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An acclaimed history of women’s self-portraiture from the 12th century to the present day, in a completely new reading format. Frances Borzello has specialized in the social history of art since obtaining her doctorate at the University of London. Her publications include The Naked Nude, A World of Our Own and Reclining Nude, all published by Thames & Hudson.

186 illustrations 22.9 x 15.2cm 272pp ISBN 978 0 500 239469 April £24.95

Seeing Ourselves

Revised Edition | New format

Women’s Self-Portraits Frances Borzello 12

This richly diverse exploration of female artists and self-portraits is a brilliant and poignant demonstration of originality in works of haunting variety. Among the earliest self-portraits are those in medieval manuscripts, from whose pages nuns gaze at us across the centuries. In 16th-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, spanning adolescence to old age. In 17th-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the 18th century, artists from Elisabeth Vigée-Lebrun to Angelica Kauffman express both passion for their craft and the idea of femininity; and in the 19th the salons and art schools at last open their doors to a host of talented women artists, including Berthe Morisot, ushering in a new and resonant self-confidence. The modern period demolishes taboos: Alice Neel painting herself nude at 80, Frida Kahlo rendering physical pain, Cindy Sherman exploring identity, Marlene Dumas dispensing with all boundaries. The full verve of Frances Borzello’s enthralling text, and the hypnotic intensity of the accompanying self-portraits, is revealed to the full in a completely revised edition of this inspiring book.

‘This splendid book is a tour de force on selfportraiture in the Western world … Its lucid prose, evocative illustrations and handsome production make it a joy to read and savour’ Times Higher Education

‘Beautifully presented … invites us to consider women’s self-portraiture as a genre in its own right’ The Times Literary Supplement

‘Books of this high calibre are few and far between in feminist art history’ Library Journal

Thames & Hudson Spring 2016 Catalogue  
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