THECITY Magazine El Paso • August 2016

Page 35

August, 2016

“Catalog of Matamoros vendedores ambulantes” by Mark Clark | Oil on Linen

“Dance of the Three Powers” by Mark Clark | Oil on Linen

JUNTOS Art Association Takes Show on the Road

I

| By: LAUREN MACIAS-CERVANTES | f you grew up on the border, or now call

Molina handpicked more than 60 pieces of

that culture in one sense or another. There is,

it home, you know cultural icons and

art from more than 20 artists around the

among other things, humor and irony in the

symbols are abundant in our region.

US-Mexico Border. The artistic renditions in

viewpoint my work expresses.”

Our culturally diverse international

this collection provide a regional context by

location offers unique experiences and

which viewers can reflect upon their roots,

The show includes Martinez’s “Mona Lupe,”

unforgettable encounters – from the

bridge connections to their cultural and

a fusion of The Mona Lisa and the Virgen

traditional Mexican market scene with street

environmental landscape, and envision their

of Guadalupe; works depicting borderland

vendors to an indigenous medicine man to

place within a global community. Each piece

foods and landscapes and mixed media

bullfighting. Now, one local art organization

in the exhibit will be displayed in different

pieces like “Lucha de Arte” by Wayne Hilton.

is taking some of those Borderland treasures

categories: environmental landscape, food

“In many of the border communities, the

cross country in a traveling exhibit named

and drink, and the sacred and the profane.

Lucha is just part of that Mexican culture that we identify with,” explained Hilton. “I think

“Icons and Symbols of the Borderlands.”

“Like many of the artists in the show, I am a

there is something magic about living in a

“We’re a collective experience on the

native of the border with Mexico and have a

border community, there really is. I think you

border,” said JUNTOS Art Association artistic

good perspective on the culture,” said César

get an energy that comes from the fact that

director, Diana Molina. “I wanted to share

A. Martínez. “Most of my work deals with

you have two countries next to each other.”

the border story with others.”

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