Taylor Fleming University of Cincinnati 2600 Clifton Avenue Cincinnati, Ohio 45221 513-376-1245 firstname.lastname@example.org
University of Cincinnati, Cincinnati Ohio 2011-Present College of Design, Architecture, Art and Planning G.P.A. 3.6 Interior Design, Class of 2016 Participating in the Professional Practice Co-op Program, alternating semesters of college study with semesters of work in the field of Interior Design Oral Roberts University, Tulsa, Oklahoma 2009-2010 College of Business, Marketing Cincinnati Christian High School, Fairfield, Ohio 2006-2009 G.P.A. 3.8/4.0
Aladdins Eatery, West Chester, Ohio 2012-Present Waitress; responsible for taking care of the guests and performing cleanings tasks. Starbucks Coffee Company, West Chester, Ohio 2010-2012 Barista; responsible for connecting with customers, delivering quality beverages and working seamlessly with the other employees. Target, Hamilton, Ohio 2007-2009 Barista in Starbucks; worked as a Barista in the Starbucks within Target, responsible for making beverages, connecting with customers and working well with co-workers.
College Deans List 2011-2012 First Year Accumulative GPA: 3.6 High School Varsity Cross Country (2006) Varsity Soccer (2007-2009) Varsity Basketball Team Captain (2006-2009) Class President (2007-2009) National Honors Society (2007-2009) Anthony Munoz Leadership Conference (2007) Cincinnati Christian High School Leadership Award (2008)
Hand Drafting Hand Rendering Hand Building Sketching Woodshop
Microsoft Office Adobe Photoshop Adobe Illustrator Adobe InDesign Autodesk Revit
one hundred equals one
This was a response to the challenge of creating a single composition out of over one hundred every-day items. Every envelope was strung through a wire in order to give the newly created object flexibility.
The Collision of Concepts
This project was an investigation of two separate concepts interacting with eachother; either resulting in a harmonious composition or and expression of the battle between the two forces. The two ideas, slices of light and a catalytic mass, begin from opposing sides and the collision is expressed in the center panel. Rather than forcing the two concepts together to make a beautiful new idea, the beauty was found in the contradiction.
Matrix It all began with a simple bright green twist-tie. Iteration after iteration, the twist-tie was able to morph into endless other shapes. A very flexible object was able to become many different kinds of orthagonal shapes; all of which still somewhat expressing the flexibilty inherent in the original object.
Exemplary House Documentation Through extensive research, accurate drawings of Philip Johnsonâ€™s Glass House were able to be produced. After the drawings were completed, an abstract positive and negative space models of the house was created. This model explores the horizontality of the Glass House with the main vertical force (the brick chimney) interrupting the simple box.
Price Hill Library Analysis After researching many different Andrew Carnegie libraries in the city of Cincinnati, this project was an up-close discovery of the Price Hill Branch. Thorough site and community research were needed in order to accurately represent the library in its context.
unit This project was a product of four weeks of work and 10 group members. The goal was to create a single unit that could form with 39 other units to create multiple forms of space. This single unit was made out of four layers of poplar hardwood. The layers were able to slip into eachother, locking into place and allowing for seemingly endless forms and configurations.
This 12x12x12 cube is made up of fifty-percent maple hardwood and fifty-percent birch hardwood. The maple acts as a bone structure with the birch encasing the bone like a separate skin.
This 12x12x12 cube made of museum board is a very abstract interpretation of the hallway in the Cincinnati Conservatory of Music. While walking through this particular hallway, one experiences the forceful slices of light entering the space through the skylights above.