19
For Klinghoffer especially there was a lot to prove when he took over the reigns on guitar. His predecessor, John Frusciante, was a fan favourite and instrumental in the development of the band’s sound during his two stints as a member. He even provided short covers of songs by greats such as Elton John and The Bee Gees during their live sets - it’s hard to top Frusciante’s bitter sweet falsetto on ‘How Deep is Your Love’. Since his return in 1999 with Californication, the band went from strength to strength, culminating in the ambitious double album Stadium Arcadium and his departure.
the newcomer’s backing vocals are impeccable being both harmonically intelligent and expressive Despite this, Josh Klinghoffer is an exceptional musician in his own right. Although his performances on I’m With You are in places understated, (partly due to a drum centric mix heralded by the addition of percussionist Mauro Refosco), his ability in terms of both raw and subtle riffs shines through on numerous occasions on the record. Moreover, despite Frusciante’s aptitude in the backing
vocals department the newcomer’s backing vocals are impeccable - being both harmonically intelligent and expressive. One of the singles the band subsequently released from the album sessions, ‘Hanalei’, features one of the most sublime examples of Klinghoffer’s ethereal vocal chops in its bridge section. He managed to replace one of the most loved guitarists in modern rock and came out of it remarkably unscathed.
his bass fills are to die for - there are certainly worse trade offs Shuman had less of a tough act to follow in regards to his immediate Queens predecessor, Alain Johannes, as he was more a frequent collaborator with the Josh Homme than a set in stone band member, (see what I did there?). Nonetheless, bassist and singer Nick Oliveri’s expulsion due to various misdemeanours including an armed standoff with a SWAT team left a rift that was still apparent. Yet where Olivieri contributed aggression and creativity Shuman adds indefatigable groove to songs such as ‘I Sat By The Ocean’, provides emphatic vocals to supplement Homme’s crooning and his bass fills are to die for - there are certainly worse trade offs. Over and above their respective offerings to their bands Shuman and