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Jesse Monkman

Parody

for solo marimba

Parody by Jesse Monkman Š 2001 Tapspace Publications, LLC (ASCAP). Portland, OR. All rights reserved. International copyright secured. Printed in USA. www.tapspace.com Notice of Liability: Any duplication, adaptation, or arrangement of this composition requires the written consent of the copyright owner. No part of this composition may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law. TSPCS-02


Performance Notes Parody is a reflection on an event in the life of the composer. While this event remains anonymous, the reactions of the composer during this event are intended to be conveyed by the musical content of the piece. The piece is divided into four sections. The first section is intended to convey a sense of vibrancy and energy. At measure 33, a somewhat more aggressive mood is intended. In the second section, starting at measure 104 to measure 122, a sense of longing is established. The third section, from measure 123 to measure 160, is a contemplative section. This section reflects a sense of melancholy. The last section returns the listener to the same sense of bright energy which permeates the first section.

Jesse Monkman Born in Syracuse, New York, Jesse Monkman began his percussion studies with Jeff Grubbs at age eleven. In Jesse’s high school years he played with the Syracuse Symphony Youth Orchestra, and attended the Saratoga Orchestral Music Festival for several seasons. Jesse has since received Bachelor’s and Master’s degrees at the New England Conservatory of Music studying with Frank Epstein and Will Hudgins of the Boston Symphony Orchestra. During his studies at the New England Conservatory, Jesse attended the Tanglewood Music Festival, Pacific Music Festival, and the Spoleto Festival. Currently, Jesse plays with the Portland Symphony Orchestra of Maine, Boston Modern Orchestra, as well as other performance venues in the Boston area. As well as playing, Monkman teaches at the Powers Music School in Belmont, and has played many of his works throughout the New England area.


Level: Medium Approx. playing time: 5’00” 1

2

3

L.H.

Parody

for solo marimba

4

R.H.

q = 160-170

  

f



           4 3

2

4 3

     1 2

4 3

1

4 3

    

1

2

4 3

2

 1

4 3

       1 2

4

             4 4 4 4 3 3 3 3                 1  

          

7

  

  

10

 

 

    

      13

  

 

  

     



  



  

   

  

   

      

 

 



   

  

    

    

          

                3 3 f

  

        

 

         

   

  

4 3

Jesse Monkman

mf

3



  

    

3

  

   

© 2001 Tapspace Publications, LLC, Portland, OR. (ASCAP) International copyright secured. All rights reserved.


2

Parody – Monkman

                            19                     16

 

    

       

                   

   

 



  

        

  



                                   sfp                 

        

23



       27                                                       

30

 

    

     

33

f

   



   

    

 

       TSPCS-02

   

    



 

    

       

        sfp               

    

 

    

 

     


Parody – Monkman

                      

                       

37

    

41

    

    

   

   

  

    

   

  

  

   



    

   



  

       45

    

           

53

     

57

   

    



 

   

   

 



   

 

 

3

 

 

  



             

2

3

 

    

    

             49

3

1

2

 

  



  

 



 

 

 

 

TSPCS-02


4

Parody – Monkman

61

    

 

   

65

    

   

   

     69



 

4

2

1

 

    

  



  4

2

1

   

     

   

    

  

    



  

     

    

  

                                  

73

   

           

77

 

    

  



     

   

    

  

    

TSPCS-02

    



   

        

                             81                          

 



  

              

         


Parody – Monkman

 85   

        4

      mf

cresc.

88

     

3

2

       92

             

   

  

    

    

 

   

98

         

  

    



  





 

3

3

f

  

 

  

    

   

                       

          rit.       

  

  

                  

    

3

                          

101

                  

95

  

   

  

ff

    

1

5

 

  

    



 



Feeling heavy

 

ff

  

   

 

  

         decrescendo       TSPCS-02


6

Parody – Monkman

104

q = 104-112

 

  

    mf

107

 

with feeling

  

  

   

   

  

  

  

 

  

  

  

   

  

  

  

 

  

 

 

  

  

 

  

  

  

  

  

    

  

   

  

   

    

     

 

   

  

110

    113

    116

 

   

  

  

   

     

     

   

  

     TSPCS-02

  

  

   

     119

  

  

  

  

 

longing

 

  

   

  

  

  

  

 

  

  

  

    

  

rit.

 

 


Parody – Monkman

122



  

 

3

   

125

 

mf

        

129

133

       

137



 

 

    

q = 65-72

  

 

    

    

  3

     

             mp        

141

  

     



  

mp

    

 

 

 

 

  

 

           

    

    

    

 

cresc.

 

 

h = 52 with feeling

 

 

7

    

mp

   

    

mf

 

    

 

          

      

cresc.

 

 

 

q = 65-72

  mp   

 

  

    

 

 

    

 

 

 

decresc.

  

  

 

            

 

       mf     TSPCS-02


8

Parody – Monkman

146

         151     

     

 

 

decresc.

       

 

 

   

       

 

  

 

 

      155                   mp cresc.

   

    

 

 

  

    



164

         

mp

decresc.

 

q = 165-170 brightly

160

  

p

 

    f    

mp cresc.

    

 

  

  

    

 

   

 

mf

 

  



TSPCS-02

      

  

mf

 

            poco rit.     

,

  

 

 





                       

cresc.



mf

               f             

                       

 

  



168



 

      


Parody – Monkman

     

172

 

  

              

      

9

 

 



    

 

 

    

                                                          

176

   

180

   

 

  

                           

183

186

              

  



 

 

 

ff

  











 









               

   

 

           sfz      

   

  

               

    f

                                                 

  

   

189



   

    

 

     

      

    sfz

TSPCS-02


10

Parody – Monkman

192

          

   

   

    

 

 

  

     

 

   

f                      

197

     

   



    

   





                              202

    

 

      

     

   

 

         

                       

207

     

     

 

   



  

           

           

     

6                                          6 214                    mp cresc. sfz sfz mf                            211

    

TSPCS-02



 

Profile for Tapspace

Parody  

by Jesse Monkman - for solo marimba

Parody  

by Jesse Monkman - for solo marimba

Profile for tapspace

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