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Caprichos Enfáticos: Los Desastres de la Guerra Emphatic Caprices: The Disasters of War Caprichos Enfáticos is a concerto in 8 movements for piano/keyboard and percussion quartet composed by Martin Bresnick. It was commissioned by Meet the Composer for Lisa Moore, pianist, and So Percussion. The 8 movements are accompanied by interpolated DVD projections, created by Johanna Bresnick based on Francisco Goya’s book of etchings Los Destastres de la Guerra. Konrad Kaczmarek was the technical consultant. The titles of the 8 movements are either by Goya himself, or suggested by his ideas. A farándula, or farandole, was a chain dance popular in Provence, although it’s origins are much older. The dance is often in 6/8 time, with a moderate to fast tempo. In modern Spanish, a farándula is a company of actors.

Farándula simple (Farandole simple) Farándula de charlatanes – No saben el camino (Farandole of charlatans – They don’t know the way.) Estragos de la guerra (Ravages of war) Farándula de políticos – Contra el bien general (Farandole of politicians – Against the common good.) Farándula de populacho (Farandole of the rabble) ¡Extraña Devoción! (Strange devotion!) Farándula de creyentes – Nada. Ello lo dice (Farandole of believers - Nothing. That is what it says.) Farándula doble (Farandole double)

Martin Bresnick


Percussion List: Xylophone Vibraphone (motor) Side Drum Snare Drum Tom-toms 8 (also 8 cloth coverings for Toms) Bass Drum (large Drum struck by two players) Splash Cymbal Cymbals 2 (high, low) Woodblocks 2 (high, low) Agogos 2 (high, low) Flexatone Triangle Tambourine Whistles 2 (high low) Guiro Cuica (covered) Cow Bell Temple Blocks 5 Wooden Board Small Bells (sleigh bells) Chime (B-natural only) Cabasa Annoying Electric Bell (an old telephone ringer) Claves Maracas


Caprichos Enfáticos: Los Desastres de la Guerra (Emphatic Caprices: The Disasters of War) Martin Bresnick

I: Farándula Simple (Farandole Simple) Tom-toms (5)

Xylophone flats

 q. 

= 64

 

     

    

      

Keyboardist

       

Xylophone naturals

 

Vibraphone sharps

  

Vibraphone naturals

p cresc. poco a poco a B

A

7

T-tms Xyl. flt. Xyl. nat. Vib. shp. Vib. nat.

            

                                                            

13

T-tms Xyl. flt.

end Keyboardist

Xyl. nat.

start Perc. I

                                                  

Vib. shp.

Vib. nat.



p cresc. poco a poco a B

© 2007 Martin Bresnick


2

B

20

T-tms

start Keyboardist (other/reverse side of Xylophone)

Xyl. flt.

                                                        

mp cresc. poco a poco a D

Xyl. nat.



Vib. shp.

Vib. nat.



                                mp cresc. poco a poco a D

C

27

T-tms

Xyl.

                                                 mf cresc. poco a poco a D

end Perc. I

Xyl. nat.

start Perc. II

                                       

Vib. shp.

Vib. nat.



mf cresc. poco a poco a D

33

T-tms

 end Keyboardist

Xyl.

 start Perc. I

                                                 mf cresc. poco a poco a D

Xyl. nat.

Vib. shp.

Vib. nat.



                      


3

D 39

T-tms

Xyl.

  



                       

start Keyboardist

mf

                                 mf cresc. poco a poco a F

Xyl. nat.

                          

Vib. shp.

Vib. nat.



44

T-tms

Xyl.

Xyl. nat.

               

  



 

 



mf cresc. poco a poco a F

     

 

Vib. nat.



Xyl.

Xyl. nat.

  



  





 

     

     





  



  

       



start Perc. III

           

T-tms

end Perc. II

      

   

48

  

Vib. shp.

           

mf cresc. poco a poco a F

E        

     

f cresc. poco a poco a F



end Perc. I



 

 

start Perc. II





  





f cresc. poco a poco a F

                        

Vib. shp.

Vib. nat.



f cresc. poco a poco a F

 


4 52

 

 

Xyl.

 





Xyl. nat.

                                 

Vib. shp.

Vib. nat.



T-tms



T-tms



 

 

end Keyboadist

55



 

 







start Perc. I  



  





 

 

   



 



 





 

 





f cresc. poco a poco a F









          

Xyl. nat.

Vib. shp.

Vib. nat.





T-tms

Xyl.



    

58



 

   

Xyl.

 

  



  

   





        

   



 

 



 

 

    

  

  

               end Perc. III

                                  

Xyl. nat.

Vib. shp.

Vib. nat.




5 61

T-tms

F  

 

        

 



ff cresc. poco a poco a H Xyl.

  

                                      

ff cresc. poco a poco a H Xyl. nat.

start Perc. IV

               ff cresc. poco a poco a H

Vib. shp.

  

start Keyboardist Vib. nat.





ff cresc. poco a poco a H

64

T-tms

Xyl.

   

  

Xyl. nat.

Vib. shp.

Vib. nat.



 

 

Xyl.

Xyl. nat.

 

                        





 

 



end Perc. II

       

 

 

 



       

 





 





start Perc. III

 

         

ff cresc. poco a poco a H

     

67

T-tms



  

 

 

 



 

           



 

 



 

                                                                       

Vib. shp.

Vib. nat.



 





  







  







 


6

G 70

T-tms

       

end Perc. I

start Perc. II  

   

 

fff cresc. poco a poco a H Xyl.

Xyl. nat.

Vib. shp. Vib. nat.

 

              



73

T-tms

  

Xyl. nat.

Vib. shp.

 

 

  

Xyl. nat.

Vib. shp.





fff cresc. poco a poco a H

 



 







            





 





 



   

 





 

end Keyboardist

 

  

                                      

                 

 

start Perc. I





Xyl.

Vib. nat.

 

                                 

76

T-tms

        

                                     

 

fff cresc. poco a poco a H

          

 

Xyl.

Vib. nat.





                     

fff cresc. poco a poco a H

 



fff cresc. poco a poco a H

  

 

 

 

  

 

 

 

 


7 79

T-tms

Xyl.

Xyl. nat.

   

 

             

                                      

 

H  

 



  

         

      start Keyboardist (other/reverse side of same Vibraphone)

Vib. shp.

Vib. nat.

   82

T-tms

Xyl.

Xyl. nat.

Vib. shp. Vib. nat.

 

   

 

 

 

 



Xyl.

Xyl. nat.

Vib. shp.

Vib. nat.

     

                                          

 

 

 

fff

 

        

                                                       85

T-tms

 

  

  

                                        





  

 

 

 

 



         

                

      

 

 

 

  

                        

              





 

 

     

     

     

  

     


8 88

T-tms

Xyl.

Xyl. nat.

Vib. shp.

Vib. nat.

           

                                                           

91

T-tms

I  

  

Xyl. nat.

Vib. nat.

Xyl.

Xyl. nat.

                                                                                      

 

     

                                     

                                                                                  94

T-tms

            

      

Xyl.

Vib. shp.

 

  

       end Perc. III

                                  

 

 

Vib. shp.

    

Vib. nat.

  

   

(Perc. II alone)   fff sempre



   

     

   

   

 

 

     

end  Keyboardist          

(Perc. IV alone)

               fff sempre

 (Perc. I alone)        fff sempre

    

  


9 97

T-tms

 

 

        

 

  

Xyl.

Xyl. nat.

                                                      

Vib. shp.

Vib. nat.

      

    

   

  

100

T-tms

     

Xyl.

Xyl. nat.

                    

Vib. shp.

Vib. nat.

      

     

   

   

J  

    

  

  

  

    

         

  

 

   

                                 

 

    

    

   

    

  

  

    

    

   

  

Q-2 103

T-tms

     

 

        

Xyl.

Xyl. nat.

                                                          

Vib. shp.

Vib. nat.

    

   

    

  

    

  

     

    

    

     

   

 

   attacca


II: Farándula de Charlatanes (Farandole of Charlatans)

10

[Q-2 image up by here]

q. = 64, q = 96

      



   sfz



Flexatone

Percussion 1

fff

Cymbal, 5 toms

   

Percussion 2

fff

Xylophone

 



     sfz

(one player)







   

fff

                 

fff

Vibraphone

  

(one player)

 

                      fff

 

 

Q-3 5

Perc. 1

Vib.

                                            

Pno.

      

Perc. 2

Xyl.

    

    

fff

q. = 64, q = 96

Piano

       

 

 

  

 

   

 

Q-4

[Q-3 image up by here]

   



   sfz



fff

 

fff

 

 

     

sfz

                              fff

  

 

 

  

 

                   

 

  


11

Q-5

[Q-4 image up by here] 9

Perc. 1

     

fff

Perc. 2

      sfz

   

 

sfz

fff

Xyl.



Vib.





Pno.

 

       

 

fff

  sfz

fff

         fff   

   

    sfz

 

    

                 fff

 

 

 

[Q-6 image up by here]

Q-6 Perc. 1

  

13

fff

fff

              

[Q-5 image up by here]

fff

      sfz

Perc. 2

     sfz



  sfz

       sfz

 

fff

          sfz

Xyl.

Vib.



Pno.

                                                

 

  





                 

  


12

Q-7

17      Perc. 1  

           sfz

Perc. 2

       

 

f

fff



           mp

mf

p

Xyl.



Vib.



 

 

  

   

             

   

   

   

Pno.

     

    

 



 



No Saben el Camino (They Don't Know the Way) [Q-7 image up by here]

Meno mosso; e = 96, q = 48

Perc. 1

Side Drum, 2 Wood blocks, Low Agogo, Guiro Side Drum     f

      

   

2 Cymbals, Triangle, Tambourine, 2 toms Triangle Cymbal1

 Perc. 2   

      

mp

         

 

   

 

   

         

       

Meno mosso; e = 96, q = 48

    

Pno.

f

   

       

 

     

         



    

       

 

     

       



     


13 5

Perc. 1

Perc. 2



 

   

 

         Pno.

9

Perc. 1

        

   



   

     

     

Pno.

 

13

Perc. 1

Perc. 2

Pno.

   

   





 



 

 

Cymbal2

 

   

  

   

 

      

 

 





 



 

 

                              

 

  

     

     

         

 

      

ff

Toms 1,2

Perc. 2

loco   

Woodblock2

    

 

Tambourine

   

   

Wood block1       

  

             

               

 

                          

             

 

    

 

         

  

        

 

 

 

       

             

   

   

 

          

Guiro

            

 

      

                  

 

            

   

  

dim.



 

 


14 16

Perc. 1

 

  

    

   f

Perc. 2



 

f

  

f

Pno.

  

19

Perc. 1

Perc. 2

 



22

Perc. 1

Perc. 2

 

Pno.

   

  

    

   

    

    

 

 

  

   

 

                  

   

   

  

  

       

   

 

   

 

  

 

      

          

   



               

 



 



   

   

   

        

   

 

    

 

            

 

  

 

 

                

   

     

 

  

 

  

 

       

dim.

 

 

  

       

Pno.

       

  

  

 

   

 

 

  

 

    

 

       

 

pp dim.

ppp

    

 


III: Estragos de la Guerra (The Ravages of War)

15

Q-8 Grave; e = 120 Percussion 1

toms   2                            ff 3

3

3

3

3

3

ff

3

3

3

ff 3

3

3

3

3

3

3

3

3

3

3

3

Grave; e = 120

Perc. 1

 



 

 



 

A             

6

ff 3

3

ff 3



 



 



 

3

                     

Perc. 2

3

3

3

3

                             

Perc. 3

3

3 3 3 3 2 toms                                 

ff 3

3

2 toms                               

Percussion 3

Piano

3

3

2 toms                              3 3 3 3 3

Percussion 2

Percussion 4

3

ff 3

3

3

3

3

3

3  3   3  Perc. 4                                          3

ff 3

3

3

3

3

A Pno.



 



 


16

B                                     

11

Perc. 1

ff 3

3

3

3

3

3

3

                                  

Perc. 2

ff 3

Perc. 3

3

3

3

3

3

3

                                    ff 3

3

3

3

3

3

3

                              Perc. 4          3

ff 3

3

3

3

3

B Pno.



 



 

16

Perc. 1

Perc. 2

Perc. 3

Perc. 4

3

 

C





   

   



D 

   

    

   





 

3

      ff 3



3

      ff 3

3

      ff 3

p

ff 3

C   Pno.

D      

3


17 22

Perc. 1



                            3

3

3

3

3

3

                                            

Perc. 2



3

3

3

3

3

3

                                             

Perc. 3

3

3

3

3

3

3

3                                       Perc. 4            3

3

3

3

3

 

Pno.

Perc. 1



Perc. 2

Perc. 3

Perc. 4



 



 

F             ff 3

 mp

 

      

  

F   

                   

  

  

   

3

3

3

3

           

ff 3

 

3

           

ff 3

3

           

ff 3

E           

Pno.

E

26



3

3


18

                                              

32

Perc. 1

3

3

3

3

3

3

3

                                              3 3 3

Perc. 2

3

3

Perc. 3

3

3

                                                3

3

3

3

3

3

3

3 3 3 3                                         Perc. 4            3

Pno.

       

36

Perc. 1





Perc. 2







 



 

3

     

3

     

3 3

   

ff

G    

Pno.

ff



    

ff

Perc. 3

3

Q-9

G

ff

Perc. 4

3

    

        

mf

           

        

   

                   

           

 

     

    

     

                  


19

H                       

41

Perc. 1

ff 3

Perc. 2

3

3

3

3

3

3

3



Pno.



3

    

   

   

         

Perc. 1

Perc. 2

 

       

Perc. 4



Pno.



     



3

  

3



     

3

  

 

    

3

  

    

3

  

3

 

   

3

        3

 

   

3



3

           

  

3

3

    

3

3

3

Perc. 3



3

3

3

 

I

3

3



  

       

3

           

3

3

3

           

3

  

45

      

3

H    



3

3 3 3               Perc. 4              

ff 3

3

                  

ff 3



3

                   3 3

ff Perc. 3

3



3

   

3

I                       f   

     

  

   

 

    



       


20 48

Perc. 1

Perc. 2







 



  

  

      

    

     

    

      

    

     

3

    3

       



Perc. 3

 

3

Perc. 4

3

        





                  Pno.

14:10

     

  

                  12     

    

 

   

  

   

J                                 Perc. 1  51

3

Perc. 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

J   

  

  

    

   

   









3

Pno.



3

3 3 3 3                    Perc. 4              3



3

                                3



3

                                 3 3

Perc. 3

3



 

 

 

     


21 54

Perc. 1

                      

                      



3

Perc. 2

3

3

3

3

3

3

3

3

3

3

3

3

       

3

3

3

        3

                     

Perc. 3

Perc. 4

3

3

K        

3

3

3

                         

3

       

3

K

  

 

              

Pno.

    

57

Perc. 1

  

    

           

             

             

3

Perc. 2

Perc. 3

Perc. 4

   

         

3 3

    

        3

3

  

     

      

        

     3

       

3

3

       

3

    3 3

3

    3

3

3 3            

f

3

ff

Pno.

      



3

       

3

3     

                       

12

   

      


22

L                            

60

Perc. 1



3

3

fff 3

3

fff 3

3 3

Perc. 4

3

3

3

3

3 3

     

L         

       

63

Perc. 1

Perc. 2

 

 

3

  3

3 3



3

3

3

Perc. 4

3

  3

Pno.

        

3

3

3

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

      

                

3

3

3

Perc. 3

3

3                                  



3

3

fff 3

Pno.

3

3

3                                

Perc. 3

3

                                 3 3 3 3

Perc. 2

fff 3

3

3

3

3

3

3

3

3

3

3

                   3

3

3

3

3

3

3

3

3

                   3

3

3

3

3

3 3

3

3

3

3 3

3

                  

       

3

3

3

3

      

3


23

M                Perc. 1  



                



 

65

3

Perc. 2

3

3

3

3

3

3

3

3 3

3

3

3

3 3

     

    



    

    



    

    

3

3

3

3

                           3

   

3

               

Perc. 3

Perc. 4

3

    

3

3

M  

     

     

ff crescendo Pno.

   

     

 

 

    

 

      

Q-10 68

   

 





 

   

Perc. 2

    

 





 

    

  

Perc. 3

    

 





 

    

  

Perc. 4



   

 





 

   

 

  

                      

Perc. 1

Pno.

      

 

    

fff

crescendo

  

         



 

 

   

   

 

ffff

    

 

   


24

N             

       

            

         

71

Perc. 1

ffff 3

Perc. 2

3

ffff 3

Perc. 3

3

3

3

3

3

3

3 3



3

   

73

Perc. 1

Perc. 2

     

     

3

3

3

3

Perc. 3

3

      3

3

3

3

Perc. 4



      3

  

Pno.

  

3

        

3

3

3

 

 

   

    

 

3

3

3

3

3

  

3

3

3

3

   

3

        

3

3

3

3

3

3

3

        

3

3

3

3

3

3

3

        

3

    3

3

3

 

    3

3

3

3

3

3

3

    3

3

3

3

         

  

3

3

3

3

       

3

         

3

3

3

3

            

N    

3

3

3

3

ffff 3

Pno.

3

             ffff 3

Perc. 4

3

3

3

3

3

3

3

3

3 3

        

3

3

  

     

  

   

3

3

3


25 75

Perc. 1

Perc. 2

        

                         

3

3

Perc. 3



3

3

3

3

3

3

3

3

3

3

3

3

3

3

  

3

         





     

 3

3

3

               3

3

3

3

3

3

3

3 3

         

3

3

3

  

3

3

 

 

      

 

3



3

3

3

3

   

                 

3

    3

3

    3

               3

    ffff 3

3

3



3

Pno.

3

ffff 3

O

ffff 3

Perc. 4

3

Perc. 3

3

            

3

Perc. 2



ffff 3

3

3

77

Perc. 1



3

           

          3

Pno.

3

                          3

Perc. 4

3

O

 

3

3

3


26 79

Perc. 1

        

3

3

3

3

3

3

3

3

3

3

Perc. 4

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

     3

3

      

3

3

3

         

    

3

    

3

3

3

     

        



3

Pno.

3

        

Perc. 3

3

        

Perc. 2

3

3

     

P

 

Perc. 2

 

Perc. 3

 

Perc. 4



 

81

Perc. 1

P   p

Pno.



 

   

   



    



    


IV: Farándula de Políticos - Contra el Bien General (Farandole of Politicians - Against the Common Good.)

27

[press Q-11 one eighth note before downbeat]

q. = 76+

Q-11

Drum Set

2 Wood blocks (high, low), 2 Whistles, Triangle, 2 Agogos (high, low), Guiro, Cuica, Cow bell Wood block1 Wood block 2

        

   

   

   

 

f

 

Cabasa

 5 Temple blocks

   

Temple blocks

 

Xylophone naturals

f





 





Player 1 (flats only)

Xylophone flats

                                f

q. = 76+

            

Piano

 

f

A 4

Dr.

  

   

    

  Guiro         

Low Agogo

   

p

Cbs.

 

T. bl.

Xyl. nat. Xyl. shp.

 



p

 

                             

Pno.

   

A


28 8

Dr.

   

   

   

 

B

   

         

Cbs.

T. bl.

Xyl. shp.



12

Dr.

 

Pno.



  

 

      

          

   

 







                    

  

   

 

T. bl.

Xyl. shp.

   

Cbs.

Xyl. nat.

    

    

B          

Player 2 (naturals only)

ff

ff





Pno.

 

ff

ff Xyl. nat.

  

  

 

       

     

 

    

                                               


29 15

Dr.

       

Cbs.

T. bl.

 

 

C 

        

  

p



   

 

                    p

Xyl. nat.

Xyl. shp.

Pno.

  

     

                                   p

                         

C 

D

19

Dr.

    

Cbs.

  

                 

Xyl. nat.

         

T. bl.

Xyl. shp.

ff diminuendo poco a poco

                         

D Pno.


30

E

23

Dr.

          

Cbs.

pp

G.P. (5 bars)

T. bl.

Xyl. nat.

Xyl. shp.



E Pno.

G.P. (5 bars)

F 29

Dr.

 

Whistle1

p

Whistle2

   

 

Triangle

   

  

   

          

Cbs.

T. bl.

Xyl. nat.

Xyl. shp.



p

F Pno.


31

G         

34

Dr.

        Cuica

  

T. bl.

Xyl. shp.



Pno.

    

Dr.



           

ff

G              

38

Xyl. nat.

   

ff

      

Cbs.

   



ff

   



              

   

   

Cbs.

T. bl.

Xyl. nat.

Xyl. shp.



Pno.

                      

   

   

 

  

  

 

  

 

 

  

  

 

 

  

  

    


32

H        

41

Dr.

          

      

     

   

f Cbs.

T. bl.

 

 



 





f



                                f   ���                                                    

f

H 

Pno.

      

I        

Cbs.

T. bl.

 

Xyl. nat.

Xyl. shp.

  





  

   

   

 



   

 

  

 

 





                                                                                         

I Pno.

 f

45

Dr.



 

Xyl. nat.

Xyl. shp.

  

  

   

 

  

 


33 49

Dr.

Cbs.

Xyl. nat.

Xyl. shp.

 

T. bl.

     

        

 

   



                           

J

ff

 



ff

                   

                         

ff

Pno.

J   ff  

                 

                           

Dr.

              

Cbs.

T. bl.

Xyl. nat.

Xyl. shp.



Pno.

       



p

                   

                         



                      

                            

  

  

K         p

53

  

  

K  


34

  

57

Dr.

 

   

 

   

   

  

Cuica

 

                                   

Cbs.

T. bl.

Xyl. nat.

Xyl. shp.



L    

   

Pno.

61

Dr.

   

ff

      

   

Cbs.

   

ff



  

 

T. bl.

Xyl. nat.

Xyl. shp.



L  

Pno.



 

ff

 





 

                  

              


Q-12

   

64

Dr.

T. bl.

  



  

Cbs.

Xyl. nat.

 

35

M    

  

   

   

 

                         

ff Xyl. shp.

  

Pno.

   

Dr.

        

M                              



                                     

68



    

    

   

   

   

    

Cbs.

T. bl.

Xyl. nat.

Xyl. shp.

      

Pno.

            

   

      

     

    

              

 

                                     

                                


36

N         

71

Dr.

   

Cbs.

ff

Xyl. nat.

Xyl. shp.

      

T. bl.

       

     

   

 

      

    

       

       

      

                                                     

N Pno.

75

Dr.

O 

 

 

  

p crescendo poco a poco

T. bl.

Xyl. shp.

     

      

Cbs.

Xyl. nat.

   

     

p crescendo poco a poco

  

  

       

                                                  p crescendo poco a poco                                                                  

   

p crescendo poco a poco

O Pno.

 


37 79

Dr.

ff

  ff

   

   

  

f

T. bl.

                  



            

   Cuica p

ff

 

f

f

Q 

   

 

                     

p subito

ff

f

Pno.

                  

  

Cbs.

p

P                      

f

Xyl. shp.

  

   Cuica



p

83

Xyl. nat.

p subito

Dr.

P        

     

                                  ff                                 

Pno.

 

T. bl.

Xyl. shp.

     

          

Cbs.

Xyl. nat.

  

                     

 

                     ff                     ff

Q                       ff

                  


38

   

87

Dr.

  

   

f cresc.

p crescendo molto!

 

   

     

Cbs.



p crescendo molto!

Xyl. nat.

T. bl.

                       p crescendo molto!

Xyl. shp.

Pno.

 

 





f cresc.

   

     

                     

p f cresc.                            p cresc.  f cresc.                     

    



                               

 

    



      

  

            

Q-13 90

Dr.

  



fff

   

Cbs.



Xyl. nat.

    

    

fff

Xyl. shp.

       

Pno.

     





fff

 





Cuica

 

 

  

 

 

 

 

p



fff

   p

fff

T. bl.

(with the image)

R

R


V: Farándula de Populacho (Farandole of the Rabble)

39

Q-14

e = 120

  

Bass Drum, Clap

Percussion 1

Bass Drum

   ff



Bass Drum, Clap, Wooden Board

 

Percussion 2

Bass Drum, Clap

 

Percussion 3

 Bass Drum

    





ff Snare, Suspended Cymbal, Clap, Wooden Board Snare Susp. Cymb.

Percussion 4

     

 

ff

sfzp

e = 120

 

Piano

3

Perc. 1

 

Perc. 3

 

p

f

p

          f

       

    ff      ff

p

  

   



ff

     

Pno.



Perc. 2

Perc. 4



 

5

              

 p

f

        

p

       p cresc.

     


40

A 

5

Perc. 1

(Bass Drum)

     ff

Perc. 2

(Bass Drum)

   

Perc. 3

    



ff

Perc. 4

ff Wooden Board

 

Pno.

ff

   

     

loco

5



5

Wooden Board

   

   

   

ff Perc. 4

Pno.

ff

p



 

 

    

 3         

 f

     



  

ff

p

f

     

ff

5

p

ff

Perc. 3



     

A    

 

ff Perc. 2

  

5

5

           

     

5

5

5

7

Perc. 1

5

f cresc.

 

3

     

 5



 p

 pp

           

 ff

   

    


41

B   Perc. 1   11

Perc. 2

Perc. 3

   



ff Perc. 4

 

  

 

 

B

5

                       ff               5 5    

f Pno.

 

loco

    



5

       f 

Perc. 1

Perc. 2

         

         ���    

ff Perc. 3

5

   



ff Perc. 4

Pno.

5

C

13

5

        



      p      

ff

C       f

7

pp

       


42 18

Perc. 1

D

(Bass Drum)

    



ff

5

   

fff

                          fff

Perc. 3

(Wooden Board)

Perc. 2

5

(Bass Drum)

   



fff Perc. 4



Pno.

p

f

molto rit.

         

24

 

      ff

    

Perc. 3

ffff

Perc. 4

  

Pno.

dim. poco a poco

   

Clap             ff

dim. poco a poco

        dim. poco a poco

 



p

Clap

ff

p

dim. poco a poco

Clap

 

 

Clap

 

ff

Perc. 2

n

             

 

D            

 

Perc. 1

    

  p

   

p

molto rit.

 

 


VI: !Extraña Devoción! (Strange Devotion!)

43

Q-15

q = 48

(sotto voce) Pater Noster, qui es in caelis, Sanctificetur nomen tuum;

  

Small Bells

 

p

    

   

(sotto voce) Pater Noster, qui es in caelis, Sanctificetur nomen tuum;

   

Chimes

 

p

  

A Adveniat regnum tuum.

Adveniat regnum



(sotto voce) Pater Noster, qui es in caelis, Sanctificetur nomen tuum;Adveniat regnum tuum.

 

Vibraphone (white keys) motor on

 







p

  

 

 

.

Fiat voluntas tua Sicut in caelo et in terra

8

Sm. B.

Chim.

   

   

tuum.

  

  



tua Sicut in caelo et in terra Vib.



.

.

B  



 

    

  

Fiat voluntas tua Sicut in caelo et in terra

 

 

tua Sicut in caelo et in terra Vib.

A

(sotto voce) Pater Noster, qui es in caelis, Sanctificetur nomen tuum;Adveniat regnum tuum.

Fiat voluntas

(play from reverse side of Vibraphone)

q = 48

Piano

Fiat voluntas

    

(sotto voce) Pater Noster, qui es in caelis, Sanctificetur nomen tuum;Adveniat regnum tuum.

Vibraphone (black keys) motor on

 

      

    

 



Fiat voluntas

 

dolce, legato

tua Sicut in caelo et in terra

Pno.

.

 .

B            p

 


44

C

15

Sm. B.

Chim.

Vib.

Vib.

 

 





 

  

 

   

 

  

 dolce, legato

 

mp

C

                             mp              

Pno.

21

Sm. B.

Chim.

Vib.

Vib.

D

    

D      

Pno.

 



   

  

               

     



  

      

E

   

 

  

    

E   

      

              

        

          


45

     

27

Sm. B.

Chim.

Vib.

 

 

 

 

     

F

  

 



    

 



mp cresc. poco a poco dolce, legato

Vib.



    

 

   

mp cresc. poco a poco

Pno.

                                               

   

Sm. B.

Chim.

Vib.

Vib.

 

     

  

 

  

 

  

         

 

   

 

Pno.

  

f dim. poco a poco

          

 

           

           f dim. poco a poco

                      

   

  

G

      



 

mp cresc. poco a poco

G

         

33

F

    

f dim. poco a poco


46

   

Sm. B.

Chim.

Vib.

H

  

39

 

 

 

 

            

  

  

p

Vib.

 

 





   

   

44

Sm. B.

H                  p

 p

           

Pno.

 

      

        

        

      

  

I 



  

Chim.

Vib.

Vib.



                          Pno.

    

  

     

I

          

  

             

  

    




47

   

48

Sm. B.

 

 

 

J

  

Chim.



Vib.

 

p

cresc. poco a poco

Vib.



p

                     

Pno.

 

 

   

Sm. B.

Chim.

Vib.

 

    

           



 

    

cresc. poco a poco

   

 



cresc. poco a poco

        

K 

        

  

J         p

   

 

 

     

53

 

 



        

   

 

f

Vib.





  

     

 



       

    

   



f

                     Pno.

  

K

                    f

 

   

 

    

   

   

     

 

 


48

      

58

Sm. B.

Chim.

Vib.



 

L

  

 



 







   

Pno.

   

 

   

64

Sm. B.

Chim.



    dim.  



 

  



Vib.

Pno.

          

M

   



 

    

 

 

      

L             f

 

         

     

Panem nostrum quotidianum da nobis hodie. Sicut et nos dimittimus debitoribus nostris.

  

   

Panem nostrum quotidianum da nobis hodie. Sicut et nos dimittimus debitoribus nostris.

  

  

 

   

Panem nostrum quotidianum da nobis hodie. Sicut et nos dimittimus debitoribus nostris.

 

  



 

p

 

M

            

     

 

f

   

p

       

            

           

  

           f

p

p

Vib.

p

dim.

 

 

p

dim. Vib.

Panem nostrum quotidianum da nobis hodie. Sicut et nos dimittimus debitoribus nostris.

 

   

Panem nostrum quotidianum da nobis hodie. Sicut et nos dimittimus debitoribus nostris.

  

 



      


49 71

Sm. B.

Chim.

Vib.

Vib.

N 



                   

   

   

  

  

 







   

inducas intentationem: Sed libera nos a malo.

  





inducas intentationem: Sed libera nos a malo. Vib.



   

 

 

P      





 

 

 



     



   

  

 

Et ne nos

 



   

 Sed libera nos a malo.

    

Et ne nos

Sed libera nos a malo.

  

Sed libera nos a malo.

inducas intentationem: Sed libera nos a malo.

Pno.

Et ne nos

O                                  

P

inducas intentationem: Sed libera nos a malo.

Vib.



dim. poco a poco

inducas intentationem: Sed libera nos a malo.

Chim.



Et ne nos



Et ne nos

p                                                      

78

Sm. B.

  



f

O

        

  

    

N    

Pno.

   

 

    

Sed libera nos a malo.

Sed libera nos a malo.

 

 

 

 











p


50

VII: Farándula de Creyentes – Nada. Ello lo dice. (Farandole of believers - Nothing. That is what it says.) Q-16

e = 104

  

Cabasa, Annoying Bell

Percussion 1

High Wood block

 

Percussion 2

     

pp

Percussion 4

Maracas, Guiro, Splash Cymbal





  

 



   

pp

Clave

  

   



      

Percussion 3

      

Maracas

pp

 

e = 104

 

    

  

Perc. 2

A

6

Perc. 1

Melodica

 

  



  Perc. 4   



Perc. 3

      

 





   



 



   



    

Guiro



pp

   

pp

      

A Mel.


51 11

Perc. 1

B 



Cabasa

       

    

pp

 

Perc. 2

     

Perc. 3

Perc. 4

  

  

     

   



    

    



   

     



B Mel.

16

Perc. 1

Perc. 2

C

 

  

     

Perc. 3

 Perc. 4   

     

      





 



  

D

      

      

    

  



     

C Mel.

       

D


52 22

Perc. 1





   

    



 

  

Perc. 2

 

Perc. 3

Perc. 4





    

       



  



E

  

    

E Mel.

27

Perc. 1

     

     

Perc. 2

 

  



Perc. 3

 

  



    

 

  

  Perc. 4   



    

F 

   



  



   

    

     

F 

Mel.

Maracas


53

G             

33

    

Perc. 2

Perc. 3

 

 



Perc. 1

Perc. 4

 

Mel.

Perc. 1

   

    



    

     

G  

   

 ppp

    ppp

           ppp

38

  

   

Annoying Bell

 

    

 H     

   

 

 

  

mf



 

     

 

 



   

 

      

         

   

 

Perc. 2

Perc. 3

Perc. 4

Mel.



  



      

     

 

H


54

I

44

Perc. 1

Perc. 2

Perc. 3

Perc. 4

      



      

    



  

      

    

     

       



       





I Mel.

51

Perc. 1

  

     

Perc. 3

Perc. 4

  

Perc. 2

K

J



        

 

 



 

  

     

    

 

    

       



  

 

     

   

J Mel.

Cabasa

K


55

Perc. 1

    

Perc. 2

 

Perc. 3

  Perc. 4   

Q-17

L

57



      

 

         

   



   



 

     

    

     

  



       

L 

Mel.

Perc. 1

    

 

ppp

Annoying Bell

M

63

 

ppp

  

 

   

 

mf

Perc. 2

Perc. 4

 

 

Perc. 3



    





   

   

     

 



     



  

M

Mel.

 

           

 

      ppp

   

     

   

     

 

 

      



 


56

   

  

69

Perc. 1

   

 N   

  

  

mf

      

Perc. 2

Perc. 4

   

 

Perc. 3



    



    

     

Mel.

         

Perc. 1

 





ppp

    

75



  

O    

   

accel.

  



  

 



   

ppp

 

N 

   

     

           

  

  

  

    

fff

    



Perc. 3

 

fff



ppp Perc. 4



Splash Cymbal

 

     



 

 

 



fff

  

 

fff

O

Mel.

  

accel.

 







 

 

 

ppp



 

   

ppp

      

 

  

ppp

 

   

  

ppp Perc. 2

 





 

 

fff













 attacca


VIII: Farándula Doble (Farandole Double) e = 192

2 toms, Whistle, Covered Cuica 2 Toms

       

Percussion 1



2 toms, Low Agogo, High Agogo 2 Toms

      



ff

       



ff

2 toms, Splash Cymbal 2 Toms

      

Percussion 4



ff

e = 192

   

Piano

f

   

7

Perc. 1

       

      sfz

      sfz

B

      

       

      sfz

      sfz

sfz

Perc. 2



Perc. 3

Perc. 4

Pno.



 

         

 

 

                              

 ff

sfz

 ff   ff

                              

sfz

         

ff

sfz

           sfz

ff

           ff sfz

A                              

                                         



A          ff

sfz

2 toms, Cowbell, Triangle 2 Toms

Percussion 3

sfz

ff

Percussion 2

      

57

         

            

             sfz

 

sfz

sfz

           sfz  ff  

B       

            

            


58

     

13

Perc. 1



C               

ff

Perc. 2

ff

        

                  

ff

Perc. 3

ff

       

Pno.



                                 

18

Perc. 1

 

Perc. 2

 

 

           

 

Perc. 3

Perc. 4

Pno.



 

                               

 

                ff sfz

C                f           

      

D 

sfz

ff

       



sfz

ff

        ff

sfz

                   sfz

ff

Perc. 4

sfz

       sfz        sfz

ff

  



   

                   

         sfz

  



          sfz

   



         sfz

    ff



         sfz

  ff  

       D                                 f                        


59

E

23

Perc. 1

Perc. 2

   



   

 

    ff

 

 ff

Perc. 3

  ff

Perc. 4

Pno.



                                    

 

            E                                

27

Perc. 1

Perc. 2

Pno.

   

 

    

 

    

Perc. 3

Perc. 4

 

                                                              

                  

  


60 31

Perc. 1

 

Perc. 2

F

 ff

Perc. 3

  ff

Perc. 4

  



   

 

    





     

 

 

 

 

    

F                                                   

Pno.

 

  

Perc. 1

Perc. 2

Pno.



 

  

 

  



   

 



    ff

 

    



  ff

Perc. 4

ff

Perc. 3

  

  

G

35

 

 

      

       

  



 

   

             G                                                                                   


61

H

39

Perc. 1



  

ff

Perc. 2



ff

 

Perc. 3

Perc. 4

Pno.

 

   

��� 

   

   

Low Agogo

   



    ff

  

  ff





  



 

I 

     

Perc. 3

Pno.

 

H                                                                                                      

Perc. 2

Perc. 4

      

Whistle

43

Perc. 1

    



     

    

 

   

  

 

 



 

        

  ff

  ff

        

  

   

   



       ff  

I                                                             



         


62 47

Perc. 1

High Agogo Perc. 2

Perc. 3

Perc. 4

Pno.

 

     

      

  



  

   

  

  

 

J 

 

 ff

Perc. 3

  ff



  ff

 

  

  





  

 

 





 

  

  

  

  

  

J      

Pno.



Perc. 2

Perc. 4

  



  

                                                                         

51

Perc. 1

   

  

  

  

  

 

   

  



            


63

K

54

Perc. 1

 

Perc. 2

 

  

 

Pno.

 

 

 

 

 



 





Perc. 1

 

 

  

Perc. 3

 

Perc. 4

Pno.

 



   

  

  



 

 

 

 

 

Perc. 2



   ff

 

  

  

  



  

   

  

  



  

  

 

 

  

  

  

   

     



  

K

 



 

 

  

      

57

  

 

13A

  

ff

   

ff

  

 



 

Whistle

  

ff

  

 

Perc. 3

Perc. 4



 

 

  

 

 

 

 

 

                                 


64

L

60

Perc. 1



  

ff

  



   ff

  ff

Perc. 4

 

Pno.





 

   L   

 

 

      

63

Perc. 1

Perc. 2

 

Perc. 3

Perc. 4

      

Pno.

  

  

 

  

 

 

  

  

  





 

  





     

  

 

  

 

  

 



   

  

        

 

 

 

           





  

  

ff

Perc. 3



 



Perc. 2



 

   



  

 

  

  

 

 

 

 

        

 

                                  


65

M     Perc. 1  66

ff

Perc. 2

 ff

Perc. 3

  ff

Perc. 4



  ff

 

  

  

Pno.

Perc. 1

Perc. 4

  

Pno.

 



     

  

 

  

 

  

 

  



   

  

 

  

  

Triangle

  

 

  

 

  

N

 

Perc. 3



  

    

     

 

    

Perc. 2

  

 



     

 

   

 

                 

69

     

 





Cowbell

M   

 



  

    





ff



 

  

  

  

   ff

 ff   ff

 

     

 

 

 

   N         

  

         

 

 

    

     


66 72

Perc. 1

Perc. 2

 

     

    

 

Perc. 3

Perc. 4

    

 

Pno.

 

   

 

   

    

    

   



 

Pno.

     

 

  

   

 

   

     

                                

   

 

  

  

      

                                 



  

  

ff



   

 

  

    



 

  

  

  

   ff

 ff   ff

Perc. 4

 

Perc. 3

  



O

 

Perc. 2

 

 



  

75

Perc. 1

 

 

     

   

  

 

  



   O              

                                     


67 78

Perc. 1

 

Perc. 2

 

  

Perc. 3

 

  

Perc. 4

    

Pno.

81

Perc. 1

  



P 



  ff

Perc. 4



 

  ff

Pno.

  

  



 

 

  

 



   

 

   

  

  

  

 

      

  

         



   

 

     

  

    

    

   

  

    



  

 

                          

   



  



 

   



   

P  

     

ff

Perc. 3

   

     

ff

Perc. 2

     

   



 

  

   

  

  

  



 

     

 

                                 

                


68

Q

84

Perc. 1

Perc. 2

    

    

   

   

 

Perc. 3

Perc. 4

 

 

 



 

Perc. 2

Pno.



   

     

 



  

     

    

  

      

 

     

 

ff  ff  



 

  

   



    

  

  Q       

   

  

   

           

   

     

   

 

  

     

  

   ff

  

                   

 

 

   

    

 

   



ff

 

Perc. 3

Perc. 4

 

 

87

Perc. 1

  

   

Pno.

 

   

  

     





     

 

 

    

   

        

    

  

        

                                          

                       


69

R

90

Perc. 1

 

Perc. 2

   

    

 ff  

     

  

        

    ff  

      R                 

   



   

 

   

   

   

  

     

           



     

     

 

   

                                   

  

   

       

   

 

   

   

       

   

   

    

           

Perc. 3

Pno.

ff



                                            

Perc. 2

Perc. 4



ff

93

Perc. 1

 



          

Pno.

   

    

Perc. 3

Perc. 4

 

     

     

  

  

 

    

         



   

     

                                                                         

     

                                


70

S

96

Perc. 1



fff 

Perc. 2

fff  

Perc. 3

fff

Perc. 4





   

 

    

  

  

   

       

  

   fff

Pno.

   

   

 

S    

   

 

 

Perc. 1

        

Perc. 2

 

Perc. 3

 fff  

   

Pno.

 

     

 

    

    

   

   

    fff  

       

 

   

   

 

  

   

   

     

   





   

 

 

 

    

 

 

 

     

 

 

  

       

  

   

T  

 

      

  

Cuica

  

fff

fff

   

fff

 

 

            

fff

 

                        

     

  



   

  

        

            

   

            

   

     

  

                   

   

fff

Perc. 4

fff

  

    

T

99



fff

     

            

   



     

    

                

  

   


71 102

Perc. 1

Perc. 2

    

 

    

   

 

Perc. 3

 fff

        

fff

  fff

Perc. 4

     

     

Pno.

   fff  

 

       

   

 

  

   

         

 

  

    

Perc. 3

Pno.

 

 

Perc. 2

Perc. 4

  

                              

105

Perc. 1

    

 

   

 

  

  

  

                    

       

       

            

     

 fff  fff

  fff

         

 

    



  

     

   

    fff                    

U

   

 

 

     

  





     

  U                                              

  

     

   

   

   

 

    

  

  

  

 

    

 

 


Martin Bresnick: Caprichos Enfáticos