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phantasticus! II

FG_XekXjk`Zljk\d8cdX[X !"#"$%&'!"$($%)(*(+,($-()$.#$/(-*01&'$1&)0&,"$ ($#.'*02,0-!0%'0+&)3$4(-,($#5-0!&$($!0+(#&6$78$(-%&9"$ %&)&$&))0-!&)$($#"#(+*"-$%&)&$+"1&-$,(-!":()*&-3$;$<(*)"%"'0-$ ]XcflZfd9ilefJ`d‘\j#hl\]XqgXik\[X[`i\Zƒf[fG_XekXjk`Zlj 8 )¯ \[`ƒf [f G_XekXjk`Zlj =\jk`mXc @ek\ieXZ`feXc [\ 8ik\j \ :`e\dX  i\Xc`qX$j\ ef :`e\ @eZiˆm\c# \d 8cdX[X# [liXek\ hlXkif [`Xj \ [} X Zfe_\Z\i - YXe[Xj# - cfe^Xj$ d\kiX^\ej \ - ZlikXj$d\kiX^\ej% 8 gif^iXdXƒf ÑZX Zfdgc\kX Zfd m}i`Xj \ogfj`ƒ‘\j# !"#$%&"'%$ ($ !(#)*'(#+,-%%GXiXm\i\d8cdX[X#[\*([\FlklYifX*[\Efm\dYif%

METROPOLIS


phantasticus! II Quais são os principais destaques da 2ª edição do Phantasticus!? <jkX)¯\[`ƒf[fG_XekXjk`ZljkiXqldZXikXq]fik\\ !"#$%$&'()*+(*+%*,-*+)!+.+)$(/0+1/+2'$,3$2($/+)!/4("#!/+ 56*+2('(+(+/!%!376*+8#/$3(%+"#!+3*,4(+3*8+(%-#8(/+)(/+ 8!%9*'!/+&(,)(/+,(3$*,($/:+3*8*+;!()+<*8&*+!+=$>(''(+ CfZfdfk`mX\gXiXfj[`m\ijfjÑcd\j[\Zlckfhl\mXdfj !?$&$'0+;!/4("#!+,!/4(+@'!(+2('(+AB9$5!'/C+)!+;(5$)+ :ife\eY\i^\º:`kpf]K_\C`m`e^;\X[»[\ClZ`f=lcZ`% + No que se diferencia este festival dos outros? <jk\=\jk`mXcXjjld\$j\m\i[X[\`iXd\ek\Zfdfld]\jk`mXc )!+('4!/+8#%4$D)$/3$2%$,('!/0+E(8*/+4!'+F+3*,3!'4*/:+ \o`Y`ƒf[\-cfe^Xj$d\kiX^\ej\-ZlikXj$d\kiX^\ej% ;$5!'/*/+!"#$%&"'%:+!,4'!+3('(34!'$>(76*+!+()$*+,'*..*/0%:+(4G+!/2!34@3#%*/+)!-.#*)$+%&"!1234)##*0+;$5!'/(/+ !?2*/$7H!/+!+(34$5$)()!/:+$,3%#$,)*+2$,4#'(+)!+#8+8#'(%+ [liXek\f\m\ekfg\cXXik`jkX<dX>XjgXi\Xgi\j\eƒX[\ #8+4(4#()*'0 + O que vai ser possível fazer nos workshops? 8k„Xfdfd\ekf\jkfa}gif^iXdX[fj)nfibj_fgj%Ef 2'$8!$'*:+)$(+IJ+)!+1#4#&'*:+(+3('-*+)(+!82'!/(+B$,3*%*#':+ mX`j\igfjjˆm\cX[hl`i`iZfdg\k†eZ`XeXj}i\Xj[\ ZXiXZk\i`qXƒf\dXb\$lg\]]\Zkjfi`\ekX[fgXiXZ`e\dX [\K\iifi\=Xek}jk`Zf%;`X)[\Efm\dYif#-¯]\`iX#mX`$j\ '!(%$>('+#8+!"#$%&"'+/*&'!+2!'K*'8(,3!/+)!+5#*)$+%&"!+!+ 634)##*:+(+3('-*+)!+L,)'G+B(,4*/0 + As dificuldades económicas fizeram-se sentir na organização do Festival? :X[Xm\qdX`jj\j\ek\eXZlckliXXZi`j\hl\fefjjfgXˆj (4'(5!//(0+L3(&(+2*'+/!'+#8+(34*+)!+3*'(-!8+,*/+)$(/+)!+ 9*M!+*'-(,$>('+#8+!5!,4*+3*8*+*+,*//*:+!/2!3$(%8!,4!+ 2*'"#!+#8(+5!>+8($/+!/4(8*/+(2!,(/+)!2!,)!,4!/+)!+,N/+ 2'N2'$*/+!+)*/+'!/#%4()*/+)(+&$%9!4!$'(0 + É o 2º ano que se realiza. Como correu a primeira edição? L$,)(+!/4(8*/+(+8($/+)!+J+8O/+)*+(''(,"#!+)(+PQ+!)$76*+ 8(/+4!8*/+2'(4$3(8!,4!+4#)*+2%(,!()*+!+2'*,4*+2('(+ '!3!&!'+4*)(/+(/+2!//*(/+"#!+/!+)!/%*"#!8+)#'(,4!+*/+.+ [`XjXf:`e\@eZiˆm\c\d8cdX[X%K`m\dfjX(¯\[`ƒfgXiX K(>!'+(%-#8(/+!?2!'$8!,4(7H!/+!+!/4!+(,*+(3'!)$4(8*/+ "#!+5(8*/+5!')()!$'(8!,4!+/#'2'!!,)!'+*+,*//*+2R&%$3*+!+ 3'$('+#8+3#%4*+3*8+!/4!+S!/4$5(%0

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+ Em que consistem as warm-up parties? L/+!)#(+,'-2('4$!/+3*,/$/4!8+!8+!5!,4*/+(*/+"#($/+(+ fi^Xe`qXƒf[fG_XekXjk`Zljj\XjjfZ`fl#k\e[f\dXk\eƒf [`m\ijfj\jgXƒfj\dC`jYfX\8cdX[Xhl\j\`[\ek`ÑZXd Zfdfefjjf=\jk`mXc%E\jkXjef`k\j#mXdfj\o`Y`imˆ[\fj !+0*)%*#%[f\m\ekf\j\dgi\hl\gfjjˆm\c`eZcl`ik\dXj )(/+&(,)(/+"#!+56*+(34#('+,*+K!/4$5(%+,(/+/!4+%$/4/+)*/+;M/+ hl\mfXZfdgXe_XiXjnXid$lggXik`\j%<oZclj`mXd\ek\ ,!/4(/+,*$4!/+5(8*/+4!'+*+2(//!+)!+.+)$(/+2('(+*+S!/4$5(%+T+ 5!,)(+(*+2'!7*+2'*8*3$*,(%+)!+PUV0

Porquê Almada como palco do Festival? <o`jk`XZcXiXd\ek\ldXcXZleX\dk\idfj[\f]\ikXe\jkX @'!(+,(+>*,(+)!+L%8()(0+L%8()(+G+$-#(%8!,4!+(+,*//(+ 3$)()!+!+2*'4(,4*+K*$+3*8+4*)*+*+-*/4*+"#!+(+4*',(8*/+*+ 2(%3*+)*+S!/4$5(%0 METROPOLIS

Tatiana Henriques

Profile for Tatiana Henriques

Phantasticus  

Artigo da edição nº 2 da revista Metropolis

Phantasticus  

Artigo da edição nº 2 da revista Metropolis

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