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Portfolio

Takato Matsunami 2012-2017


Contents


Architecture Portfolio

5-20

01

Library in a forest

1st semester_studio work / Master_1st 2017

21-30

02

Wakakusa-Chaya

2nd semester_competition work / Master_1st 2017

31-40

03

-Chan-

Summer workshop in Bangkok / Master_1st 2017

41-48

04

Drift between old and new

1st semester_studio work / Bachelor_4th 2016

49-54

05

City in the Office

2nd semester_design exerciseâ…Ł / Bachelor_3th 2015

55-62

06

9 tsubo house

Internship assignment / Bachelor_3th 2015

63-68

07

Oshima Hut

Competition work / Master_1st 2017

69-72

08

Voids of Kura

Competition work / Master_1st 2017

72-74

09

Activities

-

2


Profile

Intern experience

Profile 松浪 崇斗

Takato Matsunami

Nationality : Japan

Date of birth : 7th/May/1993 Language: Japanese (Mother tongue)

7/2014 - 9/2014 坂本昭 設計工房 CASA

Akira Sakamoto Architect & Associates

3/2017 - 4/2017 長谷川豪建築設計事務所

Go Hasegawa and Associates

English (Fluent)

Biography  5/1993 Born in Gifu  3/1996 Move to Osaka  4/2012 - 3/2017 Kindai University  9/2014 - 6/2015 Gap year to travel around Europe  4/2017 - Kyoto institute of Technology Kinoshita Lab.

Qualification TOEIC: 775 point

11/2017 -

木下昌大建築設計事務所 KINO architects

Skill Adobe

- Illustrator, Photoshop,

2D

- AutoCAD, ArchiCAD

3D

- Rhinoceros, ArchiCAD, Sketch up

Rendering

- ArchiCAD

Hobby Football, Traveling, Reading

Contact e-mail : takato0932@gmail.com phone : +81 90 8232 2917

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Architecture Portfolio

4


01

Library in a forest 森の中の図書館

Kyoto Institute of Technology Makoto Takei Studio 2017 ‘Creation from small module’ Instructor : Makoto Takei (TNA), Structure Instructor : Yasutaka Konishi Duration : 7weeks Loction : Funaokayama, Kyoto Main Use : Library


Library in a forest

This project is a library in north part of Kyoto. I proposed two world with different charactors for reading place, the one semms like extension of the forest, and the space seems lightairy landscape where even people seems like a part of it, the other seems like a cave in the ground or hideaway to the site surrounded by rich beautiful nature.

These spaces are basicaly one-room composed by only the special structure which looks like the cross shaped column branched and curveed like arch. Moreover, people can feel the difference by going up and down the hole which is to connect them sectionally. The arch touch the roof with the minimum area, such as curve and tangent line, not to feel the gravity of the roof. Also there is no vertical element on the upper floor with the same reason.

Instead of design a building, I tried to design abstruct space or environment itself.

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Makoto Takei Studio 2017

8


Library in a forest

9


Makoto Takei Studio 2017

10


Library in a forest

1

2

semi-underground 11

3

floor

plan

1:300

1.open-stack

room

2.office

3.closed-stack

room


Makoto Takei Studio 2017

1

2

upper

floor

plan

1:300

1.open-stack

room

2.office 12


Library in a forest

13


Makoto Takei Studio 2017

The structure of the upper floor is simply truss. in the semi-underground floor, nomal piller bear the vertical stress, and short pillers which are put surrounding ground bear the horizontal stress.Thus, there is no wall for bearing from stress.

Section 1:100 14


Library in a forest

Detail section 1:50 15


Makoto Takei Studio 2017

16


Library in a forest

17


Makoto Takei Studio 2017

18


Library in a forest

19


Makoto Takei Studio 2017

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02

Wakakusa-chaya 若草茶屋

Shimizu corporation Competition ‘Chill in Nara’ Instructor :Duration : 4 weeks Loction : Wakakusayama, Nara Main Use : Complex Work with : Mitsuru Ogaki, Jumpei Kasai


Wakakusa-chaya

This project is to design complex building which contains hotel, gallery for folk handicrafts and art, and resting area for climber located on the top of the mountain in Nara city. This is located in the middle of the driveway between city and countryside. Thus,it programatically seems like platform which contains places to appeal about countryside and also to make up for lack of accommodations in the city in Nara.

This architecture is composed by two differnt elements, one is“Mass”made by stone wall which is common material around the site, the other is “reamined space”from the site. The gallery and hotel are in the mass and scattered on the groundlevel. Thus the flow lines are hidden under the ground. THe resting area is composed by the remains the site curved by the mass. The space is continueing from the mountain, and articulated by the mass The roofs divided as small scale are on the frame which put into the stone wall like earthfast.

I proposed architectural composition/how it stands for relatively huge building with complexed programs by using the way that the independent programs/fanctions affect each other by their walls or connect in the sections.

23


Shimizu corporation Competition

Site 1:1500

24


Wakakusa-chaya

1

1

1

1

6

6

8 5

8 3

3

8 1

3

4

3

2

Plan 1:400

25

1.Gallery

2.Room

3.Resting area

4.Foyer

5.Office

6.Spa

7.Kitchen 8.Storage


Shimizu corporation Competition

In Nara, mountains are nearby the city

Platform called“Chaya�which used to be on the way to the trip from city to city

3 6

3

7

Red / Mass for Hotel Blue / Mass for Gallery Yellow / Mass for Office and facilityies

26


Wakakusa-chaya

27


Shimizu corporation Competition

The resting area is divided by the mass,thus the space is opened from the entrance, however some spaces are hidden from view, therefore people can be relax with this huge space. Iside of the mass is space all surrounded by rockwall, thus the space is a kind of closed place. However,it is connected with the other places by the section.

28


Wakakusa-chaya

Trim the view to the city as casual scale by the roof

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Shimizu corporation Competition

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03

-Chan- チャン -

Workshop in Bangkok ‘Encourage Charoenkrung creative district’ Instructor : Ekawat Ophartpongsakorn (KMUTT) Akira Kakuda(KIT) Duration : 1weeks Loction : Charoenkrung creative district, Bangkok Main Use : Extention of museum Work with : Takahiro Shimoda,Teedanai Boonpan, Worapop Atirat, Suttahathai Niyomwas


-Chan-

The site is located by the western building made of brick, which used to be a customhouse, in the center of Bangkok. The customhouse was built in 18th century and need to preserve as an important building in the history. It is going to convert to museum in the future. Thus, this is in the part of the project and going to be the extension of it.

The surrounding buildings are various types, for example, huge tower, traditonal house, customhouse, and so on. Therefore I proposed to mediate surrounding scale, shape and condition with this architecture.

Firatly, I divided the volume to small one, then each of them connects with “chan� which is traditional architectural element in Thailand. Each volume was curved the same window as customhouse, and shaved by the incline of side volumes, such as engaging each other, to make semi-outside space. I proposed that the elevation looks like scattered and belong with next buildingw from distant view, on the toher hand, from close view it makes people feel sense of unity with small scale.

33


Workshop in Bangkok

On the east of the site there is many skyscrapers along Chao Phraya river which is the biggest river in Thailand. In contradistinction,

The traditional architecture style in Thaoland called “chan� to connect divided houses

the westside remains old villages.

34


-Chan-

Name Scale Orientation 1 2 3 4 5

35

Site and 1F plan 1:400

Indoor theater Cafe Office Resting area Exhibition


Workshop in Bangkok

Name Scale Orientation a b c d e

2F and 3F plan 1:300

Exhibition Workshop space Art shop Resting area Outside theater

36


-Chan-

Seaside Elevation 1:250 37


Workshop in Bangkok

Make relation with extension and existing by framing the space of existing window from extension. The window of extension is larger than existing to show the existing as part of the exhibition.

A-A’Section 1:150 38


-Chan-

B-B’Section 1:150 39


Workshop in Bangkok

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04

Drift between old and new 新旧をめぐる

~奈良少年刑務所コンバージョン計画~

Kindai University Masaki Nitta Studio 2016 ‘Conversion project of Nara Juvenile Prison’ Instructor : Masaki Nitta Duration : 15weeks Loction : Narashi, Nara Main Use : Museum and Artist in residence


Drift between new and old

This project is conversion prison to art museum and historical archive. Nara Juvenile Prison which is going to close as a prison before long. is located in Nara, Japan It was built in 1908, built by blicks which is not common material in Japanese archicture. In addiction, it is a great morden architecture, and well-known as one of the few architecture which is adopted panopticon, w h i c h i s s u i t a b l e shape for surveillance in prison.

Existing plan The office and wathchintower are located in the center, and camps are atatched around them. the basement floor is used for strage. They have B1+2F and are made bricks.

Proposal diagram This is a diagram to show the composition of my proposal. I drew a lines connecting the prison and where well known as important place for 3 cultural period (Asuka, Tenpyo, Hakuho) on the map of Nara, and overlayed it on the lines of camps in the prison. I proposed to convert the camps to archives of each culture, and add extention between camps to creat flow line and spaces to exhibit new art. So the sequence become repeat between strong contrast, which is new art and old(histrical) archive as the program, and also between thin light metal (extention) and thick heavy bricks(existiing) as the material.

43

山田寺(白鳳文化) Yamada-dera(Hakuhō pe


riod)

Masaki Nitta Studio 2016

法隆寺(飛鳥文化) Horyu-ji(Asuka period)

平城京(天平文化) Heijō-kyō(Tenpyo period) 獄中芸術 Art in prison

アーティスト・イン・レジデンス Artist in residence

44


Drift between new and old

Remove the concreat wall (remain the bricks one)

Give programs to the camps

Put additions which form like tubes between the camps

and extend the surrounding forest to make the building fit

Those programs are in linear flow lines

and make new flow line for the museum

I proposed to turn the radial plan of panopticon into centrality. I convert the watchtowers located on the center to the huge exhibition hall which through from B1 to 2F. Visitors can see the hall from each camp.

45


Masaki Nitta Studio 2016

Outside articulated by the tubes is used as exhibition

The tubes look same, so it is also used to camouflage the

The flow line of the museum is in between historical exhibitions and art

spaces for huge art or as a void

central carrying flow line

exhibitions(inspired by histrical things) to experience new and old Nara

Name Scale Orientation 1 2 3 4 5

Site and 1F plan 1:400

Hall Exhibition Cafe Plaza Strage

Section 1/250 46


Drift between new and old

In the camps, there are solitary cells which is approximately 1.5m Ă—3m and have a small window on high position. To create enough s p a c e , I r e d u c e d s o m e w a l l s a n d c r e a t e d small historical exhibitions.

In the solitary

cells, Sunlight from highside light is pastel and match to exhibite old historical things.

47


Masaki Nitta Studio 2016

Section 1/250 48


City in the Office

Design exercise Ⅳ ‘New type of office building’

オフィスの中の街

Instructor : Akira Sakamoto Duration : 15weeks Loction : Minami-Horie, Osaka Main Use : Office

49


Design exercise â…Ł

This project area is in Minami-Horie, Osaka. They remain some old townscapes, which used to thrive as a city of furniture, in the northwest side of the site, therefore, the scales of the buildings are still small and there are quiet, calm atmosphere, despite standing in the central of Osaka. On the othere hand, there is a Yotsubashi line on the east and so many buildings. Yet, the rate of vacancy in rental office in this area marked much higher than any other part in Japan. On this site, I propose a complex Office building which has Public open space.

50


City in the Office

The surrounding townscape has uneveness with next buildings. I was interested in the context of this site, thus I had researched how Minami-Horie had created.I thought it could be a part of my concept. This is the research of how the uneveness appeared on the facade.

fig.11How Minami-Horie had created

This is a diagram which represent the uneveness of the city and how it is used by colour. It shows that the uneveness is used as buffer zone between city and indivisual buildings. It seems like a blank space of the building and people use it as they want. It is a kind of the charactor of this

Minami-Horie used to be flourished furniture

As time goes by, the storages are renovated

The differnce between the frame of skelton

production, therefore the storage had

to shops by changing the infill from shatter to

and the infill makes the depth and the

rigid-frame structure with thick columns and

glass or something small scale of fixture

uneveness in the city.

beams.

without changing the skelton.

city, and I would like to propose to design office as if a part of the city.

Red… Apart from buildings   Blue… building   Green… Outside space to buildings

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Design exercise â…Ł

Diagram

This is ordinary office building.

So I proposed to divide the office

Spread the volumes to make inside

Apart from window seats, it makes

building by Volume. The scale of

opened and connect the others. Also

people feel trapped. Also it is

the volumes are refered to small

creat public open space on the roof

divided by floor.

buildings and shops in Horie.

as sky parks in the densed city.

52


City in the Office

53


Design exercise â…£

54


Akira Sakamoto Internship assignment 2015

9tsubo House

‘9tsubo House’ Instructor : Akira Sakamoto Duration : 2weeks Loction : Ibarakishi, Osaka Main Use : Plivate housing

Sequence

Articulation × Connection

Ceiling height × Sight

They are diagrams about Section I spotlight several way to take natural sunlight and how to connect spaces. I composed the sections from them and then created the shape.

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Sun light × Stair


Akira Sakamoto Internship assignment 2015

This small housing is built in densed residential area, which is in suburb of Osaka. contain more than 3people and fit in 6m×6m (≒9tsubo) ×10m.

This house had to

The flagpole site surrounded by 10m

buildings is difficult to take natural sunlight, however, because of the distance from road and srounding buildings, naturally the privacy is protectedand, moreover the site becomes quiet. I dicided to build the house with four-floor in ten-meter in spite of being surrounded by buildings with three-floor. Due to it, the ceiling height on each floor become lower than if it is three-floor building, but instead, I reduced are of each floor and build up with shifting, thereby not feeling tite. In addicion, it is able to take sunlight in variety way and creat a close connection between upper and lower floors. It provides a seamless atomosphere, which is not devided by the floor in general small house, feeling of the sense of unity.

Site plan 1:1000 56


9tsubo House

1st oor

57

Plan 1:75

2nd oor

1: living room 2:washingroom 7:dining room

8:closet

3:bathroom

9:bedroom

4:approach

10:terrace

5:entrance

11:studyroom

6:kitchen


Akira Sakamoto Internship assignment 2015

3rd floor

平面図 1:75

4th floor

1 : リビ ング 2 : 洗 面 所 7 : ダ イ ニ ング

3:浴室

8 : ク ロ ー ゼ ット

4 : アプ ロ ー チ 9:寝室

5:玄関

1 0 : テラス

6 : キッチン

11:書斎

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9tsubo House

59


Akira Sakamoto Internship assignment 2015

1

2

3

4

5

A-A

Section 1:50

1:terrace

2: study room 3:bedroom

4:dining room

5:living room

60


9tsubo House

61


Akira Sakamoto Internship assignment 2015

1

D-D

Section 1:50

1:entrance

2: living room

2

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Oshima Hut

Oshima Proposal Competition ‘Oshima community center’

大島ハット

Instructor : Masahiro Kinoshita Duration : 2weeks Loction : Oshima, Ehime Main Use : Community center Work with: KINO architects,Kinoshita lab

63


Oshima Proposal Competition

In front of the site, there is a space for

1.2 meter wall is standing in front of the

Main street of car and bicycle. Generally,

Main flow of life in Oshima. It has great

Harbor of Oshima island. This is the only way

The only shrine in the island. Festival in

fishery. Events in the island is mostly taken

site. It cuts the view to the sea.

pedestrians are not walk there

atmosphere and it can be called character

to go out and come back to Oshima island

autumn is taken place in front of there.

place there

of Oshima island.

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Oshima Hut

In the competition, it was required to make 5 programs which are community space, bicycle parking

Isometoric drawing

are for rental cycle, terrace, office, and waiting room for a ship. In addition, we can propose anything eles, if it becomes better. Also it was required to make it symbol of the island which does not only in terms of appearance, but also in terms of spiritual meaning for people in the island. Looking back to the history there, temple and shrine used to be anchorage in the island. In the temple, Engawa, which is typical type of terrace in Japanaese buildings, was making relations

fig:1 Wagoya-structure of temple

fig:2 Engawa of temple

with inside and outside, in addition, there are several scenes with Engawa. Inside the temple, it is composed by huge roof with Wagoya structure, which is traditional type of structure, therefore it has human-scale.

Oshima Hut… Roof made by Currugated galvanized

Looking on the site, it is surrounded by event space, levee, harbor (these three are in front of there), path which has typical character in the island, and shrine (these two are in the back), therefore, those

steel sheeting Wagoya-structure… Japanese traditional wooden structure, which is adopted to the temple fig:1

things are mixed. So we thought we should make the site reconstructed with them.

Observatory+Core…Wooden core, office in 1F, stairs in 2F, Observatory on roof top

Oshima Hut makes those surrounding fragments related with the site by using elements which used to be adopted in temple. In the plan, by putting 4 walls around the core(observatory) as pin-wheel, we create a community space and three different size of Engawa. They are put in different levels and make spiral, then going through the core, and reach the top.

Pin wheel wall…Horizontal load imposed on the Pin wheel wall Engawa… three different width engawa(fig:2) are surrounding around the core to see things from different levels

diagram

Surrounding pillar… Vertical load imposed on the surrounding pillars Glass

the site has several relationship with

Put pin-wheel-wall to intend these

Create spiral sequence to make the

little fragments surrounding there

little fragments and Engawa to make

scens related each other

it smooth as a scenery

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Elevation Scale = 1:300


Oshima Proposal Competition

66


Oshima Hut

9

roof plan 1:200

7

1

6

Section 1:150

upper floor plan 1:200 1:

community place+cafe

3:

office

2: 4:

7

5: 6:

7

7: 8:

8

9:

shop

kitchen

equipment compartment bicycle parking area engawa

storage

observatory

10: wooden deck 11: grass

7

12: concrete 13: asphalt

2nd floor plan 1:200

13

6

12

6 4

9

3

1

2 5

8

11

10

7

6

3

1

2

Section 1:150

Site and1st floor plan 1:150


Oshima Proposal Competition

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Polus housing Competition

Voids of Kura

‘Kura surrounded by the present, the future surrounding the present’ Instructor : -

蔵しの庭

Duration : 1weeks Loction : Anywhere in Japan Main Use : Housing project Team work with Hikaru Yuri

Kura inheriting in the site as a shpae Kura, which is Traditional Japanese thick earthen walled storage buildings, used to be a shelter to perserve things for 1 person or 1 familly. In the project, Kura is existing in the site. Therefore, it is not for private, it becomes for public. However, if only it changed from private to public as a program, it is difficult to take a root there and becomes useless. So I propose changing not only program, but also the shape of the housing surrounding the Kura to make it opened toward the city to take a root in the site or city as an own character there.

69


Polus housing Competition

appearing

the

shape

of

Kura

on

the

street

70


Voids of Kura

Living

garden

is

connecting

to

each

other

and

Kura

From room to path connect both sides of road and Kura The Kura located center of the site connects to the road by making voids which shaped like Kura as a living garden. The living garden is half covered with volume, so it is in between outside and inside. To make new relations between room and living garden, house and house, house and Kura, Kura and the city, I propose to remain the Kura as it used to be in terms of form, but change the shapes of the surroundings and how it looks in the city. Site and 1F plan 1:400 71


Polus housing Competition

Sunlight

is

pouring

through

the

attic

2

3

1

2

1 4

1.living garden

2.attic

3. bedroom

4.living room

Section of southside house 1:150

1. garden

2.gallery

Section of Kura 1:150

72


Scale models exhibition - Materiality in context

Kindai University, Exhibition of models 2016 ‘Materiality in context’

建築模型展 - コンテクストの中での素材感

Instructor : Hiroyuki Kakita Duration : 10weeks Loction : Kindai University, Osaka Main Use : Exhibition


Exhibition of models 2016

This project is Exhibition of the models which were built by celebrated architects. Each model has two different scale, one is 1/500 to know how it is standing in the site, the other is 1/20 to know how the materials are used in the context. Also the models are made by only hands to learn how to express them. I took charge of “Barcelona Pavilion� built by Mies van der Rohe in 1929 at Brcelona, Spain.

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Inside and Outside of KYOTO - Reframing boundaries of KYOTO

Workshop in Kyoto Institute of Technology 2017 ‘Inside and outside of KYOTO’

見える / 見えざる京都-都市京都の境界を再読する

Instructor : Patrick Heis and François Charbonnet(Made in Sàrl), Masahiro Kinoshita, Kaoru Iwamoto, Kazue Akamatsu, Takayuki Ikegawa, Kyoto Design Lab Duration : 2weeks Loction : Kyoto Main Use : workshop, research

75


Workshop in Kyoto Institute of Technology 2017

Compared to Europe and America, contexts in Japan is

My team tried to express the distance between people

generally abstract and ambiguous, therefore it is difficult

in Kyoto, not only physically, but also psychologically

to define what the city is like.

such as sequence from gate to shrine, or gate to

This project is a workshop which is to express contexts

entrance in typical townhouse in Kyoto.

in the city, Kyoto by composing movies including three

We tried t express it by metaphorical and poetic way

elements, image, text, and sound. The main theme is

like SANS SOLEIL taken by Chris Marker.

Inside and Outside of KYOTO - Reframing boundaries

During the workshop, I did learn what

of KYOTO . So it was challenging and also ambitious work. The first half was fieldworks to research what could be the

poetic

really means from François and Patric. It was great experience overall.

context and take numerous photos and sounds in the city. Also we discussed what can be the context with the main instructor, Patrick Heis and François Charbonnet(Made in Sàrl). The latter half was editing work to create the movie.

References of the workshop

where we had taken photo in Kyoto

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Thanks for reading

Takato Matsunami portfolio (except for diploma project)  

Kyoto institute of Technology portfolio for intership

Takato Matsunami portfolio (except for diploma project)  

Kyoto institute of Technology portfolio for intership

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