<http://vimeo.com/4231211>.) Shot on Canon 5D Mark II; Canon 24-70mm/2.8 lens. (©2009 Rii Schroer. Used with permission.)
Light Source Direction: Back
Figure 2.5 Another still from Rii Schroer's 16 Teeth reveals how one key source light from the 180degree rear offers a silhouette effect (the camera is exposed for the outside). Some of the light spills into the room, providing detail on the workshop table, but with no additional lighting we do not see details of the subject. Shot on Canon 5D Mark II; Canon 24-70mm, f/2.8. (©2009 Rii Schroer. Used with permission.)
Light Source Direction: ¾ Rear
Figure 2.6 Ken Yiu utilizes a ¾ rear to shape a backlighting look that creates a contrast by putting the woman's screen-left face in shadow, but enough on the screen-right side to give us a dramatic expression. (Yui, K. (2009). Y. Lumix GH1-Wedding Highlights. Vimeo.com . <http://vimeo.com/6272661>; normal shooting mode, kit lens: 14-140mm, f/4-5.8). (Still fromWedding Highlights. ©2009 Ken Liu. Used with permission.)
Light Source Direction: Front