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Tetsuro Naito

Nanafushi arranged for percussion trio

by Jeffery Crowell

Nanafushi Written by Tetsuro Naito Š 1996 Otodaiku Corp. Ltd. (ASCAP). All rights reserved. Arranged by permission by Tapspace Publications, LLC, Portland, OR. All rights reserved. Printed in USA. www.tapspace.com

Notice of Liability: Any duplication, adaptation, or arrangement of any text or composition contained herein requires the written consent of the copyright owner. No part of any composition contained herein may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law.

TSPCE-46


Program Notes Nanafushi was originally written by Tetsuro Naito for the famous Japanese taiko group Kodo. Fascinated by the piece, I wanted to see if its spirit and energy could be distilled down from a large, authentic ensemble of taiko drummers to a small chamber ensemble of three players. Having never witnessed a performance of the piece, I worked to transcribe the music from the audio recording. I proceeded to arrange all the different sounds for two multipercussionists playing only common, western drums, plus one percussionist playing an Asian cymbal/block part.  It requires the two drum players to recreate all of the Taiko parts utilizing not only their hands but both of their feet as well.  Obviously, some doubled parts are lost in this arrangement, but I did my best to let no musical or rhythmic part be sacrificed - everything that’s played on the recording is represented as realistically as possible. -Jeffery Crowell

Performance notes One of the most unique things about this piece is that the “feel” (marked “Pseudo-swing”) should fall somewhere between straight interpretation and a more triplet-based “swing” interpretation. At times (when marked), a more swingy feel should be used; Otherwise players should default to the “pseudo-swing” feel. DRUMMERS (Players 1 and 3) Each drummer has an identical setup as illustrated. In tuning the drums, please note the pitch relationships in the notational diagram below. The drums should be played with wooden-headed mallets (such as wood timpani mallets). Players are encouraged to be very expressive during soloistic parts. Notes in parentheses are generally meant to be played at about half the written dynamic. al)

Player 1

°

f

/

Overall order of pitch: (high to low)

Player 3

f

¢/

o

ng

f 2) ° PERCUSSIONIST (Player /

hig

f

f

5

4

go

go

on

hb

f

low

a

or

ng

co

3

2

o hb

Player 1

f

o

ng

bo

low

1

hig

o

ng

bo

h hig

low

o ng

m

to

7

6

f

a

ng

f

9

f

co

co

f

8

a ng

n bo

bo

f

flo

d um e dr ot p ickh fo k t t se wi um ed dr play (

om

rt

o

flo or

f

flo

om

t

m ru l) s d da as pe b t t er oo nc h f co wit l l d a e smplay (

f

11

10

12

f

f

um al) l) dr al) um m d dr al) da ss ed ru t pe a umt pe p ss ed d r b t o a d k t p o o b r o ic f rt ot ick fo ce fo t k th ce fo t k th on ith se wi se d wi on with m ed ll ced w c u m a y r l e l u d pla a ed smplay dr play ( smplay ( ( (

f

f

This partOverall callsorder for medium-sized, Asian “jing” called Chappas) with9 large cup domes of pitch: 1 3 style cymbals 5(sometimes 7 11 and flat 2 4 6 8 10 12 (high to low) edges. These are normally sold individually, but the player will need a pair with straps (minimum size of 7.5”). Sizzles f f f against one another f w) for the notated should together and letting them vibrate/sizzle duration. h) Player 3 be ¢ / played by striking f r) d (lo f(hig a e l l edoes u Sizzles tied to a notesizzwithout the ‘Z’ articulation indicates where the sizzle stops but not mean to reattack the o v ) o g l ve a g a m eg l om a a g r n l n c ( d s ru l) n o l c t m pe lbso ed or cymbals together ru and co striking thenttwo s d da ba cymbals. Regular are played by letting h b sizzle indication) ed bwa m notes (withouthigthe as pe k dfoot nt u flo mlo b c u t i o cy y t o c m the point at which t k ith er foo m them vibrate, but not against one another. “Breath” (comma) markings indicate should w se cymbals ncbe h 7 m d co wit ru laye l ‚ l d d ¿ ¿ a e muted. ‚ Player 2 / (p sm ay l

(p

Due to the short time between pitches, high and low claves should be mounted and played with a xylophone mallet. As an alternative, high woodblocks with distinct pitch differences may be used as long as they closely approximate the sound of claves. d

Player 2

/

l

ba

m

cy

¿7

r)

¿

ls

ba

m

cy

g (re

ed

nt

m

ou

v cla

)

low

e(

ula

zle

iz ss

ed

nt

ou

m

h)

hig

e(

v cla


Nanafushi

Level: Med-Advanced Approximate playing time: 6’00”

Tetsuro Naito arranged by Jeffery Crowell

for percussion trio

Pseudo-swing q = 184

f f fj ° 7 Player 1 Œ Œ Œ ‰ Œ Drums / 4

Œ Œ

f

Œ Ó™

Œ Œ

f

f

Œ

fj

Œ

f

Œ Œ

Œ Ó™

mf

Player 2 (Jing Cymbals)

Player 3 Drums

° 5

1

/ 47

7 ¢/ 4

A

∑ ∑

Œ Œ Œ

ff ‰ ffj ff ffj ff ffj f f f ff ff f Œ Ó™ / f f Notes in parentheses should be played with less emphasis (half-dynamic).

7 / Y

Asian hand cymbals

f

3

∑ f f ff

f7

(buzz)

mf

f

2

¿ ¿

Π
Y7

¿

, ¿ ¿ Ó™

2

• Y7

¿ ¿

Π
¿

, ¿ ¿ Ó™

Y7

shape lines freely > > >> > > > > > f f f f f f f f f fæ f f f f f f f f f fæf fæ fjf f f fæ f f f f f f f f f f f f f fæf fæf f f f f f f f f ‰ ¢/

f

° 9

1

2

3

2

/ 7 / Y

2

¿ ¿

Œ

¿

¿

Y7

• , ¿ ¿ Ó™

Y7

¿ ¿

Œ

¿

¿

Y7

No movement. Silence if possible.

, Œ ¿ Ó™

> > > > , f f f f f f f f f fæ f fæ f f f f f f f f f f fæ f f f f f fæ f fæ f fæ f f f f f f f f f f f f f Œ Ó™ ¢/

© 1996 Otodaiku Corp. Ltd. (ASCAP). All rights reserved. Arranged by permission by Tapspace Publications, LLC, Portland, OR.


Nanafushi – Naito, arr. Crowell

2

°

B

/ ff f

13

1

ff

7 / Y

2

ff f

ff

ff Ó

j j j ‰ ff ff ff ff ff ff ff ff Œ Œ Œ Œ f f Œ f f Ó f f Œ

¿

¿

Π
, ¿ ¿ Ó™

Y7

¿

2

f f f f f f f f f f f f f f f f f f f f f / ¢ f f f f

2

hi bongo = softer than melodic part

3

ff

°

1

3

/ 7 / Y

2

Π
¿ ¿

, ¿ ¿ Ó™

Y7

¿

°

C

j j j / f f f ‰ ff ff f f f f Œ mp

R

/

2

Ó™

R L

L R

R

L

f f

j j j f ‰ ff ff f

R

R L

¢/ °

> >, f ffΠf ff f ffΠ> >

Ó™

Œ

L

> > f f f ffŒ Œ Œ Œ ‰

j Œ Œ ‰ fffffffff

espress.

f

mf

j j j / f f f ‰ff ff f

(4)

/

R L

L R

R

3> > > > > j f f f f f f f f f f f f f f ‰ ff f f f f f f ‰ ff‰ fff‰ fff f Œ f‰ fffff f f / ¢ Soloistic, emphasized shaping

3

> f f f >

R

2

R

f

> f f f >

> >, ff ff ff Œ f ffŒ > > j Œ, ™ ¿ ¿ ¿

25

1

L R

f f

> f f f >

> ff f >

Notes in parentheses should be played with less emphasis (half-dynamic).

3

> f f f >

ffffffff f f fff fffffffff Œ Œ ffffffff Œ f fff f ff f f fff f f f ffffffff f f f ff f f fff ¢/ f f f f f f f f >>>>> 21

1

j j j > > > ff ff ff ‰ ff ff ff ff ff ff ff ff f f Ó f f Œ f f f > > > Y7 ¿ ¿ Œ ¿ ¿ Y7 ¿

2

17

f f f f f f f f f ΠΠf f f f f f f f f f f f f >>>>>

f

TSPCE-46


Nanafushi – Naito, arr. Crowell

°

29

1

2

3

3

/

(8)

/

>> f f f f f f f f f f f f f f f f f f f f ffffff Œ Œ ‰ Œ ‰ Œ Œ f f f f f f f ¢/ molto espress.

°

33

1

2

3

sub p

/

(12)

/

> > > > f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f ‰ Œ f f f ff Œ f f f f f f ff‰ f ¢/ f mf

°

37

1

2

/

(16)

/

> f f f f f f ¢/ fff ‰ fff ‰ fff f 3

3

3

3

3

3

°

41

1

2

/

/

3

3

3

f

cresc.

f f f f f f f f f f f f f f f f f f ffffff ¢/ fff ‰ fff ‰ fff ‰ fff ‰ fff ‰ fff ‰ fff ‰ fff ‰ fff ‰ fff 3

3

> 3 3 3 3 3 > > > f f f f ‰ f f f f f ‰ f f f f f ff f f f f ‰ f f f f f ‰ f f f f f f f 3

3

mp

p

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

TSPCE-46


Nanafushi – Naito, arr. Crowell

4

D

> > > ° f f f f >f ,Ó™ 1 / f f f f f f f f ff 44

/

3

ff

/ ff ff ff f ‰ f ff

48

/

2

3

f f fff ¢/ f f f f f °

/ f f ff Π/

2

3

E

ff Πf

Πff Πf

f

fΠf ff

2

3

/

Œ Œ

"Hi!"

mf

"Hi!"

Heavy Swing

f ‰ f f ‰ jf f f f f f f f f f ‰ f f ‰ jf f ff ff ff f f ff fffffffffff ff ff ff f f f f ff f

/ f ff ff ff f Œ ‰ fj ff f ff

(shout)

> f f f f f f f f f f f f f f f f f ‰ ‰¿ f f f fff ff‰f ‰ ff

>>>>> f f f f f f f f f f f ff ff ff ff ff ff ff ‰ ff ¢/ °

"Hi!"

f

1

fΠf ff

(shout)

> ‰ ¿j

ff ff ‰ ff

(shout)

56

> ff ‰ ¿ Œ ff Œ f f f

f‰ f Œ f ff f f f f

∑ ff ff ff

j ff ff ‰ ff ff ff ff ‰ ff ‰ ff ff ff ff ff ‰ ff ff ff ff ‰ ff ff

Pseudo-swing

52

1

ff ff ff ff ‰ ff ff

ff

1

f‰ f f ‰ jf f ff ff ff ff ff

ff

> > > >, f ff ff f f Ó™ ¢/ °

f‰ f f ‰ jf f f f f ‰ fŒ ff ff ff ff ff f f ff ff ff Solo

ff

2

Swing

ff ff ff ff ff ff ff ff ‰ ff

2

Pseudo-swing

f f Œ f f ‰ f f ‰ ‰ jf f f f ff f ff f f f ff f f fff

f

>> >>>> > > > > > > f f f f f f f f f f f f f f f ff ‰ ff f f f f f f f f f f f f f f f f f f f ‰ ‰ ‰ ‰ ‰ f f ff ff f f ff f f f f ff ff f f ff ¢/ f f mf

TSPCE-46

freely espress.


Nanafushi – Naito, arr. Crowell

°

/ f ff ‰ f ff f

61

1

mf

/

2

3

> f ¢/ f °

ff ff f ‰ f

> ff f f f ff ff ‰ ff

ff

f f ‰ f f f ff ff

> ff ff ff

/ ‰ fj ff f ff ‰ f ff f ff ‰ f ff f ff ‰ fj ff f ff ‰ f ff /

2

ff f ‰ f f ff ‰ f ff f ff ‰ fj ff ∑

>>>>>>>> > f f f f f f f f ff

ff

p

ff ff ff ff

ff

f ff

cresc.

mp

66

1

5

f

j ‰ ff Œ

F

> > ff f f f cresc.

> ff ff ‰ ff

f f f f f fæ f fæ f f f f f f

f

> > > > > > >> >> > > > >>>>>> æ æ ff Œ ff ff ‰ ff ff ff ff ‰ ff ff ff ff f f f f f ‰ f f f ff f f f f f f f f f f f f f f f f f f f f f ¢/ Ó™ f Œ Ó ff > f

3

fff

°

>> > fæ fæ f f f fæ f f f fæ f f f f fæ fæ f fæ f f f f f fæ f f f f f fæ f f f fæ f f f f f f

70

1

/

2

3

/

°

f f f f f f f f f f f f f f / f f f G

subito p

2

3

> f

>> > fæ fæ f f f fæ f f f fæ f f f f fæ fæ f fæ f f f f f fæ f f f f f fæ f f f fæ f f f f f f

¢/ 73

1

> f

/ Œ ¢/ Ó

Œ

high/low claves (mounted) play with mallet

Œ

p

f

Œ

subito p

Ó™

Œ

‘ Œ

∑ ‰ f™

Ó

f Œ

Œ

‰ ‚j Œ

Œ

‰ f™

> f f f Œ Œ ‰ Ó f Œ

Œ

Œ

Ó™ Ó™ Œ ‰ f™

BD = p sempre

TSPCE-46


Nanafushi – Naito, arr. Crowell

6

°

76

1

2

/

(4)

/

Œ Œ ‚ ‚ Œ ‚ Œ

‚ Œ ‚ Œ ‚ Œ ‚

Œ Œ Œ ffffffŒ / ¢ Ó f Œ Œ ‰ f™ p

3

°

80

1

2

3

/

(8)

/ ∑

2

3

Œ

Œ

Œ

Œ

/

(12)

/

Œ

3

cresc.

‘ Œ Œ ‚ Œ Ó™

Ó

ffffffffffffff / ff f f f f f f f ff f ff f f f / Œ

Œ

‚ ‚ Ó™

>>> fæ fæ f fæ fæ f fæ fæ f f f f ¢/ Ó f Œ Œ ‰ f™ > > cresc.

TSPCE-46

Ó

p

Œ

Œ

Ó™

> > f fæfæf fæfæf f f f f f fæfæf fæfæ f fæfæf f f f fæfæ f Ó Ó ¢/ Ó f Œ Œ ‰ f™ f Œ Œ ‰ f™ > > > > cresc. °

Œ Œ ‚ Œ Ó™

(16)

j ‚™ ‚™ ‚™ ‚™ ‰ ‚ Œ ‚ Œ Ó™

fæfæf fæ fæ f f f f f Œ Œ ‰ f™ > >

∑ ‘

> > fffffffffffff æ >> ffffffffffffff ffffffffffff‰ f f f f H Solo

gradual cresc.

2

Ó™

(4)

89

1

∑ f Œ Œ ‰ fJ Œ

84

1

Ó

pppp

>Bongo = >gradual cresc. > to Reh. > H. f fæfæ f fæ fæ f f f ‰ f Ó f Œ Œ ‰ f™ > > pppp

¢/ °

mf

f

>> fæ fæ f fæ fæ f fæ fæ f f f Ó f Œ Œ ‰ f™ > >

ffffffffffffff f Œ Ó f ‰ f™ f


Nanafushi – Naito, arr. Crowell

°

> > > > j> ‰ ‰ f f f f f f f f f /

94

1

2

/

3

¢/ °

7

> > > > > f f f f f f f f f ‰ f ‰ f f ff‰ ff‰ ff‰ fff ‰ f ‰ f

∑ ‘

(4)

> > > > > > > > > > > > > j Œ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ f f f f f f f f f f f f f f f f f f f f f f f f f f f f f ‰ fæ / fffff

97

1

2

/

¢/

(8)

3

°

> > > > > > > > > > > j > ‰ æj > æ f ‰ fæj f ‰ fæj f f f f ‰ fæ f ‰ fæj f ‰ fæj f f f ‰ fæ æ ‰ ‰ f f f f f f f f /

101

1

2

/

3

¢/

°

> > j > ‰ æj > æ ‰ f f f f f f Œ / f

104

1

2

/

3

¢/

> > > > > > > > æ æ æ æ æ æ æ æ æ æ ‰ f f f f f f f f f f f f f f f f f f f ‰ f ‰ f

mp

(12)

mp

TSPCE-46


Nanafushi – Naito, arr. Crowell

8

°

> >> >> æfæf f fæfæf f f ‰ fj Œ f /

107

1

2

/

3

¢/ °

> > > > > > > > > > > > fæfæf fæfæf f f ‰ f ‰ f f f ‰ f f f ‰ f f ‰ f ‰ f f f ‰ f f f ‰ f f ‰ f ‰ f

(16)

> > > > > > j > j > j > ‰ ‰ ‰ ‰ ‰ ‰ ‰ f f f f f f f f f f f f f f f f f f f f f f ‰ f / f f f f f f f f f f f

111

1

f

2

/

¢/

(20)

3

f f f f f f f f f f f f f f f Œ Ó f ‰ f™

f

°

cresc.

cresc.

> >>>>>> > > > > > > æ f f f f f f f f f f f f f f / f f f f f f f f f f ‰ f ‰ f f f f f f f f f f ‰ f ‰ f

114

1

/

¢/

2

3

°

ffffffffffffff / ff Œ Ó Œ Œ ff > > ff , Œ Œ Œ Ó ¿ / ¿

117

1

2

I

ff

3

ffffffffffffff ff ff Ó Œ Œ ff > > > , ¿7 ¿ Œ Œ Ó ¿

f fæ f f f f f f f f f f f f f Œ Ó f ‰ f™ ffffffffffffff ffffffffffffff ff Œ Ó Œ Œ ff ff Œ ff Œ ff Œ ff ff ff >> >>> > > > , , Y7™ ¿¿ Œ ¿ Œ ¿ Œ ¿¿¿

ffffffffffffff ffffffffffffff ffffffffffffff ffffffffffffff ¢/ f Œ Ó Œ Œ f f f Ó Œ Œ f f Œ Ó Œ Œ ff Œ f Œ f Œ fff >> >>> > > > > > > > > ff

TSPCE-46


Nanafushi – Naito, arr. Crowell

°

9

ffffffffffffff ffffffffffff f f f f fff f fff f ffff ff ff ff Œ Œ Œ ff ff / ff Œ Ó Œ Ó Œ ff Œ Œ Œ ff ff >> > > > > > > > , , Œ Œ Œ Œ ¿7 ¿ ¿ ¿ ¿ Œ Œ Œ ¿ Y7™ ¿ ¿ / ¿

121

1

2

3

>> >>>>>>> æf f f f f f f f f f f fff f f f f f f ff f ff f ff fffff Œ f Œ ¢/ f Œ Ó f f f f > > > > > > > > > > °

ffffffffffffff / Œ ff Œ ff Œ ffffff > > >>> , , , Œ ¿ Œ ¿ Œ ¿¿¿ /

124

1

2

3

J

f j ff ff ff ‰ ff ff f f f

ff

Y7

ff

°

/

°

K

f f fff f fff f f ‰ ‰ ff / ff f f > > > > / Y

¿

mp

ff ¢/ f f 3

3

2

2

2

2

> f f f f ff ffff ff f f f ff fff f f f f ff f ff ff ‰f ff ff ff f f f fæf ff ff ff f f f f fff f f f f ff f f f f f ¢ / ff ff f f f f f f f f f >f ff >>>>>>

mp

2

, ¿ ¿ Ó™

ffff ff f f ‰ >

133

1

2

/

2

3

Y7

2

> f f f f fff f f f ff f f f f f ffff f f Œ f f f fffff f ff ffff ffff ffffff f f f f f ff f f f f ff f f ffff f ff ff ff fff fff ff f ff fffff f ff ff ff ff fff f f f f f f f f f / ¢ Œ f Œ f Œ fff f f f f f f f f f ff f f f f f f ff f f f ff > > >>> ff > > > > >>> 129

1

ffj ff ffj ff ff ff Πff ff ffΠff f f f f ff

Œ ¿ ¿

¿ ¿

>3 3 3 ffff f ffff f ffff f f f Œ Ó Œ Œ ff f >> >

mp

¿

f fff f 3

Y

¿

ffff 3

f

f

‘ ‘ ‘

(4)

(4)

(4)

> ff f f f f f f ff fæff ff ‰ ff ff ff f f f f f ff ff f > ff f f f f >> >>>

f f f f f f f f f f >f f f >f F F f

hands mp cresc. feet pp sempre

Y

¿

¿

ff ff f f > F

Y

>3 >3 3 3 f f f f f f f f ‰ f f ‰ ffff Œ Œ f Œ f Œ 3

hands mp cresc. feet pp sempre

¿ > f f TSPCE-46


Nanafushi – Naito, arr. Crowell

10

°

f f ff f f f ff f f f f f F F f

138

1

/

/ Y

2

¿

cresc.

Y

¿

¿

Y

¿

cresc.

f f ff f f f ff f f f ff f f f > f f f F F F f

f ff f F

Y

¿ ¿

Y

¿

>3 >3 3 >3 >3 3 > 3 3 3 ff‰ f ff‰ f ff f ff‰ f ff‰ f ff ¢ / Œf f f fŒ f f fŒ f Œ f Œf f f fŒ f f fŒ f Œ 3

3

cresc.

f f f

f >ff

f f f

ff f f f f ff

ff f f f f ff

f f f

f >ff

f f f

ff f f f f ff

ff f f f f ff

f f f

/ ¿

Y

Y

¿ ¿

¿

Y

Y

¿ ¿

¿

Y

Y

¿ ¿

f f f ff / ¢ ff f

f f f ff f f f

> 3 f f f f ff f f f f f

f f f ff f f f

f f f ff f f f

> 3 f f f f ff f f f f f >

f f f ff f f f

f f f ff f f f

> 3 f f f f ff f f f f f >

3

cresc. al fine

3

3

3

3

3

f / f f

ff f f f f f f

ff f f f f f f

f f f

f >ff

/ ¿

Y

Y

¿

f f f f f

f f f f f f f f

3

144

3

3

cresc. al fine

mf

°

3

cresc. al fine

mf

2

>3 >3 3 > 3 ff‰ f ff‰ f ff f ff ff ff Œ Œ f f Œ f Œ 3

ff f f f f ff

2

1

> f f

ff f f f f ff

mf

3

¿

f / f f

°

141

1

Y

¿

f / ¢ ff

TSPCE-46

f f f f f

3

f f f

3

3

3

ff f

ff f

¿

¿

Y

> ff f >

f f

fff

fff

fff

3

3

3

ff ff

ff f

3

ff f

ff f

Y

¿

f f f f f f f f f f f f f f f f ff f f f

3

3

3

3

3

f >ff

ff f

ffff

> ¿

ffff

ff f

ffff

Profile for Tapspace

Nanafushi  

by Jeffery Crowell arranged for percussion trio Nanafushi Written by Tetsuro Naito © 1996 Otodaiku Corp. Ltd. (ASCAP). All rights reserved....

Nanafushi  

by Jeffery Crowell arranged for percussion trio Nanafushi Written by Tetsuro Naito © 1996 Otodaiku Corp. Ltd. (ASCAP). All rights reserved....

Profile for tapspace

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