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澎葉生 聲音藝術工作者,他的創作和研究約始於1996年在法國學習的具象音樂。從音樂開始並延展極廣:即興演出,電子原音 音樂(electroacoustique)編曲,以及人類音樂學。1998年開始田野錄音工作,在大自然、都會和工業環境中進行錄音,成為他聲

音紀錄片及編曲的素材,或與其它聲音媒介對話,時而與影像創作結合。作品發表形式如:即興演出、聆聽活動、出版或聲響裝 置。其創作主軸為對於聽覺經驗的實驗和探索,並十分著迷於民族學與自然科學。作品常參與國際活動,亦常與聲音藝術家、現

代舞(2007年開始與台灣驫舞劇場合作)及視覺藝術家(如與蔡宛璇進行〈拾景人〉系列創作)合作。 近幾年來持續在台灣各地 進行田野錄音與發表,未來幾年計畫透過藝術活動、聲音紀錄及教學行動持續在這個島嶼中探索。(

Yannick Dauby His sound practice was initiated around 1996, studying tape music (musique concrète in French) : discovery of the physicality of the magnetic tape, vertigo-inducing analog synthesis and acousmatic pleasures. However, it's outdoor that things really started. He began working with field recording since 1998, during a travel in a distant country, capturing

fragments of environments, urban situations, animal signals and unusual acoustic phenomenas. Those are his favorite materials, sometimes published like they are as phonographies, or providing some montage elements for some audio documentaries

or musical compositions. On stage, he improvises mainly with recorded sounds, modular synthesizer and computer. Regular

collaborations with other sound artists, contemporary dance (since 2007, produces soundtracks for Horse Dance Company in Taiwan) or in association with visual artists (such as the creations about landscape with Wan-Shuen Tsai). Experimenting the

perception of acoustic spaces with sound installations. His active discography includes personal compositions, documentations of performances, and selected phonographies. Fascinated by ethnology and natural sciences, he often wanders into these

domains in collaboration with naturalists or during community-based projects in Taiwan in Hakka or aborigine villages. Plans

for the next years include more exploration sessions of the island through artistic activities and sound documentation as well as teaching actions. (

許雁婷 文字/聲音工作者。與聲音工作的緣份始於嘉義聲音計畫,此後開展對聲音藝術的興趣和研究。喜歡探索聲音與生活、



村,以當地田野錄音與資源回收物在村中老房子作一聲音裝置。作品曾發表於英國 Formosa Show、法國網路電台 Arte Radio、失 聲祭等,近期多嘗試與表演藝術團體或創作者合作,其中包括舞蹈團隊「周先生」。

Yen–Ting Hsu Her affinity to working with sound started from Chiayi Sound Project, which opened up her interests and study toward sound art. Yenting investigates the connection among sound, life, environment, and ethno-culture; sound

is her approach to realize different perspectives of today’s world. Adopting materials from field recordings to create audio

documentaries and soundscapes, her works is often told with narrative. She went to England and France to carry out a study of “Web-radio as a platform of developing sound art” in 2010. In 2012, she was selected as a residency artist in Cheng-long

Wetlands International Environmental Art Project, and used field recordings and recycled objects to create a sound installation in an old house of the village. Her sound works have shown in Formosa Show (England), Arte Radio (France), Lacking Sound

Festival (Taiwan) etc. Currently she often tries to collaborate with groups or creators of performing art, and collaborates much with Chou/Shu-yi & Dancers.

蔡宛璇 澎湖成長,旅法數年,現居台北地區。創作媒介從裝置、圖像、錄像和詩文著手,她的裝置作品經常具暫時性,並與所

存在的空間構成一特殊關係。而她的錄像創作受實驗電影啟發,呈現開放性的敘事空間,或將現實風景轉變為內在活動之折射, 時而與詩作結合。 2004年與聲音藝術工作者Yannick Dauby 開始合作〈拾景人〉系列創作計劃,陸續於台北、法國、愛沙尼亞

駐村,透過展覽、出版、錄像或小型演出等形式發表的駐地影音創作。 著有個人詩文集《潮 汐》(2006),第二本詩集出版籌備

中。近幾年也開展藝術領域周邊的創作空間,如:社群與藝術的交會、與其它藝術人文領域的人或團體合作。2008年與Yannick Dauby共同成立回看工作室(,聚焦在聲音藝術推廣與出版、社群藝術等項目的策劃與實踐 。

Wan-Shuen Tsai grew up in the archipelago of Penghu, Taiwan. Studied and lived in France during several years and

nowadays settled in the region of Taipei. Her artwork is shared between mixed-media installation, drawing, video and poetry.

Her installations are ephemeral and constitutes a specific relationship to the physical space and architecture. Her image creation suggests an opening of narration and transforms a landscape into a mental space. In parallel of her personal projects, she

collaborates since 2004 with sound artist Yannick Dauby under the group name Shijingren, focusing on audio-visual works

about landscape. This project has been invited by artist residencies in France, Taiwan and Estonia. In 2008, founded Atelier HuiKan developping activities related to pedagogy, publication and communities ( In 2006, she published a collection of her poems and she’s currently preparing the second one.



Profile for 立方計劃空間 TheCube Project Space

Revitalization of Chiayi Sound Project  

The sixth installment of the “Re-envisioning Society” series on August 25, Revitalization of Chiayi Sound Project, a collaboration between Y...

Revitalization of Chiayi Sound Project  

The sixth installment of the “Re-envisioning Society” series on August 25, Revitalization of Chiayi Sound Project, a collaboration between Y...