WC

WC

C

> C C WC sfz Q

]

S

C WC C C C WC C C > sfz mf Q

C

>g

38

.C .C W >C C .C .C

f

>. T

T

C h

2 4 2 4

24

(à2)

S

(à2)

S

Q

Q

Q

>À O C

Q Q C >C C C

_C _

sfz Q

WC > C WC WC f sfz C W C C C C W >C C C sfz f Q

mf

gl.

C

C

.C Q

.C .C> T sfz

3 8

(sul G)

38 3 8

38

T

XC h f S

sub.

Q

TU h

WC

C h

"

S Q

S

À>

Q C

2 4 Q Celesta

Q C C >C C C C

.C h

C C C C. C C > sfz C C >C .C C C

T

S

T

!

mf T

C

S

mp W C. S .g S C mp X C .h S g X C mp . W >C. h WC WC mf > Y C. Y .C h mf Q

C

W C. C. .C

T C

h S

C W C W C. C.

g C. T

g C.

T

g

CO g

h

Q

h

Q

(w. metal)

(small) Anvil

T

3 16

.C

h mp

S

S

S >

.C T U T

C C .C hj . WC WC TU T

X >C UT jh f. C. TU C T f . XCWCWC T

W .C h à B

C. h

S

TU T >C C .C

. TU C T S

X ÃB O(slow WA) mp

Ì

Q

T

S

T

WC C

S

g T

g W .C W .C h

S

S

T

S T

S S

S

3 4 Q

34

Q Q

3 4

.C .C C> .C .C .C .C .C _ sfzp Q

as precise

T

S S

Q

Q

Q

T

34

S

S

.C

S T

f

S

S

.C

T

S

S

Q

[ take my ]

S

Q

S

> C .C .C .C _ mfsfzp S

f

C

34

[A

.C h

Ì

Q

G]

T

S

S Q

Q

Q Q

Q Q

Q

l.v. sempre

C

34

T

g W .C .g W C W C .h g W C. > W C W .C

Ã

[ remove mute ]

(w. brass)

Glock.

Q

3

(w. dowel)

2 4

Q

3

(sm.) Snare Drum

Q

.C .C .>C sfz Q

T f poss. X .C > C C WC

2 4

sfz

sfz Q

24

Q

T

C

Q

. Y .C > Y .C Y .C C Y C Y C mf T

C

Q

Q

WC C C C h > W >.C C C C C W C .C .C W .C sfz> W .C .C . Q WC C ( f ) sfz Ã> à stinging WC B fsfz - mp à à stinging W C> B fsfz - mp T S (stem in) harmon mute > .> C .C .C .C W C .C C fsfzg mf g mute T T C. C mp .. mute .C WC T T h h mp Q C> C C S C

C

Q

S

C

C

Q

C

2 4

Q

24

Q

X >B

gl.

.C

(WBLs)

$

CO

C C C >C C C

$

Perc. 5

T

Q

À>

Q

Q

$

C.

W .C

14

(Xyl.)

Perc. 4

"

Q

!

Perc. 3

h

C h

.C

(f )

>.

T

Q

Q

TU h

3 8

] [

T

38

!

Perc. 1

24

T

Q

T

Q

g

T

Q

mfsfzp

Trb. 2

] !

Q

Q

cup mute

Trb. 1

Timp.

T

(cup)

Hns. 1, 3

Dbl. Bass

14

(harmon) g T W .C

#

Q

Q

Q

WC C C WC C C > (f ) (str.) Q

!

Tpt. 2

Q

Q

Q

T

Q

24

f

C hp Q

Q

38

X >C .C T U W >C .C T U X >C .C T U

Q

C

Q

24

Q > X C .C U W >C .C U X >C .C U T T T

Q

Q

Q

W >C .C U T f W >C C. T U

Q

14

[

Sop. Sax.

Q

34

. W >C W .C C C

T

C.

W >C W .C .C C

Q

.C

g Y C. mf >g > S C WC . mf Y >C Y C Y C X C S 3 >X C WC C g T W C. f 3 . 3 X C S C WC WC XC C W C WC . f 3 X >C W C C g T W C. f 3 Q

Y >C Y .C C. C. f

Q

Q

mf .C

T

S

T

f

T

S

3

.C

Q

T C

>h

C> C W C

T

Q T

T

Q

C C >C

C WC C

Bs. Clt.

Bsns. 1, 2

.C

Q

Q WC C C (3º) . . . .C W -C

Q >C. sfz

Q

Ob. 1

24

Q

f

!

Obs. 1, 2

.C

W .C

38

Ì

. TU C T

-C

. TU C T h

.C

>. TU C T fsfz [ to Ì

38 !

Flt. 1

Perc. 6

X >C C C W .C h f 3 X .C

14

[

]


22

[

T !

Flt. 1

W >C C !

Flt. 2

W >C W C C W .C h 3 (f ) C W .C S

f) 3 g T ! W C. >> .g T W CC ! .h T > W .C >. W C ! mf . >C Y C Y C Y C

Picc.

(

Obs. 1, 2

E.H.

E-flt. Clt.

!

S S

Clts. 2, 3

Bs. Clt.

!

T

C.B. Clt.

!

S S #

Bsns. 1, 2

S

#

C.Bsn.

S

] [

W .C ! h

Sop. Sax.

Alt. Sax. Ten. Sax.

Bar. Sax.

T T

T

T

S T

g W .C .g T W C T W C .h g T W C. T

T T

T

Tpt. 1

. ! Wh C f (cup) ! S

Tpt. 2

! WC WC (à2)

S

Hns. 1, 3

! S

!

(cup)

"

T

Trb. 1

Trb. 2

Bs. Trb.

#

Euph.

#

(harmon)

"

S

W -C h mf

YC . mp sub.

YC YC .

.

.g T XC T .h

>

3

Y C> C

C X .C h

3

S

(mute)

S

S

S

S

C

C C

S

T T mf à C

C

S

C

T T

W Cmf S

mf

B>

.C>

gl.

g

h fg C. > f S

gl.

C T S hmp C C C C C C C T ph à ÃC C T h Ãg T S C

S

T

T

S T

S

! ]

T W .C h . T hC

W -C .C h

T !

Cel.

Q

W >C W C .C S S

3

>

! WC C

C W .C S

S

3

Perc. 1

[

gl.

Q > W .C C. p .C !.C

T

p!

.C .C >C .C >C .C >C .C _ _ mp sfz mf Q

S

(Mba.) Perc. 2

f

T

S

W .C

S S

S

3

S

. > XC C WC WC

!

C

C

C

] ! WC

WC

B

C

sub.

Q WC mp

WC

.

. C

C .p

S

ph

.C T

S

B

S

Q Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

S

S

S

S S

S S

S

S

S

.C

.C T

> .C W .C

mfsfz (Y) C C

h

24

Q

.C .C .C . .C X .C WC T

B

S "

S

T

Q Q

Q Q

Q

S

T

h h

X >C

C Y .C

C

.C h

.C

S

S

T

S

S

Q T C C > mf g T XC p C

C BO

W C .C Y .C Y .C Q

> C C C C C CWC C C C > sfz sfz

24 24

Ì

C W .C h W .C h S S

2 4

T

3

S

. . W .C CWC C

(slow WA)

p

T W .C h T X .C h

À> O C

CO C

T W Cg .

ÃB .C

.C X .C

Q

B

(pizz.)

À>

T

Q

24

Q

S

T

Q

Q

-C

h

Q

Q gl.

T W C W C .C .C

.C

Y .C Y .C .C .C Y .C

Y .C Y .C .C .C Y .C h . W .C W .C W C h

.C

"

Q

Q

X -C T h mp

WC C W C C. . p

Q

Q

(undulating)

S

S

S

Q S

à2

Q

W .C

(still hy)

S

Q

Q

mf T X C> C

[ to SC ]

Q

S

T h mf

S

Q

Q

Q

Q S

Q

S

3

(Glock.) Perc. 4

S

3

(SD)

$

W >C X C

20

XC XC .

S

S

S

S

Q

.g

S

(sul A)

Dbl. Bass

S

Q

CWCWC C C C

Ã

T W -C h mf

S

Q

W C W C. C Ã X >B

T

Ãg

S

W C W C. C. mf

Q

Q

. W .C T WC h p delicato S

20

C T

S Q

C

T

Q

24

meccanico/molto stacc. >. . .C .C W .C T .C .C T C C W .C p meccanico/molto Y .C Y .C X .C stacc. Y .C Y >.C Q T T p mfsfz Q Q

S

Q

.C .C X >C C W C C W >.C sfz g .C T W C. T h C. W .C T T h h

S

T

Q

sim.

(mute)

T

3

S

( mp ) gl.

h

C C

S

C

S

h Ã

W >C h f

T

g T T C C C C C C T C S .h Q

S

3

. WC WC C T T X -C W C T h h mp 3 X -C C Y C Y .C S Q mp 3 .g - 3 C T S S S T X C W C WW CC C T .h XCWC - 3 mp X CC Y C Y .C S Q mp 3 T W C g W C g T Y C. Y C. S . . pp . . .g T .g CC T W CC WW CC S T W CC . pp. .h .h g g T C. T C. W .C S W C. pp

W -B

. W C WC S Y C XX CC W C W C YC . > 3 mf Y >C C C . T XC h mf 3 S S

C C

W >B W B>

T

C WC . C

mp . C C h

> XC T XC mp 3

S

Q

mf

S

S

Q

X .C >Y C X C Y C

f .C W .C X C > C W C C C. > sfz > sfz T S C

S

Q

T

( mp )

(à2) Hns. 2, 4

.

mf

Q

20

S

C. C.

S

Q

S

fsfz >C Y Y C .C Y >C Y C Y C . YC fsfz mf

T

T

S

mf

(str.) Tpt. 3

3

3

>

S

X >C

C X .C h

S S > .C W .C C C (W ) C C >C

T

0

h sfz> .g CW C >.h sfz> (W ) .C h g .> C YC h sfz

mf

T

(harmon)

[

>.C

g

mf . CWC

W >C X C

S

S

S

] !

T

S

T

X .C ! h W .C ! h

T

X .C

g W >C W C C W C. f 3 g W C ( mp ) . .g CC ( mp ) .h g C . mp ( )

S

WC

T

g W >C W C T C W C. ! f 3 . > 3 Y C Y C S ! Y C YY CC Y C Y C YC . f > 3

Clt. 1

T

T

W .C

3

f

T

S S

Y >C C

20

>CÀ

T T

T WC h

.C

T

h

.C T

C T

h h

À W >C

C

Q

Q

Q

Q

Q

Q

Q

[ to Piano ]

C C CWCWC C CXC > sfz Q

gl.

C

C C C C WC C C C Q

g


23 25

[

C C Y .C C Q

!

Flt. 1

S

T

!

Flt. 2

>.g T

X Y CC .>h mf > Y .C mfh

Obs. 1, 2

! !

E.H.

T

T T

T

!

Clt. 1

!

mp

T

.g

CC .h

C h .mp

T Q

.g

S

C C

mp .3 g C C T C C C mp C C C .h 3 g C T W C -C h h

YCO p-

C .

T

S C.

C

!

S !

S

Bs. Clt.

YC C C C C C C C

Bsns. 1, 2

" ]

mf X .C> h fsfz >. C h fsfz

C T

g

S

X -C

C h

T YC CYC C C C

25

Sop. Sax.

[ !

Alt. Sax.

!

T

S T

25

[ !

Tpt. 2

!

Tpt. 3

!

Q

(harmon)

X C> C C C _ C f (cup) Q

T

S T

S

Q

X >.C ! h mfsfz (à2) > . ! YC h mfsfz " S

Trb. 1

mp

Q

(à2)

Hns. 2, 4

(cup)

T

(harmon)

WC

-C

g

mph

"

Bs. Trb.

#

Euph.

"

Y 0.C T S h mfsfz (mute) Y C C C C C C C.

Trb. 2

XC

g

mf> Y .C h sfz

Q C C C C C C T mp S T C C mp Q

(str.)

Hns. 1, 3

-C h

Q !

Dbl. Bass

C T p

]

Tpt. 1

Q S

!

Bar. Sax.

34

p

Q

Ten. Sax.

X -C O T

X -C C

h

Y -C h

Q Q

Q

25

PIANO

Pno.

# Q

(sm.)

[ $

Perc. 1

SC

C-

T

S

(Mba.)

!

> X Y .CC T h fsfz

Perc. 2

T

(Xyl.) (bring out) (my)

Y C> C C C C _ f (GL.) S T !

Perc. 4

(WBLs)

Q

$

Perc. 5

s Perc. 6

mph g C. mp

]

$

Q

g C mp

C.

T

.C

> Y .C

h

S S

fsfz

!

Perc. 3

Q

[ scrape w. small coin; mute with hand. ]

S

.C

C mf C

g

.C p

B mp

S

T

C

C C

-C

h

S T

XC .h

BO

>h sfz p .g

.C à2 YC C C 3 p

T

C XC C . C

3

T

.C

.C

S

S

3

.C

3

.C

C C C T

C C C

3

3

>.C h

3

.C

C C

.C

.C h

C C

.C

C YC C

gi C TU T S

BB OO

gi U T CC TT U T S

jh

C U T jh T

BO

S S S S Q

T Q

Q Q

Q

3

.C T h mf sub.

BO

sfz p S

S

Q

Q 30

> C .C T mfsfz > C .C T mfsfz > C .C T mfsfz

T

S

Q

Q Q

Q Q

Q Q

Q Q

Q

Q

Q

Q

Q

Q Q

Q

S #

T

T h

>.C S

.C> h

g C

S

S

C>

C-

C. h

S

C.

C. mp T

T

C-

C.

S

C.

Y >C

Y .C C.> mp sfz C >C C Y C C C

C

C

C C

C-

g C C C. > sfz

B

YC >

S

molto stacc.

T

p

.C (Y) .C

.C

C. pp T

C C C C C

>

g C. C > sfz> . C T Y Ch

B (Ped.)

S YC

30

Q (to Celesta)

Q

Q

Q

[ to SD ]

g T C C. > sfz >. Y .C C T

S

> C C

(hy)

S

T

Y C C C C C C >C C C C C C

mf Q

Q

SD (light sticks)

C mf T T

g C

g

C h

.C CO

h

.C

C

g T

C

g

C

.C

.C

YC

T

T

C

g

B

h

.C

p

C

$ S .C

.C CO

.C >.C T mfsfz

.C

Q T

YC

C

.C .C Y .C h mp T

Q

C C

g

T

Q

poco marc.

h

Y >.C h T

Q

C

S S

Q

l.v.

C

BO

Q

d

C

Q

Q T

T dim. ( al pp ) C. C C C C >. mf f sfz S

Q

Q

.C>

C.

T

Q

C> O CO

C-

S

S

C C

f

S

3

C C C C C

C C C

> Y C C C C C C .C C C C C C sfz mf crisply >.C (Y) .C .C .C Y .C T h T T h h sfz mf molto stacc. > C C

T

Q

C Cg . p

p

C S

T

S

p C C C > C

C C C .C T

Q

30

C C

3

W .C C C C h

C

C sfzp

C C C

Q S

S

>

C> sfzp

3

T

Q

molto stacc.

à2

T

g C. p

sub.

C. C C C

C XC C . C

T

mf

.g YC .h pp S

.

C C C .C

3

B

34 34

sub.

Q

S .

CC

T

sfzp> B

S

C

W C. C C C h

À>

S

CC . S

3

C

mf marc. Q S

YC .h> sfz> .C T h sfz >C C C T

T

T

Q

h

3 4

3

T

C

C Y C C Cg . > >.g p .

T

3

g

gl.

C mf

3

30

Y C Y .C pph

BO

3

C

C

3

3

C C C C S

C

3

Y CC T .>h mfsfz X .C> T h mf sfz W >C X C C . C

S

l.v. sempre

.C

>.g

T

>C

S

C YC C C C C C

B

.g

S

Q

Q

!

C .h

S

S

] !

gl.

Q

p T

.

.C S C C C 3 mf C C C C. T 3 mf .C S XC C C mf 3 C C C . C T 3 mf

34

Q #

CC .

T

S

T

.

>C

>C Y C C .C T

C YC C . C

C C .C T h dim. mf 3 molto >C C C B T mf 3 sfz p . 3 C S C C C C S C C C . 3 C C C X .C B > 3 sfzp 3 g T YC Y C T C # YC C T T C YC h

S

C.

S

molto dim.

.C

3

Clts. 2, 3

3

mf

-

Y .C mph . C C C C 3

34 S

3

h

3

C

S

S

E-flt. Clt.

mp

mp. C

C C C

C CYC . C T T h 3 mf molto dim. .C C C C S

S

[ to SC ]

Q

T

[ to Anvil ]

Q

C C

.C>

mp h sfz

S

T

C C

ph Q

Q

.C

C C C C


24

[

Flt. 1

Q !

Q !

Q

Flt. 2

!

Picc.

Q S

Ob. 2

E.H.

!

Q !

Q

E-flt. Clt.

Clt. 1

S

T S

T S

g C. p h

g C. p h

S 3

S Q

!

T T

p Q

Bs. Clt.

(1º) Bsns. 1, 2

# ]

Q

[

! S

Sop. Sax.

! !

Q

] [

(à2)

! S

Hns. 1, 3

S Q

Ten. Sax.

Bar. Sax.

> T W .C mph > . T hC mp

S

! S

Alt. Sax.

(à2) Hns. 2, 4

!

Trb. 2

#

Euph.

" (mute) S

Perc. 3

Perc. 4

p

p

.g

S

3

3

T

T T

T C

XC C XC

3

p

3

C C C . C

p

.g

S

.g

3

T

Q

h T

YC Y C C YC

T

S

S

.C . C

24

.C C.

Q

Q Q

Q

Q

C C C C C C C C mp Q

Q

Q Q

Q

C C .C C. C C C.

W .C h

Y >B O

C W C .C .C W .C h T mp T

f sfz > WBO

Q Q

Q

T X -C O

h

C YC

C C

B

mf C

T

h

mp

p

mf X .C h mp C

sub.

T W .C S h mp . T Wh C S mp X .C T h S mp sub. . T Wh C S mp

C

34

> B)

(

mp

f sfz

S

Q

B

24 S S

S

h

Q

W .C h .C h S

S

S

T

.C

S

S h

C.

34

T

Q T

Q T Q

T

34 Q

34

.C .C C W C

C. h

T

S

. C. C C W C T

molto stacc.

.C X .C C C . .C C

C C mp S

>

.C

C C sfz

.C

C C

Celesta

Q

T

C>

g

C

mp

arco molto pont.

gl.

p

Y >C Y C Y C C. S

C C C .C h

Y .C YC YC h C> T

S _

. T XC C WC XC

S C

>. g

C

C

C

3

sim. g C

C S

S senza accent

C C C C mp

C

C

S C C S

C

T

-B

C

C C mp C C C

C

C h XC

C C C C S mf S S .C .C >C C C _ S

mf

_

C

(X ) C C

C

g

2 4 (X ) C

C

h

Q XB mp port. X B mp

C C C C

dim. (my)

C C .C

mp

C C .C C. C C C C S (dim.)

pp pp

B mp > W( B ) mp

C

pp "

pp

(non trem.)

__

WB

24 2 4

W B> ( ) mf C

(X ) C C

C

p C

C

C

Q

W -B

mp

34

gl.

B

C C

Q

YB pp

_

-C

Q

B

XC

C

Q

B

p

>.

(my)

24

S

Y C_

Q Q

S

S

C C 34 C W .C h 3 .C # T C C C

3

T

S

C pp

CXC C .C 3

S

_

C_

T

3 3

T

T

YBO p YC #

__ C

Q

S

h mf > W .C mfh YC

XC

g

C S

[ take my ]

S

.C .C

>.C

#

-C

C

T >

C WC C

mp

(quasi-gliss.) g WC

S

3

C _

. C. C

Q

C Y C C.

SD (chugging)

S S

C- O

XC C

C

poco

.C

S

3

mf

. C. C C

poco

T

>C S

> > C C C C C _ (Mba.) g ! C C C Y C Y C.> T S sfz (Xyl.) Q ! rs> (lightly) (SD) $ C C C C .C T S ] h mf

T

g>

Q

Q

!

C

Q

Q

)

T

T

.C h

T

34

.C

T

Q

.C

mf .C C C C

X C WC . C C T h 3 . 3 C S C C WC Q

3

T

W .C h Y .C h

T

T

Y C C .C C

3

C C C C

T

W .C h

3

3

Q

T X .C ph

C

T XC C T

T

Q

$ S

g C.

T

Q

!

Perc. 2

g C.

Q

] !

[

T

Q

Cel.

Perc. 1

T

Q

(

Dbl. Bass

.C

mp X .C C C WC

3

C

W .C T S S h. 3 mp 3 > mf solo C C C C. C .C C C C _ S S T f. .C X .C C W .C T C C WC S h T S C CWC h mf 3 3 mp cresc. X C XC C C g T S Y .C X C T T C .C S W C. h 3 mp 3 mf .C X 3 W C W C C Q W C. X C. C W C W C X C. 3 mf. . C Y .C YC YCXC X .C C C C C W .C WCWC Y C T h h T h T 3 3 f X C WC . C C YC C . g C C C YC T S C C T S . 3 3 3 mp mf .g mf . mp C . (2º) Y C X C C Q T CWC WC CWC WC C Yh C . S 3 S 3

Q

.C C. .C C. .C C. W C> C mp sfz Q

(mute)

Bs. Trb.

g C.

W C C CC CWC C .h C

W .C h Y .C h

molto stacc.

(harmon)

#

T

C C C . C

S

(cup)

#

Trb. 1

T

"

T

3

S

!

C.

.C

T WC WC C h p

3

p

S

3 Clts. 2, 3

T Q

^ C C Y C X Cg T C ! .> fsfz ^g C ! C C Y C X C.> T fsfz .C W .C X >.C T ! h fsfz

Ob. 1

S

p Y .C Y C YC C h

T

3 cresc.

34

C> C

C> X C C .C

YCYC Y C .C

S .C .C .C

C

g

C C C C C C C. C.

C C C. .C C C C. C. p C C C C S

S

g

C C C C p C C C C C C C C > mf Q p

C

C C C C S

!

3 4

3 4 34


25

37

T Y -C h f

34 ! !

Clt. 1

p

sub.

Q

TU Y C C Q

!

Q

Q

# Q

Q

.C Y -C h f

24

Q

#

Q

S

37

[

34 !

Alt. Sax.

!

Ten. Sax.

> Y .C h fsfz> g . C C T h fsfz> g . C C T h fsfz> g X .C C T h fsfz C

T

! ] !

g

S

S

Q S

Q

S

S

Q

S

[

g g T T U C- O C Cmf sim. (cup) soli U X >C X >C C W .C T C W .C C S T . W C. f sub. (str.) > > (sim.) soli Y C C . T U C .C .C C T T T TU h f sub. sim. (à2) C -C O CO T W -C C C O h p mf sim. g (à2) T Y C- C C O C C- O CO p mf> Y .C (cup) T h S S mfsfz> . (harmon) C T h S S mfsfz> . (mute) T Yh C S S mfsfz Q

34 ! !

Tpt. 2

!

Tpt. 3

Hns. 1, 3

!

Hns. 2, 4

!

Trb. 1

#

Trb. 2

#

Bs. Trb.

#

Euph.

" ]

Q

(harmon)

S

C-

g C

g T

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WC

>C O

W >C

>C

>C O

W >C

W >C

24

mf

C

B

p

S

T

T U hj mp >C C .C

>C . C X .C T h > T U C .C .C g T C. mp C C

.C Y >C .C . C h

C >C O

X >C O

mfsfz Y >C O

T

.C Y .C

.C

T

h mf

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Cel.

34

! Timp.

[ # ]

43

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T

[ $

Perc. 1

!

Perc. 2

3 4

!

Perc. 3

$

Perc. 4

(lg.) SC (molto secco) (w. wood)

T

$

Perc. 5

Perc. 6

]

$

>

C hmf

S Q

W -C O TU W _ C O h

. X X CC

Q

C

Ì

C -C O

WC

gl.

B

C CO

T

g

YC

>

Ì

C

T

XC

g

>

Ã

C h sfz Ãg C sfz

T

T

T

T

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

C C _

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C

Q sim.

Q

Q

Q