Page 20

I met a traveller from an antiq


trunkless legs of stone Stan

the sand,Half sunk, a shattered

wrinkled lip, and sneer of col






on these lifeless things,The h

heart that fed:And on the ped






Mighty, and despair!'Nothing b

and accessible, dark ando free c a“...close y O f t h a t c lossal wreck, b spaces that are close to the city.”

and level sands stretch far a

antique land Who said Two vast

Stand in the desert. Near them

tered visage lies, whose frown

of cold command,Tell that its

read Which yet survive, stampe

of then late 90’s, the PLC crew, whosea work t can be difficult pin down is ha d th mtoo cbutk ed them and t worth the efforts of exploration. Once in Lade we were treated to a piece by the largest street art collective

(Train)d trackse “are close dark andt freeh spacese that are to pe sandtaccessible, al sclosee words appear the city.”

Svartlamoen was a story of community and preservation, it became o fWhile kings:Look on my works, ye clear that the artistic history of Lade was in many places ready to disappear. Old factories and the smelteverket - the metal works - were in the process of being torn down. Where the soft marine glow of the snow met the sky were ribbons of color of decades of art approaching its end.Though street art is part of this immediate loss, changes in the wider societal conversation have been aided by the prominence of contemporary street artists such as Shepard Fairey and Banksy whose works have become part of the collective visual lexicon.

beside remains. Round the de

boundless and bare The lone

20 aw ay. I met a traveller from THE LIST trd T HE NINT H ISSU E

The List - Issue 9  
The List - Issue 9