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PORTFOLIO

TANIA BARRENECHEA BARREDA


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Resume

Scenic Design

Architecture

Graphic Design

Photography


PROFILE I’m an architect based in Lima Peru, I graduated in 2015 after completing my thesis project for a Music School. The performing arts have always been a passion of mine, and tried to bring it closer to my life as an architect as often as I am able. I’m looking to broaden my horizons in the field of design for the theater and apply my knowledge of space planning and the construction of physical structures.

DESIGN EXPERIENCE

TANIA BARRENECHEA BARREDA

Jan/2016 Current Job

Date of birth : 01/13/1990 Nationality:

Peruvian

Address: 238 Republica Dominicana street, apart 12 Jesus Maria, LIMA11 Lima-Perú

Jan/2014 Dec/2015

Mar - 12/2013

S. APTITUDES

Jan - Mar/2012

Indesign

CV

Architect jr - Vicca Verde -Collaboration in managing one residential building in every stage of the design project until its construction. -Architectural design and space development in residential and commercial projects. -Making of rendered views and other graphical materials.

Trainee - Vicca Verde

Trainee - Estudio TDC -Support in the design process of architectural contest. -Making of rendered views and other graphical materials.

Jan - Mar/2011

Assistant - Mairie Ax-les-Thermes -Reconstrution of plan in a Historic building

Revit Photoshop

-Working together with the head architect as the project manager in multiple and broad design projects, from residential proposals (town houses, beach houses, residential buildings) to art expositions and book fairs. -Direct contact with clients, involving them in mood and concept presentations. Participation in meetings with the engineers and other specialists. -Development and implementation of the BIM system.

-Making of presentations models and space exploration through concept models. -Drawing of blueprints and 3Ds. -Designing brochures and other pieces of branding.

tanigbb@gmail.com

https://pe.linkedin.com/ in/tania-barrenechea-barreda-15388858

Project Manager - Vicca Verde

THEATER DESIGN EXPERIENCE 2016

Assitant - The Crowd Develop ideas and assisting in the workshop for musical theater for an amateur performance of Grease and Across the Universe.

Lumion Autocad Illustrator Sketch up

2012

Assitant - Broadway Peru -Assisting in the design process for The Play The Crowd by Nick Rongjun Yu, performed in the Centro Cultural Peruano Chino.

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EDUCATION Higher Education Pontificia Universidad Católica del Perú Facultad de Arquitectura y Urbanismo (2007 - 2014) International Exchange École Nationale Supérieur d’architecture de Toulouse - France Master 1 - (august 2010-august 2011) Thesis

“Sede del Conservatorio de Música de Lima”

OTHER COURSES Theater Design

LANGUAGES

2015-2016

Specialized Course “Scenic Design” Centro Cultural Peruano Británico

2014

Sumer School “Visual Dramaturgy” Centro Cultural Universidad del Pacífico

2013

Seminar for Illumination in the Visual Arts - Espacio Fundación Telefónica

90% English Asociación Cultural Peruano Británico

80% French Alianza Francesa

FOCUS

Arts and culture reading THEATER TRAVEL design and space

Painting 6

Tango

Seminars in Architecture 2011

International Seminar: Architectural Practices - PUCP

2010

Urbanism Seminar: Cities in development - PUCP

2009

Seminar: Buildings and the cities - PUCP

WORKHOPS 2012

Summerschool Lima Beyond The Park Universität Stuttgart Institute for Landscape Planning and Ecology

2012

Vertical mobility and Urban equipment in Lima, Workshop Limapolis FAU - PUCP

2010

Workshop high density living, Limatopias Colectivas FAU - PUCP

CV


Scenic Design


The Tempest / W. Shakespeare

Scenic Design

Textures The main approach in designing for the tempest is the dichotomy between the sea and the sky, playing together with the rest of the elements on scene. The island, the ocean and the sky in one point or another merge and the limits get lost in the morphology of the overall design. The rest of the pieces are parts of the original shipwrecked and are symbolic throughout the play.

Color palette

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Rough Sketches Tania Barrenechea Barreda


The Tempest / W. Shakespeare

Tania Barrenechea Barreda

Scenic Design

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The Tempest / W. Shakespeare

Scenic Design

Depending on how it’s illuminated, it can simulate waves, when the light comes from the inside, and generate shadows on its own structure from light coming from the side, creating a dark environment. The color palette combines green, blue and tones of grey for the floor.

500

The dune it’s a scenic element that remains during the entire play, sometimes playing the part of ocean, wind or earth. It’s configure by a succession of vertical panels, join together by wood bridges and ramps, where the action of the play it’s concentrated.

Proa del barco

12 00

500

500

500

telas traslucidas

500

12 00

500

500

80 00

500

tablas de madera de 20 cm

500

500

500

telas traslucidas

12000

500

22 00

34 00

500

10 32 5

500

telas traslucidas

area de rampa al compas de duna, zona de actuacion

paneles verticales, diferentes tamanos, duna

telas traslucidas

Cueva de Prospero

limite de epacio escenico 4554

3096

3674

2475

1201

15000

1

PLANTA GENERAL 1 : 50

boca de escena

LA TEMPESTAD SHAKESPEARE

10

10000

PLANTA GENERAL - DUNA

Fecha

25.06.16

Tania Barrenechea / Julio Beltran / Rosalbina Contreras

Dibujo

TB

A-01 Escala

Tania Barrenechea Barreda

1 : 50


The Tempest / W. Shakespeare The whole play takes place either on the island or in the sea as do the magic sequences. The tittle itself alludes to a storm, a storm that not only occurs physically but in the actions taking place. The idea that the pieces of scenic elements are made of parts of one shipwrecked boat, symbolizes how fracture the characters are at the start of the play, and the motivation of Prospero to rebuild his power.

Tania Barrenechea Barreda

Scenic Design The four pieces of scenery designed appear throughout the story by themselves, slowly coming together. The ship pieces are barely recognizable, and have transform, they are now part of the island itself. They represent a shelter, hiding places and Prospero’s magic cavern.

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Scenic Design

1953 1171

1582

1

9695

8000

The Tempest / W. Shakespeare

ELEVACION PRINCIPAL 1 : 50

LA TEMPESTAD SHAKESPEARE

ELEVACION PRINCIPAL

Fecha

25.06.16

Tania Barrenechea / Julio Beltran / Rosalbina Contreras

Dibujo

TB

A-02 Escala

500

500

500

500

500

2500

500

500

9695

500

1294

500

8000

13000

boca del escenario

PLANTA GENERAL 0

1

12

CORTE A 1 : 50

LA TEMPESTAD SHAKESPEARE

CORTE A Tania Barrenechea / Julio Beltran / Rosalbina Contreras

Tania Barrenechea A-03Barreda Fecha

25.06.16

Dibujo

TB

Escala

1 : 50

1 : 50


The Tempest / W. Shakespeare

The costumes designs for Prospero and Miranda, having been living on the island for so long, are made of flowy fabrics, scraps put together with parts and patches. The color palette for Prospero are deep greens and corroded metals. For Miranda, the ingĂŠnue, her pure characteristics suit bright and creamy colors.

Tania Barrenechea Barreda

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Othe work in Scenic Design

Architecture

Scenic Design / La Traviata Design for the second Act in Opera La Traviata. The scene takes place in the country side, there are references to a garden and a very bucolic setting. For the scene the space begins its transformation from a very open green space to a solarium inside a house. The metal pieces work in opposition with the garden, and refer to the mental cage Violetta gets into by the end of the second act. After the setting changes to become the ballroom for the party.

Costume Design / Annina - La Traviata The ideas of metal and greenery bring the steam punk concept into action. The costume for Annina combines this aspects. The realization in real life of the costume was achieve by creation “metal� pieces with craft foam painted and made seem like gears and pipes. The dress was design as a jumper, made with very light fabric.

Assistant Design / The Crowd Nick Rongjun Yu The play The crowd takes place in many different places, but the scenery is very minimalistic, using projections as the main frame.

586

433 R 25 0

1

Level 1 1 : 10

5

3 Tipos

485

14

30 145 145

840

145

900 145

Section 1 1 : 10

175 30

30

2

465

145

290

319

145

465 175

As the characters change around, and voices narrate the story, the only props are the chairs. Designed to fit together to become part of the background. They are design to symbolize different status and positions for the changing characters.

30 115 30

433

3

Section 2 1 : 10

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Vista 3D

Tania Barrenechea Barreda


Othe work in Scenic Design

Architecture

Costume Design / Masks This cat mask it’s made first by creating a mold of my own face to be used as the base with a cement like mixture. The mask itself it’s made with a papier mâché technique.

Lighting Design / La Traviata

0.35

ciclorama pintado/ ilumado con proyecciones

Pieza deslizante

4.45

4.20

banca en alambre

Pieza que descuelga

8.65

In the designing of the second scene of La Traviata, we develop the scene cues for the lighting designs. Testing the differences with color and moods that they created.

3.50

60

0.30

6.55

5 0.3

° 5 4.5

0.30

0.35

2.40

Plataforma levadiza

7.50

2.65

superficie reflectora

LA TRAVIATA

Escenografía Acto II

Tania Barrenechea Barreda

PLANTA A DETALLE

Fecha

28.11.15

Grupo Steampunk

Dibujo

Author

E-02 Escala

1 : 50

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Final Expo

Scenic Design

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Tania Barrenechea Barreda


Architecture in Catharsis - Investigation

Scenic Design Architecture and Scenic Design

An architec on the stage

The scenic space created by an architect and a scenic designer: this investigation focuses on finding the different ways to create and develop a specific design made for the stage. Exploring each profession-al’s approach to light, materials, space and time for each play. If we see architecture as a game for which the objective is to find the pieces that fit our lives, then scenography can be view as a game without rules.

The final ideas

Scenography it’s the union between art, design and theater, a fusion of sensations custom-made for a specific play, it goes beyond the space inside the black box at the stage. The most appealing part about designing for the stage is that the concept of virtual space gets to be lived by the people watching the play develop, although they may not realize that it’s happening.

Tania Barrenechea Barreda

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Architecture


Music School - Thesis Project

Architecture

The volume and the central patio

Separated into two main blocks

The first contains the classrooms

The second, the auditorium

In between, the main hall

The terraces conform the outer patios

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Tania Barrenechea Barreda


Music School - Thesis Project

Architecture

The main concept for the overall design of the school focuses on the spaces designed for the meeting people, practice and expose the music to the general audience. The grand hall sits at the center connecting the public areas to the inside classrooms. And in between those spaces the terraces open around the hall, the cafeteria, the auditorium and the meeting places in an elliptical way, coming from the street and up to the fifth floor. Tania Barrenechea Barreda

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FILBO - Bogota (Book Fair Installation) / VICCA VERDE

Ephimeral Architecture

The pavilion for the literary expo in Colombia it’s organized around “the hills” of the Andes, just like the real one divides our country in 3 parts, organizing the altitudes of or complex geography, conditioning our culture. The architecture proposal forms the hills, dividing spaces and creating a “jungle” of books.

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Tania Barrenechea Barreda


FILBO - Bogota (Book Fair Installation) / VICCA VERDE

Ephimeral Architecture

The Trees are the base of the forest (books)

The clouds project, rain and other images of the sky

The hills divide and mold the space and paths Tania Barrenechea Barreda

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CONECTIVO (Fabric Installation) / VICCA VERDE - Casa Machiavello

Ephimeral Architecture

Conectivo is a temporary instalation which has he intention to promote, foster and emphasize the tight relationship between art, architecture and the city, particularly pointing at the socio-cultural context of Barranco and, on a wider scale, Lima. The work function as a platform for implementing activities related to the open debate and cultural sharing through a program of conferences and exhibitions.

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Tania Barrenechea Barreda


Angel’s Trumpet Bar and Installation / VICCA VERDE

Ephimeral Architecture

The Angel’s Trumpet project seeks to waken the curiosity and imagination of the public by means of playing with the scale of a piece of nature – the flower – a motif both well-known and mysterious at the same time. The Brugmansia flower, known more commonly as Angel´s Trumpet, is originally from Peru and is known as much for its beauty as for its psychedelic effects that heighten the senses and rouses the collective and individual imagination: a common challenge in contemporary art.

Tania Barrenechea Barreda

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Othe work in Architecture

Architecture

Chruch by the sea / Model for natural light study Design of a 1:5 scale model of a church that tries to bring all the light form the outside to create an aura of blue tones, bringing the peaceful setting of the sea to the inside.

Workshop Study 8 / Hotel+Commerce

Taking the complex volumes of the surrounding buildings into account to designing a high rise building.

Sky Condors / Contest Participant

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Tania Barrenechea Barreda


Othe work in Architecture

Architecture

Madreselva / Residential Housing This project it´s brought to life in a mutual concern for the well developedment of the real-estate and urban sprawl of our city. Which actually is not happening in the best way, and is leaving behind important subjects. For example sustainability.

Hotel Boutique Casa Dasso The project was to restore an existing mansion, celebrating the original splendour of the colonial architecture. In addition, a completely new construction that respects the existing architecture whilst itself contemporary is inserted.

RWT Group Offices / Contest The building seeks to enhance the corporate image of the corporation. It poses a clear and powerful main facade, reflecting importance and seriousness towards the city. The project takes advantage of its size to be displayed in the interior spaces even quintuple shocking heights. On arrival at each floor, the metal structure gives a robust and highly similar to the large port and naval structures dimension aspect. Tania Barrenechea Barreda

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Othe work in Architecture

Architecture

Polo 545 Mixed-use Building The project seeks to activate an urban public space of great importance to the district and for the city. The commercial spaces surrounding the plaza will be used as much by the general public as by the visitors to the hospital or guests at the hotel, and the staff working in both buildings.

Quinta arrieta / Residential Housing

This project it´s brought to life in a mutual concern for the well developedment of the real-estate and urban sprawl of our city. Which actually is not happening in the best way, and is leaving behind important subjects. For example sustainability.

Sierra Morena / Residential The house en organised over two floors. The first floor is stepped over four levels, following the shape of the site, where level 0 indicated on the architectural plans corresponds to the curve of the terrain. Use of concrete, stone and earth tones to integrate the house to it’s surroundings.

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Tania Barrenechea Barreda


Graphic Design


Invitatons/ Posters and Stationary

Graphic Design

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Tania Barrenechea Barreda


Invitatons/ Posters and Stationary

Graphic Design

Design of different forms of banners, posters and brochures for the Real state sales of the project Quinta Arrieta for IVV.

Tania Barrenechea Barreda

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Photography


Puente de los suspiros- Lima

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Photography

Tania Barrenechea Barreda


Geometry and the City

Tania Barrenechea Barreda

Photography

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Profile for Tania Barrenechea

Portfolio 2017  

Tania Barrenechea

Portfolio 2017  

Tania Barrenechea

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