Page 1

Sydney Hodkinson

SYMPHONY No. 10 A DIVERTIMENTO

SIX REFLECTIONS for WIND ENSEMBLE

MAY 2011


commissioned by the SCHOOL OF MUSIC / STETSON UNIVERSITY in commemoration of the 25 th Anniversary of the appointment of BOBBY ADAMS, Conductor of their Symphonic Band. - Deland Florida, Fall 2012 -

special thanks is expressed to Stetson faculty Professors Kang, Kerney and Schmidt for their expertise.

- ii -


INSTRUMENTATION: - Trumpets in B-flat 1, 2 & 3 (1º doubles Flügelhorn in B-flat)

- Flute 1 [ opt.: solo doubling Piccolo ] - Flute 2 [ doubling Alto Flute ] [ opt.: solo doubling Piccolo ]

- 4 Horns in F

- Flute 3 [ doubling Piccolo ]

- Tenor Trombones 1 & 2 - Bass Trombone - Euphonium (Baritone Horn)

- Oboe 1 & 2 - English Horn (in F)

- Tuba - E-flat Soprano Clarinet - B-flat Clarinets 1, 2 & 3

- Double Bass

- B-flat Bass Clarinet - B-flat Contrabass Clarinet

- Piano (doubling Celesta)

- Bassoons 1 & 2

- Soprano Voice ‡

- Contrabassoon - Timpani (4)

- Soprano Saxophone in B-flat - Alto Saxophone in E-flat

- 6 Percussion (see percussion key on pg. 70)

- Tenor Saxophone in B-flat - Baritone Saxophone in E-flat

The piano and double bass may be lightly amplified if desired, especially in Mvts. 1, 2 and 6.

‡ See Performance notes.

THE SCORE IS TRANSPOSED

Notes to the Conductor: 1) The soprano voice should be seated within the woodwind section as unobtrusively as possible. Her part in movements 3, 4, and 5 - is not soloistic and should be treated simply as an additional orchestrational resource. Slight amplification of this part is perfectly acceptable. 2) Movement 4 - pgs. 36 - 44: (a) Although imagined for the full wind section, at the conductor's discretion this movement may be performed by 20 solo players: one on a part. (b) The voice part in this movement is improvised. All pitch is indefinite, but the general contour should be followed. It is a ‘strangely-coloured percussion instrument’ using "scat" syllables. Textural hints (e.g., shoo-bee, bop, etc.) are sometimes given. The singer should be somewhat familiar with the jazz work of Sarah and Ella. 3) Movement 5 - (pgs. 48 - 51) : All ensemble humming/singing is notated at CONCERT PITCH. Stagger breathing; choose either pitch if two are notated. (The required notes may be quietly played on one's instrument before vocalization commences.) Further clarifications to conductor and performers are given using numbered asterisks within the score context.

- iii -


SYMPHONY No. 10

(2011)

Sydney Hodkinson (b. 1934)

A Divertimento for Wind Ensemble

DURATION

PAGE

- 1. - HULLABALOO

3:15

1

- 2. - BUMPY TREK

2:00

19

- 3. - STROPHE

3:30

32

- 4. - GOSSAMER

2:00

36

- 5. - CANTICLE

4:00

45

3:30

52

[ in memoriam: Henryk Gorecki ]

[ in memoriam: Vincent Persichetti ]

- 6. - SHINDIG

PERFORMANCE TIME: approximately 20 minutes.

PROGRAM NOTE: This work was commissioned by the School of Music of Stetson University, Jean O. West, dean, to honour the 25 th anniversary of the appointment of Professor Bobby Adams, revered conductor of the School's Symphonic Band. The term ‘divertimento’ has been with us since the 18th Century, denoting an enormous range of instrumental compositions consisting of relatively short sections written primarily "for entertainment." Although the segments of SYMPHONY No. 10 vary greatly in style and tempo, they can be roughly paired: No. 2: a pecking, often cackling, scherzo, the journey bouncing through the entire ensemble; paired with No. 4: a light perpetual-motion study, scored for woodwinds, celesta and percussion which is largely fluid and

soft, but demands considerable ensemble alacrity from the players. An historic strophe is a designation for a song in which all of the stanzas are sung to the same music. The two slow movements are also paired: No. 3: is a four-phrase stanza which is repeated five times with altering harmonies and registers. Scored

for brass, saxophones and percussion only, the piece was composed as a memorial to a friend, the great Polish composer Henryk Gorecki (1933-2010) who died during the time of writing. This hymn is paired with No. 5: a gentle, plaintive arioso written in memory of the American composer Vincent Persichetti (1915-1987), a long-time personal mentor. No. 1 and No. 6: are joyous - the former often employing stomping and shouting rhythms, the latter reminiscent of a 19th Century barn dance, sometimes stumbling and one-legged (almost everyone gets to ‘doh-si-doh’). Hopefully, both of these movements give more than a nod, and serve as a testament, to the ebullient nature of the dedicatee, a man who has given me many memorable musical moments. SYMPHONY No. 10 is approximately 20 minutes in duration. The score, dedicated to Bobby Adams, was

composed in the fall of 2010 and the orchestration completed in May of 2011 in Ormond-by-the-Sea, Florida. S.H.

NOTATION: . . . All accidentals hold for the full measure, but not at the octave, as in customary practice.

?

. . . Square brackets indicate leading melodic lines to be brought to the foreground of the prevailing texture.

?

. . . Bracketed fermatas indicate a substantial broadening of the pertinent beat, but not as long as the conventional pause.

MV . . . (double bass) molto vibrato.

&

n

. . . (percussion) Completely dampen all vibrations. . . . niente - used as a dynamic beneath the level of

ppp

(pianississimo).

Suggested subdivisions for asymmetric conductor beat patterns are given in brackets above the signature : e.g., [ 2•3 ]

45 - iv -


Dur. - ca. 3:15

1

•to BOBBY ADAMS, with thanks•

• SYMPHONY No. 10 •

Transposed Score

A DIVERTIMENTO

Six Reflections for Wind Ensemble

1. HULLABALOO > C W .C > ^ W C .C .C Y >C Y .C

C = 126 / C O 84 ] -C C C S S h T S f -B C T Q h f -B C S S h T S p fà2 C S h T -C T C g T Y B C T T h C T h f -h h

Con brio[

[

34 !

Flute 1

!

Flute 2

Piccolo

!

Oboes 1, 2

!

English Horn

!

Q

E- flat Clarinet

!

Q Q

!

Q

Q

Clarinet 1 B∫

!

Bass Clarinet B∫

!

Contrabass Clarinet B∫

!

Bassoons 1, 2

#

Contrabassoon

# ] [

34 !

Alto E∫ Saxophone

!

Tenor B∫ Saxophone

!

Baritone E∫ Saxophone

Trumpets 2, 3 B∫

!

Horns 1, 3 F

!

Horns 2, 4 F

!

Q

S

S

W .C h f

T

à2

Y C > Y C. S sfz > W C W .C S fsfz S S

C mf

S S

Y >C Y .C

T

Y .C >C >

Y .C >C

T YC h mf

S

T

S YC mf

>g

Q

Q

W .C h S T

>C

h mf

Q

h mf f sfz W >C .C >C W .C ^. WC T h mf f sfz > .C^ > g . g . C W C WC C T h T h T h sfz Q

WC

C. h T g

.C Y >C .C T T

. > YC YC

> T Y C g Y .C Y C > mf S

Q > . C W C C WC T S T S

C WC h> .h T

> W .C C T h h T

R R T T S

.g

S

à2

Q

S

Q

T

Q

S

Q

R

44

Q

Q

Q Q

Q R Q

S

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

> T Y h C Y .C T h f

^g

T

YC sfz T sfz ^ S g WC T W C W C T T W Y CC h f >h sfz Òh Y -C Y .C - .h ^ Y C h Y C. Y C > X C . XC f brusquely sfz . T Y C T g T ^g h Y .C C f sfz W >C .C ^ > h h T W C W .C (W ) CC CC f Ò sfz . g T h C T W C T ^g . WC f sfz Q

Q

C = 126 / C O 84 ] Q

Q

R

Q

Q

Q

34 R

^ T Y .C S h ff sfz

Q

>g

T

S

h S ff sfz >. T Wh C S ff sfz > g T W C .C S h ff sfz

4 4

>C Y .C Y >C .C Y ^C. h h fsfz >C . >C . Y >C Y .C Y ^.C . Y Y YC T YC T YC h h f sfz . > . .^ > . > g .g C Y C Y C YX CC C C T Y C T Y h C YY CC Y C Y C . > . > . Ò Q f sfz mf > . . C YC T YC Q h

>.C

T

Q

3 4 !

S

T

Q

Con brio [

[

Q

(2011)

7

Q

! ]

Trumpet 1 B∫

S

S

sfz Y >C Y .C S sfz

fsfz > . YC S Y C Q Q Y C YC S > . fsfz Q Q S Y C> Y C. fsfz Q Q S Y C> Y C. fsfz > . C-Y C à2 WC C S Q h T h T -C T W C W C S h > . f sfz W >C C. Q Q S fsfz Con brio [ C = 126 / C O 84 ] Q Q Q

Clarinets 2, 3 B∫

Soprano Saxophone B∫

S

S

SYDNEY HODKINSON

Q Q

T

>g .g T > . Y T C C YY CC T Y C C Y CC > . f >h .h Q Q

Q Q 7

34

T Wh C mf

S

7

Q

3 4

4 4

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

"

Bass Trombone

# Q

Q

Q

Q

Q

Q

Q

Euphonium

# Q

Q

Q

Q

Q

Q

Q

Tuba

# Q

Q

Q

Q

Q

Q

Q

Double Bass

# ]

3 4 !

Piano

!

S

T

f

S

C C

Ch

h

8va

T C d

h

-C

YC mf

h

C C

C h

YC C

pizz. (sul E)

S

S

T

g C

Àg

C> mfsfz

C jh T U T S

C

À C

Àg

S

gi T U T S

C = 126 / C O 84 ] Q Q

3XA 4 X YY AA A

]

Vibes (hy)

[

3 4 !

Percussion 1

-C

!

S

sim.

T S

T

À

S

C> O Q

Q

Q

#

Q

S

À h

À À

À

C C

44

Q Q

h

C

T

43 Q

34 Q

C C

f d C C C

C

YC

C mf

7

. CYC T h

g T C C C. mf

Q

44 Q

43 Q

Q

Q

Q

44

Q

34

Q

!

Q

Q

Percussion 4

$

Q

Q

Percussion 5

$

Q

Q

Q

Q

$

Q

Q

Q

Q

Q

S

Percussion 3

(hy)

f

h T

C C

C

C C .C h T h T

YC

XYL (hy)

Q

Q

W .C C. C. f g Y C .C Y .C S f Q

!

Percussion 2

]

T WC > f

Q

> >.C . W C T T W .CC h h h fsfz X C W .C W -C .C . C _ T h_ fsfz> TAMB. . S S T C h mf sfz Q

MBA

Percussion 6

44

Con brio [

[ #

Timpani

Q

8va

T

Q

Q

Q

-C

Q

Trombones 1, 2

43

h

Q

Q

(1º - take cup mute)

>C . C

T

WC

S

g

S

mf

.C > W .C h h T T

YC

g

mf

WC

S

g

>. . C WC T

g g .C Y C. T S Q

WC

g

> T W .CC S h R

T

g

C. .C T h mf XC

h

dim.

Q

Q Q

Q Q

Q Q

Q

C C

C. .C


2

>

[

C C. W -C W C . W -C X C . WC WC T T h h mp f . > . T W C C -C W C C. W -C W C W h C T h mp f -C W -C O S T WCO h mp f mf Q Q !

Flt. 1

!

Flt. 2

!

Picc.

Obs. 1, 2

!

E.H.

!

Q

S

Q

S

S

Q

S

C h T Q

S

f sfz

Q

Q

-C Y C .C T S T h h mp f .C Y -C .C C.C Y >C Y -C T h Y .C h h h h mf . . T >g . Y C Y C C Y C Y C Y C Y C . C Y C Y TC Y C Y C Y CT T Y C C YY CC Y C Y C Y C -h .h h> . . - . mf T -C S T S C W C- O h mf Q Q ! !

Clt. 1

Clts. 2, 3

!

Bs. Clt.

!

C.B. Clt.

! #

W C .C W C C . -

S

YC S

-

Y T C CC -h

> . X -C C T C W C W .C h

Q

Q

-

> Y .C

Q

g

g Y -C Y .C T

f sfz> -C X .C W -C . W C C T h fsfz> . - Y Cg T S Y C Y C C YY CC .h T S - > fsfz C T S S h f Q Q

Bsn. 2

# Q

Q

Q

Q

C.Bsn.

# Q

Q

Q

Q

Sop. Sax.

[

]

T Wh C T Wh C S !

as 6 8:

W .C W -C h

X .C h

W -C

X .C W -C h

S

T W -C mf

W .C h S

-C

! WC mf

Alt. Sax.

Ten. Sax.

Bar. Sax.

!

W -C T T -C S h h

Q S

] !

W >C .C W C C . Y .C h T S S

X .C W -C h

W .C C

W .C C Y -C T h mf S

C

Y C> Y .C >C h

C Y -C h

> W .C X C

>. -W C W C W .C T C h T h fsfz mp Q >. YC Y .C Y -C h T S fsfz Y .C Y -C C h T S f

Q

Q

Q

Q

Q

Q

Q

T Q

Q

Q

Bsn. 1

>

S

C

S Q

S

12

W -C W .C T h fsfz> g . WC C C- g T W C. fsfz> g . WC C g W -C C T

Q

> . C Y C Y -C Y C Y .C

E-flt. Clt.

> X C.

g

WC

> >g .g T Y C Y C T YCC C T C >h .h > mf g T T g C> Y .C (Y) C> mf Q

Q

XC YC .

.

C.

> >g . Y C Y C T YCC C C h > . > T g C> Y .C C> T

> . . . C Y CC Y C Y C YC C C > . . . .C Y .C C> C. S

Q

S S

S

Q g T Y C.

S

Y Y

g T C.

>C .C . YC T h > Y .C g S YC T YC . mf . T .C S Y C T h mfh

g T g S C. Y C. T g T g S C. Y C. > >C . Y C .C T YC h T h > . S Y .C Y C Y h C T . T .C T Y h C S h T

Hns. 1, 3

Q ! !

cup mute

"

>C O

Trb. 1

mf , stinging (pizz.)À >B O ! ] f

Dbl. Bass

(Mba.)

[

!

Perc. 3

$

Perc. 5

]

$

W >C C h

>C O

Q

W >C C h

W >C >C

À>

> W .C C

S S

S

S S

S

S

> . Y .C C C

C W .C

S

Q

Q

Q

Q

Q

Q

Q

Q S

S

. C> .C >C C R p > .C C> .C C R

> . X .C C

f

molto

f

molto

> . C Y CC C > . >C >C

Q

h T S fsfz

Q

Q Q

Q

à2

(mute out)

Q

S

S

44

C> sfz Q

Q #

44

Q

C

W -C g

Q

W .C T h

-C

WC

ph

C. C. h T T h S mp p Q

.C T S

Q C C

h

S

.C T S Q

S

g

>C

Q

W -C . _ WC T h f >.C C T S h fsfz (hy) Q

[ to Toms ]

Q Q

C- C. f

0

C C B p

X C- C.

C YC B p

X C- C.

Ì

molto

Q

-C Y .C

T -C B h mf sfzp

43

molto

Q

Q

Q

Q

Q

Q

Q

Q

g . >C . C C T > h

>. .C . . g C C C C. T > mf Q

T C

34

molto

0

Q

4 4

34

C- .C f

Q

> g T C. C. T C C. > h mp

3 TBLs

f

arco

12

g

f C- Y .C

C. X C> B sfzp

Ì

WC > sfzà S

f -C Y .C

C. C B > sfzp

Ã

S

C- Y C. f -C X .C

C. C> B sfzp

44

-C C. f

sfzp > T C B h sfzp

> . X .C C

à2

Q

p > . R CC CC > . R p B

sfz p T g C B p C Y >C B

mf

Q

BO

Q

C >. C. mf

S

R

Q

.C T

mf

Q

Q

À>

BO

p

molto

. . Y C .C h C T Y h C T > f> S S Y .C C.

Q

Q

>.C

h

. Y >C Y .C .C Y C

12

Q

Q

> T .C .C T S h mp h W -C (Xyl.) S T h W .C T h f 2 WBLS. . (hy) . T C T hC S h mf Q C

!

Perc. 2

Q

Q

Hns. 2, 4

Perc. 6

Q

f S

34

Q

>. . YC Y CC C >. . f molto Y C. C. > f .C> C. f . Y . Y C C -C

12

[

> . X .C X C

Q

> . Y .C C

S S

Q g C. mf T g C. mf > T C h mf

.g C T C T .h g Y .C T

S

Q

Q

T

S

44

Q Q

#

3 4


3 16 Raw, pesante

[

Q

Q

Q

Q Q

Q

Q

Q

Q

34 !

Flt. 1

Flt. 2

!

Picc.

!

Obs. 1, 2

!

-g

Y CC T T CC -h T T -h f molto -C ten. -C h T T h f molto ten. -C T T -C hf molto ten. h Q S

S !

S

E-flt. Clt.

!

S

Clt. 1

!

Clts. 2, 3

!

Q

Bs. Clt.

! #

E.H.

Bsns. 1, 2

]

-g

-g

-g

S Y CC T T CC -h T T -h S sempre sim. -C -C S h T T h

T

T .Òh ^.C T h ^. T hC

sempre sim.

-C T T -C h h sempre sim. Q S

.g ^ CC

.g . CC C g Y T C T .h .h .C . YC T h h C. . T h hC T

Sop. Sax.

Alt. Sax.

!

Ten. Sax.

Bar. Sax.

!

f

Q T

f

Q

S

34

Tpts. 2, 3

!

S

(à2) as 6 8:

Hns. 1, 3

!

f

! "

Trb. 2

#

Bs. Trb.

#

Euph.

#

Tuba

#

Dbl. Bass

#

3 4 !

34

]

Pno.

#

]

!

Perc. 1

Q

S

S

Q

Q

Q

Q

Q

S

S

#

Perc. 4

$

Perc. 5

$ ]

S

S

g g T C- C T C-

g g C- C T C-

>C O

T

g g C- C T T

T h

C

sfzp

C C-

Q

-C h T mf ten. -g CC T -h T mf ten. C. C -

T h

-C

S -g

T CC T -h .C C

h

-C

T T h

-C

-g

-g

CC T T CC -h T T -h sempre sim. . C. C C C S

C-

C-

T Cg >

78

. . T hC T hC T .g T .g T CC T CC .h .h C C. - C

C

T -C h

Y C- C C C- C C T T C S hsempre sim.h

T -C h

S

T Cg S

sfz> C -C .C C C C. h sfz> . -C C S C C f sfz

S S

C. C -

78

Q Q C C . C-

>. C C YC sfz

C Y C. C-

C C

C Y C CC. C. . T YC T C S h h

C T T C hsempre sim.h g g YC T T C

. . T Yh C T h C S T Y Cg T Cg S . .

YC T T C h h sempre sim.

T Y .C T .C S h h

sempre sim.

T -C h S

Q

Y =-C T T =-C h h f ten. -C CC Y CCC S Y C T T C h h f-C CC S Y Y C C T T C CC h h S

S

sempre sim.

T Y .C T C. S h h . Y CC T Y CC T h C. T Y Y C CC T h

C CC YY CCC T T CC h h sempre sim. CC C S Y Y C C T T C CC h h S

.C C h

CC S

.C C CC S h

Q

Q

34

Q

Q

Q

YC

-C

T C S h mf sonorously Q Q

34

sempre ten.

C

YC

C T C S h Q Q

X CC h

C C T C T T C h h

Q

Q

C-

T -C ph T Yh C p

YC C C C . C Y C C .C Y C YC

C-

Q Q

Q

78

Q

78 Q

78

Q

34 Q

C S

Q

SO (tamb.)

Tom-Toms

S

C C C C C C C C . .> p poco mp sfz

h

S

3 4

-C

C-

g g C- C T T

C-

S

-C

Q

-g

T T h

-C

CC T T CC -h T T -h

S -g

h S S

C. C C C. -

Y C- C C Y C-C T S h ( mf ) -C T S h ( mf ) S Y Cg T ( mf ) S Y -C T h ( mf ) Q

Q

7 8

S

58

g g T C- C T

g g C- C T T

C-

C.> sfz

[2•2•3]

Q

g g T C- C T

Q

Q

43 -C

Q

Q

Y -C T T Ch h

34

[2•2•3]

S

Q

Q

Q

-C -g

CC T T CC -h T T -h

C

Y C- C C C-C T T -C S h h -C T T -C S h h T Cg S Y Cg T -

( = ) Y -C T T Ch h f -C CC Y CC S Y CC T T C h h f-C CC S Y Y C C T T C CC h h

C

S S

58

23

Q

Q

58 Q

34

Q

Q

C

YC S

C T C S h .C T T .C h h mf Q

C

C T C S h . C T T .C S h h (TT's) g g S C T T C ( mp )

YC

58

fWC

T h

T

. T hC T

> . CC C C > . > .C C h h > . C C .C T h .g T CC T .h g T C. .g T C T C .h

->

->

CC T >C T T

g CC

-h

C

T hC T hC

S

h

C. -C .C C .C T S

h

.C T

sim.

h

.C T S sim. .C T h f X .C T T .C T -C h h h f. XC T S S h f g g g X .C T T .C T -C f g g g CX C T T CC T CC . . f -C -C C C C C CC S h T h T h

3 4

SC

$

.C

f

.C

. CC T T CCC T CCC h h h

23

(hy)

43

-C mp

(small)

T C C C C C C

-g

.C T .C T h f .g now stacc. .g S CC T CC T S T h T . f .h .C - .C -X C C C

34

. Y .C X C T CC -C f T .C T >C __

T

now stacc.

f

Q

Q

T

.C

crisply

T Y -C T -C T h

58

f W >C

crisply

Y C C .C Y C Y C.

Q

T h

T hC T hC C. >C C. C

X -C

T Y C T Cg T > C YC T C

5 8

W -C

34

[3•2]

43

>

.C

g g g W C. T T C. T Cf

T -C T S

T Cg -

-C CYY CCC T T CCC h h -C C-C S Y Y C C T T C CC h h

S

f

C. Y C- C C Y C T -C T S

T -C h

S

34

T -C T -C T h T T g T T CC T CC T -h C. C- C C Y C

T -C h

Y -C T T -C h h (as solo) Y -C S T h mf Y C- T T Ch h

S

S

-g

23

C X .C C. C C p > C .C T C p C C C C- Y C. p. - . T -C .C C C.

[3•2]

C. C C C. C-

T -C h

-C

T T h

S

> f -) C T T h (f) > .C WC .C (f ) S h f .g S CC S f .h g T T XC f .. g T T XC T T f X .h C

Q

Q

h ff .C h ff . C h ff . CC .

(

Q

à2

S

CC

Q

[3•2]

C C C.> sfz C C >.C

C .C CC C C

Q

sempre sim.

S

.C f T

g

Q

Q

[2•2•3]

Q

Q

-C T T -C h h Q S

Q

[ to small SC ] (Mba)

Perc. 2

T -C h

Q

16 Raw, pesante

[ #

S

T h

Q

Y C- C C Cf openC T S h mf ten. -C T S h mf ten. S Y Cg T mf ten. S Y -C T h mf ten. Q

Trb. 1

[

C-

S S

-C

34 Q

58

-g -g Y CC T T CC -h T T -h -C -C h T T h

Q

(à2) as 6 8:

Hns. 2, 4

Timp.

S

S

-g

T CC T -h

Q

Q

!

Q

Q

16 Raw, pesante Tpt. 1

Q

Q

] ! [

S

T

Q

-g Y CC T -h T f ( -) C h T (f) -C T h (f ) Q

S

Q

Q

Q

T C-

S

Q

Q

g g T C- C T C-

Q

Q

Q

Q

34

!

Q

T

16 Raw, pesante

[

34 Q

78

.C

23

[3•2]

[2•2•3]

C.

C T C T h

w. stick

34

S

C C- . -C

h mf Q Q

[ to Snare Drum ] BD

C

g T S

mf only

S


4

Flts. 1, 2

!

S

!

S

!

> . -g g CC T C C T C C T C T h > . -h >C .C S S

Picc.

Obs. 1, 2

!

E.H.

g CC T CC h T -

.g C T C T .h

C T -C h

.C

g C T C T h

Clt. 1

Clts. 2, 3

!

Bs. Clt.

!

C.B. Clt.

!

S

g T g T S C C. Q #

C.Bsn.

# ]

-

-C S

S

XCC S

X -C T W Cg . X -C

. T hC

. T C h

> T W .C S h h

>.

C T

T W .C -C h

T >.g S TWC S .>h T g S W .C>

.g> T C T .>h g T .>C

T .g T WC .h T W Cg .>

Q

>.g

Q

C T C .>h T

S

S

S S S

T .g T CC .h S

-

CC S

S S

T C S C T .h S >

S S

S

Q

S

-g

-g

-C

C h T T h

T hC S

-C -C h T T h

-C T h S

-C -C h T T h

-C T h S

-g -g CX C T T CC T T h -h -

-g T CC S T -h S

-

g T g T CCQ

g T T g CCQ

-g T -g T CC T CC T -h -h Q

-g T T -g CC T T CC -h -h Q Ì

>C W .C (W ) C T hC ! h T

C W -C h T

Sop. Sax.

(W ) C T W >C .C T -C h h

-C

[

Alt. Sax.

!

C T h

(W ) C ! h T C> C. S g g ! (W ) C T W C. T S ]

> T W .C S h > T W C. S h

[

C T -C

Ten. Sax. Bar. Sax.

S !

Tpt. 1

S

Tpts. 2, 3

! S (à2)

Hns. 1, 3

C T

! h

(à2) Hns. 2, 4

!

C T

Trb. 1

"

Trb. 2

#

Bs. Trb.

#

Euph.

#

Tuba

#

Dbl. Bass

#

h

T .C h T .C h C T h

h

T C .g T C -g T hC T hC . -

g CC T CC h T -

C C. T -C > h T g C C. C> C. T S h .C T S h .C T S Q

]

g g C T C. T S g g CC T C C T S . .> C CCC S T h T !

Pno.

h C h

g T C. T

h

.C T

> T X .C h ( f)

C CCC h

C CCC h T >C T CC h

. T C WC h

.C -C C .C

> .C > .C T Wh C h T C

> T W .C S h > T W C. S h

>.

C T T .C h

-

S

à2

T .C CC h T g CC. . C T S h T .C S h Q >. S C T h Q

S

S

. T C S h T .g S T CC S .h

CC -

-C

T .C T h S T .C T h (ten.) -C T -C T S h > h T C. S S h g g C. T C. T S g g CC T C C T S . . .C -C CC C CC T hC S T >C >C CC T T CC S S h h

C CCC S

-C T T -C h h -g T T -g CC T T CC -h -h g g T C C. T C C. > > g g T T C C. C C. > > C T S S

.C C C .C .C C C .C

-C

g 29g C [ = C ]

S

. W >C C S

C-

S

h

h

h

-C

C T S h

S S

-C T -C T h- hXC T C T h h g g C- T C- T g g CC T CC T . . -C C CC C CCC h T T h

S S . C CCC h

S

S

ten.

S

-C T -C T CC CC h h

ff

[

]

(sm. SC)

S

$

Perc. 1

Perc. 4

g T g T S C C.

]

$

. T hC T hC Q

Q -C .C .C C TU T h h T Q

Cmf S

C. T .C Ch S

.> T Wh C sfz> .g T CC T .h > sfz T .C -C .C S h

T -C S h T g S C T C S -h

C. C C C. C> C. T C- T C. sfzT h h h .C T -C T .C T h h h -C T T -C S hh C T T -C S h h g T T g S CCg g C-C T T C-C S >. C CCC C CCC T h S T h sffz -C T T -C S CC CC h h

-C

S

Q

T hC

C-

C-C

C.

g T CS CC-

-

T hC S

C h T T h Q

Q

-C

>. T hC f sfz

C. -C h

ff

Ì

[ #

Timp.

CO 84 ] -C =X c. C. -C C. h h

68

> T C W .C -C C .C h

[2•2•3]

Q

78

T Y -C

S C-

mf

Q

34

cresc.

T -C C T Y -C h h

Q S

C. h

.C X .C -C h h ff g g T T C T T C . .

Q Q

Q

g T C. S T

SO SO SO

g S Y .C

Q

g T C- S ten. T g S Cten. T -g S T YY CC S -h

SO

ten.

SO

T

g S

Y -C ten.

-C T

g sim. g C CC. Cmp ( > ) g SO C Cmp ( > )

Q

g S C. T .g S YC TY C S .h

T C

Q

. > .C C C h T sfz> . .C C C h T sfz >.C C. T C h sfz T Cg S .

[2•2•3]

78

-C

-

T T hC

C- C. g C- T - . YC Y CC T -h g T C-

T T -C C T Ch T C T C-g -g Y C C YC C T C T C

C. -C

C C. -C C C. -C

C .C T -C C C

34

T C-

C C. -C

-C C mf cresc. .C -C C .C -C S

T

Q

Q

34

78

68 Q -C

Y .C -C h g Y C C. C-C Y .C -C h (f) -C .C -C h (f ) T T .C T h T T Y .C T h T T Y Cg T . pizz. g 6 T T Y C. T 8

h

.C

.C

C Y C CC Y C -C

.C

C Y C -C

T .C h T C. h T Cg . T Cg .

T .C S h T Y .C S h T Y Cg S . T Y Cg S .

h h

Ì

[ to Vibes ]

Q

T T -C h T T Cg T T -C h T T -C h SO -C Y .C h

C Y C -C

g C.

. . T T CCC T T CCC h h .C . Y T T Y Y CC T T CCC h h g g [ C = C ] 29 [ C O = c.g 84 ] g T T C 68 . Y C- Y C. mf Q

68

Q

7 8

78

S

T C-

3 4

SO

S

T C-

SO

.C -C h

C T Y C g -C T . h Y C YC

C-

78

Q S

SD

(snares off)

S

as 3 8:

T T C C mf

Ì

34

g T T

68

.C -C

C-

h

g T T

h

.C -C

.g g CC C CC T (3º) .h mf - cresc. C Y .C -C C -

CC

-

.C -C

C Y C. CC Y .C -C

C. C .C -C

C Y C. C- C C. C> C Y .C -C C .C C

C .C -C

.C -C

> C .C -C C .C C

T

g T

g S

T Yh C S (f)

arco

3 4

h

C .C -C C .C -C

. T CCC S h . Y T YY CCC S h

C . YC C-

g Y C- T Y -C T h . Y CCC T h Y .CC T YC h

Y -C

T

-C

T -C T

6 8 68

Q

68

C C C. C C C C C. C C

T C-

g YY CCC T T Y CCC C T T hg g Y CC T T CC T T CC-

Y C- C Y C. C-

g

T C-

6 8

.C -C

g Y C. T CY -C C C h h C-

[2•2•3]

78

.C -C

C Y .C -C

34

SO

-C

mf cresc. mf cresc.C C Q

(2º)

68

g T C-

S

YC T Y -C S h T Y Cg S

SO

. T CCC S h . Y T YY CCC S h

g S

X C-

[2•2•3]

6 8

T Q

T -C C T C h h

T Y -C

-C

T C

Q

Cmf cresc. Q

T

Q

68

Ì

[

g g T -C C T T C C T C C. -C > . > h h g T g T g T T g S S W CCW CCS

-C S

. T Cg T hC .

Q

CC T .CC T S C C h h #

C T

> . > . T C Wh C T C C h

C T h

h

T hC hC T

>. h

. T C T C h h

. T hC W C

Ì

68

T h S T CC S T h- S

S

S

T -h S

CC T T CC h- T T h -

Q

.g>

CC -C

h T T h S

T

-C

g-

.C

T h

-C

S

-g

CC T T -h T T -h

S

.C

.g T CC T .h

-g

CC S

T .h T h

-

g C>. T

.g> T C S T hC S .>

T

-

. T C h

g T .g T S C T C T S C C h .h Q

Bsns. 1, 2

CC

S

C T -C h

.g> T C C T CgC T .h T -h > S

. T Cg C T .h -

T W Cg S >.

W >C .C T -C ! (W ) h C T h >.C -C S T T h h !

E-flt. Clt.

T h

CC S

-g

.g CC

-

Ì

S

[

.g> -g C T C T CC T .>h T -h .> T hC T hC

g g >.g [ C = C ] C C 29 [ C O = c. 84 ] T Q T .>h sfz> .C T h Q sfz> .g T CC Q T .>h sfz> .C T h Q sfz> X .C Q T h sfz X ^.C T h Q sfz .g^ C T C Q T Ò.h sfz g g T ^g T T T T X C C . . W .C sfz T T g T T g X .C C. ^.g T C T T .g T T .g T hC T T YY CC T T CC .Ò .h .h sfz T T g T T g Y .C C.

h

-C T g -C T g Y C. h Y C. > > Q > > C C C. C C C C C C C sfz sfz


5

Flts. 1, 2

[ !

Y -C

!

T !

SO SO !

T

Picc.

Obs. 1, 2

E.H.

T

! !

Clt. 1

ff T YCC -C mp

T Y -C T

g C. Cg C. C

E-flt. Clt.

-C

h h

Q

34

ff -

g ! C. T ! C. T .g # YC T

Bs. Clt. C.B. Clt.

Bsns. 1, 2

C

.C -C C

] [

Sop. Sax.

!

Ten. Sax.

!

Bar. Sax.

] !

CC C C

C

.C -C

C

C

.C -C .C

T .C T

YC f -W X CC ff

> C

.C

C

W Cf

C-

-C

35

C. C

C

p sub. -C -C C-

C. T C C-

34

-C

S YC f -

35

34

Tpt. 1

Tpts. 2, 3

Hns. 1, 3

Hns. 2, 4

Trb. 1

Trb. 2

Bs. Trb.

Euph.

Tuba

Dbl. Bass

T CC C

# Y CC C

T Y CC YC

Pno.

! Y CC YC

Timp.

[ # C

[

]

YC C

T Y CC C T YC mp T CC T C

34

C

3 4& (take sy) Q

34

Q

#

(Mba.)

Perc. 2

C YC f

Q Q

!

Perc. 3

molto

YC Y C-C

Y CC

h

S

(Y) C> h

C h

>g

C

g

C h

S

f g T S

Y -C

C T

h

Y -C

C T

h C

-C T

h

Y .C T h sfz> .C T h sfz (X ) >.C T h sfz

S

T Y .C S h f T .g S T W CC S .h f

Q .C T

h

CC h.

T Y .C S h

.g T T

h

.g S

T

.C T

.g T CC T .h

T W CC S .h

Perc. 5

$

> > > C C C. C C C C C C C C f sfz Q

Perc. 6

$

Q

(BD)

pp

C

C Q

C mf

> T CO

WC

BD (mb)

-B mf

T

gl.

-C

Q

Q

Q

Q

5 8 S

5 8

Eπ ]

Q

T

C> O

.C h

C

W .C T hC S -C O C

h

T -C

.C

C h T

S B-

T

Q (à2)

Q

(à2)

>.C

5 8

W -CC h

C> O S

BB OO BO BO BB OO

38

43 CC

Q

T

T CC f

_

34

g CC mp

CC OO T C -CC OOO f __ C

C CC

C

_ CC _ OO Q

C_ C-

g

g CC T h

T WCO mf - sfz T W -C O mf -> sfz T .C S h mf> T W .C S mfh "

C T h

-B

S

sim.

-

B B -

[ take str. mutes ]

S

C-

C W -C C C. S p C-

C W -C C C. p Q S

S

Q

Q

Q

>O T C mf Q

Q S

S

Q

)

S

(

Q

)

S

T

(

g CC T S &

T hC C-

C

= CC OO mf T CC OO C- O T W CC OO C- O

S

Q [ 30": E

-O C CC T T C CC OO h mf g CC T S S p Q

C CC S

D]

Ì

C CC T T C CC h ph mf _ T CC OO mf Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

[ to WBLs ]

Q

T CC ->h >T Wh C

[ take str. mute ]

sim.

S

g CC T S p

BB OO

3 4 !

T

[ to TBLs ]

g

T CC Cfg T W CC C-

T -C O ppT CC OO pp-

S

(sy: à3) Vibes

Q

h fsfz & Q

S

Q

34

43

T Cg X Cmf

T

S

Q

Q

(sy)

S

S

T CO -C O mf T C- O mf

S

>-g

C- O mf

Q

Q

= T Cg Cf

T

T

Q

Q

T

S

Q

T

S

S

g T S C

-C C

Q

Q

Q

g T S

CC

T

Q

Q

Q

C

38

T

[2•3]

Ì

> T X .C sfz .> T C T WC .> sfz

W C-

T

W >C O T T C mf g T S S g

S

S

Q

Q

S

S

S

Q

Q

58

S

S

S

Q

34

Q

Q

g T S CC T S h

> T -C h

S

Q

Q

S

h

S

Q

Q

S

C T S

>T C h

S

Q

Q

gl.

S

>

38

T T

Q S

W .C T hC S f (stick) -C O S mf Q S

W CC T .h

-C

g C C C C OO C C h g g C T W C- O Cg T g C C- O Cg g CC T CC OO CC g T g C C- O C-

T T

T

C -C O h

T T

T

.g T

W -C

(my)

Q

X -C h

Q

S

g

Y C-

Q

Q

[ to tambourine ]

Q

Q

W -C f g T S W Cf

$

Q

Q

C-

Q

Q

Q

g T S Y Cf Y -C T S fh g T S

SC (med.)

Q

Y .C T h

> T CO

S

Q

W >.C T W -C h h Q

C

.C T S

Q

Y >.C h T

> T CO

h

Q

S

-C

mf

>C C> .C T h

Q

.C

> T CO

X -C f W -C f

#

58

S

h

T hC

Q

[2•3]

[2•3]

Q

mf

.C T S

Q

. -C W -C W C f pulsing > . - . W X CC W W C C W C W C C X C C > . W -C . f pulsing S T T WC f S T T Cf S T T C Cf S T T Cf

58

S

Q

Q

g YY CC C ff

Q

>

Q

34 Q

WC

Q

>C C> .C T h

à2

Q

58

T CC CC T h h -

W CC

T

> (Y) -C T h (Y) -C > T h >-C T h

X -C

38 [2•3]

Q

S

Y -C

[ 30" E∫

(SD.)

$

Perc. 4

]

S

C YY CC-

>C.

g

.g> g T T CC WC W C C C T T .>h h sfz >.h Q g .> Y .C> YC C T T h h sfz> Y C- O C. T h sfz >.g Y C T XCO C >.h sfz Q

35

Q $

Perc. 1

T C C-C

S

S

Y -C

f

S

C

>h

>h

g T S

f

C-

. C> .C >C Q ! hC h sfzf sfz .g > .g > Q C ! CC CC CC C h. > > .h sfzf sfz (à2) > .C . Q ! C YC C C C ff (à2) Q ! C C. C- C Y C> C. ff -C g . . " C YC C C C C C C XC h ff p sub. C # C Y .C -C C .C T C YC ff p sub. g # Y .C C Y .C CC T YC XC h h ff p sub. . . T # YC T C C C C C YC p sub. ff # g T T T C. Y .C CC YC C ff p sub. g # .C T Y .C T C 3 C T YC C 4 ] p sub. ff [

C

XCO -

g T S

S

C-

h

C

Q

>. g

g> C

-

g T S

S

p sub. -C -C p sub. g C T Cmp

g C

T CC CC h h

g C T YC C-

.C C>

YC f-

Q

C

(à2)

S

C

SO Q

S

molto

g T

g

f

molto

C

WC XC h

S

CC CC

C-

C h

C molto

C-

T Y .C T

!

Alt. Sax.

T

C C

g>

X >C. X C h sfz

W -C O C T WCO h C

Q

WC T T C T T S ff >h Q g >. S YC C T T h ff Y C- O S

molto

T

C.

molto

.g

Q C

C. C

T

.C #

C.Bsn.

T

YC C

Y CC .h

h

ff

Q

mpg g ! C C CC CCSO mp .

Clts. 2, 3

S

g C C Y CC h

C> C

W -C O WCO

35


6

> C C .C h T

[ !

Flt. 1

S

C >C g C. T S molto dim. >C . C T h h T S ! !

Picc.

C .C S

S

molto dim.

Flt. 2

>

S

Q S

molto dim.

> C .C S

p

>C

C. S S

44

>C . C T h h T p

Q

S

Q

S

p

Q

Q

T g T Y CC f h

!

Q

Q

Q

T

soli

> C C W .C h .C C h .g CC CC .h ! !

Clt. 1

Clts. 2, 3

! (W ) C

Bs. Clt.

!

C.B. Clt.

Bsn. 2

#

Hns. 1, 3

[

C

C C

C

Dbl. Bass

#

Pno.

S

S

T -C O B

Q

W W C CC W W C CC mp d molto dim. g CC T p

B BB

(Mba.) Perc. 2

#

Perc. 6

$ ]

BB

-C T -C T

mf . . mf g YC C T g X C OY C C CC Y C C T YC T h .h . X .C T .C T .C T S h h h Q

h

C. C. h mp Q

Q Q

__ Q

Q Q

Q Q

Q

Q

Q

S Q

S

S S

S

g C. T S

C mf

-B Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

[ 28": A

Q Q

Q

Ì

F]

44

g

CC C T

!

Q

R

44

Q

CC C

R

Q Q

Q

Q

W CC C

S

Q

Q

Q

W W CC C p

C

p pS

p

p

mf

YC h

S

-C T

mf

C CC

mf BO B

Q

B

C mp BO mp

S

. T Y -C C T S h h mf Q

T

Q

Q

T

Q

.C

Q

Q

Q

h

.C

Q

44

Q

Q >C C . T h Y C .C .C Y C f solig S T YC C f . . C. Y -C Q

Q

mp p. YC

. .Y C C C Q

Q

Q

Q

!

T

l.v.

(Vibes)

Perc. 1

Y C .C C. Y C h mp . .C Y -C Y C h mp. C Y C C. Y C -C

Q

g CC T p BB

g T Y C.

Q

Q

soli

à à à T W Cg T Cg T Cg . . p. à à à T g T g T g W .C C. .C p Q

(à2)

g C>

Q

g C T p C T ph

g T

WC

g

fg Cf T

g T

C p Q

B

C

] [

B

à T WCO T Cg - molto dim. . à (à2) mf T T g W -C Omolto dim. .C mf C T S S h p g T T = CC CC OO mp

>C

g T S C T C C C h . . C C. C C. . g T S C

Q

W C- O Q

# (W ) B O BB OO

[ #

Timp.

T

S

C- O

BB OO BO !

S

S

BB OO

]

S

T

Q C

TU h C O TU TU g O TU CU C O U T T -h

S

! "

C T h

S

TU h C O -g TU C C O T U -h O

S

Q

Euph.

T (X ) Y C C -

Y -C O h -g X Y C C OO -h

>C . W C T Cg g T > W C. YC T C T C T h h h p g T g T g T (X ) Y C C T C C T C C T h h hp

g T

!

Hns. 2, 4

-

g C T C

]

T

g T C

#

C.Bsn.

Q

YC

C #

S T YC

C

!

Bsn. 1

T

T

Q

Q

E-flt. Clt.

f f

C C.

!

E.H.

T

S

>

soli

Obs. 1, 2

S

>C Y C .C h T

TBLs

g T YC B X C- B f sub. g _ T Y C_ B C> B mfsfz (my) g g T C C. S mf

C

C C

C

g

Q

S

S

T d

Q

T

g CY C T S . C. C.

!

S

Q

S g > T C .C mph

T

C C

g .C C. T .C C C h p

Q

44 Q

Q Q

44 h

C h

C C h

CYC mf molto d S g T YC C C T C C C h mf Q

4 4

CO

8va

C C

h

C h

C

4 4 Q

S

Q g C. T

YC h C-

44

h

pO C C

Q B C

C

C g

h

C

g

C T h

C

C

g

p

.C

Q

T h T S p

p


7

49

[

Flt. 1

!

Q !

Q !

Q

Flt. 2

Picc.

W >C

W .C h f. C h f W C. h f .g WW CC .h f. WC h f

[2•2•2•3]

S

98 S S

T

.C

W >C T

SO

44

.C . WC T h .C SO >C

T

W >C

T

!

Q

E.H.

!

Q

E-flt. Clt.

!

Q

Clt. 1

!

Q

Clts. 2, 3

!

Q

Bs. Clt.

!

Q

. SO C T C C SO S > . S T S SO >C . YC . YC T T R h f. > WC S W .C T h T W C W .C .C h f. > . > > . S W Cg T C W C W C S T W C W C T W W CC W C WC > . > . .h f Q

!

Q S

Bsn. 1

# Q

Bsn. 2

# Q # Q

C.B. Clt.

C.Bsn.

]

Sop. Sax.

Q Q

Ten. Sax.

!

Q

Bar. Sax.

] !

Q

Hns. 1, 3

!

Hns. 2, 4

!

Trbs. 1, 2

" Q

Euph.

" Q

!

Tpt. 2

!

Tpt. 3

]

str. mute

[ 25": B ∫

[ !

Perc. 2

$ S

(hy)

]

$ T

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

g g T S C- W C pg . T YC g T XC - YC - Y .C p . p - . S S X C Q WC Q

Q

Q

Q

Q

Q

Q

Q

Q

g W C. C- O mf Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

T XC p

g

g T C.

>g .g C WC T

Y .C T

g g C> Y C T S . g g T C W C. T > W C- W .C S R S R

mf . WC h T .g T W W CC T .h

g . T YC YC T X Ch f > Y C. mf Q > W C .C W C. T h T hC f mf Q

X Cp

C. S

T

g W C. T T

W .C T h

g C. > poco ( )

34 Q Q Q

S Y .C T h

Q

98

SO

[ keep mute ]

Q

Q Q

Q Q

Q

S Y .C T X -C h h T

SO

[ mute out ]

S Y .C T g T Y Ch S

S

SO

0 S W Cg T W Cg T .> . mf Q

(à2)

Q Q

[ mute out ]

. C. C T h

W C>

44

Q

SO

S

>C W C

g T W C.

Q

Q Q

Q Q

Q

R

Q #

h f

T

>.C C S

C C

h mf

>. C S h mf

C C

C

.C T

h

h

> C. .C T

T

4 4

9 8

R

f

C C

h

.C> T

C.

SO

Q C.> T

C C

R S

W >C

h

h

.C T

SO C

g

Q

Q g T S

S

g T S

S

CC-

Q

Q

#

T

Q

Q

non-stacc.

T

C

-g S

S

C S -mph

Q

Q

S

-h

C C

-g T

Q T

S S

S

S

Q

54

Q (hy)

BO

T

Q

T X h C W .C T h

BO

-C non-stacc. S S h mp open non-stacc. -C S S T hmp

Q

Q

BO

open

Q

R

BO

54 l'istesso tempo, quasi calmo

Q

T W Cg W C W C R . > . T

T

G.P.

34 Q

C B hp soli g relaxed swing T W C Wh C B p swing soli relaxed g T XC B p swing soli relaxed T W Cg B p

Q

Q

S

soli g relaxed swing WC

G.P.

[2•2•2•3]

(MBA.)

Q

TAMB.

WBLKS

Perc. 5

Q

9 8

D]

Q

(w. sticks) Perc. 4

Ì

[ take hy ]

$

Perc. 3

S

Q

[2•2•2•3]

Q

]

>C

44 Q

> S W C C. C W .C T > mf crisply

49

[ #

Timp.

T

C.

G.P.

S

Q

Q

> Y >C . Y >C . YC T Y C. T h Y h C T h mf str. mute > > > T W .C T X C .C T C .C h h mfh str. mute g g g > T Y .C T (Y) C Y C. T C Y .C > > mf > à2 0 T g T g W C g T C W .C W C W .C > . > mf crisply Q

!

C>

34

S

54

98

!

[

T

T

C.

54 l'istesso tempo, quasi calmo

l'istesso tempo, quasi calmo

Alt. Sax.

Tpt. 1

W >C

T WC >

Q

[2•2•2•3]

!

49

>C

> . > T X C W .C T W C W C W C. >C .C T S C> W .C . . W C T WC T h . T C W C. W C T T h >

g Y C. f S W .C h f S Cg . fg S W .C f

49

[

C

T

W >C . T h C h g g W .C T C WC > . .C > T W h C .C h > . .g WC WC C T Q

>

Obs. 1, 2

S

.C

.C> . T C

C C C C

44

Q W >C

C.

>.C

> T W h C .C T W C h > C. mp Q

T mph g . T C hC p h

T

ph

C. R

.C T R

3 4 Q

34

Q

G.P.

l'istesso tempo, quasi calmo

Q

Q

Q Q

Q

[ take my ]

Q

(scrape w. coin)

(SC)

Q

Q Q

Q Q

Q

T

-C B hmp S

BO

l.v.

Q

Q Q

Q

"


8 60 Flt. 1

[

Q

Q

Q

Q

Q

!

Q Q

Q

Q

Q

!

Q Q

Q

Flt. 2

!

Picc.

(1º)

S

T Cg mf

(w. saxes)

S

C

g C

-g . g C T C

S Q

Obs. 1, 2

!

E.H.

!

Q Q

Q

E-flt. Clt.

!

Q Q

Q

Clt. 1

!

Q Q

Q

Q

Q

g T -C T Ch mf > - . g T C T CC C C C -h - .> sfz mf C C. C. C- .> sfz mf Q

S S S

T Cg T C -h f T W -C h f > T hC f Y >C T h f >g T YY CC T h > f g T YC > >. f W -C X C T g C. sfz f Y C> > C. > .C -C T WC h sfz> f . C. -C C sfz .C C. h T

Q

!

Q Q

Q

Q

Bs. Clt.

!

Q

Q

Q

Q

C.B. Clt.

!

Q

Q

Q

Clts. 2, 3

# #

C.Bsn.

#

Q Q

T

h f

Q

Q

]

T

f

Q

Q

Bsn. 2

Q

T

[

-C

C- O

W -C

h

W -C O h

W -C

-C O

W -C

-C O

!

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

! ] [ !

Tpt. 1

-C C-C h

(W ) Ch h

Q

Hns. 2, 4

! sim.

"

Trbs. 1, 2

Euph.

#

Dbl. Bass

#

C W -C

-C C

W -C . T h C h W C- .C T h h -C W .C T h h

W -C C

h

YC

W -C

XC

g

W Cmf Cmf W Cmf C

g

T C g T -C S h T g T -C S C h Q

g g CC T CC T T CC h T h T T h

g

-C

YC

C-

g

.C

g

C. .C

C

Q T C g T -g S T C T CC S h -h Q

#

-g

Q

Q

Q

Q

Q

Q

Q

Q

S

Q

Q

Q

S

Q

Q

Q Q

Q

S -g S

C. W C Q

Y >C Y .C X .C X C Y C Y .C T h >W C . W .C C WC XC C . W C.

> .C

h sfz > > Y .C Y C C. h sfz> . > .g Y C (Y) C YY CC C Y C . > .>h sfz > Y .C Y C X .C h sfz Y .C h T S

T T T

Y >C Y .C Y .C Y C Y C Y Cg T .

T

Q Q

Q

S S

Q

>. C

h T sfz

S

S

S

S S

S

C

C C

C

mp mp

> Y C Y .C Y h C T mf . Y >C Y C -C T h mf S S

Q

C. > sfz C. > sfz

S

W >C .C W .C C W C . T C h f

Q

Q

g T Y C Y Cg > . ff T >g .g T WC C Y C YC ff h> .h T g g Y > C Y .C ff T g g Y C> Y C. f C W C > .C ff h C > g C W .C ff g T Cg W C . > f

S

à2

T

Q

Q

S

S

Y -C T h S

Y -C T h S

C mp WC

C C

mp

60

T

> . T p>g . T g C C WC WC S S > . mp T W Cg Cg T W C > . W C> . p mp Q Q Q

Q

T

Q

Q

T

Q

Q

T

Q T

Q T

Q

T

Q

T W Cg W Cg T > . f > T Y C X .C T h h f> C WC S fsfz C > S WC fsfz

T

> . > W C W .C T C W h C T h p mp Q Q 64

g g CC. W C. p g g T Y C- T C. Y .C h p . W T C T W C. h C h h mf C. W .C W C T h T h h mf T

g T

!

Q

Q

$

Q

Q

$

Q

Q

$

Q

Q

Perc. 4

Perc. 5

]

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q Q

Q

[ mute in ]

(à2)

S

(à2)

S

S S

C mp-

C

C W C.> fsfz

C-

C

C W .C > f sfz Q

mp Q

Q

- .> _C C

S

C __ pp Q

Q

_

Q

Q

Q

S

S

Ãg gà à T C- T C. .C T h mf à Ãg Ãg g T WC T C WC T . . mf Q S

mf

Q Q

as 6 8:

WC C W C mp espr. S Q

Q Ì

C. W -C C W .C l.v. sempre

À> WC

À T WCO > f rfz

pizz.

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q .C T .C T h h mf Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q S

64

Q

C T C T S C T C T S -h -h p Q

(tamb.)

Q T

Q

[ mute in ]

Q

$

Perc. 3

Q

Q

Q Q

T

Q

Q Q

Q

Q

Q

!

Perc. 2

T

Q

Q

Q

Q

Q

60

[

Perc. 1

T

Q

Q Q

T W -C h > Y .C Y C

Q

Q

-g

T WC T W hC -

Q

60

C. > sfz

-C T C T S h hg pC T C T S hp Q

T h

Q

Q

Q

]

-C

C.

W C- W C .> mf sfz

Q

C T g T T C C h h sim. g T T T C ! C C h h Q !

Hns. 1, 3

C -C h

g C. T

Q

sim.

Tpt. 3

C C h

!

Tpt. 2

C C -

h

-C

g

C-C

h f f

Sop. Sax.

Perc. 6

Q Q

Bsn. 1

T

W -C T h f

-C

64

W >C .C .C C W C W C. W C. f >C . . WC WC C W C W Cg T . f Q

S

> T .C h sfz Q

Q

!

64

Q .> . T C T .C C T h h h f Q Q

Q

S

[ to Glock. ]


9 69

Q

Q

>

Obs. 1, 2

!

CC

E.H.

!

WC

E-flt. Clt.

!

S

Clt. 1

!

S

Clts. 2, 3

!

Bs. Clt.

!

S !

S #

WC

S

C.B. Clt.

] [

Sop. Sax.

S

. CW C .> mfsfz W >.C C. T h > mfsfz C> T h f Y >C T h f > g T C T YC >h f > T C h f > T C >. f h C S mf sfz

Q

Q Q

Q Q

S .C .C

Y C. C S .

C. .C

S

Y .C Y -C .C T Y -C Y .C T -C C C h - . h . . . - . - . S YC C YC . S C C YC C S C T CC Y C C CC Y CC YC . . .h . . - . . g C g . YC T YC YC g T T C - . . Y C- Y C Y -C C. (f) g Y .C Y .C T YC C g T S - . Y CY C- C. S Q Q

as 6 8:

Alt. Sax.

Y -C

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

g C. T Q

Q

Q

Q

Q

S YC T .h Q

Q

Q

Q

Q

C. C C-

Q

Q

Q

Q

g T C C C T Cg mp Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

34 Q Q

(Y) -C

C. g T C.

Q

Ì

Y .C C- C .C -C

h

mpespr.

-C .C -C Y -C f C C- C C C f Q

.C

-C

.C

Y .C -C C

T S

24

Q C C C -

34

-C X .C S p C

Q

Q

!

Q

Q

Q

Q

Q

S

S

] !

Q

Q

Q

Q

Q

Q

S

T CO mp-

Bar. Sax.

as clear 68 :

69

[

Hns. 1, 3

Q Q

!

Q

Q

Q

Q

Trbs. 1, 2

# Q

Q

Q

Bs. Trb.

# Q

Q

Q

Euph.

# Q

Tuba

# Q

Y .C -C C .C

( mp )

À À>

! (W ) h C C O ]

Dbl. Bass

S

[ #

S #

S

X .C mf

T .C S h

Y .C T h

Q

Q

Q

Q

Q

!

Q

Q

Q

Perc. 3

$

Q

Q

Q

Perc. 4

$

[

]

!

Perc. 1

Perc. 2

$ $

Q

!

Q

Perc. 5

]

GL.

Q

C C C C C- C

C h

(soft mallet) l.v. sempre

S

Q Q

S

as clear 68 :

S

T

Q

Cmp

. Y .C C C C

Ì

g Y Cmp

S

C. C-

C C. C-

poco marc.

C mp

(pizz.)

C. X -C

Q

Q Q

Q C

g C YCO > Q

C

C Y >C O C

C Y >C O

(w. Euph.)

YC

YC

YB p Q

Q

g

C C- O

34 C

h

dim.

34

-C C C -C

C W .C C h

C- C C

C h

C h C h

44

C-

dim.

C.

C C. C

dim.

34

C- C .C C g g C C C C . Q Q

g C YCO > Q

Q

C

C C. C -

C

YC

C- C mp dim. - C C .C T Wh C mp dim. C C .C C C h dim.

.C C- C .C -C

.C -C

. -C C C h

C

Ì

Q (w. D. Bass)

C C mp-

C h

Q

C T U Y C C C. C g T p. Q C > >C O

Y -C C .C .C T h h p

C T Y -C

3 4

2 4 Q

3 4 Q

Q

Q

4 4 Q

3 4

2 4

Q

34

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

44

34

2 4 h

S

mp

h

h

4 4

69

Q

Timp.

34

Y .C h T S p Q

Q .C

Q

Q

Y .C Y -C

Y -C

Q

[ take mute ] (pizz.)

Ì

Y -C

Q

24

!

Hns. 2, 4

44

44

Q

Ten. Sax.

Perc. 6

Q

T g Y C- C. Y C mp Q S

69

Q !

Q

Ì

Bsn. 1

Q

>.g T WX C C S T .h S >

Q

24

Q

Q

!

Flt. 2

. Y -C C hC

C C C C C. T Cg C . YC C C mf Q

Q

Ì

!

Flt. 1

Ì

[

Q T

Q

Q

YCO Q

Q

Q

S

T

Q

Q

CO

XC C

Q

Q

C

C

Q

B

C

Q

g XC YCO

C

Q

Q Q

Q

3 4 !

&


10

73

[

34 !

Flt. 1

Flt. 2

!

Picc.

!

Y -C h T S p Y -C h T S p

W -C Q

S S

mp Q

Q

non stacc.

Obs. 1, 2

!

E.H.

!

-g W C W C T S W CC g T -h T S h T non stacc. g T -C T S W C h Y -B YC mf espr. Y -B YC

E-flt. Clt.

! !

Clt. 1

Clts. 2, 3

mf espr. YB YC WB W C mf espr. Q !

Q g S WW CC T C g T TWC T S h h sim. S C T W Cg T h Y -C C YC sim.

C YC YC C WC C -

Q

-C S

Q S

Q

C-

C T S

Y -C T h

g T S C T S C

T Y Y CC T -h

S

Y -C C T h h YC mp

h

h

Q

S S

S

!

C.B. Clt.

!

Q Q

Q

# Q

Q

# Q

C.Bsn.

]

73 Sop. Sax.

[

34

!

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

! ]

Hns. 1, 3

[

73

34 !

Hns. 2, 4

!

Y -C h T p -C h T p Y -C h T p W -C h T p

S S

Dbl. Bass

!

g

XC T S

Timp.

!

Perc. 2

Perc. 5

]

Y -C

C

>

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Wsim. C W S h C T W CC T h S

g

S WC T g T C CC

Q Q

g T T pX C Y BB T p S

T hC

S

S S

T WC

g

78

C.>

h

Q

Q

[ hy: à4 ]

Q

W W CC p d

BB

Q S

W -C T W h C CC mp

Q

Q

Q

Q

Q

Q

Q

Q

Q

W CC p

.C W -CC W -CC C

g W C. W C-

58

W C-C

8va .C -CC W W C W C W .CC WW .CC W C

-

W C W C W C. W W CC . C

[2•3]

5 8 Q

YC XC YCYCYC h cresc. CC

(Mba.) (hy)

S

_

T W C __ W C _ mp Q Q

5 8

Q Y >.C C X .C Y C Y C f . W .C W .C W C

Y .C . YY YY CC W .C W .C

(SC.)(sy)

.C

T _C _C O pph (WBLs) Q

44 4 4

S

34 Q Q Q Q Q Q Q Q

Q Q 80

Y -C . YC mp Y -C . Y .C Y -C XC S

R

mp YC S T h Y .C T S mp h CC. S T h S Y -C mp

S

Q

34

R R S

Q

R

S

R À C

h &

Q

T

À> T CO R

^C CC

T S h fsfz ^g T S CC WC

l.v.

R

R

Q

R

Q 80

> Y Y CC CC T YC C h fsfz d . . YY CC X X CC h T T h S f >.C T S R h mfsfz g > .C T C g >.C .C C .C h h f

3 4

44

Q Y >C Y Y CC mf YY >.CC h T C CC

C

CC T R h & [ take my ] Q Q

[ to Xyl. ]

. T C .C p

43

34

Q S

34

80

R

S

T -C h

C S Y -C . mp Q

R Q

44

58

7 8

7 8

CC

g

Q

>.g WY C C T CC OO >.h T mf > .g T CC OO C T WC mf .h > g W C W .C .C W C. T > mfsfz (nat. harms.) À> (pizz.) Q 44 X C f

C

Q

suddenly relaxed > >. W W -CC . W W CC C T W C T h CC T h h mf g g g T T T W C -C CC C- W C.C .> >

>.C

-C

T WC p

78 Q

WW

Q S

58

Y C. T

44 Q

[2•3]

p S (2º) C

SO

"

Q

58 Q

78

à2

[2•3]

Q

78

Q

[ take sy ]

Q

> . Y C C C Y CC> Y C. . f sfz . g W C. X .C Y >C Y C T C W C- . W C> f sfz . W C. T g W .C X .C Y >C Y C W C> W Cf sfz

Q

Q

mf

T

Q

S

CC

T

Q

Q

g T

-g

Q

S

WC T h

YC XC -h f Y -C h f

Q

S

>C

. . CC Y CC YY CC . . C Y .C Y .C

. Y CC Y CC .

Y .C Y C (Y) C h

f

Q

S

$

Y -C .C h h T

-

Y CC -

C Y .C C.

f Y -C Y .C

Q

BO

$

- . YY CC Y C g Y C Y C YC .h

Y -C X .C

Q

scrape (SC.) (come prima) l.v. Perc. 3

g

.C Y .C C

Y .C Y C S

.

Q

S

Q

3 4

!

h

CC

S

X CC Y C W C - . f

Q

Q (vibes)

Perc. 1

-g

Y .C h

[3•2•2]

3 4

] [

> W W CC T S h f incisive g WC T S C>

73

[ #

h

Y -C

Y .C Y C

-

Q

Q

34

Pno.

C

. . . C C W C WW CC W W CC W C C W .C . . Q

[3•2•2]

43 !

h

Y -C

S

Q

-

.g C W C W CC (W ) C C .h . Y C (Y) C -C h Y -C Y .C Y C h

S

Q

Q

] !

C

S

Q

Q

S S

#

Euph.

T

-

Q

S

44

Q

S

g T S

(à2)

T

Q

W W CC -

Q

58

[3•2•2]

S

(à2)

XC

T

[2•3]

Q

78

-g .g W C .g T T W CC T W - h C CC T .h .h W C. S S h Y -C . Y -C h hC T Y -C . C Y Ch h T - Y C -g .g YY C C Y C C C T -h .h T -

C T S

S

S

Bs. Clt.

Bsns. 1, 2

-g

T W W CC T -h T -C h Y -C T h

h C

S

C mpW -C mf S S

YC YC

[3•2•2]

W -C

80 Y >C Y .C >C . Y . Y C YC T h ffsfz Y >C Y .C > T h Y .C Y C Y .C ffsfz Y >C . T h Y C Y .C S ffsfz R S S R Q >C . C . > . YC C XC T h sfz Y >C Y .C . > C Y C .C T h sfz >g Y CC Y C .C Y C . > . T C C h . . Y C YY C C > > . sfz S R S

Q

3 4


11

86

[

[2•2•3]

34 !

Flt. 1

!

Flt. 2

Q

34 Q

78 Q

Q

Q

Q

54

Q

Q

Q

Q

Q !

Picc.

[2•3]

Q

44

BO R

p

Q

Q

R (à2)

S

!

Q Q

Q

Q

Q

E.H.

!

Q Q

Q

Q

Q

S

!

Q Q

Q

Q

Q

R

Clt. 1

!

Q

Q

Q R

Clts. 2, 3

!

Q

Q

Q Q

Q

S

Q

Q

S

S

Y C- Y C Y C. mp mp g Y C Y C Y C C C C YY CC h h S

YC mp h

Y .C h T S S

Y -C C Y .C X C- Y C Y .C mf . . Y C C Y C Y C YY CC Y C (Y) C .h YY CC Y C .h mf -C Y C Y .C Y YC YC poco mf

S

Y C Y -C

g Y C.

Bs. Clt.

!

C.B. Clt.

!

Q

Q

Q

# Q

Q

Q

S

# Q

Q

Q

S

Bsn. 1

Bsn. 2

#

C.Bsn.

[

34

!

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

Y C-

Q

]

Sop. Sax.

YC mp

Y -C

.C

Q [2•2•3]

S S

S

. YCYC

S

Y -C Y .C S

T g Y -C ( mp ) T Y -C h ( mp )

Y .C h T S !

] [

78

Y C- Y C C Y C Y C- Y C ( mp ) T Y -C C Y C W C h h ( mp ) Y C Y -C Y C C Y C Y C YC YC

34 !

Tpt. 1

34

X -B O

fh

W C W C- B

S

S

mf

W -B O

S

XC mf

mf

B mf

S

54

S

R S

S

R

S

S

S

R

S

S

S

R

S

S

mp

B

sub.

R

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

] !

À

W C> O

>À À WC C h h

>C À

3 4

W >B

À

À> WC

(damp)

!

Pno.

!

[

]

!

Perc. 1

43 Q

34 Q

Q

78

Q Q

34

S Q

S

43 Q

34

Q

T C mf

Q

T

(

d

C-

Y -C h

>)

[2•2•3]

[ #

Timp.

34

Q

Y -C h

-> )

(

!

Perc. 2

Q

Q

h

54

8va

C C

h

Q

C-

78

Q Q

(V.)

Q

Q

Q

(mba.)

(my)

S d

(

f

C-

>)

Y C-

g T C C Y .C T S C C C C. h f Q

54

R R

> Y C> .C T hC Y >C Y C. Y >C T h > . YC C R C YC R > . >C . YC S

S S

YCY C . . Y .C T h

4 4

C

> Y .C Y C Y .C

Y >C

g

T WC > mf

> T WC WC h . W C> mf W >C .C > W .C W >C .C C T h h T >C . C W >C R T h R

>C . > T h WC WC R Q

Q

Q Q

Q Q

Q -C Y .C T Y -C T C h h - . -g -g YC Y C Y CC T Y CC T Y CC T T - . -h -h . . W T W C T T C T hC h h T Y .C T T X .C T W -C h h h > T WC WC h . C> Q

h

T R Q

h

C T R Q

C

W .>C h

R

g W C. T S S

>C

86

45 Q

.g WCC T S .h T S

S

C

p -C B C

44 Q

-C

C

Cg

g

-B O mp g C .C

C. T h T h T S h p Q .C

C

S

$

Q

Q

Q

Q

Q

Perc. 6

$

Q

Q

Q

Q

Q

(WBLs)

Perc. 5

]

-C B C

8va

CC

h

h

-C

g

WC

4

[2•3]

78

Q $

Perc. 3

Q

5 4 Q

&

S

(still muted) (non stacc.)

44

!

7 8

R

-C -C Y -C T T T S h h h mf str. mutes - (non stacc.) S Y Cg T T Cg T Cg S S S Y hC T T hC T hC g g à2 mf S g T T W Cg T W C C. . W .C > mf à2 S g T T g T g Y Cg . Y C. Y C> Y C. mute mf S T g R C W C> C. W C> W C. . mf Q 4

54

T h mf W >C .C T h mf g .C g .C> C C h T h T T

Q

S

Q

Hns. 2, 4

(l.v.)

S

. . T Wh C T h C mf -g > . S T W W CC YC YC S T -h > . mf fsfz> . WC WC S T W Cg fsfz mf >C Y .C T h T h mf Y >C Y .C T h h T mf mf > .g T g T YC YC YC YC R > . fsfz > T X C g Y .C X C > Y C> Y .C f sfz R Y C> Y C. fsfz > W >C .C S T hC mf fsfz > W .C > W .C WC T WC T h h fsfz . mf W >C C > T W C W .C T h fsfz mfh

44 86

Q

À W >B O

S

[2•3]

!

3 4

R

S pp C

Hns. 1, 3

(pizz.)

S pp

pp

sub.

!

Dbl. Bass

S pp C

Tpts. 2, 3

Tuba

86

C

XB mp B

Q

Q

Q

[2•3]

Q

mf

h T p C h T p

-C T Y C T h

mf

WB C WC

h T p C

-C T Y C T h h

f S

34 Q

78 Q

g

C T h X C- W C. W C.

[2•2•3]

Q

fh

Q

C

-C T Y -C T h

R

fsfz

Obs. 1, 2

E-flt. Clt.

>C . W C W >C

Y >C Y .C S R fsfz Y >C Y .C S R

(TBL.)

44

Q C h

Q

C T R Q

Q

Q

Q

Q

#

[ take my: à2 ]

S .C T T .C S h h mf > g S .C .C T C. .C T > h mf

R S

>. T h C .C C

C

g

>.C

.C R

g

.C

!


12 93

[

.C X .^C !

Flt. 1

S

R

fsfz W .C W .C^ S ! fsfz g ^ WC C ! T h S fsfz

Q

Flt. 2

Picc.

Obs. 1, 2

!

S S S

!

E.H.

.C

E-flt. Clt.

!

Clt. 1

!

Clts. 2, 3

!

R

C.B. Clt.

Bsn. 1

Bsn. 2

C.Bsn.

[

Sop. Sax.

Q

T >g T YCC >h T g YC > R

Q

. > .g T Y C Y CC CC T C . > .h g T C (Y) C C. > .

S

>C Y .C

C. .C

Q

C .

.

Dbl. Bass

] !

(Vibes)

S

! #

(Mba.)

S

Perc. 2

XYL. (sy)

S

!

Perc. 3

!

Perc. 4

(WBLS.)

Perc. 5

Perc. 6

T

p

Q

Q

Q

g T

Q

g T

-C

g T C>.

S

S

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

> .C Y C. Y C C C . sfz mp .C X .C .C> T YC C h sfz> .C Y C .C C. .C C sfz> .C . . C YC C C T h sfz > g . . Y .C C X C- Y C C h fsfz > . T .g . . C CC CC T Y CC X C . > .h . f sfz .

T T Cg .

g Y .C C- C mp g -C . . T C YC T C h . mp

R

C

R

CO S

T

g

YC B S

g

C

(à2)

S

34 S

S S

S S

34

[ mute out ]

[ mutes out ]

non stacc.

T YCO > fsfzp

Ã-

C Y -C C

Q

Q R

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

(mute out)

Q

B

T CO > fsfzp

C T T

Ã-

C S

S

B

h h mp sub. non Ã- stacc. ÃC T T C S Y C C - C h h mp sub. solo (w. E-flt. Cl.) C> C O C C h mf ( poco p sfz ) Q

43 Q

>C

h mf

Q > .C . X >C Y .C Y C Y .C S YC p mp g Y .C T .C C. S T Y C_ h p sub. .C T S h [ take hy ]

[ to

s]

R .C >C Y .C T _ h

Q Q

Q Q

> T Y_ C O _ mfsfz> pp > Y .C .C Y C S

R

g _ YC Y C Y C. . mfsfz p. (Xyl.) (hy) R T _ YCO mfsfzpp Q T !

Q

Q

R R

Q

Q

R Q

> T _C O _ sfzpp

34

Q O

__ B

(my)

Q

#

_

BO Q __ B S

s

(GL.)

__ C ( pp ) T _C O _ p

Ã

Ã

C T T C h h sim.

CO

C C

À BO

BO mp rfz sempre >

(my)

-C

(dampen after striking)

g T

43

Q

à T T C h

Q

À>

!

ÃC h

S

(pizz.) (sul D)

Q

C- C.

93

S

R

(à2)

C- C.

93

g

T

T Y C- .C h h mp T

Q

R

> > T _ C .C _ C h > > T Y _ C .C Y _ C h g > T Y C _ Y .C Y _ C >

WC WC Q

Q

T _ C .C T _ C Y .C h mf h - . T _ -C Y .C T Y _ C Y C h h mf g g T Y C- _ Y C. T Y _ -C .C mf Q

WCO

Q

Q

>.C

C S h fsfz (TBLS.) .C > $ T C S h ] fsfz $

h mfsfz

Q

T Y -C T h C R ph T -g T g R Y T X CC T C C R -h h p-

R

>C

WC C

Q

R

S

Q

Q

Q

] [

sub.

X >C W C O h mfsfz

93

[ #

Timp.

Perc. 1

Y C. X C . fsfz

S

Q

solo (w. Euph.)

)

. . C C

g

S

Q

Q ^

T

C

Q

S

#

C .h

S

Q

Q

Tuba

S

giocoso

sfzmp

.C Y .>C S fsfz . >. S CC CC S . >. fsfz> .C . C . T Y -C Y C. C S h f sfz T Y .C S R h

Y .C h T -g . . T Y CC CC Y CC . -h

>C X .C . C S h

Q

Q

"

YC

T

g

Q

] !

Euph.

(

WC

Q

Bar. Sax.

Hns. 2, 4

t BO

)

Q

Q

R

Hns. 1, 3

(

mf giocoso

Q

Q

R

BB Y C ( Y C ) t (p) Q

>C .C . C h T

g

Q

Q

R

mp

S

Q

!

Tpts. 2, 3

)

WC

S

h f X .C YC C S h T S f sub. g as solo > W C X C X .C C. h T S mf giocoso mp > giocoso .g .g .g g XC T T C C C T X C C T .h .h T S mp sub. f

sub.

t

CC

T S

Q

Ten. Sax.

fsfz . ^. X C YY C C S ! Y C Ò. S . f sfz > . WC ! h T S fsfz .> ! Wh C T S fsfz

T

X .C

Q

S

!

mp Y C tO Y C

)

YC C

C C C C mp g T g T C C C mp X C Q

Q

Tpt. 1

S

T YCO Y CO T R > f sfzmp g .> T Y C- Y .C .C .C C S fsfz g C. C

g

YC

(

>

Q

Q

C

T

(

Q

R

Y C> C. C C. Y .C > . R S C Y CC C T C T C T C > . .h .h .h g T X .C S T g C C> . Y C. ( mf ) g g S T g C T T C. C> . ( mp ) Q

Q

R

R

T

!

S

S

X >C .C S >C Y .C

Alt. Sax.

Y .C X .C^

R Q

> . YC C

S

Q

S

g > T C XC . mp > R T .C C h mp R T mp .g > C C S C R > mp T g T g R .C Y C. g T C T Y .C R . h

Q

[

Q

Q

> T >g .g T Y C X C . T Y C C Y CC T C Y C mp >h .h > . T g g T C> C. C> Y C. Y .C ^ mp S R fsfz Q

34

Q

R

!

Q

Q

^ T g S g T ! WC . X C. X .C Y C. fsfz mf sub. ^ T g S Y .C T ! C X C. X C mp .sub. h . fsfz . # W C W ^.C S R fsfz # WC ^ S R . X C. fsfz ^ S # R X C . WC ] . fsfz

Bs. Clt.

Q

Y tC O

g T

XC C mp (non stacc.) X C C XC mf senza ped. g -C C T CC- T h mf g .> C C X -C T _ _C mf( poco h sfz ) (br.) C C S h mf C. T S h poco mf > S T CO mf

C C C

S

__ C

h

C

C

.C>

g

C C

C C C h h T

_ C C C.

C T h

h

.C T C _ C C. h

-C C T S _ _h sfz C C CO h

S Q

[ to Bass Drum ]

S

C

S

C>


13

[

WC

S !

Flt. 1

.C X .C g

Q !

Flt. 2

.C C. !

Picc.

.C

T h

S

S C C ! . . S

Obs. 1, 2

Q

!

E.H.

>C

102

X >C. 97>C . W .C g > .C W C C X .C C W .C S S T h h T fsfz p sub. >. g .C >C .C Y C T C S W C W C C- C. . fsfz > mf p. . >.C .C . .C .C C. X C C .C Q fsffz . g .g > . . . T Cg C S S C TC S C C C WC C T .h .h T S S S S W C T -h p Q Q ^ C C YC C W C W C- W C Q h h fsfz

WC C

T h

>C .C . W C- . WC XC

[2•2•3]

78

g . C. -C W C

S

T

g X .C T T Y C C Y C Y C. h

. T X C C W C T .C .C W .C W h C T .

C- C. S

Q

Q

W -C p

C. W -C Q

T

S

> . C WC

T W Cg .

g

Q

. . . S WC X C W C W C C C W CT W C . > h . . . W -C W C. T W C W C C Q T

.g > . WC C S WX C C C > . . W C .C S T

Q

E-flt. Clt.

!

Clt. 1

!

Q Q

Q

Q

Q

Q

Q

Clts. 2, 3

!

Q Q

Q

Q

Q

Q

Q

Bs. Clt.

!

C.B. Clt.

!

g g T W C C C> . > C. Q # Q

sfz

Ì

T

Bsn. 1

#

Bsn. 2

^ C C. X C. fsfz S

as 6 8:

g

T C. W C.> S

C. C.

Q

soli

C-

p

Q

C. W .C W .C -C h T

soli g T W -C C T C T . hp h

Q

Ì

g T Y C- C Y C. Cmp Q X >C W .C Y -C .C T h h T

Q

"

Q

]

W C-

g T T

W C>

g

!

Q

Q

!

Q Q

Q

Q

Ten. Sax.

!

Q

Q

Q

Q

!

Q Q

Q

Q

]

.C h

T C

Y .C Y -C

Q > C. T W C C.

C T T W -C h h

h

S

T

Q Q

Q

S

W -C

W C-

W -C p T T -C p Q

Q

T Y h C X .C T h [2•2•3]

[3•2•2]

Q

.C .C

Q

> X .C T T Cg g T C - W C.

W -C X .C W .C

78

Alt. Sax.

Bar. Sax.

. -C W C S [2•2•3]

Q Q

Y .C Y -C Y C. Y C- C C. T Y C h mf Q . . -C W .C W -C -C W C W C X C W C S

g T C.

97

[

Sop. Sax.

Y -C h h

C Y -C

W .C^ h mfsfz .C .C ^ C-

W -C

h

-C Y C

mfsfz Q

102 Ancora pesante [ as ms. 16 ]

Q

34 Q Q

Q

Q 102 Ancora pesante

!

Q

Q

Tpts. 2, 3

(à2)

S

!

à S

C h

T

78

open

Q

Q

Q

Q

Q Q

Q Q

Q

Q

Q

(à2)

S

S

g Y C. Y C-

T Y Cmp

6 (à2) as clear 8 :

S

S

T T

Y -C mp

g

Q

g C. T C-

Y C. Y C-

C Y C. Y -C C C. C-

Y C. Y -C

> Y -C Y .C X .C C C. . mfsfz

Ì

C C. X C- W C. W C.> mfsfz " Q

Trb. 1

# Q

Q

Trb. 2

# Q

Q

Q

Q

Q

Q

Q

Bs. Trb.

# Q

Q

Q

Q

Q

Q

Q Q

Q Q

Q

"

Tuba

#

C

C C

C

(pizz.) (sempre nat. harms.) Dbl. Bass

! ]

Q À>

À

CO

CO

Ì

Q #

Q

>

(sul E)

CO >

!

Q

Q

!

Q

Q

Pno.

as clear 6 8:

À>

(sul G)

À

CO

C C h

Q

À>

^ C .C Y .C h mfsfz

>

l.v. sempre

À

W B> mf rfz

C

. T WC C WC C mph Q

W .C W -C C .C S

À W >B

>CÀ Q

Q

Q

Timp.

C C T C C h h ] C C C [ (Vibes) C !

Perc. 1

T

C C C

(Mba.)

Perc. 2

# .C .C T .C -C h (Xyl.) g _ _ ! .C> C- C T S

Perc. 3

(Gl.)

]

$

(

S

's)

S

T

C. C- _ > C h C C

C

B

!

Perc. 4

__ C C .C

h

C

C

g C >C C mfsfz> & C .C Y .C T h Y C sfz > . T _ C _ C W .C h sfz __ >. Y Y CC CO h sfz >. > C C C h sfz & S S &

Q

[ 30" D

p

Ì

E∫ ]

cresc. poco a poco

C Q

CO

78

Q

>C .C T h h WCO

X -C C W B p sub. W -C W C W C p sub.

[damp!]

7 8

À W C> O

T WCO p cresc. CO

S _

T C_ > p

g

W .C T W _ -C W C h g C. T S

. T hC S f .g T CC S T .h S f

h

.C T

.g CC T .h T Q

CO

À

W >C S Q

Q

Q

Q Y -C fC

f Y Cf Y -C f

>B À

open

SO

arco

Q

#

Q #

T -C C T h h T -C C T h h T Cg Cg T -

T -C C h h T g g Y CC- C f 3 Y -C T -C C 4f h h C T ChC C T C C ff h g g C T CC CC YY CCC- C

3 4

T T T C C T

102 Ancora pesante

A∫]

-C .C T h h XC S

78

Q

Ì

CO S

Q [ 25" D

C

Ì

S

T CO

C S

- W .C T W_ C W C mph _ S C C. mp C

cresc. poco a poco

T W -C T C

-C> C

WC C h

. W _ -C W C W C _ C- _ C O _ h cresc. poco a poco g g T C _ C. T T SO >

T C C WC h h T C C C h h

Q

B∫ ]

cresc. poco a poco

WC

[ as ms. 16 ]

[2•2•3]

[3•2•2]

[ 28" F

T CO

poco a poco

À>

Q

[2•2•3]

T

S

>B À

78

97

[ #

T

Q

(sul D)

Q

Q

Ì

Euph.

>C

34

open

Q

mf

[ as ms. 16 ]

[2•2•3]

[3•2•2]

Q

Q .CÃ Y 0C.> mf Ã. 0>. C YC

à T C S h à T C S h T

h

S

!

ÃC

S

(à2) Hns. 2, 4

Q

Q

!

Hns. 1, 3

[2•2•3]

Q Q

Ì

97

[

Tpt. 1

Perc. 6

.^ pesante . C Ancora [ as ms. 16 ] C C Q fsfz W .C ^ . C WC Q fsfz >. .C> C C C T h h T ^ f . . C CC WX C C W C Q . Ò. fsfz W C .C W ^.C Q >. > .C fsfz C C C T T h h f > >. . C C C C T h h T f > >. .g T Cg C T C C T C hC T C C h . .> f > Y -C Y .C X ^.C Q fsfz Q ^ . W -C C. C # Q fsfz X ^.C Y -C Q h fsfz

34

Q

. X CW C W C W C C TC W TC X W C C C . . W C. T C W C. T T W C- W C Q

g . . .g T C W CC W C C W C W C C T h . . T

S

> .C W C .C -C Y .C Y .C Y .C X >C .C [2•2•3] W T T h h

[3•2•2]

C

C

C

C WC

C C

C X C W >.C

43 Y -C mf

C. T g .C T -C h

Q $ mfsfz & [ to Snare Drum ] ^ C. Y -C X .C Y -C Q _ ! Y .C X C. X C. _ mfsfz (take hy) >. S T C C. W .C W C Q $ _ h [ take SC ] mfsfz C . X >.C WC Q C XC $ & [ to Snare Drum ] mf > T C C S T Q h [ to Bass Drum ](med. beaters) f

34


14 105

[

Flt. 1

!

Q

Q

!

Q

Q

Flt. 2

.C >

T hC h !

Picc.

T h

!

Q !

Q

Obs. 1, 2

E.H.

T

E-flt. Clt.

!

C

h

h

C

T

.C h

C

T h

.C

>C

.C

T h

> C.

T

C.

h

C.

T h

.C C.

T

>C

C. >C

X .C

f W >C . T h C h f

Clts. 2, 3

!

.g .g T C g CC T CC T T C .h T .h T h

> . .g .g XCC T CC T CC C C .h T .h T > .

Bs. Clt.

!

Q

Q

!

Q Q

W Cf

# Q

Q CC

C.B. Clt.

Bsns. 1, 2

h

C.Bsn.

#

h

T h

T

f

]

Q Q

Sop. Sax.

Q

! !

Q

Q

Ten. Sax.

!

Q

Q

Bar. Sax.

] !

Q

Q

Alt. Sax.

.

[ !

Tpt. 1

.

T hC

T hC

.g .g CC T CC S T .h T .h S T

Tpts. 2, 3

!

Hns. 1, 3

!

Q !

Q

Hns. 2, 4

Trb. 1

" Y -C T

Trb. 2

#

-C T

Bs. Trb.

#

Y -C

T

Euph.

# Y -C T

Tuba

#

T

]

Pno.

#

Perc. 3

]

[

]

$

Y -C

C. T .C> g

h

g .C .C h

h

C

g C.

g

<C O

T Y .C T h >C

T

C CC h

>C

C T CC h g

T

C C.C

T Y CC T Y C.

CO C-C OO

g T Y C.

g C.

T

__ CO

Q

C>

g T Y C. Q

C-

mf sub.

g

g

g

g C T

-g

CC

-h

C.

C

C.

-

Q .g -g T T CC T CC .h -h . T C T C h> h W C . C T h T h

-C T

g CC T h T C

>

C

.g T T

CC

C. T Q

C. >C

T h

Q

T C

g C

-C

.C

T h

h

.g T

T

CC .h

T

.C T

-C

.C T h

g W C. T

-

-

g C. T

h

T

>C

T h

-h

h

h

C h

h

T

> C

Q

C.

T

C. div.

Q Q

.g X CC T T .h stacc. .C T hstacc. g T W C. stacc. T

T

.g CC S S .h .C S h g S C.

T T

W W CC> mf marc. > . W CC CC > . mf

g C

C.

S S S

B

. > . . CC CC CC CC . > . .

C. h

C >C

T W W CC h

g C mf g C> sfzp >g W CC >h sfzp g C> sfzp

CC

CC

C C

marc.

f f

g

T T T

f T

f

.g> CC >.h sfz >. C h sfzg W C.> sfz g C C. C > sfz >g CC >h sfzg C > sfz

C. C

C.

Q

T WC mf Q

T

Q

S

S

Q

S

S

C.

S

>

Q

Q

Q

Q

Q

Q

Q

C.

g

C. C > C>

C. C >

T

C.

Q Q

Q Q

Q

g C. T

T C-

g g T C> C.

Q

g C. T C-

-C

.C

-C

C CC

C CC h CC

C-C

CC

g C-

g C. T T

g

T

CC.

Q

C-

.C

T C CC CC

T

C.

g

C

C

g T

T

C T C CC C CC T h h g g g CCC T CCC CCC T C. C- C

Q

B f W B> f

oozing

S S

B mpsfz oozing B mpsfz

C

p

mf

Q

f

g X CC CC T Cf> B W BBB

T CC BB h g T C B CC BB

S

mf

109

BB

g T

mf

B> O f sfzp

CC

S

>C

BO mpsfzp

B

T C

ph

WBO f sfzp> B>O f sfz p Q

g

XC

>

"

g C B mp T g C B mp

g T

-C

T C CC h C-C

C. C C > sfz Q C>

T

Q

C-

C.

Q

Q T

C. C>

g C. T T

C-

C. C C C . > sfz >

T

g CC CC S C T -

C 8

Q

C-

-C

T

>

CO mfsfz

h f sim. > > C T CO hf sim. g T WC B sfzp>> T C B sfz ph T g C> B sfz p T g C> B sfzp

T W CCCC OOOO

g

T

T WCO > mfsfz sim. > T CO

S

g C-

W Cmf T g Y Cmf

Q

C

T

h

W Cmf

Q

C. C-

T

C-

Q

C

T

B

Q

C. C-

T

BB

Q

C. C-

T

B

Q

C. C>

T

109

>

T

T

T

B> O mfsfzp

Q

g CC CC C T

CC. C.C

B> O mfsfzp

BB

Q .g T CC h. T .C T h g T C.

S

marc.

CC. CC. W C>C

g C. T

>C

T h

Q

B> O mfsfz> p W BB OO > mfsfzp

T WC h

C.

T

B

>

C.

>C T

C

C

T W Cg > sfzp T >g T CC >h sfzp> T C sfzph

C

h>

Q

109

-C C CC C T C CC C CC T mf sub. h h g g CC T CC CC T X C-C C-C CC f &

h -C

g T

CC

g C. T

T WC h

.C

-g

CC

-C

Q T

g

T C-

g C T

CT

>

.C

g

C h

-g

> T W h C C. T h

C.

T

T CC CC T T -h h T

CC -C T

-C

Q

C h

T h -

C

h>

g C. S T

T

.C T h

WC

g C. T

g C. T CC .h

-C

C. >C

T

CC

T

>

Q

T

C h

g C. T

W C-

g T

CC h

-C h

g C. T T

C

105

C> C C C

T hC hC

-C

T h

Q

g C. T

h

Q .g CC CC T CC .h T .C -C T -C h W >C .C T .C T .C h h -

T

h

Q

C. T C- T >C .C 105 Q h h sfz .g -g > . CC T CC T C C C Q C .h T -h T > . sfz à2 strong accents Q C. C- C C > mf strong accents à2 Q C. C C C> mf -C T Y .C T C gl. S S h h CT .C T C gl. S S h h T Y C g T C g gl. S S . X -C g g T Y .C T -C O T C C C YC Ch mf sub. Q T g T Y C. CO

C. h

T h f

C T C.C T

C. T

.C

g T C.

C C C

C

[ #

Timp.

h

.C>

YY CC-

h

g T .C .C T

h

T ChC

.C

.C T h

T

!

.C T h

Y C# sim.Y -C

Dbl. Bass

S

>

.C

T h

-C

Q

T

T WC h f

Q

-C T

T h

C

Q

T

105

[

.C h

T h

-C

Q

C-

f X -C f

T

.C

Q

C-

T

T

-C

Q

T -

h -C

C h

.C

Q

T C-

T

g CC CC T T -h h -C C T h h> T C C.

T

!

T

-C

-g

T

-C

T h

Clt. 1

T h

.C

T

CC -

f Q

-C

Q -

C h

T h

f

.C

T

-C

T h

f-

Q

>.

C

.C

109

-C

h > C h

g CC CC T C-

g CC CC T C CC CC

(loco)

8

Q

>C

C>

C

Q

SC

Q

(med.) (w. sticks)

Q

Q

T _C B h _ p

.C T

(choked)

h mf

T h

.C S S

S

f

h

.C T


15 118

112 Flts. 1, 2

[

Q !

!

E.H.

!

E-flt. Clt.

!

>. .g T .g T . C CC T CC T CC C . .> .h .h sfz .C T .C T C. >.C h h sfz g > C. C. C. T W .C .C sfz unis. (div.). . . -C . > CC CC CC T W CC .CC h sfz mf sub. . . .g T . .> X CC C W CC CC CC T C C C . .> mf- sub. . . .h sfz . .> W .C .C .C T W C C h X Cf S CC C f S CC S W CC YY CC f S Y CC C f

Obs. 1, 2

!

Clt. 1

Clts. 2, 3

!

Bs. Clt.

!

C.B. Clt.

! #

Bsns. 1, 2

# ] [

Sop. Sax.

Alt. Sax.

h

!

C W C! (W ) C g W C-

Ten. Sax.

h h

W -C h Y -C h C-

Y -C

g ! (Y) C Y C]

!

Tpt. 1

! (à2) sim.

>

>

C

Hns. 1, 3

C

!

h f

(à2) sim. Hns. 2, 4

!

Trb. 1

"

Trb. 2

"

W C>

C C-

h

Euph.

#

Tuba

#

!

Pno.

# (8)

C-

WC

C

C

C

C

C

C

C

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

. T hC hC T hC T -g g .g T CC CC T CC T T -h h T .h T

. T hC hC T hC T cresc. f -g g .g T CC CC T CC T T -h h T .h T cresc. f Q

Perc. 3

g

T T T

CC -

S

C

C

C

T Cg C -

gl.

CC C.C C

YC

g T C. T

g T

C- O

C.

C.

g T C.

T YCO Y -C O T YCO -

g T CC T . g C. T

T

C- O

T

S T Y Cg S Y .C T Y Cg S .

g T C T .C g C. T

.C C

.C

.C CC

.C >C C

.C

.C

C

C. -C

>C

C. >C C

C.

C

C C-

>. C

as 6 8:

h T T hC C sfz> ff .C T T Y -C C h h h ff sfz T g Y CC- C f only .C >C C X >C ff Q T Cg C T C CCC C CCC h g T C C CC CC -

Y C -CC C ff Y YY CCC YC C

mf

T

.C

Y -C

g T

Y C CC C YYY CCC -

g T C.

T

C Y C. -C

.C C>

g T C. .C >C

S

#

as 6 8:

-C

ff g S Y C. C .C -C T

S

S

T YCO -

g C. T

T Y Cg S .

> C CC T C .CC T C C h h g g CC T CC T C C.>

-O T Y C CCC OOO

C .CC T C h g CC T C.

. T Y C CCC S h g T YC S YY CC .

Y B-

g T Y .C

Q

Q Q

Q Q

Q

[ take my ]

T

T YCO Y Y CC OO (sim.) (l.v.)

T YCO -

Perc. 5

$

Q

Q

Q

$

Q

Q

Q

(sm.) BD

(stacc.)

g T Y .C

T

(sim.)

g S Y .C

SD (sticks) (clear accents) (snares on)

T

.C T C h

T -C

(à2)

f

h

T h

g Y C. T

C .CC T C h g CC T C. g T .C

.g CC .h .C

S

T

T

-C h

T

T

Y C. >C

C

h f

.C >C C

>C

.C >C C

. C. C molto

Y .C >C

.C .C

CC

.C -C

.C >C

T

g S C. Y .C -C

g T T Y Cg C Y C. C C Y .C C

T

g S .C

g T Y .C

T YC

T

g C. S

g Y C. T T

-

. T C CCC S h g T C S CC .

Y C .CC T C h g T YYY CCC .

Y >C O T Y CCC OOO sfz> Y C T YY C CC OOOO

Y C- O

g S Y .C

g T Y .C

T Y C_O

C

-C

-g . C C C C CC -h . .C -C T

>C

118

C. C

Y C-

C Y .C -C

YC Y CY C -CC C YYY CCC

C C T

C

>

h

.C >C C

>

.C >C C C h

C C C .C S

> C C C C .C C C Q g S C.

__

B

.C .C

C

g

"

C g C

Ch T T h S ff ten. CC- T T Y -CC S h T T h S ff ten.YC C YC T h T h but fff Heroically, precisely in time Y -C C YC T h T h fff Y -C T Y -C C T h h ff- ten. YC T hC hC T ff ten. Y -C T -C C T h h ff ten. X -C T hC hC T ff molto ten. g g T YC C T Y Cff molto ten. T Y Cg Cg T YC fff molto ten. Q Q 118

Y Cf C

g T S

>

CO sfz p __

.C

C Y -C O

h

ff> marc. -C C -C O h ff marc. g C C- O >Cff marc. g C C- O -C> ff marc.

.C . C

T

T

>-C

molto

(à2)

S

.C -C

g T Y .C mf

.C

118

.C .C

.C >C

h

.C >C

C

.C >C C

S

.C S C

T

S

g T C. . Y C -C

.C

T h

sempre sim. > > > > > T C C C C C C C C C C C C C C C mf (my) .C T .C T S S T -C C T .C T h h h h h mf (sticks) sempre sim. > > (snares off) SD Q S C C C C .C C C C C .C p mf (mb) g T g T T T g S C- O C. C. C. mf (lg.) BD (mb) Q Q C- O mf

S

Perc. 4

h

T

> C. C

g g C T C. T >

(hy)

C- O

> C. C

Q

(l.v.)

C- O

>C

Y C- O

.C

stacc.

(my)

.C T C T h T

. T Yh C h C T h C T

Q Y C-

T -C C T hC hC

T

.C >C

Q

Y C. -C

C.

C .C >C C >C

-C

C. h T S

Y C-

T h

Q

-C Y .C -C C

Y .C

-C C T h h

Q

Q

C

C

.C C- C .C .C -C .C C- C .C C-

Q

g

C-

C. C

.C .C C-

Q

T

>C

C

>

Q

CC

-

C.

f > strong accents .C >C C .C XC f > strong accents C. >C C C. XC f

h

g CC

C

.C C

.C >C

T T

> C. C

.C C

S

g T T YY .CC g Y C. T

g S CC S . g C. S

g C C- O Cff marc. g Y CC C- O ff marc. g YC C Y CC OO Y -C C ff marc. g Y CC Y C- O ff marc.

C. C

C

C

Q

ff marc. CC CC Y CC CC ff marc.

C.

.C > C

.C T C T

Q

C C OO -

C. C

.C C

S

Q

T

Y C-

T

Q

T

YY CC -

T

C

>C

-C C .C T h h T h T . T Cg Cg T Cg T C C T h h T hC T .

T

T

.g CC T .h T

T

C. -C

.C

-C

.g T XC C S T .h S T

molto

h

ff marc. CO

C. >C

.C > C C

C- C T T C C T h h

T

S

h Y -C C h -C C h

-C O

C

>C

S

CC h.

.g

T h

-C C

CO ffC marc. O

.C >C

> . > strong .C accents C C C

C. h T

T

C.

h ff marc. YCO Y C- C h ff marc. -g CC OO Y CC CC ff marc. -h

>C

.C C

C-

h

molto

C.

-C C

CO

à2

C. h T

.C -C

T hC hC T

.C

Q

C

Q

]

T

g T

$

Perc. 6

g T

g T g T CC T CC T . g T g T C Y C.

YY CC

-

CC

.g

g T C

T

CC T h. T

S

C

g CC

-

h

C g

C-

S

.C

.C >C

Y Cff

> T .C h sfz

S

C T h

C-

Q S

-C

.C -C

112

(SC)

$

C-

Q $

-C

>C

f

g g CC CC T CC CC T CC CC C. C. C. C-C W CCC C C C loco

] [

più

h

S

[ #

Perc. 1

gl.

più

C

]

Timp.

Q

Q C-

h

S

#

Dbl. Bass

Q

C.

C

T

Q

T

T

T

Q

C. >C C

-C

h

molto

T

Q

g T C

f C-

C C-

h # (W ) C

Bs. Trb.

C>

cresc.

>C

C

CC . T

T

Q

C. >C

f

C T

T

.C C T T h T

T Y -CC CC T h h

C C.

f Q

Tpts. 2, 3

h S

. T Y CC CC T CC T T h h T h T

Y CC OO

Q

-g g T CC CC T T -h h T

C-

Q

.C T C

S

YY .CC T h T

Q

T h

112

[

Y -CC

strong accents

>C

f C-

W -C

g

112

-C

W -C

X -C C

!

Bar. Sax.

f

Q

!

Picc.

C.Bsn.

T CC - CC T T h h T

Y -C-C

Y .C TY C S T h S

Q _

_C

p sub. > C C .C C C C C _ C S T _g __ C C pg g T T _ _ C. C C p

>C f TU ! f & >. C TU f f & f &

Q

(to Xyl.)

Q Q

(to tom-toms)

Q

(to Tam-Tam)


16

(à2) Flts. 1, 2

[ !

Y -C O

C XC

sim.

WC h

C XC

sim.

XC h

Y -C O !

Picc.

-

YC YC h

YCO ! YCO sim. -C O X ! sim. Y -C O

Obs. 1, 2

E.H.

E-flt. Clt.

! !

sim.

Clts. 2, 3

-

! !

C.B. Clt.

!

#

C.Bsn.

sim.

WC

W C- O

WC

sim.

WC C h

C

W -C O

C

C

C- O

CC C

XC

g

C

C YC C

C

C

g

XC C YC g

[ !

Y -C O

C

Alt. Sax.

sim.

!

Y -C O

sim.

Ten. Sax.

C

XC

C

W -C O

C

C

C

C

-C O

Y C- O

Bar. Sax.

! !

C

C

sim.

C

!

Tpt. 1

h

-C T

sim.

! YY CC -h

Tpts. 2, 3

-g

sim. (à2)

T

Y Ch T

T T

T

(Y) C Y C

Hns. 1, 3

!

T

-g

Y CC -h

T

C

h

T

X Ch

X CC -h

S

-g S

S

W CC -h

C C

C

-C C

XC

C C

C

-C C

XC

YC h T WC h

C YC

(Y) C Y C !

Y -C "

Trb. 1

sim.

T

Trb. 2

#

X -C

Bs. Trb.

#

Y -C

sim.

"

T T

YC h g XC T

XC

sim.

#

Tuba

X C-

XC C

T

C T

-C T

C

T C-

C T

h

C YC

h

W -C

XC

C

T

sim.

Euph.

C

-C

h h

C YC C

C YC C

g

sim.

# ]

X -C

g

sim.

[ #

Timp.

[ $

T

-g h

>C

C> C

C

X CC > C

g C

-g C C

T

C YC C YY CC C YC

W >C C >C C >C C

>C C C>

C

h C T (Y) C -h

C h

-g h

CC

T g

X C> C> >C

W >C

> T XC C T >

CC

C

T

-C Y C

C YC YC T

X -C h C

C

g

g

-C

T W -C O C

h

g T

Y -C

g

C C h

T g

T

C C

W -C h W -C h

X -C O T

C

g T

X C- O W -C O X -C O

W C-

X C- O

WC

g

C

g

CC OO

W CC

CO CO C

CC O O

Y CC

CO

YC

C

CO

WC

C

CO

C

C

CO

C

CO

C

CC g C

T YC T Y C

C

g

h

g C g

YC

C

C

C

T

YC

C

T

YC

T

h h h

g

YC

C

124

>

T C T

X -C

C T

X -C

h h

C

T T

h h

CC

C

X C> X >C

C

C YC C>

h

T

g

g T

CC h

C YCO

C

g CC h

CC

C T YC C

h

-C O f

T

YC

C T

YC

C

T

YC

C T

YC

h C

h h

C>

C YC

C

C>

C YC C

C-

C h

C

CC OO

C-

YB C YC

>

C

YB

>C

Y C>

C

YC

XC

C

X >C

C

T

g

C

C

Y C>

C YCO

C

T

h

C YC

C

WC

h

C h

C

X >C

g

CO

YC

g

h

YC

C

C

124

XC

C

g

W CW -C h

>

C YCO

h CC

g

C

C

>

C

h

CC

g

C

C

T

CC

CC OO

h

T

g C

C

X >C

C

T

C

X C> > X CC >

C

T g

C

X C>

C

CC h

C

Y C>

g

C

h

T

h

CO

h

T C

C CC

C T

C h

C

h

T YC T C

C h

X C> >

g

CC

X CC

C

-C

-C

CC

C>

(Y) -C h Y -C h T

W CC >

C T

h

C>

Y CC >

g

h

-

T YC T YC -

C

X -C h

T Y Cg C-

g

CC

C

>

C

CO

h

C

g T g T

YC

CO C

C

CO

YC

C

CO

XC

CO

YC

CO

YC

h

g C C

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

[ take Crash Cyms.]

Perc. 2

!

Q

Q

Q

Q

Q

Q

Perc. 3

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

$

Q

Q

Q

Q

Q

$

Q

Q

Q

Q

Q

$

Perc. 4

[ take Tambourine ]

Perc. 5

Perc. 6

]

g

YC

C h

h

f

C

CO

h

YC

-C O

C h

C h

124

(my: à2)

]

Perc. 1

g

h

C

X -C h

Y -C T

W >C

CC

W -C

T WCO -

C

X >C

g

YC WC -h

T Y -C O g

C

T

h

T C-

-C O

C

T Y Cg T -C h

T

T

C

C Y -C Y C

C-

X -C

C

C

>

T

h

C

-g

Y -C

>

C

>C

>

YC

h

CC

C

Y C-

C

C

X CC >

-C Y C

C

T

-C O

-h

C

CC

g

CC

>

T

C h

T

C

-C

h

-

g

g

CC

(X ) -C O

C h

g

-h

C h

C

C

T

h

g

h

h

T

(à2)

Hns. 2, 4

Dbl. Bass

T

T

C

h

C

-g

g

C

C

T

g C

C

C-

h

124

C >C

X CC > CC

Y -C

T YY CC OO T T Y -C O T Y C- O T YX CC OO T XCO -

C

g

h

T

g g

-g

h

C-

T

CC h

Y C-

C- O

-C

h

g

YC -h

Y -C O

C

-g

C

Y CC -h

-g

T WCO O T Y C T Y -C O T

C

X >C

C-

h

-

C

g

C- O

XC

sim.

[

C

C h

-C

-h

C

h

CC

g

C

h

h

C- O

C

g

WC

W C- O

]

g

h

X C-

C h

C-

h

C- O CO XCO C

h

-C

C-

C YC

h

YC -h

T

X >C

>C

C

Y -C h

Y -C O

C

-g

C

C- O

sim.

Sop. Sax.

h

W X CC OO CC

T

h C-

-

X CC

g

XC

X C- O

]

C XC

g

W C- O XX CC OO #

Bsns. 1, 2

C

C

Y CC h

sim.

C

W -C O

C

h

-

CC

C

Y CC OO -

sim.

Bs. Clt.

C

Y CC C

C-

-C O X CC OO X -C O

C

YC h YC h C h

sim. Y -C O

Clt. 1

g

-C O C

T-T (my) soloistically

S

C> C C C C. p mf Q

C- C


17

h

!

h ! C-CC

Obs. 1, 2

! !

E-flt. Clt.

C-

Bs. Clt.

!

sfz> C

C W -C O

>C O

>C O

sfz X >C

-C O

X >C O

>C O

sfz C>

> C OO C

sfz > X CC

h C

Y C# YY CC

C

g

Y C-

C.B. Clt.

#

C.Bsn.

-C

[

Sop. Sax.

!

Alt. Sax.

h

!

Bar. Sax.

! [

g

h

Hns. 1, 3

!

[

g g C = C ]

C h

h

! C

C

" YC

Trb. 1

#

Bs. Trb.

h

C- O C

-C O g

YC

C

Euph.

" Y -C

Y .C

Tuba

# #

Dbl. Bass

]

-C

C

YC

C

YC

g

6 8

CO

Pno.

#

#

Q Ì

[ # [ $

Perc. 1

(C-Cym.)

!

Q

!

Q

Perc. 2

Perc. 3

T

>C

Perc. 5

Perc. 6

]

$

C.

C- C C. Q

C> C C C C > cresc.

C

.C >C C C

.C

h >C

h

T C

>C

C. h

-C

C

T

T >C

h sfz> .C h sfz .C h

C>

h

T C

C h

-C

C T T

YYC CCC

Y T YC

CO CC OOO

C C CC T

Y C> mf

T YCO Y Y CC OO

(in two)

cresc.

Y C> sfz > C

C

__

T YCO Q

C C C C C. >

_

C

.C C

CC

sfz CC X ^CC

C

C C

C C

>C

.C

T

CC -

>C

>C

.C Y .C C

C T C

> > CC >C

YC Y >C >C

Y C> sfz C -C

C T C

C> sfz T

C> sfz >C T C CC T

CC

CC

C

C. C

.C

C>

C C C

7 8

7 8

S S S

S

C sfz ^ C sfz ^ Y CC sfz ^ YC sfz ^C

S

C C

C CC CC C

Y Csfz

C

T

Q

Q

Q

SO C C C C C.> fsfz (take hy) Q

Csfz

78

S

78

S

> C>

C>

fff X >C >C

>C

fff W CC >

>C

>C

C

C

C

C

S S

S

34

S

ff> XC >C

>C

ff> XC >C

>C

ff

S

BO fff

C = c. 132 ] >C

Poco pìu mosso[ >C 129 W >C

S

34

fff > X CC > fff -B O

S S S S

> CC

>

> CC

>

ff W -B O ff W >C >C

>C

fff > C

>C

>C

fff > XC >C

>C >C

>C

S S

fff S

>C #

fff BO fff S

3 4 S

S !

S

XBO fff > W BBB OOO BO

34

X X BB OOO X B>

3 4

__

C = c. 132 ]

Poco pìu mosso [ 129

S

XYL.

(hy)

Q

34 (hy)

Q __

C = c. 132 ] >C

Poco pìu mosso[ >C 129 W >C

(MBA.) (hy)

p

>

BO ff

S

sfz ^ C CC C S Ò . sfz .C ^C S sfz C. ^C S sfz .C ^C S sfz .C Y ^C S sfz ^ S T YC sfz C. ^C S sfz T ^ S YC sfz T YC S sfz Y ^C T Y C CC S sffz ^ T YC S YY CC

C

CC >

S

.

SO

CC >

S

S

Tam-Tam (hb) solo

X >C

BO ff BB OO ff

S

Q

C>

S

T YC S > sfz Q C

fff >C

S

[3•2•2]

T

>C

BO ff

S

^C

W >C

fff S

sfz ^C S sfz ^ T C S sfz

>

C.

S

S

fff X >C

fff CC > fff> WC fff> XC S

S

.C

>C

>

S

sfz C. ^C

C

78 -

C

C> sfz

.C >C

[3•2•2]

sfz C.

-C

T

[3•2•2]

78

T T

C> sfz

C C

T

S

S

sfz ^ T

C> sfz C. .C

T

T

h

Q

Q

.C

CC

> . CC CC > .

Q

C C C C C. >

C

CC > sfz

YC YY CC>

C

.C

C

T

S

YC

C> sfz

Y C> C sfz > YYC CCC C CCC sfz

CC C_

T

S

.C

h h

S

C.C

h

T

Y C> sfz

T

C

sfz C C^

34

S

Y CC

h

C

>C

YC

S

sfz ^ CC YY CC S sfz S C ^C S sfz C C^ S sfz ^ C C

X >C C. C-

T

78

sfz C ^C

C

h

T

[3•2•2]

C = c.> 132 ] YC

Poco pìu mosso[ >C 129 X >C

C^ C

T h

CC

>C

C

C> sfz

YC -C

C

__

C

Y .C C

T (Y) C O

Ì

C> sfz Y CC> sfz

sfz C

YC

(my)

C

T

g

C

fff

C> sfz

C> sfz

> . CC CC CC . C .C

T

h sfz . C> YY CC Y C h sfz >C .C h sfz >C .C h sfz .C C> h sfz .C >CC C h sfz

>C .C C T

(T-T)

$

T

C h

> . CC CC CC sim. . C

T

T

YYY CCC

68

T

(Y) C O

C = C ]

Q

(MBA.)

g

68

Q

]

[

g

68

T

> h

T

YC

T

h

sfz >C C

sim.

h

YC

Q !

Timp.

-C

.C

CO

C

h sfz > C C h sfz Y .C -C h Y .C -C h h T (Y) C O

-C

C

-C O

> . C C C T

. CC CC . -

X -C

T

T

CO

C. C-

C

C.

C- O

g

YC

C >

C h

# YC

Trb. 2

C C

CC

C

(in two)

Ì

(à2) Hns. 2, 4

-

CC OO

C

T

68

CO

C

C

>C h

C > sfz > CC sfz > C

>C

-C O

>C

C

YC

C

>C h

C- O

- O C C C C- O h

(à2)

(in two)

C

C

T

C- O

T T

Ì

T

sfz

T

C

g

CC !

>C

C W -C O

C

Tpts. 2, 3

g C = C ] XC

f

C

!

Tpt. 1

[

68

.C

C-

]

-C O

C

h sfz> CC OO

T

YC g >

C W -C O

-C

Ten. Sax.

Y CC>

C h

X -C

!

-

g C XCO -

Y C-

]

C- O

C>

CC OO

h

YC C

T

T C>

CC

T

CC > OO

C- O g

!

Bsns. 1, 2

C

C

CC W CC OO

C !

>C O

C

-C

Clts. 2, 3

>C O

h

!

Clt. 1

>C

-C O

>

Y .C h Y .C

sfz> C. C h

sfz Y >C h sfz CC>

C h

!

>C O

CC h

C-

Y >C O

h

sfz >C

-CC OO

h C-

E.H.

68

.C Y >C

Y >C

>C O

Ì

Y >C h sfz> Y CC OO

h

!

Picc.

-C O C

Ì

Flt. 2

g g C = C ] > (in two) CO

C X -C O

C-

Ì

[

Flt. 1

Ì

C X -C O -C

[

C

__ molto

f

BO

p >

(choke)

B h

C

f > C

W >C

f > C WC f

C

WC >C

>C

C

C> ff

g f .> &

CC

>C C

C T

&

distinctly

T S

C

g

mf h

C

>.

C C C S

T


18

[

Flt. 1

S !

S

Flt. 2

!

!

E.H.

!

E-flt. Clt.

!

Clt. 1

Clts. 2, 3

!

Bs. Clt.

!

C.B. Clt.

! #

Bsns. 1, 2

# ] [

Sop. Sax.

!

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

] ! C> !

Tpts. 2, 3

!

(à2)

Hns. 1, 3

C

! (à2)

Hns. 2, 4

! (W ) C

Trb. 1

" S # S # S

Trb. 2 Bs. Trb.

Euph.

#

Tuba

#

Dbl. Bass

!

CC

> CC #

C>

[

>C

h f

]

$

T S

Y CC> T T h T T fff S S

B

C C

C .C C

> T hC T

>C

T h

T

T h T

T h

BO

S

g T .C -C .C

C> .C

h

T

W .CC T h T

-C .CC C

> T hC S h

>C

>

T

>

h

C>

>C

C. C > CC

CC C>

C

h

S T C>

g

h g

T

S Q

$ (T-T)

Perc. 5

$

Perc. 6

$

S

T

g X C. mf

Q (w. hand)

Q

Q

C C C T C C C C > . . > f Q

g C. C. C. T C C C. T > > sfz sfz Q

(take wood beater)

S S

S

.C C> C

.C C>

h f

>C

h

.C>

C h

cresc. molto

C. >C

h

CC

C Y .C -C

.C -C

>

h

T

.C> h

C

>.C

C

>.C C

>.C

C

>.C C

>.C C

>.C

.C> C

T

Y C> sfz mp > YC sfz mf

>C T C T h g T CC T >

à2

_

>C T

g > C. h C T

C.

.C

C T

T

.C T T

T C S Y .C T .C S h S

as 3 8:

.C

Q

g

S

CC T >.C

mf cresc. molto

(take claves)

S

>C h

h Ì

h

YC T > >C YC S h .C> S h

S

>C

Y T YC

CC T h

>C

T h

> CCC T C CCCC S h> h> CC CC T CC T CC S h h

>C C

> C. g T h Y C.

T

cresc.

g C T T Y CC . C f .. C T T .C h h f Q

BO

> T YC CCC S h >C T Y CC S h

>C

T h

BO

Q

.C

h

T

BO

CC CC T h

_ BB OO

>C

BO

133

S g

h>

BO

> T Yh C S

CC T

S Q

Q Q

Q

S

Q

Q

S Q

Q

S

Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q

S

Q

Q

S

Q

Q

S

Q

Q Q

Q

>.C

T

>C

. h YC

f

g C. T

C C C C C C C C C C C C C C C C C > mp cresc. molto Q Q

h

T

h ff

^.C

.C

S S S S S

S BO

C

C h T S fff C C h T S fff Q

BO

S

BD (wb)

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q

S Q

Y >C

Q S

Q

[ to SD ]

^g S C & ff T ^g S C ff &

S

S

S

SD

Q

Q

WBLS.

BD

Q

S

S

(w. wood)

T

C^ h ff 8va Y ^C S YC fff h Y8va^C S YC h fff R.S. > S C ffh ^ S CC h fff A. S ^C h ff

CL.

Q

ff ^C C T h S ff

C C C C C C C C C > > > Q

S

T Y Cg S YC ff > &

> Y >C Y CC C T h T h S >.C

S

cresc. molto

> Y >C . Y C . S C YC

T

S

BO

Q

g >C C. h T >C C T h >.C T h

S

f cresc. molto T C^ S S T C S S h ff T ^C S S T C S S ff h .C T ^ S S YC fff h .C T ^C S S fff h g^ T YC S S fff ^.C T h S S fff ^ T g S S YC fff . T Y ^.C S S fff h Y C ^C T CC S S fff h ^g T C S S YY CC

T

BO

>C

S sffz ^g TY CC S T hÒ S sffz ^C T h S sffz C ^C S sffz C ^C S sffz ^ CC Y C C S Ò S sffz T ^g S YC sffz ^ S

^g S C sffz ^ T Cg S sffz ^ T Cg S sffz ^ T C S sffzh BO

Q

> > Y .C C .C C C

cresc. molto

> T CCC S h YT CC >CC S h

S

> T .C Y C

Q

BO

Q

S

.C >C

cresc. molto

Q

S

C Y .C -C

free bow

S

YY CC> f sfz pp T S

C

BO

S

S

> C. C

cresc. molto >C .C Y >C .C T h h T

S

T

str. mute

g S T Y CC> S

BO

Q

S

C. C C. C

h

T

Q

C sffz T ^g S T Y CC S sffz ^ S C YC sffz

S

>C T >C S Y T hC T hC S T Cg T Cg S T C > T C> S .C >C C >C C

T

S

C

Q

>C S C S

T

S

str. mute

Q

C C. > .C -C

T

>

Q

> .C C

CC

g S

>.C

T

>. C

cresc. molto

> T C .C T h h g T C g Y C. T > C .C -C

C>

g T

T

C T

> C.

>. C T C h cresc. molto > C .C T C h cresc. .C> moltoC C T h C

Q

C. C

(hy)

S

h

T

g S

BO

Q

Y C> >C sfzC. mp h h T

T

S

C

Tamb.

Perc. 4

C C.

CC T >

>. C T

C

C>

BO

g T

>

g T

T

cresc. molto

S

S

Q

!

ff

-

g T C>

BB OO

133

Y .C -C

g g CC C T T YY CCC C> molto Y C> > >C Y C CC marc. T T YC C h h

BO

ff

-C

BO

g S CC S

T T

BO

g .C T

g

cresc. molto as 6 8: soli

>

Q

B

> C. C

C C. >C

.C T h

C>

C C. -C

S

T CCCC h g C T .C

h

>

S

g T C.

C

C C. T

g T C.

T C C. > >.C CC T C h g C T C > .C

>

T

BO

> C. C C

Q

g C T >C

133

take metal str. mutes

> .C C T

>g >g Y CC CC T h T h S > > > >C YC T h T h S

BO

BO

B O cresc. molto

Q

T

>

X Csfz mp

h

>g CC T >h T >C

, BB OO g T T g S C> C>

B O cresc. molto > T Y CC > S CC T S T h h T

C. >C

take metal str. mute

.C C

g C S

T g

S

Y C> sfz mp >C

S

T

ff >

sfz XmpC> >C S C h S

BO

sffz C ^C

-

T Cg S >

S

-C

S

as 6 8 : soli

S >C

T h

h

g C>

BO

sffz C ^C

, BO

cresc. molto

C>

T

T >C

S

>C

T h

>C

h

>C

T

>

(c- cym.)

g

T

C.

C

C

T

h

BB OO

C

h

C>

> T C h

g

C

BO

>C

T C

g

C>

S

(Xyl.)

]

C. .g T CC T .h g T C.

T

C>

g T C. C. g T C g T C. > C. > .C> CC T T CCC C C h h g g C T C C T C. > C. C>

!

Perc. 3

C > .. T >g C C C C T CC >h > . T g C. >C >C

C>

[ take hy ]

(Mba.) Perc. 2

T

g

>C

cresc. molto

-

C T T > fff S S

C>

h

>h

BO

, B B -

CC C.

CC S >h > C S

>g T CC S T h S > >C T h S -B O

>g CC T

cresc. molto

g T C. g T

-C

T

>

T

C

[ #

T

C

g

>g C T C S >h > T C S h BO

S

, -B

BB OO

-C .CC C T

C C TT TT >h fff > XC T T h fff C , B-

BO

T

>g

>g

C

, BO

BO

^C

BO

BO

cresc. molto

. >g .g CC CC T CC CC T T h .h T > . > > . > .C C T C hC T h BO

W -C

T

C T

#

BO

BO

>

g T .C -C .C

g

C>

Pno.

Perc. 1

.C

S

]

Timp.

C>

W .CC h >C h fff >C fffh > C h >C h >C h C

g

T h

-C

BO

cresc. molto

, X -B C

BO

C.

W -C

[

Tpt. 1

-B

. >g .g CC CC T CC CC T T h .h T > . > > . > .C C T C hC T h BS -B S W BB S S T g g T C C> . C> C. T g g T C> C C> C > .. > . T g .g T CC C C T C C C C T h > .h > . T g g T C . C C. >C > -B S Y -B S X -B S

!

BO

cresc. molto

>

Obs. 1, 2

C

BO

S !

Picc.

C.Bsn.

X -B

133

, Y -B

BO

Ì

X -B

(w. metal)

Q

T S T S T S T S T S T S


19

DUR. - ca. 2:00

2. BUMPY TREK C = 88 ~ 92 ] X ^C C S

Energico[

[

34 !

Flute 1

!

Flute 2

!

Piccolo

C WC 3

f

^ C WC XC

C

!

Oboe 2

!

C WC

3

f

!

3

f !

Clarinet 1

f

>C

WC

C WC

3

Clarinets 2, 3

!

Bass Clarinet

!

Contrabass Clarinet

!

X .C

C

S

Y C X .C> YC YC S

Y .C

> Y C.

#

34

Alto Saxophone

!

Tenor Saxophone

!

Baritone Saxophone

] !

34 !

Trumpets 2, 3

!

Horns 1, 3

Trombones 1, 2 Bass Trombone

#

Tuba

# #

Q

T

S

S

Q

T

S

S

Q

T

S

T

Q S

S

S

T

Q

S

T

S

S

Q Q

S

Q

Q

Q

Q

Q

C = 88 ~ 92 ] Q

34 Q

24 Q Q

S S

S

.C

S

C = 88 ~ 92 ] Q

(2º - take cup mute)

Q

(3º - take metal str. mute)

Q

24

Q

Q

24

Q

T

h mf crisp Y .C T h mf crisp

Q

(take harmon mute)

43

]

3

S

Q

Q à2

Q

à2

34

harmon- (stem in)

Q

(2º - cup mute)

Q

soli

f

soli

(3º - metal str.)

C C C C C _ _

C C C C C _ _

C

W .C h Y .C h W .C h mf .crisp WC h mf crisp

T T T

W >.C T h stinging mf > .g T W C Y C T mf .>h stinging W >C C .C sfz W >C C C.

24

C

X .C h .C h .C h W .C h T

.g> Y CC .>h .C X >C C sfz> C. X C C

Q Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

f

24

Q

C = 88 ~ 92 ] .^ C W C XX CC S 3 .CC S

43 Q

Q

T T T

T T T .C .C C. C.

sfz

sfz

Q

T

>.C h

Q

[ TUBA : TACET MVT. II ]

Double Bass

S

Q

(mute)

#

h ffsfz Y ^C h ffsfz Y ^C h ffsfz

3

g Y C.

T

Q

Q

(2º - harmon mute)

Euphonium

YC YC XC

S

Q

(1º - cup mute)

#

T

S

Q

Q

!

YC YC X C

T

Q

!

Horns 2, 4

h ffsfz W ^C

Q

Q

Q

Energico [

T

S

Q

Q

[

X .C h

T

#

!

C

S

24

T

h ffsfz W ^C

h ffsfz ^g C ffsfz ^g C ffsfz W ^C h ffsfz X ^C

T

3

3

C

C C C

W >.C

W .C

3

C

C

Q

Energico[

Trumpet 1

C

C

XC

3

C C C

Q

] [

3

C

W ^C

34

3

C WC T

Q

Bassoons 1, 2

Soprano Saxophone

C WC

S

S

f

T

WC

W >.C

> Y C Y .C Y C XC

S >C.

à2 unis.

3

C

S

WC

>. C WC

C WC

C

XC

T

3

S

>C

YC Y C Y C

E-flat Clarinet

Contrabassoon

S

C C C C C C C C ff C C C C C C C h ff X >C S S

T

.C !

S

^ C XC

T

English Horn

S

3

f f

Oboe 1

24 S

> C W .C C

WC

Q

24 Q

24

Q

Energico [ 8va

3 4 !

Piano

! [ #

Timpani

3 4

[

]

ff .C

XA YY A A A

34

! !

Percussion 2

Mba. (hy)

T

C) mf T (

TBL

$

Percussion 4

$

Percussion 5

$

S

Q

senza ped.

gl.

!

]

T

XYL. (hy)

Percussion 3

S

tune

Vibes (hy)

Percussion 1

Percussion 6

C

f

h

>.C T

h

>.C T

C C C C C C _C

h

f X >.C h fsfz (hy) .C h mf

S S

S

Q

Q

S

C.>

2 4

WC

24

T

C 3

W .C

C W .^C WC W .CC

2 4

C

WC X C T

3

g W C. T

mp

_C

(sim.)

.

gl ( C )

T

C C

h

C

34

_C

W >.C .C

T

Q

Q

T

gl.

C

(

h

)

.C

3 4 3 4

Q C C C C C

W .^C WC h W C .C C h

C C C

T

S

S

T

S

S

2 4

Q C

g

g

f

C

T

>

C

^g C ff W ^C h ff .C> h f

g

g

C >

T

T C

g

g

C >

S

T

T

S S S

S

Q

T

24

Q C C. C. C. X C > > mf Q Q

S

Q (lg.) WBLs

.C

Q

Q

C. C. C.

mph

T Q

h

.C T


20

6

[

34 Q

!

Picc.

WC

T

.C> .C W .C

g

.C .C>

S

24

h sfz ( ff ) >C C C W C > C >C WC

> . T U C C W .C f

g .C T S

g C. T S

38

>C . W .C >.C W .C >C W .C .C WC sfz sfz sfz Q Q

!

Q !

Q !

Q

E-flt. Clt.

!

Q

Clts. 2, 3

!

Q

Q

Q

!

Q Q

Q

Q

Q

Q

Q

Q Q

Q Q

Q Q

Q Q

Q

Ob. 1

Ob. 2

E.H.

Bs. Clt.

] [

Alt. Sax.

!

S

Ten. Sax.

!

S

Bar. Sax.

] !

S

C

g

(harmon)

[

S !

Tpt. 1

(cup)

!

Tpt. 3

!

S

Tpt. 2

(mute)

S

(à2) Hns. 1, 3

! _

Hns. 2, 4

! _

C

(à2)

C

T

T

h

T

T

T T

T 6

T

34 T T C

sfz W >C W .C .C .C

>.C

C C >C .C >.C

f X >.C h f> .C h f> .C h f g >. C C h f > X .C h f > X .C h f C T

S

S

S S

S S

!

Q

Pno.

[ #

Timp.

]

(vibes) >. ! C C C C Wh C T $ fsfz (Mba.) Q !

[

Perc. 1

Perc. 2

(Xyl.)

Q

!

Perc. 3

(TBL.)

S S

S S

S

(

S

S S

S

(WBLs) (lg.)

$

Perc. 6

$

S

Perc. 5

]

[ to SD ]

S

Q

h

.C T

(sm.)

T

Q

Q

Q >.

S

>.

WC T T C h h f stinging g T T g S W C. X .C > > f > stinging > .C . S T T C h h f stinging C CYCYC g T S YC

T h

>.C

T W Cg .> .> T Xh C

Q >. T W C W Cg h . > g T .C C . h >. . C T Wh C h

S S S

T

S

T

T W Cg . S

T

T W Cg S . Q Q T WC C WC C .h . f > . C W C W C. T WCWC f

Q

Q Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

S

38

g T .C

Q (3º)

S

34

!

Q

Q

Q

Q

Q

Q

Q

Q

S

. C C CWC C C C WC

f)

>C C C C W C > C >C C WC C sfz sfz f> C C C C W C W >C C C >C C sfz sfz f .C T U T U .C T .C h g > mp C .C S h S fsfz Q

sul D

À> O C U 24 T h mf ( poco sfz) (w. strong 8va> accents) T U C C W .C S sfz f X C C C WC C C C C . > (w. lite sticks) U > T C C C 24 S mp sfz S

24

Q g C. T

S (sm.)

S Q

T U .C T

S

g

38

38 38

C CWC C CWC >. > T .C C

ÀC

ÀC

W .C C. >C W .C C. T U

loco

sfz W C. C. C W C. C. C. > C C >C C C C sfz

sfz C W C. W C. C. C. C. > > >C C C C >C C sfz sfz

sim.

T

>C . W .C C. >.C . WC C

Q Q

Q Q

Q .C

T T

>C

.C T >C

10

34

g C C C C C. T S > sfz T S C C C C >C. h sfz

43

.C T h

C

C

T

C

g

h

>.C (lg.)

mf

h

C C C

Q

S S

Q

S

38

Q

Q

T S

#

> T C C C C C C mp sfz S

Q (Mba.)

Q Q

Q Q

Q

Q Q

Q Q

Q

T S

S

T C C C C > mf Q

Q

>B ( to Anvil )

38

S

Q

Q

.C

C C C C

[ to Celesta ]

Q

34

Q

(to Glock)

ÀB O

43

Q

38 l.v. sempre

ÀC h

Q

>.

C T h mfsfz O C TU h mf > CO TU h mp C

WC C C C C C f W C C. T >

34

38

> C C C C W C T U C W .C f >C W C S W C C C. > >W C g C W C W C C C C. T à à à W >.C C. T T W >.C h h h mpà fsfzà > Ã. stopped W .C S T h W C T T W Cg >. mp h f sfz À> O C Q S T

Q

Q

2 4

38

> S C C C C C C C C C C W .C sfz f .C T S S T h S W C W C C. C. C C W C C W C >

T C C C mf X >C W C C C C C C sfz> T CXC S sfz stopped S S T

(nat. harms.) pizz.

Q

T

Q

24

[ 23": mute w. felt ]

T

Q

.C .C Y >C Y .C C C Y >C Y .C C C >C C sfz sfz sfz Q Q

10

S

Q

Q

$

Perc. 4

34

Q

Q

Q

43

Q

Q

38

S

Q

34

> . T U Y C Y C X .C f

24

6

!

Q

S

Q

34

10

43 Q

.C T h S

S

C C T

sfz Q

]

>C C C W C h ( ff ) g >. . . T WC C C W C h f Q T

34 T

W >.C T h > Y .C T h > Y .C T h W >C W .C C. C.

#

Dbl. Bass

( ff )

6

Y .C> h g >. C YC h g >. WC C h g >. C XC h

! S

Sop. Sax.

T

10

WC

WC

38 38

38


21

!

Flt. 2

Q

24 Q Q

!

Picc.

Q

WC

>. g

.C

Q

C

!

Q !

Q !

Q

E-flt. Clt.

!

Q

Q

Clt. 1

!

Q Q

Clts. 2, 3

!

Ob. 2

E.H.

ff

!

C.B. Clt.

!

Q # #

C.Bsn.

]

C

C W >C C sfz

C C >C

C WC C

ff

C . .C

T

C C

X >.C h ff

Q Q

S

Q S S

Y .C h

Q

T

38 !

T

Alt. Sax.

Q

Q

Q

Q

Q

Q

T

Q

Q

Q

T

! !

Q

!

Q

Ten. Sax.

Bar. Sax.

] [

38 !

Tpt. 1

Q

!

Tpt. 3

!

Q

Hns. 2, 4

!

Q Q

T T

# Q

Bs. Trb.

# Q

Euph.

# Q

3 8

Cel.

! [ # $ !

Perc. 2

sfz

3 8

Q (Mba.)

WC

WC

C

> C C WC sfz Q

]

S

C WC C C C WC C C > sfz mf Q

C

>g

38

.C .C W >C C .C .C

f

>. T

T

C h

2 4 2 4

24

(à2)

S

(à2)

S

Q

Q

Q

>À O C

Q Q C >C C C

_C _

sfz Q

WC > C WC WC f sfz C W C C C C W >C C C sfz f Q

mf

gl.

C

C

.C Q

.C .C> T sfz

3 8

(sul G)

38 3 8

38

T

XC h f S

sub.

Q

TU h

WC

C h

"

S Q

S

À>

Q C

2 4 Q Celesta

Q C C >C C C C

.C h

C C C C. C C > sfz C C >C .C C C

T

S

T

!

mf T

C

S

mp W C. S .g S C mp X C .h S g X C mp . W >C. h WC WC mf > Y C. Y .C h mf Q

C

W C. C. .C

T C

h S

C W C W C. C.

g C. T

g C.

T

g

CO g

h

Q

h

Q

(w. metal)

(small) Anvil

T

3 16

.C

h mp

S

S

S >

.C T U T

C C .C hj . WC WC TU T

X >C UT jh f. C. TU C T f . XCWCWC T

W .C h à B

C. h

S

TU T >C C .C

. TU C T S

X ÃB O(slow WA) mp

Ì

Q

T

S

T

WC C

S

g T

g W .C W .C h

S

S

T

S T

S S

S

3 4 Q

34

Q Q

3 4

.C .C C> .C .C .C .C .C _ sfzp Q

as precise

T

S S

Q

Q

Q

T

34

S

S

.C

S T

f

S

S

.C

T

S

S

Q

[ take my ]

S

Q

S

> C .C .C .C _ mfsfzp S

f

C

34

[A

.C h

Ì

Q

G]

T

S

S Q

Q

Q Q

Q Q

Q

l.v. sempre

C

34

T

g W .C .g W C W C .h g W C. > W C W .C

Ã

[ remove mute ]

(w. brass)

Glock.

Q

3

(w. dowel)

2 4

Q

3

(sm.) Snare Drum

Q

.C .C .>C sfz Q

T f poss. X .C > C C WC

2 4

sfz

sfz Q

24

Q

T

C

Q

. Y .C > Y .C Y .C C Y C Y C mf T

C

Q

Q

WC C C C h > W >.C C C C C W C .C .C W .C sfz> W .C .C . Q WC C ( f ) sfz Ã> à stinging WC B fsfz - mp à à stinging W C> B fsfz - mp T S (stem in) harmon mute > .> C .C .C .C W C .C C fsfzg mf g mute T T C. C mp .. mute .C WC T T h h mp Q C> C C S C

C

Q

S

C

C

Q

C

2 4

Q

24

Q

X >B

gl.

.C

(WBLs)

$

CO

C C C >C C C

$

Perc. 5

T

Q

À>

Q

Q

$

C.

W .C

14

(Xyl.)

Perc. 4

"

Q

!

Perc. 3

h

C h

.C

(f )

>.

T

Q

Q

TU h

3 8

] [

T

38

!

Perc. 1

24

T

Q

T

Q

g

T

Q

mfsfzp

Trb. 2

] !

Q

Q

cup mute

Trb. 1

Timp.

T

(cup)

Hns. 1, 3

Dbl. Bass

14

(harmon) g T W .C

#

Q

Q

Q

WC C C WC C C > (f ) (str.) Q

!

Tpt. 2

Q

Q

Q

T

Q

24

f

C hp Q

Q

38

X >C .C T U W >C .C T U X >C .C T U

Q

C

Q

24

Q > X C .C U W >C .C U X >C .C U T T T

Q

Q

Q

W >C .C U T f W >C C. T U

Q

14

[

Sop. Sax.

Q

34

. W >C W .C C C

T

C.

W >C W .C .C C

Q

.C

g Y C. mf >g > S C WC . mf Y >C Y C Y C X C S 3 >X C WC C g T W C. f 3 . 3 X C S C WC WC XC C W C WC . f 3 X >C W C C g T W C. f 3 Q

Y >C Y .C C. C. f

Q

Q

mf .C

T

S

T

f

T

S

3

.C

Q

T C

>h

C> C W C

T

Q T

T

Q

C C >C

C WC C

Bs. Clt.

Bsns. 1, 2

.C

Q

Q WC C C (3º) . . . .C W -C

Q >C. sfz

Q

Ob. 1

24

Q

f

!

Obs. 1, 2

.C

W .C

38

Ì

. TU C T

-C

. TU C T h

.C

>. TU C T fsfz [ to Ì

38 !

Flt. 1

Perc. 6

X >C C C W .C h f 3 X .C

14

[

]


22

[

T !

Flt. 1

W >C C !

Flt. 2

W >C W C C W .C h 3 (f ) C W .C S

f) 3 g T ! W C. >> .g T W CC ! .h T > W .C >. W C ! mf . >C Y C Y C Y C

Picc.

(

Obs. 1, 2

E.H.

E-flt. Clt.

!

S S

Clts. 2, 3

Bs. Clt.

!

T

C.B. Clt.

!

S S #

Bsns. 1, 2

S

#

C.Bsn.

S

] [

W .C ! h

Sop. Sax.

Alt. Sax. Ten. Sax.

Bar. Sax.

T T

T

T

S T

g W .C .g T W C T W C .h g T W C. T

T T

T

Tpt. 1

. ! Wh C f (cup) ! S

Tpt. 2

! WC WC (à2)

S

Hns. 1, 3

! S

!

(cup)

"

T

Trb. 1

Trb. 2

Bs. Trb.

#

Euph.

#

(harmon)

"

S

W -C h mf

YC . mp sub.

YC YC .

.

.g T XC T .h

>

3

Y C> C

C X .C h

3

S

(mute)

S

S

S

S

C

C C

S

T T mf à C

C

S

C

T T

W Cmf S

mf

B>

.C>

gl.

g

h fg C. > f S

gl.

C T S hmp C C C C C C C T ph à ÃC C T h Ãg T S C

S

T

T

S T

S

! ]

T W .C h . T hC

W -C .C h

T !

Cel.

Q

W >C W C .C S S

3

>

! WC C

C W .C S

S

3

Perc. 1

[

gl.

Q > W .C C. p .C !.C

T

p!

.C .C >C .C >C .C >C .C _ _ mp sfz mf Q

S

(Mba.) Perc. 2

f

T

S

W .C

S S

S

3

S

. > XC C WC WC

!

C

C

C

] ! WC

WC

B

C

sub.

Q WC mp

WC

.

. C

C .p

S

ph

.C T

S

B

S

Q Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

S

S

S

S S

S S

S

S

S

.C

.C T

> .C W .C

mfsfz (Y) C C

h

24

Q

.C .C .C . .C X .C WC T

B

S "

S

T

Q Q

Q Q

Q

S

T

h h

X >C

C Y .C

C

.C h

.C

S

S

T

S

S

Q T C C > mf g T XC p C

C BO

W C .C Y .C Y .C Q

> C C C C C CWC C C C > sfz sfz

24 24

Ì

C W .C h W .C h S S

2 4

T

3

S

. . W .C CWC C

(slow WA)

p

T W .C h T X .C h

À> O C

CO C

T W Cg .

ÃB .C

.C X .C

Q

B

(pizz.)

À>

T

Q

24

Q

S

T

Q

Q

-C

h

Q

Q gl.

T W C W C .C .C

.C

Y .C Y .C .C .C Y .C

Y .C Y .C .C .C Y .C h . W .C W .C W C h

.C

"

Q

Q

X -C T h mp

WC C W C C. . p

Q

Q

(undulating)

S

S

S

Q S

à2

Q

W .C

(still hy)

S

Q

Q

mf T X C> C

[ to SC ]

Q

S

T h mf

S

Q

Q

Q

Q S

Q

S

3

(Glock.) Perc. 4

S

3

(SD)

$

W >C X C

20

XC XC .

S

S

S

S

Q

.g

S

(sul A)

Dbl. Bass

S

Q

CWCWC C C C

Ã

T W -C h mf

S

Q

W C W C. C Ã X >B

T

Ãg

S

W C W C. C. mf

Q

Q

. W .C T WC h p delicato S

20

C T

S Q

C

T

Q

24

meccanico/molto stacc. >. . .C .C W .C T .C .C T C C W .C p meccanico/molto Y .C Y .C X .C stacc. Y .C Y >.C Q T T p mfsfz Q Q

S

Q

.C .C X >C C W C C W >.C sfz g .C T W C. T h C. W .C T T h h

S

T

Q

sim.

(mute)

T

3

S

( mp ) gl.

h

C C

S

C

S

h Ã

W >C h f

T

g T T C C C C C C T C S .h Q

S

3

. WC WC C T T X -C W C T h h mp 3 X -C C Y C Y .C S Q mp 3 .g - 3 C T S S S T X C W C WW CC C T .h XCWC - 3 mp X CC Y C Y .C S Q mp 3 T W C g W C g T Y C. Y C. S . . pp . . .g T .g CC T W CC WW CC S T W CC . pp. .h .h g g T C. T C. W .C S W C. pp

W -B

. W C WC S Y C XX CC W C W C YC . > 3 mf Y >C C C . T XC h mf 3 S S

C C

W >B W B>

T

C WC . C

mp . C C h

> XC T XC mp 3

S

Q

mf

S

S

Q

X .C >Y C X C Y C

f .C W .C X C > C W C C C. > sfz > sfz T S C

S

Q

T

( mp )

(à2) Hns. 2, 4

.

mf

Q

20

S

C. C.

S

Q

S

fsfz >C Y Y C .C Y >C Y C Y C . YC fsfz mf

T

T

S

mf

(str.) Tpt. 3

3

3

>

S

X >C

C X .C h

S S > .C W .C C C (W ) C C >C

T

0

h sfz> .g CW C >.h sfz> (W ) .C h g .> C YC h sfz

mf

T

(harmon)

[

>.C

g

mf . CWC

W >C X C

S

S

S

] !

T

S

T

X .C ! h W .C ! h

T

X .C

g W >C W C C W C. f 3 g W C ( mp ) . .g CC ( mp ) .h g C . mp ( )

S

WC

T

g W >C W C T C W C. ! f 3 . > 3 Y C Y C S ! Y C YY CC Y C Y C YC . f > 3

Clt. 1

T

T

W .C

3

f

T

S S

Y >C C

20

>CÀ

T T

T WC h

.C

T

h

.C T

C T

h h

À W >C

C

Q

Q

Q

Q

Q

Q

Q

[ to Piano ]

C C CWCWC C CXC > sfz Q

gl.

C

C C C C WC C C C Q

g


23 25

[

C C Y .C C Q

!

Flt. 1

S

T

!

Flt. 2

>.g T

X Y CC .>h mf > Y .C mfh

Obs. 1, 2

! !

E.H.

T

T T

T

!

Clt. 1

!

mp

T

.g

CC .h

C h .mp

T Q

.g

S

C C

mp .3 g C C T C C C mp C C C .h 3 g C T W C -C h h

YCO p-

C .

T

S C.

C

!

S !

S

Bs. Clt.

YC C C C C C C C

Bsns. 1, 2

" ]

mf X .C> h fsfz >. C h fsfz

C T

g

S

X -C

C h

T YC CYC C C C

25

Sop. Sax.

[ !

Alt. Sax.

!

T

S T

25

[ !

Tpt. 2

!

Tpt. 3

!

Q

(harmon)

X C> C C C _ C f (cup) Q

T

S T

S

Q

X >.C ! h mfsfz (à2) > . ! YC h mfsfz " S

Trb. 1

mp

Q

(à2)

Hns. 2, 4

(cup)

T

(harmon)

WC

-C

g

mph

"

Bs. Trb.

#

Euph.

"

Y 0.C T S h mfsfz (mute) Y C C C C C C C.

Trb. 2

XC

g

mf> Y .C h sfz

Q C C C C C C T mp S T C C mp Q

(str.)

Hns. 1, 3

-C h

Q !

Dbl. Bass

C T p

]

Tpt. 1

Q S

!

Bar. Sax.

34

p

Q

Ten. Sax.

X -C O T

X -C C

h

Y -C h

Q Q

Q

25

PIANO

Pno.

# Q

(sm.)

[ $

Perc. 1

SC

C-

T

S

(Mba.)

!

> X Y .CC T h fsfz

Perc. 2

T

(Xyl.) (bring out) (my)

Y C> C C C C _ f (GL.) S T !

Perc. 4

(WBLs)

Q

$

Perc. 5

s Perc. 6

mph g C. mp

]

$

Q

g C mp

C.

T

.C

> Y .C

h

S S

fsfz

!

Perc. 3

Q

[ scrape w. small coin; mute with hand. ]

S

.C

C mf C

g

.C p

B mp

S

T

C

C C

-C

h

S T

XC .h

BO

>h sfz p .g

.C à2 YC C C 3 p

T

C XC C . C

3

T

.C

.C

S

S

3

.C

3

.C

C C C T

C C C

3

3

>.C h

3

.C

C C

.C

.C h

C C

.C

C YC C

gi C TU T S

BB OO

gi U T CC TT U T S

jh

C U T jh T

BO

S S S S Q

T Q

Q Q

Q

3

.C T h mf sub.

BO

sfz p S

S

Q

Q 30

> C .C T mfsfz > C .C T mfsfz > C .C T mfsfz

T

S

Q

Q Q

Q Q

Q Q

Q Q

Q

Q

Q

Q

Q

Q Q

Q

S #

T

T h

>.C S

.C> h

g C

S

S

C>

C-

C. h

S

C.

C. mp T

T

C-

C.

S

C.

Y >C

Y .C C.> mp sfz C >C C Y C C C

C

C

C C

C-

g C C C. > sfz

B

YC >

S

molto stacc.

T

p

.C (Y) .C

.C

C. pp T

C C C C C

>

g C. C > sfz> . C T Y Ch

B (Ped.)

S YC

30

Q (to Celesta)

Q

Q

Q

[ to SD ]

g T C C. > sfz >. Y .C C T

S

> C C

(hy)

S

T

Y C C C C C C >C C C C C C

mf Q

Q

SD (light sticks)

C mf T T

g C

g

C h

.C CO

h

.C

C

g T

C

g

C

.C

.C

YC

T

T

C

g

B

h

.C

p

C

$ S .C

.C CO

.C >.C T mfsfz

.C

Q T

YC

C

.C .C Y .C h mp T

Q

C C

g

T

Q

poco marc.

h

Y >.C h T

Q

C

S S

Q

l.v.

C

BO

Q

d

C

Q

Q T

T dim. ( al pp ) C. C C C C >. mf f sfz S

Q

Q

.C>

C.

T

Q

C> O CO

C-

S

S

C C

f

S

3

C C C C C

C C C

> Y C C C C C C .C C C C C C sfz mf crisply >.C (Y) .C .C .C Y .C T h T T h h sfz mf molto stacc. > C C

T

Q

C Cg . p

p

C S

T

S

p C C C > C

C C C .C T

Q

30

C C

3

W .C C C C h

C

C sfzp

C C C

Q S

S

>

C> sfzp

3

T

Q

molto stacc.

à2

T

g C. p

sub.

C. C C C

C XC C . C

T

mf

.g YC .h pp S

.

C C C .C

3

B

34 34

sub.

Q

S .

CC

T

sfzp> B

S

C

W C. C C C h

À>

S

CC . S

3

C

mf marc. Q S

YC .h> sfz> .C T h sfz >C C C T

T

T

Q

h

3 4

3

T

C

C Y C C Cg . > >.g p .

T

3

g

gl.

C mf

3

30

Y C Y .C pph

BO

3

C

C

3

3

C C C C S

C

3

Y CC T .>h mfsfz X .C> T h mf sfz W >C X C C . C

S

l.v. sempre

.C

>.g

T

>C

S

C YC C C C C C

B

.g

S

Q

Q

!

C .h

S

S

] !

gl.

Q

p T

.

.C S C C C 3 mf C C C C. T 3 mf .C S XC C C mf 3 C C C . C T 3 mf

34

Q #

CC .

T

S

T

.

>C

>C Y C C .C T

C YC C . C

C C .C T h dim. mf 3 molto >C C C B T mf 3 sfz p . 3 C S C C C C S C C C . 3 C C C X .C B > 3 sfzp 3 g T YC Y C T C # YC C T T C YC h

S

C.

S

molto dim.

.C

3

Clts. 2, 3

3

mf

-

Y .C mph . C C C C 3

34 S

3

h

3

C

S

S

E-flt. Clt.

mp

mp. C

C C C

C CYC . C T T h 3 mf molto dim. .C C C C S

S

[ to SC ]

Q

T

[ to Anvil ]

Q

C C

.C>

mp h sfz

S

T

C C

ph Q

Q

.C

C C C C


24

[

Flt. 1

Q !

Q !

Q

Flt. 2

!

Picc.

Q S

Ob. 2

E.H.

!

Q !

Q

E-flt. Clt.

Clt. 1

S

T S

T S

g C. p h

g C. p h

S 3

S Q

!

T T

p Q

Bs. Clt.

(1º) Bsns. 1, 2

# ]

Q

[

! S

Sop. Sax.

! !

Q

] [

(à2)

! S

Hns. 1, 3

S Q

Ten. Sax.

Bar. Sax.

> T W .C mph > . T hC mp

S

! S

Alt. Sax.

(à2) Hns. 2, 4

!

Trb. 2

#

Euph.

" (mute) S

Perc. 3

Perc. 4

p

p

.g

S

3

3

T

T T

T C

XC C XC

3

p

3

C C C . C

p

.g

S

.g

3

T

Q

h T

YC Y C C YC

T

S

S

.C . C

24

.C C.

Q

Q Q

Q

Q

C C C C C C C C mp Q

Q

Q Q

Q

C C .C C. C C C.

W .C h

Y >B O

C W C .C .C W .C h T mp T

f sfz > WBO

Q Q

Q

T X -C O

h

C YC

C C

B

mf C

T

h

mp

p

mf X .C h mp C

sub.

T W .C S h mp . T Wh C S mp X .C T h S mp sub. . T Wh C S mp

C

34

> B)

(

mp

f sfz

S

Q

B

24 S S

S

h

Q

W .C h .C h S

S

S

T

.C

S

S h

C.

34

T

Q T

Q T Q

T

34 Q

34

.C .C C W C

C. h

T

S

. C. C C W C T

molto stacc.

.C X .C C C . .C C

C C mp S

>

.C

C C sfz

.C

C C

Celesta

Q

T

C>

g

C

mp

arco molto pont.

gl.

p

Y >C Y C Y C C. S

C C C .C h

Y .C YC YC h C> T

S _

. T XC C WC XC

S C

>. g

C

C

C

3

sim. g C

C S

S senza accent

C C C C mp

C

C

S C C S

C

T

-B

C

C C mp C C C

C

C h XC

C C C C S mf S S .C .C >C C C _ S

mf

_

C

(X ) C C

C

g

2 4 (X ) C

C

h

Q XB mp port. X B mp

C C C C

dim. (my)

C C .C

mp

C C .C C. C C C C S (dim.)

pp pp

B mp > W( B ) mp

C

pp "

pp

(non trem.)

__

WB

24 2 4

W B> ( ) mf C

(X ) C C

C

p C

C

C

Q

W -B

mp

34

gl.

B

C C

Q

YB pp

_

-C

Q

B

XC

C

Q

B

p

>.

(my)

24

S

Y C_

Q Q

S

S

C C 34 C W .C h 3 .C # T C C C

3

T

S

C pp

CXC C .C 3

S

_

C_

T

3 3

T

T

YBO p YC #

__ C

Q

S

h mf > W .C mfh YC

XC

g

C S

[ take my ]

S

.C .C

>.C

#

-C

C

T >

C WC C

mp

(quasi-gliss.) g WC

S

3

C _

. C. C

Q

C Y C C.

SD (chugging)

S S

C- O

XC C

C

poco

.C

S

3

mf

. C. C C

poco

T

>C S

> > C C C C C _ (Mba.) g ! C C C Y C Y C.> T S sfz (Xyl.) Q ! rs> (lightly) (SD) $ C C C C .C T S ] h mf

T

g>

Q

Q

!

C

Q

Q

)

T

T

.C h

T

34

.C

T

Q

.C

mf .C C C C

X C WC . C C T h 3 . 3 C S C C WC Q

3

T

W .C h Y .C h

T

T

Y C C .C C

3

C C C C

T

W .C h

3

3

Q

T X .C ph

C

T XC C T

T

Q

$ S

g C.

T

Q

!

Perc. 2

g C.

Q

] !

[

T

Q

Cel.

Perc. 1

T

Q

(

Dbl. Bass

.C

mp X .C C C WC

3

C

W .C T S S h. 3 mp 3 > mf solo C C C C. C .C C C C _ S S T f. .C X .C C W .C T C C WC S h T S C CWC h mf 3 3 mp cresc. X C XC C C g T S Y .C X C T T C .C S W C. h 3 mp 3 mf .C X 3 W C W C C Q W C. X C. C W C W C X C. 3 mf. . C Y .C YC YCXC X .C C C C C W .C WCWC Y C T h h T h T 3 3 f X C WC . C C YC C . g C C C YC T S C C T S . 3 3 3 mp mf .g mf . mp C . (2º) Y C X C C Q T CWC WC CWC WC C Yh C . S 3 S 3

Q

.C C. .C C. .C C. W C> C mp sfz Q

(mute)

Bs. Trb.

g C.

W C C CC CWC C .h C

W .C h Y .C h

molto stacc.

(harmon)

#

T

C C C . C

S

(cup)

#

Trb. 1

T

"

T

3

S

!

C.

.C

T WC WC C h p

3

p

S

3 Clts. 2, 3

T Q

^ C C Y C X Cg T C ! .> fsfz ^g C ! C C Y C X C.> T fsfz .C W .C X >.C T ! h fsfz

Ob. 1

S

p Y .C Y C YC C h

T

3 cresc.

34

C> C

C> X C C .C

YCYC Y C .C

S .C .C .C

C

g

C C C C C C C. C.

C C C. .C C C C. C. p C C C C S

S

g

C C C C p C C C C C C C C > mf Q p

C

C C C C S

!

3 4

3 4 34


25

37

T Y -C h f

34 ! !

Clt. 1

p

sub.

Q

TU Y C C Q

!

Q

Q

# Q

Q

.C Y -C h f

24

Q

#

Q

S

37

[

34 !

Alt. Sax.

!

Ten. Sax.

> Y .C h fsfz> g . C C T h fsfz> g . C C T h fsfz> g X .C C T h fsfz C

T

! ] !

g

S

S

Q S

Q

S

S

Q

S

[

g g T T U C- O C Cmf sim. (cup) soli U X >C X >C C W .C T C W .C C S T . W C. f sub. (str.) > > (sim.) soli Y C C . T U C .C .C C T T T TU h f sub. sim. (à2) C -C O CO T W -C C C O h p mf sim. g (à2) T Y C- C C O C C- O CO p mf> Y .C (cup) T h S S mfsfz> . (harmon) C T h S S mfsfz> . (mute) T Yh C S S mfsfz Q

34 ! !

Tpt. 2

!

Tpt. 3

Hns. 1, 3

!

Hns. 2, 4

!

Trb. 1

#

Trb. 2

#

Bs. Trb.

#

Euph.

" ]

Q

(harmon)

S

C-

g C

g T

.C .C . XC T h > C. .C T T U Y C C. .C mf C C CO C T

WC

>C O

W >C

>C

>C O

W >C

W >C

24

mf

C

B

p

S

T

T U hj mp >C C .C

>C . C X .C T h > T U C .C .C g T C. mp C C

.C Y >C .C . C h

C >C O

X >C O

mfsfz Y >C O

T

.C Y .C

.C

T

h mf

>C

Cel.

34

! Timp.

[ # ]

43

>C X .C . C h mp

T

[ $

Perc. 1

!

Perc. 2

3 4

!

Perc. 3

$

Perc. 4

(lg.) SC (molto secco) (w. wood)

T

$

Perc. 5

Perc. 6

]

$

>

C hmf

S Q

W -C O TU W _ C O h

. X X CC

Q

C

Ì

C -C O

WC

gl.

B

C CO

T

g

YC

>

Ì

C

T

XC

g

>

Ã

C h sfz Ãg C sfz

T

T

T

T

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

C C _

_

C

Q sim.

Q

Q

Q

CC X X .CC T p Q

T W W _ CC h mf

Q

Q

Q

(Xyl.)

Q

Q

Q

(to SC)

Q

78

Q

Ã> XC T h mf sfz Ãg C. T > mf sfz

(0)

TU W C

sfz

sfz

Q

Y CC C- O h mp marc. T

.C

W -C C TU W _ C _C

> TU j C T h

Q

XC

-C O T U W_ C O h mf

24 24 _

2 4

. X X CC p S

Q

Q

Q

Q

Q

C _

WBL

Q

Q

C

Q

C

C _

_

C _

C _

Q

Q

Q

Q

Q

>

Q

W .C

T

X .C C h

Q

as precise3 8:

Q

T

ph

.C

YC

>.C

38

> C. X C

C.

.> . T U C C T U .C C .C

Q

Q

Q

Q

T

3 8

> C C > C C C C sfz sfz

Ì

. T U hj C T S

.C A.

p

RH: stick LH: hammer

T

mf

. TU C T cresc.

RH

C C S p LH>

h

.C

Q

Q

.C

sim.

Q >. T U C T U .C

C.>

C >C T U C

>. C

> C C > C C C C Q

>C

Q

sim.

Q

cresc. poco a poco

Q

sfz

opt.: in two g C O = c. 132

C

Y >C O

CO T

38

78

>C O

CO

Q

clearly articulated

p

>C O

38 T

.C

.C > . . >C U .C >C sim. C T U C >C T U C T TU

opt.: in two g C O = c. 132

S

#

mf .C C. .C T U T

Q

Q C C C

.C -C

Q

Q

>.C C C C C C C _ fsfz

T

Q

Q T

CO

Q

Q

w. brushes (1/2 closed) (@ edge) C C

CO sfz> CO sfz > YCO sfz

.C .C X .C T U T

CO

(0)

B p

T

mp

.C .C >C T

C

38

37

!

>

CO

opt.: in two g C O = c. 132

Q

sub.

T

CO

X >C O

h sfz p > . X .C T YC C h

Q

Y C> .C . . C C T

> C C C TU T C C TU C C

C >C O

78

> T U C .C .C

> C C C TU T C C TU C C X >C O mfsfz >C O

> C CO

mp

C C W .C

C CO

YC C

-C

> . T U C .C .C C

.C

C> O

>C

T

X .C .C C C C. mf .C C. .C .C TU Y C

>C Y C T

soli

C

38

C >C O

T

Q

T

Y >C jh

>C

Y >C h mp C W >C

>C . . >C . . >C . . >C . . C C C C C C C C

mfsfz

T

Q

37

T U Y jh C

Q

S

S

crackling > T mf C C g T C C C C C YC TU Y C

Q

Q

24

S

C C C . . . T (stacc.)

mf UT >C .C .C

.C .C .C

T U jh mf

Q

sfz> sempre C C T h mp marc. sfz> sempre C C T h mp marc. "

>C

T

> mf crackling

"

S

crackling

S

>C . . C C

TU S

Q

C YC

T Q

Q

.C

ph

Q S

Q

]

Tpt. 1

-O TU h C

.C

(3º)

Bsn. 1

Bar. Sax.

T

.C

Q

Bs. Clt.

Sop. Sax.

T U (Y) h C O

!

Clts. 2, 3

Bsn. 2

sim.

.C

C

T

>C

.C T

mf only Q .C >C. U .C C. T

.C >C. T mf sfz .C >.C T U .C .C> .C .C> T mf sfz Ì

E-flt. Clt.

[

opt.: in two g C O = c. 132

78 78

7 8


26

78 !

Flt. 1

!

Flt. 2

Q

! !

Clt. 1

>C . . . .C . . C C C C C >

.. . C Y C C CYCC C C .

Clts. 2, 3

!

.

g C.

Bs. Clt.

!

T

S

Bsn. 1

"

Bsn. 2

#

>C .C Y .C

]

X .C h [2•2•3]

[

78 !

Alt. Sax.

!

Ten. Sax.

C- O

!

78

!

Tpt. 1

Tpts. 2, 3

!

(

C

)

h

(2º- cup)

C

-

t> C h

C

-

S

(3º - str.)

S

!

Q

#

Trb. 2

#

Bs. Trb.

#

Euph.

"

C

-C

78

[ #

Timp.

Q

7 8

] [

Q

78

!

_

>C

>C _

C C

(sm.) SC

$

Perc. 1

!

Perc. 2

78

(Mba.)

(Xyl.)

!

Perc. 3

(SD)

$

Perc. 4

(WBL.) Perc. 5

$

Perc. 6

$

(A.)

]

T

sub.

S

C

YC C Y C X .C 3 h mp

(my)

CYC C C CYC C C Y Y .C C > fsfz Q

T

T

>C

C XC C C C C C > mf f C C C >C XC C C C f mf > T C C C C C C f p Q

YCO

YCO mpsfzp

C C C C C C C C SO pp .> sub. C C C S S h fsffz

24

Q

T

Q (to Tri.)

T

g Y C.

g WC WC C W .C T

3

T

T 3

WC C W C WW CC W C CWC .

.

WC C T W C WW CC W C C .h WC

3

g WC WC C W C.

T

T

T

. WC Y C X C WC p 3 Q

Q S Q

34

S

. Y C Yh C T Y C YC S

T

Y C YC Y C Y .C h 3 T

T

Q

Ì

> T XC WC

.C .C

.C .C X .C h S

T

T Q

Q

Q

34 Q

S

3 4

Q

34

Q

f

.C .C

> . T W C C T CWC WC mp Q > . WB mpsfzp S C

S

S C. C.

mf S W C W C .C .C .C h

T >C

T

C

>-

(à2)

T

C

h>

.C

C

C.

C. C. C.

>C C

T #

À

À

W C>

W C WC S

CO > mp

CO W C> W C . C

3

T

3

> S

C C

C W .C

3

>

>C

W C W .C

S

> C. T WC C C h

T

3

T

3

Q

come prima

-C

S

mp

.C S

-C

S

.C T

-C

S

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q

h

Q

(reverse my)

C

g W C.> mp > . WC C -

C W .C W .C .C h

Q

Q

T

C.

.C

C. C.

S

3

(scrape)

T

Q

. C WC X C WC

S

Y >C h mp T

> W C .C T C

C

(3º)

S

> C. C. X C .C

T

T

W C W C C. .C T

Q

S

W .C h

0

C> C mf mp C C S

C

Q

Q

T

Q Ã

T

3

3

mp

.C .C .C .C .C T .C .C W C C W .C h h mp stacc. hns. 1º & 3º) muted (try to balance . . . . . C C C C C T WCWC S h mf stacc. C. C. C. W C C W .C h T S h C. C. C. C. C. T S WCWC h mp stacc. .C .C .C .C .C S S h T

WC

W CT X C

WC WC . WC

3

S

(open)

3

S

S

Q Q

.

C

W C W .C C WC S

YC C Y C X .C h p 3 T

Y .C

3

Q

34

p

3

Q

S

C

S 3

T

Q

Q

.

Y .C

3

Q

43

Q

Y .C YC YC YC

3

T

T

Q

Q

Q

YC CYC 2 &4 mf

Q S

24

.

WC

Q

S

Q

. C

. CXC C T WC h 3 . . . C WC WC Q

W .C

X .C

3

S

Q

sfz

C. C. C. C.

3

W C WC . C

T

Q

45

[2•2•3]

Cel.

sfz .C .C .C >C sub.

mp stacc. Q .C .C .C .C .C (still str. mute) Q T mp stacc. h >. (flt.) YCO C T S __ hmf >BÀ (come prima) ord. pizz. Q 24 mf

-C

!

sfz .C .C .C >C T

S

S

T

Q

(str.)

S

S

T

. WC XC S X C YC mp 3 YC C Y C X .C T h mp 3 . 3 S WC W C S W C XX CC W C W C WC .

S

Q

sub.

S

(harmon)

Q

T

24

__

Q

C

WCWC C W .C T h 3 W .C C C C S

T W Cg mp. .g T C

.

WC Q

WC mp

mp

X .C T S mfh f> S XC C C C C C C C > mp f Q

Q

(cup)

] !

45

(flt.)

Q

Q

.C .C .C C> T

.

S

Q

Q

(take mutes)

Trb. 1

24

X >.C h mf W >.C h mf> X .C h mf> W .C

S

(1º)

S

h T mf

XCCO

!

Hns. 2, 4

C

45

-C

t> C g

Q

Hns. 1, 3

Dbl. Bass

t> Y -C

T

.C Y .C . C. Y .C .C C

S

S

> X C C C C .C mfh X .C h T S mf X .C .C >.C h mf

.C Y .C Y .C .C

mf - p .C UT h

C- O

TU h

S

>

W .C> T h mf >.g XC T h mf .>

C.

C.

.C C C

(harmon) [2•2•3]

[

T

X C C X >C O T mf -> p C. C. .C X C O

Y .C

C- O h

! ]

.C C- O

>C .C .C C.

g

C. mp > > # YC C mp > g . C YC mp S

T

. . (flt.)_ C C g C Y C_ C Y C C C XC . . . . . XC

S

T

Q

C C C C C C C C mf fsfz X .C .C .C .C >C fsfz Q

.C

.C

YC mf .C g C. > f .C (flt.) CO __

>C . . C C .C .C . . C C

78

E-flt. Clt.

>

S

!

E.H.

S

Q

>

Q S

Q

Q

!

Bar. Sax.

Q

Q

Obs. 1, 2

Sop. Sax.

34 Q

24

Q

!

Picc.

YC C YC X C. T h mp. 3 CWC WC X C S 3 mp

45

[2•2•3]

[

h

.C T

[ to SC ]

(to GL.)

Q !


27

50

[

Q WCWC T !

Flt. 2

!

Picc.

C W .C

C C

p

.

(1º) Obs. 1, 2

C !

C W .C h

3

p

3

pp .

WC

Clt. 1

Clts. 2, 3

Bs. Clt.

! #

Bsn. 2

# ]

S Q

S

S Q

24 Q

S Q port.

B> mfsfz B S

XB W C.

S S

X C.

C. h

S

S

T

mp > T Y C .g Q

(2º)

S

C p T

S

g T h

C. C

. C

Q

Q

Bar. Sax.

gl.

Q

[

(harmon)

T

!

WC

mp (2º > cup) C C ! S

Tpts. 2, 3

(3º str.)

T

! (W ) B

Hns. 1, 3

(à2) Hns. 2, 4

WC

C

g

g (W ) C.

B

S

.C

Trb. 2

#

Bs. Trb.

# (str.) T

.C

-C

p > W .C T S h mp .C W C. .C W C C .C ph

T !

C C

>

C W .C

C

h

CO

TU

mf

à Y .C ph

Ì

Ì

gl.

Y -C h

gl.

T

S .C

S

S S

S

3

]

-C

!

Perc. 4

!

.C

T

Q

-C

C C YC

3

C C C

C- O

g

h

T

38

X .C

TU C

C- O h

TU

WC

C- O

g

h

T "

T

Q .C

h pp

T

Q g

T

X C. T h pp . YC CYC C 3 p

-C

3

3

3

p

.C h

3

Y C C C .C

. C C C C S 3 pp -C C C C. C.

C .C CXC

3

C. T U

3

mf

YC C C . C

C.

p

T

3

Q T

. YC C C Y C

"

T

h p C . C C C

Q

W .C T U

T

.C

T

3

T

.C g

Q

X C .C Y -C C

3

C

.C

C. h

24

Q

24 T

Q

CTU C h O g

C. h pp

TU

WC

g

T

gl.

24

Ã.

Ì

0

X C TU W C

-

Q

Q

T

Q

Q .Ã

Ì

gl.

Q

p

-

0

X C TU W C

Ã

Ì

gl.

XC

0

WC

-

pà g XC Q Ì

gl.

Q

38

24 Q

T Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

S

T

Q Q "

Q

24 Q

Q

38 Q

24

Q

24

Q

Q

Q

Q

Q

38

24

(to piano)

Q (still brushes)

S

S

S

delicato

-C C C .C

S

mp

3

Q

[ to vibes ]

Q GL. (br)

Q $

h

sub.

T

p

p

Q

.C h

p Y .C

3

Q

Q

Perc. 3

X .C

.C -C C C

-C W .C sim. TU

S S

p

Q S

-C

3

WC

dim. molto

3

(SC)

h

3

38

50

[ #

]

T

W >C W C . C

!

$

3

.C

g

Q

g

Q

>

[

YC YC C

Y .C

C Y C .C

X .C

(1º - take str. mute)

BO !

Perc. 1

C jh T U T

À

Cel.

T

3

S

S

Ì

gl.

.C

3

Ã. mf > 00.Ã sim. g gl. U gl. T T WC X C TU W C X W BC O X C

gl.

mf

(harmon)

Timp.

WC mf

C

S

(2º - take str. mute)

WC C WC WC C C C C T mp poco

sfz p >g C

mp 3 .C T h p g T WC C mph

Q

S

C

3 dim. molto

S

C

#

]

Q

.C -C Y C C

24

50

T

0

(cup) Trb. 1

g C. g

B

!

Dbl. Bass

S

(Y) B O

] !

Tpt. 1

C .C C .C C T C h XC C mp 3 dim. molto 3 -C C Y -C C X C . C C C C .C C T

S

3

!

mf 3 pg X C.

.

YC

T

T

Y .C Y >C Y C Y C

Ten. Sax.

YC

T

.C C

3

Q Q

Q

!

YCYC

C C. C C

Q

Q

!

Alt. Sax.

Y .C

W .C h T

S

50

[

Sop. Sax.

.C

h mf

.

.

XC

T

Q

YC YC YC

XC C C X .C

3

p

Bsn. 1

T

S

YC YC T ! YC p 3 Y C C YC > XC ! p 3 sfzp .g T WC WC W C C WC ! . p 3 YC C Y C X .C

E-flt. Clt.

Perc. 6

Q

!

Flt. 1

Y C YC XC C T Y C .C XC mf 3 dim. molto 3 . solo Y .C CXC C YC C Y C C dim. molto 3 mf 3 g Y .C g X .C C T C h T h mf solo

Q

!

T

C mf

g

CO Q

C

g

C C C .C

2 4

C C C .C

3

24

dim. (lg.)

3

XC C T

C C C .C

p

3

3

Q

Q Q

Q C C

C

C C C .C

h

C

YC

C

C h

C

C

p

YC C hpp

3

&8

38

Q

2 4

Q [G

Ì

A]

Q !

Q

C C

XC XC p

$ T $

&

& T

24

(to Anvil)


28 59

54

[

Q

24 !

Flt. 1

!

Flt. 2

(1º)

!

E-flt. Clt.

!

S

Ob. 1

Q Q

S ! S

Bs. Clt.

!

S

C.B. Clt.

!

solo

"

54

Sop. Sax.

[

Y C- C Y C X .C h 3 p . 3 WC XC WCY C YC .h . solo Y C C Y C X .C 3 h mp Q

CWC WC XC Q

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

] !

S

T

24 !

S

Q

T

S

S Q

S

T T

S

S

T

S S

S

Q

(1º)

S Q

Q

tutti

.

XC X -C Y C Y C

S

#

Q .C

S

Y .C h mp

p

3

Q

molto stacc.

3

p

.C Y .C

.C

S Q

C

g

34

> W .C T h sfz Y .C T h

T C. Y >.C sfz

T

S

Q Q

!

Tpt. 2

Q

Q

> . . . C C C C

mf

Hns. 1, 3

!

(cup)

"

Trb. 1 Trb. 2

#

Bs. Trb.

#

Euph.

#

WC

Q

S

! ]

T

54

Pno.

# [ #

2 4

]

!

Perc. 1

!

Perc. 2

$

Perc. 3

$

Perc. 4

]

Q

Q Q

Q

Q S

S

S

g T

S S

g C. .g Y X CC .h g Y C.

T

g W .C .g XY CC mp .h g Y .C

T T T

X .C h .C C. T

.C

24

Y .C

T

S T

T S S

T

T

S

Q

Q

S

mf

Q

Q

Q

Q

Q

Q Q

Q

À> O C

À> C

S

ÀB O

43

mf > C CWC WC C C CWC T

T

T

C-

gl.

h

CWC C C

S

Q

B

C pp

str. mute

S

à2

S

W 0-C ph

T

T

W -C ph

S

WBO mf C.

T

gi sim. C> C C C C j Piano h sfz pecking f T poco d T

C

W C W C C C >C C C C sfz

34

W C. > sfz

3 4

Q

[ take sticks ]

34

WC C CWC CWC C C C > > sfz sfz

Q

C

C

W .C h

S Q

S

_ C C C > mf sfz (Mba.) (my) -C T T C h mp (w. wood) (med.) SC C S p

2 4

T

W C W C C C C.> C C C

T

h

C T C B

h

C T C l.v.

h

C C

T S

T

C. W C. mp sub.

C.

C.

C.

Q

T

B

S

(p )

Q

Q

Q

Q

TAMB.

Q

T

g C. C. C. p T

WCWC C C C XC C C C C p Q !

(reverse my) (w. stick) C C

h mf

>.C

S Q

T

T

T

WC

T

ÃC h

C h p

S

T

ph

T ÀB C

T T S

à W >C h sfz T

S S Q

.C h mp W .C mph

T T

>.C T U jh . T U W jh C #

mp .C

59

.C X >.CC mfh Q T

Q [ to Cel. ]

Q

w. lite sticks ( ) (at edge)

24

g

T T

.> TU Wj C h sfz >. TU Wj C h sfz gi T U W C. > sfz

T

C C WC W -C h

T T

W C.

W .C

( mf )

C-

Ã

S

24 2 4

g C. W C. >

C C

T

À>

24

mf

(scrape)

Q

(to Tamb.)

C

Q

Q

Q C

Q

59

h

W -C h

W .C h T

C

Q T U W C. C. W C C C C > sfz .>C .>C T S C C h poco h

T

C C C C

B

>.g i TU W C UT C .>jh gi T U C. >

Q

C h mfsfz WC C C C XC h

T

À>

CO

C W .C > fsfz

T

T

Q

C

Ã

TU Yj C h T

T

>

W -C h

>.

T

59

> .C X .C h mf .C Y >C. h mf Q

Q

À>

l.v.

T

S

Q ph

T

24

tightly stopped

à2

T

T

g Y C. p .g WC XC h p. g X C. p

Q

S

Q

B-

g gl.

fsfz

(WBL.)

$

Q

.C Y .C T h .C Y .C p Q

Vibes (my)

[

Q

solo

24

!

S

S

Q

(mute)

24

Q

Q

mp Q

(pizz.)

Timp.

W C. W C. T p

Q

!

Dbl. Bass

.C .C

Q

Hns. 2, 4

Q

Q

34

(str. mute)

T

!

Tpt. 3

Q

Q

Q

str. mute

24 !

Tpt. 1

Q

S

S

54

[

C. X C. W C C. C C C C

Q

Q

Q

C C C C > mf

Q

g C. mp

Q

C. X C. W C C. C C C C

S

C

S

C C C C > mf

molto stacc.

tutti

S

S

T

.C

S

S

g X C. mp

.C

ph

S

T

S

T

S

S

3

. 3 p - YCXC C C C WC XC .h . p. -C W C . C WB T p 3 mp Q T S

S

S

p C Y Cg .

24

S

p 3 W .C T h pp .C YCY C Y C

-C W C

S

S

Q

T

X .C WC C W C

Q

molto stacc.

> . . C C C h mp

Q C. C- Y C Y C mp 3 .C .C

.

3

T

Q

S

S

Q

]

S

Q

Q

#

C.Bsn.

T

Q

mp

solo

S

Bsns. 1, 2

mp

WC solo Y C mp . T

(1º)

g X C.

solo

T

Clts. 2, 3

Y .C

Y .C p

S !

Clt. 1

Perc. 5

Q

34

Q

!

Picc.

Q

molto stacc.

tutti

X >C C C C mp

S

[ to SC ]

_C

_C

Q

Q

> C C C C X .CC h mf T

[ take hy ]

$ Q

Xyl. (my)

.C

S

S

T

C C C C mf .C .C T h h C

g

.C

mph

T

CXCWC C C C C C > g g > C T C .C S mp h ( sfz ) >.C sim. .C C T h mf


29

[

>C > WC .C W .C C. T sfz C. W C. C. W C C C C C > .

Flt. 1

. ! W C> C. C. C. X C C C .C . ! W C> C. C. C. X C C C C.

Flt. 2

Obs. 1, 2

!

Q

Q

E.H.

!

Q

Q

S

E-flt. Clt.

!

YC

YC

tutti

!

2º- tutti Clts. 2, 3

!

S

Bs. Clt.

!

C.B. Clt.

!

S

#

C.Bsn.

#

S S

g X C. S

] [

T

T

W .C h mf. g CC h mf.

T T

T

T

.C

T

Q

Bar. Sax.

] !

Q Q

S

!

Tpt. 2

(str.)

S

!

Tpt. 3

T

W .>C h f g >. T W C Wh C f g .> T WC W C h f

T T

!

W CC .h>

>.g T

T

S

S

C C. T > f

T

S

S

f

S

34

>.

C TU TU C S .> .> fsfz Q

S S Q

Q

" Q

Q

Q

Bs. Trb.

# S

Euph.

# S

Dbl. Bass

# Q

Q

!

Q

Q

!

Q

]

Q (X ) .C h .C h T

T T

T

T 64

S

Q

> W .C h T

>.C

[ #

Timp.

C _ p

] [

Q C _

C _

C _

78

T

$

Q (Mba.)

Q

S

!

Perc. 2

Q

Perc. 4

W C C. C C X C C C W C (Tamb.) > T S $ hC (WBLs) .> T S $ hC

Perc. 5

Perc. 6

]

$

Q

CWC

[ to Glock ]

Q

T h

.C Q

T h

.C

34

Q

S

R S

R

(1º)

S

C C C C .C h pp T

S

Q U U C. W C. W .C> T T C.> W C. C C p sub. sfz sfz g T U U C C W C W C C C. T T C. sfz sfz Q

S

R delicato

T

p

molto

Q

R

ff

. .> TU C C TU C C S f sfz Q

>CÃ O

ÃB p

sub.

>

à B

p

à1

S

(still harmon)

à1

R

S Q

Q

Q

4 4

44 Q

78

Q _

C C C C C C C S

S

C

_ f

4 4

g Y C. mp Y .C mph

T Y Cg X C. > f S

2 4 S

3

mf W C C C

Celesta

R

YC C C

3

S #

R

[ scrape w. small coin; mute w. hand ] precise & constant

-C

(come prima)

S

S

g T YC X >C. sfz

S

-C

S

-C

-C

S

g 3 T XC C - WC C C C mf >

24

S

mp non stacc. R

!

R

Q

T R

S

3

C> C C C

>C.

C S h fsfz

Anvil

(mr)

T

R

YC p

(w. heavy

S

beaters)

T mp

24 24

Q

dim.

Q

T

R

R

Glock.

Q

T

arco

44

Q

f

24 24

Q

78

>

3

Q

T XCO f sub.

64

T

mp

Q

T

Q

C C T

-C C C

Q

(à2) cuivré

Q

78

"

R

Q

X C C C >C >C >C ^C ^C T

7 8

Q

C.

S

.

!

S

Q

(à2) cuivré

>. TU TU C S fsfz Q

34

S

gl

C WC > mf C WC > C> W .C C.

(Xyl.) Perc. 3

(hy)

T

S

3 T mp C C C T YC mp .h g T X C. mp

S

(sm.) SC

Perc. 1

S

44

C C C C C C C C p (p) > WC C C C C C C C C C p sub. (p ) > SO C C C C p Q

S

3 4

43

Q

64

> > > ^ ^ C C C C molto ff > > ^ ^ C C C C molto > > ^ ff^ C C C C molto ff

[3•2•2]

[3•2•2]

Cel.

T

YC .h mp Y .C mph

Q

Q

S

S

R

44 Q

Q

h mf . C h

T

Q

Q

C.

T #

Q

(cup)

#

T

Q

Q

Trb. 2

T

Q

poco fsfz >. U U >. C T T WC S poco fsfz Q

T

XC Ò.h f sfz W .^C h fsfz ^g W C. fsfz ^.g XY CC Ò.h fsfz ^g Y C. fsfz T

78

Q

Trb. 1

tutti

Q

W .C> T U T U >C. S poco fsfz > > W .C T U T U W .C S T

R T

Q

Q

W >.C h > W .C h

S

Q Q

Q

T

R

Q S

Q

W .C> h

T XY CC S T Ò.h S fsfz ^. T hC S fsfz

Q

24

Q

.g^

Q

Q WC

Q

44

Q

Q

!

Hns. 2, 4

T

Q

>.

C

T

Q

WCWC

T

Q

Hns. 1, 3

fsfz T Y .C > U U Y > .C S T X C T TW C S fsfz

34

Q

(str.)

T

78

64

>C C.

[3•2•2]

[3•2•2]

!

> W .C h > X .C h > W .C h

T

Y >.C h >.g Y C Y C >.h

"

Q

g

Q > > . W C U U W .C T T S fsfz > Y >.C T U T U Y .C

S

h mf

Ten. Sax.

!

S S

Q

C

h

.C>

S

Q

S

W C C C C W C> (W ) C C C> C C C C sfz sfz Q

Q

!

(str.)

W .C h

Y .C h .g T X C Y C T .h

Alt. Sax.

[

g

T

Q !

Tpt. 1

C

T

X .C h g YY C C .h T

T

X .C h

cresc.

T X .C h cresc. .g T C XC T .h

S

Bsns. 1, 2

Sop. Sax.

3º- tutti

g

YC

T

T W .C hmp cresc. .g cresc.T XC T XC h . mp cresc. Q

S

Clt. 1

Y .C h mf

34

C W C W C C >C C C >C C C C C sfz sfz

g

>C C C 3


30

[

Q

24 !

Flt. 1

!

Flt. 2

!

Picc.

C

Q

W .C g

W .C

f mp .g WC T

C

g

W .C

T

!

E.H.

!

YC h mp.. T YC mph YCXC C .C

Obs. 1, 2

E-flt. Clt.

! !

Clts. 2, 3

!

Bs. Clt.

!

C.B. Clt.

!

W .C

W .C

S

T

C

3

.

3

CWC C .h g Y C.

WC C .h g Y C.

C C C T T

.

3

X .C

.C

.g

XC

C .h .C h

T

XC .h .C h

T

S

T .

WC C C C T C .h g T C.

Q

XC

CT C C

3

.g

3

C C C TC C .h .C T h

T

.g C T

T

pp.g XC S

C .pph .C h

T

C .h Y .C h

T T

.C

C C C

C .h Y .C h

Q

mf

T

T

h pp S C . .C

T T

S

XC pp.. C

3

C C C

S

Q

Bsn. 2

Q Q

Q

Q

# Q

Q

Q

Q Q

Q Q

Q Q

Q

Q

Q

Q

Q

Q

Q Q

Q

[

24 !

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

] ! [

Tpts. 2, 3

!

Hns. 1, 3

!

Hns. 2, 4

!

3

YCXC C .C mp 3 Y .C C. mp

YC C C .C 3

Y .C

ÃB

34

Ã

(cup)

"

g Y C.

T

Y .C h

T

dim. molto

(harmon)

#

Trb. 2

#

Euph.

#

dim. molto

Bs. Trb.

#

Q

2 4

Y .C h T

X .C h T

Cel.

# [ #

3

3

WC C C Y C . T Y .C h

24

]

$

Perc. 2

!

Perc. 3

!

24

C

C

C

C

S

S

(Xyl.)

!

Perc. 4

Perc. 5

$

Perc. 6

$

34

Q 3

3

W C> C C C (dim.) g (Y) C YC

C> C C C

(GL.)

(A.)

]

S

pp C. S

S

Q ÃB

0

pp à B pp Y .C h Y .C h

.C

C

sim.

g

.C

T h T

T

.C h

T

WC C C Y C . T Y .C h

3 molto dim.

gl.

T T

S

T

S

Y .C h .C h T T

C

C

S

pp

Y C.

T

C.

(Y) C

XC

.C h

. -C X C W C X C

Y C.

. -C C C C

3

3

C C

C

. -C C C X h C !

d

Q

-

C

C-

C-

Q C

C

C

C

C

Q (2)

C

C

C

C

C

C

(3)

C

C

Q

C C C C

YC

C C C C mp g YC mp C

C C C C 3

X C> &

C C C 3

pp

3

C C C C>

X Cmf Q

Q

3

C C C C>

C C C

C

C

ancora dim.

T

C

Q

(clear accents) 3

3

g C.

C-C CC

3

C

WC

S

[ mute out ]

Q

3

3

Y .C

S

[ mute out ]

Q

(1)

C C C C

T

S

Q

Q

g

W C. h

pp. C

Q

C

WC C C C

T

C.

Q

T

3

h

.C T

Q

Q

3

C

.C

T

3

Q S

S

3

mf

Q

Q 3

C pp. C h Y .C h

T

Q

C

C C C

gl.

>Ã X C. h mpsfz Ã> .C hmp sfz .C h X .C h

S

Q

W C C C Y .C

3

Q

>C C C C

C pp 0

43

Q

(SC) (sim.)

[

3 4

C C C C . T Y .C h

S

S

3 4 Q

24

!

Perc. 1

3

Y .C

T

Q

]

Timp.

YCXC C .C

pp

B

Trb. 1

.C C C C h 3 pp

W .C

Q

Q

(à2)

34

C.

Q

(à2)

Dbl. Bass

C C C

3

24 !

Tpt. 1

-C C C .C

W .C

S

.C U - . T U Y -C T C C

solo

#

Sop. Sax.

S S

Q

]

mf - 3 C CXC

solo

S

Q

C.

S T

"

"

S

3

pp

Q

p .g C T C à1 p h .

C YCYC X C. pp S S

C- C Y C

à1

.C h

Bsn. 1

C.Bsn.

T

T

.C hpp T

3

T

S

S

S

T

C .h .C h

T

3

solo

T

3

T

3

S

T

3

Q

T

C .h .C h

C C C .C

3

C W .C C C h

S

C C C .C S pp. 3 .C XC CWC WC C C C

3

3

T

CWC C .C

3

.C

3

.C p

.g C

CWC C .C

CYCYC X .C

3

3

C

3

C. g

T

T

C C . C C

C C C . WC 3

T

T

3

3

g

mf

.g C

C C . C C

WC C C . XC

C

S

C .h .C h

T

3

C C C . C

dim.

T

T

YCXC C .C

3

.g

C C C 3

3

mf

mp T YC .h Y .C h

.g T

C C . C C

.

g

T

WC

C .h .C h

T T

mp 3 WC C C . XC mp 3 . 3 WC C XC T YC .h gdim. T C. dim. Q

Clt. 1

T

. YC C CWC

S C

W .C

.g C

Q

34

solo

XCWC C C C C C C C .C .C .C 3 3 mf 3 dim. .C .C X .C X XC CWC C C C C C C

g

dim.

3

3

3

C> C C C C C C C C .C pp g C CC- O Q Q

S

C


31

[

.C

C WC WC !

Flt. 1

XC

!

.C !

S

Picc.

C

. ! XC

Ob. 2

W .C

!

E.H.

Q

Q

S Q

Q

S

Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q

Q

Q

Q

Q

Q

Q Q

. Q

C. mf C.

Y C. Y .C

X .C

pp X .C

3

X C Y C Y .C ! XC

Clt. 1

XC YC

!

3

X C Y C WY C C XC . solo mp 3 !

C.B. Clt.

!

" X .C T U W C

Bsn. 1

C

C

pp. g C W X CC Y C 3

3

pp C T . pp Q

C. T U

] [

Sop. Sax.

h p -C

T C WC

C YC

T

h pp S S

T

.C pp

.C

S

S

pp

S

#

C.Bsn.

.C

Q

3

#

Bsn. 2

.C C

3

3

.

p poss.

6

XC WC WC

.C

solo

C

pp Q

C C

WC

! W .C

Bs. Clt.

Q

C 3

3

E-flt. Clt.

Clts. 2, 3

Q

6

YC

3

.C

ATTACCA NO. 3

Q

.C C

.C

. Q

3

C

C. !

Ob. 1

C WC

C YC

C X C Y .C

3

Flt. 2

-C

Q !

Alt. Sax.

!

Q

Q

Q

Ten. Sax.

!

Q Q

Q

!

Q

Q

Q

!

Q Q

. Q

Tpt. 2

!

Q Q

Q

Tpt. 3

!

Q Q

Q

Hns. 1, 3

!

Q

Q

Q

Hns. 2, 4

!

Q

Q

Q

Bar. Sax.

] [

Tpt. 1

Trbs. 1, 2

# Q

Q

Q

Bs. Trb.

# Q

Q

Q

Euph.

# Q

Q

Q

Dbl. Bass

# Q

Q

. Q

] !

Cel.

! WC [ # (Ped.)

Timp.

C C

C

YC

C C Ì

(SC)

[

l.v.

BO

C

Q

l.v.

Q

Q

C

Q (4)

C

$

BO -C

C

]

Perc. 1

-C

XC

C

C

C

C

C

C

Q

(5)

C

C

Perc. 2

!

Q Q

Perc. 3

!

Q

Q

Perc. 4

!

(Gl.)

Perc. 5

$

Perc. 6

$ ]

C C S

Q S

C C

YC C

C h

p (sm.)

T

C h pp

BO

ATTACCA NO. 3

C

Q & Q Q

C &

C

T

S

Q

Q &

Q Q ATTACCA NO. 3


32 DUR. - ca. 3:30

• In memoriam : HENRYK GORECKI •

3. STROPHE Quasi senza misura, molto libero 4 [ C = 50 ~ 56 ]

Soprano Saxophone

[

34 !

Alto Saxophone

!

Tenor Saxophone

!

Baritone Saxophone

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q Q

Q

Q

Q

Trumpet 1 B ∫

Q

34 !

Trumpet 2 B ∫

!

Trumpet 3 B ∫

!

44

Q

Quasi senza misura, molto libero 4 [ C = 50 ~ 56 ]

[

8

rit.

[3•2]

Q

! ]

poco accel.

Q

Q

Q Q

Q Q

Q

Q

Q

Q Q

Q

Q

Q

Q Q

Q

Q

Q

Q

Q Q

Q Q

Q

Q

44

Q

54 Q Q

44 rit.

8

[3•2]

Q

Q

Q poco accel.

Q

Q

34

54

Q Q

Q Q

Q

34

Q

Q Q

Horn 1 (F)

!

Q Q

Q

Q

Q

Q

Q

Q

Q

Horn 2 (F)

!

Q Q

Q

Q

Q

Q

Q

Q

Q

!

Q Q

Q

Q

Q

Q

Q

Q

Q

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Trombone 1

" Q

Q

Trombone 2

# Q

Q

Q

Bass Trombone

# Q

Q

Q

Euphonium

# Q

Q

Tuba

# Q

Q

44

Horn 3 (F) Horn 4 (F)

solo (to ms. 12)

Q

Double Bass

] !

Piano

#

[

] !

Soprano

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

_

34

Q

Q Q

Q

_

Q

Q

!

Percussion 3

$

Q

34

YBO BO

Q

>

S YC rfz mf Y C sempre S S YC d X C> 8

44

__ AA

pp

44 A A A A

Ì

_

Q

Q

45

BB

54

S

S S

S

C

g

(

BB

pp BB

XC X >C

B B B

45 Q

45 A

YA

Q S

Q

Q

S

Q

Q

Q

Q

Q

Q

S

Y C X CC mp > > S C C p > > Q

_

Q

4 4

__

__ BB

Y C> C> mp

p

BB

Q Q

Q

R ppp

AA

Q

5 4

34

BB OO BO

43

34 __

BB BB

BD (sb)

__ BO ppp

__ BO

__ BO

__ BO B

__ C> ( ) mp

__

A pp

__ CO

g _ __ C> C mp

B OO B

pp

CC

44

44

(8)

rit.

44

Q

Q g __ S Y CC C > Y C OO mp >

__ _g CC CCT S n

44

rit.

Q g _ CC T S pp BB OO

Q S

__ BO

__

S

g

O XY C>C O

C> mf g S C >

Q __

ord.

CC Y CC ( > ) mp S B B( mf ) S B YX B-B

Q

B

Ì

__

sub. p

Q

C> O Q

[ MVT. III TACET ]

$

C

pont.

)

8

Q S T g C __ C> W C> mf g S T C C > > Q

__

BB OO

43 Q

Y BB

43

<

8

[3•2]

Q

l.v. sempre

p

44

BO

YBO

Q

B

T C X C> mf W CCC >

_

poco accel.

Q

G (sb)

Q

YBO

BO

MBA. (sy)

Q

ord.

poco accel.

44

Q

Q

[ MVT. III TACET]

Q !

]

BO

[ TACET to ms. 45 ]

Percussion 5

> mp

(Soprano: See performance note , pg. iii.)

Q

Q

!

Percussion 4

_

non trem.

[3•2]

[

Percussion 2

CC

sempre

Quasi senza misura, molto libero 4 [ C = 50 ~ 56 ]

Quasi senza misura, molto libero 4 [ C = 50 ~ 56 ]

#

CC

_

S #

Q

]

Percussion 1

CC

_

BB OO

43

Timpani

Percussion 6

Q

Y BB OO pp

S S very sy X X Y AA A Y A YC C YBO ppp

,

YB C

Q

tuning:

[ #

C Q

Q

[ TACET to ms. 33 ]

C S

Q

Q

Q

C

Q

Q

43

XBO

C XC WC S

Q

43

Q

XBO

Ì

pont.

#

chanting: as an invocation

YC YC YC p Q

C

__

__ B> sub. mp

4 4


33

(rit.)

[

Sop. Sax.

44 !

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

34 Q Q

]

!

Hn. 2

!

Hn. 4

Q Q XB mp

"

Trb. 1

# ]

44 #

(Y) BB

44

Pno.

#

CC

Timp.

Ì

(Mba)

Perc. 3

$

Perc. 6

$

44

(Y) B OO B

34

C

n

AA (BD)

__

S

T

WCO W C> O

loco

R

n

(

C

WC

WB

(

C

)

T

Q

C

WC

h T

Q

YC

YC

-C

T C p

YC C C

YC h

soli

T

Q

WC

h g

C XCO

C C -

)

C -C

)

(

g C WCO

(

Q

T C

Q

Q

A A __

44

S

A

43

S

B B OO

n

poco accel. 13

__

44

AA l.v. sempre

A

Q

T WC #

Q

S

Q

g C> C

X C> mp

S Q

Q

WBO C

YC

XBO

B

S

Q

44 S

S

h

C h

Q

C XCO C

C

C YCO

C

BO

T Cg Y C > mp Q

C

_

Q

h

>C C

44

44

(ped.)

Q g _ C T pp

T g _ Y C> C> mp _ T Y C _ OO X C> mp T Cg B > > ( mp ) S S Q Q

__ S

g _ Y C> _ C _

3

_ T S CC pp

BO C

3

3

_

C

#

T g YY CC CC Y C C X C> > X C> C

g

B

44 S

> > > > YC C T YC C YC X C C h 3

Q

__ CC

h

T

Q

BB OO

Y >B-B mp Doloroso ( C = c. 52) Tempo 1º 3 g g S Q S __ X C _ _ T S CC W C> > mp n 3 g Q Q S C C > > mp BD. Q Q S __ Bp

C

Q

g C T S pp

__

C T h

Q g

BB OO BO

XB B> S

g

YC C

C

XC C W C > C CC mf

Q Q

WC

Q

34

AA

Q

YC

Q

Q

34 AA

Q

Q

sempre simile 3

43

Q

)

soli

p

C T R

-C h

Q

C = c. 52) Tempo 1º Q Q

Q

mp

g

44

B

B>B S

C C T R

C

XB

Q Q

increasingly soloistic 3

g __ O C> CC> O mf g S C C > >O mp (sb) lg. TAM S S -C p

(G)

C

]

g _ C T

_

S

34

mp

B

h

44

_ S Y Cg _C O C > - O p mp

43 Q

C

> S WC XCO h mp >

BO p

pp

BO

marc.

34

(rit.)

[ #

Perc. 2

pp

A (Y) AA

44

]

C

43

S

C

13 Doloroso (

mute

S

YC

p

Q

mute

Q

p

AA

(8) (Ped.)

[ #

Q

B g C T

44

Q

C

p

soli

Q Q

Q

soli

Q

poco accel.

34

Q

44 !

Dbl. Bass

Q

Q

C = c. 52) Tempo 1º Q Q

Q

34

Q

(rit.)

[

Q

44 Q

Q !

Tpt. 1

Q

Doloroso (

13

poco accel.

Q

S

Q

44 __

C C

44

T.T. (

p

n

C>

)

TUTTI

accel.

19

[

Sop. Sax.

!

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

slightly to the fore

44

Q C C

S S

Q Q

44

S YC p YC

T (Y) -C h B

BO C

C

S

YB

C

C

Q

C C

S

Q XB B

XB B

YB

YB

34

Q

[

WBO

C

BO C

-C T S

XBO C

! !

Hn. 3

Q (mute)

S

T C

XC

(mute)

S

YC

T C

# #

# Pno.

44

pp

(Y) AA

C YCO

C

]

44

[ #

19

$

Perc. 3

Ì

_

(Y) C _

C !

g _ C T R pp

44

_

(G.)

(T.T.)

$

3 4

A

T

T

Y -C O

C

Q

R pp

34

C

g

h

-C T S h

S

S

C

C XC

mf ) > T T U Y CCC jh T T U gi Y C> mp

C YC

TU Y C Y C C B > mf

44

-

-C

CC C

XB sfz

YC TU C C

S

T mf

C

BO

C p

C YC

WC XC f p sub. (open) C C p

BO B Q

g C

C

Q

BO

C

YBO C

YBO

S

B> mp (

R !

À-

A

C

S

S CC

)

!

44

_

S

Y BB OO p Q

(to Chimes)

B

R

34

44 #

S

T

g

XC C> Y C S B __ pp

__

B

BB

_

S

Q _ B mpsfzpp

__ CC mp

CC

Q

S

- f

f S

S

Q

Q

mf &

Più mosso al 25 [ C = c. 58 ] [ take my: à4]

Q

mf &

mp

W C> X C> mf

S

Q

__ BB OO

S S

#

CC

_3 BO

_ BO

XBO

Q

mf

XCYC B C

#

YBO

[ Ms. 25 - 34 : Underplay; as an echo ] pizz. vib., sonoramente

À

CC

cresc.

43

Q

À

BO

3 4

34

AA

Q

accel.

B>

>

Q

S pp

WC XC C f psolisub. " YC YC YC p

BO B

(sul D)

44

T T U Y C gi C C C _ > mf Q Q

>

AA A

CY C >

Q

Q

B T U X C Y C C (Y) B Y C sfz> BB >C O B TU C O h

C

YBO

(still muted)

WC

XBO

C

C

C

Q

4 4

S S

X -B

(open)

44

BO

25 Più mosso [ C = c. 58 ]

al

Q

XBO

(still muted)

T

Y C>

Y C> X C> mf

(

43

34

C

3 4

Q

Q

S

S

44

Q

CO

S

(Mba.)

(Y) BB

g

Q h

!

(ped.)

[ #

]

C

R

(Y)(Y) AA

#

Perc. 2

h

g

Q

B

4 4

]

Timp.

g

Q

Q

Euph.

Dbl. Bass

C

Q

34

Q

#

Hn. 4

-

accel.

44 !

C YC C mf espr. WC C XC mp espr. C C C mp espr. Y C YC YC mp espr.

Q g C T S

19

Hn. 2

Perc. 6

34

Q

] !

Hn. 1

25 Più mosso [ C = c. 58 ]

al

Q

Q Q

( take bow)

C W CC > d

4 4 44

(my)

S

!

X CC> WC

4 4

S X C CC mf >C CH (ch) S S WC mp X C > > < arco S S CZ p

4 4


34

Sop. Sax.

!

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

] ! [

44 !

Hn. 1

#

Hn. 2

!

Hn. 3

C

WC

WC

C C C

C

WC

C

S

YC

XC C

S

C C

C

S

WC

C

XC

S

C C

WC

C

C

S

44

#

S S

(mute)

(mute)

S

Hn. 4

Euph.

"

Dbl. Bass

#

C S

]

44 !

Pno.

#

44

] !

Sop.

[ #

Timp.

[

WC

XC

!

AA AA Ì

!

Perc. 3

44

]

$

(CH.) l.v. sempre

(W ) AA

> A mp

(

)

!

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

34

! !

Tpt. 3

!

Hn. 1

(W ) B O !

X -C mp

Hn. 3

!

Hn. 4

Trb. 1

Trb. 2

#

Bs. Trb.

#

Euph.

#

Tuba

# arco

]

] !

Timp.

[ # ]

gl.

43

YC

XC

C

WB

WBO

C

S

S

C

WC

XB

BO

C

S

S

WBO C

S

S

BO

C

S

S

XBO C

S

WC !

,

!

CC Y C C

S

C XB C

C

YB

S

S S

W CC

C

WC mf >

S XC ( mp ) Q

WC

C

WC

CC

Y C> mf W CC

sim. Z

C

BB OO BO BB OO S

W W >BB p mf Y C > X C > O CC mf B>

44

p Q

T

Q Q

S pp S

C

XBO

WB

C

XB

C

C

YB

XC

XC

B

YC

XC p

C

YB

WC

C

C

,

BO C S

S

S

C

calmo

g T

S

YC

S

p Q

espr.

YC

2 4

WBO YBO

C

C

B

Y -C C

XC

BO

C XC XC YB ,

XBO C

C XC

XC

C- Y C C C

XC

-C Y C C C

C C

C

44

g T

S

S

p

C

C

C h T

WC WC WC S X -C

C WC p

C

CC

WC

Q

S

44

Ì

Q

l.v.

[ TACET al fine ]

44

S

3 4

open

W Cp X -C C

C C

g T

XC C

C

C YC YC , C YC WC

XC

C-

C

C C -C

XB

C

C

C YC YC

XB

XC

43

XB

XC

43

XBO

C

W -C Y -C

g T C

W -C

g C T W -C

24

43

XC XC WC Q

43 Q

24 24

C Q

h

C T

40

43 43

n

Q

rit. C

Q

XCO

C

S

non trem.

C

WC

WC

Mm

C

g

C T CC

mp

rit.

S

S

Q (arco)

S

XC C

C

XB

YC

-C Y C C

C T h p

WB

C

C

YB

C

C

YB

, C

YC

C

XC WC

sonoramente

mf espr. XB mf espr. X C Y C C- O mf espr. XB mp C XC mp W -C X C mp C WC mp C YC

<

Z

sonoramente

C

C

C WB S

WC B C WC Q

43

44

Q

34

Q al

C __

44

44

al

Q Q

A> mf

)

(take Hand-Bells)

g

WBO

44

XB

WB mp YB mp

B

Q

WC

XC

ancora rit.

44

XB

WC

C

C

XB

C

YC

XC

WC XC

X B-

BO

.

C XC -C

-C

C C XC C

X -C

C C

XBO C

WBO C

XB

W B-

YC XC mf espr.

C

WC

WC C WC

C WC mf espr.

YC

XB

XC

X -B

XB

C WC mf espr.

YC

XB

44 B-

XB

44

XB

WC ,

Y B (WC ) Ì

Q

C

B

WB

Y C- Y C B

34

port

WC XC

mf WC

C YC B

C CO

h

WC

XC YC

34

YB mp

S

Q

34

(take Crotali)

(

più

p4

WC

(Ah)

43 3

A

S

C

C

WC C

XB

C

#

Q

C

C

C

44

C W -C

YC

34

ancora rit.

Y -C C YC mfC C XC C C C mf C

C

Ì

n

S

WC C

C

44

WC

XC

WBO BO

YC mf -C

WC

(slowly open mouth)

_ XBO

C _h Y C- O

C mp

C

C

BO p

mf espr. WC XC mf espr. port. YB

più

XBO

40

gl.

WB

C

Y C (WC )

C T C YC YC h

34

WB

WBO

Q

CYC B-

WC

g C WCO C CO

Q

XC

Q

YC

YC YC

Ah

O p Y B-

WBO

S

YB

B

24

B

44

WC

BO

B mp

B

p

B

C WCO

WBO -B O

h

BB OO

open

(mute out)

C XC

XC WC

S

34

Q

Tempo 1º, expansively

mf

44

h

B

40

Q

C T C WC WC

WC

Q

C

WB

34

B

al

C

O B BB OO C

A

rit.

Q

__ X > BB mp

S

Q

Q

WBO WBO

44

BB OO BO

CC OO CO

_ B- O

S WC p Q

C XCO

C O h YC

h

C

Q

34

WBO

C

Q

BB OO

S

CO

sim.

)

Q

C

al

XBO

Q

WB

BB

W W BB

CO

g

XC XC

, C

C

C WCO h

C

X >C O

WC

30

BB

h

Soprano Sax.

_ Y B- O

sub.

h

XC W C-

mf C S WC C h

Q

_ __ C C> p O C

(

W >C h f

S

30

g

(pizz.)

più

Q

T

XC

, C XC , C

Q

C W C> W B CC > >BB C WC B WW CC

Q

C

YC C

h

,

C

C YC XC YC

XC

,

più

>

S

C C> O ( mf ) > > W W CCC OOO S S meno > f WC S S OCC

CO

S

C

43 mp calmo 43

,C

C

(mute out)

WC WC mp calmo YC YC mp calmo WC WC mp calmo WC WC

35

[

Sop.

WC

mp calmo YBO mp calmo

#

Dbl. Bass

WC

S

Q

Q

YC YC #

C

S

Q

S

YC C

!

Hn. 2

WC

C

Q

mp calmo WB mp calmo XC YC mp calmo XCO U S h T

Tpt. 2

WC

Tempo 1º, expansively

3 4 !

XB

XBO

S

S

X C O TU S h p

35

Tpt. 1

C

C

l.v.

X C O TU S h p XCO h TU S p (W ) B O

] ! [

XB

C

Tempo 1º, expansively

35

[

Sop. Sax.

YC

S

34 R

(T-T) (arco) Perc. 6

YC

S

sim.

C

YC

YC

43 Q

C CC T C pp

S

C

43

Q

CC

S

,W C

XBO

34

(W ) A

C

S

C

C

(Mba.)

Perc. 2

S

C

C

YBO

43

R

44

]

34

XC

(W ) BB

(W ) A

,

30

(pizz.)

(ped.)

[

34

WBO

rit.

più YB C

30

[

C C

XB C

XC

43

ancora rit.

WC

44

XB

43

Q

43


35

(rit.)

[

Sop. Sax.

!

Ten. Sax.

!

Bar. Sax.

! ]

34

S pp WC

YB B

34 !

Tpt. 1

Tpt. 2

!

Tpt. 3

!

Hn. 1

!

XBO WB

C

WBO Y -C

!

!

mf W B-

Trb. 1

#

C

Trb. 2

# C

Bs. Trb.

#

Euph.

#

Tuba

#

Hn. 4

port .

C

B C

Pno.

#

BO

C C

Y -B O S BO

B mfsfz

C B

à X B> mfsfz

WC

BO

45

(ah)

h p BB B

!

do NOT dampen

!

Perc. 3

(CH.)

54

Q

(RH: take sh)

S

Q $

]

CR. (br)

S

W AA mf S

!

f

h

(RH: take sh) GLOCK. (br)

Q > >C O C

[

2 4 Q

] !

G.P.

Q

À>

BO

3 4( mp )

rfz

sempre

! # Q

Pno.

Sop.

[

Perc. 2

[

-C> C

] !

(CR)

C ! ! C !

h

S

dampen completely

S

dampen completely

S

S

S

& ( hard RH - take hammer )

(GL) Perc. 4

C U T j T

&

(CH) Perc. 3

abruptly off

C C

dampen completely

&

S

24 2 4

24

Q

G.P.

Q

G.P.

S

Q

Q

Q

] !

Q

Q

YY CC d

54

> XY CC

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

À>

Q !

Y -C oo,

Y -C h

ÀC

BO

h T S pp

mp rfz

delicato

YC B YY CC YY CC BB

C X -C B C

S

loco

S S

(sim.)

X -C

XBO

Q

Q

Q

(Oo)

C

YC XC pp

B

YC C XC pp C C BB

sul A

À>

BO

3 4

B

BB

BB OO BO

BB

BB OO

51

C

24

S

B BB

BB OO BO B

T C

43

34

> W >C

Q

C mp C mp

WC

B

C

WC

B

Q

C> W C> pp

T

S

S

BO h

ÀC

mf )

(

S

XC mp C C mp Q

B

?

S

S

X >BB OO XBO poco p sfz > WBO W BB OO

> ?B O BB OO mf sub. W >BB OO WBO ¯

Q

. Q Q Q

? Q

Q

YC

B

BO

Q

> > YC C X C B

BO

Q

> X >C YX CC B

B

BO BO

C> B

BO

C ( mp ) sempre rfz (hh) > Y >C B WC C ( mp ) sempre rfz >Y C Y >C B XC B > rfzC> B C

Q (

mp ) sempre rfz

Q C

>

Y >B O XBO poco p sfz >O XX BB O

poco

p sfz X >B O XBO p B>B OO p poco sfz

? Y >B O BO f ?> BB OO

mf ? X >B O XBO f ?> O BB O f

C

RH

S B

long

T

S

B

C C pp S C C S

À>

24 43

C

Q

LH (hh)

C

(sul G)

Q

>C >

B

h

(oo)

. Q

long

54

S

( mp )

S

long

BB OO BO

Y CC XC > Q

ÀC

BB

YC

Q

ÀC h T S

24 43

BO

WC C

RH (soft)

B

h CC>

Ì

CC

43

51

(still hard hammers)

XBO

S

>C

C C B

W -C h

ÀB

24

mp rfz W CC S >

#

T X -C

S

oo

l.v. sempre

S

sempre sim.

C

S

S

BB OO BB

À>

(sul G)

LH

YC

YC

S

C = c. 44 ]

oo,

mf chiaro l.v. sempre RH YC YC YC

S

BB OO BO

p Y CC XX CC C d

Meno mosso [ C = c. 44 ] XBO YC YC YC

BB OO

Q

Q

Oo,

BB

>

Q

Q

XBO

BB OO

Q

Q

YC

BB

Q

Q

mp T Y -C

h

Q

Q

mp YC YC

T

Q

24 3 4

Q

( mp ) sempre

(H-B) Perc. 6

3 4

( mp )

Q

Q

Q

XBO

ÀC

Q

Q

sempre sim., tolling

Q

Q

mp

sul D

Q

Q

YC

YC mp

Q

Q

YC

mp

Q

Q

d

34

B

54 Dbl. Bass

34

Q

Q

Q YC

Q

51

C = c. 44 ] Q

sul D

43 R

(hh)

HB

Perc. 6

Q

(clear syncopation)

Q

Q !

Perc. 4

Q

34

45

Q

34 !

Q

45 Meno mosso [

p g C T S

[3•2]

Perc. 2

Q

43

(rit.)

[

Q

8va

Y CC OO f g C> O S X CC X C>

45

BO

Q

g T S C p

S

54

Ì

Q

Ãg pp T

C T S

Q Q

pp C T

C p

Q

24 43

Q Q

C S pg C T S p Q

BO

à C

C h T p WC

ph

51

Q

à Ã

Q

[3•2]

43

] !

Sop.

R B

S

(rit.)

[

g T S

BO

Q

p

Ã>

S

p

Q

(ped.)

C p

p

W C-

34 !

C

WC

W -C

]

B Q

WC p

B

43

BO

C = c. 44 ] Q

Q

45 Meno mosso [

54

g T p

C YCO h

W B-

#

Dbl. Bass

C h T S pp Q

C YCO h

Y -C !

Hn. 3

WB C

Q

34

[3•2]

mf WBO

Hn. 2

Q

54

C T hpp

(W ) B

(rit.)

[

45 Meno mosso[

[3•2]

. Q

Q

Q

Q

C

C C

-C Ì


36

DUR. - ca. 2:00

4. GOSSAMER 1 2

[

22 !

Flute 1

* *

Molto scorrevole, pianissimo sempre [ B = 108 ~ 112 ]

Q

R

C C C C. pp R

Q

Flute 2

!

Piccolo

!

Oboe 1

!

Q

Oboe 2

!

C C C C. pp Q

R

6

R

Q

Q

Q

Q

S

YC CWC CXC C

R

R

Q

Q

Q

Q

S

YC CWC CXC C

C- C C C Y C C C. C- C C C Y C C C. Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

!

Q

Q

Q

Q

Q

Q

Q

Q

E-flat Clarinet

!

Q Q

Q

Q

Q

Q

Q

Clarinet 1 B∫

!

Q

Q

Q

Q

Q

Clarinet 2 B∫

!

Q

Q

Q

Q

Clarinet 3 B∫

!

Q

Q

Q

Q

Bass Clarinet

!

Q

Q

Q

Q

C C C C C. -C C C pp S C C C C C. pp Q

Contrabass Clarinet

!

Q

Q

Q

Q

Bassoon 1

# Q

Q

Q

Bassoon 2

# Q

Q

# Q

Q

English Horn

Contrabassoon

]

Q

Celesta

2 2

# [

2 2

!

Soprano

]

Q

(

)

! !

Percussion 2

!

Percussion 6

]

Q C C .C

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

S

R Q

6

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

ì>

(

S )

Q

Q

Q

Q

(as 6 8 :)

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Percussion 3 TACET (long scrape G w. metal)

* 2 *

Q

Q

T T S C. C pp poco. sfz senza ped. Q

S

Percussion 6 TACET

1

Q

Q

Q

B B ( > ) pp (lg.) scrape w. coin SC ( > ) B B $ S pp Q $

Percussion 5

Q

C C C C C C pp Q

(my)

22

$

Percussion 4

S

C C C C C. Q

Q

Q

Percussion 2 TACET

Percussion 3

C C C C > C C C.

C C CYC

Q

VIBES

Percussion 1

C C C C >

T g S C.

(SH)

KUSH

[

C.

C C C.

Q

pp (imitate cymbal) É

S

S

.C

pp R

Q

Q >É

C.

T T

C C C C C C pp C Y C C. R

.C S

Q

Molto scorrevole, pianissimo sempre [ B = 108 ~ 112 ]

!

C pp.

S

R

C

Q

R

C

S

R

Q

R

&

R

&

Q

Q

A B

A

S

Q

See Performance Note 2, pg. iii; regarding the size of the ensemble. Unless noted to the contrary, ALL instruments are pp . However, the discreet notated accents should be clearly heard.

B

S

S

Y .C

C.

C.

C. Y .C Y C.

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

l.v.

Q

T g S C. (X ) C. Q

l.v.

S

.C

[ to Glockenspiel ]

C.

pochiss.


37 10

[

15

!

C.

S

Flt. 2

!

C.

S

Picc.

!

Flt. 1

R

Q

Q

Q

Q

R

Q

Q

Q

Q

S

C Y C C C C Y C. X C C pp Q !

Ob. 2

.C

. C. Y C

.C

E.H.

!

E-flt. Clt.

!

Q Q

Clt. 1

!

Q Q

Clt. 2

!

Q

Q

Clt. 3

!

Q

Q

Q

Bs. Clt.

!

Q Q

Q

# Q # Q

Bsn. 1

Bsn. 2

]

B Q CO h

C C.

pp

Q

Q

R

C

. C. Y C pp

Q #

Q Q

Q Q

Flt. 1

[

] ! (X >C. )

S

R

Q

S ( pp ) d

!

Q

Q

R

!

Q

Q

S

!

Q

Q

Picc.

CWC .C X C W C . ! XCYC C R !

Ob. 1

Ob. 2

S Q

!

Q

Clt. 2

!

Q

Clt. 3

!

R !

R

( pp )

!

E-flt. Clt.

Clt. 1

Bs. Clt.

S

.

C C CWCWC C

[

S

(V.)

S S

X C. W C.

Q

Q

Q

S Y C. X C . W C. C O X C C. S h

Q

Q $

Perc. 4

Perc. 5

]

$

Y .C S

-C X C

Q

Q

Q

Q

C Y C Y .C S

W .C

C.

(SC)

!

R

S

R GL.

S

( pp )

S

S

Q

C C

C

(w. lite sticks - @ edge)

S

BO

_ ppp

__

C

(

p

>) BO

Q

C W C X .C X C W .C X .C C WC

C- W C W C W C C C X C C Y C. C.

S

W C.

C.

C. Y C.

.C S

R

Q C

R

S XC C

Q

T -C X C W C C C C X C

Q

Q

Q

Q

Q

R

XC XC WC l.v.

C &

Q

S

Q

C C. S R

C YC C

C

C

C YC

C XC C

S -C ( pp ) d

Q

C C pp ( ) .C X YCYC

,

R S

Q -C C

CO C

C C C WC C.

( pp )

, C h

C WC XC Q

[ to Temple Blocks ]

Q

S

Y C C Y .C R XC WC XC C C. YC C C S CXC C W C pp . ( ) WC W .C Y C C R XC C C. W C. . YC CYC S R . XCW C X .C

26

C-

-C C C W C C C C C.

C.

Ch

Q

Q

Q

A

Q

CO B

Q

Q

C

-C h

Q

S WC C WC .

C C

YC

C ( pp )

,

CO

R

Q

Q YC

S

C XC

Q

S

CWC YC C > >

Q

Q

R

C.

C.

Q

Q

S

Ì

Q

Q

R

R

R

S

C. S

S

C.

R

Q

C

(sr) (celesta-like)

C. Y C. R

C W C C C C C.

S

Q

Q

Y -C C C C WC YC C C

Q C pp

pp )

Q

XC C C C W C.

C Y -C C

S

(

C CYC XC C C CYC

.C S

R

26

-C C S

S

Q S

C

Q

X -C Y C C W C C W C X C C . WC

S

-C

C B

S

Q

R

R

Q !

Q

T

S

Q

C C Y C C.

pp )

R

Q

.C

B

R

S

R Q

Q

as 6 8:

Q Q

R

Q

Q

Q

Q

C.

Q

21 (

.C

Q .C

X C- C C C W C .C S

R

Q

S WBO WBO R

R Q

C XC C. R C W .C C Y C X C S C YC

WC C

Q Q

B

S

Y C.

C.

S

C.

Q

CXC YC C C. Q

#

Q

Q

T Y C C C. -

C C W C W C X C. ( pp ) Q S CWC ( pp )

Q

Q

R

S

Q

Q

Q

-C C C C C.

C. pp ( ) C.

C C T g C CWCWCXC C C( pp ) Q S

C

S

C S -C C C Y C C ( pp ) Q

Q

!

Perc. 1

R

Q

Y .C X C

-C Y C C C C W C X .C ( pp ) Q R

Q

S

Q

W C. C. ( pp )

C. W .C CYC WCXC > > #

Q

Q

Q

g C T R C C

Q

Ì

!

Cel.

Q

Q

Q

C .C -C W C Y C C Y C . ( pp ) . Y .C C .C .C Y C

R

R

Q

]

X .C

XA

( pp )

Q

#

Bsn. 1

X .C

C

R !

E.H.

S

Q

C W C .C W B O C W C Y C C- C ( pp ) S C W C C W .C S R C- C Y C ( pp ) C W C .C R Q

Q

BO BO

21

Flt. 2

Q

Q

Q Q

(V.)

[

Q

15

!

Perc. 1

S

Q

10 Cel.

Q

Q

S

R

Q

Q

S

-C C CXCWC C

( pp ) C C C Y C X C .C S

-C Y C S

"

S

Q S

h

Q

W C C C C C C C X C Y C. S R ( pp ) R S C C WC C C C .C ( pp ) Q Q

Q

CO

XA

. -B O C CYC C XC C pp . .C Y .C .C Y C. X C R

R

C.

pp molto legato Q

S

C Y C Y C X C X C.

!

Ob. 1

BO

Q Q

S YC CYC C CXC YC C R W C. pp ( ) -C C Y C Y C C X C Y .C Y C S C Y .C ( pp ) C O X C Y .C C WBO h Q Q

Q [ to Bongos ]

S

CO B

R C

C

C>

g C

senza ped.

Q Q

$


38

[ !

Q

Q

Flt. 2

!

Q

Q

Picc.

!

Flt. 1

BO A

!

Ob. 2

!

CYC

Ob. 1

.C !

W C. S R

! !

Q

Clt. 1

Q

Bs. Clt.

!

Q

C.B. Clt.

!

Q # Q

Bsn. 1

# R

Bsn. 2

( pp ) Q

# ]

Perc. 1

[

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

[ take extra reed ]

R

S

. Y -C Y C C Y C Y C C C C

C C ( pp )

S

Q

W .C

R

R

(

Q S

R Q Q

Q

( pp )

W .C

R Y .C> .C> Y >.C .C> mp S S C. C. Y C. Y C C S Y C C > > Y C. S CXCWC XC S Y C C C. Y C C C. . > > W C- X C W C. .C S C W C C C Y .C S YC C Y C . W C- X C W C.

Q

Q

Q

Q

Q

Q

Q

Q

Q

B B B

Q

Q Q

Q R

R

S

R

S

YC CWC C WC CWC W . R Y C. Y C Y C. Y C . . ( pp ) W .C W .C . S C C. W C pp ( ) Q C C W C. Q R

!

X .C

$ ]

W C> W C . Q

Y C. C>

S

W C. X C > Q

Q !

Picc.

!

S

Q

Q

CXCYC C .

C Y C.

Ob. 2

! !

Q

!

!

Q !

Q #

Bsn. 1

#

Bsn. 2

# [

Perc. 1

[

]

W .C

W C.

W C.

W C.

YC C WC . W C. W C . ( pp )

S

(Bgo.)

]

$

.C

C

pp

C C C

Q

R

Q

Q

Q [ Boop• Beep• Bop ] (dancing)

ì.

ì.

R

ì.

pp

Q

R S C.

C. Y C. pp ( )

Y .C

C. Y .C ( pp )

Y C. Q

Y .C S

S

S

.C S

.C

Y C. S

C.

Y .C

C.

Y .C

Y C. Q

C.

C.

Q

Q

S >. C

ì.

>.

( pp )

S

ì poco

R

S S

S

ì.

ì. R

C

delicato

R

S

g

.C

.C

C > C. T C C. T >

.ìÃ

R

Q

ì.

R

S

$

S

R

S

R W C. ( pp )

W C.

W C. ( pp )

W C.

>. C

. C> C. T C> C S

C

S

S C

g

.C>

C.

Y .C

R R

Y C. R

W .C W C.

W C.

W C.

W .C

.C

S .C

.C

S . XC X .C

S

Y .C

S

.C S

Y C.

S

(Y) C.

Y .C Y C. R

Y .C

R R

S

C C

S

S

S

Y .C pp S

Y .C

R

C. S

Y C. S Y .C S

Y .C

S

Y C.

Y .C

.C S

R

.C S

W .C

W .C R

C. S

W .C

W .C R

S

ì.

S

W C.

W .C .ì ì. R

.C .C .C>

.C

C C C C S > sfz

S

Y C. W C.

C.

Q S

.ì S

Y C. S

.C

R

W C.

.C

X C.

Y C.

C. R

S

S

Y C.

W C.

g

Y C.

R

ì. C

S

S

Y C. .C

(Y) .C

W .C

R

R

X .C

S

Q

S

ì.

( pp )

C C C C

Eng. Hn.

S . YC

W C.

ì.

S

C.

p

C.

C.

Y .C S

Y C.

ì.

. C C C

C C C C C C C C

Q

.C

. C C C S

C C

Q

.ì R S

C C C

S

W C.

R C

.C

R

.ì S

C C C

R Y .C

Y C. R

.C

S

Q

Y .C

>.ì

S

[ take Eng. Hn. ]

Y C.

ì. g

( pp )

R

W C. W .C ( pp ) .ì S

.C g

R

.C

.C

S

Y .C

R

R C

.C

Q

R

ì.

Q

quasi-solo: playfully

n

R

Y .C R

S

S

S

X .C

C.

Y C.

R

Q

S

R

Y C.

Q

Q

Q

Q

Q

R

.C

.C

.C

Q

S

$

R

Y .C S

S

C.

TBLS. (w. wood) g

S

S

C.

S

À ì>

à ì.

S

C.

S R

ì

C.

C.

(Drum Sticks)

Perc. 4

C. C. C. C.

W C. W C. W .C W C. Q

See Conductor's note no.2 on pg. iii.

Y .C

( pp ) .C S

Q

À>

R

W .C

$

C. C.

Y C C W C W C. .

Q

Q Q

X .C S

R

R

W C.

] !

R

X .C

R

!

C.B. Clt.

Sop.

S

Q

Bs. Clt.

S Ãì

S

C.

.C

!

Clt. 3

S

.C pp S

S

Clt. 2

R

Q

mp ì.

Q Q

R

Q

S .C

Clt. 1

C.Bsn.

.ìÀ S

R !

C.

(w. hands) BGO.

Q

À ì.

E-flt. Clt.

S

( pp )

(open)

E.H.

S

[ take heavy drum sticks ]

Q

.C

.C

R

Ob. 1

Q

‘clack’ heavy drumsticks (w. raised arms.)

* [

R

C.

S

C X .C

.C

Y C.

R B R*

Q

Q

S

R

R

( pp )

36 Spiky

B B

S

C. Y C. Q

Q

X -B XB

Q

R

C- W C W C X C C W C X C. Q S

S

A

R

R

Q

A

S

C W C C W C W .C X .C .C Y C

Q

Y -B YB ( mp )

Q

C.

pp ) Q

Q

A

.C

.ìà .ìÃ

crow (closed palm)

(V.)

Perc. 5

Perc. 5

Q

Q

R

Q

Q

Q

A

] !

Q

Q

Q

! Sop.

C.>

Q

31

[

Y C.

Q

8va

Cel.

C C C .

C.>

Q

Q

Q

X -A ! XA

C Y C X C.

Y >C. mp R

R

Q

C .C C Y C S X C C Y .C X C C Y C Y C Y C .C .C .C X C X .C W R WC

.C

R

Q

W C C C Y C. XC ( pp ) CYC C S C .C pp ( ) Q W .C

.C

36 Spiky

(slap key)

Q

R

!

X C- W C X .C

C Y C C.

Q

Q

Clt. 3

X .C

X C C C. S

Q

S

C

!

.C

Q

Q

-A

Clt. 2

C.Bsn.

S

YCXC

Q

E-flt. Clt.

S

n

. S YC YC C WC XC XC .

E.H.

31 . C W .C W C C C C C C ( pp ) .C Y C. Y C S . C C C. ( pp ) Q

S

"

"

ì ì

ì. R

W C.

S

S

.C

C C

> > C C C C C C C C sfz sfz

S

R


39

Q

S

!

Flt. 1

!

Flt. 2

S !

Picc.

!

S !

Ob. 2

E.H.

E-flt. Clt.

S

.C

Y .C

X .C

.C

.C

! Y .C

S

S

.C

. ! YC " W .C

S W .C

" S

Y .C

# Y .C S

!

C.B. Clt. Bsn. 1

Bsn. 2

C.Bsn.

]

X .C

poco

.C S

X .C

.C

Sop.

Perc. 1

[

ì

] !

ì ì

S sfz ì ì>

S

(TBLs.)

$ ]

C

C C

C>

C

-C Y C C W C X .C [ !

Flt. 1

R B !

Picc.

poco

C C

C

S

C Y C C W C X .C

!

Ob. 1

.C S

!

Ob. 2

!

E.H.

(

E-flt. Clt.

Y .C !

pp ) Q

W .C

S

S

S

S

Perc. 5

]

$

WC pp C

WC WC

S

Q

C X C Y .C

S

C pp R

Q

Q

W .C

pp

X C.

W .C S

Q

22 Q

22

.C

S

W C.

R

S

R

.C Q

Q

Q Q

Q

YC C XC WC XC S . .C S C WC C XC ( pp ) Q

with Pedal

[ to Glock. ]

Q

Q

XC C C WC

C.

( pp )

Q

Y C.

C- O S

C. C. S

Q Q

Q

S

R

.C YC C C WC .C YC C C WC

X .C

W .C S

T YC C YC

R

#

S

R

R

S

S WC C C .

Y .C . C YC WC

( pp )

YC C ( pp ) YC C

CWC C . XC WC C XC W C. Q

S

.C

W .C

Y .C S

.C

B

B

X .C

B

R

C

ì.

S

. YCYCYC

YC YC .C C C

Y .C

(ped.)

Q

Q

C C

WA WA

A Q

A

W -C C X C C W .C . W .C YC YC Y C S Y .C S R

XC C

Q R

Q

B

C> B

CO

C B h mfsfz > XB XB

R !

S

ì.

R dabba)

SD

S $

SC

Q

Q

Y .C

XC XCYC C

Q

X .C

Q

[ to SD ]

Q

S

W -C C X C C W C X C

(shabba- (

ì.

CYC

Y .C

B

S

X .C

R

Q

molto stacc.

X C C .C

X C C .C R

X .C

Q S

W .C

W .C

X .C

X .C C WC X C. C WC

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h

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R

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51

XC

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C YC C

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51

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45

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40

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62

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R #

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41

67

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strike drumsticks in air. (come prima)

$

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]

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Perc. 5

(

R

Tuning Barrel only

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Q

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[ take extra reed ]

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Q

67

[

Q

Q

Q

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Cel.

Q Q

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R

[ remove tuning barrel ]

R

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&

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[ to Temple Blocks ]

Q Q

$

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Q .C

( pp ) Q

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S

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C C C

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Hn. / Clar. 3º: Crow with reed/mpc. only * Eng. À = open à = covered with palm.

( pp )

R

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42

77

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S

$

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$

S C

g

]

$

Q

Q

C

sim.

0

S

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pp

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ì ì S

ì ì

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mp> .ì S ì ì ì ì .>

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C. T C C. T C C. C. .> .>

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[ to mounted Tambourine ]

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S

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g

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>

S

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S

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g

WW's / Sop. - A descending "quasi" - glissando: mockingly, out of tune.

Q

.C>

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>

C C C

S

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C C

C

g

>

C C

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C.

Q

32

C YC YC

Q

(BGOS.) Perc. 5

YC

Q

(TBL.) Perc. 4

C

Q

S

(dr. sticks)

C.

Q

[ imitate bongos ]

[

.C Y .C Y C.

Q !

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gl. sim.

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R

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C YC

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.C

gl. sim.

C

C. Y .C

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C

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sim.

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W .C

(

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Y .C

à ì. S

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R

Q

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Q

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S

Q

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S

C.

S

S

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( pp )

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R

ì S

R

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S

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C. .Ã

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S

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S R

Q

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W .C R

Q

Q

W .C R

Q

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Q

Q

!

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Q

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Q C.

S

B _ pp

32 23

32


43

82

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32 !

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Y C. Y .C

C.

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S R

R

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22

pp

86

X C C C W C .C S

Q

Q

Q

Q

C.

S

Q

Q

Q

Q

Q

Q

Q

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Q

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R

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32

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Q

Q

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Y .C S C. Y C X C X C. Y C Y C C Y C. X C C W C. X .C S C ord. R R S T Cg pp Q

Q

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R

S

C. C. .C Yn.C

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n

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C. .ì

Q

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R

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!

n

S

R

R

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Q C. Y .C

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.C Y .C

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X C C C W C .C S .C ord. .C R ( pp ) Q

pp

n

Q

n

R 82

Cel.

# Sop.

[

Perc. 1

[

n

$ $ ]

$

32

S

ì. ì. ì. ì. ì . R

B _

S

B

Q

#

C C pp C C

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22

S

Q S

R

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C.

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X C X C W .C

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C.

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C C

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Q

Q

Q

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Q

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ì ì ì ì

[ to Temple Blocks ] (hy)

[ to Wood Blocks ]

C C Y .C .C Y C C. Y C.

R XC

R

X .C S

R

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32 3 2

Q

22

R

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pp (boo-dup?) T ì> ì. ì> 2 2 R

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very slowly draw back - to - - - on rim (come prima)

B

T

86

Q

B

YC YC

C X C W .C .C W C WC

C Y C X .C

Q

B

> C

X C W C W .C Y C Y C .C X C .C T C C C. Y C X C Y C. C X C. C ( pp ) C C T C X C. W C Y C C . . . .C R R XC C

C. Y .C

Q

C C C C B _

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(ord.)

Q

S R YC C C W C X .C S C C. W C. C. pp. R S C. C Y C X C. C X XC C CWC C S R S . Q S C C C pp .

Y C. Y C.

C. S

Q

2 2

R

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pp

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S

SD

R

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R

Q

22

Q

3 ] ! 2

Perc. 4

Perc. 5

Q

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!

S

S

[ replace tuning barrel ]

n

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R

R

Q

3 2

Q

22


44

22 !

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Q

Q

Q

Q Q

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Q

Q

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R

S

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E.H.

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!

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!

S

T C. X C .C T C

!

S

T C T T C. C C. T T C C. C C. C C. T R C C. C

T T C C C. C C. C .

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# Q

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Y C Y .C

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( pp )

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!

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C.B. Clt.

!

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(

ì.

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C

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YC Q

[ to Pno. ]

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X C.

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( pp )

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(sh)

(V.)

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stacc.

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WA

C C ( pp )

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senza ped.

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[ to Gong ]

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C

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]

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slow scrape w. metal

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( pp )

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( pp )

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S CWC WC C W C W C C. pp ( ) R S WC C W C X .C X C W C C. C ( pp ) R Q C W C W C. pp ( ) Q Q

R

R

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attacca No. 5

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Clt. 1

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(non stacc.)

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g

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beaters) V.

R

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(w. light

22

W C C X C W C W .C

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‘squeeky’

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92

( pp )

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BS> B ( pp ) (scrape w. coin) > B B S pp

g T C & C T h &

S

Q

S

(to gong)

Q attacca No. 5


DUR. - ca. 4:00

45

• In memoriam : VINCENT PERSICHETTI•

5. CANTICLE Molto placido[

[

Q

44 !

Flute 1

Flute 2 (Alto Flute in G)

!

C = c. 58 ]

4

Q

Q

ALTO FLUTE

(in G)

Q R

S

T C

>

g

C-

g

BO

Q

!

Q

English Horn

!

E-flat Clarinet

mf espr.

Q

Q

solo MV (to ms. 13)

g T C

S

T >

C

g

C

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g

g

WC

CO

chanting

g

Cf C

Q

T

T mf

g

C-

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!

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!

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Flute 3

!

Oboes 1, 2

Clarient 3

Bass Clarinet

sempre sim.

!

Contrabass Clarinet

Bmp ! #

Bassoon 2

#

A mpBmp

Bassoon 1

p

C T p g T C p g T C p

B mp-

]

p g

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Contrabassoon

B

Alto Saxophone

!

Tenor Saxophone

!

Baritone Saxophone

S

Trumpet 1 (Flügelhorn in B

S

B- O

R

S R

S R

S

B- O

S

B B

C-

A C-

B C-

B C-

B

S g C

T g T

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C C

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S

S

g T

BO

C

C

BO C

C

BO R

S

S

g T R

C p C p

B pp R

BO

S

g T

B pp R

BO

B pp

4

C = c. 58 ]

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q Q

Q

Q

Q

Q

C = c. 58 ] FLGLHN. R S

(in felt hat) soli: under Al. Flt. g C

4

T WC BO h mp espr.

h

C

T Cg W C h S

-

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C

chanting

C h mf

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C

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Q

Q

Q

Q

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!

Q

Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

Q

Bass Trombone

# Q

Q

Q

Q

Q

Q

Euphonium

# Q

Q

Q

Q

Q

Q

Tuba

# Q

Q

Q

Q

Q

Q

Double Bass

#

!

Horns 2, 4 Trombones 1, 2

]

44 #

44

Piano

# [

Soprano (seated vocalise)

[ !

Percussion 1

Percussion 2

#

Percussion 3

$

Percussion 4

$

44

Percussion 5

$

Percussion 6

$

p(

BB

S B

l.v. sempre

C

>

C

(

p

CC

BB OO BO

CC

C

>

BB Q

Q

Q

S

Q

Q

S

BD (sb)

R

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sim. (

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_

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n

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Q (

Q

Q

C>

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R

)

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R

Q

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R

C-C C

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B

4

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sim.

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B

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g

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C

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)

)

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sim.

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lg. Tam-Tam

]

BB OO BO

g

CC C-

Q

Q A>

A

Q

Q

l.v. sempre

(lg. beater)

S

CC-

C = c. 58 ] S

(lg.) G (sb)

A>

S

Ì

]

44

BB

Q

very soft yarn

YYA A A A A -A mp

g T C

B

Q Molto placido [

Timpani

B

S sim. BB OO B- O S BO B-B OO

8ba

tune:

[ #

B- O

p

4 4

] !

sim.

S

A mpAA Amp lourd AA d A-

Q

-C

Q

Horns 1, 3

Q

T W -C C mph

T

Q

!

Q

T

Q

Trumpets 2, 3

C

p

Q

Q

44 !

∫)

C

sempre sim.

S

Molto placido[

[

B

B- O

C-

g T

B- O

sempre sim.

sempre sim.

S

g T C

B

C

Q

Q

! ]

S

S

Q

44 !

B- O

sempre sim.

S

Molto placido [

[

Soprano Saxophone

S

Q

C

_

BB _ p

S S

Q

MBA (sy)

Q

_

CC _

_

BB _

BO __ B O p

S

B> O

_

CC _ C

Q Q

Q R

_ C

__ C

B> O

A g T C ( > ) mp A

C

_

C_

_ C ppp

R

_

S Q

C_ pp

gl.

_


46

9

[

Q

Q

!

Flt. 1

TU S

Flt. 2 Alt. Flt. (G)

!

Flt. 3

!

Q

C C C- Cff Q

Obs. 1, 2

!

Q

R

!

Q !

Q

Clt. 1

!

Q

Clt. 2

!

Amp

BO C

Clt. 3

!

A mp-

BO C

E.H.

C

E-flt. Clt.

Bs. Clt.

!

C.B. Clt.

! #

Bsn. 1

#

Bsn. 2

C

]

FLUTE

à2

S

R

YA mpY -A mp

C

molto legato

CO

C WC

Q

g T Q

T

T C

h

g T S

R

T

g T S R

T

C C

pp

T

BO

X C- O

BO

C

X -C O T -C O

BO C

sim.

B

C B

X -C O

Q

B C

g T R

g T R

Q S

BO

mp g T

Q Q

! !

Q

Ten. Sax.

!

Q

Q

Bar. Sax.

] !

Q Q

S

BO

C T S ph g C T S p

Y Bmp

B

pp YC mp

S

Tpt. 1 (Flghn.)

C

Q

Hns. 1, 3

! #

#

Q

YYY

AA A-

[

Q

R [ 25": D ∫

_

BB OO mp (MBA) # YY AA _ mf _

CC

T

$

C- > O mp

(G.)

$

Perc. 4

Perc. 5

A> (BD) mp g T S $ >mpC (Tam)

]

$

Amp>

__

Ì

(non trem.) 3

Dπ ] 3

CC C C C C C

YY_ BB OO mp _

(lo/med.) G. (sb) (lo) Perc. 3

Q

2 4 T

R

24

T CC OOO Cmf T X C OO X X CC O -

mp 3 Q

g T C pp B

BB OO BO

34

Q

C

44

C O TU S h pp

4 4 R

44

BB OO BO

43 Q

3 4

Q

S Q

>TU C C mp

B

44 Q

4 4 Q

BB

l.v. sempre

ph Q

B

CC

T X -C O _ p

T

24

C- C C C mf T X X CC OO __ mf Q

Q R

T

[ 25": D

34

T

C- O

F]

__

__

BB OO mp BB OO (med.)

(lo)

S

44

__

BB OO

B __ B pp !

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CC

R Q

R

__

B-

n

Q

Q C X -C O h

BO mf S S

T

g C T S p

-C C h mp

C C

h

-C C

TU S

g C O

TU S

C mp

g C B mp T -C C h C C mp mfS T X -C C h mf Q

S

CO

S

S S

Q

Q

C C

Q C X -C O

C

34

h

B mf

C

(Play only in absence of voice)

Q

g T C B p (Q ) C T S C hp B S p

BO g T S C pp C

X -A

XX X

loco

AA Ad

43 Q

g _ _ 13 R T C _ gl. X -B pp mp C C -C -C C S h h d mp g T _ B __ CC B A A- A -> > ( ) ( ) mp mf Q Q

B pp Q

p C Q

C

h p

Ì

C-

Q

A-

C Q

C C C

T CO p mf

C C B p molto legato g C B T

g C YCO

C

Oo

Ì

Q

Ì

Q

B]

C

C YCO YCO h

C B OC C C C C poco cresc. Ì

CC C Q

p

S

Q S S

Q

B( > ) mp

S

C

A __

C T S

B

Q

g

cue:

34

mf

( mf )

T

3 4 [ 28" A C C

g -O C YC

Q

Q

34

mf

]

34

Q

3 4

f

Q B-

Q BO

R

pp _ BB _ p

R

BO

p Q

(28")

S

C-

C> p

Q Q

Q

C- O

pp

Ì

h

p

C T S R h p mpg 1º S T C C XC C Q

Q

R

Q

13

mp [ T YY CC OO Y C- O B

g C T

Q

A AA A

BB B-

Q

Q

WA mp

< T YCO pp B

C W -C h

Q

Y YY

Q

B pC

Q

Q R

C W -C

h

C C C -C B mf Q

Y -B mf

Q

B p-

WB

T Cg B

Q

C mp

BO

BO pp

13

C C C -C B mf

TU C C mp S

Q

C C WC

3 4

X C- O mf

2 4

Q

-_

!

Perc. 2

R

g C T B

B p

BO

Q

9

[ # (25") __ YY BB ] mp(V.)

p

34

24

Q

] !

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pp Q

8ba

[

Q

Q

Q

B

24

S

Y A-

Pno.

C WC

Q

AA

#

Timp.

Q

Q

C C

h mf

X Amf

C p S

-C C

X -A mf

T YCO mp R pp

R

9

-C

BO

Y Amf

]

Sop.

Q

Q

44

Q

C CWC mf

C C TU S W C

!

Dbl. Bass

34 Q

C C

Bmp

pp S

BO

-C C mph Q

BO pp S

pp

[

S

chanting

Q

24

Q

Alt. Sax.

h

Q

B mp-

Y Bmp

C W -C

C pp S

R B

g T C Y Bmp Y -B mp R

g C XC

C pp

R

C

C T h

-C O

chanting

S

chanting

B mp

Q

Q

Q

R

Q

Q

34 C

Q

pp

Q B

g ord. C T B p

g C T S C

C

C T R h

Q (non-solo)

3

C

B pp S S

C

C C C C- B

C C C C C C C C C B S

-B O

S

g T S

C

T U C- C >

Q

mf

C C

C C B

Q

sim.

g T

C C C C C C

3

mf

WC h

g T

44

C C C C C C C C C C

Q

R

BO

C

C

C C C C C C ,3 -C C ( Y) C C f

C C pp C C C CO h C

C

g T S

C

CO mf

g

34

Q

p

Q

BO

C

p

S

Y Amp

C

24

13

3

9

[

Sop. Sax.

Perc. 6

C

Q

Y -A mp Y Amp #

C.Bsn.

C C

molto legato

T g C pp S

R

T g C C mp Q

Q

Q Q

Q

[ to SC ]


47 [

T g CYCYC C p Y CYC C YBO

Q

Q

!

Flt. 1

! YC YCO

Flt. 2 Alt. Flt. (G)

-B C

h

mf S

! !

Q

Q

!

Q

Q

Q

!

Q Q

Q

Ob. 1

Ob. 2

E.H.

S

E-flt. Clt.

!

Clt. 1

!

Q

p

C C B

Clt. 3

!

S

C.B. Clt.

Bsn. 1

S Q ,

BO pp , mp BO pp mp

BO p

T

CO mp sim. -C C C C C ! T h ! C T S T C h hp mf # Q

Bs. Clt.

S

BO p BO BO

Q

YB pp mp Q

# Q

Q

S

C.Bsn.

# Q

Q

S

B !

Alt. Sax.

!

C

Ten. Sax.

!

S

Bar. Sax.

S

p

! [

C B

!

p

(1º) Hns. 1, 3

! B S

Hns. 2, 4

Q

à2

!

(3º) Y B pp

S

(0)

à2

C

C

-C mp

# Q

Bs. Trb.

# Q

Euph.

# Q

Q

Tuba

# Q

Q

Dbl. Bass

#

S S

-=

S

# Q

Pno.

T Yh C mf

S

T g (Ped.) Y C -

] ! YC

[

CO

C C B-

C !

CYC C

YC

g

3

f f XC

WC

3

3

C

BO

C

poco a poco

BO YC YC mf T g Y Cmf

B

C B

C p

CO

X Cmf S

p

g p g

YC

g g YC YC C

pp

Q T T

R

T

CO p g C T S p

Y Bmf

$ (G.)

B

T C-

g

(Mba.)

Q

l.v.

BO

_ BB _ OO mp

$

Q

Q

Q

Perc. 5

$

Q

Q

Q

Perc. 6

$

Q

Q

Q

Q

(Tam)

Q

Q

Q

Q

g C T p

X B( > ) mf Q

T

_ YY _ AA mf __ YY BB mf

__

WCO p

B

R

g C pg C p g C p g C p

B YB YB mp Q

T

Q Q X -B

C h T p

T

T

T

B

mf espr. -C O C h mf espr. B

22 Più mosso [

S

Q

C

mf espr. -C O

R

YC B p mp Y B O Y C C YC > mp R YB

B

-C O

chanting

C

h

mf espr. C T R

h

h

Q

T YCO pp S T Cg B mf g CO C B mf

g C T p g S TYC p 22 Più mosso[ C = c. 66 ] Q Q

p C T S h

0

BB OO mp> W BB OO

Q

BB g CC T S

ph Q

CC T S

ph

R

h pp

YB

R

g

CYC CYC

T Y CÃ > O TYCO mp poco sfz Q R

Q

Q

T C O TU h

R

Q

X C-

-C

C = c. 66 ] -C -C O C B T h h TU h

BO g C T S mf

Q

gl.

-C h T S -C h T S

C h

T g C- B O A p mf S C S BO - Y -C B mf p S BO T T CO CO p mf ppR T T B CO CO p pp Y -C C Y C CYCYC T h T g Y -C C Y C- B mp g TU R S Y CC mp Y C C O - Y C B B C S R T Yh C C p mf B C C S R T Yh C Y C p mf Q Q

Q

Q Q

Q

Q Q

Q

C T

Q

Q

Q

S

#

T Yh C B mp Q

Q

Q Q

Q

Q

Q

Q

p poss. R

Q

B pp

__ S

(lg.) SC (sy)

__ B pp Amp>

[ 23": G ∫

l.v.

YA X -A (28") > mf_ _ YY AA f __ YY AA f R

__

_ Y BB _ Q

_ B _O pp

R

Q R

-C O

Q

Ì

R

S

Q

R

Ì

(30")

(change to Picc.)

Q

X -B

44 44

Q

S

gl. gl.

C = c. 66 ]

Q

T

3 g T Y C- C A C W C X Cp molto mf mp g 3 p p YC BB O C T SC Y BB Y CC Y CC Y - C ph T molto p mf à p g (0) 0 Ãg C B C OC W C W C W C C X C C YC Y C XB WC gl. C T C 3 mf g 0 C CC T YY BB OO YY AA C p h g C YY C C OO BB YB C YC XC C W C X B B mf p h -g mp g T T WC B C XC WBO C -> mp p mf -C Y C XC Y C C XC B C Y S XC h h 3 mp mf T g g T WC BO p C p f X >B- O g T <C gl. W C B T 44 O X B C h -> p mf f T WA W WW BBB f [ ] mf Y C C OO W Y C O W AAA T C O YY CC BB O XW - AA YC BO h f dim. A B O ,UYC C W C X -C C 44 h T 3

44

_ BB _ OO

gl.

C Y -C B O C T h molto p C Y C- X C WC WB C molto YC B C YCO h gmolto f YC CO C YB molto f B T Xh C W C X C Y C YC mf g T C Y -B O f g p X BC T S mf g T S X C W BC mf WC g X BC WCO mf >

3

C WC C

Ah

Ì

Q

BB _ p

Q

(G.)

]

g

"

YC YCYC

_

S

(ped.)

!

Perc. 4

YC YC h C

Q

(V.)

Perc. 3

T

Q

Oh

Q !

Perc. 2

CC

Ãg

Q

, mf (cresc.) YC CO

C

CWC C WC C WC C C WC mp molto p CO C- W C C WCWC mph p S C T B h p molto C WC B S p molto

19 accelerando poco a poco

]

Perc. 1

C

Y -B<

Ì

[ #

Timp.

g C

CO

(Oo)

CC Y CC

Q

C CYC C C

S

f-

Q

44

Ã

gl.

WC

S p

molto

19 accelerando poco a poco

Q

(cresc.)

[

Sop.

XC

pp CC Ì

BO

sim.

#

C

YBO > p mp à à (0) gl. C Y >C B T pp Q Y C C Y CC S T pph h S YC Y Bpp

Trbs. 1, 2

]

C

Ì

T CO p

S

44 C

mp Y -C mp

3

accelerando

19

C C

XB mp

Q

S

WC mp-

Q

S

Q

Tpts. 2, 3

C

T

g

Q

!

WC WC WB

B

WC

g f T C p X -C

T WC B mph

X C YC p

YC p

3

BO

S

CO

p

Q

Q

22 Più mosso[

WC

3

g mp

T YC mf C

S

C YC

p

(play) C WC T CO h mp( S ) p C S C

CO ( Q ) B

C C T C C h mp

]

Tpt. 1 (Flghn.)

S

p

Ì

Sop. Sax.

[

-C Y C Y C C Y YC mf Y CYB f C Y -C Y -C Y C mf C Y -C Y -C C mf S WC WB p T Y C Y -C C h mf

f YC T g C XC YC mp C- f YC YC C YC C Y C Y C3 f YA mf Y Amf C Y C C YC S

T g C C YC mp

,

Bsn. 2

]

p

Q

pp

!

C

S

Q

BO

Clt. 2

C

44

C

YC

YC

Q

Flt. 3

19 accelerando pocoX -C a poco BO

Ì

A∫]

Q

B- O mp>

C

> mp

g

-B mf

CO

_ YY _ AA mp S

Q [ 28": B (V.)

Q mp

22 Più mosso [

R

YY BB

__

Ì

mp

C = c. 66 ]

B∫]

CO R

C

g

[ 30": F ∏

Q E]

Ì

C

BO C Q

p Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

#

C C BB > > pp (echo) Q

l.v.

[ to Chimes ]

[ to Glock. ]


48

Q Q

!

Flt. 1

!

E.H.

! h

-C O

TU Yh C O TU C C C

E-flt. Clt.

!

BO mp

C p

!

BO mp

Clt. 2

!

Clt. 3

Bs. Clt.

!

C.B. Clt.

!

C

g

T T

Y -C p

YC

# Q

WBO pp

h

Y -C O -C Y C C UT h T U

!

Ten. Sax.

!

Bar. Sax.

] !

g C T pg C T p

S

C

YC - YC mp C

YC

Y Cmp

g U YC O T g pp Y C O TU pp

Q

C

C

YC C

34

h T mf

mp Q Q

!

Q

!

Q

Q

Ã

(Y) C

Hns. 1, 3

! (Y) C

Hns. 2, 4

!

T Y ÃC TY C h CC

Ã

sim.

T Y(0)CTY C h mp

#

Dbl. Bass

#

C

YC

B

C

C

B

C

YC

YC

C

T

S

CC T

S

h

= T C- O

Q

Q

Q

Q

Q

YC YB g p X CC T YB p mp C T YC C WC h mp B

S

Y -C

B mf Q

44

BO

C

24

C h T mp

Q

(V.)

!

YC YC

#

C C C C C C Ì

T CC OO __ mp

R

Q $

Perc. 3

CYC B

YC YC

Q Q

Q

-> YY BB __ mf

*

COND. : See performance note 3; pg. iv. All humming notated @ CONCERT PITCH; stagger breathing, choose either pitch (if two are given.)

C

C-

C

YC

C

p

44

Q * vocal Hum O YY ÇÇ O mp à S Y B S Y B> mp

Q ÇÇ T

34

B B

vocal Hum

YY ÇÇ mp B pp

Q

Q S

S

Q

p

Q Q

g C T S p Q

24 Q

Y -B O mf Y -B O

34

Q C T S

ph B

S YC pp B

Q

34 Q

Q

BB

Q

g T CC T p

BB

Q

C T YB

Y -B YC YB YC mf tolling Q d Q cue: Ì

WB

WC

YC C

l.v.

X Cmp

4 4

YB mp

ÇÇ YC

YY CB

, B

mf Q

44 4 4

(23")

3 4[ 30": E

Q Ì

G ∏ (A ∫ ) ]

4 4

h

C T YC

2 4

C W Cmf

YA YA

Q

WA

C

2 4 Q

2 4

*

YB __ pp

C Q

YB YB

Q WB

vocal Hum

mp mm

sub.

Ì

3 4

Ç

2 4

__

h BB

C T C

p

Q

CHIMES

Q

!

34

Q

44

[ take bow ]

__

CC

(as solo) (hh)

YB YB mf d

YY _ BB _ mp sempre

Q

YC YC

Q __

BB

YA YA

S XW CC __

Q

24

Q __

W CB X C __ _ Y >B

* vocal Hum ! YÇ (pitch cue) mp Ì

p

3 4

S * vocal Hum S YÇ YÇ mp ÇÇ OO S YY BC C S mp -

(as solo)

CO YC YC h mp molto legato

Q

2 4 Q

Y -B O YBO

Hum

3 4

S

3 4

ÇO

34

Q

as solo

Q

BO p

rit.

(to ms. 41)

Ç

B C

34 Q

Y -B O

Q

B S

BO mp

24

O YY ÇÇ O

ÇÇ

(0)

Q

31

Q

(0)

B pp Q

C

mf S Q

S Y C OY C Y BB

YY ÇÇ mp

31

Q

24

YY ÇÇ mp

Q

S

C

< C

24 2 4

Ç

2 4

__

pp

24

S

<

S

Y Cmf Q Q

Y B> O ÇO

YB S

YB YB S

W C ( Y C )X C- O

Ç

34

WC

g

ÇO

3 4

arco

S

Y Bmf

31

Q W BB OO

3 4

WC C

3 4

34

Q

mf (opt.: 1/2 closed)

XC

YB C mp espr. molto

) gl.

Q

bowed Vib.

BO BO

Q $

vocal Hum

YC

BO

rit.

mp

Q

26

(ped.) (Mba.) Perc. 2

3 4

Q

X_ B O _ pp

*S

C

rit.

h

3 4

Q

]

3 4

C mp

Q

S

vocal Hum

*S

(

WBO

#

(25")

Q

g

WC

*S

Cp

B

C-

solo

Q

Q

Q

[ #

Q

BO

mp C XC

Q

Q

Q

] !

S Q

Q

[

]

BB

C

!

Pno.

Perc. 1

h

S

C

Q

Q

(Y) B p

34

Y -C p

CO

YC

Q

Q

Q

34

ÃC

Q

]

[

à Y >B YB p

Q

Tuba

S

Q

solo

Euph.

Timp.

T

( > ) C T TT (Y) - C C T (Y) C h mph p

#

Sop.

CO CO

Q

Q

Q R

C C

26

C-

Q

Tpts. 2, 3

Q

Q

Q

26

[

Tpt. 1 (Flghn.)

Q

Q

g C T YB p C T YB h p C

C

R

S

C C

WC pp

B

C T S h p

(Y) B mp

Alt. Sax.

C

Q

C.Bsn.

!

Q

24 Q

3

C

YBO

R

C- O

C

C C

YBO

Q

[

Q

34 Q

24

Q

Y C- Y C C C C p

#

Sop. Sax.

Q

31 NV

3

Bsn. 2

]

Q

44

Q T

X -C O p mp S T X C- O mp p Q

(Y) C #

C p T

(Y) B

Bsn. 1

g

g C p

BO mp

-C T hmf

B mp

Q

34

Q Q

Obs. 1, 2

Perc. 5

rit.

26

[

B>

(

Y C-

)

S

Q Y B>

ÇO

<

S

Ì

(dim.)


49 molto rit.

[

YC

XC

!

Flt. 1

B

YC YC C

Flt. 2 Alt. Flt. (G)

!

Q

Q

Picc.

!

Q Q

44

C CO h

C = c. 58 ) C C S mp espr. Q S C YC mp espr. Piccolo C C Q S mp espr.

pp

T

Q Q

!

E.H.

!

O (Y)(Y) ÇÇ O

ÇÇ OO ÇÇ

ÇÇ

ÇÇ

E-flt. Clt.

!

O (Y)(Y) ÇÇ O

ÇÇ OO

ÇÇ

ÇÇ

ÇÇ

Clt. 1

!

ÇÇ

ÇÇ

Clts. 2, 3

YY ÇÇ mp

!

YY ÇÇ mp

ÇÇ

(hum)

(hum)

Ç

* Q

(à2)

B

vocal Hum

n

Q

Bs. Clt.

Q

!

Q

Q Q

Q

# Q

Q

Q

# Q

Q

Q

R

!

C.B. Clt.

Bsns. 1, 2 C.Bsn.

S *

BO

Ç

vocal Hum

]

R

Sop. Sax.

Q !

vocal Hum

C T S* YÇO hn mp BO B !

Ten. Sax.

!

S

n

!

g T S C pp

WC

] [

Tpt. 1 (Flghn.)

S

C

Alt. Sax.

Bar. Sax.

T C YC C ph

Q molto rit.

Q !

Q

(hum) Tpts. 2, 3

!

Hns. 1, 3

!

O (Y)(Y) ÇÇ O

ÇÇ OO

(hum)

(Y) Ç O (Y) Ç O

Ç OO Ç Q

Hns. 2, 4

S

!

R

Trbs. 1, 2

#

pp S XB Q

Bs. Trb.

# S

C pp

Euph.

Tuba

#

XB #

#

Dbl. Bass

]

Ç YC pp

C YC YC YC

YC YC

C CO

YC

Q Q

[

] !

Sop.

Q

XC B

molto rit.

[ #(hum)(Y) Ç O ] ( mp )

Timp.

[

ÇO

!

Perc. 2

(Y) B O vocal Hum YÇO # (

ÇO

(CH)

Q

!

Perc. 3

Y -B O mp

(GL.)

$

Perc. 4

! ]

$

(Y) Ç O ( mp )

Q

ÇO Q

C

C

Y -A mf

MV

Q

4 4

Q #

Q

h

, C CO

B mp

YBO mp BO

15ma

!

B

!

B Ç

44

ÇÇ

to

S

Ç

Ç

mp

Q

34

oo

Ì

Sax

S

p

B

C (mm)

g T B-

to

Ì

Q Q

Q (mm)

ÇÇ

ÇÇ

(mm)

Ç

ÇO BO

34

oo

Ì

Ì

to

ÇÇ

C

C C

Ì

oo

S

C Y C C-

ÇÇ OO

3 4 B C B C

S

C Y C -C B

34

B C

(loco)

S

Q 38

to

(mm)

Ì

oo

Ç B

3

C Y C CÇ

B

(mm)

C

to

Ç

Q

43 C

B S

g C T S pp BO BO

Ì

34

oo

Q

Q

Q

Ç

* !

T C C C mph h

S !

R

vocal Hum (mm)

YÇ mp

YC h

C C

YC C CO h h BD (sb) __ $ R B ppp h

S __

Ç

(mm)

C

Ç

T C CO h R Cmp Ì

Ç

h

C

44 4 4

Q ÇO

44

BO BO ÇO !

Q

soft mallets (celesta-like)

Q

4 4 S

BO

3 4

Q Ç

YC pp

Q

A

B

Ã

(à2)

ÇO

oo

ord.

YC

44

Q

ÇÇ OO

oo

TU S

ÇÇ OO

Q

BO

Q

44

Ì

S

Q

YC

(oo)

BO

to

Ç

(mm)

ÇÇ

R

C

Ì

ÇÇ OO

B

to

3

C

(oo)

C p

C

Q S

C = c. 58 ) Ç

Q

oo

Ì

Ì

C T S

S

Q

ÇÇ

YC

S

38

C C-

(V.) (my)

Q Ç

S

C

(ped.)

h

35 Tempo Iº (

Ç

to

3

p 8va XC

p

YB

C

XC

S

S

38

Sax

p YC

g T

C pp g T C pp Q

g CC TT pp Q

R

(free bow)

A

oo

BO BO

R

(mm)

S S

ÇÇ OO

YC YC

Ç

vocal Hum

g T * YÇ CC T S S Y Ç mp h vocal Hum g T Y Ç (mm) mp C vocal Hum YY ÇÇ (mm) S p mp S R C p

oo

Ì

S

C C TU S pp

C

ÇÇ

pp

C

A

3

BO

C

YC

Ç

g C T R pp

C

C

Ç

YC

C

A

* (mm) p YY ÇÇ

C

C

C

(mm)

C

C C

S

R

C C TU pp C C U C C TU T pp C C TU pp C

C

Ì

44

Q

ÇÇ OO

Ç

ÇÇ

Y -A mf Y YY Y A AAA f ten. YYY AAA f d

Ç Q

R

Q

ÇÇ

, ,

34 C

to

vocal Hum

C = c. 58 ) S C C mp espr.

ÇÇ mp B mp

à2

ÇÇ

YY A-A mp

C-

YB

Y Ap

(ped.)

Q

(hum)

Perc. 5

Q

[ take my ]

mp )

h

44

(V.) (bowed)

Perc. 1

Perc. 6

YC YC

YC XC

C = c. 58 ) C h T S p

R

ÇÇ

BO

Ç

pY B

C h T # YC , mp

44

Pno.

BO BO

Ç

sub.

-

XC

YB

4 4

Q #

O Y BB

CYC YC Q

YY AA p A

Ç

YB p

B

YC

Q !

B

B

C-

B

Hns.

R

S

YC

BO

g T S

to

,

(stagger breathing)

à2

C

A

Q

Clt.

(mm)

YC p

35 Tempo Iº (

Eng.Hn.

(mm)

Ç

ÇÇ

OBS.

ÇÇ

BO

R

C T -B h mf -B S B S mf BS mf S Bmf

B

3

A

C T S C

Q

Ç

Y C OY C T p

X -C

YC

B

Q

Ç

Q

44

C Y C CC Y C C-

C p

YB p

Ç

* vocal Hum YÇ mp vocal Hum * YÇ mp

YC

ÇÇ

CO C B h mp mf

YB C "

44

h

B

3 3

ÇÇ

35 Tempo Iº (

C CO

Ç S

S Q

molto rit.

[

S

h

Q

Ç Ç

Q

B

Q

Obs. 1, 2

Ç OO Ç

C Y C C-

YC

Q

(à2) (hum)

(Y) Ç O (Y) Ç O

38

35 Tempo Iº (

CO

BO Q

oo

ÇO

44


50 42 Meno mosso[

rit.

[

44 !

Flt. 1

-C Y C mp C- Y C mp -C Y C mp

Flt. 2 Alt. Flt. (G)

! !

Picc.

C

C

C

B C

C h

T

C

B

! !

Q

R

(sung)(oo)

!

Clt. 2

(Y)(Y) ÇÇ

(sung) (oo)

!

Clt. 3

Bs. Clt.

(Y)(Y) ÇÇ Q

! Q # Q # Q

Bsns. 1, 2 C.Bsn.

] [

44 !

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

rit.

(Y)(Y) ÇÇ

ÇÇ

(sung)(oo)

A mp A mp

C pp B

g T

rit.

[

Tpt. 1 (Flghn.)

44 !

Tpts. 2, 3

!

Hns. 1, 3

O (Y)(Y) ÇÇ O R

(Y) A (sung) (Y) Ç (oo) (Y) Ç #

Trbs. 1, 2

#

Euph.

#

Tuba

#

(sung) (oo)

Bs. Trb.

(sung) (oo)

44

]

(à2)

Pno.

!

S S

C C

(15)

B

C

BO

-C Y C B

C

BO C

B

(8)

Ì

rit.

Aπ ]

Ç

!

Perc. 2

44

R

S

MBA. (my)

R

!

Perc. 4

!

p S

(CH.)

Perc. 3

S

(30")

Q

__

C

__

dC

p cresc.

B __

cresc.

TIMP.

(BD)

$

Perc. 5

p

(sung) (oo)

!

f

#

S #

YB pp

__ _ _

__

gl.

B

B

__ B Q

(Y) Ç

B Q

C

B

R

>-

p

CO

S

X -B mp -A B _ f Y B- B OO mf

C h T mp

S Y C- C

54

B

g T

mf

C-

__

-C> mf

T

S T

S

T

S T

_

p

C C

port.

C p C

g T S

C mp

S

T

S

Ã

R

44

XC C

4 4 S l.v.

-C mp

C

B pp

-C>

CC

mp

Q mf

mp A (echo)

4 4 Q

44

Q Q B B OO

l.v.

Y -C C > Q

_

C_ mp-

g T

Q

dimin.

S

p Q

B

(free bow)

YC C >

S S

Q

Y -C h mf

Q S

TU R

Q

Q

S

f

S

poco

[ take bow ]

>C C

Q

T

mf

C_

C

S

B

BB

Q

A mp à A mp

44

Q S

44

Q

Q C p

CO mp

Q

C = c. 48 ] [2•3] _ 5 B __ Y C_ 4 pp

Q

Q

BO B

4

42 Meno mosso [

C mp

44 S

5 4

Ì

BO

S

A Y AAA f lourd A A-A ped. to extinction of sound > 8 p > g f molto espr. port. C B B 5 B

__ C mf lg. BD (hard heavy beater) 3 S T $ R C C C Cp sub. mf> Q

T

45

A-

f

__

__

(Gl.)

C YC

h

solo

TU B

Oo

CO

(free bow)

S

R

BB

TU R C mp

Q

T

>C

BO

Q

TU S

TU R

mf

Q

C

B

C

Q

g C p g C C p g CC CC pp g C C pp > CO CO YC p mf g C C pp

B

B XC

C

C

>C

Q

Q

Amf

< T Yh C Y C Y C mf

B

C

C

C pp

R

pp

C

mf

R

pp

54

gl.

Ì

YC C

B

TU R

TU R

mf

Q

C ( - ) mf C ( - ) mf

X Amf EUPH. Y -C S mf

>C C

mp

B pp S

C = c. 48 ] [2•3]

C = c. 48 ] [2•3] g C C CC mp g C C TT h g

Y AA mf

gl.

YC p

Ì

(V.)

!

gl. gl.

YC YC YC YC mp R

4

[

XC C B p T S TRBS. YB C T S p h YCO TRB. S S

S S

B

BO mp XBO mp

0

R

-C Y C

4 4

]

]

í

0

mf

C

CO mp T CO mp

S

p

54

Bmf X B B OO mf -

BO p

CO

Q

X Amp X Amp

Y CC CC

CC

ÇÇ

[ # (sung) [ (Y)23":Ç A 4

Perc. 1

íí

(Y)(Y) ÇÇ

(cue)

] !

pp Ã

h

R

C

Q T

p

42 Meno mosso [

S

T

S

R

42 Meno mosso[

C

>C

C

Q

TU S

p

TU R

mf Q

Q

X Amf Y AA mf Amf

p XC p

C p

YC

TPTS.

Ã

YB pp

(Y) Ç

(ped.)

[

Timp.

Ã

S

Q

44 !

Sop.

S

Q

#

Dbl. Bass

C

Ã

(à2)

!

BO

(sung)(oo)

!

Hns. 2, 4

C

Cmp

g T

C

C

C

pp

C

X Amf

Q

S

-C

C

R

C

Q

S

Q

S

mf

CO mp T

>C

C

44

mp

TU S

R

R

S

C

T

B

YC YC p

T Q

p

h

CO

TU S

C

X Amf

Q S

ÇÇ

] !

C

S

C

B

C YC

p

YC p

(Y)(Y) ÇÇ

T

C p

Amf B

R

(sung)(oo)

Sop. Sax.

Perc. 6

S

!

C.B. Clt.

C

h

C

h

h f

p Clar. S XBO mp Clar. S XC C mp R

C

C

54

C-

C

gl.

h

f

f

C = c. 48 ] -C [2•3] C h

mf C C gl.

B B

p

C h

mf B

solo

Q !

C

à2

S

A

mf

B f

C

gl.

Q

, B

à1

Clar.

Clt. 1

R

C h

f

S

p poss. R

E-flt. Clt.

g T C

Q

Obs. 1, 2

B

B

T C

h

B

R

C

g T S

__ B pp __ B pp


51 ancora rit.

[

.

!

Q Q

Q

Q

Q

Q

Flt. 2 Alt. Flt. (G)

!

Q

Q

Q

Q

Q

Q

Picc.

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Flt. 1

Q A

!

Ob. 1

A pp

mf A mf A !

Ob. 2

E.H.

!

E-flt. Clt.

!

Q

pp

mp

n

C

S

Q

R !

C-

XC C

C

CC C

C-

p !

Clt. 2

-C p S !

Clt. 3

Bs. Clt.

!

XC Cp C

C.B. Clt.

!

CC

C

C

CC C

C-

C

S

BO

Q

p

BO

BO

S

S

p (echo)

Q

tutti

Clt. 1

C

S

Q C

C CCC

C

CC-

C C

Q

Q Q

Q

p

#

Bsn. 2

# Q

Q

Q

# Q

Q

Q

C.Bsn.

]

C

CA

n

C

A

C

n

A

C

C pp

BO

S

R S

R S

R S

R

g T g T

n

g T

A pp

A

n

A pp BO pp

A

C

C

g T C

g T

C

ng

C

g T

n

Q

n

BO pp BO pp

.R

Q Q

Q

Q

T

Q

n

.

Q

Q

Q

Q

Q

Q !

Cpp B pp

B

ancora rit.

[

Sop. Sax.

C

Q

Bsn. 1

Q

C

C

S

g T

Alt. Sax.

!

Q

Q

Q

Q

Q

Q

Ten. Sax.

!

Q

Q

Q

Q

Q

Q

Bar. Sax.

] !

A p

Q

Q

Q

Q

[

A mf

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Tpt. 1 (Flghn.)

!

Tpts. 2, 3

(à2)

! B

Hns. 1, 3

!

(à2) Hns. 2, 4

!

Trbs. 1, 2

#

Bs. Trb.

#

Euph.

#

Tuba

#

Dbl. Bass

#

B

Q Ãg

à C

T

n

à C

Ãg

S

T

S

n

C

CYC

-C O

CO

mf

T p

Q

AA

CC

B- O p A

Q

A

C

g T

. S

R

n

(

Q

)

Q

Q

Q

Q

Q

#

(

Q

)

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

(oo)

S

]

(V.)

arco

YBO

BO ppp

<

(

B S p

!

! (Y) B B OO

>

)

B mf

l.v.

!

(BD)

$

Perc. 5

C> mp

__

(BD)

C

$

-C> mp

C

C YC l.v.

Y C- C > Q

Perc. 4

S

R

ancora rit.

[ #

Perc. 3

pp C T h

A

!

]

n

Q

(CH.)

Perc. 6

.

#

]

Perc. 1

n

A

AA

[

[

g T

ancora rit.

Q

h

Pno.

Timp.

C

Q

]

Sop.

BO

g T S

S

B

(

> C

B B OO BO pR

C-> sim.

C

S

R

S

AA

B

l.v.

S

S

>

Q

long

, < B

> B

S

?>

<B

B

S

senza dim.

B> p

(

Q

Q Q

Q g T

__

A> p __ A

(

R

.

( mf )

Q

-C>

, < B

Q

CS

, < B

S

Y C- C >

Gong (sb)

$ S

<

as solo

)

S

(non-trem.)

-C>

<

sim.

S

l.v.

BB OO mp

__

)

)

C

long

?

S

R S

R

A pp

n

C

g T

n

Q

long

Tam (sb)

? A pp

Q


52

6. SHINDIG

DUR. - ca. 3:30

Drammatico [

[

Flute 2

!

Piccolo

!

Oboes 1, 2

!

English Horn

!

E-flat Clarinet

!

Clarinet 1

!

Clarinets 2, 3

!

Bass Clarinet

!

Contrabass Clarinet

! #

Bassoons 1, 2

#

Contrabassoon

] [

Soprano Saxophone

!

Alto Saxophone

!

Tenor Saxophone

!

Baritone Saxophone

] ! [ !

Trumpet 1

Trumpets 2, 3

!

Horns 1, 3

!

Horns 2, 4

!

Trombones 1, 2

#

Bass Trombone

#

Euphonium

#

Tuba

# #

Double Bass

] !

Piano

# [ #

Timpani

]

Vivace ( tempo 1º) 6 [ C = 126 ~ 132 ]

BO

>C short , h T f > C h T f > C T h f >C T C T h fg C> T f C> T h f > C T h f g T CC T > f g T C > f g T C> fg CC T > f g T C> f

BO

54

24

44

54

24

44

54

24

4 4

54

24

Ì

[ $

Percussion 1

$

Percussion 2

!

Percussion 3

Percussion 4

$

Percussion 5

$

Percussion 6

Rit.

sub. accel. molto al

longer ?> Y ^C >C ( ? ) BO B C C C C [3•2] YC Q Q h T h T S fp ff p cresc. molto fp f ^ >C B C B> O C C O B Y C O WB C C Q Q h T h T S fp cresc. molto ff p fp f Y ^C >B O B C C > C C B O C > WBO YC Q Q BO C C TU h T h T S ff fp cresc. molto fp fp f p f >C T Y ^CC Y BB OO Y BB> OO Y BB BB U YBO T C O Q Q h T S W BB O CC CC T U X B O h T ff > fp cresc. molto fp p f f fp ^ >B O > CXC C C Y C W B C C U W B O T Q Q C XC h T S BO C C> T B O h ff fp cresc. molto p f fp ^C f fp W C C > > XBO > B C C O XC B YBO C T BO C C TU Q Q CWC h T S h ff fp fp fp cresc. molto f p f ^ >O C C >C Y B B C Y C . Y C W B O O C XC Q Q h T S WBO C C> T U B h T ff fp f cresc. molto fp p fp ^C > f >C T Y C C WY CC X C O W B B C X C BW B OO B C B O TU B O C C C T Q Q YC h T S CC CC T U B O W X BB OO h > > ff f fp fp cresc. molto p f fp > ^ O T g T S Q Q U C Y B O XBO C C> T B O W B B B h > X C p f fp fp f fp cresc. molto ff g T g T Q Q Q UT YBO C C> BO YBO C> Y B> O B C >C p fp f fp fp cresc. molto f g T g^ T S TU X B O Q Q BO B B O B Y C C T U T S W BB OO CC CC T X B O BO C> B>O B B YC > fp fp fp cresc. molto f ff p f ^g T S g T g T Q Q TU B O O O B C B B C C ff Y C > BO C C> fp > > fp f fp cresc. molto p f 6 Vivace [ C = 126 ~ 132 ] long longer sub. accel. molto al Y C >C ( tempo 1º ) ? ? , Rit. ( ) Drammatico [ C = 84 ~> 88 ] > short [3•2] > > WBO B C Y .C C C WC Q C T Q Q BO C T WBO h T S h ffsfz h fp cresc. molto fp f f fp> BO B C . X C C C W C X C> > > > Q BO C T T WC Q Q OB C h T S ffsfz h h cresc. molto fp f .C fp fp f X C> YBO B Y .C > > W C C g T YBO Q Q Q C T YC C h T S B> O C> ffsfz h fp cresc. molto fp f X >C fp f > . g T T Q g T W C Q Q C C h T S B> O C> W B> O C> WBO B W C- X C h ffsfz ff fp cresc. molto fp f f fp 6 Vivace [ C = 126 ~ 132 ] long sub. accel. molto al ?O X C> ( tempo 1º ) [3•2] Drammatico [ C = 84 ~ 88 ] > Rit. WB B B Q Q WBO C T Q Q h T S h ffsfz fp cresc. molto (take str. mute) f fp >Cg g> T C T S O B B B B B Q Q Q Q Y Y B B OO CC T YBO h h fp cresc. molto fp ffsfz (take str. mutes) f > g T >C T > à2 BO B C U Y C Y C C hC T S Q C T XY BB OO T C T Y .C Y B OO C C T U B OO C X C T XB C C> T B C> h ffsfz fp cresc. molto fh> p fp fg hg fg f U fp >X C à2 T O YBO B C T T CC T C T C Q XC C WC WC h T S C T XY BB O T YY BB OO CC CC T U X BB OO . C > h ffsfz fp > cresc. molto fp f> f p f > fp f> gl. CC T CC T Y BB OO Y BB OO BB CC Y >CC T CC T CC T CC T CC 1º -take harmon Q Y BB OO X Q T gl. T h T T h T T h h h h 2º take str. fp cresc. molto fp fg f fp mp f mute Q Q g T S Q Q BO B B XBO C T f fp Y C> take cup fp cresc. molto g XC C Q BO C T BO B C CWC WC Q Q BO C T h T S > h ff fp fp cresc. molto f fp f Q g T g T g T Y Cg T g T Y Cg T g T Q O C C C BO C B fp B cresc. molto B f Y C> molto fp f> > < ? g= T S BO C T Q BO C T 5 Q Q 44 24 Y C gl. h O 4 h B B C C cresc. molto fp fp fp f ^ l.v. sempre (do not release AA f A A A ? Y CCCC [3•2] W A AW AA until next D.B.) Y A Y AAA W A A A A Q Q ( Q ) W A AAA WW A A W AAA h T S Y AA X A fff f ff Y ^CC T S W AAA W AA A Y AAA Q Q ( Q ) W AA A Y CC W AA Ms. 1-4: Ad lib. X A X A A h ‘salon style’ argeggios up & down freely on beats 1 & 2 of each bar. XA d Vivace ( tempo 1º ) Drammatico [ C = 84 ~ 88 ] 6 [ C = 126 ~ 132 ] Rit. ? molto al sub. accel. ? [3•2] [ ] , g g > (my) _ > _ g T S _ _ Q T Q Q 44 tune BO C T 5 2 B_O C T B OO B C_ C Y C YX A A A A _ 4 4 > > X B B C C _ h pp > [ 30": E F] mf sfz p ff & f mf> p (p) f> ? ? , [ ] > > med. SC (sy) C C BO C T BO C T sm. SC _ B O Q T Q Q Q __ B ! __ __ h _ h h & p p [ to Vibraphone ] ( ) ff f pp p mf >C ? lg. ratchet R C T Q Q Q R S S C Q Q Q ! __ _ h pp [ to Marimba ] ff ? CH (hh) l.v. C C> S YBO S YBO S YBO T Q Q Q $ Y C> C X C A h & [ to Susp.Cym. ] mf f TAMB. (sticks) ^C B? O C Q Q Q T Q Q Q __ B __ __ h pp ff [ to Snare Drum ] p > > (lg.) SC (sy) ?B O Q Q C T B C C Q Q Q T __ B O _ _ _ _ h h _ _ p ff f T-T (sb) pp (p ) ?_ (Tam-Tam) g T __ __ Q Q Q Q Q Q _B O B C C> & pp [ to Temple Blocks ] ff

44 !

Flute 1

C = 84 ~ 88 ] BO C >C TU fp f > C C U XBO T f fp

long

]

$

44

54

24


53 10

[ !

Q Q

Q

Q

Q

Q

Q

Flt. 2

!

Q

Q

Q

Q

Q

Q

Q

E-flt. Clt.

!

Q

Q

Q

Q

Q

Q

Q

Flt. 1

.C .C . C C

.C

.C leggero -C O

.C . . C C C

.C

!

Clts. 2, 3

!

S

Bs. Clt.

!

Q

C.B. Clt.

!

Q

g T C. mf Q

T

Clt. 1

T

.C leggero-C O

S à2

g Y C. mf Q

] [

(à2)

Hns. 1, 3

T

!

(à2)

T

Hns. 2, 4

!

g C. T

g C. p g T g C. X C. p

# Y Cg T

Tuba

Dbl. Bass

C p

# ]

h mf

T

#

C.Bsn.

T

Q

#

Bsns. 1, 2

h mf

g T

-C O

.C .C .C

C- O

C.

C.

-C O

.C .C .C

C- O

Q g C.

g T C.

.g CC T h T mf. T g C.

CC .h

g T .C

g T C.

.g .g T Y CC T C C T T h T h T . . sim. g . C. T h C T .C h

.g

sim.

T

h

[ !

Flt. 1

!

Flt. 2

mf C. !

Picc.

E-flt. Clt.

Trb. 2

#

Bs. Trb.

#

g T C.

X -C O

>.g .g .g T T C C C YC T C T Yh C .> .h h. T Y Cg T X C -O .

.C

.C

CC h.

! Pno.

# ]

[ 23" : D

.g

T YC

T hC .

g T g T Y C. C.

g C.

.g

WC mp .C -C

h

.g

W CC .h

C-

C

.C X -B

XC C

CXC B . -

XC C S

-C C

Y CC CC

W X CC h

-

CC S

pp

C. T h > mp C C T h mf> C C h T mf > .g CC T CC T >h mf g T g C C C> mf sfz

g C T

S

.C Y .C .C

g

h mp

S

XC

p -

g

mp

Y .C C O h

C. X -B C

WC

T

24

Q

.C

Q

g T Y C. C. C

C. C

p BO

.g CC T .h p

T

Q

Q

Q

Q

C

g T C

g T

C h

T h

C

T Y Cg T

. C CYC C

C- O

.C

Y -C

C.

-C

-C O

C

XCO h

C

C YC C C

C

.C

C.

TU

X -C >

-C Y C

C h h

.C C

T

Q

h

C

Q

T YC h

.C

h

T C

B mf T T C

CC

->

YC C .h

> mfsfz

.g

Bmf

p

C. .C Y .C

.C

f Y -C O

C C

mf -C O molto legato

C

.C .C . YC

f

T h

C.C

T

.C

Q

YC h

h mp

C h

Q C- O

C CYC XC C C Y C .C >-

C YC C C C C . YC

> Y -C X C C C .C h p -C O

-C O

T

C.

C. C

-C O

sfzp

WC

C

mf

.C Y .C Y -C C

C.

CYC

Q

>. . . T CC CC Y C CC h sfz> .C .C .C T YC C C h Q

S

>. . Y CC CC .CC YY .CC T T T !

T

Y -CC

.C C

C

.C

.C

C.

Y C.

sfz Y C C Y CC C. C. . > Q

CC

.

-

CC

C. Q

SO

harmon (stem out)

68 68

C

C X -C

YC

SO

T

T

.C X .C g

BO Y CC

T

S

X CCC-

T

SO (sy)

gl.

C g C.

.C X -C h

X -C h p h

molto

SO

C.

-C O g

p

68

p

C

str. mute

h

C C

C W -C h

C-

C h mf

T

mf -C

-C

(pizz.)

Q

CO

Q

. >C X >C C Y C O sfz sfz > > . XCO C YC C sfz sfz C. Y C .C h

mp

-C

g

mf

mp C-

68

Q

CO

Q

24 C

C h

Q Q

Q

T

mf

Q

Q

68

Q

24

B

43

>-

cup mute g C

Q

34 Q

C- O mp

f .C Y -C O C C C h

giocoso (mute) g C

T

68

C. .C Y .C

Q

Q T

T

Q

Q

Y .>C T CC h >. T CC h

C

Q

(mute ms. 22-26 if possible)

.C

h

Y -C O

-C O

Q

. Y YC CC h .C C h

T

C.

Q

Q

T

T YC h C

T Wh C mf

Q

T

h

Q

68

h

Y .C

Q

.C

C.

-C O

C C CYC

.C

Y .C

CO h

.C C

Y .C

Q

F]

CC T .h T

Q

Q

Ì

T

.g

Q

Q

Q

T YY CC T .h

Q

Q

sharply, leggero

[ #

T

S

Q

Q

T

g T C.

Q

Q

T Y CC . mf .C T YhC

.g

g C.

SO

Cmp h - .g C C C W CC .h mp-C O CO mp Q

XC C

Q

Q

g

Y -C p

Q

Q

19

.C . C

Q

Q

]

C

Q

Q

#

Dbl. Bass

Timp.

C. .C

#

C

Q

Q

Euph.

.C C. -C

Q

3

#

Trb. 1

Y -C O S

19

[

-C

Q

.C

pp !

]

.C . C

Q

g YC T mf

!

C

Q

pizz.

.C

C

Q

Q

10

.C Y .C

mf Y -C O

.C C. -C

Q

19

C- O

Y -C O

h

Q

T

(take mute)

Q

C.

C.

68

-C

34

Q

_ C_O pp

gl.


54

.C [ !

Flt. 1

!

Flt. 2

B

!

E.H.

!

C. C Y C C C X C O

Picc.

! XCO Q !

Q

Clts. 2, 3

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

T Cg C p espr. T .g T .g T CC T CC .h .h S

T S

S

Q

!

Q Q

# Q

Q

# Q

Q

!

Q

Q

Tpts. 2, 3

!

Q

Hns. 1, 3

!

Q

T CC .h mf g T .C mf g T C. mf

Q

C.B. Clt.

Bsns. 1, 2 C.Bsn.

]

Q

T CC .h g T .C g T .C

.g

.g T .g T CC T C C .h .h g g T C T . C. g T Cg T . C. T

T T

g C. g C.

.g T .g CC T Y CC .h .h g T C T . g T C T . T

T

WC

W C h

>

g

>

-h

-g CC X CC C C

C- O

g C.

C- O

g C.

34

Q à2

S

S

C> C mfsfz

à2

Q

Hns. 2, 4

!

S

S

C-

mf > C gl. .C Y C

(harmon)

C

(str.)

CO

#

Trb. 2

Y .C h

XC h

#

Trb. 1

C

C>

CO

C .C C

CO

C T S h p open S S

port.

gl.

(cup)

# X .C

Bs. Trb.

(mute)

-C

#

Euph.

Tuba

p

h T

SO

C

g X C. C-

[ #

C_

Dbl. Bass

CO

Timp.

]

]

_

[

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

YC

CO

3 4

X C- O mp

43 Q

34

Q

h

f

.C T

VIBES (my)

Q

Q

Q

Q

Q

> -C .C C Y C. .

Q

-C O

Q g .C .C T h T

g Y C. T

g delicato Y C. T C g T p secco .

g . C. T C T h

g Y C. T

C C.> C Y C

CO

24

f

ped. ad lib.

B mp

)

h

-C T

h

.C T

C C YC

Q

Q

Q

Q

Q

Q

Q

Q

Y -C O

C-

h

C

Q -C

B

Q C

[ 30" - F

Y C- O __

Ì

h

.C C

YC

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

$

Q

$

Q

Perc. 5

ÀC S

6 8

Q

68

YC

6 8

E∫]

Q

Q

Q

Q

Q

$

Y .C h mf

Q

Q

Q

Perc. 4

-C O

32

g C. T

Q

Q

Y .C h

mp

Q

Q

sfz

C C

ÀB

B

h

h

Q

( poco sfz )

CO

, C. C

Y -C

68

Q

Q

Q

$

T

Q

__ C

Ãg

Q

> C C TU C

T

h

C

g T

0

C

Q

sul G

-C

0

Ì

WC

Q

Q

bouncing (w. Euph.)

CYC C

(

C

YC p Q

Q

Q

g T C.

CO

C.

.C .C Y .C

Y >B f

S

Ã

Ã

Q

Perc. 3

Q

Q

C

Ã

Ì

gl.

str. mute

à B

)

0

S Q

g Y C. T mf

24

Q Q

.C Y .C C

Ã

(

Q

f

2 4

Q

XC > f mf Q

-C O

g T .C

C

Q

Q

]

gl.

S

Ì

gl.

B

Q

!

Perc. 2

XC

B

marziale

.C C

mf

YC

32

mfsfz

solo

XC C C WC mp .g T .g T .g CC T T C T C O C C O C Y CC C YC C h .h .h .h g g T C C- O C. X B C mp g T Q Q C C p S X CC C C C Q S Q YC B p Q S T h p

Q

> mfsfz .C gl. > Y C C. S

Q

B

Q

Q

WC C

p espr. Q

Q

g C. T mp

> gl. . C

Q

68

C mf Q

C S

Q

(0)

C

B mp

S

Q

B p

28

g C.

!

Perc. 1

X Cmf arco

(pizz.)

#

"

[ mute out ]

g C.

mute

#

gl.

C

24

C-

Q

Q

28

[

Tpt. 1

Perc. 6

.g T

T

Q

!

Bs. Clt.

24

T S

h p

C T T h p

!

Clt. 1

Q

C C

T

h p

C

h p

Q

E-flt. Clt.

C

34

-C O

Y .C h

-C

32

28

X -C O CYC C C

h

C >C sfz

YC h C

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q


55 39

[

68 !

Flt. 1

!

Flt. 2

!

Picc.

g C. Y -C

Cmf

34

g C. C- O Q

C-

! !

Clt. 1

Clts. 2, 3

!

Bs. Clt.

!

C.B. Clt.

! #

Bsns. 1, 2

#

C- O

] [

C

str. mute

68 !

Tpts. 2, 3

!

Hns. 1, 3

! 2º

Hns. 2, 4

!

Trbs. 1, 2

#

Bs. Trb.

#

str. mutes

.g X C CC C p SO 1º à1 0 O C SO Qp à1 0 g C. CC Q pQ -

" C-

h

#

Tuba

#

Dbl. Bass

Q

CC .h

.g

pizz.

]

68 T

T

h mp

WC

(

(

B

XC C )

C

-

CC Y CC

C C

C p

C

YC

C B C

C C CC

X CC

Y CC -

C YC mp

C

C

C-

-C C

C CC

XY BC C-

YB

Q

CC W CC mp C -C

YC YC

p p C p

C

mp

C-

B Q

p

Q C XC

YC

S

YC C

mf

24

solo

Pno.

! [ #

Timp.

] [

6 8

Q

6 8 Q

Q

(V.)

!

Perc. 1

!

Perc. 2

68

Cmf

g C. Y -C Q

g C.

34

Q

3 4 Q

34

S Q

S S

!

S

C CY C 3 3

C C YC C-

Q

Q

Q

Q

Q

Q

C.

Y C C C C C. C . . >

Y -C O

C. C-

C.

.C

C> C C .C .C .C

Y -C O

.C C-

.C

3

>

. Y C Y C C C C C C YC YC . > C >C C Y C C.

-

C

-C

C C Y CC X CC

C

C- C Y C

MBA (hy)

Q

S

S

Q

Q

Perc. 4

$

Q

Q

Q

Perc. 5

$

Q

Q

Q

$

Q

Q

Q

T

Q

C . .C

Q

Q

Q

Q

Q

Q

Q

Q

sfzp

Q

Q

Q

S

T

WC

g

.C>

h mfsfz

XC C

S

Q

Q

S

Q

espr.

C C .C

Y -B

h

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

S Q

Q

Q

Q

Q

S

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

S

-C

CO

Q

C T T

Q Q

24

(still muted)

l.v.

YB mp Y >.C

T YC p (pizz.)

Y >C C C C. .C .C

f dancing Y C. C C. C . > .

Y C C C C C. C . . >

Q

Q

Q

Q

Q

Q

Q

T

.C . C

C.

2 4

C Y C X CC

YC

. C

Q . > C C C YC C C C YC . > sfzp . C C C Y C-

>. . C C C C .> . >.C . C

Q

3

Y -C O

.C -C

mf

3

SD

2 4

g T YC p g Y .C> C h T f crisply Q

C >C C Y C Y .C C-

C C C Y C Y C. >

h

$

Y -C O

C. C-

.C >

XC

g

[ to Snare Drum ]

> Y C.

.C .C h T

C C C

>. . . . C C C C

Y -C O _

.C C.

Q

C.

.C

(my)

T

C.

>.C

C.

.C C. >

h

C> sfz sempre

> C >C C Y C Y .C Y .C

__

-C

C

C > fsfzp 8va C C .C Y C> YC

C.

sfzp C C .C Y >C

>. . . C C C Q

Q

Q

Q

Q

g

h

C. T C

g

h

C. T

C C C

C. T

C

g

g C T > mp _

_

XC_ Q

WC

g

.C> X .C C

g

> Y .C

.C .C > Y_ C sfzp Q

Q

Q

C

arco

(vib.)

.C

C_

Q

Q

T

g

C> mfsfzp

Q

> C C C C. T h 3 sfz Q

mf

.C

T Y C_ pp

Q

(snares on; light sticks)

T

g

3

S T

YC

mph

C-

.C

39

Q

$

]

-C

mf

Perc. 3

Perc. 6

Q

(take mute)

(w. obs.)

!

Q

S

Q

C

#

Q

S

T

YC ph Q

Q

Q

(change to harmon)

Q

Q -C

24

ph

B

Q

39

C

mp -C

Q

3

.g YC T YC .h p Y .C T ph

YC

Q

Q

g C.

p

Q

S

g T .C p p .g CC T .h p

)

C YB mpQ Q

43

C

T

f

mf

C

Cmp mp X CC

C. -C

C

C

Q .C -C O

C

)

(

g C.

.C Y -C O

S

p

S

Y C. C C. > . f >.C dancing .C .C

C. C-

mf

XC

C XC >-

C

,

S

T

dancing

à2

S

mp > mp C C BC C mp C X -C X C >

34

WCO

CO

Q

Euph.

C

Y .C h p .C h p

24

molto

-C

T

-C

Q

B

molto mf XBO mf mf .g C WC CO C C C XC .h h . pg CO WC C O mp SO C- C C . mp .g .g C Y C C C C XC CO h -

YC

molto

C Y C X -C

BO

E.H.

C

YC

Q

!

Tpt. 1

-C C

C

Q

Obs. 1, 2

C.Bsn.

h

.C

-C

T

C C C

> C. C. C. C. T

C

g

h

C. T

Q

Q Q

Q

C

g

h

C.


56

48

[

Q

S

YC

B

!

Flt. 1

S !

Flt. 2

Obs. 1, 2

(Y) B (Y) B !

.C C

YC mf T

B B

!

Clt. 1

!

C X .C C

mf

W .C C

C

.C

] !

C

[

h

X CC

g C

C

g

YC

-

T

!

CC

T h

Hns. 1, 3

p !

-

CC

T T

h

CC

CC -

ff > C

Q

Q

CC .

Y CC mp

.

S Q

Q

Q

S

Q

Q

Q

Q

Q

Q

S

Q

S S

T

molto

CC

> CC

> f

Q

TU TU S

S

24

S

S

Q

Q !

(str. mute)

# T

Trb. 2

Q

h p

-C

C. C

Y -C

(cup mute)

#

T

Bs. Trb.

mute

#

WC

Euph.

T

# (mute)g C

Tuba

# ]

C

(8)

!

Pno.

!

g

g

CO

p

p

C

> h

X -C C

T

h mp

sim.

C> O

Q

C

Y C> mp C

>

sim.

>C O

C C

.C

B

(Y) B

B

[ #

_ C_O pp T

]

! (Y) _ C h $

Perc. 3

$

SD

Q

S

C C C

_

C_

_C hmp Q

TAMB. g

T

C

mf

h

C

SC (sy)

C C C

C >

C C> C

<

molto

molto

43 C

.C

mp __ C B __ pp C.

.C

__ C

.C C

C

g C

Y -C __

C

C T hfsfz W >.CC T h f sfz

.C

Y .C

C.

>C C

C

g

>.C C C

C

>. C h sfz

S

S

24

S

[ to Celesta ]

T

S

S

34

g T C &

S

Q

[ to Vibraphone ]

Q

[ to Cowbell ]

>C C

_

mf

sm. WBL

T

S

T

fh

>. C

TU

S

S

Q Q

24

Q Q YC T

-

Q

Q

Q B Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

pizz.

S

C h

S

C-

T

-

g C.

Q

XC -

B

Q

S

S

g

B p-

Q

(mute out)

T

3 4

>.

C

S

g CC O C

(à2)

Q S

48

X C> mf

C

C TU > f TU C> f > C TU f C

h

S S

C

3 4

non trem.

_

gl.

C g

XC

__

B _ C.

C

molto

B

YC

C

S

.g

g C.

C-

C T .h mp WC

CC .h

g C. C-

68

Q

Q

TU C>

f

XC

B

_

C

molto

B

C_

$

Perc. 2

Y .C

YC

(lite sticks) snares on

[

C>

B

p

(mutes out)

Q

CC -

g .C

Q

S

TU

f

molto

YC mf

(Y) B (Y) B

>C C

.g

bouncing g C

T

Q W >C

.C

YCO mp YC mp .C -C O

mp

g C.

X C-

bouncing g XC XC h

T CC p .h

S Q

g C.

bouncing g WC

T S

Q

Y CC

Q Q

Q

34

Q Q

S

TU

Q

24

Q

48

-

Q

S

Q

68

(3º)

Hns. 2, 4

]

S

TU

ff

Q -

g

S

S

Q

g

S

Q

24

Q

T

C mp

(take harmon)

Tpts. 2, 3

C C

TU

Q

Q

!

-C

S

TU C

molto > C Y C. T h f Q

Q

!

Perc. 1

>C C C

C YC

S

Q C

Q Q

(str. mutes)

Perc. 4

.C

TU

T

B

Q

Clts. 2, 3

Timp.

fsfz

B B

T

E-flt. Clt.

Dbl. Bass

YC

fsfz C >C

molto

!

Tpt. 1

Y .>C C YC YC h f

B

(Y) B

E.H.

Bs. Clt.

-C Y C

>C C

34

B

.C Y .C

X .C C

C

B

p

p

!

Picc.

YC

S

24

Q

2 4

Q

24

Q

T

.C

h mp

Q

Q Q

68

C- O

6 8

Q

6 8

Q

68

Q

-C O

Q

24 Q

24

Q Q #

2 4

Q

Q

24

Q

Q !

Q $ Q

!

S

[ to Xylophone ]

S

Q

Q

Q


57 [

Q

Q

!

Picc.

!

Clt. 1

Clts. 2, 3

B B

BC

!

B

!

S !

S

Bs. Clt. C.B. Clt. Bsns. 1, 2

#

C.Bsn.

#

S

[

Ten. Sax.

S

Q

] ! [

Tpt. 1

pp

! B

C

!

T

T

g C. g C.

Q C. S .g CY C .h T Q

pp Q

B S

Q

g T S C pp Q C

S

T Q Q

Q

Q

Q

Q

T

Q

Q

Q

Q

Q

Q

Q

Q

g C>. Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

T

Q

Q

Q

Q

Q

Q

S

34 34

Q

Q

Q

Q

24 24 Q

Q

harmon stem out

Q Q Q

S

T

(harmon)

Euph.

Q

Q

Q

Q

Q

Tuba

# Q

Q

Q

Q

Q

Q

Q

Dbl. Bass

#

Q

Q Q

Q

S

24 24 Q Q

T

WC

g

mp h

T -C

Y -C

60

68 68

Q

Q

24 24 60

X C. C C C. C C. C. Q Q . X .C C C .C C Y C .C

C.

g C. p

T

T

Q

Q Q

(pizz.)

S

68 68

Y -C h

.C -C Q

Q

Q

Q

Q

Q

!

Q Q

Q

Q

E.H.

!

Q

Q

Q

Q

!

Q Q

Q

Q

Clt. 1

!

Q

Q

Q

Q

Q

Bs. Clt.

!

Q

Q

Q

Q

C.B. Clt.

] !

Q

Q

Q

Q

E-flt. Clt.

64

Y -C O CYC C YC

soli

[

Sop. Sax.

S !

soli Alt. Sax.

! !

YC

] ! [ !

ph

C

T

S .C

Hns. 2, 4

Trb. 1 Euph. Tuba

Dbl. Bass

Timp.

[

] ]

(CB)

$

T

>.

C ! h mph g sffz f g ! T Y C. T Y C. > mp fsffz (harmon) # (Y) C T S h p Y .C > # T h T Y .C h g mpT g fsffz # T Y C. Y C. mf # Y .C T Y .C T h ] hmf [ # Q

Hns. 1, 3

C.

S

Q

C.

Y -C O

S

T

h

W .C W C> C C C. 3

Q C. Y C > C C Y .C 3

f

B g g T à2Y C T C .> . fsfz T à2C g T C g .> . fsfz

Q

f

T

.C Y .C

.C

C- O T

-C Y C C CYCO

Y .C

mf YC CYCYC C C CYC -C Y C C CYCO

open

Q

sub.

C.

molto

24

f

. T Yh C g T Y C. Y .C T h .C

T T

Y .C mf

Y -C h

YC h

T T Y Y CC .h Y .C Y >C C C Y .C Ymf.C 3

68

>Y C . T Y C C C Y -C f 3 Y .C Y >C C C C. X .C 3

-

YY CC Y -C C mf -C

Q

Q

Q

Q

XC mp SO

Q

Q

Q

SO

h

C

YCYCYC Y C YCO ( mf )

C YC YC

C Y .C

CYC YC C C C YC C Y C C .C C Y -C O XC 3 f -X C O Y C YC C YC C CY C C Y C YC C YC CYCO CYC C h f C YCO C C YC C C C CY C Y C Y C C C CO C h T U Y -C f C C C C Y -C

YC h C

,

6 8

[ 30": D

h p

C.

XCO mf

mf

68

T

YCO p

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

68

Q

Q

Q

Q

Q Q

Q

68 [ 23": F (CB) 68 T T

h

C. T

h

C T

h

C T

> C C. T U jh

C. T

h

C.

> C.

h mf

T

C. C.

C C. Y C O

Q

T

Y -C O

C- O

Q

SO

Y .C h T X Cg . mf Y .C h

g C. Y C-

SO

.g

-C

C-

Q

F]

SO

g Y C. Y C T

Q

Y Y CC .h

Y .C Y C O h

Q

Ì

T

SO

Q

Q

T

.g CC YY CC .h -

Y .C h

Y C-

mf CYC C C

(take drum sticks)

.C h

g Y C. Y .C h .C

T

Q

C

T

molto

.g

S

B

Q

(take mute)

T

g T Y C. T

.C h

h

molto

Y .C h g C.

C. T

Q

(mute out)

64

T

B

>. T YC T h fsfz rucxzy g Q T g Y C>. Y C . ff > 60 .C 2 Q arco Y .C T Y .C h 4 h mfh Cowbell (stick) ff secco .C> .C Q

S

C> X C

sub.

Q

64

(harmon)

Tpt. 1

YCO C

h

mf f > .> g Y C Y C C Y .C C C . T YC h C mf > C C Y C C- O .C Y .C . C mf f

f Y -C

Ten. Sax.

Bar. Sax.

YCYC C C C

X -C O

-B f

Q

f C -C Y C C YC f B

molto legato

mf C C -C O

f

W .C T h f

à2

Q

CY C Y C C

soli

S

soli

Y -B

64

Obs. 1, 2

Perc. 2

mp

g C.

Q

Q

43 43

g

WC

Q

Q

g T C T g . C.> Q

g .C mp T

#

Q

Q

Q

Q

!

Q

Q

Q

Flts. 1, 2

Q

Q

Q

Q

[

Q

Q

Q

$

Q

Q

Q

]

S

pp

Q

Q

[

Q

C

Q

#

Perc. 2

Q

24

B

Q

Trb. 1

]

68

B-

Q

Q

.> S Y .C T Y C g T T C . h mph secco Q Q

h

mf

60

Q

Q

(pizz.)

WC

. . X .C C C .C C C C

Q

Q

S

24

Q

.C

Q

C.>

Q

p Q

Q

Hns. 2, 4

C

Q Q

(3º) Hns. 1, 3

B

Q

Q Q

!

B

T

34

Q

B

g .C T .g Y CC .h T

C. Y C. mp> g T .C> .g mpT C T YC h mp. g T g T T g C.> Y C.> Y C. mp Q Q

!

Bar. Sax.

S

g g T T C .> C. g g T T C . C. > Q

S

]

Q

g

Q mp YCO Q 2º mp YC Q

.C h

YC

.g

Q

Ì

Q

G]

C. C. T h p

C. cresc.


58

[

YC !

Flt. 1

C !

Flt. 2

Picc.

!

SO

Ob. 1

!

YC mp

Ob. 2

!

!

Clts. 2, 3

! T

T

! YC

C.B. Clt.

!

T X .C h mp .C h Y .C h

X -C C-

.g Y CC Y T .h mp T T

Bs. Clt.

T

YC

-

# Q

X -C !

Alt. Sax.

W .C h

-C

-C

W .C h

C-

C W .C C-

à2

!

fsfz> . C W C CO C C C X C W C O X C C W C CC X C . > > > fsfz g g T Y C. Y CX C. W CT T C > W C C W CW Cmp Q

Bar. Sax.

!

>C

]

CO

.C W -C O

C CXC >

WCO

XCO

CO

CO

XCO

CO (2º)

Hns. 2, 4

Q

-

! YCO Q

#

Euph.

g f .C g mf C. T

W .C h >C W .C

-C X .C W .C fsfz -C C. C.>

W .C h

-C

C C

Q Q

C

Q

Q

C C

.g

solo

X -C 73

(CB)

[ $

Perc. 2

.C

(cresc.)

T

.C .C T

Q .C

.C T

.C .C .C>

.C

$

Q

Q

Perc. 6

$

Q

Q

mfsfz

Perc. 5

]

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

T

S

Q

Q

Q

Q

Q

Q

T h

.C

24

g C.

.C h

S C-

T h

>C .C Y .C T h

T h

CO

T C

g C-

C

mf

.C

T h

C.

g T

C-

C Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

>C. C.

T

g C. X C > g

WC

T

g C g

T C

h

C. T

T

C

g

.C X -C T

g C.

h

C- O

T

C> C.

T

Q

Q

Q

Q

Q

Q

C. .C C C T

C C C

h

.C T h

.C

g C.

X C> C.

C. C-

C. T

C. C C Y C.

T

T

g C.

T

T

h C

g

C C

Y -C O S

.C C

g C. T sfz

g

Y -C O

Q

C> .C . C

Q

.C

T C _h h

>.C T

-C O

XC h

C

molto

CO

p

C h

SO

T

mp

T CC .h

Q

.g T T

g C.

T

CC .h

T

C-

.g g

> ( poco sfz. ) .C C

C C Y C.

-B O 79

6 8

C. C.

à2

C- O W C C C > poco mp sfz g C WC C (

)

-C

Cmf

T

g T C. mp T

Q >C . .C . C C Q

68

68

g C

SO

(mute out)

g C.

g .C CQ

[ 28": B ∫

Ì

A∫ ]

Q -C __ pp

g

XC

79

C __

Q >C . .C . C C

Q

C W -C C

T

.C C

Q

Q

mf

.C C . Y C.

B _ sfzpp

2 W-BLS (sticks)

C

-C O

WC C

68

-C

> T .g T Y C .C T Y CC .h T C C T Cg > . .

C .C T Y .C > h

g C.

X .C h

CO mp

g >. C. X C T h sfz T g Cg T C. .> sfz > T X .C .C T h h sfz

T

C> C.

g C. C > -

C. Y C C- O .

g C.

T

CO "

>g

79

Q

T

C.

CT h ( poco sfz ) g T

sim.

Q

S

>

>C .C T

> . .C T YC C T h

Q

(w. horns)

mf

g T .C

Y .C h

Q

(w. sticks)

T

T

T

T

Q

C- O X C. C. C .

3 TBL (my)

h

>C .C T

g >. T C Y h C C-

T

mp

>.C - . X C YC

g

WC

T

C h

mf

S

g T

T

SO

T

bumptious g WC

24

à1 W C

Q

>C .C

-C

Q

Q

.C X >.C T h h T sfz .C> . Y C T h T h sfz

>g

mf

Q

à2

2 4

68

Q

>. . . C C T C h mf à2 T C C T g .> . C. mf >. . mute T C C T .C h mf

73

Q

]

Q

24

f

Timp.

Q

C-

f

73

fsfz X >.C h fsfz g X C.> fsfz

W C-

Q

[ #

Q

mf > . . T C C T hC mf S

as a solo

Q #

]

CO -C

(1º)

!

X -C

Y .C C O

Q

>

-

SO

Q

fsfz > C X .C

X .C W C h

>

X .C h

XCO h

C C

C

Q

24

h fsfz Y >.C h fsfz Y >.C h fsfz > X C. h fsfz >.C h fsfz X >.C

X .C -C h .C X -C h

X -C

W .C h

W .C C h

Y -C

Ten. Sax.

Tuba

C-

79 à1

Q

! Y C- O

[

-C

Q

[

Hns. 1, 3

X -C

X .C h

h fsfz X >.C

73

Q

# ]

Sop. Sax.

> Y .C

XC C

C

C-

#

Bsn. 2

C.Bsn.

CC OO

Y .C X C O h Q

Bsn. 1

-C

-C

C mf Y .C X -C h

! YC

Clt. 1

Y C. -C h

Y .C h

W .C h

-C

.C

T XCO

SO

E-flt. Clt.

h

Y .C h g Y .C

C mp ! C mf

E.H.

Y C. X -C h

.C -C h __ Q T


59 84 (à1)

C WC

[ !

Flt. 1

C C

>g

Y -C

YC h

molto

Q !

Flt. 2

C

34

YC YCY C Y C p

tutti

C

S

Q

24

S

pp Q

.C > . W C g > .C . XC C

>C

mp g .> g .> .C C C X .C W C C >C

soli g XC

soli

Q

Q

mp g .> C C h T mf

WC

!

Q Q

Q

Q

Obs. 1, 2

!

Q

Q

Q

Q

E.H.

!

Q Q

Q

Q

Q Q

Q

Picc.

>.C

g

h

YC C C C C C C >.

g

T

C

C

h g .> C C mp S

à2

Q

C CYC C C C C

T

WC

.C

WC

>.

g

g

C

WC h

!

WC

C #

Bsn. 2

]

Sop. Sax.

[

>

WC C

YC h

YC h

YCO

!

Q

Ten. Sax.

!

Q -C O

WC h C

!

mp

C WC WC !

XC

YC

g

! C

g C

X -C B

B

C p

XB

C

CO

Trb. 1

Q "

Trb. 2

# Q

"

C

S

#

SO

T

Euph.

# Q

Tuba

#

g YC C. -

Dbl. Bass

#

X C-

! # Q

Cel.

[ #

Timp.

Q !

Perc. 1

$

Q !

Q $

Q

Perc. 2 Perc. 3 Perc. 4

h mp sfz

str. mute

$

Perc. 6

]

$

__ p

S

pp

p

C

43 Q

Q

Q

Q

C. T

C

h

C-

Q Q

Q Q

Q

T

WC

T

h p

T

C. T

.C h

.C

C. h T

T h

h

C.

>. g

C

S

Q

.C

WC

S

>. g

C

.C

Q

p Q

Q

.g CC .h

C C >

Q

Q

S

T

WC

g

-C O

h mp

WC

Q SO

C.

g

C .C C W C

T WC p C CWC O C

>

CO

C WC

84

g

Q

Q

Q

Q

Q

Q

Q

.C> T h sub. mfsfz Q

Q #

Q

Q "

Q

Q

X .>C .C h sfz

.C C

g

W .C T T Y -C h h Y C> Y .C Y .C Y -C

gl.

gl.

24 Q

S

p

(mute out)

Q

XC p solig .> C C X .C W C W C W C C

S

mf

CELESTA

Q

S

C WC WC WC C

g

>C

f> .C X .C

C C

C g

.C

>C

.C

C

C

g

>.C

.C

>.

.C

C

68 >.C >.

.C

C

.C

84

Q

Q

Vibes (hy) g

Q

S

WC

mp

.C W .C C

senza Ped.

C

g

>.C

C-B.

Q

Q Q

Q Q

Q

h S mpsfz .C> T C T h mpsfz C

g

g C.

ph h

.CC T

S

C. T S

Ì

>.C . XC g

f h p

>.C

E∫ ]

>C

T h Q

.C .C T

C

>.C g

h

.C>

.C

>.C

T

.C h

Q

6 8

-C

T

.C

68

h

.C X -C mp

.C C.

C- O

C C. W CC- OO

C. C.

Q -C O .C T

C .C W C-C OO .C .C T

.C .C .C poco

Q

Q

Q Q

Q

Q Q

(to Bass Drum)

(to Bongos)

C.

C .C W -CC OO

Q

Q

h

C- O

Q

[ to Snare Drum ]

C h

Q

68

Q

[ 23": G

C

mp

Q

leggero

Q

X -C O C

C

XB p

S mp

g T W C C. W C. > mf sub.

(mute out)

molto legato, cantabile

open

pizz.

24

XB C

Q

68

YC C

p

Q

Q

Q

C

sfz Y .C Y .C X -C

C

T

68

WC

Q

24 Q

.C

C

Q

24

3 4

__

YC

B

Q

h

XC

WC

p

Q

Q

T

XC -

.g CC X CC h. g C. W C-

Q #

.C> C. W C g >C. .C g

WC

Q

C

24

C X -B f C

.C

(TBL)

SO

.C .C

.C T

Q

Q

Q

-C O

C T hpp

C Q

laughing: quasi gliss. W >C W .C -C C T h T S # h mpsfz g .> .C Y .C X >C S T h T C Yh C sfz

34

(WBL) Perc. 5

C

g T

g T S C p laughing: quasi gliss. >C .C . WC C

C

g C.

YC

S

pp

Q

Q

] [

Q

43 Q

XC

24 C

X C- W C

T

S

p

C hpp

C

> T Yh C mpsfz

Q

]

W -C g

mp

laughing: quasi gliss. Bs. Trb.

XC

.C

-

84

(harmon)

#

(cup mute)

WC

Q

34

(à2) Hns. 2, 4

WC

W -B O

(à2)

[

Hns. 1, 3

XC

34 Q

Alt. Sax.

]

XC h

YC mp

!

Bar. Sax.

C

molto

" X -C O

Bsn. 1

>g

>.

Q

.C

C mp

WC

(à1) Clt. 1

T

g

C h> .C

Q

68


60 92 Flt. 1

[ !

Q

Flt. 2

Q

24

!

Ob. 1

!

CO

Ob. 2

! C-

E.H.

! XCO

Q

C C C. X C. > CO g C WC

YC p p

C.> g

solo W C

h Q

W .C

!

Bs. Clt.

!

Q !

Q

Q

# Q

Q

# Q

Q

]

Sop. Sax.

[ !

f

C C .C W .C

X -C O

! -C O

Ten. Sax.

! ] [

Tpt. 1

>

C C

! !

Q # Q

Trb. 1

" Q

Bs. Trb.

# Q

Euph.

#

Tuba

#

C h

>.C g

W .C

mf XC

g

p

>.C

g C.

Q

Q Q

Q C

C

h p à1 T

>

Q

B-

C > C C

.C

C

C

# ]

-C

C. C-

#

C C .C X .C C C C. X C.

C- O

[ #

Timp.

soli g WC

C. h mp g T

X -C Y C C .C

C- O ! XCO (C-B) . $ C T (V.)

Perc. 1

]

C C C XC C. h

C. T

T

C

g

>. C

p >

-C

YCπC

C

g

>

XC

YC C

WC

p Q

mp C

S

p WC

>

C

CYC

p

mp

Q

Q

S

T

Q

Q Q

Q

C XMVC gl. C

C

h mp

CO

-C

CO C

C

24 Q

C

Q

T

SO

C

g

.C >

C. h mp

Ì

C.

gl.

gl.

YC

68 C

T

>.C

h

C.

C Y C .C

p delicato Q Q

Q

Q

>C

>C B

.C

C C .C

ffsfz> C B

Q

Q

Q

Q

Q

p

arco

T

.C

h mf g . WC C T h f g T W C .C h S S

6 8

68

Q

T

T

f sfz .C .C > T h h poco

B

C Q

h &

T Q

S

Q

p

Q

Q >C

C C .C

C.

C Q

S

C C C.

h

-C gl. XC

Q

B

.C

XCO

Q

Q C

C

24

Q

Q

B∫ ]

g

W -C >

Q

Q WC

as 6 8:

Q

-C

-C

Y .C h

X .C

> C Y C .C Y .C

X .C

>

C Y C .C

h

C.

92

[ 25": C

Q

Q

Q

h

Q

24

S

Q

C

h Q

>.

S

g

92

(a bit drunkenly) (harmon still) g YC

g

g C. T > > > mpT .g C T Yh C . mp> > g . C C T hmp

WC

S

Q

pp

Q

WC

Q

S

68

Q

Q

.C

Bmf

92

Q

>.C

C Y C .C

Q

Q

Q

g

-C

Q

C

Q

WC

Q

Q

Q

Q

.C

B mf

Q

T

Q

W C C W .C

YC

>.C g

C

24 24

Q

] [

h

Q

Q

Q

Q

S

.C p C h

Q

Q

XB

Q

2 4

XC

.C Y -C h

Q

Q .C

CYC

-C

Q

pìu

-C O X ! CO

Cel.

Perc. 2

C

X -C

.C h

Q

24

Q

(pizz.) Dbl. Bass

CYC

Q

Q

Q

X -C

Q

g C T p

C

Q

Q

YC C

TU

Bmp

S

68

Q

>

-C

h mp g . WC C T h mp

S

B

Q

C

CYC

C-

-C O

C

WC

g

WC

24

Trb. 2

h

.C

g

T

(à1) solo

Q T

h mfsfz C C T C h pp Q W C C .C C-

.C

X -C O UT h

h mf

gl.

C.>

.C

S

Q T

-C O

WC

T

Q

CO Q

Tpts. 2, 3

W -C C

h

mp ! CO

Bar. Sax.

24

WC (à1) solo

Q

molto

S

Q

Alt. Sax.

>.C g

WC

Clt. 1

C.Bsn.

T

C

Q

Bsns. 1, 2

.C

T

!

C.B. Clt.

Q

Q

Q

E-flt. Clt.

Q

Q .C hp

g C.

Q

.C Q Ì

>C Y C .C C YC C . >

as 6 8:

24

68 Q

24

6 8

Q

24

(to Snare Drum)

Q

S

X .C

> C Y C .C Y .C

X C.

C Y C C. Y C. > Q

Q Q

$


61

opt.:

Flt. 1

[

Q

Q

!

Q

Q

Q

Flt. 2

!

Q

101

Q

Q

Q

Q

Q

Q

Q

Q

68 *

Q

Q

34

Q

[2•3]

24

Q

Q

58

Q

Q

!

Q

Q

Q

Q

Q

Q

!

Q Q

Q

Q

Q

Q

Q Q

$

C T S hp

Q

!

Q

Q

Q

Q

Q

Q

Q

!

Q

Q

Q

Q

Q

Q

Q

!

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

$

E.H.

lay instruments aside.

E-flt. Clt.

!

Clt. 1

B

g T S C p B

T X Cg T T g S . .C> .g .g .g mp .g T W CC T X CC W CC T C T .h .h .h W .h C p C. T Y .C T T .C S h ph mph

S

> T ì. ì.

S

> T ì. ì. S

> T .ì .ì

clap: cupped hands

Q

B

!

Ob. 2

Bs. Clt.

One player in each section may take piccolo for the short passage ms. 109-115.

. T hì mp clap: cupped hands . S T hì $ mp clap: cupped .ì hands S T $ h mp clap: cupped hands . S T hì $ mp clap: cupped hands tutti ì. S T h $ mp clap: cupped hands . à2 S T hì $ mp Q $

B

Ob. 1

Clts. 2, 3

*

S

S S S

24

Q Q

ì. T T .ì> h h ì. T T >.ì h h >. .ì ì T T h h >.

> T .ì .ì

ì h T T h

> T ì. ì.

ì. T T >.ì h h

>. . T ì ì

>.

ì h T T h

Q

Q Q

Q

C.B. Clt.

g ! W C.

Q

Q

Q

Q

Bsns. 1, 2

#

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

#

C.Bsn.

] [

Sop. Sax. Alt. Sax.

!

Bar. Sax.

] !

Tpt. 1

[

Q

C Y C Y C. S Q

Q

Q Q

Q

Q Q

Q open

Q

S

Q ! !

Q Q

Tpt. 3

!

Q

Q

Hns. 1, 3

!

Q

Hns. 2, 4

! #

T

g

h mf g

open

Q

T W Cg C g . mf Q

Q Q

Q

Q

Q

Q

Q

Q

Q

C

h mf

S

"

Bs. Trb.

# Q

Q

Euph.

# Q

Q

S

# Q

Q

S

#

C C. C > C C.

.C W .C

-B > O

sfz - mp f sub. > .C . > C . Y .C Y .C .C .C -C O YC YC C C C h sfz - mp f sfz .C .C -> O YC C C C. C Y C C. C. Y C Y C C. > > h sfz - mp sfz f sfz Q Q

mp T

Q

Q

g C.

C W C .C S mp CWC C . >

Q

Q

S

Q

Q

(to piano)

34

Q

T C g .C X .C X .C C > Y C C. Y C (Y) C C. sfz mf > open S O Y -C X .C Y .C C C .C C C .C h sfz mf open .C Y -C SO Y .C CO Y Ch h mp mf C Y .C -C (Y) .C Y C O C C h h h mf .C Y -C O g T Y CC h . CY -C SO

"

> Y .C .C C Y C .C h sfz . Y .C Y C Y C C h .C Y .C Y -C h h

Y -C Y -C X -C YCO

T Y >C

T

C T

.C

CYC

68 Q

6 8

Q

Q

Q

Q

Q

Q

Q

C T h

Y -C O

as solo pizz.

Q

[2•3]

Q

24 Q Q

Q

ff

YC YC

24

C-

CYC

f

C

h

-C T

-C S S

Y -C

C

YC

Y Cf

24

Q

24

Q

Q Q

. C- Y h C

.C C C .C .C

C C

. C- Y C h

.C C C .C .C C-

S

h C

mp ( poco sfz ) -C O Y C h mf Y -C S

C C

Y C C. T > mf X -C O Y .C C .C h mf Q

58

YB

58

C C

YC mp

"

Q

24 Q

#

S

101

Q

Q

Q

S

f Y -C

Y -C T h

X C YC XC YC C XC

Q Q

58

(take str. mute)

C

Y -C f

3 4

Q

Q

[2•3]

Q

mf C X C Y -C T Q h (take str. mf mute) g T Q XC C C(take str. mute) mf heroically à2 soli C O .C Y C C S S C . . mf à2 soli heroically - O . C CYC C S S C . . mf > X -C .C Y >C C .C -C Y .C .C S

XC

58

Q

101

-C

> Y .C X C C .C X -C Y .C .C

43

Q

lay instr. aside

Q

Q

24

Q

C

X -C f

Q

58

Q

Q

open

C

34

BO

Ì

Cel.

!

>

.C C > C .C C

Q

Q

Q

]

68

> X .C C C .C C

Q

mf #

.C

T

Trb. 2

Dbl. Bass

.C

S

(mute out)

Tuba

68 WC

open

Tpt. 2

Trb. 1

101

Q

!

Ten. Sax.

lay instr. aside

Q !

Q

58

Y -B mp Q

Q

24 Q

58

Q

2 4

Q

58

[2•3]

Q

Q

58 Q

Q


62

[2•3]

[

58 !

Flt. 1

Picc. 1 (opt.)

!

Flt. 2

!

109

[2•2•3]

78

Q Q Q

44 Q Q Q

34

68 Q Q Q

Q Q Q

24

Q opt.: 1 Picc. from Flt. 1º section

Q Q

Q Q

!

Q

Q

(as a fife)

X C tO

! !

E.H.

$

E-flt. Clt.

$

h T h T T .ì .ì h T h T T ì. ì. h T h T T

T h

. T hì . T hì

. T hì . T hì

. T hì T . T hì T

.ì T h h T T (à2) . .ì ì h T h T T $

Clt. 1

$

Clts. 2, 3

Q

. .ì .ì T hì T . . . T hì T ì ì . ì. ì. T hì T

(à2)

Obs. 1, 2

Q

Q

T h T h .ì .ì T h T h . . T hì T hì

.ì .ì .ì .ì

$

Q

Q

Q

C.B. Clt.

$

Q Q

Bsns. 1, 2

# Q

C.Bsn.

# Q [2•3]

Sop. Sax.

[

Q

Q Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

immediately stand; abruptly applaud the horn section for making the B ∫ .

S

Q

S

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

68 Q

Q

24 $

Q $

Alt. Sax.

!

Ten. Sax.

!

Q

Q

Q

Q

Q $

Bar. Sax.

!

Q Q

Q

Q

Q $

]

[2•2•3]

[2•3]

Tpt. 1

[

Q

58 ! !

Tpt. 2

!

Tpt. 3

Hns. 1, 3

!

Hns. 2, 4

!

Q C

C C C C

C C XC .C C C

(à2)

Trb. 1

"

C

Trb. 2

#

X -C mp

!

Q

]

58

Pno.

# [ #

Timp.

[ $ $

Perc. 4

Perc. 5

]

$

Q Q

-C O f

X .C -C h

Q

h

[2•2•3]

58 Q

58

Q Q

78 Q

78

Q

Q

SD

(snares on)

SD

(snares off)

Q

Q

*

BD

YC YC mp

str. mute

XBO mp R

YC str. mute

YC YC mp . X -C O Y h C

Y -C

WC C

C

Y -C mf

Q

W W CCC.> f W WW CCC .>

PIANO

R

S

.

CC S .C

*

-C W C h

(‘roll off’)

R

C C

mf

>. . C C S

sticks

C C

>. . C C S

mf

(w. reversed maraca)

R

PERC. : a marching band ‘Parade’ intro.

C mp

S

h

XCO C

.C

XC

6 8

C

68

34 C-

34

>. . > C C T T -C _ T T

W CC C C S .C> X W CC.

C W -C

W C CC S W .C> .

C

ì.

T

C C

C

C C

__ C

ì.

!

mfh g Y C. mf

24 S

T h T h T h

.ì T .ì >ì .ì T .ì >ì ì. T ì. >ì

T

58 58

S Q

h

ì. T ì. >ì

T h

ì. T ì. ì> h

.ì T .ì >ì h

Q

24

(mute out)

Q

(mute out)

Q Q

S T

Q S

Q

Q Q

Q Q

Q $

Q

Q $

Q

Q $

Q

$ $

Q

58

Q

24 Q

[2•3]

Q C C C C C C C C C C C C C C C

g

g

>. g

>.

C

C

3

3

C

C

3

T

24

(mute out)

T

3

!

ì. T ì. ì>

[2•3]

S

109

>. . C C S C

h T

.C h T mp. C h T mp

24

>. . C C S

h

h h mp clap lightly on open . ì. palm T T hì T h mp clap lightly on open .ì .ì palm T T T h h mp

24

Q __ C

ì.

clap lightly on open palm

p

C W CCC-

43

>. . > C C T T _ -C _

h mp

p

Q

Q

C

g C CO

WC >

C

T

Q

mp g T T

T T W W CCC -

ì.

T

.C

C XCO h

Q

> W .CC .CC T T

C C

mp X -C h

BO

X W >C.CC W CC. C

C C

T

C- W C h

CO

X C- O > XBO

68

sticks

h

XC h

C WC

XC

24

Q

( poco sfz )

CCC

h

Q

port.

Q

*(‘rollR off’)

!

.ì T .ì >ì

T

clap lightly on open palm [2•3]

109

C W -C O

W -C

WC

YC

C YC

(w. perc.) marziale

R

44 *

Y C C Y -C h h mf g C C YCO mf Y -C Y .C Y -C O h h

g T S T Y -C O mp

S

34

mf

XC

XC h port. YC T ph

B

W -B

44

68

C- O

YCO

g C T YCO

Y -B O mp

4 4 Q

S

X -C

.C

Q

R

Y -C

Q

78

[2•3]

]

Perc. 1

YCO

#

"

Euph.

44

X -C O W .C W .C .C W C W C .C f > C W C g W C X -C Y C g . f .C Y C O XCO h mf -Y C C T T XC h mf mp g T port. W C O XC C

port.

g Y C. T C C.> T mp C. C C C C Y .C mf Q

#

Bs. Trb.

Tuba

78 Q

(à2)

Q

str. mute

T h h mp clap lightly on open palm ì. T ì. T h h mp clap lightly on open .ì .ì palm T T h h mp clap lightly on open palm . .ì T hì T h mp

Q

34

T

109

44

!

clap lightly on open palm

Q

78

3

Q

quietly be seated; retrieve instruments.

Q

Q

3

.C Y C C C .C

Q S

24

. t . C C Y C C Y -C Y C h 3 Q . t C C Y C C Y -C Y .C h 3 . t C C Y C C Y -C Y .C h 3 Q !

.C Y C C C .C

mp X C tO mp

Q

Q

S

S

X

58

Q

[2•2•3]

58 !

T h mf. T hì mf. T hì mf . T hì mf. T hì mf

.ì .ì T h T h .ì .ì T h T h

Bs. Clt.

]

3

Q

Ct O

(as a fife) Picc.

C. Y C C C .C

mp

(as a fife)

opt.: 1 Picc. from Flt. 2º section

Picc. 2 (opt.)

[2•3]

Q

C

g T

58

58

T

C C C .C .C _ T

C C C .C .C _ C

g T

C

g T T

24

24


63

[2•3]

[

Q

24 !

Flt. 1

Picc. 2 (opt.)

!

3

.C

>C Y C C .C C

!

Flt. 2

.C

>C Y C C C. C

58

Y -C Y C C C YC C

[2•2•3]

Q Y tC O

YC C CYC C CY C

Y tC O

YC C CYC C CY C

3

S S t Y C O Y C .C Y C C C Y .C -C C C C YC C 3 f t Y C O Y C .C Y C C C Y .C -C C C C YC

78

(

)

f t Y C O Y C .C Y C C C Y .C -C C C C YC C 3 f t Y C O Y C .C Y C C C Y .C -C C C C YC C (

Q

Picc. 3 (opt.)

!

Q

!

Picc.

(clap)

T

$

h T

h

#

C.Bsn.

#

(à2) (clap)

Bsns. 1, 2

T

h

(clap)

]

T

[

h

$

Alt. Sax.

$

Ten. Sax.

[ #

Trbs. 1, 2

$

Bs. Trb.

$

Euph.

.ì h

(clap)

T

h

ì. .ì .ì

T h

.ì h

T h

S

stamp foot

S

ì mf $

Dbl. Bass

# ]

24 Q

24

Q

>.ì T

T

ì.

>.ì

T

>.ì

T T

.ì >

>. ì

h h h h

[2•2•3]

T h

T

.ì T

ì. T

h

h

h h h T h

T

.ì h h

h T h

.ì T

.ì T

.ì T

ì. T

ì.

ì.

T T

T

T

.ì T

T

T

T

h

T

78

T

>.ì

44

C YC

t .C Y -C C

h

>.ì h

.ì> h h

ì

SO ì

SO ì

ì

ì ì

ì

g ì. T

T

ì

ì

g ì. T

T

ì

ì

g ì. T

T

SO ì

58 Q

5 8

Q

58 Q

pizz.

78 S

C

C

YC

p

Y .C .C X C

molto

T h

T h

.

>.ì

>.ì

.

Q Q

T hì

T

T hì

T hì

T

>.ì

T hì

T hì

T

>.ì

T hì

.

T hì

T

ì.

>.ì

T h

T h

T

>.ì

T

>.ì

T

>.ì

.

.

T h

. .

.ì .ì

.ì .ì

T h

T h

T

-C

Y -C

h

mp

T

g S ì.

g T ì. T

g ì.

T

g S ì.

g T ì. T

g ì.

T

g S ì.

g T ì. T

g ì.

T

g S ì.

g T ì. T

g ì.

44

T

.C

>C

X .C

44 C >

C

Q lay down extra Picc. (if necessary)

Q Q

lay down extra Picc. (if necessary)

T

Q

T

Q

p

.ì T

T hì

.

Y .C .C X C

24

T

p

molto

C. .C Y .C

p

Q

Q Q

Q

!

Q

#

Q #

116

[2•3]

Q

Q

24

58 Q Q

!

Q Q

!

Q !

116

g T ì.>

58

SO

g T ì.

SO

g T ì.

SO

g T ì>.

SO

Y .C T h C

> >

58

Q

24

# #

Q Q

#

Q

C Y .C

24

#

Y C T Y Cg h f secco

dancing

(‘Calypso City’)

! Pno.

# [ #

Timp.

Q (SD)

Perc. 1

$ $

Perc. 2

24

_

C

_

3

3

3

Q

$

Perc. 4

_

C

58

(DB)

$ $

C

C C C C

g

3

3

T

g

( Q C C C C h 3

Q

T

T]

78

Q

Q

C

T

C C C C h 3 C

g

T

g T T C. (reverse mallets) > sfz Q

S

44 Q

T

pph

C C .C T

T g YC C . mp Q

(to Glock.)

R

Maracas

Q

p

__

C.

h

C T

C C

slowly emerge

.C .C Y .C

_ C C _

X C. C. C.

mf

Q .C .C .C >C h _

-C O R

.C C C C C

mp >. T C C C TU C C h mp fsfz sub.

BONGOS (w. hands)

[2•3]

C T

24

TU Y C CC mf sfz> g T Y C. CC

116

__

58

h

Y C> C C

C

C C T

C

24

C

Cow bell

Q Y .C .C _

C Y .C

S

.C

T YC C mf C C C C C C

....C _ C C

C

T

T

g C Y CC.

g Y C.

T

C.>

> dancing. YCO C T mf

C. h

dancing

GL.(br.) as solo

!

h

T T U gi T CC CC CC Y CC. . p T Y Cg T YC T . .

58 58

Q

XYL. (hy)

S

g T Y C_ mfsfz pp

(w. hands)

R CL.

(take Claves)

S T

Q

44

)

Q

T T

Q

[2•2•3]

[T

Q

4 4

78

Q

C _

3

Perc. 5

]

Q

Q (SD)

Perc. 6

C C C .C C

!

Perc. 3

7 8

[2•3]

24

] [

Q

Q

!

Retrieve instruments

Q

YC mf

!

Retrieve instruments

[2•3]

g ì.

78

C Q

C .C .C Y .C

t .C Y -C C

T h

.ì>

C YC

58

[2•2•3]

S

ì mf

.ì T

stamp foot

Tuba

T

SO

58

stamp foot

ì mf

>.ì

T

[2•3]

S

ì mf

58

.ì T

. T hì . T hì . T hì . T hì

[2•3]

stamp foot

à2

24

T

h

h

T

f

.ì>

T

C mf t C mf> .ì h >.ì h >.ì h >.ì h

)

-C

.C t

3

.ì>

T

. T hì . T hì . T hì

.ì h

T

T

(clap)

]

T

(clap)

$

h

(

T h

T

h

T

24

h

ì. h T

(clap)

$

T

(clap)

$

C.B. Clt.

Bar. Sax.

YC C CYC C CY C

3

Bs. Clt.

Sop. Sax.

Y C tO

.C

>C Y C C C. C

Y -C

Q

)

116

[2•3]

gl.

YB

XC C

3

gl.

44

)

(

-C

C C C C

2 4

T

C h mf

h

(stick)

>.C

f

C

T

.C mf

C.

(slightly under glock.,

>. C

TU C C

T YC C C C mf CO CYC C ff sonoramente >C C _ _ h f

C C

mf

C


64 125

[

Y >C C C. >C C

à2

!

Q

Q

Q

Q

Q

Picc.

!

Q Q

Q

Q

Q

Obs. 1, 2

!

Q

Q

Q

Q

Q

E.H.

!

Q Q

Q

Q

Q

Q

Q

Q

E-flt. Clt.

!

Q Q

Q

Q

Q

Q

Q

Q

!

Q Q

Q

Q

Q

Q

Q

Q

!

Q

Q

Q

Q

Q

Q

Q

Bs. Clt.

!

Q Q

Q

Q

Q

Q

C.B. Clt.

!

Q Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

# Q

Q

Q

Q

Q

Flts. 1, 2

Clt. 1 Clts. 2, 3

Bsns. 1, 2

C.Bsn.

]

Q

Q

34

68 Q Q

Q Q

S

Q

T

24

ff > . > T YC C C C C ff >C à2 Y >C C .C T C ff YC C Q Q

f T

ff T

-C ffO

à2

YB mp

S

C

f

XB

> C . > C C C C >C C .C >C C C h

B molto

Q

Q

Q

Q

Q

Q

Q

Q

Y BfYB YB f Y Bf 125

Sop. Sax.

[

Q !

Q

Q

Q

Q

!

Q

Q

Q

Q

Q

Ten. Sax.

!

Q

Q

Q

Q

Q

] !

Q Q

Q

Q

Q

Q

Q Q

Q Q

Q

Q -C S

f Q

Q

125

open

!

Q Q

Q

Q

Q

!

Q

Q

Q

Q

Q

Tpts. 2, 3

Q

Hns. 1, 3

Q

!

Q

68

Q

à2

S

C p

g C

C à2

Y .C h C

34

C

Q

Q

Q

Q

Trbs. 1, 2

# Q

Q

Q

Q

Q

Q

Q

Bs. Trb.

# Q

Q

Q

Q

Q

Q

Q

Euph.

# Q

Q

Q

Q

Tuba

# Q

Q

Q

Q

(pizz.)

# h

]

T YC Y CC.

Pno.

#

T

YC h g

CCC

.

g T g C. Y C. T

] [

T

g T g T C. Y C.

[ # (CL.)

$

Perc. 1

T g

!

Timp.

YC h

C

CO .C

(CB)

$

Perc. 2

C T .C

h

TU Y C C>C sfz g Y .C

T .C> f

(Xyl.) exaggerate dynamics)

> Y .C C C Y >.C ! h T YC C h ff ff mf

Perc. 3

h

T g

T C C. Y C.C T g T C. CC

> YCO

C

h

C T C

h

h

C T

.C

C Y C YC C _ C >C

(M.)

$ _

Perc. 5

T (Y) _ -C

CO

C C YC

>C

C

_

>.

(BGO.)

]

$

C

C

C C C C

C C

C

_

TU C C

g

C

g

T XC Y C.C

T Y CC .C g Y C. T

CO .C

mf

C .C .C

T Y Cg C

(GL.)

!

Perc. 4

YCO

C

T

g T C.

C

g T

C T .C

h

g Y C.

C

T U YY CCC

CC T > .C sfz g T g C. Y C.

T >.C

g C. T

T Y .C T h

h

C. h

g

CCC

. T

g C.

C. T

Y C> O

YC p Q S

T Y CC Y C.

CO

.C

.C

C.> S f sfz

C. C C.C

C.

T Y C g Y .C .

C. T

68

g

T h

CO C

h

C

sfz

.C

T !

>.

C sfz .C>

mf fsfz f C C YC C C C Y >.C YC C C C C C C h T C YC C T ff mf mf Y C Y C C YC O YC C CYC YC YCO h ff (5) >C >C .C C C C T _ _ _ _ _ h p g > C C C C C C C .C T U C C C C C C C C C .> fsfz

C-

X .C h

-C

.C Y -C

.C

mf

g C. C

6 8

mf sub. C-

h

g C. Y C-

6 8 (take my) Q

68

Q

h

g C.

(take Crash Cyms.)

Q

C

(to Crotali)

g

X .C .C .C Y C C .C Y C. ff sub. p g g C C C YC f Q Q

Y >B O

43

C Y .C C YC

3 4 Q

34 Q

CCC Y C.C

f

C

C YC sfz

ff

C

Y Bf

MV

Y Bff C Y >C C C. C> C C

Y -B YB ff

Y >C C C. C> C

B-

C 125

sonoramente

(my)

Q

Y -B f Q

24 Q

)

l.v. sempre

CRASH CYMS. (à2)

(to Chimes) as 6 8:

SC (sy)

arco

2 4 Q

YC

C- O poco f ( sfz

YB f B f

YC mf

d

C

f ( poco sfz ) C

Q

2 4

C h

T Y -C O

T

p

B

24

YY CC- Y CC Y(Y) C>CC .

C p

C

sfz

BO __ pp SIREN ì

-B

l.v.

- . >C YY CC Y CC C

YC

S

S

as 6 8:

34

open à2

Q

f

-C O

C f C f

XC YC mf à2 S YC f Q

> C Y -C C

YC

Q

C. g

g C. T

C

YCO p

S

>-

g C. W C- O

Q

SO

24

B

!

Hns. 2, 4

Dbl. Bass

B-

f

[

Tpt. 1

Perc. 6

> C . > T C C C C ff BfCO C h

Q

24

34

68

Alt. Sax.

Bar. Sax.

Q

C Y CC C

B

CR. (br)

Q

!

CH. (hh)

Q

CO

YC h

f YB

Y >B

l.v.

B B

B

ff __

f

É

C f

h

C

T

Q

l.v.

Q

(to Tam-Tam)


65

Flts. 1, 2

[

! !

Picc.

(à2) Obs. 1, 2

! !

E.H.

E-flt. Clt.

>C C . C

>C Y C . YC

YC C- Y C C C Y C

C.

. > -Y C C Y C Y C C C Y C Y C C .C . YC

>C Y C . YC

-C Y C C C Y C Y C

.C

> C C Y .C Y C C .C Y C Y C . C Y C YC C YCO C

>C Y C . YC

-C Y C C C Y C Y C

C.

. YC C C YC Y C . C Y C YC

(à2)

!

C.

Clt. 1

!

Y .C

Clts. 2, 3

!

C.

C> C .C

Y .C -C C Y C C C C

>C C . C

C C- C Y C C C

(à2)

Bs. Clt.

!

C.B. Clt.

!

YC

Bsns. 1, 2

#

C.Bsn.

# ]

Sop. Sax.

[

>C C . YC

-C C C C Y C C

.C

CO

B

(Y)(Y) BB

Y BB

YC YB

(Y) B

YB

YB

Y .C

. -C C Y C C C C Y C

C

!

C C

B

.C

C YC

. Y >C C Y C

>C Y C Y C C CYC Y C Y C C C Y .C

C C Y .C

CYC

.C

C> Y C Y C C C Y C Y C Y C C C Y .C

C YC

3

C Y .C

C- Y C C C Y C C Y C Y C C

C Y .C

C C .C

C C

.C

. Y >C C Y C

C C .C

CYC

.C

-B

T

C.

C- Y C C C Y C C Y C Y C

-C O

C h

C

C-

B-

YB YB

C

YC

YC

YB

B

C

C

h

YC

-B

YC

C C .C

CO

CO

C

CO

CYC

133

.C C-

T

C

YCO

C h

più f

>C C Y C C C C YCO C

T

più f > C C C YC C C C più f

C

YC C

C

C YC C

YC C

YC B

C

C

g

YC

B

3

B

B

. YC C YC

C h

più f

B B

CYC

YCO C

C Y .C

C

>-

Y -C O

C

C YC

>C C YC C C C Y C C C C C.

C

T

CO

C

>C C C C C XC Y C C C C (X ) .C

C

Y -C S

YB

YC

C YC

C

YC C

C

-C C

. C> C Y C

T

, B

CYC

CC OO

C

C

C C Y .C

YB

-C C C C Y C C

C

C YC

. Y >C C Y C

133 >C Y C Y C C CYC YC . YC C C YC

YB , YB ,

h

.C

CO

,

CO

CYC

C

C YC C

h

C C Y .C

-B

YC

-C Y C C C C C

. Y >C C Y C

YB

YC

>C C . YC

C

YB ,

B

YC

,

B

>C C . C

-C>

CO

YC h

B

B

]

.C

(Y) B

Y -C Y C C C Y C C Y C Y C C Y C Y .C C

-C C C C C C

YB

!

Bar. Sax.

C

Y -C Y C C C Y C C Y C Y C C Y C Y .C

YC

C Y .C

>C

C

C

!

Ten. Sax.

C

B

!

Alt. Sax.

h

C C

Y -C Y C C C Y C C Y C Y C C Y C Y .C

YC

133

Tpt. 1

[

YC !

C

C C

(à2) Tpts. 2, 3

!

C

(à2)

sim.

T

(Y) B

Hns. 1, 3

! (à2)

Hns. 2, 4

Trbs. 1, 2

# (à2) C

Bs. Trb.

#

Euph.

#

Tuba

# (Y) B (Y) B

!

CO

T

YC

C C C C

YB

T

YB

CO

T

mf

S

mf

C

C Q

,

Q YC

C- Y C C

h

YC S

CO

T

C

YB

YB

g

YC

YC

C

C- Y C C

C- O C

YC

g

più f

,

T

C

YB

YC

CO

YB

B

B

YB

B

B

8va

C h

YC h

. Y >C C Y C

C C Y .C

CYC

C.

C YC

. Y >C C Y C

CYCYC C C Y C Y C Y C C C Y .C

C C Y .C

CYC

.C

CYCYC C C Y C Y C Y C C C Y .C

C YC

133

YB

YB f)

l.v.

Q

C

YC

YB

Y_ B _ pp

Q

(to Snare Drum)

C

Q

YB

Q

B

YC

YCO B

g

_B

Q

CO

YC h

YCO

Q C

3

C

YC

Q

YB

YC C

YC h

Y B-

_

C

B

l.v.

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

(to large Snare Drum)

(SC)

]

C

Y -C Y C C C Y C C Y C Y C C Y C Y .C

B

$

g

C

C.

(CH.)

Perc. 5

T

YC

-C Y C C C Y C Y C

YC

!

Y C>

C

>C Y C . YC

Q

!

Perc. 4

C-

> C C Y .C Y C C .C Y C Y C . C Y C YC

(CR.)

!

C-

3

g

Y C- Y C C C Y C C Y C Y C C Y C Y .C

(Cr. Cyms.)

Perc. 3

T Y C-

3

.C

$

Perc. 2

C C

-C Y C C C Y C Y C

(

[

YC

>C Y C . YC

]

Perc. 1

,

C

Y -C O C

C

YC

>C C . C

[ #

Timp.

YB

YB

,

C

-C

h

, YB B

YB

g C>

YCO , YB

YB

C C Y .C Y .C Y -C C Y C Y C

Pno.

C

YB

h

T X -C T

C

YB B

!

C

g

C

YCO

T Y -C O

B

(Y) B

]

T

YCO C

C

-C O

-C O

T Y -C O

B

#

C

C

sim.

!

Dbl. Bass

g

CO C

YC h

CO

-B

YC

C

(S

(sy)

__ p

Q

B

)

C

YC C

ff Y C- O C ff > SD (sticks) Q $ T C C .C C C mf l.v. -B f

C

g

.C

(take my)


66

137 Y .C X C C Y .C Y C C X .C W C W C C X C W C W C X .C X C Y C Y C Y C C Y C X .C T S ! ph molto . . W C W C C X C W C W C X .C X C Y C Y C Y C Y .C X C C Y C Y C C X C CYC X .C T S ! h molto p (à2) Y .C X C C Y .C Y C C X .C W C W C C C W C W C X .C X C Y C Y C Y C C Y C X .C Y C C C C C Y C ! molto p YC C sub. Y C C C C C T Q h ! mp .C X C C .C C C Y C. -C Y C Y C Y C C Y C . X C X C C Y C C C C C. C C C C C C ! p molto sub. -C Y C Y C . X . . Y C C C Y C Y C Y C X .C X C X C Y C Y C C YC XC C YC .C T S C ! ph molto (à2) .C -C C Y .C YC C YC ! B C h h B sfz mp sub. YC C WC S XC YB ! YB p Q ! Y B YB XB p p -> -> O # YB B YB Y BB O YB YB B -> -> p

34

Flts. 1, 2

Picc.

Obs. 1, 2

E.H.

E-flt. Clt.

Clt. 1

Clts. 2, 3

Bs. Clt.

C.B. Clt.

Bsns. 1, 2

#

C.Bsn.

B

] [

Sop. Sax.

C C

!

T B

] !

YC

Y -B

C

h

C

sfz

!

YC

C C Q

Hns. 1, 3

! (à2)

! # (à2) C

Trbs. 1, 2

YC C

Y -B

Euph.

# YB

XC

Tuba

#

!

Q C

YB

X -C

Y BB

[

W B>

C

S C

YC

sub.

, > ,

Y -B

h

T

T

C B

C

mp

YC

>g

CC

>h

T

T

YY BB p

.> C C X C C C C hC T Q

BO p (à2) S

B

p

BO S S

CB O

C

YC C

C

C

X -C

mp

B-

Y -B mp

C mp B

YB Q "

43

34

B

X .C T h p .C T h S

C>

S

Q S

(2º)

S

T

C C

!

(CH)

! YC T

C C

h

C.

SD (sticks)

Q

Q

C T Y -C

YC T h

C.

Y -B YB C

T

C C

>

C C C.

YC h C.

l.v.

34

-

T

_C pph

-

C _

sub.

YC mf _C ph T

T

S

(take metal str. mute)

C XC

C

B

C

YC mp

C

g

h

T

YB

T

g C>

h

mp S #

C

YB

YB mp

C

port.

h

T

>

Q B

port.

YB p

Q

>C T

CC YY CC S

S

T

f Y CC YC S

Rit. e cresc.

Q

Q [ 28": A ∫

>.

C _ Q

C T h mp

sim.

T

C _h pp

[ to RATCHET: mounted @ MBA. ]

C

T

YC

C>

YB p

Q

C h pp p YC

p YB

YB p

g C>

C

Q

S

C

C

Q S

.C . C C C C C h T

Rit. e cresc.

mp T

g

T

C

B mf

YBO

YC

YBO p

T

.C C C .C Y C C h T

BO

Q

C>

YC

S

Q

g

>g

CC

>h

T

Q

B

B

3 & 4 (take hy)

Y B-

Q

(SD)

YY BB mp YC

mf

S

C

YBO p

C

B

-C

B

C

C

S

p

C

T

YB

S

XC

Q

C C

YC mp YC mp

T

C

YB C

-C

YC S

C

mp

C YC C C h C CYC C mf

>.C C C C C C C h T mp

S

B

mf

BC

Rit. e cresc.

.> C C C C C X C YhC T T

S

T

T

>

Y -C

S

mf

f

>g

CC

>h

Q

S

f

Q

BB

T

T

C

Q

C

Y -B O

C YC C C h C CYC C mf C CY B CC

Y CC C

XC

YB mp B

-C

Q YX B C -

T

CYC C C XC C C C C mf

.C > C C C C C XC h T

S C

. Y C Y C .C C C Y C T h T

Y C Y C C hC C CYCYC C mf B C

137

Y -B

C

$

C

YBO p

>

>

(CR)

Perc. 3

>. C Y C C C C X C YhC T T

>.

Q

W B-

Y -B

$

Perc. 2

.C Y C Y C .C T YC C h T

YBO p

B p

p

sub.

Y .C X C C Y .C Y C C X .C W C W C C X C W C W C X .C X C Y C Y C Y C C Y C

]

]

34

sub.

[ #

Perc. 1

Q

mp

Y C. X C C Y .C Y C C X .C W C W C C X C W C W C X .C X C Y C Y C Y C C Y C !

Timp.

T

YC

XC

f

Pno.

Q

sub.

Bmf # -B (8)

S

sub.

B

]

T

sub.

WC

C

#

Bs. Trb.

C

Q C mf

. Y C Y C .C T YC C C h T

>. C h T

S

molto legato

S

Hns. 2, 4

T

XC ph

T

YB C

C

Q

137

Y .C h

C

(à2) Tpts. 2, 3

34

C. -C Y C Y C Y C C Y C X .C X C X C C Y C C C

YC

!

Dbl. Bass

C

Q

>. T C C C C C C hC T mp

137

sub.

[

Tpt. 1

Y B>-

. -C Y C Y C Y C Y C . CYC C C C YC Y C XC CYC C . YC h sub. YC C YCO

!

Bar. Sax.

>

YC

!

Ten. Sax.

Y BC

S

Q

sub.

C

Alt. Sax.

Perc. 4

Rit. e cresc.

(à2)

[

BO

Y -B O

T

T

> C C C C C C C T pp mph

Ì

Q

Q [ 25": B ∫

B∫]

>.

C _ Q cresc.

C T h mp

> C C C C C C C T pp mph

B _ pp

> Q

C

h mf

YBO f g > C C C C C C C C C C. T h pp mf

T

T

YBO > ff

p

Ì

C]

> C C .C T h

C C C Q

Q

$


67

Flt. 1

[

!

YC Y C T C !

YC T C YC

Flt. 2

!

Y C Y C Y C. h T . YCYCYC h T . YCYCYC h T . YCYCYC h T

YC T C YC

Picc.

YC T C YC

(à2) Obs. 1, 2

!

E.H.

!

E-flt. Clt.

Y -B B

(Y) C

XB

! !

Clt. 1

!

B

!

C.B. Clt.

!

g T C

XB Y -B mf # Y -B ] mf

C.Bsn.

WC

CC

X CC

B-

YC

ff Y >-B

YC

YC

ff C W >B-

X CC

YY CC

YC Y C Y .C C Y C T C h T

Sop. Sax.

!

Alt. Sax.

. C Y C Y C. TXC YC C h T !

Ten. Sax.

YC !

C C

X B-> ff

YY CC-

CC

X X -BB > ff

Y C-

C

X -B > ff

f

. . Y .C YCYC C C CYC C C

B T

f

>

Y -B ] ! mf

Bar. Sax.

T

-B

C T h

Y -C

Tpts. 2, 3

YY CB !

B

YC

cresc.

C

ff > C X -B

YC

ff > C Y -B

Q

Y CC

WY CC CC

WW BBf >

B

!

YB mf -

Trbs. 1, 2

"

XB

Bs. Trb.

#

Euph.

#

B mp WC #

YC C

YC

Y -C f Y Y CC

C

C

XC

BO

Y Bf >

Perc. 6

g T

h

C T

YB Y BB

XC

g

C T C

WC

C

WC

C

Y BX B f

Y -C

C

Y -B f

Y =-C C

sim.

-C

CC

Y Y X YYC

Y YY BBB Y B-

XX BBCC

C

C C CC

[

> T C C C C C .C T h p (CH.) S YB ! > Q $ (my) > (SC) S S C $ __ TAM-TAM mfsfzp (mb) _ _B O $ ] pp (SD)

W B> O __

BO __

BO p

fXCO

= >

CC? C

CC? CC

Q

( p)

[

> -C

& Q

Q

(to Gongs)

h f

C T

>.

_

C

__

sub.

S

?

]

GL. (br.)

Q _C

h

TXC C C . . C. f >

Y -C O .C .C Y .C

-C Y C C CXC C C Y .C

Y -C O .C .C Y .C CYC C C C C

-C Y C C CXC C . CYC

f

-O . . YY CC O CC CC C YY CC C X C C C Y CC C C YC T

.C

-C O

C.

T

> T C C. C. TYC C C > . .

.

2 4

.C .C Y .C

YC C . . T Y C C .C X C . >

C .C .C .C

C C. C C C C X C

C

C

C

C T h & ff g T .C> & f

!

S

C- C C C

.C

Y -C O .C .C

.C C

T

> T Y C .C C .

C.

T

T

T C C C > . .

C.

h

T T

g C. T

T C C C > . . C.

X -C O T

T

C. .C h

g C.

>

X -C O C .C

T T T

C C C C X C. C . CO h

C

>

C C C C C C . C

T C C C. Y C. >

.C T h T .C h

> . T Y C C C .C

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

g T C T g C

TYC C C YC >

Q

Q

Q

Q

Q

Q

Q

Q

Q

Q

C .C C. . CC CC Y CC . C C. C . . C C .C

T C > C C. T CC > CC .CC Y T

>. X .C C h h sfz g g T C. Y C. > sfz > . T CC Y C. T h hC sfz g T C. g > C. sfz > g T .C C. h sfz g T C. g > C sfz . T

C.

TYC C C > . > C .C TYC

CC. C. .C

TYC C C > . C. T

sfz

g . C. h C >

T Y CC CC CC C > . C.> fg sfz C S C Y -C O

T T C

T T T T T T

>g

T

X CC CC CC > -C T

T

CC .CC Y .> CC sfz > C C. Y .C

C

T T T

sfz >. C sfz C C. C.> sfz C C.

C> C C.

C .C > sfz , C

YB T Y C> T C f T C > f > TYC f T C>

T T T

.C> sfz

g

g

YC

C

>

C

(take Crash Cyms.)

CO CO

ff clangorous Q

g C YC C YC

C Q

Q

(to Bongos)

Q

C C

C

C Q

Q

C

g C. g > C sfz

C C

B

T

T

C> C C.

B

CO C> O Q

Q

Y C.

Q

Q

C C

g

T

>C C sfz C. C >. sfz >C C .C >.C sfz

,

68

68

C> C C. C.> sfz Q Q C

68

Y > CC CC CC. X .>CC sfz> . . C C YC C > sfz >. X >C C C. C

a tempo

T

68

.> C C .C C sfz

T Cg T Cg . . T Cg T g . C. T YY .CC T .C T T C h h g T C. T g C. .C . T h T C h g g T C. T C.

C C. C .

.C C

T

-C O .C . C YC C

XC C C C C C C C C . C C Q Q

W C C C .C

TU

C

C.

C> C C.

.C . XC

> X C .C C. .C > sfz C C. C > . C .> > . . sfz.> XC C C C C C C C . > > . . sfz >C . C C . C. > sfz

T

-C O >C C C YC C

C C

.C

> . T Y C C C. . YC T C C C C > . . . T C> C. C. C. T

XC C C C

TXC ff > T C ff > T C> T XC f TYC f > > TYC

(to Tom-Toms)

S

.C

C C .C W .C

C

g T C. T g C.

Y -C O .C .C

C C C- C C C -C

C

.C

>.g .g YC C T C C h.> .h g . T C C .> h T

. C- O .C C. .C CO C

C

C- C C C WC C C C

C- C

TYC C C C > mf crisply

24

C.

.C

C .C C. C. Q

(hy)

2 4

T

.g T C T Y C .g T hC T C . .h g T C. T g C.

.C

g g C. X C. > g g C >C. .

. C

.C C.

h

68

C . -C Y C C C . C C C

C O C .C C . ff Q

> . T Y C C C .C ff

24

(loco)

XC

_

. - . .C C C C O C. C O C > T .C T .C T C .C C. h h T g T g T C. X C. C> C. C.

C

.C

f TYC C C f > . C.

144

T C C C C C C C C C

$

XCO CYC C C

-C O

.C

.C . . XC C

f X -C O .C .C W .C

24

8ba

]

.C

h

T

C- O .C C. .C C O C.

.C . . XC C

C C C.

24

X X X S W C fff W S X Cg CC

CC

C

-C Y C C CXC C . CYC

h

Q .C

Y -C O .C .C Y .C

X -C C C C C C C Y C O C C. C Y C C C -C O -C O -C O C. .C .C .C . C C CO T

144 aC- O tempo . .

>

X -B >

YY CCC X Y CC

Q

f > T X C .C .C .C f T C C> C. C. . f > . . T C C. C C TYC C C C f > . . . T Y C C .C .C f > .

X B>f > X -B f

Y Bf

Y -B Y YY BBB

CCC

YC XC

ff Y CC

[ # (rit.) e cresc. poco a poco Q Q

Timp.

Perc. 5

YB mf C YC Y CCC

CC

YB mf WC

WC C>

ff arpegg. Y # YY BBBB YB (ped.)

Pno.

Perc. 4

XC

Y CC h T >C T h

Ì

Ì

] !

Perc. 3

C

-

YB mf #

Dbl. Bass

S

mf

Tuba

Perc. 1

g C T

(à2)

Hns. 2, 4

S

f X -C O f X -C O

à2

Ì

f

Y -C

Ì

!

C.

f

Y CC

(à2) Hns. 1, 3

-C O .C . . YC C

a tempo ] str. mute 144 bouncing

?

[

. . . Y .C C C C O .C C O C C

-C O

C

C.

. C- O .C .C C. Y C C .C .C

YB

C

C

-C O

.C

Y -C O .C X .C X .C Y C .C .C .C f

ff YB ff >-

[ (rit.) e cresc. poco a poco Q Q !

Tpt. 1

f

à2

[ ?>- ]

YC

f

f

h T

YY B B ff >

. T Y C Y C .C C C Y .C C C Y C f . . Y .C YC C C C C Y C C C

. C- O .C C. Y .C COY C

C- O .C Y .C .C

24

ff >

(rit.) e cresc.poco. a poco

[

144 a tempo

f X -C O X C. .C W .C

Y B> ff

Y -C

YB Y -B f Y -B f

C T

XC

YC

(Y) -C

f

g T

C

W Y CC

f Y -B f

g T C

#

Bsns. 1, 2

C

YC

Y Bmf Y Bmf

]

ff -> C YC XB

. CYC Y C C

f

mf

Bs. Clt.

Y -B f YC f Y -B O

Y CB

Clts. 2, 3

T

YC C

?

[

> .C W C C W C X -B . . W Y C C X C C Y C C W C T YC ff >. . YCYC C CXC .C W C W C C W B Y C W C T WC ff> -B . W C . . C YCYC C CXC WC C WC Y C T ff . BB>. . W C W C C YC Y C Y C C C X C W C C W C WC

(rit.) e cresc. poco a poco

YC YC C Q

Q

6 8

68


68

mf sub.

150

[

SO

68 !

Flt. 1

!

Flt. 2

3: as 4

Y .C h

Y -C mf

molto > C

C

accel. > >

!

Q

E.H.

!

Q

C h

E-flt. Clt.

! !

Clt. 1

Clts. 2, 3

!

Bs. Clt.

!

C.B. Clt.

!

Q

Bsns. 1, 2

# Q

C.Bsn.

# Q

]

150 Sop. Sax.

[

Alt. Sax.

!

Ten. Sax.

!

Bar. Sax.

SO

68 !

Q

S

Hns. 2, 4

Trb. 1

SO

68

"

CO mf SO

Trb. 2 Bs. Trb.

#

Euph.

#

Tuba

# #

68 ! #

]

68

[ $

Perc. 1

$

Perc. 2

!

Perc. 3

SO

C

]

[ 25": C

Q

h C h

f

.C

Ì

[ 30": F

C C >B

B

C

B

C

BO

Q B

g

C T B C

E]

h

>C

C T T

[ 23": E ∫

Q

F∏ ]

Q

SO

Q

C

g

YY CC O Y C

accel.>

Q

$

Q

Ì

S

S

Q

p

_

C_

Y .C Y C YCC CC h Y .C Y C h > g Y C. C-

Y CC Y Y CC Y Y C C

> CC

C-

a

g Y C. g W W .CC

Y .C h

CO

poco

6 8

T S

Y .C

X C W W -CC .h

XCO C -C

C .h .C h

C.

T

Y C.

Y C.

Y .C

.C

>C

C. Y .C

h

accel.

> poco T .C X .C C O fsfz 68 T . . C SO C T Y C T X CC 68 .h . CO Y C .C C f g g Y .C W -C C. Y C- X C. C>B Y >C h >C Y >C >C sfz > > > >O XC C YC C C YC sfz sfz h 6 g g 8 C C C YC O . > T T Y C g C Y .C C. f . g Q YCO Y CC. mf 68 = -C YCO C h >C C> Y >C f Y C C YC C C CYC TYC C TYC C

a

>g T C C YC T SO YC C accel.

G] Ì

CO

poco

Y .C Y -C h Y C-

CO

cresc. molto

Y -C

C

a

T

.C #

Y CC

. YY CC

(low)

g

T T _ C __ O C mfsfzp

Q

(as a solo)

C _ mf _ CO

h

2

68 g

43

>. C

(as soli)

.C T .C C g .C T

mf

T

C C C

C C

.C

Q

Q

S

S Q

Q Q

Q Q

Q Q

Q

S S

S S

S

S

S

S S

S

Q

Q

S

S Q

Q

S

S

Q

Q Q

Q

S

S S S

S Q

Q

S

S

Q

Q

Q

Q Q

Q Q

Q Q

Q

S

Q

Q

S Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q Q

Q

S

S S S S

S S S

S S

S

S

S S

S

S

S S

S

S

S

S

S S S S

C> O

h

C> O

.C>

C> O mf &

CO CO mf > C C C C .C f

>

h

>.

> C T T CO

f sub. T _C h f S

C C C

C C .C molto

h

>. _ C C TU S _ sfz g C_ C. T > mf f & Q

C

S

(snares off) (sticks)

4

C

C

sub.

> XX CC mfh C T T

C C

>

> T _C h

(hy)

Q (as solo)

34

T

2

2

CO CO

S

3 4

Y .C

Q 2

CO

S

YC ffsffz ^g T S YC ff sffz Y XX C C^C X C T S h ff sffz ^g X CC T S WC

43

C h mfsfz __ C

Q

C

34

Q

S

R.

Q

155

poco

CO

Q

BGO (sticks)

X ^C T h ffsffz ^C T C T h ff sffz ^ XC T h ff sffz ^g C T ffsffz Y ^C T h ff sffz g^ C T ffsffz g^ T YC ff sffz ^g C T ffsffz ^g T

.C Y -C O h cresc. molto g CY .C CO cresc. molto < -C Y .C CO h .C> cresc. molto . . . C T YY CCC YY CC Y CC YYY CCC

>. YY CC

Q

155

Y .C h g Y C.

cresc. molto

S

C ff sffz ^g T S C ff sffz ^g T S C ffsffz g^ T S YC ffsffz

g Y C. Y .C h

cresc. molto

S

_ B _O

C

S

^g T S

34

Y .C h .g Y Y CC .

Y -C

CO C

h T ffsffz C X ^C h T ff sffz W ^C h T ff sffz g^ Y C C TT ffsffz Òh Y ^C T h ff sffz ^C YC h T ff sffz ^C C h T ffsffz ^g WW C C T YCC Òh ffsffz ^g T C ffsffz ^g T YC ffsffz ^g T XC T W C ffsffz ^g T YC ffsffz

34

C]

$

g T T C _ C __ O p

cresc. molto

68

poco

Q

poco

Y .C Y -C h . C Y CC YY CC Y CC Y C . Y -C Y .C CO h C- O Y -C

BO

mf sfz pp Q S

T

.C

C

C

Y ^C

155

C. Y C C

C.

Q

3 T-T. (hy) as 4

Y -C Y C C

Y C.

[ 28": B ∫

Q

CYC . YC

C > sfz sfz > >C >C X >C Y -C Y .C Y C . WC SO C h > sfz h sfz >C >C C> >C 6 >C >C 8 > C T T h T S sfz mf f sfzh

W .C h

Q

[ to Snare/Tambourine ]

Y -C

Y C.

W >C

g

YC

g C.

poco

>C Y .C C h > T C> C

>C >C

C C -C

Y -C

C

Y .C

X -C

.g C

.g CO C

YCO

2 Gongs (hy-à2)

Q

Q

>C C>

.C

C.

Crash Cyms.

Q

YCO YCO

C

C Y CC O h . f Y C X .C C O h C YCO

CC

C

sfz .C >C h

W .C

WC

>

(two-plate roll)

Q

68

C

X CC O

g

h

>C

Y .C X .C WC XC XC YC YC Y >C . O YC Y CC Y BB O h sfz > YCO YC Y -C O

T C C C W .C h mf > > W CC C W X C C CC T W C S sfz h C C WC

3 as 4

Ì

> YC CYC TK Y >C C C C Y C C X C C

> > T C C f sfz > > > >C X >C X >C C C X C C

f marc. , cresc. molto g Q T C C XC T T ! C C X C>

$

Perc. 5

h sfz T >C W >C mf T C C >C mf h T S sfz

C

T _C h __ B mf SD

T T XC h >. C T .C h h > C .C T U S _ sfz g C. T > f &

(to Xyl.)

.C T >C .C _ h ff Q

Tamb.

sim. > > C T U .C C T U C .C T U C wildly ff TU C C C C TU C C TU C C TU C > > C. C C C C C C C C C C C mf f sub.

w. abandon

T C C C C C f (as soli) w. bravura > C> C C C C C C C C C C C C C C> C C> ff g C> C C C C C> C C C C C C C C C T C C C. > ff sfz $

S

C W .C> C C C sfz > .C .C S

C C C

Ì

!

T S

155

> C >C C Y C C X C C Y C C Y C C

TK

molto

.C

C .C mf > 68 à2C > C C

molto

> C C C C T YY CC C C C C

Q

CO CO

>C

sfz T C C > > g T C B

3 as 4

YCO mf

molto

open

Q

Q

(GL.) Perc. 4

cresc.

3 as 4

150

[ #

Timp.

YC

68

Pno.

mp

g 43 Y CC X CB W C . g 43 >C >C X >B C sfz g g g C C W C -C X C 3 > C 4 C gl. X C Y >C C h g C CO CO

mf Y C- O g SO T TYC mf Q

]

S

(mute out)

68

Hns. 1, 3

>C >C

3 as 4

CO ! mf sub. g ! CC CC Y -CC - . mf (à2) g ! C- Y C C(à2) mf sub. g ! C- C Y Cmf sub. CO YC " mf

Tpts. 2, 3

Perc. 6

Q

mf sub.

150

Dbl. Bass

mph

Q

!

Tpt. 1

cresc. >C >C X >C > > h T C C sfz Q

3 as 4

Q

] [

T T

.C

poco

68

molto

Ì

SO T T .C h mf g g -C C. C- C. mf sub. à2 . C- Y .C -C h C mf sub.h Q

a

>B O sfz

Ì

Obs. 1, 2

poco

>C Y C Y B

WC

sfz molto sfz f >C C O > > > -C T C C XC h f sfz 3: as 4 > > >C -C W -C S S YC C sfz mp 3 as 4 : >B > > YC S S YC C mf sfz mp >C >.C W >C Q T mf sfz >C >C W >C C O > .> W >C T CWC mf sfz sfz > > CO C W .C C C > T >C W >C C mfsfz sfz >C >C X >C C O T T C C WW CC mfsfz C > C> Q X -C C W -C mf h Q T T Cg C O mp mf g Y C CC X CC O CO C CO C h T SO mp Q T T C CO mph

Q !

Picc.

Y >C >C

Ì

>C >C >C

T T .C mfh

SO

cresc.

>.C

TU

C TU C C


69 [

Q ! Q

f

S

!

Picc.

S

XC YC Y C C S

S

S

! !

Q S

S

E-flt. Clt.

!

Q

S

S

Clt. 1

!

Q S

E.H.

Q !

Q !

Q

Bs. Clt.

C.B. Clt.

# Q

C.Bsn.

# Q

S

!

Q S

S

!

Q

S

S

] !

Q S

S

!

Alt. Sax.

Ten. Sax. Bar. Sax.

!

Q Q

!

Q !

Q

Hns. 2, 4

(à2)

S

Q 2º

# S

Bs. Trb.

# >B O fsfzp # S

Euph.

Tuba

B > fsfzp

# S ]

ff rfz > # C Ped.

S

> fsfzp B

W C> fsfzp = W >C fsfzp

f sfzp > Y CC

C

gl.

C

S

B C B

C

C

$

Q Q

C C C >

S S

S

!

Y C. C C CYC CC Y CC

S

S

S

S

X -C

C.

W C-

X C. C

C-

C

C. C.

C-

[

160

T

f

X -C

XYL. (hm)

T

f

C-

gl.

gl.

> > .> $ C C TU C C C C T C C C C C C C C C C C C C C sfz fff sfz (Toms) U $ C C T C C C C C C C C C C C C C C C C C C C > > sfz (BGO.) fff Q $ C C C C C C C S ] > (to BD) fff (SD) (Tamb.)

WC XC .

.

C ] X > = 138 ~ 144 S S YC C C XC ffsfz C C > XC S S WC ffsfz W C C C S S C > ffsfz C S S WC WC W C> ffsfz 160 [> C = 138 ~ 144 ] . C C S S X -C ffsfz . > S S XY CC C C X CC - . ffsfz >C S S C. C- Y C. ffsfz S S Y C> C. C- W C. ffsfz . > gl. S S CC XY CC CC . ffsfz .C S S X -C gl. X C> ffsfz -C .C C> S S ffsfz S S C. X .C X C> Csub. ffsfz 44 X C S S -C X .C X .C > ffsfz sub. Y CC C S R Y C> sfz S R X CC X C> > 160 [ C = 138 ~ 144 ] S _ 4 R C C XC 4 & [ 30": F∏ Fπ ] ff sfz mf Q

MBA. (hm)

S

S

C C

C

34

44

Ì

Q

(to Snare)

!

(to Mba.)

$

C C C WC

S

34

C C

4 4

Y >B >C

W C> >

<

Q

[ (accel.) # C C >C C C WC C ] f [ (Cr. Cyms.) >C C C T $ T h h & ff

Perc. 2

Perc. 6

Y Cf

Q

Pno.

Perc. 5

S

BO

!

Perc. 4

C

S

WC ff > sfz

ff sfz X C>

C-

f

S

"

Trbs. 1, 2

S

(à2)

S

YC C

44

!

Q

Hns. 1, 3

Perc. 3

C

S

ff W C > sfz

XC ff X C sfz >

WC YC C C mf C WC WC XC mf WC WC C XC mf XC WC WC C mf

Q

Tpts. 2, 3

Perc. 1

C

(accel.)

[

Tpt. 1

Timp.

T mf C -g C S C mf Q

S Q

C. C

C WC WC XC f YC C XC YC S f Y C YY C C S Y CC C C C f T g W -C C C mf Q S

S

C Y CC W Y CC Y C C C

f

(accel.)

[

Sop. Sax.

Dbl. Bass

f

S

Bsns. 1, 2

]

S

S

!

Clts. 2, 3

S

C

C WC Y C

f

Q

Obs. 1, 2

44

f

S Q

Flt. 2

S

XC YC Y C C

S

!

Flt. 1

C = 138 ~ 144 ] X >C XCXC S S ffsfz Y >C S S YC C ffsfz Y >C S S YC C ffsfz > Y CC S S CC ffsfz W >C S S YC ffsfz X >C C S S WC ffsfz> C S S YC C ffsfz > XY CC S S WC C S S C C ffsfz

160 [

(accel.)

44

>C S

S

-C

> C WC S

S C-

gl.

WC

snares on @ edge

R

(to Susp. Cym.) BD (hb)

f C>

only

> C __ mfsfzp

S

S

secco

Q R

gl.

C

C

C

34

43

34 3 4

34

W >C T

h sfz X >C h sfz X >C h sfz g CW C > sfz g X C> sfz> C h sfz W >C h sfz > X Y CC h sfz g W C> sfz g W C> sfzg C C> sfz g >C sfz W >C h sfz Y >C sfzh X >C

S T

S T

S

T T T T

T

T T T T T

T

S

T

S

T

T sfzh > C h T sfz

S

T

> h f

C

S

T S

X .C

T T

S

T S

S T

S T

T

S T

S

T

S T

S

T

S T T

S

T

S

T

S S

S

^g C. sffz .C ^ h sffz g^ C sffz . ^.C h sffz X .C^

S S

C

S S

S

S S

S S

T h fff >g T Y CC T h > fff > C T h fff Y .C T h fff YC T h fff fff T Cg T YC h T g fff C T g fff Y C g T YC T YC fff h T Y Cg fff

S

S S S

S

S

S

S S

S S

S S

S

S

S

S

> T YC ff h g T C ff >

S S

S

S

S

T

g

C>

ff

T

S

S

T W Cg ff

S

T

C

S

S S S S S

C

S _ gl. _

g

CC

_

_

C.

.C Y C C .C

Y -C

CC O Y C

Y CC

YC mf

p ! poco sfz (sticks) > @ edge SD S S T C BO __ f _h sfz p^ (p) ^C C YC Y >C WC T S T S S T h YC h h ff ff ^ ^C CC W Y YC W C T S T S S T __ h h h ff ff BO B _C C C __ _ (p) SC (my) S B B_ O __ _ p g S S T Q C>

g

C

C C C. -C

.C Y .C

C C .C

X -C

Y CC YY CC X CC X C C

CC

CCC-

C-

opt. 8

C

Y CC C-

Y C-

. . .C W C X C C C -C

C. C

C. W C. X C. X C. . Y .C Y C X C. C. C

-C X .C C-

C. W .C

.C

W .C

C.

W .CC

CC X CC . C. -C

.C

C

CC -

.C C

Y C-

- . Y CC X CC - .

C. Y .C

CY CC

C-

X .C

Y -C CC-

Y C. Y C. . Y .C Y C C-

.C

C.C

Y C<C

Y C-

.C

CC Y .CC C

C

.C CCC

. YYY CCC X Y .CC X C Y C C-C

C Y CC Y CC.

T T

h sffz ^C h sffz ^C C h sffz g C sffz g C sffz

g CC sffz g C sffz C^ C C h sffz C hsffz g C sffz g C sffz .^ rip C h sffz .^ rip CC rip h sffz ^. rip C h sffz .^ rip C h sffz .^CC h sffz g^ C. sffz ^g C. sffz g^ C. sffz ( < ) g C. sffz ^ gl. Y CC Y CC h sffz YC S Y >C.

T T

T T T T T T T T

T T T T T T T T T T T T T T T T

8ba

2 4

24

-

-

C

T

h sffz Y ^ CC h sffz ^C h sffz C^

.C

Y C. X C. . . CW C X X C C . .

24

h T sffz Y ^C

C-

Y C. Y C.

24

h T sffz Y ^C

.C Y -C

Y C. Y C . . . C XC YC Y C . .

24

T Y CC T h ff T Y Cg ff T YC h ff T g YC ff < T Yh C ff C T Y CC fff h YC T Y hC

S

Y -C

Y C. X C.

g

S

.C Y C C C.

C.

ff >

ff T YC ff h g T C ff S

C.

W .C

g

S

S

Y -C

X CC

24

S

sfz .^ . CY C Y C C S Ò. . sfz ^ . C S X .C sfz .C^ S C. sfz .^ . XC Y CC Y C SS .Ò . sfz ^ X C. Y C S . sfz .^ Y .C Y C S sfz ^ S Y C. Y C . sfz <Y .C = Y C.^ S sfz ^. T YX CCC S sffz h ^ g T Y CC S Y C. >.C

T h fff Y >C

S

.C Y C C .C

Y ^C

C.

24

T h fff Y >C

S

sfz ^. . S Y C YY CC X C . . sfz .C ^ S .C sfz .C ^ C C S sfz C.^ X C YC S sfz .^ S X Y CC WY CC X CC S sfz ^ S XC X C. sfz S YC XC . sfz S YC YC S YC Y C . sfz S YC Y C. sfz

T

S

sfz .^ C C

XC

Y >C

S

sfz X .C^

C YC

T

Y >C h sfz > Y CC h sfz Y >C h sfz> WC h sfz > XY CC h sfz g X C> sfz Y >C h sfz g C> sfz > C h sfz g W CC W C> sfzg WC CC >

.^ CXC

YC

T C C C

C C

.C>

f C

h

C.

g

C

C C

C C C.

.C

C C C C __ (p) Q

^ C. S ff sffz (rs) C C C C C C C ^ì h ff molto 8va ^ Y C C Y C gl. Y h C YC C sffz fff Y ^C YC C C gl. Y C C h 8ba sffz fff rs ^ì C C C C C C __ h f sfzp molto ff ^C C C _ _ h ffsffz f molto T ^g S C & ff C. C.

C.

Y C.

T T T T T

[ May 2011: Ormond, FL.]


PERCUSSION KEY:

mallets/beaters:

sy/my/hy - soft, medium & hard yarn respectively. sb/mb/wb - soft, medium & wood beaters. - triangle beater. sr/mr/hr - soft, medium & hard rubber mallets. br - brass hm/sm - hard & soft mallets

TIMPANI (4)

shallow, smaller SNARE DRUM (SD)

CRASH CYMBALS

$

PERCUSSION 1º ! VIBRAPHONE (V.)

A

A

PERCUSSION 2º !

MARIMBA (Mba.) CROTALE (CR.) (2 octaves) (Five-octave)

PERCUSSION 3º !

XYLOPHONE (Xyl.) CHIMES (Ch.)

A

BASS DRUM (small~med.) (BD.) PERCUSSION 5º $

A

A

A

med. hi 2 Bongos

A

A

A

small TAMBOURINE (Tamb.) GONG (G.) (mounted) (large) A

A

SNARE DRUM (SD)

3 TOM-TOMS (T-T.) Low medium Ì

A

A

1 SUSPENDED CYMBAL (SC) medium-large

A A

CLAVES (CL.)

small A

small COWBELL (C-B) A

$ A

2 High TEMPLE BLOCKS (T-BL.) [ mounted at Glock. ] PERCUSSION 4º ! GLOCKENSPIEL (Gl.) $

medium A

large RATCHET (R.)

2 GONGS (G) med. - low med.

$

2 SUSPENDED CYMBALS: (SC)

A

SUSPENDED CYMBAL (SC) (large)

A

A

A

A

MARACAS (M.)

A

2 WOOD-BLOCKS (W-B.) [mounted @ Tom-Toms]

(shared w. perc. 5º) SIREN 2 HAND BELLS BASS DRUM (BD) [ mounted 3 lower TEMPLE BLOCKS 2 Bongos (BGO.) @ BONGOS] (H-B.) (large) XA (T-BL.) [mounted @ BD] A A A π A A A A $ A A A PERCUSSION 6º ! π ( A ) A A large small Tam-Tam (Tam.) small ANVIL 2 TRIANGLES ( ) (large: with bow) (A.)

- 70 -

Sydney Hodkinson: Symphony No. 10 - Six Reflections for Wind Ensemble  

Symphony No. 10 - Sydney Hodkinson

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